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- A documentary on a 40-year-old orangutan that is locked behind bars.
- A poor vegetable peddler in Paris runs afoul of the law and finds himself ground up in the cogs of the corrupt French judicial system.
- Behind-the-lines documentary filmed by World War II correspondent Jack Lieb. Most of the footage shows areas already cleared by Allied forces as they made their way to Germany.
- In 1986, a concerned young couple ponder the best way to make love for the first time as the radioactive Chernobyl cloud looms over Europe.
- A portrait of Bouda, a 30-year-old young dancer, clandestine for life, a victim of the so-called "double punishment" law who, upon leaving prison, expels children from immigration to countries of origin.
- The director agrees to make a film with a mobile video phone and marries the failures of his sick kidneys and communication through the image. Vision of a cinema captured by itself - (Pocket Films Festival, Centre Pompidou).
- Boris Vian. A novelist? A songwriter? A playwright? A poet? A trumpet player? A music publishing company producer? A singer? A visual artist? An engineer? Well, this man was all of that, without being a Jack of all trades as he was often accused of being. For what united all those various activities was a way of being, what could be called his "jazz attitude". Vian's passion for this style of music indeed inspired his style in all the categories he covered. It even dictated his relation to life and death.
- The life of Jacques Fath, a star of the french Haute Couture who died in 1954, aged only 42.
- A collection of ten 6-minute short films entirely shot with a mobile phone, divided into two thematic concepts: the 80s (five retro films) and the mutants (five anticipation/sci-fi shorts).
- Offers another look at the aftermath of the May 68 Revolution and the years that followed, examining what the French daily newspaper "Libération" was first like just after its creation, from 1973 to 1981, and its general assembly of staff.
- Yvonne Netter, 93 years-old, evokes her feminist combat in the Twenties and her fight for the women's voting rights.
- Summer 1982: the director, Yves Jeuland, made his first trip to Germany as a student, two weeks with his penpals, in Eggenfelden, a small town in Lower Bavaria. Winter 2008: the German penpals are now 40 years old and so is the director.
- A lonely man in the anonymous crowd recalls his difficulty to strive in the wake of the most dire hours of contemporary history. The shadowy memory of the Shoah hardens the daily life where one seeks, desperately, a lightness forever lost.
- A collection of ten 6-minute short films entirely shot with a cell phone, divided into two thematic concepts: 'my twenties today' (five contemporary films) and 'my twenties yesterday' (five retro-flavored shorts).
- In 1989, around Christmas time, a group of young reporters, investigating Les Halles shopping district and the surrounding area, interviews Father de Tinguy, parish priest of Saint-Eustache church, various merchants in the nearby rue Montorgueil, passers-by at the Forum des Halles and wholesalers from Rungis who prepare a meal for the neighborhood's poorest and most vulnerable at the Bourse du Commerce.
- Dedicated to Georges Perec, the film deciphers a Parisian street, Rue de Crimée, starting from the origin of its name, namely a war, to its topography but also to its history and the stories of its residents, those of a mixed neighborhood.
- Filmed over the course of 30 days, in 30 continuous-shots with a cell phone, this diary-like film explores the story of a lost little white dog, who meets people and animals, discovers new places, and keeps going through his everyday life in real time, as he searches for what lies behind the appearances of the trivial, experiencing chance and necessity. In the end, the viewers, divided in small groups, are invited to participate in a film workshop and to shoot a short sequel or a commentary to the film: the 31st sequence-shot. The film is therefore completed with an additional 18-minute sequence.
- One year, 12 months, 12 filmmakers who are filming Paris in an unusual way: "their" Paris before a symbolic date, the night of 12/31/99 to 01/01/00. They are turning one by one the pages of their own Parisian calendar of the year 1999.
- The viewer is invited to a visit of the amazing display of films, projectors, posters and vehicles, some of which unique, collected by two enthusiasts, the late René Charles and Guy Coursaud, then stored in a large warehouse in Angoulême. Besides René Charles' widow and Guy Coursaud himself, a couple of specialists comment to light up your lantern.
- Accompanying video segment for the multimedia presentation of Pascal Auger and Spanish contemporary music composer José Manuel López López's work "La Céleste" for live percussion, pre-recorded audio sequences and video installation.
- Next to Rennes men's prison, as next to almost all the prisons in France, there a Family Support Centre for the prisoners' families. Visitors go there before and after a visit. They come back, every week, sometimes three times a week. They wait. It is a space of its own. Visiting is time consuming. They always arrive early. If they are a few seconds late, the door of the prison will remain closed. So they wait, to be sure to be on time, to be let in. The prison rules infringe upon this place, a passage between the outside and the inside, where all feelings are amplified: frustration, anger, hope, desire, fear, passion... To have the strength to go there, you must be so deeply rooted in life that you can breathe life into this inflated waiting time.This film is about life in that place. It is also an echo of what prison is made of. By choosing to remain exclusively «next door», the film paradoxically offers a direct approach of what the carceral reality is. The hidden side of imprisonment, life outside, without the other. But definitely life, not a subsitute.
- A young boy addicted to video games goes out to buy a new game with his mother, but at the store, he is fascinated by a stuffed monster the seller gives him. One day the plush toy suddenly disappears.
- A young woman had an operation removing the need to sleep. We follow her in a world where dreams break out into real life.
- Delivering a continuous flow of urban landscapes' digitally reworked images where passers-by are seen as anonymous silhouettes, the film offers a poetic monologue commentating on a disenchanted vision of the ghostly ballet of modern life.