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- A documentary about New York City produced in collaboration with the United States Information Agency (USIA) for educational and information purposes.
- A 1964 documentary film about the 1963 civil rights March on Washington.
- Depicts the quality of life in a small river town in the heartland of America. There are thousands of such towns across the United States. Illustrates an old farm couple's memories of play, work, family life, courtship, and marriage.
- Documentary examining the collapse of the WTC buildings, and the 9/11 commission report.
- A documentary combining rare personal footage and well-known archive footage of President John F. Kennedy.
- A documentary portrait of poet, novelist, photographer, and composer Gordon Parks on the set of his first film, The Learning Tree (1969): the first major studio film directed and produced by an African American.
- An psychedelic animated short celebrating America's bicentennial.
- Over footage from Tom Palazzolo's 1967 film O, voiceover narration explains, "Experimenting with collages of sounds, lights, colors, and expanded horizons of patterns and shapes, the experimental filmmakers of the New American Cinema evoke enormous emotional responses from a new generation of film audiences." Zina Bethune's voiceover proceeds to describe the funding models and production methods of contemporary American independent filmmakers, accompanied by footage of Palazzolo shooting a Bolex camera on a boat in Provincetown, MA, seated next to wife Marcia. After a brief stop at frequent collaborator Bernie Beckman's studio, the camera then follows Palazzolo down a Chicago alleyway. He photographs various people around the city while describing his artistic motivations and filmmaking process over voiceover. We then see Palazzolo in his studio, painting an image based on one of his photographs. Palazzolo then introduces his film O before a screening at a community center, which is followed by an excerpt from the film. Palazzolo is then seen walking around a crowded downtown Chicago with his 16mm camera as the credits roll. The year before The Filmmaker was made, the United States Information Agency had asked Palazzolo to serve as a representative of American independent filmmaking abroad. During a three month tour of the Middle East, Ceylon, India, and Turkey, Palazzolo screened his 16mm films for local audiences. This film was made upon Palazzolo's return, and was then shown in the Middle East.
- THE FOUR ELEMENTS is a poetic and avant-garde documentary Curtis Harrington made for the United States Information Agency.
- 2011– 45m7.2 (6)TV EpisodeIn the mid 1950s, much of the direct battle between the US and the Soviet Union was not through contact, but non-contact, namely not allowing anything that represented the other to enter the country. As such, the Soviet regime banned something they thought was uniquely American: jazz music. But the new Soviet leader, Nikita Khrushchev, wanted to show the world that his country was not as repressive as many in the west believed. So he hosted the World Youth Festival in Moscow in 1957, inviting youth from around the world to have a basically western styled party. This opened the floodgates of Soviet youth being exposed to western trappings, including jazz music, which he could not suppress in its entirety following. Over the subsequent few years, this would lead to greater contact between the Soviet and US political leaders - much of it through sanctioned nationalistic trade shows - culminating in a propaganda war over of all things the washing machine. Another battleground was the space race, which was seen as synonymous to the arms race. On earth, two emerging areas were also becoming battlegrounds. One was Africa, where a plethora of newly independent countries were looking for financial support and guidance from the two superpowers. The other was Latin America, first specifically in Guatemala, where the United Fruit Company, an American company controlling commercial trade in Guatemala through the export of bananas, launched a Madison Avenue developed publicity campaign to show its newly elected government as being Communist, even though its policies were not Communist but rather anti-United Fruit. Although this campaign would succeed, it would lead to two anti-Imperialist revolutionaries, Ernesto 'Che' Guevara and Fidel Castro, being able to seize control of the government in Cuba. Castro was not Communist but Nationalist, which many Americans believe to be one in the same. Because of the deterioration of relations between Castro and the US, Castro turned to the Soviet Union for support, when Cuba truly became a Communist country. This battleground contained perhaps the tensest days of the Cold War, most specifically the Cuban Missile Crisis. And a traditional battleground re-emerged when the Soviet regime restricted travel between east and west with the sudden and surprise erection of the Berlin Wall.
- In the 1980s, three people dominated the propaganda agenda in the Cold War. The first is US President Ronald Reagan, a staunch anti-Communist who would do anything to denounce it while putting the US in a positive light. He wanted to look tough, especially through a military build-up since he believed the Soviets far out-muscled the Americans militarily. But his propaganda changed as world issues around him changed, most specifically Soviet Premier Yuri Andropov inviting Maine schoolgirl Samantha Smith to the Soviet Union for a goodwill visit, and the Soviet military shooting down a commercial jet in Soviet airspace. The second is Polish national Pope John Paul II. His succession to Pope was at a tenuous time in Poland. But his anti-Communist stance allowed Lech Walesa and Solidarity to rise in Poland. However, the Communists would not go down in Poland without a fight, which was led by General Wojciech Jaruzelski. And the third is Soviet Premier Mikhail Gorbachev. Despite being a Communist, his growing up period during Stalin's reign shaped his view that Communism should be transparent, which was dubbed glasnost. Although Gorbachev was viewed with great esteem worldwide, he was viewed less so by the Soviet peoples who saw that the propaganda did not match their reality.