Advanced search
- TITLES
- NAMES
- COLLABORATIONS
Search filters
Enter full date
to
or just enter yyyy, or yyyy-mm below
to
to
to
Exclude
Only includes titles with the selected topics
to
In minutes
to
1-50 of 89
- A portrayal of a family torn apart over a little Muslim boy's future.
- Portrait of a contemporary woman living in Dublin. Margaret handles in a very sensitive way- how difficult it is for a mother to grieve the death of a child, even if they are estranged.
- On the night of the strangest wedding in cinema history, a grotesque gang boss hires a stone cold killer to bring him the finger of a fading, drug-addicted jazz legend.
- It follows a rider who, after being dropped from the team, is reinstated following a doping error.
- A fragile young woman, who has tried to escape the dark past of her family, is forced to return to her family's estate. She must relive her previous traumas and confront the true source of her family's guilt.
- THE TOY GUN is a funny dark comedy about a character who looks to show the world the despair his ex-wife has left him in through a poorly thought out gesture, only to find himself worthy to move on thanks to the advice of his reformed ex-con neighbor and his newfound, albeit stolen, cash injection.
- Relentless and well-informed investigation of the "Putin system" of eliminating opponents. In the background, the naivety and compromise of the West
- MOVE! is a documentary dance series developed by Signed Media and ZDF for the European TV network Arte. It discovers movement and dance in a fresh, smart and modern way. It is competent without taboos and goes right to the heart of the matter. This unusual experiment combines traditional and contemporary dance styles as well as everyday movement in 26 minutes per episode. MOVE! is hosted by the multitalented choreographer, dancer and politician Sylvia Camarda from Luxembourg. She translates for the audience the most universal language dwelling within human beings: movement. She takes us on a lively journey, discovering the small codes and the big impulses that haunt us and direct our bodies. MOVE! follows Sylvia Camarda as she meets artists, philosophers, dancers and choreographers, to discover how topical and relevant the language of movement is. In the first season, each episode was devoted to one of the big topics of humanity, like fear, power or digitalization. In the second season of MOVE!, Sylvia Camarda travels through Africa and Europe in order to discover whether, how and why different individuals and cultures differ in their daily routines as well as in their artistic expressions. What characterizes the movements of a collective, a community, a nation? Is the way we run, gesticulate, greet one another or dance already invested in our genes? Or is it the result of traditional, collective experiences that go back centuries? In Soweto, Dakar, Tunis, Paris and Brussels, Sylvia Camarda encounters fascinating artists and intellectuals and explores with them the forces that determine the characteristics of our movements.
- In 1921, a Luxembourgish cartographer visited Albania, preparing the border for the newly independent country. He went on to take part in the chaotic Paris conference of Ambassadors, where an observation he made would change the outcome of the diplomatic gathering.
- Each 26 min. episode follows a different protagonist, and is directed by a different director. In the tradition of pure observational cinema, the viewer is allowed to immerse into the life of the protagonist, whose reality, conflicts and dreams, reflect the various socio-cultural realities of Luxembourg.
- The sitcom follows the young actor Max in his "adventures" with roommates, whom he has to find in order to share the rent after Sophie left him. There will be students, attractive actresses, criminals, housewives, and even a corpse.
- They are the biggest predators on the planet. They can be up to 20 meters long and they clearly exceed 50 tons. They are the champions of apnea. They are the conquerors of the depths, where nothing is seen, where the pressure is 60 times greater than that of the surface, pressure that would literally make us implode. For a long time, we could not dive with them. They were hunted and decimated until the 70s, for over a century (35,000 sperm whales per year !). Those who survived flee the boats. But today, in a few places in the world, we have managed to regain their confidence. We will follow the explorers of this new world, François Sarano, a former member of the Cousteau team, and Pierre Gallego from the Luxembourgish association Odyssea. Thanks to them, we can finally meet them, where they live, in the immensity of the oceans.
- When her mother dies, Julie discovers that her father is not her real father. Troubled, she begins to look for answers.
- When Zoé and Ben, a married couple, spend the night in a hotel in the city of Paris, their sleep is disturbed by a noise coming from the next room. At first, they think it's a mouse messing around inside a paper bag in the trash can. However, they suddenly notice that the paper bag itself is making noises and seems to be breathing. Ben attempts to approach the matter logically, but Zoe's emotional reaction indicates that the bag has found its way into their lives for a deeper reason.
- On National Day, a woman neglected for too long by those around her decides to desperately draw attention to herself.
- While a Chinese businessman wants to take control of the interoceanic route in Nicaragua, actor and teacher Yemn creates a play with the local kids to reflect on their history, their identity and the country's future.
- Sexuality is omnipresent and determines society in both the Occident and the Orient. The eternal dance and struggle of the sexes is as old as humanity itself. In Tunisia, there is a conflict between "man" and "woman". The country of the belly dance is known for its sensuality, but its regime dictates morality. With the Arab Spring in 2011, the people broke free from the autocracy. But they have to keep fighting - for a sexual revolution. Above all: the dancers. They are organizing the political awakening, dancing against the law, for equal rights and sexual self-determination. Can their dance break taboos? How does Tunisia move between sensuality and shame? Is their dance inspired by the suppressed sexuality? And how is the struggle of the sexes reflected in their movements?
- What defines us as human beings - our origin, appearance or history? How is our identity defined? Young and old are arguing about this in Senegal. The youth is committed to a better future. It protests "Y'en a marre. We have had enough!" and demands: Stop rituals, superstitions and old structures. But the elderly are protecting their culture and holding on to its traditions. A compromise is urgently needed - and has been found by the dance scene. Innovatively and courageously, dancers merge tradition and modernity. Their "African Dance" has become an identity and an opportunity, also abroad. How strongly are movements shaped by traditions? Can these movements be rewritten? Can dancers break open Senegal's old structures? And where is the country headed?
- Genetically, we humans are 99 percent identical. But that does not stop us from fighting. The traumatic history of South Africa can still be felt to this day. In 1994, apartheid ended after 90 years. However, social inequality continues to exist. The divided Rainbow Nation moves together against the consequences of apartheid: It dances Pantsula, which originated in the miners' townships. In the 1980s, Blacks demonstrated their opposition to the racist regime with Pantsula. Today, Zulu and Xhosa, men and women, workers and students dance together for a just South Africa. Their moves tell of tradition and change, migration and forced labor. How does the multicultural South Africa move? Is its trauma reflected in its movements? Can the dancers from the townships change society? And what is the future of Pantsula?
- 2015–2020TV Episode