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- Now that too. As soon as the model Bavarian Toni Freitag has properly integrated his son-in-law Osman, daughter Franzi drags an uninvited boarder from Berlin - in the person of her mother-in-law Farah. Unfortunately, good Toni gets along with the quick-witted businesswoman like cats and dogs. Servus. The fact that Farah has left her stubborn "Pascha" Mesut and her wedding dress shop and wants to stay indefinitely also shakes the ideal world of the reigning shooter king. His wife Anne soon showed a rapidly decreasing willingness to keep his back in the family and in the company as before. His lonely decision to run for the successor of the tired mayor Seidel pissed Anne just as much as Toni's full-bodied election promise to build a new shooting club. The beautiful Bergham needs a children's house much more urgently. To push through this, Anne starts a candidacy for a fight with the support of Farah and Franzi. With this concentrated female power, Toni doesn't just want to rely on athletic means during the election campaign. When his unfair machinations are exposed, however, he has to jump over his shadow to avert a total fiasco.
- Kenan and Lissi live fence to fence in a Munich semi-detached house - and yet in different worlds. He is an orderly petty bourgeois who does not tolerate a speck of dust in his house and meticulously dedicates himself to growing roses in the garden. No wonder that she, a bestselling author and bon vivant, has little use for the philistine next door. There is only one thing that connects them both: Lissi is the landlady of Kenan's semi-detached house. When the bank threatened to sell her foreclosure because of outstanding installment payments, it naturally affected him too. The widower definitely doesn't want to move. So he has to help Lissi with her problems and even take her in after an apartment fire. Kenan, a construction manager by trade, sees only one solution to the common problem: Lissi has to deliver the last part of her romance novel trilogy as quickly as possible. However, she suffers from writer's block, the result of breaking up with her unfaithful ex-husband and publisher Wolfgang. Giving him a happy ending in book form - Lissi doesn't even want to think about that. Ironically, through Kenan, whom his adult children Aysel and Can want to pair off with a Turkish woman, Lissi's petrified emotional world is now moving. Her daughter Sofie doesn't like that any more than Kenan's son. They want to ensure that the community of convenience does not become more.