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- An atheist archaeologist turned believer must race against time to prove the true existence of the legendary Ram Setu before evil forces destroy the pillar of India's heritage.
- Once upon a time in a village, an old lady steals the rooster and the sun never rises again.
- Underscoring the themes of caste politics and discrimination, Champaran Mutton follows the story of a family based in Bihar and their everyday struggles, spun around a motive leading to cook and relish Champaran Mutton, a local Bihari delicacy.
- Kaki is a 70 year old widow who lives with her Nepali domestic help, Malti in Mumbai. The film takes place on one afternoon in their house where a flower blossoms in the balcony. Malti meets a boy, a sailor from her hometown unexpectedly. In the meanwhile, men in the passage spray mosquito repellant that gives Kaki bad dreams.
- A personal exploration of one's lost identity, reflecting upon the oral literature passed through generations within the Gor-Banjara tribe
- Namdeo has learnt to live off the forest from his father. He stares at the treetops, searching for honey. The wind blows and afternoon descends on the small village by the jungle. Women of the village, whisper little secrets of their lost loves. Never seen, and only heard. A strange smoke emits from the ground, like a dream of a time gone by.
- Madhav, a playful 8-year-old boy who has spent most of his time playing outdoors in the village, is being sent to town for educational purposes.
- Krishnan (9) gets fascinated with the story of Barbarik, a prince from Mahabharata who could end the war in a minute but was not allowed by Lord Krishna to fight the war. The boy hunts around this complex and fascinating myth of Barbarik in real world who he believes owns a blue horse and has lotus marks under his feet. The boy creates his own world and wanders to find Barbarik's blue horse. The way myth and religion drive our lives in India, Krishnan's life is also driven by the myth as told to him by his grandmother and he believes that reaching Barbarik would help him solve the problems between his father and the mother. The blue horse becomes the metaphor of the little boy's view of the world. At a point the myth and reality of the little boy collide.
- An advertising professional is sent to a mysterious hotel by his employer.
- Pochamma, a young girl, has now fallen in love with the sea. The film unfolds when an outcast witch helps the girl to express her love to the sea and take revenge on her father. Through a black leaf, the film traverses on different eventualities and ends on a transcendental journey of jubilance of these two spirited women and Pochamma's expression of love culminating on the sea.
- Young couple finds a way to have their own time while handling a bed-ridden father on a stormy rainy night.
- A documentary film-maker comes to a film school in search of a legendary student leader. But instead of a revolutionary, he stumbles across a revolution in the making. The ingredients are all there but the circumstances are absurd. Both the warring parties seem to exist in a world of their own choosing. While one faction prefers to walk backwards, cover their heads and always talk on the phone; the other prefers to escape this 'reality' and sit on trees instead.
- Due to the caste hierarchy in Golegaon, the Adivasi people in the village struggle to hold onto their traditions and assert their own individual identity as a community in the very place that has belonged to them for generations.
- A father son relationship story, that starts on an indifferent note of misunderstandings and wrong conceptions, but goes on to develop into a beautiful, friendly relationship. Even when this seemingly ideal relationship runs into physical barriers, caused by accidents and ultimately death itself, the relationship seems to continue spiritually, giving the much needed inspiration for the one who is left behind. A chronicle of a family, exploring how this regime continues from generation to generation, even through the void caused by absence on a physical plane, is made up through the constant inspiration on the spiritual level.
- A tale of love and longing and loss, four intersecting stories on the road, on the night before the festival of colors - Holi.
- Matsya attempts to tell a story of love, loss, the inevitable regret. The film is inspired by philosophy of life , complimenting change and accepting the reality of life-that it's "better to have loved and lost, rather than not having loved". The story is symbolized by adopting inspirations from the Indian mythological tales and folklore, especially of the titular fish god --Matsya, and weaving into it, an amalgamation of Indian astrological signs and the tribal culture of rural central India that speaks Nimadi - the film's spoken language. In a sparse but scenic land, with its geography and period unfounded & untouched, Meena (inspired by Pisces) lives an isolated rural life, characterized by his surreal abode that mirrors his volatile, emotional, and magical inner life, while the vast lush landscapes and lake create a harmonic balance needed to set the stage for Bhumi (inspired by Taurus), a more pragmatic presence that will bring stability and peace of mind in his life. Where the character of Meena is driven by forces of Nature that drives a Piscean, Bhumi on the other hand is monitored by forces of earth or land. The story begins was Bhumi leaves, and Meena is left alone -- in an absolute sense of devastation. With an intention of changing the past to fix his present, following the advice of a mysterious man, Meena sets out on a fantastical journey, hoping to change his past. The magical water of the lake helps him maneuver through aids. The entire story of Meena and Bhumi unfolds in reverse, where cause follows consequence, and conflict follows resolutions.
- An unfaithful woman, her husband, the young servant and a crime of passion.
- Yesterday I was there,it was a planet of rock and water;other than that I just remembered the blue.. .. then someone told from my left that you overslept. Prisoners of impossible dreams listening to the story of a king who wants to build a map as big as his country.. 'But you are supposed to tell me a different story!' - 'Am I?',the spider replied.
- Exploring self interrogating midnight poems dealing with insecurities, vulnerability and aspirations of a migrant youth living an urban life.
- The film follows fragmented journeys of a group of young people in the city of Mumbai. All of them are working on a film in different positions. They keep negotiating with their insecurities in the film crew and also difficulties in their personal lives.The film that they are working on, is a story of a young cab driver's victimization and violent revenge. Increasingly the fiction starts finding uncanny resonances in the fragmented journeys of the youngsters.
- Bholaram is a simpleton who plays the trumpet at weddings but dreams of going to the city and making it big. But he has no money and nothing precious to sell except his trumpet, which he holds dearer than life itself.
- A young man and woman share an apartment wall in a multi-storied apartment building in the city of Mumbai.
- A reflection on celluloid dreams, fathers and sons, and the cyclical universe presented as a portrait of the erstwhile Prabhat Studio through the reunion of some of its oldest workers.
- Brooding over a recent breakup, seismologist Pradipta aka Paddy travels to a village for a field research. Amidst ignoring the calls of her ex and gathering data of waves causing earthquakes, she experiences an unsuspecting tremor there.
- A little boy Mangal sees a news on television that human can reach on Mars in future. Mangal is inspired from the news and he wants to go to planet MARS for his own happiness, joy and want to celebrate his life with his true friend Balu.
- The film follows a migrated labour couple and the labour contractor at a construction site in a rapidly developing Indian city. It focuses on their inter-dependency , care for each other and attempt to co exist beyond the social morality or their own personal disasters. More than the simple binary of right-wrong or oppressed-oppressor the characters are portrayed in different shades of grey, to cope up with the complexities of our time.
- music video based on the poetry of Naveen Sagar
- A young boy, Rahul, hopes to write a book on his experience of growing up in his village. His mother, being deeply connected with nature, can sense messages and signs arising from nature. Urmila, a pregnant lady, is driven by sensorial experiences. But, In contrast to the serenity and harmonious living; there lurks a violent societal past.These peaceful and quiet lives intersect in a space where traumatic memories of death and loss in Assam's thirty years of secessionist movement keep resurfacing.
- 'Traces: stories' loiters around the 'Konkan' region of Maharashtra, India. Where many traces from distant past scattered all around. But instead of factual records, it travels through the local legends, stories, personal memories of the local people. Where myth/story isn't in conflict with history but a complementary component, an extension. Recent past, Ancient history, Documented record, rumors, local stories, dreams all gets intertwined in this journey. We traverse the memory of arrival of a large blue whale at the adjacent seashore, the oral myth of 'Bene Israel' community about their arrival in India as well as other remains of the history like the very first Portuguese fort, an abundant royal bath of the Nizam etc. It's a dialogue between myth and history, facts and fiction. It deals with the memory of the people who lives there and the way they want to remember, the way they are rewriting.
- Sainath, 25, is a film student in Pune, India and his grandmother, Sunila, 80, lives far away in the village of Merces in Goa, India. They share a 'film letter' with each other.
- Short
- A heartwarming documentary on the marginal dwellers of Malegaon confronting threats of evacuation to make space for a highway.
- This film is about transformation of life while living in a lonely city and about Hope.