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1-50 of 73
- A selfless young woman (Supriya Choudhury) sacrifices her own happiness for her unappreciative family.
- An angry young man on trial in 1971,a rainstorm in a slum in 1933,a lower-middle-class family during the 1943 famine,teenage smugglers in 1953 and a middle-class group in a posh hotel in 1971.
- This film depicts a romantic love story.
- Ranjit cannot get a middle-class job just because he cannot get hold of a suit.
- The servant boy, a minor, engaged in a middle class family dies mysteriously locked in a kitchen.
- A young girl's crush on a movie star has a chance of blossoming into love when the pair meet...but fate has a twist in store.
- A teacher helps a young boy come to terms with the harsh realities of life. Just when the boy is starting to learn his lessons, his teacher disappears. Now, he decides to find her.
- A couple moves into a beautiful duplex and starts experiencing paranormal activities.
- Banku Babu dominates his entire household, till he meets with an accident which leads to amnesia. What happens next?
- Institute of Ten-fold Mastery(Dash Mahabidyalay). It is an unbelievable college at Taskar Nagar. The syllabus includes Bank rubbery honours, pick pocket honours, snatching honours, filching honours, fake currency printing honours etc. The toppers of the present batch are Kartik (Shaswata Chattopadhya) and Ganesh (Biswanath Bose ) under the auspices of Principal, Dharmadas Maharaj (Kharaj Mukherjee). Dharmadas's devotion to make successful thieves from this institute is unquestionable. The duo Kartik and Ganesh have enrolled themselves to learn the greatest degree of all thefts.."heart-stealth". Thus they landed at the institute and became colleagues with Safai Lal, who is extremely aspirant and focussed to become future minister and thus joined to learn some tricks of the trade.
- Two middle-aged daughters of Bhagabati come together with their families in their old house to celebrate Durga Puja.
- A highly critical look at the role of "progressive" art and artists in a changing society.
- Ajay Sarkar, a lower middle-class man pretends to be a successful businessman in order to win the hand of Monica, a girl from an affluent family.
- Haralal arranges a fake will and makes Rohini, an orphaned widow, agree to change the original will for the fake one.
- Bimal comes to Balaspur as a school lecturer where he meets different types of people.
- Ananda, a peace-loving person, lives with his wife Seema and daughter Dolon. Things turn upside down when he seeks help from a small-time criminal to get rid of his daily tribulations.
- Buro Sadhu is a film which speaks about a man's journey from boyhood to manhood - his disturbed family life, his relationships and his passion for films as a medium of storytelling.
- Punascha is a serious film about the relationship between an elderly author and his old flame which hits the headlines one fine day when things goes all wrong.
- Ramu,eldest son a family of migrants to Calcutta,is a fresh graduate searching for a job like many others in post-Partition Calcutta.
- Ekla Akash' is a story of love, despair, infidelity and a tragedy in general. It deals with a troubled marriage between a young couple, Arijit and Nisha. The ambitious couple have reached a point in their relationship from where there is no turning back so they continue to live with each other and their child is also born. Arijit's infidelity is primarily the reason as he is having an affair with his colleague . Arijit also has questions regarding Nisha's special relationship with her mentor S.R, who is a film director and wants to make a film star. Eventually he does make her a star, but it only makes things worse.
- A successful businessman is accused of rape and murder and his ex law school professor and a succesful lawyer is hired to release him of all charges.
- This film explores the depths of what, on the surface, seems to be a picture-perfect family of Indians in America.
- Mon Mane Na is a 1992 Bengali romance film featuring Prosenjit Chatterjee and Silpa Das. It was Silpa Das first film.