10 Of The best "CREEPIEST" Actors in the history of film
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Kevin Spacey Fowler, better known by his stage name Kevin Spacey, is an American actor of screen and stage, film director, producer, screenwriter and singer. He began his career as a stage actor during the 1980s before obtaining supporting roles in film and television. He gained critical acclaim in the early 1990s that culminated in his first Academy Award for Best Supporting Actor for the neo-noir crime thriller The Usual Suspects (1995), and an Academy Award for Best Actor for midlife crisis-themed drama American Beauty (1999).
His other starring roles have included the comedy-drama film Swimming with Sharks (1994), psychological thriller Seven (1995), the neo-noir crime film L.A. Confidential (1997), the drama Pay It Forward (2000), the science fiction-mystery film K-PAX (2001)
In Broadway theatre, Spacey won a Tony Award for his role in Lost in Yonkers. He was the artistic director of the Old Vic theatre in London from 2004 until stepping down in mid-2015. Since 2013, Spacey has played Frank Underwood in the Netflix political drama series House of Cards. His work in House of Cards earned him Golden Globe Award and Emmy Award nominations for Best Actor.
As enigmatic as he is talented, Kevin Spacey for years kept the details of his private life closely guarded. As he explained in a 1998 interview with the London Evening Standard, "the less you know about me, the easier it is to convince you that I am that character on screen. It allows an audience to come into a movie theatre and believe I am that person". In October 2017, he ended many years of media speculation about his personal life by confirming that he had had sexual relations with both men and women but now identified as gay.
There are, however, certain biographical facts to be had - for starters, Kevin Spacey Fowler was the youngest of three children born to Kathleen Ann (Knutson) and Thomas Geoffrey Fowler, in South Orange, New Jersey. His ancestry includes Swedish (from his maternal grandfather) and English. His middle name, "Spacey," which he uses as his stage name, is from his paternal grandmother. His mother was a personal secretary, his father a technical writer whose irregular job prospects led the family all over the country. The family eventually settled in southern California, where young Kevin developed into quite a little hellion - after he set his sister's tree house on fire, he was shipped off to the Northridge Military Academy, only to be thrown out a few months later for pinging a classmate on the head with a tire. Spacey then found his way to Chatsworth High School in the San Fernando Valley, where he managed to channel his dramatic tendencies into a successful amateur acting career. In his senior year, he played "Captain von Trapp" opposite classmate Mare Winningham's "Maria" in "The Sound of Music" (the pair later graduated as co-valedictorians). Spacey claims that his interest in acting - and his nearly encyclopedic accumulation of film knowledge - began at an early age, when he would sneak downstairs to watch the late late show on TV. Later, in high school, he and his friends cut class to catch revival films at the NuArt Theater. The adolescent Spacey worked up celebrity impersonations (James Stewart and Johnny Carson were two of his favorites) to try out on the amateur comedy club circuit.
He briefly attended Los Angeles Valley College, then left (on the advice of another Chatsworth classmate, Val Kilmer) to join the drama program at Juilliard. After two years of training he was anxious to work, so he quit Juilliard sans diploma and signed up with the New York Shakespeare Festival. His first professional stage appearance was as a messenger in the 1981 production of "Henry VI".
Festival head Joseph Papp ushered the young actor out into the "real world" of theater, and the next year Spacey made his Broadway debut in Henrik Ibsen's "Ghosts". He quickly proved himself as an energetic and versatile performer (at one point, he rotated through all the parts in David Rabe's "Hurlyburly"). In 1986, he had the chance to work with his idol and future mentor, Jack Lemmon, on a production of Eugene O'Neill's "Long Day's Journey Into Night". While his interest soon turned to film, Spacey would remain active in the theater community - in 1991, he won a Tony Award for his turn as "Uncle Louie" in Neil Simon's Broadway hit "Lost in Yonkers" and, in 1999, he returned to the boards for a revival of O'Neill's "The Iceman Cometh".
Spacey's film career began modestly, with a small part as a subway thief in Heartburn (1986). Deemed more of a "character actor" than a "leading man", he stayed on the periphery in his next few films, but attracted attention for his turn as beady-eyed villain "Mel Profitt" on the TV series Wiseguy (1987). Profitt was the first in a long line of dark, manipulative characters that would eventually make Kevin Spacey a household name: he went on to play a sinister office manager in Glengarry Glen Ross (1992), a sadistic Hollywood exec in Swimming with Sharks (1994), and, most famously, creepy, smooth-talking eyewitness Verbal Kint in The Usual Suspects (1995).
The "Suspects" role earned Spacey an Oscar for Best Supporting Actor and catapulted him into the limelight. That same year, he turned in another complex, eerie performance in David Fincher's thriller Se7en (1995) (Spacey refused billing on the film, fearing that it might compromise the ending if audiences were waiting for him to appear). By now, the scripts were pouring in. After appearing in Al Pacino's Looking for Richard (1996), Spacey made his own directorial debut with Albino Alligator (1996), a low-key but well received hostage drama. He then jumped back into acting, winning critical accolades for his turns as flashy detective Jack Vincennes in L.A. Confidential (1997) and genteel, closeted murder suspect Jim Williams in Midnight in the Garden of Good and Evil (1997). In October 1999, just four days after the dark suburban comedy American Beauty (1999) opened in US theaters, Spacey received a star on the Hollywood Walk of Fame. Little did organizers know that his role in Beauty would turn out to be his biggest success yet - as Lester Burnham, a middle-aged corporate cog on the brink of psychological meltdown, he tapped into a funny, savage character that captured audiences' imaginations and earned him a Best Actor Oscar.
No longer relegated to offbeat supporting parts, Spacey seems poised to redefine himself as a Hollywood headliner. He says he's finished exploring the dark side - but, given his attraction to complex characters, that mischievous twinkle will never be too far from his eyes.
In February 2003 Spacey made a major move back to the theatre. He was appointed Artistic Director of the new company set up to save the famous Old Vic theatre, The Old Vic Theatre Company. Although he did not undertake to stop appearing in movies altogether, he undertook to remain in this leading post for ten years, and to act in as well as to direct plays during that time. His first production, of which he was the director, was the September 2004 British premiere of the play Cloaca by Maria Goos (made into a film, Cloaca (2003)). Spacey made his UK Shakespearean debut in the title role in Richard II in 2005. In 2006 he got movie director Robert Altman to direct for the stage the little-known Arthur Miller play Resurrection Blues, but that was a dismal failure. However Spacey remained optimistic, and insisted that a few mistakes are part of the learning process. He starred thereafter with great success in Eugene O'Neill's A Moon for the Misbegotten along with Colm Meaney and Eve Best, and in 2007 that show transferred to Broadway. In February 2008 Spacey put on a revival of the David Mamet 1988 play Speed-the-Plow in which he took one of the three roles, the others being taken by Jeff Goldblum and Laura Michelle Kelly.
In 2013, Spacey took on the lead role in an original Netflix series, House of Cards (2013). Based upon a British show of the same name, House of Cards is an American political drama. The show's first season received a Primetime Emmy Award nomination to include Outstanding lead actor in a drama series. In 2017, he played a memorable role as a villain in the action thriller Baby Driver (2017).- Actor
- Producer
Boyish-looking Peter Sarsgaard was born on March 7, 1971, at Scott Air Force Base, in Bellville, Illinois, to Judy Lea (Reinhardt) and John Dale Sarsgaard, an engineer who worked for the Air Force and later Monsanto and IBM. He is a graduate of St. Louis' Washington University, where he majored in history and literature.
Initially trained with the Actors' Studio in New York, Peter began in comedy and became a co-founder of the comedy improvisational group Mama's Pot Roast. Such off-Broadway productions included Horton Foote's "Laura Dennis" and John Cameron Mitchell's "Kingdom of Earth."
He made his screen debut in Tim Robbins' Dead Man Walking (1995) and was given more sizable roles in Desert Blue (1998) and The Man in the Iron Mask (1998), as the ill-fated son of the Musketeer Athos, played by John Malkovich. Peter then started gracing the art-house circuit, making a violent, searing impression as a homophobic killer in Boys Don't Cry (1999) starring two-time Oscar-winner Hilary Swank as a trans-gendered teen.
Other impressionable offbeat roles for Peter that have thrilled critics from coast to coast include Shattered Glass (2003), which earned him a slew of awards including the prestigious National Society of Film Critics Award. Prior to that, he showed off his versatility with portrayals ranging from a Russian nuclear reactor officer in K-19: The Widowmaker (2002) to a drug addict in The Salton Sea (2002). Other heralded performances include Garden State (2004) and, notably, Kinsey (2004).
On TV, Peter appeared in recurring/regular roles in several critically applauded series and mini-series including The Killing (2011), The Slap (2015), Wormwood (2017) (as ill-fated Army scientist Frank Olson), The Looming Tower (2018) and Running Naked in the Universe (2019). More recent films include Knight and Day (2010), the villain in the DC Comics entry Green Lantern (2011), the Woody Allen drama Blue Jasmine (2013), Experimenter (2015), Jackie (2016) (as Bobby Kennedy), The Magnificent Seven (2016), Loving Pablo (2017), The Sound of Silence (2019) and Human Capital (2019).
In 2009, Sarsgaard married actress Maggie Gyllenhaal and have two children. He co-starred in the movie she wrote and directed -- The Lost Daughter (2021) starring Olivia Colman.- Actor
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American actor, filmmaker and activist Edward Harrison Norton was born on August 18, 1969, in Boston, Massachusetts, and was raised in Columbia, Maryland.
His mother, Lydia Robinson "Robin" (Rouse), was a foundation executive and teacher of English, and a daughter of famed real estate developer James Rouse, who developed Columbia, MD; she passed away of brain cancer on March 6, 1997. His father, Edward Mower Norton, was an environmental lawyer and conservationist, who works for the National Trust for Historic Preservation. Edward has two younger siblings, James and Molly.
From the age of five onward, the Yale graduate (majoring in history) was interested in acting. At the age of eight, he would ask his drama teacher what his motivation in a scene was. He attended theater schools throughout his life, and eventually managed to find work on stage in New York as a member of the Signature players, who produced the works of playwright and director Edward Albee. Around the time when he was appearing in Albee's Fragments, in Hollywood, they were looking for a young actor to star opposite Richard Gere in a new courtroom thriller, Primal Fear (1996). The role was offered to Leonardo DiCaprio but he turned it down. Gere was on the verge of walking away from the project, fed up with the wait for a young star to be found, when Edward auditioned and won the role over 2000 other hopefuls. Before the film was even released, his test screenings for the part were causing a Hollywood sensation, and he was soon offered roles in Woody Allen's Everyone Says I Love You (1996) and The People vs. Larry Flynt (1996). Edward won the Golden Globe for Best Actor in a Supporting Role and received an Oscar nomination for Best Supporting Actor for his performance in Primal Fear (1996). In 1998, Norton gained 30 pounds of muscle and transformed his look into that of a monstrous skinhead for his role as a violent white supremacist in American History X (1998). This performance earned him his second Oscar nomination, this time for Best Actor.
He received his third Oscar nomination, for Best Supporting Actor, for his work in Birdman or (The Unexpected Virtue of Ignorance) (2014). His most prominent roles also include the critically acclaimed Everyone Says I Love You (1996), The People vs. Larry Flynt (1996), Fight Club (1999), Red Dragon (2002), 25th Hour (2002), Kingdom of Heaven (2005), The Illusionist (2006), Moonrise Kingdom (2012), and The Grand Budapest Hotel (2014). He has also directed and co-written films, including his directorial debut, Keeping the Faith (2000). He has done uncredited work on the scripts for The Score (2001), Frida (2002), and The Incredible Hulk (2008).
Alongside his work in cinema, Norton is an environmental and social activist, and is a member of the board of trustees of Enterprise Community Partners, a non-profit organization for developing affordable housing founded by his grandfather James Rouse.- Actor
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Peter Lorre was born László Löwenstein in Rózsahegy in the Slovak area of the Austro-Hungarian Empire, the son of Hungarian Jewish parents. He learned both Hungarian and German languages from birth, and was educated in elementary and secondary schools in the Austria-Hungary capitol Vienna, but did not complete. As a youth he ran away from home, first working as a bank clerk, and after stage training in Vienna, Austria, made his acting debut at age 17 in 1922 in Zurich, Switzerland. He traveled for several years acting on stage throughout his home region, Vienna, Berlin, and Zurich, including working with Bertolt Brecht, until Fritz Lang cast him in a starring role as the psychopathic child killer in the German film M (1931).
After several more films in Germany, including a couple roles for which he learned to speak French, Lorre left as the Nazis came to power, going first to Paris where he made one film, then London where Alfred Hitchcock cast him as a creepy villain in The Man Who Knew Too Much (1934), where he learned his lines phonetically, and finally arrived in Hollywood in 1935. In his first two roles there he starred as a mad scientist in Mad Love (1935) directed by recent fellow-expatriate Karl Freund, and the leading part of Raskolnikov in Crime and Punishment (1935), by another expatriate German director Josef von Sternberg, a successful movie made at Lorre's own suggestion. He returned to England for a role in another Hitchcock film, Secret Agent (1936), then back to the US for a few more films before checking into a rehab facility to cure himself of a morphine addiction.
After shaking his addiction, in order to get any kind of acting work, Lorre reluctantly accepted the starring part as the Japanese secret agent in Thank You, Mr. Moto (1937), wearing makeup to alter his already very round eyes for the part. He ended up committed to repeating the role for eight more "Mr. Moto" movies over the next two years.
Lorre played numerous memorable villain roles, spy characters, comedic roles, and even a romantic type, throughout the 1940s, beginning with his graduation from 30s B-pictures The Maltese Falcon (1941). Among his most famous films, Casablanca (1942), and a comedic role in the Broadway hit film Arsenic and Old Lace (1944).
After the war, between 1946 and '49 Lorre concentrated largely on radio and the stage, while continuing to appear in movies. In Autumn 1950 he traveled to West Gemany where he wrote, directed and starred in the critically acclaimed but generally unknown German-language film The Lost Man (1951), adapted from Lorre's own novel.
Lorre returned to the US in 1952, somewhat heavier in stature, where he used his abilities as a stage actor appearing in many live television productions throughout the 50s, including the first James Bond adaptation Casino Royale (1954), broadcast just a few months after Ian Fleming had published that first Bond novel. In that decade, Lorre had various roles, often to type but also as comedic caricatures of himself, in many episodes of TV series, and variety shows, though he continued to work in motion pictures, including the Academy Award winning Around the World in 80 Days (1956), and a stellar role as a clown in The Big Circus (1959).
In the late 50s and early 1960s he worked in several low-budget films, with producer-director Roger Corman, and producer-writer-director Irwin Allen, including the aforementioned The Big Circus and two adventurous Disney movies with Allen. He died from a stroke the year he made his last movie, playing a stooge in Jerry Lewis' The Patsy (1964).- Actor
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Klaus Kinski was born as Klaus Günter Karl Nakszynski in Zoppot, Free City of Danzig (now Sopot, Poland), to Susanne (Lutze), a nurse, and Bruno Nakszynski, a pharmacist. He grew up in Berlin, was drafted into the German army in 1944 and captured by British forces in Holland. After the war he began acting on the stage, quickly gaining a reputation for a ferocious talent and an equally ferocious temper. He started acting in films shortly afterward, showing an utter disregard for the quality of the productions he appeared in and churning out so many that a complete filmography is almost impossible to assemble.
However, he did turn out memorable work for director Werner Herzog, a similarly driven and obsessive character. Herzog and Kinski pushed each other to extremes over a 15-year working relationship, which finally ended after filming Cobra Verde (1987), a production plagued by volcanic clashes between the star and director, involving--among other things--violent physical altercations and mutual death threats. He subsequently directed and starred in the notorious Paganini (1989), his only film as director and which was marked by (again) clashes between Kinski and his producers, who accused him of turning their movie into a pornographic film and sued him in court. His autobiography, "All I Need is Love", a vicious attack on the film industry, was withdrawn for legal reasons and subsequently re-released as "Kinski Uncut" in the US & UK, "Ich brauche Liebe" in Germany, and in various other languages.- Actor
- Soundtrack
Who could forget Colin Clive's "It's Alive! It's Alive!" as he melted to the floor mumbling the same over and over in ecstasy after his success at animating the Monster in the first sound version of Frankenstein (1931). Film history - horror film history - but part of a short history for actor Colin Clive - he died at 37 years of age. The son of a British army colonel on assignment in France at the time of Colin's birth, Clive the younger might have been expected to follow an army career-his ancestor was Baron Robert Clive, founder of the British Indian Empire. But he became interested in theater instead. His acting talents progressed through the 1920s to sufficient degree to replace Laurence Olivier who was starring in the R. C Sherriff play "Journey's End" in London. The director was up-and-coming James Whale, who had also been working his way up in London stage and film work as a budding scene designer and director. Among his stage and entertainment acquaintances in London was Elsa Lanchester - the future bride of Frankenstein. When Olivier moved on to other stage work, the play moved to the Savoy Theater in London with Clive in the lead in 1928.
Whale was waiting for the opportunity to move onto Broadway and Hollywood films. The success of "Journey's End" gave Whale his break. Broadway called for the play with him as both director and scene designer. It opened in March of 1929 but with Colin Keith-Johnston in the lead. Nevertheless, Clive came to New York as well to await developments. Halfway through 1930, the play had ended, and Whale was contracted by Paramount as a dialog director. Things continued to unfold quickly. Whale was very soon called on to direct what would be the first British/American co-produced sound film, a movie version of the popular Journey's End (1930). Whale got Clive back as the lead-the laconic, alcoholic Capt. Stanhope. And Clive showed on screen what came out in his stage performances - a measured intensity to his character, bolstered by his unique cracked baritone voice - seemingly always on the edge of irritation. Clive's first picture then led to opportunities in both British and American films. But he got his first play on Broadway "Overture" in late 1930 which ended in January of 1931. Then it was back to London where he was prophetically cast with Lanchester in The Stronger Sex (1931).
As they say, what came next was film history. Whale was contracted by Universal where Dracula (1931) had just been a huge hit and the studio was looking for a quick follow up. Shelley's Frankenstein was optioned as the next 'horror' movie with Whale directing. Whale wanted Clive as Dr. Henry Frankenstein, and it all came together. Clive played the tortured legitimate doctor driven to macabre surgery and near insanity with over-the-top theatrics that would type him for the remainder of his short career.
The next few years he played both B leading and A supporting roles. Two apt examples were playing brooding but romantic Edward Rochester in an early Jane Eyre (1934) and playing a British officer in Clive of India (1935) in which Ronald Colman - not he - played his illustrious ancestor. Clive returned to Broadway for two plays in 1933 and 1934 and one more in the 1935-36 season. Then it was back to Universal for the "Bride" sequel of Frankenstein (1935) in which his Dr. Henry was somewhat more subdued. This was mostly to do with a broken leg suffered from a horseback riding accident. He is seen doing a lot of sitting or lying down because of it. Dour and sour seemed to be his trademark, bolstered that much more with the remainder of his films in which he was usually disturbed supporting characters.
His final two films were in early 1937 with the better known History Is Made at Night (1937) - awkward type-casting him as the world's most sour grapes ex-husband, Bruce Vail, who engineers a sure collision of his new steamship with any available iceberg in foggy weather to hopefully drown his ex-wife Jean Arthur and her romantic true love Charles Boyer. But the sinking ship is stabilized and the lovers are saved to live happily ever after. Ironically, but befitting such a deed in Hollywood ethics, Vail shoots himself.
Ironically, Clive, suffering from tuberculosis, furthered along by chronic alcoholism, died not long after in late June of 1937.- Actor
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Peter Coyote was born in Manhattan, New York City, New York, USA as Robert Peter Cohon to Ruth (Fidler) and Morris Cohon, an investment banker. He is an actor, known for Bitter Moon (1992), Sphere (1998) and Patch Adams (1998). Coyote was previously married to Stefanie Pleet and Marilyn McCann.- Character actor Jay Robinson owned a pair of the narrowest, cruelest-looking eyes in 1950s Hollywood. To complement them was an evil-looking sneer, crisp and biting diction and a nefarious-sounding cackle. These were all draped upon a lean, bony physique that could slither about menacingly like a ready-to-pounce cobra. With that in mind, he made an auspicious film debut as Caligula in The Robe (1953), stealing much of the proceedings from the movie's actual stars Richard Burton, Jean Simmons and Victor Mature. Though many complained that Jay's interpretation bordered dangerously on outrageous camp, his depraved Roman emperor nevertheless remains the most indelible image when reminded of the epic costumer.
Born on April 14, 1930 in New York City, Jay came from a fine upbringing, tutored at private schools both here and in Europe. His background in summer stock and repertory companies eventually attracted Broadway work in the Shakespeare classics "As You Like It" (1950) and "Much Ado About Nothing" (1952). He also appeared in and produced the play, "Buy Me Blue Ribbons," in 1951, which was short-lived. After his movie bow, Jay went on to reprise the scenery-chewing character Caligula in Demetrius and the Gladiators (1954) with Mature and Susan Hayward, and offered typically eye-catching supporting turns in The Virgin Queen (1955), starring Bette Davis, and My Man Godfrey (1957), with David Niven and June Allyson.
However, it was at this juncture that things started going horribly wrong for Jay. His new-found celebrity reportedly went to his head and he became extremely difficult to work with. In addition, the volatile actor began experimenting recklessly with drugs. In 1958, he was booked for possession of narcotics (methadone) and sentenced to a year in jail. Free on bail, the incident and resulting notoriety ruined his career. After scraping up work outside the entertainment industry as a cook and landlord, he recovered from his drug addiction and married. Resuming work in obscure bit parts, he had another career relapse when he was forced to spend 15 months in jail after an old warrant was served on him.
In the late 1960s, Jay started appearing again on television. He even prodded the memory of his own character Caligula character by playing an impertinent Julius Caesar on an episode of Bewitched (1964). However, it took a huge star like Bette Davis, who had always recognized and appreciated his talent, to help him regain a footing in movies again when she insisted he take a prime role in her movie, Bunny O'Hare (1971). The movie failed miserably, deservedly so, but Jay prevailed and managed to repair his status with a number of delightfully flamboyant and hammy performances.
Jay played fun parts along the way in Woody Allen's Everything You Always Wanted to Know About Sex * But Were Afraid to Ask (1972), Warren Beatty's Shampoo (1975) and even Big Top Pee-wee (1988). While he played the delightfully eccentric Dr. Shrinker on The Krofft Supershow (1976) for one season, he somewhat balanced this silliness with made-for-video Shakespearean performances of Macbeth (1981), The Tragedy of Othello, the Moor of Venice (1981) and Richard II (1982). Some horror roles fell his way as well with Train Ride to Hollywood (1975), in which he played Dracula, Transylvania Twist (1989) and Bram Stoker's Bram Stoker's Dracula (1992).
In 1997, Jay proved an ideal host for the Discovery Channel's Beyond Bizarre (1997). HIs last TV work was providing various voices for the animated comedy series Mad Jack the Pirate (1998).
Jay Robinson died at age 83 of congestive heart failure in his home in Sherman Oaks, California on September 27, 2013. - Actor
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A blond-haired, fair-complexioned actor with a toothy grin and capable of an unsettling glint in his eyes, Gary Busey was born in Goose Creek, Texas, and was raised in Oklahoma. He is the son of Sadie Virginia (Arnett), a homemaker, and Delmar Lloyd Busey, a construction design manager. He has English, as well as Irish, Scottish, and German, ancestry. He graduated from Nathan Hale High School in Tulsa, Oklahoma in 1962 and for a while was a professional musician. A talented drummer, he played in several bands, including those of country-and-western legends Leon Russell, Kris Kristofferson and Willie Nelson.
Busey's first film appearance was as a biker in the low-budget Angels Hard as They Come (1971) and, over the next few years, he landed several film roles generally as a country hick/redneck or surly, rebellious types. His real breakthrough came in the dynamic film The Buddy Holly Story (1978), with Busey taking the lead role as Buddy Holly, in addition to playing guitar and singing all the vocals! His stellar performance scored him a Best Actor nomination and the attention of Hollywood taking overcasting agents. Next up, he joined fellow young actors William Katt and Jan-Michael Vincent as surfing buddies growing up together in the cult surf film Big Wednesday (1978), directed by John Milius. However, a string of appearances in somewhat mediocre films took him out of the spotlight for several years, until he played the brutal assassin Mr. Joshua trying to kill Los Angeles cops Mel Gibson and Danny Glover in the runaway mega-hit Lethal Weapon (1987). Further strong roles followed, including alongside Danny Glover once again in Predator 2 (1990). He was back on the beaches, this time tracking bank robbers with FBI agent Keanu Reeves, in Point Break (1991) and nearly stole the show as a psychotic Navy officer in league with terrorists led by Tommy Lee Jones taking over the USS Missouri in the highly popular Under Siege (1992).
The entertaining Busey has continued to remain busy in front of the cameras and has certainly developed a minor cult following among many film fans. Plus, he's also the proud father of accomplished young actor Jake Busey, whose looks make him almost a dead ringer for his famous father.- Actor
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John Gavin Malkovich was born in Christopher, Illinois, to Joe Anne (Choisser), who owned a local newspaper, and Daniel Leon Malkovich, a state conservation director. His paternal grandparents were Croatian. In 1976, Malkovich joined Chicago's Steppenwolf Theatre, newly founded by his friend Gary Sinise. After that, it would take seven years before Malkovich would show up in New York and win an Obie in Sam Shepard's play "True West". In 1984, Malkovich would appear with Dustin Hoffman in the Broadway revival of "Death of a Salesman", which would earn him an Emmy when it was made into a made-for-TV movie the next year. His big-screen debut would be as the blind lodger in Places in the Heart (1984), which earned him an Academy Award Nomination for best supporting actor. Other films would follow, including The Killing Fields (1984) and The Glass Menagerie (1987), but he would be well remembered as Vicomte de Valmont in Dangerous Liaisons (1988). Playing against Michelle Pfeiffer and Glenn Close in a costume picture helped raise his standing in the industry. He would be cast as the psychotic political assassin in Clint Eastwood's In the Line of Fire (1993), for which he would be nominated for both the Academy Award and the Golden Globe. In 1994, Malkovich would portray the sinister Kurtz in the made-for-TV movie Heart of Darkness (1993), taking the story to Africa as it was originally written. Malkovich has periodically returned to Chicago to both act and direct.