Less And Best! List of The Masters of Horror And The Macabre!
Master of horror list? Gonna hear the same crap over and over! Nope! This has a Fresh Twist to it! We have the good.. And the bad! But! Entertaining! Get ready for the madness! (in order of who I was thinking of first)
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- Director
- Writer
- Producer
Fritz Lang was born in Vienna, Austria, in 1890. His father managed a construction company. His mother, Pauline Schlesinger, was Jewish but converted to Catholicism when Lang was ten. After high school, he enrolled briefly at the Technische Hochschule Wien and then started to train as a painter. From 1910 to 1914, he traveled in Europe, and he would later claim, also in Asia and North Africa. He studied painting in Paris from 1913-14. At the start of World War I, he returned to Vienna, enlisting in the army in January 1915. Severely wounded in June 1916, he wrote some scenarios for films while convalescing. In early 1918, he was sent home shell-shocked and acted briefly in Viennese theater before accepting a job as a writer at Erich Pommer's production company in Berlin, Decla. In Berlin, Lang worked briefly as a writer and then as a director, at Ufa and then for Nero-Film, owned by the American Seymour Nebenzal. In 1920, he began a relationship with actress and writer Thea von Harbou (1889-1954), who wrote with him the scripts for his most celebrated films: Dr. Mabuse, the Gambler (1922), Die Nibelungen: Siegfried (1924), Metropolis (1927) and M (1931) (credited to von Harbou alone). They married in 1922 and divorced in 1933. In that year, Nazi propaganda minister Joseph Goebbels offered Lang the job of head of the German Cinema Institute. Lang--who was an anti-Nazi mainly because of his Catholic background--did not accept the position (it was later offered to and accepted by filmmaker Leni Riefenstahl) and, after secretly sending most of his money out of the country, fled Germany to Paris. After about a year in Paris, Lang moved to the United States in mid-1934, initially under contract to MGM. Over the next 20 years, he directed numerous American films. In the 1950s, in part because the film industry was in economic decline and also because of Lang's long-standing reputation for being difficult with, and abusive to, actors, he found it increasingly hard to get work. At the end of the 1950s, he traveled to Germany and made what turned out to be his final three films there, none of which were well received.
In 1964, nearly blind, he was chosen to be president of the jury at the Cannes Film Festival. He was an avid collector of primitive art and habitually wore a monocle, an affectation he picked up during his early days in Vienna. After his divorce from von Harbou, he had relationships with many other women, but from about 1931 to his death in 1976, he was close to Lily Latte, who helped him in many ways.Metropolis (1927)
M (1931)
The Testament of Dr. Mabuse (1933)- Writer
- Director
- Producer
Robert Wiene was born on 24 April 1873 in Breslau, Silesia, Germany [now Wroclaw, Dolnoslaskie, Poland]. He was a writer and director, known for The Cabinet of Dr. Caligari (1920), Das wandernde Licht (1916) and The Knight of the Rose (1925). He died on 17 July 1938 in Paris, France.The Cabinet of Dr. Caligari (1920)
Raskolnikow (1923)- Art Director
- Director
- Production Designer
Paul Leni was born on 8 July 1885 in Stuttgart, Germany. He was an art director and director, known for The Man Who Laughs (1928), Das Rätsel von Bangalor (1918) and The Last Warning (1928). He died on 2 September 1929 in Los Angeles, California, USA.The Man Who Laughs (1928)
Waxworks (1924)
The Cat and the Canary (1927)- Director
- Actor
- Writer
Belonging to a well-situated family, Charles Browning fell in love at the age of 16 with a dancer of a circus. Following her began his itinerary of being clown, jockey and director of a variety theater which ended when he met D.W. Griffith and became an actor. He made his debut in Intolerance (1916). Working later on as a director, he had his first success with The Unholy Three (1925) (after about 25 unimportant pictures) which had his typical style of a mixture of fantasy, mystery and horror. His biggest hit was the classic Dracula (1931), in which he also appears as the voice of the harbor master.Freaks (1932)
Dracula (1931)
London After Midnight (1927)- Director
- Writer
- Composer
Georges Franju is a figure of immense importance in the history of French cinema, not primarily for his films (exceptional though many of these are) but for being the co-founder, with Henri Langlois, of the Cinematheque Française in 1937--France's most famous and important film archive.
He worked primarily as a film archivist until 1949, when he made his solo directorial debut with the shocking yet lyrical slaughterhouse documentary Blood of the Beasts (1949). More documentary shorts followed before his feature debut, Head Against the Wall (1959) in 1958, which established his uniquely poetic and visually striking style (his films were generally characterized by unforgettable images that owed a great deal to early cinema in general and German Expressionism in particular). His reputation was strengthened with the bizarre plastic surgery horror film Eyes Without a Face (1960); Judex (1963), a tribute to French film serial pioneer Louis Feuillade in 1963; and the Jean Cocteau adaptation Thomas the Impostor (1965), though in the last 15 years of his life he was sadly neglected.Eyes Without a Face (1960)
Spotlight on a Murderer (1961)
Judex (1963)- Director
- Writer
- Producer
The son of Thomas William Powell and Mabel (nee Corbett). Michael Powell was always a self-confessed movie addict. He was brought up partly in Canterbury ("The Garden of England") and partly in the south of France (where his parents ran a hotel). Educated at Kings School, Canterbury and Dulwich College, he worked at the National Provincial Bank from 1922-25. In 1925 he joined Rex Ingram making Mare Nostrum (1926). He learned his craft by working at various jobs in the (then) thriving English studios of Denham and Pinewood, working his way up to director on a series of "quota quickies" (short films made to fulfill quota/tariff agreements between Britain and America in between the wars). Very rarely for the times, he had a true "world view" and, although in the mold of a classic English "gentleman", he was always a citizen of the world. It was therefore very fitting that he should team up with an émigré Hungarian Jew, Emeric Pressburger, who understood the English better than they did themselves. Between them, under the banner of "The Archers", they shared joint credits for an important series of films through the 1940s and '50s. Powell went on to make the controversial Peeping Tom (1960), a film so vilified by critics and officials alike that he didn't work in England for a very long time. He was "re-discovered" in the late 1960s and Francis Ford Coppola and Martin Scorsese tried to set up joint projects with him.
In 1980 he lectured at Dartmouth College, New Hampshire. He was Senior Director in Residence at Coppola's Zoetrope Studios in 1981, and in fact married Scorsese's longtime editor Thelma Schoonmaker. He died of cancer in his beloved England in 1990.Peeping Tom (1960)- Director
- Producer
- Writer
Alfred Joseph Hitchcock was born in Leytonstone, Essex, England. He was the son of Emma Jane (Whelan; 1863 - 1942) and East End greengrocer William Hitchcock (1862 - 1914). His parents were both of half English and half Irish ancestry. He had two older siblings, William Hitchcock (born 1890) and Eileen Hitchcock (born 1892). Raised as a strict Catholic and attending Saint Ignatius College, a school run by Jesuits, Hitch had very much of a regular upbringing. His first job outside of the family business was in 1915 as an estimator for the Henley Telegraph and Cable Company. His interest in movies began at around this time, frequently visiting the cinema and reading US trade journals.
Hitchcock entering the film industry in 1919 as a title card designer. It was there that he met Alma Reville, though they never really spoke to each other. It was only after the director for Always Tell Your Wife (1923) fell ill and Hitchcock was named director to complete the film that he and Reville began to collaborate. Hitchcock had his first real crack at directing a film, start to finish, in 1923 when he was hired to direct the film Number 13 (1922), though the production wasn't completed due to the studio's closure (he later remade it as a sound film). Hitchcock didn't give up then. He directed The Pleasure Garden (1925), a British/German production, which was very popular. Hitchcock made his first trademark film in 1927, The Lodger: A Story of the London Fog (1927) . In the same year, on the 2nd of December, Hitchcock married Alma Reville. They had one child, Patricia Hitchcock who was born on July 7th, 1928. His success followed when he made a number of films in Britain such as The Lady Vanishes (1938) and Jamaica Inn (1939), some of which also gained him fame in the USA.
In 1940, the Hitchcock family moved to Hollywood, where the producer David O. Selznick had hired him to direct an adaptation of 'Daphne du Maurier''s Rebecca (1940). After Saboteur (1942), as his fame as a director grew, film companies began to refer to his films as 'Alfred Hitchcock's', for example Alfred Hitcock's Psycho (1960), Alfred Hitchcock's Family Plot (1976), Alfred Hitchcock's Frenzy (1972).
Hitchcock was a master of pure cinema who almost never failed to reconcile aesthetics with the demands of the box-office.
During the making of Frenzy (1972), Hitchcock's wife Alma suffered a paralyzing stroke which made her unable to walk very well. On March 7, 1979, Hitchcock was awarded the AFI Life Achievement Award, where he said: "I beg permission to mention by name only four people who have given me the most affection, appreciation, and encouragement, and constant collaboration. The first of the four is a film editor, the second is a scriptwriter, the third is the mother of my daughter Pat, and the fourth is as fine a cook as ever performed miracles in a domestic kitchen and their names are Alma Reville." By this time, he was ill with angina and his kidneys had already started to fail. He had started to write a screenplay with Ernest Lehman called The Short Night but he fired Lehman and hired young writer David Freeman to rewrite the script. Due to Hitchcock's failing health the film was never made, but Freeman published the script after Hitchcock's death. In late 1979, Hitchcock was knighted, making him Sir Alfred Hitchcock. On the 29th April 1980, 9:17AM, he died peacefully in his sleep due to renal failure. His funeral was held in the Church of Good Shepherd in Beverly Hills. Father Thomas Sullivan led the service with over 600 people attended the service, among them were Mel Brooks (director of High Anxiety (1977), a comedy tribute to Hitchcock and his films), Louis Jourdan, Karl Malden, Tippi Hedren, Janet Leigh and François Truffaut.Psycho (1960)
Rear Window (1954)
The Birds (1963)- Director
- Producer
- Actor
William Castle was born on 24 April 1914 in New York City, New York, USA. He was a director and producer, known for Homicidal (1961), House on Haunted Hill (1959) and The Lady from Shanghai (1947). He was married to Ellen. He died on 31 May 1977 in Los Angeles, California, USA.The Tingler (1959)
House on Haunted Hill (1959)
13 Ghosts (1960)- Writer
- Director
- Actor
Hacks are nothing new in Hollywood. Since the beginning of the film industry at the turn of the 20th century, thousands of untalented people have come to Los Angeles from all over America and abroad to try to make it big (as writers, producers, directors, actors, talent agents, singers, composers, musicians, artists, etc.) but who end up using, scamming and exploiting other people for money as well as using their creative ability (either self-taught or professional training), leading to the production of dull, bland, mediocre, unimaginative, inferior, trite work in the forlorn hope of attaining commercial success. Had Edward D. Wood, Jr. been born a decade or two earlier, it's easy to imagine him working for some Poverty Row outfit in Gower Gulch, competing with the likes of no-talent and no-taste producers and directors--such as Victor Adamson, Robert J. Horner and Dwain Esper--for the title of all-time hack. He would have fit in nicely working at Weiss Brothers-Artclass Pictures in the early 1930s in directing low budget Western-themed serials, or directing low budget film noir crime drama features at PRC (Producers Releasing Corporation) in the following decade from 1940 to 1946. Ed Wood is the probably the most well known of all the Hollywood hacks because he is imprisoned in his own time, and in the 1950s, Ed Wood simply had no competition. He was ignored throughout his spectacularly unsuccessful film making career and died a penniless alcoholic, only to be "rediscovered" when promoters in the early 1980s tagged him "The Worst Director of All Time" (mostly thanks to the Medveds' hilarious book, "Golden Turkey Awards") and he was given the singular honor of a full-length biopic by Tim Burton (Ed Wood (1994)). This post-mortem celebrity has made him infinitely more famous today than he ever was during his lifetime.
Wood was an exceedingly complex person. He was born on October 10, 1924, in Poughkeepsie, NY, where he lived most of his childhood. He joined the US Marine Corps in 1943 at the height of World War II and was, by all accounts, an exemplary marine, wounded in ferocious combat in the Pacific theater (a transgender, he claimed to have been wearing a bra and panties under his uniform while storming ashore during the bloody beachhead landing at Tarawa in November 1943). He was habitually optimistic, even in the face of the bleak realities that would later consume him. His personality bonded him with a small clique of outcasts who eked out life on the far edges of the Hollywood fringe.
After settling in Los Angeles in the late 1940s, Wood attempted to break into the film industry, initially without success, but in 1952 he landed the chance to direct a film based on the real-life Christine Jorgensen sex-change story, then a hot topic. The result, Glen or Glenda (1953), gave a fascinating insight into Wood's own personality and shed light on his transgender identity (an almost unthinkable subject for an early 1950s mainstream feature). Although devoutly heterosexual, Wood was an enthusiastic cross-dresser, with a particular fondness for angora. On the debit side, though, the film revealed the almost complete lack of talent that would mar all his subsequent films, his tendency to resort to stock footage of lightning during dramatic moments, laughable set design and a near-incomprehensible performance by Bela Lugosi as a mad doctor whose presence is never adequately explained. The film deservedly flopped miserably but Wood, always upbeat, pressed ahead.
Wood's main problem was that he saw himself as a producer-writer-director, when in fact he was spectacularly incompetent in all three capacities. Friends who knew Wood have described him as an eccentric, oddball hack who was far more interested in the work required in cobbling a film project together than in ever learning the craft of film making itself or in any type of realism. In an alternate universe, Wood might have been a competent producer if he had better industry connections and an even remotely competent director. Wood, however, likened himself to his idol, Orson Welles, and became a triple threat: bad producer, poor screenwriter and God-awful director. All of his films exhibit illogical continuity, bizarre narratives and give the distinct impression that a director's job was simply to expose the least amount of film possible due to crushing budget constraints. His magnum opus, Plan 9 from Outer Space (1957), features visible wires connected to pie-pan UFOs, actors knocking over cardboard "headstones", cars changing models and years during chase sequences, scenes exhibiting a disturbing lack of handgun safety and the ingenious use of shower curtains in airplane cockpits that have virtually no equipment are just a few of the trademarks of that Edward D. Wood Jr. production. When criticized for their innumerable flaws, Wood would cheerfully explain his interpretation of the suspension of disbelief. It's not so much that he made movies so badly without regard to realism--the amazing part is that he managed to get them made at all.
His previous film with Lugosi, Bride of the Monster (1955), was no better (unbelievably, it somehow managed to earn a small profit during its original release, undoubtedly more of a testament to how cheaply it was produced than its value as entertainment), and Wood only shot a few seconds of silent footage of Lugosi (doped and dazed, wandering around the front yard of his house) for "Plan 9" before the actor died in August 1956. What few reviews the film received were brutal. Typically undaunted, Wood soldiered on despite incoherent material and a microscopic budget, peopling it with his regular band of mostly inept actors. Given the level of dialog, budget and Wood's dismal directorial abilities, it's unlikely that better actors would have made much of a difference (lead actor Gregory Walcott made his debut in this film and went on to have a very respectable career as a character actor, but was always embarrassed by his participation in this film)--in fact, it's the film's semi-official status as arguably the Worst Film Ever Made that gives it its substantial cult following. The film, financed by a local Baptist congregation led by Wood's landlord, reaches a plateau of ineptitude that tends to leave viewers open-mouthed, wondering what is it they just saw. "Plan 9" became, whether Wood realized it or not, his singular enduring legacy. Ironically, the rights to the film were retained by the church and it is unlikely that Wood ever received a dime from it; his epic bombed upon release in 1959 and remained largely forgotten for years to come.
After this career "peak," Wood went into, relatively speaking, a decline. Always an "enthusiastic"--for lack of a better word--drinker, his alcohol addiction worsened in the 1960s due to his depression of not achieving the worldwide fame he had always sought. He began to draw away from film directing and focused most of his time on another profession: writing. Beginning in the early 1960s up until his death, Wood wrote at least 80 lurid crime and sex paperback novels in addition to hundreds of short stories and non-fiction pieces for magazines and daily newspapers. Thirty-two stories known to be written by Wood (he sometimes wrote under pseudonyms such as "Ann Gora" and "Dr. T.K. Peters") are collected in 'Blood Splatters Quickly', published by OR Books in 2014. Novels include Black Lace Drag (1963) (reissued in 1965 as Killer in Drag), Orgy of the Dead (1965), Devil Girls (1967), Death of a Transvestite (1967), The Sexecutives (1968), The Photographer (1969), Take It Out in Trade (1970), The Only House in Town (1970), Necromania (1971), The Undergraduate (1972), A Study of Fetishes and Fantasies (1973) and Fugitive Girls (1974).
In 1965, Wood wrote the quasi-memoir 'Hollywood Rat Race', which was eventually published in 1998. In it, Wood advises new writers to "just keep on writing. Even if your story gets worse, you'll get better", and also recounts tales of dubious authenticity, such as how he and Bela Lugosi entered the world of nightclub cabaret.
In the 1970s, Wood directed a number of undistinguished softcore and later hardcore adult porno films under various aliases, one of which is the name "Akdov Telmig" ("vodka gimlet" spelled backwards; it helps to imagine that you're a boozy dyslexic, as Ed Wood was). His final years were spent largely drunk in his apartment and occasionally being rolled stumbling out of a local liquor store. Three days before his death, Wood and his wife Kathy were evicted from their Hollywood apartment due to failure to pay the rent and moved into a friend's apartment shortly before his death on the afternoon of December 10, 1978, at age 54. He had a heart attack and died while drinking in bed.
Due to his recent resurgence in popularity, many of his equally interesting transgender - themed sex novels have been republished. The gravitational pull of Planet Angora remains quite strong.Plan 9 from Outer Space (1959)
Bride of the Monster (1955)
Glen or Glenda (1953)- Director
- Actor
- Producer
Only one film-maker can claim the title "Godfather of Gore." That peculiar but apt identification seems to be the exclusive property of Herschell Gordon Lewis. With an unusual background that included teaching English Literature to college students, producing and directing television commercials, and voicing radio and television commercials, Herschell literally - and single-handedly - established the "Splatter Film" category of motion pictures. He accomplished this by writing and directing (including the musical score) a mini-budget movie titled "Blood Feast," shot in Miami in 1963 and released theatrically the following year. As critics lambasted the primitive effects and inattention to script and sub-par acting, audiences flocked to theaters to see why friends who had reacted to the movie's fiery marketing campaign had said, "You gotta see this." Armed with boxoffice grosses, Herschell and his producer-partner David Friedman quickly decided to build onto their newly-discovered base. Herschell wrote and directed "Two Thousand Maniacs." The lead singer of the musical group hired to perform background music had a tenor voice. Herschell had written the title song, "The South Gonna Rise Ag'in." He wanted a baritone, and without hesitation he made the switch: the voice on the sound track is his. After their third splatter film, "Color Me Blood Red," David Friedman moved to California, engaging in a different type of motio0n picture. Herschell continued to grind out one success after another, with titles such as "The Gruesome Twosome," "The Wizard of Gore," and "The Gore-Gore Girls." When major film companies began to invade his splatter-turf, Herschell took a hiatus, shifting full time to his "other career," writing advertising and mailings for marketers worldwide. He became one of a handful of experts to be inducted into the Direct Marketing Association's Hall of Fame. (Author of 32 books on marketing including the classic "On the Art of Writing Copy," Herschell is often called on to lecture on copywriting, just as he is invited to sing the theme from "Two Thousand Maniacs" at horror film festivals.) Over the years, an unusual reality came into place: Herschell's old films continued to play not just on TV screens but in theatres, years after conventional movies would have disappeared altogether. The result has been renewal of his life as a film director. Thus it is that a new Herschell Gordon Lewis movie is hoving into view: "Herschell Gordon Lewis's BloodMania," produced by James Saito in Calgary, Alberta, Canada and planned for 2015 release. Both the producer and the director encapsulate their opinion of "Herschell Gordon Lewis's BloodMania" in a single word: Enthusiastic.Two Thousand Maniacs! (1964)
Blood Feast (1963)
Color Me Blood Red (1965)- Actor
- Director
- Writer
Brad F. Grinter was born on 18 May 1922 in Illinois, USA. He was an actor and director, known for Flesh Feast (1970), Blood Freak (1972) and Devil Rider! (1970). He was married to Heather Grinter. He died in April 1993 in Miami, Florida, USA.Blood Freak (1972)
Flesh Feast (1970)
Barely Proper (1975)- Actor
- Director
- Writer
Joel M. Reed was born on 29 December 1933 in Brooklyn, New York City, New York, USA. He was an actor and director, known for Killer Zombies from the Titanic, The G.I. Executioner (1971) and The Renegade Ghouls of Kaplan's Swamp. He died on 14 April 2020 in Queens, New York City, New York, USA.Bloodsucking Freaks (1976)
Blood Bath (1976)
The G.I Executioner (1971)- Writer
- Director
- Actor
Lucio Fulci, born in Rome in 1927, remains as controversial in death as he was in life. A gifted craftsman with a sharp tongue and a wicked sense of dark humor, Fulci achieved some measure of notoriety for his gore epics of the late 1970s and early 1980s, but respect was long in coming.
Abandoning his early career as a med student, Fulci entered the film industry as a screenwriter and assistant director, working alongside such directors as Steno and Riccardo Freda. Granted his debut feature in 1959, with a seldom seen comedy called I ladri (1959) (The Thieves), Fulci quickly established himself as a prolific craftsman adept at musicals, comedies and westerns.
In 1968, Fulci made his first mystery thriller, One on Top of the Other (1969), and its success was sufficient to garner the backing for his pet project The Conspiracy of Torture (1969). Based on a true story, the film details the trial of a young woman accused of murdering her sexually abusive father amid fear and superstition in 16th Century Italy. A scathing commentary on church and state, the film was the first to give voice to its director's passionate hatred of the Catholic Church. Predictably, the film was misunderstood, and Fulci's career was thrown into jeopardy. Deciding it would be best to leave his political feelings on the back burner, Fulci pressed on with a series of slickly commercial ventures.
In 1971 and 1972, Fulci re-established himself in the thriller arena, directing two excellent giallos: the haunting A Lizard in a Woman's Skin (1971) and the disturbing Don't Torture a Duckling (1972). The former, with its vivid hallucinations involving murderous hippies and vivisected canines, and the latter, with its psychotic religious zealots and brutal child killings, were -- to say the least -- controversial. In particular, Don't Torture a Duckling (1972), despite a huge box-office success, painted too graphic a portrait of perverted Catholicism, and Fulci's career was derailed... some would say, permanently. Blacklisted (albeit briefly) and despised in his homeland, Fulci at least found work in television and with the adventure genre with two financially successful Jack London 'White Fang' adventure movies in 1973 and 1974 which were Zanna Bianca, and Il ritorno di Zanna Bianca. Also during the mid and late 1970s, Fulci also directed two 'Spaghetti Westerns'; The Four of the Apocalypse... (1975) and Silver Saddle (1978), (Silver Saddle) and another 'giallo'; The Psychic (1977), as well as a few sex-comedies which include the political spoof The Eroticist (1972) (aka: The Eroticist), and the vampire spoof Dracula in the Provinces (1975) (aka: Young Dracula), and the violent Mafia crime-drama Contraband (1980).
In 1979, Fulci's film making career hit another high point with him breaking into the international market with Zombie (1979), an in-name-only sequel to George A. Romero's Dawn of the Dead (1978), which had been released in Italy as 'Zombi'. With its flamboyant imagery, graphic gore and moody atmospherics, the film established Fulci as a gore director par excellence. It was a role he accepted, but with some reservations.
Over the next three years, Fulci plied his trade with finesse and flair, rivaling even the popularity of his "opponent" Dario Argento, with such sanguine classics as City of the Living Dead (1980) and The Beyond (1981). Frequently derided as sheer sensationalism, these films, as well as the reviled The New York Ripper (1982) are actually intelligently crafted, with sound commentaries on everything from American life to religion. High on vivid imagery and pure cinematic style, Fulci's films from this period of the early 1980s represent some of his most popular work in America and abroad, even if they do pale in comparison to his 1972 masterpiece and personal favorite Don't Torture a Duckling (1972) (an impossible act to follow, as it happens).
In the mid-1980s, at the peak of his most prolific period, Fulci became beset with personal problems and worsening health. Much of his work from the mid-1980s onward is disappointing, to say the least, but flashes of his brilliance can be seen in works like Murder-Rock: Dancing Death (1984) and The Devil's Honey (1986). A Cat in the Brain (1990), one of Fulci's last works, remains one of his most original. Though strapped by budgetary restraints and marred by mediocre photography, the film is wickedly subversive and comical. With Fulci playing the lead role (as more or less himself, no less -- a harried horror director who fears that his obsession with sex and violence is a sign of mental disease), Fulci also proves to be an endearing and competent actor (he also has cameos in many of his films, frequently as a detective or doctor figure).
By the 1990s, Fulci went on a hiatus with film making for further health and personal reasons as the Italian cinema market went into a further decline. While in pre-production for the Dario Argento-produced The Wax Mask (1997), Lucio Fulci passed away at his home on March 13, 1996 at the age of 68. A serious diabetic most of his adult life, he inexplicably forgot to take his insulin before retiring to bed; some consider his death a suicide, others consider it an accident, but his many fans all consider it to be a tragedy. Whether one considers him to be a hack or a genius, there's no denying that he was unique.The Beyond (1981)
The House by the Cemetery (1981)
Zombie (1979)- Director
- Cinematographer
- Camera and Electrical Department
Joe D'Amato was born Aristide Massaccesi on December 15, 1936, in Rome, Italy. At age 14 he began working for his father, a chief electrician and later the founder of the company A.C.M. By going to school in the daytime, Massaccesi worked afternoons part-time as a stagehand and stage cameraman around various film sets. After attending grade school, from 1953-57, Massaccesi worked for his father. Mole Richardson, another motion picture company, was looking for someone to work as an assistant cameraman and Massaccesi jumped at the opportunity. Starting in 1969 he worked as director of photography as well as assistant director for a number of films until 1974. His first directing work was in 1972's low-budget Stay Away from Trinity... When He Comes to Eldorado (1972), co-directed by Diego Spataro, under the pseudonym Dick Spitfire, but it was a commercial failure. Later that same year Massaccesi directed a western (under the name of Oskar Faradine). He then used his assistant's name, Romano Gastaldi, for his next film, Fra' Tazio da Velletri (1973), as well as a few others.
Massaccesi was reluctant to use his real name early in his directing career, since he was still known mainly as a director of photography and didn't want his directing jobs to jeopardize his cinematography career. He used his real name for screenplay and cinematography roles, but worked under many aliases (such as Michael Wotruba) to disguise the authorship of some films in order not to mix up the different genres of comedy, western, drama, thrillers and others. He used so many phony names that he may well have more pseudonyms credited to him than any other director in the world.
Massaccesi entered the horror genre with Death Smiles on a Murderer (1973) under his real name, which inspired him to make other gothic horror films. Under a new pseudonym, Joe D'Amato, he directed soft-core, erotic films starring Laura Gemser, such as Emanuelle and Francoise (1975), Emanuelle and the Last Cannibals (1977), Emanuelle in America (1977), Erotic Nights of the Living Dead (1980) and others. He also directed such action films as Tough to Kill (1979).
Massaccesi, now referring to himself as Joe D'Amato, entered the "gore" genere films with Beyond the Darkness (1979), which remains his most successful horror film, shot in four weeks on a low budget entirely at a villa near Bressanone and which had an excellent music soundtrack by the rock group Goblin. His next horror film, but less successful than the previous one, was The Grim Reaper (1980), directed as "Peter Newton". The film starred Tisa Farrow, sister of Mia Farrow and the star of Zombie (1979), another gore genre flick.
During the 1980s and 1990s D'Amato directed over 100 hardcore porn sex films for the Italian video market, although under his many pseudonyms he continued to direct and produce other films. One of them was StageFright (1987) directed by Michele Soavi on which, under his real name, Massaccesi served as producer. He then directed two "Ator the Invincible" films. He directed the violent, hardcore Caligula: The Untold Story (1982), using the name "David Hills", a commercial exploitation (some might say "rip-off") of the successful film by Tinto Brass.
D'Amato's other films during the 1980s were Paradiso Blu (1980) and violent adventure films such as Deep Blood (1989), which were filmed in Florida, and Ghosthouse (1988). Some of D'Amato's greatest successes abroad were L'alcova (1985) and Pomeriggio caldo (1989), as well as the horror-thriller Hitcher in the Dark (1989) (aka "Hitcher in the Dark").
His long film career came to an abrupt end when, in January 1999, he suffered an unexpected and fatal heart attack at his home in Rome. He was 62. Joe D'Amato had made his mark on Italian cinema as a talented director, scriptwriter, producer and cinematographer with scores of films and more than a dozen aliases to his credit.Death Smiles on a Murderer (1973)
Antropophagus (1980)
Absurd (1981)- Writer
- Director
- Producer
Dario Argento was born on September 7, 1940, in Rome, Italy, the first-born son of famed Italian producer Salvatore Argento and Brazilian fashion model Elda Luxardo. Argento recalls getting his ideas for filmmaking from his close-knit family from Italian folk tales told by his parents and other family members, including an aunt who told him frighting bedtime stories. Argento based most of his thriller movies on childhood trauma, yet his own--according to him--was a normal one. Along with tales spun by his aunt, Argento was impressed by stories from The Grimm Brothers, Hans Christian Andersen and Edgar Allan Poe. Argento started his career writing for various film journal magazines while still in his teens attending a Catholic high school. After graduation, instead of going to college, Argento took a job as a columnist for the Rome daily newspaper "Paese Sera". Inspired by the movies, he later found work as a screenwriter and wrote several screenplays for a number of films, but the most important were his western collaborations, which included Cemetery Without Crosses (1969) and the Sergio Leone masterpiece Once Upon a Time in the West (1968). After its release Argento wrote and directed his first movie, The Bird with the Crystal Plumage (1970), which starred Tony Musante and and British actress Suzy Kendall. It's a loose adoption on Fredric Brown's novel "The Screaming Mimi", which was made for his father's film company. Argento wanted to direct the movie himself because he did not want any other director messing up the production and his screenplay.
After "The Bird With the Crystal Plumage" became an international hit, Argento followed up with two more thrillers, The Cat o' Nine Tails (1971), starring 'Karl Madlen' (qv" and 'James Fransiscus', and Four Flies on Grey Velvet (1971) ("Four Flies On Black Velvet"), both backed by his father Salvatore. Argento then directed the TV drama Testimone oculare (1973) and the historical TV drama The Five Days (1973). He then went back to directing so-called "giallo" thrillers, starting with Deep Red (1975), a violent mystery-thriller starring David Hemmings that inspired a number of international directors in the thriller-horror genre. His next work was Suspiria (1977), a surreal horror film about a witch's coven that was inspired by the Gothic fairy tales of the Grimm Brothers and Hans Christian Anderson, which he also wrote in collaboration with his girlfriend, screenwriter/actress Daria Nicolodi, who acted in "Profondo Rosso" ("Deep Red") and most of Argento's films from then to the late 1980s. Argento advanced the unfinished trilogy with Inferno (1980), before returning to the "giallo" genre with the gory Tenebrae (1982), and then with the haunting Phenomena (1985).
The lukewarm reviews for his films, however, caused Argento to slip away from directing to producing and co-writing two Lamberto Bava horror flicks, Demons (1985) and Demons 2 (1986). Argento returned to directing with the "giallo" thriller Opera (1987), which according to him was "a very unpleasant experience", and no wonder: a rash of technical problems delayed production, the lead actress Vanessa Redgrave dropped out before filming was to begin, Argento's father Salvatore died during filming and his long-term girlfriend Daria broke off their relationship. After the commercial box-office failure of "Opera", Argento temporarily settled in the US, where he collaborated with director George A. Romero on the two-part horror-thriller Two Evil Eyes (1990) (he had previously collaborated with Romero on the horror action thriller Dawn of the Dead (1978)). While still living in America, Argento appeared in small roles in several films and directed another violent mystery thriller, Trauma (1993), which starred his youngest daughter Asia Argento from his long-term relationship with Nicolodi.
Argento returned to Italy in 1995, where he made a comeback in the horror genre with The Stendhal Syndrome (1996) and then with another version of "The Phantom of the Opera", The Phantom of the Opera (1998), both of which starred Asia. Most recently, Argento directed a number of "giallo" mystery thrillers such as Sleepless (2001), The Card Player (2003) and Do You Like Hitchcock? (2005), as well as two gory, supernatural-themed episodes of the USA TV cable anthology series Masters of Horror (2005).
Having always wanted to make a third chapter to his "Three Mothers" horror films, Argento finally completed the trilogy in 2007 with the release of Mother of Tears (2007), which starred Asia Argento as a young woman trying to identify and stop the last surviving evil witch from taking over the world. In addition to his Gothic and violent style of storytelling, "La terza madre" has many references to two of his previous films, "Suspiria" (1997) and "Inferno" (1980), which is a must for fans of the trilogy.
His movies may be regarded by some critics and opponents as cheap and overly violent, but second or third viewings show him to be a talented writer/director with a penchant for original ideas and creative directing.Phenomena (1985)
Suspiria (1977)
Deep Red (1975)- Director
- Second Unit Director or Assistant Director
- Writer
Ruggero Deodato was born on May 7, 1939, in Potenza, Italy, and grew up outside Rome. One of his close friends at the time was Renzo Rossellini, the son of famed Italian director Roberto Rossellini. Knowing Ruggerio's love for the movies, Renzo persuaded him to work as a second unit director on some of his father's productions. From 1958-67 Deodato worked as a second unit director for several cult film directors such as Anthony M. Dawson (Antonio Margheriti), Riccardo Freda and Joseph Losey. Deodato's directorial debut was the action-fantasy Hercules, Prisoner of Evil (1964), replacing Margheriti who quit the production. Deodato's claim to fame was the spaghetti western Django (1966). His career took off in 1968 when he directed a number of films based on comic-book characters and musicals. It was while shooting one of these films that Deodato met, and later married, Silvia Dionisio.
From 1971-75 Deodato worked in television, directing the series All'ultimo minuto (1971) as well as TV commercials, including ones for Esso Oil, Band-Aid and Fanta. Deodato returned to filmmaking with an erotic melodrama and a police thriller. At the same time his marriage fell apart. In 1977 Deodato directed the notorious Last Cannibal World (1977) and later Cannibal Holocaust (1980). Deodato traveled to New York City and directed the disturbing thriller House on the Edge of the Park (1980), a semi-follow-up to Wes Craven's The Last House on the Left (1972). Deodato made House on the Edge of the Park (1980) in just 19 days on a tiny budget. He then returned to directing action and horror flicks.
Deodato lives in Rome with his current partner, Micaela Rocco, and still works in movies and occasional TV series. He is rumored to be planning a sequel to "Cannibal Holocaust".House on the Edge of the Park (1980)
Cannibal Holocaust (1980)
Dial: Help (1988)
Cut and Run (1985)- Writer
- Director
- Actor
He was only six years old when he started composing music under the protection of his brother Enrique. After the Spanish Civil War he was able to continue his studies at the Real Conservatorio de Madrid, where he finished piano and harmony. Being a Bachelor of Law and an easy-read novel writer (under the pseudonym David Khume), he signed on to enter the Instituto de Investigaciones y Experiencias Cinematográicas (IIEC), where he stayed for only two years, while he worked simultaneously as a director and theater actor. Later he went to Paris to study directing techniques at the I.D.H.E.C. (University of Sorbonne), where he used to go into seclusion for hours to watch films at the film archive. Back in Spain he began rted his huge cinematographic work as a composer, with Cómicos (1954) and El hombre que viajaba despacito (1957), and later worked as an assistant director to Juan Antonio Bardem, León Klimovsky, Luis Saslavsky, Julio Bracho, Fernando Soler and Joaquín Luis Romero Marchent, among others. He also worked at Ágata Films S.A. as production manager and writer. His first works as a director were industrial and cultural short films. However, he soon applied all his knowledge and experience to his feature directorial debut, Tenemos 18 años (1959). From that moment on all his work was supported by co-production. His Succubus (1968) was nominated for the Festival of Berlin, and this event gave him an international reputation. His career got more and more consolidated in the following years, and his endless creativity enabled him to tackle films in all genres, from "B" horror films to pure hardcore sex films. His productions have always been low-budget, but he nevertheless managed to work extraordinarily quickly, often releasing several titles at the same time, using the same shots in more than one film. Some of his actors relate how they they were hired for one film and later saw their name in two or more different ones. As the Spanish cinema evolved, Jesús managed to adapt to the new circumstances and always maintained a constant activity, activity that gave a place in his films to a whole filming crew. Apart from his own production company, Manacoa Films, he also worked for companies like Auster Films S.L. (Paul Auster), Cinematográfica Fénix Films (Arturo Marcos), the French Comptoir Français du Film (Robert de Nesle), Eurociné (Daniel Lesoeur and Marius Lesoeur), Elite Films Productions (Erwin C. Dietrich), Spain's Fervi Films (Fernando Vidal Campos) or Golden Films Internacional S.A. He acted in almost all of his films, playing musicians, lawyers, porters and others, all of them sinister, manic and comic characters. Among the aliases he used--apart from Jesús Franco, Jess Franco or Franco Manera--were Jess Frank, Robert Zimmerman, Frank Hollman, Clifford Brown, David Khune, Frarik Hollman, Toni Falt, James P. Johnson, Charlie Christian, David Tough, Cady Coster, Lennie Hayden, Lulú Laverne and Betty Carter. Lina Romay has been almost a constant in his films, and it's very probable that in some of them she has been credited as the director instead of him. In many of the more than 180 films he's directed he has also worked as composer, writer, cinematographer and editor. His influence has been notable all over Europe (he even contacted producer Roger Corman in the US). From his huge body of work we can deduce that Jesús Franco is one of the most restless directors of Spanish cinema. Many of his films have had problems in getting released, and others have been made directly for video. His work is often a do-it-yourself effort. More than once his staunchest supporters have found his "new" films to contain much footage from one or more of his older ones. Jesús Franco is a survivor in a time when most of his colleagues tried to please the government censors. He broke with all that and got the independence he was seeking. He always went upstream in an ephemeral industry that fed opportunists and curbed the activity of many professionals. Jess Franco died in Malaga, Spain, on April 2, 2013, of a stroke.Christine, Princess of Eroticism (1973)
Dracula Prisoner of Frankenstein (1972)
Esmeralda Bay (1989)- Editor
- Director
- Writer
Born in 1931, Bruno Mattei grew up in Rome, Italy, where his father owned a small film editing studio. At age 20 Bruno started working odd jobs at his father's company as his assistant, then went on to other small spots. He wanted to follow in his father's footsteps as a film editor, and soon found himself working as an editor for a number of directors, including Roberto Bianchi Montero and Nick Nostro. Mattei claimed to have edited over 100 films in the 1960s and early 1970s. After working with famed Spanish director Jess Franco, Mattei made his debut as a director with the drama Armida, il dramma di una sposa (1970) under the alias "Jordon B. Matthews". He eventually had more pseudonyms than any working director in the world. He returned to editing before making another comeback in 1976 with two low-budget Nazi exploitation films, Women's Camp 119 (1977) (aka "Women's Camp 119") and Casa privata per le SS (1977) (aka "SS Girls"). Mattei followed these taboo-breaking films with excursions into porno films and mondo "shockumentaries", all directed under his many pseudonyms, concentrating on "shock value" with films such as Mondo erotico (1973), "Libiodomania" and "Libidomania 2". Always on the lookout for new exploitation avenues, Mattei followed with "nunsploitation", with the softcore sex film The True Story of the Nun of Monza (1980) and the violent sex thriller The Other Hell (1981). Both films involved a partnership with writer/director Claudio Fragasso, who helped him write and direct the back-to-back productions. Using yet another alias, "Vincent Dawn", Mattei directed Hell of the Living Dead (1980) (aka "Night of the Zombies"), a low-budged zombie picture inspired by other zombie cannibal movies such as Dawn of the Dead (1978) and Lucio Fulci's Zombie (1979). "Virus" was filmed in Spain and used jungle footage from New Guinea and a patch soundtrack from Goblins "Dawn of the Dead" soundtrack, which was a minor hit in Italy and abroad. After directing two women's prison films starring Laura Gemser, Mattei moved to directing sword-and-sorcery flicks, starting with The Seven Magnificent Gladiators (1983). Both Mattei and Fragasso collaborated on the sci-fi/horror flick Rats: Night of Terror (1984), inspired by the futuristic movies of the early 1980s. Mattei considers this his best work, despite his still having to work with a very low budget. He worked relentlessly through the 1980s, directing a pair of "spaghetti westerns", some action flicks and about half of Zombie 3 (1988) after Lucio Fulci was taken off the production, though Mattei was not credited with it. In the early 1990s Mattei directed a series of erotic thrillers and a made-for-TV movie, Cruel Jaws (1995), which was inspired by Steven Spielberg's Jaws (1975). Mattei continued making films, with more than 50 to his credit by the 200s. In early 2007 his health began to decline rapidly after he was diagnosed with a brain tumor. Despite his doctor's warnings, he went through with a surgical operation to have the tumor removed in May of that year. After the surgery he fell into a coma from complications, and died a few days later on May 21, 2007 at age 75. Though some people consider his films to be cheap, insipid and technically inept due in large part to their low budgets and poor production values, Bruno Mattei remains an influential cult film director around the world for his radical film making and willingness to direct pretty much anything with a taboo-breaking topic.Rats (1984)
Night of the Zombies (1980)
Strike Commando (1987)- Director
- Writer
- Producer
Bob Clark was born on 5 August 1939 in New Orleans, Louisiana, USA. He was a director and writer, known for A Christmas Story (1983), Baby Geniuses (1999) and Porky's (1981). He died on 4 April 2007 in Pacific Palisades, California, USA.Black Christmas (1974)
Children Shouldn't Play with Dead Things (1973)
DeathDream (1974)- Producer
- Actor
- Director
Ted V. Mikels was born on 29 April 1929 in St. Paul, Minnesota, USA. He was a producer and actor, known for The Doll Squad (1973), Blood Orgy of the She-Devils (1973) and Ten Violent Women (1982). He was married to Geneva Kirsch. He died on 16 October 2016 in Las Vegas, Nevada, USA.The Astro-Zombies (1968)
The Corpse Grinders (1971)
The Doll Squad (1973)- Actor
- Writer
- Director
Herb Robins was born on 12 January 1930 in Newark, New Jersey, USA. He was an actor and writer, known for Sinthia: The Devil's Doll (1970), The Worm Eaters (1977) and The Funhouse (1981). He died on 27 January 2011 in California, USA.The Worm Eaters (1977)
The Brainsucker (1988)- Director
- Writer
- Editor
Writer/director Frank Henenlotter was born August 29, 1950, in New York City. He gleefully "misspent" his youth watching a large array of blithely cheap'n'cheesy low-budget exploitation flicks in various seedy grindhouse theaters on Mahattan's 42nd St. He began making 8mm films as a teenager. His 16mm black-and-white short Slash of the Knife (1972) actually played at a 42nd St. grindhouse midnight show with John Waters' Pink Flamingos (1972). He briefly worked as a commercial artist and graphic designer prior to embarking on a career as a filmmaker. Henenlotter's pictures are distinguished by their offbeat plots, cheerfully lowbrow humor, excessive gore and pervasively sordid atmosphere. He made a smashing horror film debut with the marvelously gruesome and sleazy monster splatter gem Basket Case (1982), which delivered a surprisingly substantial amount of touching pathos along with the expected over-the-top explicit violence and hilariously scuzzy humor. This terrifically twisted tale of two Siamese twins who exact a harsh revenge on the doctors who surgically separated them was a big midnight movie hit and deservedly achieved true cult classic status. Henenlotter's follow-up fright feature was the equally excellent and inspired Brain Damage (1988), another grotesquely original and imaginative winner that offers a potent and provocative allegory on drug addiction with its supremely sick story of a young man who becomes an initially unwitting host for a cunning, ancient and lethal parasite that feeds on human brains. Frankenhooker (1990) was an uproariously rude'n'raunchy tongue-in-cheek hoot, while both "Basket Case" sequels are very amusing and enjoyable affairs. Outside of writing and directing, Frank has been responsible for reissuing an enormous volume of vintage '60s and '70s horror, softcore and exploitation flicks on VHS and DVD alike for Something Weird Video; he has also served as an extremely funny, lively and entertaining moderator on numerous DVD commentaries for the company.
After a regrettably lengthy absence from filmmaking, Henenlotter made a welcome comeback with the typically bizarre Bad Biology (2008).Basket Case (1982)
Brain Damage (1988)
Frankenhooker (1990)- Director
- Writer
- Editor
According to the news program, Hard Copy, "Mark Pirro practically made Hollywood history with his 1983 feature comedy, A Polish Vampire in Burbank." Shot for the unbelievable budget of $2500, the feature went on to make back over a million dollars in home video and cable television distribution. It played on USA network for two years in the late 80s, distinguishing it as the most inexpensive feature film to ever play on that network.
Pirro went on to produce several other low budget wonders, some on budgets less than $500, like his 1998 comedy "Color-Blinded," which went on to win three awards, and his parody of Japanese Godzilla movies, "Rectuma" (2003), which screened at the 2004 Cannes Film Festival.
In 2009, Pirro skewered Biblical mythology with his biting satire and semi-epic, "The God Complex," which Pirro boasts is the "official rejection" of some of the most prestigious film festivals around. The film did, however get selected for a few festivals and has been a popular item at several atheist conventions. Produced on a budget of less than $1000, The God Complex goes beyond anything Pirromount has ever produced before. It also comes with its own merchandising in the form of a talking Jesus head (the Submissive Jesus) which answers your prayers with the twist of his crown. The toy is still available at thesubmissivejesus.com
In 2014, Pirro wrote, produced and directed "Rage of Innocence," his first non-comedy feature, which stars long time Pirromount associate, John McCafferty and Hunger Games: Mockingjay's Annie Cresta - Stef Dawson. Rage of Innocence is the story of a 15 year old sociopath named Raven who will stop at nothing to keep a man from dating her single mother.
In 2017, Pirro produced his 10th feature film, "Celluloid Soul," the story of a man living today who falls in love with an actress from a couple of movies made in the late 1930s, who forces him to doubt his sanity when she shows up on his doorstep looking exactly like she did in those movies made over 75 years ago (complete with a black and white hue, dust particles and vertical scratches throughout her body).
His 11th feature, "The Deceased Won't Desist," released in 2021, is about Rudy Barnett, a wealthy man who dies and has several heirs arrive at his secluded mountain cabin to find out what he's left them. When they arrive, they discover that he had produced a series of videos, which are revealed one by one, and commenting on how each person had done something to upset him over his lifetime, and how he plans on killing them all. As each person is killed, Rudy returns with another video commenting on what just happened, leading to the question 'is Rudy still alive?'
Decades before the digital age of no-budget filmmaking, Pirro was a pioneer in a field that has now become commonplace: making movies without spending loads of cash. From his first feature shot for $2500 to his more recent works, in some cases shot for less, Pirro still has the passion to create feature films without ever having to mortgage his house.Deathrow Gameshow (1987)
Nudist Colony of the Dead (1991)
Curse of the Queerwolf (1988)- Producer
- Director
- Writer
Joseph Zito is a well known action film director. Three of his movies--Missing in Action (1984), Invasion U.S.A. (1985) and Friday the 13th: The Final Chapter (1984)--each reached the #1 box office position of top grossing film in the country in their opening weeks of U.S. theatrical release. "Missing in Action" is Chuck Norris' most successful movie and, along with "Invasion U.S.A.", set new box-office records for the action star. "Missing in Action" not only spawned a series of sequels but also turned martial arts veteran -+Norris into a legitimate movie star and household name.
Zito attended the City University of New York where, as an undergraduate, he majored in economics and went on to earn a Masters Degree in psychology. He has worked in the motion picture industry as a director, producer and writer. He even dabbled in exhibition, fulfilling a childhood fantasy: he owned a grand old movie palace, the Sanders Theatre in New York.
He also had a post-production editorial service and became well known as a film "doctor," performing emergency surgery on ailing films to turn them into healthy box office prospects. As a director, Zito started by making documentaries and then soon segued into directing feature films: Abduction (1975) and The Prowler (1981).
Zito often makes movies in exotic lands, having directed "Missing in Action" in Southeast Asia, Red Scorpion (1988) (starring Dolph Lundgren) in Africa, Delta Force One: The Lost Patrol (1999) in the Middle East and Power Play (2003) in South America. "Delta Force One: The Lost Patrol", made on a grand scale, is a hard-hitting action adventure about a team of international peacekeepers on a perilous search for a missing convoy of soldiers. "Power Play", starring Dylan Walsh and Alison Eastwood, is the story of a newspaper reporter who, while investigating the mysterious disappearance of three radical environmentalists, uncovers unorthodox scientific testing that is causing devastating earthquakes throughout Los Angeles.
Zito is a frequent lecturer at universities and colleges around the country including USC, University of Ohio at Bowling Green and UCLA. He is working in the Middle East as producer of a large-scale hospital drama television series.Friday the 13th: The Final Chapter (1984)
The Prowler (1981)- Producer
- Writer
- Director
George A. Romero never set out to become a Hollywood figure; by all indications, though, he was very successful. The director of the groundbreaking "Living Dead" films was born February 4, 1940 ,in New York City to Ann (Dvorsky) and Jorge Romero. His father was born in Spain and raised in Cuba, and his mother was Lithuanian. He grew up in New York until attending the renowned Carnegie-Mellon University in Pittsburgh, PA.
After graduation he began shooting mostly short films and commercials. He and his friends formed Image Ten Productions in the late 1960s and they all chipped in roughly $10,000 apiece to produce what became one of the most celebrated American horror films of all time: Night of the Living Dead (1968). Shot in black-and-white on a budget of just over $100,000, Romero's vision, combined with a solid script written by him and his "Image" co-founder John A. Russo (along with what was then considered an excess of gore), enabled the film to earn back far more than what it cost; it became a cult classic by the early 1970s and was inducted into the National Film Registry of the Library of Congress of the United States in 1999. Romero's next films were a little more low-key but less successful, including The Affair (1971), The Crazies (1973), Season of the Witch (1972) (where he met future wife Christine Forrest) and Martin (1977). Though not as acclaimed as "Night of the Living Dead" or some of his later work, these films had his signature social commentary while dealing with issues--usually horror-related--at the microscopic level. Like almost all of his films, they were shot in, or around, Romero's favorite city of Pittsburgh.
In 1978 he returned to the zombie genre with the one film of his that would top the success of "Night of the Living Dead"--Dawn of the Dead (1978). He managed to divorce the franchise from Image Ten, which screwed up the copyright on the original and allowed the film to enter into public domain, with the result that Romero and his original investors were not entitled to any profits from the film's video releases. Shot in the Monroeville (PA) Mall during late-night hours, the film told the tale of four people who escape a zombie outbreak and lock themselves up inside what they think is paradise before the solitude makes them victims of their own, and a biker gang's, greed. Made on a budget of just $1.5 million, the film earned over $40 million worldwide and was named one of the top cult films by Entertainment Weekly magazine in 2003. It also marked Romero's first work with brilliant make-up and effects artist Tom Savini. After 1978, Romero and Savini teamed up many times. The success of "Dawn of the Dead" led to bigger budgets and better casts for the filmmaker. First was Knightriders (1981), where he first worked with an up-and-coming Ed Harris. Then came perhaps his most Hollywood-like film, Creepshow (1982), which marked the first--but not the last--time Romero adapted a work by famed horror novelist Stephen King. With many major stars and big-studio distribution, it was a moderate success and spawned a sequel, which was also written by Romero.
The decline of Romero's career came in the late 1980s. His last widely-released film was the next "Dead" film, Day of the Dead (1985). Derided by critics, it did not take in much at the box office, either. His latest two efforts were The Dark Half (1993) (another Stephen King adaptation) and Bruiser (2000). Even the Romero-penned/Tom Savini-directed remake of Romero's first film, Night of the Living Dead (1990), was a box-office failure. Pigeon-holed solely as a horror director and with his latest films no longer achieving the success of his earlier "Dead" films, Romero has not worked much since, much to the chagrin of his following. In 2005, 19 years after "Day of the Dead", with major-studio distribution he returned to his most famous series and horror sub-genre it created with Land of the Dead (2005), a further exploration of the destruction of modern society by the undead, that received generally positive reviews. He directed two more "Dead" films, Diary of the Dead (2007) and Survival of the Dead (2009).
George died on July 16, 2017, in Toronto, Ontario, Canada. He was 77.Martin (1977)
Dawn of the Dead (1978)
Creepshow (1982)- Music Department
- Writer
- Composer
John Howard Carpenter was born in Carthage, New York, to mother Milton Jean (Carter) and father Howard Ralph Carpenter. His family moved to Bowling Green, Kentucky, where his father, a professor, was head of the music department at Western Kentucky University. He attended Western Kentucky University and then USC film school in Los Angeles. He began making short films in 1962, and won an Academy Award for Best Live-Action Short Subject in 1970, for The Resurrection of Broncho Billy (1970), which he made while at USC. Carpenter formed a band in the mid-1970s called The Coupe de Villes, which included future directors Tommy Lee Wallace and Nick Castle. Since the 1970s, he has had numerous roles in the film industry including writer, actor, composer, producer, and director. After directing Dark Star (1974), he has helmed both classic horror films like Halloween (1978), The Fog (1980), and The Thing (1982), and noted sci-fi tales like Escape from New York (1981) and Starman (1984).Assault on Precinct 13 (1976)
Halloween (1978)
Escape from New York (1981)- Writer
- Producer
- Actor
Born in Liverpool, England, UK, Clive Barker is an English writer, director, and visual artist, best known for his works in the genres of horror and dark fantasy. His mother Joan Ruby (née Revill) was a painter and school welfare officer and his father Leonard Barker was a personnel director for an industrial relations firm. He studied English and philosophy at the University of Liverpool. His first artistic endeavors took place while at school, where he was a part of students' theatre. In the early days of his artistic career, he supported himself by working as a male prostitute. In 1978 he co-founded a theatre group called The Dog Company, among whose members was Doug Bradley who later went on to star in Barker's Hellraiser movie series. In 1985 he published his debut novel, The Damnation Game, and the same year he wrote his first feature movie scripts: Underworld (1985) and Rawhead Rex (1986). The end effect of these two movies disappointed Barker so much that he decided to adapt his prose into a movie he would direct himself, leading to the creation of Hellraiser (1987). The movie achieved cult status and turned into a multimedia franchise, although Barker lost control over it at one point, only to regain it in 2020. In addition to his work in literature and movies, he is also a visual artist, often illustrating his own books and was involved in a number of television, comic book, and visual arts projects.Hellraiser (1987)
Nightbreed (1990)
Lord of Illusions (1995)- Director
- Writer
- Producer
Honored with many awards for his films and achievement in the horror genre, Tobe Hooper is truly one of the Masters of Horror (2005).
Tobe Hooper was born in Austin, Texas, to Lois Belle (Crosby) and Norman William Ray Hooper, who owned a theater in San Angelo. He spent the 1960s as a college professor and documentary cameraman. In 1974, he organized a small cast that was made up of college teachers and students, and then he and Kim Henkel made The Texas Chain Saw Massacre (1974), featuring the maniacal chainsaw-wielder Leatherface (Gunnar Hansen). This film changed the horror film industry and became an instant classic, remaining on many lists of top horror films of all time. Hooper based it upon the real-life killings of Ed Gein, a cannibalistic killer responsible for the grisly murders of several people in 1950s Wisconsin. Rex Reed said, "It's the scariest film I have ever seen." Leonard Maltin wrote, "While not nearly as gory as its title suggests, 'Massacre' is a genuinely terrifying film made even more unsettling by its twisted but undeniably hilarious black comedy." It is in the Permanent Collection of the Museum of Modern Art, and was officially selected at the Cannes Film Festival of 1975 for Directors Fortnight.
Hooper's success with "Chainsaw" landed him in Hollywood. Hooper rejoined the cast of "Texas" and with Kim Henkle again for Eaten Alive (1976), a gory horror film with Mel Ferrer, Carolyn Jones, William Finley, and Marilyn Burns (who played the lead in "Chainsaw"). The film centered around a caretaker of a motel who feeds his guests to his pet alligator. Also in the film was Robert Englund, whom Hooper helped advance his career and worked with him again in the future. "Eaten Alive" also won many awards at Horror Film Festivals, receiving the first Saturn Award. Also in the film, making his debut, was Robert Englund.
Hooper was assigned to the Film Ventures International production of The Dark (1979), a science-fiction thriller. After only three day, he was fired from the film and replaced with John 'Bud' Cardos. Instead, Hooper had greater success with Stephen King's 1979 mini series Salem's Lot (1979). In 1981, Hooper directed the teen slasher film The Funhouse (1981) for Universal Pictures. Despite its success, "The Funhouse" was a minor disappointment. In 1982, Hooper found greater success when Steven Spielberg hired him to direct his production, haunted house shocker Poltergeist (1982), for MGM. It quickly became a top-ranking major motion picture, but Hooper's reputation was waylaid by uncorroborated and spurious rumors spread throughout the film's press coverage that Spielberg had largely directed the film.
"Poltergeist" was perhaps a greater success than "Texas Chainsaw Massacre," but it was three years until Hooper found work again. He signed a three-year contract with Menahem Golan and Yoram Globus's Cannon Group, and directed more films, including Lifeforce (1985), with Patrick Stewart for TriStar; the minor remake Invaders from Mars (1986); and the disappointing sequel The Texas Chainsaw Massacre 2 (1986), with Dennis Hopper. During the mid-1980s, Hooper also directed several television projects, including episodes of Amazing Stories (1985), The Equalizer (1985), Freddy's Nightmares (1988) and Tales from the Crypt (1989) with Whoopi Goldberg.
In the 1990s, Hooper continued working in both film and television: I'm Dangerous Tonight (1990), Nowhere Man (1995), Dark Skies (1996), Perversions of Science (1997) with Jamie Kennedy and Jason Lee, The Apartment Complex (1999) with Amanda Plummer for Showtime, Night Terrors (1993) and The Mangler (1995) for New Line, the latter two with Robert Englund. In the new century Hooper's career grew stronger, with Night Visions (2001), Shadow Realm (2002) and the pilot episode for Steven Spielberg's award-winning miniseries Taken (2002).
In 2003, Hooper co-produced the successful remake of The Texas Chainsaw Massacre (2003) for New Line. His final three films as director were Toolbox Murders (2004), with Angela Bettis, released through Lions Gate; Mortuary (2005), a zombie film with Dan Byrd; and evil genie tale Djinn (2013).
Tobe Hooper died on August 26, 2017, in Sherman Oaks, Los Angeles.
Leatherface (2017), technically the eighth film in Hooper's Chainsaw franchise, was slated for release just weeks after his death.The Texas Chain Saw Massacre (1974)
Poltergeist (1982)
Spontaneous Combustion (1990)- Writer
- Producer
- Director
Wes Craven has become synonymous with genre bending and innovative horror, challenging audiences with his bold vision.
Wesley Earl Craven was born in Cleveland, Ohio, to Caroline (Miller) and Paul Eugene Craven. He had a midwestern suburban upbringing. His first feature film was The Last House on the Left (1972), which he wrote, directed, and edited. Craven reinvented the youth horror genre again in 1984 with the classic A Nightmare on Elm Street (1984), a film he wrote and directed. And though he did not direct any of its five sequels, he deconstructed the genre a decade later, writing and directing the audacious New Nightmare (1994), which was nominated as Best Feature at the 1995 Independent Spirit Awards, and introduced the concept of self-reflexive genre films to the world.
In 1996 Craven reached a new level of success with the release of Scream (1996). The film, which sparked the phenomenal trilogy, was the winner of MTV's 1996 Best Movie Award and grossed more than $100 million domestically, as did Scream 2 (1997). Between Scream 2 and Scream 3 (2000), Craven, offered the opportunity to direct a non-genre film for Miramax, helmed Music of the Heart (1999), a film that earned Meryl Streep an Academy Award nomination for Best Actress. That same year, in the midst of directing, Craven completed his first novel, "The Fountain Society," published by Simon & Shuster. Recent works include the 2005 psychological thriller Red Eye (2005), and a short rom-com segment for the ensemble product, Paris, I Love You (2006).
In later years, Craven also produced remakes of two of his earlier films for his genre fans, The Hills Have Eyes (2006) and The Last House on the Left (2009). Craven has always had an eye for discovering fresh talent, something that contributes to the success of his films. While casting A Nightmare on Elm Street, Craven discovered the then unknown Johnny Depp. Craven later cast Sharon Stone in her first starring role for his film Deadly Blessing. He even gave Bruce Willis his first featured role in an episode of TV's mid-80's edition of The Twilight Zone. In My Soul to Take (2010), Craven once again brought together a cast of up-and-coming young teens, including Max Thieriot, in whom he saw the spark of stardom. The film marked Craven's first collaboration with wife and producer Iya Labunka, who also produced with him the highly anticipated production of Scream 4.
Craven's Scream 4 (2011) reunited the director with Dimension Films and Kevin Williamson, as well as with stars Neve Campbell, Courteney Cox and David Arquette, to re-boot the beloved franchise. Craven again exhibited his knack for spotting important talent, with a cast of young actors bringing us a totally new breed of Woodsboro high schoolers, including Emma Robert and Hayden Pannetierre.A Nightmare on Elm Street (1984)
Scream (1996)
The Last House on the Left (1972)- Writer
- Producer
- Director
Brian Yuzna was born on 30 August 1949 in Manila, Philippines. He is a writer and producer, known for The Dentist (1996), Beyond Re-Animator (2003) and Faust (2000). He is married to Cathy Yuzna. They have four children.Society (1989)
Bride of Re-Animator (1990)
The Dentist (1996)- Director
- Producer
- Writer
Fred Olen Ray spent most of his childhood in Florida, where he was always a fan of horror movies on TV. He collected autographs of many of the actors in those films where he met Christopher Lee and Peter Cushing. His early career was filled with low-budget horror and science-fiction films, but the market eventually dried up and he switched to producing softcore "T&A" videos of the type shown late at night on Showtime and Cinemax. His films rarely cost more than $500,000, and he has written under at least 30 different pen names; he was one of the first to fill time at the end of his films with outtakes, now a common practice in other comedy films. The outdoor sets are often CGI backdrops and many sets are in his own home or near it. Ray often can share credit for his softcore film success with the late cinematographer/director Gary Graver, big shoes for him to fill while working with an excess of tattooed and body-beaded new performers in this genre.Hollywood Chainsaw Hookers (1988)
Scalps (1983)
Evil Toons (1991)- Writer
- Producer
- Director
Writer/director Fred Dekker was born on April 9, 1959 in San Francisco, California. An avid comic book fan, monster movie buff, and film nerd from an early age, Dekker was rejected by both USC and UCLA film schools. He wound up attending UCLA as an English major instead. His fellow UCLA classmates included future screenwriters Shane Black (who collaborated with Dekker on the script for "The Monster Squad"), Ed Solomon, and Chris Matheson. One of Dekker's early projects in Hollywood was a 3-D "Godzilla" picture that sadly never panned out. Fred's first film credit was writing the story for the amusing horror comedy "House." He made his promising debut as writer/director with the terrific "Night of the Creeps," which paid affectionate homage to the blithely silly low-budget horror flicks he grew up loving as a kid. He followed this fine feature with the equally delightful tongue-in-cheek pastiche "The Monster Squad." Alas, both movies received mixed reviews from the critics and flopped at the box office, but have fortunately gone on to acquire huge cult followings. Dekker wrote five episodes of the immensely enjoyable cable TV horror anthology series "Tales from the Crypt": "Split Personality," "And All Through the House," "Lower Berth," "Only Sin Deep," and "The Thing From the Grave" (Fred directed this episode as well). He wrote the stories for the exciting revenge thriller "Ricochet" and the failed spy spoof "If Looks Could Kill." More recently Fred Dekker wrote several episodes of and served as a consulting producer on the science fiction TV show "Enterprise."Night of the Creeps (1986)
The Monster Squad (1987)
RoboCop 3 (1993)- Director
- Writer
- Producer
Joel Schumacher was an American film director, film producer, screenwriter and fashion designer from New York City. He rose to fame in the 1980s for directing the coming-of-age drama "St. Elmo's Fire" (1985), and the vampire-themed horror film "The Lost Boys" (1987). In the 1990s, he worked on two controversial superhero films "Batman Forever" (1995) and "Batman & Robin" (1997). His final high-profile film was "The Phantom of the Opera" (2004). It was an adaptation of Andrew Lloyd Webber's 1986 musical, rather than the original novel. Towards the end of his career, Schumacher primarily worked on low-profile films with small budgets.The Lost Boys (1987)
Flatliners (1990)
The Number 23 (2007)- Writer
- Editorial Department
- Director
John Alan Schwartz was born on 7 November 1952 in the USA. He was a writer and director, known for Knight Rider (1982), The Worst of Faces of Death (1987) and The Fall Guy (1981). He was married to Joan Alperin. He died on 13 August 2019 in the USA.Faces of Death 1-6- Director
- Producer
- Writer
Stacy Title was born on 21 February 1964 in Queens, New York City, New York, USA. She was a director and producer, known for Let the Devil Wear Black (1999), The Last Supper (1995) and The Bye Bye Man (2017). She was married to Jonathan Penner. She died on 11 January 2021 in Los Angeles, California, USA.The Last Supper (1995)
Let the Devil Wear Black (1999)
Hood of Horror (2006)- Writer
- Director
- Producer
Stuart Gordon started his film directing career in 1985. After graduating from Lane Technical High School, Gordon worked as a commercial artist apprentice prior to enrolling at the University of Wisconsin in Madison. Unable to get into the film classes, he enrolled in an acting class and ended up majoring in theater. In 1968, he directed a psychedelic adaptation of Peter Pan as a political satire. He was arrested on obscenity charges and Gordon dropped out of the university. He and his wife Carolyn formed the Organic Theater and moved the group to Chicago.
The Organic performed their work on and off-Broadway, in Los Angeles, and toured Europe. Among their productions were the world premiere of David Mamet's "Sexual Perversity in Chicago," which launched Mamet's playwriting career, the improv-based comedy "Bleacher Bums," which ran for over ten years in Los Angeles, and the hospital comedy E/R (1984), which became a TV series produced by Norman Lear.
He joined with Brian Yuzna and Charles Band's Empire Pictures to create the company's first major hit, Re-Animator (1985), based on the story by H.P. Lovecraft, which won a Critics' Prize at the Cannes Film Festival. Gordon then helmed another Lovecraft adaptation From Beyond (1986) and tackled the murderous Dolls (1986) followed by Robot Jox (1989). Gordon co-created the story for Honey, I Shrunk the Kids (1989) a major hit for Disney. The same year, he directed the remake and more graphic version of The Pit and the Pendulum (1991). Other works include Fortress (1992), and the screenplay for The Dentist (1996) and Body Snatchers (1993), which he co-wrote with long-time writing partner Dennis Paoli.
In 2001, Gordon returned to the H.P. Lovecraft territory with Dagon (2001), and in 2003, directed King of the Ants (2003) about a housepainter-turned-hit man, and brought the David Mamet play Edmond (2005) to the screen.
He contributed to the horror anthology series Masters of Horror (2005) with the episode Dreams in the Witch-House (2005), based on a short story by H.P. Lovecraft. He returned to the series in 2007 with the episode The Black Cat (2007), based on Edgar Allan Poe's story. And in 2008, he directed Eater (2008) for the NBC series Fear Itself (2008).
He is also known for frequently murdering his wife, actress Carolyn Purdy-Gordon, in many of his films.Re-Animator (1985)
From Beyond (1986)
Dolls (1987)- Writer
- Director
- Producer
In much the same way that director George A. Romero creative output has been primarily centered around the highly successful "Dead" series of zombie films, then fellow fantasy director Don Coscarelli has for over two decades seen his universe swirling around the lesser successful, but equally cult, and much loved "Phantasm" series of horror movies.
Coscarelli was born in Tripoli in North Africa, but raised around Southern California, and was interested in the cinema from a young age and together with his friends they made several low budget movies that aired on community TV stations to very positive feedback.
After a low key start with his first feature film embracing the trials of a young teenager caught in a world of alcoholic abuse Jim, the World's Greatest (1975), Coscarelli followed this up with a lighter comedic tale about another youngster and his view of the world as an impressionable 12 year old in Kenny & Company (1976). However, the imaginative Coscarelli then really hit the (horror) big time with the 1979 release of the highly inventive fright thriller Phantasm (1979). Once again, a young boy is at the center of a spine-chilling story about a creepy funeral home, a sinister Tall Man (wonderful acting by Coscarelli's long time buddy Angus Scrimm), disappearing corpses, malignant dwarfs and a gateway into a hellish, other world dimension. Shot on a very modest budget, Phantasm (1979) was hotly received by horror fans worldwide, and the film has since spawned three sequels...each fairly decent in their own right! First up was the gorier Phantasm II (1988), followed by Phantasm III: Lord of the Dead (1994), and the third sequel to date, Phantasm IV: Oblivion (1998). A fifth and final sequel titled "Phantasm's End" has been apparently discussed, but nothing further has yet eventuated on this project. As the Angus Scrimm is approaching his 80th birthday, Phantasm fans hope that the "Tall Man" will be there for the proposed final chapter of this thrilling saga of the Undead!
Apart from the "Phantasm" series, Coscarelli also wrote and directed the well received sword and sorcery film The Beastmaster (1982) starring athletic Marc Singer and the eye-catching Tanya Roberts being pursued by villainous high priest Rip Torn. And recently in 2002, Coscarelli cast horror & fantasy film screen hero Bruce Campbell in the highly off-beat Bubba Ho-Tep (2002) that depicts Elvis and John F. Kennedy hiding out in a Texas rest home where the residents are being attacked by a 3,000 year old cowboy boot wearing mummy trying to bring itself back to life! A strange script it may sound, but indie and horror film fans loved the unusual premise and quirky humor, and the film was a hot hit at several film festivals and has spawned a further cult following for Coscarelli and Campbell.
Coscarelli, similar to gifted fantasy directors such as Wes Craven, Sam Raimi and George A. Romero has carved himself a true cult niche in modern horror film history, and his loyal fans eagerly await his next project.Phantasm (1979)
BubbaHo-Tep (2002)
The Beastmaster (1982)- Actor
- Producer
- Director
Don Edmonds was born on September 1, 1937, in Kansas City, MO. He came to Hollywood in the mid to late 1950s. He studied acting with noted acting coach Estelle Harmon and began performing in various California stage productions. His initial forays into television acting included such live TV shows as Playhouse 90 (1956), Studio One (1948) and The Loretta Young Show (1953). He was usually cast as a goofy sidekick in such "beach party"-type movies as Gidget Goes Hawaiian (1961), Beach Ball (1965) and Wild Wild Winter (1966). He made guest appearances on such TV shows as Hunter (1984), Green Acres (1965), Combat! (1962), Petticoat Junction (1963), The Munsters (1964), Gidget (1965) and Father Knows Best (1954).
Edmonds made his directorial debut with the soft-core features Wild Honey (1972) and Tender Loving Care (1973). He achieved his greatest enduring cult exploitation cinema popularity by directing the infamous Nazisploitation classic Ilsa: She Wolf of the SS (1975) and its marvelously outrageous sequel Ilsa, Harem Keeper of the Oil Sheiks (1976). After "Ilsa" Edmonds went on to direct the superbly gritty urban action winner Bare Knuckles (1977), the cruddy slasher horror entry Terror on Tour (1980), the action comedy Tomcat Angels (1991) and the pilot of the TV series Silk Stalkings (1991). As the vice president of production at Producers Sales Organization, Don was responsible for getting movies like Short Circuit (1986), 8 Million Ways to Die (1986) and The Clan of the Cave Bear (1986) greenlit and subsequently made. He had also been involved as either a producer, co-producer or executive producer on a sizable number of pictures, including Larceny (2004), Fast Money (1996), True Romance (1993) (he was part of the production team which helped Quentin Tarantino get his early professional filmmaking career off and running), Skeeter (1993) and The Night Stalker (1986). In later years, Don attended screenings of his 1970s drive-in flicks and appeared as a guest at film conventions held all over the country.
He died at age 71 of liver cancer on May 30, 2009.Ilsa: She Wolf of the SS (1975)
Ilsa, Harem Keeper of the Oil Sheiks (1976)
Terror on Tour (1980)- Director
- Producer
- Additional Crew
Joe Dante is a graduate of the Philadelphia College of Art. After a stint as a film reviewer, he began his filmmaking apprenticeship in 1974 as trailer editor for Roger Corman's New World Pictures. He made his directorial debut in 1976 with Hollywood Boulevard (1976) (co-directed with Allan Arkush), a thinly disguised spoof of New World exploitation pictures, shot in ten days for $60,000.
In 1977 Dante made his solo debut as a film director with Piranha (1978), which went on to become one of the company's biggest hits and was distributed throughout the rest of the world by United Artists. During his tenure at New World, Dante edited Ron Howard's directorial debut Grand Theft Auto (1977) and co-wrote the original story for Rock 'n' Roll High School (1979).
For Avco-Embassy Dante next directed the highly praised werewolf thriller The Howling (1981), followed by the It's a Good Life segment of the episodic Twilight Zone: The Movie (1983).
Having worked with Steven Spielberg on Twilight Zone, Dante was chosen to helm one of the first Amblin Productions for Warner Bros. Gremlins (1984) became a runaway hit and grossed more than $200 million worldwide.
Dante followed up with Explorers (1985) for Paramount, a sci-fi fantasy about three kids who build their own spaceship, and then Innerspace (1987) for Guber/Peters, Amblin and Warner Bros., an action comedy in which miniaturized test pilot Dennis Quaid is injected into the body of supermarket clerk Martin Short.
Tom Hanks starred in Dante's next film for Imagine/Universal, The 'Burbs (1989), which was followed by Gremlins 2: The New Batch (1990) for Warner Bros. in 1990. Matinee (1993) featuring John Goodman as a huckster showman premiering his new horror film during the Cuban Missile Crisis, was a production of Dante and partner Michael Finnell's Renfield Productions for Universal in 1993.
Dreamworks/Universal's Small Soldiers was released in 1998, followed in 2003 by Warner Bros. Looney Tunes: Back in Action (2003) featuring one of Dante's favorite actors, Bugs Bunny.
Dante's Homecoming (2005), debuted in December 2005 to rave reviews from critics and audiences alike and was named to numerous "Top 10" critics lists. The Sitges and Brussels International Film Festivals both honored Homecoming with Special Jury Recognition Awards, and the New Yorker called it the best political film of 2005. More recent work includes The Screwfly Solution (2006), and Boo (2007). His new 3D thriller, The Hole (2009), for Bold Films recently premiered at the Venice Film Festival where it garnered the first-ever award for Best 3D Feature.
Dante also produces the critically-acclaimed webisode/mobile phone series, Trailers from Hell.
Along the way Dante contributed several comedy segments to the multi-part Amazon Women on the Moon (1987) spoof produced by John Landis, and directed various episodes of the tv series Amazing Stories (1985), The Twilight Zone (1985), Police Squad! (1982), Night Visions (2001) and Picture Windows (1994). He also directed the network pilots for The Osiris Chronicles (1998) and the NBC series Eerie, Indiana (1991), on which he was creative consultant throughout its run.
Dante received Cable Ace nominations for his direction of Showtime's Runaway Daughters (1994) and HBO's The Second Civil War (1997).Gremlins (1984)
The Howling (1981)
Piranha (1978)- Director
- Producer
- Writer
Nacho Cerdá was born in Catalonia, Spain. He is known for Genesis (1998), The Abandoned (2006) and Aftermath (1994).Aftermath (1994)
Genesis (1998)
The Abandoned (2006)- Director
- Producer
- Writer
Gaspar Noé is an Argentinian filmmaker and screenwriter who lives in France. He is the son of Luis Felipe Noé, an Argentinian artist. He directed I Stand Alone, Irréversible, Enter the Void, Love, Climax, Carne, Lux Æterna, Sodomites and Vortex. His films are known for having a sensory overload style, most notably in Enter the Void. He is married to Lucile Hadzihalilovic.Irreversible (2002)
I Stand Alone (1998)
Carne (1991)- Actor
- Director
- Writer
David Cronenberg, also known as the King of Venereal Horror or the Baron of Blood, was born in Toronto, Ontario, Canada, in 1943. His father, Milton Cronenberg, was a journalist and editor, and his mother, Esther (Sumberg), was a piano player. After showing an inclination for literature at an early age (he wrote and published eerie short stories, thus following his father's path) and for music (playing classical guitar until he was 12), Cronenberg graduated from the University of Toronto with a degree in Literature after switching from the science department. He reached the cult status of horror-meister with the gore-filled, modern-vampire variations of Shivers (1975) and Rabid (1977), following an experimental apprenticeship in independent film-making and in Canadian television programs.
Cronenberg gained popularity with the head-exploding, telepathy-based Scanners (1981) after the release of the much underrated, controversial, and autobiographical The Brood (1979). Cronenberg become a sort of a mass media guru with Videodrome (1983), a shocking investigation of the hazards of reality-morphing television and a prophetic critique of contemporary aesthetics. The issues of tech-induced mutation of the human body and topics of the prominent dichotomy between body and mind were back again in The Dead Zone (1983) and The Fly (1986), both bright examples of a personal film-making identity, even if both films are based on mass-entertainment materials: the first being a rendition of a Stephen King best-seller, the latter a remake of a famous American horror movie.
With Dead Ringers (1988) and Naked Lunch (1991), the Canadian director, no more a mere genre movie-maker but a fully realized auteur, got the acclaim of international critics. Such profound statements on modern humanity and ever-changing society are prominent in the provocative Crash (1996) and in the virtual reality essay of eXistenZ (1999), both of which well fared at the Cannes and Berlin Film Festivals. In the last two film projects Spider (2002) and A History of Violence (2005), Cronenberg avoids expressing his teratologic and oneiric expressionism in favor of a more psychological exploration of human contradictions and idiosyncrasies.The Fly (1986)
Dead Ringers (1988)
Videodrome (1983)- Actor
- Director
- Writer
Shin'ya Tsukamoto was born on 1 January 1960 in Shibuya, Tokyo, Japan. He is an actor and director, known for Tetsuo: The Iron Man (1989), Vital (2004) and Tokyo Fist (1995).Tetsuo, the Iron Man (1989)
Tokyo Fist (1995)
A Snake of June (2002)- Writer
- Director
- Producer
Born in precisely the kind of small-town American setting so familiar from his films, David Lynch spent his childhood being shunted from one state to another as his research scientist father kept getting relocated. He attended various art schools, married Peggy Lynch and then fathered future director Jennifer Lynch shortly after he turned 21. That experience, plus attending art school in a particularly violent and run-down area of Philadelphia, inspired Eraserhead (1977), a film that he began in the early 1970s (after a couple of shorts) and which he would work on obsessively for five years. The final film was initially judged to be almost unreleasable weird, but thanks to the efforts of distributor Ben Barenholtz, it secured a cult following and enabled Lynch to make his first mainstream film (in an unlikely alliance with Mel Brooks), though The Elephant Man (1980) was shot through with his unique sensibility. Its enormous critical and commercial success led to Dune (1984), a hugely expensive commercial disaster, but Lynch redeemed himself with the now classic Blue Velvet (1986), his most personal and original work since his debut. He subsequently won the top prize at the Cannes Film Festival with the dark, violent road movie Wild at Heart (1990), and achieved a huge cult following with his surreal TV series Twin Peaks (1990), which he adapted for the big screen, though his comedy series On the Air (1992) was less successful. He also draws comic strips and has devised multimedia stage events with regular composer Angelo Badalamenti. He had a much-publicized affair with Isabella Rossellini in the late 1980s.Blue Velvet (1986)
The Elephant Man (1980)
Eraserhead (1977)- Art Department
- Director
- Producer
Vincenzo Natali was born on 6 January 1969 in Detroit, Michigan, USA. He is a director and producer, known for Cube (1997), In the Tall Grass (2019) and Cypher (2002).Cube (1997)
Cypher (2002)
Splice (2009)- Producer
- Additional Crew
- Director
Timothy Walter Burton was born in Burbank, California, to Jean Rae (Erickson), who owned a cat-themed gift shop, and William Reed Burton, who worked for the Burbank Park and Recreation Department. He spent most of his childhood as a recluse, drawing cartoons, and watching old movies (he was especially fond of films with Vincent Price). When he was in the ninth grade, his artistic talent was recognized by a local garbage company, when he won a prize for an anti-litter poster he designed. The company placed this poster on all of their garbage trucks for a year. After graduating from high school, he attended California Institute of the Arts. Like so many others who graduated from that school, Burton's first job was as an animator for Disney.
His early film career was fueled by almost unbelievable good luck, but it's his talent and originality that have kept him at the top of the Hollywood tree. He worked on such films as The Fox and the Hound (1981) and The Black Cauldron (1985), but had some creative differences with his colleagues. Nevertheless, Disney recognized his talent, and gave him the green light to make Vincent (1982), an animated short about a boy who wanted to be just like Vincent Price. Narrated by Price himself, the short was a critical success and won several awards. Burton made a few other short films, including his first live-action film, Frankenweenie (1984). A half-hour long twist on the tale of Frankenstein, it was deemed inappropriate for children and wasn't released. But actor Paul Reubens (aka Pee-Wee Herman) saw Frankenweenie (1984), and believed that Burton would be the right man to direct him in his first full-length feature film, Pee-wee's Big Adventure (1985). The film was a surprise success, and Burton instantly became popular. However, many of the scripts that were offered to him after this were essentially just spin-offs of the film, and Burton wanted to do something new.
For three years, he made no more films, until he was presented with the script for Beetlejuice (1988). The script was wild and wasn't really about anything, but was filled with such artistic and quirky opportunities, Burton couldn't say no. Beetlejuice (1988) was another big hit, and Burton's name in Hollywood was solidified. It was also his first film with actor Michael Keaton. Warner Bros. then entrusted him with Batman (1989), a film based on the immensely popular comic book series of the same name. Starring Michael Keaton and Jack Nicholson, the film was the most financially successful film of the year and Burton's biggest box-office hit to date. Due to the fantastic success of his first three films, he was given the green light to make his next film, any kind of film he wanted. That film was Edward Scissorhands (1990), one of his most emotional, esteemed and artistic films to date. Edward Scissorhands (1990) was also Burton's first film with actor Johnny Depp. Burton's next film was Batman Returns (1992), and was darker and quirkier than the first one, and, while by no means a financial flop, many people felt somewhat disappointed by it. While working on Batman Returns (1992), he also produced the popular The Nightmare Before Christmas (1993), directed by former fellow Disney Animator Henry Selick. Burton reunited with Johnny Depp on the film Ed Wood (1994), a film showered with critical acclaim, Martin Landau won an academy award for his performance in it, and it is very popular now, but flopped during its initial release. Burton's subsequent film, Mars Attacks! (1996), had much more vibrant colors than his other films. Despite being directed by Burton and featuring all-star actors including Jack Nicholson, Glenn Close, Pierce Brosnan and Michael J. Fox, it received mediocre reviews and wasn't immensely popular at the box office, either.
Burton returned to his darker and more artistic form with the film Sleepy Hollow (1999), starring Johnny Depp, Christina Ricci and Casper Van Dien. The film was praised for its art direction and was financially successful, redeeming Burton of the disappointment many had felt by Mars Attacks! (1996). His next film was Planet of the Apes (2001), a remake of the classic of the same name. The film was panned by many critics but was still financially successful. While on the set of Planet of the Apes (2001), Burton met Helena Bonham Carter, with whom he has two children. Burton directed the film Big Fish (2003) - a much more conventional film than most of his others, it received a good deal of critical praise, although it disappointed some of his long-time fans who preferred the quirkiness of his other, earlier films. Despite the fluctuations in his career, Burton proved himself to be one of the most popular directors of the late 20th century. He directed Johnny Depp once again in Charlie and the Chocolate Factory (2005), a film as quirky anything he's ever done.Edward Scissorhands (1990)
Batman Returns (1992)
Sleepy Hollow (1999)- Actor
- Writer
- Director
Tom Holland is an American director and screenwriter of horror and thriller films. His early writing projects include Class of 1984 (1982) and the Robert Bloch- inspired Psycho II (1983), the latter starring Anthony Perkins as the menacing psychopath, Norman Bates.
Tom gained more notoriety, however, as a director. His directorial debut was the popular 1980s Vampire film, Fright Night (1985) which, at the time, was said to have been responsible for redefining the sub-genre, influencing later films like The Lost Boys (1987) and Near Dark (1987). The film was a box office hit and garnered three Saturn Awards and one Dario Argento Award.
For his next project, Child's Play (1988), Tom again cast Chris Sarandon. The film was a Number One box-office hit in America and a worldwide success, despite controversy over its thematic content. It, like Fright Night (1985) has since gathered a cult following amongst horror fans. Tom then went onto direct two films based upon adaptations of Stephen King's novels: The Langoliers (1995) and Thinner (1996). He also took a cameo role in the Stephen King miniseries The Stand (1994).
Tom's other projects have included _The Incredible Hulk_ episode 'Another Path', Steven Spielberg's Amazing Stories (1985), three episodes of Tales from the Crypt (1989), and the prestigious Masters of Horror (2005) anthology. He starred in A Walk in the Spring Rain (1970) with Ingrid Bergman.
In 2009 Tom took a starring role in Hatchet II (2010) alongside Kane Hodder and Tony Todd.Child's Play (1988)
Fright Night (1985)
The Langoliers (1995)- Producer
- Director
- Actor
William Lustig was born on February 1, 1955 in Bronx, New York. During his teenage years, Lustig avidly watched a huge volume of lowdown trashy exploitation fare at numerous 42nd Street grind house theaters in Manhattan and also worked as a movie theater usher in Fort Lee, New Jersey. After graduating from high school, he took a few film classes at New York University.
Lustig began his film career in his mid to late teens, working behind-the-scenes in various minor production capacities on a handful of hardcore X-rated porno pictures as well as a production assistant on both "The Seven Ups" and "Death Wish." He made his debut as a director, producer and editor with the hardcore porn features "Hot Honey" and "The Violation of Claudia." Lustig directed both of these movies under the alias Billy Bagg.
In 1980, Lustig found himself at the center of a storm of controversy when he made the grim, gory and disturbing slasher sleaze splatter landmark "Maniac," which boasts an incredibly intense performance by the legendary character actor Joe Spinell as a vicious depraved psychopath and plenty of hideously graphic and gruesome make-up effects by horror genre icon Tom Savini. In 1982, Lustig followed up "Maniac" with the tough, gritty and exciting New York urban revenge opus "Vigilante." In 1988, he delivered another winner with the terrific "Maniac Cop," a violent horror action flick about an undead New York police officer on a killing spree which was the first of several cinematic collaborations with fellow maverick independent filmmaker Larry Cohen.
Lustig followed up with the 1989 stirring action item "Hit List" and the suspenseful serial killer thriller "Relentless" were likewise on the money excellent and entertaining offerings. However, the two "Maniac Cop" sequels were strictly hit-or-miss affairs: the second one was a worthy successor to the superior original and the third one was a regrettably mediocre entry in the series. Lustig's last film as a director to date was the nifty and enjoyable fright flick "Uncle Sam."
Since 1997, William Lustig went on to initially produce retrospective DVD documentaries for Anchor Bay and now currently runs the outstanding DVD label Blue Underground which restores and re-releases popular and little seen cult movies and other grind house action, drama, and horror films.Maniac (1980)
Vigilante (1983)
Maniac Cop (1988)- Actor
- Director
- Writer
Born in Hamburg, Germany on April 1, 1968, filmmaker Andreas Schnaas embraced the cinema at a very young age. Since many of the local theaters in his city didn't care about how young their patrons were, he was exposed to violent martial arts, zombie films, and splatter at a very tender age. The results, as his films portray, are quite unmistakable. Schnaas has become the poster-boy for Germany's ultra-violent horror film industry.
Schnaas' parents were not always pleased with his choice of entertainment, but recognized his artistic talents and vivid imagination. He used this imagination, compounded with his love of horror, to make his first film at age twelve. The film, entitled Hunted, featured Andreas and his friend killing a man, who was played by his grandfather. His father filmed this feature, as well as many other movies that the boys made over the next several years. With no budget, Andreas took what he had and made the very most of it. It wasn't until 1989, however, that he mustered together five thousand marks - enough to make his first full-length feature.
Shot with his friends over four extremely long weekends, Schnaas' gory tale of "Karl the Butcher", entitled Violent Shit (1987), went on to become Germany's first direct-to-video horror film. Catapulting into an overnight sensation, the film quickly appeared on video stores in America and the rest of Europe. When asked where he came up with such a vulgar title for his film, he once explained that a pen pal frankly told him, "All you're making is violent sh*t," and it stuck.
Still spiraling off of Violent Sh*t's unexpected success, Andreas created his homage to the undead with Zombie 90 - Extreme Pestilence (1990), the English version of which features the most hilarious dubbing ever committed to celluloid. The following year, he decided to continue the story of Karl with Violent Shit 2 - Mother Hold My Hand (1992), eventually releasing it in 1992. The fans' outcry for a final film in the series kept Schnaas going - filming the third portion of the Violent Sh*t trilogy the next year. Budget constraints kept the film from being released for years, but it eventually saw the light of day in 1999 under the title, Violent Shit III - Infantry of Doom (or Zombie Doom in the US). Andreas also played the killer, Karl, in all three films.
Andreas then directed Der Kelch - Goblet of Gore (2005) in 1996, although various issues kept it shelved until 2005. As a homage to Italian director Joe D'Amato, he then remade the classic slasher film, Anthropophagous, changing the title to Anthropophagous 2000 (1999). It was also in 1999 that Andreas began preparing for his next film, which he would release as his "millennium shocker". The movie, Demonium (2001), was his first 35MM project, made with completely professional actors and shot in English.
Schnaas then directed his first film in America, Nikos (2003) - which featured Demonium star Joe Zaso and Felissa Rose of the 80s classic, Sleepaway Camp. After that, he directed the zombie action film Don't Wake the Dead (2007).
He currently lives in Rellingen, Germany, with his wife and children.Anthropophagous 2000 (1999)
Violent *beep* II (1992)
Zombie '90: Extreme Pestilence (1991)- Director
- Producer
A dual citizen of Canada and the USA, David DeCoteau has worked professionally in the movie business since he was 18 years old. He got his start through a generous offer from movie legend Roger Corman, who hired him in 1980 as a production assistant at New World Pictures. In 1986, DeCoteau directed and produced his first feature film for another generous film legend, Charles Band. DeCoteau has gone on to produce and direct more than 170 motion pictures over the past forty years. His passion lies in the creation of popular genre programming made for world consumption. DeCoteau's experience in creating content in countries all over the world makes him a proven choice for exceptionally challenging movie projects. He resides in British Columbia, Canada and Hollywood, California.Final Stab (2001)
Leeches! (2003)
Puppet Master III: Toulon's Revenge (1991)- Director
- Producer
- Editor
Danny Draven is an award-winning director and producer of genre films. After receiving his film degree in Boston, he moved to Hollywood and worked his way up through the ranks until he began producing and directing sci-fi/horror films for genre studio Full Moon Pictures (Puppet Master series, Trancers) where he cut his teeth before starting his own successful production/post-production company. He has also edited over 100 feature films, including films for Lionsgate, NBC Universal's Chiller TV, SyFy Channel and a series for Lifetime Network TV. He has worked with and been mentored by Hollywood veterans such as Master of Horror Stuart Gordon (Fortress, Re-Animator), legendary cinematographer Mac Ahlberg (Beverly Hills Cop 3), executive producer Harry Bring (X-Files, Criminal Minds) and executive producer Mark Ordesky (Lord of the Rings Trilogy). He is also the author of three published books on genre filmmaking and a member of the Producers Guild of America.Dark Walker (2003)
Deathbed (2002)
Hell Asylum (2002)- Director
- Writer
- Actor
Terry Gilliam was born near Medicine Lake, Minnesota. When he was 12 his family moved to Los Angeles where he became a fan of MAD magazine. In his early twenties he was often stopped by the police who suspected him of being a drug addict and Gilliam had to explain that he worked in advertising. In the political turmoil in the 60's, Gilliam feared he would become a terrorist and decided to leave the USA. He moved to England and landed a job on the children's television show Do Not Adjust Your Set (1967) as an animator. There he met meet his future collaborators in Monty Python: Terry Jones, Eric Idle and Michael Palin. In 2006 he renounced his American citizenship.Fear and Loathing in Las Vegas (1998)
Brazil (1985)
Twelve Monkeys (1995)- Writer
- Director
- Producer
Writer-director Jeff Lieberman has crafted a handful of highly quirky, creative, and distinctive horror movies that are much enjoyed and appreciated by fans of offbeat and imaginative fright-film fare. His pictures are distinguished by their novel oddball plots and an amusingly eccentric sense of off-center humor.
Born in Brooklyn, New York, in 1947, Lieberman attended the School of Visual Arts in New York City. Lieberman's first film credit was co-writing the script for the gritty police action thriller Blade (1973), which was directed by his mentor Ernest Pintoff. Lieberman made his debut as a writer-director with the excellent and inspired revolt-of-nature killer-worm outing Squirm (1976). He followed this substantial drive-in hit with his best and most beloved film to date, Blue Sunshine (1977), which tells the extremely absorbing and original tale of a bunch of hippies who take a lethal form of LSD that causes them to lose their hair and become insane psychotics 10 years afterward. Lieberman's entry in the popular early-1980s wackos-in-the-woods slasher sub-genre was the potent and harrowing "Deliverance" (1972) variant Just Before Dawn (1981). Remote Control (1988) was a hugely entertaining science-fiction alien invasion romp.
After a regrettably lengthy absence from directing, Lieberman made a triumphant return to fabulously freaky form with the enormously fun-n-funky psycho hoot Satan's Little Helper (2004). In addition to his own pictures, he also penned the screenplays for the TV movie Doctor Franken (1980)--which he also co-directed--and The NeverEnding Story III (1994). He also produced and directed TV commercials throughout his career.Blue Sunshine (1978)
Just Before Dawn (1981)
Satan's Little Helper (2004)- Writer
- Director
- Producer
Juan Piquer Simon (who goes by "J.P. Simon" on foreign releases) resides in Madrid, Spain, where he has produced and directed "exploitation" pictures for two decades running. He owns his own studio and creates and/or designs many of the impressive special effects sequences you see in any of his many imaginative undertakings. He grew up loving American cinema as a child in Franco's Spain, and even worked with some famous American filmmakers when they shot in Spain in the 1960's before becoming a director himself. Recent global competition from American product in Spain has forced Piquer to severely reduce his output (he can't get the wide theatrical releases he once enjoyed), but he's proven resilient if nothing else over the years. And while his films have been universally panned by the "establishment" critics, they have a kind of loopy, Ed Wood quality that must be endured to be fully appreciated. Of Piquer it can be said, "He makes them because he loves making them, whatever the outcome."The Pod People (1983)
Pieces (1982)
Slugs: The Movie (1988)- Director
- Writer
- Producer
E. Elias Merhige was born in 1964 in Brooklyn, New York, USA. He is a director and writer, known for Shadow of the Vampire (2000), Begotten (1989) and Suspect Zero (2004).Begotten (1990)
Shadow of the Vampire (2000)
Suspect Zero (2004)- Producer
- Director
- Writer
David Fincher was born in 1962 in Denver, Colorado, and was raised in Marin County, California. When he was 18 years old he went to work for John Korty at Korty Films in Mill Valley. He subsequently worked at ILM (Industrial Light and Magic) from 1981-1983. Fincher left ILM to direct TV commercials and music videos after signing with N. Lee Lacy in Hollywood. He went on to found Propaganda in 1987 with fellow directors Dominic Sena, Greg Gold and Nigel Dick. Fincher has directed TV commercials for clients that include Nike, Coca-Cola, Budweiser, Heineken, Pepsi, Levi's, Converse, AT&T and Chanel. He has directed music videos for Madonna, Sting, The Rolling Stones, Michael Jackson, Aerosmith, George Michael, Iggy Pop, The Wallflowers, Billy Idol, Steve Winwood, The Motels and, most recently, A Perfect Circle.
As a film director, he has achieved huge success with Se7en (1995), Fight Club (1999) and, Panic Room (2002).Se7en (1995)
Fight Club (1999)
Zodiac (2007)- Producer
- Director
- Production Designer
Described by film producer Michael Deeley as "the very best eye in the business", director Ridley Scott was born on November 30, 1937 in South Shields, Tyne and Wear. His father was an officer in the Royal Engineers and the family followed him as his career posted him throughout the United Kingdom and Europe before they eventually returned to Teesside. Scott wanted to join the British Army (his elder brother Frank had already joined the Merchant Navy) but his father encouraged him to develop his artistic talents instead and so he went to West Hartlepool College of Art and then London's Royal College of Art where he helped found the film department.
In 1962, he joined the BBC as a trainee set designer working on several high profile series. He attended a trainee director's course while he was there and his first directing job was on an episode of the popular BBC police series Z Cars (1962), Error of Judgement (1965). More TV work followed until, frustrated by the poor financial rewards at the BBC, he went into advertising. With his younger brother, Tony Scott, he formed the advertising production company RSA (Ridley Scott Associates) in 1967 and spent the next 10 years making some of the best known and best loved TV adverts ever shown on British television, including a series of ads for Hovis bread set to the music of Dvorak's New World Symphony which are still talked about today ("'e were a great baker were our dad.")
He began working with producer David Puttnam in the 1970s developing ideas for feature films. Their first joint endeavor, The Duellists (1977) won the Jury Prize for Best First Work at Cannes in 1977 and was nominated for the Palm d'Or, more than successfully launching Scott's feature film career. The success of Star Wars: Episode IV - A New Hope (1977) inspired Scott's interest in making science fiction and he accepted the offer to direct Dan O'Bannon's low budget science fiction horror movie Alien (1979), a critical and commercial success that firmly established his worldwide reputation as a movie director.
Blade Runner (1982) followed in 1982 to, at best, a lukewarm reception from public and critics but in the years that followed, its reputation grew - and Scott's with it - as one of the most important sci-fi movies ever made. Scott's next major project was back in the advertising world where he created another of the most talked-about advertising spots in broadcast history when his "1984"-inspired ad for the new Apple Macintosh computer was aired during the Super Bowl on January 22, 1984. Scott's movie career has seen a few flops (notably Legend (1985) and 1492: Conquest of Paradise (1992)), but with successes like Thelma & Louise (1991), Gladiator (2000) and Black Hawk Down (2001) to offset them, his reputation remains solidly intact.
Ridley Scott was awarded Knight Bachelor of the Order of the British Empire at the 2003 Queen's New Year Honours for his "substantial contribution to the British film industry". On July 3, 2015, he was awarded an honorary doctorate by the Royal College of Art in a ceremony at the Royal Albert Hall in London. He was awarded the BAFTA Fellowship in 2018. BAFTA described him as "a visionary director, one of the great British film-makers whose work has made an indelible mark on the history of cinema. Forty years since his directorial debut, his films continue to cross the boundaries of style and genre, engaging audiences and inspiring the next generation of film talent."Hannibal (2001)
Blade Runner (1982)
Black Rain (1989)- Director
- Writer
- Producer
Friedkin's mother was an operating room nurse. His father was a merchant seaman, semi-pro softball player and ultimately sold clothes in a men's discount chain. Ultimately, his father never earned more than $50/week in his whole life and died indigent. Eventually young Will became infatuated with Orson Welles after seeing Citizen Kane (1941). He went to work for WGN TV immediately after graduating from high school where he started making documentaries, one of which won the Golden Gate Award at the 1962 San Francisco film festival. In 1965, he moved to Hollywood and immediately started directing TV shows, including an episode of the The Alfred Hitchcock Hour (1962); Hitchcock infamously chastised him for not wearing a tie.The Exorcist (1973)
Cruising (1980)
Bug (2006)- Director
- Writer
- Producer
Brian De Palma is one of the well-known directors who spear-headed the new movement in Hollywood during the 1970s. He is known for his many films that go from violent pictures, to Hitchcock-like thrillers. Born on September 11, 1940, De Palma was born in Newark, New Jersey in an Italian-American family. Originally entering university as a physics student, De Palma became attracted to films after seeing such classics as Citizen Kane (1941). Enrolling in Sarah Lawrence College, he found lasting influences from such varied teachers as Alfred Hitchcock and Andy Warhol.
At first, his films comprised of such black-and-white films as To Bridge This Gap (1969). He then discovered a young actor whose fame would influence Hollywood forever. In 1968, De Palma made the comedic film Greetings (1968) starring Robert De Niro in his first ever credited film role. The two followed up immediately with the films The Wedding Party (1969) and Hi, Mom! (1970).
After making such small-budget thrillers such as Sisters (1972) and Obsession (1976), De Palma was offered the chance to direct a film based on Stephen King's classic novel "Carrie". The story deals with a tormented teenage girl who finds she has the power of telekinesis. The film starred Sissy Spacek, Piper Laurie and John Travolta, and was for De Palma, a chance to try out the split screen technique for which he would later become famous.
Carrie (1976) was a massive success, and earned the two lead females (Laurie and Spacek) Oscar nominations. The film was praised by most critics, and De Palma's reputation was now permanently secured. He followed up this success with the horror film The Fury (1978), the comedic film Home Movies (1979) (both these films featured Kirk Douglas), the crime thriller Dressed to Kill (1980) starring Michael Caine and Angie Dickinson, and another crime thriller entitled Blow Out (1981) starring John Travolta.
His next major success was the controversial, ultra-violent film Scarface (1983). Written by Oliver Stone and starring Al Pacino, the film concerned Cuban immigrant Tony Montana's rise to power in the United States through the drug trade. While being a critical failure, the film was a major success commercially.
Moving on from Scarface (1983), De Palma made two more movies before landing another one of his now-classics: The Untouchables (1987), starring old friend Robert De Niro in the role of Chicago gangster Al Capone. Also starring in the film were Kevin Costner as the man who commits himself to bring Capone down, and Sean Connery, an old policeman who helps Costner's character to form a group known as the Untouchables. The film was one of De Palma's most successful films, earning Connery an Oscar, and gave Ennio Morricone a nomination for Best Score.
After The Untouchables (1987), De Palma made the Vietnam film Casualties of War (1989) starring Michael J. Fox and Sean Penn. The film focuses on a new soldier who is helpless to stop his dominating sergeant from kidnapping a Vietnamese girl with the help of the coerced members of the platoon. The film did reasonably well at the box office, but it was his next film that truly displayed the way he could make a hit and a disaster within a short time. The Bonfire of the Vanities (1990) starred a number of well-known actors such as Bruce Willis and Morgan Freeman, however it was still a commercial flop and earned him two Razzie nominations.
But the roller coaster success that De Palma had gotten so far did not let him down. He made the horror film Raising Cain (1992), and the criminal drama Carlito's Way (1993) starring Al Pacino and Sean Penn. The latter film is about a former criminal just released from prison that is trying to avoid his past and move on. It was in the year 1996 that brought one of his most well-known movies. This was the suspense-filled Mission: Impossible (1996) starring Tom Cruise and Jon Voight.
Following up this film was the interesting but unsuccessful film Snake Eyes (1998) starring Nicolas Cage as a detective who finds himself in the middle of a murder scene at a boxing ring. De Palma continued on with the visually astounding but equally unsuccessful film Mission to Mars (2000) which earned him another Razzie nomination. He met failure again with the crime thriller Femme Fatale (2002), the murder conspiracy The Black Dahlia (2006), and the controversial film Redacted (2007) which deals with individual stories from the war in Iraq.
Brian De Palma may be down for the moment, but if his box office history has taught us anything, it is that he always returns with a major success that is remembered for years and years afterwards.Dionysus (1970)
The Fury (1978)
Sisters (1973)- Director
- Producer
- Actor
George McCowan was born on 27 June 1927 in Paris, Ontario, Canada. He was a director and producer, known for Frogs (1972), Run, Simon, Run (1970) and Seeing Things (1981). He was married to Anna Gilmour Wilmot and Frances Hyland. He died on 1 November 1995 in Santa Monica, California, USA.Frogs (1972)
To Kill the King (1974)
Run, Simon, Run (1970)- Writer
- Producer
- Director
Larry Cohen was born July 15, 1936, in New York, New York, and spent time in Kingston, a small town north of New York City. At a young age, his family moved to the Riverdale section of the Bronx, and he eventually majored in film at the historic City College of New York, from which he graduated in 1963. An independent maverick who got his start in studio-based television, he is best known for inventive low-budget horror films that combine scathing social commentary with the requisite scares and occasional laughs. He was also a major player in the Blaxploitation films of the 1970s. Later in his career, he became a sought-after screenplay writer. Although not very prolific in his screen writing, these works still combine provocative social commentary--but with more conventional storytelling. Sadly, Cohen died of cancer on March 23, 2019.Full Moon High (1981)
Perfect Strangers (1984)
Perfect Strangers (1984)- Writer
- Producer
- Director
Robert Hiltzik was born in 1957 in the USA. He is a writer and producer, known for Sleepaway Camp (1983), Return to Sleepaway Camp (2008) and Sleepaway Camp II: Unhappy Campers (1988). He has been married to Michele Tatosian since 1982. They have three children.Return to Sleepaway Camp (2008)
Sleepaway Camp (1983)- Make-Up Department
- Special Effects
- Writer
For more than three decades Robert Kurtzman has been an icon in the world of special make-up, creature effects, and genre filmmaking. His award-winning, photo-realistic effects work can be seen in hundreds of movies including Hollywood's biggest blockbusters, franchises and television series-most recently the Netflix hit series The Haunting of Hill House, Stephen King's Doctor Sleep, Russo Brothers/Apple TV's feature Cherry starring Tom Holland, Jerry Bruckheimer/Paramount's Secret Headquarters starring Owen Wilson, Jesse Williams and Michael Pena, Apple TV's The Last Days of Ptolemy Grey starring Samuel L. Jackson and the new Netflix series First Kill.Wishmaster (1997)
Buried Alive (2007)
The Rage (2007)- Director
- Writer
- Producer
Writer/director/producer Danny Steinmann was the son of noted East Coast art collector Herbert R. Steinmann. Danny made his debut as both writer and director with the funky hardcore porno picture High Rise (1973), on which he used the alias Danny Stone. Steinmann was a production associate on Arthur Hiller's The Man in the Glass Booth (1975) and served as an associate producer on the offbeat Gene Roddenberry made-for-TV supernatural fright feature Spectre (1977). In addition, Danny headed a production company in Puerto Rico that made TV commercials for such companies as International House of Pancakes, Chase Manhattan Bank and Wesson Oil.
Danny directed and co-wrote the perverse psycho horror winner The Unseen (1980). Dissatisfied with the finished version of the film, Steinmann attributed his directorial credit to the pseudonym Peter Foleg. He followed this film with the terrifically trashy teen exploitation action/revenge thriller doozy Savage Streets (1984). Steinmann hit the relative big time with the mean-spirited slice-'n'-dice sequel Friday the 13th: A New Beginning (1985). Although the movie was a financial success, the production was very troubled and proved to be his cinematic swan song. He was announced as the director for a proposed sequel to the notorious The Last House on the Left (1972) but, alas, this project never came to be.Savage Streets (1984)
The Unseen (1980)
Friday the 13th: A New Beginning (1985)- Writer
- Director
- Producer
Tom McLoughlin was born on 19 July 1950 in Los Angeles, California, USA. He is a writer and director, known for Friday the 13th Part VI: Jason Lives (1986), Date with an Angel (1987) and Sometimes They Come Back (1991). He has been married to Nancy McLoughlin since 2 July 1983. They have two children.Jason Lives: Friday the 13th Part VI (1986)
One Dark Night (1983)
The Unsaid (2001)- Producer
- Writer
- Director
Robert Anthony Rodriguez was born and raised in San Antonio, Texas, USA, to Rebecca (Villegas), a nurse, and Cecilio G. Rodríguez, a salesman. His family is of Mexican descent.
Of all the people to be amazed by the images of John Carpenter's 1981 sci-fi parable, Escape from New York (1981), none were as captivated as the 12-year-old Rodriguez, who sat with his friends in a crowded cinema. Many people watch films and arrogantly proclaim "I can do that." This young man said something different: "I WILL do that. I'm gonna make movies." That day was the catalyst of his dream career. Born and raised in Texas, Robert was the middle child of a family that would include 10 children. While many a child would easily succumb to a Jan Brady sense of being lost in the shuffle, Robert always stood out as a very creative and very active young man. An artist by nature, he was very rarely seen sans pencil-in-hand doodling some abstract (yet astounding) dramatic feature on a piece of paper. His mother, not a fan of the "dreary" cinema of the 1970s, instills a sense of cinema in her children by taking them on weekly trips to San Antonio's famed Olmos Theatre movie house and treats them to a healthy dose of Hollywood's "Golden Age" wonders, from Sergio Leone to the silent classic of Charles Chaplin and Buster Keaton.
In a short amount of time, young Robert finds the family's old Super-8 film camera and makes his first films. The genres are unlimited: action, sci-fi, horror, drama, stop-motion animation. He uses props from around the house, settings from around town, and makes use of the largest cast and crew at his disposal: his family. At the end of the decade, his father, a salesman, brings home the latest home-made technological wonder: a VCR, and with it (as a gift from the manufacturer) a video camera. With this new equipment at his disposal, he makes movies his entire life. He screens the movies for friends, all of whom desperately want to star in the next one. He gains a reputation in the neighborhood as "the kid who makes movies". Rather than handing in term papers, he is allowed to hand in "term movies" because, as he himself explains, "[the teachers] knew I'd put more effort into a movie than I ever would into an essay." He starts his own comic strip, "Los Hooligans". His movies win every local film competition and festival. When low academic grades threaten to keep him out of UT Austin's renowned film department, he proves his worth the only way he knows how: he makes a movie. Three, in fact: trilogy of short movies called "Austin Stories" starring his siblings. It beats the entries of the school's top students and allows Robert to enter the program. After being accepted into the film department, Robert takes $400 of his own money to make his "biggest" film yet: a 16mm short comedy/fantasy called Bedhead (1991).
Pouring every idea and camera trick he knew into the short, it went on to win multiple awards. After meeting and marrying fellow Austin resident Elizabeth Avellan, Robert comes up with a crazy idea: he will sell his body to science in order to finance his first feature-length picture (a Mexican action adventure about a guitarist with no name looking for work but getting caught up in a shoot-'em-up adventure) that he will sell to the Spanish video market and use as an entry point to a lucrative Hollywood career. With his "guinea pig" money he raises a mere $7,000 and creates El Mariachi (1992). But rather than lingering in obscurity, the film finds its way to the Sundance film festival where it becomes an instant favorite, wins Robert a distribution deal with Columbia Pictures and turns him into an icon among would-be film-makers the world over. Not one to rest on his laurels, he immediately helms the straight-to-cable movie Roadracers (1994) and contributes a segment to the anthology comedy Four Rooms (1995) (his will be the most lauded segment).
His first "genuine" studio effort would soon have people referring to him as "John Woo from south-of-the-border". It is the "Mariachi" remake/sequel Desperado (1995). More lavish and action-packed than its own predecessor, the movie--while not a blockbuster hit--does decent business and launches the American film careers of Antonio Banderas as the guitarist-turned-gunslinger and Salma Hayek as his love interest (the two would star in several of his movies from then on). It also furthers the director's reputation of working on low budgets to create big results. In the year when movies like Batman Forever (1995) and GoldenEye (1995) were pushing budgets past the $100 million mark, Rodriguez brought in "Desperado" for just under $7 million. The film also featured a cameo by fellow indie film wunderkind, Quentin Tarantino. It would be the beginning of a long friendship between the two sprinkled with numerous collaborations. Most notable the Tarantino-penned vampire schlock-fest From Dusk Till Dawn (1996). The kitschy flick (about a pair of criminal brothers on the run from the Texas Rangers, only to find themselves in a vamp-infested Mexican bar) became an instant cult favorite and launched the lucrative film career of ER (1994) star George Clooney.
After a two-year break from directing (primarily to spend with his family, but also developing story ideas and declining Hollywood offers) he returned to "Dusk till Dawn" territory with the teen sci-fi/horror movie The Faculty (1998), written by Scream (1996) writer, Kevin Williamson. Although it's developed a small following of its own, it would prove to be Robert's least-successful film. Critics and fans alike took issue with the pedestrian script, the off-kilter casting and the flick's blatant over-commercialization (due to a marketing deal with clothing designer Tommy Hilfiger). After another three-year break, Rodriguez returned to make his most successful (and most unexpected) movie yet, based on his own segment from Four Rooms (1995). After a string of bloody, adult-oriented action fare, no one anticipated him to write and direct the colorful and creative Spy Kids (2001), a movie about a pair of prepubescent Latino sibs who discover that their lame parents (Antonio Banderas and Carla Gugino) are actually two of the world's greatest secret agents. The film was hit among both audiences and critics alike.
After quitting the Writers' Guild of America and being introduced to digital filmmaking by George Lucas, Robert immediately applied the creative, flexible (and cost-effective) technology to every one of his movies from then on, starting with an immediate sequel to his family friendly hit: Spy Kids 2: Island of Lost Dreams (2002) which was THEN immediately followed by the trilogy-capper Spy Kids 3: Game Over (2003). The latter would prove to be the most financially-lucrative of the series and employ the long-banished movie gimmick of 3-D with eye-popping results. Later the same year Rodriguez career came full circle when he completed the final entry of the story that made brought him to prominence: "El Mariachi". The last chapter, Once Upon a Time in Mexico (2003), would be his most direct homage to the Sergio Leone westerns he grew up on. With a cast boasting Antonio Banderas (returning as the gunslinging guitarist), Johnny Depp (as a corrupt CIA agent attempting to manipulate him), Salma Hayek, Mickey Rourke, Willem Dafoe and Eva Mendes, the film delivered even more of the Mexican shoot-'em-up spectacle than both of the previous films combined.
Now given his choice of movies to do next, Robert sought out famed comic book writer/artist Frank Miller, a man who had been very vocal of never letting his works be adapted for the screen. Even so, he was wholeheartedly convinced and elated when Rodriguez presented him with a plan to turn Miller's signature work into the film Sin City (2005). A collection of noir-ish tales set in a fictional, crime-ridden slum, the movie boasted the largest cast Rodriguez had worked with to that date. Saying he didn't want to mere "adapt" Miller's comics but "translate" them, Rodriguez' insistence that Miller co-direct the movie lead to Robert's resignation from the Director's Guild of America (and his subsequent dismissal from the film John Carter (2012) as a result). Many critics cited that Sin City was created as a pure film noir piece to adapt Miller's comics onto the screen. Co-directing with Frank Miller and bringing in Quentin Tarantino to guest-direct a scene allowed Rodriguez to again shock Hollywood with his talent.
In late 2007, Rodriguez again teamed up with his friend Tarantino to create the double feature Grindhouse (2007). Rodriguez's offering, Planet Terror (2007), was a film made to be "hardcore, extreme, sex-fueled, action-packed." Rodriguez flirts with his passion to make a showy film exploiting all of his experience to make an extremely entertaining thrill ride. The film is encompassed around Cherry (Rose McGowan), a reluctant go-go dancer who is found wanting when she meets her ex-lover El Wray (played by Freddy Rodríguez) who turns up at a local BBQ grill. They then, after a turn of events, find themselves fending off brain-eating zombies whilst trying to flee to Mexico (here we go off to Mexico again). Apart from directing, Rodriguez also involves himself in camera work, editing and composing music for his movies' sound tracks (he composed Planet Terror's main theme). He also shoots a lot of his own action scenes to get a direct idea from his eye as the director into the film. In El Mariachi (1992), Rodriguez spent hours in front of a pay-to-use, computer editing his film. This allowed him to capture the ideal footage exactly as he wanted it. Away from the filming aspect of Hollywood, Rodriguez is an expert chef who cooks gourmet meals for the cast and crew. Rodriguez is also known for his ability to turn a low-budgeted film with a small crew into an example of film mastery. El mariachi was "the movie made on seven grand" and still managed to rank as one of Rodriguez' best films (receiving a rating of 92% on the Rotten Tomatoes film review site).
Because Rodriguez is involved so deeply in his films, he is able to capture what he wants first time, which saves both time and money. Rodriguez's films share some similar threads and ideas, whilst also having differences. In El Mariachi (1992), he uses a hand-held camera. He made this decision for several reasons. First, he couldn't afford a tripod and secondly, he wanted to make the audience more aware of the action. In the action sequences he is given more mobility with a hand-held camera and also allows for distortion of the unprofessional action sequences (because the cost of all special effects in the film totaled $600). However, in Sin City (2005) and Planet Terror (2007), the budget was much greater, and Rodriguez could afford to spend more on special affects (especially since both films were filmed predominately with green screen) and, thus, there was no need to cover for error.
Playing by his own rules or not at all, Robert Rodriguez has redefined what a filmmaker can or cannot do. Shunning Hollywood's ridiculously high budgets, multi-picture deals and the two most powerful unions for the sake of maintaining creative freedom are decisions that would (and have) cost many directors their careers. Rodriguez has turned these into his strengths, creating some of the most imaginative works the big-screen has ever seen.From Dusk Till Dawn (1996)
The Faculty (1998)
Planet Terror (2007)- Producer
- Writer
- Director
Like William Girdler, Oliver Hellman or even Ed Wood, Sean S. Cunningham had a successful career of starting films cheap and fast. Originally from New York, Cunningham had a vast knowledge of directing films and came to Hollywood. He started about the same time Wes Craven did. Cunningham meets Craven and decided to make a comedy-romance film called Together (1971). Then they both shocked the world with the rape and ultra-violence of The Last House on the Left (1972). Craven directed the flick and Cunningham financed and produced. However Cunningham wanted to get a mix of comedy and horror and made Case of the Full Moon Murders (1973) and then started other comedy films like Manny's Orphans (1978) and Here Come the Tigers (1978) . Struggling in Hollywood Cunningham saw John Carpenter's Halloween (1978) and wanted to make a follow up type film but would possibly regret it. Cunningham brought Friday the 13th (1980) into the cinema in 1980, a year of many other horror films. Friday the 13th (1980) was a shocking, gory and violent film about camp counselors being slashed by a killer and had Betsy Palmer in the lead role. Little did Cunningham know that Friday the 13th would have never ending sequels. Cunningham gladly avoided all of them and Friday the 13th remains one of the most popular horror films in history. Instead Cunningham wanted to make it big when he brought a best-selling novel to the screen, A Stranger Is Watching (1982) with Rip Torn, but it was a disappointment. Cunningham went downhill with the over sexed teen comedy Spring Break (1983) and The New Kids (1985). Cunningham then produced House (1985) and several of its sequels. Cunningham next entered the world of underwater terrors after The Abyss (1989) was released. Cunningham did a follow up called DeepStar Six (1989), but it was a flop, however it beat another 1989 underwater thriller Leviathan (1989) at box office receipts. Cunningham was finished with directing and moved on to producing films and teaching. He produced House III: The Horror Show (1989), My Boyfriend's Back (1993) and Friday the 13th's last sequel Jason Goes to Hell (1993). Cunningham then did yet another follow up to Friday the 13th with Jason X (2001).Friday the 13th (1980)
DeepStar Six (1989)
Jibaku (2006) From "Trapped Ashes" (2006)- Director
- Producer
- Actor
Steve Miner has had a very popular career in making films and remains one of Hollywood's most prolific directors and has worked with a variety of stars that includes Jamie Lee Curtis, Leslie Nielsen, C. Thomas Howell, Tom Arnold, Amy Steel Rick Moranis, and Bill Pullman.
Before becoming a director, Miner worked as an editor for Wes Craven and Sean S. Cunningham on several occasions, helping bring the notorious rape/murder film The Last House on the Left (1972) to the screen. He worked for Cunningham again in 1980 on Friday the 13th (1980) as an associate producer. The following year he was hired to direct its sequels Friday the 13th Part 2 (1981) and Friday the 13th: Part 3 (1982). Miner also directed the comedy, Soul Man (1986) and moved onto a serious drama Forever Young (1992) in 1992. Returning to comedy with Rick Moranis and Tom Arnold, he made Big Bully (1996) and returned back to horror with the very successful Halloween H20: 20 Years Later (1998) and the under water/comedy thriller Lake Placid (1999). His recent film Texas Rangers (2001) with young upcoming Hollywood stars isn't bad either. Nearly all films have been successful and/or a box office hit.Friday the 13th Part 2 (1981)
Friday the 13th Part III (1982)
House (1986)- Producer
- Writer
- Actor
Highly inventive U.S. film director/producer/writer/actor Sam Raimi first came to the attention of film fans with the savage, yet darkly humorous, low-budget horror film, The Evil Dead (1981). From his childhood, Raimi was a fan of the cinema and, before he was ten-years-old, he was out making movies with an 8mm camera. He was a devoted fan of The Three Stooges, so much of Raimi's film work in his teens, with good friends Bruce Campbell and Rob Tapert, was slapstick comedy based around what they had observed from "Stooges" movies.
Among the three of them, they wrote, directed, produced and edited a short horror movie titled Within the Woods (1978), which was then shown to prospective investors to raise the money necessary to film The Evil Dead (1981). It met with lukewarm interest in the U.S. with local distributors, so Raimi took the film to Europe, where it was much more warmly received. After it started gaining positive reviews and, more importantly, ticket sales upon its release in Europe, U.S. distributors showed renewed interest, and "Evil Dead" was eventually released stateside to strong box office returns. His next directorial effort was Crimewave (1985), a quirky, cartoon-like effort that failed to catch fire with audiences. However, he bounced back with Evil Dead II (1987), a racier and more humorous remake/sequel to the original "Dead" that did even better at the box office. Raimi was then given his biggest budget to date to shoot Darkman (1990), a comic book-style fantasy about a scarred avenger. The film did moderate business, but Raimi's strong visual style was evident throughout the film via inventive and startling camera work that caught the attention of numerous critics.
The third chapter in the Evil Dead story beckoned, and Raimi once again directed buddy Campbell as the gritty hero "Ash", in the Gothic horror Army of Darkness (1992). Raimi surprised fans when he took a turn away from the fantasy genre and directed Gene Hackman and Sharon Stone in the sexy western, The Quick and the Dead (1995); four years later, he took the directorial reins on A Simple Plan (1998), a crime thriller about stolen money, starring Bill Paxton and Bridget Fonda. In early 1999, he directed the baseball film, For Love of the Game (1999), and, in 2000, returned to the fantasy genre with a top-flight cast in The Gift (2000). In 2002, Raimi was given a real opportunity to demonstrate his dynamic visual style with the big-budget film adaptation of the Stan Lee comic book superhero, Spider-Man (2002), and fans were not disappointed. The movie was strong in both script and effects, and was a runaway success at the box office. Of course, Raimi returned for the sequel, Spider-Man 2 (2004), which surpassed the original in box-office takings.The Evil Dead (1981)
Crimewave (1985)
Darkman (1990)- Actor
- Director
- Writer
Scott Spiegel was born on 24 December 1957 in Walnut Lake, Michigan, USA. He is an actor and director, known for Evil Dead II (1987), The Rookie (1990) and The Evil Dead (1981).From Dusk Till Dawn 2: Texas Blood Money (1999)
Intruder (1989)
My Name Is Modesty: A Modesty Blaise Adventure (2004)- Director
- Actor
- Writer
Anthony (Tony), started as a club promoter in London in the early eighties and financed his first short 'rock-a-bye baby' by holding an event at Le'quipe Anglaise, where all the door money went to finance the film. In fact, when it was finished it was the clubs owner Shariffi who showed it to producer Micheal White (Rocky horror show) who was so impressed, he gave Tony a one way ticket to L.A.saying don't come back until you have made it. Tony didn't return for eight years.
in L.A. Tony famously met the producer of 'Waxwork', Staffan Ahrenberg, when he crashed into the back of his car in the motel they were both staying at on Fairfax. Tony, broke at the time, talked Staffan into letting him pay for the damage by writing him a script for $3000 only. Staffan agreed, but wouldn't pay a penny until it was delivered. Tony wrote it in three days. Waxwork.
The script then did the rounds getting turned down by every studio, until an independent, Vestron was the only one left. They turned it down two days before Christmas. it was over the vacation that their friend, producer Mark Burg (Saw), said he couldn't believe that Dan Ireland (the head of the studio) wouldn't have loved it. It turns out he hadn't read it, it never made it past the readers.
The first day after the vacation, Mark sent 'Waxwork' to Dan himself, the rest, as they say, is horror movie history.Waxwork (1988)
Waxwork II: Lost in Time (1992)
Hellraiser III: Hell on Earth (1992)- Director
- Writer
- Editor
Known for The Hidden, Nightmare on Elm Street 2, and Alone in the Dark, Jack Sholder was born in Philadelphia where he studied to become a classical trumpet player. While still in high school, he performed under such conductors as Leopold Stokowski and Eugene Ormandy. After a year studying chemical engineering, he attended the University of Edinburgh and L'Université de Besançon and graduated from Antioch College with a degree in English literature. Sholder began his career as a film editor, working on the feature documentary King: From Montgomery to Memphis which was nominated for an Academy Award. He won an Emmy for his editing work on 3-2-1 Contact. After writing and directing several award-winning short films, Sholder directed Alone In The Dark, then wrote Where Are The Children starring Jill Clayburgh and directed Nightmare On Elm Street II. His next feature, The Hidden, won many awards including the Grand Prix at the Avoriaz Film Festival. Premiere Magazine called it "one of the ten most underrated films of the '80s." In 2004, Jack founded the Film & Television Production program at Western Carolina University where he was Professor and Director of the FTP program until 2017.A Nightmare on Elm Street Part 2: Freddy's Revenge (1985)
Wishmaster 2: Evil Never Dies (1999)
Alone in the Dark (1982)- Editor
- Director
- Writer
Tony Randel was born on 29 May 1956 in Los Angeles, California, USA. He is an editor and director, known for Hellbound: Hellraiser II (1988), The Hybrids Family (2015) and Escape from New York (1981). He has been married to Eugenia Vasels since 26 March 1996. They have four children.Hellbound: Hellraiser II (1988)
Children of the Night (1991)
Fist of the North Star (1995)- Writer
- Director
- Actor
A true master of his craft, Michael Haneke is one of the greatest film artists working today and one who challenges his viewers each year and work goes by, with films that reflect real portions of life in realistic, disturbing and unforgettable ways. One of the most genuine filmmakers of the world cinema, Haneke wrote and directed films in several languages: French, German and English, working with a great variety of actors, such as Juliette Binoche, Isabelle Huppert, Jean-Louis Trintignant, Toby Jones, Ülrich Muhe, Arno Frisch and the list goes on.
This grand figure from Austrian cinema was born in Germany on 23 March 1942, from a German father and an Austrian mother, with both parents being from the artistic world working as actors, a career that Michael also tried but without much success. At the University of Vienna he studied drama, philosophy and psychology, and after graduation he went on to become a film critic and TV editor. His career behind camera started with After Liverpool (1974), which he wrote and directed. He went on to direct five more TV films and two episodes from the miniseries "Lemminge" (1979)_.
The years spent on television works prompted him to finally direct his first cinema feature, during his early 40's, which is somewhat unusual for film directors. But it was worth waiting. In The Seventh Continent (1989), Haneke establishes the foundation of what his future cinema would be about: a cinema that doesn't provides answers but one that dares to throw more and more questions, a cinema that reflects and analyses the human condition in its darkest and unexpected ways outside of any Hollywood formula. Films that exist to confront audiences and not comfort them. In it, Haneke deals with the duality of social values vs. internal values while exposing an apparent perfect family that runs into physical and material disintegration for reasons unknown. It was the first time a film of his was sent to the Cannes Film Festival (out of competition lineup) but he managed to cause some commotion in the audience with polemic scenes that were meant to extract all possible reactions from the crowd.
His next ventures at the decade's turn was in dealing with disturbed youth and the alienation they have in separating reality from fiction, trying to intersect both to drastic results. In Benny's Video (1992), it's the disturbing story of a teen boy who experiences killing for the first time capturing the murder on tape, impressed by the power of detachment that films and videos can cause to people; and later on the highly controversial Funny Games (1997), where two teens hold a family hostage to play sadistic games just for their own sick amusement. The film cemented Haneke's name as one of the greatest authors of his generation but sparkled a great debate with its themes of violence, sadism and the influence those things have in audiences. At the 1997's Cannes Film Festival, it was the film that had the most walk-out's by the audience. In between both films, he released 71 Fragments of a Chronology of Chance (1994) and Kafka's The Castle (1997), the latter being one of the rare times when Haneke developed an adapted work.
In the 2000's, he strongly continued in producing more outstanding works prone to debate and reflection in what would become his most prolific decade with the following films: Code Unknown (2000), The Piano Teacher (2001), Time of the Wolf (2003), Caché (2005), an American remake shot-by shot of Funny Games (2007) and The White Ribbon (2009). His study about romance versus masochism in The Piano Teacher (2001) was an intense work, with powerful performances by Isabelle Huppert and Benoit Magimel, that the Cannes jury in the year were so impressed that Haneke managed to actually reverse their award rules where it was decided that film entries at the festival couldn't win more than one main award (the two lead actors won awards and Haneke got the Grand Prize of the Jury, just lost the Palme d'Or). With The White Ribbon (2009), an enigmatic black-and-white masterpiece following the inception of Nazism in this pre WWI and WWII story focusing on repressed children living in this small village where strange events happen all the time and without any possible reasoning, Haneke conquered the world and audiences with an artistic and daring work that won his first Palme d'Or a Golden Globe as Best Foreign Language Film and received an Oscar nomination for the same category plus the cinematography work of Christian Berger.
2012 was the year that marked his supremacy in the film world with the release of the bold and beautiful Amour (2012), a love story with powerful real drama and one where Haneke removed most of his usual dark characteristics to present more quiet and calm elements without losing input in creating controversy. The touching story of George and Anne provided one the greatest moments of that year and earned Haneke his second and consecutive Palme d'Or at Cannes and his first Oscar nominations for Best Direction and Best Original Screenplay - and it was one of the several nominees for Best Picture Oscar, winning as Best Foreign Language Film.
After abandoning a flash-mob film project, he returned to the screen with Happy End (2017), a film dealing with the refugee crisis in Europe and again he debuted his film at Cannes, receiving mildly positive reviews.
Besides his film work, Haneke also directs theatre productions, from drama to opera, from Così fan tutte to Don Giovanni.Funny Games (1997)
Time of the Wolf (2003)
Benny's Video (1992)- Producer
- Writer
- Actor
Quentin Jerome Tarantino was born in Knoxville, Tennessee. His father, Tony Tarantino, is an Italian-American actor and musician from New York, and his mother, Connie (McHugh), is a nurse from Tennessee. Quentin moved with his mother to Torrance, California, when he was four years old.
In January of 1992, first-time writer-director Tarantino's Reservoir Dogs (1992) appeared at the Sundance Film Festival. The film garnered critical acclaim and the director became a legend immediately. Two years later, he followed up Dogs success with Pulp Fiction (1994) which premiered at the Cannes film festival, winning the coveted Palme D'Or Award. At the 1995 Academy Awards, it was nominated for the best picture, best director and best original screenplay. Tarantino and writing partner Roger Avary came away with the award only for best original screenplay. In 1995, Tarantino directed one fourth of the anthology Four Rooms (1995) with friends and fellow auteurs Alexandre Rockwell, Robert Rodriguez and Allison Anders. The film opened December 25 in the United States to very weak reviews. Tarantino's next film was From Dusk Till Dawn (1996), a vampire/crime story which he wrote and co-starred with George Clooney. The film did fairly well theatrically.
Since then, Tarantino has helmed several critically and financially successful films, including Jackie Brown (1997), Kill Bill: Vol. 1 (2003), Kill Bill: Vol. 2 (2004), Inglourious Basterds (2009), Django Unchained (2012) and The Hateful Eight (2015).Reservoir Dogs (1992)
Death Proof (2007)
Inglourious Basterds (2009)- Director
- Writer
- Actor
Eli Raphael Roth was born in Newton, Massachusetts, to Cora (Bialis), a painter, and Sheldon H. Roth, a psychoanalyst, psychiatrist, and clinical professor. His family is Jewish (from Austria, Hungary, Russia, and Poland). He began shooting Super 8 films at the age of eight; after watching Ridley Scott's Alien (1979) and vomiting, and deciding he wanted to be a producer/director. With his brothers and friends, ketchup for blood, and his father's power tools, he made over 50 short films before attending film school at NYU, where he won a student Academy Award and graduated summa cum laude in 1994.
Eli worked in film and theater production in New York City for many years, doing every job from production assistant to assistant editor to assistant to the director. At the age of 20, Roth was development head for producer Fred Zollo, a position he soon left to write full time. To earn a living, Roth did budgets and schedules for the films A Price Above Rubies (1998) and Illuminata (1998), and often worked as a stand-in, where he could watch directors work with the actors. In 1995, Roth co-wrote the script that would eventually become Cabin Fever (2002) with friend Randy Pearlstein, and the two spent many years unsuccessfully trying to get the film financed. Roth left New York in 1999 to live in Los Angeles, and within four months got funding for his animation series Chowdaheads (1999). Roth and friend Noah Belson (Cabin Fever (2002)'s Guitar Man) wrote and voiced the episodes, which Roth produced, directed, and designed. The episodes were due to run on WCW's #1 rated series WCW Monday Nitro (1995) but the CEO was fired a day before they were scheduled to air, and the episodes never ran. Roth used the episodes to set up a stop motion series called The Rotten Fruit (2003) which he produced, directed, and animated, as well as co-wrote and voiced with friend Belson. Between the two animated series, Roth worked closely with director David Lynch, producing content for the website davidlynch.com.
In 2001, Roth filmed Cabin Fever (2002) on a shoestring budget of $1.5 million, with private equity he and his producers raised from friends and their family. The film was the subject of a bidding war at the 2002 Toronto Film Festival, eventually won by Lion's Gate, instantly doubling their investors' money. It went on to not only be the highest-grossing film for Lion's Gate in 2003, but the most profitable horror film released that year, garnering critical acclaim from The New York Times, Rolling Stone, Empire Magazine, and such filmmakers as Peter Jackson, Quentin Tarantino, and Tobe Hooper. Roth used the film's success to launch a slew of projects, including The Box (2009), a horror thriller he co-wrote with Richard Kelly. In May 2003, Roth joined forces with filmmakers Boaz Yakin, Scott Spiegel, and Greenestreet Films in New York to form Raw Nerve, LLC, a horror film production company.
In 2014, Eli married Chilean model and actress Lorenza Izzo.Cabin Fever (2002)
Hostel (2005)
Hostel: Part II (2007)- Director
- Writer
- Actor
Adam Green is an American screenwriter, director, producer, and actor known for his success within the horror genre with films like the "Hatchet" franchise, "Frozen," and "Digging Up The Marrow." He is also the creator, writer, director, star, and show runner of the television comedy series "Holliston" and the singer for the metal band "Haddonfield."
Born and raised in the small town of Holliston, Massachusetts, Green grew up performing leading roles in school plays and hosting his own morning radio program "Coffee & Donuts" on the town's local radio station. He graduated from Holliston High School in 1993. Upon graduating from Hofstra University in New York with a Bachelor of Science in film and television production in 1997, Green landed a job producing and directing local and regional cable television commercials at Time Warner Cable Advertising back in his hometown of Boston. While working at Time Warner he met cinematographer Will Barratt and in 1998 the two formed their own production company ArieScope Pictures and began making short films together under the ArieScope banner. During this time period Green was also the lead singer for the hard rock/metal band "Haddonfield" which amassed a large and loyal following as they headlined weekly club shows in Salam, MA and other large venues around Boston's north shore in the late 90's. In 1999 at the age of 24, Green wrote, directed, and starred in his first feature film "Coffee & Donuts" which was based on his own life and his experiences chasing his career dreams while trying to get over the break-up with his first girlfriend/childhood love. The autobiographical comedy was made for only $400 by "borrowing" Time Warner's commercial production equipment after hours and ultimately gained the attention of United Talent Agency (UTA) in Los Angeles when it won "Best Picture" in (what was then called) The Smoky Mountain Film Festival. Signed by UTA as an official client, Green moved to Los Angeles in February of 2000 with the intention of turning "C&D" into a sit-com.
Though reactions were positive and interest in "Coffee & Donuts" was strong within the industry, Green's first three years in Los Angeles were a major struggle and he survived by doing any odd job that would pay or feed him. Though he was able to find occasional paid work as everything from an on-set production assistant, to performing as a stand-up comic, to working as a writer's/show runner's assistant, to performing as an extra/background, to writing, shooting, and editing local cable commercials, to ghost writing jokes for other stand-up comics, Green's main occupation from 2000 to 2003 was working as the DJ in the upstairs nightclub at the world famous Rainbow Bar and Grill where he survived off of the left-over food off of customer's plates or by eating out of the restaurant's trash at the end of each night. He performed stand-up comedy at various Hollywood night clubs including monthly comedy shows at the Rainbow with his regular troupe of comedians/friends that included comics Andy Sandberg, Chris Romano, and Eric Falconer whom had also all yet to be discovered at that time. In 2003 Green sold "Coffee & Donuts" as a sit-com to Touchstone/UPN with Tom Shadyac producing. However, the week after Green delivered the final draft of his pilot script for "Coffee & Donuts", UPN announced a merger with the WB (creating the CW network) and all of UPN's pilot development was scrapped, tying up the rights to Green's dream project and life story for a further 5 years. ("C&D" would wind up going through thirteen years of development and false starts due to random corporate mergers at various networks and studios before eventually coming to fruition as the television series "Holliston" in 2012.)
Green first gained worldwide recognition with his independent slasher comedy "Hatchet", a story and character ("Victor Crowley") that he had first come up with while at summer sleep away camp in 1983 when he was just 8 years old in an effort to scare the other children in his cabin. Written in 2003 while Green was spinning heavy metal records in the DJ booth at the Rainbow, "Hatchet" was filmed independently in May/June of 2005 and had its world premiere at the Tribeca Film Festival on April 27, 2006. Green spent the next 18 months traveling the world with his gruesome slasher/comedy as it played dozens of film festivals, winning a multitude of awards and accumulating incredibly positive reviews from critics and fans along the way. "Hatchet" received a US theatrical release through Anchor Bay on September 7, 2007 and introduced the world to the iconic villain "Victor Crowley." A worldwide success, "Hatchet" has spawned three sequels to date. Green wrote and directed "Hatchet 2" which arrived in US theaters on October 1, 2010 and he also wrote and produced "Hatchet 3" (2013) which opened in US theaters on June 14, 2013.
After the first "Hatchet" film was massively censored by the Motion Picture Association of America for its 2007 theatrical release, Green made international headlines in 2010 by standing up to the MPAA's archaic and secretive ratings system and refusing to accept the organization's arbitrary NC-17 rating for "Hatchet 2" which the filmmaker stated was completely unfair given the comedic tone of his film and in comparison to the serious torture porn style films of the time, many of which featured sequences of rape and mean spirited, realistic violence but which also happened to be distributed by major studios. After offering cuts and re-submitting "Hatchet 2" to the MPAA numerous times to no avail in an effort to try and find a compromise for an "R" rating, Green and distributor Dark Sky ultimately opted to release the "Hatchet 2" uncut through an arrangement with AMC cinemas, making it the first genre film in almost 30 years to be released in mainstream multiplexes without an MPAA rating. Though the unrated release of "Hatchet 2" was endorsed and conducted exclusively through AMC theaters, the chain immediately began pulling the film from all screens upon its midnight opening and within just 48 hours of its release the film had mysteriously disappeared from all AMC screens nationwide. Though journalists in the media pointed to outside pressure from the MPAA on AMC to pull the film, no explanation was ever given on official record by a proper representative of AMC and the MPAA refused to comment on the matter. With "Hatchet 3" being green-lit almost immediately after "Hatchet 2" arrived on home video, "Victor Crowley" still succeeded despite the AMC/MPAA debacle.
Though "Hatchet" was always intended to be a trilogy, on August 22, 2017 Green took the entire genre world by surprise when he suddenly showed a 4th "Hatchet" film (titled "Victor Crowley") to a sold-out audience of fans that thought they had gathered at the Arclight Cinema in Hollywood, CA to watch a 10th anniversary screening of the original film. Written and directed by Green, "Victor Crowley" was made in complete secrecy over a two year period as the filmmaker's surprise to the fans (known as the "Hatchet Army") on the 10th anniversary of the original "Hatchet." The stunt worked famously and "Victor Crowley" was trending #5 in the world on social media on the night of its surprise premiere in Hollywood, CA - two spots above Marvel's star-studded A-list celebrity attended "Stan Lee Celebration" that was taking place that same night. Green immediately began a worldwide tour with the film that started just three nights later in London, England and carried on through cities in Germany, Canada, and all across the United States (where the tour was dubbed the "Dismember America Tour") until the middle of November. By the end of the tour "Victor Crowley" had played nightly in 57 cities and 4 countries with Green personally appearing and speaking at most of the screenings. To date "Victor Crowley" is the best reviewed of the four "Hatchet" films and the most financially successful film in the franchise since the original. Three months after the theatrical release, the film was released on home video on February 6, 2018. In the weeks leading up to the home video release "Victor Crowley" was the #3 best seller on Amazon.com and among the top 10 most pre-ordered Blu-Rays worldwide ranking above wide release studio films like "Justice League," "Blade Runner," "Jigsaw," and "Get Out" further solidifying the "Hatchet" franchise's villain "Victor Crowley" as a modern day horror icon.
"Hatchet" also earned Green his place in the "Splat Pack", a term coined by esteemed UK film critic Alan Jones to describe a core group of new genre filmmakers who brought practical effects and extreme violence/gore back to the horror genre in the mid 2000's. Heralded by Jones as "the next wave of genre filmmakers," his original article about the "Splat Pack" ran in Total Film magazine in April of 2006 and by October both Time Magazine and the New York Post had also published stories about the "Splat Pack." Green appeared in the 2010 documentary "The Splat Pack" that also featured extensive interviews with his fellow "Splat Pack" members Eli Roth, Neil Marshall, Darren Bousman, Alex Aja, and Greg McLean. (Missing from the documentary were "Splat Pack" members James Wan and Rob Zombie.) Various merchandise based on "Hatchet" and its iconic villain "Victor Crowley" continues to sell more and more each year and in August of 2015 the first widely distributed "Victor Crowley" Halloween mask hit retail shelves across America, selling out of stock nationwide long before the Halloween holiday had arrived. In 2011 "Victor Crowley" first appeared in comic book form in "Hatchet/Slash", a crossover comic between Green's "Hatchet" films and Tim Seeley's long-running "Hack/Slash" comic series. In October of 2016 the first issue of the official "Hatchet" comic hit retail stores and the series has continued on strong with a new issue being released every 3-4 months. Green's first novel, the "Hatchet" tie-in "I, Survivor" will be released in May of 2018. "I, Survivor" first appeared in "Victor Crowley" as a fictitious autobiography written by the film's main character "Andrew Yong," however Green and author Joe Knetter co-wrote the actual book so that fans could delve even further into the "Hatchet" universe and fill in the ten years that had passed in the storyline between "Hatchet 3" and "Victor Crowley."
Aside from "Hatchet" (2007) and its three sequels (2010, 2013, 2017), Green continued and diversified his filmmaking legacy by directing the award winning Hitchcockian psycho-drama "Spiral" (2008), by producing the Sundance shocker and critically acclaimed "Grace" (2009), by writing and directing another Sundance darling and global success the very next year with his snowy suspense thriller "Frozen" (2010), by producing, writing, and directing the comedy "The Diary of Anne Frankenstein" which was included as part of the drive-in anthology film "Chillerama" (2011), and by writing, directing, and starring in the genre bending and highly praised successful pseudo-documentary "Digging Up The Marrow" (2015). In between his feature films Green also continued to write and direct various short films for his ArieScope website just for fun, several of which went on to become full blown viral hits with millions of views on-line including "Jack Chop," "Fairy Tale Police," and "Saber." Written, directed, and edited by Green, "Saber" received two awards in Lucasfilm's annual Star Wars Fan Film Awards at San Diego Comic-Con in 2009 ("Best Action" and "Audience Choice") and also spawned two sequels that were released to huge success in 2012 and 2014.
Meanwhile, after thirteen years of development and setbacks due to network mergers, in 2011 Green's ultimate passion project "Coffee & Donuts" was finally brought to fruition as the sit-com "Holliston." In its new form, Green was not only "Holliston's" creator but also the series' show-runner, writer, director, and main star. Licensed for broadcast by the FEARnet cable network, "Holliston" had its world television premiere on April 3, 2012 and quickly found a loyal audience. A second season was announced the morning after only the second episode had aired. An hour-long "Holliston Christmas Special" premiered later that same year on December 18th and is still considered by most fans to be their favorite episode of the series with its unexpected amount of emotion including a tear-jerking final scene between "Adam" and "Corri" that was revealed on the Blu-ray commentary track to have been completely improvised by actors Adam Green and Corri English. Season 2 of "Holliston" premiered on June 4, 2013 and further solidified the series as a hit despite FEARnet's extremely limited broadcast accessibility. However, just as Green was beginning to write Season 3, "Holliston" suffered the tragic death of main ensemble cast member Dave Brockie who passed away in what was eventually reported to be a drug overdose. Brockie not only played "Oderus Urungus" on "Holliston" (Green's character's imaginary alien friend and ulterior conscience), he had also performed as the lead singer for the heavy metal band GWAR for 30 years and was one of Green's closest friends in real life. To make matters even worse, just three weeks after Brockie's death, the FEARnet television network was suddenly dissolved in yet another unforeseen corporate merger between Comcast and Time Warner. In August of 2014 Green delivered a eulogy for Brockie at a public memorial in Virginia attended by several thousand GWAR and "Holliston" fans. During his speech, Green's played back the final voice mail Brockie had left for him and concluded by asking the thousands of fans that were present to all hold their hands together in the air. "This is your metal family," Green reminded the grieving fans. "And your metal family will always be here for you." The memorial concluded with a traditional viking style burning of Brockie's "Oderus Urungus" costume in Richmond's Haddad Lake. Overcome with grief, Green stepped away from "Holliston" for several years without any word if he would ever return to his show again.
During Green's indefinite hiatus from "Holliston," he continued to do a weekly podcast with fellow director, co-star, and real-life best friend Joe Lynch called "The Movie Crypt" on the GeekNation digital network. Named after the fictitious cable access program that Green and Lynch's character's host on "Holliston", "The Movie Crypt" was originally designed to merely be a spin-off and companion piece to the sit-com and the two filmmakers only planned to do the podcast for the ten weeks that Season 2 was airing. However, their weekly program began pulling in extraordinarily high numbers and quickly became one of the most popular entertainment industry behind the scenes podcasts on the internet due to Green and Lynch's enjoyable on-air chemistry and the duos unfiltered honesty about their real-life experiences as working artists in the Hollywood system. Focusing on a different guest artist's entire career journey each week, "The Movie Crypt" showcases all sides of the industry from filmmakers to actors to costumers to agents to studio executives to musicians and beyond. Guests have included Chris Columbus, Slash, Joe Dante, Jordan Peele, James Gunn, Penelope Spheeris, Bobcat Goldthwait, and Rob Cohen. By January of 2015 "The Movie Crypt" was averaging over 500,000 worldwide listeners a week and the podcast was listed in Entertainment Weekly's January 9th issue as one of "The Top 20 Podcasts You Should Be Listening To" out of over 285,000 podcasts in existence. In addition to their candid and compelling weekly artist interviews, Green and Lynch have also produced special stand out episodes of "The Movie Crypt" such as the November 2015 "Addiction" episode that tackled substance abuse and addiction within the industry, the December 2014 "Holliston Reunion" episode where the cast performed a new original "Holliston" episode designed as a radio play, and their December 2015 "Christmas Special" which featured a sincere and moving 2-hour interview with Santa Claus that remains the podcast's most popular episode to date. Green and Lynch have never missed a single week since the podcast first launched on May 6, 2013. It was "The Movie Crypt's" unplanned and unexpected success that would ultimately set the stage for the return of "Holliston."
In August of 2015 Entertainment Weekly made the announcement that Green and his cast had decided that they would indeed continue on with "Holliston" and do a 3rd season. In February of 2016 the "Holliston" cast appeared together on Facebook live where they answered questions from fans after completing their first ever read through of two of Green's new scripts for Season 3. During the Q&A with fans Green stated that "Oderus" would not be recast or replaced and that when "Holliston" returns he would acknowledge the loss of Brockie and then move on with the show, keeping his character's closet door permanently closed for as long as the series may continue. As of the time of this writing, Season 3 of "Holliston" is expected to begin shooting once the cast's individual production schedules can line-up together. With series stars Adam Green and Joe Lynch both consistently directing feature films and other television shows and with series co-star Dee Snider so busy with his various music projects and tours it is very difficult to get the entire cast together at the same time to shoot. The first official "Holliston" graphic novel (titled "Friendship Is Tragic") was announced and previewed on March 17, 2016 at Chicago's C2E2 comic book expo and pop culture convention. The comic book hit retail shelves in the Fall of 2016 and a sequel was green-lit just four days later. The second graphic novel (titled "Carnival of Carnage") hits shelves in May of 2018.
In 2015 Green turned ArieScope.com into an on-line network by offering weekly original programming. With over 100 free short films and original series' episodes to watch, Green's personal blog, and an on-line merchandise store, ArieScope.com has become a destination site for original content to millions of fans worldwide. Original series such as "Adam Green's Scary Sleepover" and "Horrified" proved to be extremely popular with fans and ArieScope.com also released the award winning series "20 Seconds To Live" which was helmed by filmmaker Ben Rock, an artist that Green personally believes in and wanted to expose his own audience to. Green's original on-line series and various short films are also carried on ArieScope's YouTube channel which has received over 4.6 million individual views to date.
In 2017 Green once again turned his attention back to his longtime band "Haddonfield" and the group released the album "Ghosts of Salem" on vinyl, CD, and digital through EMP Label Group and Green's own sub-label ArieScope Records. On October 14, 2017 "Haddonfield" celebrated the release of "Ghosts of Salem" with a live performance at the Palladium in Worcester, MA during the annual Rock And Shock horror and music festival. "Ministry," "Devil Driver," and "Motionless In White" also performed at the festival with "Haddonfield" in 2017.
A celebrated leader and inspirational personality in the horror genre, Adam Green has amassed an enormous following worldwide through his down to earth and extraordinarily kind demeanor at personal appearances, by his accessibility to his fans on social networking, by performing improv comedy and original live "Holliston" episodes for fans on the convention circuit, by never charging his fans for his autograph or photo, by consistently putting out new entertainment for his audience on such a frequent schedule, and by inspiring and encouraging his own fans that they too can achieve their dreams so long as they don't let the world's negativity change or disenchant their spirit. Green has personally organized and lead many charity events over the years. In May of 2013 he raised over $15,000.00 to help the victims of the Boston Marathon bombing by putting on a three-night fundraiser in his home town of Boston where he held theatrical screenings of the "Hatchet" films, a preview screening of select Season 2 episodes of "Holliston", and a silent auction of celebrity donated genre memorabilia. In April of 2015 Green also helped raise $7,000.00 for "Save A Yorkie Rescue" at the Monstermania convention in New Jersey by auctioning himself off for a date with a fan and auctioning off a screen-used prop hatchet. While on stage during the auction event, Green stated that it was the companionship of his own Yorkie "Arwen" that got him through the various personal tragedies he underwent in 2014. "You're not just saving the lives of these wonderful dogs, you're also very likely saving the lives of the people who will adopt them." Adam Green and Joe Lynch also put on an annual 48-hour live marathon of their Movie Crypt podcast to benefit "Save A Yorkie Rescue." The two filmmakers and "Holliston" co-stars stay on the air live for an entire weekend with celebrity guests joining them around the clock providing live comedy, film commentaries, script readings, and interviews to raise money for the dog rescue through donations from their audience. The Movie Crypt marathon raised $14,000.00 in 2016 and $24,000.00 in 2017, saving hundreds of abused and abandoned dogs that were in dire need of medical care and foster homes.
At the time of this posting Adam Green is developing Season 3 of "Holliston," working on a new TV series called "Killer Pizza" which is being produced by Chris Columbus, working on his next feature film project, and writing his next record with "Haddonfield" as well as working on many other projects. He lives in Los Angeles with his dog "Arwen" and his cat "Tyler." An avid music fan he has been known to follow bands on tour such as "Aerosmith," "Metallica," and "Guns N Roses." "Twisted Sister" is his favorite band of all time and 1982's "E.T. The Extra Terrestrial" remains his most favorite film. He is active on Twitter and Instagram at @Adam_Fn_Green and he also personally responds to his fans on his public Facebook page: Facebook.com/AdamFnGreen.
Biography submitted to IMDB in May 2016. Updated in March 2018.Hatchet (2006)
Frozen (2010)
Spiral (2007)- Director
- Writer
- Editor
Ti West is most notable for directing horror films, as well as being an actor, writer, producer, and editor. Ti broke out, after directing various projects, in 2009, when he directed two feature films - 2009's The House Of The Devil and Cabin Fever 2: Spring Fever. Ti later directed, with his production company Glass Eye Pix, the widely popular 2011 horror film The Innkeepers, which starred actors Sara Paxton, Pat Healy and Kelly McGillis. Ti also starred as "Tariq" in Adam Wingard and Simon Barrett's horror film, You're Next (2011). More recently he has been a director for MTV's Scream and Fox's The Exorcist. His acting roles include him portraying "Dave" in Joe Swanberg's rom-com, Drinking Buddies (2013) and a cameo as "Favorite Teacher" in The House Of The Devil.Cabin Fever 2: Spring Fever (2009)
The House of the Devil (2009)
The Roost (2005)- Writer
- Producer
- Director
Guillermo del Toro was born October 9, 1964 in Guadalajara, Jalisco, Mexico. Raised by his Catholic grandmother, del Toro developed an interest in filmmaking in his early teens. Later, he learned about makeup and effects from the legendary Dick Smith (The Exorcist (1973)) and worked on making his own short films. At the age of 21, del Toro executive produced his first feature, Dona Herlinda and Her Son (1985). Del Toro spent almost 10 years as a makeup supervisor, and formed his own company, Necropia in the early 1980s. He also produced and directed Mexican television programs at this time, and taught film.
Del Toro got his first big break when Cronos (1992) won nine Ariel Awards (the Mexican equivalent of the Oscars), then went on to win the International Critics Week Prize at Cannes. Following this success, del Toro made his first Hollywood film, Mimic (1997), starring Mira Sorvino.
Del Toro had some unfortunate experiences working with a demanding Hollywood studio on Mimic (1997), and returned to Mexico to form his own production company, The Tequila Gang.
Next for del Toro, was The Devil's Backbone (2001), a Spanish Civil War ghost story. The film was hailed by critics and audiences alike, and del Toro decided to give Hollywood another try. In 2002, he directed the Wesley Snipes vampire sequel, Blade II (2002).
On a roll, Del Toro followed up Blade II (2002) with another successful comic-book inspired film, Hellboy (2004), starring one of Del Toro's favorite actors, Ron Perlman.
Del Toro is divorced, has a daughter and a son and lives in Los Angeles and Toronto.Mimic (1997)
Cronos (1993)
The Devil's Backbone (2001)- Producer
- Director
- Writer
Alexandre Aja was born on 7 August 1978 in Paris, France. He is a producer and director, known for High Tension (2003), The Hills Have Eyes (2006) and Piranha 3D (2010). He is married to Laïla Marrakchi.High Tension (2003)
Mirrors (2008)
Piranha (2010)- Director
- Producer
- Writer
Brad Anderson was born in 1964 in Madison, Connecticut, USA. He is a director and producer, known for Session 9 (2001), The Machinist (2004) and Transsiberian (2008).Session 9 (2001)
The Machinist (2004)
Vanishing on 7th Street (2010)- Director
- Writer
- Producer
After training as a fine artist before working as a director in Theatre and Opera, Australian writer, director, and producer Greg McLean's filmmaking career began when he wrote and directed the horror smash hit 'Wolf Creek.' The film played at the Sundance and Cannes Film Festivals before going onto worldwide 'cult film' status. After this success, he established Emu Creek Pictures, a production company based in Melbourne, Australia. He then wrote, directed, and produced the thrillers 'Rogue' and 'Wolf Creek 2', before directing, 'The Darkness', 'The Belko Experiment', and the survival thriller; 'Jungle'. Greg Executive Produced and directed episodes on two seasons of the 'Wolf Creek TV series and recently directed episodes for series including; 'The Gloaming', 'Bloom', 'Jack Irish', 'La Brea' (Seasons 1 and 2), 'The Twelve and was the series director for 'Scrublands' in 2023.Wolf Creek (2005)
Rogue (2007)
ICQ (2001)- Special Effects
- Director
- Additional Crew
James Isaac was born on 5 June 1960 in San Francisco, California, USA. He was a director, known for Pig Hunt (2008), Jason X (2001) and eXistenZ (1999). He was married to Harriet Isaac. He died on 6 May 2012 in Sausalito, California, USA.Jason X (2001)
Skinwalkers (2006)
Pig Hunt (2008)- Director
- Producer
- Actor
Breck Eisner was born on 24 December 1970 in California, USA. He is a director and producer, known for The Crazies (2010), The Expanse (2015) and Sahara (2005). He has been married to Georgia Irwin Eisner since 24 June 2006.The Crazies (2010)- Producer
- Writer
- Director
James Wan (born 26 February 1977) is an Australian film producer, screenwriter and film director of Malaysian Chinese descent. He is widely known for directing the horror film Saw (2004) and creating Billy the puppet. Wan has also directed Dead Silence (2007), Death Sentence (2007), Insidious (2010), The Conjuring (2013) and Furious 7 (2015).
Before his success in the mainstream film industry, he made his first feature-length film, Stygian, with Shannon Young, which won "Best Guerrilla Film" at the Melbourne Underground Film Festival (MUFF) in 2000.
Prior to 2003, Wan and Leigh Whannell had begun writing a script based for a horror film, citing inspiration from their dreams and fears. Upon completing the script, Leigh and James had wanted to select an excerpt from their script, later to be known as Saw (2004), and film it to pitch their film to studios. With the help of Charlie Clouser, who had composed the score for the film, and a few stand-in actors, Leigh and James shot the film with relatively no budget. Leigh had decided to star in the film as well.
After the release of the full-length Saw (2004), the film was met with overwhelming success in the box office both domestically and internationally. The film ended up grossing 55 million dollars in America, and 48 million dollars in other countries, totaling over $103 million worldwide. This was over 100 million dollars profit, over 80 times the production budget. This green-lit the sequel Saw II (2005), and later the rest of the Saw franchise based on the yearly success of the previous installment. Since its inception, Saw (2004) has become the highest grossing horror franchise of all time worldwide in unadjusted dollars. In the United States only, Saw (2004) is the second highest grossing horror franchise, behind only the Friday the 13th (1980) films by a margin of $10 million.Saw (2004)
Death Sentence (2007)
Insidious (2010)- Director
- Producer
- Writer
MJ Bassett is an English screenwriter, director and producer of feature film and television.
As a teenager in the UK, MJ's ambition was to become a wildlife vet. She was a veterinary assistant throughout her teenage years and was the youngest person in the UK to be granted a license to run a wildlife rehabilitation centre. On leaving school she became a wildlife photographer and documentary maker before being asked to appear on TV to talk about science and nature. She was the host of various nature and science programs before moving into writing and directing drama.
A lover of genre story telling, her first feature film was the World War One horror, DEATHWATCH, Starring Jamie Bell, Matthew Rhys and Andy Serkis.
Following the success of Deathwatch, MJ directed the survival-horror feature WILDERNESS with Toby Kebbell and Sean Pertwee, and then adapted and directed the heroic fantasy-adventure SOLOMON KANE, starring James Purefoy, Max Von Sydow and Pete Postlethwaite based on the classic fantasy novellas by 'Conan' creator Robert E. Howard. MJ followed that with the video game adaptation SILENT HILL:REVELATION, shot in 3D and starring Sean Bean, Adelaide Clemens and Kit Harrington.
After that MJ began directing in television. Initially guest directing episodes of the Cinemax/HBO/Sky military action show STRIKE BACK. She was invited to become lead director and ultimately executive producer of the show which ran for multiple seasons. MJ pushed the action, scale and intensity beyond any other show of its kind on TV. During this time she also directed the first season finale of Starz' show, DaVINCI'S DEMONS, created by David Goyer.
Additional television credits include such shows as POWER for Starz, IRON FIST for Marvel/Netflix, NIGHTFLYERS, based on the George R.R. Martin novel for Syfy with Doug Liman's 'Hypnotic' productions, ASH VS EVIL DEAD for Sam Raimi and Robert Tapert at Starz where MJ was also a writer and co-ep, taking over the director reigns from Sam Raimi following his pilot. Other credits also include THE PLAYER, starring Phil Winchester and Wesley Snipes for NBC and TAKEN, again for NBC with Europacorp, the first season finale of REACHER for Amazon/Skydance, ALTERED CARBON for Netflix/Skydance and the TERMINAL LIST for Amazon/MRC amongst numerous other television credits.
Her recent feature credits include ROGUE, an Africa set action thriller starring Megan Fox and ENDANGERED SPECIES starring Rebecca Romjin and Philip Winchester. Both movies have strong environmental and conservation themes. In 2023 she is in post production on Millenium Films' RED SONJA set for release in 2024.
MJ came out as transgender in 2018. She spends a great deal of time shooting on locations around the world and divides her time between the UK and home in the hills of Topanga Canyon just outside Los Angeles.Deathwatch (2002)
Wilderness (2006)
Solomon Kane (2009)- Writer
- Actor
- Director
Fred Vogel was born on 18 April 1976 in Warren Township, New Jersey, USA. He is a writer and actor, known for The Final Interview (2018), August Underground (2001) and Sella Turcica (2010). He has been married to Shelby Lyn Vogel since 13 October 2006.August Underground's Mordum (2003)
Maskhead (2009)
The Redsin Tower (2006)- Director
- Writer
- Editor
Lucifer Valentine is known for Slow Torture Puke Chamber (2010), Slaughtered Vomit Dolls (2006) and Black Metal Veins (2012).Slaughtered Vomit Dolls (2006)
Slow Torture Puke Chamber (2010)- Director
- Writer
- Producer
Nick Palumbo attended film school in Los Angeles. He wrote, produced, and directed one of the most notorious horror cult films of all time; Murder-Set-Pieces. Shot on location in Las Vegas on 35mm and screened for its theatrical world premiere at the prestigious Sitges International Film Festival in Barcelona, Spain, it was the first unrated American horror film to hit theaters in twenty years. Murder-Set-Pieces was released in Europe and Asia by Universal Studios, Paramount Pictures, 20th Century Fox, and The Weinstein Company. An edited version was released in the US by Lionsgate Films. As of 2012, Palumbo's uncut version of the enormously controversial film is still banned in several countries.Nutbag (2000)
Murder-Set-Pieces (2004)
Sinister (2002)- Make-Up Department
- Director
- Writer
Ryan Nicholson was born in 1971 in Victoria, British Columbia, Canada. He was a director and writer, known for The Chronicles of Riddick (2004), Andromeda (2000) and Dreamcatcher (2003). He was married to Megan Nicholson. He died on 8 October 2019 in Vancouver, British Columbia, Canada.Gutterballs (2008)
Hanger (2009)
Torched (2004)- Director
- Writer
- Actor
Nick Zedd was born on 8 May 1958 in Baltimore, Maryland, USA. He was a director and writer, known for Geek Maggot Bingo or the Freak from Suckweasel Mountain (1983), War Is Menstrual Envy (1992) and Scumbag (2017). He was married to Monica Casanova. He died on 27 February 2022 in Mexico City, Mexico.Geek Maggot Bingo or The Freak from Suckweasel Mountain (1983)
War Is Menstrual Envy (1992)
They Eat Scum (1979)- Director
- Actor
- Producer
Takashi Miike was born in the small town of Yao on the outskirts of Osaka, Japan. His main interest growing up was motorbikes, and for a while he harbored ambitions to race professionally. At the age of 18 he went to study at the film school in Yokohama founded by renowned director Shôhei Imamura, primarily because there were no entrance exams. By his own account Miike was an undisciplined student and attended few classes, but when a local TV company came scouting for unpaid production assistants, the school nominated the one pupil who never showed up: Miike. He spent almost a decade working in television, in many different roles, before becoming an assistant director in film to, amongst others, his old mentor Imamura. The "V-Cinema" (Direct to Video) boom of the early 1990s was to be Miike's break into directing his own films, as newly formed companies hired eager young filmmakers willing to work cheap and crank out low-budget action movies. Miike's first theatrically distributed film was Shinjuku Triad Society (1995) (Shinjuku Triad Society), and from then on he alternated V-Cinema films with higher-budgeted pictures. His international breakthrough came with Audition (1999) (Audition), and since then he has an ever expanding cult following in the west. A prolific director, Miike has directed (at the time of this writing) 60+ films in his 13 years as director, his films being known for their explicit and taboo representations of violence and sex, as seen in such works as Bijitâ Q (2001) (Visitor Q), Ichi the Killer (2001) (Ichi The Killer) and the Dead or Alive Trilogy: Dead or Alive (1999), Dead or Alive 2: Birds (2000) and Dead or Alive: Final (2002).Audition (2000)
Ichi the Killer (2001)
Imprint (2005)- Actor
- Director
- Producer
Fruit Chan was born on 15 April 1959 in Guangdong, China. He is an actor and director, known for The Midnight After (2014), Three Husbands (2018) and Made in Hong Kong (1997).Dumplings (2004)
Don't Look Up (2009)
Public Toilet (2002)- Director
- Cinematographer
- Camera and Electrical Department
Ernest Roscoe Dickerson A.S.C., aka. Ernest R. Dickerson, is an American film director and cinematographer. As a cinematographer, he is known for his frequent collaborations with Spike Lee. As a director, he is known for films such as Juice (1992), Tales from the Crypt: Demon Knight (1995), Bones (2001) and Never Die Alone (2004). He has also directed several episodes of acclaimed television series such as Once Upon a Time (2011), The Wire (2002), Dexter (2006), and The Walking Dead (2010).Tales from the Crypt: Demon Knight (1995)
The V Word (2005)
Blind Faith (1998)- Music Artist
- Writer
- Actor
Robert Bartleh Cummings, more famously known as Rob Zombie, was born in Haverhill, Massachusetts on January 12, 1965. He is the oldest son of Louise and Robert Cummings, and has a younger brother, Michael David (aka Spider One; b. 1968), who is the lead singer of Powerman 5000. Growing up, Zombie loved horror movies, which have greatly influenced his music and filmmaking career; in 1983, he graduated from Haverhill High School. After graduating, he moved to New York City to attend Parsons School of Design, also briefly working as a production assistant on Pee-wee's Playhouse (1986).
Zombie and his then-girlfriend, Sean Yseult, co-founded the band White Zombie, named after the Bela Lugosi classic horror film of the same name (White Zombie (1932)). The band released their debut studio album, 'Soul-Crusher', in 1987; their second, 'Make Them Die Slowly', followed in 1989, but generated little buzz.
Following the release of their fourth extended play, however, White Zombie caught the attention of Geffen Records, who in 1992 went on to release their third studio album, 'La Sexorcisto: Devil Music Volume One'. This album sold over two million copies in the U.S., becoming the band's breakout hit. White Zombie's fourth and final album, 'Astro-Creep: 2000 - Songs of Love, Destruction and Other Synthetic Delusions of the Electric Head', was released in 1995 to critical and commercial success, ultimately becoming their most successful album. The band released a remix album in 1996 and disbanded the same year, officially breaking up in 1998.
Rob Zombie began working on a debut album in 1997; 'Hellbilly Deluxe: 13 Tales of Cadaverous Cavorting Inside the Spookshow International' came out in 1998, selling over three million copies. Zombie formed his own record label, Zombie-A-Go-Go Records, in 1998.
Zombie composed the original score for the video game Twisted Metal III (1998) and designed a haunted attraction for Universal Studios in 1999. In 2000, he began working on his directional debut, House of 1000 Corpses (2003). Inspired mainly by classics such as The Texas Chain Saw Massacre (1974), the film was delayed until 2003 due to distributional issues. Though criticized for its explicit depictions of violence and gore, it went on to gross over $16 million and has garnered a cult following.
Zombie's second studio album, 'The Sinister Urge', was released in 2001 and sold over a million copies. In 2002, he married his longtime girlfriend Sheri Moon Zombie, who has appeared in all of his movies to date and often accompanies him on tour to choreograph dance routines and create costumes. Zombie released a sequel to 'House of 1000 Corpses' in 2005, entitled The Devil's Rejects (2005). Although it received much more positive reviews than its predecessor, it was still criticized for its violent content. He released his third studio album, 'Educated Horses', the following year.
In 2007, Zombie decided to focus on his work as a filmmaker for a while; the same year, he would release his most polarizing movie to date: Halloween (2007), a remake of the 1978 classic of the same name (Halloween (1978)). It received a mixed reception, but was a box office hit, and still currently resides as the top Labor Day weekend grosser. Zombie directed a fictitious trailer entitled 'Werewolf Women of the SS' (inspired by the exploitation flick Ilsa: She Wolf of the SS (1975)) for Grindhouse (2007). In 2009, Zombie directed Halloween II (2009), which was critically panned, and The Haunted World of El Superbeasto (2009), which was based upon one of his comic book series.
Also in 2009, Zombie began working on a new album; 'Hellbilly Deluxe 2: Noble Jackals, Penny Dreadfuls and the Systematic Dehumanization of Cool' came out the following year. In 2011, he directed a horror-themed commercial for Woolite, and began work on a new film, The Lords of Salem (2012). Unlike Zombie's previous efforts, 'The Lords of Salem' focused more on building suspense and a nightmarish, surreal atmosphere and less on brutal violence and excessive profanity. It ultimately received mixed reviews; just after its release, Zombie came out with his fifth studio album, 'Venomous Rat Regeneration Vendor', his lowest-selling to date.
Zombie lent his voice to the superhero movie Guardians of the Galaxy (2014). He also began work on 31 (2016), which tells the story of five carnival workers who are trapped and forced to fight for survival against a gang of murderous clowns. It premiered at the 2016 Sundance Film Festival in January, and will be released in September. In April, Zombie's sixth studio album, 'The Electric Warlock Acid Witch Satanic Orgy Celebration Dispenser', was released. Additionally, he has signed on to direct a film on the life of zany comic Groucho Marx, though a release date is uncertain.
Zombie is most recognized for his heavy metal style of music, influenced by his love of classic horror, and his exploitation/splatter-type movies. Overall, he has sold an estimated fifteen million albums worldwide, and his films have grossed over $150 million in total.House of 1000 Corpses (2003)
The Devil's Rejects (2005)
The Haunted World of El Superbeasto (2009)- Director
- Producer
- Writer
A former Disney Creative VP, Craig Singer's latest film 6:45 enjoyed a nationwide theatrical release via Regal Cinema in 2021. Singer is also known as the director and producer of A Good Night to Die (2003), Dark Ride (2006), Perkins' 14 (2009) and Animal Room (1995). In 2022 Singer is prepping Paradiddle, an emotionally rich and gripping drama, which originally ran Off-Broadway for the screen.Dark Ride (2006)
Perkins' 14 (2009)
A Good Night to Die (2003)- Actor
- Writer
- Director
Growing up in Baltimore in the 1950s, John Waters was not like other children; he was obsessed by violence and gore, both real and on the screen. With his weird counter-culture friends as his cast, he began making silent 8mm and 16mm films in the mid-'60s; he screened these in rented Baltimore church halls to underground audiences drawn by word of mouth and street leafleting campaigns. As his filmmaking grew more polished and his subject matter more shocking, his audiences grew bigger, and his write-ups in the Baltimore papers more outraged. By the early 1970s he was making features, which he managed to get shown in midnight screenings in art cinemas by sheer perseverance. Success came when Pink Flamingos (1972) - a deliberate exercise in ultra-bad taste - took off in 1973, helped no doubt by lead actor Divine's infamous dog-crap eating scene.
Waters continued to make low-budget shocking movies with his Dreamland repertory company until Hollywood crossover success came with Hairspray (1988), and although his movies nowadays might now appear cleaned up and professional, they retain Waters' playfulness, and reflect his lifelong obsessions.Eat Your Makeup (1968)
Polyester (1981)
Cecil B. DeMented (2000)- Director
- Writer
- Producer
Edgar Howard Wright (born 18 April 1974) is an English director, screenwriter, producer, and actor. He is best known for his comedic Three Flavours Cornetto film trilogy consisting of Shaun of the Dead (2004), Hot Fuzz (2007), and The World's End (2013), made with recurrent collaborators Simon Pegg, Nira Park and Nick Frost. He also collaborated with them as the director of the television series Spaced.Shaun of the Dead (2004)
Scott Pilgrim vs. the World (2010)
Hot Fuzz (2007)- Director
- Writer
- Producer
Tom Six was born on 29 August 1973 in Alkmaar, Noord-Holland, Netherlands. He is a director and writer, known for The Human Centipede (First Sequence) (2009), The Human Centipede III (Final Sequence) (2015) and The Human Centipede 2 (Full Sequence) (2011).The Human Centipede (First Sequence) (2009)
The Human Centipede II (Full Sequence) (2011)