List of guest stars who were on The Love Boat!
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After becoming an award-winning, platinum-selling writer, producer/director Willie Aames took a 5-year hiatus and became a 6-star cruise director spending his time circling the globe and visiting over 127 countries. Recently Aames returned to his roots in acting and film making, splitting his time between Los Angeles and Vancouver, BC, with his wife, Winnie Hung. Aames has two children, Christopher and Harleigh.- Actor
- Director
- Writer
Don Adams was born in New York, to a father of Hungarian Jewish descent, and a mother of German and Irish ancestry. He had a sister, Gloria, and a brother, Dick Yarmy. He served in the U.S. Marines in World War II and contracted malaria during the fighting on Guadalcanal island. After the war he began a career as a stand-up comic. He married singer Adelaide Adams and adopted her last name as his stage surname. He had seven children altogether, (four with his first wife, two with his second, one with his third): Caroline Adams, Christine, Catherine, Cecily Adams, Stacey Adams, Sean, Beige. His television career began when he won the Ted Mack & the Original Amateur Hour (1948) talent contest. His most famous role, of course, is as bumbling, incompetent, clueless yet endearing secret agent Maxwell Smart in the classic sitcom/spy spoof Get Smart (1965), although he also had a career as a television director and a Broadway and theatrical dramatic actor.- Actress
- Costume Designer
- Writer
The scintillating, sultry-eyed blonde (formerly a redhead) star of screen, TV and award-winning stage went on to become best known, however, for her sensual delivery pitching cigars in taunting '60s ads and commercials with her Mae Westian come-on line "Why don't you pick one up and smoke it sometime?" This, of course, was at a time when smoking was considered quite sexy and fashionable, and Edie Adams went above and beyond the call of duty in making these ads legendary.
Edie had her hand dipped in all pools of entertainment. She was a singing siren, an award-winning Broadway musical entertainer, a deft impressionist and comedienne, a serious dramatic actress, a commercial saleswoman and a viable TV celebrity. Off-stage, she showed remarkable poise and resourcefulness when her famous first husband, landmark TV comic Ernie Kovacs, was tragically killed in a January 1962 car crash in Los Angeles and she found her family finances in dire straits.
She was born Edith Elizabeth Enke on April 16, 1927, in the relatively small town of Kingston, Pennsylvania, but moved while fairly young to Grove City. Her family relocated again, this time to Tenafly, New Jersey, where she grew up. Following her graduation from high school, Edie aspired to become an opera singer and studied voice and piano at New York's Juilliard School of Music. She then went on to take acting classes at the Columbia School of Drama.
Her theatrical debut occurred with a 1947 production of "Blithe Spirit", and a year later she appeared in the stage show "Goodnight Ladies". Gradually building up her singing reputation via the nightclub circuit, her big break came when Arthur Godfrey booked her on his "Talent Scouts" show. She didn't come out the winner, but a TV director who caught sight of her performance envisioned in her a seductive "straight man" who could mesh well with a certain zany comedian. In 1951, Edie (then known as Edith Adams) was signed up as a featured singer on Ernie Kovacs's comedy show that originated in Philadelphia. The show, live and unrehearsed, became an innovative, groundbreaking effort in the relatively new medium. Outrageous and even incomprehensible at times, his comedy was deemed way ahead of its time and, as a result, had problems reaching mainstream audiences who didn't "get it", and the programs were short-lived. Various Kovacs platforms that included Edie were Ernie in Kovacsland (1951), "Kovacs on the Korner" (1952), and, of course, The Ernie Kovacs Show (1952). She and Kovacs eloped to Mexico City in 1954 and their union produced a daughter, Mia Kovacs. The duo were a popular couple in the Hollywood social circuit (moving there from New York in the late '50s) and the connections she developed out there were quite valuable in furthering her career.
Early '50s TV opened many doors for Edie and she waltzed right through them. Her New York stage debut in the popular musical "Wonderful Town" in 1952 had her walking away with the Theatre World Award for "Best Newcomer". A few years later, she slithered away with a supporting Tony Award for her bodacious take on the "Daisy Mae" character in the musical "Li'l Abner" (1956). Following that were more musical and dramatic ventures on the stage, including "The Merry Widow" (1957) (a show she would return to more than once), "Sweet Bird of Youth" (1960) and "Free as a Bird" (1960). On film, Edie showed the public that she wasn't just a pretty face with her sharply unsympathetic supporting performance in Billy Wilder's The Apartment (1960) and a funny, sexier one in the second of Rock Hudson and Doris Day's three battle-of-the-sexes romps, Lover Come Back (1961). Surprisingly, Edie and Ernie never appeared together in a film. Edie remained primarily a TV fixture and, outside of her Emmy-nominated coupling with Kovacs, winningly played the Fairy Godmother in Julie Andrews' popular TV version of Cinderella (1957), appeared regularly with Jack Paar and Dinah Shore on their respective variety shows, acted on various prime-time shows, and graced a number of celebrity game and talk show panels.
One of Edie's last pairings with Kovacs was in 1960 when they appeared as guests on the very last episode of The Lucy-Desi Comedy Hour (1957). The pair appeared as themselves, with one of the highlights being Edie crooning the lovely ballad "That's All". Kovacs' sudden 1962 death was a terrible reversal of fortunes for Edie. An inveterate gambler, he left her owing much money to the IRS. Instead of filing bankruptcy, however, she worked her way out of debt. In the process, her career received a second wind. Perhaps it didn't hurt that the public adored Edie and that she was a genuinely sympathetic figure in the wake of her private tragedy.
She returned to the nightclub circuit from whence she came, recorded albums, and also toured the country in various dramatic and musical comedy vehicles, including "Rain" (as Sadie Thompson), "Bells Are Ringing", "Annie Get Your Gun" (as Annie Oakley), "I Do! I Do!", "Anything Goes" and "Bus Stop". She also received outstanding notices in a few of her films, whether dramas (Love with the Proper Stranger (1963), The Best Man (1964)) or frivolous comedies (Call Me Bwana (1963), It's a Mad Mad Mad Mad World (1963), Under the Yum Yum Tree (1963), The Honey Pot (1967)). Moreover, she was handed her own musical variety show Here's Edie (1963) (aka "The Edie Adams Show") and received a couple of Emmy nominations for her efforts. She also took advantage of her famous impressions of Zsa Zsa Gabor and others, appearing in various TV comedy formats.
More than anything, however, it was her come-hither temptress pitching Muriel cigars that had TV audiences' tongues wagging. It was a smashingly successful and highly profitable coup for Edie professionally. Her late husband, a notorious cigar smoker, at one time sold Dutch Master cigars on TV. The idea then for Edie to pitch a competing slimmer cigar on TV was only natural. She had much to do with the direction of the commercials, which ran throughout the 1960s, providing them with a perfect blend of class, glamour and sensuality.
While growing noticeably heavier in later years, she never lost her trademark humor and sex appeal. Edie could still be seen from time to time on the stage in such shows as "The Best Little Whorehouse in Texas", the female version of "The Odd Couple", "Hello, Dolly!" and "Nunsense". She remained committed to the end to restoring/preserving her late husband's videotapes and kinescopes of his ground-breaking '50s TV work. She also recalled her offbeat life with Kovacs in the book "Sing a Pretty Song", which was published in 1990.
Edie got married again in 1964, to photographer Marty Mills, with whom she had a son, Josh Mills. That union ended in divorce in 1971. The following year, Edie married jazz trumpeter Pete Candoli. She and Candoli, who died in January of 2008, divorced in 1989. In another eerie, tragic circumstance, daughter Mia Kovacs was killed in a 1982 Los Angeles auto accident at age 22 -- 20 years after her father's similar demise. Suffering from cancer and losing weight in her latter years, the beloved Edie died of complications from pneumonia at age 81 in Los Angeles.- Actor
- Additional Crew
- Soundtrack
Mason Adams was well known for playing Pepper Young on the popular radio soap opera series Pepper Young's Family throughout the 1940 and 1950s. He was also heard on most of the successful radio programs during radio's "Golden Age." In the 1970s, Adams was frequently heard on Himan Brown's CBS Mystery Theater radio series. He had a regular running role on the Lou Grant TV series for several seasons and appeared in hundreds of other television series throughout the 1950s, '60s, '70s and '80s and '90s and can still can be seen playing featured roles in films and on TV.- Actor
- Producer
- Writer
A graduate of the University of Minnesota, Eddie Albert was a circus trapeze flier before becoming a stage and radio actor. He made his film debut in 1938 and has worked steadily since, often cast as the friendly, good-natured buddy of the hero but occasionally being cast as a villain; one of his most memorable roles was as the cowardly, glory-seeking army officer in Robert Aldrich's World War 2 film, Attack (1956).- Producer
- Actress
- Director
Deborah Kaye Allen was born in Houston, Texas, to African-American parents, Vivian Elizabeth (Ayers), a poet and art director, and Andrew Arthur Allen, an orthodontist. As a child, Debbie, her older brother, Andrew (called Tex), and her older sister, actress Phylicia Rashad, lived in Mexico to escape US racism. Their mother decided to live there to give the Allen children a brief experience of not having to endure the chronic racism and segregation that was typical of Texas during the 1950s. Debbie and Phylicia are fluent in Spanish.
Debbie graduated from Jack Yates Senior High School in Houston, TX in 1967. She graduated cum laude from Howard University in 1971 with a BFA in Classical Greek Literature, Speech, and Theater from Howard University. She used her experiences from attending Historically Black College Howard to inform her production and direction of the TV show A Different World (1987).
Although her parents divorced, Debbie remained extremely close to her father until his death. With Phylicia she has production company "D.A.D." which stood for "Doctor Allen's Daughters". Her Pulitzer-nominated poet mother Vivian is, the artistic and free spirit that has influenced and encouraged the remarkable creativity that so marks Allen as a performer.- Writer
- Actor
- Producer
Steve Allen was born on 26 December 1921 in New York City, New York, USA. He was a writer and actor, known for Casino (1995), The Player (1992) and College Confidential (1960). He was married to Jayne Meadows and Dorothy Goodman. He died on 30 October 2000 in Encino, Los Angeles, California, USA.- Actress
- Producer
- Writer
Kirstie Louise Alley was an American actress. Her breakout role was as Rebecca Howe in the NBC sitcom Cheers (1987-1993), receiving an Emmy Award and a Golden Globe in 1991 for the role. From 1997 to 2000, she starred in the sitcom Veronica's Closet, earning additional Emmy and Golden Globe nominations.- Actress
- Soundtrack
American leading lady whose sweet smile and sunny disposition made her the prototypical girl-next-door of American movies of the 1940s. Raised in semi-poverty in Bronx neighborhoods by her divorced mother, Allyson (nee Ella Geisman) was injured in a fall at age eight and spent four years confined within a steel brace. Swimming therapy slowly gave her mobility again, and she began to study dance as well. She entered dance contests after high school and earned roles in several musical short films. In 1938, she made her Broadway debut in the musical "Sing Out the News." After several roles in the chorus of various musicals, she was hired to understudy Betty Hutton in "Panama Hattie." Hutton's measles gave Allyson a shot at a performance and she impressed director George Abbott so much that he gave her a role in his next musical, "Best Foot Forward." She was subsequently hired by MGM to recreate her role in the screen version. The studio realized what it had in her and offered her a contract.
Her smoky voice and winning personality made her very popular and she made more than a score of films for MGM, most often in musicals and comedies. She became a box-office attraction, paired with many of the major stars of the day. In 1945, she married actor-director Dick Powell, with whom she occasionally co-starred. Following Powell's death from cancer in 1963, she retreated somewhat from film work, appearing only infrequently on screen and slightly more often in television films. Occasional nightclub appearances and commercials were her only other public performances since, and she died of pulmonary respiratory failure and acute bronchitis on July 8, 2006, after a long illness.- Actor
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Don Ameche was a versatile and popular American film actor in the 1930s and '40s, usually as the dapper, mustached leading man. He was also popular as a radio master of ceremonies during this time. As his film popularity waned in the 1950s, he continued working in theater and some TV. His film career surged in a comeback in the 1980s with fine work as an aging millionaire in Trading Places (1983) and a rejuvenated oldster in Cocoon (1985).
Ameche was born Dominic Felix Amici in Kenosha, Wisconsin, to Barbara Edda (Hertel) and Felice Amici, a bartender.- Actor
- Writer
- Producer
A native of New Jersey and son of a mechanic, African-American John Amos has relied on his imposing build, eruptive nature and strong, forceful looks to obtain acting jobs, and a serious desire for better roles to earn a satisfying place in the annals of film and TV. He has found it a constant uphill battle to further himself in an industry that tends to diminish an actor's talents with severe and/or demeaning stereotypes and easy pigeonholing. A tough, often hot-headed guy with a somewhat tender side, John would succeed far better on stage than on film and TV...with one extremely noteworthy exceptions.
Born on December 27, 1939, John was first employed as an advertising copywriter, a social worker at New York's Vera Institute of Justice, and an American and Canadian semi-professional football player before receiving his calling as an actor. A stand-up comic on the Greenwich Village circuit, the work eventually took him West and, ultimately, led to his hiring as a staff writer on Leslie Uggams' musical variety show in 1969. Making his legit stage debut in a 1971 L.A. production of the comedy "Norman, Is That You?", John went on to earn a Los Angeles Drama Critics nomination for "Best Actor". As such, he formed his own theater company and produced "Norman, Is That You?" on tour.
The following year he returned to New York to take his first Broadway bow in "Tough To Get Help". By this time he had secured secondary work on the classic The Mary Tyler Moore Show (1970) as Gordy the weatherman. His character remained on the periphery, however, and he left the show after three discouraging seasons. On the bright side, he won the recurring role of the sporadically-unemployed husband of maid Florida Evans (played by Esther Rolle) on Norman Lear's Maude (1972) starring Bea Arthur. The two characters were spun-off into their own popular series as the parental leads in Good Times (1974).
Good Times (1974), a family sitcom that took place in a Chicago ghetto high-rise, initially prided itself as being the first network series ever to be created by African-Americans. But subsequent episodes were taken over by others and John was increasingly disgruntled by the lack of quality of the scripts and the direction Lear was taking the show. Once focused on the importance of family values, it was shifting more and more toward the silly antics of Jimmie 'JJ' Walker, who was becoming a runaway hit on the show as the aimless, egotistical, jive-talking teenage son JJ. John began frequently clashing with the higher-ups and, by 1976, was released from the series, with his character being killed in an off-camera car accident while finding employment out of state.
Amos rebounded quickly when he won the Emmy-nominated role of the adult Kunte Kinte in the ground-breaking epic mini-series Roots (1977), one of the most powerful and reverential TV features ever to hit television. It was THE TV role of his career, but he found other quality roles for other black actors extremely difficult to come by. He tried his best to avoid the dim-headed lugs and crime-motivated characters that came his way. Along with a few parts (the mini-movie Willa (1979) and the films The Beastmaster (1982) and Coming to America (1988)), he had to endure the mediocre (guest spots on The Love Boat (1977), "The A-Team", "Murder, She Wrote" "One Life to Live"). John also toiled through a number of action-themed films that focused more on grit and testosterone than talent.
He found one answer to this acting dilemma on the proscenium stage. In 1985, the play "Split Second" earned him the NAACP Award as Best Actor. He also received fine reviews in a Berkshire Theater festival production of "The Boys Next Door", a tour of O'Neill's towering play "The Emperor Jones", and in a Detroit production of Athol Fugard's "Master Harold...and The Boys". In addition, John directed two well-received productions, "Miss Reardon Drinks a Little" and "Twelve Angry Men", in the Bahamas. He took on Shakespeare as Sir Toby Belch in "Twelfth Night" at Joseph Papp's New York Shakespeare and earned strong notices in the late August Wilson's Pulitzer Prize-winning play "Fences" at the Capital Repertory Company in Albany, New York. Overseas he received plaudits for his appearance in a heralded production of "The Life and Death of a Buffalo Soldier" at the Bristol's Old Vic in England. Capping his theatrical career was the 1990 inaugural of his one-man show "Halley's Comet", an amusing and humanistic American journey into the life of an 87-year-old who recalls, among other things, World War II, the golden age of radio, the early civil rights movement, and the sighting of the Comet when he was 11. He wrote and has frequently directed the show, which continues to play into the 2007-2008 season.
In recent years, John has enjoyed recurring parts on "The West Wing" and "The District", and is more recently appearing in the offbeat series Men in Trees (2006) starring Anne Heche. John Amos has two children by his former wife Noel Amos and two children. Son K.C. Amos director, writer, producer, editor and daughter Shannon Amos a director, writer and producer. Amos has one grand child,a grand-daughter, Quiera Williams.- Actor
- Producer
- Writer
Born in Chicago, Morey Amsterdam started in Vaudeville at the age of 14, as a straight man for his piano-playing brother. His father, a concert violinist who worked with the Chicago Opera and the San Francisco Symphony, wanted Morey to pursue a career in classical music however Morey had other plans. By the time he was 16, he was working at a Chicago speakeasy owned by Al Brown - better known as Al Capone. When he was caught in the middle of a shootout in the club one night, Amsterdam decided to seek safer bookings. He moved to California, where he became a writer and gag man for such stars as Fanny Brice, Jimmy Durante and Will Rogers. Morey would become known as the "Human Joke Machine" because he could tell a joke about any subject on request. In the 1930s and 1940s, he was on the radio, where his humor brought him fame and notoriety. He was also a songwriter, and some of his best known songs were "Why Oh Why Did I Ever Leave Wyoming?" and "Rum and Coca-Cola". By 1947, he had three different daily radio shows and comedian Fred Allen said, "The only thing I can turn on without getting Amsterdam is the faucet". His first TV show began as a radio program and carried over onto TV, "Stop Me If You've Heard This One" (1948). That same year, he hosted his own variety show, The Morey Amsterdam Show (1948), which ran until 1950. Amsterdam was the host of the talk show Broadway Open House (1950), the precursor to NBC's "The Tonight Show" in its various forms. His real fame, though, would come after he had spent almost four decades in the business, playing the part of wisecracking comedy writer "Buddy Sorrell" in the classic The Dick Van Dyke Show (1961) along with Rose Marie and Van Dyke as writers for the fictional TV variety show "The Alan Brady Show". For Morey, who was reportedly able to recall up to 100,000 jokes, it was the role of a lifetime. After the show ended in 1966, he continued to play nightclub dates and make TV guest-star appearances on shows from The Hollywood Squares (Daytime) (1965) to Caroline in the City (1995). His film career consisted mainly of small roles in such films as Beach Party (1963) and Won Ton Ton: The Dog Who Saved Hollywood (1976), although he did produce and star in Don't Worry, We'll Think of a Title (1966) and received good notices for his standout performance as a weaselly, double-crossing gangster who gets his just desserts in the Charles Bronson gangster film Machine-Gun Kelly (1958).- Actress
- Soundtrack
A bodacious, bedimpled, pert-nosed, well-endowed knockout, Loni Anderson earned an assured television sex symbol pedestal during the late 1970s and early 1980s. As sexy but smart Jennifer Marlowe on the sitcom WKRP in Cincinnati (1978), the ravishing star later became a soap-styled fixture in mini-movies. All eyes were peeled on this worthy pin-up who helped to bring back the glossy platinum-blonde allure of Marilyn Monroe, Jayne Mansfield and Mamie Van Doren.
Loni strove for much more than a sex pedestal as she tried to parlay her newly found fame into a viable dramatic career. She met with a measured degree of success as she recreated the lives of such artificial sex sirens as Mansfield and Thelma Todd on television, but got bogged down in television-movie retellings of famous movie classics (Three Coins in the Fountain (1954), Sorry, Wrong Number (1948), Leave Her to Heaven (1945)) that could not help but pale in comparison. This attempt at seriousness was further hampered by messy tabloid headlines in her private life.
Loni Kaye Anderson was born with very dark (jet black) hair on August 5, 1945 in Saint Paul, Minnesota, the daughter of a chemist. An art student at the University of Minnesota, she entered (and won) beauty contests on the sly (including a Miss Minnesota runner-up placing in 1964). Married and divorced from Bruce Hasselberg before she reached age 21, Loni took on a teaching position to support herself and baby daughter (Deidre) while completing college.
Developing an interest in acting, she went the route many aspiring thespians do -- apprenticing in local commercials and theater shows. Still dark-haired, she played in several early 1970s productions such as "Born Yesterday" (as Billie Dawn), "Send Me No Flowers", "Can-Can" and "The Star-Spangled Girl". She even played Tzeitel in "Fiddler on the Roof" and appeared in a production of "The Threepenny Opera".
Remarried in 1973 to actor, Ross Bickell, the couple decided to move away from Minnesota to Los Angeles in 1975 and actively pursue film and television work. Pounding the proverbial pavement, she eventually went blonde and this, plus her gorgeous looks, helped her to secure minor but sexy roles on such series as S.W.A.T. (1975), Police Woman (1974), Barnaby Jones (1973), The Bob Newhart Show (1972) and Three's Company (1976). By the time she nabbed the role of Jennifer Marlowe on WKRP in Cincinnati (1978), she had grown quite admirably as an actress.
Loni and Howard Hesseman became the breakaway stars of the sitcom and Loni skyrocketed to sexy status, earning two Emmy nominations in the process. On the other hand, her instant fame led to the breakup of her second marriage to Bickell in 1981. Loni found hit-and-miss success outside the parameters of her comedy series. She was front-and-center in a number of television-movies, notably playing tragic Hollywood sex sirens Jayne Mansfield in The Jayne Mansfield Story (1980), opposite Arnold Schwarzenegger as her muscle-bound husband Mickey Hargitay, and Thelma Todd, in White Hot: The Mysterious Murder of Thelma Todd (1991), whose untimely death in 1935 is still questioned.
Loni also appeared lusciously alongside Bob Hope, brightening up several of his classic television specials. On the minus side, she fizzled in her teaming up with equally sexy Wonder Woman (1975) star Lynda Carter in the tepid, short-lived series Partners in Crime (1984) and then played a former Las Vegas showgirl who inherits a bundle in the sitcom misfire Easy Street (1986). She also was given a chance to work in feature films such as Stroker Ace (1983). While her performance in that movie was panned, it did have her meeting and co-starring opposite mega star Burt Reynolds.
Appearing in routine, mini-movie soap operas (via her own production company), if anything, kept Loni in the public eye as a serious-minded actress, but it was an uphill battle to rise above her manufactured image as a fantasy bombshell. Not helping things was her high-profile marriage to Reynolds in 1988, which began blissfully enough (and produced adopted son Quinton), then dissolved quickly into a nasty divorce in 1993 that damaged the reputations of both stars.
In later years, Loni showed incredible perseverance. As always, the stalwart beauty continued to play up the glam but has since downplayed the dramatics. She seems more focused these days on having innocuous fun, playing a number of hearty vixens in sitcoms and series guest spots. Over time, she has enjoyed such lightweight sitcoms as her regular role in Nurses (1991), and as a guest in such sitcoms as The New WKRP in Cincinnati (1991) (in which she recreated her role as Jennifer Marlowe), Empty Nest (1988), Sabrina the Teenage Witch (1996) and Clueless (1996). Her last movie was the SNT-based comedy movie A Night at the Roxbury (1998).
Millennium television credits include the sitcom The Mullets (2003) and as Tori Spelling's materialistic mother in So Notorious (2006), which did not get the seal of approval from Tori's real-life mother. Loni has more recently starred in the resurrected comedy series My Sister Is So Gay (2016). In 2008, she married a fourth time to musician Bob Flick. Loni's autobiography, "My Life in High Heels", was published in 1997.- Actress
- Producer
- Soundtrack
Melissa Sue Anderson was very much like her most famous character role, of eldest child & sister, Mary Ingalls -- a quiet, slightly shy girl who would rather read a book than climb a tree. Her show business career got started, when a dance teacher urged her parents to find an agent for her. She began doing television commercials, and the blonde, blue-eyed beauty was in great demand for roles; she was a guest-actress once in weekly & family TV series, Never Too Young (1973) and theatrical movie, Shaft (1973). During the production of Little House on the Prairie (1974) & after leaving the show, she has guest-starred in several films and made-for-TV movies. She continues to pursue an active acting career and published her autobiography, titled "The Way I See It", in 2009.- Actress
- Soundtrack
The quintessential jet-set Euro starlet, Ursula Andress was born in the Swiss canton of Berne on March 19, 1936, one of six children in a strict German Protestant family. Although often seeming icily aloof, a restless streak early demonstrated itself in her personality, and she had an impetuous desire to explore the world outside Switzerland. (For instance, she was tracked down by Interpol for running away from boarding school at 17 years old.) The stunning young woman found work as an art model in Rome and did walk-on parts in three quickie Italian pictures before coming to Hollywood in 1955 and getting nowhere professionally; a four-month fling with rising star James Dean brought her good publicity but not much else. That same year, still just 19, she met and had an affair with fading matinée idol John Derek, who left his wife Pati Behrs and two kids for Ursula even though she spoke almost no English at the time. In 1957 they eloped to Las Vegas, and the new bride put her acting aspirations on hold for a few years thereafter.
1962 saw the relatively unknown Swiss beauty back on the set, playing opposite Sean Connery in the first movie version of Ian Fleming's fanciful "James Bond" espionage novels, Dr. No (1962). Andress' role as bikini-clad Honey Ryder was somewhat brief, and her Swiss/German accent so thick that her entire performance had to be dubbed by a voiceover artist. Nevertheless, her striking looks and smoldering screen presence made a strong impression on moviegoers, immediately establishing her as one of the most desired women in the world and as an ornament to put alongside some of the most bankable talent of the era, such as Elvis Presley in Fun in Acapulco (1963) and Dean Martin in 4 for Texas (1963). In 1965, she was one of several European starlets to co-star in What's New Pussycat (1965) -- a film that perhaps sums up mid-'60s pop culture better than any other -- written by Woody Allen, starring Allen and Peter Sellers, with music by Burt Bacharach, a title song performed by Tom Jones and much on-screen sexual romping.
Andress appeared in many more racy-for-their time movies in both the United States and Europe, including The 10th Victim (1965), in which she wore a famously ballistic bra, and The Blue Max (1966), where she was aptly cast as the sultry, insatiable wife of an aristocratic World War I German general. She was also featured in Casino Royale (1967), a satirical foray into the world of James Bond, and gave a sparkling performance in the T&A-filled crime caper Perfect Friday (1970). Roles as a prostitute kidnapped by outlaws in Red Sun (1971), a stewardess living on the edge in Loaded Guns (1975), and a bombshell nurse hired to titillate a doddering millionaire to death in The Sensuous Nurse (1975) all provided plenty of excuses to throw her clothes to the wind. In Slave of the Cannibal God (1978), she was notoriously stripped and slathered in orange paint by a pair of nubiles. Then she took on the sophisticated role of Louise de la Valliere, slinky, conspiratorial mistress of King Louis XIV (Beau Bridges) in The Fifth Musketeer (1979).
As for her personal life, Andress separated from Derek in 1964 and got divorced two years later, after falling in love with French superstar Jean-Paul Belmondo on the Malaysian set of Up to His Ears (1965). (Ron Ely, John Richardson and Marcello Mastroianni kept her company during the interim.) The relationship with Belmondo hit a wall in 1972, and she was next attached to her leading man from Stateline Motel (1973), Italian heartthrob Fabio Testi. When that didn't work out, Andress jumped into the dating pool, sporadically involved with a host of Lotharios including (but by no means limited to) Dennis Hopper, Franco Nero, John DeLorean and Ryan O'Neal. In 1979, she began what would be a long-term romance with Harry Hamlin, her handsome young co-star from Clash of the Titans (1981) (in which she was cast, predictably, as "Aphrodite"). While subsequently traveling in India, Andress' belly began to swell out of her clothing, and she felt very nauseous. What at first seemed a severe case of "Delhi Belly" turned out to be pregnancy, her first and only, at age 43. Hamlin encouraged her to have the baby, and on May 19, 1980, the international sex symbol gave birth to a boy named Dimitri Hamlin amid much hoopla.
After the birth of her son, Andress scaled back her career, which now focused on slight European productions, as she was raising Dimitri in Italy. This meant turning down a big-budget Mel Brooks film in lieu of Red Bells (1982) (starring old flame Nero). Occasional television stints on the soap opera Falcon Crest (1981) and critically lauded miniseries Peter the Great (1986) helped maintain her visibility as an actress. Dumped by Hamlin in 1983, she started seeing Fausto Fagone, a Sicilian student three decades her junior, in 1986. In 1991, she met a new man when things dwindled with Fagone -- karate master Jeff Speakman. Since the breakup of that relationship, her love life has gone undocumented. She last worked on a film in 2005. Apparently retired from acting, Ursula makes the rounds of charity events and pops up on foreign talk shows every now and then. She divides her time between family in Switzerland, friends in Virginia and Spain, and her properties in Rome and L.A.- Actor
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Anthony Andrews made his West End theater debut at the Apollo Theatre as one of twenty young schoolboys in Alan Bennett's "Forty Years On" with John Gielgud. He began his career at the Chichester Festival Theatre in the UK. His theater credits include spells with the New Shakespeare Company - "Romeo and Juliet" and "A Midsummer Night's Dream". The Royal National Theatre production of Stephen Poliakoff's "Coming in to Land" with Maggie Smith, directed by Peter Hall, the much-acclaimed Greenwich Theatre production of Robin Chapman's "One of Us" and, as "Pastor Manders", in Robin Phillips's highly acclaimed production of Henrik Ibsen's "Ghosts" at the Comedy Theatre in London, produced by Bill Kenwright.
Anthony's first television appearance was in A Beast with Two Backs (1968) by Dennis Potter, which was part of The Wednesday Play (1964) series. His first leading role in a series was as the title character in the BBC's The Fortunes of Nigel (1974) by Walter Scott. Subsequently, he distinguished himself in various television classics playing "Mercutio" in Romeo & Juliet (1978) and starred in three different plays in the "Play of the Month" (1976) series, including playing "Charles Harcourt" in "London Assurance". He also starred in Danger UXB (1979), in which he played bomb disposal hero "Brian Ash".
Most famously, he received worldwide recognition for his portrayal of the doomed "Sebastian Flyte" in Brideshead Revisited (1981) for which he won a BAFTA in the UK, the Golden Globe award in the USA and an Emmy nomination for Best Actor.
Anthony's since gone on to star in Jewels (1992), for which he received another Golden Globe nomination.
Most recently, Anthony has received tremendous acclaim for his outstanding portrayal of "Count Fosco" in "The Woman In White" at the Palace Theatre in London's West End.
As a producer, he co-produced Lost in Siberia (1991), which translates as "Lost in Siberia", filmed entirely in Russia, which received a Golden Globe nomination for Best Foreign Film and Haunted (1995), produced by his own production company, Double 'A' Films.- Actor
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American leading man of the 1940s and 1950s, Dana Andrews was born Carver Dana Andrews on New Years Day 1909 on a farmstead outside Collins, Covington County, Mississippi. One of thirteen children, including fellow actor Steve Forrest, he was a son of Annis (Speed) and Charles Forrest Andrews, a Baptist minister.
Andrews studied business administration at Sam Houston State Teachers College in Texas, but took a bookkeeping job with Gulf Oil in 1929, aged 20, prior to graduating. In 1931, he hitchhiked to California, hoping to get work as an actor. He drove a school bus, dug ditches, picked oranges, worked as a stock boy, and pumped gas while trying without luck to break into the movies. His employer at a Van Nuys gas station believed in him and agreed to invest in him, asking to be repaid if and when Andrews made it as an actor. Andrews studied opera and also entered the Pasadena Community Playhouse, the famed theatre company and drama school. He appeared in scores of plays there in the 1930s, becoming a favorite of the company. He played opposite future star Robert Preston in a play about composers Gilbert and Sullivan, and soon thereafter was offered a contract by Samuel Goldwyn.
It was two years before Goldwyn and 20th Century-Fox (to whom Goldwyn had sold half of Andrews' contract) put him in a film, but the roles, though secondary, were mostly in top-quality pictures such as The Westerner (1940) and The Ox-Bow Incident (1942). A starring role in the hit Laura (1944), followed by one in The Best Years of Our Lives (1946), made him a star, but no later film quite lived up to the quality of these. During his career, he had worked with with such directors as Otto Preminger, Fritz Lang, William Wyler, William A. Wellman, Jean Renoir, and Elia Kazan.
Andrews slipped into a steady stream of unremarkable films in which he gave sturdy performances, until age and other interests resulted in fewer appearances. In addition, his increasing alcoholism caused him to lose the confidence of some producers. Andrews took steps to curb his addiction and in his later years was an outspoken member of the National Council on Alcoholism, who decried public refusal to face the problem. He was probably the first actor to do a public service announcement about alcoholism (in 1972 for the U.S. Department of Transportation), and did public speaking tours. Andrews was one of the first to speak out against the degradation of the acting profession, particularly actresses doing nude scenes just to get a role.
Andrews was elected president of the Screen Actors Guild in 1963, serving until 1965. He retired from films in the 1960s and made, he said, more money from real estate than he ever did in movies. Yet he and his second wife, actress Mary Todd, lived quietly in a modest home in Studio City, California. Andrews suffered from Alzheimer's disease in his later years and spent his final days in a nursing facility. He died of congestive heart failure and pneumonia in 1992, aged 83.- Actress
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Susan Anton has been recognized as a multi-talented international star for more than 35 years in television, film, theater, and concert venues. She was nominated for a Golden Globe in her first film outing, Goldengirl (1979), and was soon thereafter signed by NBC to star in her own variety show, Presenting Susan Anton (1979). ABC later signed her to a development deal, where she starred in the hourly drama, Cliffhangers. She has appeared in hundreds of film and television projects over the years. Her Broadway credits include co-starring with the original Broadway cast of Tommy Tune's Tony Award-winning musical, "The Will Rogers Follies"; she also worked with director Mike Nichols in David Rabe's Pulitzer Prize-winning play, "Hurlyburly". She co-starred as "Velma Von Tussle" in the Las Vegas production of the Broadway musical, "Hairspray", opposite Harvey Fierstein, which was directed by Tony Award winner Jack O'Brien and choreographed by Tony Award winner Jerry Mitchell. She went on to reprise the role for three spectacular evenings at the Hollywood Bowl with an all-star cast, which was directed and choreographed by Jerry Mitchell. She co-starred in the national tour of the Broadway musical, "All Shook Up", directed by Christopher Ashley and choreographed by Sergio Trujillo. Susan starred for seven years in the The Great Radio City Music Hall Spectacular with the legendary The Radio City Rockettes, directed by the late Joe Layton. She also toured in the Neil Simon/Marvin Hamlisch production of "They're Playing Our Song" and then went on to co-star with Elizabeth Ashley in the national tour of "A Couple of White Chicks Sitting Around Talking". She has shared the stage with legendary entertainers Frank Sinatra, Sammy Davis Jr., Tom Jones, and many more. She toured with country super star Kenny Rogers and had a top 10 country hit with the song "Killing Time". Internationally, she had recording success and received a Gold record for her hit, "Foxy". Susan and her husband, director Jeff Lester have called Las Vegas home for more than 20 years. In 1997, they opened their production company, "Big Picture Studios". Under their banner, Susan executive-produced the award-winning The Last Real Cowboys (2000), starring Oscar winner Billy Bob Thornton, and also executive-produced the documentary, Speed of Life (2008), with Amy Purdy, the inspirational Sochi bronze medalist who was also runner up in last season's Dancing with the Stars (2005). Susan is a minority partner and celebrity brand ambassador in a new beverage company, Spa Girl Cocktails, slated to launch in late 2015.- Actress
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Eve Arden was born Eunice Mary Quedens in Mill Valley, California (near San Francisco), and was interested in show business from an early age. At 16, she made her stage debut after quitting school to join a stock company. After appearing in minor roles in two films under her real name, Eunice Quedens, she found that the stage offered her the same minor roles. By the mid 30s, one of these minor roles would attract notice as a comedy sketch in the stage play "Ziegfeld Follies".
By that time, she had changed her name to Eve Arden, which she adopted while looking over some cosmetics and spotting the names "Evening in Paris" and "Elizabeth Arden". In 1937, she garnered some attention with a small role in Oh, Doctor (1937), which led to her being cast in a minor role in the film Stage Door (1937). By the time the film was finished, her part had expanded into the wise-cracking, fast-talking friend to the lead. She would play virtually the character for most of her career.
While her sophisticated wise-cracking would never make her the lead, she would be a busy actress in dozens of movies over the next dozen years. In At the Circus (1939), she was the acrobatic Peerless Pauline opposite Groucho Marx and the Russian sharp shooter in the comedy The Doughgirls (1944). For her role as Ida in Mildred Pierce (1945), she received an Academy Award nomination. Famous for her quick ripostes, this led to work in Radio during the 1940s. In 1948, CBS Radio premiered "Our Miss Brooks", which would be the perfect show for her character. As her film career began to slow, CBS would take the popular radio show to television in 1952. The television series Our Miss Brooks (1952) would run through 1956 and led to the movie Our Miss Brooks (1956).
When the show ended, Arden tried another television series, The Eve Arden Show (1957), but it was soon canceled. In the 1960s, Arden raised a family and did a few guest roles, until her come-back television series The Mothers-In-Law (1967). This show, co-starring Kaye Ballard ran for two seasons. After that, she would make more unsold pilots, a couple of television movies and a few guest shots. She returned in occasional cameo appearances including as Principal McGee in Grease (1978), and Warden June in Pandemonium (1982).- Actor
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Adam Arkin was born on 19 August 1956 in Brooklyn, New York City, New York, USA. He is an actor and director, known for Get Shorty (2017), A Serious Man (2009) and Sons of Anarchy (2008).- Bess Armstrong was born on 11 December 1953 in Baltimore, Maryland, USA. She is an actress, known for Jaws 3-D (1983), My So-Called Life (1994) and The Four Seasons (1981). She has been married to John Fiedler since 12 April 1986. They have three children. She was previously married to Chris Carreras.
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Desi Arnaz Jr. has lived in Boulder City, Nevada, since 1986, where he owns the Historic Boulder Theatre and helps direct non-profit Boulder City Ballet Company (BCBC) with his wife, Amy Arnaz. Boulder Theatre was built in 1932 during the construction of Hoover Dam and operated as a movie theatre until it could no longer compete with the new, modern movie theaters in Las Vegas. When it closed, Desi purchased the theatre and converted it into a live theatre where BCBC performs and where Desi has produced many shows including: "Ricci, Desi & Billy" (a new version of Dino, Desi & Billy), "An Evening with Linda Purl", Torme' Sings Torme', "The Legacy of Laughter", "An Evening with Lucille Ball" (starring Suzanne LaRusch as Lucille Ball), Michael Johnson, "A Tribute to Dean Martin" (by Ricci Martin), "Dam Short Film Festival", "Chautauqua", "The Nutcracker", "Sleeping Beauty", "Swan Lake", annual children's dance recitals from Dance Etc. and many more shows. Haley Arnaz is his wife's child from her first marriage and Desi adopted her when they married in 1987. Desi also has an older daughter, Julia, who lives on the east coast. Recently, Desi has performed "Babalu" (a show dedicated to the music of his father) with his sister Lucie Arnaz in NYC, Miami and in Washington D.C. at the Library of Congress. Most recently, Desi & Lucie appeared at the Paley Center in Beverly Hills, discussing the music of I Love Lucy (1951) and performed two of their father's songs - "Old Straw Hat" & "Cuban Pete" - with the accompaniment of Ron Abel on the piano.- Actor
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Dark-haired, usually-mustachioed American actor with a cheeky grin, who achieved pop culture status through his portrayal of the kooky patriarch "Gomez Addams" in the hit TV series The Addams Family (1964), John Astin was born on March 30, 1930 in Baltimore, Maryland. He studied mathematics at Johns Hopkins University, but he discovered a passion for the theater and began to perform in minor plays and do voice-over work for commercials. He first got noticed thanks to a small role in West Side Story (1961), then appeared in several other films before being cast as "Gomez Addams". While "The Addams Family" was initially a huge hit, its popularity petered out after two years, and Astin moved on to other work including the offbeat Bunny O'Hare (1971), playing a grizzled but not- particularly-bright gunfighter in the Western spoof Evil Roy Slade (1972), an appearance in the Disney comedy Freaky Friday (1976) and dual roles in National Lampoon's European Vacation (1985).
He has since lent his comedic talents to numerous appearances as "Dr. Gangreen" in several corny "Killer Tomato" movies, and has contributed his voice to recreate "Gomez Addams" in the animated series The Addams Family (1992), then played "Grandpa Addams" in the successful TV series The New Addams Family (1998). In addition, Astin has contributed voices to several animated shows, and he still appears in films regularly.- Actor
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Another in the long line of dramatically handsome foreign imports who made an immediate impact on WWII Hollywood was debonair French actor Jean-Pierre Aumont. The epitome of grace and sophistication, the stylish leading man went on to have a long and respected career on stage, film and TV, both here and abroad.
Aumont was born Jean-Pierre Philippe Salomons on January 5, 1911 (some sources list 1909) in Paris, France, to Suzanne (Cahen), an actress, and Alexandre Abraham Salomons, a well-to-do department store executive. His brother, François Villiers (né Francois Salomons), went on to become a film writer/director. His father was a Dutch Jew and his mother was from a French Jewish family; he was of both Ashkenazi and Sephardi ancestry. Jean-Pierre was transferred from various prep schools before enrolling at the Paris Conservatory of Dramatic Art at the age of 16. Run by the renowned Louis Jouvet, young Aumont's first two film roles were prime roles in Jean de la Lune (1931) and Échec et mat (1931). He then went on to appear strongly in a number of Gallic films. He also made an impressive theater debut playing the role of Oedipus in Jean Cocteau's "La Machine Infernale" at the Comedie Champs-Elysees in 1934, which set up a long and lucrative tenure on the stage. Splitting his time between live performances and film-making opposite such lovelies as Simone Simon, Danielle Darrieux and Annabella), Aumont served with the French Third Mechanized Division for nearly a year (1939-1940) and earned a medal of distinction for his valour (Croix de Guerre). Two of his finest screen roles came just prior to this: 'Marcel Carne''s farcical comedy Bizarre, Bizarre (1937) starring mentor Louis Jouvet, and the romantic drama Hotel du Nord (1938) opposite the lovely Annabella and co-starring Jouvet again.
Aumont arrived in America barely speaking English in 1942 and only a few days later was "discovered" by stage legend Katharine Cornell, making his American debut in her production of "Rose Burke". During the play's Los Angeles engagement, he was signed by MGM for films and made a noticeable debut as Captain Pierre Matard in the espionage war picture Assignment in Brittany (1943) co-starring the tragic Susan Peters. Classily promoted as an up-and-coming Jean Gabin, the lithe, handsome, blue-eyed blond captured the admiration of the American public with his Charles Boyer-like charm and charisma. His second American film was the equally successful The Cross of Lorraine (1943), a dramatic Stalag 17-like story of French POW's held in a German war camp.
The lovely Technicolor siren Maria Montez, known for her popular (and campy) WWII escapism films at Universal, quickly caught his eye and the couple married in 1943 after only a three-month courtship. An earlier marriage to French's Blanche Montel had ended in divorce in 1940, well before his arrival in America. Aumont again interrupted his burgeoning acting career by serving with the Free French forces in North Africa and was again awarded a medal (Legion of Honor) for his bravery. He was twice wounded during his active years of service.
The French actor returned to Hollywood films after the war co-starring with Ginger Rogers in the comedy Heartbeat (1946) and appearing as composer Nikolai Rimsky-Korsakov in Universal's Song of Scheherazade (1947). The reception to both were lukewarm and Aumont decided to return to France with his wife (whose career was now in decline), and his daughter (who was born in 1946 and grew up to become the actress Tina Aumont). Seeking to rediscover his earlier glory in European films and the theatre, he also began writing plays. Now and then he would return to the American soil and appeared on Broadway in 1949 with his work "Figure of a Girl," which was retitled "My Name Is Aquilon" by the time it arrived on the Great White Way. While it co-starred the embraceable Lilli Palmer, who was also making her Broadway debut, the play itself was not as embraced.
On the international film scene, Aumont appeared with wife Maria in such uninspired offerings as the United Artist escapist fare Siren of Atlantis (1949), the French crime drama Wicked City (1949) [Wicked City] and the Italian adventure La vendetta del corsaro (1951)_ [The Revenge of the Pirates], the last-mentioned proving to be the last for the fetching Ms. Montez. The 39-year-old star tragically drowned in September of 1951 after her hot mineral salt bath triggered a heart seizure.
After a period of grieving, Aumont continued transcontinentally, but rather unspectacularly, with acting parts that seemed hardly challenging. He cavorted with Paulette Goddard in the mediocre action adventure Charge of the Lancers (1954); appeared among an international cast in the spectacle Napoleon (1955); co-starred rather stiffly opposite Jean Simmons in the glossy "sudspenser" Hilda Crane (1956); was overshadowed by Eleanor Parker, who paled next to Garbo in the remake of Garbo's "The Painted Veil" entitled The Seventh Sin (1957); and, played a cameo as the doomed Louis XVI in the US-based John Paul Jones (1959) co-starring wife Marisa. On a more positive note, he, Mel Ferrer and the ever-enchanting Leslie Caron were wonderful in MGM's touching musical Lili (1953). Aumont also fared much better in his 1950s televised appearances of classic works, notably "Arms and the Man" and "Crime and Punishment".
Following a torrid 1955 romance with Grace Kelly (whom, as we all know, went on to marry her Prince), the actor met and married lovely Italian actress Marisa Pavan, the sister of the late Pier Angeli, in 1956, and had two sons, Jean-Claude and Patrick, by her. Troubled by his erratic output and the uneventful film roles offered, which included those in The Enemy General (1960), The Devil at 4 O'Clock (1961) and Five Miles to Midnight (1962) [Five Miles to Midnight], Aumont wisely refocused on the theatre and his playwriting skills. Stage performances included "The Heavenly Twins" and "A Second String" (both on Broadway), the title role in "The Affairs of Anatol", "Murderous Angels" and appearances in the musicals "Tovarich" with Vivien Leigh (on Broadway), "Jacques Brel Is Alive and Well and Living in Paris," "South Pacific" (as the debonair Emile DeBecque), and "Gigi" with wife Marisa. The couple also went on to form a warmly-received nightclub act in New York.
For the remainder of his career, Aumont remained the ever-charming and worldly continental, vacillating between the stage ("Camino Real," "Private Lives," "The Sound of Music" and "Tiger at the Gates"); international films (Castle Keep (1969), Catherine & Co. (1975), Mahogany (1975), Nana (1983), Sweet Country (1987), Becoming Colette (1991) and a pair of Merchant/Ivory films Jefferson in Paris (1995) and The Proprietor (1996)): and classy TV fare (The Memory of Eva Ryker (1980), Melba (1988), A Tale of Two Cities (1989)). Some of the actor's finest movie roles in years occurred in the 1970s with the excellent Day for Night (1973) [Day for Night] and Cat and Mouse (1975) [Cat and Mouse].
The distinguished actor/playwright went awardless throughout his cinematic career but this glaring oversight was finally rectified in the form of the cross of Commandeur des Arts et des Lettres in 1991 and an honorary César Award in 1992. He died in his native country of a heart attack a few weeks after his 90th birthday in 2001.- Actor
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One of a spate of teen idols to come out of Philadelphia in the 1950s and 1960s, Frankie Avalon--unlike many of the others--actually had a musical background, having been taught to play the trumpet at a very young age by his father. As a youth Avalon performed in local clubs and theaters. He won a local TV talent contest playing a trumpet solo. In 1951, at age 12, he was in a band called Rocco and the Saints, which included another soon-to-be famous teen singer, Bobby Rydell. In 1952 he was performing at a private party held for singer Al Martino. A talent scout who was also at the party was impressed enough by Avalon to get him an appearance on Jackie Gleason's TV show, which led to more television appearances. In 1954 he made two singles for "X" Records, an RCA Victor subsidiary. Both were instrumentals featuring Avalon playing his trumpet: "Trumpet Sorrento" and ""Trumpet Tarantella." He eventually landed a recording contract with Philadelphia's Chancellor Records, and he recorded "Cupid" and "Teacher's Pet". These records got him his first movie role, a small part in Jamboree! (1957) designed to promote "Teacher's Pet." His next record was "DeDe Dinah", a song written by his managers (and one for which he had so little respect that he pinched his nose while recording it, resulting in its extremely nasal sound). After an appearance on Dick Clark's teen dance show American Bandstand (1952), sales of the record zoomed and it eventually sold more than a million copies. In 1959, after two more big hits ("Ginger Bread" and "I'll Wait for You") he recorded the song he is probably best known for, the million-selling "Venus." However, as 1960 rolled around his career began to wane and his record sales dropped precipitously. He soon began taking small parts in movies, most notably in John Wayne's The Alamo (1960). He began to get somewhat bigger parts and had his first starring role in Drums of Africa (1963). His movie career really took off, however, when he was paired with former Mousketeer Annette Funicello in Beach Party (1963) and its string of sequels. These films, with their combination of surfing, low comedy, dancing and "beach bunnies" in bikinis, struck a nerve with teenage audiences, were produced for peanuts and made a fortune. Avalon still recorded songs for Chancellor and other labels, but now he was far better known among younger audiences for his movies than for his records. In 1985 he began touring with fellow teen idols Rydell and Fabian in an oldies show called "The Golden Boys of Bandstand," which was a rousing success. In 1987 he and Funicello were reunited in Back to the Beach (1987), an homage to, and parody of, their earlier "beach" movies. Avalon still makes personal appearances and tours, many with and for his old friend and mentor Dick Clark.- Actor
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Lew Ayres was born in Minneapolis, Minnesota and raised in San Diego, California. A college dropout, he was found by a talent scout in the Coconut Grove nightclub in Los Angeles and entered Hollywood as a bit player. He was leading man to Greta Garbo in The Kiss (1929), but it was the role of Paul Baumer in All Quiet on the Western Front (1930) that was his big break. He was profoundly affected by the anti-war message of that film, and when, in 1942, the popular star of Young Dr. Kildare (1938) and subsequent Dr. Kildare films was drafted, he was a conscientious objector. America was outraged, and theaters vowed never to show his films again, but quietly he achieved the Medical Corps status he had requested, serving as a medic under fire in the South Pacific and as a chaplain's aid in New Guinea and the Phillipines. His return to film after the war was undistinguished until Johnny Belinda (1948) - his role as the sympathetic physician treating the deaf-mute Jane Wyman won him an Academy Award nomination as Best Actor. Subsequent movie roles were scarce; an opportunity to play Dr. Kildare in television was aborted when the network refused to honor his request for no cigarette sponsorship. He continued to act, but in the 1970s put his long experience into a project to bring to the west the philosophy of the East - the resulting film, Altars of the World (1976), while not a box-office success, won critical acclaim and a Golden Globe Award. Lew Ayres died in Los Angeles, California on December 30, 1996, just two days after his 88th birthday.- Actress
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Catherine Bach is an American actress. She is known for playing Daisy Duke in the television series The Dukes of Hazzard and Margo Dutton in African Skies. In 2012, she joined the cast of the CBS soap opera The Young and the Restless as Anita Lawson.- Actor
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Jim Backus was born James Gilmore Backus on February 25, 1913 in Cleveland, Ohio. He was one of the few actors to do it all: radio, Broadway, movies, television and cartoons. After attending preparatory school in his hometown Cleveland, Backus enrolled at the American Academy of Dramatic Art, to ply his trade. While waiting for parts, he did radio and became friends with such future notables as Garson Kanin and Keenan Wynn. Backus stuck it out and soon was doing motion pictures in addition to radio. He was typecast in roles as "rich types" but broke the mold when he portrayed James Dean's father in the classic Rebel Without a Cause (1955). With his career in full swing, Backus also tackled two roles that he would be best known for, Mr. Magoo in cartoons and Thurston Howell III in Gilligan's Island (1964). After the series' run ended, he continued doing guest spots on television and movies, before passing away on July 3, 1989.- Actress
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A brash character actress who specialized in cinema, television, and theater, Hermione Youlanda Ruby Clinton-Baddeley was born on November 13, 1906 in Broseley, Shropshire. She was the youngest of four sisters - including Angela Baddeley, also an actress - and her half-brother, Very Rev William Baddeley, was a Church of England Minister.
Not much is known about Baddeley's early life. She made her stage debut in 1918, and became popular in London stage comedies and revues prior to World War II, known for her dancing talent and natural comic ability. She memorably performed several times with Hermione Gingold. Baddeley made her film debut in 1927, with a role in the extremely obscure silent comedy A Daughter in Revolt (1927), but didn't come to attention until twenty years later, when she portrayed the affable but blowzy Ida in the film noir Brighton Rock (1948).
Known for her memorable character roles, Baddeley dabbled in such movies as Passport to Pimlico (1949), A Christmas Carol (1951), Tom Brown's Schooldays (1951), The Pickwick Papers (1952), The Belles of St. Trinian's (1954), Mary Poppins (1964), and The Unsinkable Molly Brown (1964). She was nominated for the Academy Award for Best Supporting Actress for her acid-tongued performance in Room at the Top (1958). At two minutes and thirty-two seconds, it is the shortest performance to ever be nominated for the award.
Baddeley became a household favorite for her role as irritable cockney housekeeper Mrs. Naugatuck on the '70s comedy series Maude (1972). She landed guest spots on multiple other shows, including but not limited to Hancock's Half Hour (1956), The Patty Duke Show (1963), Bewitched (1964), Night Gallery (1969), The Bionic Woman (1976), The Love Boat (1977), Charlie's Angels (1976), Wonder Woman (1975), Fantasy Island (1977), and Magnum, P.I. (1980).
Baddeley's two marriages failed, and she had a daughter, Pauline Tennant, from her first. She was in a long-term relationship with actor Laurence Harvey until he left her for Margaret Leighton, and died on August 19, 1986 at the age of 79 following a series of strokes.- Actress
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Her father Joseph was a minister and her mother was named Ella Mae. Her birth name was Pearly Mae but her parents anticipated she would be a boy and when a girl was born she was nicknamed "Dickie". Her brother was entertainer Bill Bailey (1912-1978). She spent her early life in Washington DC where she received her early education. Bailey frequently appeared in the Old Howard theater in downtown Washington. As a young woman she toured the Pennsylvania mining towns as a dancer and later as a singer in Vaudeville. She starred in the film St. Louis Blues opposite Nat King Cole, which was the biography of W.C. Handy. Her greatest theater role was in the Broadway musical "Hello Dolly".- Actor
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Usually sized up as an erudite gent, advice-spouting father or uptight, pompous neighbor, the acting talents of Conrad Bain were best utilized on stage and on TV. Born in Lethbridge, Alberta, on February 4, 1923, Conrad Stafford Bain was a twin son (the other was named Bonar) born to Stafford Harrison Bain, a wholesaler, and Jean Agnes (née Young). He enjoyed Canadian sports growing up (ice hockey, speed skating), but picked up an interest in acting while in high school.
Electing to train at Alberta's Banff School of Fine Arts after graduating, he met Monica Marjorie Sloan, an artist, while there. His acting pursuit was interrupted by WWII when he subsequently joined the Canadian army. Picking up here he left off following his discharge, he studied at New York's American Academy of Dramatic Arts. He also married Ms. Sloan in 1945 and became a naturalized U.S. citizen the following year. The couple went on to have three children -- Jennifer, Mark and Kent.
Making his stage debut in a Connecticut production of "Dear Ruth" in 1947, Bain also appeared in "Jack and the Beanstalk" and a tour of "The Barretts of Wimpole Street" before making his off-Broadway debut in a 1956 Circle-in-the-Square revival of Eugene O'Neill's "The Iceman Cometh," a production that made a star out of Jason Robards. Following an inauspicious Broadway bow in "Sixth Finger in a Five Finger Glove", which closed after only one day, he joined the Stratford (Ontario) Shakespeare Festival for their 1958 season, appearing in "A Winter's Tale," "Much Ado About Nothing" and "Henry IV, Part I."
Fair in complexion and exceedingly genial in demeanor, the wry and witty blond actor graduated into other Broadway work, particularly drama, with strong roles in "Candide," "Advise and Consent," "An Enemy of the People," "Twigs" and "Uncle Vanya." He also built up his regional and repertory credits during the early 1960s with parts in "King Lear," "The Firebugs," "Death of a Salesman" and "The Shadow of Heroes" at Seattle Rep. Later in the decade he began to focus more intently on TV, usually playing cerebral, white-collar types (district attorneys, stock brokers, doctors, politicos).
Bain eventually found an "in" with daytime drama, which included a recurring role on Dark Shadows (1966) (as an innkeeper), and a part on The Edge of Night (1956) in 1970. He broke completely away, however, from his trademark dramatics when the 49-year-old actor was "discovered" for prime-time TV by Norman Lear and offered a supporting role opposite Bea Arthur and Bill Macy in Norman Lear's landmark, liberally-sliced comedy series Maude (1972), a spin-off of Lear's equally landmark All in the Family (1971) sitcom. Conrad was cast as Rue McClanahan's stuffy, conservative doctor/husband, Arthur Harmon, who usually was at political odds with free-wheeling feminist Maude Finlay.
The role moved Bain into the prime TV comedy character ranks. Following the show's lengthy run (1972-1978), he was given the green light by Lear to move into his own comedy series with Diff'rent Strokes (1978) as the wealthy father of a girl and adoptive father of two African-American children. While young Gary Coleman, the compact, precocious, mouthy dynamo, may have stolen the show, the good-humored Bain remained a strong center and voice of reason until the show's demise in 1986. Three was not a charm when Bain went into a third new comedy series, Mr. President (1987), with Conrad as a loyal aide-de-camp to "President" George C. Scott. The show, created not by Lear but by Johnny Carson, lasted only 24 episodes.
During and after his lengthy 70s and 80s TV success, Conrad would continue to return to his first love, the stage, in such productions as "Uncle Vanya," "The Owl and the Pussycat," "On Golden Pond," "The Dining Room" and "On Borrowed Time", the last being a 1992 return to Broadway after nearly two decades. Films, on the other hand, were a non-issue at this point. Earlier minor turns included Clint Eastwood's Coogan's Bluff (1968), Gene Hackman's I Never Sang for My Father (1970), Woody Allen's Bananas (1971), Sean Connery's The Anderson Tapes (1971) and Barbra Streisand's Up the Sandbox (1972). His last stop in films was an engaging part as a befuddled grandpa opposite the perennially crusty Mary Wickes in Postcards from the Edge (1990) starring Meryl Streep and Shirley MacLaine. One of Bain's last on-camera appearances was recreating his Phillip Drummond role from Diff'rent Strokes (1978) on a 1996 episode of "The Fresh Prince of Bel-Air".
Other than a stage role in "Ancestral Voices" in 2000, Conrad turned for a time to screen-writing but later comfortably retired to the Brentwood area of Los Angeles. Moving to a Livermore California retirement home in 2008, wife Monica died a year later. Bain passed away there quietly of natural causes on January 14, 2013, less than a month short of his 90th birthday. His twin brother Bonar died in 2005.- Jimmy Baio was born on 15 March 1962 in Brooklyn, New York, USA. He is an actor, known for Soap (1977), Joe and Sons (1975) and Matt Houston (1982).
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Scott Vincent James Baio was born on September 22, 1960 in Brooklyn, New York. He was the third child of Mario and Rose Baio, who had emigrated from Italy. At the young age of nine, Scott decided that he wanted to be an actor. Soon after, his parents took him on interviews and he was able to land in small roles in commercials. His first real taste of success occurred in 1976 when he beat out 2,000 other child actors for the starring role in the child gangster film Bugsy Malone (1976). The following year, Scott's popularity soared after he was chosen for the role of Chachi Arcola, The Fonz's cousin, on the ABC sitcom Happy Days (1974). Soon after, Scott's parents moved him to Hollywood to help him keep up with the demands of his acting career. Throughout his stint on Happy Days (1974) from 1977 to 1984, Scott still managed to appear in several films, including Skatetown U.S.A. (1979), Foxes (1980) and Zapped! (1982) and even starred in three other short-lived sitcoms (Blansky's Beauties (1977), Who's Watching the Kids (1978), and the "Happy Days" spin-off Joanie Loves Chachi (1982)). This exposure helped him become a major teen idol in the early 1980s.
After Happy Days (1974) went off the air in 1984, Scott moved to CBS where he was given the starring role on the sitcom Charles in Charge (1984). He played a college student who was hired to watch over three children. After one season on CBS, the series was retooled and moved to first-run syndication where it ran successfully from 1987 to 1990. Since Charles in Charge (1984) ended, Scott has been able to stay busy, albeit with a relatively lower profile. He has had starring roles on Baby Talk (1991) and Diagnosis Murder (1993) and guest starring roles on Veronica's Closet (1997) and Arrested Development (2003). He has even tried his hand behind the camera, directing episodes of The Wayans Bros. (1995) and Unhappily Ever After (1995).
Offscreen, Scott has made a few headlines as well. In 1997, he was rumored to have died in a car accident, but this was quickly declared as false. He has gained a reputation for dating several high-profile (mostly blonde) actresses, most notably Pamela Anderson, Heather Locklear and former co-star Nicole Eggert. In 2007, VH1 played this reputation into a reality series called Scott Baio Is 45... And Single (2007). On the show, he meets with a life coach to try and find reasons why he is still single. In order to accomplish this, he must revisit his ex-girlfriends (including Erin Moran and Julie McCullough) to find out what went right and what went wrong in the relationships. Follwing the completion of the first season, he announced that his girlfriend, Renee Baio, was pregnant with his first child. On November 2, 2007, she gave birth to a baby girl, Bailey Deluca.- Actress
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Adrienne Jo Barbeau is an American actress and author best known for her roles on the sitcom Maude (1972) and in horror films, especially those directed by John Carpenter, with whom she was once married. She was born on June 11, 1945 in Sacramento, California, the daughter of an executive for Mobil Oil Company. Early on in her career, she starred in Someone's Watching Me! (1978), The Fog (1980) and Escape from New York (1981), all John Carpenter-related projects. She has collaborated with George A. Romero on occasion, such as Stephen King's anthology Creepshow (1982) and Two Evil Eyes (1990). Her work with other horror directors includes Wes Craven's superhero monster movie Swamp Thing (1982). During the 1990s, she became best known for providing the voice of Catwoman on Batman: The Animated Series (1992). She was the original tough-girl Betty Rizzo in the first Broadway production of "Grease". She is the author of the memoir "There Are Worse Things I Can Do" (2006), and the comedy romance vampire novels "Vampyres of Hollywood" (2008), "Love Bites" (2010) and "Make Me Dead" (2015).- Actress
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Though probably not to her liking, actress Priscilla Barnes is best known for her bittersweet replacement of TV goddess Suzanne Somers during the tension-riddled times of the popular ABC slapstick comedy series, Three's Company (1976) -- bittersweet in that although the lovely, stringy-framed blonde did become a TV name as a result, she had to endure the anguish of stepping into the shoes of an enormously popular star whose determination to be paid wages equal to her male co-star had her unceremoniously dumped from the show when contractual negotiations went awry. It was not the happiest of times for Priscilla yet she managed to pull the whole thing off as nurse "Terri Alden", the pretty roommate and (along with co-star Joyce DeWitt), the other female foil to John Ritter's outrageous shenanigans.
Priscilla chose to be her own person and allowed her character a bit more substance and intelligence than Somers' jiggly ding-a-ling "Chrissy Snow". If nothing else, the new girl on the block added a much-needed stability to an already emotionally wrought set and was accepted by the show's fans for a final three seasons. She and DeWitt developed a fast friendship, which lasted long after the show's demise. Interestingly, Priscilla had been previously turned down for the vapid "Cindy Snow" character (played by Jenilee Harrison) because she was perceived as "too old" for the role.
Priscilla was born in Fort Dix, New Jersey, the daughter of an Air Force commander. An average student in school, the leggy beauty with the prominent cheekbones and intriguing slash of a mouth originally planned to become a dancer and joined a preteen group called the "The Vivacious Vixens", but a severe accident while performing on the Hollywood Bowl stage (she broke her leg and fractured her jaw) ended such dreams.
During her formative years, she earned some attention as a beauty pageant contender ("Miss Hollywood", "Miss San Bernardino", "Miss California" (runner-up)) while paying her dues waitressing. A chance acquaintance with Peter Falk, who saw promise in the girl who countered her fresh-faced beauty with a self-deprecating wit, led to a bit part on one of his Columbo (1971) episodes, A Deadly State of Mind (1975), in 1976, and the start of her professional career. The parts she nabbed typically accentuated her physical assets. A former Penthouse Pet for March 1976 (using the alias "Joann Witty"), Priscilla paid her dues via a series of unmemorable projects, including the films Texas Detour (1978), Delta Fox (1979) and The Seniors (1978) plus the short-lived TV series, The American Girls (1978), in which she played a smart-styled, traveling reporter. Handed a somewhat better supporting role in the Gene Wilder sequence of the four-part film, Sunday Lovers (1980), she gathered more experience on such shows as Cannon (1971), Starsky and Hutch (1975), The Incredible Hulk (1978), The Rockford Files (1974), Kojak (1973), Taxi (1978) and The Love Boat (1977), before becoming a vital part of Three's Company (1976)'s 1981 cast.
Barnes continued with the popular show in spite of her frustrations with producers and her dread of being typecast in innocuous comedy. Since then, she has maintained in a Hollywood that doesn't cater to women of "maturing" age, especially former TV stars. On TV, she added a feisty glamour to the series Dark Justice (1991), Viper (1994), Murder, She Wrote (1984) and other The Love Boat (1977) episodes. More often, however, she has shown up in low-budget films. She has certainly taken on more than her fair share of horror projects, including Stepfather 3 (1992), and Witch Academy (1995) in which some of her characters have met grisly ends. One film highlight was her featured role, not as a Bond girl but as the bride of a CIA agent (David Hedison), who is shot to death on her wedding day, in the Timothy Dalton "007" film, Licence to Kill (1989). She also enjoyed a role as a quirky fortune teller in Mallrats (1995).
Active on the theater scene over the years with credits such as "Born Yesterday", "Vanities", "Bus Stop" and "A Streetcar Named Desire" under her belt, she recently played Hillary Clinton in the 2007 black comedy, "Hillary Agonistes", in New York.
Maintaining an active career into the millennium, independent film credits including several horror yarns including The Backlot Murders (2002), Unseen Evil 2 (2004) co-starring Lorenzo Lamas, The Devil's Rejects (2005), Trailer Park of Terror (2008), Ed Gein: The Butcher of Plainfield (2007) and Thr3e (2006); as well as the action film Final Payback (2001); the sci-fi drama Disaster Wars: Earthquake vs. Tsunami (2013); the eerie mystery Helen Alone (2014) and the comedy crime film Jonny's Sweet Revenge (2015). She has been married to actor Ted Monte since 2003.- Actor
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With effortless class and elegant charm Gene Barry took '50s and '60s TV by storm, after a rather lackluster start on the musical stage and in films. Born Eugene Klass in New York City on June 14, 1919, to Martin (an amateur violinist), and Eva (an amateur singer), he showed a gift at an early age as a violin virtuoso, obviously inherited from his father. After attending various public schools, he graduated Valedictorian from New Utrecht High School in Brooklyn, New York.
Possessing an impressive baritone voice, he concentrated on singing after breaking his arm playing football in school ended any thoughts of a symphonic career. At age 17 he earned a singing scholarship awarded by David Sarnoff (the head of RCA at the time), to the Chatham Square School of Music, and studied there for two years. In the meantime Gene found work in nightclubs, choirs, fairs and emceeing variety shows, and briefly appeared on the vaudeville stage and on radio, winning a prize on Arthur Godfrey's "Talent Scouts" program.
The young actor made it to Broadway in 1942 with the musical "New Moon", and went on to appear in the 1944 Mae West vehicle "Catherine Was Great", where he met and subsequently married chorus girl Betty Barry, whose stage name was Julie Carson at the time. For the rest of the decade, Gene appeared in a random selection of plays and musicals, which did little to elevate his Broadway standing. Hollywood finally beckoned in the 1950's, after gaining some notice on the program "Hollywood Screen Test", and Paramount signed him to a contract.
Gene had stoic co-starring roles in such dramatic "B" films as The Atomic City (1952) (his debut movie), Those Redheads from Seattle (1953), and Alaska Seas (1954), none of which capitalized on his singing ability. The one movie in which he did sing, Red Garters (1954), did not fare well with the public. His most recognizable role during this period was as Dr. Clayton Forrester, a scientist who finds himself in the midst of a Martian invasion in the cult science-fiction classic The War of the Worlds (1953).
Television became his preferred medium after being offered the title role in Bat Masterson (1958), and he quickly established a very successful niche as a suave, dapper gentleman in this and other TV productions. Despite the elegant, globe-trotting typecast that befell him, his other TV characters proved just as well-received: jet-setting detective Amos Burke in Burke's Law (1963), for which he won a Golden Globe, and the impeccably dressed publishing tycoon Glenn Howard in The Name of the Game (1968). Gene revisited the stage and cabaret venues in the 1970's when his on-camera career hit a lull, appearing frequently with his wife as his leading lady.
The singer/actor made a triumphant return to Broadway in 1983, starring as a wealthy gay socialite in the musical version of the popular French film La Cage aux Folles (1978), earning him a Tony nomination - but he lost the award to his more flamboyant co-star George Hearn. After a year on Broadway, he joined the road company in San Francisco, and played Los Angeles for a lengthy run. Other musicals included "On a Clear Day You Can See Forever", "Watergate: The Musical" (as Nixon), "Fiddler on the Roof" (with his wife) and "No, No, Nanette". Gene also appeared in his one-man cabaret show entitled "Gene Barry in One" from time to time.
In later years he made only occasional TV and stage appearances (bringing back his famous characters Bat Masterson and Amos Burke, much to the enjoyment of his fans), preferring to indulge in his favorite hobby - painting. He made a very brief return to feature films, sharing a cameo scene with one-time co-star Ann Robinson in Steven Spielberg's epic remake of The War of the Worlds (2005), with both of them playing the Tom Cruise character's mother and father in-law.
Gene was a political activist, a passion he shared with his wife Betty, who died in 2003 after an almost 60 year marriage. The couple had two sons of their own, and later in life they adopted a daughter. Gene passed away on December 9, 2009 at the age of 90.- Jean Bartel was born on 26 October 1923 in Los Angeles, California, USA. She was an actress, known for Sanctuary (1961), The Oscar (1966) and The Red Skelton Hour (1951). She was married to William J. Hogue. She died on 6 March 2011 in Brentwood, California, USA.
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Billy Barty was born William John Bertanzetti on October 25, 1924 in Millsboro, Pennsylvania. He began performing at age three and began making pictures in 1927. He played Mickey Rooney's little brother in the "Mickey McGuire" comedy shorts series. He was equally adept in both comedy and drama, and generally gives an added zest to any production he is associated with. He founded the Little People of America in 1957 and the Billy Barty Foundation in 1975. He possessed an immense talent and energetic charm that added a much needed shot in the arm to many series and films. Billy Barty died at age 76 of heart failure on December 23, 2000 in Glendale, California.- Actor
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Despite many a powerful performance, this actor's actor never quite achieved the stardom he deserved. Ultimately, Richard Basehart became best-known to television audiences as Admiral Harriman Nelson, commander of the glass-nosed nuclear submarine 'S.S.R.N Seaview' in Irwin Allen's Voyage to the Bottom of the Sea (1964), shown on ABC from 1964 to 1968. Basehart's distinctively deep, resonant voice also provided narrations in feature films, TV mini-series and for documentaries.
Born in Zanesville, Ohio, on August 14 1914, Basehart was one of four siblings born to a struggling and soon-to-be widowed editor of a local newspaper. Upon leaving college, he worked briefly as a radio announcer and then attempted to follow in his father's journalistic footsteps as a reporter. Controversy over one of his stories led to his departure from the paper and cleared the path to pursue acting as a career. In 1932, Basehart made his theatrical bow with the Wright Players Stock Company in his home town and subsequently spent five years playing varied and interesting roles at the Hedgerow Theatre in Philadelphia. From 1938, he began to work in New York on and off-Broadway. Seven years later he received the New York Drama Critics Circle Best Newcomer Award for "The Hasty Heart", a drama by John Patrick, in which Basehart played a dying Scottish soldier. In 1945, he received his first film offers. When he heard director Bretaigne Windust was seeking an authentic Scot for the lead role in The Hasty Heart, Basehart not only effected an authentic enough burr to win the part, but won also the 1945 New York Critic's Award as the most promising actor of the year. His accent was so good that a visiting leader of a Scottish clan told the actor he knew his clan.
Basehart made his debut on the big screen with Repeat Performance (1947) at Eagle-Lion, a minor film noir with Joan Leslie, followed at Warner Brothers with the Gothic Barbara Stanwyck thriller Cry Wolf (1947). His third picture finally got him critical plaudits for playing a sociopathic killer, relentlessly hunted through drainage tunnels in He Walked by Night (1948), a procedural police drama shot in a semi-documentary style. Variety gave a positive review, commenting "With this role, Basehart establishes himself as one of Hollywood's most talented finds in recent years. He heavily overshadows the rest of the cast..."
It was the first of many charismatic performances in which Basehart would excel at tormented or introverted characters, portraying angst, foreboding or mental anguish. His gallery of characters came to include the notorious Robespierre, chief architect of the Reign of Terror (1949), set during the French Revolution. He was one of the feuding Hatfields in Roseanna McCoy (1949) and in Fourteen Hours (1951) (based on a real 1938 Manhattan suicide) had a tour de force turn as a man perched on the high ledge of an office building threatening to jump. For much of the film's duration, the camera was firmly focused on the actor's face. Basehart later recalled "It was an actor's dream, in which I hogged the camera lens, and the role called on me to act mostly with my eyes, lips and face muscles". The New York Times reviewer Bosley Crowther called his performance 'startling and poignant'.
Eschewing conventional movie stardom, Basehart meticulously selected and varied his roles, avoiding, as he put it, "stereotyping at the expense of not amassing an impressive bank account.'' In the wake of the sudden death of his first wife, Basehart left the U.S. for Italy. In March 1951, he got married a second time (to the actress Valentina Cortese) and appeared in a succession of European movies, playing the ill-fated clown Il Matto in Federico Fellini's classic The Road (1954); against type, essayed a swashbuckling nobleman reclaiming his titles and estate in Cartouche (1955), and (again for Fellini), played a member of a gang of grifters in The Swindle (1955). He was also ideally cast as the mild-mannered Ishmael in John Huston's excellent version of Moby Dick (1956) and as Ivan, one of The Brothers Karamazov (1958).
By 1960, Basehart's second marriage had ended in divorce and the actor returned to America where he found movie opportunities few and far between. The small screen to some extent reinvigorated his career with numerous series guest appearances and his lengthy stint in the popular Voyage to the Bottom of the Sea. He also received critical praise for his role as Henry Wirtz, commandant of the Confederacy's most infamous prison camp, in the Emmy and Peabody Award-winning television drama The Andersonville Trial (1970).
Not only an active human rights campaigner, Basehart was also strongly opposed to the experimental use of animals. With his third wife Diana Lotery he set up the animal welfare charity, Actors and Others for Animals, in 1971. He died after suffering a series of strokes in Los Angeles on September 17 1984 at the age of 70.- Actress
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Multi-talented, multi-award-winning actress Kathleen (Doyle) Bates was born on June 28, 1948, and raised in Memphis, Tennessee. She is the youngest of three girls born to Bertye Kathleen (Talbot), a homemaker, and Langdon Doyle Bates, a mechanical engineer. Her grandfather was author Finis L. Bates. Kathy has English, as well as Irish, Scottish, and German, ancestry, and one of her ancestors, an Irish emigrant to New Orleans, once served as President Andrew Jackson's doctor.
Kathy discovered acting appearing in high school plays and studied drama at Southern Methodist University, graduating in 1969. With her mind firmly set, she moved to New York City in 1970 and paid her dues by working everything from a cash register to taking lunch orders. Things started moving quickly up the ladder after giving a tour-de-force performance alongside Christopher Walken at Buffalo's Studio Arena Theatre in Lanford Wilson's world premiere of "Lemon Sky" in 1970, but she also had a foreshadowing of the heartbreak to come after the successful show relocated to New York's off-Broadway Playhouse Theatre without her and Walken wound up winning a Drama Desk award.
By the mid-to-late 1970s, Kathy was treading the boards frequently as a rising young actress of the New York and regional theater scene. She appeared in "Casserole" and "A Quality of Mercy" (both 1975) before earning exceptional reviews for her role of Joanne in "Vanities". She took her first Broadway curtain call in 1980's "Goodbye Fidel," which lasted only six performances. She then went directly into replacement mode when she joined the cast of the already-established and highly successful "Fifth of July" in 1981.
Kathy made a false start in films with Taking Off (1971), in which she was billed as "Bobo Bates". She didn't film again until Straight Time (1978), starring Dustin Hoffman, and that part was not substantial enough to cause a stir. Things turned hopeful, however, when Kathy and the rest of the female ensemble were given the chance to play their respective Broadway parts in the film version of Robert Altman's Come Back to the 5 & Dime Jimmy Dean, Jimmy Dean (1982). It was a juicy role for Kathy and film audiences finally started noticing the now 34-year-old.
Still and all, it was the New York stage that continued to earn Kathy awards and acclaim. She was pure textbook to any actor studying how to disappear into a role. Her characters ranged from free and life-affirming to downright pitiable. Despite winning a Tony Award nomination and Outer Critic's Circle Award for her stark, touchingly sad portrait of a suicidal daughter in 1983's "'night, Mother" and the Obie and Los Angeles Drama Critics Award for her powerhouse job as a romantic misfit in "Frankie and Johnny in the Claire de Lune," Kathy had no box-office pull, however, and was never a strong consideration when the roles transferred to the screen. Her award-winning stage went to established film stars. First Sissy Spacek took over her potent role as the suicidal Jessie Cates in 'night, Mother (1986), then Michelle Pfeiffer seized the moment to play her dumpy lover character in Frankie and Johnny (1991). It would take Oscar glory to finally rectify the injustice.
It was Kathy's fanatical turn as the drab, chunky, porcine-looking psychopath Annie Wilkes, who kidnaps her favorite author (James Caan) and subjects him to a series of horrific tortures, that finally turned the tide for her in Hollywood. With the 1990 shocker Misery (1990), based on the popular Stephen King novel, Bates and Caan were box office magic. Moreover, Kathy captured the "Best Actress" Oscar and Golden Globe award, a first in that genre (horror) for that category. To add to her happiness she married Tony Campisi, also an actor, in 1991.
Quality film scripts now started coming her way and the 1990s proved to be a rich and rewarding time for her. First, she and another older "overnight" film star, fellow Oscar winner Jessica Tandy, starred together in the modern portion of the beautifully nuanced, flashback period piece Fried Green Tomatoes (1991). She then outdid herself as the detached and depressed housekeeper accused of murdering her abusive husband (David Strathairn) in Dolores Claiborne (1995). Surprisingly, she was left out of the Oscar race for these two excellent performances. Not so, however, for her flashy political advisor Libby Holden in the movie Primary Colors (1998), receiving praise and a "Best Supporting Actress" nomination.
Kathy has continued to work prolifically on TV as a 14-time Emmy winner or nominee thus far. She has also taken to directing a couple of TV-movies on the sly. As most actors, she has been in hit and miss TV shows. On the hit side, she has earned a Golden Globe and Emmy nomination for her portrayal of Jay Leno's manager playing tough politics in The Late Shift (1996) and played to the hilt the cruel-minded orphanage operator, Miss Hannigan, in Annie (1999) for which she also earned an Emmy nom. She has done some eye-catching, offbeat turns on regular series such as Six Feet Under (2001) (for which she also earned a DGA award for helming an episode), The Office (2005), Harry's Law (2011) and especially American Horror Story (2011) for which she won an Emmy as Ethel Darling. She also won an Emmy for a guest episode on the hit sitcom Two and a Half Men (2003).
Interesting millennium filming have included a Catholic school's Mother Superior in the comic drama Bruno (2000); Jesse James' mother in American Outlaws (2001); a quirky, liberal mom in About Schmidt (2002) for which she earned another "Best Supporting Actress" Oscar nomination; a brief but potent turn as Gertrude Stein in Woody Allen's Midnight in Paris (2011); Queen Victoria in the adventurous remake of Around the World in 80 Days (2004); wacky parent types in the comedies Failure to Launch (2006) and Relative Strangers (2006); Mother Claus in the seasonal farce Fred Claus (2007); an over-gushy foster mother in the dramedy The Great Gilly Hopkins (2015); and a wrenching performance as the mother of a suspected terrorist in Richard Jewell (2019) for which she earned her third "Best Supporting Actress" Oscar nomination.
Divorced from husband Campisi since 1997, Kathy has been the Executive Committee Chair of the Actors Branch of the Academy of Motion Picture Arts and Sciences Board of Governors.- Rhonda Bates was born on 15 August 1948 in Terre Haute, Indiana, USA. She is an actress, known for Roadie (1980), Harry O (1973) and Police Story (1973).
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Anne Baxter was born in Michigan City, Indiana, on May 7, 1923. She was the daughter of a salesman, Kenneth Stuart Baxter, and his wife, Catherine Dorothy (Wright), who herself was the daughter of Frank Lloyd Wright, the world-renowned architect. Anne was a young girl of 11 when her parents moved to New York City, which at that time was still the hub of the entertainment industry even though the film colony was moving west. The move there encouraged her to consider acting as a vocation. By the time she was 13 she had already appeared in a stage production of 'Seen but Not Heard'", and had garnered rave reviews from the tough Broadway critics. The play helped her gain entrance to an exclusive acting school.
In 1937, Anne made her first foray into Hollywood to test the waters there in the film industry. As she was thought to be too young for a film career, she packed her bags and returned to the New York stage with her mother, where she continued to act on Broadway and summer stock up and down the East Coast. Undaunted by the failure of her previous effort to crack Hollywood, Anne returned to California two years later to try again. This time her luck was somewhat better. She took a screen test which was ultimately seen by the moguls of Twentieth Century-Fox, and she was signed to a seven-year contract. However, before she could make a movie with Fox, Anne was loaned out to MGM to make 20 Mule Team (1940). At only 17 years of age, she was already in the kind of pictures that other starlets would have had to slave for years as an extra before landing a meaty role. Back at Fox, that same year, Anne played Mary Maxwell in The Great Profile (1940), which was a box-office dud. The following year she played Amy Spettigue in the remake of Charley's Aunt (1941). It still wasn't a great role, but it was better than a bit part. The only other film job Anne appeared in that year was in Swamp Water (1941). It was the first role that was really worth anything, but critics weren't that impressed with Anne, her role nor the movie. In 1942 Anne played Joseph Cotten's daughter, Lucy Morgan, in The Magnificent Ambersons (1942). The following year she appeared in The North Star (1943), the first film where she received top billing. The film was a critical and financial success and Anne came in for her share of critical plaudits. Guest in the House (1944) the next year was a dismal failure, but Sunday Dinner for a Soldier (1944) was received much better by the public, though it was ripped apart by the critics. Anne starred with John Hodiak, who would become her first husband in 1947 (Anne was to divorce Hodiak in 1954. Her other two husbands were Randolph Galt and David Klee).
In 1946 Anne portrayed Sophie MacDonald in The Razor's Edge (1946), a film that would land her an Academy Award for Best Supporting Actress. She had come a long way in so short a time, but for her next two films she was just the narrator: Mother Wore Tights (1947) and Blaze of Noon (1947). It would be 1950 before she landed another decent role--the part of Eve Harrington in All About Eve (1950). This film garnered Anne her second nomination, but she lost the Oscar to Judy Holliday for Born Yesterday (1950). After several films through the 1950s, Anne landed what many considered a plum role--Queen Nefretiri in Cecil B. DeMille's The Ten Commandments (1956). Never in her Hollywood career did Anne look as beautiful as she did as the Egyptian queen, opposite Charlton Heston and Yul Brynner. After that epic, job offers got fewer because she wasn't tied to a studio, instead opting to freelance her talents. After no appearances in 1958, she made one film in 1959 Season of Passion (1959) and one in 1960 Cimarron (1960).
After Walk on the Wild Side (1962), she took a hiatus from filming for the next four years. She was hardly idle, though. She appeared often on stage and on television. She wasn't particularly concerned with being a celebrity or a personality; she was more concerned with being just an actress and trying hard to produce the best performance she was capable of. After several notable TV appearances, Anne became a staple of two television series, East of Eden (1981) and Hotel (1983). Her final moment before the public eye was as Irene Adler in the TV film Sherlock Holmes and the Masks of Death (1984). On December 12, 1985, Anne died of a stroke in New York. She was 62.- Actress
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Meredith Baxter is an American actress from California, better known for television roles. Her most famous roles include Catholic teacher Bridget Fitzgerald in the sitcom "Bridget Loves Bernie" (1972-1973), divorced mother Nancy Lawrence in the family-themed drama "Family" (1976-1980), and architect Elyse Keaton in the sitcom "Family Ties" (1982-1989).
In 1947, Baxter was born in South Pasadena, California. South Pasadena is a small city in Los Angeles County, located within San Gabriel Valley. The larger city of Pasadena is located north of Baxter's hometown. Baxter was the daughter of radio announcer Tom Baxter (John Thomas Baxter, Jr.) and actress Whitney Blake (1926-2002). Baxter's maternal grandfather was Harry C. Whitney, an agent of the United States Secret Service. Harry Whitney had served as a bodyguard to President Woodrow Wilson (1856-1924, term 1913-1921).
In 1953, Baxter's parents divorced. Whitney Blake received custody of Baxter and her two older brothers. In 1957, Blake married talent agent Jack Fields. This marriage ended in divorce in 1967. In 1968, Blake married television writer Allan Manings (1924-2010). This marriage lasted until Blake's death in 2002. Baxter reportedly maintained a familial relationship with her second stepfather until his own death.
Baxter received part of her secondary education at James Monroe High School, located in the neighborhood of Sepulveda (later renamed to North Hills) in Los Angeles. She later transferred to Hollywood High School. She graduated in 1965. During her senior year, Baxter also received voice lessons at the Interlochen Center for the Arts. Interlochen was an arts education institution located in Michigan.
In 1966, Baxter married Robert Lewis Bush. At the time, she was only 19-years-old. They had two children, son Theodore Justin "Ted" Bush (born1967) and daughter Eva Whitney Bush (born 1969) . The couple separated in 1969, and their divorce was finalized in 1971.
Baxter aspired to an acting career, like her mother. She remained fairly obscure until the early 1970s. Her highest-profile work were guest-star roles in then-popular television series, such as "The Doris Day Show" and "The Partridge Family". Baxter received her big break when cast as the female lead in the sitcom "Bridget Loves Bernie" (1972-1973). The main premise was an interfaith marriage between Catholic teacher Bridget Fitzgerald and Jewish taxi driver Bernie Steinberg. The series was the 5th highest-rated show on television during its single season, though it was controversial due to its subject matter. Jewish organizations protested that the show violated Judaism's prohibition against interfaith marriage, and organized protest campaigns. Baxter herself received threatening house visits by members of the Jewish Defense League, a vigilante organization known for violent crimes. The controversy led to the series' cancellation by the network CBS. Only 24 episodes were ever broadcast. As of 2002, the series remained the highest-rated American show to be canceled after a single season.
Following the series' cancellation, Baxter maintained a relationship with her co-star David Birney (1939-). In 1974, Baxter and Birney married each other. Their marriage lasted until 1989. They had three children: daughter Kathleen Jeanne "Kate" Birney (born 1974) and twins Mollie Elizabeth and Peter David Edwin Birney (born 1984). Several years following the end of their marriage, Baxter claimed that she had been physically abused by Birney during their marriage. Her co-workers were reportedly unaware that she had a problematic family life, or that she had struggled with alcoholism for several years.
During the 1970s, Baxter started regularly appearing in television films. She had a starring role in the horror film "The Cat Creature" (1973), involving a curse by the cat goddess Bastet. The film was scripted by noted horror writer Robert Bloch (1917-1994), and paid tribute to classic horror films of the 1940s. She also had starring role in the romantic drama "The Stranger Who Looks Like Me" (1974), as a grown woman who is searching for the birth parents who had abandoned her.
Baxter had one of her few feature films roles in the political thriller "All the President's Men" (1976), which depicted the early phases of the Watergate scandal. She played the supporting role of Debbie Sloan, the pregnant wife of witness Hugh W. Sloan Jr. (1940-). The real-life Hugh Sloan was the treasurer of the Committee to Re-elect the President, and later testified about the Committee's criminal activities. Sloan was depicted as one of the few honest men involved in Richard Nixon's shady organization. The film earned about 70.6 million dollars at the domestic box office, one of the greatest commercial hits in Baxter's career.
Baxter had another shot at television stardom when cast as Nancy Lawrence in the family-themed drama "Family" (1976-1980). The series depicted a middle-aged couple who still lives with their three grown-up children. The character of Nancy was depicted as a divorced mother who moved back in with her parents. She was trying to raise her own child, while attending law school. Baxter's role was critically acclaimed, and she was twice nominated for the "Primetime Emmy Award for Outstanding Supporting Actress in a Drama Series". The award was instead won by rival actresses Kristy McNichol (1962-) and Nancy Marchand (1928-2000).
"Family" lasted for 5 seasons, and 86 episodes. It maintained solid ratings for most of its run, though a change to its time slot had led to rapid decline in ratings. Afterwards, Baxter was again in high demand for television roles. In 1981, Baxter co-starred in a television production of the play "Vanities" (1976) by Jack Heifner. The play follows the life of three best friends over an 11-year-period (1963-1974), from their high school and college years to adulthood. The friendship dissolves when the women discover that they no longer have any common interests. Joanne has become a conservative housewife and is trapped in an unhappy marriage, Mary owns a gallery specializing in erotic art and has become an advocate of sexual liberation, and Kathy has become a bookworm with a jaded view of life.
Baxter gained her next major role as successful architect Elyse Keaton in the hit "Family Ties" (1982-1989). The main premise of the series was an exploration of the generation gap, between two generations with different political views. The parents of the Keaton family were former hippies, lifelong liberals, and successful professionals. Their only son Alex was a Young Republican who was mainly driven by his own greed and ambition, their eldest daughter Mallory was a typical "material girl" with apolitical views, and their youngest daughter Jennifer was a tomboy mainly interested in athletics,.
"Family Ties" maintained high-ratings for most of its run, though it was not particularly well-liked by critics. The series lasted for 7 seasons, a total of 176 episodes, and a television film. It was considered indicative of the conservative political landscape of the 1980s. Its main legacy was turning actor Michael J. Fox (who played Alex) into a household name. Baxter was at the height of her popularity in the 1980s. However, she later claimed that she had no actual social life for its duration. She went straight from home to the television studio, and from the studio back to home.
In 1986, Baxter played the main role in the television film "Kate's Secret". It was acclaimed for its groundbreaking depiction of eating disorders. The main character Kate Stark (played by Baxter) appears to have an idyllic life. She is married to a man with a successful career, appears to have a loving family, and a close social circle. The truth depicted is less than idyllic. Kate's husband prioritizes his career over their marriage, and there is little actual affection in their relationship. Kate's "loving" mother is a domineering woman who criticizes her daughter for many perceived flaws. Kate's friends have no idea that she is suffering from bulimia nervosa, and Kate systematically hides her problems from everyone. The problems escalate until they become apparent to people surrounding Kate.
In 1989, Baxter received a divorce. At the time, she was 42-years-old. In 1990, the then-recently divorced Baxter managed to overcome her alcoholism. She has reportedly been sober ever since. Also in 1990, Baxter played kidnapper Florence Tulane in the television film "The Kissing Place". She was playing against type, as she had previously mostly played morally upright characters in television.
In 1992, Baxter had another well-received role in a television film. She played the main character in "A Woman Scorned: The Betty Broderick Story". The film dramatized the life of Betty Broderick (1947-), a divorced woman who had murdered her ex-husband Daniel T. Broderick III and his second wife Linda Kolkena. The case had attracted much publicity because Daniel Broderick was the president of the San Diego Bar Association, and had apparently used his legal influence to to win sole custody over their children, to sell their house against Betty's wishes, and to bilk Betty out of her rightful share of his income. For this role, Baxter was nominated for the "Primetime Emmy Award for Outstanding Lead Actress in a Limited or Anthology Series or Movie". The award was instead won by rival actress Gena Rowlands (1930-).
In 1994, Baxter received an award by the "National Breast Cancer Coalition". Baxter had reportedly helped raise awareness of breast cancer and its effects through her then-recent work. In 1999, Baxter herself was diagnosed with breast cancer. She received medical treatment, and she is thought to have fully recovered.
In 1995, Baxter married the novelist (and screenwriter) Michael Blodgett (1939-2007). This was Baxter's third marriage and Blodgett's fourth and last marriage. Baxter became the stepmother of Blodgett's three daughters from previous marriages. The couple received a divorce in 2000. A few years later, Blodgett died due to heart disease.
In 1996, Baxter starred in the short-lived sitcom "The Faculty". The series was set in a typical middle school, with Baxter playing vice-principal Flynn Sullivan. Flynn was depicted as a single mother who was trying to balance her career and her family life. While the series was praised for its dignified main character, most critics found that the show lacked memorable supporting characters and was not particularly humorous in its depiction of school life. The series never had high ratings, and was canceled after a single season. Only 13 episodes were broadcast.
In 1997, Baxter guest-starred in a two-part episode of the politically-themed sitcom "Spin City" (1996-2002). She played Macy Flaherty, the mother of protagonist Mike Flaherty (played by Michael J. Fox) Mike was depicted as the deputy mayor of New York City, skilled in politics but inept in managing his personal life. In this two-part episode, Macy has a brief romantic relationship with mayor Randall Winston (played by Barry Bostwick) , Mike's boss. She is then asked to help cover-up Randall's past relationship with a prostitute, which is thought to be damaging to his political career. The episodes were thought to be memorable for reuniting Baxter with her former co-star Michael J. Fox.
In the early 2000s, Baxter had been reduced to playing one-shot characters in various television series. In 2006, Baxter joined the cast of the police procedural series "Cold Case" (2003-2010). She played the supporting character Ellen Rush, mother of the protagonist Lilly Rush (played by Kathryn Morris). Lilly was depicted as a homicide detective, who specialized in resolving decades-old cold cases. Ellen was depicted as an alcoholic single mother, who had managed to raise two daughters despite her personal problems. In seasons 3 and 4 of the series, Ellen was slowly dying from cirrhosis of the liver and Lilly had to take care of her. The storyline of the character was concluded with Ellen's death, and Baxter left the series in 2007.
In 2009, Baxter publicly came out as a lesbian. She had been dating general contractor Nancy Locke since 2005. Baxter married Locke in 2013, and their marriage is still ongoing (as of 2021). This is Baxter's fourth and (so far) last marriage. Baxter revealed that she had been dating women since 2002, having previously had no same-sex relationships.
In 2011, Baxter published her memoir "Untied", revealing previously unknown details about her personal and family life. Some of the details came as a surprise to longtime co-workers of Baxter, as she had never confided in them about her personal problems. Baxter's former husband David Birney publicly disputed the veracity of the book's narrative. The book became a New York Times bestseller.
In 2014, Baxter briefly joined the cast of the long-running soap opera "The Young and the Restless" (1973-). She played Maureen Russell, a new drinking buddy for prominent character Nikki Newman (played by Melody Thomas Scott). Maureen was described as a charming middle-class woman with social-climbing aspirations. This was the first recurring television role Baxter since departing "Cold Case". For this role, Baxter was nominated for the "Daytime Emmy Award for Outstanding Guest Performer in a Drama Series". The award was instead won in a tie by three rival actors: Donna Mills (1940-), Fred Willard ( 1933-2020), and Ray Wise (1947-).
From 2014 to 2015, Baxter had a recurring role in the short-lived teen drama "Finding Carter" (2014-2015). The premise of the series was that teenage girl Carter Stevens (played by Kathryn Prescott) reunites with her biological family, after years of being raised by a kidnapper. Carter has trouble acclimating to her new life. Baxter played Grandma Joan (nicknamed Gammy), Carter's wealthy grandmother. The main subplot involving Joan was that she had never accepted her daughter's marriage to a professional writer with no fixed income. The series lasted for 2 seasons, and a total of 36 episodes. So far, this has been Baxter's last recurring role in television.
As of 2021, Baxter is 74-years-old. She has never fully retired from acting, though she infrequently appears in new roles. Several of her past roles are still fondly remembered. Baxter has never won any major acting award, despite multiple nominations over several decades. But she has remained quite popular with the general public.- Actor
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Orson Bean, the American actor, television personality and author, was born Dallas Frederick Burrows on July 22, 1928 in Burlington, Vermont to George Frederick Burrows, a policeman who later went on to become the chief of campus police at Harvard University, and the former Marion Ainsworth Pollard. He was of Irish, Scottish, and English descent. Through the latter, the newborn Dallas Burrows was a first cousin, twice removed, to Calvin Coolidge, who was President of the United States at the time of his birth. The young Dallas, an amateur magician with a taste for the limelight, graduated from Boston's prestigious Latin School in 1946. Too young to see military service during World War II, the future Orson Bean did a hitch in the U.S. Army (1946-47) in occupied Japan.
After the war, he launched himself onto the nightclub circuit with his new moniker, the "Orson" borrowed from reigning enfant terrible Orson Welles. His comedy act premiered at New York City's Blue Angel nightclub, and the momentum from his act launched him into the orbit of the legitimate theater. He made his Broadway debut on April 30, 1954 in Stalag 17 (1953) producer Richard Condon's only Broadway production as a playwright, "Men of Distinction", along with Robert Preston and Martin Ritt. The play flopped and ran only four appearances.
The following year was to prove kinder: he hosted a summer-replacement television series produced at the Blue Angel, and won a Theatre World Award for his work in the 1954 music revue "John Murray Anderson's Almanac", which co-starred Harry Belafonte, Polly Bergen, Hermione Gingold and Carleton Carpenter. It was a hit that ran for 229 performances. He followed this up with an even bigger hit, the leading role in "Will Success Spoil Rock Hunter". Next up was a succès d'estime as the leading man in Herman Wouk's comic play "Nature's Way", which co-starred Bea Arthur, Sorrell Booke and Godfrey Cambridge. Though the play lasted but 67 performances, Orson Bean had established himself on the Broadway stage.
He enjoyed his greatest personal success on Broadway in the 1961-62 season, in the Betty Comden and Adolph Green musical "Subways are for Sleeping", which was directed and choreographed by Michael Kidd and featured music by Jule Styne. Bean received a Tony Award nomination for Best Featured Actor in a Musical (his co-star Phyllis Newman won a Tony Award as Best Featured Actress in a Musical). The following season, he was in a bigger hit, the comedy "Never Too Late", which would go on to play for 1,007 performances. After appearing in the flop comedy "I Was Dancing" in November 1964, Bean made his last Broadway appearance in the musical "Illya Darling" in 1967 with Melina Mercouri, directed by fellow blacklister Jules Dassin; it played 320 performances. He also toured in the Neil Simon-Burt Bacharach musical "Promises, Promises".
Bean made an impression as the Army psychiatrist in Otto Preminger's Anatomy of a Murder (1959). But it was as a television personality that he made his biggest inroads into the popular consciousness, as well as the popular culture. He appeared in numerous quiz and talk shows, becoming a familiar face in homes as a regular panelist on To Tell the Truth (1956). He also appeared on Norman Lear's cult favorite Mary Hartman, Mary Hartman (1976) and its sequel, Forever Fernwood (1977), as "Reverend Brim", and as store owner "Loren Bray" on Dr. Quinn, Medicine Woman (1993). Much of his role as 105-year-old "Dr. Lester" in the cult film Being John Malkovich (1999) wound up the cutting room floor, but audiences and critics welcomed back his familiar presence.- Actor
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Ed Begley Jr. was born on 16 September 1949 in Los Angeles, California, USA. He is an actor and producer, known for A Mighty Wind (2003), Pineapple Express (2008) and Whatever Works (2009). He has been married to Rachelle Carson-Begley since 23 August 2000. They have one child. He was previously married to Ingrid Taylor.- Actor
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Ralph Bellamy was a veteran actor who was so well-liked and respected by his peers that he was the recipient of an honorary Oscar in 1987 for his contributions to the acting profession.
Ralph Rexford Bellamy was born June 17, 1904 in Chicago, Illinois, the son of Lilla Louise (Smith), originally from Hamilton, Ontario, Canada, and Charles Rexford Bellamy, who had deep roots in New England. Bellamy began his career as a player right out of high school in 1922, joining a traveling company that put on Shakespearean plays. For the next five years he appeared with stock companies and repertory theaters associated with the Chautauqua Road Co., which brought culture to the hinterlands. He not only learned his craft but by 1927 wound up owning his own theatrical troupe. Two years later he made his Broadway theatrical debut in "Town Boy" (29 years later he would win a Tony Award).
Bellamy made the first of his over 100 films in 1933, appearing as a gangster in The Secret 6 (1931). While he never became a major star or played many leads in "A" pictures, he made a career out of playing second-leads in major productions before developing into a character actor. In his heyday he typically played a rich but dull character who is jilted by the leading lady (he won his only Oscar nomination, for Best Supporting Actor, for just such a role in the 1937 comedy The Awful Truth (1937), in which he lost Irene Dunne to Cary Grant). He also specialized in redoubtable detectives who always find their man (he starred as Ellery Queen in a series of four "B" movies) and as slightly sinister yet stylish villains (such typecasting reaching its apogee with his turn as the not-so-kindly doctor in the horror classic Rosemary's Baby (1968)).
Bellamy's greatest role was as Franklin D. Roosevelt in Dore Schary's play "Sunrise at Campobello," for which he won a 1958 Best Actor-Dramatic Tony Award. He also reprised his portrayal of Roosevelt in Schary's 1960 movie adaptation of his play Sunrise at Campobello (1960), which brought his co-star Greer Garson a Golden Globe award and a Best Actress Academy Award nomination for playing Eleanor Roosevelt.
To play F.D.R. and show his struggle with the onset of polio, Bellamy studied up on Roosevelt as both man and politician, gaining an insight into the future president's psyche. Like Method actors Marlon Brando and Jon Voight, who prepared for their portrayals of paraplegic war veterans in the movies The Men (1950) and Coming Home (1978) by living in veterans hospitals with paraplegics, Bellamy tried to understand the trauma that F.D.R. underwent and the challenges he faced. Bellamy spent a considerable amount of time at a rehabilitation center learning how to master leg braces, crutches and a wheelchair to increase the verisimilitude of his portrayal of Rosevelt. So successful was his portrait of Roosevelt that he was called upon a generation later to recreate F.D.R. for the blockbuster TV miniseries War and Remembrance (1988) (ironically, Voight himself would later play F.D.R. in the movie Pearl Harbor (2001)).
Bellamy also had a prolific career on television, beginning with his 1948 debut in The Philco Television Playhouse (1948). He starred in one of the first TV police shows, Man Against Crime (1949), which was on the air from 1949-54, and later had roles in several other TV series, including The Eleventh Hour (1962), The Survivors (1969) and The Most Deadly Game (1970). He also appeared in countless TV-movies and tele-plays, and was three times nominated for an Emmy Award.
Known as a champion of actors' rights, Bellamy was one of the founders of the Screen Actors Guild, and also served four terms as President of Actors' Equity from 1952 to 1964. He took office during some of the darkest days of McCarthyism, but positioned Actors' Equity and thus, the Broadway theater to the left of Hollywood by resisting blacklisting. Many of those blacklisted in Hollywood found homes in the theater. Under Bellamy, Actors Equity established standards to protect members against charges of Communist Party membership or "exhibiting left-wing sympathies". (One of the charges levied against legendary stage and film director Elia Kazan, including Rod Steiger at the time Kazan received an honorary Oscar, was that he should have defied the House Un-American Activities Committee and not have named names because he could have remained employed in the theater even if he had been blacklisted in Hollywood.)
Under Bellamy's leadership, Actor's Equity managed to double its assets within the first six years of his presidency and was successful in establishing the first pension fund for actors. It was for his services to the acting community that he was the recipient of an honorary Academy Award in 1987.
Ralph Bellamy died on November 29, 1991 in Santa Monica, California. He was 87 years old.- Actor
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Dirk Benedict was born in Montana on March 1st, 1945. He was raised in the country, far away from anything connected with movies or acting. He gathered his first experiences in acting (on a dare) in a college production of "Showboat" where he got the main part. His father, a lawyer, died when Dirk was 18, which was hard for him to take. While working on Georgia, Georgia (1972) in Sweden, he made the first contact with a macrobiotic diet and changed his eating habits drastically. He was 26 at that time. A few years later, doctors found that he had cancer of the prostate. He refused to accept the usual treatment and moved away to a secluded cottage. Dirk managed to cure himself from cancer by following the rules of his macrobiotic diet. When he got his part as "Starbuck" in Battlestar Galactica (1978), the doctors stated that he was in good health. Dirk's main successes were "Battlestar Galactica" and The A-Team (1983) in which he played "Templeton - The Face - Peck". He was formerly married to actress Toni Hudson and has two sons (George and Roland).- Brenda Benet, born Brenda Ann Nelson in Los Angeles, California, on August 14, 1945, was a classic example of the modern-day Hollywood tragedy. As a television actress with good dramatic scope, she managed to piece together a wide and impressive portfolio of guest shots in a career spanning just over 16 years before taking her life at the age of 36. She spent her childhood and early teenage years feeling awkward and self-conscious because her complexion was darker than those of her siblings. Because of this, she felt that she did not fit in with her family, and often fantasized about being adopted.
Brenda attended UCLA for a brief time, majoring in languages. In 1962 she entered show business; her breakthrough role came in 1964 when she was selected to play the part of Jill McComb in The Young Marrieds (1964). After that came stints on various comedy and drama series in the '60s and '70s, usually playing ethnic, exotic types. She was probably best known for her role as the kind-hearted prostitute in Walking Tall (1973). During this time she married and divorced actor Paul Petersen. She began a relationship with Bill Bixby and moved in with him in 1969, and they married in 1971. By the late '70s, however, they were divorced.
Brenda retired from the business in the mid-'70s to raise a family, and in late 1974 she gave birth to a boy, Christopher Sean Bixby. Tragically, Christopher died in 1981 during a winter ski vacation in California. It was believed that this and her divorce from Bixby were the events which caused Brenda's life to spin out of control. On April 7, 1982, Brenda went into the bathroom of her West Los Angeles home, lit and arranged some candles in a circle on the floor and lay down. She then placed a Colt .38-cal. revolver into her mouth and pulled the trigger. She died instantly. - Actress
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Barbi Benton was born on 28 January 1950 in New York City, New York, USA. She is an actress and composer, known for How Did a Nice Girl Like You... (1970), X-Ray (1981) and Fantasy Island (1977). She has been married to George Gradow since 14 October 1979. They have two children.- Actress
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In a six-decade-plus career (she started out as a radio performer at age 14), there are very few facets of entertainment that lovely singer/actress Polly Bergen has not conquered or, at the very least, touched upon. A nightclub and Columbia recording artist of the 50s and 60s, she is just as well known for her film and Emmy-winning dramatic performances as she is for her wry comedic gifts. In the leaner times, she has maintained quite well with her various businesses. Truly one for the ages, Polly has, at age 70+, nabbed a Tony nomination for her gutsy "I'm Still Here" entertainer Carlotta in Stephen Sondheim's "Follies", and was still dishing out the barbs as she recently demonstrated as Felicity Huffman's earthy mom on Desperate Housewives (2004).
Born in Knoxville, Tennessee as Nellie Burgin on July 14, 1930, her family, which included father William, mother Lucy and sister Barbra, eventually moved to Los Angeles. By the time she was 14, Polly was singing professionally on radio and managed to scrape up singing gigs with smaller bands around and about the Southern California area. She attended Compton Junior College before Paramount mogul Hal B. Wallis caught sight of her and signed her up with his studio. Having made an isolated film debut (as Polly Burgin) a year earlier in the Monogram western Across the Rio Grande (1949), Wallis showcased her as a decorative love interest in the slapstick vehicles of Dean Martin and Jerry Lewis, the (then) hottest comedy team in Hollywood. But At War with the Army (1950), That's My Boy (1951) and The Stooge (1951) did little for Polly although she presented herself well. MGM and Universal had the idea to cast her in a more serious vein with co-starring roles in their dramas Escape from Fort Bravo (1953), Arena (1953) and Cry of the Hunted (1953), but again she was overlooked. Disasppointed, she decided to abandon her lucrative film contract and seek work elsewhere.
That "elsewhere" came in the form of 1950s TV. Focusing on her singing, she promoted her many albums for Columbia by guest-starring on all the top variety shows of the times. This culminated in her own variety program, The Polly Bergen Show (1957). The song "The Party's Over" became her traditional show-closer and signature tune. Polly also showed some marquee mettle on the cabaret and nightclub circuits, performing at many of the top hotels and showrooms throughout the country. She made her Broadway debut along with Harry Belafonte in "John Murray Anderson's Almanac" in 1953, and went on to appear in such stage shows as "Top Man" and "Champagne Complex". A delightfully engaging game show panelist to boot, she took a regular seat on the To Tell the Truth (1956) panel for five seasons.
Polly tended to display a looser, down-to-earth personality to induce laughs but she was also was formidable dramatic player and fashion plate quite capable of radiating great charm, poise and elegance. For her role as alcoholic torch singer Helen Morgan in the special TV showcase The Helen Morgan Story (1957) , she took home the Emmy award. Unfortunately for Polly, Ann Blyth took on the role of the tragic singer in the film version (with Gogi Grant providing the vocals), in what could have been a significant return to films for her.
Instead, Polly had to wait another five years for that to happen. As the wife of Gregory Peck and designated victim of revengeful psychopath Robert Mitchum in the taut movie thriller Cape Fear (1962), her film career reignited. Other opportunities came in the form of her distraught mental patient in The Caretakers (1963), which found her at odds with nurse Joan Crawford and doctor Robert Stack; the sparkling comedy Move Over, Darling (1963), which placed her in a comedy triangle with "other wife" Doris Day and husband James Garner; and as the first woman Chief Executive of the White House in the frothy comedy tidbit Kisses for My President (1964) opposite bemused "First Gentleman" Fred MacMurray. In what was to be a tinge of deja vu, Polly again saw her movie career dissipate after only a couple of vehicles. True to form, the indomitable Polly rebounded on TV.
A mild string of TV-movies came her way as she matured into the 1970s and 1980s, most notably the acclaimed miniseries The Winds of War (1983), which reunited her with Robert Mitchum, this time as his unhappy, alcoholic wife. This, along with her participation in the sequel, War and Remembrance (1988), earned Polly supporting Emmy nominations. In the years to come, she would find herself still in demand displaying her trademark comic grit in such shows as The Sopranos (1999), Commander in Chief (2005) and Desperate Housewives (2004).
Polly returned to singing in 1999 after nearly a three-decade absence (due to health and vocal issues). Quite huskier in tone, she went on to delight the New York musical stage with stand-out performances in "Follies" (2001), "Cabaret" (2002) and "Camille Claudel" (2007). Polly still made nightly appearances and had even put together singing concert tours on occasion.
Polly has authored three best-selling beauty books outside the acting arena and has demonstrated a marked level of acumen in the business world. Founding a mail-order cosmetics business in 1965, she sold it to Faberge eight years later. She also developed her own shoe and jewelry lines.
Married (1950-1955) to MGM actor Jerome Courtland during her first movie career peak, she later wed topflight agent/producer Freddie Fields in 1957, a union that lasted 18 years and produced two adopted children, Pamela and Peter. A third marriage in the 1980s also ended in divorce. An assertive voice when it comes to women's rights and issues, her memoir "Polly's Principles" came out in 1974.
Polly played a grandmother in her last film, the dramedy Struck by Lightning (2012), and died two years later on September 20, 2013, at the age of 84.- Actor
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Milton Berle was an American comedian and actor.
Berle's career as an entertainer spanned over 80 years, first in silent films and on stage as a child actor, then in radio, movies and television. As the host of NBC's Texaco Star Theatre (1948-55), he was the first major American television star and was known to millions of viewers as "Uncle Miltie" and "Mr. Television" during the first Golden Age of Television. He was honored with two stars on the Hollywood Walk of Fame for his work in both radio and TV.
Berle won the Emmy for Most Outstanding Kinescoped Personality in 1950. In 1979, Berle was awarded a special Emmy Award, titled "Mr. Television." He was twice nominated for Emmys for his acting, in 1962 and 1995.
Berle was inducted into the Television Hall of Fame in 1984. On December 5, 2007, Berle was inducted into the California Hall of Fame.- Actress
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Crystal Bernard was born on 30 September 1961 in Garland, Texas, USA. She is an actress, known for Wings (1990), Slumber Party Massacre II (1987) and It's a Living (1980).- Actor
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Dancing and the military were a large part of Ken Berry's life. When he was 13 he attended a carnival at his grade school; the dancers impressed him so much that he decided that's what he wanted to do with his life. His parents were supportive, and his dad even booked Ken into variety type shows. At 16 Ken got to join the Horace Heidt Youth Opportunity Program. Ken toured towns all across the nation, and through the Air Force the troupe entertained in Germany, Ireland, England, UK and several other countries. Later, while serving in the army, Ken won a spot in Arlene Francis' Talent Patrol (1953) show. Ken also got into the All-Army talent contest and appeared on The Ed Sullivan Show (1948) (aka "The Ed Sullivan Show"). When Ken's army hitch was up in 1955, he took the advice of his sergeant in Atlanta, Leonard Nimoy, to move to California. In 1957 Ken enrolled in a school, Falcon Studios, on the GI Bill to study acting. He got a job at the Cabaret Theater for $11 a week (that is not a typo). From 1958 to 1964 he was with the "Billy Barnes Revue." Lucille Ball came to see the revue, and offered Ken a job at Desilu Studios for $50 a week. It was also through the Barnes Revue that Ken met dancer Jackie Joseph; they were married on May 29, 1960. Ken made the transition to TV, and the couple adopted a son, John Kenneth, in 1964, and a daughter, Jennifer Kate, in 1965. A successful screen test led to his breakout role in the classic sitcom F Troop (1965). Ken was the bashful, bumbling but good-hearted captain who was always resisting Wrangler Jane's advances (but why?). Though the show was only on for two seasons, it seems like a lot longer because of reruns. After "F Troop", toward the very end of the next TV season, Ken landed the role of a lifetime--taking over for Andy Griffith in the retooled Mayberry R.F.D. (1968). The show was a hit with Ken in the lead and was still popular when it was canceled in the spring of 1971, when CBS axed all rural-oriented programming, a devastating blow personally and professionally to Ken. After "Mayberry"'s end, he appeared in an unsold The Brady Bunch (1969) spin-off pilot.
When work in TV got slow, Ken went on the road again, doing summer and winter stock. He kept hoping for a new series, and he got his wish with Mama's Family (1983). Since he played a married man in this series, he did not resist the advances of on-screen wife Dorothy Lyman (in fact, he seemed to be making up for lost time). The series aired for two seasons, then was canceled. Ken went back to doing theater productions. However, when "Mama's Family" was sold into syndication, more new episodes were going to be needed. From 1986 to 1990 it was a top-rated sitcom. Ken was about ready to retire - almost. He continued to get occasional TV roles, and tried theater again for a while (in 1993 he starred with Carol Burnett in the stage production of "From the Top"). Early in 1999 Ken ventured back into television with a guest spot. He enjoyed it. Old soldiers and entertainers never die - they just go into syndication.- Actor
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Theodore Bikel is one of the most versatile and respected actors and performers of his generation. A master of languages, dialects and accents, he has played every sort of film villain and semi-bad guy imaginable, and always adds depth, dimension and even sympathy to characters that would end up as cardboard cutouts in the hands of lesser actors. His memorable supporting roles include a German naval officer in The African Queen (1951), the king of Serbia in Moulin Rouge (1952) and a German submarine officer in The Enemy Below (1957). He was nominated for an Academy Award for his role in The Defiant Ones (1958). Equally at home on the stage, Bikel is remembered for creating the role of Captain Von Trapp in the original Broadway cast of "The Sound of Music" opposite Mary Martin. He also appeared on stage in "Tonight in Samarkand", "The Lark" and "The Rope Dancers". Bikel is fluent in more than half a dozen European and Middle Eastern languages, and sings folk songs in nearly 20 languages, skillfully accompanying himself on guitar, mandolin, balalaika and harmonica. He was a regular on the early 1960s TV show Hootenanny (1963), a weekly cavalcade of folk music. Over the years he has performed on college campuses and in concert halls all over the country, and has recorded a number of record albums of folk music from around the world.- Actress
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Born Barbara Lillian Combes, she attended Los Angeles Junior College in the mid-1930s and then moved to New York City, where she worked as a model. In 1945, she received a contract from MGM, and she appeared in several films during the late 1940s and 1950s, sometimes without screen credit. In the 1950s, she turned to television and appeared in shows including the sitcoms Professional Father (1955) and The Box Brothers (1956), as well as guest-starring on "The Abbott and Costello Show", the David Niven anthology series, Four Star Playhouse (1952), and the sitcom, Mr. Adams and Eve (1957). In 1957, Billingsley began starring in the sitcom, Leave It to Beaver (1957), as "June Cleaver", mother to "Wally" and "Theodore", nicknamed "Beaver". She appeared in her most famous role for 234 episodes, remaining with the show until it ended after six seasons. After 17 years of semi-retirement, Billingsley returned to movies in 1980's Airplane! (1980), creating another iconic role by spoofing her wholesome image with a brief appearance in this send-up of 1970s disaster movies, as a middle-aged white passenger who could translate between a white stewardess and two African-American passengers, because "I speak jive". She also appeared in The New Leave It to Beaver (1983), which ran from 1983 to 1989, and voiced the character of "Nanny" in the Muppet Babies (1984) cartoon series, from 1984 to 1991. Billingsley continued to act occasionally, including appearances on the sitcoms, Roseanne (1988) and Empty Nest (1988), and died at her home, after having dealt for several years with the effects of a rheumatoid disease.- Actor
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David began his career with the repertory companies at the Barter Theatre in Virginia America and the Hartford Stage Company followed by his New York debut as one of the twins in A Comedy of Errors in Joseph Papps Shakespeare Festival. In 1968 he played the lead in Summertree at New York's: Lincoln Centre winning the Clarence Derwent Award and the Theatre World Award. Later he played the lead role of Mark Elliott in the television series Love is a Many Splendored Thing followed by the part of Bernie in the comedy series Bridget Loves Bernie. Both were top ranking shows making him a well known name across America and earning numerous awards. He made his film debut in Caravan to Vaccares- Actor
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The son of a sales clerk and a department store owner, Bill Bixby was the sixth-generation Californian born as Wilfred Bailey Bixby, on January 22, 1934, in San Francisco, California. An only child growing up in the 1940s and 1950s, he attended schools in the same area, took ballroom dance lessons, before attending Lowell High School, where he excelled in drama. After his graduation from high school, he attended San Francisco City College, where he majored in drama. He transferred to the University of California-Berkeley, where he majored in the pre-law program, but never stopped falling in love with his interest in acting. After almost graduating, he left his native San Francisco, to travel to Los Angeles, where he became a lifeguard and a bellhop.
Two years later, in 1959, two executives noticed him and hired him immediately for commercial work and modeling, in Detroit, Michigan. At the same time, he auditioned for theater roles. He joined the Detroit Civic Theatre Company and made his professional stage debut in the musical, "The Boy Friend." Long after his trip to Michigan, he continued doing commercial work and made numerous guest appearances on popular TV sitcoms.
He made his TV debut in an episode of The Many Loves of Dobie Gillis (1959). He also did many other roles, most notably as "Charles Raymond" in The Joey Bishop Show (1961). After many guest and recurring roles, he landed a co-starring role opposite Ray Walston in My Favorite Martian (1963), in which he portrayed a newspaper reporter playing host to a visitor from another planet. After the first season, it became a hit and Bixby became a household name to millions of fans who liked the show. The show was going well until its cancellation in 1966, which left Bixby in the dark, for the time being. However, he finally got the chance to go onto the big screen. The first of the four post-"Martian" 60s movies he played in was the Western, Ride Beyond Vengeance (1966). The following year, he played in Doctor, You've Got to Be Kidding! (1967) and, soon after, he was approached by Elvis Presley to appear in both Clambake (1967), and Speedway (1968). Afterwards, he once again returned to series television, this time playing widowed father, "Tom Corbett", on The Courtship of Eddie's Father (1969), based on the popular 1963 movie. After its first season, it became a much bigger hit than his first show and Bixby, heretofore one of Hollywood's most confirmed bachelors, changed his views on marriage and family, subsequently taking actress Brenda Benet as his bride and fathering a son. He also tried his hand at directing an episode of the series, called "Gifts Are For Giving," about Norman's highly treasured gift. After completing its second season, Bixby received an Emmy nomination for Lead Actor in a Comedy Series, but didn't win. By its third season in 1972, the show had bad scripts and ABC decided to pull the plug.
Once again, Bixby was not long out of work and was offered a chance to star in a lead role as "Anthony Dorian/Anthony Blake," on his first and only NBC dramatic series called, The Magician (1973). The show focused on Anthony performing magic tricks which helped people who were in trouble, and in real-life, Bill became a fine magician, performing to both children and adults. But sadly, the show was canceled after one season due to its expensive costs.
After a seven-year absence from the big screen, he co-starred in another western, opposite Don Knotts and Tim Conway, in The Apple Dumpling Gang (1975). Like most of the theatrical movies he did, it was not a blockbuster at the box office, but was still an average hit. In late 1977, he was offered the role of "Dr. David Bruce Banner," in a two-hour pilot called, The Incredible Hulk (1977). About a physician/scientist who turned into a green monster whenever he became angry, the idea appealed to CBS, and several months later, they premiered a new science fiction-dramatic series, called, The Incredible Hulk (1978). When it debuted as a mid-season replacement, it became the #1 show in the United States, and in many other countries. His character became famous for ripping up shirts each time he turned into the Hulk, played by bodybuilder Lou Ferrigno. Bixby had wanted to direct some episodes, but the time he had to spend in the make-up chair for the transformation sequences made that problematical, and he managed to helm only one segment, "Bring Me the Head of the Hulk," in the fourth season. The series was canceled in 1981 (although the last few episodes didn't air until 1982).
Bixby, once again, came back to series television, acting in, producing and directing his last sitcom, Goodnight, Beantown (1983), on which he played "Matt Cassidy." Chosen for the role of "Jennifer Barnes," was one of Bixby's old friends, Mariette Hartley, who had won an Emmy for her guest appearance in The Incredible Hulk (1978) as Banner's second wife. The two played co-anchor newscasters of a Boston television station whose sparring on and off the air developed into friendship and respect. Discounting a brief, inconsequential return to the network's schedule in the summer of 1984, the series lasted for less than a year, from April 1983 to January 1984.
Bixby now decided to concentrate on directing and worked on Wizards and Warriors (1983), Goodnight, Beantown (1983) and Sledge Hammer! (1986). He also directed the pilot for a New York spy series, "Rockhopper." He also appeared in front of the camera as the host of the daytime anthology series, True Confessions (1985), which dealt with real-life crises of everyday people. Bixby additionally served as host for two shows targeting younger viewers: "Against the Odds," a series of biographies of prominent people, frequently from history, for the Nickelodeon cable channel; and "Once Upon a Classic," a collection of British TV adaptations of literary classics on PBS.
He came back to reprise his role of "Dr. David Banner" from The Incredible Hulk (1978) by acting in, producing, and directing the three spin-off movies: The Incredible Hulk Returns (1988), The Trial of the Incredible Hulk (1989) and The Death of the Incredible Hulk (1990). He also directed TV movies such as Baby of the Bride (1991) and Another Pair of Aces: Three of a Kind (1991).
In April 1991, while directing one of his last movies, he became very ill and was diagnosed with prostate cancer. He underwent surgery and by December, his cancer seemed to be in remission, so he came back to guest star as "Nick Osborne" in a two-hour TV movie/pilot called Diagnosis Murder: Diagnosis of Murder (1992). In mid-1992, while his cancer continued to be in remission, Bixby returned to work as a director to direct several episodes of the popular NBC sitcom, Blossom (1990), where he became the main director of the show. At first, he hid his illness from the cast and crew, until one of the producers found out, and then he announced publicly that he wanted to continue working until he could no longer do so. Prior to going public with his cancer, he directed a TV movie starring Roseanne Barr and Tom Arnold, The Woman Who Loved Elvis (1993), which was his final directing project.
Unfortunately, the cancer returned by mid-1993 and, on November 21, 1993, six days after directing his last episode on "Blossom" (1991), Bill Bixby died at age 59 in his home after a two-year battle with cancer. For over 30 years, he was in great demand and his big roles and directing credits have been a personal testimony to his fans. His life is gone, but his legacy lives on for years to come.- Actress
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Ms. Blaine is most noted for having portrayed Miss Adelaide, the long-suffering, perpetually engaged chorus girl, in the Broadway and film versions of Guys and Dolls (1955). She originated the role in 1950 on Broadway and stopped the show each night with her rendition of "Adelaide's Lament," in which she complains about having a bad cold because of her long engagement to gambler Nathan Detroit. Ms. Blaine also originated roles on Broadway in "Say Darling" and "Enter Laughing." She also starred on Broadway in "Hatful of Rain," "Company," and, briefly, in "Zorba." She starred in many national tours, including "A Streetcar Named Desire," "Don't Drink the Water," "Hello Dolly," and "Gypsy." Before going to Broadway, Ms. Blaine was a starlet at 20th Century-Fox, appearing in many musical comedy films, including Jitterbugs (1943), Greenwich Village (1944), and State Fair (1945). In the mid 1950s, Ms. Blaine reprised her role as Adelaide in the film version of Guys and Dolls (1955) with Frank Sinatra and Marlon Brando. After her Broadway appearance in "Company" in 1972, she appeared on national television at the 25th Tony anniversary special. This led to a revival of her TV career, and she continued to appear in guest roles on TV and in independent films and theater until her retirement in 1984.- Actress
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From the age of five, Linda Blair had to get used to the spotlight, first as a child model and then as an actress, when out of 600 applicants she was picked for the role of Regan, the possessed child, in The Exorcist (1973). Linda quickly rose to international fame, won the Golden Globe, and seemed to be set to take the Academy Award for that role, but when it leaked how some parts of the role were not performed by her (the demonic voice was dubbed by Mercedes McCambridge, and eight seconds of a stunt dummy were used) that dream broke, and with that disappointment probably came the first blow to what looked like the beginning of an A-list career.
Over the next few years she had no trouble securing lead roles in a number of pictures, including the highly successful television films Born Innocent (1974) (the #1 TV movie of that year) and Sarah T. - Portrait of a Teenage Alcoholic (1975), as well as the Exorcist sequel Exorcist II: The Heretic (1977). However, when she was peer pressured into buying cocaine at the age of 18, it led to an arrest and subsequent sentencing to three years probation. The much-publicized drug bust caused Linda to be blacklisted in Hollywood, and her career was soon reduced to B-movies and occasional TV guest appearances only.
Although her career never returned to its former glory, Linda proved to be a good sport about embracing the change, and out of the '80s emerged lead roles in two cult classics: the women-in-prison film Chained Heat (1983) and the femme fatale vigilante action film Savage Streets (1984). She continued acting in numerous films throughout the '80s and '90s, including the Exorcist spoof Repossessed (1990). In 1997, she also took to the Broadway stage and starred as "Rizzo" in the revival of "Grease." She received widespread mainstream attention again in the 2000's with the theatrical re-release of the Exorcist, followed by a hosting job on the hit Fox Family TV series Scariest Places on Earth (2000), which ran for six years and followed Linda as she visited notorious "haunted" locations around the world.
Linda was born in St. Louis, Missouri, to Elinore, a real estate agent, and James, an executive headhunter. She has a brother, Jimmy, and a sister, Debbie. Linda has been a Hollywood icon for over 40 years, but it is her first love of animals that has ultimately taken center stage in her life. She now runs the Linda Blair WorldHeart Foundation, a non-profit 501C3 tax deductible organization dedicated to rescuing and rehabilitating abused, neglected, and abandoned animals from the harsh streets of the Los Angeles area, as well as from the overcrowded and overwhelmed city and county animal shelters. She works and lives on the 2-acre rescue sanctuary full-time in California, which was featured on The Today Show in a segment titled "From Devil to Angel." Of course, she also makes frequent appearances at horror fan conventions to celebrate the legacy of The Exorcist (1973) .- Actress
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Amanda Blake was born in Buffalo, NY, of English and Scottish descent. She and her parents moved to Claremont, California, while Amanda was still in high school, and she graduated from Claremont High. She enrolled at Pomona College but, due to her avid participation in community and theater productions, she was devoting much more time to acting than her schoolwork. Amanda started on a full acting schedule, doing summer stock in New England. She followed that up with theater and radio acting in Buffalo and then movies in Hollywood. While acting in small theater and stock companies she also painted backdrops and scenery. She was still in her teens when she debuted in MGM"s Stars in My Crown (1950), and her first television role was in Double Exposure (1952). Her most famous role, however, came in 1955, when she starred in the classic western series Gunsmoke (1955) as "Miss Kitty" Russell, the feisty madame and proprietor of Dodge City's Long Branch Saloon opposite James Arness' Marshal Matt Dillon.- Actress
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With blonde hair, big blue eyes and a big smile, Joan Blondell was usually cast as the wisecracking working girl who was the lead's best friend.
Joan was born Rose Blondell in Manhattan, New York, the daughter of Katie and Eddie Blondell, who were vaudeville performers. Her father was a Polish Jewish immigrant, and her mother was of Irish heritage. Joan was on the stage when she was three years old. For years, she toured the circuit with her parents and joined a stock company when she was 17. She made her New York debut with the Ziegfeld Follies and appeared in several Broadway productions.
She was starring with James Cagney on Broadway in "Penny Arcade" (1929) when Warner Brothers decided to film the play as Sinners' Holiday (1930). Both Cagney and Joan were given the leads, and the film was a success. She would be teamed with Cagney again in The Public Enemy (1931) and Blonde Crazy (1931) among others. In The Office Wife (1930), she stole the scene when she was dressing for work. While Warner Brothers made Cagney a star, Joan never rose to that level. In gangster movies or musicals, her performances were good enough for second leads, but not first lead. In the 1930s, she made a career playing gold-diggers and happy-go-lucky girlfriends. She would be paired with Dick Powell in ten musicals during these years, and they were married for ten years. By 1939, Joan had left Warner Brothers to become an independent actress, but by then, the blonde role was being defined by actresses like Veronica Lake. Her work slowed greatly as she went into straight comedy or dramatic roles. Three of her better roles were in Topper Returns (1941), Cry 'Havoc' (1943), and A Tree Grows in Brooklyn (1945). By the 50s, Joan would garner an Academy Award nomination for The Blue Veil (1951), but her biggest career successes would be on the stage, including a musical version of "A Tree Grows in Brooklyn."
In 1957, Joan would again appear on the screen as a drunk in Lizzie (1957) and as mature companion to Jayne Mansfield in Will Success Spoil Rock Hunter? (1957). While she would appear in a number of television shows during the 50s and 60s, she had the regular role of Winifred on The Real McCoys (1957) during the 1963 season. Her role in the drama The Cincinnati Kid (1965) was well received, but most of her remaining films would be comedies such as Waterhole #3 (1967) and Support Your Local Gunfighter (1971). Still in demand for TV, she was cast as Lottie on Here Come the Brides (1968) and as Peggy on Banyon (1971).- Actor
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Ray Bolger was born Raymond Wallace Bolger on January 10, 1904 in Dorchester, Massachusetts, to Anne C. (Wallace) and James Edward Bolger, both Irish-Americans. Ray began his career in vaudeville. He was half of a team called "Sanford and Bolger" and also did numerous Broadway shows on his own. Like Gene Kelly, he was a song-and-dance man as well as an actor. He was signed to a contract with MGM and his first role was as himself in The Great Ziegfeld (1936). This was soon followed by a role opposite Eleanor Powell in the romantic comedy Rosalie (1937). His first dancing and singing role was in Sweethearts (1938), where he did the "wooden shoes" number with redheaded soprano/actress Jeanette MacDonald. This got him noticed by MGM producers and resulted in his being cast in his most famous role, the Scarecrow in The Wizard of Oz (1939).
Surprisingly, even though the film was a success, Bolger's contract with MGM ended. He went to RKO Radio Pictures to make the romantic comedy Four Jacks and a Jill (1942). After this, Bolger went to Broadway, where he received his greatest satisfaction. In 1953, he turned to television and received his own sitcom, Where's Raymond? (1953), later changed to "The Ray Bolger Show". After his series ended, Bolger guest starred on many television series such as Battlestar Galactica (1978) and Fantasy Island (1977), and had some small roles in movies. In 1985, he co-hosted the documentary film That's Dancing! (1985) with Liza Minnelli. Ray Bolger died of bladder cancer in Los Angeles, California on January 15, 1987, five days after his 83rd birthday.- Actor
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James Bond III was born on 31 December 1969 in the USA. He is an actor and producer, known for Def by Temptation (1990), School Daze (1988) and Contrition (2012).- Actor
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Sonny Bono was born on 16 February 1935 in Detroit, Michigan, USA. He was an actor and composer, known for The Sonny and Cher Show (1976), Kill Bill: Vol. 1 (2003) and Hairspray (1988). He was married to Mary Bono, Susie Coelho, Cher and Donna Rankin. He died on 5 January 1998 in South Lake Tahoe, California, USA.- Actor
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Ernest Borgnine was born Ermes Effron Borgnino on January 24, 1917 in Hamden, Connecticut. His parents were Anna (Boselli), who had emigrated from Carpi (MO), Italy, and Camillo Borgnino, who had emigrated from Ottiglio (AL), Italy. As an only child, Ernest enjoyed most sports, especially boxing, but took no real interest in acting. At age 18, after graduating from high school in New Haven, and undecided about his future career, he joined the United States Navy, where he stayed for ten years until leaving in 1945. After a few factory jobs, his mother suggested that his forceful personality could make him suitable for a career in acting, and Borgnine promptly enrolled at the Randall School of Drama in Hartford. After completing the course, he joined Robert Porterfield's famous Barter Theatre in Abingdon, Virginia, staying there for four years, undertaking odd jobs and playing every type of role imaginable. His big break came in 1949, when he made his acting debut on Broadway playing a male nurse in "Harvey".
In 1951, Borgnine moved to Los Angeles to pursue a movie career, and made his film debut as Bill Street in The Whistle at Eaton Falls (1951). His career took off in 1953 when he was cast in the role of Sergeant "Fatso" Judson in From Here to Eternity (1953). This memorable performance led to numerous supporting roles as "heavies" in a steady string of dramas and westerns. He played against type in 1955 by securing the lead role of Marty Piletti, a shy and sensitive butcher, in Marty (1955). He won an Academy Award for Best Actor for his performance, despite strong competition from Spencer Tracy, Frank Sinatra, James Dean and James Cagney. Throughout the 1950s, 1960s and 1970s, Borgnine performed memorably in such films as The Catered Affair (1956), Ice Station Zebra (1968) and Emperor of the North (1973). Between 1962 and 1966, he played Lt. Commander Quinton McHale in the popular television series McHale's Navy (1962). In early 1984, he returned to television as Dominic Santini in the action series Airwolf (1984) co-starring Jan-Michael Vincent, and in 1995, he was cast in the comedy series The Single Guy (1995) as doorman Manny Cordoba. He also appeared in several made-for-TV movies.
Ernest Borgnine has often stated that acting was his greatest passion. His amazing 61-year career (1951 - 2012) included appearances in well over 100 feature films and as a regular in three television series, as well as voice-overs in animated films such as All Dogs Go to Heaven 2 (1996), Small Soldiers (1998), and a continued role in the series SpongeBob SquarePants (1999). Between 1973 until his death, Ernest was married to Tova Traesnaes, who heads her own cosmetics company. They lived in Beverly Hills, California, where Ernest assisted his wife between film projects. When not acting, Ernest actively supported numerous charities and spoke tirelessly at benefits throughout the country. He has been awarded several honorary doctorates from colleges across the United States as well as numerous Lifetime Achievement Awards. In 1996, Ernest purchased a bus and traveled across the United States to see the country and meet his many fans. On December 17, 1999, he presented the University of North Alabama with a collection of scripts from his film and television career, due to his long friendship with North Alabama alumnus and actor George Lindsey (died May 6, 2012), who was an artist in residence at North Alabama.
Ernest Borgnine passed away aged 95 on July 8, 2012, at Cedars-Sinai Medical Center in Los Angeles, California, of renal failure. He is survived by his wife Tova, their children and his younger sister Evelyn (1926-2013)- Actor
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Tom Bosley was born on 1 October 1927 in Chicago, Illinois, USA. He was an actor, known for Happy Days (1974), The Back-up Plan (2010) and Yours, Mine and Ours (1968). He was married to Patricia Carr and Jean Eliot. He died on 19 October 2010 in Rancho Mirage, California, USA.- Don Bovingloh was born on 27 June 1944 in St. Louis, Missouri, USA. He is an actor, known for Valerie (1986), Father Murphy (1981) and Hart to Hart (1979).
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Rossano Brazzi was an Italian stage and film actor. He was married to Lydia Brazzi until her death, and to Ilse Fischer, his second wife, until his death.
He's most familiar to English-speaking audiences for his role as Emile De Becque in South Pacific (1958), playing opposite Mitzi Gaynor.
He died in Rome of complications following a neural virus, on December 24, 1994.- Actress
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A supremely gifted, versatile player who could reach dramatic depths, as exemplified in her weary-eyed, good-hearted waitress in The Last Picture Show (1971), or comedy heights, as in her sadistic drill captain in Private Benjamin (1980), Eileen Brennan managed to transition from lovely Broadway singing ingénue to respected film and television character actress within a decade's time. Her Hollywood career was hustling and bustling at the time of her near-fatal car accident in 1982. With courage and spirit, she recovered from her extensive facial and leg injuries, and returned to performing... slower but wiser. On top of all this, the indomitable Eileen survived a bout of alcoholism and became recognized as a breast cancer survivor, having had a mastectomy in 1990. On camera, she still tosses out those trademark barbs to the delight of all her fans, as demonstrated by her more-recent recurring roles as the prying Mrs. Bink on 7th Heaven (1996) and as Zandra, the disparaging acting coach, on Will & Grace (1998).
She was born with the highly unlikely marquee name of Verla Eileen Regina Brennan in Los Angeles, California, the child of Irish-Catholic parents Regina ("Jeanne") Manahan (or Menehan), a minor silent film player, and John Gerald Brennan, a doctor. Following grade school education, she attended Georgetown University in Washington, D.C. and appeared in plays with the Mask and Bauble Society during that time. She then went on to study at the American Academy of Dramatic Arts in New York. Her lovely soprano coupled with a flair for comedy was the winning combination that earned her the break of her budding career as the not-so-dainty title role in the off-Broadway, tongue-in-cheek operetta "Little Mary Sunshine". For this 1959 endeavor, Eileen not only won an Obie Award, but was among an esteemed group of eight other thespians who won the Theatre World Award that year for "Promising New Personality", including Warren Beatty, Jane Fonda, Carol Burnett and a very young Patty Duke.
Unwilling to be pigeonholed as a singing comedienne, Eileen took on one of the most arduous and demanding legit roles a young actress could ask for when she portrayed Annie Sullivan role in a major touring production of "The Miracle Worker" in 1961. After proving her dramatic mettle, she returned willingly to the musical theatre fold and made a very beguiling Anna in a production of "The King and I" (1963). She took her first Broadway bow in another comic operetta, "The Student Gypsy" (1963). In the musical, which was an unofficial sequel to her "Mary Sunshine" hit, she played a similarly-styled Merry May Glockenspiel, but the show lasted only a couple of weeks. Infinitely more successful was her deft playing of Irene Malloy alongside Carol Channing's Dolly Levi Gallagher in the original Broadway production of "Hello, Dolly!" (1964). Eileen stayed with the role for about two years.
By this time, Hollywood beckoned and Eileen never looked back... or returned to sing on Broadway. After a support role in the film comedy Divorce American Style (1967) starring Debbie Reynolds and Dick Van Dyke, Eileen's talents were selected to be showcased on the irreverent variety show Rowan & Martin's Laugh-In (1967). But what seemed to be an ideal forum to show off her abilities didn't. Overshadowed by the wackier talents of Goldie Hawn, Ruth Buzzi and Jo Anne Worley, who became television comedy stars from this, Eileen seemed out of sync with the knockabout slapstick element. She left the cast before the show barely got off the ground. "Laugh-In" (1968-1973) went on to become a huge cult hit.
In retrospect, this disappointment proved to be a boon to Eileen's dramatic film career. Set in a dusty, barren town, she played up her hard looks and earned terrific reviews for her downbeat role of Genevieve, the careworn waitress, in Peter Bogdanovich's The Last Picture Show (1971). As part of a superb ensemble cast, her hard-knocks vulnerability and earthy sensuality added authenticity to the dreary Texas surroundings. Following this, she scored great marks for her brothel madam/confidante in George Roy Hill's ragtime-era Oscar winner The Sting (1973). Bogdanovich himself became a fan and used Eileen again and again in his subsequent films -- the ambitious but lackluster Daisy Miller (1974) and At Long Last Love (1975). At least, the latter movie allowed her to show off her singing voice. Her comedic instincts were on full display too in the all-star mystery spoofs Murder by Death (1976) and The Cheap Detective (1978) where she fared quite well playing take-it-on-the-chin dames.
Eileen hit the apex of her comic fame playing the spiky and spiteful drill captain who mercilessly taunts and torments tenderfoot Goldie Hawn in the huge box-office hit Private Benjamin (1980). She deservedly earned a "best supporting actress" Oscar nomination for her scene-stealing contribution and was given the chance to reprise the role on the television series that followed. Starring Lorna Patterson in the Hawn role, Private Benjamin (1981) was less successful in its adaptation to the smaller screen but Eileen was better than great and earned both Emmy and Golden Globe Awards in the process.
During the show's run in 1982, Brennan had dinner one evening with good friend Goldie Hawn at a Los Angeles restaurant. They had already parted ways when Brennan was hit and critically injured by a car while crossing a street. Replaced in the television series (by "Alice" co-star Polly Holliday), her recovery and rehabilitation lasted three years, which included an addiction to painkillers. She returned to the screen in another amusing all-star comedy whodunit, Clue (1985), in which she played one of the popular game board suspects, Mrs. Peacock. While looking weaker and less mobile, she showed she had lost none of the disarming causticity that made her a character star.
Forging ahead, Eileen went on to recreate her tough luck waitress character in Texasville (1990), the sequel to The Last Picture Show (1971), and also appeared with Bette Midler in the overly mawkish Stella (1990). However, for the most part, she lent herself to playing eccentric crab apples in such lightweight fare as Rented Lips (1987), Sticky Fingers (1988), Changing Habits (1997), Pants on Fire (1998), Jeepers Creepers (2001), Miss Congeniality 2: Armed & Fabulous (2005) and Naked Run (2011). She has also provided crotchety animated voices for series cartoons.
Eileen Brennan died at age 80 on July 28, 2013 at her Burbank, California home after a battle with bladder cancer. She is survived by her two sons, Patrick (formerly a basketball player, now an actor) and Sam (a singer), from her first and only marriage in the late 1960s to mid-1970s.- Actor
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The refined and debonair English actor Jeremy Brett will forever be best remembered for his long-running and critically acclaimed portrayal of Sherlock Holmes for Britain's Granada Television. From a privileged background, Brett was educated at England's most prestigious independent school, Eton College. After training as an actor at the Central School of Speech and Drama in London, Brett made his professional stage debut in repertory in 1954. He became a noteworthy classical actor who was to make regular appearances on stage, including many with the National Theatre.
Brett was as cultured off screen as on. His interests included classical music, archery and horseback riding. His greatest popularity and acclaim would come with his portrayal of Sherlock Holmes on television from the 1980s through to the 1990s. Where so many have tried and failed to capture the essence of the character, either being derided or forgotten, Brett's widely praised take on it has been described by many as superlative and even definitive. Brett suffered from poor health towards the end of his life but he was still playing the role of Holmes shortly before his death in 1995 at the age of 61.- Actor
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The star of many land and underwater adventures, Lloyd Vernet Bridges, Jr. was born on January 15, 1913 in San Leandro, California, to Harriet Evelyn (Brown) and Lloyd Vernet Bridges, Sr., who owned a movie theater and also worked in the hotel business. He grew up in various Northern California towns. His father wanted him to become a lawyer, but young Lloyd's interests turned to acting while at the University of California at Los Angeles. (Dorothy Dean Bridges, Bridges' wife of more than 50 years, was one of his UCLA classmates, and appeared opposite him in a romantic play called "March Hares.") He later worked on the Broadway stage, helped to found an off-Broadway theater, and acted, produced and directed at Green Mans ions, a theater in the Catskills. Bridges made his first films in 1936, and went under contract to Columbia in 1941. Allegations that Bridges had been involved with the Communist Party threatened to derail his career in the early 1950s, but he resumed work after testifying as a cooperative witness before the House Un-American Activities, admitting his past party membership and recanting. Making the transition to television, Bridges became a small screen star of giant proportions by starring in Sea Hunt (1958), the country's most successful syndicated series. Trouper Bridges worked right to the end, winning even more new fans with his spoofy portrayals in the movies Airplane! (1980) and Hot Shots! (1991), and their respective sequels. Lloyd Bridges died at age 85 of natural causes on March 10, 1998.- Actor
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Actor Todd Bridges has seen and done it all. Todd has lived and worked amongst some of the most famous and influential individuals in the world. For over twenty-five years, he has victoriously survived a rapidly changing business. He experienced his second rise to fame, as "Juice" on The Young and the Restless (1973). Todd's career began and rocketed when he was only six years of age, forcing his family to relocate from a quiet, friendly neighborhood in San Francisco to the fast-paced stardom of Los Angeles, California in the early 70s. His mother, actress Betty A. Bridges, and father, the late James Bridges, Sr., came to Hollywood in search of the American dream. Betty went on to work quite a bit as an actress while James Sr. became one of the first prominent black Hollywood agents. Betty later became one of Hollywood's greatest managers and acting coaches, whose list of clients (soon to become stars) included her oldest child, Jimmy Bridges, her daughter Verda Bridges, Todd (of course), Nia Long (The Fresh Prince of Bel-Air (1990), Love Jones (1997)), Regina King (Jerry Maguire (1996)), Lamont Bentley (Moesha (1996)), and Aaron Meeks (Soul Food (2000)).
It all began one day while watching Redd Foxx display his comic genius on Sanford and Son (1972). Todd, then six, realized his dream of becoming an actor. He exclaimed excitedly to his mother, "I want to do that", pointing to the television set. He had asked on his own to enter a business which, during that time, was very limited for black artists. Nevertheless, Todd went on to make some remarkable strides in the industry, pioneering the way for other young, black actors. His first job was a Jell-O commercial, which starred the entire Bridges family. He later accomplished over 60 national commercials. Todd was the first black child actor to become a recurring regular on the hit series, The Waltons (1972), and Little House on the Prairie (1974) with the late great Michael Landon. He went on to guest star on Barney Miller (1975), which eventually gained a spin-off show, starring Abe Vigoda. The spin-off was titled Fish (1977) and Todd became a series regular for four years. Norman Lear, who spearheaded the success of Tandem Productions, with such shows under his belt as The Jeffersons (1975), Good Times (1974), All in the Family (1971) and The Facts of Life (1979), sought to create a new type of show that would cross the racial boundaries set in Hollywood in the early years of television. He began with the new kid in town, Gary Coleman, and a TV veteran, Conrad Bain, from the hit show, Maude (1972). The wheels were spinning and Diff'rent Strokes (1978) was born. The show originated with a wealthy white businessman who adopted his housekeeper's black child after she passed away. There was only one problem. Who would the creators find to match wits with the sassy Gary Coleman? Conrad Bain then suggested the creation of an older brother character to keep up with "Arnold's" wisecracks, a strong young actor capable of bouncing the ball back in his court. No one portrayed such qualities as Todd Bridges.
Diff'rent Strokes (1978) was introduced to American audience in the fall of 1978. With the new concept of a racially-mixed cast, the producers and creators were unsure how the viewers would react. To their surprise, the show was a complete success and ran strong for eight years. Todd Bridges became an international celebrity and household name by the age of 15. During his success with "Diff'rent Strokes", Todd guest starred on such shows as The Love Boat (1977), The Facts of Life (1979), Hello, Larry (1979), Battle of the Network Stars VI (1979), Circus of the Stars #6 (1981), and many, many more. An even bigger opportunity came when he was chosen to portray the role of Chicken George's grandson in the historical television miniseries, Roots (1977), where his performance is still applauded to this day.
After "Diff'rent Strokes" ended its long run in 1986, things became difficult for Todd. All of a sudden, no one would hire him due to his being typecast as "Willis Drummond". He began to experience turbulent times, which would later lead to drug addiction and trouble with the authorities. There would be a pause in his career and his life for nearly ten years.
Todd Bridges has been clean and sober for twenty-six years. He is a working actor, director, and producer and is well on his way to the rebirth of a promising television and motion picture career. Together, Todd and his brother, James Jr., have partnered to establish their own production company, "Little Bridge Productions".
His recent film credits (as an actor) include _1210 Camille Street_ with Faizon Love (Friday (1995), The Replacements (2000)), Frat (), _Hollywood Horror (2000)_ with Tia Mowry and 'Tamara Mowry' (_"Sister Sister" (1994)_) and A Testimony. He also recently completed a feature film in Utah called The Climb (2002) for Billy Graham's production company. He directed, produced and starred in the short film about his life, Building Bridges (2000), for TBN. He also directed, along with his brother, a full-length feature film titled Black Ball (2003) (aka Full Circle), starring Lisa Sweat (wife of R&B singer Keith Sweat), Stoney Jackson, De'aundre Bonds, his wife Dori Bridges, and a host of other great names. His directorial credits also include the feature film, Flossin (2001), the life story of his pastor and childhood friend, Pastor Ernest Johnson. On a more personal note, Todd is a proud husband and father. He has been married, since 1998, to his wife, Dori Bridges, and they have one son, Spencir Bridges. Todd has traveled the nation speaking to over 6,000 kids per day in high schools, middle schools, and churches warning about the dangers of drug use, negative peer pressure, and proclaiming Christ Jesus!- Actress
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Born on December 5, 1951 in Los Angeles, California, Morgan Brittany was like most little girls and wanted to be an actress. She began her acting career as a child under her real name Suzanne Cupito. Her big break came in the musical film Gypsy (1962), where played the sister of Natalie Wood's character. Morgan's career would continue to grow and would make a name for herself when she landed a role on the soap opera Dallas (1978). On the soap opera, she played Katherine Wentworth, the scheming half-sister of Pamela Ewing and Cliff Barnes. She continues acting but now loves the job of raising her children.
Since 2009, Morgan has been a conservative political commentator appearing on such shows as "Hannity" (FOX News), "The Rick Amato Show" (One America) and "The Kudrow Report" (CNBC). She is also the co-author of the best-selling book "What Women Really Want", released on September 2, 2014. She continues to make appearances all across the United States speaking for conservative values and issues concerning out veterans. She is also the co-owner and anchor for "PolitiChicks", an online news site with a conservative perspective. Morgan also writes a weekly column for "World Net Daily" (WND) and "Townhall Finance".- Actress
- Additional Crew
Joyce Brothers was born on 20 October 1927 in Brooklyn, New York City, New York, USA. She was an actress, known for Loaded Weapon 1 (1993), The King of Comedy (1982) and Spy Hard (1996). She was married to Milton Brothers. She died on 13 May 2013 in Fort Lee, New Jersey, USA.- Actor
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Gary Burghoff was born on 24 May 1943 in Bristol, Connecticut, USA. He is an actor and director, known for M*A*S*H (1972), M*A*S*H (1970) and Behind the Waterfall (1995). He was previously married to Elisabeth Bostrom and Janet Gayle.- Actress
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Delta Burke is best known for her portrayal as Suzanne Sugarbaker in CBS's Designing Women (1986), which ran for seven seasons and for which she received two Emmy nominations for Best Actress in a Comedy Series. When a teenager she represented Florida in the Miss America Pageant, and won a talent scholarship, which she used to attend a two-year study program at the London Academy of Music and Dramatic Arts.
She got her first television role within a month of her arrival in Los Angeles. She starred in the TV movie The Seekers (1979) and the series The Chisholms (1979). She had the leading role in Filthy Rich (1982) and a starring role in HBO's first weekly series 1st & Ten (1984).
Through her own production company, Perseverance, Inc., Delta produced and starred in the ABC television series Delta (1992). She actually sang in the series and dyed her dark hair blonde for the role. She was reunited with Designing Women (1986) creator Linda Bloodworth-Thomason when she starred in and produced Women of the House (1995), in which she reprised her role as Suzanne Sugarbaker.
Much of Delta's time now is spent designing clothing and managing her New York company, Delta Burke Design, which is becoming very successful. She is married to actor Gerald McRaney. They live in New Orleans when not working or traveling.- Actor
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Born Raymond William Stacy Burr on May 21, 1917 in New Westminster, British Columbia, he spent most of his early life traveling. As a youngster, his father moved his family to China, where the elder Burr worked as a trade agent. When the family returned to Canada, Raymond's parents separated. He and his mother moved to Vallejo, California, where she raised him with the aid of her parents. As he got older, Burr began to take jobs to support his mother, younger sister and younger brother. He took jobs as a ranch hand in Roswell, New Mexico; as a deputy sheriff; a photo salesman; and even as a nightclub singer.
During World War II, he served in the United States Navy. In Okinawa, he was shot in the stomach and sent home. In 1946, Burr made his film debut in San Quentin (1946). From there, he appeared in more than 90 films before landing the titular character on Perry Mason (1957), the role for which he was best-known. Decades later, he reprised the role opposite former co-star Barbara Hale in a series of NBC television movies. At age 65, he returned to teaching drama as a professor of theatre at Sonoma State University, Rohnert Park.
After a brave battle with cancer, Burr died at age 76 on September 12, 1993 at his ranch home in Geyserville, Sonoma County, California. Married once, the union ended in divorce. He had no children.- Actor
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LeVar Burton was born on 16 February 1957 in Landstuhl, Rhineland-Palatinate, Germany. He is an actor and director, known for Star Trek: Generations (1994), Star Trek: First Contact (1996) and Star Trek: Insurrection (1998). He has been married to Stephanie Cozart Burton since 3 October 1992. They have one child.- Richard J. Butkus, "Dick", was born in Chicago, Illinois, December 9, 1942. He graduated from the University of Illinois where he was a two time All- American line backer. A first round draft pick of the Chicago Bears, Dick played for them from 1965-1973, and was named All-Pro linebacker seven times. Mr. Butkus was elected into the NFL "Football Hall of Fame" at Canton, Ohio. Many football gurus consider Dick Butkus the finest linebacker in the history of football.
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Dean Butler was born on May 20, 1956 in Prince George, BC, Canada. He is a producer and actor best known to audiences for his portrayal of Almanzo Wilder from 1979 to 1983 on the iconic pioneer drama, Little House on the Prairie. He co-starred in the feature film, Desert Hearts, played Moondoggie in the syndicated The New Gidget, and Buffy's dad, Hank Summers, on Buffy the Vampire Slayer. On Broadway Dean played Rapunzal's Prince in the original company of Into the Woods, toured internationally as Tony in West Side Story, and appeared with Carol Burnett in a regional production of Company.
Since 2011 Dean has been the Senior Producer of the Emmy nominated Feherty series on Golf Channel. He lives in Los Angeles and is married to actress, Katherine Cannon.- Actor
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Although Red Buttons is best known as a stand-up comic, he is also a successful songwriter, an Academy Award-winning actor (and has been nominated for two Golden Globe awards) and an accomplished singer. Born Aaron Chwatt in New York City's Lower East Side, Buttons (who got his name from a uniform he wore while working as a singing bellhop) started his show-business career singing on street corners as a child. At 16 he got a job as part of a comedy act playing the famed Catskills resort area in upstate New York (his partner was future actor Robert Alda). Buttons worked the burlesque circuit as a comic and even landed a role in a Broadway play, "Vicki", in 1942. He soon joined the U.S. Marine Corps, and in 1943 was picked for a role in Moss Hart's service play "Winged Victory" on Broadway, and soon afterwards journeyed to Hollywood to make the film version. After his discharge from the service he returned to Broadway, both in plays and as a comic with several big-band orchestras. He was successful enough that he got his own TV series, The Red Buttons Show (1952), on CBS. It lasted three years and won Buttons an Emmy for Best Comedian. He worked steadily for the next several years, and in 1957 got his big film break in the drama Sayonara (1957) with Marlon Brando, in which he played an American soldier stationed in Japan who struggled against the societal and racist pressures of both American and Japanese cultures because of his love for a Japanese woman. His performance garnered him an Academy Award, and more film roles followed. He played a paratrooper in The Longest Day (1962), was nominated for a Golden Globe for Harlow (1965) and again for They Shoot Horses, Don't They? (1969). He had a part in the TV series The Double Life of Henry Phyfe (1966) and has done pretty much every kind of TV show there is, from variety to comedy to soap operas. He gained further renown in the 1970s for his appearances on the "Dean Martin Celebrity Roast" where he performed his "Never Got a Dinner" act to great acclaim. He has played Las Vegas for years, has a star on Hollywood Boulevard (corner of Hollywood and Vine) and has appeared in numerous telethons and charitable events, for which he has been honored by such organizations as the Friars Club and the City of Hope Hospital.- Actress
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Ruth Buzzi was born July 24, 1936 in Westerly, Rhode Island to Rena and Angelo Buzzi. Her father was a nationally recognized stone sculptor. Raised in Wequetequock, Connecticut, she attended Stonington High School. She gained experience as a cheerleader, performing before crowds at athletic events.
At 17, she enrolled at the Pasadena Playhouse for the Performing Arts. Her classmates included Dustin Hoffman and Gene Hackman. She graduated with honors. Buzzi went on to Act in a wide variety of revues throughout New England, and worked alongside other young and talented performers who were just beginning their careers at the time, including Barbra Streisand, Joan Rivers, Dom DeLuise, Bernadette Peters and Carol Burnett.
She came to national recognition when she teamed up with Dom DeLuise in an act in which he played an incompetent magician and she was his sidekick, "Shakuntala", who never spoke but sported a wide grin. Audiences demanded more and they eventually played several major nighttime television variety shows including The Garry Moore Show (1958) "The Entertainers" with Carol Burnett, and Your Show of Shows (1950) with Imogene Coca.
She was hired by Bob Fosse to perform in his wife (Gwen Verdon)'s hit Broadway musical "Sweet Charity". During that time she auditioned for and received a permanent place in Rowan & Martin's Laugh-In (1967), playing everything from deadpan housewives to hard-bitten drunks to Southern belles to hookers. Memorable characters include Busy-Buzzi, a Hollywood gossip columnist; dipsomaniac Doris Swizzler, who frequently got wasted with her husband Leonard (played by Dick Martin); and as one of the Burbank Airlines Stewardesses, who were infamous for their rude behavior.- Actor
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Edd Byrnes was born Edward Byrne Breitenberger on July 30, 1932 in New York City, the son of Mary (Byrne) and Augustus "Gus" Breitenberger. Edd shared an impoverished and unhappy childhood with brother Vincent and sister Jo-Ann. Their mother worked hard at various jobs to keep the family together because her alcoholic husband was often absent from the scene.
When Edd was fifteen, his father was found dead in a basement. Edd then dropped his surname (Breitenberger) in favor of "Byrnes", based on the name of his maternal grandfather, Edward Byrne, a New York City fireman. He found escape from family problems at the movies and at the gym, where he developed an athletic body. At age 17 he was approached by a man who offered to take free "physique" photos of him. According to his 1996 autobiography, "Kookie No More", this led to a few years of "hustling" older, well-to-do men, despite the fact that Edd was heterosexual. One of these men acted as Edd's mentor, introducing him to fashion and culture and encouraging his hopes for an acting career.
After doing some summer-stock work and a few bit parts on TV, Edd drove to California in 1955, arriving in Los Angeles on the day James Dean died in a car crash. He managed to get a few minor parts in films and then won a role in a new TV series, 77 Sunset Strip (1958), which premiered in September 1958. Efrem Zimbalist Jr. and Roger Smith starred as private eyes but Edd, playing a hip-talking parking-lot attendant named "Kookie", won the most attention. Viewers quoted his dialog, ("Baby, you're the ginchiest!"), and young males imitated the way he wielded his ever-present comb. His fan mail soon reached an astonishing 15,000 letters a week and his single with Connie Stevens, "Kookie, Kookie, Lend Me Your Comb", became a top-5 hit. Edd chafed, however, at the restrictions in his Warner Brothers contract, which forced him to turn down roles in Ocean's Eleven (1960), North to Alaska (1960) and Rio Bravo (1959).
He walked off the "77 Sunset Strip" set and in the ensuing months began to drink heavily and visit a psychiatrist, who administered drugs to him. His contract dispute was eventually settled, though not much to his advantage, and when he returned to "77 Sunset Strip" his role was upgraded from "sidekick" to "partner" and he wore a suit and tie. Audience reaction was not good, ratings dropped, and the show was canceled. The hip-talking, hair-combing image clung to him, however, and Edd felt he lost the lead in PT 109 (1963) because President John F. Kennedy didn't want to be played by "Kookie". A few more movies and TV appearances followed, but his career had passed its peak before he turned 30.
In 1962, he married long-time girlfriend Asa Maynor. Their son, Logan, was born on September 13, 1965. Edd and Asa's marriage ended in divorce in 1971, partially due to his substance abuse. In 1982, he succeeded in going "clean and sober" but never remarried. Byrnes died on January 8, 2020, aged 87, in Santa Monica, California.- Actor
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Comedian, saxophonist, composer, actor and musician, he performed within the orchestras of Charlie Spivak, Shep Fields and Claude Thornhill as saxophonist. Later, as super-hip jazz musician "Cool Cees" in television skits, he played tenor saxophone, and sang with the satirical trio "The Hair Cuts" (with Carl Reiner and Howard Morris). He sang the lead role in "Little Me" on Broadway. Joining ASCAP in 1955, his popular song compositions include "I Wrote This Song for Your Birthday" and "Was That You?".- Actor
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Born Charles Callias in Brooklyn, NY on December 20, 1927, he served in the US Army in Germany during World War 2.
Originally a drummer, he played with Tommy Dorsey, Claude Thornhill and Buddy Rich. He was always clowning around and would drive the band members crazy on the bus as they traveled. So much so, they suggested he should be a comedian. "He was just messing around with the guys and it worked, I guess" his son Mark said. Charlie was a natural comic, and it wasn't long before he gave up drumming for stand-up routines. He dropped a vowel from his legal name, Callias, when he took to the stage in his first television appearance in 1963 on the "Hollywood Palace" variety show.
In 1967, he appeared on The Merv Griffin Show and had Jerry Lewis (another one of Merv's guests) in hysterics so much so he told Merv that he had to use Charlie in his upcoming film "The Big Mouth".
He was a regular on the Andy Williams Show and a semi-regular on the Flip Wilson and the Des O'Connor Variety Show; acted as co-host on the Joey Bishop Show.
In 1975, Callas co-starred, for three years, with Robert Wagner and Eddie Albert on the series "Switch." His character used different disguises in most shows proving his versatility.
He made over 50 appearances on The Tonight Show, a popular favorite of Johnny's until Sept 1982 when as part of his act he shoved Johnny off his chair. Carson told him in front of the audience that he would never appear on his show again, and he never did.
Callas had a rapid-fire humor that has tantalized audiences in nightclubs from coast to coast. Among his nightly appearances was a one-year tour of major engagements with Frank Sinatra, including the Universal Amphitheater in Los Angeles. Charlie has also appeared at the Hilton Hotels, Caesar's Palace, The Sands Hotel, Flamingo Hilton, Frontier Hotel in Las Vegas; Harrah's Clubs in Reno and Lake Tahoe; Cal-Neva Lodge; Lake Geneva Playboy Club, Resorts International, Claridge Hotel and Park Place.
Some of his more recent television appearances were on both the "Larry The Cable Guy's Christmas Spectacular" (2007) and the "Larry The Cable Guy's Star-Studded Christmas Extravaganza" (2008) where he delighted audiences with his trademark antics and exceptional comedic talents.
He was married to Eve Velac (who died in July, 2010), had two sons, Mark and Larry, and two grandsons.- Actor
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Bandleader, songwriter ("Minnie the Moocher", "Are You Hep to That Jive?"), composer, singer, actor and author, educated at Crane College. While studying law, he sang with the band The Alabamians, and took over the group in 1928. He led The Missourians orchestra, then organized and led his own orchestra, playing at hotels, theaters and nightclubs throughout the US, and making many records. He joined the cast of the touring company of "Porgy and Bess", which performed across the USA and Europe between 1952 and 1954. When that ended, he founded a quartet. Joining ASCAP in 1942, he collaborated musically with Jack Palmer, Buck Ram, Andy Gibson, Clarence Gaskill, Irving Mills and Paul Mills . His other popular song compositions include "Lady With the Fan", "Zaz Zuh Zaz", "Chinese Rhythm", "Are You In Love With Me Again?", "That Man's Here Again", "Peck-A-Doodle-Doo", "I Like Music", "Rustle of Swing", "Three Swings and Out", "The Jumpin' Jive", "Boog It", "Come on with the Come-on", "Silly Old Moon", "Sunset", "Rhapsody in Rhumba", "Are You All Reet?", "Hi-De-Ho Man", "Levee Lullaby", "Let's Go, Joe", "Geechy Joe", and "Hot Air".- Actress
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Diana Canova was born on 1 June 1953 in West Palm Beach, Florida, USA. She is an actress and writer, known for Soap (1977), The First Nudie Musical (1976) and Throb (1986). She has been married to Elliot Scheiner since 24 July 1982. They have two children. She was previously married to Geoff Levin.- Actress
- Soundtrack
Raucous singing and yodeling and loads of cornpone humor was pretty much the whole shebang when it came to singer/comedienne Judy Canova. Her outlandish image may be considered tacky and/or offensive by today's measure, but back in the 1930s and 1940s it really worked! By the time she left the limelight after five decades, Judy had scored in almost every major area of entertainment there was -- vaudeville, nightclubs, recording, Broadway, radio, film and TV.
Born Juliette Canova to Joseph Francis, a cottonbroker, and Henrietta Perry Canova in Starke, Florida (near Jacksonville), her singing mother encouraged all her children to perform. Judy, the youngest of the Canova brood, eventually joined older siblings Anne and Zeke in a singing vaudeville and radio act. They billed themselves as the Three Georgia Crackers in and about Florida. As she got older, Judy hoped to attend the Cincinnati Conservatory of Music, but the Depression left her with no option but to try out the sibling act out in New York. The foursome (which now included brother Pete) found radio work and made their Broadway debut in the revue "Calling All Stars" in 1934. Judy herself became a solo singer on Rudy Vallee's radio show, then worked with bandleader Paul Whiteman on his series as a hayseed comedienne. Like another famous Judy from a family group (Judy Garland), Judy was the youngest in the act and an inveterate scene-stealer. She sang, she joked, she mugged, she yodeled, and even played guitar. On her own she was showcased in the Ziegfeld Follies of 1936 and went on to star in her own 1939 Broadway show, "Yokel Boy," with siblings Anne and Zeke supporting her.
Capitalizing on her angular figure, rubbery face, almond-shaped eyes and tunnel-wide mouth, Judy made herself up to be purposely homely. Her persona was defined in part by her first husband, Bob Burns. Burns was a nationally-known cracker-barrel radio and film personality during the 1930s and 1940s and recognized by his own hillbilly origins as "The Arkansas Traveler" and "The Arkansas Philosopher." The couple were married in 1936 but the marriage lasted only three years. Judy quickly became a crowd favorite as your man-lovin', pigtail-braidin', straw hat-wearin' country bumpkin.
An offer from Warner Bros. led to films. She and siblings Zeke, Anne and Pete first cavorted in a Ruth Etting musical short The Song of Fame (1934), then made their feature film debut courtesy of director Busby Berkeley clowning around with the song "The Lady in Red" in In Caliente (1935). Brother Pete quit the act at this point and Judy began appearing solo in other showy specialty or acting bits in movies. Promoted as a rowdy Ozark version of Martha Raye, Judy signed with the lesser studio, Republic Pictures, in 1940 for some starring vehicles. In the meantime she recorded for the RCA Victor label while putting out about a dozen Hollywood films.
Scatterbrain (1940) was Judy's first leading film role and was backed by a hillbilly-goes-to-Hollywood storyline. An acquired taste to be sure, Judy's fans nevertheless loved her as the misfit title role in Sis Hopkins (1941) with her hick-amid-the-wealthy antics to carry it off. She and Slim Summerville teamed up to battle city slickers in Puddin' Head (1941) and Joe E. Brown was a fine, zany partner for her in both Joan of Ozark (1942) and Chatterbox (1943). Some war-era fun was to be had by Judy, Jerry Colonna and Ann Miller in True to the Army (1942) and one of Judy's better showcases would come with Sleepytime Gal (1942), which was backed by a young Jule Styne score.
In 1943, Judy began her own radio program, "The Judy Canova Show", which would run for 12 years - first on CBS and later on NBC. Playing pretty much herself, she was backed by a fine array of radio talent including vocal icon Mel Blanc, Ruby Dandridge (Dorothy's mother), Joseph Kearns (Mr. Wilson of TV's Dennis the Menace), Gale Gordon (Mr. Mooney of "The Lucy Show"), Sheldon Leonard and Hans Conried (both from "The Danny Thomas Show"). Dubbed "The Ozark Nightingale", Judy's pigtails-and-calico fad was huge on WWII-era college campuses across the country. A patriotic Judy would typically close her radio show with the song "Goodnight, Soldier" while selling U.S. War Bonds. She also made frequent appearances on other popular radio programs of the day, including Bud Abbott and Lou Costello and Fred Allen's shows.
Although her films were mostly enjoyed by undemanding audiences, they were pretty much dismissed by the critics. As a result, she slowed down her film schedule in 1946 to focus on her radio show and raising her children (daughters Julieta Canova England (the latter nicknamed "Tweeny") and Diana Canova. After starring as herself in Carolina Cannonball (1955) and Lay That Rifle Down (1955), she completely abandoned the movies. Her radio program also ended in 1955. While Canova found some guest shots on such TV shows as "The Colgate Comedy Hour," "Make Room for Daddy" and "Alfred Hitchcock Presents", she decided to try and extend things by forming her own TV production Company, Caravan, Inc. in 1957.
By this time, however, her bucolic buffoon had lost its strong fan base and her career dovetailed. She later suffered personal setbacks as well as ill health and her "comebacks" were brief and erratic in nature. She did portray Mammy Yokum in a TV pilot version of Li'l Abner (1967) which starred hunky Sammy Jackson and Jeannine Riley (from "Petticoat Junction" fame), in the leads but it didn't sell. Judy's occasional work included Las Vegas nightclubs in the early 1970s; she also did a tour of "No, No Nanette" in 1971.
Married four times, daughter, Diana Canova, from her last marriage (1950-1964) to musician and radio/talk show host Filberto Rivero, became an actor in her own right and popular ensemble member of the popular sitcom Soap (1977). In 1983, Judy died from cancer at age 69 and was buried in Forest Lawn Memorial Park Cemetery in Glendale, California. The beloved Judy has been honored with two stars on the Hollywood Walk of Fame for her contributions to both film and radio.- Actress
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French ballet dancer Leslie Caron was discovered by the legendary MGM star Gene Kelly during his search for a co-star in one of the finest musicals ever filmed, the Oscar-winning An American in Paris (1951), which was inspired by and based on the music of George Gershwin. Leslie's gamine looks and pixie-like appeal would be ideal for Cinderella-type rags-to-riches stories, and Hollywood made fine use of it. Combined with her fluid dancing skills, she became one of the top foreign musical artists of the 1950s, while her triple-threat talents as a singer, dancer and actress sustained her long after musical film's "Golden Age" had passed.
Leslie Claire Margaret Caron was born in France on July 1, 1931. Her father, Claude Caron, was a French chemist, and her American-born mother, Margaret Petit, had been a ballet dancer back in the States during the 1920s. Leslie herself began taking dance lessons at age 11. She was on holidays at her grandparents' estate near Grasse when the Allies landed on the 15th of August 1944. After the German rendition, she and her family went to Paris to live. There she attended the Convent of the Assumption and started ballet training. While studying at the National Conservatory of Dance, she appeared at age 14 in "The Pearl Diver," a show for children where she danced and played a little boy. At age 16, she was hired by the renowned Roland Petit to join the Ballet des Champs-Elysees, where she was immediately given solo parts.
Leslie's talent and reputation as a dancer had already been recognized when on opening night of Petit's 1948 ballet "La Rencontre," which was based on the theme of Orpheus and featured the widely-acclaimed dancer 'Jean Babilee', she was seen by then-married Hollywood couple Gene Kelly and Betsy Blair. Leslie did not meet the famed pair at the end of the show that night as the 17-year-old went home dutifully right after her performance, but one year later Kelly remembered Leslie's performance when he returned to Paris in search for a partner for his upcoming movie musical An American in Paris (1951). The rest is history.
Kelly and newcomer Caron's touching performances and elegant and exuberant footwork (especially in the "Our Love Is Here to Stay" and "Embraceable You" numbers, as well as the dazzling 17-minute ballet to the title song) had critics and audiences simply enthralled. The film, directed by Vincente Minnelli, won a total of six Oscar awards, including "Best Picture," plus a Golden Globe for "Best Picture in a Musical or Comedy". Leslie was put under a seven-year MGM contract where her luminous skills would also be featured in non-musical showcases.
While Leslie's dramatic mettle was tested as a New Orleans nightclub entertainer opposite Ralph Meeker's boxer in Glory Alley (1952) and as a French governess in The Story of Three Loves (1953), it was as the child-like urchin who falls for a cruel carnival puppeteer (Mel Ferrer) in Lili (1953) that finally lifted Leslie to Academy Award attention. The film, which went on to inspire the Tony-winning Broadway musical "Carnival," earned Leslie not only an Oscar nomination, but the British Film Award for "Best Actress" as well. At her waif-like best once again in the musical Daddy Long Legs (1955), Leslie was paired this time with the "other" MGM male dancing legend Fred Astaire. The story, which unfolded in an appealing Henry Higgins/Eliza Dolittle style, was partly choreographed by Roland Petit, who founded the Ballet des Champs-Elysees, Leslie's former dance company.
While the actress gave poignant life to the ugly-duckling-turned-swan tale, The Glass Slipper (1955), choreographed by Petit and co-starring Britisher Michael Wilding as Prince Charming, Leslie also played a ballerina in love with WWII soldier John Kerr in Gaby (1956), a lukewarm remake of the superior Waterloo Bridge (1940). It took another plush musical classic, Gigi (1958), to remind audiences once again of Leslie's unique, international appeal. Audrey Hepburn, who had played the title part on Broadway, was keen on doing the film, but producer Arthur Freed wrote the part expressly for Leslie. It was also Freed who called up Fred Astaire to suggest her as his leading lady in Gigi (1958). Leslie tried the role out on the London stage prior to doing the film version. The musical wound up receiving nine Academy Awards, including "Best Picture," and Leslie herself was nominated for a Golden Globe as "Best Musical/Comedy Actress".
A few more forgettable film roles came and went until she returned triumphantly in a non-musical adaptation of a highly successful 1954 Broadway musical. The film version of Fanny (1961) was more adult in nature for Leslie and was blessed with gorgeous cinematography, a touching script and the continental flavor of veterans, Maurice Chevalier, Charles Boyer, and Horst Buchholz. At the movie's centerpiece is a child-like Leslie (at age 30!) who is mesmerizing as a young girl with child who is deserted by her sailor/boyfriend. Even more adult in scope was the shattering British drama The L-Shaped Room (1962) wherein the actress plays a pregnant French refugee who is abandoned yet again. She earned her a second British Academy Award and a second Oscar nomination for this superb performance.
On stage in London with the Royal Shakespeare Company, Leslie earned applause in another Audrey Hepburn Broadway vehicle, "Ondine," in 1961. While the mid-1960s and 1970s saw her film career take a Hollywood detour into breezy comedy with a number of lightweight fare opposite the likes of Rock Hudson, Cary Grant and Warren Beatty, she managed to shine with a complex working class mother role in the remarkable Italian film Il padre di famiglia (1967) starring Nino Manfredi and Ugo Tognazzi, and was spotted in the popular crossover film Valentino (1977) starring iconic Russian ballet star Rudolf Nureyev.
In the 1980s, Leslie appeared in stage productions of "Can-Can", "On Your Toes" and "One for the Tango". She also was invited and accepted to appear on American TV. At the age of 75, the actress won her first Emmy Award with her very moving portrayal of an elderly woman and closeted rape victim in a 2006 episode of Law & Order: Special Victims Unit (1999). More recent filming have included Damage (1992) by Louis Malle, Chocolat (2000) by Lasse Hallström, and the Merchant Ivory romantic comedy/drama The Divorce (2003).
Leslie's private life has been more turbulent than expected. She is divorced from the late meat packing heir and musician Geordie Hormel; from avant-garde Royal Shakespeare director Peter Hall, by whom she has two children, Christopher and Jennifer (both of whom have careers in the entertainment field); and from her Chandler (1971) movie producer Michael Laughlin.
One of the few MGM post-musical stars to enjoy a long, lasting and formidable dramatic career, Leslie Caron is still continuing today though on a much more limited basis. In 2008, the actress published her memoirs, "Thank Heaven," later translated to French as "Une Francaise à Hollywood". In 2010, she triumphed on the Chatelet Theater stage in Paris with her portrayal of Madame Armfeldt in Stephen Sondheim's "A Little Night Music. More recently the still mesmerizing octogenarian had a recurring role as a countess in the British TV series The Durrells (2016). Over the years, she has received a number of "Life Achievement" awards for her contributions to both film and dance.- Actress
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One of television's premier African-American series stars, elegant actress, singer and recording artist Diahann Carroll was born Carol Diann (or Diahann) Johnson on July 17, 1935, in the Bronx, New York. The first child of John Johnson, a subway conductor, and Mabel Faulk Johnson, a nurse; music was an important part of her life as a child, singing at age six with her Harlem church choir. While taking voice and piano lessons, she contemplated an operatic career after becoming the 10-year-old recipient of a Metropolitan Opera scholarship for studies at New York's High School of Music and Art. As a teenager she sought modeling work but it was her voice, in addition to her beauty, that provided the magic and the allure.
When she was 16, she teamed up with a girlfriend from school and auditioned for Arthur Godfrey's Talent Scouts show using the more exotic sounding name of Diahann Carroll. She alone was invited to appear and won the contest. She subsequently performed on the daily radio show for three weeks. In her late teens, she began focusing on a nightclub career and it was here that she began formulating a chic, glamorous image. Another TV talent show appearance earned her a week's engagement at the Latin Quarter.
Broadway roles for black singers were rare but at age nineteen, Diahann was cast in the Harold Arlen/Truman Capote musical "House of Flowers". Starring the indomitable Pearl Bailey, Diahann held her own quite nicely in the ingénue role. While the show itself was poorly received, the score was heralded and Diahann managed to introduce two song standards, "A Sleepin' Bee" and "I Never Has Seen Snow", both later recorded by Barbra Streisand.
In 1954 she and Ms. Bailey supported a riveting Dorothy Dandridge as femme fatale Carmen Jones (1954) in an all-black, updated movie version of the Georges Bizet opera "Carmen." Diahann later supported Ms. Dandridge again in Otto Preminger's cinematic retelling of Porgy and Bess (1959). During this time she also grew into a singing personality on TV while visiting such late-nite hosts as Jack Paar and Steve Allen and performing.
Unable to break through into the top ranks in film (she appeared in a secondary role once again in Paris Blues (1961), a Paul Newman/Joanne Woodward vehicle), Diahann returned to Broadway. She was rewarded with a Tony Award for her exceptional performance as a fashion model in the 1962 musical "No Strings," a bold, interracial love story that co-starred Richard Kiley. Richard Rodgers, whose first musical this was after the death of partner Oscar Hammerstein, wrote the part specifically for Diahann, which included her lovely rendition of the song standard "The Sweetest Sounds." By this time she had already begun to record albums ("Diahann Carroll Sings Harold Arlen" (1957), "Diahann Carroll and Andre Previn" (1960), "The Fabulous Diahann Carroll" (1962). Nightclub entertaining filled up a bulk of her time during the early-to-mid 1960s, along with TV guest appearances on Carol Burnett, Judy Garland, Andy Williams, Dean Martin and Danny Kaye's musical variety shows.
Little did Diahann know that in the late 1960s she would break a major ethnic barrier on the small screen. Though it was nearly impossible to suppress the natural glamour and sophistication of Diahann, she touchingly portrayed an ordinary nurse and widow struggling to raise a small son in the series Julia (1968). Despite other Black American actresses starring in a TV series (i.e., Hattie McDaniel in "Beulah"), Diahann became the first full-fledged African-American female "star" -- top billed, in which the show centered around her lead character. The show gradually rose in ratings and Diahann won a Golden Globe award for "Best Newcomer" and an Emmy nomination. The show lasted only two seasons, at her request.
A renewed interest in film led Diahann to the dressed-down title role of Claudine (1974), as a Harlem woman raising six children on her own. She was nominated for an Oscar in 1975, but her acting career would become more and more erratic after this period. She did return, however, to the stage with productions of "Same Time, Next Year" and "Agnes of God". While much ado was made about her return to series work as a fashionplate nemesis to Joan Collins' ultra-vixen character on the glitzy primetime soap Dynasty (1981), it became much about nothing as the juicy pairing failed to ignite. Diahann's character was also a part of the short-lived "Dynasty" spin-off The Colbys (1985).
Throughout the late 1980s and early 90s she toured with her fourth husband, singer Vic Damone, with occasional acting appearances to fill in the gaps. Some of her finest work came with TV-movies, notably her century-old Sadie Delany in Having Our Say: The Delany Sisters' First 100 Years (1999) and as troubled singer Natalie Cole's mother in Livin' for Love: The Natalie Cole Story (2000). She also portrayed silent screen diva Norma Desmond in the musical version of "Sunset Blvd." and toured America performing classic Broadway standards in the concert show "Almost Like Being in Love: The Lerner and Loewe Songbook." She then had recurring roles on Grey's Anatomy (2005) and White Collar (2009).
Diahann Carroll died on October 4, 2019, in Los Angeles, California.- Actress
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Actress and entertainer Pat Carroll played everything from chatterbox wives to wicked stepsisters on TV, and from Gertrude Stein to Shakespeare's Falstaff on stage. Even at 80 plus, the plucky comedienne showed no sign of stopping any time The riotous Pat Carroll was born in Shreveport, Louisiana in 1927, the daughter of Angela (Meagher) and Maurice Clifton Carroll. Her family moved to Los Angeles when Pat was five, and there began performing in local stage productions. She graduated from Hollywood's Immaculate Heart High School, an all-girls Catholic school, then attended Immaculate College, also in Los Angeles, and Catholic University of America.
Following her college graduation, she began performing comedy in nightclubs and gained early experience with appearances in resort areas. Her stage debut in 1947 with a role in "The Goose and the Gander" starring Gloria Swanson led to hundreds of stock roles. She made her off-Broadway debut in the play "Come What May" in 1950. Also a talented singer, she earned a Tony nomination for her Broadway work in the singing revue "Catch a Star" in 1955, and then enjoyed a number of brash showcases in such musicals as "On the Town," "Once Upon a Mattress" and "The Unsinkable Molly Brown".
It was, however, the "golden age" of TV that truly took advantage of Pat's adroit talents. An initial "second banana" regular on the variety programs The Red Buttons Show (1952) and The Saturday Night Revue (1953), she copped an Emmy award for her work on Caesar's Hour (1954) as Howard Morris' wife and earned fine reviews from her recurring role on the sitcom The Danny Thomas Show (1953) playing Bunny Halper, the pert and plucky wife of Danny Thomas' nightclub manager Charlie Halper (Sid Melton).
Pat's down-to-earth demeanor, chummy disposition and hearty, infectious laugh made her a popular guest on all the major talkfests and a welcomed panelist on such game shows as "You Don't Say," "To Tell the Truth," "I've Got a Secret" and "Password". In 1965, she co-starred on TV as one of the wicked stepsisters in the endearing Rodgers and Hammerstein's musical Cinderella (1965), which starred Lesley Ann Warren as the princess-to-be. In later years she won recurring/regular roles on the last season of Too Close for Comfort (1980) [retitled in 1986 as "The Ted Knight Show"] and the Suzanne Somers' sitcom She's the Sheriff (1987).
As a character actress, the cropped-blond comedienne never made much of a dent in film, which included supporting roles in With Six You Get Eggroll (1968) with Doris Day and The Brothers O'Toole (1973) with John Astin. In the late 1970s her career received a huge shot in the arm with the award-winning, one-woman show "Gertrude Stein, Gertrude Stein, Gertrude Stein", which she also produced and won multiple theater awards, including the Outer Critics Circle and Drama Desk trophies. A complete departure from her usual comedy antics, audiences saw a burgeoning dramatic actress in the making. Taking the show on the road for four years, she also won a Grammy for her recorded version of the performance in 1981. She then returned to Broadway after thirty years to appear in the play "Dancing in the End Zone" (1985).
Pat surprised her fans by continuing vigorously in this vein. She began taking on Shakespearean roles and earning critical acclaim. For her interpretations of Sir John Falstaff in "The Merry Wives of Windsor" and the Nurse in "Romeo and Juliet" she won bookend Helen Hayes awards. A life member of The Actors Studio, other challenging stage roles over the years have included Volpone, Mother Courage (another Helen Hayes award), the Stage Manager in "Our Town" and the Chorus in a Broadway revival of "Electra".
Still interested in tickling the funny bone on occasion, she performed in a number of adaptations of the wacky musical comedy "Nunsense" playing the Reverend Mother. If this weren't enough, she extended herself into directing, helming a musical version of "Alice in Wonderland" for The Kennedy Center, as well as productions of "Private Lives and "The Supporting Cast".
With the late 1980s, Pat became a voice-over favorite on numerous animated programs -- notably for Disney as the sea witch Ursula in The Little Mermaid (1989) and other voices in A Goofy Movie (1995). Into the millennium, the feisty character lady still gave voice life to many Disney related characters and in video games and special projects. Some elderly film work includes Outside Sales (2006), Freedom Writers (2007), Nancy Drew (2007), Bridesmaids (2011) and BFFs (2014). She also guested on the drama series ER (1994) and provided the voice of Old Lady Crowley in the Disney TV animated series Rapunzel's Tangled Adventure (2017).
She had three children (oldest son Sean and daughters Kerry and Tara) by late husband Lee Karsian, a one-time manager and talent agent. Tara Karsian is a character actress from stage, film and TV. Kerry Karsian is a casting director.- Actor
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Jack Carter was born on 24 June 1922 in Brighton Beach, Brooklyn, New York City, New York, USA. He was an actor and director, known for History of the World: Part I (1981), Alligator (1980) and Amazing Stories (1985). He was married to Roxanne Wander, Paula Stewart and Joan Mann. He died on 28 June 2015 in Beverly Hills, California, USA.- Actress
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Born in England, Angela is the younger sister of actress Veronica Cartwright. As a child she was cast as the cute little stepdaughter, Linda Williams, on The Danny Thomas Show (1953). She was on the show from 1957 to 1964. After that, she was cast as Brigitta in the popular Julie Andrews movie The Sound of Music (1965). Soon after, she returned to series TV as Penny Robinson, young teenage space traveler, in Lost in Space (1965), which ran from 1965-1968. Even with cheap special effects and a hokey story line, the show is still popular today. In 1970 Angela had a part in Make Room for Granddaddy (1970), a sequel to the original series, but the show was soon canceled. Since that time, she has made a life outside of films.- Randall Carver was born on 25 May 1946 in Fort Worth, Texas, USA. He is an actor, known for There Will Be Blood (2007), Taxi (1978) and Man on the Moon (1999). He has been married to Shelley Herman since 21 December 2012.
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David Cassidy was born on April 12, 1950 in Manhattan, to Jack Cassidy, a very skilled actor and singer, and Evelyn Ward, an actress. By the time he was five, his parents were divorced and Jack had married actress Shirley Jones, an actress who in 1955 had just made Oklahoma! (1955). When David was about 10, his mother moved to California from New Jersey. A few years later, she married a director and, like Jack Cassidy and Shirley Jones, the marriage ended in divorce. David was thrown out of schools and hardly made it through one year of college. When he was eighteen, he went east to New York to perform in a play called "The Fig Leafs are Falling." He did some other spots on TV, but in 1970 he got the opportunity to play Keith Partridge on the TV show The Partridge Family (1970). (He did not know until he got the part that his real life stepmother Shirley Jones was to play his mother Shirley.) The show ended in 1974, but not the close relationship he had with his "sister" Susan Dey, who played Laurie Partridge. In 1976, David's father Jack died when his apartment caught on fire. That year, David married Kay Lenz, but they later divorced. He married again to a horse trainer in 1984, but it did not last either. In 1990, he married Sue Shifrin. He had two children, a son named Beau, with Sue, and actress Katie Cassidy. In 1994, he wrote a book about his years being Keith Partridge, and performed updated songs from the Partridge Family years.
David died on November 21, 2017, in Fort Lauderdale, Florida. He was sixty seven.- Actress
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The very lovely, vivacious and smart-looking Joanna Cassidy was born in Camden, New Jersey, and raised in nearby Haddonfield, a borough located in Camden County. She grew up in a creative environment as the daughter and granddaughter of artists. At an early age she engaged in painting and sculpture and went on to major in art at Syracuse University in New York. During her time there she married Kennard C. Kobrin in 1964, a doctor in residency, and found work as a fashion model to help work his way to a degree. The couple eventually moved to San Francisco, where her husband set up a psychiatric practice; Joanna continued modeling and gave birth to a son and daughter. Following their divorce ten years later, she decided to move to Los Angeles in a bid for an acting career.
In between modeling chores and occasional commercial gigs, the reddish-haired beauty found minor, decorative work as an actress in such action fare as Steve McQueen's thriller Bullitt (1968), the Jason Robards drama Fools (1970), The Laughing Policeman (1973) starring Walter Matthau and The Outfit (1973) with Robert Duvall. Her first co-starring role came opposite George C. Scott in the offbeat comedy caper The Bank Shot (1974).
Television became an important medium for her in the late 1970s, with guest parts on all the popular shows of the time, both comedic and dramatic, including Dallas (1978). Trapper John, M.D. (1979), Taxi (1978), Starsky and Hutch (1975), Charlie's Angels (1976), Lou Grant (1977) and a recurring role on Falcon Crest (1981). A regular on the sketch/variety show Shields and Yarnell (1977), which showcased the popular mime couple, Joanna languished in three failed series attempts--The Roller Girls (1978), 240-Robert (1979) and The Family Tree (1983)--before hitting the jackpot with the sitcom Buffalo Bill (1983) opposite Dabney Coleman, in which she finally had the opportunity to demonstrate her flair for offbeat comedy. The show became that's season's critical darling, with Coleman playing a vain, sexist, obnoxious talk show host (a variation of his popular 9 to 5 (1980) film character) and Joanna received a Golden Globe for her resourceful portrayal of Jo Jo White, the director of his show and romantic foil for Coleman, who stood toe-to-toe with his antics.
The 1980s also brought about positive, critical reception for Joanna on film as well, especially in a number of showy portrayals, notably her snake-dancing replicant in the futuristic sci-fi thriller Blade Runner (1982), her radio journalist involved with Nick Nolte and Ed Harris in the political drama Under Fire (1983) and her co-starring role in a wacky triangle with Bob Hoskins and a hyperkinetic hare in the highly ambitious part toon/part fantasy film Who Framed Roger Rabbit (1988). Back on the TV front she was seen in recurring roles on L.A. Law (1986), Diagnosis Murder (1993), The District (2000) and Boston Legal (2004).
Since then Joanna has juggled a number of quality film and TV assignments, a definitive highlight being her Emmy-nominated recurring role as a quirky, capricious mother/psychiatrist in the cult cable series Six Feet Under (2001). More recently she has taken part in more controversial film work that contain stronger social themes such as Anthrax (2001), a Canadian political thriller whose storyline feeds on the fear of terrorism; The Virgin of Juarez (2006), which chronicled the murders of hundreds of Mexican women; and the gay-themed pictures Kiss the Bride (2007) and Anderson's Cross (2010).
Off-camera Joanna is devoted to her art (painting, sculpting) and is a dedicated animal activist as well as golfer and antique collector. She presently resides in the Los Angeles area with her dogs.- Actress
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Carol Channing was born January 31, 1921, at Seattle, Washington, the daughter of a prominent newspaper editor, who was very active in the Christian Science movement. She attended high school in San Francisco and later worked as a model in Los Angeles. She attended prestigious Bennington College in Vermont and majored in drama and dance and supplemented her work by taking parts in nearby Pocono Resort area. Carol initially made her mark on Broadway in "Gentleman Prefer Blondes" playing Lorelei Lee. In "Hello Dolly" she played Dolly Gallagher Levi, the witty, manipulative widow intent upon finding a wealthy husband. The musical won ten Tony awards in 1964, including Channing's for best actress in a comedy. Jacqueline Kennedy and her two children made their first public appearance after President John F. Kennedy's death by seeing her perform in "Hello Dolly" and later visited her backstage. She appeared in the film Thoroughly Modern Millie (1967). Her son Channing Carson is a Pulitizer Prize-nominated finalist cartoonist and she continued to practice her Christian Science religion.- Actress
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Cyd Charisse was born Tula Ellice Finklea on March 8, 1922, in Amarillo, Texas. Born to be a dancer, she spent her early childhood taking ballet lessons and joined the Ballet Russe at age 13. In 1939, she married Nico Charisse, her former dance teacher. In 1943, she appeared in her first film, Something to Shout About (1943), billed as Lily Norwood. The same year, she played a Russian dancer in Mission to Moscow (1943), directed by Michael Curtiz. In 1945, she was hired to dance with Fred Astaire in Ziegfeld Follies (1945), and that uncredited appearance got her a seven-year contract with MGM. She appeared in a number of musicals over the next few years, but it was Singin' in the Rain (1952) with Gene Kelly that made her a star. That was quickly followed by her great performance in The Band Wagon (1953). As the 1960s dawned, musicals faded from the screen, as did her career. She made appearances on television and performed in a nightclub revue with her second husband, singer Tony Martin. Cyd Charisse died at age 86 of a heart attack on June 17, 2008 in Los Angeles, California.- Actress
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Charo was born on 15 January 1951 in Murcia, Spain. She is an actress, known for Thumbelina (1994), The Concorde... Airport '79 (1979) and Tiger by the Tail (1970). She was previously married to Kjell Rasten and Xavier Cugat.- Actor
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Born in New York City of humble means, character player James Coco was the son of Feliche, an Italian shoemaker, and Ida (Detestes) Coco. Shining shoes as a youngster with his father, his interest in acting occurred early on as a child. At age 17 he toured with a children's theatre troupe for three years portraying Old King Cole and Hans Brinker. Intensive study with acting guru Uta Hagen led to his Broadway debut at age 29 in "Hotel Paradiso" in 1957, but he earned his first acting award, an Obie, for his performance in the 1961 off-Broadway production of "The Moon in Yellow River". He went on to win a second and third Obie for his performances in the plays "Fragments" (1967) and "The Transfiguration of Benno Blimppie" (1977). Dark, hefty and prematurely balding, he proved to be a natural on the comedy stage and in scores of commercials (notably as Willy the plumber in the Drano ads) throughout the 1960s. Other comedy theater highlights included roles in "Auntie Mame," "Everybody Loves Opal," "A Shot in the Dark," "Bell, Book and Candle" and "You Can't Take It With You".
In the late 60s he formed a strong collaboration with playwright Terrence McNally and appeared in an off-Broadway double-bill of his one-act plays (his one-act was entitled "Witness") in 1968, followed by "Here's Where I Belong" a failed 1968 Broadway musical variation of the Steinbeck play "East of Eden" that closed on opening night. Their most notable alliance occurred the following year with the play "Next," which ran more than 700 performances and earned Coco a Drama Desk award. Sixteen years later, and shortly before Coco's death, the two reunited for the 1985 Manhattan Theatre Club production of "It's Only a Play".
Coco also earned kudos for his work in Neil Simon comedies, and "The Last of the Red Hot Lovers" (1969), which was specifically written for him, earned him a Tony Award nomination as Best Actor. The two later joined forces for a Broadway revival of the musical "Little Me" and the hilarious film comedy spoofs Murder by Death (1976) and The Cheap Detective (1978), in addition to his moving support role as Marsha Mason's depressed gay actor/friend in Only When I Laugh (1981), which garnered his sole Oscar nomination.
Achieving stardom first on stage, Coco's other films were a mixed bag with more misses (Ensign Pulver (1964), Man of La Mancha (1972) (as Sancho Panza), The Wild Party (1975), Scavenger Hunt (1979)) than hits (A New Leaf (1971)). On the TV screen, Coco fronted two short-lived 1970s comedy series, Calucci's Department (1973) and The Dumplings (1976), and also appeared in daytime soaps (The Edge of Night (1956) and "The Guiding Light"). Throughout his career he played an amusing number of characters on such sitcoms as Maude (1972) and Alice (1976) and also played bathos and pathos to great effect, not only winning an Emmy for his dramatic performance on a St. Elsewhere (1982) episode but appearing opposite Doris Roberts as the brittle Van Daan couple in the TV version of The Diary of Anne Frank (1980). One of his last TV assignments was a recurring role on the sitcom "Who's The Boss?" in 1986-1987.
In his last years, Coco received attention for his culinary talents and best-selling cookbooks. The James Coco Diet, an educational book which included chapters on menu planning and behavior modification as well as choice recipes), was just one that he promoted on the talk show circuit. It is probably not a coincidence that he often played characters with extreme food issues. Suffering from obesity (5'10", 250 lbs.) for most his adult life, the talented actor died unexpectedly of a heart attack in New York City in 1987 at the age of 56, and was buried in St. Gertrude's Roman Catholic Cemetery in Colonia, New Jersey.