Best 3D Feature Film Directors
A list of directors with a talent for creating stereoscopic 3D movies
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Tsui Hark recently became the fourth Chinese film director to join the board of judges for the 57th Cannes Film Festival in the feature films category this year.
An internationally acclaimed visionary director, Tsui started making experimental movies with 8mm film when he was only 13. After graduating from the University of Texas in Austin, majoring in film, he returned to Hong Kong in 1977 and landed a job working in television. In 1979 he directed his film debut, The Butterfly Murders (1979). It raised a lot of attention, and was hailed by many as the start of a new wave in Hong Kong cinema. After making numerous critically and successful films, he co-founded his own production house, Film Workshop, with his wife, Nansun Shi, in 1984. Although the company was intended to be contemporary, it went on to become one of the most successful production companies in Hong Kong, having produced such classics of Hong Kong cinema as _Sinnui yauwan (1987)_ and A Better Tomorrow (1986), which was directed by John Woo and starred the amazing Chow Yun-Fat.
Considered the master of kung-fu action films, Tsui Hark's The Swordsman (1990), _Xiao ao jiang hu zhi dong fang bu bai (1991)_, Dragon Inn (1992) and Once Upon a Time in China (1991) created a new era and standard for the "wuxia" genre that has now become a trend in filmmaking.Young Detective Dee: Rise of the Sea Dragon, Detective Dee: The Four Heavenly Kings, The Taking of Tiger Mountain, Flying Swords of Dragon Gate, Journey to the West: The Demons Strike Back, Sword Master, The Thousand Faces of Dunjia
Upcoming: The Legend of Condor Heroes: The Great Hero, The Return of Condor Heroes?, The Heaven Sword and Dragon Saber?- Writer
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James Francis Cameron was born on August 16, 1954 in Kapuskasing, Ontario, Canada. He moved to the United States in 1971. The son of an engineer, he majored in physics at California State University before switching to English, and eventually dropping out. He then drove a truck to support his screenwriting ambition. He landed his first professional film job as art director, miniature-set builder, and process-projection supervisor on Roger Corman's Battle Beyond the Stars (1980) and had his first experience as a director with a two week stint on Piranha II: The Spawning (1982) before being fired.
He then wrote and directed The Terminator (1984), a futuristic action-thriller starring Arnold Schwarzenegger, Michael Biehn and Linda Hamilton. It was a low budget independent film, but Cameron's superb, dynamic direction made it a surprise mainstream success and it is now regarded as one of the most iconic pictures of the 1980s. After this came a string of successful, bigger budget science-fiction action films such as Aliens (1986), The Abyss (1989) and Terminator 2: Judgment Day (1991). In 1990, Cameron formed his own production company, Lightstorm Entertainment. In 1997, he wrote and directed Titanic (1997), a romance epic about two young lovers from different social classes who meet on board the famous ship. The movie went on to break all box office records and earned eleven Academy Awards. It became the highest grossing movie of all time until 12 years later, Avatar (2009), which invented and pioneered 3D film technology, and it went on to beat "Titanic", and became the first film to cost two billion dollars until 2019 when Marvel took the record.
James Cameron is now one of the most sought-after directors in Hollywood. He was formerly married to producer Gale Anne Hurd, who produced several of his films. In 2000, he married actress Suzy Amis, who appeared in Titanic, and they have three children.Avatar, Avatar: The Way of Water, Terminator 2: Judgment Day, T2 3-D: Battle Across Time (Attraction), Titanic, Ghosts of the Abyss, Aliens of the Deep, Deepsea Challenge
Upcoming: Avatar: The Seed Bearer, Avatar: The Tulkun Rider, Avatar 5- Director
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Born in 1954 in Pingtung, Taiwan, Ang Lee has become one of today's greatest contemporary filmmakers. Ang graduated from the National Taiwan College of Arts in 1975 and then came to the U.S. to receive a B.F.A. Degree in Theatre/Theater Direction at the University of Illinois at Urbana-Champaign, and a Masters Degree in Film Production at New York University. At NYU, he served as Assistant Director on Spike Lee's student film, Joe's Bed-Stuy Barbershop: We Cut Heads (1983). After Lee wrote a couple of screenplays, he eventually appeared on the film scene with Pushing Hands (1991), a dramatic-comedy reflecting on generational conflicts and cultural adaptation, centering on the metaphor of the grandfather's Tai-Chi technique of "Pushing Hands". The Wedding Banquet (1993) (aka The Wedding Banquet) was Lee's next film, an exploration of cultural and generational conflicts through a homosexual Taiwanese man who feigns a marriage in order to satisfy the traditional demands of his Taiwanese parents. It garnered Golden Globe and Oscar nominations, and won a Golden Bear at the Berlin Film Festival. The third movie in his trilogy of Taiwanese-Culture/Generation films, all of them featuring his patriarch figure Sihung Lung, was Eat Drink Man Woman (1994) (aka Eat Drink Man Woman), which received a Best Foreign Film Oscar nomination. Lee followed this with Sense and Sensibility (1995), his first Hollywood-mainstream movie. It acquired a Best Picture Oscar nomination, and won Best Adapted Screenplay, for the film's screenwriter and lead actress, Emma Thompson. Lee was also voted the year's Best Director by the National Board of Review and the New York Film Critics Circle. Lee and frequent collaborator James Schamus next filmed The Ice Storm (1997), an adaptation of Rick Moody's novel involving 1970s New England suburbia. The movie acquired the 1997 Best Screenplay at Cannes for screenwriter James Schamus, among other accolades. The Civil War drama Ride with the Devil (1999) soon followed and received critical praise, but it was Lee's Crouching Tiger, Hidden Dragon (2000) (aka Crouching Tiger, Hidden Dragon) that is considered one of his greatest works, a sprawling period film and martial-arts epic that dealt with love, loyalty and loss. It swept the Oscar nominations, eventually winning Best Foreign Language Film, as well as Best Director at the Golden Globes, and became the highest grossing foreign-language film ever released in America. Lee then filmed the comic-book adaptation, Hulk (2003) - an elegantly and skillfully made film with nice action scenes. Lee has also shot a short film - Chosen (2001) (aka Hire, The Chosen) - and most recently won the 2005 Best Director Academy Award for Brokeback Mountain (2005), a film based on a short story by Annie Proulx. In 2012 Lee directed Life of Pi which earned 11 Academy Award nominations and went on to win the Academy Award for Best Director. In 2013 Ang Lee was selected as a member of the main competition jury at the 2013 Cannes Film Festival.Life of Pi, Billy Lynn's Long Halftime Walk, Gemini Man- Producer
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Martin Charles Scorsese was born on November 17, 1942 in Queens, New York City, to Catherine Scorsese (née Cappa) and Charles Scorsese, who both worked in Manhattan's garment district, and whose families both came from Palermo, Sicily. He was raised in the neighborhood of Little Italy, which later provided the inspiration for several of his films. Scorsese earned a B.S. degree in film communications in 1964, followed by an M.A. in the same field in 1966 at New York University's School of Film. During this time, he made numerous prize-winning short films including The Big Shave (1967), and directed his first feature film, Who's That Knocking at My Door (1967).
He served as assistant director and an editor of the documentary Woodstock (1970) and won critical and popular acclaim for Mean Streets (1973), which first paired him with actor and frequent collaborator Robert De Niro. In 1976, Scorsese's Taxi Driver (1976), also starring De Niro, was awarded the Palme d'Or at the Cannes Film Festival, and he followed that film with New York, New York (1977) and The Last Waltz (1978). Scorsese directed De Niro to an Oscar-winning performance as boxer Jake LaMotta in Raging Bull (1980), which received eight Academy Award nominations, including Best Picture and Best Director, and is hailed as one of the masterpieces of modern cinema. Scorsese went on to direct The Color of Money (1986), The Last Temptation of Christ (1988), Goodfellas (1990), Cape Fear (1991), The Age of Innocence (1993), Casino (1995) and Kundun (1997), among other films. Commissioned by the British Film Institute to celebrate the 100th anniversary of the birth of cinema, Scorsese completed the four-hour documentary, A Personal Journey with Martin Scorsese Through American Movies (1995), co-directed by Michael Henry Wilson.
His long-cherished project, Gangs of New York (2002), earned numerous critical honors, including a Golden Globe Award for Best Director; the Howard Hughes biopic The Aviator (2004) won five Academy Awards, in addition to the Golden Globe and BAFTA awards for Best Picture. Scorsese won his first Academy Award for Best Director for The Departed (2006), which was also honored with the Director's Guild of America, Golden Globe, New York Film Critics, National Board of Review and Critic's Choice awards for Best Director, in addition to four Academy Awards, including Best Picture. Scorsese's documentary of the Rolling Stones in concert, Shine a Light (2008), followed, with the successful thriller Shutter Island (2010) two years later. Scorsese received his seventh Academy Award nomination for Best Director, as well as a Golden Globe Award, for Hugo (2011), which went on to win five Academy Awards.
Scorsese also serves as executive producer on the HBO series Boardwalk Empire (2010) for which he directed the pilot episode. Scorsese's additional awards and honors include the Golden Lion from the Venice Film Festival (1995), the AFI Life Achievement Award (1997), the Honoree at the Film Society of Lincoln Center's 25th Gala Tribute (1998), the DGA Lifetime Achievement Award (2003), The Kennedy Center Honors (2007) and the HFPA Cecil B. DeMille Award (2010). Scorsese and actor Leonardo DiCaprio have worked together on five separate occasions: Gangs of New York (2002), The Aviator (2004), The Departed (2006), Shutter Island (2010) and The Wolf of Wall Street (2013).Hugo- Director
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Jean-Pierre Jeunet is a self-taught director who was very quickly interested by cinema, with a predilection for a fantastic cinema where form is as important as the subject. Thus he started directing TV commercials and video clips (such as Julien Clerc in 1984). At the same time he met designer/drawer Marc Caro with whom he made two short animation movies: L'évasion (1978) and Le manège (1979), the latter winning a César for the best short movie. After these two successful movies Jeunet and Caro spent more than one year together by making every detail (scenario, costumes, production design) of their third short movie: The Bunker of the Last Gunshots (1981). This movie combined sci-fi and heroic-fantasy in a visually delirious story of the rising paranoia among soldiers trapped underground. With that movie they garnered several festival prizes in France. (This movie also marked their first collaboration with Gilles Adrien who later wrote the story of their two feature movies with them). After that Jeunet directed two other short movies without the help of Caro: Pas de repos pour Billy Brakko (1983), then Foutaises (1989) with Dominique Pinon who became another regular collaborator of Jeunet. All Jeunet's short movies won a lot of awards in France but also overseas and he won a second César with Foutaises (1989).
In 1991, Jeunet and Caro took their first steps in a feature movie: Delicatessen (1991). It was such a success that it won 4 Césars including the awards for the best new director(s) and the best scenario. For this movie Jeunet and Caro divided responsibilities with the former guiding the actors and the latter coordinating the artistic elements. And Jeunet showed again his liking to have Dominique Pinon, of course, but also Rufus, Jean-Claude Dreyfus and Ticky Holgado who appeared again in Jeunet's next movies, or Maurice Lamy who already had a little role in Foutaises (1989). The success of Delicatessen (1991) even surprised Jeunet and Caro themselves but they took advantage of that in order to finally make their almost 10 year-old project! This project took more than 4 more years to be carried out but the movie turned out enormous: The City of Lost Children (1995) was a black tale and was so innovative at this period that they needed to create new software for the special effects (mostly made by Pitof). Jeunet and Caro kept the same responsibilities as in Delicatessen (1991) and the movie also combined different international skills: US actor Ron Perlman, Chilean-born actor Daniel Emilfork, Iranian cinematographer Darius Khondji (who was already in the crew of Delicatessen (1991)), Americo-Italian composer Angelo Badalamenti and French fashion-designer Jean-Paul Gaultier for the costumes. While the film was supposed to be suitable for children, some considered it "dark", to which Jeunet and Caro replied that it was no more "dark" than Pinocchio (1940) or Bambi (1942).
But these critics didn't stop the movie from being successful and when the movie gained them further attention, it was only a matter of time before Hollywood called them. Thus in 1997, Jeunet left France to make a temporary career in the USA for the fourth installment of the 'Alien' series: Alien: Resurrection (1997). Marc Caro followed him just as a design supervisor but Jeunet brought with him a little army' of his usual collaborators (mostly French): actors Dominique Pinon and Ron Perlman, but also Pitof, Darius Khondji or editor Hervé Schneid, and for the first time Alain Carsoux who was responsible of the special effects of Jeunet's next film. In 2000, after two collaborations with Caro and one in the US, Jeunet came back to France in order to make a more personal movie, even if Guillaume Laurant wrote the story with him. Thus he used a lot of different details he wrote everywhere during his life (and also recycled things he'd already done, e.g. in Foutaises (1989)) and shot his story mostly in the Parisian suburb of Montmartre where he lives. Then the result was Amélie (2001) starring Audrey Tautou and Mathieu Kassovitz. With this movie Jeunet made the biggest worldwide success of French cinema history. A real magical potion, which won innumerable awards in the whole world including 4 Césars (therefore Jeunet won his fifth and sixth Césars!).
Jeunet eventually decided to adapt Sébastien Japrisot's book A Very Long Engagement (2004) for which he called Audrey Tautou and Dominique Pinon again, but also many other famous French actors and Jodie Foster. It had one of the most important budgets in French film history and eventually had a good international success and many nominations and awards.The Young and Prodigious T.S. Spivet- Writer
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Arch Oboler was born on 7 December 1909 in Chicago, Illinois, USA. He was a writer and director, known for Five (1951), The Twonky (1953) and One Plus One (1961). He was married to Eleanor Helfand. He died on 19 March 1987 in Westlake Village, California, USA.The Bubble, Bwana Devil, Domo Arigato- Director
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Jack Arnold reigns supreme as one of the great directors of 1950s science-fiction features. His films are distinguished by moody black and white cinematography, solid acting, smart, thoughtful scripts, snappy pacing, a genuine heartfelt enthusiasm for the genre and plenty of eerie atmosphere.
Arnold was born on October 14, 1912, in New Haven, Connecticut. He began his show business career as an actor in both on- and off-Broadway stage productions in the late 1930s and early 1940s; among the plays he appeared in are "The Time of Your Life," "Juke Box Jenny," "Blind Alibi," "China Passage," and "We're on the Jury." Arnold served in the US Army in the Signal Corps during World War II. He apprenticed under famous documentary filmmaker Robert J. Flaherty. Following his tour of duty Jack started making short films and documentaries. One short, With These Hands (1950), was nominated for an Academy Award as Best Documentary Feature. Arnold made his theatrical movie debut with the B picture Girls in the Night (1953). He then did his first foray into the science-fiction genre: the supremely spooky It Came from Outer Space (1953). Jack achieved his greatest enduring cult popularity with Creature from the Black Lagoon (1954), a scary yet poetic reworking of "Beauty and the Beast". Revenge of the Creature (1955) was a worthy sequel. Tarantula (1955) was likewise a lot of fun. The Incredible Shrinking Man (1957) rates highly as Arnold's crowning cinematic achievement; it's an intelligent and entertaining classic that's lost none of its potency throughout the years.
Arnold's final two genre entries were the enjoyable Monster on the Campus (1958) and the offbeat The Space Children (1958). His other movies are a pretty varied and interesting bunch, including the hugely successful The Mouse That Roared (1959) (which helped to establish Peter Sellers as an international star), the teen exploitation gem High School Confidential! (1958), the superior Audie Murphy western No Name on the Bullet (1959), the goofy comedy Hello Down There (1969) and the silly softcore romp The Bunny Caper (1974).
In addition to his film work, Arnold also directed episodes of such TV shows as Science Fiction Theatre (1955), Peter Gunn (1958), Perry Mason (1957), Rawhide (1959), Gilligan's Island (1964), Mod Squad (1968), Wonder Woman (1975), The Love Boat (1977), The Bionic Woman (1976) and Buck Rogers in the 25th Century (1979).
The father of producer/casting director Susan Arnold, Jack Arnold died at age 79 on March 17, 1992.Creature from the Black Lagoon, Revenge of the Creature, It Came from Outer Space, The Glass Web- Director
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Although he obtained a law degree from the Royal Hungarian University, Andre De Toth decided to become an actor, and spent several years on the stage. He then entered the Hungarian film industry, obtaining work as a writer, editor, second unit director and actor before finally becoming a director. He directed a few films just before the outbreak of WW II, when he fled to England. Alexander Korda gave him a job there, and when De Toth emigrated to the US in 1942, Korda got him a job as a second unit director on The Jungle Book (1942). De Toth made his debut as a director in American films in 1944. He was known for his tough, hard-edged pictures, whether westerns or urban crime dramas, and showed no compunction about depicting violence in as realistic a manner as possible, an unusual and somewhat controversial attitude for the time. Probably his best known film is House of Wax (1953), a Vincent Price horror film shot in 3-D. As De Toth only had one eye, that put him in the somewhat odd position of shooting a film in a process in which he would never be able to see the result. That didn't seem to matter, though; the film was a critical and financial success, and is generally considered to be the best 3-D film ever made.House of Wax, The Stranger Wore a Gun, The Bounty Hunter- Director
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Alfred Joseph Hitchcock was born in Leytonstone, Essex, England. He was the son of Emma Jane (Whelan; 1863 - 1942) and East End greengrocer William Hitchcock (1862 - 1914). His parents were both of half English and half Irish ancestry. He had two older siblings, William Hitchcock (born 1890) and Eileen Hitchcock (born 1892). Raised as a strict Catholic and attending Saint Ignatius College, a school run by Jesuits, Hitch had very much of a regular upbringing. His first job outside of the family business was in 1915 as an estimator for the Henley Telegraph and Cable Company. His interest in movies began at around this time, frequently visiting the cinema and reading US trade journals.
Hitchcock entering the film industry in 1919 as a title card designer. It was there that he met Alma Reville, though they never really spoke to each other. It was only after the director for Always Tell Your Wife (1923) fell ill and Hitchcock was named director to complete the film that he and Reville began to collaborate. Hitchcock had his first real crack at directing a film, start to finish, in 1923 when he was hired to direct the film Number 13 (1922), though the production wasn't completed due to the studio's closure (he later remade it as a sound film). Hitchcock didn't give up then. He directed The Pleasure Garden (1925), a British/German production, which was very popular. Hitchcock made his first trademark film in 1927, The Lodger: A Story of the London Fog (1927) . In the same year, on the 2nd of December, Hitchcock married Alma Reville. They had one child, Patricia Hitchcock who was born on July 7th, 1928. His success followed when he made a number of films in Britain such as The Lady Vanishes (1938) and Jamaica Inn (1939), some of which also gained him fame in the USA.
In 1940, the Hitchcock family moved to Hollywood, where the producer David O. Selznick had hired him to direct an adaptation of 'Daphne du Maurier''s Rebecca (1940). After Saboteur (1942), as his fame as a director grew, film companies began to refer to his films as 'Alfred Hitchcock's', for example Alfred Hitcock's Psycho (1960), Alfred Hitchcock's Family Plot (1976), Alfred Hitchcock's Frenzy (1972).
Hitchcock was a master of pure cinema who almost never failed to reconcile aesthetics with the demands of the box-office.
During the making of Frenzy (1972), Hitchcock's wife Alma suffered a paralyzing stroke which made her unable to walk very well. On March 7, 1979, Hitchcock was awarded the AFI Life Achievement Award, where he said: "I beg permission to mention by name only four people who have given me the most affection, appreciation, and encouragement, and constant collaboration. The first of the four is a film editor, the second is a scriptwriter, the third is the mother of my daughter Pat, and the fourth is as fine a cook as ever performed miracles in a domestic kitchen and their names are Alma Reville." By this time, he was ill with angina and his kidneys had already started to fail. He had started to write a screenplay with Ernest Lehman called The Short Night but he fired Lehman and hired young writer David Freeman to rewrite the script. Due to Hitchcock's failing health the film was never made, but Freeman published the script after Hitchcock's death. In late 1979, Hitchcock was knighted, making him Sir Alfred Hitchcock. On the 29th April 1980, 9:17AM, he died peacefully in his sleep due to renal failure. His funeral was held in the Church of Good Shepherd in Beverly Hills. Father Thomas Sullivan led the service with over 600 people attended the service, among them were Mel Brooks (director of High Anxiety (1977), a comedy tribute to Hitchcock and his films), Louis Jourdan, Karl Malden, Tippi Hedren, Janet Leigh and François Truffaut.Dial M for Murder- Director
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John Farrow wrote short stories and plays during his four-year career in the navy. In the late 1920s he came to Hollywood as a technical advisor for a film about Marines and stayed as a screenwriter, from A Sailor's Sweetheart (1927) through Tarzan Escapes (1936). He married Tarzan's Jane, Maureen O'Sullivan, in 1936. He began directing in 1937 (Men in Exile (1937) and West of Shanghai (1937)). He was injured while serving as a Lieutenant Commander in the Royal Navy in World War II. After that he converted to Catholicism and wrote a biography of Thomas More, a history of the Papacy, a Tahitian/English dictionary and several novels. He collaborated in the writing of several of his films and shared the Academy Award for Around the World in 80 Days (1956).Hondo- Director
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Roy Ward Baker's first job in films was as a teaboy at the Gainsborough Studios in London, England, but within three years he was working as an assistant director. During World War II, he worked in the Army Kinematograph Unit under Eric Ambler, a writer and film producer, who, after the war, gave Baker his first opportunity to direct a film, The October Man (1947). He then went to Hollywood in 1952 and stayed for seven years, returning to Britain in 1958, when he directed one of his best films, A Night to Remember (1958). During the 1960s and 1970s, Baker directed a number of horror films for Hammer and Amicus. He also directed in British television, especially during the latter part of his career.Inferno- Producer
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Alfonso Cuarón Orozco was born on November 28th 1961 in Mexico City, Mexico. From an early age, he yearned to be either a film director or an astronaut. However, he did not want to enter the army, so he settled for directing. He didn't receive his first camera until his twelfth birthday, and then immediately started to film everything he saw, showing it afterwards to everyone. In his teen years, films were his hobby. Sometimes he said to his mother he would go to a friend's home, when in fact he would go to the cinema. His ambition was to know every theatre in the city. Near his house there were two studios, Studios Churubusco and Studios 212. After finishing school, Cuarón decided to study cinema right away. He tried to study at C.C.C. (Centro de Capacitación Cinematográfica) but wasn't accepted because at that time they weren't accepting students under twenty-four years old. His mother didn't support that idea of cinema, so he studied philosophy in the morning and in the afternoon he went to the C.U.E.C. (Centro Universitario de Estudios Cinematográficos). During that time he met many people who would later become his collaborators and friends. One of them was Luis Estrada. Cuaron also became good friends with Carlos Marcovich and Emmanuel Lubezki. Luis Estrada directed a short called "Vengance is Mine", on which Alfonso and Emmanuel collaborated. The film was in English, a fact which bothered many teachers of the C.U.E.C. such as Marcela Fernández Violante. The disagreement caused such arguments that in 1985, Alfonso was expelled from the university.
During his time studying at C.U.E.C. he met Mariana Elizondo, and with her he had his first son, Jonás Cuarón. After Alfonso was expelled, he thought he could never be a director and so went on to work in a Museum so he could sustain his family. One day, José Luis García Agraz and Fernando CáMara went to the museum and made an offer to Cuarón. They asked him to work as cable person in "La víspera (1982)", a job which was to prove to be his salvation. After that he was assistant director in Garcia Agraz's "Nocaut (1984)", as well as numerous other films.
He was also second unit director in "Gaby: A True Story (1987)", and co-wrote and directed some episodes in the series "A Hora Marcada (1967)". One New Year's Eve, he decided he would not continue to be an assistant director, and with his brother Carlos started writing what would be his first feature film: "Love in the Time of Hysteria (1991)" (Love in the time of Hysteria). After the screenplay was written, the problem became how to get financial backing for the movie. I.M.C.I.N.E. (Instituto Mexicano de Cinematografia), which supports movies financially, had already decided which projects it would support that year, much to Alfonso's initial chagrin. However, the director of one of those already-chosen projects was unable to direct it, so his project was canceled, and "Sólo con tu pareja" took its place. Despite this being chosen, there was a lot of tension between Alfonso and the I.M.C.I.N.E. executives. Nevertheless, after the movie was finished, it was a huge success. In Toronto festival the films won many awards, and Alfonso started to be noticed by Hollywood producers. Sydney Pollack was the first one to invite him to shoot in Hollywood. He proposed a feature film to be directed by Alfonso, but the project didn't work and was canceled. Alfonso moved to Los Angeles without anything concrete, and stayed with some friends, as he had no money. Soon after that, Pollack called him again to direct an episode called "Murder, Obliquely (1993)" of the series "Fallen Angels (1993)", that was the first job he had in U.S., and also the first time he worked with Alan Rickman.
After a while, and no real directing jobs, Alfonso wanted to direct something as he needed money. He finally signed a contract with Warner Brothers to direct the film Addicted to Love (1995). However, one night, he read the screenplay for another film, A Little Princess (1995) and fell in love with it. He talked to Warner Brothers and after some meetings he gave up directing "Addicted to Love" in order to do "A Little Princess". Even thought it wasn't a great box office success, the film received two nominations for the Oscars, and won many other awards. After "A Little Princess" Alfonso developed a project with Richard Gere starring. The project was canceled, but Cuarón got an offer from Twentieth Century Fox to direct the modern adaptation of the Charles Dickens' classic Great Expectations (1998). He initially didn't want to direct it but the studio insisted, and in the end he accepted it. The experience was very painful and difficult for him mainly because there was never a definitive screenplay.
He then reunited with producer Jorge Vergara and founded both Anhelo Productions and Moonson Productions. Anhelo's first picture was also Alfonso's next film, the erotic road movie "And Your Mother Too (2001)", which was a huge success. During the promotion of the film in Venice, Alfonso met the cinema critic Annalisa Bugliani. They started dating and married that same year. "Children of Men (2006)" was to be Alfonso's next film, a futuristic, dystopian story. During the pre-production of the film, Warner Brothers invited Alfonso to direct the third Harry Potter film, "Harry Potter and the Prisoner of Azkaban (2004)", an offer which he accepted after some consideration. The film would prove to be the greatest box office success of his career.
In 2003, he had a daughter named Bu Cuaron, and in February 2005 another son, called Olmo Teodoro Cuarón. Alfonso Cuarón signed a three-year first-look deal with Warner Brothers, which allowed his films to be distributed world-wide. He directed one five-minute segment of the anthology film Paris, I Love You (2006) with Nick Nolte and Ludivine Sagnier. His next project, the futuristic film Children of Men (2006) with Clive Owen, Julianne Moore and Michael Caine premiered at the Venice Film Festival in 2006 having been nominated for three Academy Awards. After his youngest son was diagnosed with autism and the divorce from Annalisa Bugliani he took a break from directing and settled in London where he plans to work on his next projects.
In 2013, Alfonso directed the space thriller Gravity (2013), which would go win 7 academy awards.
Alfonso is the only filmmaker to have ever won twice for a clean sweep for the awards, for "Gravity" and "Roma", for Best Director at the Oscars, Golden Globes, BAFTAs, and DGA Awards.Gravity- Producer
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Described by film producer Michael Deeley as "the very best eye in the business", director Ridley Scott was born on November 30, 1937 in South Shields, Tyne and Wear. His father was an officer in the Royal Engineers and the family followed him as his career posted him throughout the United Kingdom and Europe before they eventually returned to Teesside. Scott wanted to join the British Army (his elder brother Frank had already joined the Merchant Navy) but his father encouraged him to develop his artistic talents instead and so he went to West Hartlepool College of Art and then London's Royal College of Art where he helped found the film department.
In 1962, he joined the BBC as a trainee set designer working on several high profile series. He attended a trainee director's course while he was there and his first directing job was on an episode of the popular BBC police series Z Cars (1962), Error of Judgement (1965). More TV work followed until, frustrated by the poor financial rewards at the BBC, he went into advertising. With his younger brother, Tony Scott, he formed the advertising production company RSA (Ridley Scott Associates) in 1967 and spent the next 10 years making some of the best known and best loved TV adverts ever shown on British television, including a series of ads for Hovis bread set to the music of Dvorak's New World Symphony which are still talked about today ("'e were a great baker were our dad.")
He began working with producer David Puttnam in the 1970s developing ideas for feature films. Their first joint endeavor, The Duellists (1977) won the Jury Prize for Best First Work at Cannes in 1977 and was nominated for the Palm d'Or, more than successfully launching Scott's feature film career. The success of Star Wars: Episode IV - A New Hope (1977) inspired Scott's interest in making science fiction and he accepted the offer to direct Dan O'Bannon's low budget science fiction horror movie Alien (1979), a critical and commercial success that firmly established his worldwide reputation as a movie director.
Blade Runner (1982) followed in 1982 to, at best, a lukewarm reception from public and critics but in the years that followed, its reputation grew - and Scott's with it - as one of the most important sci-fi movies ever made. Scott's next major project was back in the advertising world where he created another of the most talked-about advertising spots in broadcast history when his "1984"-inspired ad for the new Apple Macintosh computer was aired during the Super Bowl on January 22, 1984. Scott's movie career has seen a few flops (notably Legend (1985) and 1492: Conquest of Paradise (1992)), but with successes like Thelma & Louise (1991), Gladiator (2000) and Black Hawk Down (2001) to offset them, his reputation remains solidly intact.
Ridley Scott was awarded Knight Bachelor of the Order of the British Empire at the 2003 Queen's New Year Honours for his "substantial contribution to the British film industry". On July 3, 2015, he was awarded an honorary doctorate by the Royal College of Art in a ceremony at the Royal Albert Hall in London. He was awarded the BAFTA Fellowship in 2018. BAFTA described him as "a visionary director, one of the great British film-makers whose work has made an indelible mark on the history of cinema. Forty years since his directorial debut, his films continue to cross the boundaries of style and genre, engaging audiences and inspiring the next generation of film talent."The Martian, Prometheus, Exodus: Gods and Kings- Producer
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George Miller is an Australian film director, screenwriter, producer, and former medical doctor. He is best known for his Mad Max franchise, with Mad Max 2: The Road Warrior (1981) and Mad Max: Fury Road (2015) being hailed as amongst the greatest action films of all time. Aside from the Mad Max films, Miller has been involved in a wide range of projects. These include the Academy Award-winning Babe (1995) and Happy Feet (2006) film series.
Miller is co-founder of the production houses Kennedy Miller Mitchell, formerly known as Kennedy Miller, and Dr. D Studios. His younger brother Bill Miller and Doug Mitchell have been producers on almost all the films in Miller's later career, since the death of his original producing partner Byron Kennedy.
In 2006, Miller won the Academy Award for Best Animated Feature for Happy Feet (2006). He has been nominated for five other Academy Awards: Best Original Screenplay in 1992 for Lorenzo's Oil (1992), Best Picture and Best Adapted Screenplay in 1995 for Babe (1995), and Best Picture and Best Director for Mad Max: Fury Road (2015).Mad Max: Fury Road, Happy Feet Two- Producer
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Ben Stassen was born in Belgium. He is known for Thunder and the House of Magic (2013), Bigfoot Family (2020) and A Turtle's Tale: Sammy's Adventures (2010).A Turtle's Tale: Sammy's Adventures, A Turtle's Tale 2: Sammy's Escape from Paradise, The House of Magic, The Son of Bigfoot, Bigfoot Family, The Queen's Corgi, Robinson Crusoe: The Wild Life, Fly Me to the Moon, Chickenhare and the Hamster of Darkness, S.O.S. Planet, Haunted Castle, Encounter in the Third Dimension, Alien Adventure, Misadventures in 3D, Thrill Ride: The Science of Fun, African Safari, African Adventure: Safari in the Okavango, Wild Safari: A South African Adventure, Pirate Story (short)- Producer
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Sir Peter Jackson made history with The Lord of the Rings trilogy, becoming the first person to direct three major feature films simultaneously. The Fellowship of the Ring, The Two Towers and The Return of the King were nominated for and collected a slew of awards from around the globe, with The Return of the King receiving his most impressive collection of awards. This included three Academy Awards® (Best Adapted Screenplay, Best Director and Best Picture), two Golden Globes (Best Director and Best Motion Picture-Drama), three BAFTAs (Best Adapted Screenplay, Best Film and Viewers' Choice), a Directors Guild Award, a Producers Guild Award and a New York Film Critics Circle Award.
As a follow up to The Lord of the Rings trilogy, in 2005, Jackson directed, wrote, and produced King Kong, for Universal Pictures. The film grossed over $500 million and won three Oscars®.
Jackson previously received widespread acclaim for his 1994 feature Heavenly Creatures, which received an Academy Award® nomination for Best Screenplay. Other film credits include The Frighteners, starring Michael J. Fox; the adult puppet feature Meet the Feebles; and Braindead, which won 16 international science fiction awards, including the Saturn. Jackson also co-directed the television documentary Forgotten Silver, which also hit the film festival circuit.
Jackson directed the Academy Award®-nominated The Lovely Bones, an adaptation of the acclaimed best-selling novel by Alice Sebold and produced the worldwide sci-fi hit District 9. He was a producer on Steven Spielberg's The Adventures of Tintin: The Secret of the Unicorn in 2011, with two more films set to come out in the future.
His most recent films include producer of 2018's action film Mortal Engines, based on a post-apocalyptic world where cities ride on wheels and consume each other to survive. Following Mortal Engines, he produced They Shall Not Grow Old, a documentary on World War I with never-before-seen footage. BAFTA nominated the film for Best Documentary, and it won the award for Outstanding Achievement in Sound Editing from the Motion Picture Sound Editors.
Jackson's next project is the music documentary The Beatles: Get Back, which he directed and produced, due to be released August, 2021.
Jackson works closely with partner Dame Fran Walsh, with whom he shares his writing and producing credits, as well as a family. Jackson has a special interest in WWI memorabilia and is the proud owner of several aircraft from that era.The Hobbit: An Unexpected Journey, The Hobbit: The Desolation of Smaug, The Hobbit: Battle of Five Armies, King Kong 360 3-D (Attraction), They Shall Not Grow Old- Producer
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Robert Anthony Rodriguez was born and raised in San Antonio, Texas, USA, to Rebecca (Villegas), a nurse, and Cecilio G. Rodríguez, a salesman. His family is of Mexican descent.
Of all the people to be amazed by the images of John Carpenter's 1981 sci-fi parable, Escape from New York (1981), none were as captivated as the 12-year-old Rodriguez, who sat with his friends in a crowded cinema. Many people watch films and arrogantly proclaim "I can do that." This young man said something different: "I WILL do that. I'm gonna make movies." That day was the catalyst of his dream career. Born and raised in Texas, Robert was the middle child of a family that would include 10 children. While many a child would easily succumb to a Jan Brady sense of being lost in the shuffle, Robert always stood out as a very creative and very active young man. An artist by nature, he was very rarely seen sans pencil-in-hand doodling some abstract (yet astounding) dramatic feature on a piece of paper. His mother, not a fan of the "dreary" cinema of the 1970s, instills a sense of cinema in her children by taking them on weekly trips to San Antonio's famed Olmos Theatre movie house and treats them to a healthy dose of Hollywood's "Golden Age" wonders, from Sergio Leone to the silent classic of Charles Chaplin and Buster Keaton.
In a short amount of time, young Robert finds the family's old Super-8 film camera and makes his first films. The genres are unlimited: action, sci-fi, horror, drama, stop-motion animation. He uses props from around the house, settings from around town, and makes use of the largest cast and crew at his disposal: his family. At the end of the decade, his father, a salesman, brings home the latest home-made technological wonder: a VCR, and with it (as a gift from the manufacturer) a video camera. With this new equipment at his disposal, he makes movies his entire life. He screens the movies for friends, all of whom desperately want to star in the next one. He gains a reputation in the neighborhood as "the kid who makes movies". Rather than handing in term papers, he is allowed to hand in "term movies" because, as he himself explains, "[the teachers] knew I'd put more effort into a movie than I ever would into an essay." He starts his own comic strip, "Los Hooligans". His movies win every local film competition and festival. When low academic grades threaten to keep him out of UT Austin's renowned film department, he proves his worth the only way he knows how: he makes a movie. Three, in fact: trilogy of short movies called "Austin Stories" starring his siblings. It beats the entries of the school's top students and allows Robert to enter the program. After being accepted into the film department, Robert takes $400 of his own money to make his "biggest" film yet: a 16mm short comedy/fantasy called Bedhead (1991).
Pouring every idea and camera trick he knew into the short, it went on to win multiple awards. After meeting and marrying fellow Austin resident Elizabeth Avellan, Robert comes up with a crazy idea: he will sell his body to science in order to finance his first feature-length picture (a Mexican action adventure about a guitarist with no name looking for work but getting caught up in a shoot-'em-up adventure) that he will sell to the Spanish video market and use as an entry point to a lucrative Hollywood career. With his "guinea pig" money he raises a mere $7,000 and creates El Mariachi (1992). But rather than lingering in obscurity, the film finds its way to the Sundance film festival where it becomes an instant favorite, wins Robert a distribution deal with Columbia Pictures and turns him into an icon among would-be film-makers the world over. Not one to rest on his laurels, he immediately helms the straight-to-cable movie Roadracers (1994) and contributes a segment to the anthology comedy Four Rooms (1995) (his will be the most lauded segment).
His first "genuine" studio effort would soon have people referring to him as "John Woo from south-of-the-border". It is the "Mariachi" remake/sequel Desperado (1995). More lavish and action-packed than its own predecessor, the movie--while not a blockbuster hit--does decent business and launches the American film careers of Antonio Banderas as the guitarist-turned-gunslinger and Salma Hayek as his love interest (the two would star in several of his movies from then on). It also furthers the director's reputation of working on low budgets to create big results. In the year when movies like Batman Forever (1995) and GoldenEye (1995) were pushing budgets past the $100 million mark, Rodriguez brought in "Desperado" for just under $7 million. The film also featured a cameo by fellow indie film wunderkind, Quentin Tarantino. It would be the beginning of a long friendship between the two sprinkled with numerous collaborations. Most notable the Tarantino-penned vampire schlock-fest From Dusk Till Dawn (1996). The kitschy flick (about a pair of criminal brothers on the run from the Texas Rangers, only to find themselves in a vamp-infested Mexican bar) became an instant cult favorite and launched the lucrative film career of ER (1994) star George Clooney.
After a two-year break from directing (primarily to spend with his family, but also developing story ideas and declining Hollywood offers) he returned to "Dusk till Dawn" territory with the teen sci-fi/horror movie The Faculty (1998), written by Scream (1996) writer, Kevin Williamson. Although it's developed a small following of its own, it would prove to be Robert's least-successful film. Critics and fans alike took issue with the pedestrian script, the off-kilter casting and the flick's blatant over-commercialization (due to a marketing deal with clothing designer Tommy Hilfiger). After another three-year break, Rodriguez returned to make his most successful (and most unexpected) movie yet, based on his own segment from Four Rooms (1995). After a string of bloody, adult-oriented action fare, no one anticipated him to write and direct the colorful and creative Spy Kids (2001), a movie about a pair of prepubescent Latino sibs who discover that their lame parents (Antonio Banderas and Carla Gugino) are actually two of the world's greatest secret agents. The film was hit among both audiences and critics alike.
After quitting the Writers' Guild of America and being introduced to digital filmmaking by George Lucas, Robert immediately applied the creative, flexible (and cost-effective) technology to every one of his movies from then on, starting with an immediate sequel to his family friendly hit: Spy Kids 2: Island of Lost Dreams (2002) which was THEN immediately followed by the trilogy-capper Spy Kids 3: Game Over (2003). The latter would prove to be the most financially-lucrative of the series and employ the long-banished movie gimmick of 3-D with eye-popping results. Later the same year Rodriguez career came full circle when he completed the final entry of the story that made brought him to prominence: "El Mariachi". The last chapter, Once Upon a Time in Mexico (2003), would be his most direct homage to the Sergio Leone westerns he grew up on. With a cast boasting Antonio Banderas (returning as the gunslinging guitarist), Johnny Depp (as a corrupt CIA agent attempting to manipulate him), Salma Hayek, Mickey Rourke, Willem Dafoe and Eva Mendes, the film delivered even more of the Mexican shoot-'em-up spectacle than both of the previous films combined.
Now given his choice of movies to do next, Robert sought out famed comic book writer/artist Frank Miller, a man who had been very vocal of never letting his works be adapted for the screen. Even so, he was wholeheartedly convinced and elated when Rodriguez presented him with a plan to turn Miller's signature work into the film Sin City (2005). A collection of noir-ish tales set in a fictional, crime-ridden slum, the movie boasted the largest cast Rodriguez had worked with to that date. Saying he didn't want to mere "adapt" Miller's comics but "translate" them, Rodriguez' insistence that Miller co-direct the movie lead to Robert's resignation from the Director's Guild of America (and his subsequent dismissal from the film John Carter (2012) as a result). Many critics cited that Sin City was created as a pure film noir piece to adapt Miller's comics onto the screen. Co-directing with Frank Miller and bringing in Quentin Tarantino to guest-direct a scene allowed Rodriguez to again shock Hollywood with his talent.
In late 2007, Rodriguez again teamed up with his friend Tarantino to create the double feature Grindhouse (2007). Rodriguez's offering, Planet Terror (2007), was a film made to be "hardcore, extreme, sex-fueled, action-packed." Rodriguez flirts with his passion to make a showy film exploiting all of his experience to make an extremely entertaining thrill ride. The film is encompassed around Cherry (Rose McGowan), a reluctant go-go dancer who is found wanting when she meets her ex-lover El Wray (played by Freddy Rodríguez) who turns up at a local BBQ grill. They then, after a turn of events, find themselves fending off brain-eating zombies whilst trying to flee to Mexico (here we go off to Mexico again). Apart from directing, Rodriguez also involves himself in camera work, editing and composing music for his movies' sound tracks (he composed Planet Terror's main theme). He also shoots a lot of his own action scenes to get a direct idea from his eye as the director into the film. In El Mariachi (1992), Rodriguez spent hours in front of a pay-to-use, computer editing his film. This allowed him to capture the ideal footage exactly as he wanted it. Away from the filming aspect of Hollywood, Rodriguez is an expert chef who cooks gourmet meals for the cast and crew. Rodriguez is also known for his ability to turn a low-budgeted film with a small crew into an example of film mastery. El mariachi was "the movie made on seven grand" and still managed to rank as one of Rodriguez' best films (receiving a rating of 92% on the Rotten Tomatoes film review site).
Because Rodriguez is involved so deeply in his films, he is able to capture what he wants first time, which saves both time and money. Rodriguez's films share some similar threads and ideas, whilst also having differences. In El Mariachi (1992), he uses a hand-held camera. He made this decision for several reasons. First, he couldn't afford a tripod and secondly, he wanted to make the audience more aware of the action. In the action sequences he is given more mobility with a hand-held camera and also allows for distortion of the unprofessional action sequences (because the cost of all special effects in the film totaled $600). However, in Sin City (2005) and Planet Terror (2007), the budget was much greater, and Rodriguez could afford to spend more on special affects (especially since both films were filmed predominately with green screen) and, thus, there was no need to cover for error.
Playing by his own rules or not at all, Robert Rodriguez has redefined what a filmmaker can or cannot do. Shunning Hollywood's ridiculously high budgets, multi-picture deals and the two most powerful unions for the sake of maintaining creative freedom are decisions that would (and have) cost many directors their careers. Rodriguez has turned these into his strengths, creating some of the most imaginative works the big-screen has ever seen.Alita: Battle Angel, Sin City: A Dame to Kill For, Spy Kids 3-D: Game Over, Spy Kids: All the Time in the World, The Adventures of Sharkboy and Lavagirl, The Limit (VR short)- Producer
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Bryan Singer is an American film director and producer who got his start writing and co-directing the short film Lions Den with his classmates while he attended USC. He was hired by 20th Century Fox to direct X-Men, which helped kick-start the superhero renaissance. He later directed three sequels. He went to direct Superman Returns, a revival of the Superman film series starring Brandon Routh. He also directed Valkyrie, Bohemian Rhapsody and Jack the Giant Slayer.X-Men: Days of Future Past, X-Men: Apocalypse, Jack the Giant Slayer, Superman Returns- Producer
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A whiz-kid with special effects, Robert is from the Spielberg camp of film-making (Steven Spielberg produced many of his films). Usually working with writing partner Bob Gale, Robert's earlier films show he has a talent for zany comedy (Romancing the Stone (1984), 1941 (1979)) and special effect vehicles (Who Framed Roger Rabbit (1988) and Back to the Future (1985)). His later films have become more serious, with the hugely successful Tom Hanks vehicle Forrest Gump (1994) and the Jodie Foster film Contact (1997), both critically acclaimed movies. Again, these films incorporate stunning effects. Robert has proved he can work a serious story around great effects.The Walk, Beowulf, A Christmas Carol, The Polar Express- Producer
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One of the most influential personalities in the history of cinema, Steven Spielberg is Hollywood's best known director and one of the wealthiest filmmakers in the world. He has an extraordinary number of commercially successful and critically acclaimed credits to his name, either as a director, producer or writer since launching the summer blockbuster with Jaws (1975), and he has done more to define popular film-making since the mid-1970s than anyone else.
Steven Allan Spielberg was born in 1946 in Cincinnati, Ohio, to Leah Frances (Posner), a concert pianist and restaurateur, and Arnold Spielberg, an electrical engineer who worked in computer development. His parents were both born to Russian Jewish immigrant families. Steven spent his younger years in Haddon Township, New Jersey, Phoenix, Arizona, and later Saratoga, California. He went to California State University Long Beach, but dropped out to pursue his entertainment career. Among his early directing efforts were Battle Squad (1961), which combined World War II footage with footage of an airplane on the ground that he makes you believe is moving. He also directed Escape to Nowhere (1961), which featured children as World War Two soldiers, including his sister Anne Spielberg, and The Last Gun (1959), a western. All of these were short films. The next couple of years, Spielberg directed a couple of movies that would portend his future career in movies. In 1964, he directed Firelight (1964), a movie about aliens invading a small town. In 1967, he directed Slipstream (1967), which was unfinished. However, in 1968, he directed Amblin' (1968), which featured the desert prominently, and not the first of his movies in which the desert would feature. Amblin' also became the name of his production company, which turned out such classics as E.T. the Extra-Terrestrial (1982). Spielberg had a unique and classic early directing project, Duel (1971), with Dennis Weaver. In the early 1970s, Spielberg was working on TV, directing among others such series as Rod Serling's Night Gallery (1969), Marcus Welby, M.D. (1969) and Murder by the Book (1971). All of his work in television and short films, as well as his directing projects, were just a hint of the wellspring of talent that would dazzle audiences all over the world.
Spielberg's first major directorial effort was The Sugarland Express (1974), with Goldie Hawn, a film that marked him as a rising star. It was his next effort, however, that made him an international superstar among directors: Jaws (1975). This classic shark attack tale started the tradition of the summer blockbuster or, at least, he was credited with starting the tradition. His next film was the classic Close Encounters of the Third Kind (1977), a unique and original UFO story that remains a classic. In 1978, Spielberg produced his first film, the forgettable I Wanna Hold Your Hand (1978), and followed that effort with Used Cars (1980), a critically acclaimed, but mostly forgotten, Kurt Russell/Jack Warden comedy about devious used-car dealers. Spielberg hit gold yet one more time with Raiders of the Lost Ark (1981), with Harrison Ford taking the part of Indiana Jones. Spielberg produced and directed two films in 1982. The first was Poltergeist (1982), but the highest-grossing movie of all time up to that point was the alien story E.T. the Extra-Terrestrial (1982). Spielberg also helped pioneer the practice of product placement. The concept, while not uncommon, was still relatively low-key when Spielberg raised the practice to almost an art form with his famous (or infamous) placement of Reese's Pieces in "E.T." Spielberg was also one of the pioneers of the big-grossing special-effects movies, like "E.T." and "Close Encounters", where a very strong emphasis on special effects was placed for the first time on such a huge scale. In 1984, Spielberg followed up "Raiders" with Indiana Jones and the Temple of Doom (1984), which was a commercial success but did not receive the critical acclaim of its predecessor. As a producer, Spielberg took on many projects in the 1980s, such as The Goonies (1985), and was the brains behind the little monsters in Gremlins (1984). He also produced the cartoon An American Tail (1986), a quaint little animated classic. His biggest effort as producer in 1985, however, was the blockbuster Back to the Future (1985), which made Michael J. Fox an instant superstar. As director, Spielberg took on the book The Color Purple (1985), with Whoopi Goldberg and Oprah Winfrey, with great success. In the latter half of the 1980s, he also directed Empire of the Sun (1987), a mixed success for the occasionally erratic Spielberg. Success would not escape him for long, though.
The late 1980s found Spielberg's projects at the center of pop-culture yet again. In 1988, he produced the landmark animation/live-action film Who Framed Roger Rabbit (1988). The next year proved to be another big one for Spielberg, as he produced and directed Always (1989) as well as Indiana Jones and the Last Crusade (1989), and Back to the Future Part II (1989). All three of the films were box-office and critical successes. Also, in 1989, he produced the little known comedy-drama Dad (1989), with Jack Lemmon and Ted Danson, which got mostly mixed results. Spielberg has also had an affinity for animation and has been a strong voice in animation in the 1990s. Aside from producing the landmark "Who Framed Roger Rabbit", he produced the animated series Tiny Toon Adventures (1990), Animaniacs (1993), Pinky and the Brain (1995), Freakazoid! (1995), Pinky, Elmyra & the Brain (1998), Family Dog (1993) and Toonsylvania (1998). Spielberg also produced other cartoons such as The Land Before Time (1988), We're Back! A Dinosaur's Story (1993), Casper (1995) (the live action version) as well as the live-action version of The Flintstones (1994), where he was credited as "Steven Spielrock". Spielberg also produced many Roger Rabbit short cartoons, and many Pinky and the Brain, Animaniacs and Tiny Toons specials. Spielberg was very active in the early 1990s, as he directed Hook (1991) and produced such films as the cute fantasy Joe Versus the Volcano (1990) and An American Tail: Fievel Goes West (1991). He also produced the unusual comedy thriller Arachnophobia (1990), Back to the Future Part III (1990) and Gremlins 2: The New Batch (1990). While these movies were big successes in their own right, they did not quite bring in the kind of box office or critical acclaim as previous efforts. In 1993, Spielberg directed Jurassic Park (1993), which for a short time held the record as the highest grossing movie of all time, but did not have the universal appeal of his previous efforts. Big box-office spectacles were not his only concern, though. He produced and directed Schindler's List (1993), a stirring film about the Holocaust. He won best director at the Oscars, and also got Best Picture. In the mid-90s, he helped found the production company DreamWorks, which was responsible for many box-office successes.
As a producer, he was very active in the late 90s, responsible for such films as The Mask of Zorro (1998), Men in Black (1997) and Deep Impact (1998). However, it was on the directing front that Spielberg was in top form. He directed and produced the epic Amistad (1997), a spectacular film that was shorted at the Oscars and in release due to the fact that its release date was moved around so much in late 1997. The next year, however, produced what many believe was one of the best films of his career: Saving Private Ryan (1998), a film about World War Two that is spectacular in almost every respect. It was stiffed at the Oscars, losing best picture to Shakespeare in Love (1998).
Spielberg produced a series of films, including Evolution (2001), The Haunting (1999) and Shrek (2001). he also produced two sequels to Jurassic Park (1993), which were financially but not particularly critical successes. In 2001, he produced a mini-series about World War Two that definitely *was* a financial and critical success: Band of Brothers (2001), a tale of an infantry company from its parachuting into France during the invasion to the Battle of the Bulge. Also in that year, Spielberg was back in the director's chair for A.I. Artificial Intelligence (2001), a movie with a message and a huge budget. It did reasonably at the box office and garnered varied reviews from critics.
Spielberg has been extremely active in films there are many other things he has done as well. He produced the short-lived TV series SeaQuest 2032 (1993), an anthology series entitled Amazing Stories (1985), created the video-game series "Medal of Honor" set during World War Two, and was a starting producer of ER (1994). Spielberg, if you haven't noticed, has a great interest in World War Two. He and Tom Hanks collaborated on Shooting War: World War II Combat Cameramen (2000), a documentary about World War II combat photographers, and he produced a documentary about the Holocaust called Eyes of the Holocaust (2000). With all of this to Spielberg's credit, it's no wonder that he's looked at as one of the greatest ever figures in entertainment.Ready Player One, Jurassic Park, Jaws, The BFG, The Adventures of Tintin- Director
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The son of Louis K. Sidney the vice president of M.G.M. and Hazel Mooney of The Mooney Sisters. In his teens he worked as studio messenger going through every department learning the techniques and secrets of the trade. In 1933 he was assigned to direct screen tests of Judy Garland, Robert Taylor and Janet Leigh then he was promoted to shorts and the 'Our Gang' comedies winning two Oscars.He was promoted to features in 1942 directing such as 'Annie Get Your Gun', 'Showboat' and 'Pal Joey'.Kiss Me Kate, Third Dimensional Murder (Short)- Art Director
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William Cameron Menzies was educated at Yale University, the University of Edinburgh and at the Art Students League in New York. He entered the film industry in 1919, after serving with the U.S. Expeditionary Forces in World War I. His initial assignments were in film design and special effects, as assistant to Anton Grot at Famous Players-Lasky. Menzies drew inspiration from German Expressionism and from the work of D.W. Griffith. His sense of visual style was quickly recognized and he was promoted to full art director after only three years. At United Artists (1923-30, 1935-40) and Fox (1931-33), he eventually designed for stars like Rudolph Valentino, Douglas Fairbanks and Mary Pickford. He worked for all three of the major independent producers: Samuel Goldwyn, David O. Selznick and Walter Wanger. Menzies also had the singular distinction of receiving the first-ever Oscar for art direction (for The Dove (1927)).
His flamboyant and exotic fairy-tale sets for The Thief of Bagdad (1924) are regarded to this day as a work of pure genius. From the beginning of the sound era, Menzies also got involved in directing and producing. During the 1940's, he worked frequently with the director Sam Wood, whose films he improved dramatically through his designs. Over time, Menzies acquired a well-earned reputation for his larger-then-life personality, his visual flair and love of adventure and fantasy in films. He defined and solidified the role of the art director as having overall control over the look of the finished motion picture. He was a tireless innovator, who meticulously pre-planned the color and design of each film through a series of continuity sketches that outlined camera angles, lighting and the position of actors in each scene. For Gone with the Wind (1939), he and J. McMillan Johnson drew some 2000 detailed watercolor sketches, that got him the Honorary Academy Award 1940 "For outstanding achievement in the use of color for the enhancement of dramatic mood" of the film.
An historian, Wilbur G. Kurtz, was employed on the project to provide additional accuracy of period detail. Menzies himself directed the famous burning of Atlanta sequence and hospital sequence, including the famous long shot of wounded and dying Confederate soldiers, taken from a 90-foot crane.
A consummate designer of film architecture on a grand scale, Menzies was rather less effective as a director, consistently displaying an inability to draw strong performances from his cast. As a result, others were often brought in as co-directors, forcing Menzies to share the credit. In the 1950's, he helmed several low-budget films, which stand out purely for their characteristically good visuals, as, for example, Invaders from Mars (1953).
Menzies was inducted into the Art Directors Guild Hall of Fame in 2005.The Maze, Doom Town (Short), Acrobatiks (Short), Fun in the Sun (Short)- Director
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Russian-born Edward Ludwig came to the U.S. as a child and was educated in Canada and New York City. He entered the film business as an actor in silents, then became a scenarist and screenwriter, and in the early 1930s turned to directing. Although most of his films were routine second features, he showed a flair for action pictures, a good example of which is a John Wayne war epic he made for Republic, The Fighting Seabees (1944), one of Wayne's better--and most successful--films for that studio. In the late 1950s he turned to directing TV series.Jivaro, Sangaree- Director
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If Curtis Bernhardt is a relative unknown, it's because he didn't direct his first Hollywood feature until 1940 at the age of 41. Bernhardt worked for years in Germany until his Jewish heritage made living there impossible by 1933-- he was arrested by the Gestapo and made a harrowing underground escape to France. With Europe plunging into war, he left for America in 1939. Despite his limited grasp of the English language, he was offered seven-year contracts at both Warner Bros. and MGM, largely on the strength of Carrefour (1938)-- which proved so enduring that it was remade as Dead Man's Shoes (1940) in the UK and as Crossroads (1942) by MGM. Most émigrés would have jumped an offer to work at MGM-- considered the "Tiffany" of film studios-- but Berhardt went with Warners, favoring that studio's reputation for hard-boiled realism. His career in Hollywood began with a false start; after working on his first assignment he fell ill and was reassigned an Olivia de Havilland vehicle, My Love Came Back (1940), that gained him good notices. Bernhardt rapidly achieved a reputation as a woman's director with occasional forays into suspense with varied results. He directed one of Humphrey Bogart's least popular films, Conflict (1945), which was burdened by ludicrous plot contrivances, but he snapped back the next year with a winner: My Reputation (1946), a melodrama starring Barbara Stanwyck. He had another misfire, however, with the critically panned Devotion (1946) and would end his contract with the studio after three more films in 1947, after which he moved briefly to MGM. Ironically, he would later look back fondly upon Warners' assembly-line production methods compared to his days at MGM, where he felt compelled to bend to the whims of its stars and serve at the behest of studio chief Louis B. Mayer. Berhardt managed to make two above-average films during his short stay at Metro, however--the suspenseful High Wall (1947) starring 'Robert Taylor (I)_ in one of his best mid-career roles, and The Doctor and the Girl (1949), starring the likable Glenn Ford.
Bernhard soon moved to RKO, which was entering its final chaotic decade, directing The Blue Veil (1951), a remake of a French film. He did a one-shot gig at Columbia, directing Bogie once again in the hopelessly set-bound Sirocco (1951), and rounded out the remainder of the 1950s back at MGM, ending his Hollywood career with the middling comedy Kisses for My President (1964) at Warners.
He retired from directing due to illness in the mid-'60s and died in 1981, age 81, at his home in Pacific Palisades, California.Miss Sadie Thompson- Cinematographer
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One of the most respected cinematographers in the industry, Polish-born Rudolph Mate entered the film business after his graduation from the University of Budapest. He worked in Hungary as an assistant cameraman for Alexander Korda and later worked throughout Europe with noted cameraman Karl Freund. Mate was hired to shoot some second-unit footage for Carl Theodor Dreyer and Erich Pommer, and they were so impressed with his work that they hired him as cinematographer on Dreyer's The Passion of Joan of Arc (1928) (US title: "The Passion of Joan of Arc"). Mate was soon working on some of Europe's most prestigious films, cementing his reputation as one of the continent's premier cinematographers. Hollywood came calling in 1935, and Mate shot films there for the next 12 years before turning to directing in 1947. Unfortunately, while many of his directorial efforts were visually impressive (especially his sci-fi epic When Worlds Collide (1951)), the films themselves were for the most part undistinguished, with his best work probably being the film-noir classic D.O.A. (1949).Second Chance- Director
- Actor
- Writer
Raoul Walsh's 52-year directorial career made him a Hollywood legend. Walsh was also an actor: He appeared in the first version of W. Somerset Maugham's "Rain" renamed Sadie Thompson (1928) opposite Gloria Swanson in the title role. He would have played the Cisco Kid in his own film In Old Arizona (1928) if an errant jackrabbit hadn't cost him his right eye by leaping through the windshield of his automobile. Warner Baxter filled the role and won an Oscar. Before John Ford and Nicholas Ray, it was Raoul Walsh who made the eye-patch almost as synonymous with a Hollywood director as Cecil B. DeMille's jodhpurs.
He interned with the best, serving as assistant director and editor on D.W. Griffith's racist masterpiece, The Clansman, better known as The Birth of a Nation (1915), a blockbuster that may have been the highest-grossing film of all time if accurate box office records had been kept before the sound era. He pulled triple duty on that picture, playing John Wilkes Booth, the man who assassinated President Abraham Lincoln at Ford's Theater and ranked as the most notorious American actor of all time until Pee Wee Herman (Paul Reubens).
The year before The Clansman, Walsh was second unit director on The Life of General Villa (1914), also playing the Mexican revolutionary Pancho Villa as a young man. Walsh got his start in the business as co-director of another Pancho Villa flick, The Life of General Villa (1914), in 1912. The movie featured footage shot of an actually battle between Villa's forces and Mexican federal troops.
In 1915, in addition to helping out the great Griffith, Walsh directed no less than 14 films, including his first feature-length film, The Regeneration (1915), which he also wrote. The movie starred silent cinema superstar Anna Q. Nilsson as a society woman turned social worker who aids the regeneration of a Bowery gang leader. It was a melodrama, but an effective one. In his autobiography, Walsh credited D.W. Griffith with teaching him about the art of filmmaking and about production management techniques. The film is memorable for its shots of New York City, where Walsh had been born 28 years earlier on March 11, 1887.
Raoul Walsh would continue to be a top director for 40 years and would not hang up his director's megaphone (if he still had one at that late in the game) until 1964. As a writer, his last script was made in 1970, meaning his career as a whole spanned seven decades and 58 years.
He introduced the world to John Wayne in The Big Trail (1930) in 70mm wide-screen in 1930. It would take nine more years and John Ford to make the Duke a star. In one three-year period at Warner Bros., he directed The Roaring Twenties (1939), They Drive by Night (1940), High Sierra (1940), The Strawberry Blonde (1941), Manpower (1941), They Died with Their Boots On (1941), and Gentleman Jim (1942), among other films in that time frame. He helped consolidate the stardom of Humphrey Bogart and Errol Flynn while directing the great James Cagney in one of his more delightful films, The Strawberry Blonde (1941). This was the same director that would elicit Cagney's most searing performance since The Public Enemy (1931) in the crime classic White Heat (1949).
Novelist Norman Mailer says that Walsh was dragged off of his death bed to direct the underrated film adaptation of Mailer's The Naked and the Dead (1958). The movie is as masculine and unsentimental as the book, an exceedingly harsh look at the power relations between men at war on the same side that includes the attempted murder of prisoners of war and the "fragging" of officers (Sergeant Croft allows his lieutenant to walk into an ambush). Walsh was at his best when directing men in war or action pictures.
Raoul Walsh seemingly recovered from Mailer's phantasmagorical death bed, as he lived another 22 years after The Naked and the Dead (1958). He died on December 31, 1980, in Simi Valley, California, at the age of 93.Gun Fury- Writer
- Producer
- Director
Baz Luhrmann is an Australian writer, director and producer with projects spanning film, television, opera, theater, music and recording industries. He is regarded by many as a contemporary example of an auteur for his distinctly recognizable style and deep involvement in the writing, directing, design and musical components of all his work. As a storyteller, he 's known as a pioneer of pop culture, fusing high and low culture with a unique sonic and cinematic language. He is the most commercially successful Australian director, with his films making up four of the top ten highest worldwide grossing Australian films ever.
During his studies at Australia's National Institute of Dramatic Art, Luhrmann collaborated with other students to create ''Strictly ballroom'', a stage production drawn from his childhood experiences in the world of ballroom dancing. Luhrmann later adapted the show into his 1992 film debut, Strictly Ballroom (1992), which premiered at Cannes to a fifteen-minute standing ovation. Thus began the ''Red Curtain Trilogy'', which would include the film Romeo + Juliet (1996) as well as the Oscar-winning Moulin Rouge! (2001). The latter also took home Golden Globes for Best Picture, Best Actress, and Best Original Score. This first body of work was capped by Luhrmann's 2002 Broadway adaptation of the opera ''La Bohème'', recognized by two Tony Awards.
In 2004, Luhrmann collaborated once more with actress Nicole Kidman to create No. 5 The Film, a short film featuring the iconic Chanel perfume, as well as costumes designed by Karl Lagerfeld. With its success, the piece ushered in a new era of fashion advertising and became a landmark in the evolution of branded content. In 2008, Luhrmann worked with Kidman for a third time on the ambitious epic Australia (2008), the titular country's second-highest grossing film of all time. He later adapted F. Scott Fitzgerald's ''The Great Gatsby'' into a 2013 film, The Great Gatsby (2013), which went on to become the director's highest-grossing movie at over $353 million worldwide. The film was awarded with two Oscars and earned praise from Fitzgerald's granddaughter, who noted that "Scott would have been proud". The film's soundtrack pulled the Roaring 20s into the 2000s, blending early 20th century jazz with contemporary hip-hop. The album, produced by Luhrmann, Anton Monsted, and Jay-Z, hit number one on the Billboard charts and garnered several Grammy nominations.
Most recently, Luhrmann created The Get Down (2016), a 2016 Netflix series and 1970s-set mythic saga of how the South Bronx, at the brink of bankruptcy, gave birth to hip-hop, punk and disco. In the interest of cultural authenticity and historical accuracy Luhrmann collaborated with some of the era's most legendary artists, including [linl=nm0334739], Kool Herc, Afrika Bambaataa, Nas, Kurtis Blow, and Hector Xtravaganza. The show was a critical success, certified fresh by Rotten Tomatoes, and described by Variety as "a reclamation of, and a love letter to, a marginalized community of a certain era, told through the unreliable tools of romance, intuition and lived experiences."
Add further information about Elvis film release here. Needs to be in his bio.The Great Gatsby- Director
- Writer
- Producer
Wuershan was born on June 10, 1972 in Hohhot, Inner Mongolia, China. He is an ethnic Mongolian. He currently lives and works in Beijing, China.
At 16 years old, Wuershan enrolled into the High School affiliated to China Central Academy of Fine Arts. Then he was admitted into the Oil Painting Department of China Central Academy of Fine Arts in 1992, but he dropped out in the next year.
In 1994, Wuershan studied Directing at Beijing Film Academy.
After he graduated from Beijing Film Academy in 1998, Wuershan started his career as an advertising director. He then became one of top commercial directors in China. In the meantime, he also made video arts, installations and performing art as an avant-garde artist.
In 2004, Wuershan directed, wrote and produced Soap Opera (2004), which won the FIPRESCI Award of Busan International Film Festival. The FIPRESCI Award was given by the International Federation of Film Critics from the entries in the New Currents section of the film festival.
In 2011, Wuershan directed and wrote the avantgarde martial arts comedy The Butcher, the Chef and the Swordsman (2011). He won the Best New Director of the 48th Golden Horse Film Festival and Awards, and the film was also nominated for Best Adapted Screenplay of the film festival.
In 2012, Wuershan directed the Chinese fantasy romantic film Painted Skin: The Resurrection (2012). It renewed 12 records in Chinese film history with total box office gross of CNY 726 million in Mainland China. Painted Skin: The Resurrection received the nomination for Best Visual Effects of the 49th Golden Horse Film Festival and Awards, as well as the nomination for Best Film From Mainland and Taiwan of the 32nd Hong Kong Film Awards.
In 2015, Wuershan directed the fantasy adventure blockbuster Mojin: The Lost Legend (previously titled The Ghouls). It has grossed CNY $1.6 billion in mainland China till January 7, 2015, which broke various significant records and became the second highest-grossing film in Chinese history.Mojin: The Lost Legend, Painted Skin: The Resurrection- Editor
- Editorial Department
- Director
Patrick Lussier is known for Drive Angry (2011), My Bloody Valentine (2009) and Terminator Genisys (2015).My Bloody Valentine, Drive Angry- Writer
- Producer
- Director
Paul W.S. Anderson gained a fair bit of notoriety in his native England when he directed the ultra-violent Shopping (1994) (which he also wrote), starring Jude Law and Sean Pertwee in a story about thieves who steal by ramming a car into storefronts. The film was banned in some cinemas in England, and became a direct-to-video slightly edited release in the United States.
Shopping (1994) allowed Anderson to get the chance to direct Mortal Kombat (1995), an adaptation of the hit video game, which showcased his directorial trademarks - visually stunning scenery and quick-cut editing. The film did well enough for him to choose his next project, which was Soldier (1998) with Warner Bros., with Kurt Russell in the lead. Unfortunately, Russell decided at the time to go on hiatus, pushing the release date of that film into 1998. In the meantime, Anderson directed Event Horizon (1997) from a script by Philip Eisner, which featured Anderson regulars Sean Pertwee and Jason Isaacs. The science fiction/horror film, a Gothic horror version of Solaris (1972), was stylish and scary, but was critically panned and did not do well in the box office, which Anderson blamed on studio-enforced cuts to the story. (Anderson has promised a Director's Cut, though none has been announced as of yet).
Soldier (1998) didn't fare well with critics and box office either, and Anderson's planned 2000 remake of Death Race 2000 (1975) was canceled. This forced him to think smaller, which led to The Sight (2000), a supernatural mystery movie that was a minor hit. He then resurfaced to direct another video game adaption, Resident Evil (2002). Long rumored among fans to be a choice comeback vehicle for zombie grandfather George A. Romero, the writing and directing credits eventually transferred to Anderson. He next was given the helm for the long-awaited film adaption of the popular Dark Horse comic book, Alien vs. Predator (2004).Resident Evil: Afterlife, Resident Evil: Retribution, Resident Evil: The Final Chapter, Pompeii, The Three Musketeers, Monster Hunter
Upcoming: In the Lost Lands?- Producer
- Director
- Actor
A graduate of Wesleyan University, Michael Bay spent his 20s working on advertisements and music videos. His first projects after film school were in the music video business. He created music videos for Tina Turner, Meat Loaf, Lionel Richie, Wilson Phillips, Donny Osmond and Divinyls. His work won him recognition and a number of MTV award nominations. He also filmed advertisements for Nike, Reebok, Coca-Cola, Budweiser and Miller Lite. He won the Grand Prix Clio for Commercial of the Year for his "Got Milk/Aaron Burr" commercial. At Cannes, he has won the Gold Lion for The Best Beer campaign for Miller Lite, as well as the Silver for "Got Milk". In 1995, Bay was honored by the Directors Guild of America as Commercial Director of the Year. That same year, he also directed his first feature film, Bad Boys (1995), starring Will Smith and Martin Lawrence, which grossed more than $160 million, worldwide. His follow-up film, The Rock (1996), starring Sean Connery and Nicolas Cage, was also hugely successful, making Bay the director du jour.Transformers: Dark of the Moon, Transformers: Age of Extinction, Transformers: The Last Knight, Transformers: The Ride (Attraction)- Actor
- Director
- Producer
Soi Cheang was born on 5 January 1972 in Portuguese Macau [now China]. He is an actor and director, known for Dog Bite Dog (2006), Limbo (2021) and New Blood (2002).The Monkey King, The Monkey King 2, The Monkey King 3, SPL 2: A Time for Consequences
Upcoming: The Monkey King 4?, The Monkey King 5?- Writer
- Director
- Producer
New York-born Harry Essex planned on a writing career throughout his young life. Among his first jobs were stints on the New York newspapers "The Daily Mirror" and "The Brooklyn Eagle", short stories for "Collier's" and "The Saturday Evening Post" and even a Broadway play titled "Something for Nothing" (which Essex later called "a resounding failure"). Writing for the movies was uppermost in Essex's mind throughout the period (and he DID co-write the original story for Universal's Man Made Monster (1941)), but "the big break" never came, and World War II intervened. Five or six days after Essex's discharge, he ran into an old acquaintance whose new job was finding playwrights to turn into screenwriters for Columbia Pictures. Essex wrote or co-wrote dozens of movies and numerous TV shows during his lengthy Hollywood career.I, the Jury- Director
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- Cinematographer
Born in New York City in 1938, Paul Morrissey studied literature at Fordham University. In the early 1960s, following a stint in the Army and jobs in insurance and as a social worker, he began directing short independent films.
In 1965, he was introduced to Andy Warhol, who asked him to contribute ideas and bring new direction to the film experiments he had been recently begun presenting -- others had been suggesting, and in a very limited sense, directing these early experiments, but they remained in a static, relatively primitive state. From then on, Morrissey not only directed all of the films but signed a management contract with Warhol putting him in charge of all operations at the Warhol studio with the exception of the sales of artwork. It was Morrissey's idea that Warhol's celebrity name be used to promote a rock n' roll group; to that end, he discovered 'the Velvet Underground', added Nico to the band and signed them all to a management contract. While administering the very successful early years of the group, he continued to add story ideas, casting, cinematography and direction to all of the film experiments that Warhol presented from My Hustler (1965) and Chelsea Girls (1966) through Imitation of Christ (1967) and Bike Boy (1967); Morrissey acted as the films' distributor as well.
After Lonesome Cowboys (1968), which was written, produced and directed by Morrissey from start to finish, he assumed total control of all subsequent films presented by Andy Warhol -- from the art house/cult classics Flesh (1968), Trash (1970) and Heat (1972) to his more mainstream successes with the Carlo Ponti/Jean-Pierre Rassam productions Flesh for Frankenstein (1973) and Blood for Dracula (1974).
Morrissey parted company with Warhol in 1975 when the artist chose to concentrate on his painting and business activities. Morrissey went on to pursue financing for his later films, one of the very few American film directors to remain independent of any Hollywood film companies, independent or otherwise.
He was always responsible for his films in their entirety, working consistently with mostly young unknown actors, writing and directing with no outside interference of any kind. Once financing from "independent" sources no longer allowed him the freedom from interference that he previously enjoyed, he stopped making films.Flesh for Frankenstein- Director
- Producer
- Additional Crew
Joe Dante is a graduate of the Philadelphia College of Art. After a stint as a film reviewer, he began his filmmaking apprenticeship in 1974 as trailer editor for Roger Corman's New World Pictures. He made his directorial debut in 1976 with Hollywood Boulevard (1976) (co-directed with Allan Arkush), a thinly disguised spoof of New World exploitation pictures, shot in ten days for $60,000.
In 1977 Dante made his solo debut as a film director with Piranha (1978), which went on to become one of the company's biggest hits and was distributed throughout the rest of the world by United Artists. During his tenure at New World, Dante edited Ron Howard's directorial debut Grand Theft Auto (1977) and co-wrote the original story for Rock 'n' Roll High School (1979).
For Avco-Embassy Dante next directed the highly praised werewolf thriller The Howling (1981), followed by the It's a Good Life segment of the episodic Twilight Zone: The Movie (1983).
Having worked with Steven Spielberg on Twilight Zone, Dante was chosen to helm one of the first Amblin Productions for Warner Bros. Gremlins (1984) became a runaway hit and grossed more than $200 million worldwide.
Dante followed up with Explorers (1985) for Paramount, a sci-fi fantasy about three kids who build their own spaceship, and then Innerspace (1987) for Guber/Peters, Amblin and Warner Bros., an action comedy in which miniaturized test pilot Dennis Quaid is injected into the body of supermarket clerk Martin Short.
Tom Hanks starred in Dante's next film for Imagine/Universal, The 'Burbs (1989), which was followed by Gremlins 2: The New Batch (1990) for Warner Bros. in 1990. Matinee (1993) featuring John Goodman as a huckster showman premiering his new horror film during the Cuban Missile Crisis, was a production of Dante and partner Michael Finnell's Renfield Productions for Universal in 1993.
Dreamworks/Universal's Small Soldiers was released in 1998, followed in 2003 by Warner Bros. Looney Tunes: Back in Action (2003) featuring one of Dante's favorite actors, Bugs Bunny.
Dante's Homecoming (2005), debuted in December 2005 to rave reviews from critics and audiences alike and was named to numerous "Top 10" critics lists. The Sitges and Brussels International Film Festivals both honored Homecoming with Special Jury Recognition Awards, and the New Yorker called it the best political film of 2005. More recent work includes The Screwfly Solution (2006), and Boo (2007). His new 3D thriller, The Hole (2009), for Bold Films recently premiered at the Venice Film Festival where it garnered the first-ever award for Best 3D Feature.
Dante also produces the critically-acclaimed webisode/mobile phone series, Trailers from Hell.
Along the way Dante contributed several comedy segments to the multi-part Amazon Women on the Moon (1987) spoof produced by John Landis, and directed various episodes of the tv series Amazing Stories (1985), The Twilight Zone (1985), Police Squad! (1982), Night Visions (2001) and Picture Windows (1994). He also directed the network pilots for The Osiris Chronicles (1998) and the NBC series Eerie, Indiana (1991), on which he was creative consultant throughout its run.
Dante received Cable Ace nominations for his direction of Showtime's Runaway Daughters (1994) and HBO's The Second Civil War (1997).The Hole- Director
- Actor
- Writer
Starting out as a child actor, Gordon Douglas was eventually hired by Hal Roach as a gag writer. His first directorial assignments were for Roach's "Our Gang" series. Graduating to features, Douglas stayed with comedies, directing Oliver Hardy in Zenobia (1939) and both Hardy and Stan Laurel in Saps at Sea (1940). Douglas left Roach for RKO, for which he directed about a dozen films from 1942-47, mostly routine programmers. He then went to Columbia for several years, but in 1950 he headed over to Warner Brothers, where he would stay for the next 15 years and where he would find his greatest successes. His westerns and crime dramas for Warners met with critical and financial success, and it was during this period that he made what is considered one of the classic sci-fi films of the era: Them! (1954). Although he had his share of clunkers, and has at times expressed dissatisfaction with his career (he once said, "Don't try to watch all the films I've directed; it would turn you off movies forever"), he was responsible for some of the more enjoyable films of the 1950s and 1960s. One of his most successful films was also one of Frank Sinatra's best--The Detective (1968), a tough, gritty and controversial (for the time) crime drama about a homicide cop who gets involved in a murder case involving wealthy and powerful homosexual men.The Charge at Feather River- Producer
- Writer
- Actor
Highly inventive U.S. film director/producer/writer/actor Sam Raimi first came to the attention of film fans with the savage, yet darkly humorous, low-budget horror film, The Evil Dead (1981). From his childhood, Raimi was a fan of the cinema and, before he was ten-years-old, he was out making movies with an 8mm camera. He was a devoted fan of The Three Stooges, so much of Raimi's film work in his teens, with good friends Bruce Campbell and Rob Tapert, was slapstick comedy based around what they had observed from "Stooges" movies.
Among the three of them, they wrote, directed, produced and edited a short horror movie titled Within the Woods (1978), which was then shown to prospective investors to raise the money necessary to film The Evil Dead (1981). It met with lukewarm interest in the U.S. with local distributors, so Raimi took the film to Europe, where it was much more warmly received. After it started gaining positive reviews and, more importantly, ticket sales upon its release in Europe, U.S. distributors showed renewed interest, and "Evil Dead" was eventually released stateside to strong box office returns. His next directorial effort was Crimewave (1985), a quirky, cartoon-like effort that failed to catch fire with audiences. However, he bounced back with Evil Dead II (1987), a racier and more humorous remake/sequel to the original "Dead" that did even better at the box office. Raimi was then given his biggest budget to date to shoot Darkman (1990), a comic book-style fantasy about a scarred avenger. The film did moderate business, but Raimi's strong visual style was evident throughout the film via inventive and startling camera work that caught the attention of numerous critics.
The third chapter in the Evil Dead story beckoned, and Raimi once again directed buddy Campbell as the gritty hero "Ash", in the Gothic horror Army of Darkness (1992). Raimi surprised fans when he took a turn away from the fantasy genre and directed Gene Hackman and Sharon Stone in the sexy western, The Quick and the Dead (1995); four years later, he took the directorial reins on A Simple Plan (1998), a crime thriller about stolen money, starring Bill Paxton and Bridget Fonda. In early 1999, he directed the baseball film, For Love of the Game (1999), and, in 2000, returned to the fantasy genre with a top-flight cast in The Gift (2000). In 2002, Raimi was given a real opportunity to demonstrate his dynamic visual style with the big-budget film adaptation of the Stan Lee comic book superhero, Spider-Man (2002), and fans were not disappointed. The movie was strong in both script and effects, and was a runaway success at the box office. Of course, Raimi returned for the sequel, Spider-Man 2 (2004), which surpassed the original in box-office takings.Oz: The Great and Powerful, Doctor Strange in the Multiverse of Madness- Director
- Producer
- Writer
Joseph Kosinski is a director whose uncompromising style has quickly made a mark in the filmmaking zeitgeist. His four theatrical releases have grossed $2.2 billion worldwide and been nominated for 7 Academy Awards and 2 Grammys.
His film debut, "Tron: Legacy" for Walt Disney Studios, grossed $400 million and was nominated for an Academy Award for Sound Editing and a Grammy for the groundbreaking score by Daft Punk.
For his sophomore feature, Kosinski directed and produced the original science-fiction thriller "Oblivion" for Universal Pictures, starring Tom Cruise and Morgan Freeman. With a score by M83, it grossed $288 million.
Kosinski's third feature was the critically acclaimed drama "Only The Brave" for Black Label Media and Columbia Pictures. The film stars Josh Brolin, Miles Teller, Jennifer Connelly and Jeff Bridges.
Joseph reunited with Tom Cruise, Miles Teller, and Jennifer Connelly for "Top Gun: Maverick". The film grossed $1.5 billion worldwide, won the National Board of Review for Best Film, and was nominated for 6 Academy Awards including Best Picture. In addition, Joseph was nominated for Best Director by the Directors Guild of America.
Kosinski's "Spiderhead", a Netflix release, is based on the short story by acclaimed author George Saunders. The film starring Chris Hemsworth, Miles Teller, and Jurnee Smollet was #1 on the streaming service and crossed 100 million total view hours in its first 100 days.
Joseph is currently directing and producing a film set in the world of Formula 1 racing in conjunction with Apple Original Films, Bruckheimer Films, Plan B, and 7-time F1 World Champion Lewis Hamilton. The film stars Brad Pitt, Damson Idris, Kerry Condon and Javier Bardem.
Joseph received his undergraduate degree in Mechanical Engineering at Stanford University and a Masters in Architecture from Columbia University.Tron: Legacy- Visual Effects
- Second Unit Director or Assistant Director
- Director
Eric Brevig was born in 1957. He is an assistant director and director, known for Men in Black (1997), Total Recall (1990) and Pearl Harbor (2001).Journey to the Center of the Earth, Yogi Bear- Producer
- Writer
- Director
Jon is an alumni of the USC School of Cinema-Television. There, he won the Princess Grace Award, the Dore Schary Award presented by the Anti-Defamation league, the Jack Nicholson directing award, and recognized as an honoree for the IFP/West program Project: Involve.
After making his student short, "When the Kids Are Away", Jon was scooped up by the William Morris Agency and attached to several high profile projects.Step Up 3D, G.I. Joe: Retaliation, Never Say Never, Now You See Me 2 (China)
Upcoming: Wicked: Part One- Producer
- Additional Crew
- Director
Timothy Walter Burton was born in Burbank, California, to Jean Rae (Erickson), who owned a cat-themed gift shop, and William Reed Burton, who worked for the Burbank Park and Recreation Department. He spent most of his childhood as a recluse, drawing cartoons, and watching old movies (he was especially fond of films with Vincent Price). When he was in the ninth grade, his artistic talent was recognized by a local garbage company, when he won a prize for an anti-litter poster he designed. The company placed this poster on all of their garbage trucks for a year. After graduating from high school, he attended California Institute of the Arts. Like so many others who graduated from that school, Burton's first job was as an animator for Disney.
His early film career was fueled by almost unbelievable good luck, but it's his talent and originality that have kept him at the top of the Hollywood tree. He worked on such films as The Fox and the Hound (1981) and The Black Cauldron (1985), but had some creative differences with his colleagues. Nevertheless, Disney recognized his talent, and gave him the green light to make Vincent (1982), an animated short about a boy who wanted to be just like Vincent Price. Narrated by Price himself, the short was a critical success and won several awards. Burton made a few other short films, including his first live-action film, Frankenweenie (1984). A half-hour long twist on the tale of Frankenstein, it was deemed inappropriate for children and wasn't released. But actor Paul Reubens (aka Pee-Wee Herman) saw Frankenweenie (1984), and believed that Burton would be the right man to direct him in his first full-length feature film, Pee-wee's Big Adventure (1985). The film was a surprise success, and Burton instantly became popular. However, many of the scripts that were offered to him after this were essentially just spin-offs of the film, and Burton wanted to do something new.
For three years, he made no more films, until he was presented with the script for Beetlejuice (1988). The script was wild and wasn't really about anything, but was filled with such artistic and quirky opportunities, Burton couldn't say no. Beetlejuice (1988) was another big hit, and Burton's name in Hollywood was solidified. It was also his first film with actor Michael Keaton. Warner Bros. then entrusted him with Batman (1989), a film based on the immensely popular comic book series of the same name. Starring Michael Keaton and Jack Nicholson, the film was the most financially successful film of the year and Burton's biggest box-office hit to date. Due to the fantastic success of his first three films, he was given the green light to make his next film, any kind of film he wanted. That film was Edward Scissorhands (1990), one of his most emotional, esteemed and artistic films to date. Edward Scissorhands (1990) was also Burton's first film with actor Johnny Depp. Burton's next film was Batman Returns (1992), and was darker and quirkier than the first one, and, while by no means a financial flop, many people felt somewhat disappointed by it. While working on Batman Returns (1992), he also produced the popular The Nightmare Before Christmas (1993), directed by former fellow Disney Animator Henry Selick. Burton reunited with Johnny Depp on the film Ed Wood (1994), a film showered with critical acclaim, Martin Landau won an academy award for his performance in it, and it is very popular now, but flopped during its initial release. Burton's subsequent film, Mars Attacks! (1996), had much more vibrant colors than his other films. Despite being directed by Burton and featuring all-star actors including Jack Nicholson, Glenn Close, Pierce Brosnan and Michael J. Fox, it received mediocre reviews and wasn't immensely popular at the box office, either.
Burton returned to his darker and more artistic form with the film Sleepy Hollow (1999), starring Johnny Depp, Christina Ricci and Casper Van Dien. The film was praised for its art direction and was financially successful, redeeming Burton of the disappointment many had felt by Mars Attacks! (1996). His next film was Planet of the Apes (2001), a remake of the classic of the same name. The film was panned by many critics but was still financially successful. While on the set of Planet of the Apes (2001), Burton met Helena Bonham Carter, with whom he has two children. Burton directed the film Big Fish (2003) - a much more conventional film than most of his others, it received a good deal of critical praise, although it disappointed some of his long-time fans who preferred the quirkiness of his other, earlier films. Despite the fluctuations in his career, Burton proved himself to be one of the most popular directors of the late 20th century. He directed Johnny Depp once again in Charlie and the Chocolate Factory (2005), a film as quirky anything he's ever done.Frankenweenie, Vincent (Short), Miss Peregrine's Home for Peculiar Children, Dumbo, Alice in Wonderland- Director
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- Writer
Educated at the V.I. Surikov Artistic Academy (Moscow) in theatre and film art and production design, Oleg is one of the leading feature film directors in Russia and the FSU. Oleg's training as a production designer coupled with his directing experience in theatre, his work with Russia's top music talent in over 200 music videos, and his success as a feature film director have seen his visually stunning feature films have been in more than 20 territories worldwide including USA, Germany, Sweden, France, Spain, Turkey, Greece, Japan, Thailand, India etc.
Oleg had directed and/or been production designer on more that 200 music videos winning the Best Foreign Music Video at the MTV Awards in 2000. He has been Production Designer for more than 15 plays in the leading theaters in Russian and the FSU. He conceived and directed the video content for Russian Pop star Fillip Kirkorov's concert program. The premiere screenings of his two previous feature films "Jacked$" and "Velvet Revolution" as director took place in Los Angeles in 2005 and 2006. He is the co-author of the book "A Man's Season - Velvet Revolution". Oleg was production designer for the first ever commercial filmed in space for Tnuva Milk which is in the Guinness Book of Records for same.Viy, Iron Mask [Viy 2]
Upcoming: Viy 3: Journey to India (cancelled?)- Director
- Producer
- Writer
Wim Wenders is an Oscar-nominated German filmmaker who was born Ernst Wilhelm Wenders on August 14, 1945 in Düsseldorf, which then was located in the British Occupation Zone of what became the Bundesrepublik Deutschland (Federal Republic of Germany, known colloquially as West Germany until reunification). At university, Wenders originally studied to become a physician before switching to philosophy before terminating his studies in 1965. Moving to Paris, he intended to become a painter.
He fell in love with the cinema but failed to gain admission to the French national film school. He supported himself as an engraver while attending movie houses. Upon his return to West Germany in 1967, he was employed by United Artists at its Düsseldorf office before he was accepted by the University of Television and Film Munich school for its autumn 1967 semester, where he remained until 1970. While attending film school, he worked as a newspaper film critic. In addition to shorts, he made a feature film as part of his studies, Summer in the City (1971).
Wenders gained recognition as part of the German New Wave of the 1970s. Other directors that were part of the New German Cinema were Rainer Werner Fassbinder and Werner Herzog. His second feature, a film made from Peter Handke's novel The Goalie's Anxiety at the Penalty Kick (1972), brought him acclaim, as did Alice in the Cities (1974) and Kings of the Road (1976). It was his 1977 feature The American Friend (1977) ("The American Friend"), starring Dennis Hopper as Patricia Highsmith's anti-hero Tom Ripley, that represented his international breakthrough. He was nominated for the Palme d'Or at the 1977 Cannes Film Festival for "The American Friend", which was cited as Best Foreign Film by the National Board of Review in the United States.
Francis Ford Coppola, as producer, gave Wenders the chance to direct in America, but Hammett (1982) (1982) was a critical and commercial failure. However, his American-made Paris, Texas (1984) (1984) received critical hosannas, winning three awards at Cannes, including the Palme d'Or, and Wenders won a BAFTA for best director. "Paris, Texas" was a prelude to his greatest success, 1987's Wings of Desire (1987) ("Wings of Desire"), which he made back in Germany. The film brought him the best director award at Cannes and was a solid hit, even spawning an egregious Hollywood remake.
Wenders followed it up with a critical and commercial flop in 1991, Until the End of the World (1991) ("Until the End of the World"), though Faraway, So Close! (1993) won the Grand Prize of the Jury at Cannes. Still, is reputation as a feature film director never quite recovered in the United States after the bomb that was "Until the End of the World." Since the mid-1990s, Wenders has distinguished himself as a non-fiction filmmaker, directing several highly acclaimed documentaries, most notably Buena Vista Social Club (1999) and Pina (2011), both of which brought him Oscar nominations.Every Thing Will Be Fine, The Beautiful Days of Aranjuez, Anselm, Pina, Cathedrals of Culture: Berlin Philharmonic Hall, Présence (Short), Two or Three Things I Know About Edward Hopper (Short), If Buildings Could Talk (Short), Il Volo (Short)
Upcoming: The Secrets of Places- Director
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Jean-Jacques Annaud is a French film director, screenwriter and producer, best known for directing Quest for Fire (1981), The Name of the Rose (1986), The Lover (1992), Seven Years in Tibet (1997) and Wolf Totem (2015). Annaud has received numerous awards for his work, including four César Awards, one David di Donatello Award, and one National Academy of Cinema Award. Annaud's first film, Black and White in Color (1976), received an Academy Award for Best Foreign Language Film.Wings of Courage, Wolf Totem- Actor
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Thomas Jane is an American actor who is known for portraying Frank Castle from the 2004 Marvel Comics film The Punisher and the 2012 fan film Dirty Laundry. He also was in Boogie Nights, The Thin Red Line, Deep Blue Sea, The Predator, 1922, The Mist and Evening Raga of the West.Dark Country- Writer
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Shankar is an Indian film director and producer who works mainly in Tamil cinema. He started his career as an assistant director to SA Chandrasekar and now he is the highest paid director in the country. He made his debut in Gentleman (1993) and since 2015 he has directed 12 movies. He won the CNN-IBN Indian of the Year 2010, in the Entertainment category.2.0, Sivaji- Writer
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S.S.Rajamouli is an Indian filmmaker who primarily works in Telugu cinema. He is one of the most celebrated filmmakers ever of the Indian film industry and pioneered the Pan-Indian films movement. Rajamouli was born in a Telugu family to V. Vijayendra Prasad and Raja Nandini. Both his parents hail from Andhra Pradesh.
Rajamouli has directed 12 feature films so far, including mega blockbusters like Baahubali: The Beginning, Baahubali: The Conclusion, and RRR. Through his Baahubali series, Rajamouli pioneered the Pan-Indian films movement. His next film, tentatively called SSMB29, is a globetrotting action adventure & first collaboration with "Superstar" Mahesh Babu which is is expected to begin its production in 2024.
Eega (2012) won nine awards at the Toronto After Dark Film Festival, including the Most Original Film. Baahubali films have received six Saturn Award nominations with Baahubali 2 (2017) winning the Best International Film. His latest directorial "RRR" (2022) received various international accolades including the 1st Academy Award for India, a Golden Globe Award for the song "Naatu Naatu" & nomination for Best Foreign language film, and a Critics' Choice Movie Award for Best Foreign Language Film.
A self confessed "film freak", Rajamouli's penchant for filmmaking is best captured by the word "emotion". He has often stated that his films are based on stories driven by human emotions. While scaling up his work with "larger-than-life" themes over the years, Rajamouli maintained his signature style of filmmaking that allows audience to simmer in the thrills and emotions of the story with less dialogue.
He is a recipient of various national and international honors including a prestigious New York Film Critics Circle award, a Critics' Choice Movie Award, two Saturn Awards, and four National Film Awards. In 2016, the Government of India honoured him with the Padma Shri (fourth-highest civilian award of the Republic of India), for his contributions in the field of art. In 2023, he was included on the Time's list of the 100 most influential people in the worldRRR, Magadheera- Director
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Ayan Mukerji was born on 15 August 1983 in Calcutta, West Bengal, India. He is a director and writer, known for Brahmastra Part One: Shiva (2022), Yeh Jawaani Hai Deewani (2013) and Wake Up Sid (2009).Brahmastra Part One: Shiva
Upcoming: Brahmastra Part Two?, Brahmastra Part Three?- Director
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Vikram Bhatt was born on 27 January 1969 in Bombay, Maharashtra, India. He is a director and writer, known for Raaz (2002), Ghulam (1998) and Maaya: Slave of Her Desires (2017).Haunted, Raaz 3, Dangerous Ishq, Mr. X, Creature- Additional Crew
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Remo D'Souza was born on 2 April 1972 in Bengaluru, Karnataka, India. He is a director and actor, known for Bajirao Mastani (2015), Race 3 (2018) and Enthiran (2010). He is married to Lizelle D'Souza.ABCD, ABCD 2, Street Dancer 3D, Race 3- Actor
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Mohanlal was born to Viswanathan Nair (father) and Santhakumari (mother) in the Pathanamthitta district of Kerala, which is located in the southern part of India on the 21st May 1960. Starting his career with a classic villain role, he has now become an outstanding actor in Malayalam Cinema. Without a doubt, Mohanlal is today's one of the best actors India has ever produced. He is also rated as one of the most talented actors in India. His ranges of movies are enviable, his comedy roles are incomparable and his unique style of dialogue delivery is effortless. Not many actors can portray both comedy and serious roles with the same ease. And with all these rare talents he has received "Padma Shri" and "Padma Bhushan", the nation's highest civilian honors. He has also won 5 National Film Awards, including Best Actor twice for Bharatham (1991) and the highly acclaimed Vaanaprastham (1999), as well as numerous other awards and honors.
He has reached this position with his hard work and devotion to the movie industry. As far as his acting is concerned, it's been acknowledged many times that he's the most gifted actor in the Indian movie field.Upcoming: Barroz- Actor
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Wen Jiang was born on 5 January 1963 in Tangshan, China. He is an actor and director, known for Rogue One: A Star Wars Story (2016), Let the Bullets Fly (2010) and Devils on the Doorstep (2000). He has been married to Yun Zhou since 2005. They have two children. He was previously married to Sandrine Chenivisse.Gone with the Bullets- Producer
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Takashi Yamazaki was born on 12 June 1964 in Matsumoto, Nagano, Japan. He is a producer and director, known for Godzilla Minus One (2023), The Fighter Pilot (2013) and Always: Sunset on Third Street (2005). He has been married to Shimako Sato since April 2012.Stand by Me Doraemon, Always Sunset on Third Street '64, Friends: Naki on the Monster Island- Director
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Soviet film director, screenwriter, organizer of film production. Honored Artist of the RSFSR (1965). From 1911 to 1916 he studied at a real school in Tsarskoye Selo. From 1916 to 1918 - at the Faculty of Physics and Mathematics of Petrograd University. In 1918 - at the Faculty of Law of Kharkov University and at the Kharkov Drama Studio of N. Sinelnikov. In 1918 he performed on the stage of Sinelnikov's Drama Studio in Kharkov (Orgon in Tartuffe). From 1919 to 1920 he was director and head of the Drama Studio of the Political Department of the 14th Army. In June 1920, the Political Department of the 14th Army was admitted to the CPSU (b). From 1920 to 1921 he worked as a director at the Kharkov Drama Theatre. From 1921 to 1929 he served in the Red Army, worked in the courts and prosecutors. He was an investigator for special cases of the Military Collegium of the Supreme Tribunal under the All-Russian Central Executive Committee, Deputy People's Commissar of Justice of the Turkmen SSR. Since 1929, he worked as the head of the script department and head of production, then as a director at the Mezhrabpomfilm film studio. His first directorial work was the film The Death of a Sensation (1934), about humanoid robotic machines. From 1934 to 1937 he studied at the director's academy at VGIK. He worked at the Soyuzdetfilm studio, where he made an experimental stereo film The Third Dimension. In 1941 he staged the first full-length stereo film-concert "Land of Youth". In 1942-1944, he worked as the manager of Soyuzintorgkino of the Committee for Cinematography under the Council of People's Commissars of the USSR. In 1944-1949 he was director, artistic director and scientific director of the Stereokino laboratory. In 1949-1950, he was Chairman of the Board and General Director of the Soviet-German joint-stock company DEFA, Chairman of the DEFA Artistic Council, representative of the Sovexportfilm association in Berlin. In 1950-1952, he was the editor-in-chief, head of the script and editorial department of the Mosfilm film studio, concurrently - director of the Film Actor Studio at Mosfilm. In 1952-1954 he worked as the general director of the Wien-Film film studio in Austria. Since 1954 he was a director of the Gorky film studio. From 1968 to 1978 he taught directing at the screenwriting, film studies, acting and art departments of VGIK. Along with Sergei Ivanov, he was the creator of stereo cinema in the USSR, the author of inventions in the field of stereo cinema and sound design. In 1970, he staged the world's first stereo film using the glasses-free method "Amusement Parade".Robinson Crusoe, Locked in Glass, Parade of Attractions, Concert [Land of Youth], In the Footsteps of the Enemy (lost), Children in the Days of the Patriotic War (lost), The Furious Fisherman (lost short)- Producer
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Francis Ford Coppola was born in 1939 in Detroit, Michigan, but grew up in a New York suburb in a creative, supportive Italian-American family. His father, Carmine Coppola, was a composer and musician. His mother, Italia Coppola (née Pennino), had been an actress. Francis Ford Coppola graduated with a degree in drama from Hofstra University, and did graduate work at UCLA in filmmaking. He was training as assistant with filmmaker Roger Corman, working in such capacities as sound-man, dialogue director, associate producer and, eventually, director of Dementia 13 (1963), Coppola's first feature film. During the next four years, Coppola was involved in a variety of script collaborations, including writing an adaptation of "This Property is Condemned" by Tennessee Williams (with Fred Coe and Edith Sommer), and screenplays for Is Paris Burning? (1966) and Patton (1970), the film for which Coppola won a Best Original Screenplay Academy Award. In 1966, Coppola's 2nd film brought him critical acclaim and a Master of Fine Arts degree. In 1969, Coppola and George Lucas established American Zoetrope, an independent film production company based in San Francisco. The company's first project was THX 1138 (1971), produced by Coppola and directed by Lucas. Coppola also produced the second film that Lucas directed, American Graffiti (1973), in 1973. This movie got five Academy Award nominations, including one for Best Picture. In 1971, Coppola's film The Godfather (1972) became one of the highest-grossing movies in history and brought him an Oscar for writing the screenplay with Mario Puzo The film was a Best Picture Academy Award-winner, and also brought Coppola a Best Director Oscar nomination. Following his work on the screenplay for The Great Gatsby (1974), Coppola's next film was The Conversation (1974), which was honored with the Golden Palm Award at the Cannes Film Festival, and brought Coppola Best Picture and Best Original Screenplay Oscar nominations. Also released that year, The Godfather Part II (1974), rivaled the success of The Godfather (1972), and won six Academy Awards, bringing Coppola Oscars as a producer, director and writer. Coppola then began work on his most ambitious film, Apocalypse Now (1979), a Vietnam War epic that was inspired by Joseph Conrad's Heart of Darkness (1993). Released in 1979, the acclaimed film won a Golden Palm Award at the Cannes Film Festival, and two Academy Awards. Also that year, Coppola executive produced the hit The Black Stallion (1979). With George Lucas, Coppola executive produced Kagemusha: The Shadow Warrior (1980), directed by Akira Kurosawa, and Mishima: A Life in Four Chapters (1985), directed by Paul Schrader and based on the life and writings of Yukio Mishima. Coppola also executive produced such films as The Escape Artist (1982), Hammett (1982) The Black Stallion Returns (1983), Barfly (1987), Wind (1992), The Secret Garden (1993), etc.
He helped to make a star of his nephew, Nicolas Cage. Personal tragedy hit in 1986 when his son Gio died in a boating accident. Francis Ford Coppola is one of America's most erratic, energetic and controversial filmmakers.Captain EO (Attraction), Twixt, The Bellboy and the Playgirls- Director
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Jean-Luc Godard was born in Paris on December 3, 1930, the second of four children in a bourgeois Franco-Swiss family. His father was a doctor who owned a private clinic, and his mother came from a preeminent family of Swiss bankers. During World War II Godard became a naturalized citizen of Switzerland and attended school in Nyons, Switzerland. His parents divorced in 1948, at which time he returned to Paris to attend the Lycée Rohmer. In 1949 he studied at the Sorbonne to prepare for a degree in ethnology. However, it was during this time that he began attending with François Truffaut, Jacques Rivette, and Éric Rohmer.
In 1950 Godard, with Rivette and Rohmer, founded "Gazette du cinéma", which published five issues between May and November. He wrote a number of articles for the journal, often using the pseudonym "Hans Lucas". After Godard worked on and financed two films by Rivette and Rohmer, Godard's family cut off their financial support in 1951, and he resorted to a Bohemian lifestyle that included stealing food and money when necessary. In January 1952 he began writing film criticism for "Les cahiers du cinéma". Later that year he traveled to North and South America with his father and attempted to make his first film (of which only a tracking shot from a car was ever accomplished).
In 1953 he returned to Paris briefly before securing a job as a construction worker on a dam project in Switzerland. With the money from the job, he made a short film in 1954 about the building of the dam called Operation Concrete (1958). Later that year his mother was killed in a motor scooter accident in Switzerland. In 1956 Godard began writing again for "Les cahiers du cinéma" as well as for the journal "Arts". In 1957 Godard worked as the press attache for "Artistes Associés", and made his first French film, All Boys Are Called Patrick (1959).
In 1958 he shot Charlotte and Her Boyfriend (1958), his homage to Jean Cocteau. Later that year he took unused footage of a flood in Paris shot by Truffaut and edited it into a film called A Story of Water (1961), which was an homage to Mack Sennett. In 1959 he worked with Truffaut on the weekly publication "Temps de Paris". Godard wrote a gossip column for the journal, but also spent much time writing scenarios for films and a body of critical writings which placed him firmly in the forefront of the "nouvelle vague" aesthetic, precursing the French New Wave.
It was also in that year Godard began work on Breathless (1960). In 1960 he married Anna Karina in Switzerland. In April and May he shot The Little Soldier (1963) in Geneva and was preparing the film for a fall release in Paris. However, French censors banned it due to its references to the Algerian war, and it was not shown until 1963. In March 1960 Breathless (1960) premiered in Paris. It was hugely successful both with the film critics and at the box office, and became a landmark film in the French New Wave with its references to American cinema, its jagged editing and overall romantic/cinephilia approach to filmmaking. The film propelled the popularity of male lead Jean-Paul Belmondo with European audiences.
In 1961 Godard shot A Woman Is a Woman (1961), his first film using color widescreen stock. Later that year he participated in the collective effort to remake the film The Seven Deadly Sins (1962), which was heralded as an important project in artistic collaboration. In 1962 Godard shot Vivre sa vie (1962) in Paris, his first commercial success since "Breathless". Later that year he shot a segment entitled "Le Nouveau Monde" for the collective film Ro.Go.Pa.G. (1963), another important work in the history of collaborative multiple-authored art.
In 1963 Godard completed a film in homage to Jean Vigo entitled The Carabineers (1963), which was a resounding failure with the public and stirred furious controversy with film critics. Also that year he worked on a couple of collective films: The World's Most Beautiful Swindlers (1964) (from which Godard's sequence was later cut) and Six in Paris (1965). In 1964 Godard and his wife Anna Karina formed their own production company, Anouchka Films. They shot a film called A Married Woman (1964), which censors forced them to re-edit due to a topless sunbathing scene shot by Jacques Rozier. The censors also made Godard change the title to "Une femme marié" so as to not give the impression that this "scandalous" woman was the typical French wife. Later in the year, two French television programs were produced in devotion to Godard's work.
In the spring of 1965 Godard shot Alphaville (1965) in Paris; in the summer he shot Pierrot the Fool (1965) in Paris and the south of France. Shortly thereafter he and Anna Karina separated. Following their divorce, Godard shot Made in U.S.A (1966), "Deux ou trois choses que je sais d'elle (1966)", "L'amour en l'an 2000" (1966) (a sequel to "Alphaville" shot as a sketch for the collective film "L'amour travers les ages" (1966)).
In 1967 Godard shot The Chinese (1967) in Paris with Anne Wiazemsky, who was the granddaughter of French novelist François Mauriac. During the making of the film Godard and Wiazemsky were married in Paris. Later in the year he was prevented from traveling to North Vietnam for the shooting of a sequence for the collective film Far from Vietnam (1967). He instead shot the sequence in Paris, entitled "Camera-Oeil". Also during 1967 Godard participated (as the only Frenchman) on an Italian collective film called Love and Anger (1969).
In 1968 Godard was commissioned by French television to make Joy of Learning (1969). However, television producers were so outraged by the product Godard produced that they refused to show it. In May of that year Henri Langlois was fired by the head of the French Jean-Pierre Gorin to form the Dziga-Vertov group, infuriating Godard. He became increasingly concerned with socialist solutions to an idealist cinema, especially in providing the proletariat with the means of production and distribution. Along with other militantly political filmmakers in the Dziga-Vertov group, Godard published a series of 'Ciné-Tracts' outlining these viewpoints. In the summer of 1968 Godard traveled to New York City and Berkeley, California, to shoot the film "One American Movie", which was never completed. In September he made a trip to Canada to start another film called "Communication(s)", which also went unfinished, and then made a visit to Cuba before returning to France.
In 1969 Godard traveled to England, where he made the film See You at Mao (1970) for BBC Weekend Television, but the network later refused to show it. In the late spring he traveled with the Dziga-Vertov group to Prague to secretly shoot the film "Pravda". Later that year he shot Lotte in Italia (1971) ("Struggle for Italy") for Italian television. It was never shown, either.
In 1970 Godard traveled to Lebanon to shoot a film for the Palestinian Liberation Organization entitled "Jusque à la victoire" (1970) ("Until Victory"). Later that year he traveled to dozens of American universities trying to raise money for the film. In spite of his efforts, it was never released.Goodbye to Language- Director
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Henry Selick is a film director, specializing in films with stop-motion animation. He has formal training as an animator.
Selick was born in Glen Ridge, New Jersey, son of Charles H. Selick and Melanie Molan. He was mostly raised in Rumson, New Jersey. As a child, Selick took up drawing as a hobby. He became fascinated with animation at a young age, after viewing two specific films. One was the silhouette animation feature film "The Adventures of Prince Achmed" (1926) by Lotte Reiniger. It was one of the earliest animated feature films (the first had been released in 1917), the first produced in Europe, and the earliest one that has been preserved. The other film was the live-action film "The 7th Voyage of Sinbad" (1958), which featured stop-motion animation by Ray Harryhausen.
Selick started his college studies at Rutgers University in New Jersey, where he studied science. He next studied art in Syracuse University, arts and design in the Central Saint Martins College of Arts and Design, and animation at the California Institute of the Arts. Two of his student films won so-called "Student Academy Awards", awards by the Academy of Motion Picture Arts and Sciences for promising student films.
In the 1970s, after completing his college studies, Selick was hired by Walt Disney Productions, (the animation studio of the Disney corporation). He started his career there as an in-betweener, generating intermediate images for key frames in animated works. This is typically a low-level position at the animation department and the work goes uncredited.
At Disney, he started working as an animator trainee, one of several trainees under an aging crew of directors and supervisors. His first (uncredited) high-profile works was as part of the animation crew in the feature film "Pete's Dragon" (1977) and the featurette "The Small One" (1978). Among his associates at the time were other animator trainees, such as Don Bluth and Gary Goldman. The man mainly responsible for their training was veteran animator Eric Larson (1905-1988), one of "Disney's Nine Old Men" (an old guard of senior animators and directors that had long careers with the studio).
The young animators of the studio, Selick among them, completed a single film, the drama film "The Fox and the Hound" (1981). Then many of them left the studio to pursue careers elsewhere. Selick spend most of the 1980s as a freelancer. He directed animation for television commercials, for products such as the Pillsbury Doughboy, and Ritz Crackers. He also worked as a sequence director or storyboard artist for a number of films, such as "Twice Upon a Time" (1983), "Return to Oz" (1985), "Nutcracker: The Motion Picture" (1986). His television work also included some animation work for a television channel called "MTV".
Selick's big break in the animation world came when he was approached by an old acquaintance, director Tim Burton. Burton was producing a stop-motion animation feature film for Disney, but did not have the time to direct it himself, and needed someone to direct and to supervise the developing process. Selick was hired as the director for "The Nightmare Before Christmas" (1993), the first full-length, stop-motion feature from a major American studio.
"Nightmare" was a relatively low-budget film, but became a minor box office hit, earning about 76 million dollars at the worldwide box office. It also earned critical acclaim, particularly praise for then-revolutionary visual effects. It earned a number of awards and nominations, including a Saturn Award for Best Fantasy Film and an Annie Award. It was no surprise that Selick would be asked to direct again.
His next film was the novel adaptation "James and the Giant Peach" (1996), based on a work by Roald Dahl. The film combined live-action with stop-motion animation. It was another critical success, but a box office flop. It was overshadowed in the Annie Awards (for animation) by two competitors: "Toy Story" (1995) and "The Hunchback of Notre Dame" (1996).
Selick attempted a comeback with a comic book adaptation. He secured the rights to the graphic novel "Dark Town" (1995) by Kaja Blackley. The story was about a comatose cartoonist whose soul ends up in a limbo-like realm called "Dark Town". The original story ended in a cliff-hanger and never received a sequel. Selick and his crew further fleshed out the limbo realm, added new characters, and developed an original ending. The result was the dark fantasy film "Monkeybone" (2001). An ambitious, big-budget film, it turned out to be a box office bomb. It earned about 7.5 million dollars at the worldwide box office, much less than the film's budget.
Selick's next project was developing stop-motion visual effects the live-action film "The Life Aquatic with Steve Zissou" (2004), directed by Wes Anderson. The film was an ambitious comedy-drama film, loosely inspired by the life of oceanographer Jacques Cousteau (1910-1997). It under-performed at the box office, and received moderate critical acclaim. The film and its cast were nominated for a number of awards, but failed to win any major awards.
In 2004, Selick was hired as a supervising director by Will Vinton Studios, a minor animation studio that focused on stop-motion animation. In 2005, Will Vinton Studios was replaced by a new studio called "Laika". Selick retained his position. For Laika, Selick developed and directed his first computer-animated short film: "Moongirl" (2005). The premise is that a young boy is transported to the Moon, where he helps a Moongirl repair the Moon.
"Moongirl" turned out to be a critically acclaimed short film and won a number of awards, including an award by the Ottawa International Film Festival. Selick was next hired to write a children's book based on the film, which was released in 2006.
Laika next started work on its first feature film, an adaptation of a novel by Neil Gaiman. Selick was assigned as the director of the film. Selick was reportedly necessary for the company to secure the rights to the novel, because Gaiman happened to be a fan of "The Nightmare Before Christmas" and trusted him to adapt his work for film. The film was dark fantasy "Coraline" (2009). It earned about 125 million dollars at the worldwide box office, becoming the most commercially successful film in Selick's career.
"Coraline" was critically acclaimed winning or receiving nominations for several major awards. It even received a nomination for the Academy Award for Best Animated Feature, though it lost to "Up" (2009) by Pete Docter. It served as a comeback for Selick. Selick left Laika shortly after the release of the film.
In 2010, Selick signed a long-term contract with Disney, where he was supposed to create new stop-motion animation films to be released by the company. He formed a new studio called "Cinderbiter Productions" to produce the films. He worked for a number of years on a project called called "ShadeMaker", but this has been in development hell since 2013. Selick is reportedly working on several other projects, but has not released a new feature film following "Coraline".Coraline, The Nightmare Before Christmas- Director
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Richard firmly established his credentials with such epics as The Vikings (1958) , 20,000 Leagues Under the Sea (1954) and Barabbas (1961) and also proved to be a master of intimate drama with Compulsion (1959) , which won Cannes Festival awards for the male stars. He won an Academy Award for one of his earliest films - a documentary Design for Death (1947) . In 1947 the rapidly rising director met Stanley Kramer and Carl Foreman who hired him for their first film together So This Is New York (1948) , One of his most memorable accomplishments 20,000 Leagues Under the Sea (1954) which grossed well over $25 million since it's release in 1953.Arena, Amityville 3-D, Call from Space (short)- Writer
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Guillermo del Toro was born October 9, 1964 in Guadalajara, Jalisco, Mexico. Raised by his Catholic grandmother, del Toro developed an interest in filmmaking in his early teens. Later, he learned about makeup and effects from the legendary Dick Smith (The Exorcist (1973)) and worked on making his own short films. At the age of 21, del Toro executive produced his first feature, Dona Herlinda and Her Son (1985). Del Toro spent almost 10 years as a makeup supervisor, and formed his own company, Necropia in the early 1980s. He also produced and directed Mexican television programs at this time, and taught film.
Del Toro got his first big break when Cronos (1992) won nine Ariel Awards (the Mexican equivalent of the Oscars), then went on to win the International Critics Week Prize at Cannes. Following this success, del Toro made his first Hollywood film, Mimic (1997), starring Mira Sorvino.
Del Toro had some unfortunate experiences working with a demanding Hollywood studio on Mimic (1997), and returned to Mexico to form his own production company, The Tequila Gang.
Next for del Toro, was The Devil's Backbone (2001), a Spanish Civil War ghost story. The film was hailed by critics and audiences alike, and del Toro decided to give Hollywood another try. In 2002, he directed the Wesley Snipes vampire sequel, Blade II (2002).
On a roll, Del Toro followed up Blade II (2002) with another successful comic-book inspired film, Hellboy (2004), starring one of Del Toro's favorite actors, Ron Perlman.
Del Toro is divorced, has a daughter and a son and lives in Los Angeles and Toronto.Pacific Rim- Director
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William Castle was born on 24 April 1914 in New York City, New York, USA. He was a director and producer, known for Homicidal (1961), House on Haunted Hill (1959) and The Lady from Shanghai (1947). He was married to Ellen. He died on 31 May 1977 in Los Angeles, California, USA.Fort Ti, Drums of Tahiti, Jesse James vs. The Daltons- Director
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Rivaling Sam Newfield and William Beaudine as one of the American film industry's most prolific directors, Lew Landers began directing features in the mid-'30s under his real name of Louis Friedlander, but changed it to Lew Landers after several films. His first effort, The Raven (1935), with Boris Karloff and Bela Lugosi, was probably his best. Landers worked for just about every studio in Hollywood during his long career, but spent a lot of time at RKO and Columbia turning out low-budget adventure epics, thrillers and westerns. In the 1950s he turned to series television, as many of his fellow B directors did, and alternated between that and features for the remainder of his career.Man in the Dark- Director
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Grierson graduated from the Australian National University in Economics (BEc) and Arts (BA) in 1995, then continued his Japanese language study in Tokyo but his real passion was film-making.
After making a variety of self-funded shorts, he was accepted into the Masters course of the directing stream of the Australian Film, Television and Radio School (AFTRS) in 2002 where he made six films in a range of genres. His short, 'BOMB', won the three major awards at 'Tropfest', the world's biggest short film festival in 2005 and later, in 2012, it was chosen from twenty years of Tropfest finalists to screen in the 'Best of the Best' competition in Las Vegas.
He co-wrote and directed the gritty and experiential feature film 'Kokoda' (2006), Colin Fraser from Filmink praising it, 'Kokoda draws comparisons with Gallipoli if for no other reason than it will come to be similarly regarded as a landmark in Australian cinema'.
His next film, 3D thriller 'Sanctum' (2011) produced by James Cameron secured a rare and highly successful release in China, and was the eighth highest grossing Australian film of all time with a world-wide box office gross of over 108 million US dollars.
Grierson has directed television for the multi-award winning Nowhere Boys (Matchbox Productions) and Australia's most popular TV series, the Dr Blake Mysteries (December Media) and the powerful TV movie, Parer's War, for the ABC based on the real story of the life of combat cameraman Damien Parer.
In 2018 his movie, Tiger, a boxing film inspired by the true story of the persecution of a Sikh man was released theatrically in the U.S. Starring Mickey Rourke and Janelle Parish, it won Best Feature Film at the San Diego International Film Festival.
His latest feature film, Bloody Hell, was released theatrically and on digital platforms in January, 2021. It is a comedic thriller in a horror space and is still 91% fresh on Rotten Tomatoes. MorbidlyBeautiful.'s 5 star review describing it as 'A pitch perfect, wonderfully weird, adrenaline-fueled thrill ride; an uproariously good time'. It won best film at both the Gdansk Film Festival and the Brussels International Fantasy Film Festival.
Most recently he was asked to come aboard Disney+'s big budget television series, Nautilus as the 2nd Unit director which completed principle photography in Queensland, Australia in Dec 2022.Sanctum- Director
- Producer
- Actor
Steve Miner has had a very popular career in making films and remains one of Hollywood's most prolific directors and has worked with a variety of stars that includes Jamie Lee Curtis, Leslie Nielsen, C. Thomas Howell, Tom Arnold, Amy Steel Rick Moranis, and Bill Pullman.
Before becoming a director, Miner worked as an editor for Wes Craven and Sean S. Cunningham on several occasions, helping bring the notorious rape/murder film The Last House on the Left (1972) to the screen. He worked for Cunningham again in 1980 on Friday the 13th (1980) as an associate producer. The following year he was hired to direct its sequels Friday the 13th Part 2 (1981) and Friday the 13th: Part 3 (1982). Miner also directed the comedy, Soul Man (1986) and moved onto a serious drama Forever Young (1992) in 1992. Returning to comedy with Rick Moranis and Tom Arnold, he made Big Bully (1996) and returned back to horror with the very successful Halloween H20: 20 Years Later (1998) and the under water/comedy thriller Lake Placid (1999). His recent film Texas Rangers (2001) with young upcoming Hollywood stars isn't bad either. Nearly all films have been successful and/or a box office hit.Friday the 13th Part III, Day of the Dead (2008)- Art Director
- Production Designer
- Art Department
Joe Alves was born on 21 May 1936 in San Leandro, California, USA. He is an art director and production designer, known for Close Encounters of the Third Kind (1977), Jaws 3-D (1983) and Escape from New York (1981). He has been married to Jerri Lauridsen since 29 April 1990. They have two children.Jaws 3-D- Director
- Writer
Boris Rytsarev was born on 30 June 1930 in Moscow, Russian SFSR, USSR [now Russia]. He was a director and writer, known for Yunost nashikh otsov (1958), Aladdin and His Magic Lamp (1967) and Ledyanaya vnuchka (1980). He died on 25 November 1995.Sitting on the Golden Porch, The Doctor's Pupil- Director
- Second Unit Director or Assistant Director
- Producer
Mei-Chun Chang was born in 1944 in Wendeng, Shandong, China. He is a director and assistant director, known for The Phoenix (1978), Wu shi meng (1969) and The Great Justice (1979).Dynasty, 13 Golden Nuns [Revenge of the Shogun Women]- Actor
- Director
- Producer
Wei Lo was born in 1918 in Jiangsu Province, China. He was an actor and director, known for Fist of Fury (1972), The Big Boss (1971) and Yellow-Faced Tiger (1974). He was married to Liang Hua Liu. He died on 20 January 1996 in Hong Kong.Magnificent Bodyguards- Actor
- Producer
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Stephen Chow was the only boy of his family, and has grown up as a Bruce Lee fan and a martial arts addict. His career started on TV, where he presented a children show ( "430 Space Shuttle" (1983)) and started becoming popular. He got some supporting roles, after that, and won the Taiwanese Golden Horse award for best supporting actor.
He had his first starring role in 1990 in a 'Chow Yun-Fat' spoof: All for the Winner (1990) - "All for the Winner" and started excelling in the comedy genre. In Hong-Kong, his particular nonsense style is called "Mo Lei Tau". It's also on the set of this movie that he encountered his fellow sidekick Man-Tat Ng.
One of the last HK biggest star which have not been bought by Hollywood, even if Miramax (who'll surely release Shaolin Soccer (2001) - "Shaolin Soccer" this year in the USA - after remastering it, ouch.) has probably planned something for him...The Mermaid, Journey to the West: Conquering the Demons- Director
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- Producer
Oxide Chun Pang was born in 1965 in Hong Kong. He is a director and writer, known for The Eye (2002), Bangkok Dangerous (2000) and The Messengers (2007). He has been married to Angelica Lee since 6 February 2010. They have two children.Out of Inferno, Sleepwalker, The Child's Eye- Director
- Writer
- Editor
The twin brothers Oxide and Danny Pang started their career in Hong Kong, where Oxide worked as colourist and Danny as editor. After moving to Bangkok, Oxide made the experimental film Who's Running. Bangkok Dangerous (2000) is the first film in which the brothers combine their talents.Out of Inferno, The Child's Eye, The Strange House, The Mirror- Director
- Writer
- Producer
Takashi Shimizu was born on 27 July 1972 in Maebashi City, Gunma Prefecture, Japan. He is a director and writer, known for Ju-on: The Grudge (2002), The Grudge (2004) and Ju-On: The Grudge 2 (2003).The Shock Labyrinth, Tormented- Director
- Writer
Tsutomu Hanabusa is known for Hansamu sûtsu (2008), Tokyo Revengers (2021) and Project Dreams: How to Build Mazinger Z's Hangar (2020).Sadako, Sadako 2- Director
- Producer
- Writer
MJ Bassett is an English screenwriter, director and producer of feature film and television.
As a teenager in the UK, MJ's ambition was to become a wildlife vet. She was a veterinary assistant throughout her teenage years and was the youngest person in the UK to be granted a license to run a wildlife rehabilitation centre. On leaving school she became a wildlife photographer and documentary maker before being asked to appear on TV to talk about science and nature. She was the host of various nature and science programs before moving into writing and directing drama.
A lover of genre story telling, her first feature film was the World War One horror, DEATHWATCH, Starring Jamie Bell, Matthew Rhys and Andy Serkis.
Following the success of Deathwatch, MJ directed the survival-horror feature WILDERNESS with Toby Kebbell and Sean Pertwee, and then adapted and directed the heroic fantasy-adventure SOLOMON KANE, starring James Purefoy, Max Von Sydow and Pete Postlethwaite based on the classic fantasy novellas by 'Conan' creator Robert E. Howard. MJ followed that with the video game adaptation SILENT HILL:REVELATION, shot in 3D and starring Sean Bean, Adelaide Clemens and Kit Harrington.
After that MJ began directing in television. Initially guest directing episodes of the Cinemax/HBO/Sky military action show STRIKE BACK. She was invited to become lead director and ultimately executive producer of the show which ran for multiple seasons. MJ pushed the action, scale and intensity beyond any other show of its kind on TV. During this time she also directed the first season finale of Starz' show, DaVINCI'S DEMONS, created by David Goyer.
Additional television credits include such shows as POWER for Starz, IRON FIST for Marvel/Netflix, NIGHTFLYERS, based on the George R.R. Martin novel for Syfy with Doug Liman's 'Hypnotic' productions, ASH VS EVIL DEAD for Sam Raimi and Robert Tapert at Starz where MJ was also a writer and co-ep, taking over the director reigns from Sam Raimi following his pilot. Other credits also include THE PLAYER, starring Phil Winchester and Wesley Snipes for NBC and TAKEN, again for NBC with Europacorp, the first season finale of REACHER for Amazon/Skydance, ALTERED CARBON for Netflix/Skydance and the TERMINAL LIST for Amazon/MRC amongst numerous other television credits.
Her recent feature credits include ROGUE, an Africa set action thriller starring Megan Fox and ENDANGERED SPECIES starring Rebecca Romjin and Philip Winchester. Both movies have strong environmental and conservation themes. In 2023 she is in post production on Millenium Films' RED SONJA set for release in 2024.
MJ came out as transgender in 2018. She spends a great deal of time shooting on locations around the world and divides her time between the UK and home in the hills of Topanga Canyon just outside Los Angeles.Silent Hill: Revelation- Stunts
- Second Unit Director or Assistant Director
- Actor
Began as an actor in Kurt Russell-Disney Films in 1974. Made the switch to the Stunt world following a successful career as a junior pro surfer. Born, bred, and resided in Malibu. Many, many stunts later, David made the promotion to Stunt Coordinator in 1978 on Invasion of the Body Snatchers (1978). Coordinating TV and films all over the world brought him up to the position of 2nd Unit Director on Gorky Park (1983). "Action" movies proceeded to explode along with David's career. Befriending Harrison Ford, two of David's most notable 2nd units were Patriot Games (1992) and Clear and Present Danger (1994). As shown in Filmography, he worked back-to-back until the break from Disney, offering to 1st unit Direct the feature, Homeward Bound II: Lost in San Francisco (1996). Directorial debut grossed over $100 Million. Completed two features for 1997, Desperate Measures (1998) & Sphere (1998) with Barry Levinson.The Final Destination, Shark Night- Producer
- Director
- Writer
Charles Band is a writer, producer, director and publisher. He was born on December 27, 1951 in Los Angeles, California, as Charles Robert Band. His father was producer and director Albert Band and his brother is composer Richard Band.
Band has been writing, producing and directing films in the horror, science fiction, fantasy and comedy genres since the 1970s both for other company's and with his own studios, Empire Pictures and Full Moon Features. He was instrumental in ushering in the home video boom of the early 1980s with his companies Meda (later renamed Media Home Entertainment) and Wizard Video, the latter imprint which was responsible for being among the first entities to distribute European horror movies from such now celebrated filmmakers as Jess Franco and Lucio Fulci.
Band is perhaps best known for his work with Empire Pictures, making such pictures as Ghoulies, The Dungeonmaster, Terrorvision, Re-Animator and From Beyond and later, with Full Moon Features making films like Puppetmaster, Doctor Mordrid, Subspecies, Pit and the Pendulum, Castle Freak and many more.
Despite the changes in the home video and theatrical film marketplaces, Band has never stopped making and distributing movies. Many of his classic Full Moon pictures can be found on his Full Moon Streaming channel and now on the Full Moon Amazon channel. Band also distributes hundreds of his own and other filmmakers movies on DVD and Blu-ray via Full Moon Direct, along with a myriad toys and related Full Moon universe merchandise.
Recent Full Moon Features productions include Evil Bong High 5, Trophy Heads, Killjoy's Psycho Circus, Ravenwolf Towers and Puppetmaster: Axis Termination.Parasite, Metalstorm: The Destruction of Jared-Syn, The Creeps, Evil Bong 3-D: The Wrath of Bong- Director
- Second Unit Director or Assistant Director
- Actor
Worth Keeter is a Film and Television Director. He has directed 20+ feature films and 100+ television episodes. In his career Worth Keeter has directed projects for CBS, Disney, Fox TV, Sci Fi Network, USA Network and many others. As Vice President in Charge of Production for EO Studios, Worth Keeter oversaw production of numerous projects for co-productions with HBO, Universal, and others. In other aspects of his earlier film career, Keeter has served as writer, producer, assistant director, editor, sound mixer, camera operator, special effects technician, stunt driver, grip and electrician among other positions.Rottweiler: Dogs of Hell, Tales of the Third Dimension, Chain Gang, Hit the Road Running, Hot Heir- Writer
- Director
- Producer
Todd Durham is an American filmmaker, comedy writer, and novelist, best known as the creator of the Hotel Transylvania movie franchise for Columbia Pictures which he based on his book of the same name. He became the sixth sole-creator of an animated movie franchise that went on to generate over $1 billion from theatrical and ancillary markets after only one sequel. Durham's works, including over forty screenplays and books, frequently combine fantasy storylines with character comedy. -- For full bio, see wikipedia.org.Hyperspace, Tales of the Third Dimension- Director
- Writer
- Actor
Mario Mattoli was born on 30 November 1898 in Tolentino, Marche, Italy. He was a director and writer, known for Abbandono (1940), La damigella di Bard (1936) and Schoolgirl Diary (1941). He was married to Mity Mignone. He died on 26 February 1980 in Rome, Lazio, Italy.Funniest Show on Earth- Director
- Writer
- Actor
Ferdinando Baldi was born on 19 May 1917 in Cava de' Tirreni, Campania, Italy. He was a director and writer, known for Missione finale (1988), Un maledetto soldato (1988) and Texas, Adios (1966). He died on 12 November 2007 in Rome, Lazio, Italy.Comin' at Ya!, Treasure of the Four Crowns- Director
- Actor
- Producer
Lamont Johnson was born on 30 September 1922 in Stockton, California, USA. He was a director and actor, known for Wallenberg: A Hero's Story (1985), Lipstick (1976) and Lincoln (1988). He was married to Tony Johnson. He died on 24 October 2010 in Monterey, California, USA.Spacehunter: Adventures in the Forbidden Zone- Director
- Actor
- Writer
Bruce Malmuth has enjoyed a distinguished career in film, television and theater as a writer, director and actor. Soon after achieving success with his commercials (Excedrin Headache #1 and Fresca Snowstorms campaigns, and other Clio winners) Mr. Malmuth made his film directorial debut with Sylvester Stallone in the classic thriller Nighthawks (1981), followed by Mary Higgins Clark's best seller, Where Are the Children? (1985) with Jill Clayburgh, and the popular action film dealing with political corruption, Hard to Kill (1990) with Steven Seagal and Pentathlon (1994) with Dolph Lundgren, as well a number of other feature films and documentaries, including the highly acclaimed Baseballs or Switchblades? A Boy's Dream, featuring Darryl Strawberry, for which he won an Emmy and Humanitas award for Public Service. Mr. Malmuth has also appeared in many films as an actor, and was the ring announcer in the popular The Karate Kid (1984).
As a single parent who raised his son from the age of six and who went through the tumultuous spectrum of single parenting in an era where the use of drugs became a plague to the development of our youth, Mr. Malmuth eventually joined forces with his own son, Evan, to bring to the Los Angeles theater world his award-winning, original production of "Thanksgiving Cries", chronicling the life in a juvenile detention center, which also starred a yet unknown super talent Toby Maguire.
More recently, Bruce has turned his attention to the cause of troubled youth through his Under One Roof Workshop at Hollywood's Hollygrove Orphanage, as well as other juvenile facilities and venues such as the Woodstock and Temecula Film Festivals, teaching young people how to act, write, and direct-to channel their voices of anger and be heard creatively as artists. Similarly, his unique style of painting has also dramatically become a vivid tool and ally for depicting more understanding and compassion for the young, at many public events and fundraisers.
His passion for the cause of troubled youth was defined by his belief that "it is easier to build a child than to repair a man."The Man Who Wasn't There- Writer
- Director
- Producer
Dario Argento was born on September 7, 1940, in Rome, Italy, the first-born son of famed Italian producer Salvatore Argento and Brazilian fashion model Elda Luxardo. Argento recalls getting his ideas for filmmaking from his close-knit family from Italian folk tales told by his parents and other family members, including an aunt who told him frighting bedtime stories. Argento based most of his thriller movies on childhood trauma, yet his own--according to him--was a normal one. Along with tales spun by his aunt, Argento was impressed by stories from The Grimm Brothers, Hans Christian Andersen and Edgar Allan Poe. Argento started his career writing for various film journal magazines while still in his teens attending a Catholic high school. After graduation, instead of going to college, Argento took a job as a columnist for the Rome daily newspaper "Paese Sera". Inspired by the movies, he later found work as a screenwriter and wrote several screenplays for a number of films, but the most important were his western collaborations, which included Cemetery Without Crosses (1969) and the Sergio Leone masterpiece Once Upon a Time in the West (1968). After its release Argento wrote and directed his first movie, The Bird with the Crystal Plumage (1970), which starred Tony Musante and and British actress Suzy Kendall. It's a loose adoption on Fredric Brown's novel "The Screaming Mimi", which was made for his father's film company. Argento wanted to direct the movie himself because he did not want any other director messing up the production and his screenplay.
After "The Bird With the Crystal Plumage" became an international hit, Argento followed up with two more thrillers, The Cat o' Nine Tails (1971), starring 'Karl Madlen' (qv" and 'James Fransiscus', and Four Flies on Grey Velvet (1971) ("Four Flies On Black Velvet"), both backed by his father Salvatore. Argento then directed the TV drama Testimone oculare (1973) and the historical TV drama The Five Days (1973). He then went back to directing so-called "giallo" thrillers, starting with Deep Red (1975), a violent mystery-thriller starring David Hemmings that inspired a number of international directors in the thriller-horror genre. His next work was Suspiria (1977), a surreal horror film about a witch's coven that was inspired by the Gothic fairy tales of the Grimm Brothers and Hans Christian Anderson, which he also wrote in collaboration with his girlfriend, screenwriter/actress Daria Nicolodi, who acted in "Profondo Rosso" ("Deep Red") and most of Argento's films from then to the late 1980s. Argento advanced the unfinished trilogy with Inferno (1980), before returning to the "giallo" genre with the gory Tenebrae (1982), and then with the haunting Phenomena (1985).
The lukewarm reviews for his films, however, caused Argento to slip away from directing to producing and co-writing two Lamberto Bava horror flicks, Demons (1985) and Demons 2 (1986). Argento returned to directing with the "giallo" thriller Opera (1987), which according to him was "a very unpleasant experience", and no wonder: a rash of technical problems delayed production, the lead actress Vanessa Redgrave dropped out before filming was to begin, Argento's father Salvatore died during filming and his long-term girlfriend Daria broke off their relationship. After the commercial box-office failure of "Opera", Argento temporarily settled in the US, where he collaborated with director George A. Romero on the two-part horror-thriller Two Evil Eyes (1990) (he had previously collaborated with Romero on the horror action thriller Dawn of the Dead (1978)). While still living in America, Argento appeared in small roles in several films and directed another violent mystery thriller, Trauma (1993), which starred his youngest daughter Asia Argento from his long-term relationship with Nicolodi.
Argento returned to Italy in 1995, where he made a comeback in the horror genre with The Stendhal Syndrome (1996) and then with another version of "The Phantom of the Opera", The Phantom of the Opera (1998), both of which starred Asia. Most recently, Argento directed a number of "giallo" mystery thrillers such as Sleepless (2001), The Card Player (2003) and Do You Like Hitchcock? (2005), as well as two gory, supernatural-themed episodes of the USA TV cable anthology series Masters of Horror (2005).
Having always wanted to make a third chapter to his "Three Mothers" horror films, Argento finally completed the trilogy in 2007 with the release of Mother of Tears (2007), which starred Asia Argento as a young woman trying to identify and stop the last surviving evil witch from taking over the world. In addition to his Gothic and violent style of storytelling, "La terza madre" has many references to two of his previous films, "Suspiria" (1997) and "Inferno" (1980), which is a must for fans of the trilogy.
His movies may be regarded by some critics and opponents as cheap and overly violent, but second or third viewings show him to be a talented writer/director with a penchant for original ideas and creative directing.Dracula 3D- Writer
- Producer
- Director
James Gunn was born and raised in St. Louis, Missouri, to Leota and James Francis Gunn. He is from a large Catholic family, with Irish and Czech ancestry. His father and his uncles were all lawyers. He has been writing and performing as long as he can remember. He began making 8mm films at the age of twelve. Many of these were comedic splatter films featuring his brothers being disemboweled by zombies. He attended Saint Louis University High (SLUH) college preparatory school but later dropped out of college to pursue a rock and roll career.
His band, "the Icons", released one album, "Mom, We Like It Here on Earth". He earned very little money doing this and so during this time, he also worked as an orderly in Tucson, Arizona, upon which many of the situations in his first novel, "The Toy Collector", are based. He wrote and drew comic strips for underground and college newspapers.
Gunn eventually returned to school and received his B.A. at Saint Louis University in his native St. Louis. He moved to New York where he received an MFA in creative writing from Columbia University, which he today thinks may have been a wonderfully expensive waste of time. While finishing his MFA, he started writing "The Toy Collector" and began working for "Troma Studios", America's leading B-Movie production company. While there he wrote and produced the cult classic Tromeo and Juliet (1996) and, with Lloyd Kaufman, he wrote "All I Need to Know about Filmmaking I Learned from the Toxic Avenger".
Gunn had a spiritual awakening in Cannes in 1997 and quit Troma and relocated from New York to Los Angeles. He wrote and acted in the film The Specials (2000) with Rob Lowe, Jamie Kennedy, Thomas J. Churchill and his brother Sean Gunn. He wrote two scripts for Warner Brothers live action movies: Spy vs. Spy (1985) and Scooby-Doo (2002). In 1999, after almost five years, he finished "The Toy Collector". After doing Scooby-Doo 2: Monsters Unleashed (2004), Gunn made his directorial debut with Slither (2006). He later made the superhero film Super (2010) and the successful Marvel films Guardians of the Galaxy (2014) and its sequel Guardians of the Galaxy Vol. 2 (2017)
Gunn has four brothers, all of whom are in the entertainment industry. His brother, Patrick Gunn, is a Senior VP at Artisan Entertainment, the company responsible for distributing (and the marketing campaign of) The Blair Witch Project (1999). His brother, Brian Gunn, is a screenwriter who works in partnership with their cousin Mark Gunn.
Gunn's brother, Matt Gunn wrote and starred in the winner of the 1997 Sundance Film Festival, Man About Town (1997). Gunn's brother, Sean Gunn, is an actor regularly seen in films, commercials, and such TV shows as Angel (1999). James and Sean have collaborated on two occasions Sean starred in Tromeo and Juliet (1996), and they acted together and co-produced The Specials (2000). The brothers have one sister, Beth, who is a lawyer.
Gunn married actress and cartoonist Jenna Fischer in 2000. They divorced in 2008. He is now in a relationship with Jennifer HollandGuardians of the Galaxy, Guardians of the Galaxy Vol. 2, Guardians of the Galaxy Vol. 3
Upcoming: Superman: Legacy?- Producer
- Director
- Writer
Scott Derrickson is an American filmmaker who is known for directing horror films such as Deliver Us from Evil, Hellraiser: Inferno, Sinister and The Exorcism of Emily Rose. He also directed the superhero film Doctor Strange starring Benedict Cumberbatch. He decided not to direct Doctor Strange in the Multiverse of Madness, which resulted in Sam Raimi directing the sequel.Doctor Strange- Producer
- Writer
- Director
James Wan (born 26 February 1977) is an Australian film producer, screenwriter and film director of Malaysian Chinese descent. He is widely known for directing the horror film Saw (2004) and creating Billy the puppet. Wan has also directed Dead Silence (2007), Death Sentence (2007), Insidious (2010), The Conjuring (2013) and Furious 7 (2015).
Before his success in the mainstream film industry, he made his first feature-length film, Stygian, with Shannon Young, which won "Best Guerrilla Film" at the Melbourne Underground Film Festival (MUFF) in 2000.
Prior to 2003, Wan and Leigh Whannell had begun writing a script based for a horror film, citing inspiration from their dreams and fears. Upon completing the script, Leigh and James had wanted to select an excerpt from their script, later to be known as Saw (2004), and film it to pitch their film to studios. With the help of Charlie Clouser, who had composed the score for the film, and a few stand-in actors, Leigh and James shot the film with relatively no budget. Leigh had decided to star in the film as well.
After the release of the full-length Saw (2004), the film was met with overwhelming success in the box office both domestically and internationally. The film ended up grossing 55 million dollars in America, and 48 million dollars in other countries, totaling over $103 million worldwide. This was over 100 million dollars profit, over 80 times the production budget. This green-lit the sequel Saw II (2005), and later the rest of the Saw franchise based on the yearly success of the previous installment. Since its inception, Saw (2004) has become the highest grossing horror franchise of all time worldwide in unadjusted dollars. In the United States only, Saw (2004) is the second highest grossing horror franchise, behind only the Friday the 13th (1980) films by a margin of $10 million.Aquaman, Aquaman and the Lost Kingdom- Producer
- Director
- Writer
Destin Daniel Cretton is an American filmmaker, writer and producer from Haiku, Hawaii. He is known for directing The Glass Castle, I Am Not a Hipster, Short Term 12, Just Mercy and Shang-Chi and the Legend of the Ten Rings. He is the second Asian-American filmmaker to direct a Marvel film following Ang Lee's Hulk.Shang-Chi and the Legend of the Ten Rings
Upcoming: Shang-Chi sequel- Director
- Writer
- Producer
Yang Lu is known for A Writer's Odyssey (2021), Brotherhood of Blades (2014) and Brotherhood of Blades 2 (2017).A Writer's Odyssey- Art Department
- Director
- Visual Effects
Wes Ball was born on 28 October 1980 in the USA. He is a director, known for Kingdom of the Planet of the Apes (2024), Maze Runner: The Scorch Trials (2015) and The Maze Runner (2014).Maze Runner: The Scorch Trials, Maze Runner: The Death Cure, Ruin (short)- Director
- Writer
- Producer
Gil Kenan was born on 16 October 1976 in London, England, UK. He is a director and writer, known for Ghostbusters: Frozen Empire (2024), Monster House (2006) and Ghostbusters: Afterlife (2021). He has been married to Eliza Chaikin since 2005.Poltergeist (2015), Monster House- Director
- Producer
- Writer
Daniel L. Symmes was born on 26 June 1949 in the USA. He was a director and producer. He died on 21 September 2011 in Los Angeles, California, USA.The Starlets, Experiments in Love (short), The Wild Ride (short), Reflections of Horror (short)- Director
- Producer
- Animation Department
Travis Knight was born on 13 September 1973 in Hillsboro, Oregon, USA. He is a director and producer, known for Kubo and the Two Strings (2016), ParaNorman (2012) and Missing Link (2019).Bumblebee, Kubo and the Two Strings- Director
- Animation Department
- Producer
Byron Howard was born on 26 December 1968 in Misawa, Japan. He is a director and producer, known for Zootopia (2016), Encanto (2021) and Tangled (2010).Tangled, Bolt, Zootopia, Encanto- Actor
- Director
- Writer
Nathan Greno was born in Kenosha, Wisc., on the southwestern shores of Lake Michigan. As a child, he developed a love for drawing, which quickly evolved into a passion for visual storytelling. Influenced by comic books and newspaper comic strips, he started filling tablets of paper full of sketches. He began creating his own characters, his own worlds and story lines. It was his frequent trips to the local movie theater that planted the seed for a future career at Walt Disney Animation Studios. He made sure to see all of Disney's classic animated films on the big screen. Animation was quickly becoming his favorite form of visual storytelling, so at the ripe old age of 8, he just knew he wanted to work for Disney.
Greno devoted himself to discovering all there was to know about the art of animation. He continued to create his own characters, crudely animating them in the pages of his school textbooks. In 1989, a family trip to Walt Disney World gave him his first real glimpse of animators at work. It was there that he watched the artists breathe life into their characters and he was more determined than ever to continue on his path to joining the Disney family. He went on to attend the Columbus College of Art and Design in Columbus, Ohio.
In 1996, Greno's portfolio was accepted by Walt Disney Animation Studios in Florida. His career started as a clean-up animation artist on "Mulan." Having never lost his affinity for storytelling, he soon became obsessed with the storyboarding process at the studio. He realized that storyboarding was similar to the comic books and comic strips he grew up reading and creating.
Pursuing his new interest, Greno joined the story department in 1998. He was part of the story team on short film "John Henry" and feature-length "Brother Bear." He relocated to California in 2003, where he continued to work in the story department and in a variety of other capacities. He served as a screenwriter, story artist and voice actor on "Meet the Robinsons" and was then promoted to head of story on "Bolt." In that role, he oversaw the story of the film, managed the story crew and their sequences, while also storyboarding. He made his directorial debut with the short film, "Super Rhino," which was featured as an exclusive on the "Bolt" Blu-Ray/DVD. He also lent his voice talent to Dasher the Reindeer in Disney's 2009 animated holiday special "Prep and Landing."
Greno went on to direct the 2010 hit "Tangled," Walt Disney Animation Studios' 50th animated feature, with fellow director Byron Howard. According to John Lasseter, chief creative offices for Pixar and Walt Disney Animation Studios, Greno and Howard created a movie that can sit on the shelf next to classic Disney animated films, while also being an entertaining roller coaster ride for modern audiences. In 2012, the Greno and Howard once again joined forces for "Tangled Ever After," a short film and continuation of the "Tangled" story that saw the kingdom abuzz over the royal wedding of Rapunzel and Flynn Rider.
Since, Greno has contributed to Walt Disney Animation Studios' two Academy Award®-winning feature length films, as an additional story artist on "Frozen" (2013) and a creative advisor for "Big Hero 6" (2014). Greno resides in the hills of Los Feliz, Calif., just down the street from Walt Disney's old house, with his fiancée Colie. His favorite film of all time is and always will be "Dumbo."Tangled, Tangled Ever After (short)- Writer
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- Animation Department
Dean DeBlois is a Canadian writer, director, and producer known best for having co-written and co-directed Disney's Lilo & Stitch (2002) and Dreamworks' How to Train Your Dragon (2010), both Oscar nominated. While working as an assistant animator and layout artist for Hinton Animation Studios in Ottawa, Ontario, DeBlois simultaneously attended Sheridan College's three year Classical Animation program. Upon graduation in 1990, DeBlois was immediately hired by Don Bluth Studios in Dublin, Ireland. There, he cut his teeth as a layout artist, character designer, and storyboard assistant to Don Bluth on such films as Thumbelina (1994) and A Troll in Central Park (1994)." In 1994, DeBlois left Ireland to work for Walt Disney Feature Animation as a storyboard artist, where he soon replaced his frequent collaborator, Chris Sanders, as Head of Story on Mulan (1998)." Shortly thereafter, they re-re-teamed to create the lush and whimsical Lilo & Stitch (2002), heralded by critics as Disney's last great hand-drawn film. Following its release in 2002, DeBlois sold several original live action feature projects to write, direct, and produce, including "The Banshee and Finn Magee," "The Lighthouse," and "Sightings," set-up at Walt Disney Pictures, Touchstone, and Universal Studios respectively. At present, all three remain in development. 2007 unveiled DeBlois' first foray into documentary filmmaking, with the acclaimed feature length music film, Sigur Rós: Heima (2007), chronicling the homecoming concert odyssey of Iceland's famed post-rock phenomenon, Sigur Rós. In October of 2008, DeBlois returned to feature animation to co-write and co-direct Dreamworks then-troubled How to Train Your Dragon (2010), once again re-teaming with Chris Sanders. The two re-envisioned the story from scratch, leading the production to its March 26, 2010 release, at break-neck speed. The resulting film earned Dreamworks Animation its highest critical acclaim to date and became the studio's top grossing film outside of the "Shrek" franchise. During this same time, DeBlois also directed another feature-length music film for Sigur Rós front-man Jónsi, entitled Go Quiet (2010), as well as a feature length concert film entitled "Jónsi: Live at The Wiltern." At present, DeBlois is writing, directing, and executive producing the highly anticipated sequel to How to Train Your Dragon (2010), "which he describes as "the epic second act of a much larger story".How to Train Your Dragon, How to Train Your Dragon 2, How to Train Your Dragon 3- Director
- Writer
- Actor
Pierre-Louis Padang Coffin is a French animator, voice actor, director, producer, and writer best known for co-directing four films in the Despicable Me franchise and being the voice of the Minions, which won him the Kids Family Award at the 10th Seiyu Awards. Coffin was born in 1967 in France to Yves Coffin, a French diplomat, and Nh. Dini, an Indonesian novelist. He has a sister, Marie-Claire. During his childhood, they moved a lot across Asia, living in Cambodia and Japan, before settling in a Parisian suburb in the 1970s. Growing up, their father forbade them watching television, considering it too passive. Instead, Coffin drew, read, and listened to music a lot. Although he never considered a career in arts, some talented friends, who were better than him at drawing, inspired him to improve his skills.Despicable Me, Despicable Me 2, Despicable Me 3, Minions- Producer
- Actor
- Director
Director Chris Renaud has established himself as a heavyweight in the world of animation following the phenomenal box office success of recent movies Despicable Me (2010), Dr. Seuss' The Lorax (2012) and Despicable Me 2 (2013). Along with Pierre Coffin and Eric Guillon, he also co-created the iconic Minion characters featured in the Despicable Me films and the global smash Minions (2015). Most recently, he directed 'The Secret Life of Pets' which debuted to $104M, breaking the weekend opening record for an original animated film.
Renaud comes from the world of comic books, and worked at Marvel and DC Comics from 1994 to 2000. After a stint as a animation production designer at Shadow Projects and Big Big Productions, Renaud moved to Blue Sky Studios/20th Century Fox Animation. While there, he worked as a story artist on projects like Dr. Seuss' Horton Hears a Who! (2008) and Ice Age: Dawn of the Dinosaurs (2009).
Renaud took some of the skills he was learning at Blue Sky and conceived, wrote and storyboarded the animated short No Time for Nuts (2006), which featured the popular Ice Age character Scrat. It wound up scoring an Academy Award nomination for Best Short Film, Animated, and won Renaud an Annie Award for Best Animated Short Subject.
In 2007, producer Christopher Meledandri left his post as head of 20th Century Fox animation and founded Illumination Entertainment, and soon after brought Renaud on board to direct that company's first project. Despicable Me (2010), which Renaud directed with Pierre Coffin, went on to become one of the highest-grossing movies of 2010 with over $251 million at the domestic box office. Renaud went on to direct the company's next fully animated projects, Dr. Seuss' The Lorax (2012) and Despicable Me 2 (2013), both of which where sizable hits, making a combined $1.3 billion worldwide. Despicable Me 2 was also nominated for an Academy Award in the Feature Animation category.
Renaud's current project is 'The Secret Life of Pets 2' which is set to be released in the summer of 2019.Despicable Me, Despicable Me 2, Despicable Me 4, The Secret Life of Pets, The Secret Life of Pets 2, The Lorax- Director
- Writer
- Actor
Academy Award nominee Tom McGrath has been working in the entertainment industry for more than 30 years. McGrath directed the Academy Award and Golden Globe nominated film The Boss Baby, and its sequel, The Boss Baby: Family Business, his sixth film as director for a DreamWorks Animation title, the most of any director at the studio. His films have grossed over $2.7 billion dollars at the worldwide box office.
Following the runaway success of 2005's box-office hit Madagascar, for which he directed, co-wrote and voiced the lead penguin Skipper, McGrath reprised the same roles in Madagascar: Escape 2 Africa and Madagascar 3: Europe's Most Wanted. In addition, McGrath voiced Skipper for the Penguins of Madagascar TV show on Nickelodeon, and the short films The Madagascar Penguins in a Christmas Caper, Merry Madagascar and Madagascar. McGrath also starred in and executive produced DreamWorks Animation's Penguins of Madagascar and directed 2010's Megamind.
Prior to joining DreamWorks Animation in 2000, McGrath worked as a story artist and concept design artist for such feature films as Cats & Dogs and How the Grinch Stole Christmas. He also worked as an animator and story artist on such animated films as Space Jam and Cool World. His television work includes directing on The Ren & Stimpy Show as well as other projects for Nickelodeon. He is a graduate from the character animation program at Cal Arts and also studied industrial design at the University of Washington.Madagascar 3: Europe's Most Wanted, Megamind, The Boss Baby, The Boss Baby 2: Family Business