If REPO! The Genetic Opera was made in 1985
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Penelope Ann Miller is a distinguished artist in film, television, and theater. She has worked with some of the most notable actors and directors in Hollywood. This list includes Al Pacino and Sean Penn in director Brian de Palma's Carlito's Way, for which she received a Golden Globe nomination; Marlon Brando and Matthew Broderick in The Freshman; Robert De Niro and Robin Williams in Penny Marshall's Awakenings; Robert Downey Jr. in Sir Richard Attenborough's Chaplin; Danny DeVito and Gregory Peck in Norman Jewison's Other People's Money; Matthew Broderick and Christopher Walken in Mike Nichols' Biloxi Blues; and Arnold Schwarzenegger in Ivan Reitman's Kindergarten Cop.
On the television side, Ms. Miller stars as 'Joyce Dahmer' in Ryan Murphy's hugely successful miniseries, Dahmer-Monster: The Jeffrey Dahmer Story for Netflix. The true story has been nominated for 13 Emmy Awards and has over a billion hours viewed and counting. Playing the mother of the notorious serial killer, Miller stars opposite, Evan Peters, Richard Jenkins and Niecy Nash. Penelope also starred in American Crime, the critically acclaimed ABC series, from Academy Award winner John Ridley, opposite Regina King. Other credits include the very popular "College Admissions Scandal" for Lifetime, New York Prison Break; The Seduction of Joyce Mitchell for Lifetime, playing "Joyce Mitchell" in another true life story and winning rave reviews. She also starred in HBO's Witch Hunt, directed by Paul Schrader, and starring opposite Dennis Hopper, TNT's Men of a Certain Age opposite Ray Romano, MGM's Rocky Marciano directed by Charles Winkler and opposite Jon Favreau and George C. Scott. Miller also starred once again in another true life story in USA's critically acclaimed Mary Kay Letourneau: All American Girl, playing 'Mary Kay' and directed by Llyod Kramer, opposite Mercedes Ruehl. Ms. Miller starred opposite Oscar winner Jean Dujardin in the black and white silent film The Artist, winner of five Academy Awards including Best Picture. She also took on the role of 'Elizabeth Turner' in the controversial true story of Nat Turner's 1831 slave rebellion The Birth of a Nation starring opposite Colman Domingo and Aunjanue Ellis-Taylor, winning The Grand Jury and Audience awards at the Sundance Film Festival. Some of her other films include Adventures in Babysitting directed by Chris Columbus, Big Top Pee-wee opposite Paul Reubens, The Gun in Betty Lou's Handbag opposite Cathy Moriarty and Julianne Moore, The Shadow opposite Alec Baldwin, The Relic directed by Peter Hyams, and The Messengers opposite Kristen Stewart. Additionally, Penelope wrapped on the upcoming feature film Reagan starring opposite Dennis Quaid as 'Ronald Reagan' and Penelope as 'Nancy Reagan'.
Ms. Miller was also nominated for a Tony Award for her portrayal of 'Emily' in Lincoln Center's Broadway revival of Our Town.Shilo Wallace- Actor
- Writer
- Director
His father, Richard Head Welles, was a well-to-do inventor, his mother, Beatrice (Ives) Welles, a beautiful concert pianist; Orson Welles was gifted in many arts (magic, piano, painting) as a child. When his mother died in 1924 (when he was nine) he traveled the world with his father. He was orphaned at 15 after his father's death in 1930 and became the ward of Dr. Maurice Bernstein of Chicago. In 1931, he graduated from the Todd School in Woodstock, Illinois. He turned down college offers for a sketching tour of Ireland. He tried unsuccessfully to enter the London and Broadway stages, traveling some more in Morocco and Spain, where he fought in the bullring.
Recommendations by Thornton Wilder and Alexander Woollcott got him into Katharine Cornell's road company, with which he made his New York debut as Tybalt in 1934. The same year, he married, directed his first short, and appeared on radio for the first time. He began working with John Houseman and formed the Mercury Theatre with him in 1937. In 1938, they produced "The Mercury Theatre on the Air", famous for its broadcast version of "The War of the Worlds" (intended as a Halloween prank). His first film to be seen by the public was Citizen Kane (1941), a commercial failure losing RKO $150,000, but regarded by many as the best film ever made. Many of his subsequent films were commercial failures and he exiled himself to Europe in 1948.
In 1956, he directed Touch of Evil (1958); it failed in the United States but won a prize at the 1958 Brussels World's Fair. In 1975, in spite of all his box-office failures, he received the American Film Institute's Lifetime Achievement Award, and in 1984, the Directors Guild of America awarded him its highest honor, the D.W. Griffith Award. His reputation as a filmmaker steadily climbed thereafter.Rotti Largo- Actor
- Producer
- Writer
The towering presence of Canadian actor Donald Sutherland is often noticed, as are his legendary contributions to cinema. He has appeared in almost 200 different shows and films. He is also the father of renowned actor Kiefer Sutherland, among others.
Donald McNichol Sutherland was born in Saint John, New Brunswick, to Dorothy Isobel (McNichol) and Frederick McLea Sutherland, who worked in sales and electricity. He has Scottish, as well as German and English, ancestry. Sutherland worked several different jobs - he was a radio DJ in his youth - and was almost set on becoming an engineer after graduating from the University of Toronto with a degree in engineering. However, he also graduated with a degree in drama, and he chose to abandon becoming an engineer in favour of an actor.
Sutherland's first roles were bit parts and consisted of such films as the horror film Dr. Terror's House of Horrors (1965) which starred Christopher Lee. He was also appearing in episodes of TV shows such as "The Saint" and "Court Martial". Sutherland's break would come soon, though, and it would come in the form of a war film in which he was barely cast.
The reason he was barely cast was because he had been a last-minute replacement for an actor that had dropped out of the film. The role he played was that of the dopey but loyal Vernon Pinkley in the war film The Dirty Dozen (1967). The film also starred Lee Marvin, Charles Bronson, and Telly Savalas. The picture was an instant success as an action/war film, and Sutherland played upon this success by taking another role in a war film: this was, however, a comedy called M*A*S*H (1970) which landed Sutherland the starring role alongside Elliott Gould and Tom Skerritt. This is now considered a classic among film goers, and the 35-year old actor was only getting warmed up.
Sutherland took a number of other roles in between these two films, such as the theatrical adaptation Oedipus the King (1968), the musical Joanna (1968) and the Clint Eastwood-helmed war comedy Kelly's Heroes (1970). It was Kelly's Heroes (1970) that became more well-known, and it reunited Sutherland with Telly Savalas. 1970 and 1971 offered Sutherland a number of other films, the best of them would have to be Klute (1971). The film, which made Jane Fonda a star, is about a prostitute whose friend is mysteriously murdered. Sutherland received no critical acclaim like his co-star Fonda (she won an Oscar) but his career did not fade.
Moving on from Klute (1971), Sutherland landed roles such as the lead in the thriller Lady Ice (1973), and another lead in the western Alien Thunder (1974). These films did not match up to "Klute"'s success, though Sutherland took a supporting role that would become one of his most infamous and most critically acclaimed. He played the role of the murderous fascist leader in the Bernardo Bertolucci Italian epic 1900 (1976). Sutherland also gained another memorable role as a marijuana-smoking university professor in National Lampoon's Animal House (1978) among other work that he did in this time.
Another classic role came in the form of the Robert Redford film, Ordinary People (1980). Sutherland portrays an older father figure who must deal with his children in an emotional drama of a film. It won Best Picture, and while both the supporting stars were nominated for Oscars, Sutherland once again did not receive any Academy Award nomination. He moved on to play a Nazi spy in a film based on Ken Follett's book "Eye of the Needle" and he would star alongside Al Pacino in the commercial and critical disaster that was Revolution (1985). While it drove Al Pacino out of films for four years, Sutherland continued to find work. This work led to the dramatic, well-told story of apartheid A Dry White Season (1989) alongside the legendary actor Marlon Brando.
Sutherland's next big success came in the Oliver Stone film JFK (1991) where Sutherland plays the chilling role of Mister X, an anonymous source who gives crucial information about the politics surrounding President Kennedy. Once again, he was passed over at the Oscars, though Tommy Lee Jones was nominated for his performance as Clay Shaw. Sutherland went on to appear in Buffy the Vampire Slayer (1992), Shadow of the Wolf (1992), and Disclosure (1994).
The new millennium provided an interesting turn in Sutherland's career: reuniting with such former collaborators as Clint Eastwood and Tommy Lee Jones, Sutherland starred in Space Cowboys (2000). He also appeared as the father figure to Nicole Kidman's character in Cold Mountain (2003) and Charlize Theron's character in The Italian Job (2003). He has also made a fascinating, Oscar-worthy performance as the revolutionist Mr. Thorne in Land of the Blind (2006) and also as a judge in Reign Over Me (2007). Recently, he has joined forces with his son Rossif Sutherland and Canadian comic Russell Peters with the new comedy The Con Artist (2010), as well as acting alongside Jamie Bell and Channing Tatum in the sword-and-sandal film The Eagle (2011). Sutherland has also taken a role in the remake of Charles Bronson's film The Mechanic (1972).
Donald Sutherland has made a lasting legacy on Hollywood, whether portraying a chilling and horrifying villain, or playing the older respectable character in his films. A true character actor, Sutherland is one of Canada's most well-known names and will hopefully continue on being so long after his time.Nathan Wallace A.K.A Repo Man- Actress
- Producer
- Writer
Many well known and highly identifiable actresses have tried and failed to make the arduous crossover from fizzy TV sitcom star to mature, dramatic artist. Usually it was their hardcore fans who refused to accept them in any other light. Sally Field and Elizabeth Montgomery come first to mind as two strong actresses, with even stronger TV comedy character personas to contend with, who managed to make the none-too-easy leap to serious dramatic stardom after the fact. And then there's THAT girl ... lovely, glowing brunette Marlo Thomas ... another prime example.
Born in Detroit, Michigan on November 21, 1937, Marlo was christened Margaret Julia Thomas. Raised within the mad Beverly Hills whirl of the entertainment business as the daughter of show business legend Danny Thomas, she was initially dissuaded from an acting career and began a half-hearted adult life as a school teacher.
Quickly switching to acting, however, Marlo began with early TV appearances in the late 1950's on such series as "Dobie Gillis," "77 Sunset Strip," "Thriller" and "Zane Grey Theatre" (an appearance with her father). Her first break came when she was cast as Joey Bishop's sister and aspiring actress on the sitcom The Bob Newhart Show (1961) for one season, and she continued to build up her small screen resumé with assorted guest shots on "Bonanza," "My Favorite Martian," "McHale's Navy," "The Donna Reed Show" and "Ben Casey."
Following her delightful work on the London stage as Corey in "Barefoot in the Park" in 1965, Marlo appeared in a failed TV pilot. The pilot was seen by ABC, and they had her tested for another sitcom lead and passed with flying colors. This one stuck did not fail. Audiences adored "That Girl" with the romantic entanglements and struggling ambition of Ann Marie, a single, independent and very trendy young lady in the real world as an actress wannabe. Marlo became an instant household name (as did co-star Ted Bessell) and earned a Golden Globe ("Best TV Star") and four Emmy nominations during the five-year run of the groundbreaking show.
Cancelling the show on her own terms in 1971, the smoky-voiced actress was faced with a huge task of breaking a stereotype as a perky, fresh-faced, wide-eyed innocent. Capitalizing on her TV fame, she immediately pursued serious film roles. Playing the title dramatic role of Jenny (1970) opposite Alan Alda, she portrayed an unwed, naïve, pregnant girl who marries a filmmaker for convenience sake and earned a Golden Globe nom for "Most Promising Newcomer" in the process. Still, the box office take was mild and the public needed more convincing. When she made her Broadway debut successfully in the Herb Gardner play "Thieves" opposite Richard Mulligan in 1975, she made another stab at films by recreating her stage role. The reviews for Thieves (1977) co-starring Charles Grodin this time (who directed her in the Broadway version) were underwhelming. She would meet talk show icon Phil Donahue on his daytime TV program while a guest promoting the Thieves (1977) movie. They wed in 1980.
During this time Marlo broadened her focus and combined her deep love for children and education with her show business career. She took home bookend Emmy Awards for producing the "Outstanding Children's Specials" Free to Be... You & Me (1974) and, later, Free to Be... a Family (1988). She would also win a Grammy for her children's album "Marlo Thomas & Friends." As for TV, she earned wonderful reviews starring in the ABC holiday mini-movie comedy It Happened One Christmas (1977) playing a troubled female version of James Stewart's protagonist in It's a Wonderful Life (1946) but it was her dramatic work in the TV movies The Lost Honor of Kathryn Beck (1984) Consenting Adult (1985) (Golden Globe nomination), Nobody's Child (1986) (Emmy Award, Golden Globe nomination), and Held Hostage: The Sis and Jerry Levin Story (1991), Ultimate Betrayal (1994) and Reunion (1994) that forever erased her pristine stereotype image and saw her as a dramatic force to be reckoned with.
Marlo's subsequent return visits to Broadway with the plays "Social Security" (1986) and "The Shadow Box" (1994) added to her list of successes and continued with demanding theater roles such as Beatrice in "The Effect of Gamma Rays on Man-in-the-Moon Marigold" (1990), Martha in "Who's Afraid of Virginia Woolf" (1992) and Ouisa in "Sex Degrees of Separation" (1992).
Marlo remained actively involved on TV in everything from classic comedy (as Jennifer Aniston's mom in Friends (1994) to adult drama as a lawyer/mentor in the highly-rated crime drama Law & Order: Special Victims Unit (1999), with other TV guest appearances including "Roseanne," "Ally McBeal," "Ugly Betty," "The New Normal" and an additional recurring role on Wet Hot American Summer: Ten Years Later (2017).
Sporadic filming into the millennium included the "Odd Couple"-styled comedy In the Spirit (1990) co-starring Elaine May and featuring May's daughter Jeannie Berlin who also co-wrote, and featured roles in the romantic comedy The Real Blonde (1997), the drama Starstruck (1998), the social comedy Playing Mona Lisa (2000), the Miley Cyrus romantic dramedy LOL (2012), the witty comedy The Female Brain (2017) and the action comedy Ocean's Eight (2018) headed by Sandra Bullock.
Younger brother/producer Tony Thomas and actress/sister Terre Thomas also involved themselves in show business careers. On a more personal level, Marlo is an accomplished author, humanitarian and social activist. She has also continued the tradition of her late father as National Outreach Director for St. Jude's Children Hospital for cancer research.Blind Mag- Actress
- Producer
- Additional Crew
Holly Hunter was born in Conyers, Georgia, to Opal Marguerite (Catledge), a homemaker, and Charles Edwin Hunter, a part-time sporting goods company representative and farmer with a 250 acre farm. She is the youngest of seven children. Her parents encouraged her talent at an early age, and her first acting part was as Helen Keller in a fifth-grade play. In 1976 she went to Pittsburgh to pursue a degree in drama from Carnegie Mellon University. After graduating in 1980, she went to New York City, where she met playwright Beth Henley in a stalled elevator. Hunter went on to get roles in a number of Henley's southern Gothic plays, including Crimes of the Heart and The Miss Firecracker Contest. In 1982 the actress went to Los Angeles. She landed her first starring role in the movies in the Coen brothers' Raising Arizona (1987), a part that is said to have been written with her in mind. She gained stardom in 1987 when she played the driven TV news producer Jane Craig in James L. Brooks' Broadcast News (1987). In 1993 she earned an Academy Award and worldwide acclaim with her performance as a mute bride to a New Zealand planter in The Piano (1993).Amber Sweet- Actor
- Producer
- Director
Amiable and handsome James Garner had obtained success in both films and television, often playing variations of the charming anti-hero/con-man persona he first developed in Maverick, the offbeat western TV series that shot him to stardom in the late 1950s.
James Garner was born James Scott Bumgarner in Norman, Oklahoma, to Mildred Scott (Meek) and Weldon Warren Bumgarner, a carpet layer. He dropped out of high school at 16 to join the Merchant Marines. He worked in a variety of jobs and received 2 Purple Hearts when he was wounded twice during the Korean War. He had his first chance to act when a friend got him a non-speaking role in the Broadway stage play "The Caine Mutiny Court Martial (1954)". Part of his work was to read lines to the lead actors and he began to learn the craft of acting. This play led to small television roles, television commercials and eventually a contract with Warner Brothers. Director David Butler saw something in Garner and gave him all the attention he needed when he appeared in The Girl He Left Behind (1956). After co-starring in a handful of films during 1956-57, Warner Brothers gave Garner a co-starring role in the the western series Maverick (1957). Originally planned to alternate between Bart Maverick (Jack Kelly) and Bret Maverick (Garner), the show quickly turned into the Bret Maverick Show. As Maverick, Garner was cool, good-natured, likable and always ready to use his wits to get him in or out of trouble. The series was highly successful, and Garner continued in it into 1960 when he left the series in a dispute over money.
In the early 1960s Garner returned to films, often playing the same type of character he had played on "Maverick". His successful films included The Thrill of It All (1963), Move Over, Darling (1963), The Great Escape (1963) and The Americanization of Emily (1964). After that, his career wandered and when he appeared in the automobile racing movie Grand Prix (1966), he got the bug to race professionally. Soon, this ambition turned to supporting a racing team, not unlike what Paul Newman would do in later years.
Garner found great success in the western comedy Support Your Local Sheriff! (1969). He tried to repeat his success with a sequel, Support Your Local Gunfighter (1971), but it wasn't up to the standards of the first one. After 11 years off the small screen, Garner returned to television in a role not unlike that in Support Your Local Sheriff! (1969). The show was Nichols (1971) and he played the sheriff who would try to solve all problems with his wits and without gun play. When the show was canceled, Garner took the news by having Nichols shot dead, never to return in a sequel. In 1974 he got the role for which he will probably be best remembered, as wry private eye Jim Rockford in the classic The Rockford Files (1974). This became his second major television hit, with Noah Beery Jr. and Stuart Margolin, and in 1977 he won an Emmy for his portrayal. However, a combination of injuries and the discovery that Universal Pictures' "creative bookkeeping" would not give him any of the huge profits the show generated soon soured him and the show ended in 1980. In the 1980s Garner appeared in few movies, but the ones he did make were darker than the likable Garner of old. These included Tank (1984) and Murphy's Romance (1985). For the latter, he was nominated for both the Academy Award and a Golden Globe. Returning to the western mode, he co-starred with the young Bruce Willis in Sunset (1988), a mythical story of Wyatt Earp, Tom Mix and 1920s Hollywood.
In the 1990s Garner received rave reviews for his role in the acclaimed television movie about corporate greed, Barbarians at the Gate (1993). After that he appeared in the theatrical remake of his old television series, Maverick (1994), opposite Mel Gibson. Most of his appearances after that were in numerous TV movies based upon The Rockford Files (1974). His most recent films were My Fellow Americans (1996) and Space Cowboys (2000) .Luigi Largo- Actor
- Producer
- Soundtrack
American actor and producer Harvey Keitel was born on May 13, 1939 in Brooklyn, New York City, to Miriam (Klein) and Harry Keitel. An Oscar and Golden Globe Award nominee, he has appeared in films such as Martin Scorsese's Mean Streets (1973) and Taxi Driver (1976), Ridley Scott's The Duellists (1977) and Thelma & Louise (1991), Peter Yates' Mother, Jugs & Speed (1976), Quentin Tarantino's Reservoir Dogs (1992) and Pulp Fiction (1994), Jane Campion's The Piano (1993), Abel Ferrara's Bad Lieutenant (1992), Robert Rodriguez's From Dusk Till Dawn (1996), James Mangold's Cop Land (1997), Paolo Sorrentino's Youth (2015). He is regarded as one of the greatest method actors ever. Along with actors Al Pacino and Ellen Burstyn, he is the current co-president of the Actors Studio.
Keitel studied under both Stella Adler and Lee Strasberg and at the HB Studio, eventually landing roles in some Off-Broadway productions. During this time, Keitel auditioned for filmmaker Martin Scorsese and gained a starring role as "J.R.", in Scorsese's first feature film, Who's That Knocking at My Door (1967). Since then, Scorsese and Keitel have worked together on several projects. Keitel had the starring role in Scorsese's Mean Streets (1973), which also proved to be Robert De Niro's breakthrough film. Keitel re-teamed with Scorsese for Alice Doesn't Live Here Anymore (1974), in which he had a villainous supporting role, and appeared with Robert De Niro again in Scorsese's Taxi Driver (1976), playing the role of Jodie Foster's pimp.Pavi Largo- Actor
- Producer
- Director
Alfred Molina was born in 1953 in London, England. His mother, Giovanna (Bonelli), was an Italian-born cook and cleaner, and his father, Esteban Molina, was a Spanish-born waiter and chauffeur. He studied at the Guildhall School of Music and Drama, London. His stage work includes two major Royal National Theatre productions, Tennessee Williams' "The Night of the Iguana" (as Shannon) and David Mamet's "Speed the Plow" (as Fox), plus a splendid performance in Yasmina Reza's "Art" (his Broadway debut), for which he received a Tony Award nomination in 1998. He made his film debut in Raiders of the Lost Ark (1981) and got a good part in Letter to Brezhnev (1985) (as a Soviet sailor who spends a night in Liverpool), but his movie breakthrough came two years later when he played--superbly--Kenneth Halliwell, the tragic lover of playwright Joe Orton, in Stephen Frears' Prick Up Your Ears (1987). He was also outstanding in Enchanted April (1991), The Perez Family (1995) (as a Cuban immigrant), Anna Karenina (1997) (as Levin) and Chocolat (2000) (as the narrow-minded mayor of a small French town circa 1950s, who tries to shut down a chocolate shop).GraveRobber- Music Department
- Writer
- Composer
John Howard Carpenter was born in Carthage, New York, to mother Milton Jean (Carter) and father Howard Ralph Carpenter. His family moved to Bowling Green, Kentucky, where his father, a professor, was head of the music department at Western Kentucky University. He attended Western Kentucky University and then USC film school in Los Angeles. He began making short films in 1962, and won an Academy Award for Best Live-Action Short Subject in 1970, for The Resurrection of Broncho Billy (1970), which he made while at USC. Carpenter formed a band in the mid-1970s called The Coupe de Villes, which included future directors Tommy Lee Wallace and Nick Castle. Since the 1970s, he has had numerous roles in the film industry including writer, actor, composer, producer, and director. After directing Dark Star (1974), he has helmed both classic horror films like Halloween (1978), The Fog (1980), and The Thing (1982), and noted sci-fi tales like Escape from New York (1981) and Starman (1984).Director