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- Music Artist
- Actor
- Composer
George Michael was born Georgios Kyriacos Panayiotou in Finchley, north London, in the United Kingdom, to Lesley Angold (Harrison), a dancer, and Kyriacos Panayiotou, a restaurateur. His father was a Greek Cypriot, and his mother was of English background. He first discovered fame as a musician when he and school friend, Andrew Ridgeley, formed the pop group Wham!. Success came fast and furious with their first album, 'Fantastic' (1983) hitting the UK number one spot. Wham! survived for five years and during that time the group notched up four number one singles and two number one albums. Most of their other releases made top three. George also contributed to the Band Aid Single 'Do They Know It's Christmas' (1984), and scored two further solo number one hits with 'Careless Whisper' and 'A Different Corner'.
Following the break-up of Wham!, George went on to have a hugely successful career as a solo artist, his debut album 'Faith' (1987) - and the single of the same name - both achieving instant and international success. The album has since been certified Diamond.
Over the last four decades George has notched up 8 number one albums in the and 13 number one singles in the UK (including Wham!, Band Aid, and the 'Five Live' EP). In the U.S. he has achieved 2 number one albums and 10 number one singles, with numerous other number one hits throughout the rest of the world.
He has performed duets with artists including Aretha Franklin, Elton John, Queen, and Lisa Stansfield, and actively participates in charitable causes, Live Aid and the Freddie Mercury concert for AIDS being just two of the more prominent examples. According to a BBC documentary, George donated more than five million pounds towards various charities. Whilst with Wham!, he donated all the proceeds of 'Last Christmas' (1984) to charity. The single reached number two in the UK and George also performed simultaneously on the number one charity record 'Do They Know It's Christmas?'.
George released the single 'December Song' in 2008 as a free download: his hope was that purchasers would donate money to charity.
He remained in contact with his Wham! partner and long-time friend Andrew Ridgeley until his death in 2016.R.I.P.- Actor
- Producer
- Director
Colin Farrell is one of Ireland's biggest stars in Hollywood and abroad. His film presence has been filled with memorable roles that range from an inwardly tortured hit man, to an adventurous explorer, a determined-but-failing writer, and the greatest military leader in history.
Farrell was born on May 31, 1976 in Castleknock, Dublin, Ireland to Rita (Monaghan) and Eamon Farrell. His father and uncle were both professional athletes, and briefly it looked like Farrell would follow in their footsteps. Farrell auditioned for a part in the Irish boy band Boyzone, unsuccessfully. After dropping out of the Gaiety School of Acting, Farrell was cast in Ballykissangel (1996), a BBC television drama. "Ballykissangel" was not his first onscreen role. Farrell had previously been in The War Zone (1999), directed by Tim Roth and had appeared in the independent film Drinking Crude (1997). Farrell was soon to move on to bigger things.
Exchanging his thick Dublin accent for a light Texas drawl, Farrell acted in the gritty Tigerland (2000), directed by Joel Schumacher. Starring Farrell among a number of other budding young actors, the film portrays a group of new recruits being trained for the war in Vietnam. Farrell played the arrogant soldier Boz, drafted into the army and completely spiteful of authority. The film was praised by critics but made little money at the box office. It was Farrell's first big role on film, and certainly not his last. Farrell followed up with American Outlaws (2001), where he played the notorious outlaw Jesse James with Scott Caan, son of legendary actor James Caan, in the role of Cole Younger. The film was a box-office flop and a critical failure. Immediately, Farrell returned to the war drama film that had made him famous. Co-starring in the war film Hart's War (2002) opposite Bruce Willis, Farrell played the young officer captured by the enemy. The film was another failure. Farrell struck gold when he was cast in the Steven Spielberg film Minority Report (2002) that same year. Set in a futuristic time period, Farrell played the character Danny Witwer, a young member of the Justice Department who is sent after Tom Cruise's character. The film was a smash hit, and praised by critics.
Farrell continued this success when he reunited with Joel Schumacher on the successful thriller Phone Booth (2002). Farrell played the role of the victim who is harassed by an unseen killer (Kiefer Sutherland) and is made to reveal his sins to the public. 2003 was a big year for Farrell. He starred in the crime thriller The Recruit (2003) as a young CIA man mentored by an older CIA veteran (Al Pacino). Pacino later stated that Farrell was the best actor of his generation. Farrell certainly continued to be busy that year with Daredevil (2003), which actually allowed him to keep his thick Irish accent. The film was another success for Farrell, as was the crime film S.W.A.T. (2003) where Farrell starred opposite Samuel L. Jackson and LL Cool J. Farrell also acted in the Irish black comedy film Intermission (2003) and appeared another Irish film Veronica Guerin (2003) which reunited him with Joel Schumacher once again. The following year, Farrell acted in what is his most infamous film role yet: the title role in the mighty Oliver Stone film epic Alexander (2004), which is a character study of Alexander the Great as he travels across new worlds and conquers all the known world before him. Farrell donned a blond wig and retained his Irish accent, and gave a fine performance as Alexander. However, both he and the film were criticized. Despite being one of the highest grossing films internationally and doing a good job at the DVD sales, Farrell did not come out of the experience without a few hurts. Farrell attempted to rebound with his historical film The New World (2005). Reuniting with "Alexander" star Christopher Plummer, and also acting with Christian Bale, Farrell played the brave explorer John Smith, who would make first contacts with the Native peoples. The film did not do well at the box office, though critics praised the film's stunning appearance and cinematography.
Farrell returned to act in Michael Mann's film Miami Vice (2006) alongside Jamie Foxx. The film was a film adaptation of the famous television series, and did reasonably well at the box office. Farrell also acted in Ask the Dust (2006) with Salma Hayek and Donald Sutherland, though the film did not receive much distribution. The next year, Farrell acted alongside Ewan McGregor in the Woody Allen film Cassandra's Dream (2007) which received mixed reviews from critics. Farrell followed up with the hilarious black comedy In Bruges (2008). Written and directed by Irish theatre director Martin McDonagh, the film stars Farrell and Brendan Gleeson as two Irish hit men whose latest assignment went wrong, leaving them to hide out in Bruges, Belgium. The film has been one of Farrell's most praised work, and he was nominated for a Golden Globe. As well as In Bruges (2008), Farrell acted alongside Edward Norton in the crime film Pride and Glory (2008) which was not as successful as the former film. As well as working with charity, and speaking at the Special Olympics World Games in 2007, he has donated his salary for Terry Gilliam's The Imaginarium of Doctor Parnassus (2009) to Heath Ledger's little daughter (who was left nothing in a will that had not been updated in time). Ledger had originally been cast in the film and was replaced by Farrell, Johnny Depp and Jude Law. The film was a critical and financial success, and Farrell also played a small role in Crazy Heart (2009) which had the Dubliner playing a country singer. Farrell even sang a few songs for the film's soundtrack. As well as those small roles, Farrell took the lead role in the war film Triage (2009). Farrell incredibly lost forty-four pounds to play the role of a war photographer who must come to terms with what he has experienced in Kurdistan. While the film was finely made, with excellent performances from all involved, the film has received almost no distribution.
Farrell's other leading role that year was in Neil Jordan's Irish film Ondine (2009). In recent years, he co-starred in the comedy horror film Fright Night (2011), the science fiction action film Total Recall (2012), both remakes, and McDonagh's second feature, and the black comedy crime film Seven Psychopaths (2012). Since the mid-2000s, Farrell has cleaned up his act, and far from being a Hollywood hell raiser and party animal, he has shown himself to be a respectable and very talented actor.
He also starred in The Lobster (2015) and The Killing of a Sacred Deer (2017), both directed by Yorgos Lanthimos. For The Lobster he was nominated for a Golden Globe.- Actor
- Producer
- Soundtrack
Aidan Turner was born in Dublin, Ireland in 1983. After graduating from the Gaiety School of Acting in 2004, Aidan appeared in a number of stage productions, many with Ireland's national theatre, The Abbey. Such productions included The Plough & The Stars, Romeo & Juliet and A Cry from Heaven. In 2008, Turner made the transition to movies and television with a lead role in the film Alarm and a co-starring role in the popular Irish TV drama The Clinic. In 2009, Turner moved to the UK to take on a starring role in BBC's acclaimed Being Human. Aidan played the spellbinding "Mitchell" for 3 seasons during which time he also starred in BBC's Desperate Romantics and BBC's top rated TV movie Hattie. In 2011, famed director Peter Jackson cast Turner in the role of Kili in JRR Tolkien's The Hobbit. The highly successful movie trilogy filmed for approximately two years in New Zealand during which time Aidan also starred in Cassandra Clare's The Mortal Instruments.
In 2014 Turner was cast as Poldark in the BBC remake. Aidan was the only actor considered for this charismatic hero. Poldark premiered to excellent rating in the UK in March 2015 and also in the USA in June 2015. The BBC series also aired across Europe and Australia and returned for a second series, aired during 2016.
In 2015 Aidan took on a small role in The Secret Scripture so he could work with one of his favorite directors, Jim Sheridan. He also voiced a role in the first painted animation movie, Loving Vincent, co-starred in the dark comedy, Look Away and starred in the BBC mini series, And Then There Were None.
A third series of the hugely popular Poldark aired in the spring and summer of 2017.- Actor
- Soundtrack
O'Donoghue was born and raised in Drogheda, County Louth, Ireland, in a Roman Catholic family. He initially attended Dundalk Grammar School, and then The Gaiety School of Acting in Dublin. At age 16, O'Donoghue went to Paris, France, for a month to learn the French language. Colin's early career was mainly split between theatre and television work in Ireland and the UK. In 2003, Colin won the Irish Film and Television Award for "Best New Talent" for his role as Norman in "Home For Christmas.- Actor
- Producer
- Writer
Colin Andrew Firth was born into an academic family in Grayshott, Hampshire, England. His mother, Shirley Jean (Rolles), was a comparative religion lecturer at the Open University, and his father, David Norman Lewis Firth, lectured on history at Winchester University College (formerly King Alfred's College) in Winchester, and worked on education for the Nigerian government. His grandparents were missionaries. His siblings Katie Firth and Jonathan Firth are also actors.
Firth's first acting experience came in infant's school when he played "Jack Frost" in a Christmas pantomime. Three of his four grandparents were Methodist missionaries and he spent his early childhood in Nigeria, returning to England at age five where he entered a comprehensive school in Winchester. He spent two years at the Drama Centre, then in Chalk Farm, where he was "discovered" whist playing "Hamlet" during his final term. His first professional role was as "Bennet" in the West End production of "Another Country". From this performance, he was chosen to play the character of "Judd" in the movie of the play. He went on to play a variety of character parts in both film and television. For his portrayal of "Robert Lawrence" in the 1989 TV production Tumbledown (1988), he received the Royal Television Society Best Actor award and also a BAFTA nomination. He also received a BAFTA nomination for "Mr. Darcy" in the 1995 TV version of Pride and Prejudice (1995). In 2011, he won the Oscar for Best Actor for his commanding leading role, playing British King George VI in The King's Speech (2010).- Actor
- Producer
- Soundtrack
Richard Madden, born 18 June 1986, is a Scottish stage, film, and television actor best known for portraying Robb Stark in the HBO series "Game of Thrones" and Prince Kit in Disney's "Cinderella." Starring as David Budd in the BBC miniseries "Bodyguard" has also brought him more international acclaim and attention including a Golden Globe and other nominations. Despite his seemingly overnight success, Madden has been acting since he was in his teens, with only a brief break where he focused on school.
Madden was born in Elderslie, Renfrewshire, Scotland, where he was brought up with two sisters. His mother, Pat, is a classroom assistant, and his father, Richard, is in the fire brigade.- Actor
- Producer
- Additional Crew
Keanu Charles Reeves, whose first name means "cool breeze over the mountains" in Hawaiian, was born September 2, 1964 in Beirut, Lebanon. He is the son of Patric Reeves, a showgirl and costume designer, and Samuel Nowlin Reeves, a geologist. Keanu's father was born in Hawaii, of British, Portuguese, Native Hawaiian, and Chinese ancestry, and Keanu's mother is originally from Essex England. After his parents' marriage dissolved, Keanu moved with his mother and younger sister, Kim Reeves, to New York City, then Toronto. Stepfather #1 was Paul Aaron, a stage and film director - he and Patricia divorced within a year, after which she went on to marry (and divorce) rock promoter Robert Miller. Reeves never reconnected with his biological father. In high school, Reeves was lukewarm toward academics but took a keen interest in ice hockey (as team goalie, he earned the nickname "The Wall") and drama. He eventually dropped out of school to pursue an acting career.
After a few stage gigs and a handful of made-for-TV movies, he scored a supporting role in the Rob Lowe hockey flick Youngblood (1986), which was filmed in Canada. Shortly after the production wrapped, Reeves packed his bags and headed for Hollywood. Reeves popped up on critics' radar with his performance in the dark adolescent drama, River's Edge (1986), and landed a supporting role in the Oscar-nominated Dangerous Liaisons (1988) with director Stephen Frears.
His first popular success was the role of totally rad dude Ted "Theodore" Logan in Bill & Ted's Excellent Adventure (1989). The wacky time-travel movie became something of a cultural phenomenon, and audiences would forever confuse Reeves's real-life persona with that of his doofy on-screen counterpart. He then joined the casts of Ron Howard's comedy, Parenthood (1989) and Lawrence Kasdan's I Love You to Death (1990).
Over the next few years, Reeves tried to shake the Ted stigma with a series of highbrow projects. He played a slumming rich boy opposite River Phoenix's narcoleptic male hustler in My Own Private Idaho (1991), an unlucky lawyer who stumbles into the vampire's lair in Bram Stoker's Dracula (1992), and Shakespearean party-pooper Don John in Much Ado About Nothing (1993).
In 1994, the understated actor became a big-budget action star with the release of Speed (1994). Its success heralded an era of five years in which Reeves would alternate between small films, like Feeling Minnesota (1996) and The Last Time I Committed Suicide (1997), and big films like A Walk in the Clouds (1995) and The Devil's Advocate (1997). (There were a couple misfires, too: Johnny Mnemonic (1995) and Chain Reaction (1996).) After all this, Reeves did the unthinkable and passed on the Speed sequel, but he struck box-office gold again a few years later with the Wachowski siblings' cyberadventure, The Matrix (1999).
Now a bonafide box-office star, Keanu would appear in a string of smaller films -- among them The Replacements (2000), The Watcher (2000), The Gift (2000), Sweet November (2001), and Hardball (2001) - before The Matrix Reloaded (2003) and The Matrix Revolutions (2003) were both released in 2003.
Since the end of The Matrix trilogy, Keanu has divided his time between mainstream and indie fare, landing hits with Something's Gotta Give (2003), The Lake House (2006), and Street Kings (2008). He's kept Matrix fans satiated with films such as Constantine (2005), A Scanner Darkly (2006), and The Day the Earth Stood Still (2008). And he's waded back into art-house territory with Ellie Parker (2005), Thumbsucker (2005), The Private Lives of Pippa Lee (2009), and Henry's Crime (2010).
Most recently, as post-production on the samurai epic 47 Ronin (2013) waged on, Keanu appeared in front of the camera in Side by Side (2012), a documentary on celluloid and digital filmmaking, which he also produced. He also directed another Asian-influenced project, Man of Tai Chi (2013).
In 2014, Keanu played the title role in the action revenge film John Wick (2014), which became popular with critics and audiences alike. He reprised the role in John Wick: Chapter 2 (2017), taking the now-iconic character to a better opening weekend and even more enthusiastic reviews than the first go-around.- Actor
- Producer
- Writer
Adam Jared Brody was born and raised in San Diego, California, the son of Valerie Jill (Siefman), a graphic artist, and Mark Alan Brody, a lawyer. His parents, both originally from Michigan, are both from Jewish families (from Russia and Poland). Adam spent a lot of his teen years hanging out with his friends, having fun and surfing. Upon graduation, he convinced his parents to allow him to attend college in Los Angeles. However, instead of enrolling in school, he hired an acting coach, signed with a talent manager and soon landed the lead in the NBC movie-of-the-week, Growing Up Brady (2000), playing Barry Williams (Greg Brady). Soon after, Brody was cast as the lead, Zack Altman, in the MTV series Much Ado About Whatever (2001). His television credits also include the recurring role of Coop in ABC's Once and Again (1999); a recurring role as Dave Rygalski in The WB's Gilmore Girls (2000); and standout guest-starring roles in Judging Amy (1999), Family Law (1999) and Smallville (2001). Brody then starred in the Fox series The O.C. (2003), portraying Seth Cohen, which made him famous.
In addition to starring in the comedy Grind (2003), Brody's early feature film credits included a minor role in the thriller The Ring (2002), a lead role in the drama Missing Brendan (2003), and supporting roles in the action film Mr. & Mrs. Smith (2005) and the comedy-drama Thank You for Smoking (2005). He then starred in the romantic comedy In the Land of Women (2007) with Kristen Stewart and Meg Ryan, and appeared in the sequel Scream 4 (2011), and the arthouse hit Damsels in Distress (2011). Also in the 2010s, he had memorable roles in the dramedy Seeking a Friend for the End of the World (2012), the superhero comedy Shazam! (2019), and the satirical horror film Shazam! (2019), the latter two particularly acclaimed films. He began the 2020s with starring in Promising Young Woman (2020), and a bit part in the dark thriller Promising Young Woman (2020), which was nominated for a Best Picture Oscar.- Actor
- Producer
- Director
Screen legend, superstar, and the man with the most famous blue eyes in movie history, Paul Leonard Newman was born on January 26, 1925, in Cleveland, Ohio, the second son of Arthur Sigmund Newman (died 1950) and Theresa Fetsko (died 1982). His elder brother was Arthur S. Newman Jr., named for their father, a Jewish businessman who owned a successful sporting goods store and was the son of emigrants from Poland and Hungary. Newman's mother (born Terézia Fecková, daughter of Stefan Fecko and Mária Polenak) was a Roman Catholic Slovak from Homonna, Pticie (former Austro-Hungarian Empire), who became a practicing Christian Scientist. She and her brother, Newman's uncle Joe, had an interest in the creative arts, and it rubbed off on him. He acted in grade school and high school plays. The Newmans were well-to-do and Paul Newman grew up in affluent Shaker Heights. Before he became an actor, Newman ran the family sporting goods store in Cleveland, Ohio.
By 1950, the 25-year-old Newman had been kicked out of Ohio University, where he belonged to the Phi Kappa Tau fraternity, for unruly behavior (denting the college president's car with a beer keg), served three years in the United States Navy during World War II as a radio operator, graduated from Ohio's Kenyon College, married his first wife, Jacqueline "Jackie" Witte (born 1929), and had his first child, Scott. That same year, his father died. When he became successful in later years, Newman said if he had any regrets it would be that his father was not around to witness his success. He brought Jackie back to Shaker Heights and he ran his father's store for a short period. Then, knowing that wasn't the career path he wanted to take, he moved Jackie and Scott to New Haven, Connecticut, where he attended Yale University's School of Drama.
While doing a play there, Newman was spotted by two agents, who invited him to come to New York City to pursue a career as a professional actor. After moving to New York, he acted in guest spots for various television series and in 1953 came a big break. He got the part of understudy of the lead role in the successful Broadway play "Picnic". Through this play, he met actress Joanne Woodward (born 1930), who was also an understudy in the play. While they got on very well and there was a strong attraction, Newman was married and his second child, Susan, was born that year. During this time, Newman was accepted into the much admired and popular New York Actors Studio, although he did not actually audition.
In 1954, a film Newman was very reluctant to do was released, The Silver Chalice (1954). He considered his performance in this costume epic to be so bad that he took out a full-page ad in a trade paper apologizing for it to anyone who might have seen it. He had always been embarrassed about the film and reveled in making fun of it. He immediately wanted to return to the stage, and performed in "The Desperate Hours". In 1956, he got the chance to redeem himself in the film world by portraying boxer Rocky Graziano in Somebody Up There Likes Me (1956), and critics praised his performance. In 1957, with a handful of films to his credit, he was cast in The Long, Hot Summer (1958), co-starring Joanne Woodward.
During the shooting of this film, they realized they were meant to be together and by now, so did his then-wife Jackie, who gave Newman a divorce. He and Woodward wed in Las Vegas in January 1958. They went on to have three daughters together and raised them in Westport, Connecticut. In 1959, Newman received his first Academy Award nomination for Best Actor, in Cat on a Hot Tin Roof (1958). The 1960s would bring Newman into superstar status, as he became one of the most popular actors of the decade, and garnered three more Best Actor Oscar nominations, for The Hustler (1961), Hud (1963) and Cool Hand Luke (1967). In 1968, his debut directorial effort Rachel, Rachel (1968) was given good marks, and although the film and Woodward were nominated for Oscars, Newman was not nominated for Best Director. However, he did win a Golden Globe Award for his direction.
1969 brought the popular screen duo of Newman and Robert Redford together for the first time when Butch Cassidy and the Sundance Kid (1969) was released. It was a box office smash. Through the 1970s, Newman had hits and misses from such popular films as The Sting (1973) and The Towering Inferno (1974) to lesser known films as The Life and Times of Judge Roy Bean (1972) to a cult classic Slap Shot (1977). After the death of his only son, Scott, in 1978, Newman's personal life and film choices moved in a different direction. His acting work in the 1980s and on is what is often most praised by critics today. He became more at ease with himself and it was evident in The Verdict (1982) for which he received his sixth Best Actor Oscar nomination and, in 1987, finally received his first Oscar for The Color of Money (1986), almost thirty years after Woodward had won hers. Friend and director of Somebody Up There Likes Me (1956), Robert Wise accepted the award on Newman's behalf as the actor did not attend the ceremony.
Films were not the only thing on his mind during this period. A passionate race car driver since the early 1970s (despite being color-blind), he was co-founder of Newman-Haas racing in 1982, and also founded "Newman's Own", a successful line of food products that has earned in excess of $100 million, every penny of which Newman donated to charity. He also started The Hole in the Wall Gang Camps, an organization for children with serious illness. He was as well known for his philanthropic ways and highly successful business ventures as he was for his legendary actor status.
Newman's marriage to Woodward lasted a half-century. Connecticut was their primary residence after leaving Hollywood and moving East in 1960. Renowned for his sense of humor, in 1998 he quipped that he was a little embarrassed to see his salad dressing grossing more than his movies. During his later years, he still attended races, was much involved in his charitable organizations, and in 2006, he opened a restaurant called Dressing Room, which helps out the Westport Country Playhouse, a place in which Newman took great pride. In 2007, while the public was largely unaware of the serious illness from which he was suffering, Newman made some headlines when he said he was losing his invention and confidence in his acting abilities and that acting was "pretty much a closed book for me". A smoker for many years, Newman died on September 26, 2008, aged 83, from lung cancer.- Producer
- Actor
- Director
Born on August 18, 1936, in Santa Monica, California, to Charles Robert Redford, an accountant for Standard Oil, and Martha Redford, Charles Robert Redford, Jr. was a scrappy kid who stole hubcaps in high school and lost his college baseball scholarship at the University of Colorado because of drunkenness. However, as a high school student, he had displayed a certain aptitude as a caricaturist and this contributed to his decision to seriously study art. Redford then enjoyed a year-long sojourn travelling around Europe, hitchhiking, living in youth hostels and generally living the painter's life. Eventually, he came to realise that his work was unoriginal and not very good. He therefore returned to New York to pursue studies in theatrical design at the Pratt Institute of Art. He subsequently enrolled in acting classes at the American Academy of Dramatic Arts.
By the end of 1960, he was on Broadway in a series of plays including Barefoot in the Park, which launched him to fame. TV and stage experience coupled with all-American good looks led to movies and a breakthrough role in Butch Cassidy and the Sundance Kid (1969), when the actor was 33. The Way We Were (1973) and The Sting (1973), both in 1973, made Redford No. 1 at the box office for the next three years. Redford used his clout to advance environmental causes and his riches to acquire Utah property, which he transformed into a ranch and the Sundance ski resort. In 1980, he established the Sundance Institute for aspiring filmmakers. Its annual film festival has become one of the world's most influential. Redford's directorial debut, Ordinary People (1980), won him the Academy Award for Best Director in 1981. He waited eight years before getting behind the camera again, this time for the screen version of John Nichols' acclaimed novel of the Southwest, The Milagro Beanfield War (1988). He scored with critics and fans in 1992 with the Brad Pitt film A River Runs Through It (1992), and again, in 1994, with Quiz Show (1994), which earned him yet another Best Director nomination.
Redford married Lola Van Wagenen on August 9, 1958; they divorced in 1985 after having four children, one of which died of sudden infant death syndrome. Daughter Shauna Redford, born November 15, 1960, is a painter who married Eric Schlosser on October 5, 1985, in Provo, Utah; her first child, born in January 1991, made Redford a grandfather. Son James Redford, a screenwriter, was born May 5, 1962. Daughter Amy Redford, an actress, was born October 22, 1970. Redford has a half-brother named William, who worked in medical research.- Actor
- Director
- Writer
Marlon Brando is widely considered the greatest movie actor of all time, rivaled only by the more theatrically oriented Laurence Olivier in terms of esteem. Unlike Olivier, who preferred the stage to the screen, Brando concentrated his talents on movies after bidding the Broadway stage adieu in 1949, a decision for which he was severely criticized when his star began to dim in the 1960s and he was excoriated for squandering his talents. No actor ever exerted such a profound influence on succeeding generations of actors as did Brando. More than 50 years after he first scorched the screen as Stanley Kowalski in the movie version of Tennessee Williams' A Streetcar Named Desire (1951) and a quarter-century after his last great performance as Col. Kurtz in Francis Ford Coppola's Apocalypse Now (1979), all American actors are still being measured by the yardstick that was Brando. It was if the shadow of John Barrymore, the great American actor closest to Brando in terms of talent and stardom, dominated the acting field up until the 1970s. He did not, nor did any other actor so dominate the public's consciousness of what WAS an actor before or since Brando's 1951 on-screen portrayal of Stanley made him a cultural icon. Brando eclipsed the reputation of other great actors circa 1950, such as Paul Muni and Fredric March. Only the luster of Spencer Tracy's reputation hasn't dimmed when seen in the starlight thrown off by Brando. However, neither Tracy nor Olivier created an entire school of acting just by the force of his personality. Brando did.
Marlon Brando, Jr. was born on April 3, 1924, in Omaha, Nebraska, to Marlon Brando, Sr., a calcium carbonate salesman, and his artistically inclined wife, the former Dorothy Julia Pennebaker. "Bud" Brando was one of three children. His ancestry included English, Irish, German, Dutch, French Huguenot, Welsh, and Scottish; his surname originated with a distant German immigrant ancestor named "Brandau." His oldest sister Jocelyn Brando was also an actress, taking after their mother, who engaged in amateur theatricals and mentored a then-unknown Henry Fonda, another Nebraska native, in her role as director of the Omaha Community Playhouse. Frannie, Brando's other sibling, was a visual artist. Both Brando sisters contrived to leave the Midwest for New York City, Jocelyn to study acting and Frannie to study art. Marlon managed to escape the vocational doldrums forecast for him by his cold, distant father and his disapproving schoolteachers by striking out for The Big Apple in 1943, following Jocelyn into the acting profession. Acting was the only thing he was good at, for which he received praise, so he was determined to make it his career - a high-school dropout, he had nothing else to fall back on, having been rejected by the military due to a knee injury he incurred playing football at Shattuck Military Academy, Brando Sr.'s alma mater. The school booted Marlon out as incorrigible before graduation.
Acting was a skill he honed as a child, the lonely son of alcoholic parents. With his father away on the road, and his mother frequently intoxicated to the point of stupefaction, the young Bud would play-act for her to draw her out of her stupor and to attract her attention and love. His mother was exceedingly neglectful, but he loved her, particularly for instilling in him a love of nature, a feeling which informed his character Paul in Last Tango in Paris (1972) ("Last Tango in Paris") when he is recalling his childhood for his young lover Jeanne. "I don't have many good memories," Paul confesses, and neither did Brando of his childhood. Sometimes he had to go down to the town jail to pick up his mother after she had spent the night in the drunk tank and bring her home, events that traumatized the young boy but may have been the grain that irritated the oyster of his talent, producing the pearls of his performances. Anthony Quinn, his Oscar-winning co-star in Viva Zapata! (1952) told Brando's first wife Anna Kashfi, "I admire Marlon's talent, but I don't envy the pain that created it."
Brando enrolled in Erwin Piscator's Dramatic Workshop at New York's New School, and was mentored by Stella Adler, a member of a famous Yiddish Theatre acting family. Adler helped introduce to the New York stage the "emotional memory" technique of Russian theatrical actor, director and impresario Konstantin Stanislavski, whose motto was "Think of your own experiences and use them truthfully." The results of this meeting between an actor and the teacher preparing him for a life in the theater would mark a watershed in American acting and culture.
Brando made his debut on the boards of Broadway on October 19, 1944, in "I Remember Mama," a great success. As a young Broadway actor, Brando was invited by talent scouts from several different studios to screen-test for them, but he turned them down because he would not let himself be bound by the then-standard seven-year contract. Brando would make his film debut quite some time later in Fred Zinnemann's The Men (1950) for producer Stanley Kramer. Playing a paraplegic soldier, Brando brought new levels of realism to the screen, expanding on the verisimilitude brought to movies by Group Theatre alumni John Garfield, the predecessor closest to him in the raw power he projected on-screen. Ironically, it was Garfield whom producer Irene Mayer Selznick had chosen to play the lead in a new Tennessee Williams play she was about to produce, but negotiations broke down when Garfield demanded an ownership stake in "A Streetcar Named Desire." Burt Lancaster was next approached, but couldn't get out of a prior film commitment. Then director Elia Kazan suggested Brando, whom he had directed to great effect in Maxwell Anderson's play "Truckline Café," in which Brando co-starred with Karl Malden, who was to remain a close friend for the next 60 years.
During the production of "Truckline Café," Kazan had found that Brando's presence was so magnetic, he had to re-block the play to keep Marlon near other major characters' stage business, as the audience could not take its eyes off of him. For the scene where Brando's character re-enters the stage after killing his wife, Kazan placed him upstage-center, partially obscured by scenery, but where the audience could still see him as Karl Malden and others played out their scene within the café set. When he eventually entered the scene, crying, the effect was electric. A young Pauline Kael, arriving late to the play, had to avert her eyes when Brando made this entrance as she believed the young actor on stage was having a real-life conniption. She did not look back until her escort commented that the young man was a great actor.
The problem with casting Brando as Stanley was that he was much younger than the character as written by Williams. However, after a meeting between Brando and Williams, the playwright eagerly agreed that Brando would make an ideal Stanley. Williams believed that by casting a younger actor, the Neanderthalish Kowalski would evolve from being a vicious older man to someone whose unintentional cruelty can be attributed to his youthful ignorance. Brando ultimately was dissatisfied with his performance, though, saying he never was able to bring out the humor of the character, which was ironic as his characterization often drew laughs from the audience at the expense of Jessica Tandy's Blanche Dubois. During the out-of-town tryouts, Kazan realized that Brando's magnetism was attracting attention and audience sympathy away from Blanche to Stanley, which was not what the playwright intended. The audience's sympathy should be solely with Blanche, but many spectators were identifying with Stanley. Kazan queried Williams on the matter, broaching the idea of a slight rewrite to tip the scales back to more of a balance between Stanley and Blanche, but Williams demurred, smitten as he was by Brando, just like the preview audiences.
For his part, Brando believed that the audience sided with his Stanley because Jessica Tandy was too shrill. He thought Vivien Leigh, who played the part in the movie, was ideal, as she was not only a great beauty but she WAS Blanche Dubois, troubled as she was in her real life by mental illness and nymphomania. Brando's appearance as Stanley on stage and on screen revolutionized American acting by introducing "The Method" into American consciousness and culture. Method acting, rooted in Adler's study at the Moscow Art Theatre of Stanislavsky's theories that she subsequently introduced to the Group Theatre, was a more naturalistic style of performing, as it engendered a close identification of the actor with the character's emotions. Adler took first place among Brando's acting teachers, and socially she helped turn him from an unsophisticated Midwestern farm boy into a knowledgeable and cosmopolitan artist who one day would socialize with presidents.
Brando didn't like the term "The Method," which quickly became the prominent paradigm taught by such acting gurus as Lee Strasberg at the Actors Studio. Brando denounced Strasberg in his autobiography "Songs My Mother Taught Me" (1994), saying that he was a talentless exploiter who claimed he had been Brando's mentor. The Actors Studio had been founded by Strasberg along with Kazan and Stella Adler's husband, Harold Clurman, all Group Theatre alumni, all political progressives deeply committed to the didactic function of the stage. Brando credits his knowledge of the craft to Adler and Kazan, while Kazan in his autobiography "A Life" claimed that Brando's genius thrived due to the thorough training Adler had given him. Adler's method emphasized that authenticity in acting is achieved by drawing on inner reality to expose deep emotional experience
Interestingly, Elia Kazan believed that Brando had ruined two generations of actors, his contemporaries and those who came after him, all wanting to emulate the great Brando by employing The Method. Kazan felt that Brando was never a Method actor, that he had been highly trained by Adler and did not rely on gut instincts for his performances, as was commonly believed. Many a young actor, mistaken about the true roots of Brando's genius, thought that all it took was to find a character's motivation, empathize with the character through sense and memory association, and regurgitate it all on stage to become the character. That's not how the superbly trained Brando did it; he could, for example, play accents, whereas your average American Method actor could not. There was a method to Brando's art, Kazan felt, but it was not The Method.
After A Streetcar Named Desire (1951), for which he received the first of his eight Academy Award nominations, Brando appeared in a string of Academy Award-nominated performances - in Viva Zapata! (1952), Julius Caesar (1953) and the summit of his early career, Kazan's On the Waterfront (1954). For his "Waterfront" portrayal of meat-headed longshoreman Terry Malloy, the washed-up pug who "coulda been a contender," Brando won his first Oscar. Along with his iconic performance as the rebel-without-a-cause Johnny in The Wild One (1953) ("What are you rebelling against?" Johnny is asked. "What have ya got?" is his reply), the first wave of his career was, according to Jon Voight, unprecedented in its audacious presentation of such a wide range of great acting. Director John Huston said his performance of Marc Antony was like seeing the door of a furnace opened in a dark room, and co-star John Gielgud, the premier Shakespearean actor of the 20th century, invited Brando to join his repertory company.
It was this period of 1951-54 that revolutionized American acting, spawning such imitators as James Dean - who modeled his acting and even his lifestyle on his hero Brando - the young Paul Newman and Steve McQueen. After Brando, every up-and-coming star with true acting talent and a brooding, alienated quality would be hailed as the "New Brando," such as Warren Beatty in Kazan's Splendor in the Grass (1961). "We are all Brando's children," Jack Nicholson pointed out in 1972. "He gave us our freedom." He was truly "The Godfather" of American acting - and he was just 30 years old. Though he had a couple of failures, like Désirée (1954) and The Teahouse of the August Moon (1956), he was clearly miscast in them and hadn't sought out the parts so largely escaped blame.
In the second period of his career, 1955-62, Brando managed to uniquely establish himself as a great actor who also was a Top 10 movie star, although that star began to dim after the box-office high point of his early career, Sayonara (1957) (for which he received his fifth Best Actor Oscar nomination). Brando tried his hand at directing a film, the well-reviewed One-Eyed Jacks (1961) that he made for his own production company, Pennebaker Productions (after his mother's maiden name). Stanley Kubrick had been hired to direct the film, but after months of script rewrites in which Brando participated, Kubrick and Brando had a falling out and Kubrick was sacked. According to his widow Christiane Kubrick, Stanley believed that Brando had wanted to direct the film himself all along.
Tales proliferated about the profligacy of Brando the director, burning up a million and a half feet of expensive VistaVision film at 50 cents a foot, fully ten times the normal amount of raw stock expended during production of an equivalent motion picture. Brando took so long editing the film that he was never able to present the studio with a cut. Paramount took it away from him and tacked on a re-shot ending that Brando was dissatisfied with, as it made the Oedipal figure of Dad Longworth into a villain. In any normal film Dad would have been the heavy, but Brando believed that no one was innately evil, that it was a matter of an individual responding to, and being molded by, one's environment. It was not a black-and-white world, Brando felt, but a gray world in which once-decent people could do horrible things. This attitude explains his sympathetic portrayal of Nazi officer Christian Diestl in the film he made before shooting One-Eyed Jacks (1961), Edward Dmytryk's filming of Irwin Shaw's novel The Young Lions (1958). Shaw denounced Brando's performance, but audiences obviously disagreed, as the film was a major hit. It would be the last hit movie Brando would have for more than a decade.
One-Eyed Jacks (1961) generated respectable numbers at the box office, but the production costs were exorbitant - a then-staggering $6 million - which made it run a deficit. A film essentially is "made" in the editing room, and Brando found cutting to be a terribly boring process, which was why the studio eventually took the film away from him. Despite his proved talent in handling actors and a large production, Brando never again directed another film, though he would claim that all actors essentially direct themselves during the shooting of a picture.
Between the production and release of One-Eyed Jacks (1961), Brando appeared in Sidney Lumet's film version of Tennessee Williams' play "Orpheus Descending," The Fugitive Kind (1960) which teamed him with fellow Oscar winners Anna Magnani and Joanne Woodward. Following in Elizabeth Taylor's trailblazing footsteps, Brando became the second performer to receive a $1-million salary for a motion picture, so high were the expectations for this re-teaming of Kowalski and his creator (in 1961 critic Hollis Alpert had published a book "Brando and the Shadow of Stanley Kowalski"). Critics and audiences waiting for another incendiary display from Brando in a Williams work were disappointed when the renamed The Fugitive Kind (1960) finally released. Though Tennessee was hot, with movie versions of Cat on a Hot Tin Roof (1958) and Suddenly, Last Summer (1959) burning up the box office and receiving kudos from the Academy of Motion Picture Arts & Sciences, The Fugitive Kind (1960) was a failure. This was followed by the so-so box-office reception of One-Eyed Jacks (1961) in 1961 and then by a failure of a more monumental kind: Mutiny on the Bounty (1962), a remake of the famed 1935 film.
Brando signed on to Mutiny on the Bounty (1962) after turning down the lead in the David Lean classic Lawrence of Arabia (1962) because he didn't want to spend a year in the desert riding around on a camel. He received another $1-million salary, plus $200,000 in overages as the shoot went overtime and over budget. During principal photography, highly respected director Carol Reed (an eventual Academy Award winner) was fired, and his replacement, two-time Oscar winner Lewis Milestone, was shunted aside by Brando as Marlon basically took over the direction of the film himself. The long shoot became so notorious that President John F. Kennedy asked director Billy Wilder at a cocktail party not "when" but "if" the "Bounty" shoot would ever be over. The MGM remake of one of its classic Golden Age films garnered a Best Picture Oscar nomination and was one of the top grossing films of 1962, yet failed to go into the black due to its Brobdingnagian budget estimated at $20 million, which is equivalent to $120 million when adjusted for inflation.
Brando and Taylor, whose Cleopatra (1963) nearly bankrupted 20th Century-Fox due to its huge cost overruns (its final budget was more than twice that of Brando's Mutiny on the Bounty (1962)), were pilloried by the show business press for being the epitome of the pampered, self-indulgent stars who were ruining the industry. Seeking scapegoats, the Hollywood press conveniently ignored the financial pressures on the studios. The studios had been hurt by television and by the antitrust-mandated divestiture of their movie theater chains, causing a large outflow of production to Italy and other countries in the 1950s and 1960s in order to lower costs. The studio bosses, seeking to replicate such blockbuster hits as the remakes of The Ten Commandments (1956) and Ben-Hur (1959), were the real culprits behind the losses generated by large-budgeted films that found it impossible to recoup their costs despite long lines at the box office.
While Elizabeth Taylor, receiving the unwanted gift of reams of publicity from her adulterous romance with Cleopatra (1963) co-star Richard Burton, remained hot until the tanking of her own Tennessee Williams-renamed debacle Boom! (1968), Brando from 1963 until the end of the decade appeared in one box-office failure after another as he worked out a contract he had signed with Universal Pictures. The industry had grown tired of Brando and his idiosyncrasies, though he continued to be offered prestige projects up through 1968.
Some of the films Brando made in the 1960s were noble failures, such as The Ugly American (1963), The Appaloosa (1966) and Reflections in a Golden Eye (1967). For every "Reflections," though, there seemed to be two or three outright debacles, such as Bedtime Story (1964), Morituri (1965), The Chase (1966), A Countess from Hong Kong (1967), Candy (1968), The Night of the Following Day (1969). By the time Brando began making the anti-colonialist picture Burn! (1969) in Colombia with Gillo Pontecorvo in the director's chair, he was box-office poison, despite having worked in the previous five years with such top directors as Arthur Penn, John Huston and the legendary Charles Chaplin, and with such top-drawer co-stars as David Niven, Yul Brynner, Sophia Loren and Taylor.
The rap on Brando in the 1960s was that a great talent had ruined his potential to be America's answer to Laurence Olivier, as his friend William Redfield limned the dilemma in his book "Letters from an Actor" (1967), a memoir about Redfield's appearance in Burton's 1964 theatrical production of "Hamlet." By failing to go back on stage and recharge his artistic batteries, something British actors such as Burton were not afraid to do, Brando had stifled his great talent, by refusing to tackle the classical repertoire and contemporary drama. Actors and critics had yearned for an American response to the high-acting style of the Brits, and while Method actors such as Rod Steiger tried to create an American style, they were hampered in their quest, as their king was lost in a wasteland of Hollywood movies that were beneath his talent. Many of his early supporters now turned on him, claiming he was a crass sellout.
Despite evidence in such films as The Appaloosa (1966) and Reflections in a Golden Eye (1967) that Brando was in fact doing some of the best acting of his life, critics, perhaps with an eye on the box office, slammed him for failing to live up to, and nurture, his great gift. Brando's political activism, starting in the early 1960s with his championing of Native Americans' rights, followed by his participation in the Southern Christian Leadership Conference's March on Washington in 1963, and followed by his appearance at a Black Panther rally in 1968, did not win him many admirers in the establishment. In fact, there was a de facto embargo on Brando films in the recently segregated (officially, at least) southeastern US in the 1960s. Southern exhibitors simply would not book his films, and producers took notice. After 1968, Brando would not work for three years.
Pauline Kael wrote of Brando that he was Fortune's fool. She drew a parallel with the latter career of John Barrymore, a similarly gifted thespian with talents as prodigious, who seemingly threw them away. Brando, like the late-career Barrymore, had become a great ham, evidenced by his turn as the faux Indian guru in the egregious Candy (1968), seemingly because the material was so beneath his talent. Most observers of Brando in the 1960s believed that he needed to be reunited with his old mentor Elia Kazan, a relationship that had soured due to Kazan's friendly testimony naming names before the notorious House un-American Activities Committee. Perhaps Brando believed this, too, as he originally accepted an offer to appear as the star of Kazan's film adaptation of his own novel, The Arrangement (1969). However, after the assassination of Martin Luther King, Brando backed out of the film, telling Kazan that he could not appear in a Hollywood film after this tragedy. Also reportedly turning down a role opposite box-office king Paul Newman in a surefire script, Butch Cassidy and the Sundance Kid (1969), Brando decided to make Burn! (1969) with Pontecorvo. The film, a searing indictment of racism and colonialism, flopped at the box office but won the esteem of progressive critics and cultural arbiters such as Howard Zinn. He subsequently appeared in the British film The Nightcomers (1971), a prequel to "Turn of the Screw" and another critical and box office failure.
Kazan, after a life in film and the theater, said that, aside from Orson Welles, whose greatness lay in film making, he only met one actor who was a genius: Brando. Richard Burton, an intellectual with a keen eye for observation if not for his own film projects, said that he found Brando to be very bright, unlike the public perception of him as a Terry Malloy-type character that he himself inadvertently promoted through his boorish behavior. Brando's problem, Burton felt, was that he was unique, and that he had gotten too much fame too soon at too early an age. Cut off from being nurtured by normal contact with society, fame had distorted Brando's personality and his ability to cope with the world, as he had not had time to grow up outside the limelight.
Truman Capote, who eviscerated Brando in print in the mid-'50s and had as much to do with the public perception of the dyslexic Brando as a dumbbell, always said that the best actors were ignorant, and that an intelligent person could not be a good actor. However, Brando was highly intelligent, and possessed of a rare genius in a then-deprecated art, acting. The problem that an intelligent performer has in movies is that it is the director, and not the actor, who has the power in his chosen field. Greatness in the other arts is defined by how much control the artist is able to exert over his chosen medium, but in movie acting, the medium is controlled by a person outside the individual artist. It is an axiom of the cinema that a performance, as is a film, is "created" in the cutting room, thus further removing the actor from control over his art. Brando had tried his hand at directing, in controlling the whole artistic enterprise, but he could not abide the cutting room, where a film and the film's performances are made. This lack of control over his art was the root of Brando's discontent with acting, with movies, and, eventually, with the whole wide world that invested so much cachet in movie actors, as long as "they" were at the top of the box-office charts. Hollywood was a matter of "they" and not the work, and Brando became disgusted.
Charlton Heston, who participated in Martin Luther King's 1963 March on Washington with Brando, believes that Marlon was the great actor of his generation. However, noting a story that Brando had once refused a role in the early 1960s with the excuse "How can I act when people are starving in India?," Heston believes that it was this attitude, the inability to separate one's idealism from one's work, that prevented Brando from reaching his potential. As Rod Steiger once said, Brando had it all, great stardom and a great talent. He could have taken his audience on a trip to the stars, but he simply would not. Steiger, one of Brando's children even though a contemporary, could not understand it. When James Mason' was asked in 1971 who was the best American actor, he had replied that since Brando had let his career go belly-up, it had to be George C. Scott, by default.
Paramount thought that only Laurence Olivier would suffice, but Lord Olivier was ill. The young director believed there was only one actor who could play godfather to the group of Young Turk actors he had assembled for his film, The Godfather of method acting himself - Marlon Brando. Francis Ford Coppola won the fight for Brando, Brando won - and refused - his second Oscar, and Paramount won a pot of gold by producing the then top-grossing film of all-time, The Godfather (1972), a gangster movie most critics now judge one of the greatest American films of all time. Brando followed his iconic portrayal of Don Corleone with his Oscar-nominated turn in the high-grossing and highly scandalous Last Tango in Paris (1972) ("Last Tango in Paris"), the first film dealing explicitly with sexuality in which an actor of Brando's stature had participated. He was now again a top ten box office star and once again heralded as the greatest actor of his generation, an unprecedented comeback that put him on the cover of "Time" magazine and would make him the highest-paid actor in the history of motion pictures by the end of the decade. Little did the world know that Brando, who had struggled through many projects in good faith during the 1960s, delivering some of his best acting, only to be excoriated and ignored as the films did not do well at the box office, essentially was through with the movies.
After reaching the summit of his career, a rarefied atmosphere never reached before or since by any actor, Brando essentially walked away. He would give no more of himself after giving everything as he had done in Last Tango in Paris (1972)," a performance that embarrassed him, according to his autobiography. Brando had come as close to any actor to being the "auteur," or author, of a film, as the English-language scenes of "Tango" were created by encouraging Brando to improvise. The improvisations were written down and turned into a shooting script, and the scripted improvisations were shot the next day. Pauline Kael, the Brando of movie critics in that she was the most influential arbiter of cinematic quality of her generation and spawned a whole legion of Kael wannabes, said Brando's performance in Last Tango in Paris (1972) had revolutionized the art of film. Brando, who had to act to gain his mother's attention; Brando, who believed acting at best was nothing special as everyone in the world engaged in it every day of their lives to get what they wanted from other people; Brando, who believed acting at its worst was a childish charade and that movie stardom was a whorish fraud, would have agreed with Sam Peckinpah's summation of Pauline Kael: "Pauline's a brilliant critic but sometimes she's just cracking walnuts with her ass." He probably would have done so in a simulacrum of those words, too.
After another three-year hiatus, Brando took on just one more major role for the next 20 years, as the bounty hunter after Jack Nicholson in Arthur Penn's The Missouri Breaks (1976), a western that succeeded neither with the critics or at the box office. Following The Godfather and Tango, Brando's performance was disappointing for some reviewers, who accused him of giving an erratic and inconsistent performance. In 1977, Brando made a rare appearance on television in the miniseries Roots: The Next Generations (1979), portraying George Lincoln Rockwell; he won a Primetime Emmy Award for Outstanding Supporting Actor in a Miniseries or a Movie for his performance. In 1978, he narrated the English version of Raoni (1978), a French-Belgian documentary film directed by Jean-Pierre Dutilleux and Luiz Carlos Saldanha that focused on the life of Raoni Metuktire and issues surrounding the survival of the indigenous Indian tribes of north central Brazil.
Later in his career, Brando concentrated on extracting the maximum amount of capital for the least amount of work from producers, as when he got the Salkind brothers to pony up a then-record $3.7 million against 10% of the gross for 13 days work on Superman (1978). Factoring in inflation, the straight salary for "Superman" equals or exceeds the new record of $1 million a day Harrison Ford set with K-19: The Widowmaker (2002). He agreed to the role only on assurance that he would be paid a large sum for what amounted to a small part, that he would not have to read the script beforehand, and his lines would be displayed somewhere off-camera. Brando also filmed scenes for the movie's sequel, Superman II, but after producers refused to pay him the same percentage he received for the first movie, he denied them permission to use the footage.
Before cashing his first paycheck for Superman (1978), Brando had picked up $2 million for his extended cameo in Francis Ford Coppola's Apocalypse Now (1979) in a role, that of Col. Kurtz, that he authored on-camera through improvisation while Coppola shot take after take. It was Brando's last bravura star performance. He co-starred with George C. Scott and John Gielgud in The Formula (1980), but the film was another critical and financial failure. Years later though, he did receive an eighth and final Oscar nomination for his supporting role in A Dry White Season (1989) after coming out of a near-decade-long retirement. Contrary to those who claimed he now only was in it for the money, Brando donated his entire seven-figure salary to an anti-apartheid charity. He then did an amusing performance in the comedy The Freshman (1990), winning rave reviews. He portrayed Tomas de Torquemada in the historical drama 1492: Conquest of Paradise (1992), but his performance was denounced and the film was another box office failure. He made another comeback in the Johnny Depp romantic drama Don Juan DeMarco (1994), which co-starred Faye Dunaway as his wife. He then appeared in The Island of Dr. Moreau (1996), co-starring Val Kilmer, who he didn't get along with. The filming was an unpleasant experience for Brando, as well as another critical and box office failure.
Brando had first attracted media attention at the age of 24, when "Life" magazine ran a photo of himself and his sister Jocelyn, who were both then appearing on Broadway. The curiosity continued, and snowballed. Playing the paraplegic soldier of The Men (1950), Brando had gone to live at a Veterans Administration hospital with actual disabled veterans, and confined himself to a wheelchair for weeks. It was an acting method, research, that no one in Hollywood had ever heard of before, and that willingness to experience life.- Actor
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Josh Dallas was born in Louisville Kentucky. At the age of sixteen, Josh received the Sarah Exley Scholarship, a full ride scholarship given to one American student every three years to study acting at the prestigious "Mountview Conservatoire for the Performing Arts" in London, England. As an actor, Josh has performed with the Royal Shakespeare Company, Royal National Theatre, The English National Opera, The New Shakespeare Company, The Young Vic, to name a few.- Actor
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Christopher "Chris" Hemsworth was born on August 11, 1983 in Melbourne, Victoria, Australia to Leonie Hemsworth (née van Os), an English teacher & Craig Hemsworth, a social-services counselor. His brothers are actors, Liam Hemsworth & Luke Hemsworth; he is of Dutch (from his immigrant maternal grandfather), Irish, English, Scottish, and German ancestry. His uncle, by marriage, was Rod Ansell, the bushman who inspired the comedy film Crocodile Dundee (1986).
Chris saw quite a bit of the country in his youth, after his family moved to the Northern Territory before finally settling on Phillip Island, to the south of Melbourne. In 2004, he unsuccessfully auditioned for the role of Robbie Hunter in the Australian soap opera Home and Away (1988) but was recalled for the role of Kim Hyde which he played until 2007. In 2006, he entered the Australian version of Dancing with the Stars (2004) and his popularity in the soap enabled him to hang on until show 7 (Episode #5.7 (2006)) when he became the fifth contestant to be eliminated.
His first Hollywood appearance was in the science fiction blockbuster Star Trek (2009), but it was his titular role in the superhero blockbuster Thor (2011) which propelled him to prominence worldwide. He reprised the character in the superhero blockbusters The Avengers (2012), Thor: The Dark World (2013), Avengers: Age of Ultron (2015), Thor: Ragnarok (2017), Avengers: Infinity War (2018) and Avengers: Endgame (2019).
Chris's American representative, management company ROAR, also manages actress Elsa Pataky, and it was through them that the two met, marrying in 2010. The couple have a daughter and twin sons. He was appointed Member of the Order of Australia at the 2021 Queen's Birthday Honours for his services to the performing arts and to charitable organisations.- British actor Benjamin Thomas Barnes was born in Cambridge, England, to Patricia (Becker), a relationship therapist, and Thomas Barnes, a professor of psychiatry. He has a brother, Jack. His mother is from South Africa while his father is English.
Barnes studied at Homefield Preparatory and King's College, both independent all boys' schools. He began acting in musical theatre, including at the National Youth Music Theatre, and was a member of Hyrise, a boy band. In 2004, he graduated with BA Honours from Kingston University, where he studied drama and English literature.
In 2006, Barnes played Dakin in The History Boys on stage, and made his television debut on the series Doctors (2000). His first film was Matthew Vaughn's Stardust (2007), and his second major film role was the epic The Chronicles of Narnia: Prince Caspian (2008), in which he played Prince Caspian. He next co-starred with Jessica Biel in Easy Virtue (2008), played the title role in Ol Parker's Dorian Gray (2009), and reprised his role, now as King Caspian, in The Chronicles of Narnia: The Voyage of the Dawn Treader (2010).
In 2011, he co-starred with Robert Sheehan, playing brothers, in Killing Bono (2011). He also had major roles in the films The Words (2012) and The Big Wedding (2013).
In 2015, Barnes played the title role in the fantasy adventure Seventh Son (2014), opposite Jeff Bridges and Julianne Moore. The same year, he portrayed American founding father Sam Adams in the History Channel mini-series Sons of Liberty (2015). - Actor
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Ian Somerhalder was born and raised in the small southern town of Covington, Louisiana. His mother, Edna (née Israel), is a massage therapist, and his father, Robert Somerhalder, is a building contractor. He has Cajun (French), English, and Scots-Irish ancestry. Boating, swimming, fishing and training horses filled much of his recreational time growing up, as did the school drama club and performing with the local theater group. With his mother's encouragement, at age 10, he began a modeling career that took him to New York each summer. By junior high, he opted to put modeling on the back burner and focus more on sports and school. A few years later, when the opportunity to model in Europe arose, Somerhalder grabbed it, embarking on an enriching path of work, travel and study that took him to cities, including Paris, Milan and London. At 17, he began studying acting in New York and, by 19, had committed himself to the craft, working with preeminent acting coach William Esper. His fate was sealed while working as an extra in a club scene in the feature film, Black & White (1999). A talent manager visiting a client on the set spotted Somerhalder in a crowd scene of 400 and immediately signed him for representation. He was cast later for the drama Changing Hearts (2002) directed by Martin Guigui. Happy to be anchored in New York, Somerhalder spends much of his time studying acting, writing and practicing yoga. His recreational interests include water and snow skiing and horseback riding.- Actor
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Matthew Daddario was born and raised in New York to Richard and Christina Daddario, both lawyers. He studied business at Indiana University in Bloomington. He graduated in 2010, after which he began studying acting and started auditioning.
He is the middle child, with a younger sister, Catharine Daddario, and an older sister, Alexandra Daddario, who is also an actress.
Matt has Italian, Irish, English, and Hungarian/Slovak ancestry.- Producer
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William Bradley "Brad" Pitt was born on December 18, 1963 in Shawnee, Oklahoma and raised in Springfield, Missouri to Jane Etta Pitt (née Hillhouse), a school counselor & William Alvin "Bill" Pitt, a truck company manager. At Kickapoo High School, Pitt was involved in sports, debating, student government and school musicals. Pitt attended the University of Missouri, where he majored in journalism with a focus on advertising. He occasionally acted in fraternity shows. He left college two credits short of graduating to move to California. Before he became successful at acting, Pitt supported himself by driving strippers in limos, moving refrigerators and dressing as a giant chicken while working for El Pollo Loco.
Pitt's earliest credited roles were in television, starting on the daytime soap opera Another World (1964) before appearing in the recurring role of Randy on the legendary prime time soap opera Dallas (1978). Following a string of guest appearances on various television series through the 1980s, Pitt gained widespread attention with a small part in Thelma & Louise (1991), in which he played a sexy criminal who romanced and conned Geena Davis. This led to starring roles in badly received films such as Johnny Suede (1991) & Cool World (1992).
But Pitt's career hit an upswing with his casting in A River Runs Through It (1992), which cemented his status as an multi-layered actor as opposed to just a pretty face. Pitt's subsequent projects were as quirky and varied in tone as his performances, ranging from his unforgettably comic cameo as stoner roommate Floyd in True Romance (1993) to romantic roles in such visually lavish films as Interview with the Vampire: The Vampire Chronicles (1994) and Legends of the Fall (1994), to an emotionally tortured detective in the horror-thriller Se7en (1995). His portrayal of frenetic oddball Jeffrey Goines in 12 Monkeys (1995) won him a Globe for Best Performance by an Actor in a Supporting Role.
Pitt's portrayal of Achilles in the big-budget period drama Troy (2004) helped establish his appeal as an action star and was closely followed by a co-starring role in the stylish spy-versus-spy flick Mr. & Mrs. Smith (2005). It was on the set of Mr. & Mrs. Smith that Pitt, who married Jennifer Aniston in a highly publicized ceremony in 2000, met Angelina Jolie. Pitt left Aniston for Jolie in 2005, a break-up that continues to fuel tabloid stories years after its occurrence.
He continues to wildly vary his film choices, appearing in everything from high-concept popcorn flicks such as Megamind (2010) to adventurous critic-bait like Inglourious Basterds (2009) and The Tree of Life (2011). He has received two Best Actor Oscar nominations, for The Curious Case of Benjamin Button (2008) and Moneyball (2011). In 2014, he starred in the war film Fury (2014), opposite Shia LaBeouf, Logan Lerman, Jon Bernthal, and Michael Peña.
Pitt and Jolie have 6 children, 3 adopted & 3 biological.- Actor
- Producer
- Writer
Chris Pine was born in Los Angeles. His parents are actors Robert Pine and Gwynne Gilford, and his maternal grandparents were Max M. Gilford, a president of the Hollywood Bar Association, and actress Anne Gwynne. His sister, Katherine Pine, has also acted. Chris's ancestry is Russian Jewish (from his maternal grandfather), English, German, Welsh, and French. Pine attended Oakwood School in the San Fernando Valley, and went on to study English at the University of California, Berkeley where he received a bachelor's degree. During this time, he spent one year studying at the University of Leeds in England. Pine also studied acting at the American Conservatory Theater in San Francisco. After embarking on an acting career, Pine won guest roles in many television series, and made his feature film debut opposite Anne Hathaway in The Princess Diaries 2: Royal Engagement (2004). Other roles in film and television followed, but he became an international star when he was cast as James T. Kirk in the hugely successful franchise reboot, Star Trek (2009).
He subsequently starred in the films Unstoppable (2010), This Means War (2012), People Like Us (2012), and the sequel Star Trek Into Darkness (2013). In 2014, Pine co-starred in Horrible Bosses 2 (2014) and, as Cinderella's Prince, in the musical Into the Woods (2014), alongside Meryl Streep and Anna Kendrick. In 2015, he appeared in the thriller Z for Zachariah (2015), and in 2016, he headlined the sea-set drama The Finest Hours (2016), the third film in the new Trek universe, Star Trek Beyond (2016), and the bank robber drama Hell or High Water (2016). In 2017, Chris played Steve Trevor opposite Gal Gadot in the title role of Wonder Woman (2017), a film that became his biggest domestic earner.- Actor
- Producer
- Writer
Stephen Amell is a Canadian actor, known for portraying Oliver Queen / Green Arrow in the Arrowverse television franchise (based on the comic character of the same name) and Casey Jones in Teenage Mutant Ninja Turtles: Out of the Shadows (2016).
Stephen Adam Amell was born on May 8, 1981 in Toronto, Ontario, Canada, to Sandra (Bolté) and Thomas Amell. His cousin is actor Robbie Amell. He is of English, Scottish, German, and one sixteenth French-Canadian, descent. Stephen decided to pursue a career in acting when he was in his teens. He appeared in two episodes of the fourth season of Queer as Folk as the Liberty Ride spinning instructor in 2004. Amell played Adam in the first season of the television series Dante's Cove; he was replaced in the second season by Jon Fleming. In 2007, Amell won a Gemini Award for his guest-starring role on ReGenesis. The same year he was also nominated for a Gemini Award in the Best Ensemble Cast Category for Rent-a-Goalie. He had recurring roles in the TV series Da Kink in My Hair and Heartland. On December 3, 2010, Amell joined the cast of The Vampire Diaries as werewolf 'Brady' for season 2. Amell starred as Joran Van Der Sloot in the Lifetime film Justice for Natalee Holloway which originally aired in May 2011.
On October 2, 2011, season 3 of HBO's series Hung premiered with Amell starring as busboy-turned-prostitute Jason, a younger rival "ho" to Thomas Jane's Ray Drecker. He also appeared as Jim in the fourth season of 90210. Amell announced on October 28, 2011 that he had just finished filming the Christmas episode of New Girl with Zooey Deschanel and Max Greenfield. He touches on the experience of filming his first "network half hour comedy" in an interview with Daemon's TV. On November 9, 2011, Amell was announced for the recurring role of Scottie, a paramedic on ABC's Private Practice. He also plays the role of Travis in Blue Mountain State In January 2012, Amell was cast as the title character in The CW series Arrow, a re-imagining of the comic-book character Green Arrow. On March 31, 2015, Amell joined the film Teenage Mutant Ninja Turtles: Out of the Shadows as vigilante Casey Jones, which will be released on June 3, 2016. As an avid professional wrestling fan, Amell had long campaigned for a guest appearance on WWE's weekly Raw program, when in late May 2015 it was reported that he was tentatively set to wrestle Stardust at WWE's SummerSlam pay-per-view on August 23, 2015. Amell made his first WWE appearance on the May 25 Raw, where he had a confrontation with Stardust. However, after the real-life death of Stardust's father Dusty Rhodes in June 2015, reports speculated that the match had been scrapped. Despite this, Amell stated at the 2015 Comic Con International in July 2015, "I'm probably gonna do some stuff with the WWE. I don't know if that means a wrestling match. We'll see."
Amell returned to Raw on August 10, continuing his story-line with Stardust when he stepped into the ring after being assaulted in the audience by Stardust, attacking the wrestler until being contained by security. Following a backstage segment with Triple H, it was announced that Neville would team with Amell to face Stardust and King Barrett at SummerSlam. At the event on August 23, Amell and Neville defeated Barrett and Stardust in a tag team match. Neville and Barrett started and after Neville used his speed to control the action, Barrett tagged in Stardust. Stardust insisted that Amell enter the ring, a challenge accepted in a way that both imitated and bettered Stardust's own athletic ring entrance. Stardust first pushed Amell to the canvas, Amell then responded with a kip-up and a stiff front thrust kick to Stardust's chest. For the next few minutes Amell was controlled by Stardust and Barrett, and absorbed punches, kicks, knees, slams, falls from ring to floor, and an attack on the floor by the non-legal man, Stardust. Upon returning to the ring, and hitting Stardust with an Enzuigiri, Amell made a hot tag to Neville, who dominated both opponents. The conclusion of the match came after Amell dove off the top corner ropes onto Stardust and Barrett who were standing on the floor below. The match ended after Neville hit his finisher, the Red Arrow, on Barrett and pinned him. Behind the scenes, wrestlers were said to have been impressed with Amell's performance. There were also talks of a potential singles match with Stardust. On December 21, Amell was awarded a Slammy for the "Celebrity Moment of the Year" for his dive onto Stardust.
Amell has hosted a number of successful fund-raising campaigns via the crowd funded merchandise platform Represent.com. In 2014, Amell partnered with the charity Fuck Cancer to raise almost a million dollars with the release of a T-shirt featuring his face on the front (with a Post-it note on his forehead, and featuring the organization's name). He ended up selling over 60,000 shirts from this campaign. In January 2015, Amell launched his second Represent.com campaign featuring a word he made up, Sinceriously, to benefit two mental health charities: Paws and Stripes, and Stand For The Silent. In August 2015, Amell used his guest appearance on WWE Raw with Stardust to raise funds via his third campaign for children's hospice Emily's House in Toronto. The campaign raised $300,000, and Amell and Stardust presented a check together at Emily's House.
Amell married actress and model 'Cassandra Jean' on December 25, 2012 in a private ceremony in the Caribbean, and for a second time in New Orleans on May 26, 2013. The couple have a daughter, Mavi, born in 2013. Growing up, Amell was a fan of various local sporting teams, such as the Toronto Maple Leafs, the Toronto Raptors and the Toronto Blue Jays. Amell is still very involved with the sports; he often jokes with fans telling them to skip Maple Leafs games and watch Arrow when the team faces a tough opponent, and recently, Amell campaigned to have Jays' third baseman Josh Donaldson elected to the 2015 all-star game.- Actor
- Producer
- Director
Best known for his portrayal of troubled high school football star "Tim Riggins" on NBC's acclaimed television series, Friday Night Lights (2006), actor Taylor Kitsch has scored big with audiences and critics on both the big and small screens.
Taylor Kitsch was born on April 8, 1981 in Kelowna, British Columbia, Canada, to Susan (Green), who worked for the BC Liquor Board, and Drew Kitsch, who worked in construction. He grew up in Vancouver. During his childhood, he aspired to become an actor, which eventually was the real reason behind his move to New York. There, Taylor pursued his dreams by studying the art of acting with coach Sheila Grey. Not too long after that, Taylor was cast in several film and television roles, such as John Tucker Must Die (2006), Snakes on a Plane (2006) and Kyle XY (2006).
Moving to New York in 2002 was the prize that Taylor received after being scouted by modeling scouts in Canada. Taylor was signed to "IMG Models" and became a regular face for the famous clothing lines, "Abercrombie & Fitch" and also "Diesel". Taylor was also signed under "Untitled Entertainment" during his two years stay in the city. While Taylor was living in New York, he found time to become a certified personal trainer and nutritionist. In the year 2004, Taylor decided that it was time for him to move to Los Angeles to learn more about the acting course. Taylor stayed in Los Angeles for about eight months and did some print work with "Nous Modeling Management". It wasn't too long until Taylor realized that he didn't want to be in Los Angeles. Taylor thought that things were running a little bit too fast for him, then making the decision to move back to Vancouver for the summer of 2005 to spend more time with his family. In 2006, Taylor then signed with "Endeavour".
What shot him to bigger fame was his role in the movie, The Covenant (2006), with actors Steven Strait, Toby Hemingway and Chace Crawford. In the stylish thriller from Lakeshore Entertainment and Sony Screen Gems, four young witches do battle with a powerful, centuries-old supernatural force. In "The Covenant", fans got to know who Taylor really is. Even though the movie wasn't as successful as people hoped it would be, Taylor became more recognized since acting in the movie. In the movie, fans also got to see a more fit and toned version of Taylor.
Fortunately, after "The Covenant", casting directors from the football teen drama, Friday Night Lights (2006), saw the talent that Taylor had. They eventually hired Taylor to play the role of "Tim Riggins", one of the Dillon Panthers' main players. On "Friday Night Lights", Taylor managed to show his acting skills to fans and television critics who were very impressed with Taylor's acting skills. USA Today called the series "one of the best-acted, best-written, best-produced shows on television". After receiving fame and gaining a big fan base from "Friday Night Lights", Taylor received the acting publicity he had always been waiting for.
During the show's summer hiatus, Taylor filmed the feature Gospel Hill (2008), alongside Julia Stiles, Danny Glover, Angela Bassett and Samuel L. Jackson. Directed by Giancarlo Esposito, the film focuses on the bigoted former sheriff of a southern town and a one-time civil rights worker whose intersecting lives are still haunted by events that took place decades earlier. Old wounds are reopened as residents of a black neighborhood are forced out of their homes to make way for a multi-million dollar development.
In February 2008, he signed on to play "Gambit" in the "X-Men" franchise spin-off, X-Men Origins: Wolverine (2009). He subsequently starred in the films The Bang Bang Club (2010), John Carter (2012), Battleship (2012), and Savages (2012). Despite being famous, Taylor is still a very humble guy and has said that he'd prefer to skip the whole tabloid craze. During his free time, he enjoys doing charity work and listening to music, especially those in the country genre. With all the success and a humble attitude, we're pretty sure that Taylor is going to be one of the "Must Watch" stars for the coming years.
When he's not on set, Kitsch pursues children's charity work and enjoys spending time with family and friends.- Producer
- Actor
- Composer
American actor Mark Wahlberg is one of a handful of respected entertainers who successfully made the transition from teen pop idol to acclaimed actor. A Best Supporting Actor Oscar nominee for The Departed (2006) who went on to receive positive critical reviews for his performance in The Fighter (2010), Wahlberg also is a solid comedy actor, proven by his starring role in Ted (2012).
Mark Robert Michael Wahlberg was born June 5, 1971 in a poor working class district, Dorchester, of Boston, Massachusetts. He is the son of Alma Elaine (Donnelly), a nurse's aide and clerk, and Donald Edward Wahlberg, a delivery driver. Wahlberg is the youngest of nine children. He is of Swedish (from his paternal grandfather), French-Canadian, English, Irish and Scottish, descent. The large Wahlberg brood didn't have a lot growing up, especially after his parents divorced when he was eleven. The kids crammed into a three-bedroom apartment, none of them having very much privacy. Mark's mother has said that after the divorce, she became very self-absorbed with her own life. She has blamed herself for her son's subsequent problems and delinquency. Wahlberg dropped out of high school at age fourteen (but later got his GED) to pursue a life of petty crime and drugs. He'd spend his days scamming and stealing, working on the odd drug deal before treating himself to the substances.
The young man also had a violent streak - one which was often aimed at minorities. At age sixteen, he was convicted of assault against two Vietnamese men after he had tried to rob them. As a result of his assault conviction, he was sentenced to serve 50 days in prison at Deer Island penitentiary. Whilst there, he began working out to pass time and, when he emerged at the end of his sentence, he had gone from being a scrawny young kid to a buff young man. Wahlberg also credits jail time as being his motivation to improve his lifestyle and leave crime behind him.
Around this time, his older brother Donnie Wahlberg had become an overnight teen idol as a member of the 1980s boy band New Kids on the Block. A precursor to the boy-band craze, the group was dominating the charts and were on top of their game. Mark himself had been an original member of the band but had backed out early on - uncomfortable with the squeaky clean image of the group. Donnie used his connections in the music business to help his little brother secure a recording contract, and soon the world was introduced to Marky Mark and the Funky Bunch, with Wahlberg as a bad-boy rapper who danced in his boxers. Despite a lack of singing ability, promoters took to his dance moves and a physique they knew teenage girls would love.
Donnie scripted some easy songs for Mark, who collected a troupe of dancers and a DJ to become his "Funky Bunch" and "Marky Mark and the Funky Bunch" was born. His debut album, "Music for the People", was a smash hit, which was propelled along by the rapper's willingness to disrobe down to boxer-briefs on stage, not to mention several catchy tunes. Teenage girls thrilled to the rapping "bad boy". Record producer David Geffen saw in Wahlberg a cash-cow of marketing ability. After speaking to designer Calvin Klein, Marky Mark was set up as the designer's chief underwear model.
His scantily clad figure soon adorned billboards across the nation. Ironically, while the New Kids on the Block's fame was dwindling as audiences tired of their syrupy lyrics, "Marky Mark's" bad boy image was becoming even more of a commodity. He was constantly in the headlines (often of the tabloids) after multiple scandals. In 1992, he released a book dedicated to his penis. Wahlberg was constantly getting into rumored fights, most memorably with Madonna and her entourage at a Los Angeles party. While things were always intense, they were relatively harmless and made for enjoyable reading for the public. However, when the story of his arrest for assault (and the allegations of racism) broke in the press, things took on a decidedly darker note. People were not amused. Soon after, while on a British talk show along with rapper Shabba Ranks, he got into even more trouble. After Ranks made the statement that gays should be crucified, Wahlberg was accused of condoning the comments by his silence. Marky Mark was suddenly surrounded by charges of brutality, homophobia and racial hatred. His second album, "You Gotta Believe", had not been faring well and, after the charges surfaced, it plummeted from the charts.
Adding to the hoopla, Wahlberg was brought to court for allegedly assaulting a security guard. He was ordered to make amends by appearing in a series of anti-bias advertisements. Humbled and humiliated by his fall from grace in the music world, Wahlberg decided to pursue another angle, acting. He dropped the "Marky Mark" moniker and became known simply as Mark Wahlberg. His first big screen role came in Penny Marshall's Renaissance Man (1994). Despite the name change, many people snickered at the idea of the has-been rapper thinking he could make it as an actor. From the get-go, he was proving them wrong. In Renaissance Man (1994), he gave an utterly charming performance as a simple but sincere army recruit. What naysayers remained found it increasingly difficult to write Mark Wahlberg off as he delivered one fine performance after another. He blew them away in the controversial The Basketball Diaries (1995) and chilled them in Fear (1996) as every father's worst nightmare.
The major turning point in Wahlberg's career came with the role of troubled porn star Dirk Diggler in Paul Thomas Anderson's Boogie Nights (1997). Since then, Wahlberg has chosen roles that demonstrate a wide range of dramatic ability, starring in critically acclaimed dramas such as Three Kings (1999) and The Perfect Storm (2000), popcorn flicks like Planet of the Apes (2001) and Contraband (2012), and even indies such as I Heart Huckabees (2004).
Wahlberg was the executive producer of such television series as Boardwalk Empire (2010), In Treatment (2008) and the highly successful comedy Entourage (2004), which was partly based on his experiences in Hollywood.
Wahlberg and his wife Rhea Durham have four children.- Actor
- Producer
- Soundtrack
Christopher Chace Crawford was born in Lubbock, Texas, the son of Dana (Plott), a teacher, and Chris Wayne Crawford, a dermatologist. He grew up in Plano, Texas, and has a younger sister, Candice Crawford Romo, who studied broadcast journalism and won the Miss Missouri USA title in 2008. Chace played football and golf in high school, and is a talented artist. He graduated from Trinity Christian Academy in 2003. Although he worked as a model in Dallas, he never pursued acting. He moved to Malibu, California, to attend Pepperdine University after high school where he was a member of the Sigma Nu fraternity. He struggled to identify a career path, vacillating between advertising, business and communications majors. Midway through his second year, his mother encouraged him to pursue acting. He credits her for initiating this move. She stated that "it was a practical move," based on a career aptitude test he had taken in high school, which revealed he was best suited for a career in the performing arts. He was signed by the first talent agent that interviewed him and then committed full-time to acting studies.
In 2006, Chace appeared in Lifetime's television movie Long Lost Son (2006), where he plays the son of Gabrielle Anwar's character. That same year, he starred alongside Steven Strait, Taylor Kitsch, Sebastian Stan and Toby Hemingway in the horror/thriller movie, The Covenant (2006). The year 2007 was a big break for Chace. He became one of the leads in CW's drama, Gossip Girl (2007). Among his cast members on the show are Penn Badgley, Leighton Meester & Ed Westwick. In the year 2008, Chace was seen in the movie Loaded (2008), opposite Jesse Metcalfe. He also got involved in the independent movie, The Haunting of Molly Hartley (2008) with Haley Bennett. His other guest appearance includes a stint on the Family Guy (1999) episode The Former Life of Brian (2008). Other than being involved in more acting projects, the year 2008 proved to be an even better year for Chace as he won the Choice TV Breakout Star Male at the Teen Choice Award.- Music Artist
- Actor
- Music Department
Nick Jonas is best known as one of the Jonas Brothers, a band formed with his brothers Kevin and Joe. He has appeared in films such as Night at the Museum: Battle of the Smithsonian (2009) and Careful What You Wish For (2015). He has also appeared television series Last Man Standing (2011) and Hawaii Five-0 (2010). Jonas starred in Jonas (2009), a Disney Channel original series. In 2014, Jonas began work as Demi Lovato's musical and creative director.
Nick was born in Dallas, Texas, to Denise (née Miller), a teacher and singer, and Paul Kevin Jonas, a musician and former ordained minister. He has German, English, Scottish, Irish, Italian/Sicilian (from a great-grandfather), and French-Canadian ancestry.- Actor
- Producer
- Additional Crew
Kiefer Sutherland was born in London, England, UK, to Canadian actors Shirley Douglas and Donald Sutherland, who moved to California shortly after his birth. His maternal grandfather, Tommy Douglas, was a Scottish-born Canadian politician who was a Premier of Saskatchewan for over 17 years and led the national NDP party for almost 10.
Kiefer got his first film role in the comedy drama Max Dugan Returns (1983). Sutherland's first major role was in the Canadian drama The Bay Boy (1984), which earned Sutherland and director Daniel Petrie, Genie award nominations for best actor and best director, respectively. Following his success in The Bay Boy, Sutherland eventually moved to Los Angeles and landed television appearances in "The Mission", an episode of Amazing Stories (1985) and in the telefilm Trapped in Silence (1986) with Marsha Mason.
In 1992, Sutherland starred opposite Ray Liotta and Forest Whitaker in Article 99 (1992) and in the military drama A Few Good Men (1992) also starring Jack Nicholson and Tom Cruise. Later, in 1994, he starred with Jeff Bridges and Nancy Travis in the American version of The Vanishing (1993) for 20th Century Fox. In 1997, he co-starred with William Hurt and Rufus Sewell in Dark City (1998), directed by Alex Proyas, which was a special presentation at the Cannes Film Festival. Sutherland also added his second directorial credit and starred in Truth or Consequences, N.M. (1997) alongside Kevin Pollak, Mykelti Williamson, Rod Steiger and Martin Sheen. He stars in the Fox drama series 24 (2001) as Jack Bauer for which he has earned a Golden Globe for Best Actor in a Drama Series. Most recently, he has been seen in the movie Phone Booth (2002) as a man who calls up someone at a phone booth and threatens to kill them if they hang up.- Actor
- Producer
- Soundtrack
Sebastian Stan was born on August 13, 1982, in Constanta, Romania. He moved with his mother to Vienna, Austria, when he was eight, and then to New York when he was twelve. Stan studied at Rutgers Mason Gross School of the Arts and spent a year at Shakespeare's Globe Theatre in London.
When he went back to New York he started working in some projects like Law & Order (1990), Tony & Tina's Wedding (2004) and Red Doors (2005). Upon finishing college, he played Martin Waters in The Architect (2006), Chase Collins in The Covenant (2006) and worked in Eric Bogosian's theater play The Talk (2007). Also in 2007, Stan started playing Carter Baizen in Gossip Girl (2007). His following projects were Spread (2009), Kings (2009), Hot Tub Time Machine (2010), and Black Swan (2010). He landed also the role of Bucky Barnes in Captain America: The First Avenger (2011). In 2012, Stan worked in several projects: Gone (2012), Political Animals (2012), The Apparition (2012), Once Upon a Time (2011) and the mini series Labyrinth (2012). In 2013, he was in Broadway's Picnic and in 2014 he was introduced as The Winter Soldier in the Marvel universe in Captain America: The Winter Soldier (2014). He has continued his role as Bucky Barnes/The Winter Soldier in [=tt3498820], Black Panther (2018) and Avengers: Infinity War (2018). Other notable projects include Ricki and the Flash (2015), The Martian (2015), The Bronze (2015) and Logan Lucky (2017). He was given high praise for his work in the recent I, Tonya (2017).- Actor
- Producer
- Writer
Ewan Gordon McGregor was born on March 31, 1971 in Perth, Perthshire, Scotland, to Carol Diane (Lawson) and James Charles McGregor, both teachers. His uncle is actor Denis Lawson. He was raised in Crieff. At age 16, he left Morrison Academy to join the Perth Repertory Theatre. His parents encouraged him to leave school and pursue his acting goals rather than be unhappy. McGregor studied drama for a year at Kirkcaldly in Fife, then enrolled at London's Guildhall School of Music and Drama for a three-year course. He studied alongside Daniel Craig and Alistair McGowan, among others, and left right before graduating after snagging the role of Private Mick Hopper in Dennis Potter's six-part Channel 4 series Lipstick on Your Collar (1993). His first notable role was that of Alex Law in Shallow Grave (1994), directed by Danny Boyle, written by John Hodge and produced by Andrew Macdonald. This was followed by The Pillow Book (1995) and Trainspotting (1996), the latter of which brought him to the public's attention.
He is now one of the most critically acclaimed actors of his generation, and portrays Obi-Wan Kenobi in the first three Star Wars episodes. McGregor is married to French production designer Eve Mavrakis, whom he met while working on the television series Kavanagh QC (1995). They married in France in the summer of 1995, and have four daughters. McGregor formed a production company, with friends Jonny Lee Miller, Sean Pertwee, Jude Law, Sadie Frost, Damon Bryant, Bradley Adams and Geoff Deehan, called "Natural Nylon", and hoped it would make innovative films that do not conform to Hollywood standards. McGregor and Bryant left the company in 2002. He was awarded Officer of the Order of the British Empire in the 2013 Queen's New Years Honours List for his services to drama and charity.
Ewan made his directorial debut with American Pastoral (2016), an adaptation of Philip Roth's book, in which Ewan also starred.
In 2018 McGregor won an Golden Globe for his work in the TV Series Fargo.