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Born in Changsong, Cheollanam-do, 2 May 1936. He grew up in the southern city Kwangju, where he completed senior high school. His family suffered considerable hardships and losses in the Korean War, so he had to move to Pusan in search of work: he was a labourer before trying to start a business recycling US Army boots into shoes. He moved to Seoul in 1956, where a film director Chung Chang-Hwa offered him work as a production assistant in exchange for room and board. Five years later Chung recommended him as a director, and he completed his first feature in 1962. He was a prolific director of films in various popular genres until the late 1970s but felt a deepening urge to make more serious films that first found in outlet in his 1978 film, Genealogy (1979) (Genealogy). Since 1981's Mandala (1981), he has been considered Korea's leading director. He and his films have won every possible prize in Korea's three annual film awards ceremonies, and a growing number of international festival prizes too. His film Sopyonje (1993) (is the most honoured Korean film ever made, with (to date) 27 domestic and three international prizes; it was also an enormous success in the Korean market.- Director
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Former female impersonator who entered films in 1917 as an actor, turned to directing in 1922 and made some of the most formally brilliant Japanese films of the following decades. The few of Kinugasa's early works to have reached the West betray a highly mature, sophisticated talent. His best-known silent films are _Kurutta Ippeji (1926)_, an old print of which was found by Kinugasa in his attic and re-released in the 1970s, and Crossroads (1928), the first Japanese film to be commercially released in Europe. Both have been hailed for their inventive camera work, which has been compared to that of the celebrated German expressionist films being made during the same period. (It was not until 1929 that Kinugasa himself traveled abroad and encountered European directors and their films.) In the 1950s and 60s Kinugasa made a number of period dramas noted for their sumptuous color and imaginative use of the wide screen; Gate of Hell (1953) was named best film at the 1954 Cannes Film Festival and won an Oscar for best foreign film.- Director
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He started his film work since 2000, while his earlier pivotal career is literature. He used to teach Chinese Literature at Yanbian University in Jilin and wrote novels before changing his path to the film industry. He is a third-generation Korean Chinese and this background has provided him with a special attention on Korean diaspora which extends to North Korean refugees.- Director
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Born in Chicago in 1943, of a military family, Jost grew up in Georgia, Kansas, Japan, Italy, Germany, and, Virginia. Expelled from college in 1963, He began making 16mm films. He is self-taught. He has made some 20 shorts and 16 feature films, all of which he has conceived, written, photographed, directed, and edited. In 1965 Jost was imprisoned by US Federal authorities for 2 years and 3 months for refusal to cooperate with the Selective Service System. On release, he quickly became engaged in political activities, helping start the Chicago branch of what became NEWSREEL, the New Left film production and distribution group, as well as working for the draft and the Chicago Mobilization. Jost made his first feature-length film in 1974, and has since devoted to the making of a wide-ranging series of films, largely focused on specifically American topics, in form ranging from essays, to essay-fictions, to avant-garde and new narrative forms. His work has shown widely in museums, film archives and festivals since 1975. In 1991, The MOMA in New York assembled and presented a complete retrospective of Jost's work encompassing 11 features and 5 programs of shorts.- Director
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Ulrike Ottinger was born on 6 June 1942 in Konstanz, Baden-Württemberg, Germany. She is a director and writer, known for Joan of Arc of Mongolia (1989), China. Die Künste - der Alltag. Eine filmische Reisebeschreibung (1986) and Prater (2007).- Director
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Takahisa Zeze was born on 24 May 1960 in Matama, Ôita, Japan [now Bungotakada, Ôita, Japan]. He is a director and writer, known for Akai jôji (1996), Kindan no sono: Za seifuku rezu (1992) and Owaranai sekkusu (1995).