RIP 2018
Entertainment personalities who passed away this year
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- Music Artist
- Actress
- Composer
Grammy-winning Queen of Soul and the first woman to be inducted into the Rock and Roll Hall of Fame, Aretha Louise Franklin was born in Memphis, Tennessee, to Barbara Vernice (Siggers) and C. L. Franklin, a Baptist minister, who preached at the New Bethel Baptist Church in Detroit for over thirty years. Known as the man with the "Million-Dollar Voice", her father was one of the most respected and prominent ministers in the country, and Aretha grew up singing in church, and surrounded by local and national celebrities. She learned how to play piano by ear and soon understood the correct tones and pitches.
Aretha released her first single at the age of eighteen, under Columbia Records, it reached number ten on the BillBoard charts and her first record was released in January of 1961. While working for the label, she managed to score two more R&B hits, Operation Heartbreak and Won't Be Long. However the people at Columbia often felt they didn't understand the direction Aretha wanted to go with her music, and ultimately failed to bring out her potential. In 1966, Aretha signed a contract with Atlantic Records, where she released her first legendary single, Respect, written by The King Of Soul, Otis Redding. With this single, Franklin would trigger a new vocal skill called, "call and response," which would help liven up many of her singles. While signed with Atlantic, she released three additional top ten hits, Baby I Love You, A Natural Women,and Chain Of Fools, and won her first two Grammy awards, and eight consecutive Grammys for best female R&B vocal category.
Franklin had not only achieved her dream of becoming a musical sensation but stood out in the civil rights movement for her single with Otis Redding, Respect. The song helped send a message to Americans about equality, peace, and justice. Franklin continued to release pop hits throughout the decade, such as Think, I Say A Little Prayer, and Ain't No Way. After these amazing hits to many listeners she was seen as The Queen Of Soul. In the 1970s, she started recording gospel hits such as Don't Play That Song, Rocksteady, and Daydreaming. It was foreseeable that Franklin would soon stumble upon a masterpiece which became the best selling gospel album of all time, which she did in 1972 with her album Amazing Grace.
In the mid '70s, even though she was releasing hit songs, she began to lose touch with her soul-pop audiences due to the disco genre making its entrance into mainstream music. In 1979, she released an album in order to gain the audience of disco lovers called, La Diva. La Diva sold less than 50,000 copies and was marked as the lowest point in Franklin's career. On June 10, 1979, her father Clarence was shot by a mugger. This left Clarence in a coma for five years and Aretha decided to move back to Detroit to take care of her father. Clarence Franklin died on July 27, 1984.
In 1980, along with several other musicians such as Ray Charles and James Brown, Aretha Franklin appeared in the hit feature film The Blues Brothers. In 1982, she returned to the R&B top ten charts with her hit album Jump To It, featuring Luther Vandross. It sold more than 600,000 copies and was gold-certified, managing to stay on number one for seven weeks. In 1985, Franklin released an album which featured a unique never before heard element of rock. The album, "Who's Zoomin Who?", and soon went on to receive platinum-certified success. The album also featured a hit song with George Michael called I Know You Were Waiting For Me, and went on to sell more than one million copies. In 1987, Aretha sang the theme song to A Different World, a sitcom created by Bill Cosby, and in 1989, she released a pop album which featured Elton John, James Brown, The Four Tops, Kenny G, and Whitney Houston, called Through The Storm. In 1992, Franklin sang the song Someday We'll All Be Free for the soundtrack to the biopic film Malcolm X (1992). In 1993, Aretha sang at Bill Clinton's inauguration. At a slower rate in the mid-late '90s, she continued to release albums and singles, working with new artists such as BabyFace, Jermaine Dupri, Sean "P Diddy" Combs, and Lauryn Hill along with her label, Arista Records.
In 2003, she had ended the 23 year relationship with Arista and opened her own label, Aretha. Franklin released her first album on the label, A Woman Falling Out Of Love, in 2011. It marked her fifty years in show business.
Aretha Franklin died of advanced pancreatic cancer on August 16, 2018, in Detroit, Michigan. She will be known as one of the most influential singers of all time, and as an activist who spoke of the world through her music, and used music as a tool for truth, justice, and soul.- Actor
- Director
- Producer
Enduring, strong-featured, and genial star of US cinema, Burt Reynolds started off in T.V. westerns in the 1960s and then carved his name into 1970s/1980s popular culture, as a sex symbol (posing nearly naked for "Cosmopolitan" magazine), and on-screen as both a rugged action figure and then as a wisecracking, Southern type of "good ol' boy."
Burton Leon Reynolds was born in Lansing, Michigan. He was the son of Harriette Fernette "Fern" (Miller) and Burton Milo Reynolds, who was in the army. After World War II, his family moved to Riviera Beach, Florida, where his father was chief of police, and where Burt excelled as an athlete and played with Florida State University. He became an All Star Southern Conference halfback (and was earmarked by the Baltimore Colts) before a knee injury and a car accident ended his football career. Midway through college he dropped out and headed to New York with aspirations of becoming an actor. There he worked in restaurants and clubs while pulling the odd TV spot or theatre role.
He was spotted in a New York City production of "Mister Roberts," signed to a TV contract, and eventually had recurring roles in such shows as Gunsmoke (1955), Riverboat (1959) and his own series, Hawk (1966).
Reynolds continued to appear in undemanding western roles, often playing a character of half Native American descent, in films such as Navajo Joe (1966), 100 Rifles (1969) and Sam Whiskey (1969). However, it was his tough-guy performance as macho Lewis Medlock in the John Boorman backwoods nightmare Deliverance (1972) that really stamped him as a bona-fide star. Reynolds' popularity continued to soar with his appearance as a no-nonsense private investigator in Shamus (1973) and in the Woody Allen comedy Everything You Always Wanted to Know About Sex * But Were Afraid to Ask (1972). Building further on his image as a Southern boy who outsmarts the local lawmen, Reynolds packed fans into theaters to see him in White Lightning (1973), The Longest Yard (1974), W.W. and the Dixie Dancekings (1975) and Gator (1976).
At this time, ex-stuntman and longtime Reynolds buddy Hal Needham came to him with a "road film" script. It turned out to be the incredibly popular Smokey and the Bandit (1977) with Sally Field and Jerry Reed, which took in over $100 million at the box office. That film's success was followed by Smokey and the Bandit II (1980) and Smokey and the Bandit Part 3 (1983). Reynolds also appeared alongside Kris Kristofferson in the hit football film Semi-Tough (1977), with friend Dom DeLuise in the black comedy The End (1978) (which Reynolds directed), in the stunt-laden buddy film Hooper (1978) and then in the self-indulgent, star-packed road race flick The Cannonball Run (1981).
The early 1980s started off well with a strong performance in the violent police film Sharky's Machine (1981), which he also directed, and he starred with Dolly Parton in The Best Little Whorehouse in Texas (1982) and with fellow macho superstar Clint Eastwood in the coolly received City Heat (1984). However, other projects such as Stroker Ace (1983), Stick (1985) and Paternity (1981) failed to catch fire with fans and Reynolds quickly found himself falling out of popularity with movie audiences. In the late 1980s he appeared in only a handful of films, mostly below average, before television came to the rescue and he shone again in two very popular TV shows, B.L. Stryker (1989) and Evening Shade (1990), for which he won an Emmy. In 1988, Burt and his then-wife, actress Loni Anderson, had a son, Quinton A. Reynolds (aka Quinton Anderson Reynolds), whom they adopted.
He was back on screen, but still the roles weren't grabbing the public's attention, until his terrific performance as a drunken politician in the otherwise woeful Striptease (1996) and then another tremendous showing as a charming, porn director in Boogie Nights (1997), which scored him a Best Supporting Actor nomination. Like the phoenix from the ashes, Reynolds resurrected his popularity and, in the process, gathered a new generation of young fans, many of whom had been unfamiliar with his 1970s film roles. He then put in entertaining work in Pups (1999), Mystery, Alaska (1999), Driven (2001) and Time of the Wolf (2002). Definitely one of Hollywood's most resilient stars, Reynolds continually surprised all with his ability to weather both personal and career hurdles and his almost 60 years in front of the cameras were testament to his staying ability, his acting talent and his appeal to film audiences.
Burt Reynolds died of cardiac arrest on September 6, 2018, in Jupiter, Florida, U.S. He was eighty two.- Writer
- Producer
- Actor
Neil Simon was born on 4 July 1927 in The Bronx, New York City, New York, USA. He was a writer and producer, known for The Odd Couple (1968), Murder by Death (1976) and The Goodbye Girl (1977). He was married to Elaine Joyce, Diane Lander, Marsha Mason and Joan Baim. He died on 26 August 2018 in New York City, New York, USA.- Actress
- Producer
- Soundtrack
Margot Kidder was born Margaret Ruth Kidder in Yellowknife, Northwest Territories, Canada, to Jocelyn Mary "Jill" (Wilson), a history teacher from British Columbia, and Kendall Kidder, a New Mexico-born mining engineer and explosives expert. Margot was a delightful child who took pride in everything she did. At an early age, she became aware of the great emotions she felt towards expressing herself, and caught the acting bug. As a child, she wrote in a diary that she wanted to become a movie star, and that one day it would happen, but she had to overcome something else first. She was aware that she was constantly facing mood swings, but didn't know why. At odd times, she would try to kill herself - the first time was at age 14 - but the next day she would be just fine. Her father's hectic schedule and moving around so much didn't help matters, either, causing her to attend 11 schools in 12 years. Finally, in an attempt to help Margot with her troubles, her parents sent" her to a boarding school, where she took part in school plays, such as Romeo and Juliet", in which she played the lead.
After graduation, Margot moved to Los Angeles to start a film career. She found herself dealing with a lot of prejudice, and hotheads, but later found solace with a Canadian agent. This was when she got her first acting job, in the Norman Jewison film Gaily, Gaily (1969). This led to another starring role in Quackser Fortune Has a Cousin in the Bronx (1970), in which she co-starred with Gene Wilder. After some harsh words from the film's director, Margot temporarily left films to study acting in New York, doing television work to pay her bills, but when the money ran out, she decided it was time to make a second try at acting. When she arrived in Hollywood she met up at a screen test with actress Jennifer Salt, resulting in a friendship that still stands strong today. Margot and Jennifer moved into a lofty beach house and befriended other, then unknown, struggling filmmakers such as Martin Scorsese, Brian De Palma, Steven Spielberg and Susan Sarandon, among others. Late nights would see the hot, happening youngsters up until all hours talking around a fire about how they were all going to change the film industry. It was crazy living and within the Christmas season, Margot had become involved with De Palma, and as a Christmas present he gave her the script to his upcoming film Sisters (1972). Margot and Salt both had the leads in the film, and it was a huge critical success.
The film made branded Margot as a major talent, and in the following years she starred in a string of critically acclaimed pictures, such as Black Christmas (1974), The Great Waldo Pepper (1975), 92 in the Shade (1975) - directed by Thomas McGuane, who was also her husband for a brief period - and a somewhat prophetic tale of self-resurrection, The Reincarnation of Peter Proud (1975).
After three years of being a housewife, looking after her daughter Maggie and not working, Margot decided it was time to let her emotions take control and get back into acting. Once her marriage to McGuane was over, she eyed a script that would change her life forever. Her new agent referred her to a little-known director named Richard Donner. He was going to be directing a film called Superman (1978), and she auditioned for and secured the leading female role of Lois Lane. That film and Superman II (1980) filmed simultaneously. After the success of "Superman" she took on more intense roles, such as The Amityville Horror (1979) and Willie & Phil (1980). After that, Margot starred in numerous films, television and theater work throughout the 1980s, including Superman IV: The Quest for Peace (1987). When the 1990s erupted with the Gulf War, Margot found herself becoming involved in politics. She made a stir in the biz when she spoke out against the military for their actions in Kuwait. She also appeared in a cameo in Donner's Maverick (1994).
In 1996, as she was preparing to write her autobiography, she began to become more and more paranoid. When her computer became infected with a virus, this gave her paranoia full rein, and she sank into bipolar disorder. She panicked, and the resulting psychological problems she created for herself resulted in her fantasizing that her first husband was going to kill her, so she left her home and faked her death, physically altering her appearance in the process. After an intervention took place, she got back on her feet and started the mental wellness campaign. Since then, she resumed her career in film, television, and theatre, including appearing in a Canadian stage production of "The Vagina Monologues", and in films like The Clown at Midnight (1998).
Margot died on May 13, 2018, in Livingston, Montana.- Actor
- Director
- Additional Crew
David Ogden Stiers was born in Peoria, Illinois, to Margaret Elizabeth (Ogden) and Kenneth Truman Stiers. He moved with his family to Eugene, Oregon, where he graduated from North Eugene High School in 1960. At the age of twenty, he was offered $200 to join the company of the Santa Clara Shakespeare Festival for three months. He ended up staying for seven years, in due course playing both King Lear and Richard III. In 1969, he moved to New York to study drama at Juilliard where he also trained his voice as a dramatic baritone. He joined the Houseman City Center Acting Company at its outset, working on such productions as The Beggar's Opera, Measure for Measure, The Hostage and the hit Broadway musical The Magic Show for which he created the character 'Feldman the Magnificent'. He lent his voice to animated films, with Lilo & Stitch (2002) being his 25th theatrically-released Disney animated film. He was also an avid fan of classical music and conducted a number of orchestras, including the Yaquina Chamber Orchestra in Newport, Oregon, where was the principal guest conductor.
His other theatrical work included performances with the Committee Revue and Theatre, the San Francisco Actor's Workshop, The Old Globe Theatre Festival in San Diego and at the Pasadena Playhouse in Love Letters with Meredith Baxter. As a drama instructor, he worked at Santa Clara University and also taught improvisation at Harvard. In addition to his long-running role in M*A*S*H (1972), Stiers' work on television also included the excellent mini-series North & South: Book 1, North & South (1985), North & South: Book 2, Love & War (1986), The First Olympics: Athens 1896 (1984) and roles in such productions as Anatomy of an Illness (1984), The Bad Seed (1985), J. Edgar Hoover (1987), The Final Days (1989), Father Damien: The Leper Priest (1980) and Mrs. Delafield Wants to Marry (1986). Among his screen credits were The Accidental Tourist (1988), The Man with One Red Shoe (1985), Creator (1985), Harry's War (1981), Magic (1978) and Oh, God! (1977).
Above all, the prodigious talent that was David Ogden Stiers will be most fondly remembered as the pompous, ever-so articulate Major Charles Emerson Winchester III in M*A*S*H. He had found that taking on the role was -- from the beginning -- an easy choice. Stiers saw and loved the movie version. Moreover, he had a fond regard of fellow actor Harry Morgan (who played the character of Colonel Potter) as a kind of fatherly role model. In retrospect, Stiers viewed his experiences with the show as a career highlight, saying "No matter how much you read about the M*A*S*H company, the evolution of it, the quite beautiful human stance it takes, you will not know how much it means ". In his spare time on the set he often annoyed the security guards by skateboarding at 25 miles an hour and "cheerfully thumbing his nose at them".
David died of bladder cancer on March 3, 2018, in Newport, Oregon. He was 75.- Producer
- Writer
- Additional Crew
Anthony Bourdain was born in New York City, to Gladys (Sacksman), an NYT staff editor, and Pierre Bourdain, a Columbia Records executive. He attended The Englewood School for Boys in New Jersey and Vassar College (for two years), and was a graduate of The Culinary Institute of America. He began his career in the food industry as a dishwasher, gradually working his way up through preparation, to line cook, sous chef, and chef. He was executive chef of Manhattan's Brasserie Les Halles, which meant, in his words, that he got to "swan around the kitchen, taking credit for others' work." Bourdain lived in New York City, and had a daughter Ariane, with his wife Ottavia.- Camera and Electrical Department
- Director
- Cinematographer
When he made his directorial debut in 1970, Nicolas Roeg was already a 23-year veteran of the British film industry, starting out in 1947 as an editing apprentice and working his way up to cinematographer twelve years later. He first came to attention as part of the second unit on David Lean's Lawrence of Arabia (1962), with Roger Corman's The Masque of the Red Death (1964) two years later containing his first really distinctive solo work. He went on to photograph films for such distinguished directors as François Truffaut (Fahrenheit 451 (1966)), John Schlesinger (Far from the Madding Crowd (1967)) and Richard Lester (Petulia (1968)) before his sensational directorial debut in 1968. Co-directed with writer (and painter) Donald Cammell, Performance (1970) was intended to be a simple-minded star vehicle for Mick Jagger and Warner Bros were so horrified when they saw the final multi-layered kaleidoscope of sex, violence, and questions of identity that they delayed its release for two years. Roeg went to Australia for his solo debut as director (Walkabout (1971)), which was also his last film as cinematographer, and throughout the next decade he produced a world-class body of work (Don't Look Now (1973); The Man Who Fell to Earth (1976); Bad Timing: A Sensual Obsession (1980)) that revealed his uniquely off-kilter view of the world, expressed through fragmented, dislocated images and a highly original yet strangely accessible approach to narrative. He married the star of Bad Timing: A Sensual Obsession (1980), the elegant Theresa Russell who would play the female lead in nearly all his subsequent films, though these have generally found less favor with critics and audiences, and the release of both Eureka (1983) and Cold Heaven (1991) was severely restricted due to problems with the films' distributors.- Writer
- Director
- Producer
Bernardo Bertolucci, the Italian director whose films were known for their colorful visual style, was born in Parma, Italy. He attended Rome University and became famous as a poet. He served as assistant director for Pier Paolo Pasolini in the film Accattone (1961) and directed The Grim Reaper (1962). His second film, Before the Revolution (1964), which was released in 1971, received an Academy Award nomination for best screenplay. Bertolucci also received an Academy Award nomination as best director for Last Tango in Paris (1972), and the best director and best screenplay for the film The Last Emperor (1987), which walked away with nine Academy Awards.- Actor
- Producer
- Writer
Dreamy Tab Hunter stood out in film history as one of the hottest teen idols of the 1950s era. With blond, tanned, surfer-boy good looks, he was artificially groomed and nicknamed "The Sigh Guy" by the Hollywood studio system, yet managed to continue his career long after his "golden boy" prime.
Hunter was born Arthur Kelm on July 11, 1931 in New York City, to Gertrude (Gelien) and Charles Kelm. His father was Jewish and his mother was a German Catholic immigrant. Following his parents' divorce, Hunter grew up in California with his mother, older brother Walter, and maternal grandparents, Ida (Sonnenfleth) and John Henry Gelien. His mother changed her sons' surnames to her maiden name, Gelien. Leaving school and joining the Coast Guard at age fifteen (he lied about his age), he was eventually discharged when the age deception was revealed. Returning home, his life-long passion for horseback riding led to a job with a riding academy.
Hunter's fetching handsomeness and trim, athletic physique eventually steered the Californian toward the idea of acting. An introduction to famed agent Henry Willson had Tab signing on the dotted line and what emerged, along with a major career, was the stage moniker of "Tab Hunter." Willson was also responsible with pointing hopeful Roy Fitzgerald towards stardom under the pseudonym Rock Hudson. With no previous experience Tab made his first, albeit minor, film debut in the racially trenchant drama The Lawless (1950) starring Gail Russell and Macdonald Carey. His only line in the movie was eventually cut upon release. It didn't seem to make a difference for he co-starred in his very next film, the British-made Island of Desire (1952) opposite a somewhat older (by ten years) Linda Darnell, which was set during WWII on a deserted, tropical South Seas isle. His shirt remained off for a good portion of the film, which certainly did not go unnoticed by his ever-growing legion of female (and male) fans.
Signed by Warner Bros., stardom was clinched a few years later with another WWII epic Battle Cry (1955), based on the Leon Uris novel, in which he again played a boyish soldier sharing torrid scenes with an older woman (this time Dorothy Malone, playing a love-starved Navy wife). Thoroughly primed as one of Hollywood's top beefcake commodities, the tabloid magazines had a field day initiating an aggressive campaign to "out" Hunter as gay, which would have ruined him. To combat the destructive tactics, Tab was seen escorting a number of Hollywood's lovelies at premieres and parties. In the meantime, he was seldom out of his military fatigues on film, keeping his fans satisfied in such popular dramas as The Sea Chase (1955), The Burning Hills (1956) and The Girl He Left Behind (1956)--the last two opposite the equally popular Natalie Wood. At around this time, Hunter managed to parlay his boy-next-door film celebrity into a singing career. He topped the charts for over a month with the single "Young Love" in 1957 and produced other "top 40" singles as well.
Like other fortunate celebrity-based singers such as Shelley Fabares and Paul Petersen, his musical reign was brief. Out of it, however, came the most notable success of his film career top-billing as baseball fan Joe Hardy in the classic Faustian musical Damn Yankees (1958) opposite Gwen Verdon and Ray Walston, who recreated their devil-making Broadway roles. Musically, Tab may have been overshadowed but he brought with him major star power and the film became a crowd pleaser. He continued on with the William A. Wellman-directed Lafayette Escadrille (1958) as, yet again, a wholesome soldier, this time in World War I. More spicy love scenes came with That Kind of Woman (1959), an adult comedy-drama which focused on soldier Hunter and va-va-voom mistress Sophia Loren demonstrating some sexual chemistry on a train.
Seldom a favorite with the film critics, the 1960s brought about a career change for Tab. He begged out of his restrictive contract with Warners and ultimately paid the price. With no studio to protect him, he was at the mercy of several trumped-up lawsuits. Worse yet, handsome Troy Donahue had replaced him as the new beefcake on the block. With no film offers coming his way, he starred in his own series The Tab Hunter Show (1960), a rather featherweight sitcom that centered around his swinging bachelor pad. The series last only one season. On the positive side he clocked in with over 200 TV programs over the long stretch and was nominated for an Emmy award for his outstanding performance opposite Geraldine Page in a Playhouse 90 episode. Following the sparkling film comedy The Pleasure of His Company (1961) opposite Debbie Reynolds, the quality of his films fell off drastically as he found himself top-lining such innocuous fare as Operation Bikini (1963), Ride the Wild Surf (1964) (1965), City in the Sea (1965) [aka War-Gods of the Deep], and Birds Do It (1966) both here and overseas.
As for stage, a brief chance to star on Broadway happened in 1964 alongside the highly volatile Tallulah Bankhead in Tennessee Williams's "The Milk Train Doesn't Stop Here Anymore." It lasted five performances. He then started to travel the dinner theater circuit. Enduring a severe lull, Tab bounced back in the 1980s and 1990s -- more mature, less wholesome, but ever the looker. He gamely spoofed his old clean-cut image by appearing in delightfully tasteless John Waters' films as a romantic dangling carrot to heavyset transvestite "actress" Divine. Polyester (1981) was the first mainstream hit for Waters and Tab went on to team up with Allan Glaser to co-produce and co-star a Waters-like western spoof Lust in the Dust (1984).
Co-starring with "Exorcist" star Linda Blair in the bizarre horror film Grotesque (1988), Tab's last on-camera appearance would be in a small role in the film Dark Horse (1992), which he produced. He preferred spending most of his time secluded on his ranch and breeding horses. In 2005, he returned to the limelight when he "came out" with a tell-all memoir on his Hollywood years. His long-time partner was film producer Allan Glaser.
Tab died on July 8, 2018, in Santa Barbara, California, three days shy of his 87th birthday.- Actress
- Soundtrack
Charlotte Rae was born Charlotte Rae Lubotsky in 1926, in Milwaukee, Wisconsin, the middle daughter of three sisters, between Beverly and Mimi. Her parents, Esther (nee Ottenstein) and Meyer Lubotsky, were Russian Jewish immigrants. Her father owned an automobile tire business. Her mother had been a childhood friend of Milwaukee-reared Golda Meir, future Prime Minister of Israel.
Rae wanted to be a dramatic actress, but eventually wound up being a comedienne, all because of her stand-up comedy routines. Her family moved to the village of Shorewood, Wisconsin (Milwaukee County) in 1936. After graduating from Shorewood High School, she attended Northwestern University, where she met future actress Cloris Leachman; the two would be lifelong friends. She dropped out of college and moved to New York City, and began a career as a stage actress, performing in such plays as "Pickwick", for which she was nominated in 1966 for Best Featured Actress in a Musical, and, in 1969, for Best Actress in a Play for "Morning, Noon and Night". She co-starred with Fred Gwynne and Al Lewis in Car 54, Where Are You? (1961). She would live there until 1974 when she moved to Southern California.
She was nominated for an Emmy Award for her supporting role in Queen of the Stardust Ballroom (1975). After guest-starring on numerous shows, including Norman Lear's All in the Family (1971) and Good Times (1974), Lear hired her old friend to co-star on Diff'rent Strokes (1978) as Gary Coleman's housekeeper, "Edna Garrett". Within a year, she gained popularity with her character, which eventually led her to having her own series, The Facts of Life (1979). Between Norman Lear and NBC, they gave her the green-light to star in her own show, which focused primarily on the housekeeper of an all-girls school. The spinoff series featured newcomers including Kim Fields as "Tootie" and Lisa Whelchel as rich spoiled brat "Blair Warner".
Before then, she approached young Mindy Cohn at Westlake School in Los Angeles, and suggested that she take the role of smart "Natalie Green", a character Rae created for her and named after one of her best friends from high school. Cohn stayed on the show for eight seasons. Rae left the show in 1986 reportedly owing to a health issue. She reportedly created the role of "Beverly" for her old friend, Cloris Leachman, to play on The Facts of Life (1979) after she left the show.
She returned to the stage. In 1992, she was the voice of "Aunt Christine Figg" in Tom and Jerry: The Movie (1992) and appeared in "The Vagina Monologues" in New York. In 2000, she starred as "Berthe" in the Paper Mill Playhouse production of "Pippin". In 2007, she appeared in a cabaret show at the Plush Room in San Francisco for several performances. In the 2008 movie, You Don't Mess with the Zohan (2008), she played a mature woman who has a fling with Adam Sandler's character. On February 18, 2009, she appeared in a small role as "Mrs. Ford" on the "I Heart Mom" episode.
Rae's older sister, Beverly, died from pancreatic cancer in 1998, while Rae's ex-husband of 35 years, John Strauss, died in 2011, following a long battle with Parkinson's disease. A pancreatic cancer survivor, Rae continued to act while making guest appearances everywhere, especially TV Land, where her show, The Facts of Life (1979), won the 2011 award for Pop Culture Icon.
Charlotte Rae died on August 5, 2018 at her home in Los Angeles, aged 92, from bone cancer, which had been diagnosed a year earlier. She also suffered from asthma and scoliosis, and had been fitted with a pacemaker.- Actor
- Soundtrack
At fourteen he worked as an usher at the NYC Paramount Theatre. His father was an electrician who played guitar and his mother taught piano. Damone attended PS 163 and sang in St. Finbar's choir and later attended the Alexander Hamilton Vocational High School and then Lafayette High School in Brooklyn. He left school at sixteen to support his family, but returned to graduate from Lafayette in 1997. Damone won first prize in an Arthur Godfrey talent scouts contest in 1945. His first night club appearance at the LA Martinique Club was set up by comedian Milton Berle. He was drafted and served in the army from 1951 to 1953. After he was discharged from the army he married actress Pier Angeli, whom he later divorced. Damone was later married to Becky Ann Jones from 1974 to 1982 and Diahann Carroll from 1987 to 1996. He married Rena Rowan, fashion designer and co-founder of Jones New York, in 1998. In 1999, he received a certificate of advanced study from Philadelphia University.- Actor
- Producer
- Soundtrack
John Mahoney was an award-winning American actor. He was born in Blackpool, Lancashire, England, the seventh of eight children of Margaret and Reg, a baker. His family was evacuated to the sea-side resort to avoid the Nazi bombing of their native Manchester. The Mancunian Mahoneys eventually returned to Manchester during the war. Visiting the States to see his older sister, a "war bride" who had married an American, the young Mahoney decided to emigrate and was sponsored by his sister. John eventually won his citizenship by serving in the U.S. Army.
Long interested in acting, Mahoney didn't make the transition to his craft until he was almost forty years old. Mahoney took acting classes at the St. Nicholas Theater and finally built up the courage to quit his day job and pursue acting full time. John Malkovich, one of the founders of the Second City's distinguished Steppenwolf Theatre, encouraged Mahoney to join Steppenwolf, and in 1986, Mahoney won a Tony Award for Best Featured Actor in a Play for his performance in John Guare's The House of Blue Leaves (1987).
Mahoney made his feature film debut in 1980, but he was best known for playing the role of the father of the eponymous character Frasier (1993) from 1993 until 2004. He later concentrated on stage work back in Chicago, and appeared on Broadway in 2007 in a revival of Prelude to a Kiss (1992).
John died on February 4, 2018, in Chicago, Illinois.- Actress
- Soundtrack
Barbara Harris began acting while still a teenager in Chicago, playing small parts in the Playwrights Theatre Club (whose other players included such youngsters as Edward Asner, Mike Nichols and Elaine May). She was also in "The Compass Players", the first ongoing improvisational theater troupe in America, directed by her then-husband Paul Sills (who founded the theater based on principles created by his mother, Viola Spolin , the author of "Improvisation for the Theatre"). A more polished version of the Compass, called "The Second City", was an enormous hit in Chicago and was moved to Broadway, where she was nominated for a Tony. She starred in a series of notable stage productions, including "On a Clear Day You Can See Forever"; "Oh Dad Poor Dad"; "The Apple Tree" (Tony Award, 1967) and "Mother Courage". Her film credits include major roles in A Thousand Clowns (1965), Oh Dad, Poor Dad, Mamma's Hung You in the Closet and I'm Feelin' So Sad (1967), Who Is Harry Kellerman and Why Is He Saying Those Terrible Things About Me? (1971), The War Between Men and Women (1972), Nashville (1975), Freaky Friday (1976), Family Plot (1976), Plaza Suite (1971), Movie Movie (1978), The Seduction of Joe Tynan (1979), The North Avenue Irregulars (1979), Second-Hand Hearts (1980), Peggy Sue Got Married (1986), Dirty Rotten Scoundrels (1988) and Grosse Pointe Blank (1997), and TV appearances included episodes of Alfred Hitchcock Presents (1955) and Middle Ages (1992).- Actor
- Soundtrack
Clint Walker was born Norman Eugene Walker in Hartford, southwestern Illinois, to Gladys Huldah (Schwanda), a Czech immigrant, and Paul Arnold Walker, who was from Arkansas. Walker almost single-handedly started the western craze on TV in the 1950s as Cheyenne Bodie in Cheyenne (1955). Growing up in the Depression era meant taking work wherever you could get it, and Walker found himself working at such jobs as Mississippi River boatman, carnival roustabout and golf caddy. He quit high school at 16 and at age 17 joined the Merchant Marine. After the war he worked his way cross country, including working in the oil fields in Brownwood, Texas, and wound up in California, where he worked as an undercover agent for a private detective agency on the Long Beach waterfront. After a while he took a job as a security officer at the Sands Hotel in Las Vegas. It was there that he met quite a few Hollywood people who told him that his size, physique and good looks would serve him well in Hollywood and that he should go to Los Angeles and give it a try. He met actor Henry Wilcoxon, who introduced him to director Cecil B. DeMille, and Walker found himself playing the part of a Captain of the Guard in The Ten Commandments (1956). Someone from Warner Bros. saw the film, found out that Walker was under contract to producer Hal B. Wallis, bought up Walker's contract and gave him the lead in "Cheyenne". The series was a huge hit and spawned countless other western series, from Warners and other studios. However, Walker was dissatisfied with the way Warners was handling his career -- they would let other contract players make films, for example, but he wasn't allowed to -- and that triggered a dispute which ended up with him taking a walk from the show. He and Warners eventually settled their disagreements. When the show ended Walker began to get supporting parts in features, his biggest and most successful one being The Dirty Dozen (1967). He starred in the well-received The Night of the Grizzly (1966) and the not-so-well received None But the Brave (1965), a WWII film that was Frank Sinatra's one and only stab at directing. He also played the lead in Baker's Hawk (1976), and turned in a good performance as a villain in the TV movie Scream of the Wolf (1974). Lately he and several of his colleagues from "The Dirty Dozen" provided the voices for the animated film Small Soldiers (1998).- Actor
- Writer
- Additional Crew
Harry Anderson was born on 14 October 1952 in Newport, Rhode Island, USA. He was an actor and writer, known for Night Court (1984), It (1990) and Tales from the Crypt (1989). He was married to Elizabeth Morgan and Leslie Pollack. He died on 16 April 2018 in Asheville, North Carolina, USA.- Actor
- Producer
- Soundtrack
Gaunt, wavy-haired Sicilian-American character actor Joseph Campanella seemed to pop up in just about every second TV series and telemovie of the 1960s and 70s. A tireless veteran of stage and screen, he remained very much in demand well into his eighties. His older brother Frank was also an actor. The son of a musician, Campanella began his flirtation with show biz as a teenage sports announcer for a small Pennsylvania radio station. He served in the U.S. Navy during the Second World War, where, at 18, he commanded a landing craft. Campanella initially studied architecture, earned a Bachelor of Arts in English literature and studied for a Master's Degree in speech and drama at Columbia University. His stage career began at the Colonial Theatre in Boston in 1954. He subsequently relocated from New York to Hollywood. Beginning with anthology television in 1952, he amassed numerous guest credits and even had a recurring role as Lew Wickersham (the suave, scientifically-minded head of the Intertect detective agency) in Mannix (1967), for which he received an Emmy Award nomination. For the better part of his career, Campanella was cast as priests (a standout role was that of Father Corelli in The Invaders (1967) episode "Storm"), police officers or doctors. He had a knack for playing characters of a volatile or tortured disposition. Campanella appeared on many daytime soap operas, including a lengthy spell on The Bold and the Beautiful (1987) and the short-lived Dynasty spin-off The Colbys (1985). As narrator, he provided the voice for National Geographic specials (for each episode some eight hours of voice-over were taped, though only fifty minutes were actually used), as well as doing commercials for BMW and the National Automotive Parts Association. On Broadway his roles have included "Captain and the Kings," "Hot Spot," "Born Yesterday," and "The Caine Mutiny".- Actor
- Additional Crew
- Producer
A talented character actor known for his military roles, Ronald Lee Ermey was in the United States Marine Corps for 11 years. He rose to the rank of Staff Sergeant, and later was bestowed the honorary rank of Gunnery Sergeant by the Marine Corps, after he served 14 months in Vietnam and later did two tours in Okinawa, Japan. After injuries forced him to retire from the Corps, he moved to the Phillipines, enrolling in the University of Manila, where he studied Criminology and Drama. He appeared in several Filipino films before being cast as a helicopter pilot in Francis Ford Coppola's Apocalypse Now (1979). Due to his Vietnam experiences, Coppola also utilized him as a technical adviser. He got a featured role in Sidney J. Furie's The Boys in Company C (1978), playing a drill instructor. Ermey worked with Furie again in Purple Hearts (1984).
However, his most famous (or infamous) role came as Gunnery Sergeant Hartman in Stanley Kubrick's Full Metal Jacket (1987), for which he was nominated for a Golden Globe. He did win the best supporting actor award from The Boston Society of Film Critics. Since then, he has appeared in numerous character roles in such films as Leaving Las Vegas (1995), Se7en (1995) and Dead Man Walking (1995). However, Ermey prefers comedy to drama, and has a comedic role in Saving Silverman (2001).- Actress
- Soundtrack
She was the standard prototype of the porcelain-pretty collegiate and starry-eyed romantic interest in a host of Depression-era films and although her name may not ring a bell to most, Mary Carlisle enjoyed a fairly solid decade in the cinematic limelight.
The petite Boston-born, blue-eyed blonde was born on February 3, 1914, and brought to Hollywood in 1918, at age 4, by her mother after her father passed away. The story goes that the 14-year-old and her mother were having lunch at the Universal commissary when she was noticed by producer Carl Laemmle Jr., who immediately gave her a screen test. Her age was a hindering factor, however, and Mary completed her high school studies before moving into the acting arena. An uncle connected to MGM helped give the young hopeful her break into the movies as a singer/dancer a few years later.
Mary started out typically as an extra and bit player in such films as Madam Satan (1930), The Great Lover (1931) and in Grand Hotel (1932) in which she played a honeymooner. The glamorous, vibrant beauty's career was given a build-up as a "Wampas Baby Star" in 1933 and soon she began finding work in films playing stylish, well-mannered young co-eds. Although she performed as a topline actress in a number of lightweight pictures such as Night Court (1932) with Anita Page, Murder in the Private Car (1934) starring Charles Ruggles, and It's in the Air (1935) alongside Jack Benny, she is perhaps best remembered as a breezy co-star to Bing Crosby in three of his earlier, lightweight '30s musicals: College Humor (1933), Double or Nothing (1937) and Doctor Rhythm (1938). In the last picture mentioned she is the lovely focus of his song "My Heart Is Taking Lessons". Her participation in weightier material such as Kind Lady (1935) was often overshadowed by her even weightier co-stars, in this case Basil Rathbone and Aline MacMahon.
Disappointed with the momentum of her career and her inability to extricate herself from the picture-pretty, paragon-of-virtue stereotype, Mary traveled and lived in London for a time in the late '30s. Following her damsel-in-distress role in the horror opus Dead Men Walk (1943) with George Zucco and Dwight Frye, Mary retired from the screen, prompted by her marriage to James Blakeley, a flying supervisor, the year before. The Beverly Hills couple had one son. Her husband, a former actor who also appeared in '30s musicals with Crosby as a dapper second lead (e.g., in Two for Tonight (1935)), later became an important executive (producer, editor, etc.) at Twentieth Century-Fox.
In later years Mary managed an Elizabeth Arden Salon in Beverly Hills and received a star on the Hollywood Walk of Fame. Her husband passed away in 2007. Mary herself lived to the ripe old age of 104 on August 1, 2018.- Actress
- Soundtrack
The blonde, sultry, dreamy-eyed beauty of Dorothy Malone, who was born Mary Maloney in Chicago on January 29, 1924, took some time before it made an impact with American film-going audiences. But once she did, she played it for all it was worth in her one chance Academy Award-winning "bad girl" performance, a role quite unlike the classy and strait-laced lady herself.
Raised in Dallas, she was one of five children born to an accountant father and housewife mother. Two older sisters died of polio. Attending Ursuline Convent and Highland Park High School, she was quite popular (as "School Favorite"). She was also a noted female athlete while there and won several awards for swimming and horseback riding. Following graduation, she studied at Southern Methodist University with the intent of becoming a nurse, but a role in the college play "Starbound" happened to catch the eye of an RKO talent scout and she was offered a Hollywood contract.
The lovely brunette started off in typical RKO starlet mode with acting/singing/dancing/diction lessons and bit parts (billed as Dorothy Maloney) in such films as the Frank Sinatra musicals Higher and Higher (1943) and Step Lively (1944), a couple of the mystery "Falcon" entries and a showier role in Show Business (1944) with Eddie Cantor and George Murphy. RKO lost interest, however, after the two-year contract was up. Warner Bros., however, stepped up to the plate and offered the actress a contract. Now billed as Dorothy Malone, her third film offering with the studio finally injected some adrenaline into her floundering young career, when she earned the small role of a seductive book clerk in the Bogart/Bacall classic The Big Sleep (1946). Critics and audiences took notice of her captivating little part. As a reward, the studio nudged her up the billing ladder with more visible roles in Two Guys from Texas (1948), Romance on the High Seas (1948), South of St. Louis (1949) and Colorado Territory (1949), with the westerns showing off her equestrian prowess if not her acting ability.
Despite this positive movement, Warner Bros. did not extend Dorothy's contract in 1949 and she returned willingly back to her tight-knit family in her native Dallas. Taking a steadier job with an insurance agency, she happened to attend a work-related convention in New York City and grew fascinated with the big city. Deciding to recommit to her acting career, she moved to the Big Apple and studied at the American Theater Wing. In between her studies, she managed to find work on TV, which spurred freelancing "B" movie offers in the routine form of Saddle Legion (1951), The Bushwhackers (1951), the Martin & Lewis romp Scared Stiff (1953), Law and Order (1953), Jack Slade (1953), Pushover (1954) and Private Hell 36 (1954).
Things picked up noticeably once Dorothy went platinum blonde, which seemed to emphasize her overt and sensual beauty. First off was as a sister to Doris Day in Young at Heart (1954), a musical remake of Four Daughters (1938), back at Warner Bros. She garnered even better attention when she appeared in the war picture Battle Cry (1955), in which she shared torrid love scenes with film's newest heartthrob Tab Hunter, and continued the momentum with the reliable westerns Five Guns West (1955) and Tall Man Riding (1955) but not with melodramatic romantic dud Sincerely Yours (1955) which tried to sell to the audiences a heterosexual Liberace.
By this time she had signed with Universal. Following a few more westerns for good measure (At Gunpoint (1955), Tension at Table Rock (1956) and Pillars of the Sky (1956), Dorothy won the scenery-chewing role of wild, nymphomaniac Marylee Hadley in the Douglas Sirk soap opera Written on the Wind (1956) co-starring Rock Hudson, Lauren Bacall and Robert Stack. Stack and Malone had the showier roles and completely out-shined the two leads, both earning supporting Oscar nominations in the process. Stack lost in his category but Dorothy nabbed the trophy for her splendidly tramp, boozed-up Southern belle which was highlighted by her writhing mambo dance.
Unfortunately, Dorothy's long spell of mediocre filming did not end with all the hoopla she received for Written on the Wind (1956). The Tarnished Angels (1957), which reunited Malone with Hudson and Stack faltered, and Quantez (1957) with Fred MacMurray was just another run-of-the-mill western. Two major film challenges might have changed things with Man of a Thousand Faces (1957) as the unsympathetic first wife of James Cagney's Lon Chaney Sr, and as alcoholic actress Diana Barrymore in the biographic melodrama Too Much, Too Soon (1958). Cagney, however, overshadowed everyone in the first and the second was fatally watered down by the Production Code committee.
To compensate, Dorothy, at age 35 in 1959, finally was married -- to playboy actor Jacques Bergerac (Ginger Rogers's ex-husband). A daughter, Mimi, was born the following year. Fewer film offers, which included Warlock (1959) and The Last Voyage (1960), came her way as Dorothy focused more on family life. While a second daughter, Diane, was born in 1962, the turbulent marriage wouldn't last and their divorce became final in December 1964. A bitter custody battle ensued with Dorothy eventually winning primary custody.
It took the small screen to rejuvenate Dorothy's career in the mid-1960s when she earned top billing of TV's first prime time soap opera Peyton Place (1964). Dorothy, starring in Lana Turner's 1957 film role of Constance MacKenzie, found herself in a smash hit. The run wasn't entirely happy however. Doctors discovered blood clots on her lungs which required major surgery and she almost died. Lola Albright filled in until she was able to return. Just as bad, her the significance of her role dwindled with time and 20th Century-Fox finally wrote her and co-star Tim O'Connor off the show in 1968. Dorothy filed a breach of contract lawsuit which ended in an out-of-court settlement.
Her life on- and off-camera did not improve. Dorothy's second marriage to stockbroker Robert Tomarkin in 1969 would last only three months, and a third to businessman Charles Huston Bell managed about three years. Now-matronly roles in the films Winter Kills (1979), Vortex (1982), The Being (1981) and Rest in Pieces (1987), were few and far between a few TV-movies -- which included some "Peyton Place" revivals, did nothing to advance her. Malone returned and settled for good back in her native Dallas, returning to Hollywood only on occasion.
Dorothy's last film was a cameo in the popular thriller Basic Instinct (1992) as a friend to Sharon Stone. She will be remembered as one of those Hollywood stars who proved she had the talent but somehow got the short end of the stick when it came to quality films offered. She retired to Texas and died in Dallas shortly before her 94th birthday on January 19, 2018.- Actor
- Soundtrack
He had that same genuine likability factor, owned that same trademark lantern jaw and was just as appealing and gifted as his older brother, Dick Van Dyke, but, for decades, Jerry Van Dyke bore the brunt of his brother's overwhelming shadow.
Six years younger than brother Dick, the comic actor was born on July 27, 1931, in Danville, Illinois. Raised there, the crew cut blond showed an aptitude for clowning in high school. His stand-up comedy venues first took the form of dives and strip clubs throughout the Deep South in which his banjo-playing became an intricate part of the routine. At one point, Jerry was a regular on the Playboy club circuit. He then set his sights on the top showrooms in Las Vegas, Lake Tahoe and Atlantic City and became a dependable opening act.
Jerry's early career should have been rightfully interrupted when he joined the Air Force in 1952. He, instead, kept the troops laughing by performing in Special Services shows. Winning a military talent contest actually earned him a couple of appearances on The Ed Sullivan Show (1948) (aka "The Ed Sullivan Show") and resulting TV exposure. Following his tour of duty, he nabbed variety appearances and a regular comic relief role on The Judy Garland Show (1963). He found comic acting parts as well on TV. Like brother Dick, who was a huge TV star by this time, Jerry also did a stint emceeing a game show. In Jerry's case, it was Picture This (1963).
Ever the hapless klutz and happy-go-lucky stammerer, Jerry built up his TV reputation in the early 60s. He turned down the title role in Gilligan's Island (1964), which he rightfully deemed inane, but instead chose the equally silly My Mother the Car (1965). It proved to be a detrimental career move. While "Gilligan" became a surprise hit that still runs in syndication four decades later, Jerry had to live down starring in one of the most lambasted sitcoms of all time. Truthfully, the two shows were on an equal (sub)par with each other. It was just a cruel luck of the draw that Jerry ended up biting the bullet while Gilligan's Bob Denver found cult celebrity. Jerry's subsequent two series were also one seasoners with Accidental Family (1967), a sitcom in which he more or less played himself (a nightclub comedian), and Headmaster (1970), a drama starring Andy Griffith in which he played a physical education coach. Neither did much for his career. A promising co-star role with Griffith in the film Angel in My Pocket (1969) also went nowhere. Over the years, Jerry has appeared as a guest star on a number of brother Dick's shows, including the classic The Dick Van Dyke Show (1961) in which he played, of course, Dick's brother.
The genially dim character "George Utley" on Bob Newhart's 1980s series was originally created for Jerry but Tom Poston assumed the part. Good fortune finally smiled on Jerry when he won the hapless role of "Luther Van Dam", a role that capped his long career, on Coach (1989). He earned four consecutive Emmy nominations and a steady paycheck for eight seasons. His seesaw struggle and survival after nearly five decades truly paid off this time, and only proves his love for the business.
Nearing the millennium, Jerry was seen frequently on the smaller screen. In addition to guesting on such shows as "The New Addams Family," "The District," "Diagnosis Murder," "My Name Is Earl," "Committed" and "Raising Hope," the veteran actor played the regular roles as grandpa types in the sitcom fantasies Teen Angel (1997) and You Wish (1997); had the recurring grandparent role of Big Jimmy Hughes in the comedy series Yes, Dear (2000) and ended his career as a grandpa in the established sitcom The Middle (2009) starring Patricia Heaton and Neil Flynn.
In later years, Jerry spent much of his time at a ranch in Arkansas where he lived with his second wife, the former Shirley Jones (not the singer/actress), and raised cattle. Tragedy struck in 1991 when one of his three children, Kelly Van Dyke, a substance abuser, took her own life. On the sly, one could also find Jerry at the poker table as part of ESPN tournaments. He died in Arkansas on January 5, 2018, aged 86.- Actress
- Composer
- Music Department
Dolores Mary Eileen O'Riordan was born in Ballybricken, a town 8 miles outside Limerick on Sept. 6, 1971. Her parents are Eileen and Terrance. Terrance was in a wheelchair due to a motorcycle accident. Dolores was the youngest of seven children, and one of two girls. In the late eighties, Dolores met up with her band members-to-be. Feargal Lawler of Parteen, and Mike and Noel Hogan of Moycross gave Dolores the music to their future hit "Linger". She came back the next day with lyrics. It took some time for The Cranberries to take off, very emotionally impacting Dolores who was overcome with frustration. Their debut album, "Everybody Else Is Doing It, So Why Can't We" is a quote-Dolores said it while the band members were part of an audience at a concert. It was in America where the Cranberries first found satisfying success - when they returned to their native Ireland, success was awaiting them there as well.
Dolores' life went from railing against war and childhood strife (she was always an avid child advocate) and condemning disrespectful lovers, to deciding that she is "Free to Decide". The mother of three children, her family life brightened up her music. She died in London on 15 January 2018.- Actor
- Soundtrack
Known for starring as musically-inclined football player Noah "Puck" Puckerman on the show Glee (2009), Mark Wayne Salling was born in Dallas, Texas. He was the younger of two children of Condy Sue (Wherry), a school secretary, and John Robert Salling, Jr., an accountant. He was home-schooled at an early age. Salling was raised in a "strict Christian home" and attended Providence Christian School and Our Redeemer Lutheran during elementary school. He attended, but did not graduate, from Culver Military Academy, and later graduated from Lake Highlands High School in 2001. While in high school, he was a member of the school wrestling team. Music was also an integral part of his teenage years; he often performed in bars despite being underage and participated in school talent shows. After graduating from high school, he attended the Los Angeles Music Academy College of Music in Pasadena, California and began studying guitar, giving guitar lessons to make a living. Mark owned a dog named Noah, which he named after his character on Glee.
He died on January 30, 2018 in Los Angeles, California.- Actress
- Soundtrack
A sparkling, entertaining, highly energetic presence ever since her early days (from age 4) as a singing and tap dancing child vaudevillian, Nanette Fabray was once billed as "Baby Nanette".
She was born in Sherbrooke, Québec, Canada, then moved to the United States, to Louisiana-born parents, Lily Agnes (McGovern) and Raoul Bernard Fabares, a train conductor whose own father was from France. She worked with the top headliners of the era, notably Ben Turpin, in the Los Angeles area. She also sang on radio. It was widely rumored that she appeared in the "Our Gang" ("Little Rascal") film shorts of the late 1920s; however, this was not true. Later the young hopeful received a scholarship to the Max Reinhardt School of the Theatre and appeared in the school's productions of "The Miracle", "Six Characters in Search of an Author" and "A Servant with Two Masters", all in 1939.
The musical comedy stage, however, would be Nanette's forte. Appearing in such hit New York productions as "Meet the People" (1940), "Let's Face It" (1941), "By Jupiter" (1943) and "Bloomer Girl" (1945), she capped this period of great productivity earning awards for her Broadway work in "High Button Shoes" (1947 - Donaldson Award), and "Love Life" (1948 - Tony and Donaldson Awards).
Strangely, Nanette never obtained a strong foothold when it came to film. Aside from secondary roles in The Private Lives of Elizabeth and Essex (1939) starring Bette Davis and Errol Flynn, and the melodrama A Child Is Born (1939), her one claim to movie fame would be her vital participation in the blockbuster MGM musical The Band Wagon (1953) in which she memorably performed the songs "That's Entertainment" and "Louisiana Hayride," and joined Fred Astaire and Jack Buchanan in the standout "Triplets" number.
Into the 1950s, Nanette started checking out what television could do as a possible medium for her. It did a lot. She managed a fine feat by winning two consecutive Emmy awards as Sid Caesar's partner on the now-called Caesar's Hour (1954) following the departure of the seemingly irreplaceable Imogene Coca earlier. This led to Nanette eventually starring in her own sitcom, the short-lived Westinghouse Playhouse (1961) (aka "Yes, Yes, Nanette"), in the role of a Broadway star who becomes a makeshift mom after marrying a widower (Wendell Corey) with two children.
Broadway musicals continued to flourish with parts in "Arms and the Girl" (1950) and "Make a Wish" (1951). Nanette later copped another Tony nomination starring as a fictional "First Lady" opposition "President" Robert Ryan in the musical "Mr. President" (1962). Other tailor-made stage vehicles for her came in the form of "Plaza Suite", "Wonderful Town", "Never Too Late", "Last of the Red Hot Lovers" and "Cactus Flower", among others.
On the TV front, Nanette adjusted well into a lively and graceful support player. She served up a number of delightfully daffy moms, wisecracking friends and intrusive relatives in guest appearances -- sometimes alongside her own niece, actress Shelley Fabares, as was in the case of their regular roles on One Day at a Time (1975). Nanette was also a popular game show personality during the '60s and '70s, appearing on The Hollywood Squares (Daytime) (1965), The New High Rollers (1974), Password (1961) and The Match Game (1962), among others. The singer-comedienne could be counted on for TV musical variety appearances courtesy of headliners Dinah Shore, Andy Williams, Dean Martin and Carol Burnett.
Most importantly, Nanette's humanitarian efforts over the years were long recognized. A positive force as a hearing-impaired performer, she gave much time and effort in achieving equality for all types of handicapped and disabled people, including actors. Nanette was the widow (since 1973) of writer and sometime director/producer Ranald MacDougall, appearing in a few of his credited works, including the film The Cockeyed Cowboys of Calico County (1970), the TV pilot Fame Is the Name of the Game (1966) and the TV-movie Magic Carpet (1972). She and MacDougall have one child. Still as lively as ever, Nanette appeared in a 2007 L.A. musical revue, "The Damsel Dialogues".
Nanette died on February 22, 2018, in Palos Verdes, California. She was 97.- Actor
- Soundtrack
John Gavin, the American film and TV actor, businessman and diplomat who was Ronald Reagan's first Ambassador to Mexico, was born Juan Vincent Apablasa in Los Angeles, California.
The future "Jack" Gavin was a fifth-generation Angeleno, the son of Delia Diana Pablos and Juan Vincent Apablasa, and was of Mexican, Chilean, and Spanish ancestry, a descendant of early landowners in Spanish California and the powerful Pablos family of the Mexican state of Sonora. His stepfather was Herald Ray Golenor. John had a fluency in Spanish that aided him in his career in diplomacy. He graduated with honors from Stanford University, majoring in Latin American economic history. "Law, Latin America and diplomacy were my early interests," Gavin later remembered. Too young to participate in World War II, he did serve in the military during the Korean Conflict. He was commissioned an officer in the U.S. Navy in 1952, where he served in naval air intelligence until his 1955 discharge. After his hitch in the Navy, Universal -- the home studio of 6'5" heartthrob Rock Hudson, who was on his way to becoming the top box office star in America -- offered the 6'4" Gavin a screen-test and a contract with the studio. Studio bosses always liked internal competition to keep the pressure on their major stars; Metro-Goldwyn-Mayer signed Robert Taylor as a young backup to the King of Hollywood Clark Gable, and similarly, Gavin was positioned as the "next Rock Hudson".
Tall, dark and handsome, Gavin debuted in Behind the High Wall (1956), and three years later, in 1959, he had his first major lead in Douglas Sirk's remake of Imitation of Life (1959) opposite Lana Turner. Sirk, whose Ross Hunter-produced melodramas of the mid-1950's made Hudson a superstar, first directed Gavin in the role of a German soldier in his adaptation of Erich Maria Remarque's A Time to Love and a Time to Die (1958) the year before. Imitation of Life (1959), which was produced by Ross Hunter in his typical lavish style, was a huge hit. Gavin was on the road to becoming a major Hudson-style heart-throb, it seemed.
The following year, Gavin achieved cinematic immortality by appearing in two classics in supporting roles, as Sam Loomis in Alfred Hitchcock's Psycho (1960) and as Julius Caesar in Stanley Kubrick's Spartacus (1960). Of Psycho (1960) and Spartacus (1960), he has said, "I didn't have an inkling they would be classics. Had I realized that, perhaps I would have paid more attention." The momentum of his cinema career petered out after appearing opposite Susan Hayward in the 1961 remake of Fannie Hurst's Back Street (1961), though he did move on to star in two television series during the 1960s, Destry (1964) and Convoy (1965). Both series were produced by companies that were subsidiaries of the Universal-M.C.A., Revue Studios and Universal TV, created by the legendary agent and studio boss Lew Wasserman, the éminence grise behind Ronald Reagan's movie, TV and political careers. More importantly, in 1961, he was appointed special adviser to the secretary general of the Organization of American States, a position he held until 1973. He also performed task-group work for the Department of State and the Executive Office of the President. From 1966 to 1973, he also served on the board of the Screen Actors Guild and was guild president from 1971-1973. For the next eight years, he was engaged in business activities, many of which took him to Mexico and other Latin American countries. The producers of the James Bond series signed him to replace George Lazenby as James Bond in Diamonds Are Forever (1971), until they convinced Sean Connery to reprise the role with a $1 million charitable contribution and a $1 million salary. Thus, Gavin lost out on what could have been his career break into the big-time. However, he did not lament the loss of the role. If he had been a more successful actor, it "might have prevented me from fulfilling my real childhood dream: to be U.S. ambassador to Mexico."
During the 1970s, Gavin made some more movies, toured in summer stock in a production of The Fantasticks (Gavin has a fine baritone voice), and appeared on Broadway and in the touring show of the musical Seesaw (1973). He ended the decade by starring in TV mini-series Doctors' Private Lives (1979); he left show business to pursue business interests. The 1980s brought America a new president, and on May 7, 1981, Republican Gavin was appointed Ambassador to Mexico by President Reagan, serving until June 10, 1986. The American diplomatic mission in Mexico, one of the largest in the world, employed more than 1,000 American and Mexican employees tasked by over a dozen U.S. government agencies in consulates and offices throughout Mexico.
Gavin married the former stage and television actress Constance Towers in 1974. Each partner had two children from previous marriages. Gavin's daughter, Christina Gavin, followed in his footsteps and became an actress.
Since leaving government service, Gavin has become a successful businessman and civic leader, co-founding and managing successful ventures in the U.S. and Latin America. In 1986, Gavin was named president of Univisa Satellite Communications, a subsidiary of Univisa, Inc. He is founder/chairman of Gamma Holdings and serves on the boards of Apex Mortgage Capital, International Wire Holdings, and KKFC. Inc, and is a trustee and director of certain Merrill Lynch mutual funds. He is also a member of the Latin America Strategy Board of Hicks, Muse, Tate & Furst. Previously he was a managing director and partner of Hicks, Muse, Tate & Furst (Latin America) as well as a director of Atlantic Richfield (where he had served as vice president of federal and international relations). He also served on the boards of Dresser Industries, Claxson and several other major corporations. Gavin also serves on the boards of several non-profit corporations, pro bono, including The Anderson Graduate School of Management at UCLA, Loyola Marymount University, and the California Community Foundation. Gavin also is a member of the Congressional Policy Advisory Board as a defense and foreign policy expert.
Gavin served as founding Chairman and Chief Executive Officer of The Century Council's from May 1991 until December 1994, then served on the Council's Advisory Board until 1996. The Century Council, a non-profit organization dedicated to fighting alcohol abuse, focuses on drunk driving and underage drinking problems and is supported by America's leading distillers.
John died on February 9, 2018 in Beverly Hills.- Actor
- Director
- Soundtrack
Marty Allen was born on 23 March 1922 in Pittsburgh, Pennsylvania, USA. He was an actor and director, known for Night Gallery (1969), The Last of the Secret Agents? (1966) and The Vanishing of Ethan Carter (2014). He was married to Karon Kate Blackwell and Lorraine 'Frenchy' Trydelle. He died on 12 February 2018 in Las Vegas, Nevada, USA.