The Magnificent Seven
or the Magnificent Forty One
7 x 6 ( 5 films 1 TV series ) - 1 as Yul Brynner appeared twice
7 x 6 ( 5 films 1 TV series ) - 1 as Yul Brynner appeared twice
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Exotic leading man of American films, famed as much for his completely bald head as for his performances, Yul Brynner masked much of his life in mystery and outright lies designed to tease people he considered gullible. It was not until the publication of the books "Yul: The Man Who Would Be King" and "Empire and Odyssey" by his son, Yul "Rock" Brynner, that many of the details of Brynner's early life became clear.
Yul sometimes claimed to be a half-Swiss, half-Japanese named Taidje Khan, born on the island of Sakhalin; in reality, he was the son of Marousia Dimitrievna (Blagovidova), the Russian daughter of a doctor, and Boris Yuliyevich Bryner, an engineer and inventor of Swiss-German and Russian descent. He was born in their home town of Vladivostok on 11 July 1920 and named Yuli after his grandfather, Jules Bryner. When Yuli's father abandoned the family, his mother took him and his sister Vera to Harbin, Manchuria, where they attended a YMCA school. In 1934 Yuli's mother took her children to Paris. Her son was sent to the exclusive Lycée Moncelle, but his attendance was spotty. He dropped out and became a musician, playing guitar in the nightclubs among the Russian gypsies who gave him his first real sense of family. He met luminaries such as Jean Cocteau and became an apprentice at the Theatre des Mathurins. He worked as a trapeze artist with the famed Cirque d'Hiver company.
He traveled to the U.S. in 1941 to study with acting teacher Michael Chekhov and toured the country with Chekhov's theatrical troupe. That same year, he debuted in New York as Fabian in "Twelfth Night" (billed as Youl Bryner). After working in a very early TV series, Mr. Jones and His Neighbors (1944), he played on Broadway in "Lute Song" with Mary Martin, winning awards and mild acclaim. He and his wife, actress Virginia Gilmore, starred in the first TV talk show, Mr. and Mrs. (1948). Brynner then joined CBS as a television director. He made his film debut in Port of New York (1949). Two years later Mary Martin recommended him for the part he would forever be known for: the King in Richard Rodgers' and Oscar Hammerstein II's musical "The King and I". Brynner became an immediate sensation in the role, repeating it for film (The King and I (1956)) and winning the Oscar for Best Actor.
For the next two decades, he maintained a starring film career despite the exotic nature of his persona, performing in a wide range of roles from Egyptian pharaohs to Western gunfighters, almost all with the same shaved head and indefinable accent. In the 1970s he returned to the role that had made him a star, and spent most of the rest of his life touring the world in "The King and I". When he developed lung cancer in the mid 1980s, he left a powerful public service announcement denouncing smoking as the cause, for broadcast after his death. The cancer and its complications, after a long illness, ended his life. Brynner was cremated and his ashes buried in a remote part of France, on the grounds of the Abbey of Saint-Michel de Bois Aubry, a short distance outside the village of Luzé. He remains one of the most fascinating, unusual and beloved stars of his time.- Actor
- Producer
- Stunts
He was the ultra-cool male film star of the 1960s, and rose from a troubled youth spent in reform schools to being the world's most popular actor. Over 40 years after his untimely death from mesothelioma in 1980, Steve McQueen is still considered hip and cool, and he endures as an icon of popular culture.
McQueen was born in Beech Grove, Indiana, to mother Julian (Crawford) and father William Terence McQueen, a stunt pilot. His first lead role was in the low-budget sci-fi film The Blob (1958), quickly followed by roles in The St. Louis Bank Robbery (1959) and Never So Few (1959). The young McQueen appeared as Vin, alongside Yul Brynner, in the star-laden The Magnificent Seven (1960) and effectively hijacked the lead from the bigger star by ensuring he was nearly always doing something in every shot he and Brynner were in together, such as adjusting his hat or gun belt. He next scored with audiences with two interesting performances, first in the World War II drama Hell Is for Heroes (1962) and then in The War Lover (1962). Riding a wave of popularity, McQueen delivered another crowd pleaser as Hilts, the Cooler King, in the knockout World War II P.O.W. film The Great Escape (1963), featuring his famous leap over the barbed wire on a motorcycle while being pursued by Nazi troops (in fact, however, the stunt was actually performed by his good friend, stunt rider Bud Ekins).
McQueen next appeared in several films of mixed quality, including Soldier in the Rain (1963); Love with the Proper Stranger (1963) and Baby the Rain Must Fall (1965). However, they failed to really grab audience attention, but his role as Eric Stoner in The Cincinnati Kid (1965), alongside screen legend Edward G. Robinson and Karl Malden, had movie fans filling theaters again to see the ice-cool McQueen they loved. He was back in another Western, Nevada Smith (1966), again with Malden, and then he gave what many consider to be his finest dramatic performance as loner US Navy sailor Jake Holman in the superb The Sand Pebbles (1966). McQueen was genuine hot property and next appeared with Faye Dunaway in the provocative crime drama The Thomas Crown Affair (1968), next in what many consider his signature role, that of a maverick, taciturn detective in the mega-hit Bullitt (1968), renowned for its famous chase sequence through San Francisco between McQueen's Ford Mustang GT and the killer's black Dodge Charger.
Interestingly, McQueen's next role was a total departure from the action genre, as he played Southerner Boon Hogganbeck in the family-oriented The Reivers (1969), based on the popular William Faulkner novel. Not surprisingly, the film didn't go over particularly well with audiences, even though it was an entertaining and well made production, and McQueen showed an interesting comedic side of his acting talents. He returned to more familiar territory, with the race film Le Mans (1971), a rather self-indulgent exercise, and its slow plot line contributed to its rather poor performance in theaters. It was not until many years later that it became something of a cult film, primarily because of the footage of Porsche 917s roaring around race tracks in France. McQueen then teamed up with maverick Hollywood director Sam Peckinpah to star in the modern Western Junior Bonner (1972), about a family of rodeo riders, and again with Peckinpah as bank robber Doc McCoy in the violent The Getaway (1972). Both did good business at the box office. McQueen's next role was a refreshing surprise and Papillon (1973), based on the Henri Charrière novel of the same name, was well received by fans and critics alike. He played a convict on a French penal colony in South America who persists in trying to escape from his captors and feels their wrath when his attempts fail.
The 1970s is a decade remembered for a slew of "disaster" movies and McQueen starred in arguably the biggest of the time, The Towering Inferno (1974). He shared equal top billing with Paul Newman and an impressive line-up of co-stars including Fred Astaire, Robert Vaughn and Faye Dunaway. McQueen does not appear until roughly halfway into the film as San Francisco fire chief Mike O'Halloran, battling to extinguish an inferno in a 138-story skyscraper. The film was a monster hit and set the benchmark for other disaster movies that followed. However, it was McQueen's last film role for several years. After a four-year hiatus he surprised fans, and was almost unrecognizable under long hair and a beard, as a rabble-rousing early environmentalist in An Enemy of the People (1978), based on the Henrik Ibsen play.
McQueen's last two film performances were in the unusual Western Tom Horn (1980), then he portrayed real-life bounty hunter Ralph "Papa' Thorson (Ralph Thorson) in The Hunter (1980). In 1978, McQueen developed a persistent cough that would not go away. He quit smoking cigarettes and underwent antibiotic treatments without improvement. Shortness of breath grew more pronounced and on December 22, 1979, after he completed work on 'The Hunter', a biopsy revealed pleural mesothelioma, a rare lung cancer associated with asbestos exposure for which there is no known cure. The asbestos was thought to have been in the protective suits worn in his race car driving days, but in fact the auto racing suits McQueen wore were made of Nomex, a DuPont fire-resistant aramid fiber that contains no asbestos. McQueen later gave a medical interview in which he believed that asbestos used in movie sound stage insulation and race-drivers' protective suits and helmets could have been involved, but he thought it more likely that his illness was a direct result of massive exposure while removing asbestos lagging from pipes aboard a troop ship while in the US Marines.
By February 1980, there was evidence of widespread metastasis. While he tried to keep the condition a secret, the National Enquirer disclosed that he had "terminal cancer" on March 11, 1980. In July, McQueen traveled to Rosarito Beach, Mexico for an unconventional treatment after American doctors told him they could do nothing to prolong his life. Controversy arose over McQueen's Mexican trip, because McQueen sought a non-traditional cancer treatment called the Gerson Therapy that used coffee enemas, frequent washing with shampoos, daily injections of fluid containing live cells from cows and sheep, massage and laetrile, a supposedly "natural" anti-cancer drug available in Mexico, but not approved by the US Food and Drug Administration. McQueen paid for these unconventional medical treatments by himself in cash payments which was said to have cost an upwards of $40,000 per month during his three-month stay in Mexico. McQueen was treated by William Donald Kelley, whose only medical license had been (until revoked in 1976) for orthodontics.
McQueen returned to the United States in early October 1980. Despite metastasis of the cancer through McQueen's body, Kelley publicly announced that McQueen would be completely cured and return to normal life. McQueen's condition soon worsened and "huge" tumors developed in his abdomen. In late October, McQueen flew to Ciudad Juarez, Chihuahua, Mexico to have an abdominal tumor on his liver (weighing around five pounds) removed, despite warnings from his American doctors that the tumor was inoperable and his heart could not withstand the surgery. McQueen checked into a Juarez clinic under the alias "Sam Shepard" where the local Mexican doctors and staff at the small, low-income clinic were unaware of his actual identity.
Steve McQueen passed away on November 7, 1980, at age 50 after the cancer surgery which was said to be successful. He was cremated and his ashes were scattered at sea. He married three times and had a lifelong love of motor racing, once remarking, "Racing is life. Anything before or after is just waiting.".- Actor
- Producer
- Director
Lanky, charismatic and versatile actor with an amazing grin that put everyone at ease, James Coburn studied acting at UCLA, and then moved to New York to study under noted acting coach Stella Adler. After being noticed in several stage productions, Coburn appeared in a handful of minor westerns before being cast as the knife-throwing, quick-shooting Britt in the John Sturges mega-hit The Magnificent Seven (1960). Sturges remembered Coburn's talents when he cast his next major film project, The Great Escape (1963), where Coburn played the Australian POW Sedgwick. Regular work now came thick and fast for Coburn, including appearing in Major Dundee (1965), the first of several films he appeared in directed by Hollywood enfant terrible Sam Peckinpah.
Coburn was then cast, and gave an especially fine performance as Lt. Commander Paul Cummings in Arthur Hiller's The Americanization of Emily, where he demonstrated a flair for writer Paddy Chayefsky's subtle, ironic comedy that would define his performances for the rest of his career.
The next two years were a key period for Coburn, with his performances in the wonderful 007 spy spoof Our Man Flint (1966) and the eerie Dead Heat on a Merry-Go-Round (1966). Coburn followed up in 1967 with a Flint sequel, In Like Flint (1967), and the much underrated political satire The President's Analyst (1967). The remainder of the 1960s was rather uneventful for Coburn. However, he became associated with martial arts legend Bruce Lee and the two trained together, traveled extensively and even visited India scouting locations for a proposed film project, but Lee's untimely death (Coburn, along with Steve McQueen, was a pallbearer at Lee's funeral) put an end to that.
The 1970s saw Coburn appearing again in several strong roles, starting off in Peckinpah's Pat Garrett & Billy the Kid (1973), alongside Charles Bronson in the Depression-era Hard Times (1975) and as a disenchanted German soldier on the Russian front in Peckinpah's superb Cross of Iron (1977). Towards the end of the decade, however, Coburn was diagnosed with rheumatoid arthritis, which severely hampered his health and work output for many years. After conventional treatments failed, Coburn turned to a holistic therapist, and through a restructured diet program, made a definite improvement. By the 1990s he was once again appearing regularly in both film and TV productions.
No one was probably more surprised than Coburn himself when he was both nominated for, and then won, the Best Supporting Actor Award in 1997 for playing Nick Nolte's abusive and alcoholic father in Affliction (1997). At 70 years of age, Coburn's career received another shot in the arm, and he appeared in another 14 films, including Snow Dogs (2002) and The Man from Elysian Fields (2001), before his death from a heart attack in November of 2002. Coburn's passions in life included martial arts, card-playing and enjoying Cuban cigars (which may have contributed to his fatal heart attack).- The archetypal screen tough guy with weatherbeaten features--one film critic described his rugged looks as "a Clark Gable who had been left out in the sun too long"--Charles Bronson was born Charles Buchinsky, one of 15 children of struggling parents in Pennsylvania. His mother, Mary (Valinsky), was born in Pennsylvania, to Lithuanian parents, and his father, Walter Buchinsky, was a Lithuanian immigrant coal miner.
He completed high school and joined his father in the mines (an experience that resulted in a lifetime fear of being in enclosed spaces) and then served in WW II. After his return from the war, Bronson used the GI Bill to study art (a passion he had for the rest of his life), then enrolled at the Pasadena Playhouse in California. One of his teachers was impressed with the young man and recommended him to director Henry Hathaway, resulting in Bronson making his film debut in You're in the Navy Now (1951).
He appeared on screen often early in his career, though usually uncredited. However, he made an impact on audiences as the evil assistant to Vincent Price in the 3-D thriller House of Wax (1953). His sinewy yet muscular physique got him cast in action-type roles, often without a shirt to highlight his manly frame. He received positive notices from critics for his performances in Vera Cruz (1954), Target Zero (1955) and Run of the Arrow (1957). Indie director Roger Corman cast him as the lead in his well-received low-budget gangster flick Machine-Gun Kelly (1958), then Bronson scored the lead in his own TV series, Man with a Camera (1958). The 1960s proved to be the era in which Bronson made his reputation as a man of few words but much action.
Director John Sturges cast him as half Irish/half Mexican gunslinger Bernardo O'Reilly in the smash hit western The Magnificent Seven (1960), and hired him again as tunnel rat Danny Velinski for the WWII POW big-budget epic The Great Escape (1963). Several more strong roles followed, then once again he was back in military uniform, alongside Lee Marvin and Ernest Borgnine in the testosterone-filled The Dirty Dozen (1967).
European audiences had taken a shine to his minimalist acting style, and he headed to the Continent to star in several action-oriented films, including Guns for San Sebastian (1968) (aka "Guns for San Sebastian"), the cult western Once Upon a Time in the West (1968) (aka "Once Upon a Time in The West"), Rider on the Rain (1970) (aka "Rider On The Rain") and, in one of the quirkier examples of international casting, alongside Japansese screen legend Toshirô Mifune in the western Red Sun (1971) (aka "Red Sun").
American audiences were by now keen to see Bronson back on US soil, and he returned triumphantly in the early 1970s to take the lead in more hard-edged crime and western dramas, including The Valachi Papers (1972) and the revenge western Chato's Land (1972). After nearly 25 years as a working actor, he became an 'overnight" sensation. Bronson then hooked up with British director Michael Winner to star in several highly successful urban crime thrillers, including The Mechanic (1972) and The Stone Killer (1973). He then scored a solid hit as a Colorado melon farmer-done-wrong in Richard Fleischer's Mr. Majestyk (1974). However, the film that proved to be a breakthrough for both Bronson and Winner came in 1974 with the release of the controversial Death Wish (1974) (written with Henry Fonda in mind, who turned it down because he was disgusted by the script).
The US was at the time in the midst of rising street crime, and audiences flocked to see a story about a mild-mannered architect who seeks revenge for the murder of his wife and rape of his daughter by gunning down hoods, rapists and killers on the streets of New York City. So popular was the film that it spawned four sequels over the next 20 years.
Action fans could not get enough of tough guy Bronson, and he appeared in what many fans--and critics--consider his best role: Depression-era street fighter Chaney alongside James Coburn in Hard Times (1975). That was followed by the somewhat slow-paced western Breakheart Pass (1975) (with wife Jill Ireland), the light-hearted romp (a flop) From Noon Till Three (1976) and as Soviet agent Grigori Borsov in director Don Siegel's Cold War thriller Telefon (1977).
Bronson remained busy throughout the 1980s, with most of his films taking a more violent tone, and he was pitched as an avenging angel eradicating evildoers in films like the 10 to Midnight (1983), The Evil That Men Do (1984), Assassination (1987) and Kinjite: Forbidden Subjects (1989). Bronson jolted many critics with his forceful work as murdered United Mine Workers leader Jock Yablonski in the TV movie Act of Vengeance (1986), gave a very interesting performance in the Sean Penn-directed The Indian Runner (1991) and surprised everyone with his appearance as compassionate newspaper editor Francis Church in the family film Yes Virginia, There Is a Santa Claus (1991).
Bronson's final film roles were as police commissioner Paul Fein in a well-received trio of crime/drama TV movies Family of Cops (1995), Breach of Faith: A Family of Cops II (1997) and Family of Cops III: Under Suspicion (1999). Unfortunately, ill health began to take its toll; he suffered from Alzheimer's disease for the last few years of his life, and finally passed away from pneumonia at Los Angeles' Cedars-Sinai Medical Center in August 2003.
Bronson was a true icon of international cinema; critics had few good things to say about his films, but he remained a fan favorite in both the US and abroad for 50 years, a claim few other film legends can make. - Actor
- Director
Robert Francis Vaughn was born on November 22, 1932 at Charity Hospital in New York City, the son of show business parents, Marcella Frances (Gaudel) and Gerald Walter Vaughn. His father was a radio actor and his mother starred on stage. Robert came to the public's attention first with his Oscar-nominated role, in The Young Philadelphians (1959). The next year, he was one of the seven in the western classic The Magnificent Seven (1960). Despite being in such popular films, he generally found work on television. He appeared over 200 times in guest roles in the late 1950s to early 1960s. It was in 1963 that he received his first major role in The Lieutenant (1963). Robert took the role with the intention of making the transition from being a guest-star actor to being a co-star on television. It was due to his work in this series that producer Norman Felton offered him the role of Napoleon Solo in The Man from U.N.C.L.E. (1964).
Four extremely successful years (1964-68) followed as the series became one of the most popular television series of the 1960s. It made Vaughn an international television star, but he wanted to embark on a career in film, and did so soon after the series ended in 1968 by co-starring in Bullitt (1968) with Steve McQueen. Now working in film full-time, he starred in The Bridge at Remagen (1969) and The Mind of Mr. Soames (1970), before making a change by going back to television, this time in England. He took a lead role in the series The Protectors (1972) and stayed in England for the first half of the 1970s. He returned to the United States in the mid-1970s and embarked on a very successful run of television miniseries roles that resulted in his receiving an Emmy Award in 1978 for Washington: Behind Closed Doors (1977) and a nomination the following year for Backstairs at the White House (1979).
The 1970s proved a important time in Robert's life, as in 1974, he married actress Linda Staab, and completed his thesis on Hollywood blacklisting during the McCarthy "Red Scare" era, published in 1972 as "Only Victims: A Study of Show Business Blacklisting". During the 1980s, he mixed television with film. Roles in such films as S.O.B. (1981), Superman III (1983), The Delta Force (1986) and Black Moon Rising (1986) were highlights. In television, he appeared in many successful series, most notably in The A-Team (1983) and Emerald Point N.A.S. (1983).
He continued with a diverse range of projects, appearing on stage on numerous occasions. The 1990s saw the same variety of roles. Made-for-TV movies were a popular choice for him, as well as such series as As the World Turns (1956), The Nanny (1993) and Law & Order (1990). He had a role in the 1998 series remake of the classic film in which he appeared, The Magnificent Seven (1998). He also appeared in major features such as Joe's Apartment (1996) and BASEketball (1998), and in smaller roles in subsequent years.
Robert died of acute leukemia on November 11, 2016 in Ridgefield, Connecticut. His last acting credit, Gold Star (2017), was released the year of his death.- Actor
- Producer
American supporting player specializing in tough guys. Of Serbian extraction, he was born in Nevada in 1917. As a young man, he boxed in amateur bouts and had early training in theatre at the Pasadena Playhouse. He joined the Air Corps during World War II and was assigned to the troupe performing the Moss Hart Broadway tribute to the Corps, Winged Victory, acting under his first chosen stage name, Barry Mitchell. He appeared in the film version of the show, and after the war became active in radio drama as well as theatre. John Huston spotted him in a play and cast him as a bad guy in The Asphalt Jungle (1950), under the new sobriquet of Brad Dexter. Throughout the Fifties, he continued to play hard cases of a usually villainous stripe, in both crime dramas and Westerns. His most famous role came as one of title characters in The Magnificent Seven (1960), albeit his fame was considerably eclipsed by most of the other members of that band: Yul Brynner, Steve McQueen, Horst Buchholz, Charles Bronson, Robert Vaughn, and James Coburn. He continued acting into the 1970s, then made a shift into producing.- Actor
- Additional Crew
On the cast list of The Magnificent Seven (1960), you will find several names that doubtless you know well: Charles Bronson, Steve McQueen, and Yul Brynner. But there is one name that you will have difficulty pronouncing, let alone identifying as an actor you have seen before. That man is Horst Buchholz, and he was one of the few German actors to have a considerable success in both Hollywood and in Europe. One would hardly guess that he was sought out to act in one of the most famous films of all time, only to have to turn it down.
Horst Buchholz was born in Berlin, Germany, in the year 1933. His father was a German shoemaker, while his mother was born to Danish parents. Buccholz was put in a foster home in Czechoslovakia when World War II broke out in Europe, but he returned to Berlin the moment he had the chance. Realizing his talent in acting, Buchholz dropped out of school to perfect his acting skills. After moving from East Berlin to West Berlin, he became well-known for his work in theatre and on the radio. In 1952 he turned to film, and after a series of small roles, he found a larger one in the Julien Duvivier film Marianne of My Youth (1955). He was praised for his role in the romantic/drama film Sky Without Stars (1955) by Helmut Käutner, but it was the lead role in the comedic Confessions of Felix Krull (1957) that made him an established German actor.
He followed this breakthrough role with the romantic film Two Worlds (1958) and the thriller Wet Asphalt (1958), where the handsome young actor plays a former criminal who associates himself with a journalist. Now a familiar face in his country, Buchholz pursued making foreign films. His first non-German film was the British film Tiger Bay (1959). The film is about a girl who witnesses a seaman named Korchinsky (Buchholz) murder his girlfriend. The film won praise in both Germany and Britain, but it was Buchholz' next foreign film that secured his name in the history of classic films. This film was the epic western The Magnificent Seven (1960) directed by John Sturges. Buchholz played Chico, the inexperienced Mexican youth that wants to be a gunman and abandon his past. Buchholz starred alongside such legends as Charles Bronson and Yul Brynner. both of whom had strong European roots. The film was a hit, first in Europe, then was re-distributed in the States to a much higher profit. The film gained massive popularity, and even now is treasured as a classic.
Buchholz could now find good and steady work nationally and internationally, which is something few actors could do at the time. He worked on the romantic film Fanny (1961), which is based on a trilogy of plays written by legendary writer Marcel Pagnol. Buchholz plays the role of Marius, a passionate but unsure youth who must choose between the girl he loves, and the life at sea he has always wanted. The film was a fine success, nominated for five Oscars, including Best Picture and Best Actor for Charles Boyer (who plays Buchholz' onscreen father).
It was at this point in his film career where he was sought as the first choice to play the role of Sherif Ali in David Lean's legendary film Lawrence of Arabia (1962). However, Buchholz had to turn it down, as he had already signed up for another film, which turned out to be the Oscar-nominated comedy One, Two, Three (1961) (directed by Billy Wilder). The film was once again a fine success to add to Buchholz' career, but ultimately gained nowhere near as much of a status as David Lean's film. Buchholz also made the Italian film The Empty Canvas (1963) in which he plays an untalented artist who begins a love affair with a young model. Throughout his in the early 60s, Buchholz had made a name for himself, acting in one Oscar-nominated film after another and showing off his talent as an actor. However, the success he had reached was not to last.
Buchholz continued with film, including the James Bond spoof That Man in Istanbul (1965) and the crime film Johnny Banco (1967). He starred in the B-movie failure that was The Young Rebel (1967). Buchholz rebounded with the fiery film The Saviour (1971) in which he plays a man who claims to be organizing resistance against the Nazis. He also played Johann Strauss in the Golden Globe-nominated musical The Great Waltz (1972). which was sadly another failure.
The rest of the 1970s and the early 1980s were spent mostly on television and movies released for television, whether it be foreign (Dead of Night (1977), Return to Fantasy Island (1978)) or German (Derrick). Buchholz found mild success again when he returned to the big screen with the WW II espionage film Code Name: Emerald (1985) in which he plays alongside such stars as Ed Harris and Max von Sydow. After this film, Buchholz returned to European movies, such as And the Violins Stopped Playing (1988) in which a group of gypsies flee Nazi persecutors. After taking a supporting role in the fantasy film Faraway, So Close! (1993), Buchholz acted in one of his most well known films: the Oscar-winning Italian film Life Is Beautiful (1997) which was directed by and starred Roberto Benigni. Buchholz played the role of a doctor who befriends Benigni's character and frequently duels with him in riddles. This choice of role proved to be an echo of Buchholz' taste in choosing his projects in earlier years; the film won best foreign film that year, and was also nominated for Best Picture. Thanks to his gift for languages, Buchholz was able to dub himself in the foreign releases of the film.
Buchholz continued making films and television appearances until 2002, by which time he was sixty-eight years old. He died the next year, in Berlin, of pneumonia. Berlin had been the city of his heart, and was buried there in honour of that fact. Horst Buchholz had been a renowned German actor, and had gained credibility in the United States and other countries. He was a varied performer, acting all kinds of roles in his life, but was always a proud German to the last.- Actor
- Stunts
Robert Fuller was born in Troy, New York on July 29, 1933 at 1:50 PM and was raised in Key West, Florida. He was an only child and his birth name was Leonard Leroy Lee, but he was nicknamed Buddy Lee by his friends.
Robert started his education at St Mary's in New York and when his mother Betty divorced she took Robert and they moved to Florida where she was nightclub dancer. Robert was put into Miami Military Academy, where he did 5th to 6th grade. After that he spent one year in a standard school. At this time Betty met and married Robert Simpson who was a naval officer and they moved to Chicago for one year then returned to Key West where he attended Robert attended Key West High for 9th grade. (15 years of age). Robert quit school at 9th grade as he did not enjoy school and openly admits he did not do well there. He worked a variety of jobs before moving to Hollywood.
When his mother Betty married Robert Simpson, Robert took the name Robert Simpson Jr. This changed when Robert started acting and he decided he needed a different handle. At the time he had no idea what his name should be but he had a relative with a first name of Fuller and he figured it went well with his name so the handle of Robert Fuller was created. Robert was very close to his step-dad and considered him as a dad rather than a step-dad, so for the remainder of this biography I will refer to him as Robert's dad or father.
Eventually, Betty convinced Robert Simpson to quit the navy. She taught him to dance, and this led to them opening a dance school in Key West. In the daytime his mother taught ballet to the local children and in the evening they both taught ballroom dancing to the hundreds of navy personnel who were stationed in Key West at that time. In 1950 when Robert was just 16 his parents decided to move to Hollywood. Robert's dad became a very accomplished dancer, and had a plan to get into the motion picture business as a dancer, which he did successfully. His dad subsequently changed his name to Robert Cole and danced in almost every musical made between 1950 up to his retirement in 1987. This included working in many top grade musicals such as Oklahoma, Jailhouse Rock, Seven Brides For Seven Brothers and Gentlemen Prefer Blondes in which young Robert Fuller also appeared as a dancer in the chorus line.
After the move to Hollywood Robert had several jobs. The most significant of these was at Graumans Chinese Theatre where he started as a doorman and worked his way up to Assistant Manager. He met a number of people around his own age of 18 years, who were members of the Screen Extras Guild, and they convinced him to join as they were earning significantly more than Robert. This was the start of Robert's journey into acting, and it was then he changed from Robert Simpson Jr to Robert Fuller.
After joining SEG Robert started doing extra work and in 1952 got his first job in the movie Above and Beyond with Robert Taylor. This was followed by extra work in a great many films including Raintree County with Liz Taylor, The Harder They Fall with Humphrey Bogart and The Man In The Grey Flannel Suit with Gregory Peck.
His Dad convinced him to look for jobs as a dancer which he did successfully getting roles in I Love Melvin with Debbie Reynolds, Gentlemen Prefer Blondes with Marilyn Monroe and Latin Lovers with Lana Turner.
In 1953, while the Korean war was on, Robert at the age of 19 was drafted into the United States Army where he served 2 years, 15 months of which was in Korea. His unit was 19th Infantry Regiment and he was chosen 3 times as the outstanding soldier on Guard Mount, a decision based upon appearance, knowledge of military subjects and bearing.
When he returned home in 1955 he decided to give up his career in show business as he did not see any future in it. However his dad, along with his long time pal Chuck Courtney, convinced him to attend Richard Boone's acting class. This was a pivotal move for Robert as the class impressed him so much he changed his mind, decided to stay in show business and take a shot at becoming an actor. After studying with Boone for a year, Boone was impressed enough with Robert's potential that he recommended him to Sanford Meisner who accepted Robert into the New York Neighbourhood Playhouse School Of Theatre. Meisner was a highly respected acting teacher who taught future stars like Gregory Peck, Jon Voight, Robert Duvall, Edmund O'Brien and Grace Kelly. Robert was in good company.
In 1956 came his first speaking part in a movie where he played a union soldier and said to Gary Cooper "Bet you a dollar you can't do that again." The film was "Friendly Persuasion," and not only was it Robert's first talking part in a movie, it was also the first time he worked with his Laramie co-star John Smith. Originally director William Wyler had wanted another actor to play the part Robert was given, however he was unimpressed with the fact the other actor had false sideburns. Robert's sideburns were real and when Wyler saw Robert he called him over and asked him if he could act - Robert said "You Bet." Wyler then said "Say this line - "I bet I can knock down more than you can." Robert repeated the line and Wyler without hesitation said "Give this kid the part."
This was a turning point for Robert and the beginning of a great career.
Following Friendly Persuasion Robert had a number of small speaking parts and then in 1956 came his big break in Teenage Thunder.
To get the part he and his good friend Chuck Courtney staged a fight to convince the Director, Paul Helmick, that he was the man for the part. Originally Helmick had wanted Edd Byrnes but after seeing Chuck and Robert perform Helmick gave the role of bad guy Maurie Weston to Robert. The very same year Robert did another film for the same company that produced Teenage Thunder and again worked with the same production team. This film was the cult science fiction movie "The Brain From Planet Arous" with John Agar. After over 50 years this film is still available on DVD.
This was followed by a part in a science fiction series where he played a bad guy and was killed in the 3rd episode. The name of this series was Outpost In Space.
He spent the next couple of years doing featured and guest star roles in a variety of TV programs mainly westerns.
In February 1959 Robert appeared again with John Smith, this time in a western series called Cimarron City and now Robert's career had progressed to the point where he was getting guest star billing. It was this appearance that led to his being offered the role of Jess Harper in "Laramie."
The story goes as follows;
While filming Cimarron City Robert was summoned to the Vice President of Talent, Patrick Kelly's office. He went there actually thinking he was going to be fired. However Kelly told him that he liked the work he had done in a number of shows over the previous year and wanted him to do a TV series. This was a very exciting prospect for Robert, however excitement soon turned to disappointment when Kelly offered him the second lead in a detective series starring Ray Milland called "Markham" Robert refused the role on the grounds he wanted to do a good western. Kelly was naturally dumbfounded that his offer was being refused but he accepted Robert's decision and Robert left his office. Then a couple of weeks later Robert was summoned again to Patrick Kelly's office. This time he offered Robert a part in a new 30 minute western called Laramie. Robert was delighted and read the script and loved it, but again things were about to turn awkward. Kelly offered Robert the role of Slim Sherman - Robert wanted the part of Jess Harper!!! So again Kelly found himself being refused. He explained to Robert that the role of Jess had already been given to John Smith who was already under contract with Revue. Yet again Robert stuck to his guns and again the two men parted without agreement. Robert left Patrick Kelly's office thinking that was the end of his career - you don't turn down those opportunities once let alone twice! However there was a twist - The very same day Robert's agent called him to say that he was required to test for the part of Jess Harper. The next day he was given the role that he wanted so much, a role that was truly made for him, a role that would make him an international star and transform his life.
John Smith was given the role of Slim Sherman and hindsight shows that these were the right roles for each of them. Robert Fuller WAS Jess Harper and John Smith WAS Slim Sherman. Had that role change not happened then Laramie would not have worked anywhere near as well as it did. Over the next 4 years Robert immortalized the character of Jess Harper and gained millions of fans worldwide. Robert said of this role that it was the best part he ever had.
In December 1962, while Laramie was still at its peak Robert married Patty Lyon.
Laramie ran from 1959-1963 and from there Robert went straight into "Wagon Train" as chief scout Cooper Smith. Coop was a less volatile character than Jess Harper and Robert played him very differently. The move into Wagon Train gave Robert the opportunity to work with some of the best stars in the business, people like John McIntire, Robert Ryan, Ernest Borgnine and Rhonda Fleming.
When "Wagon Train" finished in 1965, Robert moved onto the big screen, and in 1966 got his first starring role in a movie. This was the western "Incident At Phantom Hill" where he was re-united with his close friend Dan Duryea, a man for whom Robert had the greatest respect, and who had made a couple of guest spots in Laramie. It was an all action western where Robert's character Matt Martin had many of the characteristics of Jess Harper. Also in 1966 Robert was given second billing to Yul Brynner in the sequel to "The Magnificent Seven," a film aptly titled "Return Of The Seven." He was so busy in 66 that for the filming of Return Of The Seven they had to shoot around him while he was in Munich for the premiere of "Incident At Phantom Hill."
The character of Vin he portrayed in "Seven" was the part previously occupied by Steve McQueen who had now gone on to become a superstar. McQueen was not offered the role in the sequel because it is likely that if he had been in the film then Yul Brynner would not. The stories of Brynner's less than cordial relationship with McQueen are now legendary. With Robert it was very different and he and Yul got along very well, and in fact remained close friends until Brynner died in 1985.
Robert remained busy doing movies in Germany, Israel and the States over the next few years, then in 1970 he made one of his best ever movies "The Hard Ride." This was a stunning film about a Vietnam vet, Phil Duncan who brought his dead buddy's body home and sets out to find his buddy's old biker friends to get them to attend the funeral. This was Robert Fuller at his best and while there were good performances he carried the film. Today you can still buy the soundtrack and the DVD.
Jack Webb saw Robert's performance in "The Hard Ride" and decided he wanted him to star in a new TV medical drama series called Emergency. Robert was grateful for the offer but did not want to play a doctor and he told Webb so. But Webb was determined and finally persuaded Robert to take the part. True, it was a departure from the action roles his fans were so used to, but Emergency was a major television success which ran for 7 years and resulted in another generation of fans - the show continues to be very popular still. Over 30 years after it ended there was an Emergency re-union which was attended by most of the stars plus fans from all over the world. Robert's old friend John Smith appeared in a couple of episodes playing a Fire Captain.
Since then Robert has been very busy in a wide variety of roles, sometimes to the delight of his fans, he returns to the western genre.
Robert's marriage to Patty Lyon ended in 1984 after 22 years. They had 3 children Robert, Christine and Patrick. Robert later married the lovely Jennifer Savidge who played Nurse Lucy in "St Elsewhere" and appeared regularly in the hit TV series JAG.
Robert's last performance was playing 2 roles in the final episode of Walker Texas Ranger. He played Ranger Wade Harper, who was a descendant of Jess Harper, and an old west Town Sheriff. Robert retired after that show and it is fitting that his final part was in a western role.
In July 2004 Robert and Jennifer re-located from Los Angeles to Texas where they now live on a beautiful ranch. He still enjoys his lifelong passions of fishing and shooting and he now has more time to enjoy them.
Despite being retired he attends a number of western festivals each year where he spends a lot of time with his fans who have stayed loyal for over 60 years. Indeed at the National Festival Of the West in Phoenix Robert hosted many private parties with his fans where he would sit for hours talking to them and enjoying telling stories of his time in show business. It is testament to the talent and personality of Robert Fuller that fans still travel from the four corners of the earth just to spend a couple of days with him at the Festivals he attends. He has always loved his fans and that remains true today. He still has an international fan club - The Robert Fuller Fandom.
Robert Fuller has had a long and very successful career which is proven by the awards he has received. Look at this!
1961 - Best Actor Award in Japan 1961 - Japanese Golden Order Of Merit - awarded to him by the Empress of Japan. Robert was the first American to receive this award 1970 - Best Actor in Germany. Robert actually won 5 Ottos which are German awards that are the equivalent of the Emmy. 1970 - Buffalo Bill Award for outstanding western entertainment. 1975 - Star on the Hollywood Walk Of Fame 1989 - Golden Boot Award 2002 - Honoree Kanab Western Legends Roundup 2004 - Cowboy Spirit Award - National Festival Of The West, Phoenix October 2007 - Silver Spur Award April 2008 - Inducted into the National Cowboy & Western Heritage Museum, Oklahoma, Hall Of Great Western Performers- Actor
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He studied philosophy in Salamanca but he did not finish the career. Then he went to Barcelona where he studied in the Escuela Superior de Arte Dramatico. His first film was in 1960. He has also worked in TV (TVE, ORTF).- Actor
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Warren Oates was an American character actor of the 1960s and 1970s and early 1980s whose distinctive style and intensity brought him to offbeat leading roles.
Oates was born in Depoy, a very small Kentucky town. He was the son of Sarah Alice (Mercer) and Bayless Earle Oates, a general store owner. He attended high school in Louisville, continuing on to the University of Louisville and military service with the U.S. Marines.
In college he became interested in the theatre and in 1954 headed for New York to make his mark as an actor. However, his first real job in television was, as it had been for James Dean before him, testing the contest gags on the game show Beat the Clock (1950). He did numerous menial jobs while auditioning, including serving as the hat-check man at the nightclub "21".
By 1957 he had begun appearing in live dramas such as Studio One (1948), but Oates' rural drawl seemed more fitted for the Westerns that were proliferating on the big screen at the time, so he moved to Hollywood and immediately stared getting steady work as an increasingly prominent supporting player, often as either craven or vicious types. With his role as one of the Hammond brothers in the Sam Peckinpah masterpiece Ride the High Country (1962), Oates found a niche both as an actor and as a colleague of one of the most distinguished and distinctive directors of the period. Peckinpah used Oates repeatedly, and Oates, in large part due to the prominence given him by Peckinpah, became one of those rare character actors whose name and face is as familiar as those of many leading stars. He began to play roles which, while still character parts, were also leads, particularly in cult hits like Two-Lane Blacktop (1971) and Bring Me the Head of Alfredo Garcia (1974).
Although never destined to be a traditional leading man, Oates remained one of Hollywood's most valued and in-demand character players up until his sudden death from a heart attack on April 3, 1982 at the age of 53. His final two films, Tough Enough (1983) (filmed in early 1981) and Blue Thunder (1983) (filmed in late 1981), were released over one year after his death and were dedicated to his memory.- Actor
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Broad-shouldered and beefy Claude Akins had wavy black hair, a deep booming voice and was equally adept at playing sneering cowardly villains as he was at portraying hard-nosed cops. The son of a police officer, Akins never seemed short of work and appeared in nearly 100 films and 180+ TV episodes in a career spanning over 40 years. He originally attended Northwestern University, and went on to serve with the US Army Signal Corps in World War II in Burma and the Phillipines. Upon returning, he reignited his interest in art and drama and first appeared in front of the camera in 1953 in From Here to Eternity (1953). He quickly began notching up roles in such TV shows as Dragnet (1951), My Friend Flicka (1955), Gunsmoke (1955) and Zane Grey Theatre (1956). He also turned in several strong cinematic performances, such as gunfighter Joe Burdette in the landmark western Rio Bravo (1959), Mack in the excellent The Defiant Ones (1958), Sgt. Kolwicz in Merrill's Marauders (1962) and Earl Sylvester in the gripping The Killers (1964). In the early 1970s Akins turned up in several supernatural TV films playing "no-nonsense" sheriffs in both The Night Stalker (1972) and The Norliss Tapes (1973), and was unrecognizable underneath his simian make-up as war-mongering Gen. Aldo in Battle for the Planet of the Apes (1973). Akins continued starring in films and TV right up until the time of his death from cancer in 1994. By all reports a very gregarious, likable and friendly person off screen, Akins was married for over 40 years to Theresa "Pie" Fairfield, and had three children, Claude Marion Jr., Michele & Wendy.- Virgilio Teixeira was born on 26 October 1917 in Funchal, Madeira, Portugal. He was an actor, known for Return of the Seven (1966), The 7th Voyage of Sinbad (1958) and Fado, História d'uma Cantadeira (1947). He was married to Vanda. He died on 5 December 2010 in Funchal, Madeira, Portugal.
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Jordan Christopher was born on 23 October 1940 in Youngstown, Ohio, USA. He was an actor, known for Brainstorm (1983), Angel, Angel, Down We Go (1969) and That's Life! (1986). He was married to Sybil Williams. He died on 21 January 1996 in New York City, New York, USA.- Actor
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George Harris Kennedy, Jr. was born on February 18, 1925 in New York City, to Helen (Kieselbach), a ballet dancer, and George Harris Kennedy, an orchestra leader and musician. Following high school graduation, Kennedy enlisted in the United States Army in 1943 with the hope to become a fighter pilot in the Army Air Corps. Instead, he wound up in the infantry, served under General George S. Patton and distinguished himself with valor. He won two Bronze Stars and four rows of combat and service ribbons.
A World War II veteran, Kennedy at one stage in his career cornered the market at playing tough, no-nonsense characters who were either quite crooked or possessed hearts of gold. Kennedy notched up an impressive 200+ appearances in both television and films, and was well respected within the Hollywood community. He started out on television Westerns in the late 1950s and early 1960s (Have Gun - Will Travel (1957), Rawhide (1959), Maverick (1957), Colt .45 (1957), among others) before scoring minor roles in films including Lonely Are the Brave (1962), The Sons of Katie Elder (1965) and The Flight of the Phoenix (1965).
The late 1960s was a very busy period for Kennedy, and he was strongly in favor with casting agents, appearing in Hurry Sundown (1967), The Dirty Dozen (1967) and scoring an Oscar win as Best Supporting Actor for his performance in Cool Hand Luke (1967). The disaster film boom of the 1970s was also kind to Kennedy and his talents were in demand for Airport (1970) and the three subsequent sequels, as a grizzled police officer in Earthquake (1974), plus the buddy/road film Thunderbolt and Lightfoot (1974) as vicious bank robber Red Leary.
The 1980s saw Kennedy appear in a mishmash of roles, playing various characters; however, Kennedy and Leslie Nielsen surprised everyone with their comedic talents in the hugely successful The Naked Gun: From the Files of Police Squad! (1988), and the two screen veterans exaggerate themselves again, in The Naked Gun 2½: The Smell of Fear (1991) and Naked Gun 33 1/3: The Final Insult (1994). From 1988-1991, he also played Ewing family nemesis Carter McKay on the CBS prime-time soap opera Dallas (1978).
Kennedy also played President Warren G. Harding in the miniseries Backstairs at the White House (1979) and had a long standing role on the CBS daytime soap opera The Young and the Restless (1973). He remained busy in Hollywood and lent his distinctive voice to the animated Cats Don't Dance (1997) and the children's action film Small Soldiers (1998). A Hollywood stalwart for nearly 50 years, he is one of the most enjoyable actors to watch on screen. His last role was in the film The Gambler (2014), as Mark Wahlberg's character's grandfather.
George Kennedy died of natural causes in Middleton, Idaho on February 28, 2016, only ten days after his 91st birthday.- Actor
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Born on October 1, 1921, in White Plains, New York, gruff veteran character actor James Whitmore earned early and widespread respect with his award-winning dramatic capabilities on Broadway and in films. He would later conquer TV with the same trophy-winning results.
The son of James Allen Whitmore and Florence Crane, he was educated at Connecticut's Choate School after receiving a football scholarship. He later earned his BA from Yale University in 1944 before serving with the Marines in World War II. Following his honorable discharge he prepared for the stage under the G.I. bill at the American Theatre Wing, where he met first wife Nancy Mygatt. They married in 1947 and went on to have three sons together -- Steve, Dan and actor/director James Whitmore Jr..
Applause and kudos came swiftly for Whitmore while under both the Broadway and film banners. After appearing with the Peterborough, New Hampshire, Players in the summer of 1947 in "The Milky Way," Whitmore made a celebrated Broadway debut as Tech Sergeant Evans in "Command Decision" later that year. His gritty performance swept the stage acting trifecta -- Tony, Donaldson and Theatre World awards. In later years Whitmore would often comment that most of his satisfaction came from performing on the live stage.
Hollywood soon took notice of Whitmore. Clark Gable happened to be starring in the film version of Command Decision (1948), and it was hoped that Whitmore would get to recreate his award-winning role. But it was not to be. Song-and-dance star Van Johnson, who was looking for straight, serious roles after a vastly successful musical career, was given the coveted part. The disappointment didn't last long, however, and Whitmore made an auspicious film bow the following year with a prime role in the documentary-styled crime thriller The Undercover Man (1949) starring Glenn Ford and Nina Foch. Whitmore scored brilliantly with his second film as well. Battleground (1949), another war picture, was highly praised and the actor became the talk of the town upon its initial release, grabbing both the Golden Globe and an Oscar nomination for "supporting actor" for his efforts.
Hardly the handsome, matinée lead type, Whitmore nevertheless primed himself up for leading roles in a character vein and found a fine range of material come his way. He showed off his soft inner core as a religious, moral-minded family man opposite Nancy Reagan [Reagan] in the inspirational drama The Next Voice You Hear... (1950); featured his usual saltier side alongside Marjorie Main in Mrs. O'Malley and Mr. Malone (1950); ably portrayed a hunchbacked crook in The Asphalt Jungle (1950) and displayed customary authority as a security chief in the stoic military drama Above and Beyond (1952) starring Robert Taylor. Elsewhere, he played it strictly for laughs as a Runyonesque gangster partnered with Keenan Wynn in the classic MGM musical Kiss Me Kate (1953); portrayed a valiant cop fighting off gigantic mutant ants in the intelligent sci-fi thriller Them! (1954); a hard-hitting social worker in Crime in the Streets (1956) and even made the most of his small role as Tyrone Power's manager in The Eddy Duchin Story (1956).
By 1959, the craggy-faced actor known for his trademark caterpillar eyebrows, turned more and more toward the small screen, with memorable roles in The Twilight Zone (1959), The Detectives (1959) (working again with Robert Taylor), Ben Casey (1961) and a host of live theater dramas. He also starred in his own series as attorney Abraham Lincoln Jones in The Law and Mr. Jones (1960), which lasted two seasons.
Every so often a marvelous character would rear its pretty head and interest him back to the big screen. Notable of these were his white man passing for black in the controversial social drama Black Like Me (1964); his weary veteran cop in Madigan (1968); and his brash, authoritative simian in the classic sci-fi Planet of the Apes (1968).
Divorced from wife Nancy after more than two decades, Whitmore married actress Audra Lindley, best known on TV as Mrs. Roper of Three's Company (1976) fame, in 1972. The couple forged a strong acting partnership as well, particularly on stage, and maintained a professional relationship long after their 1979 divorce. Whitmore and Lindley were lauded for their appearances together in such plays as "The Magnificent Yankee," "On Golden Pond," "The Visit," "Foxfire" and "Love Letters," among others.
In the 1970s the actor transformed into a magnificent one-man-show machine playing such celebrated and inspiring historical/entertainment icons as Will Rogers, Harry Truman and Theodore Roosevelt. He disappeared into these historical legends so efficiently that even the powers-that-be had the good sense to preserve them on film and TV in the form of Will Rogers' USA (1972); Give 'em Hell, Harry! (1975), which earned him his second Oscar nomination; and Bully: An Adventure with Teddy Roosevelt (1978).
In his twilight years, Whitmore showed he still had what it took to touch movie audiences, most notably as the fragile prisoner-turned-parolee who cannot adapt to his late-life freedom in the classic film The Shawshank Redemption (1994). On TV he continued to win awards, copping a TV Emmy for a recurring part on The Practice (1997) in the late 1990s. A household face in commercials as well, one of his passions was gardening and he eventually became the spokesman for Miracle-Gro plant food.
Whitmore remarried (and re-divorced, 1979-1981) his first wife Nancy briefly before finding a lasting union with his fourth wife, actress-turned-author Noreen Nash, whom he married broaching age 80 in 2001. Whitmore died of lung cancer on February 6, 2009, after having been diagnosed in mid-November 2008.- Actor
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Monte Markham- Actor, Director, Filmmaker
While enjoying a substantial career as a versatile, award winning actor/director/writer in feature motion pictures, television, and on Broadway, in 1992, Monte, with his son Jason Markham and wife Klaire Markham, founded their independent production company, "Perpetual Motion Films". The rest is history.
With innovative style and high production quality, they immediately hit the ground running, producing 26 hours of programming for US News and the A&E Network. Quickly evolving as a multi-disciplined "can-do" company, they expanded production and were soon filming multi-hour documentaries and series programming on locations all over the world. Monte has produced, directed, narrated, and appeared as on-camera host for over 150 hours of documentary films for network television, launching The History Channel with their 35-hour series, The Great Ships, and 10 premiere "Epic" Biographies that inaugurated A&E's landmark Biography series. Today, with over 2,000 biographies on Amazon, his Michelangelo remains among the all time best sellers.
From the Amazon to the Arctic, filming on every kind of commercial and military machine that floats, flies, races, or dives, Monte's producer/director assignments have taken him from carrier landings and launches, ground zero at the World Trade Center, 30 below on the Greenland Icepack, to the most intimate levels of culture, peoples, and governments in China, Japan, the UK, Europe, Russia, Brazil, India, Africa, and the US.
He was the first Westerner to use an all-Chinese crew for his 2,000 mile journey up the Yangtze for China's Great Dam, filming the Dam construction, the Great Wall, Tiananmen Square, and the Forbidden City. For The Imperial Japanese Navy, with an all- Japanese crew,he achieved unprecedented access to historical, sacred, and controversial locations, and was invited to film on board the 75 ship Grand Review with Premier Koizumi. For The Russian Navy, Monte was the first American to film the Russian Typhoon Class Submarine - the world's largest - at its secret base in the Arctic Circle.
With Prince Andrew as Host, Prince Phillip at Greenwich, on locations at Windsor, Portsmouth, and throughout the UK, he produced and directed the 4 hour Royal Navy.
Throughout his years of non-stop world-wide production, Monte found little opportunity to accept acting offers. In 2009, deciding it was time to wind down a full time, aggressive production schedule, he resumed his acting career - and has found a whole new world of opportunity.- Actor
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- Production Manager
Tall, broad shouldered character actor with Texan drawl first appeared in support in several Western vehicles both on TV and the cinema in the mid 1960s. Got himself noticed playing Steve McQueen's younger brother in Junior Bonner (1972), and then scored the lead role of Buford Pusser (!) in the unexpected hit Walking Tall (1973), an allegedly true tale about a Southern sheriff confronting corruption & gangsters with a large wooden club and a mean attitude. Followed it up by playing a sadistic hit man called Molly, in Don Siegel's bank heist drama Charley Varrick (1973). Joe Don Baker's next few films were rather forgettable until he landed the role of police detective Earl Eischied in To Kill a Cop (1978)....which led him into reprising the same character in the short lived TV series Eischied (1979). Since then he has proved he is also quite adept at taking on comedy roles, as well as picking up plenty of work playing lawmen, military men, politicians etc. Keep your eye open for him as a nosy police chief in Fletch (1985), a meglomanical general in The Living Daylights (1987), as a redneck father in Mars Attacks! (1996), and as intelligence operative Jack Wade in the 007 films Tomorrow Never Dies (1997) and GoldenEye (1995).- Actor
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Bernie Casey was born on 8 June 1939 in Wyco, West Virginia, USA. He was an actor and director, known for Bill & Ted's Excellent Adventure (1989), Never Say Never Again (1983) and Revenge of the Nerds (1984). He was married to Paula. He died on 19 September 2017 in Los Angeles, California, USA.- Actor
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Born Reinaldo Santoni in New York City on April 21, 1938 of French and Spanish heritage, Reni (aka Reni Sands) started his career off in entertainment as a comedy writer. He moved in front of the camera in the early 60s and was performing episodic TV drama ("East Side/West Side," "The Trials of O'Brien," "Hawk") when, out of the blue, director Carl Reiner thought enough of Santoni's talents to cast the young actor, an unknown, in his semi-autobiographical film Enter Laughing (1967).
In the make-or-break role of aspiring actor David Kolowitz, Santoni could have hit the jackpot to become a major movie star but unfortunately did not receive stand-out reviews in the still-popular film and never became a name. He played another lead in the Canadian film A Great Big Thing (1968) as a follow-up but nothing came of it. Henceforth, Santoni would be spotted in the supporting capacity in a number of film parts.
Santoni offered potent, reliable secondary turns in film playing good guys, bad guys, serious guys and amusing guys alongside such top names as Clint Eastwood in Dirty Harry (1971), Steve Martin in Dead Men Don't Wear Plaid (1982), which was again directed by Carl Reiner, Sean Penn in Bad Boys (1983) Richard Pryor in Brewster's Millions (1985), Sylvester Stallone in Cobra (1986) and Gene Hackman in The Package (1989), Howard Stern in Private Parts (1997), and, more recently, Sandra Bullock in 28 Days (2000) and Coolio in Gang Warz (2004). In contrast, he also broke into the voiceover business and provided expert characterizations wherever needed. He offered his vocal skills in Eddie Murphy's Doctor Dolittle (1998) and Dr. Dolittle 2 (2001).
His steady career employment, however, has been on the small screen. His 70s series work consisted of ably assisting such crime fighters as "Owen Marshall, Counselor at Law" and "Matt Houston. He was a regular on the short-lived TV series Manimal (1983) and played a Sanchez family member on the TV comedy Sanchez of Bel Air (1986). In addition to playing Father Joe DiMaggio on the series Midnight Caller (1988), he had guest shots on "Scarecrow & Mrs. King," "227," "Hill Street Blues," "Moonlighting," "Miami Vice," "Equal Justice," "Murder, She Wrote" and "Quantum Leap." Decades later Santoni played a recurring role as a judge on the series Murder One (1995) and received great attention for his occasional role as "Poppie" the unsanitary restaurateur on the classic comedy series Seinfeld (1989).
Into the millennium, Reni appeared as a guest on such popular TV programs as "According to Jim," "CSI," "Grey's Anatomy" and "Raising the Bar." He made his last appearance on an episode of "Franklin & Bash" in 2012. Reni died of cancer on August 1, 2020.- Actor
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One of the great movie villains, Clarence Leroy Van Cleef, Jr. was born in Somerville, New Jersey, to Marion Lavinia (Van Fleet) and Clarence LeRoy Van Cleef, Sr. His parents were of Dutch ancestry. Van Cleef started out as an accountant. He served in the U.S. Navy aboard minesweepers and sub chasers during World War II. After the war he worked as an office administrator, becoming involved in amateur theatrics in his spare time. An audition for a professional role led to a touring company job in "Mr. Roberts". His performance was seen by Stanley Kramer, who cast him as henchman Jack Colby in High Noon (1952), a role that brought him great recognition despite the fact that he had no dialogue. For the next decade, he played a string of memorably villainous characters, primarily in westerns but also in crime dramas such as The Big Combo (1955). His hawk nose and steely, slit eyes seemed destined to keep him always in the realm of heavies, but in the mid 1960s Sergio Leone cast him as the tough but decent Col. Mortimer opposite Clint Eastwood in For a Few Dollars More (1965). A new career as a western hero (or at least anti-hero) opened up, and Van Cleef became an international star, though in films of decreasing quality. In the 1980s, he moved easily into action and martial-arts movies and starred in The Master (1984), a TV series featuring almost non-stop martial arts action. He died of a heart attack in December 1989 and was buried at Forest Lawn in the Hollywood Hills.- Actor
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Born in Philadelphia to a Jewish family, Michael Callan sang and danced as a teenager and by the age of fifteen was dancing in local night clubs.
He started life out as Martin Harris Calinieff on November 22, 1935. A dark-haired charmer, he was taking voice and dance lessons by age 11, with the intentions of becoming the next Gene Kelly.
He had the dark, smirking, surly good looks and confident swagger which fit in with the James Dean 50s rebel-like era. He began his professional career as a comic and dancer in Philly night clubs while billing himself as "Mickey Calin". Eventually, he entertained at such hot spots as the Copacabana and in Las Vegas showrooms.
His move to New York was a wise choice. Given a dancing part in his first Broadway show, "The Boyfriend" (1954), starring Julie Andrews, he followed it with another musical, "Catch a Star" (1955). This, in turn, led to his biggest break of all, the role of "Riff" in the original New York production of "West Side Story" (1957). While the show made virtual theater stars out of its leads Carol Lawrence and Larry Kert, Michael, on the other hand, attracted the interest of Columbia Pictures.
His film career began engagingly enough -- not as a singer or dancer, but as a dramatic leading man. Columbia placed him in two fairly strong films in the hopes of promoting and developing his obvious teen-idol promise. The first film was a western soap opera in support of Gary Cooper and Rita Hayworth. In They Came to Cordura (1959), Michael co-starred in this film alongside another male dreamboat, Tab Hunter. His second film was a "B"-level starring role in The Flying Fontaines (1959), in which he played a circus Romeo whose caddish cavortings under the "big top" accelerate the melodramatic story line. This role pretty much set the tone for what, more or less, would become his screen image -- a notorious womanizer and charming, though sometimes, spineless opportunist. His lovely co-star in the movie, Evy Norlund, was a formerly-crowned Miss Denmark (1958). This movie was her only one, since she abruptly gave up her young aspirations when she married singer James Darren and raise a big family.
One of Michael's biggest disappointments, during this time, was losing the role of "Riff" in the film version of West Side Story (1961), due to contractual restrictions with Columbia. Russ Tamblyn received the honors and the glory. However, he did continue to rack up callow, trouble-making co-leads in youth-oriented films, paired up with Hollywood's loveliest of newcomers, including Tuesday Weld in Because They're Young (1960), Dolores Dorn in 13 West Street (1962) and Deborah Walley in both Gidget Goes Hawaiian (1961) and Bon Voyage! (1962). In The Interns (1962), he continued to perpetuate his slick image as a roving medical resident who juggles gorgeous Anne Helm and Katharine Bard for his own selfish purposes. In the sequel of sorts, The New Interns (1964), he made his customary moves on Barbara Eden (I Dream of Jeannie (1965)) and Dawn Wells ("Mary Ann" on Gilligan's Island (1964)).
Although he managed to show off his dancing skills in Pepe (1960) and in the previously mentioned "Gidget" film, Michael never capitalized on it. The era of the movie musicals was in a backslide at the time and he focused completely on acting. He was among the international cast of the war epic, The Victors (1963), and was the best-looking marooned member in the British-made Jules Verne fantasy-adventure, Mysterious Island (1961). Interestingly, his last films of real note were in comedies -- opposite Jane Fonda, in the freewheeling cult western, Cat Ballou (1965), and a scene-stealing Lionel Jeffries in the British satire, You Must Be Joking! (1965). Perhaps his characters were too unsympathetic for their own good; for whatever reason, Michael never managed to hit the cinematic "bad boy" stardom he seemed geared up for.
In the late 60s, he found a venue better-suited for his talents -- TV sitcoms. His skirt-chasing characters seemed to have more appeal when played lightly for laughs. His best chance came in the form of Occasional Wife (1966). An ideal showcase, Michael played the lead role of "Peter Christopher", an up-and-coming executive of a company that strongly pushes the husband/father image. Perennial playboy Callan decides to take on an "occasional wife" (Patricia Harty) for appearances' sake while trying to conceal his wily ways from the workplace. The show fit Callan like a glove and he and Harty displayed great chemistry, so much so that they married in real-life two years after the series' run. Perhaps the true-life romance ruined the show's illusion, as the series limped away after only one season. Patricia, the second of Michael's three wives, divorced him in 1970.
Surprisingly, Michael never starred in another sitcom that got off the ground. He ventured on finding guest appearances on such sitcoms as That Girl (1966), Hazel (1961) and The Mary Tyler Moore Show (1970) and became a favorite player in the extremely popular Love, American Style (1969) sketches, playing (what else?) guys with girl troubles. His TV career eventually took the Fantasy Island (1977), The Love Boat (1977) and Murder, She Wrote (1984) route and, in an effort to jump-start things, both produced and starred in his own film, Double Exposure (1982), but to little notice. He also returned, occasionally, to the stage in both legit plays and musicals to keep his name alive, including "Absurd Person Singular" and "The Music Man".
The father of two daughters (from his first marriage), he has been glimpsed only here and there, since the mid-90s. Recent movie credits include Stuck on You (2003) and The Still Life (2006). He has also been spotted, occasionally, at various signings and conventions. While perhaps not climbing the height of heights expected, Michael reached an enviable plateau and merits strong attention for his fine contributions to 60s and 70s film and TV.- Tall and rangy, usually sporting long mangy hair, and frequently projecting a strong and intense on-screen presence, character actor Luke Askew made a potent and lasting impression playing a substantial volume of mean and fearsome villains in both motion pictures and television shows alike in a career that spanned over forty years.
Askew was born on March 26, 1932 in Macon, Georgia, of English and Scandinavian descent. He first developed an interest in acting towards the end of his high school years. He attended the University of Georgia (where he initially planned on getting a B.A. in Business Administration), Mercer University, and the Walter F. George School of Law. Askew served in the U.S. Air Force in strategic air command intelligence during his college years.
Following college Askew worked as a radio deejay and television announcer prior to beginning his acting career in Off-Broadway stage productions in New York City (Askew lived in Greenwich Village in the early 1960s and kept himself afloat working as a furniture mover). Luke moved to Los Angeles in 1966 and made his film debut in 1967 in "Harry Sundown". Best known as the stranger on the highway in the hippie counterculture cult classic "Easy Rider", Askew's other memorable roles included the redoubtable Boss Paul in "Cool Hand Luke", the peaceful hippie commune leader Jonathan Tremaine in "Angel Unchained", the scary and brutal thug Automatic Slim in the grim revenge thriller "Rolling Thunder", the sleazy coroner Dexter Ward in "The Beast Within," and the no-nonsense Irish gypsy crime lord Boss Jack Costello in "Traveller".
Askew also appeared in a sizable number of Westerns made throughout the 1960s and 1970s: he had a rare lead role in the spaghetti Western "Night of the Serpent" and gave an especially fine performance as tough and stoic veteran cowpoke Luke in the gritty gem "The Culpepper Cattle Co."
Among the many TV series Askew popped up in throughout the years are "The High Chaparral", "Mission: Impossible", "Cannon", "Quincy, M.E.", "The Six Million Dollar Man", "Fantasy Island", "T.J. Hooker", "The Fall Guy", "Airwolf", "Murder, She Wrote", "Walker, Texas Ranger", "Everwood", and "Cold Case". He had a recurring role as the dangerous polygamist Hollis Greene on the acclaimed cable TV program "Big Love".
Askew died at age 80 at his home in Portland, Oregon on March 29, 2012. He was survived by his wife and his son, Christopher, a painter and tattoo artist. - Actor
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James B. Sikking was born on March 5, 1934 in Los Angeles, California, the son of Unity ministers. Best known for his yeoman work as hard-charging, hardheaded SWAT leader Lt. Howard Hunter on the classic 80's police drama Hill Street Blues (1981), he received the name James Barrie Sikking as J.M. Barrie (of "Peter Pan" fame) was his parents' favorite author. Graduating from El Segundo High School, Sikking's interest in acting started after participating in various college plays while a student at the University of California-Santa Barbara, UCLA and the University of Hawaii.
Sikking made his professional stage debut in a production of "Damn Yankees" and broke into films with unbilled work in Five Guns West (1955) and The Revolt of Mamie Stover (1956). He finally started receiving billing in the 1960s, albeit bit parts in films and television, as minor villains or in-charge types with such roles as a professional assassin in Point Blank (1967), the head of vice squad in The New Centurions (1972) and a CIA agent in Scorpio (1973) coming his way. Sikking's first steady television job was in 1973 when he was cast as Dr. James Hobart for three years on the daytime soap opera General Hospital (1963).
Moving into "Grade A" quality films in the early 1980s, Sikking still stayed pretty much in the background, such as his playing of Donald Sutherland's white-collar business comrade in the Oscar-winning Ordinary People (1980). It took his Emmy-nominated, scene-stealing role as the gung-ho, often volatile and emotionally unpredictable Lt. Hunter on Hill Street Blues (1981) to finally put him on the map.
Following the series' demise after six seasons, Sikking continued to move around in the top supporting ranks, finding steady work on television as Dr. David Howser, Neil Patrick Harris' father on Doogie Howser, M.D. (1989) and in important roles in such mini-movies as Doing Time on Maple Drive (1992). Continuing in such movies as Star Trek III: The Search for Spock (1984), Narrow Margin (1990) and The Pelican Brief (1993), he typically played various authoritarians. He received his first major movie co-lead in Final Approach (1991) as an Air Force Colonel who develops amnesia after an air disaster. He ended the decade back in the precinct as part of the ensemble of Brooklyn South (1997).
Into the millennium, Sikking obtained featured roles in the Drew Barrymore romantic comedy Fever Pitch (2005); the Patrick Dempsey romantic comedy Made of Honor (2008); the family drama Wild About Harry (2009) and his last movie role, as a doctor, in the drama Just an American (2012). On TV, he showed up on such series guest parts as "The Guardian," "Curb Your Enthusiasm" and "The Closer."
Long married to wife Florine, whom he met while at UCLA, his actor/son Andrew Sikking occasionally appeared as an officer on his father's series Brooklyn South (1997).- Actor
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Pedro Armendáriz Jr. was born on 6 April 1940 in Mexico City, Distrito Federal, Mexico. He was an actor and producer, known for Licence to Kill (1989), Once Upon a Time in Mexico (2003) and The Mask of Zorro (1998). He was married to Lucía Gómez de Parada. He died on 26 December 2011 in New York City, New York, USA.- Actor
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William Lucking was born on 17 June 1941 in Vicksburg, Michigan, USA. He was an actor and director, known for Red Dragon (2002), The World's Fastest Indian (2005) and Contraband (2012). He was married to Sigrid Insull and Mary Carolyn Linda Elizabeth "MiMi" Hawkins. He died on 18 October 2021 in Las Vegas, Nevada, USA.- Edward Matthew Lauter II was born on October 30, 1938 in Long Beach, New York. In a film career that extended for over four decades, Lauter starred in a plethora of film and television productions since making his big screen debut in the western Dirty Little Billy (1972). He portrayed an eclectic array of characters over the years, including (but not limited to), authority/military figures, edgy villains, and good-hearted heavies. Many will remember him for his appearance as the stern Captain Wilhelm Knauer in The Longest Yard (1974) (Lauter also made a cameo in the 2005 remake). Lauter also worked with Alfred Hitchcock, Lee Marvin, Burt Lancaster, Jim Carrey and Liam Neeson. With a face that seemed to appear without warning everywhere, Lauter remained in demand for roles on both films and television. Ed Lauter died of mesothelioma in his home in Los Angeles, California on October 16, 2013, less than two weeks before his 75th birthday.
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Michael Connell Biehn was born on July 31, 1956 in Anniston, Alabama, to Marcia (Connell) and Don Biehn, a lawyer. He grew up in Lincoln, Nebraska, and at age 14 moved with his family to Lake Havasu, Arizona, where he won a drama scholarship to the University of Arizona. He left prematurely two years later to pursue an acting career in Hollywood. His first big role was as a psychotic fan stalking Lauren Bacall in The Fan (1981) and later appeared in The Lords of Discipline (1983). He hit the big-time when he was cast as Kyle Reese, the man sent back through time to stop Arnold Schwarzenegger in James Cameron's The Terminator (1984). This established a good working relationship with Cameron, a relationship that should have catapulted Biehn to international stardom. He starred in Cameron's subsequent films, Aliens (1986) and The Abyss (1989), the latter a standout performance as unstable Navy SEAL officer Lt. Hiram Coffey. In the 1990s he starred in films like Navy Seals (1990), K2 (1991) and was particularly memorable as Johnny Ringo in Tombstone (1993). Biehn is married and the father of five sons.- Actor
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Eric was born in Staten Island, New York, May 24. His father is an orthopedic surgeon and his mother is an artist. Eric is the eldest of three brothers. He graduated with a B.A. in communications from the University of Southern California in 1989. He married Keri Moyers in 1995 and they have two daughters, Katie and Ella.
Eric Close is an actor, director, and writer. He has starred opposite Tommy Flanagan in the Amazon film Legal Action (2018) as an attorney who must defend his brother-in-law on a murder charge. He can also be seen as Ltc. Jacobsen in the war drama Indivisible (2018), based on the true story about a family's real-life events during the 2007 Iraq War.
Close starred opposite Connie Britton in the hit series Nashville (2012), created by Oscar-winning writer Callie Khouri for the ABC network. Before this, Close starred for almost a decade in the critically acclaimed CBS series Without a Trace (2002), nominated for a Golden Globe for best ensemble cast. Close then teamed up again with the network as the lead of their dramedy series Chaos (2011), opposite Tim Blake Nelson. Close also starred as crafty lawyer Travis Tanner in the critically acclaimed USA series Suits (2011). On the feature side, Close joined Bradley Cooper in Clint Eastwood's American Sniper (2014) for Warner Bros., playing DIA Agent Snead.
Past credits also include the series The Magnificent Seven (1998), Now and Again (1999), Dark Skies (1996), and McKenna (1994), while taking on a number of long-form features such as American Me (1992), Seven Deadly Sins (2010), NTSB: The Crash of Flight 323 (2004), Christmas Crime Story (2016), Hercules: The Legendary Journeys - Hercules and the Lost Kingdom (1994), Follow the Stars Home (2001), The Stranger Beside Me (1995), Long Island Fever (1995), Without Consent (1994), and Unanswered Prayers (2010), which was produced by Garth Brooks. Not to mention the Golden Globe-nominated miniseries Taken (2002), which was executive produced by Steven Spielberg.
Behind the camera, Close is also an accomplished director. In addition to directing episodes of Nashville (2012) and Without a Trace (2002), Eric finished directing and acting in his fourth feature for the Hallmark channel, which included the network's highest-rated Christmas film, Christmas at Graceland (2018), and Hallmark Hall of Fame's film A Christmas Love Story (2019), starring Kristin Chenoweth, Scott Wolf, and Close himself.- Actor
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Andrew Kavovit was born on 19 July 1971 in Bronx, New York, USA. He is an actor and producer, known for Rat Race (2001), As the World Turns (1956) and The Magnificent Seven (1998). He is married to Jennifer Dodson. They have one child.- Actor
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Dale Midkiff attended Edgewood high school and Salisbury University in Salisbury, Maryland, before moving to New York to work as a waiter while pursuing his acting career. His breakthrough role was when he landed the role of Elvis in the made-for-TV movie Elvis and Me (1988). He later starred in Pet Sematary (1989) with Fred Gwynne and Love Potion No. 9 (1992) with Sandra Bullock. He was also the lead in 'Time Trax', which he shot for two years in Surfers Paradise, Australia. Midkiff played Buck Wilmington in the CBS series 'The Magnificent Seven' with Michael Bien, Eric Close and Ron Perlman. He has portrayed Clark Davis in 'Love Comes Softly', winning a Camie award and the Grace award for his performance.
He has a home in Los Angeles and Chance, Maryland.- Actor
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Ron Perlman is a classically-trained actor who has appeared in countless stage plays, feature films and television productions.
Ronald N. Perlman was born April 13, 1950 in Washington Heights, Manhattan, New York. His mother, Dorothy (Rosen), is retired from the City Clerk's Office. His father, Bertram "Bert" Perlman, now deceased, was a repairman and a drummer. His parents were both from Jewish families (from Hungary, Germany and Poland).
With a career spanning over three decades, Perlman has worked alongside such diverse actors as Marlon Brando, Sean Connery, Dominique Pinon, Brad Dourif, Ed Harris, John Hurt, Jude Law, Christina Ricci, Federico Luppi, Sigourney Weaver, Michael Wincott and Elijah Wood to name a few.
While he has never been a bankable star, Perlman has always had a large fan-base. He started out strong as Amoukar, one of the tribesmen in Jean-Jacques Annaud's Academy Award-winning film Quest for Fire (1981), for which he earned a Genie Award nomination. Perlman teamed up with Annaud again, this time as a hunchback named Salvatore in The Name of the Rose (1986). His first real breakthrough came later when he landed the role of the noble lion-man Vincent, opposite Linda Hamilton on the fantasy series Beauty and the Beast (1987). His work in this role earned him not only a Golden Globe Award but an underground fan following. Sadly the series was canceled in its third season shortly after Hamilton's character's death.
After that, he spent time doing supporting work on television and independent films such as Guillermo del Toro's debut Cronos (1992) (where a lifelong friendship and collaboration between the director and Perlman would blossom) as Angel and his first lead role as One in Jean-Pierre Jeunet's surreal The City of Lost Children (1995). His first real big role in a mainstream film came when Jeunet wanted him for the brutish Johner in his first Hollywood outing Alien: Resurrection (1997). Perlman has also used his distinctive voice to his advantage, appearing in many animated films/series, commercials and he is a video game fan favorite because of his work on such games as the Fallout series.
It was not until much later he received worldwide fame when his good friend Guillermo del Toro helped him land the title role in the big-budget comic book movie Hellboy (2004). Del Toro fought the studio for four years because they wanted a more secure name, but he stood his ground and in 2004, after almost 25 years in and out of obscurity, Perlman became a household name and a sought out actor. Perlman has had one of the most offbeat careers in film, playing everything from a prehistoric ape-man to an aging transsexual and will always be a rarity in Hollywood.
Other notable roles include the cunning Norman Arbuthnot in The Last Supper (1995), sniper expert Koulikov in Enemy at the Gates (2001), vampire leader Reinhardt in Blade II (2002), his reprisal of Hellboy in Hellboy II: The Golden Army (2008) and biker chief Clarence Morrow on the popular series Sons of Anarchy (2008).
He currently resides in Los Angeles, California with his wife, Opal, and their two children, Blake and Brandon.- Anthony attended Marquette University on the Liberace Foundation Scholarship for Performance, where he studied Theatre and Spanish Literature. While at Marquette he worked with the Pabst Theatre and the Wisconsin Shakespeare Company, appearing in a range of plays spanning classic, modern and musical. After graduating cum laude from Marquette with a B.A. in Theatre Arts and a B.A. in Spanish, Anthony took up acting full time.
He quickly won a screen role for in the CBS Movie of the Week, "First Steps", playing quadriplegic teenager Dean Conroy. His first feature film was "Nothing in Common" with Jackie Gleason and Tom Hanks, playing the part of Cameron. Other film roles were quick to follow. He continues to play lead and guest characters in many of America's favorite drama and comedy shows, as well as appearing on the stage and in film.
Anthony has proven himself to be a versatile and varied actor, with a full body of works behind him to show for it. He lives in Los Angeles, California. - A native Detroiter, Rick graduated from Southfield Senior High in 1985, and then from the University of Michigan in 1990. He then moved to Chicago where he performed at several prestigious theaters including Chicago Dramatists Workshop, The Goodman Theatre, and Victory Gardens Theater. Rick's father is a retired United Auto Workers (UAW) executive, and his mother owns and operates Studio One, a photo restoration company. Rick lives in Los Angeles, California.
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Denzel Hayes Washington, Jr. was born on December 28, 1954 in Mount Vernon, New York. He is the middle of three children of a beautician mother, Lennis, from Georgia, and a Pentecostal minister father, Denzel Washington, Sr., from Virginia. After graduating from high school, Denzel enrolled at Fordham University, intent on a career in journalism. However, he caught the acting bug while appearing in student drama productions and, upon graduation, he moved to San Francisco and enrolled at the American Conservatory Theater. He left A.C.T. after only one year to seek work as an actor. His first paid acting role was in a summer stock theater stage production in St. Mary's City, Maryland. The play was "Wings of the Morning", which is about the founding of the colony of Maryland (now the state of Maryland) and the early days of the Maryland colonial assembly (a legislative body). He played the part of a real historical character, Mathias Da Sousa, although much of the dialogue was created. Afterwards he began to pursue screen roles in earnest. With his acting versatility and powerful presence, he had no difficulty finding work in numerous television productions.
He made his first big screen appearance in Carbon Copy (1981) with George Segal. Through the 1980s, he worked in both movies and television and was chosen for the plum role of Dr. Philip Chandler in NBC's hit medical series St. Elsewhere (1982), a role that he would play for six years. In 1989, his film career began to take precedence when he won the Oscar for Best Supporting Actor for his portrayal of Tripp, the runaway slave in Edward Zwick's powerful historical masterpiece Glory (1989).
Washington has received much critical acclaim for his film work since the 1990s, including his portrayals of real-life figures such as South African anti-apartheid activist Steve Biko in Cry Freedom (1987), Muslim minister and human rights activist Malcolm X in Malcolm X (1992), boxer Rubin "Hurricane" Carter in The Hurricane (1999), football coach Herman Boone in Remember the Titans (2000), poet and educator Melvin B. Tolson in The Great Debaters (2007), and drug kingpin Frank Lucas in American Gangster (2007). Malcolm X and The Hurricane garnered him Oscar nominations for Best Actor, before he finally won that statuette in 2002 for his lead role in Training Day (2001).
Through the 1990s, Denzel also co-starred in such big budget productions as The Pelican Brief (1993), Philadelphia (1993), Crimson Tide (1995), The Preacher's Wife (1996), and Courage Under Fire (1996), a role for which he was paid $10 million. He continued to define his onscreen persona as the tough, no-nonsense hero through the 2000s in films like Out of Time (2003), Man on Fire (2004), Inside Man (2006), and The Taking of Pelham 123 (2009). Cerebral and meticulous in his film work, he made his debut as a director with Antwone Fisher (2002); he also directed The Great Debaters (2007) and Fences (2016).
In 2010, Washington headlined The Book of Eli (2010), a post-Apocalyptic drama. Later that year, he starred as a veteran railroad engineer in the action film Unstoppable (2010), about an unmanned, half-mile-long runaway freight train carrying dangerous cargo. The film was his fifth and final collaboration with director Tony Scott, following Crimson Tide (1995), Man on Fire (2004), Déjà Vu (2006) and The Taking of Pelham 1 2 3. He has also been a featured actor in the films produced by Jerry Bruckheimer and has been a frequent collaborator of director Spike Lee.
In 2012, Washington starred in Flight (2012), for which he was nominated for an Academy Award for Best Actor. He co-starred with Ryan Reynolds in Safe House (2012), and prepared for his role by subjecting himself to a torture session that included waterboarding. In 2013, Washington starred in 2 Guns (2013), alongside Mark Wahlberg. In 2014, he starred in The Equalizer (2014), an action thriller film directed by Antoine Fuqua and written by Richard Wenk, based on the television series of same name starring Edward Woodward. During this time period, he also took on the role of producer for some of his films, including The Book of Eli and Safe House.
In 2016, he was selected as the recipient for the Cecil B. DeMille Lifetime Achievement Award at the 73rd Golden Globe Awards.
He lives in Los Angeles, California with his wife, Pauletta Washington, and their four children.- Actor
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Christopher Michael "Chris" Pratt was born on June 21, 1979 in Virginia, Minnesota and raised in Lake Stevens, Washington, to Kathleen Louise (Indahl), who worked at a supermarket, and Daniel Clifton Pratt, who remodeled houses. He is of mostly Norwegian descent. He graduated from Lake Stevens High School in 1997, and has two older siblings, Cully and Angie.
Chris came to prominence for his small-screen roles, including Bright Abbott in Everwood (2002), Ché in The O.C. (2003), and Andy Dwyer and Parks and Recreation (2009), and notable film roles in Moneyball (2011), The Five-Year Engagement (2012), Zero Dark Thirty (2012), Delivery Man (2013), and Her (2013). In 2014, he broke out as a leading man after headlining two of the year's biggest films: he voiced Emmet Brickowski in The Lego Movie (2014) & starred as Peter Quill/Star-Lord in Guardians of the Galaxy (2014). In 2015, he headlined the sci-fi thriller Jurassic World (2015), the fourth installment in the Jurassic Park franchise and his most financially successful film. In 2016, he co-starred in the remake The Magnificent Seven (2016), with Denzel Washington and Ethan Hawke, and appeared with Jennifer Lawrence in the sci-fi drama Passengers (2016). In the near future, he returns as Star-Lord for Guardians of the Galaxy Vol. 2 (2017), with Jurassic World: Fallen Kingdom (2018) not far behind.- Actor
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Ethan Green Hawke was born on November 6, 1970 in Austin, Texas, to Leslie Carole (Green), a charity worker, and James Steven Hawke, an insurance actuary. His parents were students at the University of Texas at the time but divorced when Ethan was 5 years old. His mother raised him alone for the next five years, moving around the country, until she remarried in 1981 and the family settled in Princeton Junction, New Jersey.
He attended West Windsor-Plainsboro High School and then transferred to the Hun School of Princeton and it was while he was there that he began taking acting classes at the McCarter Theatre on the Princeton campus. His early ambition had been to be a writer, but as a result of the acting lessons and appearances in student productions he persuaded his mother to allow him to attend an audition for a role in a sci-fi adolescent adventure, Explorers (1985). He got the role (along with River Phoenix) but although the movie was favourably reviewed, it met with little commercial success which discouraged Hawke from pursuing further movie roles for several years.
He was admitted to the prestigious Carnegie-Mellon University to study theatre but his studies were interrupted when he won his break-through role opposite Robin Williams in Dead Poets Society (1989) and he did not complete his degree. He then appeared in numerous films before taking a role in the Generation X drama Reality Bites (1994) for which he received critical praise. He starred in the romantic drama Before Sunrise (1995), and its later sequels Before Sunset (2004) and Before Midnight (2013).
His subsequent acting career was a mix of theatre work (earning a number of awards and nominations, including a Tony Award nomination for his role in "The Coast of Utopia" at the Lincoln Center in New York), and a mix of serious and more commercial movies, notably Gattaca (1997) (where he met his first wife, Uma Thurman) and Training Day (2001). His role as the father in the coming-of-age drama Boyhood (2014) earned him multiple award nominations, including the Academy, BAFTA, Golden Globe, and SAG Award for Best Supporting Actor.
Meanwhile, he also wrote two novels: "The Hottest State" (1996) and "Ash Wednesday" (2002).- Actor
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Vincent Phillip D'Onofrio was born on June 30, 1959 in Brooklyn, New York, to Phyllis, a restaurant manager and server, and Gene D'Onofrio, a theatre production assistant and interior designer. He is of Italian descent and has two older sisters. He studied at the Actors Studio and the American Stanislavski Theatre. Vincent D'Onofrio is known as an "actor's actor". The wide variety of roles he has played and the quality of his work have earned him a reputation as a versatile talent.
His first paid role was in Off-Broadway's "This Property Is Condemned". He continued appearing in plays and worked as a bouncer, a bodyguard and a delivery man. In 1984, he made his Broadway debut in "Open Admissions", followed by work in numerous other stage plays. In 2012, D'Onofrio returned to teach at the Lee Strasberg Theater & Film Institute. As a film actor, D'Onofrio's career break came when he played a mentally unbalanced recruit in Full Metal Jacket (1987), directed by the renowned Stanley Kubrick. For this role D'Onofrio gained nearly 70 pounds. He had a major role in Dying Young (1991), and appeared prominently in the box-office smash Men in Black (1997) as the bad guy (Edgar "The Bug").
Other films of note in which he has appeared are Mystic Pizza (1988), JFK (1991), The Player (1992), Ed Wood (1994), The Cell (2000), The Break-Up (2006) and Jurassic World (2015). In 1996, D'Onofrio garnered critical acclaim along with co-star Renée Zellweger for The Whole Wide World (1996), which he helped produce. He also made a guest appearance in The Subway (1997), where he played an accident victim who could not be rescued and was destined to die. For this performance he won an Emmy nomination. In 2000, he both produced and starred in Steal This Movie (2000), a biopic of radical leader Abbie Hoffman.
In 2001, D'Onofrio took the role which has likely given him his greatest public recognition: Det. Robert Goren, the lead character in the TV series Law & Order: Criminal Intent (2001). Goren is based on Sherlock Holmes but, instead of relying upon physical evidence like Holmes, D'Onofrio's character focuses on psychology to identify the perpetrators, whom he often draws into confessing or yielding condemning evidence. He played the part for 10 years.
In his career D'Onofrio's various film characters have included a priest, a bisexual former porn star, a hijacker, a serial killer, Orson Welles, a space alien, a 1960s radical leader, a pulp fiction writer, an ingenious police investigator and Stuart Smalley's dope-head brother. His on-screen love interests have included Julia Roberts, Cameron Diaz, Renée Zellweger, Marisa Tomei, Tracey Ullman, Rebecca De Mornay and Lili Taylor. One of his latest roles is in Marvel's Daredevil (2015) as Daredevil's nemesis, Wilson Fisk. He lives in Manhattan with his wife and children.- Actor
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Lee Byung-hun was born in 1970 in Seoul, South Korea, and grew up in a wealthy family, thanks to his father, who was a successful businessman. He never dreamed of pursuing acting until a friend of his mother's suggested it. He auditioned for the KBS television network in 1991 and was accepted. His first project was a short lived TV series called "Asphalt My Hometown". Lee became popular, especially with the female crowd, in his next KBS project, "Tomorrow Love", in 1992. Though he continued to do TV series' throughout the 90s, he also tried his luck in feature films. Many of his earlier films were flops, until 2000, when he appeared in "J.S.A. Joint Security Area". The film became his first major blockbuster. Unfortunately, Lee's father passed away that same year. Over the years, Lee's popularity continued to grow, with successful TV series', like "Beautiful Days" and "All In", and features, such as "A Bittersweet Life" and "The Good, The Bad, The Weird". Lee was becoming an international celebrity. His success continued rising with the highly anticipated TV show "Iris" and his other feature films "I Saw the Devil" and "Masquerade". Having solidified his position as one of Asia's biggest stars, he is the only actor to sell out the Tokyo Dome with 45,000 screaming fans. In 2012, he was one of the first two Korean actors ever to be honored with a hand and foot print ceremony at The TLC Chinese Theater.
Lee's first foray into Hollywood films came in 2009 with a starring role in "G.I. Joe: Rise of Cobra." Following the global success of that film, he signed on for "G.I. Joe 2: Retaliation," which was released in March 2013. His first period piece feature, "Masquerade" was released in late 2012, and was met with stellar reviews from both audiences and critics, and became the highest grossing period piece in Korean history. He next starred in "Red 2" opposite Bruce Willis, Helen Mirren, John Malkovich, and Anthony Hopkins. The film premiered in Korea on July 18, 2013. Korea became the second highest grossing market for the film behind the US. In 2015, Lee has two Korean films, "Insiders" and "Memories of the Sword", along with Hollywood blockbuster Terminator Genisys (2015), where he plays a T-1000 robot. Lee has since filmed an independent US film, "Misconduct", opposite legendary actors Anthony Hopkins and Al Pacino, which is due for a 2016 release.- Actor
- Producer
Manuel Garcia-Rulfo is the star of Netflix series "The Lincoln Lawyer." Born in Mexico, Garcia-Rulfo studied in the U.S. and found his passion in acting. After returning to Mexico and appearing in television and film there, he returned to the US and made his feature debut in Carl Franklin's "Bless Me Ultima." Ensuing film credits include "A Man Called Otto," "6 Underground," "Sicario:Day of the Soldado,", "Murder on the Orient Express," and "The Magnificent Seven."- Actor
- Producer
- Soundtrack
Martin Sensmeier is an American Actor and Producer from the Alaskan Native Tribes, Tlingit as well as Koyukon-Athabascan. He was raised in the village of Yakutat, Alaska.
He is best known for his roles in the Magnificent Seven, Wind River, Yellowstone and Westworld. He next can be seen in Netflix' Mini-Series The Liberator and The Feature Film The Last Manhunt opposite Jason Momoa.