70's Crushes
Actresses, etc. that I was in love with growing up in the 1970's. In no particular order.
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Olivia Newton-John was an English singer and actress who was born on September 26, 1948, in Cambridge, Cambridgeshire, England, UK. In 1954, her family relocated to Australia when her father was offered a job as the dean of a Presbyterian college in Melbourne. After winning a singing talent contest, she returned to England with her mother, where she resided until 1975. Her many hit singles include, "You're The One That I Want" from the movie Grease (1978), which she starred in with John Travolta. She appeared on the TV series, It's Cliff Richard (1970), as well as in the film Toomorrow (1970). For several years, she was engaged to Bruce Welch, a founding member of The Shadows, which included Cliff Richard. Welch was one of the producers of her first international hit, "If Not For You".The ultimate dream girl growing up.- Writer
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Tina Andrews was born in Chicago, Illinois, USA. She is a writer and producer, known for Sally Hemings: An American Scandal (2000), Jackie Bouvier Kennedy Onassis (2000) and Why Do Fools Fall in Love (1998).- Actress
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Farrah Fawcett is a true Hollywood success story. Born in Texas, she was the daughter of Pauline Fawcett (Pauline Alice Evans), a homemaker, and James Fawcett, an oil field contractor. She was a natural athlete, something that her father encouraged, and she attended a high school with a strong arts program. She attended the University of Texas in Austin, graduating with a degree in Microbiology, but only wanted to be an actress.
Winning a campus beauty contest got her noticed by an agent, who encouraged her to pursue acting. After graduating, she moved to Los Angeles and her healthy, all-American blond beauty was immediately noticed. She quickly got roles in various television commercials for such products as Ultra-Brite toothpaste, and Wella Balsam shampoo, and also made appearances in some TV series. In 1968, she met another Southerner, actor Lee Majors, star of the popular TV series The Big Valley (1965), on a blind date set up by their publicists. He became very taken with her and also used his own standing to promote her career. In 1969, she made her film debut in Love Is a Funny Thing (1969). The next year, she appeared in the film adaptation of the Gore Vidal bestselling novel Myra Breckinridge (1970). The shooting was very unpleasant, with much feuding on the set, and Farrah was embarrassed by the finished film, which was a major failure. But Farrah was undamaged and continued to win roles. In 1973, she and Majors married, and the following year, she won a recurring role in the crime series, Harry O (1973). She had her first taste of major success when she won a supporting role in the science fiction film, Logan's Run (1976). She came to the attention of the highly successful producer Aaron Spelling, who was impressed by her beauty and vivacious personality. That won her a role in the TV series, Charlie's Angels (1976). She played a private investigator who works for a wealthy and mysterious businessman, along with two other glamorous female detectives, played by Kate Jackson and Jaclyn Smith. The show immediately became the most popular series on television, earning record ratings and a huge audience. All three actresses became very popular, but Farrah became, by far, the best known. She won the People's Choice Award for Favorite Female Performer in a New TV program in 1977. Her lush, free-wheeling, wavy blond hair also became a phenomenon, with millions of women begging their hairstylists to give them "The Farrah", as her hairstyle was called. Fawcett was also a savvy businesswoman, and she received 10% profit from the proceeds of her famous poster in a red swimsuit. It sold millions and she became the "It Girl" of the 1970s.
Fawcett was America's sweetheart and found herself on every celebrity magazine and pursued by photographers and fans. While she enjoyed the success and got along well with her co-stars (both of whom were also of Southern origin), she found the material lightweight. Also, the long hours she worked were beginning to take a toll on her marriage to Majors, who found himself eclipsed by her popularity. So the following year, when the show was at its peak, she left to pursue a movie career. Charlie's Angels' producers sued her, and the studios shied away from her, and she lost out on the lead role in the hit feature film Foul Play (1978) to Goldie Hawn. Eventually, she and the Charlie's Angels producers reached a settlement, where she would make guest appearances on the series. As a result of the negative publicity and some poor script choices, her career briefly hit a slow spot. In addition, she and Majors separated in 1979. She had starring roles in Somebody Killed Her Husband (1978), Sunburn (1979), and Saturn 3 (1980) (which she did a topless scene in), but all three failed financially. She appeared in the Burt Reynolds chase comedy The Cannonball Run (1981), which was successful financially, but it was met not only with bad reviews but also with bad publicity when Farrah's stunt double Heidi Von Beltz was involved in a stunt that went horribly wrong and left her a quadriplegic. Farrah's feature film career came to a halt, and she and Majors were drifting apart. In 1981, she met Ryan O'Neal, a friend of her husband's, and they began became friends and spent a great deal of time together. He also encouraged her to go back to television and she received good reviews in the well-received miniseries, Murder in Texas (1981). In 1982, she filed for divorce, which Majors readily agreed to. Soon, she and O'Neal were a couple and moved in together. She set on sights on becoming a serious dramatic actress. She took over for Susan Sarandon in the stage play, "Extremities", where she played a rape victim who turns the tables on her rapist. That, in turn, led her to her major comeback, when she starred in the searing story of a battered wife in The Burning Bed (1984), based on a true story. It garnered a very large audience, and critics gave her the best reviews she had ever received for her heartfelt performance. She was nominated for both an Emmy and Golden Globe and also became involved in helping organizations for battered women. The following year, she and O'Neal became the parents of a son, Redmond O'Neal. She tried to continue her momentum with a starring role in the feature film adaptation of Extremities (1986), and while she garnered a Golden Globe nomination, the film, itself, was not a hit.
She continued to seek out serious roles, appearing mainly on television. She scored success again in Small Sacrifices (1989), again based on a true crime. Portraying an unhappy woman who is so obsessed with the man she loves that she shoots her children to make herself available and disguises it as a carjacking, Farrah again won rave reviews and helped draw a large audience, and was nominated for an Emmy again. Shortly afterwards, she and O'Neal co-starred in Good Sports (1991), playing a couple who co-star in a sports news program, but O'Neal's performance was lambasted and only 9 episodes were aired. In 1995, she surprised her fans by posing for "Playboy" at the age of 48, it became the magazine's best-selling issue of that decade.
Her relationship with O'Neal was deteriorating, however, and in 1997, they broke up. The breakup took a toll, and she posed for Playboy again at the age of 50. To promote it, she appeared on Late Show with David Letterman (1993) and gave a rambling interview, sparking rumors of drug use. That same year, however, she made another comeback in The Apostle (1997), playing the neglected wife of a Pentacostal preacher, played by Robert Duvall. Both stars were praised and the film became a surprise hit. She also began dating James Orr, who had directed her earlier in the feature film, Man of the House (1995). An incident occurred between them in 1998, and Farrah suffered injuries. The scandal drew nationwide headlines, especially after the tabloids published photos of Farrah with her injuries. The authorities compelled Fawcett to testify against Orr in court, and he was found guilty of assault and given a minimum sentence. Embarrassed, she lowered her profile and her career lost momentum, but she continued to work in television and films. She and O'Neal also started seeing each other again, when he was diagnosed with leukemia. The new millennium brought her highs and lows. In 2000, she acted with Richard Gere in Robert Altman's film, Dr. T & the Women (2000). Her son Redmond has had problems with drug abuse and has been in and out of jail. In 2001, she lost her only sister, Diane Fawcett Walls, to cancer. In 2004, she received her third Emmy nomination for her performance in The Guardian (2003), and she starred in her own reality show, titled Chasing Farrah (2005), in 2005 along with Ryan O'Neal, but that ended after only 7 episodes. That same year, she was devastated when her beloved mother, Pauline Fawcett, died. In 2006, producer Aaron Spelling died, and she famously reunited with her Charlie's Angels co-stars, Kate Jackson and Jaclyn Smith, at the Emmys, in a tribute to him. She looked tan and healthy, but soon, she was diagnosed with anal cancer. She asked her friend Alana Stewart to accompany her and videotape her during her doctor's visits. Those video journals resulted in the documentary Farrah's Story (2009), co-executive produced by Fawcett. It aired in 2009, and viewers were shocked to see Farrah with a shaved head and in a continuous state of pain. Ryan O'Neal and Alana Stewart were constantly by her side, and her Charlie's Angels co-stars, Kate Jackson and Jaclyn Smith, also visited her, marking the final time that all three original Angels appeared together on television. The documentary became a ratings success, and it earned a Emmy nomination as Outstanding Nonfiction Special. On June 25, 2009 Farrah lost her battle with cancer and passed away at aged 62. She left the bulk of her estate to her only son Redmond, and her trust fund allowed for the creation of The Farrah Fawcett Foundation, which provides funding for cancer research and prevention. Alana Stewart is the president of the Foundation and Jaclyn Smith's husband Dr. Brad Allen is one of the Board of Directors. Ryan O'Neal and Farrah's nephew, Greg Walls, are also on the Advisory Board, keeping alive her legacy.- Actress
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Karen Jane Allen was born in Carrollton, rural southern Illinois, to Patricia (Howell), a teacher, and Carroll Thompson Allen, an FBI agent. She spent her first 10 years traveling around the country with her parents and two sisters. She was always "the new girl in school." Acting did not really cross Allen's mind until she was in her early 20s, when she saw a Jerzy Grotowski theater production that impressed her so much, she instantly decided to give it a shot. She trained as a classical actress and enrolled at the Actors Studio and with Lee Strasberg in New York City. During this period, she made several student films and directed and acted in several plays. In 1976, she made her first film appearance in the award-winning small film The Whidjitmaker (1976).
Her first major film role came as Katy in 1978's National Lampoon's National Lampoon's Animal House (1978), which became one of the biggest hits of the year, obtained "classic" status, and launched a whole host of young "hot" stars. However, shortly after National Lampoon's Animal House (1978) opened, Allen was struck by a rare and dangerous eyesight condition called keratoconjunctivitis. Luckily, the condition subsided and Allen could continue her dramatic rise to the top. Lead roles in cult favorites like The Wanderers (1979) and the controversial thriller Cruising (1980) followed, as did smaller parts as in Woody Allen's Manhattan (1979). However, it was her performance in Rob Cohen's A Small Circle of Friends (1980), as well as her previously mentioned turn in National Lampoon's Animal House (1978), that caught the eye of a certain Steven Spielberg. He then cast her as the feisty heroine and co-star of Harrison Ford in his big-budget blockbuster Raiders of the Lost Ark (1981), which became a huge hit in 1981-82 and is regarded by many film buffs as the greatest action-adventure film ever made.
Following the huge success of Raiders of the Lost Ark (1981), Allen chose to spend more than two years out of the limelight, concentrating on smaller, more personal projects. She won a major award for her performances on Broadway, won critical acclaim for her portrayal of Abra in the hugely successful ABC production of East of Eden (1981), and had parts in two smaller films: Alan Parker's Shoot the Moon (1982) and Split Image (1982), co-starring James Woods and Peter Fonda. She returned to the mainstream in 1984 with Until September (1984) and Starman (1984), co-starring Jeff Bridges and directed by John Carpenter (of Halloween (1978) fame), but once again decided to leave the limelight for a couple of years to do more stage work and some troubled indie films. While Allen has worked almost constantly since then, giving notable performances in Paul Newman's screen adaptation of The Glass Menagerie (1987), the Christmas hit Scrooged (1988), and Steven Soderbergh's underrated King of the Hill (1993), she has not been able to scale the same dizzy heights as the early 1980s hits. Most of her lead roles in feature films since Starman (1984) have not been that well-received (Animal Behavior (1989), Ghost in the Machine (1993), and The Turning (1992) among them). However, she has been seen to good effect on TV in such films as Challenger (1990), in which she portrayed tragic schoolteacher Christa McAuliffe, and All the Winters That Have Been (1997), co-starring Richard Chamberlain.
She has also made special guest star appearances on such shows as Law & Order (1990), Knots Landing (1979), and Alfred Hitchcock Presents (1985), and in several TV movies, including Hostile Advances: The Kerry Ellison Story (1996) and Secret Weapon (1990). She also played the lead in the CBS series The Road Home (1994). Karen Allen was married to soap star Kale Browne (with whom she co-starred in 'Til There Was You (1997)) in 1988 and they have a son, Nicholas. Apart from acting, Allen is also an accomplished singer, songwriter, and musician. She played in a band with Kathleen Turner, and recorded a duet with Jeff Bridges for the Starman (1984) soundtrack album.
She also writes plays, screenplays, and poetry; owns her own Ashtanga yoga enterprise; and spends time at her Berkshire Mountains farm or Upper West Side Manhattan townhouse. The classically trained actress also has a screenplay called "The Second Coming," which is about to be made into a movie. Most recently she has starred opposite Peter Coyote in The Basket (1999), and appeared in the blockbuster The Perfect Storm (2000), in which she co-starred with George Clooney, Mark Wahlberg, and Diane Lane. In addition to these, she is working on Shaka Zulu: The Citadel (2001) and recently made an independent film, In the Bedroom (2001). Karen Allen is undoubtedly one of the most talented, ambitious, and versatile actresses of the last 20 years. In many ways, her own choices to "go back to theater and smaller projects" are the only things that have really stopped her being a major, major star. Allen was voted one of the most beautiful women in the world in 1983, and is a naturally attractive lady - who often plays characters significantly younger than herself. She also often plays unglamorous types - and there is no one better at portraying real, human, and wholly believable people."Animal House" sweetheart.- Dorothy Stratten's story was brief, glorious and tragic. She was born Dorothy Ruth Hoogstraten on February 28, 1960 in Vancouver, British Columbia, Canada. She grew up in a rough neighborhood in Vancouver, but kept out of trouble and went through the motions of school. While not a beauty as a child, nor early teen, Stratten came into her own out of high school and attracted the attention of Paul Snider, a promoter and wannabe star. He started dating her and after seeing an advertisement for Playboy's 25th Anniversary Playmate search in 1978, convinced her to pose for photos. Playboy saw the potential in Stratten and flew her out to Los Angeles, California, where she became a candidate. Although she lost out to Candy Loving, Stratten was made a Playmate in the August 1979 issue of Playboy. Soon after, she was pressured into marrying Snider, who had a Svengali-like influence on her.
After her centerfold came out, Stratten found work in a few movies, notably Americathon (1979) and Skatetown U.S.A. (1979), as well as being the object of Richard Dawson's affection in an ABC-TV special shot at the Playboy mansion. Clearly, her star was on the rise. In 1980, it was revealed that Stratten would be tabbed as the Playmate of the Year by Playboy publisher and founder Hugh Hefner. While this was one of the crowning achievements of her career, things were not going well in her marriage to Snider. He bothered her on the set of the movie Galaxina (1980) and when Snider found out she was developing more than a friendly relationship with director Peter Bogdanovich, Snider grew increasingly frustrated.
After a separation, Snider bought a shotgun and talked Stratten into coming to the apartment they used to share in West Los Angeles. Snider tied her up, sexually assaulted her and put the shotgun next to her face and pulled the trigger. Snider then turned the shotgun on himself to complete the murder-suicide. Since her death, Stratten has become something of a minor cult fixture, and has had two (one a television) movies, a song, and a couple of books written about her. The last movie she was in, They All Laughed (1981), was released after her death. - Actress
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Anne Archer was nominated for an Academy Award®, a Golden Globe and the British (BAFTA) Academy Award for her role as Michael Douglas' sympathetic, tortured wife, "Beth Gallagher", in Adrian Lyne's 1987 thriller Fatal Attraction (1987). Archer is also well-known for her poignant Golden Globe-winning performance in the ensemble cast of Robert Altman's Short Cuts (1993) and for playing CIA agent Jack Ryan's beleaguered wife, "Cathy", in Patriot Games (1992) and Clear and Present Danger (1994), both based on Tom Clancy bestsellers.
Archer was born into a show business family in Los Angeles, California, the daughter of actors Marjorie Lord (née Marjorie F. Wollenberg), who appeared on TV's The Danny Thomas Show (1953), and John Archer (born Ralph Bowman), who starred in White Heat (1949). Her ancestry includes German, English, Czech, and Scots-Irish.
Archer studied theatre arts at Claremont College before debuting on the motion picture screen opposite Jon Voight in The All-American Boy (1973). She won critical acclaim for her leading role in Lifeguard (1976) as Sam Elliott's old flame.
Throughout her motion picture career, Archer has starred opposite some of Hollywood's most dynamic and respected leading men, not only Michael Douglas and Harrison Ford, but also Gene Hackman in Narrow Margin (1990), Tom Berenger in director Alan Rudolph's romantic comedy Love at Large (1990), Donald Sutherland in Eminent Domain (1990) and Sylvester Stallone in Paradise Alley (1978). In 2000, she appeared in The Art of War (2000) with Wesley Snipes and Rules of Engagement (2000) (her first project with Tommy Lee Jones), which was one of the box office hits in Spring of that year.
With husband Terry Jastrow (an Emmy-winning sports producer), she co-produced and starred in the feature Waltz Across Texas (1982), a modern romance set in the Texas oil fields. In 1998, Archer worked with husband Jastrow again as co-producer and co-host, with Isabella Rossellini, on ABC's World Fashion Premiere from Paris (1998), a history-making two-hour special. Again the following year, she served as a producer on the telecast. With complete backstage access, the shows spotlighted the haute couture shows of the most famous designers in the world.
Archer has essayed dramatic roles as complex and disparate characters in cable productions of equally distinct genres. She starred with Michael Murphy in the contemporary romantic drama Indiscretion of an American Wife (1998) for Lifetime and opposite William Petersen in Present Tense, Past Perfect (1995), based on a bittersweet story by Richard Dreyfuss, who also directed the Showtime drama. Previously, for the same network, she portrayed Dennis Hopper's sexy former wife in the contemporary, gritty Nails (1992) and for HBO, again, starred with Jon Voight in the period piece The Last of His Tribe (1992).
Her television performances have also included Neil Simon's Jake's Women (1996) opposite Alan Alda and CBS's Jane's House (1994) opposite James Woods. Recently, she received acclaim for a three episode arc on Fox-TV's series Boston Public (2000), created by David E. Kelley.
She had a starring role opposite Courteney Cox in the independent feature November (2004) and appeared in Revolution Studios' comedy Man of the House (2005), portraying Prof. Molly McCarthy, opposite Tommy Lee Jones. She also had a role on Showtime's provocative series The L Word (2004) with Jennifer Beals, Mia Kirshner and Pam Grier.
Her stage work includes the world premiere of "The Poison Tree" at Los Angeles' Mark Taper Forum, the Williamstown Theatre Festival production of "Les Liaisons Dangereuses" in Massachusetts and the starring role in the London West End production of "The Graduate", for which she received rave reviews. Archer's New York stage debut was as "Maude Mix" in the celebrated Off-Broadway production of John Ford Noonan's "A Coupla White Chicks Sitting Around Talking".- Actress
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Tina Cole was born on 4 August 1943 in Hollywood, California, USA. She is an actress and producer, known for Hawaiian Eye (1959), My Three Sons (1960) and To Rome with Love (1969). She was previously married to Fillmore Pajeau Crank Jr. (II) and Volney Howard III.Katie from "My Three Sons" and former King Family member.- Actress
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A bodacious, bedimpled, pert-nosed, well-endowed knockout, Loni Anderson earned an assured television sex symbol pedestal during the late 1970s and early 1980s. As sexy but smart Jennifer Marlowe on the sitcom WKRP in Cincinnati (1978), the ravishing star later became a soap-styled fixture in mini-movies. All eyes were peeled on this worthy pin-up who helped to bring back the glossy platinum-blonde allure of Marilyn Monroe, Jayne Mansfield and Mamie Van Doren.
Loni strove for much more than a sex pedestal as she tried to parlay her newly found fame into a viable dramatic career. She met with a measured degree of success as she recreated the lives of such artificial sex sirens as Mansfield and Thelma Todd on television, but got bogged down in television-movie retellings of famous movie classics (Three Coins in the Fountain (1954), Sorry, Wrong Number (1948), Leave Her to Heaven (1945)) that could not help but pale in comparison. This attempt at seriousness was further hampered by messy tabloid headlines in her private life.
Loni Kaye Anderson was born with very dark (jet black) hair on August 5, 1945 in Saint Paul, Minnesota, the daughter of a chemist. An art student at the University of Minnesota, she entered (and won) beauty contests on the sly (including a Miss Minnesota runner-up placing in 1964). Married and divorced from Bruce Hasselberg before she reached age 21, Loni took on a teaching position to support herself and baby daughter (Deidre) while completing college.
Developing an interest in acting, she went the route many aspiring thespians do -- apprenticing in local commercials and theater shows. Still dark-haired, she played in several early 1970s productions such as "Born Yesterday" (as Billie Dawn), "Send Me No Flowers", "Can-Can" and "The Star-Spangled Girl". She even played Tzeitel in "Fiddler on the Roof" and appeared in a production of "The Threepenny Opera".
Remarried in 1973 to actor, Ross Bickell, the couple decided to move away from Minnesota to Los Angeles in 1975 and actively pursue film and television work. Pounding the proverbial pavement, she eventually went blonde and this, plus her gorgeous looks, helped her to secure minor but sexy roles on such series as S.W.A.T. (1975), Police Woman (1974), Barnaby Jones (1973), The Bob Newhart Show (1972) and Three's Company (1976). By the time she nabbed the role of Jennifer Marlowe on WKRP in Cincinnati (1978), she had grown quite admirably as an actress.
Loni and Howard Hesseman became the breakaway stars of the sitcom and Loni skyrocketed to sexy status, earning two Emmy nominations in the process. On the other hand, her instant fame led to the breakup of her second marriage to Bickell in 1981. Loni found hit-and-miss success outside the parameters of her comedy series. She was front-and-center in a number of television-movies, notably playing tragic Hollywood sex sirens Jayne Mansfield in The Jayne Mansfield Story (1980), opposite Arnold Schwarzenegger as her muscle-bound husband Mickey Hargitay, and Thelma Todd, in White Hot: The Mysterious Murder of Thelma Todd (1991), whose untimely death in 1935 is still questioned.
Loni also appeared lusciously alongside Bob Hope, brightening up several of his classic television specials. On the minus side, she fizzled in her teaming up with equally sexy Wonder Woman (1975) star Lynda Carter in the tepid, short-lived series Partners in Crime (1984) and then played a former Las Vegas showgirl who inherits a bundle in the sitcom misfire Easy Street (1986). She also was given a chance to work in feature films such as Stroker Ace (1983). While her performance in that movie was panned, it did have her meeting and co-starring opposite mega star Burt Reynolds.
Appearing in routine, mini-movie soap operas (via her own production company), if anything, kept Loni in the public eye as a serious-minded actress, but it was an uphill battle to rise above her manufactured image as a fantasy bombshell. Not helping things was her high-profile marriage to Reynolds in 1988, which began blissfully enough (and produced adopted son Quinton), then dissolved quickly into a nasty divorce in 1993 that damaged the reputations of both stars.
In later years, Loni showed incredible perseverance. As always, the stalwart beauty continued to play up the glam but has since downplayed the dramatics. She seems more focused these days on having innocuous fun, playing a number of hearty vixens in sitcoms and series guest spots. Over time, she has enjoyed such lightweight sitcoms as her regular role in Nurses (1991), and as a guest in such sitcoms as The New WKRP in Cincinnati (1991) (in which she recreated her role as Jennifer Marlowe), Empty Nest (1988), Sabrina the Teenage Witch (1996) and Clueless (1996). Her last movie was the SNT-based comedy movie A Night at the Roxbury (1998).
Millennium television credits include the sitcom The Mullets (2003) and as Tori Spelling's materialistic mother in So Notorious (2006), which did not get the seal of approval from Tori's real-life mother. Loni has more recently starred in the resurrected comedy series My Sister Is So Gay (2016). In 2008, she married a fourth time to musician Bob Flick. Loni's autobiography, "My Life in High Heels", was published in 1997.- Actress
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Melissa Sue Anderson was very much like her most famous character role, of eldest child & sister, Mary Ingalls -- a quiet, slightly shy girl who would rather read a book than climb a tree. Her show business career got started, when a dance teacher urged her parents to find an agent for her. She began doing television commercials, and the blonde, blue-eyed beauty was in great demand for roles; she was a guest-actress once in weekly & family TV series, Never Too Young (1973) and theatrical movie, Shaft (1973). During the production of Little House on the Prairie (1974) & after leaving the show, she has guest-starred in several films and made-for-TV movies. She continues to pursue an active acting career and published her autobiography, titled "The Way I See It", in 2009.- Actress
- Producer
Though probably not to her liking, actress Priscilla Barnes is best known for her bittersweet replacement of TV goddess Suzanne Somers during the tension-riddled times of the popular ABC slapstick comedy series, Three's Company (1976) -- bittersweet in that although the lovely, stringy-framed blonde did become a TV name as a result, she had to endure the anguish of stepping into the shoes of an enormously popular star whose determination to be paid wages equal to her male co-star had her unceremoniously dumped from the show when contractual negotiations went awry. It was not the happiest of times for Priscilla yet she managed to pull the whole thing off as nurse "Terri Alden", the pretty roommate and (along with co-star Joyce DeWitt), the other female foil to John Ritter's outrageous shenanigans.
Priscilla chose to be her own person and allowed her character a bit more substance and intelligence than Somers' jiggly ding-a-ling "Chrissy Snow". If nothing else, the new girl on the block added a much-needed stability to an already emotionally wrought set and was accepted by the show's fans for a final three seasons. She and DeWitt developed a fast friendship, which lasted long after the show's demise. Interestingly, Priscilla had been previously turned down for the vapid "Cindy Snow" character (played by Jenilee Harrison) because she was perceived as "too old" for the role.
Priscilla was born in Fort Dix, New Jersey, the daughter of an Air Force commander. An average student in school, the leggy beauty with the prominent cheekbones and intriguing slash of a mouth originally planned to become a dancer and joined a preteen group called the "The Vivacious Vixens", but a severe accident while performing on the Hollywood Bowl stage (she broke her leg and fractured her jaw) ended such dreams.
During her formative years, she earned some attention as a beauty pageant contender ("Miss Hollywood", "Miss San Bernardino", "Miss California" (runner-up)) while paying her dues waitressing. A chance acquaintance with Peter Falk, who saw promise in the girl who countered her fresh-faced beauty with a self-deprecating wit, led to a bit part on one of his Columbo (1971) episodes, A Deadly State of Mind (1975), in 1976, and the start of her professional career. The parts she nabbed typically accentuated her physical assets. A former Penthouse Pet for March 1976 (using the alias "Joann Witty"), Priscilla paid her dues via a series of unmemorable projects, including the films Texas Detour (1978), Delta Fox (1979) and The Seniors (1978) plus the short-lived TV series, The American Girls (1978), in which she played a smart-styled, traveling reporter. Handed a somewhat better supporting role in the Gene Wilder sequence of the four-part film, Sunday Lovers (1980), she gathered more experience on such shows as Cannon (1971), Starsky and Hutch (1975), The Incredible Hulk (1978), The Rockford Files (1974), Kojak (1973), Taxi (1978) and The Love Boat (1977), before becoming a vital part of Three's Company (1976)'s 1981 cast.
Barnes continued with the popular show in spite of her frustrations with producers and her dread of being typecast in innocuous comedy. Since then, she has maintained in a Hollywood that doesn't cater to women of "maturing" age, especially former TV stars. On TV, she added a feisty glamour to the series Dark Justice (1991), Viper (1994), Murder, She Wrote (1984) and other The Love Boat (1977) episodes. More often, however, she has shown up in low-budget films. She has certainly taken on more than her fair share of horror projects, including Stepfather 3 (1992), and Witch Academy (1995) in which some of her characters have met grisly ends. One film highlight was her featured role, not as a Bond girl but as the bride of a CIA agent (David Hedison), who is shot to death on her wedding day, in the Timothy Dalton "007" film, Licence to Kill (1989). She also enjoyed a role as a quirky fortune teller in Mallrats (1995).
Active on the theater scene over the years with credits such as "Born Yesterday", "Vanities", "Bus Stop" and "A Streetcar Named Desire" under her belt, she recently played Hillary Clinton in the 2007 black comedy, "Hillary Agonistes", in New York.
Maintaining an active career into the millennium, independent film credits including several horror yarns including The Backlot Murders (2002), Unseen Evil 2 (2004) co-starring Lorenzo Lamas, The Devil's Rejects (2005), Trailer Park of Terror (2008), Ed Gein: The Butcher of Plainfield (2007) and Thr3e (2006); as well as the action film Final Payback (2001); the sci-fi drama Disaster Wars: Earthquake vs. Tsunami (2013); the eerie mystery Helen Alone (2014) and the comedy crime film Jonny's Sweet Revenge (2015). She has been married to actor Ted Monte since 2003.- Actress
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Born Kay Ann Lenz on March 4, 1953, the comely, pert-nosed, dark-haired, award-winning actress came from an L.A. showbiz family -- her father being producer/commentator Ted Lenz and her mother model/radio engineer Kay Miller Lenz. At the ripe old age of eight weeks, Kay appeared on her first TV show produced by her dad as a baby being held up and sung to. She must have taken to the attention because she continued to appear on her father's TV shows and commercials throughout her childhood.
In the 1960s, she appeared as a teen on stage (Pasadena Playhouse) and, using the stage name Kay Ann Kemper, moved into TV in 1967 with several episodes on the religious series This Is the Life (1952). She went on to appear on such popular programs as "The Monroes" and "The Andy Griffith Show," Returning to theatre work, she left the small screen until 1972, when she was spotted on episodes of "Ironside" and "Owen Marshall" as well as the TV movie (and unsold pilot) where she started earning attention playing feisty, troubled teens. Initially billed as Kay Ann Kemmer, she appeared in a bit part on the classic George Lucas 1950's film American Graffiti (1973)
Kay began to flirt with serious 1970s film stardom after being cast by director Clint Eastwood in the troubled, titular role of Breezy (1973) opposite William Holden as a plucky, but hard luck hippie/free spirit who has an affair with a much older businessman. She earned a Golden Globe nomination as "Most Promising Newcomer." Unfortunately, although Kay was singled out for her affecting performance, the movie itself was ignored. Around that same time she earned a Daytime Emmy Award for her performance in a 1974 episode of The ABC Afternoon Playbreak (1972)
Although she ventured on, none of her subsequent strong work in such films as White Line Fever (1975), The Great Scout & Cathouse Thursday (1976), Moving Violation (1976), Mean Dog Blues (1978), The Passage (1979) and House (1985) and/or TV movie dramas as Lisa, Bright and Dark (1973) (title role), A Summer Without Boys (1973), Unwed Father (1974), The Underground Man (1974), The F.B.I. Story: The FBI Versus Alvin Karpis, Public Enemy Number One (1974), Journey from Darkness (1975), The Initiation of Sarah (1978) (title role), The Seeding of Sarah Burns (1979) (title role) and Sanctuary of Fear (1979) would help push her into the top star echelon. She did, however, earn fine notices and an Emmy nomination for her portrayal of Kate Jordache in the acclaimed mini-series Rich Man, Poor Man (1976) and had a standout role as Doreen in a recurring role on the series How the West Was Won (1976).
Continuing to appear on series TV, including dramatic appearances on "The Streets of San Francisco," "Gunsmoke," "Medical Center," "McCloud" and "Cannon," Kay gained uninvited attention after her wedding to superstar teen idol David Cassidy in 1977. The marriage would last six years.
Kay's career has remained quite solid since she entered mid-career. On film, she played an adulterous wife (and earned a bit of notoriety for her nude scenes) in the prison drama Fast-Walking (1982); co-starred with William Katt as an actress and his ex-wife in the haunted house thriller House (1985); played the girlfriend of vigilante Charles Bronson in another of the "Death Wish" series: Death Wish 4: The Crackdown (1987); is terrorized along with her family by escaped convicts in Fear (1988); is top-billed as an investigating cop in the voodoo horror The Head Hunter (1988); portrays a mobster's wife in the Burt Reynolds crime drama Physical Evidence (1989); appeared in a film vehicle for rock singer John Mellencamp as his lover in Falling from Grace (1992); and essayed the role of the ex-wife of notorious gunfighter Lance Henriksen in Gunfighter's Moon (1995).
TV remained a primary source of gritty work -- "Hill Street Blues," "Magnum P.I.," "Cagney & Lacey," "Heart of the City," "Moonlighting," "Simon and Simon," "Lois & Clark" and "Touched by an Angel." She topped it off with Emmy nominations for her performance in Midnight Caller (1988) and for her defense attorney Maggie Zombro in Reasonable Doubts (1991). Into the millennium, she was seen on episodes of "ER," "JAG," "Heartland," "Cold Case" and "Bones," and, on the large screen, reunited with "House" co-star William Katt as harried parents in the high school comedy The Secret Lives of Dorks (2013) and a earned a poignant co-starring role in the social drama More Beautiful for Having Been Broken (2019).She was everywhere in the Me Decade. I especially loved her in "Rich Man Poor Man," "White Line Fever" and "The Streets of San Francisco" episode "Harem."- Born Mary Eileen "Mimi" Chesterton (nicknamed Mimi by her friends and family) in St. Paul, Minnesota, titian beauty Claudia Jennings was raised in Milwaukee, Wisconsin. In 1966, she moved to Evanston, Illinois, the first suburb north of Chicago just south of the Wisconsin state line, where she graduated high school in 1968.
After joining the Hull House theater company in Chicago, she took a job as a receptionist at the offices of Playboy magazine in September 1968. Photographer Pompeo Posar asked her to test, and with a potential $5,000 check at stake -- enough for a ticket to Hollywood -- she agreed. She eventually appeared as a Playmate in November 1969, and later as 1970 Playmate of the Year. Re-naming herself Claudia Jennings to avoid family embarrassment due to posing in the nude, she became the most perennially popular Playmate of the 1970s, as well as the number one female star of "Drive-In" movies such as The Unholy Rollers (1972) and 'Gator Bait (1973). Her first film role was with the film Jud (1971), a low-budget, socially conscious, independent film about a Vietnam soldier's return home. While the film came and went without much notice, it encouraged Claudia to go into the acting business full time.
From 1970 to 1975, she lived with songwriter/producer Bobby Hart but, after their split, her personal life began to spiral. She began using drugs and soon got a reputation for being unreliable. As her cocaine use began to escalate, her career from this point began to flounder.
One of her last theatrical film roles was a co-starring part in the little-seen Canadian racetrack drama Fast Company (1979). After narrowly missing the role of Kate Jackson's replacement on Charlie's Angels (1976) to Shelley Hack in May 1979, she began a tumultuous relationship with Beverly Hills realtor Stan Herman. Following their split later that summer, Jennings turned her life around and tried to quit drugs and drinking, but sadly died before she could continue performing in better films. On the morning of October 3, 1979, she was at the wheel of her VW convertible in Malibu on the Pacific Coast Highway, and drifted across the center divider, colliding head-on with a pickup truck near the intersection of Topanga Canyon Boulevard. She died a few minutes later before paramedics could arrive and get her to a nearby hospital. She was 29. - Beautiful green-eyed Barbara Jeanne Anderson is best remembered on screen as the socialite- turned San Francisco police Officer Eve Whitfield in the first four seasons of the NBC police drama Ironside (1967), starring Raymond Burr. She was born in Brooklyn, New York, the daughter of an enlisted navy man. In her teens, her family moved to Memphis, Tennesse, following her father's latest posting. Barbara took elocution lessons to overcome, first, her strong Brooklyn accent, and then, her newly-acquired Southern drawl. She attended Memphis State University, took part in amateur dramatics and made her professional acting bow with the Southwestern University Players. In 1963, she was voted "Miss Memphis".
Having relocated to California to further her career prospects, Barbara joined the ensemble of the Los Angeles Art Theatre for two years, acting at night, while making ends meet during the daytime as a phone receptionist and telemarketer. Her career was launched after she was noticed by a talent agent playing the lead role of Cyrenne in a stage production of Rattle of a Simple Man (Diane Cilento played this role in the 1964 film).
Signed to a contract with Universal, Barbara's first acting assignment was an episode of The Virginian (1962), followed by guest spots in Star Trek (1966) (as Lenore Karidian) and Mannix (1967). She also made her debut as Eve Whitfield in the Ironside (1967) movie-length TV pilot. Her subsequent role in the series won her a 1968 Primetime Emmy for 'Outstanding Performance by an Actress in a Supporting Role in a Drama'. After she left Ironside in 1971, her spot in the show was taken by Elizabeth Baur for whom a new character, Fran Belding, was created.
Barbara had another recurring role in the final season of Mission: Impossible (1966) as Mimi Davis, an ex-con and recovering alcoholic who was adept at role play and participated in seven missions for the team. Until the early 80's, she continued to make guest appearances in TV movies and prime time shows like Marcus Welby, M.D. (1969), Hawaii Five-O (1968) and Simon & Simon (1981). In 1993, she returned to the screen one final time to reunite with her fellow cast members for The Return of Ironside (1993). Ironically, Elizabeth Baur, who had replaced her in the series, also retired after this film. Raymond Burr died just four months after it went to air.
Barbara left show business in 1993 to devote time to family life, to playing tennis, sailing and painting. The actor Don Burnett, her husband since 1971, had likewise retired early and become a successful investment broker. - Actress
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Maureen Denise McCormick was born on August 5, 1956 to Richard and Irene McCormick. The youngest of four children, she has three brothers Michael, Dennis and Kevin. Her acting career began at age six when she won the Baby Miss San Fernando Valley contest, which opened up the glamorous world of acting to the future teenie-bopper. At age seven, her first role was in a play, and within a year, was a popular choice for TV commercials and sitcoms. In addition to ads for Barbie and Kool Aid, Maureen was seen on Bewitched (1964), My Three Sons (1960) and Camp Runamuck (1965). She also did voice-over recordings for a dozen Mattel talking dolls. For five years, Maureen was one of America's top teen role-models, admired by millions. When the Brady Kids became a singing group on the side, producers noticed her special talent for singing and encouraged the recording of a number of solo tracks, some of which turned up later on the LP "Chris Knight and Maureen McCormick". Years later, she would attempt to revive her singing career, with the 1995 Country CD "When You Get A Little Lonely". Maureen has appeared in many feature films, many TV guest spots and completed three films in the last three years, Baby Huey's Great Easter Adventure (1999) and The Million Dollar Kid (2000) and Dogtown (1997). She currently pursues her career and keeps her friends and family first priority. Maureen is married to Michael Cummings and together they have a daughter, Natalie.- Actress
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Barbara Goldbach was born to Howard and Marjorie Goldbach in Queens, New York. Her father was a policeman. She met her first husband Augusto Gregorini in New York while she worked as a model and he was visiting from Italy for business tourism in 1966. Barbara followed him to Italy to be with him and they married in 1968. They had two children, Francesca Gregorini and Gianni Gregorini. During Gianni's birth, he had the umbilical cord wrapped around his neck, nearly choking him, and was diagnosed with cerebral palsy, although a later operation improved his condition.
In 1975, Barbara and Augusto Gregorini separated when she moved to Los Angeles, California. The couple separated in 1978, sharing custody of their two children. Barbara met Ringo Starr on the set of the comedy Caveman (1981), and they became a couple during the filming. Ringo and Barbara were on a holiday in December 1980 when her daughter called to inform them that John Lennon had been shot. Ringo and Barbara went to New York City to console Yoko Ono and Sean Lennon. Ringo and Barbara married on April 27, 1981.
Her acting career began in Italy, where she played Nausicaa in Odissea (1968), a television adaptation of Homer's epic poem "The Odyssey", directed by Franco Rossi and produced by Dino De Laurentiis. Bach co-starred with two other "Bond Girls", Claudine Auger and Barbara Bouchet in the mystery Black Belly of the Tarantula (1971) and had small roles in other Italian films. In 1977, she played Russian secret agent Anya Amasova in the James Bond film The Spy Who Loved Me (1977). The following year, she appeared in the war film Force 10 from Navarone (1978), which also starred Robert Shaw and Harrison Ford.- Actress
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Susan Dey was born on 10 December 1952 in Pekin, Illinois, USA. She is an actress and producer, known for The Partridge Family (1970), L.A. Law (1986) and Skyjacked (1972). She has been married to Bernard Sofronski since 20 February 1988. She was previously married to Leonard Hirshan.- Actress
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Kimberly Beck became familiar to American audiences in 1965 as Kim, the deaf-mute daughter of David (William Smithers) and Doris Shuster (Gail Kobe) in the TV hit series "Peyton Place"; she is the sole witness to the accidental death of Joe Chernak (Don Quine) which soon becomes a murder trial that sends Rodney Harrington (Ryan O'Neal) to jail.- Actress
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Lynda Jean Cordova Carter is an American actress, singer, and beauty pageant titleholder who was crowned Miss World USA 1972 and finished in the top 15 at the Miss World 1972 pageant. Carter is best known as the star of the live-action television series Wonder Woman, in the role of Diana Prince / Wonder Woman. The role was based on the DC comic book fictional superhero character of the same name, and aired on ABC and later on CBS from 1975 to 1979.- Actress
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At age 15, when most young women are nurturing dreams of romance, Olivia Hussey was giving life to Juliet in Franco Zeffirelli's Romeo and Juliet (1968). Her performance in one of the most celebrated roles ever written in the English language won her the Golden Globe and two successive Best Actor Donatello Awards (Italy's Oscar equivalent), an incredible achievement for an actress in only her third film.
Olivia, a seasoned veteran of the London stage where she debuted opposite Vanessa Redgrave in "The Prime of Miss Jean Brodie", has appeared in over two dozen films, including Death on the Nile (1978) with Bette Davis and Peter Ustinov, Jesus of Nazareth (1977) (united again with the great Zeffirelli), Last Days of Pompeii (1975) opposite Sir Laurence Olivier, Lost Horizon (1973), The Bastard (1978), Hallmark's Hall of Fame Ivanhoe (1982) with James Mason, Showtime's Psycho IV: The Beginning (1990) and It (1990). She has also guest-starred in numerous television series.
Considered by many to be one of the most beautiful women in the world, Olivia may owe this "title" to her "exotic" blend; her father was Argentinian and her mother was of English and Scottish ancestry. She spent her early youth in Buenos Aires, her father being Andreas Osuna, aka Isvaldo Ribo, renowned Argentine opera and tango singer, and her English mother encouraging her early inclinations for the performing arts. At the age of seven, she moved with her mother and younger brother to England, where she spent the next five years attending drama school. From there, she landed the role of "Jenny" in "Jean Brodie". It was in that theater production that Zeffirelli spotted her. After auditioning over 500 other young actresses for the part of Juliet, he awarded the part to Olivia, and the rest, as they say, is history.
She then moved to Los Angeles, where she met and married Dean Paul Martin, son of the late and great entertainer Dean Martin. They had a son, Alexander Martin, who is now an actor. She and Martin eventually divorced, and Olivia later married Akira Fuse, one of Japan's premier singers. That marriage produced a second son, Max, born in 1983. Two years later, she signed on to star with Burt Lancaster and Ben Cross (Chariots of Fire (1981)) in The Jeweller's Shop (1988), a screen adaptation of a story written by Pope John Paul II (at the time he wrote it he was called Karol Wotyla). Following the filming, Olivia was invited to view the film at the Vatican as a guest of His Holiness.
Never seeming to be able to stop the constant work schedule and travel, Olivia finally decided she needed a break. After taking some much deserved time off for herself and to raise her young daughter, India Joy, she returned to work starring in two back-to-back features. The first, El grito (2000) (known as "Bloody Proof" in America), was shot in Mexico City and required her to deliver the role bilingually, applying her native command of Spanish. The second was Tortilla Heaven (2007), a comedy written and directed by Sundance Film Festival winner Judy Hecht Dumontet, in which Olivia plays the town nudist(!).
Most recently, Olivia has completed her life's dream, portraying Mother Teresa of Calcutta, a movie shot entirely on location in Sri Lanka and Italy. Her performance was received with open arms by the Sisters of Mother Teresa's Missionaries of Charity when it was screened for them in Italy. Also present at the screening, and pleased with her portrayal, was Agi Bojaxhiu, a wonderful lady and the niece and only direct living relative of Mother herself.
Olivia lives outside of Los Angeles with her family, as well as her menagerie of animals.- Actress
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Goldie Jeanne Hawn was born November 21, 1945 in Washington, D.C. to Laura Hawn, who owned a dance school, and Rut Hawn, a band musician. She has one sister, entertainment publicist Patti Hawn; a brother, Edward, died in infancy before her birth. She was raised in the Jewish religion. Her mother was Jewish and the daughter of Hungarian immigrants. Her father was Presbyterian. At the age of three, Goldie began taking ballet and tap dance lessons, and at the age of ten she danced in the chorus of the Ballet Russe de Monte Carlo production of "The Nutcracker". At the age of 19 she ran and instructed a ballet school, having dropped out of college where she was majoring in drama. Before going into the film business she worked as a professional dancer.
Hawn made her feature film debut in The One and Only, Genuine, Original Family Band (1968), with a small role as a giggling dancer. Her first big role came in 1969, where she played opposite Walter Matthau and Ingrid Bergman in Cactus Flower (1969), a role which earned her an Academy Award for Best Supporting Actress. After the Oscar win her career took off and she followed with roles in successful comedies such as There's a Girl in My Soup (1970) and Shampoo (1975), and more dramatic roles in The Girl from Petrovka (1974) and The Sugarland Express (1974). In 1978, she starred alongside Chevy Chase in the box office hit, Foul Play (1978). In 1980 she starred in another box office hit, Private Benjamin (1980), where she also served as producer. During the 1980s she starred in hit movies such as Best Friends (1982), Protocol (1984) and Wildcats (1986). In 1987, she appeared with her boyfriend Kurt Russell in Overboard (1987), which became both a critical and box office disappointment. Her career slowed down after that until 1990 when she starred alongside Mel Gibson in Bird on a Wire (1990). In 1992 she starred in the successful film, Death Becomes Her (1992), with Meryl Streep and Bruce Willis, which was followed by another successful film HouseSitter (1992), which co-starred Steve Martin. In 1996 she played the role of an aging alcoholic actress in the comedy, The First Wives Club (1996), with Diane Keaton and Bette Midler; it became a critical and financial success. She also starred in the Woody Allen film Everyone Says I Love You (1996) and The Out-of-Towners (1999), which reunited her with Martin. In 2001 and 2002 she starred in Town & Country (2001) with Warren Beatty, and The Banger Sisters (2002) with Susan Sarandon.
Goldie has been married twice. First to dancer/director Gus Trikonis from 1969 to 1973. In 1976 she married musician Bill Hudson and became a mother for the first time that year, when she gave birth to their son Oliver Hudson. In 1979, she had her second child with Hudson, daughter Kate Hudson. The marriage ended in divorce in 1980. Since 1983, she has been having a relationship with actor Kurt Russell. Their son Wyatt Russell was born in 1986. Goldie is also a de-facto stepmother to Kurt's son Boston Russell. She has eight grandchildren.- Actress
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Julie Christie, the British movie legend whom Al Pacino called "the most poetic of all actresses," was born in Chabua, Assam, India, on April 14, 1940, the daughter of a tea planter and his Welsh wife Rosemary, who was a painter. The young Christie grew up on her father's plantation before being sent to England for her education. Finishing her studies in Paris, where she had moved to improve her French with an eye to possibly becoming a linguist (she is fluent in French and Italian), the teenager became enamored of the freedom of the Continent. She also was smitten by the bohemian life of artists and planned on becoming an artist before she enrolled in London's Central School of Speech Training. She made her debut as a professional in 1957 as a member of the Frinton Repertory of Essex.
Christie was not fond of the stage, even though it allowed her to travel, including a professional gig in the United States. Her true métier as an actress was film, and she made her debut in the science-fiction television series A for Andromeda (1961) in 1961. Her first film was a girlfriend part in the Ealing-like comedy Crooks Anonymous (1962), which was followed up by a larger ingénue role in another comedy, The Fast Lady (1962). The producers of the James Bond series were sufficiently intrigued by the young actress to consider her for the role that subsequently went to Ursula Andress in Dr. No (1962), but dropped the idea because she was not busty enough.
Christie first worked with the man who would kick her career into high gear, director John Schlesinger, when he choose her as a replacement for the actress originally cast in Billy Liar (1963). Christie's turn in the film as the free-wheeling Liz was a stunner, and she had her first taste of becoming a symbol if not icon of the new British cinema. Her screen presence was such that the great John Ford cast her as the young prostitute in Young Cassidy (1965). Charlton Heston wanted her for his film The War Lord (1965), but the studio refused her salary demands.
Although Amercan magazines portrayed Christie as a "newcomer" when she made her breakthrough to super-stardom in Schlesinger's seminal Swinging Sixties film Darling (1965), she actually had considerable work under her professional belt and was in the process of a artistic quickening. Schlesinger called on Christie, whom he adored, to play the role of mode Diana Scott when the casting of Shirley MacLaine fell through. (MacLaine was the sister of the man who would become Christie's long-time paramour in the late 1960s and early '70s, Warren Beatty, whom some, like actor Rod Steiger, believe she gave up her career for. Her "Dr. Zhivago" co-star, Steiger -- a keen student of acting -- regretted that Christie did not give more of herself to her craft.)
As played by Christie, Diana is an amoral social butterfly who undergoes a metamorphosis from immature sex kitten to jaded socialite. For her complex performance, Christie won raves, including the Best Actress Awards from the Academy of Motion Picture Arts and Sciences and the British Film Academy. She had arrived, especially as she had followed up "Darling" with the role of Lara in two-time Academy Award-winning director David Lean's adaptation of Boris Pasternak's Doctor Zhivago (1965), one of the all-time box-office champs.
Christie was now a superstar who commanded a price of $400,000 per picture, a fact ruefully noted in Charlton Heston's diary (his studio had balked at paying her then-fee of $35,000). More interested in film as an art form than in consolidating her movie stardom, Christie followed up "Zhivago" with a dual role in Fahrenheit 451 (1966) for director François Truffaut, a director she admired. The film was hurt by the director's lack of English and by friction between Truffaut and Christie's male co-star Oskar Werner, who had replaced the the more-appropriate-for-the-role Terence Stamp. Stamp and Christie had been lovers before she had become famous, and he was unsure he could act with her, due to his own ego problems. On his part, Werner resented the attention the smitten Truffaut gave Christie. The film is an interesting failure.
Stamp overcame those ego problems to sign on as her co-star in John Schlesinger's adaptation of Thomas Hardy's Far from the Madding Crowd (1967), which also featured two great English actors, Peter Finch and Alan Bates. It is a film that is far better remembered now than when it was received in 1967. The film and her performance as the Hardy heroine Bathsheba Everdene was lambasted by film critics, many of whom faulted Christie for being too "mod" and thus untrue to one of Hardy's classic tales of fate. Some said that her contemporary Vanessa Redgrave would have been a better choice as Bathsheba, but while it is true that Redgrave is a very fine actress, she lacked the sex appeal and star quality of Christie, which makes the story of three men in love with one woman more plausible, as a film.
Although no one then knew it, the period 1967-68 represented the high-water mark of Christie's career. Fatefully, like the Hardy heroine she had portrayed, she had met the man who transformed her life, undermining her pretensions to a career as a movie star in their seven-year-long love affair, the American actor Warren Beatty. Living his life was always far more important than being a star for Beatty, who viewed the movie star profession as a "treadmill leading to more treadmills" and who was wealthy enough after Bonnie and Clyde (1967) to not have to ever work again. Christie and Beatty had visited a working farm during the production of "Madding Crowd" and had been appalled by the industrial exploitation of the animals. Thereafter, animal rights became a very important subject to Christie. They were kindred souls who remain friends four decades after their affair ended in 1974.
Christie's last box-office hit in which she was the top-liner was Petulia (1968) for Richard Lester, a film that featured one of co-star George C. Scott's greatest performances, perfectly counter-balanced by Christie's portrayal of an "arch-kook" who was emblematic of the '60s. It is one of the major films of the decade, an underrated masterpiece. Despite the presence of the great George C. Scott and the excellent Shirley Knight, the film would not work without Julie Christie. There is frankly no other actress who could have filled the role, bringing that unique presence and the threat of danger that crackled around Christie's electric aura. At this point of her career, she was poised for greatness as a star, greatness as an actress.
And she walked away.
After meeting Beatty, Julie Christie essentially surrendered any aspirations to screen stardom, or at maintaining herself as a top-drawer working actress (success at the box office being a guarantee of the best parts, even in art films.) She turned down the lead in They Shoot Horses, Don't They? (1969) and Anne of the Thousand Days (1969), two parts that garnered Oscar nominations for the second choices, Jane Fonda and Geneviève Bujold. After shooting In Search of Gregory (1969), a critical and box office flop, to fulfill her contractual obligations, she spent her time with Beatty in Calfiornia, renting a beach house at Malibu. She did return to form in Joseph Losey's The Go-Between (1971), a fine picture with a script by the great Harold Pinter, and she won another Oscar nomination as the whore-house proprietor in Robert Altman's minor classic McCabe & Mrs. Miller (1971) that she made with her lover Beatty. However, like Beatty himself, she did not seek steady work, which can be professional suicide for an actor who wants to maintain a standing in the first rank of movie stars.
At the same time, Julie Christie turned down the role of the Russian Empress in Nicholas and Alexandra (1971), another film that won the second-choice (Janet Suzman) a Best Actress Oscar nomination. Two years later, she appeared in the landmark mystery-horror film Don't Look Now (1973), but that likely was as a favor to the director, Nicolas Roeg, who had been her cinematographer on "Fahrenheit 451," "Far From the Madding Crowd" and "Petulia." In the mid '70s, her affair with Beatty came to an end, but the two remained close friends and worked together in Shampoo (1975) (which she regretted due to its depiction of women) and Heaven Can Wait (1978).
Christie was still enough of a star, due to sheer magnetism rather than her own pull at the box-office, to be offered $1 million to play the Jacqueline Kennedy Onassis character in The Greek Tycoon (1978) (a part eventually played by Jacqueline Bisset to no great acclaim). She signed for but was forced to drop out of the lead in Agatha (1979) (which was filled by Vanessa Redgrave) after she broke a wrist roller-skating (a particularly southern Californian fate!). She then signed for the female lead in American Gigolo (1980) when Richard Gere was originally attached to the picture, but dropped out when John Travolta muscled his way into the lead after making twin box-office killings as disco king Tony Manera in Saturday Night Fever (1977) and greaser Danny Zuko in Grease (1978). Christie could never have co-starred with such a camp figure of dubious talent. When Travolta himself dropped out and Gere was subbed back in, it was too late for Christe to reconsider, as the part already had been filled by model-actress Lauren Hutton. It would take 15 years for Christie and Gere to work together.
Finally, the end of the American phase of her movie career was realized when Christie turned down the part of Louise Bryant in Reds (1981), a part written by Warren Beatty with her in mind, as she felt an American should play the role. (Beatty's latest lover, Diane Keaton, played the part and won a Best Actress Oscar nomination.) Still, she remained a part of the film, Beatty's long-gestated labor of love, as it is dedicated to "Jules."
Julie Christie moved back to the UK and become the UK's answer to Jane Fonda, campaigning for various social and political causes, including animal rights and nuclear disarmament. The parts she did take were primarily driven by her social consciousness, such as appearing in Sally Potter's first feature-length film, The Gold Diggers (1983) which was not a remake of the old Avery Hopwood's old warhorse but a feminist parable made entirely by women who all shared the same pay scale. Roles in The Return of the Soldier (1982) with Alan Bates and Glenda Jackson and Merchant-Ivory's Heat and Dust (1983) seemed to herald a return to form, but Christie -- as befits such a symbol of the freedom and lack of conformity of the '60s -- decided to do it her way. She did not go "careering," even though her unique talent and beauty was still very much in demand by filmmakers.
At this point, Christie's movie career went into eclipse. Once again, she was particularly choosy about her work, so much so that many came to see her, essentially, as retired. A career renaissance came in the mid-1990s with her turn as Gertrude in Kenneth Branagh's ambitious if not wholly successful Hamlet (1996). As Christie said at the time, she didn't feel she could turn Branagh down as he was a national treasure. But the best was yet to come: her turn as the faded movie star married to handyman Nick Nolte and romanced by a younger man in Afterglow (1997), which brought her rave notices. She received her third Best Actress Oscar nomination for her performance, and showed up at the awards as radiant and uniquely beautiful as ever. Ever the iconoclast, she was visibly relieved, upon the announcement of the award, to learn that she had lost!
Christie lived with left-wing investigative journalist Duncan Campbell (a Manchester Guardian columnist) since 1979, first in Wales, then in Ojai, California, and now in London's East End, before marrying in January 2008. In addition to her film work, she has narrated many books-on-tape. In 1995, she made a triumphant return to the stage in a London revival of Harold Pinter's "Old Times", which garnered her superb reviews.
In the decade since "Afterglow," she has worked steadily on film in supporting roles. Christie -- an actress who eschewed vulgar stardom -- proved to be an inspiration to her co-star Sarah Polley, the remarkably talented Canadian actress with a leftist political bent who also abhors Hollywood. Of her co-star in No Such Thing (2001) and The Secret Life of Words (2005), Polley says that Christie is uniquely aware of her commodification by the movie industry and the mass media during the 1960s. Not wanting to be reduced to a product, she had rebelled and had assumed control of her life and career. Her attitude makes her one of Polley's heroes, who calls her one of her surrogate mothers. (Polley lost her own mother when she was 11 years old.)
Both Christie and Polley are rebels. Sarah Polley had walked off the set of the big-budget movie that was forecast as her ticket to Hollywood stardom, Almost Famous (2000), to have a different sort of life and career. She returned to her native Canada to appear in the low-budget indie The Law of Enclosures (2000), a prescient art film in that director John Greyson offset the drama with a background of a perpetual Gulf War three years before George W. Bush invaded Iraq, touching off the second-longest war in U.S. history. Taking a hiatus from acting, Polley went to Norman Jewison's Canadian Film Centre to learn to direct, and direct she has, making well-regarded shorts before launching her feature film debut, Away from Her (2006), which was shot and completed in 2006 but held for release until 2007 by its distributor.
Polley, who had longed to be a writer since she was a child actress on the set of the quaint family show Avonlea (1990) wrote the screenplay for her adaptation of Alice Munro's short story "The Bear Went Over the Mountain" with only one actress in mind: Julie Christie. Polley had first read the short story on a flight back from Iceland, where she had made "No Such Thing" with Christie, and as she read, it was Julie whom she pictured as Fiona, the wife of a one-time philandering husband, who has become afflicted with Alzheimer's disease and seeks to save her hubby the pain of looking after her by checking herself into a home.
After finishing the screenplay, it took months to get Christie to commit to making the film. Julie turned her down after reading the script and pondering it for a couple of months, saying "No" even though she liked the script. Polley then had to "twist her arm" for another couple of months. But alas, Julie has a weakness for national treasures: Just like with Branagh a decade ago, the legendary Julie Christie could not deny the Great White North's Sarah Polley, and commit she did. Polley then found out why Christie is so reticent about making movies:
"She gives all of herself to what she does. Once she said yes, she was more committed than anybody."
According to David Germain, a cinema journalist who interviewed Christie for the Associated Press, "Polley and Christie share a desire to do interesting, unusual work, which generally means staying away from Hollywood.
"'It's been a kind of greed and a kind of egotism, but it's not necessarily wanting to avoid the Hollywood thing, but in fact, it incorporates wanting to avoid the Hollywood thing, because the Hollywood thing is so inevitably not original,' Christie said. 'It's avoiding non-originality, so that means you're really down to a very small choice.'"
The collaboration between the two rebels yielded a small gem of a film. Lions Gate Films was so impressed, it purchased the American distribution rights to the film in 2006, then withheld it until the following year to build up momentum for the awards season.
Julie Christie's performance in "Away From Her" is superb, and already has garnered her the National Board of Review's Best Actress Award. She will likely receive her fourth Academy Award nomination, and quite possibly her second Oscar, for her unforgettable performance, a labor of love she did for a friend.
We, the Julie Christie fans who have waited decades for the handful of films made by the numinous star: Would we have wanted it any other way? We are the Red Sox fans of the movies, once again rewarded with a world-class masterpiece by our heroine. Perhaps, like all human beings, we want more, but we have learned over the last thirty-five years to be content with the diamonds that are Julie's leading performances that she gives just once a decade, content to feel that these are a surfeit of riches, our surfeit of riches, so great is their luminescence.- Actress
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Marilu Henner was born on 6 April 1952 in Chicago, Illinois, USA. She is an actress and producer, known for L.A. Story (1991), Taxi (1978) and Noises Off... (1992). She has been married to Michael Brown since 21 December 2006. She was previously married to Robert Lieberman and Frederic Forrest.- Actress
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Jacqueline Bisset has been an international film star since the late '60s. She received her first roles mainly because of her stunning beauty, but over time she has become a fine actress respected by fans and critics alike. Bisset has worked with directors John Huston, François Truffaut, George Cukor and Roman Polanski. Her co-stars have included Anthony Quinn, Paul Newman, Nick Nolte, Jean-Paul Belmondo, Kenneth Branagh and Marcello Mastroianni.
Her somewhat French-sounding name has led many to assume that she is from France, but she was brought up in England and had to study to learn French. Her mother was French and was an attorney before being married. As a child Jacqueline studied ballet. During her teenage years her father left the family when her mother was diagnosed with disseminating sclerosis; Jacqueline worked as a model to support her ailing mother and eventually her parents divorced, an experience she has said she considered character-strengthening. She took an early interest in film, and her modeling career helped pay for acting lessons.
In 1967 Bisset gained her first critical attention in Two for the Road (1967), and that same year appeared in the popular James Bond spoof Casino Royale (1967), playing Miss Goodthighs. In 1968 her career got a boost when Mia Farrow unexpectedly dropped out of the shooting of The Detective (1968); Farrow's marriage to co-star Frank Sinatra was on the rocks, and her role was eventually given to Bisset, who received special billing in the film's credits. In the following year she earned a Golden Globe nomination as Most Promising Newcomer for The Sweet Ride (1968) and gained even more attention playing opposite Steve McQueen in the popular action film Bullitt (1968). In 1970 she was featured in the star-studded disaster film Airport (1970) and had the main role in The Grasshopper (1970). Then she co-starred with Alan Alda in the well-reviewed but commercially underperforming horror movie, The Mephisto Waltz (1971). In 1973 she became recognized in Europe as a serious actress when she played the lead in Truffaut's Day for Night (1973). However, it would be several years before her talents would be taken seriously in the US. Though she scored another domestic hit with Murder on the Orient Express (1974), her part in it, as had often been the case, was decorative. She did appear to good effect in Believe in Me (1971), Le Magnifique (1973), The Sunday Woman (1975) and St. Ives (1976).
Jacqueline's stunning looks and figure made quite a splash in The Deep (1977). Her underwater swimming scenes in that movie inspired the worldwide wet T-shirt craze, and Newsweek magazine declared her "the most beautiful film actress of all time." The film's producer, Peter Guber, said "That T-shirt made me a rich man." However, she hated the wet T-shirt scenes because she felt exploited. At the time of filming she was not told that the filmmakers would shoot the scenes in such a provocative way, and she felt tricked. On the plus side, the huge success of the picture made Bisset officially bankable. She was next seen in high-profile roles in The Greek Tycoon (1978), a thinly disguised fictionalization of the marriage of Jacqueline Kennedy and Aristotle Onassis, and Who Is Killing the Great Chefs of Europe? (1978), for which she received a Golden Globe nomination as Best Actress in a Comedy.
In the early '80s, Bisset starred in the box office disasters When Time Ran Out... (1980) and Inchon (1981), but her well-received turn opposite Candice Bergen in Rich and Famous (1981) between those two films helped gain her recognition as a serious actress from American audiences. She rebounded neatly with Class (1983) and Under the Volcano (1984), getting a Golden Globe nomination as Best Supporting Actress for the latter. She also earned praise for her work in the excellent made-for-cable WWII drama Forbidden (1984), then appeared on network TV in adaptations of Anna Karenina (1985) with Christopher Reeve and Napoleon and Josephine: A Love Story (1987) with Armand Assante. In 1989 she co-starred in the raunchy yet witty comedy Scenes from the Class Struggle in Beverly Hills (1989) and the erotic thriller Wild Orchid (1989), neither of which fared too well, but her output remained consistent. As she transitioned seamlessly out of her ingenue years, smaller-scale productions such as CrimeBroker (1993) and Leave of Absence (1994) would provide Bisset with plum roles, even if they went largely unseen.
In 1996 she was nominated for a César Award, the French equivalent of the Oscar, for her performance in Claude Chabrol's La Cérémonie (1995). She held roles in period pieces like Dangerous Beauty (1998), as well as the Biblical epics Jesus (1999) and In the Beginning (2000). Other notable credits included the miniseries Joan of Arc (1999) alongside Leelee Sobieski, which gained her an Emmy nomination, and The Sleepy Time Gal (2001), which premiered at Sundance but unfortunately was not picked up for theatrical distribution. In 2005 Jacqueline was back on the big screen, playing Keira Knightley's mother in the Domino Harvey biopic Domino (2005) for Tony Scott. In 2006 she appeared in the fourth season of Nip/Tuck (2003) as the ruthless extortionist "James." Bisset then turned in strong performances in Boaz Yakin's disturbing independent drama Death in Love (2008) and the telepic An Old Fashioned Thanksgiving (2008), garnering accolades for both. In 2013 she appeared in BBC's program Dancing on the Edge (2013), for which she finally won her first Golden Globe. She followed that up with the movies Welcome to New York (2014) with Gérard Depardieu and Miss You Already (2015) with Drew Barrymore and Toni Collette.
2016 saw the long-awaited release of Linda Yellen's comedy The Last Film Festival (2016), where Jacqueline was a riot as a washed-up Italian diva alongside Dennis Hopper in his final role. Since then she's kept busy on the indie circuit, appearing in Backstabbing for Beginners (2018) with Ben Kingsley, Here and Now (2018) with Sarah Jessica Parker, and Asher (2018) with Ron Perlman and Famke Janssen, as well as the Amazon original movie Birds of Paradise (2021) and a title role in Loren & Rose (2022).
Bisset has never married, but has been involved in long-term romantic relationships with Canadian actor Michael Sarrazin, Moroccan entrepreneur Victor Drai, Russian ballet dancer Alexander Godunov, Swiss actor Vincent Perez and Turkish martial arts instructor Emin Boztepe. She continues to make numerous films, and frequently participates in film festivals and award ceremonies around the world.Drove me bananas in "The Deep."- Actress
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Dinah Manoff was born in New York City, New York, to screenwriter Arnold Manoff and actress, director, and writer Lee Grant. She began her professional career in the PBS production of "The Great Cherub Knitwear Strike". After subsequent guest appearances on various television series, she received a Tony Award in 1980 for her performance in the Broadway production of Neil Simon's "I Ought To Be In Pictures", a role she reprised in the film version, starring opposite Walter Matthau. Additional theater credits include Broadway's "Leader of the Pack", "Alfred and Victoria", "Kingdom on Earth" and the Los Angeles stage production of "Love Letters", opposite Patrick Cassidy. On television, Manoff was a regular on Witt-Thomas-Harris' Soap (1977) and also appeared in the television movies The Cover Girl and the Cop (1989) (aka "Beauty & Denise"), Raid on Entebbe (1976), For Ladies Only (1981), The Seduction of Gina (1984), A Matter of Sex (1984), Flight 90: Disaster on the Potomac (1984), the miniseries Celebrity (1984) and the NBC movie-of-the-week Babies (1990), with Lindsay Wagner. Manoff's feature film credits include Ordinary People (1980), Grease (1978), Bloodhounds of Broadway (1989), Child's Play (1988), _Backfire (1988).- Actress
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Brooke Bundy was born on 8 August 1943 in New York City, New York, USA. She is an actress and producer, known for A Nightmare on Elm Street 3: Dream Warriors (1987), A Nightmare on Elm Street 4: The Dream Master (1988) and Star Trek: The Next Generation (1987). She was previously married to Peter Helm.