The Women Of Horror Cinema
80 years of women in horror cinema.
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- Actress
- Soundtrack
Elsa Sullivan Lanchester was born into an unconventional a family at the turn of the 20th century. Her parents, James "Shamus" Sullivan and Edith "Biddy" Lanchester, were socialists - very active members of the Social Democratic Federation (SDF) in a rather broad sense - and did not believe in the institution of marriage and being tied to any conventions of legality, for that matter. Her mother had actually been committed to an asylum in 1895 by her father and older brothers because of her unmarried state with James. The incident received worldwide press as the "Lanchester Kidnapping Case."
Elsa had a great desire to become a classical dancer and to that end at age 10 her mother enrolled her at the famed Isadora Duncan's Bellevue School in Paris in 1912. But the uncertainties of WW1 brought her home after only two years. At age 12, she was sent to a co-educational boarding school in Kings Langley, Hertfordshire, England, to teach dance classes in exchange for her education and board. In 1918, she was hired as a dance teacher at Margaret Morris's school on the Isle of Wight.
Next to dance, she loved the music halls of the period, so in 1920 she debuted in a music hall act as an Egyptian dancer. About the same time she founded the Children's Theater in Soho, London and taught there for several years. She made her stage debut in 1922 in the West End play "Thirty Minutes in a Street." In 1924 she and her partner, Harold Scott, opened a London nightclub called the Cave of Harmony. They performed one-act plays by Pirandello and Chekhov and sang cabaret songs. She would later collect and record these and many others. The spot was frequented by literati like Aldous Huxley, H.G. Wells and also James Whale, working in London theater and soon to be directing on Broadway and Hollywood's most famous horror films. Lanchester kept busy including, on her own admission, posing nude for artists. During a 1926 comic performance in the Midnight Follies at London's Metropole, a member of the British Royal family walked out as she sang, "Please Sell No More Drink to My Father." She closed her nightclub in 1928 as her film career began in earnest.
Perhaps not beautiful in the more conventional sense, Lanchester was certainly pretty as a young woman with a turned-up nose that gave her a pert, impish expression, all the more striking with her large, expressive dark eyes and full lips. She had a lithe figure that she carried with the assuredness of her dancing background. Her voice was bright and distinctive, and had a delightful rush and trill that had an almost Scottish burr quality. What clicked on stage would do the same in the movies.
Her first film appearance was actually in an amateur movie by friend and author Evelyn Waugh called The Scarlet Woman: An Ecclesiastical Melodrama (1925). Her formal film debut was in the British movie One of the Best (1927). She continued stage work and became associated in 1927 with a rather self-possessed but keenly dedicated actor, Charles Laughton. He appeared with her in three of four films Lanchester did in 1928. (Three of these were written for her by H.G. Wells). They did a few plays as well and wed in 1929. According to Lanchester, after two years, she discovered Laughton was homosexual but they remained married until his death in 1962. Lanchester declared in a 1958 interview that she kept to a separate career path from her husband. They appeared together on occasion, moving through 1931 with several smart play-like films including Potiphar's Wife (1931) with Laurence Olivier. She had done the play "Payment Deferred" in London in 1930 and followed it to Broadway in 1931.
MGM offered her a contract in 1932. In 1933 Alexander Korda was casting his The Private Life of Henry VIII (1933) and decided that Laughton was the perfect choice - and his wife would be just as perfect as one of Henry's six wives. Her versatility pointed to a part with some comedic elements and fitting more into a caricature. She looked most like Hans Holbein's famous portrait of Anne of Cleves (Henry's fourth wife who was actually somewhat more homely than the painter depicted). In costume Lanchester was charming if not striking. Her interpretation of Anne was a perfect integration with herself, and her scene with Laughton informally playing cards on the marriage bed and deciding on annulment is a high point of the movie.
Of course, it would be hard to mention her film career of the 1930s without mentioning the one role that would forever dog her, Bride of Frankenstein (1935). Having come to Hollywood with Laughton in 1932 (but not permanently until 1939), Lanchester did only a few films up to 1935 and was disappointed enough with Hollywood's reception to return to London for a respite. She was quickly called back by an old friend from London, stage and film associate James Whale, now the noted director of Frankenstein (1931) and The Invisible Man (1933). He wanted her for two parts in Bride: author Mary Shelley and the bride. A central joke of the movie build-up was the tag lines: "WHO will be The Bride of Frankenstein? WHO will dare?"
Indeed, it was no honeymoon for her. For some ten days, Lanchester was wrapped in yards of bandage and covered in heavy makeup. The stand-on-end hairdo was accomplished by combing it over a wire mesh cage. Lanchester was in real agony with her eyes kept taped wide open for long takes - and it showed in her looks of horror. Her monster's screaming and hissing sounds (based on the sounds of Regents Park swans in London) were taped and then run backward to spook-up the effect. She was delightfully melodramatic and picturesque as Wollstonecraft, and her bride would become iconic. Many have considered Bride of Frankenstein (1935) the best of the golden age horror movies.
Lanchester stood out in her next movie with Laughton the next year, Korda's dark Rembrandt (1936), but she only did a few more films for the remainder of the decade. Through the 1940s she was doubly busy - a couple of films per year while regenerating her beloved musical revue sketches. She performed for 10 years at the Turnabout Theater in Hollywood, using old London music hall/cabaret songs and others written for her. Later she would have to split her time further doing a similar act at a supper club called The Bar of Music. By the later 1940s she had become rather matronly, and the roles would settle appropriately. But she always lent her sparkle, as with her charming maid Matilda in The Bishop's Wife (1947). She would be nominated for best supporting actress in Come to the Stable (1949).
She entered the 1950s busy with road touring of her nightclub act with pianist J. Raymond Henderson (who went by "Ray" and who is sometimes confused with popular songwriter Ray Henderson). There was a series of tours to complement Laughton's famous reading tours, called Elsa Lanchester's Private Music Hall which ended in 1952; Elsa Lanchester--Herself which ended in 1961; and once more in 1964 at the Ivar Theater. She was equally busy with a stock of film roles and a large share of TV playhouse theater. She made ten movies with Laughton, the last of which, Witness for the Prosecution (1957) garnered her second supporting actress nomination. But her dizzy Aunt Queenie Holroyd of Bell Book and Candle (1958) is a fond remembrance of that time.
With the two decades from the 1960s to early 1980s, Lanchester was a fixture on episodic TV and an institution in Disney and G-rated fare - perhaps a bit ironic for the unconventional Lanchester. She wrote two autobiographies: "Charles Laughton and I" (1938) and "Elsa Lanchester: Herself" (1983), both recalling her nearly 100 roles before the camera. Lanchester remained humorously reflective in regard to her film career, describing it as "...large parts in lousy pictures and small parts in big pictures." It was the mix of silly, bawdy, and outrageous in her revues that was her great joy: "I was content because I was fully aware that I did not like straight acting but preferred performing direct to an audience. You might call what I do vaudeville. Making a joke, especially impromptu, and getting a big laugh is just plain heaven."--The Bride Of Frankenstein--
--The Ghost Goes West--
--Terror In The Wax Museum--
--Willard--- Actress
- Producer
- Additional Crew
From the age of five, Linda Blair had to get used to the spotlight, first as a child model and then as an actress, when out of 600 applicants she was picked for the role of Regan, the possessed child, in The Exorcist (1973). Linda quickly rose to international fame, won the Golden Globe, and seemed to be set to take the Academy Award for that role, but when it leaked how some parts of the role were not performed by her (the demonic voice was dubbed by Mercedes McCambridge, and eight seconds of a stunt dummy were used) that dream broke, and with that disappointment probably came the first blow to what looked like the beginning of an A-list career.
Over the next few years she had no trouble securing lead roles in a number of pictures, including the highly successful television films Born Innocent (1974) (the #1 TV movie of that year) and Sarah T. - Portrait of a Teenage Alcoholic (1975), as well as the Exorcist sequel Exorcist II: The Heretic (1977). However, when she was peer pressured into buying cocaine at the age of 18, it led to an arrest and subsequent sentencing to three years probation. The much-publicized drug bust caused Linda to be blacklisted in Hollywood, and her career was soon reduced to B-movies and occasional TV guest appearances only.
Although her career never returned to its former glory, Linda proved to be a good sport about embracing the change, and out of the '80s emerged lead roles in two cult classics: the women-in-prison film Chained Heat (1983) and the femme fatale vigilante action film Savage Streets (1984). She continued acting in numerous films throughout the '80s and '90s, including the Exorcist spoof Repossessed (1990). In 1997, she also took to the Broadway stage and starred as "Rizzo" in the revival of "Grease." She received widespread mainstream attention again in the 2000's with the theatrical re-release of the Exorcist, followed by a hosting job on the hit Fox Family TV series Scariest Places on Earth (2000), which ran for six years and followed Linda as she visited notorious "haunted" locations around the world.
Linda was born in St. Louis, Missouri, to Elinore, a real estate agent, and James, an executive headhunter. She has a brother, Jimmy, and a sister, Debbie. Linda has been a Hollywood icon for over 40 years, but it is her first love of animals that has ultimately taken center stage in her life. She now runs the Linda Blair WorldHeart Foundation, a non-profit 501C3 tax deductible organization dedicated to rescuing and rehabilitating abused, neglected, and abandoned animals from the harsh streets of the Los Angeles area, as well as from the overcrowded and overwhelmed city and county animal shelters. She works and lives on the 2-acre rescue sanctuary full-time in California, which was featured on The Today Show in a segment titled "From Devil to Angel." Of course, she also makes frequent appearances at horror fan conventions to celebrate the legacy of The Exorcist (1973) .--The Exorcist--
--Exorcist II--
--Hell Night--
--Witchery--
--Dead Sleep--
--Grotesque--
--Repossessed--
--Sorceress--
--Stranger In The House--- Actress
- Producer
The most beautiful star of the greatest horror masterpiece of Italian film, Black Sunday (1960): Barbara Steele was born on December 29, 1937 in Birkenhead, Cheshire, England. Barbara is loved by her fans for her talent, intelligence, and a dark mysterious beauty that is unique; her face epitomizes either sweet innocence, or malign evil (she is wonderful to watch either way). At first, Barbara studied to become a painter. In 1957, she joined an acting repertory company. Her feature acting debut was in the British comedy Bachelor of Hearts (1958). At age 21, this strikingly lovely lady, with the hauntingly beautiful face, large eyes, sensuous lips and long dark hair got her breakout role by starring in Black Sunday (1960), the quintessential Italian film about witchcraft (it was the directorial debut for cinematographer Mario Bava; with his background, it was exquisitely photographed and atmospheric).
We got to see Barbara, but did not hear her; her voice was dubbed by another actress for international audiences. After its American success, AIP brought Barbara to America, to star in Roger Corman's The Pit and the Pendulum (1961); (though the film was shot entirely in English, again Barbara's own voice was not used). By now, Barbara was typecast by American audiences as a horror star. In 1962, she answered an open-casting call and won a role in Federico Fellini's 8½ (1963); she only had a small role, but it was memorable. Reportedly, Fellini wanted to use her more in the film, but she was contracted to leave Rome to start work on her next horror movie, The Horrible Dr. Hichcock (1962). Being a slow and meticulous director, Fellini's 8½ (1963) was not released until 1963. (Later, when Barbara was cast in lesser roles in lesser movies, she would tell the directors: "I've worked with some of the best directors in the world. I've worked with Fellini!")
More horror movies followed, such as The Ghost (1963), Castle of Blood (1964), An Angel for Satan (1966) and others; this success lead to her being typecast in the horror genre, where she more often than not appeared in Italian movies with a dubbed voice. The nadir was appearing in The Crimson Cult (1968), which was mainly eye candy, with scantily-clad women in a cult. Unfortunately, Barbara got sick of being typecast in horror movies. One of the screen's greatest horror stars, she said in an interview: "I never want to climb out of another freakin' coffin again!" This was sad news for her legion of horror fans; it was also a false-step for Barbara as far as a career move. Back in America, she met screenwriter James Poe; they got married, and remained together for many years.
James Poe wrote an excellent role for Barbara in They Shoot Horses, Don't They? (1969). The role ended up going to Susannah York, and Barbara wouldn't act in movies again for five years. Barbara returned to movies in Caged Heat (1974); she was miscast: a few years before, Barbara would have been one of the beautiful inmates, not the wheelchair-bound warden, but her performance won positive reviews. In 1977, she appeared in a film by Roger Corman, based on the true story of a mentally ill woman, I Never Promised You a Rose Garden (1977). Unfortunately, her scenes wound up on the cutting room floor. Barbara appeared in Pretty Baby (1978), but she was in the background the whole time, and her talents were mostly wasted. Barbara would appear in two more unmemorable movies. She and James Poe got divorced in 1978, he died two years later.
Barbara appeared in the independent film The Silent Scream (1979). Maybe because her ex-husband was now dead, or because her acting career was going nowhere, Barbara retired from acting for a decade. However, she had a great deal of success as a producer. She was an associate producer for the miniseries The Winds of War (1983), and produced War and Remembrance (1988), for which she got an Emmy Award. Her horror fans were delighted when Barbara showed up again, this time on television in Dark Shadows (1991), a revival of the beloved 1960s supernatural soap opera. And she has developed a relative fondness along with a sense of ironic humor about her horror queen status, which was evident in her appearance in Clive Barker's documentary A-Z of Horror (1997).--Black Sunday--
--Pit And The Pendulum--
--The Horrible Dr, Hitchcock--
--Castle Of Blood--
-Long Hair Of Death--
Terror- Creatures From the Grave--
--She Beast--
--An Angel For Satan--
--Curse Of The Crimson Alter--
--They Came From Within--
--Piranha--
The Silent Scream--
--Boneyard Collector--
--Her Morbid Desire--
--The Butterfly Room--- Actress
- Producer
- Director
Vera Farmiga is an American actress who has received an Academy Award nomination for her role in Up in the Air (2009) and Primetime Emmy Award nominations for her roles in Bates Motel (2013) and When They See Us (2019).
She was born Vera Ann Farmiga, the second of seven children, on August 6, 1973, in Clifton, New Jersey, USA, to Ukrainian parents. She did not speak English until the age of six, and was raised in the Ukrainian Catholic home of her mother, Luba (Spas), a schoolteacher, and her father, Michael Farmiga, a computer systems analyst. Her younger sister is actress Taissa Farmiga, who is 21 years her junior. Young Vera was a shy, nearsighted girl, who played piano and folk danced with a Ukrainian touring company in her teens.
In 1991, she graduated from Hunterdon Central Regional High School. Farmiga initially dreamed of becoming an optometrist, but she later changed her mind and studied acting at Syracuse University's School of Performing Arts, graduating in 1995. The following year, she began her professional acting career, making her Broadway debut as an understudy in the play "Taking Sides". Her stage credits included performances in "The Tempest", "Good", "The Seagull", and in a well-reviewed off-Broadway production of "Second-Hand Smoke" (1997). That same year, she made her television debut as the female lead, opposite a then-unknown Heath Ledger, in Fox's adventure series Roar (1997).
In 1998, Farmiga made her big screen debut in the drama Return to Paradise (1998), then played the daughters of Christopher Walken in The Opportunists (1999) and Richard Gere in Autumn in New York (2000). She starred as a working-class mother struggling to keep her life and marriage together while hiding her drug addiction in Down to the Bone (2004), for which she was awarded Best Actress from the 2004 Sundance Film Festival and the Los Angeles Film Critics Association. Farmiga's acting talent shone in a range of characters, from her role as a senator's daughter in The Manchurian Candidate (2004), the wife of a mobster in Running Scared (2006), a humorous prostitute in Breaking and Entering (2006), and a police psychiatrist in The Departed (2006).
In 2010, Farmiga received an Academy Award nomination for Best Actress in a Supporting Role for her performance in Up in the Air (2009). In 2011, she made her directorial debut with the drama Higher Ground (2011), in which she also appeared in the leading role. Although the film had a limited release, Farmiga's direction and performance received attention at several festivals. In 2013, she began starring in the drama thriller series Bates Motel (2013), for which she received a Primetime Emmy Award nomination for Outstanding Lead Actress in a Drama Series in the first season. In 2019, she received a second Primetime Emmy Award nomination, this time in the Outstanding Supporting Actress in a Limited Series or Movie category, for her role in the drama miniseries When They See Us (2019).
Farmiga was formerly married to actor Sebastian Roché, whom she met during production of Roar (1997). The two eloped to the Bahamas after the series ended in 1997. They separated and subsequently divorced in 2004. On September 13, 2008, she married musician Renn Hawkey, with whom she has two children, son Fynn McDonnell (b. 2009) and daughter Gytta Lubov Hawkey (b. 2010). Farmiga lives with her family in Hudson Valley, New York. Her other activities, outside her acting profession, include reading, playing piano, boxing, jujitsu, and spending time with her pet angora goats.--Bates Motel--
--Orphan--
--The Conjuring--- Actress
- Writer
- Producer
Lili Taylor is a well-known and successful American actress. She acts in film, TV and stage. She was born in Glencoe, Illinois, to Marie (Lecour) and George Park Taylor, an artist and hardware store operator. Lili graduated from New Trier High School in 1985. Then, she attended the Theatre School at DePaul University and the Piven Theatre Workshop. Lili first earned fame for acting in the 1988 movie, Mystic Pizza (1988), which co-starred Julia Roberts. Then, she acted in a number of successful movies, including Dogfight (1991) and Short Cuts (1993). But, she was more highly recognized for appearing in the 1996 film, I Shot Andy Warhol (1996), for which she was nominated for several awards. Lili's notable works for television include the TV series, Six Feet Under (2001), and in the television movies, Anne Frank: The Whole Story (2001) and Live from Baghdad (2002). In 2009, she played "Sheriff Lillian Holley" in the movie, Public Enemies (2009). The movie co-starred Johnny Depp, with whom Lili also appeared in the 1993 movie, Arizona Dream (1993). Lili is also a successful stage actress. She has appeared in a number of plays staged on Broadway, including "The Three Sisters" (1997). Lili Taylor continues to act in stage, TV and film. She is married to Nick Flynn and they have a daughter.--The Conjuring--
--The Haunting--
--The Addiction--- Actress
- Producer
- Additional Crew
This attractive, happy go lucky blonde actress, educated at the University of Kansas and a former ballet soloist, first broke into both TV and cinema screens in the mid 1970s and through her appearances in several well remembered horror and sci-fi films, and Dee quickly gained a cult following among the fantasy film fans. Poor Dee always seemed to be on the wrong side of some malevolent person or evil creature....she was pursued by a clan of cannibal killers in The Hills Have Eyes (1977), terrorized by a pack of werewolves in the superb The Howling (1981), got a break from the horror, as a sympathetic mom in the mega sci-fi hit E.T. the Extra-Terrestrial (1982), and nearly ends up lunch for a rabid St. Bernard in the heart stopping Cujo (1983).
In the early 1980s, Wallace-Stone actually shared the screen several times with her then husband Christopher Stone before his unfortunate, early demise from a heart attack in October, 1995.
However, typecasting Dee Wallace-Stone as a horror heroine does not do her justice, as unlike some other scream queens whose careers quickly faded, Dee has gone on to have a very busy and varied acting career, appearing in over 90 feature films to date! Her All-American looks and easy going demeanor has seen Dee often cast as a typical suburban mother, a sympathetic friend, or a trusted ally. Fans warm to her endearing smile and natural warmth, and Dee continues to find herself in constant demand in front of the camera, plus she has her own much visited website.--The Hills Have Eyes--
--The Howling--
--Cujo--
--Critters--
--Popcorn--
--Alligator II--
--The Frighteners--
--Black Circle Boys--
--Killer Instinct--
--Dead End Road--
--B00--
--Scar--
--Headspace--
--J-ok'el--
--Abominable--
--The Lost--
--The Plague--
--Stem cell--
--House Of The Devil--
--Raven--
--Beyond--
--Hansel & Gretel--- Actress
- Writer
- Camera and Electrical Department
Canadian-born Fay Wray was brought up in Los Angeles and entered films at an early age. She was barely in her teens when she started working as an extra. She began her career as a heroine in westerns at Universal during the silent era. In 1926 the Western Association of Motion Picture Advertisers selected 13 young starlets it deemed most likely to succeed in pictures. Fay was chosen as one of these starlets, along with Janet Gaynor and Mary Astor. Fame would indeed come to Fay when she played another heroine in Erich von Stroheim's The Wedding March (1928). She continued playing leads in a number of films, such as the good-bad girl in Thunderbolt (1929). By the early 1930s she was at Paramount working with Gary Cooper and Jack Holt in a number of average films, such as Master of Men (1933). She also appeared in such horror films as Doctor X (1932) and The Vampire Bat (1933). In 1933 Fay was approached by producer Merian C. Cooper, who told her that he had a part for her in a picture in which she would be working with a tall, dark leading man. What he didn't tell her was that her "tall, dark leading man" was a giant gorilla, and the picture turned out to be the classic King Kong (1933). Perhaps no one in the history of pictures could scream more dramatically than Fay, and she really put on a show in "Kong". Her character provided a combination of sex appeal, vulnerability and lung capacity as she was stalked by the giant beast all the way to the top of the Empire State Building. That was as far as Fay would rise, however, as this was, after all, just another horror movie. After "Kong", she began a slow decline that put her into low-budget action films by the mid '30s. In 1939 her 11-year marriage to screenwriter John Monk Saunders ended in divorce, and her career was almost finished. In 1942 she remarried and retired from the screen, forever to be remembered as the "beauty who killed the beast" in "King Kong". However, in 1953 she made a comeback, playing mature character roles, and also appeared on television as Catherine, Natalie Wood's mother, in The Pride of the Family (1953). She continued to appear in films until 1958 and television into the 1960s.--King Kong--
--Vampire Bat--
--Doctor X--
--The Clairvoyant--
--Black Moon--
--The Most Dangerous Game--
--Vampire Bat--- Actress
- Producer
- Additional Crew
Sheri Moon Zombie was born Sheri Lyn Skurkis. She is the daughter of Carol A. and William B. Skurkis, and has Lithuanian and Polish ancestry. She was raised in Torrington, Connecticut, from a young age. In her late teens, Sheri moved to California, but continued to spend a great deal of time in the New England state, due to education and work commitments. Throughout her twenties, Sheri was a model and a dancer, appearing in many music videos. These were mostly for her then-musician boyfriend, Rob Zombie, whom she later married in 2002 on Halloween. Sheri didn't start acting until 2002, when she landed the role of "Baby" in the horror, House of 1000 Corpses (2003), which was directed by her now-husband, Rob Zombie. This was her first role in a number of commercially successful horror flicks that he directed, including The Devil's Rejects (2005), Halloween (2007) and Halloween II (2009), as well as a brief film segment for Grindhouse (2007) called "Werewolf Women of the SS". She also had an additional role in Tobe Hooper's Toolbox Murders (2004). Her next film role is The Lords of Salem (2012), which is to be directed by Rob Zombie. Further to her movie roles, she has starred in one episode, each, of Californication (2007) and CSI: Miami (2002), the latter being directed by her husband. She has also lent her voice to a character in the animated film, The Haunted World of El Superbeasto (2009), again directed by her husband. Her early roles led to USA Today describing her, in 2007, as one of the modern era's "Scream Queens", with this colourful image still persisting in 2011. Unlike many "Scream Queens", Sheri has acquired a large male fanbase, due to certain roles allowing her to exhibit her natural beauty and shapely figure. Finally, in addition to her acting success, she has ventured into the world of clothing design, with her obvious talent finally bursting through. The range is known as "Total Skull" and includes a variety of short sleeve and long sleeve T-shirts for both men and women, as well as hats, hoodies, masks, bandanas and scarfs.--Halloween (2007)--
--Halloween II (2009)--
--The Devils Rejects--
--The Toolbox Murders--
--The Lords Of Salem--- Actress
- Producer
- Writer
Brooke Adams was born on February 8, 1949 in New York City, to Rosalind (Gould), an actress, and Robert Kaufmann Adams, a former CBS vice president. She was educated at the prestigious High School for the Performing Arts and the School of the American Ballet.
Starting her career on the stage, her film career took off with a break through role opposite Richard Gere and Sam Shepard in Terrence Malick's Days of Heaven (1978). She also starred in Philip Kaufman's Invasion of the Body Snatchers (1978), and repeated her off-Broadway role in the film version of Kevin Wade's romantic comedy Key Exchange (1985). Other film credits include Gas Food Lodging (1992), The Dead Zone (1983) opposite Christopher Walken, Cuba (1979) with Sean Connery, and Tell Me a Riddle (1980). She produced and starred in Made-Up (2002), written by her sister Lynne Adams.
Her stage credits include The Heidi Chronicles on Broadway, Key Exchange at the Orpheum, Split at The Second Stage, The Old Neighborhood at A.R.T. If Memory Serves at the Pasadena Playhouse, The Philanderer at Yale Rep, The Cherry Orchard at The Atlantic Theatre Co. and Lend Me a tenor on Broadway with her husband Tony Shalhoub directed by Stanley Tucci. She has most recently starred in Samuel Becket's Happy Days with her husband Tony Shalhoub.
On television, she has appeared in Thirtysomething (1987), Moonlighting (1985), Family (1976), The Lion of Africa (1987), Special People (1984), the miniseries Lace (1984) and Lace II (1985), 5 episodes of Monk (2002), BrainDead (2016) on CBS and is writing, producing, directing, and starring in a web-series, All Downhill from Here (2015).--Invasion Of The Body Snatchers (1978)--
--Shock Waves--
--Dead Zone--
--The Unborn--
--The Legend Of Lucy Keys--
--The Stuff--
--Sometimes They Come Back--
--Song Of The Succubus--
--Murder In The Rue Morgue--- Actress
- Soundtrack
Diminutive, fiery-tempered Simone Simon was born in France, but spent much of her early childhood in Madagascar, where her father managed a graphite mine. Her schooling was somewhat unsettled, her family moving from city to city (Berlin, Budapest, Turin) before finally establishing themselves in Paris in 1930. Simone started as a dress designer, fashion model and occasional performer in stage musicals. She eventually met the director Marc Allégret, who took her under his wing. Her film debut was in 1931 and she had her first major hit as Jean Gabin's co-star in La Bête Humaine (1938), directed by Jean Renoir.
There were two halves to Simone's history in Hollywood. In 1936, Darryl F. Zanuck signed her to a contract at 20th Century Fox on the strength of a picture she had made two years earlier, Allegret's Ladies Lake (1934). She was launched with an expensive publicity campaign which accentuated her continental allure, particularly, her 'sexy pout'. During her tenure, problems surfaced regarding her command of English and also her limited singing skills. Dissatisfied with the roles she was given, Simone returned to France and 'La Bete Humaine'. She made a second attempt at Hollywood, acting in William Dieterle's The Devil and Daniel Webster (1941) as Belle, the devil's handmaiden. The New York Times review of October 17 considered her 'completely out of key'. Simone's best work, however, was to come in the shape of the cult horror classic Cat People (1942). Producer Val Lewton and director Jacques Tourneur used her triangular-faced feline qualities to best effect in the story of a girl who obsesses about an ancient Balkan curse turning her into a panther. The film was stylish and subtle, creating imagined rather than actual menace. Simone's performance was commensurate with perfectly studied cat-like mannerisms. During the production of 'Cat People', Simone was under FBI surveillance because of her relationship with MI5 spy Dusko Popov. She made two further, less successful, films at RKO, then returned to France for good. Simone made several films there and worked on the stage. In spite of many affairs and relationships, she never married.--Cat People--
--Curse Of The People--- Actress
- Writer
- Soundtrack
Sara Paxton was born in Woodland Hills, California. At a young age she began acting in television commercials.
She was cast in her first film at the age of 8 as a child at school and at the party in Liar Liar (1997). Her first major television series role was on the WB's Greetings from Tucson (2002). She filmed Sleepover (2004) in fall 2003 (released July 9, 2004), was in Aquamarine (2006) with Julia Roberts' niece, Emma Roberts. Her movie Return to Halloweentown (2006) opened on October 20, 2006. She has also starred in television shows such as SpongeBob SquarePants (1999) and Malcolm in the Middle (2000). She had a recurring TV role on the WB's Summerland (2004).
Sara Paxton graduated from El Camino Real High School in Woodland Hills in 2006 and is fluent in both English and Spanish.--The Innkeepers--
--Last House On The Left--
--Shark Night 3D--
--Blue-Eyed Butcher--
--Static--
--Cheap Thrills--- Actress
- Producer
- Soundtrack
Anna Paquin is the first millennial to have received an Academy Award nomination for acting, and the first to win.
She was born on July 24, 1982 in Winnipeg, Manitoba, Canada, to Mary (Brophy), an English teacher from Wellington, New Zealand, and Brian Paquin, a Canadian phys-ed teacher. Anna moved to her mother's native country when she was four years old. Her first acting job ever was at age nine in the movie The Piano (1993), which was shot in New Zealand. At age 16, she relocated to Los Angeles where she completed her last two years of high school (graduating in 2000). She then moved to New York where she attended Columbia University for one year. Between 2001 and 2004, she worked almost exclusively on stage in both New York and London. In 2007, Anna was cast in HBO's True Blood (2008), which concluded shooting its seventh and final season in 2014.--Darkness--
--Trick 'r Treat--
--Scream 4--
--Open House--
--True Blood--- Actress
- Writer
- Producer
Heather Langenkamp was born in Tulsa, Oklahoma, USA. She got her start in acting when she was cast as an extra in the Francis Ford Coppola films The Outsiders (1983) and Rumble Fish (1983), which were both filmed in Tulsa. Her scenes were deleted from the final cut of both films. While studying at Stanford University, she rose to international prominence when Wes Craven cast her as Nancy Thompson in A Nightmare on Elm Street (1984). After a string of television guest appearances, she returned as Nancy in the 1987 sequel A Nightmare on Elm Street 3: Dream Warriors (1987). Subsequently, she became known for her role as the moralistic Marie Lubbock on the ABC television series Just the Ten of Us (1987), a spin-off of the popular ABC situation comedy Growing Pains (1985) (on which she guest-starred), from 1988 to 1990. In 1994, she portrayed fictionalized versions of herself in New Nightmare (1994) and the figure skater Nancy Kerrigan in Tonya & Nancy: The Inside Story (1994). The following year, she had a supporting role as the reporter Christy Carruthers in the horror film The Demolitionist (1995). She served as executive producer and narrator for the documentary Never Sleep Again: The Elm Street Legacy (2010), followed by roles in The Butterfly Room (2012), Star Trek Into Darkness (2013), and Truth or Dare (2017). She has since starred in a variety of independent films. She co-owns AFX Studio, a company responsible for the special effects for films such as Dawn of the Dead (2004) and The Cabin in the Woods (2011). She has been married to David LeRoy Anderson since 1990. They have two children. She was previously married to Alan Pasqua.--A Nightmare On Elm Street--
--Nightmare On Elm Street III: --
--Shocker--
--Wes Cravens New Nightmare--- Actress
- Writer
Best known as Hammer Films' most seductive female vampire of the early 1970s, the Polish-born Pitt possessed dark, alluring features and a sexy figure that made her just right for Gothic horror! Ingrid Pitt (born Ingoushka Petrov) survived World War II and became a well-known actress on the East Berlin stage, however, she did not appear on screen until well into her twenties. She appeared in several minor roles in Spanish films in the mid 1960s, mostly uncredited, before landing the supporting role of undercover agent "Heidi", assisting Clint Eastwood and Richard Burton defeat the Third Reich in Where Eagles Dare (1968).
Her exotic looks and eastern European accent came to the notice of Hammer executives who cast Pitt as vampiress "Mircalla" in the sensual horror thriller The Vampire Lovers (1970). The film was a box office success with its blend of horror and sexual overtones, and Pitt was a beautiful, yet ferocious bloodsucker. Next up, Pitt was cast by Amicus Productions as another gorgeous vampire in the episode entitled "The Cloak" in the superb The House That Dripped Blood (1971). This time, Ingrid played an actress appearing in horror films alongside screen vampire Jon Pertwee, but then later reveals herself to be a real vampire keen on recruiting fresh blood.
Ingrid donned the fangs for her third vampire film in a row, Countess Dracula (1971) which was loosely based around the legend of the 16th century bloodthirsty Countess Elizabeth Bathory. Whilst not as successful, as the two prior outings, Ingrid Pitt had firmly established herself as one of the key ladies of British horror of the 1970s. She then appeared in the underrated at the time - now widely regarded as a classic - The Wicker Man (1973) as an uncooperative civil servant annoying Edward Woodward in his search for a missing child. Further work followed in The Final Option (1982), as "Elvira" in the adaptation of the John le Carré Cold War thriller Smiley's People (1982), Wild Geese II (1985) and The Asylum (2000).
Ingrid Pitt made regular appearances at horror conventions and fan gatherings, had penned several books on her horror career, and she relished talking to fans about her on screen vampiric exploits. Ingrid's fan club is known as the "Pitt of Horror"! A much loved and genuine cult figure of modern horror cinema, she died on November 23, 2010, just two days after her 73rd birthday.--Vampire Lovers--
--Countess Dracula--
--The Wicker Man--
--The House That Dripped Blood--
--Underworld--
--The Omegans--
--Sound Of Horror--
--Asylum--- Jordan Ladd was born on 14 January 1975 in Hollywood, Los Angeles, California, USA. She is an actress, known for Death Proof (2007), Never Been Kissed (1999) and Cabin Fever (2002). She was previously married to Conor O'Neill.--Cabin Fever--
--Death Proof--
--Hostel: Part II--
--Inland Empire--
--Madhouse--
--Embrace Of The Vampire--
--Murder On The 13th Floor--
--Club Dread-- - Actress
- Producer
- Director
Jamie Lee Curtis was born on November 22, 1958 in Los Angeles, California, the daughter of legendary actors Janet Leigh and Tony Curtis. She got her big break at acting in 1978 when she won the role of Laurie Strode in Halloween (1978). After that, she became famous for roles in movies like Trading Places (1983), Perfect (1985) and A Fish Called Wanda (1988). She starred in one of the biggest action films ever, True Lies (1994), for which she won a Golden Globe Award for her performance. Curtis also appeared on Buck Rogers in the 25th Century (1979), and starred in Death of a Centerfold: The Dorothy Stratten Story (1981) as the title role. Her first starring role was opposite Richard Lewis on the ABC situation comedy Anything But Love (1989). In 1998, she starred in Halloween H20: 20 Years Later (1998) in which she reprised her role that made her famous back in 1978.
Jamie Lee served as an honorary chairperson for the Building Resilience for Young Children Dealing with Trauma program held at the Shakespeare Theatre - Harman Center for the Arts in Washington, D.C. She was an inspiration for the youth that were celebrated. Curtis was also given an award from US Department of Health and Human Services Kathleen Sebelius and National Endowment for the Arts Chairman Rocco Landesman for her work on behalf of children through her charities and children's books.--Halloween--
--Halloween II--
--The Fog--
--Prom Night--
--Terror Train--
--Halloween H2O--
--Halloween: Resurrection--- Actress
- Director
- Writer
Asia Argento was born in Rome, Italy, into a family of actors and filmmakers, both occupations which she has herself pursued. She made her debut when she was only nine years old in Sergio Citti's Sogni e bisogni (1985). In 1988 she had the leading role in Cristina Comencini's first film, Zoo (1988), and was part of the cast of The Church (1989), directed by Michele Soavi. The following year she played Nanni Moretti's daughter in Red Wood Pigeon (1989) (also directed by Moretti).
It was with Close Friends (1992), written and directed by Michele Placido, that Asia's career really took off and she was able to move on from playing very young girls to more mature, complex roles. The movie was well-received at the Cannes International Film Festival. In Trauma (1993), she worked for the first time with her father, famed Italian horror director Dario Argento (her mother is one of Argento's favorite actresses, Daria Nicolodi, playing an anorexic girl in search of her parents' killer. The Phantom of the Opera (1998) is the third film she has made with her father, the others being Trauma (1993) (filmed in the US) and The Stendhal Syndrome (1996).
Asia's absorbed, intense style of acting was well-used in Giuseppe Piccioni's Condannato a nozze (1993). In 1993 she co-starred in Carlo Verdone's Perdiamoci di vista (1994) in which she played Arianna, a physically disabled girl--an intricate, difficult role that won her the David di Donatello for best actress (1993-1994). She also had a featured role in the international cast of Queen Margot (1994), directed by Patrice Chéreau. In 1995 she worked with Michel Piccoli in Peter Del Monte's Traveling Companion (1996), which again won her a David di Donatello and a Grolla d'oro.
In 1994 Asia turned her hand to directing and turned out two short films: "Prospettive" (an episode of the film DeGeneration (1994)) and "A ritroso". In 1996 she directed a documentary on her father and, in 1998, one on cult director Abel Ferrara, Abel/Asia (1998), which won an award at the Rome Film Festival. In 1999 Asia made her feature-directing debut with Scarlet Diva (2000), in which she was the leading actress and author of the screenplay. The film was released in May 2000 in Italy and the rest of the world. It won an award at the Williamsburg Film Festival in Brooklyn, New York. In 2001, after directing a number of music videos, she gave birth to her first daughter, Anna Lou. In 2002 she starred in The Red Siren (2002) by Olivier Megaton with Jean-Marc Barr and the action thriller xXx (2002), directed by Rob Cohen, with Vin Diesel.
Asia is also the author of a number of short stories published in many prestigious magazines such as "Dynamo," "L'Espresso," "Sette," and "Village," Her first novel, "I Love You, Kirk," was published in Italy by Frassinelli Editrice in October 1999 and in France by Florent Massot in 2001.--Land Of The Dead--
--The Church--
--Demons 2--
--Mother Of Tears--
--Dracula 3D--
--Love Bites--
--The Stendhal Syndrome--- Actress
- Producer
- Editorial Department
Emmy Award-winning Sarah Michelle Gellar was born on April 14, 1977 in New York City, the daughter of Rosellen (Greenfield), who taught at a nursery school, and Arthur Gellar, who worked in the garment industry. She is of Russian Jewish and Hungarian Jewish descent.
Eating in a local restaurant, Sarah was discovered by an agent when she was four years old. Soon after, she was making her first movie An Invasion of Privacy (1983). Besides a long list of movies, she has also appeared in many TV commercials and on the stage. Her breakthrough came with the television series Swans Crossing (1992). In 1997, she became known to the cinema audience when she appeared in two movies: I Know What You Did Last Summer (1997) and Scream 2 (1997). But she is most commonly known for her title role in the long-running television series Buffy the Vampire Slayer (1997). She also won an Emmy Award for her performance as Kendall Hart on the soap opera All My Children (1970).
Sarah has since starred in many films, including Simply Irresistible (1999), Cruel Intentions (1999), and the live-action Scooby-Doo (2002) movies as the lovable Daphne Blake. She also provided her voice to several movies, including Small Soldiers (1998), Happily N'Ever After (2006) and TMNT (2007), starred in the box office hit The Grudge (2004), and co-starred with Robin Williams and James Wolk in the television series The Crazy Ones (2013).
She resides in Los Angeles, California, with her husband, Freddie Prinze Jr.. They have been married since 2002, and have two children.--The Grudge--
--The Grudge II--
--Scream 4--
--The Return--
--I Know What You Did Last Summer--
--Buffy The Vampire Slayer--- Hollywood leading lady in B-movies, and supporting actress in big budget films. Although remembered for her portrayal of "Mme. Zola" in The Life of Emile Zola (1937), she is most memorable for her chilling-yet-beauteous performance as Dracula's Daughter (1936). She had another memorable role in director Tod Browning's Miracles for Sale (1939).--Dracula's Daughter--
--Return Of Chandu-- - Actress
- Writer
- Producer
Heather Donahue was born on 22 December 1974 in Upper Darby, Pennsylvania, USA. She is an actress and writer, known for The Blair Witch Project (1999), Taken (2002) and Seven and a Match (2001).--The Blair Witch Project--
--The Morgue--
--Manticore--- Actress
- Writer
- Composer
Karen entered Northwestern University at 18 and left two years later. She studied under Lee Strasberg in New York and worked in a number of off-Broadway roles. She made a critically acclaimed debut on Broadway in 1965 in "The Playroom". Her first big film role was in You're a Big Boy Now (1966), directed by Francis Ford Coppola. Shortly after wards, she appeared as Marcia in the TV series The Second Hundred Years (1967).
The film that made her a star was Easy Rider (1969), where she worked with Dennis Hopper, Peter Fonda, and a supporting actor named Jack Nicholson. She appeared with Nicholson again the next year when they starred in Five Easy Pieces (1970), which garnered an Academy Award nomination and a Golden Globe for Karen. Her roles mainly consisted of waitresses, hookers and women on the edge. Some of her later films were disappointments at the box office, but she did receive another Golden Globe for The Great Gatsby (1974). One role for which she is well remembered is that of the jewel thief in Alfred Hitchcock's last film, Family Plot (1976). Another is as the woman terrorized in her apartment by a murderous Zuni doll come to life in the well received TV movie Trilogy of Terror (1975). After a number of forgettable movies, she again won rave reviews for her role in Come Back to the 5 & Dime Jimmy Dean, Jimmy Dean (1982). Since then, her film career has been busy, but the quality of the films has been uneven.--The Pyx--
--Trilogy Of Terror--
--Burnt Offerings--
--Killer Fish--
--Invaders From Mares--
--Out Of The Dark--
--Evil Spirits--
----It's Alive: Island Of The Alive--
--Haunting Fear--
--Mirror Mirror--
--Children Of The Night--
--Auntie Lee's Meat Pies--
--Children Of The Corn: The gathering--
-- Soul Keeper--
--A light In The Darkness--
--Curse Of The Forty-Niner--
--House Of 1000 Corpses--
--Dr, Rage--
--Ooga Booga--- Actress
- Make-Up Department
- Producer
Ruth Elizabeth Davis was born April 5, 1908, in Lowell, Massachusetts, to Ruth Augusta (Favor) and Harlow Morrell Davis, a patent attorney. Her parents divorced when she was 10. She and her sister were raised by their mother. Her early interest was dance. To Bette, dancers led a glamorous life, but then she discovered the stage, and gave up dancing for acting. To her, it presented much more of a challenge.
After graduation from Cushing Academy, she was refused admittance to Eva Le Gallienne's Manhattan Civic Repertory. She enrolled in John Murray Anderson's Dramatic School and was the star pupil. She was in the off-Broadway play "The Earth Between" (1923), and her Broadway debut in 1929 was in "Broken Dishes". She also appeared in "Solid South". Late in 1930, she was hired by Universal, where she made her first film, called Bad Sister (1931). When she arrived in Hollywood, the studio representative who went to meet her train left without her because he could find no one who looked like a movie star. An official at Universal complained she had "as much sex appeal as Slim Summerville" and her performance in "Bad Sister" didn't impress.
In 1932, she signed a seven-year deal with Warner Brothers Pictures. Her first film with them was The Man Who Played God (1932). She became a star after this appearance, known as the actress that could play a variety of very strong and complex roles. More fairly successful movies followed, but it was the role of Mildred Rogers in RKO's Of Human Bondage (1934) that would give Bette major acclaim from the film critics. She had a significant number of write-in votes for the Best Actress Oscar, but didn't win. Warner Bros. felt their seven-year deal with Bette was more than justified. They had a genuine star on their hands. With this success under her belt, she began pushing for stronger and more meaningful roles. In 1935, she received her first Oscar for her role in Dangerous (1935) as Joyce Heath.
In 1936, she was suspended without pay for turning down a role that she deemed unworthy of her talent. She went to England, where she had planned to make movies, but was stopped by Warner Bros. because she was still under contract to them. They did not want her to work anywhere. Although she sued to get out of her contract, she lost. Still, they began to take her more seriously after that.
Returning after losing her lawsuit, her roles improved dramatically. In 1938, Bette received a second Academy Award win for her work in Jezebel (1938) opposite the soon-to-be-legendary Henry Fonda. The only role she didn't get that she wanted was Scarlett O'Hara in Gone with the Wind (1939). Warners wouldn't loan her to David O. Selznick unless he hired Errol Flynn to play Rhett Butler, which both Selznick and Davis thought was a terrible choice. It was rumored she had numerous affairs, among them George Brent and William Wyler, and she was married four times, three of which ended in divorce. She admitted her career always came first.
She made many successful films in the 1940s, but each picture was weaker than the last and by the time her Warner Brothers contract had ended in 1949, she had been reduced to appearing in such films as the unintentionally hilarious Beyond the Forest (1949). She made a huge comeback in 1950 when she replaced an ill Claudette Colbert in, and received an Oscar nomination for, All About Eve (1950). She worked in films through the 1950s, but her career eventually came to a standstill, and in 1961 she placed a now famous Job Wanted ad in the trade papers.
She received an Oscar nomination for her role as a demented former child star in What Ever Happened to Baby Jane? (1962). This brought about a new round of super-stardom for generations of fans who were not familiar with her work. Two years later, she starred in Hush...Hush, Sweet Charlotte (1964). Bette was married four times.
In 1977 she received the AFI's Lifetime Achievement Award and in 1979 she won a Best Actress Emmy for Strangers: The Story of a Mother and Daughter (1979). In 1977-78 she moved from Connecticut to Los Angeles and filmed a pilot for the series Hotel (1983), which she called Brothel. She refused to do the TV series and suffered a stroke during this time.
Her last marriage, to actor Gary Merrill, lasted ten years, longer than any of the previous three. In 1985, her daughter Barbara Davis ("B.D.") Hyman published a scandalous book about Bette called "My Mother's Keeper." Bette worked in the later 1980s in films and TV, even though a stroke had impaired her appearance and mobility. She wrote a book, "This 'N That", during her recovery from the stroke. Her last book was "Bette Davis, The Lonely Life", issued in paperback in 1990. It included an update from 1962 to 1989. She wrote the last chapter in San Sebastian, Spain.
Sadly, Bette Davis died on October 6, 1989, of metastasized breast cancer, in Neuilly-sur-Seine, Hauts-de-Seine, France. Many of her fans refused to believe she was gone.--Whatever Happened To Baby Jane--
--Hush Hush Sweet Charlotte--
--The Nanny--
--Scream Pretty Peggy--
--Dead Ringer--
--Harvest Home--
--Burnt Offerings--
--Wicked Step Mother--- Actress
- Producer
- Writer
Felissa Rose Esposito grew up in New York always wanting to perform. At the age of 13, she landed the role of Angela in the cult film Sleepaway Camp (1983). At the age of 17, she applied for early admission to New York University's Tisch School of the Arts and was admitted that fall. Attending The Lee Strasberg institute, she began formal training as a serious actress.
Performing in plays around Manhattan put her hard work to the test. Felissa played Denise Savage in Savage in "Limbo," Karen in "Phone Sex," Renée in David Henry Hwang's "M.Butterfly," Willie in "This Property is Condemned," Desdemona in William Shakespeare's "Othello," and many more. Film work includes Woody Allen's Another Woman (1988), Pain and Suffering, The Night We Never Met (1993), and MTV's The Party Phone Series opposite Adam Sandler. She is currently working with NY Dinner Theater and plays Louise in Disorganized Crime as well as pursuing TV and film work.--Sleep Away Camp--
--Sleep Away Camp II--
--Satan's Playground--
--The Perfect House--
--Dropping Evil--
--Crazy Fat Ethel--
--Poe, Beneath The Hate--
--Silent Night Zombie Night--
-- Dahmer vs Gacy--
--Psycho Sleepover--
--Sludge--- Born in Birmingham, England, Hazel Court carried on a love affair with the world of movies and make-believe that made her a leading student at her hometown's School of Drama and later helped her land a contract with the J. Arthur Rank Organisation. Graduating from bits to supporting roles to leads, Court worked in English films from the mid-'40s until the early 1960s, when she relocated to Hollywood. The flame-haired Court was married to Irish actor Dermot Walsh before she married American actor-director Don Taylor.--Masque Of The Red Death--
--The Curse Of Frankenstein--
--Premature Burial--
--The Raven--
--Omen III: The Final Conflict--
--Doctor Blood's Coffin--
--Devil Girls From Mars--
--Ghost Ship-- - Actress
- Soundtrack
Daveigh Chase was born on July 24, 1990 in Las Vegas, Nevada. She was raised in the small town of Albany, Oregon; where she continues to spend much of her time. She began singing and dancing in her hometown and other local areas at community events and shows starting at age 3. After visiting Los Angeles, she did her first commercial for Campbell's Soup at age 7. At this time, she was also offered a starring role in the Musical Theatre production "Utah!". At age 8, she auditioned for the the voice of "Lilo", and tested at CBS network for her first television series. She continued to test and be cast as a series regular, working on many different television pilots, before finally FOX picked up the show Oliver Beene (2003) in which Daveigh starred as Oliver's quirky best friend "Joyce". In the meantime, she appeared in several movies, including Donnie Darko (2001), in which she played Donnie's youngest sister and was a member of the "Sparkle Motion" dance group; and "R.L. Stines The Haunted Lighthouse" which continues to show at various Busch Garden Theme Parks. In 2003, she won the "Best Villian" award at the MTV Movie Awards for her work as "Samara" in DreamWorks hit, The Ring (2002). She is the voice of "Lilo" from the hit animated and Oscar nominated Disney feature film, Lilo & Stitch (2002), and she continues to voice "Lilo" for the Disney Channel series, as well as various DVD's and video games. Daveigh is also cast as the English voice of the lead heroine "Chihiro" in Hayao Miyazaki and Studio Gibli's Spirited Away (2001) (aka Spirited Away) which won the 2002 Oscar for Best Animated Film.
Daveigh is also a very talented singer. Back in 1999, she had the opportunity to join up as lead singer with a small band and take the stage as an opening act for Reba McEntire and, later on, sang "Holly Jolly Christmas" for the "School's Out! Christmas" album released by Universal Records Hip-O Records, which also features the voices of other child stars, including Mae Whitman, Evan Rachel Wood, Jesse McCartney, and others. She was handpicked by director Steven Spielberg to sing "God Bless America" in his film, A.I. Artificial Intelligence (2001); and in the Oliver Beene (2003) episode, entitled Oliver & the Otters (2004), Daveigh was given the opportunity to showcase her talent by singing the hit 60s song, "Tossin' and Turnin'". She has since recorded four original songs.
Outside of the entertainment industry, some of Daveigh's favorite activities are surfing, horseback riding, dancing, reading, and just hanging out with family & friends.--The Ring--
--The Ring II--
--Donnie Darko--
--S. Darko--
--The Rats--- Actress
- Director
- Soundtrack
Lindy Booth was born on April 2, 1979, in Oakville, Ontario, Canada. She played "Riley Grant" on the Disney Channel series, The Famous Jett Jackson (1998) (and "Agent Hawk" in the show-within-a-show, "Silverstone"). Other credits include guest-starring as different characters in two different episodes of the A&E Network series, A Nero Wolfe Mystery (2001), and a recurring role in season two of the USA Network series, The 4400 (2004).-- Dawn Of The Dead--
--Wrong Turn--
--Cry Wolf--
--Behind The Wall--
--Dark Honeymoon--
--American Psycho II: All American Girl--
--The Skulls II-
--Teenage Space Vampires--- Actress
- Writer
- Soundtrack
Pam Grier was born in Winston-Salem, NC, one of four children of Gwendolyn Sylvia (Samuels), a nurse, and Clarence Ransom Grier Jr., an Air Force mechanic. Pam has been a major African-American star from the early 1970s. Her career started in 1971, when Roger Corman of New World Pictures launched her with The Big Doll House (1971), about a women's penitentiary, and The Big Bird Cage (1972). Her strong role put her into a five-year contract with Samuel Z. Arkoff of American-International Pictures, and she became a leading lady in action films such as Jack Hill's Coffy (1973) and Foxy Brown (1974), the comic strip character Friday Foster (1975) and William Girdler's 'Sheba, Baby' (1975). She continued working with American-International, where she portrayed William Marshall's vampire victim in the Blacula (1972) sequel, Scream Blacula Scream (1973).
During the 1980s she became a regular on Miami Vice (1984) and played a supporting role as an evil witch in Ray Bradbury's and Walt Disney Pictures' Something Wicked This Way Comes (1983), then returned to action as Steven Seagal's partner in Above the Law (1988). Her most famous role of the 1990s was probably Jackie Brown (1997), directed by Quentin Tarantino, which was an homage to her earlier 1970s action roles, She occasionally did supporting roles, as in Tim Burton's Mars Attacks! (1996), In Too Deep (1999) and a funny performance in Jawbreaker (1999). She also appeared in John Carpenter's Ghosts of Mars (2001) and co-starred with Snoop Dogg in Bones (2001). Her entire career of over 30 years has brought only success for this beautiful and talented actress.
A sister of Grier's died from cancer in 1990 and the son of that sister committed suicide because of his mother's illness. Pam herself was diagnosed with cancer in 1988 and given 18 months to live, which has had an effect on how she has chosen to live. She has never been wed, although she has been romantically linked to Richard Pryor and Kareem Abdul-Jabbar in the past.--Scream Blacula Scream--
--Bones--
--Something Wicked This Way Comes--
--The Twilight People--- Actress
- Director
- Writer
Enigmatic, dark-haired foreign import Alida Valli was dubbed "The Next Garbo" but didn't live up to postwar expectations despite her cool, patrician beauty, remote allure and significant talent. Born in Pola, Italy (now Croatia), on May 3, 1921, the daughter of a Tridentine journalist and professor and an Istrian homemaker, she studied dramatics as a teen at the Motion Picture Academy of Rome and Centro Sperimentale di Cinematografia before snaring bit roles in such films as Il cappello a tre punte (1935) ["The Three-Cornered Hat"] and I due sergenti (1936) ["The Two Sergeants"]. She made a name for herself in Italy during WWII playing the title role in Manon Lescaut (1940), won a Venice Film Festival award for Piccolo mondo antico (1941) ["Little Old World"] and was a critical sensation in We the Living (1942) ["We the Living"]. She briefly abandoned her career, however, in 1943, refusing to appear in what she considered fascist propaganda, and was forced into hiding. The next year she married surrealist painter/pianist/composer Oscar De Mejo. They had two children, and one of them, Carlo De Mejo, became an actor. She divorced in 1955, then she came back to Italy,
Following her potent, award-winning work in the title role of Eugenie Grandet (1946), she was discovered and contracted by David O. Selznick to play the murder suspect Maddalena Paradine in Alfred Hitchcock's The Paradine Case (1947). She was billed during her Hollywood years simply as "Valli," and Selznick also gave her top femme female billing in Carol Reed's classic film noir The Third Man (1949), but for every successful film--such as the ones previously mentioned--she experienced such failures as The Miracle of the Bells (1948), and audiences stayed away. In 1951 she bid farewell to Hollywood and returned to her beloved Italy. In Europe again, she was sought after by the best directors. Her countess in Luchino Visconti's Senso (1954) was widely heralded, and she moved easily from ingénue to vivid character roles. Later standout films encompassed costume dramas as well as shockers and had her playing everything from baronesses to grandmothers in such films as Eyes Without a Face (1960) ["Eyes Without a Face"], Le gigolo (1960), Oedipus Rex (1967) ["Oedipus Rex"], The Big Scare (1974), 1900 (1976), Suspiria (1977), Luna (1979), Inferno (1980), Aspern (1982), A Month by the Lake (1995) and, her most recent, Angel of Death (2001).--Eyes Without A Face--
--Suspiria--
--Lisa And The Devil--
--Inferno--
--Angel Of Death--
--Tender Dracula , or Confessions Of A Blood Sucker--
--The Antichrist--
--Flesh Of The Orchid--- Actress
- Producer
- Director
Danielle Harris is an American actress and film director from Plainview, New York. She is regarded as a scream queen for her many roles in horror films. Her better known roles include protagonist Jamie Lloyd in "Halloween 4: The Return of Michael Myers" (1988) and "Halloween 5: The Revenge of Michael Myers" (1989), and "final girl" Annie Brackett in "Halloween" (2007) and "Halloween II" (2009). As a voice actress in animation, Harris is primarily known for voicing 16-year-old Debbie Thornberry in the fantasy animated series "The Wild Thornberrys" (1998-2004).
In 1977, Harris was born in a Jewish family of Plainview, New York. Plainview is a hamlet of Long Island with a large Jewish population. The hamlet is named because its location offered a clear view over the Hempstead Plains. Harris' family soon moved to Florida, where Harris received part of her primary education.
While still in elementary school, Harris won a beauty contest for children. She was consequently offered various modeling jobs, but initially had to turn down these offers. The modeling gigs would require long-distance travel, which she could not afford at the time. When her family moved to New York City, Harris started working as a child model. She also began to regularly appear in television commercials.
In 1985, Harris joined the cast of the long-running soap opera "One Life to Live" (1968-2012) in her first acting role. She played the part of "miracle child" Samantha "Sammi" Garretson. Her character was extracted as an embryo from the womb of her recently deceased mother Samantha Vernon and implanted in family friend Delilah Ralston, with her birth considered miraculous by the other characters. Harris continued playing Samantha until 1987, when the character was written out of the series. Afterwards, Harris started making guest star appearances in other television series.
Harris auditioned for the role of child protagonist Jamie Lloyd for the horror film "Halloween 4: The Return of Michael Myers" (1988), competing against several other child actresses. She won the role and made her film debut at the age of 11. In the film series "Halloween", serial killer Michael Myers was initially obsessed with attempts to kill his younger sister Laurie Strode (played by Jamie Lee Curtis). In the fourth film, Michael awakes from a coma and learns that Laurie died in an unrelated traffic accident. He decides to instead hunt down Laurie's daughter Jamie Lloyd, who is his sole living relative. The film also focuses on Jamie's relationship with her foster sister Rachel Carruthers (played by Ellie Cornell). Its finale hints that Jamie has a dark side of her own and is following in Michael's footsteps.
The fourth "Halloween" film only earned about 18 million dollars at the box office, but gained a cult following due to its cast of interesting female characters. Harris played Jamie again in the direct sequel "Halloween 5: The Revenge of Michael Myers" (1989). In the film, the minds of Jamie and Michael are linked through telepathy. It was the first "Halloween" film to introduce elements of supernatural horror, and was considered controversial by the series' fans. The film earned only about $12 million at the box office, though Harris was praised for her acting skills. The "Halloween" series went on a hiatus for several years following the release of this film.
Harris' next film project was the action film "Marked for Death" (1990). She played Tracey Hatcher, niece of retired Drug Enforcement Administration (DEA) agent John Hatcher (played by Steven Seagal). In the film, John's family is repeatedly threatened and attacked by employees of a drug lord who wants revenge against John, and styles himself as a user of black magic. The film was a surprise box office hit, earning $58 million at the worldwide box office. It was the highest-grossing film in Harris' career up to that point.
Harris had a substantial role in the television film "Don't Touch My Daughter" (1991), as a kidnapped damsel-in-distress. Her next major film project was the black comedy "Don't Tell Mom the Babysitter's Dead" (1991). She played Melissa Crandell, a 12-year-old tomboy. In the film, 5 siblings are supposed to spend their entire summer vacation under the care of an elderly babysitter. When the old woman dies in her sleep, they decide to cover-up her death, to take control of her car, and to start living on their own. The leader of the siblings in this film was played by Christina Applegate. The film performed modestly well at the box office, but gained more success in the home video market.
Harris returned to the action genre with the action comedy "The Last Boy Scout" (1991). She played Darian Hallenbeck, the rebellious daughter of private detective Joseph Cornelius "Joe" Hallenbeck (played by Bruce Willis). In the film, Joe is implicated in the murders of his ex-partner and a female client. While trying to clear his name, Joe learns that he is about to be framed for the assassination of a senator. He sets out to prevent this assassination, though the senator in question is one of his old enemies. The film earned $114.5 million at the worldwide box office and was credited with reviving Willis' career.
In 1992, Harris joined the cast of the sitcom Roseanne (1988-1997). She played the recurring character of Molly Tilden, the promiscuous daughter of supporting character Ty Tilden (played by Wings Hauser). Molly was depicted as a frenemy to main character Darlene Conner (played by Sara Gilbert). They hanged out together but frequently argued, and they soon realized that they were competing over the same potential boyfriend. Subplots involving Molly included her relationship with her older sister (and mother figure) Charlotte Tilden (played by Mara Hobel), and her habitual use of marijuana. Molly was written out of the series in 1993. Harris would later play Molly again in the sequel series "The Conners" (2018-), in an episode depicting Molly as a dying cancer patient.
Harris played the runaway girl Gwenie in the drama film "Free Willy" (1993). The film focused on the growing bond between a troubled orphan boy and a captive orca at an ailing amusement park. The film had a worldwide gross of about $154 million, and turned animal actor Keico the orca (1976 - 2003) into a popular star. The film had three sequels, but Harris was not involved with these film projects.
For the next couple of years, Harris was limited to playing only minor television roles. She entered negotiations to reprise the role of Jamie Lloyd in the sequel "Halloween: The Curse of Michael Myers" (1995), but eventually declined to play the part. The character of Jamie only had limited screen time in the film and the salary offered for the role was below Harris' expectations. The role was instead played by J. C. Brandy.
In 1995, Harris made the news for her personal life. She was being stalked by obsessed fan Christopher Small, who frequently mailed death threats to her. Small was arrested after he arrived at her home with a shotgun. Several years later, Small started harassing Harris online. In 2009, Harris was granted a restraining order against Small.
In 1996, Harris co-starred with Katherine Heigl in the fantasy-themed television film "Wish Upon a Star". Harris played science nerd Hayley Wheaton, who is secretly envious of the supposedly perfect life of her older sister Alexia Wheaton (played by Heigl). The girls experience body swapping following a wish, and get to experience each other's life first hand. Hayley soon finds out that Alexia had a dysfunctional relationship with her female friends, and a rather poor relationship with her boyfriend. The life she just inherited is far from perfect. The film was one of several popular television films produced by the Disney Channel.
Harris returned to the action genre with the film "Back to Back". (1996). She played Chelsea Malone, daughter of disgraced ex-cop Bob Malone (played by Michael Rooker). She tries to raise bail money for her father, who was arrested for executing a gang of bank robbers in an episode of intense rage. But father and daughter instead find themselves hostages of a Yakuza member who is trying to flee Los Angeles. All three are soon on the run from both the local Mafia and from crooked cops. The film was marketed as a sequel to the crime film "American Yakuza" (1993), but their only similarities were depictions of conflicts between the Mafia and the Yakuza.
Harris had a supporting role in the disaster film "Daylight" (1996), which featured an accidental explosion and a consequent tunnel cave-in in the vicinity of New York City. Harris played teenager Ashley Crighton, one of several survivors who tried to find a way out of the collapsed tunnel. The film earned $159.2 million at the worldwide box office, and its sound editors were nominated for the Academy Award for Best Sound Editing.
Harris' next film project was the slasher film "Urban Legend" (1998), her first appearance in a horror film since the late 1980s. The film featured a series of murders within the campus of a private university in New England, with each murder styled after an urban legend. Harris played Tosh Guaneri, a goth girl who was strangled to death within her own room. Tosh's sleeping roommate later claimed that she never heard any disturbance during the night of the murder., The film earned $72.5 million at the worldwide box office, and it was followed by two sequels. The film is credited with starting a trend of horror films which took inspiration from multiple urban legends.
In 1998, Harris was cast in the role of Debbie Thornberry in the fantasy animated series "The Wild Thornberrys" (1998-2004). It was the first time that she was part of the main cast in a series. The series featured the Thornberrys, a British family of modern-day nomads who traveled the world in order to film nature documentaries. The youngest daughter, Eliza Thornberry (voiced by Lacey Chabert), was secretly granted the ability to communicate with animals by an African shaman. She tried to keep this secret from her family, though her older sister Debbie is eventually let in on the secret. The two sisters have a love-hate relationship with each other, but each of them tries to defend the other sister from danger. The series lasted for 5 seasons and 91 episodes. Harris also voiced Debbie in the animated film "The Wild Thornberrys Movie" (2002) and the crossover film "Rugrats Go Wild" (2003). The series was one of the most popular television projects created by the animation studio Klasky Csupo, and provided Harris with a share of the spotlight for several years.
Harris had a supporting role in the crime comedy film "Poor White Trash" (2000). In the film, two teenagers from lower-class backgrounds start working together in heists in order to finance their college education. But their plans clash with those of their manipulative and opportunistic relatives, who each have agendas of their own. And the duo start hanging out with various local eccentrics in the process of their criminal plans. The film was noted for its ensemble cast, though the casting of 23-year-old Jaime Pressly in the role of of a scheming step-grandmother was regarded as the film's main appeal at the time.
In the autumn of 2000, Harris joined the main cast of the comedy-drama series "That's Life" (2000-2002). The series depicted life in the working-class suburbs of Newark, New Jersey. Harris played Plum Wilkinson, the girlfriend (and later wife) of police officer Paulie DeLucca (played by Kevin Dillon) and the close friend and college classmate of Paulie's sister Lydia DeLucca (played by Heather Paige Kent). The series was well-received by critics, but suffered from poor ratings throughout its run. It lasted for 2 seasons and 36 episodes. Its abrupt ending reportedly left several of its subplots unresolved.
In 2004, Harris became part of the main cast on the adult animated sitcom "Father of the Pride" (2004-2005). The main characters were anthropomorphic white lions, and Harris was cast as 16-year-old lioness Sierra. Her character was depicted as a rebellious teenager, who was frustrated by her inept parents. A subplot involving Sierra was that her boyfriend Dean was an older male, who already had children from a previous relationship. The series lasted for a single season and 14 episodes. While it started with strong ratings, the series' ratings rapidly declined during its run. The series won an Annie Award for its character design, which was considered unique.
During the following few years, Harris herself considered her career to have declined as she was offered no major roles in either film or television. When she heard of an upcoming remake of the original "Halloween" film, she decided to audition for a role. Rob Zombie, the film's director, was initially not interested in casting people who had participated in any of the older films in the series. He was, however, sufficiently impressed with Harris' audition to cast her in the role of Annie Brackett. Annie was a relatively minor character in the original "Halloween" film (where she was played by Nancy Kyes), but was she was re-imagined as one of the main characters in the remake. After capturing Annie, Mike Myers decides to torture her instead of killing her. She survives the events of the film. Harris' role required her to perform her first nude scene, and she noted in an interview that she felt more vulnerable than ever before.
"Halloween" (2007) was released to great success, and earned $80.4 million at the worldwide box office. It was at that time the highest-grossing film in the entire film series. As Harris had hoped, the film helped revive her career and she started being considered a potential asset to horror films. Among her next few projects were the fantasy horror film "The Black Waters of Echo's Pond" (2009), the slasher film "Blood Night: The Legend of Mary Hatchet" (2009), and the superhero comedy "Super Capers" (2009). "Blood Night" was the first time that Harris played the main villain in a film.
Also in 2009, Harris played Annie Brackett in the sequel "Halloween II". Annie was depicted as Laurie Strode's housemate, scarred due to previous torture but mentally stable in comparison to the traumatized Laurie. Michael Myers eventually kills Annie, which leads to the further deterioration of Laurie's sanity. The film earned only $39.5 million at the worldwide box office, and it was seen as far more brutal than the previous films in the series.
During the 2010s, Harris further established her reputation as a scream queen with many horror-themed roles. Among her most notable appearances was playing recurring character Marybeth Dunston in two films of the "Hatchet" film series. Harris replaced Tamara Feldman, who had originally portrayed the character. In 2013, Harris directed the horror comedy "Among Friends". This was her directorial debut.
In 2013, Harris was engaged to her boyfriend David Gross. In January 2014, the couple had a private wedding ceremony in Holualoa, Hawaii. Harris was 36-years-old at the time of her wedding, and she had no previous marriages or engagements. She had her first son in 2017, and a second son in 2018. In 2019, Harris played a member of the Manson Family in the historical film "Once Upon a Time in Hollywood", a film depiction of the Tate murders (1969).
Harris has had relatively few new roles in the early 2020s. She maintains a large fan following due to her previous roles. By 2022, Harris was 45-year-old. She has been an actress for most of her life, and seems to have no plans to retire yet. She has stated in interviews that despite several difficulties in her career over the years, she has managed to never quit trying. This determination has helped her endure in show business for decades.--Halloween 4: The Return Of Michael Myers--
--Halloween 5--
--Urban Legend--
--Left For Dead--
-- Halloween (2007)--
--Halloween II (2009)--
--Prank--
--Blood Night: The Legend Of Mary Hatchet--
--The Black Waters Of Echo's Pond--
--Hatchet II--
--The Victim--
ChromeSkull: Laid To Rest--
--Devils Night--
--Shiver--
--Hallow's Eve--
--Hatchet III--
--Dead.tv--
--Night Of The Living Dead: Origins 3D--
--The Farm--- Actress
- Producer
- Additional Crew
One of the hottest stars of the mid-1980s, Virginia Madsen has since played a variety of roles that have cemented her reputation as a fantastic actress who can adapt to any part.
Virginia was born in Chicago, Illinois, and belongs to an acting family -- with her brother, Michael Madsen, also an actor, and her mother, Elaine Madsen (née Melson), an Emmy-winning writer, poet, and producer. Her paternal grandparents were Danish, and her father, Calvin Madsen, was a firefighter. Audiences first caught a glimpse of her as "Princess Irulan" in the 1984 science fiction epic Dune (1984). She followed that up with Electric Dreams (1984); however, it was in 1986 that Virginia captured the hearts of the audience with an intense portrayal of a Catholic school girl who fell in love with a boy from a prison camp in Duncan Gibbins' Fire with Fire (1986). Virginia played the role of "Lisa" and her co-star was Craig Sheffer, who played Lisa's love interest, "Joe Fisk". Kari Wuhrer also made an appearance as Virginia's best friend, "Gloria". Fire with Fire (1986) was a low-budget production, starring a bunch of fresh faces who were till then-unknown to Hollywood. However, the movie was a success and elevated its three young stars overnight. Virginia has never looked back since.
Not only did she receive amazing reviews for her Academy Award and Golden Globe nominated performance in Alexander Payne's hit film, Sideways (2004), but this Independent Spirit Award-winning actress has an illustrious resume of roles alongside the most notable and respected actors in the business.
Also on Virginia's slate is her production company, with partner Karly Meola, called "Title IX Productions". Their first project was the documentary I Know a Woman Like That (2009), which previewed at the Phoenix Film Festival in April 2009 and premiered at the Chicago Film Festival in October 2009. The doc was directed by Virginia's mother, Elaine Madsen, about the lives of extraordinary women ages 64-94. Next in the company's lineup is the documentary Fighting Gravity (2010), about women ski jumpers' ongoing battle for the right to compete in the 2010 Winter Olympics. Title IX will team up with "Empire 8 Productions" and Vancouver-based "Screen Siren" on the project. The duo also has several projects in development that they're shopping around for financing including screenwriters Sebastian Gutierrez's screen adaptation of Martha O'Connor's novel "The Bitch Posse" and a remake of the 1984 film Electric Dreams (1984), in which Virginia appeared.--Candyman--
--The Prophecy--
--The Haunting In Connecticut--
--Zombie High--
--The Haunting--- Actress
- Writer
- Music Department
American actress-author-composer Jessica Harper was born on October 10, 1949 in Chicago, Illinois, to Eleanor (Emery), a writer, and Paul Church Harper, Jr., a painter who was chairman of the Needham Harper Worldwide advertising agency in NY. Jessica launched her professional acting career soon after graduating from Sarah Lawrence. Drawing on her considerable singing skills, she was an understudy in the Broadway production of the "tribal love" rock musical Hair (1979) -- other understudies included Diane Keaton, Melba Moore, Keith Carradine, Meat Loaf and Cliff De Young, who would later co-star with Harper in Shock Treatment (1981),which also showcased her musical gifts.
In the 1970s and 1980s, she developed quite a reputation for herself as a cult actress: her wide-eyed, fresh-faced beauty and air of melancholy made her a unique presence on film. As "Cathy Cake" in the X-rated Inserts (1975), she was arguably the first "serious" American actress to have a truly explicit on-screen sex scene. Other memorable films she appeared in were Brian De Palma's Phantom of the Paradise (1974), Dario Argento's seminal slasher film Suspiria (1977), and two for Woody Allen: Love and Death (1975) and Stardust Memories (1980). Since her appearance in the American remake of Dennis Potter's Pennies from Heaven (1981) and My Favorite Year (1982), her film career has cooled somewhat (likely as directors didn't know how to use this seemingly fragile, ethereal and always unique talent), though she continues to work steadily in film and on television.
Since the 1990s, Harper -- the wife of motion picture executive Tom Rothman -- has developed a second successful career as an author of children's books and as a composer of music for children. She has written four picture books in collaboration with her sister, Lindsay Harper DuPont, including her most recent, "A Place Called Kindergarten". Her debut music CD, "A Wonderful Life" (1994), which won both a Parent's Choice Gold Award and a National Association of Parenting Publications Award, was particularly praised for the lyrics written by Harper. Her other five children's music CDs include "Inside Out" and "Hey, Picasso".--Phantom Of The Paradise--
--Suspiria--
--The Evictors--- Actress
- Producer
- Soundtrack
Shelley Winters was born Shirley Schrift of very humble beginnings on August 18, 1920 (some sources list 1922) in East St. Louis, Illinois. Her mother, Rose Winter, was born in Missouri, to Austrian Jewish parents, and her father, Jonas Schrift, was an Austrian Jewish immigrant. She had one sibling, a sister, Blanche. Her father moved the family to Brooklyn when she was still young so that he, a tailor's cutter, could find steadier work closer to the city's garment industry. An unfailing interest in acting began quite early for Shelley, and she appeared in high school plays. By her mid- to late teens she had already been employed as a Woolworth's store clerk, model, borscht belt vaudevillian and nightclub chorine, all in order to pay for her acting classes. During a nationwide search in 1939 for GWTW's Scarlett O'Hara, Shelley was advised by auditioning director George Cukor to get acting lessons, which she did. Apprenticing in summer stock, she made her Broadway debut in the short-lived comedy "The Night Before Christmas" in 1941 and followed it with the operetta "Rosalinda" (1942) initially billing herself in both shows as Shelley Winter (without the "s").
Within a short time, Shelley pushed ahead for a career out west. Hollywood proved to be a tough road. Toiling in bit roles for years, many of her scenes were excised altogether during her early days. Obscurely used in such movies as What a Woman! (1943), The Racket Man (1944), Cover Girl (1944) and Tonight and Every Night (1945), her breakthrough did not occur until 1947, and it happened on both the stage and big screen. Not only did she win the replacement role of Ado Annie Carnes in "Oklahoma!" on Broadway but, around the same time, scored excellent notices on film as the party girl waitress who ends up a victim of deranged strangler (and Oscar winner) Ronald Colman in the critically-hailed A Double Life (1947) directed by Cukor. From this moment, she achieved a somewhat earthy film stardom, playing second-lead broads who often met untimely ends (as in Cry of the City (1948) and The Great Gatsby (1949)), or tawdry-black-stockinged and feather-boa-adorned leads, as in South Sea Sinner (1950) in which her eclectic co-stars included Macdonald Carey and Liberace!
As a tarnished glamour girl and symbol of working-class vulgarity in Hollywood, Shelley was about to be written off in pictures altogether when one of her finest movie roles arrived on her front porch. Her best hard luck girl storyboard showed up in the form of depressed, frumpy-looking Alice Tripp, a factory girl seduced and abandoned by wanderlust Montgomery Clift in A Place in the Sun (1951). Favoring gorgeous society girl Elizabeth Taylor who is totally out of his league, Clift is subsequently blackmailed by Winters' pathetic (and now pregnant) character into marrying her. For her desperate efforts, she is purposely drowned by Clift after he tips their canoe. The role, which garnered Shelley her first Oscar nomination, finally plucked her out of the sordid starlet pool she was treading and into the ranks of serious femme star contenders. But not for long.
Winters just couldn't escape the lurid bottle-blonde quality she instilled in her characters. During what should have been her peak time in films were a host of badly-scripted "B" films. The obvious, two-dimensional chorines, barflies, floozies and gold diggers she played in Behave Yourself! (1951), Frenchie (1950), Phone Call from a Stranger (1952), Playgirl (1954), and also Mambo (1954), in which co-starred second husband Vittorio Gassman, pretty much said it all. She grew extremely disenchanted and decided to return to dramatic study. Earning membership into the famed Actors' Studio, she went to Broadway and earned kudos, thereby reestablishing her reputation as a strong actress with the drug-themed play "A Hatful of Rain" (1955). Co-starring in the show was the up-and-coming Anthony Franciosa, who became her third husband in 1957. Her renewed dedication to pursuing quality work was shown by her appearances in a number of heavyweight theater roles including Blanche in "A Streetcar Named Desire" (1955). In later years, the Actors' Studio enthusiast became one of its most respected coaches, shaping up a number of today's fine talents with the Strasberg "method" technique.
By the late 1950s, she had started growing in girth and wisely eased into colorful character supports. The switch paid off. After a sterling performance as the ill-fated wife of sadistic killer Robert Mitchum in Charles Laughton's The Night of the Hunter (1955), she scored big in the Oscar department when she won "Best Supporting Actress" for the shrill and hypertensive but doomed Mrs. Van Daan in The Diary of Anne Frank (1959). From this period sprouted a host of revoltingly bad mamas, blowsy matrons, and trashy madams in such film fare as Lolita (1962), The Chapman Report (1962), The Balcony (1963) Wives and Lovers (1963), and A House Is Not a Home (1964). She topped things off as the abusive prostitute mom in A Patch of Blue (1965) who was not above pimping her own blind daughter (the late Elizabeth Hartman) for household money. The actress managed to place a second Oscar on her mantle for this riveting support work.
With advancing age and increasing size, she found a comfortable niche in the harping Jewish wife/mother category with loud, flashy, unsubtle roles in Enter Laughing (1967), Next Stop, Greenwich Village (1976) and, most notably, The Poseidon Adventure (1972). She earned another Oscar nomination for "Poseidon" while portraying her third drowning victim. At around the same time, she scored quite well as the indomitable Marx Brothers' mama in "Minnie's Boys" on Broadway in 1970.
In the 1970s and 1980s, she developed into an oddly-distracted personality on TV, making countless talk show appearances and becoming quite the raconteur and incessant name dropper with her juicy Hollywood behind-the-scenes tales. Candid would be an understatement when she published two scintillating tell-all autobiographies that reached the bestsellers list. "Shelley, Also Known as Shirley" (1981) and "Shelley II: The Middle of My Century" (1989) detailed dalliances with Errol Flynn, Burt Lancaster, Marlon Brando, William Holden, Sean Connery and Clark Gable, to name just a few.
Thrice divorced (her first husband was a WWII captain; her only child, Vittoria, was the daughter of her second husband, Gassman), she remained footloose and fancy free after finally breaking it off with the volatile Franciosa in 1960. Her stormy marriages and notorious affairs, not to mention her ambitious forays into politics and feminist causes, kept her name alive for decades. She worked in films until the beginning of the millennium, her last film being the easily-dismissed Italian feature La bomba (1999). She enjoyed Emmy-winning TV work and had the recurring role of Roseanne Barr's tell-it-like-it-is grandmother on the comedienne's self-named sitcom. Her last years were marred by failing health and, for the most part, she was confined to a wheelchair. Suffering a heart attack in October of 2005, she died in a Beverly Hills nursing home of heart failure on January 14, 2006.
It was reported that only hours earlier on her deathbed she had entered into a "spiritual" union with her longtime companion of 19 years, Gerry McFord; a relationship of which her daughter disapproved. Gregarious, brazen, ambitious and completely unpredictable -- that would be Shelley Winters, the storyteller, whose amazing career lasted over six colorful decades.--Who Slew Auntie Roo--
--Whats The Matter With Helen--
--The Devils Daughter--
--Poor Pretty Eddie--
--Tentacles--
--The Tenant--
--The Visitor--
--Night of the Hunter--
--Witchfire--
--Raging Angles--
--The Mad Room--
--Something to Hide--- Actress
- Soundtrack
Mia Farrow is the daughter of the director John Farrow and the actress and Tarzan-girl Maureen O'Sullivan. She debuted at the movies in 1959 in very small roles. She was noticed for the first time in the film Rosemary's Baby (1968) by Roman Polanski. She showed her talent also on TV and at the theatre, but her final breakthrough was when she met Woody Allen and became his Muse after the film A Midsummer Night's Sex Comedy (1982). After that, Woody Allen wrote many other roles for her.--Rosemary's Baby--
--Secret Ceremony--
--See No Evil--
--The Haunting Of Julia--
--The Omen (2006)--- Jordan Ladd was born on 14 January 1975 in Hollywood, Los Angeles, California, USA. She is an actress, known for Death Proof (2007), Never Been Kissed (1999) and Cabin Fever (2002). She was previously married to Conor O'Neill.--Cabin Fever--
--Grindhouse: Death Proof--
--Hostel: Part II--
--Madhouse--
--Club Dread--
--Grace--
--Embrace Of The Vampire-- - Actress
- Soundtrack
- Writer
Adrienne Jo Barbeau is an American actress and author best known for her roles on the sitcom Maude (1972) and in horror films, especially those directed by John Carpenter, with whom she was once married. She was born on June 11, 1945 in Sacramento, California, the daughter of an executive for Mobil Oil Company. Early on in her career, she starred in Someone's Watching Me! (1978), The Fog (1980) and Escape from New York (1981), all John Carpenter-related projects. She has collaborated with George A. Romero on occasion, such as Stephen King's anthology Creepshow (1982) and Two Evil Eyes (1990). Her work with other horror directors includes Wes Craven's superhero monster movie Swamp Thing (1982). During the 1990s, she became best known for providing the voice of Catwoman on Batman: The Animated Series (1992). She was the original tough-girl Betty Rizzo in the first Broadway production of "Grease". She is the author of the memoir "There Are Worse Things I Can Do" (2006), and the comedy romance vampire novels "Vampyres of Hollywood" (2008), "Love Bites" (2010) and "Make Me Dead" (2015).--The Fog--
--Creep Show--
--Two Evil Eyes--
--Swamp Thing--
--Cannibal Women In The Avocado Jungle Of Death--
--The Convent--
--Burial Of The Rats--
--Someone Is Watching Me--
--Open House--
--War Wolves--
--The Darker Side Of Terror--
--Unholy--
-- Ring Of Darkness--- Actress
- Producer
Jennifer was born in Kentucky. Her mother is Catherine Mitchell and her father is Robert Carpenter.
She attended St. Raphael the Archangel and then Sacred Heart Academy. During her last two years of high school, she studied drama at the Walden Theatre in Louisville, Kentucky. She then trained at the Juilliard School in New York City. In 2002, before she graduated, she made her Broadway debut in the revival of Arthur Miller's "The Crucible", starring Liam Neeson and Laura Linney.
Her breakthrough film role was "Emily Rose" in The Exorcism of Emily Rose (2005). She won a MTV Movie Award for "Best Frightened Performance" and a Hollywood Life Breakthrough Award. She was also named "Breakout Performer" at the 2006 Scream Awards.
In 2006, she cast as Dexter's adoptive sister in Showtime's Dexter (2006). Here, she met her first husband, Michael C. Hall.
In 2011, she starred in the off-Broadway play, "Gruesome Playground Injuries", at Second Stage Theatre and had a guest appearance on the CBS drama, The Good Wife (2009).
In January, 2014, it was announced that Carpenter will star in a new ABC drama Sea of Fire (2014), playing "FBI Agent Leah Pierce". However, the show was not picked into series.
In August, 2014, it was announced that she will provide the voice of "Juli Kidman" in the survival horror video game, The Evil Within (2014), marking her first video game appearance. The game was released in October 2014.--The Exorcism Of Emily Rose--
--Quarantine--
--Where The Devil Hides--
--Bone Tomahawk--
--Lethal Eviction--
--People Are Dead--- Actress
- Producer
- Camera and Electrical Department
P.J. (Pamela Jayne) Soles was born on July 17, 1950 in Frankfurt, Germany. Her father came from Holland and her mother from New Jersey. Because her father was working for an international insurance company, the family moved all over the world. P.J. lived in Casablanca, Morocco, and Maracaibo, Venezuela, where she learned to speak fluent Spanish, and then Brussels, Belgium, where she went to high school at the International School of Brussels. When she was at Briarcliff College, she wanted to become the first woman ambassador to the Soviet Union. This career goal changed when she visited the Actors Studio in New York City. She moved to Manhattan and began acting in commercials and modeling for fashion magazines. She was married to J. Stephen Soles during her years in New York, but then made the move to Los Angeles to work in television and movies. At this time, she and Soles' got divorced, but she decided to keep her name as P.J. Soles. She was among the hundreds of actors auditioning for Brian De Palma and George Lucas in their joint casting session for Carrie (1976) and Star Wars: Episode IV - A New Hope (1977). After Carrie, she went to Georgia to film Our Winning Season (1978) and met actor Dennis Quaid. They were married in 1978 in Texas on a dude ranch.
P.J. starred in Rock 'n' Roll High School (1979) with Ramones. Next she filmed Private Benjamin (1980) and then Stripes (1981). She and Quaid were divorced in 1983. P.J. continued doing numerous television and film roles, and then married Skip Holm, who was the stunt pilot on The Right Stuff (1983). They have two children and were divorced in 1998. Still active in television and film, P.J. manages not to let her fans down, but keeps them interested in her work, which keeps on getting better, making her one of the most versatile actresses of her time.--Carrie--
--Halloween--
--Devils Rejects--
--Mil Mascaras vs The Aztec Mummy--
--Alone In The Dark--
--The Tooth Fairy--
--Dead Calling--
--Eternal--
--Prank--
--The Dark II--
-- Death By Engagement--
--Mirror Mirror IV: Reflection--
--Uncle Sam--
--Blood Bath--
-- The Possessed--- Actress
- Producer
- Soundtrack
Margot Kidder was born Margaret Ruth Kidder in Yellowknife, Northwest Territories, Canada, to Jocelyn Mary "Jill" (Wilson), a history teacher from British Columbia, and Kendall Kidder, a New Mexico-born mining engineer and explosives expert. Margot was a delightful child who took pride in everything she did. At an early age, she became aware of the great emotions she felt towards expressing herself, and caught the acting bug. As a child, she wrote in a diary that she wanted to become a movie star, and that one day it would happen, but she had to overcome something else first. She was aware that she was constantly facing mood swings, but didn't know why. At odd times, she would try to kill herself - the first time was at age 14 - but the next day she would be just fine. Her father's hectic schedule and moving around so much didn't help matters, either, causing her to attend 11 schools in 12 years. Finally, in an attempt to help Margot with her troubles, her parents sent" her to a boarding school, where she took part in school plays, such as Romeo and Juliet", in which she played the lead.
After graduation, Margot moved to Los Angeles to start a film career. She found herself dealing with a lot of prejudice, and hotheads, but later found solace with a Canadian agent. This was when she got her first acting job, in the Norman Jewison film Gaily, Gaily (1969). This led to another starring role in Quackser Fortune Has a Cousin in the Bronx (1970), in which she co-starred with Gene Wilder. After some harsh words from the film's director, Margot temporarily left films to study acting in New York, doing television work to pay her bills, but when the money ran out, she decided it was time to make a second try at acting. When she arrived in Hollywood she met up at a screen test with actress Jennifer Salt, resulting in a friendship that still stands strong today. Margot and Jennifer moved into a lofty beach house and befriended other, then unknown, struggling filmmakers such as Martin Scorsese, Brian De Palma, Steven Spielberg and Susan Sarandon, among others. Late nights would see the hot, happening youngsters up until all hours talking around a fire about how they were all going to change the film industry. It was crazy living and within the Christmas season, Margot had become involved with De Palma, and as a Christmas present he gave her the script to his upcoming film Sisters (1972). Margot and Salt both had the leads in the film, and it was a huge critical success.
The film made branded Margot as a major talent, and in the following years she starred in a string of critically acclaimed pictures, such as Black Christmas (1974), The Great Waldo Pepper (1975), 92 in the Shade (1975) - directed by Thomas McGuane, who was also her husband for a brief period - and a somewhat prophetic tale of self-resurrection, The Reincarnation of Peter Proud (1975).
After three years of being a housewife, looking after her daughter Maggie and not working, Margot decided it was time to let her emotions take control and get back into acting. Once her marriage to McGuane was over, she eyed a script that would change her life forever. Her new agent referred her to a little-known director named Richard Donner. He was going to be directing a film called Superman (1978), and she auditioned for and secured the leading female role of Lois Lane. That film and Superman II (1980) filmed simultaneously. After the success of "Superman" she took on more intense roles, such as The Amityville Horror (1979) and Willie & Phil (1980). After that, Margot starred in numerous films, television and theater work throughout the 1980s, including Superman IV: The Quest for Peace (1987). When the 1990s erupted with the Gulf War, Margot found herself becoming involved in politics. She made a stir in the biz when she spoke out against the military for their actions in Kuwait. She also appeared in a cameo in Donner's Maverick (1994).
In 1996, as she was preparing to write her autobiography, she began to become more and more paranoid. When her computer became infected with a virus, this gave her paranoia full rein, and she sank into bipolar disorder. She panicked, and the resulting psychological problems she created for herself resulted in her fantasizing that her first husband was going to kill her, so she left her home and faked her death, physically altering her appearance in the process. After an intervention took place, she got back on her feet and started the mental wellness campaign. Since then, she resumed her career in film, television, and theatre, including appearing in a Canadian stage production of "The Vagina Monologues", and in films like The Clown at Midnight (1998).
Margot died on May 13, 2018, in Livingston, Montana.--The Amityville Horror--
--Black Christmas--
--Sisters--
--Halloween II--
--The Reincarnation Of Peter Proud--
--Something Evil Comes--
--Death 4 Told--- Actress
- Producer
- Soundtrack
Naomi Ellen Watts was born on September 28, 1968 in Shoreham, England to Myfanwy Edwards "Miv" (Roberts), an antiques dealer and costume/set designer, and Peter Watts (Peter Anthony Watts), Pink Floyd's road manager. Her maternal grandfather was Welsh. Her father died when she was seven and she followed her mother and brother around England until she was 14 and they finally settled in Australia, homeland of her maternal grandmother. When they arrived, she coaxed her mother to let her take acting classes. After bit parts in commercials, she landed her first role in For Love Alone (1986). Naomi met her best friend Nicole Kidman when they both auditioned for a bikini commercial and shared a taxi ride home. In 1991, Naomi starred with Kidman in the sleeper hit Flirting (1991), directed by John Duigan. Naomi continued her career by starring in the Australian Brides of Christ (1991) co-starring Oscar-winners Russell Crowe and Brenda Fricker.
In 1993, she worked with John Duigan again in Wide Sargasso Sea (1993) and director George Miller in Gross Misconduct (1993). Tank Girl (1995), in 1995, an adaptation of the comic book was a cult hit, starred Naomi as "Jet Girl", but it didn't do at the box-office or do much for her career. Watts continued to take insignificant parts in movies including the much forgotten film Children of the Corn: The Gathering (1996). It wasn't until David Lynch cast her in the critically acclaimed film Mulholland Drive (2001) that she began to become noticed. Her part as an aspiring actress showed her strong acting ability and wide range and earned her much respect, as much as to say by some that she was overlooked for a Oscar nomination that year. Stardom finally came to Naomi in the surprise hit The Ring (2002), which grossed over $100,000,000 at the box-office and starred Watts as an investigative reporter hunting down the truth behind several mysterious deaths seemingly caused by a video tape. While the movie did not fare well with the critics, it launched her into the spotlight. In 2003, she starred in Alejandro González Iñárritu's 21 Grams (2003) which earned her - what some say is a much overdue Oscar nomination and brought others to call her one of the best in her generation of actors. The same year, she was nominated for 21 Grams (2003), Naomi was chosen to play "Ann Darrow" in director Peter Jackson's King Kong (2005) which took her to New Zealand for a five month shoot. Watts completed her first comedy in I Heart Huckabees (2004) for director David O. Russell, playing a superficial spokes model - a break from her usual intense and dramatic roles she is known for.
In 2005, she reprized her role as the protective-mother-reporter "Rachel Keller" in The Ring Two (2005). The movie, released in March, opened to $35,000,000 at the box office in the first weekend and established her as a box-office draw. Also in 2005, it was decided that her independent movie Ellie Parker (2001) would be re-released in late 2005 after its success at resurfacing at the Sundance Film Festival. The movie, which Naomi also produced, features her in the title role and is a bit biographical, but yet exaggerated take of the life of a struggling actress as she comes to Hollywood and encounters nightmares of the profession (it also features Watts' own beat-up Honda which she travels around in). In 2006, she starred with Edward Norton in The Painted Veil (2006). In July of 2007, Naomi gave birth to a boy, Alexander Pete (Sasha Schreiber) in Los Angeles with Liev Schreiber. Since then her career choices have gathered even more critical acclaim with starring roles roles in German director Michael Haneke's American remake of his thriller Funny Games (2007), David Cronenberg's Eastern Promises (2007), and the action-thriller, The International (2009), released in February 2009. In mid-2008, Watts announced she was expecting her second child with Schreiber and gave birth to second son Samuel Kai Schreiber, in New York on December 13.--The Ring--
--Funny Games--
--The Ring II--
--King Kong (2005)--
--The Shaft--
--Dream House--
--The Children Of The Corn: The Gathering--- Actress
- Producer
- Additional Crew
Janet Leigh was the only child of a couple who often moved from town to town. Living in apartments, Janet was a bright child who skipped several grades and finished high school when she was 15. A lonely child, she would spend much of her time at movie theaters. She was a student, studying music and psychology, at the University of the Pacific until she was "discovered" while visiting her parents in Northern California. Her father was working the desk at a ski resort where her mother worked as a maid. Retired MGM actress Norma Shearer saw a picture of Janet on the front desk and asked if she could borrow it. This led to a screen test at MGM and a starring role in The Romance of Rosy Ridge (1947). MGM was looking for a young naive country girl and Janet filled the bill perfectly. She would play the young ingénue in a number of films and work with such stars as Errol Flynn, Gary Cooper, James Stewart, Orson Welles and Judy Garland. She appeared in a number of successful films, including Little Women (1949), Angels in the Outfield (1951), Scaramouche (1952), Houdini (1953) and The Black Shield of Falworth (1954), among others. Janet would appear in a variety of films, from comedies to westerns to musicals to dramas. Of her more than 50 movies, she would be remembered for the 45 minutes that she was on the screen in the small-budget thriller Psycho (1960). Directed by Alfred Hitchcock, this 1960 classic would include the shower scene that would become a film landmark. Even though her character is killed off early in the picture, she would be nominated for an Academy Award and receive a Golden Globe. Her next film would be The Manchurian Candidate (1962), in which she starred with Frank Sinatra. For the rest of the decade, her appearances in films would be rare, but she worked with Paul Newman in Harper (1966). In the 1970s she appeared on the small screen in a number of made-for-TV movies. In 1980, she appeared alongside her daughter Jamie Lee Curtis in The Fog (1980), and later, in Halloween H20: 20 Years Later (1998). Janet Leigh died at age 77 in her home in Beverly Hills, California on October 3, 2004.--Psycho--
--The Fog--
--Night Of The Lepus--
--Halloween H2O--
--Deadly Dream--- Stunningly beautiful and charismatic blonde Barbara Bouchet was born Barbel Goutscherola on August 15th, 1943 in Liberec, Czechoslovakia, known as Reichenberg, during the German occupation. Her father, Fritz, was a war photographer.
Her family was forced to leave the country when Barbara was a little girl and her name was changed to Barbara Gutscher. They got separated, but ended up getting together again. They migrated in December 1956 and settled in San Francisco, California, where Barbara attended the prestigious Galileo High School, a polytechnic school with commercial and industrial branches. Bouchet speaks English, German and Italian with equal fluency. In an interview to Shock Cinema (Number 44), Barbara Bouchet says her name had been changed again to Bouchet at the start of her career, because it sounded like her German name.
Barbara was inspired to be a screen actress after seeing the work of German actress Christine Kaufmann in Der schweigende Engel (1954) ("The Silent Angel").
In 1959, her father submitted a photo of her to the "Miss Gidget" beauty contest, and she won. The contest was held by the local television station KPIX-TV, based on the character of what has been considered the first "beach party movie" in Hollywood history, Gidget (1959). The prize included a date with James Darren the famous star of that movie, and a screen test. The screen test never materialized.
Barbara was featured as a dancer on the teen-targeted rock'n'roll TV show, The KPIX Dance Party, from 1959 to 1962.
Bouchet began a career of teen model that led to her extensive magazine cover model (35 covers). In October 1983, at age 40, Bouchet did a nude pictorial for the Italian edition of "Penthouse" magazine.
Barbara acted in TV commercials. She made her film debut with an uncredited bit part in the comedy What a Way to Go! (1964). Bouchet soon became known for openly flaunting her spectacularly curvaceous figure in several pictures: clad in alluring silk harem robes in John Goldfarb, Please Come Home! (1965), cavorting nude on the beaches of Pearl Harbor in the World War II epic In Harm's Way (1965), and wearing a bikini for the bulk of her screen time in Agent for H.A.R.M. (1966). She also portrayed "Ursula" in Bob Fosse's outstanding musical Sweet Charity (1969), made for a nicely sultry "Miss Moneypenny" in the tongue-in-cheek 007 outing Casino Royale (1967), and had guest spots on such TV series as The Virginian (1962), Star Trek (1966), Voyage to the Bottom of the Sea (1964), and The Man from U.N.C.L.E. (1964).
In 1970, fed-up with being typecast as a mindless sexpot in Hollywood fare, she moved to Italy. She soon became one of Italy's top actresses, carving out a fruitful niche for herself in sex comedies, giallo murder mysteries and gritty crime thrillers. Among her most memorable roles in these Italian features are the brazen spoiled rich lady "Patrizia" in Lucio Fulci's disturbing Don't Torture a Duckling (1972) ("Don't Torture A Duckling"), prostitute "Francine" in The French Sex Murders (1972) ("The French Sex Murders"), modeling agency choreographer "Kitty" in The Red Queen Kills Seven Times (1972) ("Red Queen Kills 7 Times"), saucy love interest "Scilla" in the splendidly sleazy The Mean Machine (1973), and enticing stripper "Anny" in Death Rage (1976) ("Death Rage"). Bouchet had an unforgettably steamy lesbian love scene with Rosalba Neri in Amuck! (1972) ("Amuck"). Barbara Bouchet appeared alongside fellow Bond girls Barbara Bach and Claudine Auger in Black Belly of the Tarantula (1971) ("The Black Belly of the Tarantula"). Barbara Bouchet continues to act in both films and TV shows, alike, made in Italy. Barbara popped up in a small role (as the wife of giallo star David Hemmings) in Martin Scorsese's Gangs of New York (2002).
Barbara married producer Luigi Borghese in 1976. They had two sons: Alessandro Borgese (b. 1974), a chef hosting a show on the Italian cable TV; and Massimiliano Borghese (b. 1989), a bartender. During the shooting of Diamond Connection (1984) in Istanbul, there was mention of a separation in the Turkish language "New World Video & Magazine" of September 1984, but the divorce happened much later.
In 1985, Bouchet started her own production company, opened her own health club in Rome, and launched her own line of fitness books and videos.
[based on woodyanders]--The Rogue--
--The Man With The Icy Eyes--
--French Sex Murders--
--The Lady In Red Kills Seven Times--
--Don't Torture A Duckling--
--The DarkSide--
--The Black Belly Of The Tarantula-- - Actress
- Additional Crew
- Soundtrack
Betsy Palmer was probably best known for playing Jason Voorhees' mother in the horror film Friday the 13th (1980), but her career as an actress began many years before.
Palmer was born Patricia Betsy Hrunek in East Chicago, Indiana, to Marie (née Love), who launched the Chicago Business College, and Rudolph Vincent Hrunek, a Czech-born industrial chemist. Palmer played a young female officer opposite Jack Lemmon in Mister Roberts (1955), and appeared in another war film the same year, The Long Gray Line (1955). Throughout the late 1950s, Palmer was recognized as a news reporter on Today (1952) on NBC, then became largely involved in television. She remained in made-for-TV films and notable guest appearances, before playing the murderous avenging mother, Mrs. Voorhees, in the horror film Friday the 13th (1980). She also continued working in television, and appearing in low-budget films like The Fear: Resurrection (1999). Palmer spent her later years between her home in New York City and Sedona, Arizona.
Betsy Palmer died of natural causes on a Friday, May 29, 2015, at a hospice care center in Danbury, Connecticut.--Friday The 13th--
--Friday The 13th Part 2--
--Bell Witch: The Movie--
--The Fear Resurrection--- Born and brought up in Scotland, Adrienne Corri attended the Royal Academy of Dramatic Art (RADA) in London as a teenager and then appeared on both the English and American stage. While still a teenager, she made her film debut in Naughty Arlette (1949). One of her most memorable film performances was in Stanley Kubrick's A Clockwork Orange (1971) as the victim of the bizarre gang-rape by Alex and his Droogs. In addition to film, she also frequently worked in television and continued in theater, specializing in fiery, flamboyant characters throughout her career.--Vampire Circus--
--A Clockwork Orange--
--Madhouse--
--Journey Into Darkness--
--The Tell Tale Heart--
--A Study In Terror--
--The Hellfire Club--
--Corridors Of Blood-- - Judith O'Dea is an American actress. She is best known for the 1968 George A. Romero film Night of the Living Dead.
In the 1980s she put her acting career aside to found her coaching company O'Dea Communications and raise her family.
She reappeared again as an actress on 2003 in the horror film Claustrophobia. In 2017 she reprised the role of Barbra Hamilton in the film Night of the Living Dead: Genesis.--Night Of The Living Dead (1968)--
--Claustrophobia--
--November Son--
--Timo Rose's Son--
--Women's Studies--
--Living Dead-- - Actress
- Soundtrack
Leggy, brunette-maned pin-up actress Caroline Munro was born in Windsor, Berkshire, England, and lived in Rottingdean near Brighton where she attended a Roman Catholic convent school. By chance, her mother and a photographer entered her picture in a "Face of the Year" competition for the British newspaper The Evening News and won. This led to modeling chores, her first job being for Vogue Magazine at age 17. She moved to London to pursue top modeling jobs and became a major cover girl for fashion and television commercials while there.
Decorative bit parts came her way in such films as Casino Royale (1967) and Where's Jack? (1969). One of her many gorgeous photo ads earned her a screen test and a one-year contract at Paramount where she won the role of Richard Widmark's daughter in the comedy/western A Talent for Loving (1973). She first met husband/actor Judd Hamilton filming this movie but they later divorced. Also in 1969, she became the commercial poster girl for "Lamb's Navy Rum", a gig that lasted ten years. She had no lines as Vincent Price's dead wife in The Abominable Dr. Phibes (1971) and Dr. Phibes Rises Again (1972) which, in turn, led to a Hammer Studios contract and such low-budget spine-tinglers as Dracula A.D. 1972 (1972) and Captain Kronos: Vampire Hunter (1974). More noticeable roles came outside the studio as the slave girl/love interest in The Golden Voyage of Sinbad (1973), the princess in At the Earth's Core (1976), and a lethal Bond girl in the top-notch The Spy Who Loved Me (1977). Her voluptuous looks sustained her for a bit longer but the quality of her roles did not improve with higher visibility. Later 70's and 80's roles included the lowergrade Starcrash (1978), Maniac (1980) and Slaughter High (1986), the last-mentioned written and directed by second husband George Dugdale, whom she married in 1990. He died in 2020.
Following her marriage, she was less seen. The septuagenarian continued to perform sporadically on camera, primarily in England and often in the horror genre. Subsequent lead and supporting movie roles have included Heaven's a Drag (1994), Domestic Strangers (1996), Flesh for the Beast (2003), Vampyres (2015), Cute Little Buggers (2017) and House of the Gorgon (2019) which also featured her daughter, actress Georgina Dugdale.--Maniac (1980)--
--Caption Kronos:Vampire Hunter)
--Flesh For The Beast--
--Faceless--
--Sharon's Baby--
--Absence Of Light--
--The Last Horror Movie--
--Demon 6: De Profundis--
--Slaughter High--
--Dracula A.D. 1972--
--The Abominable Dr. Phibes--- Actress
- Director
- Soundtrack
Piper Laurie was a three-time Oscar nominee, nominated by BAFTA as well as the Academy of Motion Picture Arts and Sciences for best performance by an actress in 'The Hustler' with Paul Newman.
Laurie was born Rosetta Jacobs in Detroit, Michigan, to Charlotte Sadie (Alperin) and Alfred Jacobs, a furniture dealer. She had an elder sister. Her family was of Russian Jewish and Polish Jewish descent.
Young Rosetta had been studying acting with Benno and Betomi Schnider for three years when she auditioned for Universal Studios, who signed her to a long term contract and was renamed Piper Laurie. She made more than twenty films, appearing opposite such actors as Tony Curtis, Rock Hudson and Tyrone Power.
Disgusted with the lack of serious roles, Laurie finally broke her lucrative Hollywood contract, moved to New York, lived on a budget, worked on live television and theater, and within two years changed her life and her career.
She stopped working for fifteen years after 'The Hustler' to devote her energies to the Civil Rights and anti-Vietnam War movements, feeling acting was less important. When she accepted work again she was nominated for an Academy Award as Best Supporting Actress for 'Carrie' with Sissy Spacek, and again as Best Supporting Actress in 'Children of a Lesser God' with Marlee Matlin. She won the Golden Globe for her role in the David Lynch cult favorite 'Twin Peaks' and was nominated for an Emmy for both Best Actress and Best Supporting Actress in 'Twin Peaks'.
She was nominated a total of twelve times for the Emmy, including one for the original and celebrated live broadcast of 'The Days of Wine and Roses' with Cliff Robertson, directed by John Frankenheimer, as well as for her comedic performance in 'Frasier'. She won an Emmy for her performance in 'Promise' opposite James Woods and James Garner. She was Harvard's Hasty Pudding Woman of the Year, and she also received an SFECA award for her performance as Dolly in the film 'The Grass Harp'.
In 2010, she played an elderly grandma who learns to smoke a bong in the feature film 'Hesher', with Joseph Gordon Levitt and Natalie Portman. Most recently she appeared as Grandma Hershe in White Boy Rick, starring Matthew McConaughey, and as Rose Muller in 'Snapshots', directed by Melanie Mayron. In 2013, she made her musical stage debut in 'A Little Night Music' as Madame Armfeldt.
Laurie performed on Broadway in the Tony-nominated Lincoln Center production of 'Mornings at Seven' directed by Dan Sullivan at the Lyceum Theatre. She also appeared on Broadway in the 20th Anniversary production of 'The Glass Menagerie', in which she played Laura Wingfield, with Maureen Stapleton (only 7 years older) as her mother, Amanda, at the Brooks Atkinson Theatre.
Off-Broadway, she appeared in Molly Kazan's 'Rosemary and the Alligators' and in Larry Kramer's 'The Destiny of Me'. She toured in a one-person play about Zelda Fitzgerald, written by Bill Luce. In 2010 she directed Jim Brochu in his one-man show 'Zero Hour', for which he received the Drama Desk Award for best solo performance on or off Broadway, playing Zero Mostel.
Laurie was divorced from Wall Street Journal's movie critic, Pulitzer Prize-winner Joe Morgenstern. They had a daughter. Laurie's autobiography, Learning to Live Out Loud, was published by Crown in 2011 to rave reviews and is now available as an audio book on audible.com.--Carrie--
--Ruby--
--The Faculty--
--Trama--
--Possessed--
--Bad Blood--
--Bad Blood: The Hunger--- Actress
- Producer
- Writer
Joan Collins is an English actress from Paddington, London. She is most famous for playing the role of vengeful schemer Alexis Carrington Colby in the soap opera "Dynasty" (1981-1989). In 1997, She was appointed an Officer of the Order of the British Empire (OBE) for services to drama. In 2015, She was promoted to the rank of Dame Commander of the Order of the British Empire (DBE) for services to charity.
She was the daughter of talent agent Joseph William Collins (1902-1988) and his wife, dance teacher Elsa Bessant, (1906-1962). Joseph was born in South Africa, and of Jewish descent. As a talent agent, his most famous clients were Shirley Bassey, the Beatles, and Tom Jones. Elsa was born in the United Kingdom to an Anglican family.
Collins was educated at Francis Holland School in London, an independent day school for girls. She made her theatrical debut c. 1942, as a child actress. She had a role in a performance of the play "A Doll's House" (1879) by Henrik Ibsen (1828-1906). In 1949, She started training as an actress at the Royal Academy of Dramatic Art (RADA) in London. In 1950, she signed a contract with a British film studio, the Rank Organisation of businessman Joseph Arthur Rank, 1st Baron Rank (1888-1972).
Collins made her film debut in the short film "Facts and Fancies" (1951), and her feature film debut in "Lady Godiva Rides Again" (1951), where she played an unnamed Beauty Queen Contestant. She had supporting roles as the Greek maid Marina in "The Woman's Angle" (1952) and gangster's moll Lil Carter in "Judgment Deferred" (1952).
Collins had her big break when cast as juvenile delinquent Norma Hart in prison drama "I Believe in You" (1952). She was hailed as Britain's new "bad girl" and started being offered high-profile roles in British films. The next stage in her career started when cast as Princess Nellifer of Egypt in the historical epic "Land of the Pharaohs" (1955), an international production . While the film was not successful at the box office, it became a cult classic and Nellifer was one of her most recognizable roles. Studio executive Darryl Francis Zanuck (1902-1979) was sufficiently impressed to offer her a 7-year-long contract with American studio 20th Century Fox. She took the offer.
Collins' first American film was the historical drama "The Virgin Queen" (1955), where she shared the top-billing with established stars Bette Davis and Richard Todd. She then played the leading role of actress Evelyn Nesbit (1884/1885-1967) in the biographical film "The Girl in the Red Velvet Swing" (1955). The role was intended for established actress Marilyn Monroe, but she replaced Monroe based on a studio decision.
Collins was placed on loan to studio Metro-Goldwyn-Mayer for her next role, that of gold digger Crystal in "The Opposite Sex" (1956). She received the top billing in the refugee-themed film "Sea Wife" (1956), and enjoyed box-office success with the interracial-love themed drama "Island in the Sun" (1957). In the drama film "The Wayward Bus" (1957), she received top-billing over her co-star Jayne Mansfield. Her next films included the spy thriller "Stopover Tokyo" (1957), the Western "The Bravados" (1958), the comedy "Rally Round the Flag, Boys" (1959), the caper film "Seven Thieves" (1960), and the biblical epic Esther and the King (1960).
By 1960, Collins was one of 20th Century Fox's biggest stars, but she demanded a release from her studio contract. She had campaigned for the title role in the upcoming production of "Cleopatra", but the studio chose to cast Elizabeth Taylor in the role. Collins felt slighted. As a freelance actress for most of the 1960s, she had few film roles. Among her most notable roles was playing the leading lady in "The Road to Hong Kong" (1962), the last film in the long-running "Road to ..." series. The male leads for the entire series were Bing Crosby and Bob Hope, but their usual leading lady Dorothy Lamour was considered too old for the role. Collins replaced Lamour.
Collins started appearing frequently on television guest star roles. Among her most notable television roles was the villainous Siren in "Batman", and pacifist spokeswoman Edith Keeler in "Star Trek: The Original Series". "Road to ..." played in only one episode of Star Trek, the time-travel episode "The City on the Edge of Forever" (1967). However the episode is regarded among the best episodes in the entire Star Trek franchise, with Collins considered one of the most memorable guest stars in the original series.
In 1970, Collins returned to her native United Kingdom. She started appearing frequently in British thriller and horror films of the decade. Among her films was revenge-themed drama "Revenge" (1971),science fiction film "Quest for Love" (1972), horror anthology "Tales from the Crypt" (1972), psychological horror "Fear in the Night" (1972), thriller "Dark Places", horror anthology "Tales That Witness Madness" (1973), and horror film "I Don't Want to Be Born" (1975).
Collins appeared in a few comedies in-between horror films, but none was particularly successful. She returned to the United States in order to play a role in the giant monster film "Empire of the Ants" (1977). She then returned to mostly appearing in thriller roles. She was catapulted back to stardom with the lead role of nymphomaniac Fontaine Khaled in the erotic drama "The Stud" (1978), an adaptation of a novel written by her younger sister Jackie Collins. The film was a surprise box office hit, earning 20 million dollars at the worldwide box office. "Road to ..." returned to the role of Fontaine in the sequel film ''The Bitch'' (1979), which was also a hit.
Collins found herself in high demand in both stage and film. But she gained more notoriety with the television role of Alexis Carington in "Dynasty". She started appearing in the role in the second season of the soap opera. Her performance is credited with the subsequent rise of the show's Nielsen's ratings. She became a household name, and received a star on the Hollywood Walk of Fame in 1983.
By 1985, "Dynasty" was the number-one show in the United States, beating out rival soap opera "Dallas". Collins was nominated six times for a Golden Globe Award for her role, winning once in 1983. She was also once nominated for an Emmy as Best Actress in a Drama Series. Collins was viewed as a sex symbol at the time, and in 1983 appeared in a 12-page photo layout for Playboy magazine. She was 50-years-old, unusually old for a Playboy model.
Collins appeared in a total of 195 episodes of "Dynasty". The series was canceled with the last episode of its 9th season, due to falling ratings. New ABC entertainment president Bob Iger (1951-) is credited with ending the series as soon as possible. The show had a cliffhanger ending, and several of its subplots were not resolved. Collins returned to the role of Alexis in the sequel mini-series "Dynasty: The Reunion" (1991). The miniseries only lasted for 2 episodes, but resolved several subplots and was a ratings hit.
Throughout the 1990s., Collins returned to guest star roles in television. She appeared in (among others) "Roseanne", "Egoli: Place of Gold", and "The Nanny", She had the recurring role of Christina Hobson in the short-lived soap opera "Pacific Palisades" (1997). She appeared in 7 of its 13 episodes. Her next notable soap opera role was that of so-called "rich bitch" Alexandra Spaulding in 2002 episodes of the long-running series "Guiding Light". Collins was the third actress to play this role. following Beverlee McKinsey and Marj Dusay.
In film, Collins played Pearl Slaghoople, Wilma Flintstone's mother, in "The Flintstones in Viva Rock Vegas" (2000). It was the second live-action film based on the popular animated series "The Flintstones". In 2006, she toured the United Kingdom with "An Evening with Joan Collins", an one-woman show where she narrated the highs and lows of her career and life. She later toured the word with both this show and its sequel "Joan Collins Unscripted".
Collins had a notable guest star-role as Ruth Van Rydock in the television film "Agatha Christie's Marple: They Do It with Mirrors" (2009). The film was an adaptation of the 1952 novel by Agatha Christie, where Ruth is an old school friend of Jane Marple, who assigned Jane to investigate a home for juvenile delinquents.
Collins played herself in three episodes of the sitcom "Happily Divorced" (2011-2013). She had the recurring role of Crystal Hennessy-Vass in the sitcom "Benidorm" (2007-2018). She had another recurring role as Alexandra, Grand Duchess of Oxford in the soap opera "The Royals" (2015-2018).
Collins had two different roles in the horror anthology series "American Horror Story". She played wealthy grandmother Evie Gallant, and witch Bubbles McGee. She appeared in a total of four episodes in 2018.
By 2024, Collins was 90-years-old. She has never retired from acting, and she continues to appear in new roles.--Tales From The Crypt--
--Empire Of The Ants--
--Sharon's Baby--
--Tales That Witness Madness--
--Fear In The Night--
--Dark Places--
--Inn Of The Frightened People--- Actress
- Soundtrack
Lee Remick was born in Quincy, Massachusetts, to Gertrude Margaret (Waldo), an actress, and Francis Edwin Remick, a department store owner. She had Irish and English ancestry. Remick was educated at Barnard College, studied dance and worked on stage and TV, before making her film debut as a sexy Southern majorette in Elia Kazan's A Face in the Crowd (1957). Her next role was also southern: Eula Varner in The Long, Hot Summer (1958). She emerged as a real star in the role of an apparent rape victim in Anatomy of a Murder (1959). And she won an Academy Award nomination for her role as the alcoholic wife of Jack Lemmon in Days of Wine and Roses (1962). After more work in TV and movies, she moved to England in 1970, making more movies there. In 1988 she formed a production company with partners James Garner and Peter K. Duchow.--The Omen--
--The Medusa Touch--
--No Way To Treat A Lady--
--Experiment In Terror--- Actress
- Producer
- Camera and Electrical Department
Barbara Linnea Quigley was born in Davenport, Iowa, on May 27, 1958 to Heath and Dorothy Quigley. Her Mother was a housewife and her Father a noted Chiropractor and psychologist. After moving with her family to Los Angeles in the late 1970s, the short, petite Linnea began working at a Jack Lalanne Spa. There she was encouraged to try modeling and acting. She soon began getting small parts in commercials and B-movies, such as "Stone Cold Dead" (1979) and "Wheeler" (1975). Her breakout role was in "The Return of the Living Dead" (1985), which has gone on to become a cult classic, and established her firmly as "Queen of the Bs". Her reign was supreme in the late 1980s with such films as "Sorority Babes in the Slimeball Bowl-O-Rama" (1988), "Night of the Demons (1988), and "Hollywood Chainsaw Hookers" (1988) In 2001 Linnea moved to Florida to be closer to her ailing parents who had settled there after her father retired. As of this writing she resides in south Florida with her beloved dogs. She is a devoted animal rights advocate, and also leads a strict Vegan lifestyle. Linnea continues to appear in, and produce films. She also appears at Horror Conventions around the globe, where she is a fan favorite. She has written two books about her life in the B-movie industry, "Bio & Chainsaw," in 1992 and "I'm Screaming as Fast as I Can" in 1995. After more than 35 years and more than 125 films, Linnea Quigley is still "America's Scream Queen".--Return Of The Living Dead--
--Night Of The Demons--
--Blood Struck--
--Pumpkin Head II: Blood Wings--
--Innocent Blood--
--Blood Nasty--
--Nightmare Sisters--
--Blood Church--
--Don't Go Near The Park--
--Creepozoids--
--The Black Room--
--Graduation Day--
--Witch Trap--
--Death Mask--- Actress
- Director
- Writer
Britt Ekland was born in Sweden and grew up to be the poster girl for beautiful, big-eyed Scandinavian blondes. She attended a drama school and then joined a traveling theater group. With her looks as her passport, Britt entered films and became a star in Italy. When Peter Sellers met her in a hotel, he fell hard for her and they soon married. The combination of Sellers' stardom and her stunning beauty contributed to her fame (the fact that Sellers suffered a heart attack in bed on their wedding night did not hurt, either). She appeared in two films with her husband: After the Fox (1966), written by Neil Simon, and the forgettable The Bobo (1967). Her claim to fame would come as the young girl who invented the striptease in The Night They Raided Minsky's (1968). After that, she appeared in a string of movies that were built around her looks and not much else. She did appear in some first-rate productions over the years, though, two of them being Get Carter (1971) and the cult classic The Wicker Man (1973). The high point in her career would be her role as Bond girl Mary Goodnight in The Man with the Golden Gun (1974). After her much publicized breakup with rocker Rod Stewart in 1977, Britt continued to make movies--both features and made-for-TV films--and tried the stage. By that time, the quality of her film projects had decreased markedly, and she was reduced to appearing in things like Fraternity Vacation (1985) and Beverly Hills Vamp (1989).--The Wicker Man--
--Asylum--
--What The Peeper Saw--
--Satan's Mistress--
--The Monster Club--
--The Moon Is Scorpio--- Actress
- Producer
- Music Department
Susan George was born on 26 July 1950 in Surbiton, Surrey, England, UK. She is an actress and producer, known for Straw Dogs (1971), Dirty Mary Crazy Larry (1974) and Mandingo (1975). She was previously married to Simon MacCorkindale.--Fright--
--Straw Dogs--
--House Where Evil Dwells--
--Venom--
--Die Screaming Marianne--
--Tintorera: Killer Shark--- Actress
- Additional Crew
- Soundtrack
Brunette bombshell and second-string goddess Jamaican actress Martine Beswick(e) was born on September 26, 1941, to a British father and Portuguese/Jamaican mother in Port Antonio, Jamaica. Some brief modeling and pageant entering came to be before seeking a career in films. She allegedly once won a "Miss Autoville" contest and won a car only to sell it in order to move to and study acting in London.
While finding roles on such British TV series as "Secret Agent," "Love Story" and "Court Martial," a minor break occurred for Martine in the James Bond "007" film series. Director Terence Young cast her twice -- as the gypsy girl Zora in From Russia with Love (1963) and then as the doomed spy Paula in Thunderball (1965). After playing in the well-tanned minority ranks for years, Martine finally got noticed after cat-fighting with Raquel Welch in the cult prehistoric saga One Million Years B.C. (1966), which also starred handsome caveman John Richardson. She also starred in her own back-in-time Neanderthal low-budget Prehistoric Women (1967).
Transporting herself to Hollywood in the late 1960's, Martine guested on such shows as "It Takes a Thief," "Mannix," "The Name of the Game" and "Longstreet." She then made an infamous mark as the distaff evil incarnate in the Hammer Studio horror cult hit Dr Jekyll & Sister Hyde (1971). Other films during that time usually had her in various stages of sexy undress, including Ultimo tango a Zagarol (1973), The Kiss of Death (1974) and Seizure (1974).
She later focused on TV with such mini-movie entries as Crime Club (1975), Strange New World (1975), Devil Dog: The Hound of Hell (1978), My Husband Is Missing (1978) and The Tenth Month (1979), plus the mini-series Aspen (1977) and episodes of "The Six Million Dollar Man," "Baretta," "Quincy," "The Fall Guy," "Fantasy Island," "Hart to Hart," "Buffalo Bill" and "Sledge Hammer." In the mid-1980's, Martine also found back-to-back daytime work on the soap operas Days of Our Lives (1965) and Santa Barbara (1984).
On film, she would quicken pulses as Xaviera Hollander as The Happy Hooker Goes Hollywood (1980), but not return until the early 1990's with the horror films Evil Spirits (1991) and Trancers II (1991), the comedy Life on the Edge (1992) and the drama Wide Sargasso Sea (1993). After filming Night of the Scarecrow (1995), Martine retired from films.
Since then, she has mainly participated in film documentaries, providing commentary and relating her experiences on the many films in which she has appeared. She owned a removals business in London and is semiretired except for guest appearances at James Bond conventions. She did, however, more recently return (after 25 years) to star with fellow Hammer actors Caroline Munro and Veronica Carlson in a horror "tribute" to Hammer entitled House of the Gorgon (2019).--Dr. Jekyel And Sister Hyde--
--Seizure--
--Night Of The Scarecrow--
--Critters 4--
--Evil Spirits--
--The Offspring--
--Devil Dog: Hound From Hell--
--Thirty Dangerous Seconds--- Susan Strasberg was born in New York City on May 22, 1938. From the time of her birth, she was destined to be an actress, as her father was Lee Strasberg, acting coach at the famed Actors Studio in New York. In 1953, Susan made her acting debut in the episode Catch a Falling Star (1953) of the Goodyear Playhouse (1951) when she was just 15 years old. However, her true stage debut was on Broadway in the title role of "Diary of Anne Frank" in 1955. From that time on, Susan would devote part time to the stage and part time to the screen. Her first movie role was a fourth-billed part in Picnic (1955). That spot wasn't bad, considering she was still relatively new to the screen and her co-stars were William Holden, Kim Novak, Rosalind Russell, Cliff Robertson and Arthur O'Connell.
After making The Cobweb (1955) later that same year, she went back to perform on the stage. It just wasn't on-screen that she co-starred with big names; in 1957 she shared the stage with Helen Hayes and Richard Burton in "Time Remembered". In 1958, Susan returned to the big screen again in Stage Struck (1958). Although her billing wasn't anywhere near what it was with "Picnic", the picture got good reviews. For the remainder of her acting career, Susan alternated among the stage, screen and television. Wherever there was an acting role, she was there to appear in it. She spent some time in Europe, particularly Italy, making films for the rabid fans there. During the course of her tenure, she appeared in three documentaries about her old friend Marilyn Monroe. The first two were Marilyn Monroe: Beyond the Legend (1986) and Remembering Marilyn (1988). The third was Marilyn Monroe: Life After Death (1994). On January 21, 1999, Susan lost her struggle with breast cancer in New York City. She was a youthful 60 years old.--The Manitau--
--Bloody Birthday--
--Scream Of Fear--
--So Evil, My Sister--
--The Name Of The Game Is Kill-- - Actress
- Writer
- Director
Mary Woronov was born on December 8, 1943, at the Breakers Hotel in Palm Beach, Florida. A surgeon's stepdaughter, she was raised in Brooklyn Heights and attended Cornell University as a sculpting major. After a class trip to Andy Warhol 's Silver Factory, she joined Warhol's entourage and starred in a number of his underground films and appeared as a go-go dancer in the Velvet Underground's Exploding Plastic Inevitable shows. She left the Factory in the late 1960s and, after recovering from a heavy methamphetamine addiction, spent two years in Europe with a friend; during this time, Warhol was shot by Valerie Solanas, and with the altered Factory dynamic, "there was nothing to go back to." She supported herself with work in off-Broadway and off-off- Broadway theater, then "got scared and got married" to director/producer Theodore Gershuny. She appeared in three of his films, Kemek (1970), Silent Night, Bloody Night (1972), and Sugar Cookies (1973). After the marriage broke up, Woronov moved to Los Angeles at the invitation of friend Paul Bartel, where she appeared on the daytime soap Somerset (1970) and had a memorable role in Bartel's Death Race 2000 (1975). Her best and most famous role came in 1982, with the part of Mary Bland in Bartel's black comedy Eating Raoul (1982). A major cult figure as an actress, she is also an accomplished painter and writer, having published three books--Wake for the Angels: Paintings and Stories, the autobiography Swimming Underground: My Years in the Warhol Factory, and the novel Snake.--Silent Night Bloody Night--
--Blood Theater--
--TerrorVision--
--Mortuary Academy--
--Watchers II--
--Nomads--
--Hellhole--
--House Of The Devil--
--The Devils Rejects--
--Frog-g-g!--
--Halfway House--
--I pass For Human--
--Warlock--- Actress
- Writer
- Soundtrack
When Ruth Gordon convinced her father, a sea captain, to let her pursue acting she came to New York and studied at the American Academy of Dramatic Arts. She acted in a few silents made at Fort Lee, New Jersey, in 1915. She made her Broadway debut in "Peter Pan" as Nibs the same year. The next 20 years she spent on stage, even appearing at the Old Vic in London in the successful run of "The Country Wife" in 1936. Nearly 25 years after her film debut, she returned to movies briefly. Her most memorable role during this period in the early 1940s was as Mary Todd in Abe Lincoln in Illinois (1940).
She left Hollywood to return to theater. Back in New York, she married Garson Kanin in 1942 (her first husband Gregory Kelly, a stage actor, died in 1927). She began writing plays, and, later, her husband and she collaborated on screenplays for Katharine Hepburn and Spencer Tracy, whose screen relationship was modeled on their own marriage. She returned to film acting during the 1960s. It is during this last period of her career that she became a movie star, with memorable roles in Rosemary's Baby (1968) and Harold and Maude (1971). She wrote several books during the mid-1970s and appeared on TV. She won an Emmy for her role on Taxi (1978) in 1979.--Rosemary's Baby--
--Whatever Happened To Aunt Alice--
--Look What's Happened To Rosemary's Baby--
--Don't Go To Sleep--
--Isn't It Shocking--- Actress
- Soundtrack
Stephanie Beacham is without a doubt one of Britain's most talented, beautiful and well-known actresses. Despite becoming world famous and an icon of the 1980s due to her role as Sable Colby in the American soap operas Dynasty (1981) and The Colbys (1985) and going on to have starring roles in shows such as Sister Kate (1989), SeaQuest 2032 (1993), Beverly Hills, 90210 (1990) and Bad Girls (1999), Stephanie Beacham had already carved a solid acting career back in her home country. Born in Hertfordshire in southern England, one of the four children of an insurance executive and a housewife, Beacham began an interest in acting at a young age and studied mime at the respected and renowned school of Étienne Decroux in Paris before completing her studies at the Royal Academy of Dramatic Art (RADA) in London. Guest roles on British television followed in the late 1960s such as The Saint (1962) and UFO (1970), however Beacham's breakthrough was her starring role opposite Marlon Brando in the cult horror film The Nightcomers (1971) that brought her critical acclaim and widespread attention. She became a regular staple in British horror films for the remainder of the 1970s and early 1980s such as Dracula A.D. 1972 (1972), The Confessional (1976), Schizo (1976) and Inseminoid (1981), however she was still a commonly seen face on television, such as being given her own soap opera in Marked Personal (1973) as well as regular modelling work. It was in the 1980s however that Beacham's career became supercharged. She had starring roles in the acclaimed television series Tenko (1981) and Connie (1985), the latter gaining particular interest in the US. Beacham moved to Hollywood in the mid-1980s and was given the role of Sable Colby in the ABC soap opera The Colbys (1985), and then joined it's parent show Dynasty (1981) where she remained until the show's cancellation. Both shows made Beacham a household name on both sides of the Atlantic as the glamour-puss wife of Charlton Heston's character Jason and cousin of Joan Collins' Alexis, with the two regularly involved in a 'battle of the bitches' scenario. Following the cancellation of Dynasty, Beacham headlined the sitcom Sister Kate (1989) for which she was nominated for a Golden Globe Award, before going on to have main roles in Beverly Hills, 90210 (1990) as Iris McKay, Steven Spielberg's SeaQuest 2032 (1993) as Dr. Kristen Westphalen and Countess Bartholomew in Star Trek: The Next Generation (1987) as well as film roles opposite Christopher Plummer in Secrets (1992) and Anthony Hopkins in To Be the Best (1991). Beacham maintained a regular presence on television and in theatre both in the US and the UK for the remainder of the 1990s until she played Phyllida Oswyn in the prison series Bad Girls (1999), a role she would play until the show's end in 2006. She would later have parts in films such as Love and Other Disasters (2006), Moving Target (2011) and Wild Oats (2016) and played Martha Fraser in Coronation Street (1960).--And Now The Screaming Starts--
--Horror Planet--
--Dracula A.D. 1972--
--Schizo--
--The Nightcomers--
--The Devils Window--
--The Confessional--
--The Witches Hammer--- Actress
- Producer
- Soundtrack
American stage, screen and television actress, and comedian Carol Kane (b. Carolyn Laurie Kane, June 18, 1952, in Cleveland, Ohio), was born to Elaine Joy (née Fetterman), a jazz singer and pianist, and Michael Myron Kane, an architect. Her family is Jewish (from Russia, Poland, and Austria). Due to her parents' divorce, Carol spent most of her childhood in boarding schools until 1965. She also attended Professional Children's School in Upper West Side New York, and made her professional theater debut in a 1966 production of The Prime of Miss Jean Brodie (1969) starring Tammy Grimes. Kane, just 14 years old.
At 20 years old, Kane landed the lead role in William Fruets World War II film, Wedding in White (1972). Kane starred as Jeannie Dougall, a teenager whom after is raped is left with a moral dilemma when she discovers that the incident has left her pregnant. The actress received a surprise Academy Award nomination for her performance in the 1974 independent film, Hester Street (1975); Times of Israel describes Kane's character, Gitl, as "a straight-from-the-shtetl immigrant who, with her young son, joins her husband (Steven Keats) who is already halfway assimilated in New York's Lower East Side; the push and the pull between tradition and change drive the story to its bittersweet conclusion."
The following decade, from 1980-1983, she appeared on the television series Taxi (1978). Kane portrayed Simka Dahblitz-Gravas, wife of Latka Gravas (Andy Kaufman). She received two Emmy Awards, and a Golden Globe nomination for her work in the series. Over the years, Kane racked up tons of credits from Taxi and The Princess Bride (1987), to Scrooged (1988), and more recently, the Netflix series Unbreakable Kimmy Schmidt (2015); the actress is making audiences laugh by playing Lillian Kaushtupper, in a recent interview, Kane described Lillian as "a hardworking landlady in Harlem who is very attached to the life in New York as she's known it."--When A Stranger Calls--
--When A Stranger Calls Back--
--The Mafu Cage--
--Office Killer--
--Transylvania 6-500--- Elisabeth Brooks Luyties was born on July 2, 1951 in Toronto, Ontario, Canada. Elisabeth Brooks began acting at age five with her career encompassing both stage and screen. She started appearing in television roles in the mid-1970s and managed to pursue her acting career as a single mother while working a variety of jobs to support herself and her son. She regularly appeared on the daytime soap opera Days of Our Lives (1965), and in such popular television series as The Rockford Files (1974), Hart to Hart (1979), Starsky and Hutch (1975), The Six Million Dollar Man (1974) and Emergency! (1972). She is probably best remembered for her role as the villainess Marsha Quist in the horror film The Howling (1981), a role that brought her considerable notoriety within the genre.
Brooks was not only a beautiful actress, but also an accomplished writer, poet and musician. She had a wonderful deep, sultry voice and can be heard singing briefly in the film The Forgotten One (1989) - a horror film she appeared with longtime friend Kristy McNichol. She and McNichol had separated, but McNichol came back to care for Brooks on her final days. Brooks was also known for her spirituality and her encouragement to others. She created her own production company and became an established acting coach. She wrote and produced plays that taught children about the environment, and how they could work with parents to improve their community. An example of this was "Orphan Dreams", which she directed first at Calabasas High School and again at Chamber Theatre in Studio City.
Elisabeth Brooks, after a three-year struggle with cancer, died in a hospice near her Palm Springs, California home at age 46. As Gigi Bannister wrote in a Tribute to Elisabeth Brooks, "let it be said, Elisabeth Brooks was no quitter. She was a fighter... a true warrior to the end".--The Howling--
--The Forgotten One--
--Deep Space--
--Family Plot-- - Producer
- Actress
- Director
Since melting audiences' hearts at the age of just six in E.T. the Extra-Terrestrial (1982), Drew Barrymore has emerged as one of the most beloved and singularly gifted actresses of her generation. Born in Culver City, California to John Drew Barrymore and Jaid Barrymore, the clutches of fame were near inescapable for young Drew, her father being a member of the esteemed showbiz dynasty fronted by stage star Maurice Barrymore, his thespian wife Georgiana and their three children: Lionel Barrymore, Ethel Barrymore, and John Barrymore.
Tailgating a turbulent adolescence that saw her grapple with insobriety, substance abuse, and cutthroat media vitriol, a diligent Barrymore threw herself into her career throughout the early-mid nineties, first with a succession of 'bad girl' parts in cultish B-pictures like Poison Ivy (1992), Guncrazy (1992) and - fittingly - Bad Girls (1994); then warmly received turns in prestige vehicles such as Boys on the Side (1995), Woody Allen's Everyone Says I Love You (1996), and Wes Craven's game-changing Scream (1996). Equal portions of goofball - The Wedding Singer (1998), Never Been Kissed (1999), Charlie's Angels (2000) - and gravitas - Riding in Cars with Boys (2001), Donnie Darko (2001), Confessions of a Dangerous Mind (2002) - came next, with a Golden Globe-grabbing pièce de résistance - her divine incarnation of Edith Bouvier Beale in Grey Gardens (2009) - confirming that her skill set was every bit as forceful and far-reaching as imagined.
Having already set in motion a bunch of lucrative projects via production house Flower Films (co-est. with Nancy Juvonen in '95), Barrymore fastened an additional string to her bow when she spearheaded the sports dramedy Whip It (2009), her glowingly appraised directorial debut. Fresh off a healthy run of movie parts at the launch of the 2010s, her star turn as zombified suburban realtor Sheila Hammond - a tour de force at once dizzy and detailed - on Netflix's Santa Clarita Diet (2017) saw her step with trademark resolve into newer territory still: the flourishing world of small screen entertainment, a metamorphosis she continues to espouse with her role as compère of spirited daytime staple The Drew Barrymore Show (2020).--Scream--
--Fire Starter--
--Cat's Eye--
--Altered States--
--Poison Ivy--
--Waxworks II: Lost in Time--
--Doppelganger--
--Donnie Darko--- Actress
- Writer
- Producer
Joan Crawford was born Lucille Fay LeSueur on March 23, 1906, in San Antonio, Texas, to Anna Belle (Johnson) and Thomas E. LeSueur, a laundry laborer. By the time she was born, her parents had separated, and by the time she was a teenager, she'd had three stepfathers. It wasn't an easy life; Crawford worked a variety of menial jobs. She was a good dancer, though, and -- perhaps seeing dance as her ticket to a career in show business -- she entered several contests, one of which landed her a spot in a chorus line. Before long, she was dancing in big Midwestern and East Coast cities. After almost two years, she packed her bags and moved to Hollywood. Crawford was determined to succeed, and shortly after arriving she got her first bit part, as a showgirl in Pretty Ladies (1925).
Three films quickly followed; although the roles weren't much to speak of, she continued toiling. Throughout 1927 and early 1928, she was cast in small parts, but that ended with the role of Diana Medford in Our Dancing Daughters (1928), which elevated her to star status. Crawford had cleared the first big hurdle; now came the second, in the form of talkies. Many stars of the silents saw their careers evaporate, either because their voices weren't particularly pleasant or because their voices, pleasing enough, didn't match the public's expectations (for example, some fans felt that John Gilbert's tenor didn't quite match his very masculine persona). But Crawford wasn't felled by sound. Her first talkie, Untamed (1929), was a success. As the 1930s progressed, Crawford became one of the biggest stars at MGM. She was in top form in films such as Grand Hotel (1932), Sadie McKee (1934), No More Ladies (1935), and Love on the Run (1936); movie patrons were enthralled, and studio executives were satisfied.
By the early 1940s, MGM was no longer giving her plum roles; newcomers had arrived in Hollywood, and the public wanted to see them. Crawford left MGM for rival Warner Bros., and in 1945 she landed the role of a lifetime. Mildred Pierce (1945) gave her an opportunity to show her range as an actress, and her performance as a woman driven to give her daughter everything garnered Crawford her first, and only, Oscar for Best Actress. The following year she appeared with John Garfield in the well-received Humoresque (1946). In 1947, she appeared as Louise Graham in Possessed (1947); again she was nominated for a Best Actress from the Academy, but she lost to Loretta Young in The Farmer's Daughter (1947). Crawford continued to choose her roles carefully, and in 1952 she was nominated for a third time, for her depiction of Myra Hudson in Sudden Fear (1952). This time the coveted Oscar went to Shirley Booth, for Come Back, Little Sheba (1952). Crawford's career slowed after that; she appeared in minor roles until 1962, when she and Bette Davis co-starred in What Ever Happened to Baby Jane? (1962). Their longstanding rivalry may have helped fuel their phenomenally vitriolic and well-received performances. (Earlier in their careers, Davis said of Crawford, "She's slept with every male star at MGM except Lassie", and Crawford said of Davis, "I don't hate [her] even though the press wants me to. I resent her. I don't see how she built a career out of a set of mannerisms instead of real acting ability. Take away the pop eyes, the cigarette, and those funny clipped words, and what have you got? She's phony, but I guess the public really likes that.")
Crawford's final appearance on the silver screen was in the flop Trog (1970). Turning to vodka more and more, she was hardly seen afterward. On May 10, 1977, Joan died of a heart attack in New York City. She was 71 years old. She had disinherited her adopted daughter Christina and son Christopher; the former wrote a tell-all book called "Mommie Dearest", The Sixth Sense published in 1978. The book cast Crawford in a negative light and was cause for much debate, particularly among her friends and acquaintances, including Douglas Fairbanks Jr., Crawford's first husband. (In 1981, Faye Dunaway starred in Mommie Dearest (1981) which did well at the box office.) Crawford is interred in the same mausoleum as fellow MGM star Judy Garland, in Ferncliff Cemetery in Hartsdale, New York.--Whatever Happened to Baby Jane?--
--I saw What You Did--
--Trog--
--Berserk--
--Strait-Jacket--
--The Night Gallery--
--Journey To The Unknown--- Actress
- Director
- Writer
Academy Award-winner Lee Grant was born Lyova Haskell Rosenthal on October 31, 1925 in Manhattan, New York City, to Witia (Haskell), a teacher and model, and Abraham Rosenthal, an educator and realtor. Her father was of Romanian Jewish descent, and her mother was a Russian Jewish immigrant. Lee made her stage debut at age 4 at the Metropolitan Opera in New York City, playing the abducted princess in "L'Orocolo". After graduating from high school, she won a scholarship to the Neighborhood Playhouse School of the Theatre, where she studied acting with Sanford Meisner. When she was a teenager Grant established herself as a formidable Broadway talent when she won The Critics' Circle Award for her portrayal of the shoplifter in "Detective Story". She reprised the role in the film version (Detective Story (1951), a performance that garnered her the Cannes Film Festival Citation for Best Actress as well as her first Academy Award Nomination. Immediately following her screen debut, however, Lee became a victim of the McCarthy-era blacklists in which actors, writers, directors, etc., were persecuted for supposedly "Communist" or "progressive" political beliefs, whether they had them or not. Except for an occasional role, she did not work in film or television for 12 years. In 1965 Lee re-started her acting career in the TV series Peyton Place (1964), for which she won an Emmy Award as Stella Chernak, and she later garnered her first Academy Award for Shampoo (1975), also receiving Academy Award nominations for The Landlord (1970) and Voyage of the Damned (1976). Since 1980 Lee has been concentrating on her directorial career, which began as part of the Women's Project at The Americal Film Institute (AFI); her adaptation of August Strindberg's, "Stronger, The" was consequently selected as one of the 10 best films ever produced for AFI. In 1987 she received an Academy Award for the HBO documentary, Down and Out in America (1985) and directed Nobody's Child (1986) for CBS, for which she received the Directors Guild Award. In 1983 she received the Congressional Arts Caucus Award for Outstanding Achievement in Acting and Independent Filmmaking. Subsequently, Women in Film paid tribute to her in 1989, with its first-ever Lifetime Achievement Award. Both the New York City Council and the County of Los Angeles Board of Supervisors have recognized Ms. Grant for the contribution her films have made to the fight against domestic violence.--Damien: The Omen II--
--Mulholland Dr.--
--The Mafu Cage--
--Visiting Hours--
--The Swarm--
--Night Slaves--- Actress
- Writer
- Soundtrack
Katharine Juliet Ross was born January 29, 1940, in Hollywood, CA, to Katherine (née Mullen) and Dudley Tying Ross. Her father, who had also worked as a reporter for the Associated Press, was a commander in the US Navy when she was born. His navy career shuttled the family around to Virginia, then Palo Alto, and finally to Walnut Creek, outside of San Francisco, where Ross grew up.
Ross graduated from Las Lomas High School in Walnut Creek in 1957 and attended Santa Rosa Junior College and Diablo Valley College in the Bay Area, where she took part in her first onscreen work in a student film. Moving to San Francisco, into an apartment on Stockton Street above a grocery store, she began her acting career as an understudy in Actor's Workshop productions, and was soon auditioning for roles. She was also married in 1960 to college sweetheart Joel Fabiani, the first of five husbands.
Work came steadily for Ross, at first mainly in television westerns, and indeed Westerns would make up the majority of her best-known work, her natural beauty being a strong asset in that genre. She made her TV debut in an episode of Sam Benedict (1962), and her first film role was in the Civil War era Shenandoah (1965) starring James Stewart. Ross' career as a leading actress began in earnest in 1967, with her strong turn co-starring with James Caan and Simone Signoret in Games (1967), and with The Graduate (1967). Ross' performance as Elaine earned her a Supporting Actress Oscar nomination.
A disappointing, formulaic John Wayne vehicle, Hellfighters (1968), followed but she soon returned to form with two films with Robert Redford. As Etta Place in Butch Cassidy and the Sundance Kid (1969), Ross was part of the most memorable scene from that hit film, precariously perched barefoot on the bumper of that newfangled contraption, the bicycle, as Paul Newman's Butch Cassidy takes her for a ride. The compelling Tell Them Willie Boy Is Here (1969) was less of a box office success but more highly regarded by the critics, and Ross won a BAFTA Award for her work as Lola, a Paiute Indian who flees with her boyfriend, played by Robert Blake, after he kills her father in self-defense.
Swept up into a whirlwind of fame, widely idealized as the symbol of beauty for the Woodstock generation, Ross had accomplished so much so quickly that it seemed her entire career had happened almost all at once, in that frenzy of activity between 1967 and 1969. Sure enough, there followed a long dry spell in which she was mostly cast in forgettable roles; her next strong film wasn't for another six years. In The Stepford Wives (1975), an intriguing black comedy-cum-horror film, Ross plays a independent, free-spirited wife newly relocated to a suburb where the other wives all seem to be just a little too perfect, too submissive; it was arguably her strongest performance to date, but Stepford Wives would prove to be but a temporary resurgence for Ross, and her work in the decade and a half to follow would include such star-studded duds as The Betsy (1978), and a return to TV, including a part in primetime soap opera The Colbys (1985). Along the way, however, Ross found love. After four failed marriages (the second, third and fourth were to John Marion, Conrad L. Hall and Gaetano Lisi respectively), she met her current husband Sam Elliott, while working on The Legacy (1978). They married in May 1984; that September, just four months short of her 45th birthday, Ross gave birth to a daughter, Cleo Rose.
In 1991, Ross and Elliott adapted the Louis L'Amour novel, Conagher (1991), for television in a remarkably affecting Western tale which showcases both actors' remarkable talents. Ross continues to take roles on occasion and, as usual, her work is strong -- something that was sometimes overlooked in her youth due to her famous beauty. For instance, Ross turned up in Donnie Darko (2001), in a solid performance as Donnie's psychiatrist.
Ross and Elliott live on their ranchito in Malibu.--The Stepford Wives--
--Donnie Darko--
--The Legacy--
--Games--- Mariclare Costello was born on 3 February 1936 in Peoria, Illinois, USA. She is an actress, known for Ordinary People (1980), The Adventures of Buckaroo Banzai Across the 8th Dimension (1984) and Let's Scare Jessica to Death (1971). She was previously married to Allan Arbus.--Lets Scare Jessica To Death--
--Nightmares--
--Shadow Of The Blair Witch-- - Actress
- Producer
- Art Department
Kim Poirier was born on 6 February 1980 in Drummondville, Quebec, Canada. She is an actress and producer, known for Dawn of the Dead (2004), American Psycho II: All American Girl (2002) and Decoys (2004). She has been married to Alex Saunders since 29 May 2016. They have two children.Dawn Of The Dead--
--Silent But Deadly--
--Decoys 2: Alien Seduction--
--Decoys--
-- The Rats--- Actress
- Music Department
- Soundtrack
Wendy Robie was in Seattle doing repertory theater when she auditioned for a role in Twin Peaks (1990) (also being filmed in Seattle). Robie auditioned for another role in the series but David Lynch and Mark Frost were determined to cast her as Nadine Hurley, the ferocious and eccentric eye patch-wearing wife of "Big" Ed Hurley, played by Everett McGill. Nadine became one of the oddest of the odd in the series. Attached to the series, McGill and Robie starred in Wes Craven's dark and twisted tale of The People Under the Stairs (1991). They delivered a sinister mother/sister/wife concoction. Ever since, Robie has devoted her talents to the theater.--The People Under The Stairs--
--Horror In The Attic--
--The Dentist 2--
--Devil In The Flesh--
--Vampire In Brooklyn--
--Twin Peaks--- Actress
- Producer
- Writer
Alice Maud Krige was born on June 28, 1954 in Upington, South Africa where her father, Dr. Louis Krige, worked as a young physician. The Kriges later moved to Port Elizabeth where Alice grew up in what she describes as a "very happy family", a family that also included two brothers (both of whom became physicians) and her mother, Pat, a clinical psychologist. Interestingly, Alice also grew up without television, something which the actress calls a "huge black hole in my education" (South Africa did not start getting television until 1976, a year after Alice left the country to pursue an acting career in London).
While growing up, she had no dreams or aspirations of pursuing an acting career, in fact as a child she had wanted to become a dancer, but her father disapproved. Instead, she prepared to follow in the footsteps of her mother by attending Rhodes University in Grahamstown where she pursued an undergraduate degree in psychology and literature (graduating in 1975). However, as luck or fate would have it, Alice decided to "take up a bit of timetable" by enrolling in a drama class in order to make use of a free credit. This decision would prove to be a life-altering one, resulting in an honors degree in drama from Rhodes, a move to London and a new career path. As Alice explains, "I really got into it and it took over my life... it became my life-calling, all consuming."
After arriving in England, she began three years of study at London's Central School of Speech and Drama. Her first professional acting performance was a tiny television role in a 1979 BBC Play for Today. In 1980, Alice made her feature film debut as Sybil Gordon in the Academy Award winning Best Picture, Chariots of Fire (1981). She then appeared in the television adaptation of Charles Dickens' A Tale of Two Cities (1980), which was followed by her memorable, dual role as the avenging spirit in Ghost Story (1981). Also in 1981, she debuted in a West End theatre production of Bernard Shaw's Arms and the Man, for which she received the honors of both a Plays and Players Award and a Laurence Olivier Award for Most Promising Newcomer. It was this early success in theatre that she decided to focus her career on next by spending some time working with the prestigious Royal Shakespeare Company.
During her two seasons with the RSC (1982-83), Alice performed in such productions as "King Lear", "The Tempest", "The Taming of the Shrew" and "Cyrano de Bergerac". After her stint with the Royal Shakespeare Company, she returned to work in film and television. Her career could best be described as an eclectic mix of both mediums. She appeared in a diverse range of films, such as King David (1985), Barfly (1987), Haunted Summer (1988), Spies Inc. (1992) and See You in the Morning (1989). Her work in television included critically acclaimed miniseries, such as Ellis Island (1984) and Wallenberg: A Hero's Story (1985), as well as a healthy dose of what Alice herself calls, "kitchen sink dramas".
This eclectic trend continued into the 1990s. In addition to numerous roles in television (including appearances on Beverly Hills, 90210 (1990) and Becker (1998), Alice also appeared in the films Sleepwalkers (1992), Institute Benjamenta, or This Dream That One Calls Human Life (1995), Donor Unknown (1995), Amanda (1996), Twilight of the Ice Nymphs (1997), Habitat (1997), The Commissioner (1998) and Molokai (1999). However, one notable standout was the film Star Trek: First Contact (1996) for which she won a 1997 Saturn Award for her portrayal of the Borg Queen. This is without a doubt the most commercial, mainstream film with which she has been involved. However, due to the amount of make-up and prosthetics that the role required, Alice claims that even today she is still most recognized from her role in Ghost Story (1981).
One obvious and lasting impact of her experience with Star Trek: First Contact has been her initiation into the world of Star Trek/sci-fi conventions. These weekend-long conventions take place all over the United States and Europe (primarily in the United Kingdom and Germany). They feature "guests", such as Alice, who give presentations, sign autographs, etc. The new millennium finds her with several new projects to her credit, which include such works as The Little Vampire (2000), the Star Trek: Voyager (1995) series finale "Endgame", Attila (2001), Dinotopia (2002), Reign of Fire (2002), Children of Dune (2003), The Mystery of Natalie Wood (2004) and a recurring guest role in the HBO series Deadwood (2004). Current projects include a film about the life of Julius Caesar, the horror film Silent Hill (2006), Lonely Hearts (2006) and The Contract (2006). In addition, she continues to make sporadic convention appearances and was recently awarded an honorary doctorate in literature from Rhodes University.
Alice Krige is married to writer/director Paul Schoolman, and lives what she describes as an "itinerant" lifestyle. Although she and her husband maintain a permanent home in the United States, they spend much of their time living and working abroad.--Silent Hill--
--Ghost Story--
--Sleep Walkers--
--Stay Alive--
--Superstition--
--The Calling--
--Habitat--- Actress
- Producer
- Writer
Cerina Vincent is an actress, author, and producer with a fan base that spans all age groups and genres.
Born and raised in Las Vegas, NV, she had a childhood in theatre and musicals from the age of 12. After hanging up her crown as Miss Nevada Teen USA 1996, she moved to Hollywood and began working in film and television. Cerina starred in the #1 kid's series in the world, Power Rangers Lost Galaxy as "Maya, The Yellow Power Ranger." And quickly went from a TV superhero to a silver screen siren from her "Saturn Award" nominated performance in the horror sensation Cabin Fever, and her daring, comedic role in Not Another Teen Movie. World renown as a "scream queen," horror fans also love her in Return to House on Haunted Hill, It Waits, MoniKa, Tales of Halloween and dozens of other genre-fan favorites, including a mini-series for AMC'S, The Walking Dead, and "Darkened Room, " a short film written for her and directed by David Lynch.
Cerina's comedy and drama can be seen on dozens of hit shows including Two and a Half Men, Mike and Molly, Workaholics, Californication, CSI and NCIS to name a few. Cerina just wrapped 3 seasons of Disney Channel's Stuck in the Middle where she quickly became kids favorite "TV Mom," as "Suzy Diaz" the quirky, frazzled, loving mother of 7 children. Cerina's latest movie, My Daughters Psycho Friend, premiered on Lifetime, and she just wrapped the lead role in another Lifetime thriller, Secrets in the Water, where she plays a grieving mother.
Cerina has also co-wrote the best-selling How to Eat Like a Hot Chick, How to Love Like a Hot Chick, and Live Like a Hot Chick from Harper Collins. She's been on The Today Show dozens of times giving her irreverent yet inspiring lifestyle advice for women, as well as blogged for The Huffington Post.
Cerina works every year to raise money for The Cystic Fibrosis Foundation, and The Life After Project which supports mental health and suicide prevention.--Cabin Fever--
--Sasquatch Mountain--
--Toxic--
--It Waits--
--Murder-Set-Pieces--- Actress
- Soundtrack
Joan Hackett was never one of your conventional leading ladies. Directors sometimes found her difficult to work with. Yet this strong-minded perfectionist had an unquenchable individuality that came through in her performances, and she never hesitated to appear unglamorous whenever the role demanded. Born of an Italian mother and an Irish-American father in East Harlem on March 1, 1934, teenage Joan left school during twelfth grade to become a model. On the cover of Harper's Junior Bazaar in 1952, the attractive brunette turned down the resulting offer of a contract with 20th Century-Fox and opted instead for acting classes at Lee Strasberg's Actors Studio.
Joan made her Broadway debut in the John Gielgud production of "Much Ado About Nothing" in 1959 and also appeared in her first television episode that year. In 1961, she had her first success in an off-Broadway play, "Call Me By My Rightful Name", winning three awards, including an Obie. A later stage performance, "Night Watch" (1972), based on a play by Lucille Fletcher, saw her playing an emotionally disturbed woman with such intensity that Clive Barnes of The New York Times described her performance as "beautifully judged". From 1961 to 1962, Joan had regular work in the CBS courtroom drama series The Defenders (1961) (starring E.G. Marshall), playing social worker "Joan Miller", fiance of one of the partners in the law firm. During the remainder of the decade, she guest-starred in many top-rated TV shows, from The Twilight Zone (1959) to Bonanza (1959) and Ben Casey (1961) (an Emmy-nominated performance). She also played the second "Mrs. de Winter" in a television version of Daphne Du Maurier's classic "Rebecca".
Joan's off-beat personality likely limited her career in films. She was first featured as one of eight Vassar graduates making up The Group (1966), a 150-minute Sidney Lumet-directed part-satire, part-soap-opera film examining the lives and loves of the protagonists over the years. Her next motion pictures allowed Joan considerably more screen time: She co-starred with Charlton Heston in the moody, idiosyncratic western Will Penny (1967). She gave a decidedly understated, subtle performance as the down-to-earth frontier woman who befriends the hero, shares in his ordeals, and then is left by him when he realizes that there is no future in their relationship. In stark contrast was her role in the western comedy Support Your Local Sheriff! (1969). She was very much in her element as feisty, accident-prone mayor's daughter "Prudy Perkins". In this film, she displayed a talent for visual comedy reminiscent of Lucille Ball, but otherwise rarely seen since silent films. There was also great chemistry and clever verbal interaction between her and co-star James Garner, as the newly appointed sheriff who catches her character in various embarrassing situations.
She was also featured in the spy film Assignment to Kill (1968), followed by the predictable "Baby Jane" look-alike TV thriller How Awful About Allan (1970). Joan then gave assured performances in two subsequent thrillers, the stylish The Last of Sheila (1973) and the made-for-TV disguised remake of Diabolique (1955), Reflections of Murder (1974) with Sam Waterston. Joan gave a spectacular performance in the Michael Crichton book adaption of The Terminal Man (1974) where she plays a compassionate psychiatrist who is tormented by her patient. There were to be few roles of interest until Only When I Laugh (1981). The film, based on Neil Simon's play "The Gingerbread Lady", won Joan a Golden Globe Award and an Academy Award nomination as Best Supporting Actress. By that time, she was already so ill with cancer that she had to travel to the award ceremony in a wheelchair.
Joan Hackett was well known as a social activist, embracing solar energy and losing causes such as the preservation of the old Morosco Theatre in Times Square with equal fervor. According to personal friends, she accepted her fate with equanimity and dignity, dying at the age of just 49 in a hospital in Encino, California, in October 1983.--Dead Of Night--
--How Awful About Allan--
--The Last Of Sheila--
--The Terminal Man--
--Reflections Of Murder--
--Possessed--- Actress
- Producer
- Soundtrack
"Amazing Grace" Zabriskie was born in New Orleans, Louisiana. She wrote her own original poetry, then performed at coffee shops and various artist hangouts in Atlanta. She was also a wonderful silk-screen printmaker. She moved to Hollywood and made her acting debut in Norma Rae (1979). She went on to appear in over 80 movies. She gave an acclaimed performance as Mrs. Ames in East of Eden (1981), the adaptation of John Steinbeck's novel. Grace appeared in the highly acclaimed and Oscar-nominated An Officer and a Gentleman (1982) and The Big Easy (1986), set in her beloved New Orleans. She worked with producer and director David Lynch, and was a series regular in the cult favorite Twin Peaks (1990) as Sarah Palmer, the part with which she is most often identified. She also appeared in Lynch's Wild at Heart (1990) the same year. She has played a wide variety of roles, and gave a terrific performance in the Oscar-nominated Fried Green Tomatoes (1991) and showed great character depth as the lonely and despondent widow in The Passion of Darkly Noon (1995).
Grace's more recent roles were in the zany Sparkler (1997) and in the big-name feature No Good Deed (2002), based on a short story by Dashiell Hammett. A woman of many talents, she is currently creating her own original paintings, unique sculptures and woodwork art that can be viewed in Los Angeles galleries.
Her visual arts, which include creating lamps or "sculptures with light" as she calls them, are available from the L.A.-based ArtHaus.--The Grudge--
--Inland Empire--
--Galaxy Of Terror--
--Child's Play 2--
--They Crawl--
--The Letter--
--Home Horror Stories--
--The Devil's Child--
--Servants Of Twilight--
--R.S.V.P.--
--The Glow--- Actress
- Writer
- Soundtrack
Lesley-Anne Down was born on March 17, 1954 and raised in London, England. With the help of her father, she began modeling at age 10, acting in commercials, and winning several beauty contests. By the time she was 15, Down had completed four films and was voted "Britain's Most Beautiful Teenager". Lesley-Anne first gained international popularity as Georgina Worsley in the British series Upstairs, Downstairs (1971), which became a hit on PBS in the United States. She has starred in films, including The Pink Panther Strikes Again (1976), A Little Night Music (1977), The Betsy (1978), The Great Train Robbery (1978), Hanover Street (1979), Rough Cut (1980) and Sphinx (1981). She starred in the television movies The Hunchback of Notre Dame (1982), Arch of Triumph (1984), Indiscreet (1988), and in the miniseries The Last Days of Pompeii (1984) and North & South: Book 1, North & South (1985).
Lesley-Anne appeared for six episodes as Stephanie Rogers in the prime-time television series Dallas (1978), on the CBS Network. Her previous daytime experience included roles as Olivia Richards in Sunset Beach (1997) and Lady Sheraton in Days of Our Lives (1965). She also made guest appearances on the television series The Nanny (1993) and Diagnosis Murder (1993). On stage, she has appeared in "Hamlet" and a musical version of "Great Expectations". As for her career, Lesley-Anne has earned Golden Globe Award nominations, German Bravo Awards, the British Best Actress Award, the Rose D'or Best Soap Opera Actress Award and the covers of numerous publications throughout the world, including Life Magazine. She was awarded the 2006 TV Soap Golden Boomerang Award for the most Popular Supporting Female for her role as Jackie Marone Knight on The Bold and the Beautiful (1987).
Lesley-Anne Down met her husband, cinematographer Don E. FauntLeRoy, while filming North & South: Book 1, North & South (1985). They live in Malibu, California with their son, George-Edward FauntLeRoy. She also has a son, Jackson Friedkin, from her earlier marriage to director William Friedkin and two stepchildren, Season FauntLeRoy and Juliana FauntLeRoy, from Don's previous marriage. When she's not on the set, Down prefers to spend her free time with her children and animals. She has an extensive collection of Victorian children's books, which she has collected since age 15.--From Beyond The Grave--
--Nomads--
--Sphinx--
--The 13th Child--
--Countess Dracula--
--Haunted--
--Night Trap--- Actress
- Additional Crew
- Producer
Adrienne was born in and raised Oyster Bay, Long Island and did her first commercial when she was six months old, and has stayed at it with a brief hiatus or two ever since. She has also studied voice and dance, being continually involved in some phase of show business. She has done numerous television and radio commercials.
Adrienne is also a member of the Joseph Jefferson Theatre Company, and her professional credits include summer stock and off-Broadway productions including "W.H. Auden". After the success of Friday the 13th (1980), she appeared in its sequel and than became a voice actress (with voice roles in What's Eating Gilbert Grape (1993), While You Were Sleeping (1995), and many others). Her return to acting took place in 2009, with the science fiction/horror film Psychic Experiment (2010).--Friday The 13 the --
--Friday the 13th Part 2--
--The Butterfly Room--
--Psychic Experiment--
--Silent Night Bloody Night: The Homecoming--
--Tales Of Poe--- Actress
- Art Department
- Director
As a kid, Sissy Spacek climbed trees, rode horses, swam, and played in the woods. She was born Mary Elizabeth Spacek on December 25, 1949, in Quitman, Texas, to Virginia Frances (Spilman) and Edwin Arnold Spacek, Sr., a county agricultural agent. Her father's family was of Czech and German origin.
Sissy attended Quitman High School and was homecoming queen. After graduating, she embarked on an acting career, gaining interest in the profession through her cousin, actor Rip Torn. Sissy relocated to New York, and through him, enrolled in the New York branch of the Actors Studio. She studied acting at the Lee Strasberg Institute while also pursuing work as a model and singer, appearing in West Village showcases such as the Bitter End for $10 a night. Sissy eventually broke into film and one of her first roles was as Holly in the classic Badlands (1973). The art director on that film was Jack Fisk, with whom she would marry in 1974 and ultimately collaborate on eight films. Sissy followed this landmark film with a star-making and Oscar nominated performance in Carrie (1976), in which she played a humiliated prom queen who goes postal with her telekinesis. Sissy has had an enduring and award winning career in movies and television, which includes an Oscar as Best Actress for Coal Miner's Daughter (1980). The parents of two grown daughters, Sissy and Jack live on a large horse ranch in the foothills of Virginia's Blue Ridge Mountains. Even though she continued to appear in film and television during the late 1980s and 1990s, Sissy devoted most of those years to her family. Then, in 2001, Sissy returned to the big screen in a major way with a powerful performance in In the Bedroom (2001), which not only earned her a sixth Best Actress Oscar nomination, but a win for Best Actress at the Golden Globes, Independent Spirit Awards, and numerous critics association awards. Sissy continues to work steadily as an actress, but in 2012, her credits expanded even further to include a memoir, My Extraordinary Ordinary Life.--Carrie--
--The Ring II--
--An American Haunting--- Belinda Balaski began acting at age five. Through her career she has starred in many feature films, movies of the week, and commercials, not to mention making guest appearances on dozens of television series. Honored with an Emmy Award for starring in Best After School Special, "Runaways" (1974), she received two Emmy submissions for "Are You My Mother" (1986) (with Michael York) and Proud Men (1987) (with Charlton Heston and Peter Strauss). Her theatre background earned her the Los Angeles Drama Critics Circle Award, and two Robbie Awards.
Memorable movie roles include a hippie chick in The Werewolf of Woodstock (1975); as Essie Beaumont in Bobbie Jo and the Outlaw (1976); as an imperiled pregnant woman in The Food of the Gods (1976), and as Robert Carradine's surfer girl in Cannonball! (1976). She starred in a dozen Joe Dante films: a summer camp counselor in Piranha (1978); a news producer in The Howling (1981); in Amazon Women on the Moon (1987), and as a harried working class mother in Gremlins (1984) and Gremlins 2: The New Batch (1990). She appeared in such television series as Baretta (1975), S.W.A.T. (1975), Starsky and Hutch (1975), Charlie's Angels (1976), Vega$ (1978), The A-Team (1983), Matt Houston (1982), Hunter (1984), Simon & Simon (1981), Our House (1986), Falcon Crest (1981), Father Dowling Mysteries (1989), Eerie, Indiana (1991) and Baywatch (1989).
In the late 1980s, she created BB's Kids Acting School where she teaches both children, teenagers, and adults in theatrical, commercial and musical workshops; passing on the knowledge she has acquired through her four decades in the entertainment industry. She has been an actress, teacher, painter, photographer, writer and, of course, mother.--The Howling--
--Gremlins--
--Gremlins 2: The New Batch--
--Piranha--
--Food Of The Gods--
--Till Death--
--Death Scream-- - Actress
- Producer
- Director
Jessica Biel, has become one of Hollywood's most sought-out actresses. She was born in Ely, Minnesota, to Kimberly (Conroe) and Jonathan Edward Biel, who is a business consultant and GM worker. Biel was raised in Boulder, Colorado. She is of Hungarian Jewish, Danish, English, and German descent.
As a child, Biel initially pursued a career as a vocalist, performing in musical theater. Beginning at age nine, she starred in such productions as "Annie," "The Sound of Music," and "Beauty and the Beast." Biel soon turned to modeling and commercial work by competing in The International Modeling and Talent Association's Annual Conference in 1994.
Her Film debut was in the Kid's Rock Opera It's a Digital World (1994) where she demonstrated her acting and singing abilities. Her television series acting debut, playing Mary Camden on the WB's #1-rated show, 7th Heaven (1996), helped her emerge as a breakout star. She terrified moviegoers with her portrayal of Erin, "Leatherface's" greatest nemesis to date, in New Line Cinema's The Texas Chainsaw Massacre (2003), a remake of the original. Having finished filming, Blade: Trinity (2004) in Vancouver with Wesley Snipes, Ryan Reynolds, and Kris Kristofferson, she the portrayed a jet-fighter pilot in Stealth (2005), starring Josh Lucas, Jamie Foxx, and Sam Shepherd, for director Rob Cohen. Biel's film career began at age 14 when she played alongside Peter Fonda in his Golden Globe-winning performance in Ulee's Gold (1997). Her other film credits include I'll Be Home for Christmas (1998), Summer Catch (2001), Roger Avary's The Rules of Attraction (2002), and Cellular (2004), which stars Chris Evans, Kim Basinger, and William H. Macy.
In her spare time, Biel is involved with charities such as Best Friends Animal Sanctuary and PETA. Her hobbies include ballet, soccer, running, yoga and hiking with her dog "East." She resides in Los Angeles.
In 2012, she married actor and singer Justin Timberlake. The two have a son.--The Texas Chainsaw Massacre--
--Blade: Trinity--
--Tall Man--- Actress
- Soundtrack
Barbara Hershey was born Barbara Lynn Herzstein in Hollywood, California, to Melrose (Moore) and Arnold Nathan Herzstein, a horse racing columnist. Her father, born in Manhattan, was from a Jewish family (from Hungary and Russia), and her mother, originally from Arkansas, had English and Scots-Irish ancestry. Hershey was raised in a small bungalow, and had aspirations of being an actress from her earliest memories.
The multi-award-winning actress has been in some of Hollywood's most memorable films. She has been a winner of an Emmy and a Golden Globe for A Killing in a Small Town (1990). She won two consecutive Best Actress awards at the Cannes Film Festival, (which is unprecedented) for Shy People (1987) and A World Apart (1988). She won a Gemini Award for Anne of Green Gables: A New Beginning (2008) for PBS and a Lifetime Achievement Award at the Vienna International Film Festival.
Hershey was nominated for an Academy Award for The Portrait of a Lady (1996).
She's worked with some of the world's great directors, among them: Martin Scorsese, William Wyler, Woody Allen, Jane Campion and Darren Aronofsky.
The versatile actress was first discovered by a talent agent while she was attending Hollywood High School. She began working in television, The Monroes (1966), and film, With Six You Get Eggroll (1968), with Doris Day. And with roles in The Baby Maker (1970) and Boxcar Bertha (1972), Hershey quickly advanced to starring roles.
The 1980's catapulted Hershey's film career, when she starred in The Stunt Man (1980) with Peter O'Toole, The Entity (1982), The Right Stuff (1983), The Natural (1984) with Robert Redford, Hannah and Her Sisters (1986) with Woody Allen, Hoosiers (1986) with Gene Hackman, Tin Men (1987), Shy People (1987), The Last Temptation of Christ (1988), A World Apart (1988) and Beaches (1988) with Bette Midler.
Hershey returned to television in 1990 with her highly-lauded performance in A Killing in a Small Town (1990), Paris Trout (1991), Return to Lonesome Dove (1993), the British mini-series, Daniel Deronda (2002) and the last season of Chicago Hope (1994).
During the same period, Hershey remained active in features. She was nominated for an Oscar and Golden Globe for The Portrait of a Lady (1996). She also starred in Merchant-Ivory's A Soldier's Daughter Never Cries (1998) and the award-winning Australian film, Lantana (2001).
In the 2010 years, Hershey has performed in James Wan's cult-hit, Insidious (2010) and Darren Aronofsky's award-winning Black Swan (2010), playing Natalie Portman's insane mother.
Hershey resides in Los Angeles.--The Entity--
--Riding The Bullet--
--Insidious--
--Insidious: Chapter 2--
--Black Swan--- Actress
- Soundtrack
One of the finest classical and contemporary leading ladies ever to grace the 20th century American stage, five-time Tony Award winner Julie Harris was rather remote and reserved on camera, finding her true glow in front of the theatre lights. The freckled, red-haired actress not only was nominated for a whopping total of ten Tony awards and was a Sarah Siddons Award recipient for her work on the Chicago stage, she also earned awards in other areas of the entertainment industry, including three Emmys (of 11 nominations), a Grammy and an Academy Award nomination. (Note: Harris would hold the record for the most competitive Tony performance wins (five) for a couple of decades. Angela Lansbury finally caught up with her in 2009 and singer/actress Audra McDonald surpassed them both in 2014 with six). While Harris certainly lacked the buoyancy and glamor usually associated with being a movie star, she certainly made an impact in the early to mid 1950s with three iconic leading roles, two of which she resurrected from the Broadway stage. After that she pretty much deserted film.
Born Julie Ann Harris on December 2, 1925, in Grosse Pointe, Michigan, she was the daughter of William Pickett, an investment banker, and Elsie L. (née Smith) Harris, a nurse. Graduating from Grosse Pointe Country Day School, an early interest in the performance arts was encouraged by her family. Moving to New York City, Julie attended The Hewitt School and later trained as a teenager at the Perry-Mansfield Performing Arts School & Camp in Colorado. A mentor there, Charlotte Perry, saw great hope for young Julie and was insistent that her protégé study at the Yale School of Drama. Julie did just that -- for about a year.
Also trained at the New York School of Drama and one of the earliest members of the Acting Studio, young Julie made her Broadway debut in 1945 at age 19 in the comedy "It's a Gift". Despite its lukewarm reception, the demure, diminutive (5'3"), and delicate-looking thespian moved on. She apprenticed on Broadway for the next few years with ensemble parts in "King Henry IV, Part II" (1946), "Oedipus Rex" (1946), "The Playboy of the Western World" (1946), "Alice in Wonderland" (as the White Rabbit) (1947), and Macbeth" (1948).
More prominent roles came her way in such short-lived Broadway plays as "Sundown Beach" (1948), "The Young and Fair" (1948), "Magnolia Alley" (1949) and "Montserrat (1949). This led to her star-making theatre role at age 24 as sensitive 12-year-old tomboy Frankie Addams in the classic drama "The Member of the Wedding" (1950) opposite veteran actress Ethel Waters and based on the Carson McCullers novel. The play ran for over a year. The Member of the Wedding (1952) would eventually be transferred to film and, despite being untried talents on film, director Fred Zinnemann wisely included both Harris and young Brandon De Wilde (as young John Henry) to reenact their stage triumphs along with Ms. Waters. Harris, at 27, received her first and only Academy Award nomination as the coming-of-age Georgian tomboy.
It wasn't long before Julie's exceptional range and power won noticed nationwide. In 1952, she received her first "Best Actress" Tony Award for creating the larger-than-life role of Sally Bowles in "I Am a Camera," the stage version of one of Christopher Isherwood's Berlin stories ("Goodbye to Berlin" (1939). (Note: In the 1960s, Isherwood's play would be transformed successfully into the Broadway musical "Cabaret".) Harris again was invited to repeat her stage role in I Am a Camera (1955) with Laurence Harvey and Shelley Winters, winning the BAFTA "Best Foreign Actress" Award. That same year Harris starred opposite the highly emotive James Dean (she had top billing) as his love interest in the classic film East of Eden (1955), directed by Elia Kazan from the John Steinbeck novel. Strangely, Julie's brilliance in the role of Abra was completely overlooked come Oscar time...a terrible miscarriage of justice in this author's view.
After this vivid film exposure, Julie's love for the theatre completely dominated her career focus. She continued to increase her Broadway prestige with such plays as "Mademoiselle Colombe" (title role) (1954), "The Lark" (Tony Award: as Joan of Arc) (1955), "The Country Wife" (1957), "The Warm Peninsula" (1959), "Little Moon Over Alban" (1960) (which she took to Emmy-winning TV), "A Shot in the Dark" (1961), "Ready When Your Are, C.B.!" (1964), "Skyscraper" (1965), "Forty Carats" (Tony Award) (1968), "And Miss Reardon Drinks a Little" ) (1971), "The Au Pair Man" (1973) and "In Praise of Love" (1974). In between she gave stellar performances on TV with her Joan of Arc in The Lark (1957); title role in Johnny Belinda (1958); Nora in Ibsen's A Doll's House (1959); Catherine Sloper in The Heiress (1961); title role in Victoria Regina (1961) (for which received an Emmy award); Eliza Doolittle in Pygmalion (1963), and title role in Anastasia (1967).Be
In later years Harris reaped praises and honors for her awe-inspiring one-woman touring shows based on the lives of certain distaff historical figureheads. Her magnificently tormented, Tony-winning "First Lady" Mary Lincoln in "The Last of Mrs. Lincoln" (1972) was the first to be seen on stage and TV, followed by another Tony (and Grammy) Award-winning performance as poetess Emily Dickinson in "The Belle of Amherst" (1976) (directed by close friend Charles Nelson Reilly, as well as her early 1980s solo portrait of author Charlotte Brontë in "Bronte," which started out as a radio play. Julie was now placed among the theatre's luminous "ruling class" alongside legendary veterans Helen Hayes, Katharine Cornell and Judith Anderson.
As time wore on, Harris would become equally respected on film and TV for her portrayals of over-the-edge neurotics, wallflowers and eccentric maiden aunt types as witnessed by her co-starring roles in the films The Haunting (1963), Hamlet (1964) (as Ophelia), Harper (1966), You're a Big Boy Now (1966), Reflections in a Golden Eye (1967), The Bell Jar (1979), and the TV-movies How Awful About Allan (1970) and Home for the Holidays (1972). Perhaps a step down performance wise, the veteran actress, after a period of ill health, became a household name with her regular series work as Lilimae on the TV soap Knots Landing (1979).
At age 60, Harris continued to impress on Broadway with her 1990's versions of Amanda Wingfield in "The Glass Menagerie" and Fonsia Dorsey in "The Gin Game" for which she received her tenth and final Tony nomination. She also toured successfully with a production of "Lettice and Lovage". Unlike many other actors whose film roles disintegrated with appearances in bottom-of-the-barrel lowbudgets, Julie's final two supporting films roles were in two nicely constructed period romantic comedies -- The Golden Boys (2008) and The Lightkeepers (2009).
Ill health dogged Julie's later years (she battled breast cancer in 1981 and suffered two strokes -- one in 2001 (while performing in the Chicago play "Fossils") and again in 2010). Nevertheless, she continued to work almost until the end, including narrating five historical documentaries and giving Emmy-winning voice to such women suffragettes as Susan B. Anthony and Elizabeth Cady Stanton.
Married and divorced three times, Julie had one son by her second marriage -- Peter, who became a theatre critic. She also spent time enjoying the benefits of receiving special awards and honors for her full body of work. Among these, she was inducted into the American Theatre Hall of Fame in 1979, was awarded the National Medal of Arts in 1994, received a "Special Lifetime Achievement" Tony Award in 2002 and was a 2005 Kennedy Center honoree.
Harris died on August 24, 2013, of congestive heart failure at her home in West Chatham, Massachusetts. She was 87.--The Haunting--
--The Dark Half--
--Journey To Midnight--
--How Awful About Allen--
--Home For The Holidays--- Actress
- Soundtrack
A slim, stunning, stylish-looking actress, British Jill Haworth (born Valerie Jill Haworth on August 15, 1945 in Sussex) was a free-spirited product of the 1960s. Her father was a textile magnate and sometime race car driver and mother an aspiring ballerina. Trained in dance herself, she attended the Corona Stage School and appeared, unbilled, as a schoolgirl in a couple of movies, before fame came knocking at her door.
The diminutive (5'2") Jill was discovered by ever-formidable director Otto Preminger after he happened upon her photo from her acting school. Looking for a new face to play the refugee role of Karen in his monumental Oscar-winning film Exodus (1960), Jill made a touching impression as Sal Mineo's ill-fated Jewish girlfriend. An impressed Preminger went on to cast the actress in two other of his other important epics that same decade -- The Cardinal (1963) and In Harm's Way (1965). Both, however, were received with much less fanfare.
At this juncture, Jill had gained a sympathy vote in Hollywood as many of her ingénues seemed to meet untimely ends. Despite a dusky, untrained singing voice, the lovely blonde went to Broadway in 1966 and fashioned the role of the capricious Britisher Sally Bowles (played with a dark wig) in the musical "Cabaret," which co-starred Bert Convy as her naive American boyfriend and the irrepressible Joel Grey as the seedy Master of Ceremonies. The Kander/Ebb musical, which took place in decadent pre-Nazi Berlin, was based on Christopher Isherwood's popular "Berlin Stories". A huge hit, it won numerous Tony awards, including best musical of the 1966-67 season. Although Jill received mixed reviews, she played the role for two years.
Interestingly, it was veterans Lotte Lenya and Jack Gilford who received Tony nominations for their elderly roles in the production and not the young leads Haworth and Convy. Later on, while Grey was asked to recreate his magnetic Tony-winning part for the 1972 film Cabaret (1972), Jill and Bert were snubbed again when the leads went to others. It should be noted that by the time Bob Fosse's screen version was ready to go, Jill's star had dimmed considerably. The movie was now geared as a showcase for the fast-rising Liza Minnelli. As such, the Bowles character was Americanized and her boyfriend, played now by Michael York, served as her British counterpart. Both Minnelli and Grey won well-deserved Oscars for their dazzling performances.
After the "Cabaret" success, things died down and Jill returned to England, relegated to a few horror films here and there, including It! (1967), Horror House (1969) and Tower of Evil (1972). She also appeared on several American TV series from time to time, including Mission: Impossible (1966), The F.B.I. (1965), Baretta (1975) and Vega$ (1978). By the 1980s, however, Jill was pretty much out of sight.
In 2001 she appeared out of nowhere in a support role for the America film Mergers & Acquisitions (2001). She was living in New York and reportedly had just finished working on a voiceover YMCA spot in 2011 when she died suddenly in her Manhattan home of "natural causes" at age 65.--Horror On Snape Island--
--It!--
--The Mutations--
--Home For The Holidays--
--Horror House--