Hollywood Bad Boys
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Legendary Hollywood "tough guy", on screen and off. Remembered as the title character in Dillinger (1945) and as the consummately brutal lover of Claire Trevor in Born to Kill (1947). Notorious for his frequent, well-publicized barroom brawls and the like, including being stabbed in 1973. In his later years, he continued as a screen actor projecting the hard-as-nails mien that has been ingrained since his younger days, as evidenced in Quentin Tarantino's Reservoir Dogs (1992).Tierney's numerous arrests for being drunk and disorderly and jail terms for assault of civilians and lawmen alike took a toll on his career.He was an admitted alcoholic who went sober in 1982 after having a mild stroke, once observing he "threw away about seven careers through drink.''
In just seven years between 1944 and 1951 Tierney was arrested a dozen times for brawling, frequently for drunkenness.His legal troubles included a 90-day sentence for breaking a college student's jaw.At the time of a 1958 arrest for fighting two policemen outside a Manhattan bar the New York Times reported he had been arrested six times in California and five in New York on similar charges.In 1973 he was stabbed in a bar fight on the West Side of Manhattan
In June 1975, Tierney was questioned by New York City police in connection with the apparent suicide of a 24-year old woman who had jumped from the window of her apartment. Tierney told police he'd come to visit the woman, "had just gotten there, and she just went out the window"- Actor
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Errol Flynn was born to parents Theodore Flynn, a respected biologist, and Marrelle Young, an adventurous young woman. Young Flynn was a rambunctious child who could be counted on to find trouble. Errol managed to have himself thrown out of every school in which he was enrolled. In his late teens he set out to find gold, but instead found a series of short lived odd jobs. Information is sketchy, however the positions of police constable, sanitation engineer, treasure hunter, sheep castrator, ship-master for hire, fisherman, and soldier seem to be among his more reputable career choices. Staying one jump ahead of the law and jealous husbands forced Flynn to England. He took up acting, a pastime he had previously stumbled into when asked to play (ironically) Fletcher Christian in a film called In the Wake of the Bounty (1933). Flynn's natural athletic talent and good looks attracted the attention of Warner Brothers and soon he was off to America. His luck held when he replaced Robert Donat in the title role of Captain Blood (1935). He quickly rocketed to stardom as the undisputed king of adventure films, a title inherited from Douglas Fairbanks, though which remains his to this day. Onscreen, he was the freedom loving rebel, a man of action who fought against injustice and won the hearts of damsels in the process. His off-screen passions; drinking, fighting, boating and sex, made his film escapades seem pale. His love life brought him considerable fame, three statutory rape trials, and a lasting memorial in the expression "In like Flynn". Serious roles eluded him, and as his lifestyle eroded his youthful good looks, his career declined. Troubles with lawsuits and the IRS plagued him at this time, eroding what little money he had saved. A few good roles did come his way late in life, however, these were usually that of aging alcoholic, almost mirror images of Flynn. Regardless of any perceived similarity; he was making a name as a serious actor before his death.Tasmanian devil Errol Flynn had a line for every vice - "I like my whisky old and my women young"
Flynn had a reputation, amongst those who knew him personally beyond his intimate family circle, for womanizing, hard drinking, and for a while in the 1940s, narcotic abuse.His flamboyant lifestyle was all the more impressive considering he had an enlarged heart, tuberculosis and bouts of malaria.- Actor
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Robert Mitchum was an underrated American leading man of enormous ability, who sublimated his talents beneath an air of disinterest. He was born in Bridgeport, Connecticut, to Ann Harriet (Gunderson), a Norwegian immigrant, and James Thomas Mitchum, a shipyard/railroad worker. His father died in a train accident when he was two, and Robert and his siblings (including brother John Mitchum, later also an actor) were raised by his mother and stepfather (a British army major) in Connecticut, New York, and Delaware. An early contempt for authority led to discipline problems, and Mitchum spent good portions of his teen years adventuring on the open road. He later claimed that on one of these trips, at the age of 14, he was charged with vagrancy and sentenced to a Georgia chain gang, from which he escaped. Working a wide variety of jobs (including ghostwriter for astrologist Carroll Righter), Mitchum discovered acting in a Long Beach, California, amateur theater company. He worked at Lockheed Aircraft, where job stress caused him to suffer temporary blindness. About this time he began to obtain small roles in films, appearing in dozens within a very brief time. In 1945, he was cast as Lt. Walker in Story of G.I. Joe (1945) and received an Oscar nomination as Best Supporting Actor. His star ascended rapidly, and he became an icon of 1940s film noir, though equally adept at westerns and romantic dramas. His apparently lazy style and seen-it-all demeanor proved highly attractive to men and women, and by the 1950s, he was a true superstar despite a brief prison term for marijuana usage in 1949, which seemed to enhance rather than diminish his "bad boy" appeal. Though seemingly dismissive of "art," he worked in tremendously artistically thoughtful projects such as Charles Laughton's The Night of the Hunter (1955) and even co-wrote and composed an oratorio produced at the Hollywood Bowl by Orson Welles. A master of accents and seemingly unconcerned about his star image, he played in both forgettable and unforgettable films with unswerving nonchalance, leading many to overlook the prodigious talent he can bring to a project that he finds compelling. He moved into television in the 1980s as his film opportunities diminished, winning new fans with The Winds of War (1983) and War and Remembrance (1988). His sons James Mitchum and Christopher Mitchum are actors, as is his grandson Bentley Mitchum. His last film was James Dean: Race with Destiny (1997) with Casper Van Dien as James Dean.Mitchum's first run-in with the law happend in 1948 when he was arrested for possession of marijuana.
Tough guy Mitchum also found himself the unwilling recipient of barroom challenges,one of the most notorious scrapes came in 1951 when his co-star got into fight with a soldier in a bar.Mitchum came in to protect him and knocked the soldier unconscious.Later the media found out that the sailor was a former heavyweight boxing champion.Mitchum was also a prankster and his pranks could and ofted did go too far,he was fired from the set of Blood Alley for more supposed prank-pulling- Actor
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Charlie Sheen was born Carlos Irwin Estévez on September 3, 1965, in New York City. His father, actor Martin Sheen (born Ramon Antonio Gerard Estevez), was at the time just breaking into the business, with performances on Broadway. His mother, Janet Sheen (née Templeton), was a former New York art student who had met Charlie's father right after he had moved to Manhattan. Martin and Janet had three other children, Emilio Estevez, Renée Estevez, and Ramon Estevez, all of whom became actors. His father is of half Spanish and half Irish descent, and his mother, whose family is from Kentucky, has English and Scottish ancestry.
At a young age, Charlie took an interest in his father's acting career. When he was nine, he was given a small part in his dad's movie The Execution of Private Slovik (1974). In 1977, he was in the Philippines where his dad suffered a near-fatal heart attack on the set of Apocalypse Now (1979).
While at Santa Monica High School, Charlie had two major interests: acting and baseball. Along with his friends, which included Rob Lowe and Sean Penn, he produced and starred in several amateur Super-8 films. On the Vikings baseball team, he was a star shortstop and pitcher. His lifetime record as a pitcher was 40-15. His interest and skill in baseball would later influence some of his movie roles. Unfortunately, his success on the baseball field did not translate to success in the classroom, as he struggled to keep his grades up. Just a few weeks before his scheduled graduation date, Charlie was expelled due to poor attendance and bad grades.
After high school, Charlie aggressively pursued many acting roles. His first major role was as a high school student in the teen war film Red Dawn (1984). He followed this up with relatively small roles in TV movies and low-profile releases. His big break came in 1986 when he starred in Oliver Stone's Oscar winning epic Platoon (1986). He drew rave reviews for his portrayal of a young soldier who is caught in the center of a moral crisis in Vietnam.
The success of Platoon (1986) prompted Oliver Stone to cast Charlie in his next movie Wall Street (1987) alongside his father and veteran actor Martin Sheen. The movie with its "Greed is Good" theme became an instant hit with viewers.
Shortly after, Stone approached Charlie about the starring role in his next movie, Born on the Fourth of July (1989). When Tom Cruise eventually got the part, Sheen ended up hearing the news from his brother Emilio Estevez and not even getting as much as a call from Stone. This led to a fallout, and the two have not worked together since.
The fallout with Stone, however, did nothing to hurt Charlie's career in the late 1980s and early '90s, as he continued to establish himself as one of the top box office draws with a string of hits that included Young Guns (1988), Major League (1989), and Hot Shots! (1991). However, as the mid-'90s neared, his good fortune both personally and professionally, soon came to an end.
Around this time, Charlie, who had already been to drug rehab, was beginning to develop a reputation as a hard-partying, womanizer. In 1995, the same year he was briefly married to model Donna Peele, he was called to testify at the trial of Hollywood madam Heidi Fleiss. At the trial, while under oath he admitted to spending nearly $50,000 on 27 of Fleiss' $2,500-a-night prostitutes.
His downward spiral continued the following year when his ex-girlfriend Brittany Ashland filed charges claiming that he physically abused her. He was later charged with misdemeanor battery to which he pleaded no contest and was given a year's suspended sentence, two years' probation and a $2,800 fine. He finally hit rock bottom in May 1998 when he was hospitalized in Thousand Oaks, California, following a near-fatal drug overdose. Later that month, he was ordered back to the drug rehab center, which he had previously left after one day.
During this stretch, Charlie's film career began to suffer as well. He starred in a series of box office flops that included The Arrival (1996) and Shadow Conspiracy (1997). However as the 1990s came to end, so did Charlie's string of bad luck.
In 2000, Charlie, now clean and sober, was chosen to replace Michael J. Fox on the ABC hit sitcom Spin City (1996). Though his stint lasted only two seasons, Charlie's performance caught the eye of CBS executives who in 2003 were looking for an established star to help carry their Monday night lineup of sitcoms that included Everybody Loves Raymond (1996). The sitcom Two and a Half Men (2003) starred Charlie as a swinging, irresponsible womanizer whose life changes when his nephew suddenly appears on his doorstep. The show became a huge hit, breathing much needed life into Charlie's fading career.
Charlie's personal life also appeared to be improving. In 2002, he married actress Denise Richards, whom he first met while shooting the movie Good Advice (2001). In March 2004, they had a daughter, Sam, and it was announced shortly after that Denise was pregnant with the couple's second child. By all reports, the couple seemed to be very happy together. However, like all of Charlie's previous relationships, the stability did not last long. In March of 2005, Denise, who was six-months pregnant, filed for divorce, citing irreconcilable differences. She gave birth to a second daughter, Lola, in June of that same year. Their divorce became final in late 2006.- Actor
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Sean Penn is a powerhouse film performer capable of intensely moving work, who has gone from strength to strength during a colourful film career, and who has drawn much media attention for his stormy private life and political viewpoints.
Sean Justin Penn was born in Los Angeles, California, the second son of actress Eileen Ryan (née Annucci) and director, actor, and writer Leo Penn. His brother was actor Chris Penn. His father was from a Lithuanian Jewish/Russian Jewish family, and his mother is of half Italian and half Irish descent.
Penn first appeared in roles as strong-headed or unruly youths such as the military cadet defending his academy against closure in Taps (1981), then as fast-talking surfer stoner Jeff Spicoli in Fast Times at Ridgemont High (1982).
Fans and critics were enthused about his obvious talent and he next contributed a stellar performance alongside Timothy Hutton in the Cold War spy thriller The Falcon and the Snowman (1985), followed by a teaming with icy Christopher Walken in the chilling At Close Range (1986). The youthful Sean then paired up with his then wife, pop diva Madonna in the woeful, and painful, Shanghai Surprise (1986), which was savaged by the critics, but Sean bounced back with a great job as a hot-headed young cop in Colors (1988), gave another searing performance as a US soldier in Vietnam committing atrocities in Casualties of War (1989) and appeared alongside Robert De Niro in the uneven comedy We're No Angels (1989). However, the 1990s was the decade in which Sean really got noticed by critics as a mature, versatile and accomplished actor, with a string of dynamic performances in first-class films.
Almost unrecognisable with frizzy hair and thin rimmed glasses, Penn was simply brilliant as corrupt lawyer David Kleinfeld in the Brian De Palma gangster movie Carlito's Way (1993) and he was still in trouble with authority as a Death Row inmate pleading with a caring nun to save his life in Dead Man Walking (1995), for which he received his first Oscar nomination. Sean then played the brother of wealthy Michael Douglas, involving him in a mind-snapping scheme in The Game (1997) and also landed the lead role of Sgt. Eddie Walsh in the star-studded anti-war film The Thin Red Line (1998), before finishing the 1990s playing an offbeat jazz musician (and scoring another Oscar nomination) in Sweet and Lowdown (1999).
The gifted and versatile Sean had also moved into directing, with the quirky but interesting The Indian Runner (1991), about two brothers with vastly opposing views on life, and in 1995 he directed Jack Nicholson in The Crossing Guard (1995). Both films received overall positive reviews from critics. Moving into the new century, Sean remained busy in front of the cameras with even more outstanding work: a mentally disabled father fighting for custody of his seven-year-old daughter (and receiving a third Oscar nomination) for I Am Sam (2001); an anguished father seeking revenge for his daughter's murder in the gut-wrenching Clint Eastwood-directed Mystic River (2003) (for which he won the Oscar as Best Actor); a mortally ill college professor in 21 Grams (2003) and a possessed businessman in The Assassination of Richard Nixon (2004).
Certainly Sean Penn is one of Hollywood's most controversial, progressive and gifted actors.- Actor
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Robert Oliver Reed was an English actor known for his well-to-do, macho image and "hellraiser" lifestyle. His notable films include The Trap (1966), playing Bill Sikes in the Best Picture Oscar winner Oliver! (1968), Women in Love (1969), Hannibal Brooks (1969), The Devils (1971), Revolver (1973), portraying Athos in The Three Musketeers (1973) and The Four Musketeers (1974); the lover/stepfather in Tommy (1975), The Brood (1979), Lion of the Desert (1981), Castaway (1986), The Adventures of Baron Munchausen (1988), Funny Bones (1995) and Gladiator (2000).- Actor
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Marlon Brando is widely considered the greatest movie actor of all time, rivaled only by the more theatrically oriented Laurence Olivier in terms of esteem. Unlike Olivier, who preferred the stage to the screen, Brando concentrated his talents on movies after bidding the Broadway stage adieu in 1949, a decision for which he was severely criticized when his star began to dim in the 1960s and he was excoriated for squandering his talents. No actor ever exerted such a profound influence on succeeding generations of actors as did Brando. More than 50 years after he first scorched the screen as Stanley Kowalski in the movie version of Tennessee Williams' A Streetcar Named Desire (1951) and a quarter-century after his last great performance as Col. Kurtz in Francis Ford Coppola's Apocalypse Now (1979), all American actors are still being measured by the yardstick that was Brando. It was if the shadow of John Barrymore, the great American actor closest to Brando in terms of talent and stardom, dominated the acting field up until the 1970s. He did not, nor did any other actor so dominate the public's consciousness of what WAS an actor before or since Brando's 1951 on-screen portrayal of Stanley made him a cultural icon. Brando eclipsed the reputation of other great actors circa 1950, such as Paul Muni and Fredric March. Only the luster of Spencer Tracy's reputation hasn't dimmed when seen in the starlight thrown off by Brando. However, neither Tracy nor Olivier created an entire school of acting just by the force of his personality. Brando did.
Marlon Brando, Jr. was born on April 3, 1924, in Omaha, Nebraska, to Marlon Brando, Sr., a calcium carbonate salesman, and his artistically inclined wife, the former Dorothy Julia Pennebaker. "Bud" Brando was one of three children. His ancestry included English, Irish, German, Dutch, French Huguenot, Welsh, and Scottish; his surname originated with a distant German immigrant ancestor named "Brandau." His oldest sister Jocelyn Brando was also an actress, taking after their mother, who engaged in amateur theatricals and mentored a then-unknown Henry Fonda, another Nebraska native, in her role as director of the Omaha Community Playhouse. Frannie, Brando's other sibling, was a visual artist. Both Brando sisters contrived to leave the Midwest for New York City, Jocelyn to study acting and Frannie to study art. Marlon managed to escape the vocational doldrums forecast for him by his cold, distant father and his disapproving schoolteachers by striking out for The Big Apple in 1943, following Jocelyn into the acting profession. Acting was the only thing he was good at, for which he received praise, so he was determined to make it his career - a high-school dropout, he had nothing else to fall back on, having been rejected by the military due to a knee injury he incurred playing football at Shattuck Military Academy, Brando Sr.'s alma mater. The school booted Marlon out as incorrigible before graduation.
Acting was a skill he honed as a child, the lonely son of alcoholic parents. With his father away on the road, and his mother frequently intoxicated to the point of stupefaction, the young Bud would play-act for her to draw her out of her stupor and to attract her attention and love. His mother was exceedingly neglectful, but he loved her, particularly for instilling in him a love of nature, a feeling which informed his character Paul in Last Tango in Paris (1972) ("Last Tango in Paris") when he is recalling his childhood for his young lover Jeanne. "I don't have many good memories," Paul confesses, and neither did Brando of his childhood. Sometimes he had to go down to the town jail to pick up his mother after she had spent the night in the drunk tank and bring her home, events that traumatized the young boy but may have been the grain that irritated the oyster of his talent, producing the pearls of his performances. Anthony Quinn, his Oscar-winning co-star in Viva Zapata! (1952) told Brando's first wife Anna Kashfi, "I admire Marlon's talent, but I don't envy the pain that created it."
Brando enrolled in Erwin Piscator's Dramatic Workshop at New York's New School, and was mentored by Stella Adler, a member of a famous Yiddish Theatre acting family. Adler helped introduce to the New York stage the "emotional memory" technique of Russian theatrical actor, director and impresario Konstantin Stanislavski, whose motto was "Think of your own experiences and use them truthfully." The results of this meeting between an actor and the teacher preparing him for a life in the theater would mark a watershed in American acting and culture.
Brando made his debut on the boards of Broadway on October 19, 1944, in "I Remember Mama," a great success. As a young Broadway actor, Brando was invited by talent scouts from several different studios to screen-test for them, but he turned them down because he would not let himself be bound by the then-standard seven-year contract. Brando would make his film debut quite some time later in Fred Zinnemann's The Men (1950) for producer Stanley Kramer. Playing a paraplegic soldier, Brando brought new levels of realism to the screen, expanding on the verisimilitude brought to movies by Group Theatre alumni John Garfield, the predecessor closest to him in the raw power he projected on-screen. Ironically, it was Garfield whom producer Irene Mayer Selznick had chosen to play the lead in a new Tennessee Williams play she was about to produce, but negotiations broke down when Garfield demanded an ownership stake in "A Streetcar Named Desire." Burt Lancaster was next approached, but couldn't get out of a prior film commitment. Then director Elia Kazan suggested Brando, whom he had directed to great effect in Maxwell Anderson's play "Truckline Café," in which Brando co-starred with Karl Malden, who was to remain a close friend for the next 60 years.
During the production of "Truckline Café," Kazan had found that Brando's presence was so magnetic, he had to re-block the play to keep Marlon near other major characters' stage business, as the audience could not take its eyes off of him. For the scene where Brando's character re-enters the stage after killing his wife, Kazan placed him upstage-center, partially obscured by scenery, but where the audience could still see him as Karl Malden and others played out their scene within the café set. When he eventually entered the scene, crying, the effect was electric. A young Pauline Kael, arriving late to the play, had to avert her eyes when Brando made this entrance as she believed the young actor on stage was having a real-life conniption. She did not look back until her escort commented that the young man was a great actor.
The problem with casting Brando as Stanley was that he was much younger than the character as written by Williams. However, after a meeting between Brando and Williams, the playwright eagerly agreed that Brando would make an ideal Stanley. Williams believed that by casting a younger actor, the Neanderthalish Kowalski would evolve from being a vicious older man to someone whose unintentional cruelty can be attributed to his youthful ignorance. Brando ultimately was dissatisfied with his performance, though, saying he never was able to bring out the humor of the character, which was ironic as his characterization often drew laughs from the audience at the expense of Jessica Tandy's Blanche Dubois. During the out-of-town tryouts, Kazan realized that Brando's magnetism was attracting attention and audience sympathy away from Blanche to Stanley, which was not what the playwright intended. The audience's sympathy should be solely with Blanche, but many spectators were identifying with Stanley. Kazan queried Williams on the matter, broaching the idea of a slight rewrite to tip the scales back to more of a balance between Stanley and Blanche, but Williams demurred, smitten as he was by Brando, just like the preview audiences.
For his part, Brando believed that the audience sided with his Stanley because Jessica Tandy was too shrill. He thought Vivien Leigh, who played the part in the movie, was ideal, as she was not only a great beauty but she WAS Blanche Dubois, troubled as she was in her real life by mental illness and nymphomania. Brando's appearance as Stanley on stage and on screen revolutionized American acting by introducing "The Method" into American consciousness and culture. Method acting, rooted in Adler's study at the Moscow Art Theatre of Stanislavsky's theories that she subsequently introduced to the Group Theatre, was a more naturalistic style of performing, as it engendered a close identification of the actor with the character's emotions. Adler took first place among Brando's acting teachers, and socially she helped turn him from an unsophisticated Midwestern farm boy into a knowledgeable and cosmopolitan artist who one day would socialize with presidents.
Brando didn't like the term "The Method," which quickly became the prominent paradigm taught by such acting gurus as Lee Strasberg at the Actors Studio. Brando denounced Strasberg in his autobiography "Songs My Mother Taught Me" (1994), saying that he was a talentless exploiter who claimed he had been Brando's mentor. The Actors Studio had been founded by Strasberg along with Kazan and Stella Adler's husband, Harold Clurman, all Group Theatre alumni, all political progressives deeply committed to the didactic function of the stage. Brando credits his knowledge of the craft to Adler and Kazan, while Kazan in his autobiography "A Life" claimed that Brando's genius thrived due to the thorough training Adler had given him. Adler's method emphasized that authenticity in acting is achieved by drawing on inner reality to expose deep emotional experience
Interestingly, Elia Kazan believed that Brando had ruined two generations of actors, his contemporaries and those who came after him, all wanting to emulate the great Brando by employing The Method. Kazan felt that Brando was never a Method actor, that he had been highly trained by Adler and did not rely on gut instincts for his performances, as was commonly believed. Many a young actor, mistaken about the true roots of Brando's genius, thought that all it took was to find a character's motivation, empathize with the character through sense and memory association, and regurgitate it all on stage to become the character. That's not how the superbly trained Brando did it; he could, for example, play accents, whereas your average American Method actor could not. There was a method to Brando's art, Kazan felt, but it was not The Method.
After A Streetcar Named Desire (1951), for which he received the first of his eight Academy Award nominations, Brando appeared in a string of Academy Award-nominated performances - in Viva Zapata! (1952), Julius Caesar (1953) and the summit of his early career, Kazan's On the Waterfront (1954). For his "Waterfront" portrayal of meat-headed longshoreman Terry Malloy, the washed-up pug who "coulda been a contender," Brando won his first Oscar. Along with his iconic performance as the rebel-without-a-cause Johnny in The Wild One (1953) ("What are you rebelling against?" Johnny is asked. "What have ya got?" is his reply), the first wave of his career was, according to Jon Voight, unprecedented in its audacious presentation of such a wide range of great acting. Director John Huston said his performance of Marc Antony was like seeing the door of a furnace opened in a dark room, and co-star John Gielgud, the premier Shakespearean actor of the 20th century, invited Brando to join his repertory company.
It was this period of 1951-54 that revolutionized American acting, spawning such imitators as James Dean - who modeled his acting and even his lifestyle on his hero Brando - the young Paul Newman and Steve McQueen. After Brando, every up-and-coming star with true acting talent and a brooding, alienated quality would be hailed as the "New Brando," such as Warren Beatty in Kazan's Splendor in the Grass (1961). "We are all Brando's children," Jack Nicholson pointed out in 1972. "He gave us our freedom." He was truly "The Godfather" of American acting - and he was just 30 years old. Though he had a couple of failures, like Désirée (1954) and The Teahouse of the August Moon (1956), he was clearly miscast in them and hadn't sought out the parts so largely escaped blame.
In the second period of his career, 1955-62, Brando managed to uniquely establish himself as a great actor who also was a Top 10 movie star, although that star began to dim after the box-office high point of his early career, Sayonara (1957) (for which he received his fifth Best Actor Oscar nomination). Brando tried his hand at directing a film, the well-reviewed One-Eyed Jacks (1961) that he made for his own production company, Pennebaker Productions (after his mother's maiden name). Stanley Kubrick had been hired to direct the film, but after months of script rewrites in which Brando participated, Kubrick and Brando had a falling out and Kubrick was sacked. According to his widow Christiane Kubrick, Stanley believed that Brando had wanted to direct the film himself all along.
Tales proliferated about the profligacy of Brando the director, burning up a million and a half feet of expensive VistaVision film at 50 cents a foot, fully ten times the normal amount of raw stock expended during production of an equivalent motion picture. Brando took so long editing the film that he was never able to present the studio with a cut. Paramount took it away from him and tacked on a re-shot ending that Brando was dissatisfied with, as it made the Oedipal figure of Dad Longworth into a villain. In any normal film Dad would have been the heavy, but Brando believed that no one was innately evil, that it was a matter of an individual responding to, and being molded by, one's environment. It was not a black-and-white world, Brando felt, but a gray world in which once-decent people could do horrible things. This attitude explains his sympathetic portrayal of Nazi officer Christian Diestl in the film he made before shooting One-Eyed Jacks (1961), Edward Dmytryk's filming of Irwin Shaw's novel The Young Lions (1958). Shaw denounced Brando's performance, but audiences obviously disagreed, as the film was a major hit. It would be the last hit movie Brando would have for more than a decade.
One-Eyed Jacks (1961) generated respectable numbers at the box office, but the production costs were exorbitant - a then-staggering $6 million - which made it run a deficit. A film essentially is "made" in the editing room, and Brando found cutting to be a terribly boring process, which was why the studio eventually took the film away from him. Despite his proved talent in handling actors and a large production, Brando never again directed another film, though he would claim that all actors essentially direct themselves during the shooting of a picture.
Between the production and release of One-Eyed Jacks (1961), Brando appeared in Sidney Lumet's film version of Tennessee Williams' play "Orpheus Descending," The Fugitive Kind (1960) which teamed him with fellow Oscar winners Anna Magnani and Joanne Woodward. Following in Elizabeth Taylor's trailblazing footsteps, Brando became the second performer to receive a $1-million salary for a motion picture, so high were the expectations for this re-teaming of Kowalski and his creator (in 1961 critic Hollis Alpert had published a book "Brando and the Shadow of Stanley Kowalski"). Critics and audiences waiting for another incendiary display from Brando in a Williams work were disappointed when the renamed The Fugitive Kind (1960) finally released. Though Tennessee was hot, with movie versions of Cat on a Hot Tin Roof (1958) and Suddenly, Last Summer (1959) burning up the box office and receiving kudos from the Academy of Motion Picture Arts & Sciences, The Fugitive Kind (1960) was a failure. This was followed by the so-so box-office reception of One-Eyed Jacks (1961) in 1961 and then by a failure of a more monumental kind: Mutiny on the Bounty (1962), a remake of the famed 1935 film.
Brando signed on to Mutiny on the Bounty (1962) after turning down the lead in the David Lean classic Lawrence of Arabia (1962) because he didn't want to spend a year in the desert riding around on a camel. He received another $1-million salary, plus $200,000 in overages as the shoot went overtime and over budget. During principal photography, highly respected director Carol Reed (an eventual Academy Award winner) was fired, and his replacement, two-time Oscar winner Lewis Milestone, was shunted aside by Brando as Marlon basically took over the direction of the film himself. The long shoot became so notorious that President John F. Kennedy asked director Billy Wilder at a cocktail party not "when" but "if" the "Bounty" shoot would ever be over. The MGM remake of one of its classic Golden Age films garnered a Best Picture Oscar nomination and was one of the top grossing films of 1962, yet failed to go into the black due to its Brobdingnagian budget estimated at $20 million, which is equivalent to $120 million when adjusted for inflation.
Brando and Taylor, whose Cleopatra (1963) nearly bankrupted 20th Century-Fox due to its huge cost overruns (its final budget was more than twice that of Brando's Mutiny on the Bounty (1962)), were pilloried by the show business press for being the epitome of the pampered, self-indulgent stars who were ruining the industry. Seeking scapegoats, the Hollywood press conveniently ignored the financial pressures on the studios. The studios had been hurt by television and by the antitrust-mandated divestiture of their movie theater chains, causing a large outflow of production to Italy and other countries in the 1950s and 1960s in order to lower costs. The studio bosses, seeking to replicate such blockbuster hits as the remakes of The Ten Commandments (1956) and Ben-Hur (1959), were the real culprits behind the losses generated by large-budgeted films that found it impossible to recoup their costs despite long lines at the box office.
While Elizabeth Taylor, receiving the unwanted gift of reams of publicity from her adulterous romance with Cleopatra (1963) co-star Richard Burton, remained hot until the tanking of her own Tennessee Williams-renamed debacle Boom! (1968), Brando from 1963 until the end of the decade appeared in one box-office failure after another as he worked out a contract he had signed with Universal Pictures. The industry had grown tired of Brando and his idiosyncrasies, though he continued to be offered prestige projects up through 1968.
Some of the films Brando made in the 1960s were noble failures, such as The Ugly American (1963), The Appaloosa (1966) and Reflections in a Golden Eye (1967). For every "Reflections," though, there seemed to be two or three outright debacles, such as Bedtime Story (1964), Morituri (1965), The Chase (1966), A Countess from Hong Kong (1967), Candy (1968), The Night of the Following Day (1969). By the time Brando began making the anti-colonialist picture Burn! (1969) in Colombia with Gillo Pontecorvo in the director's chair, he was box-office poison, despite having worked in the previous five years with such top directors as Arthur Penn, John Huston and the legendary Charles Chaplin, and with such top-drawer co-stars as David Niven, Yul Brynner, Sophia Loren and Taylor.
The rap on Brando in the 1960s was that a great talent had ruined his potential to be America's answer to Laurence Olivier, as his friend William Redfield limned the dilemma in his book "Letters from an Actor" (1967), a memoir about Redfield's appearance in Burton's 1964 theatrical production of "Hamlet." By failing to go back on stage and recharge his artistic batteries, something British actors such as Burton were not afraid to do, Brando had stifled his great talent, by refusing to tackle the classical repertoire and contemporary drama. Actors and critics had yearned for an American response to the high-acting style of the Brits, and while Method actors such as Rod Steiger tried to create an American style, they were hampered in their quest, as their king was lost in a wasteland of Hollywood movies that were beneath his talent. Many of his early supporters now turned on him, claiming he was a crass sellout.
Despite evidence in such films as The Appaloosa (1966) and Reflections in a Golden Eye (1967) that Brando was in fact doing some of the best acting of his life, critics, perhaps with an eye on the box office, slammed him for failing to live up to, and nurture, his great gift. Brando's political activism, starting in the early 1960s with his championing of Native Americans' rights, followed by his participation in the Southern Christian Leadership Conference's March on Washington in 1963, and followed by his appearance at a Black Panther rally in 1968, did not win him many admirers in the establishment. In fact, there was a de facto embargo on Brando films in the recently segregated (officially, at least) southeastern US in the 1960s. Southern exhibitors simply would not book his films, and producers took notice. After 1968, Brando would not work for three years.
Pauline Kael wrote of Brando that he was Fortune's fool. She drew a parallel with the latter career of John Barrymore, a similarly gifted thespian with talents as prodigious, who seemingly threw them away. Brando, like the late-career Barrymore, had become a great ham, evidenced by his turn as the faux Indian guru in the egregious Candy (1968), seemingly because the material was so beneath his talent. Most observers of Brando in the 1960s believed that he needed to be reunited with his old mentor Elia Kazan, a relationship that had soured due to Kazan's friendly testimony naming names before the notorious House un-American Activities Committee. Perhaps Brando believed this, too, as he originally accepted an offer to appear as the star of Kazan's film adaptation of his own novel, The Arrangement (1969). However, after the assassination of Martin Luther King, Brando backed out of the film, telling Kazan that he could not appear in a Hollywood film after this tragedy. Also reportedly turning down a role opposite box-office king Paul Newman in a surefire script, Butch Cassidy and the Sundance Kid (1969), Brando decided to make Burn! (1969) with Pontecorvo. The film, a searing indictment of racism and colonialism, flopped at the box office but won the esteem of progressive critics and cultural arbiters such as Howard Zinn. He subsequently appeared in the British film The Nightcomers (1971), a prequel to "Turn of the Screw" and another critical and box office failure.
Kazan, after a life in film and the theater, said that, aside from Orson Welles, whose greatness lay in film making, he only met one actor who was a genius: Brando. Richard Burton, an intellectual with a keen eye for observation if not for his own film projects, said that he found Brando to be very bright, unlike the public perception of him as a Terry Malloy-type character that he himself inadvertently promoted through his boorish behavior. Brando's problem, Burton felt, was that he was unique, and that he had gotten too much fame too soon at too early an age. Cut off from being nurtured by normal contact with society, fame had distorted Brando's personality and his ability to cope with the world, as he had not had time to grow up outside the limelight.
Truman Capote, who eviscerated Brando in print in the mid-'50s and had as much to do with the public perception of the dyslexic Brando as a dumbbell, always said that the best actors were ignorant, and that an intelligent person could not be a good actor. However, Brando was highly intelligent, and possessed of a rare genius in a then-deprecated art, acting. The problem that an intelligent performer has in movies is that it is the director, and not the actor, who has the power in his chosen field. Greatness in the other arts is defined by how much control the artist is able to exert over his chosen medium, but in movie acting, the medium is controlled by a person outside the individual artist. It is an axiom of the cinema that a performance, as is a film, is "created" in the cutting room, thus further removing the actor from control over his art. Brando had tried his hand at directing, in controlling the whole artistic enterprise, but he could not abide the cutting room, where a film and the film's performances are made. This lack of control over his art was the root of Brando's discontent with acting, with movies, and, eventually, with the whole wide world that invested so much cachet in movie actors, as long as "they" were at the top of the box-office charts. Hollywood was a matter of "they" and not the work, and Brando became disgusted.
Charlton Heston, who participated in Martin Luther King's 1963 March on Washington with Brando, believes that Marlon was the great actor of his generation. However, noting a story that Brando had once refused a role in the early 1960s with the excuse "How can I act when people are starving in India?," Heston believes that it was this attitude, the inability to separate one's idealism from one's work, that prevented Brando from reaching his potential. As Rod Steiger once said, Brando had it all, great stardom and a great talent. He could have taken his audience on a trip to the stars, but he simply would not. Steiger, one of Brando's children even though a contemporary, could not understand it. When James Mason' was asked in 1971 who was the best American actor, he had replied that since Brando had let his career go belly-up, it had to be George C. Scott, by default.
Paramount thought that only Laurence Olivier would suffice, but Lord Olivier was ill. The young director believed there was only one actor who could play godfather to the group of Young Turk actors he had assembled for his film, The Godfather of method acting himself - Marlon Brando. Francis Ford Coppola won the fight for Brando, Brando won - and refused - his second Oscar, and Paramount won a pot of gold by producing the then top-grossing film of all-time, The Godfather (1972), a gangster movie most critics now judge one of the greatest American films of all time. Brando followed his iconic portrayal of Don Corleone with his Oscar-nominated turn in the high-grossing and highly scandalous Last Tango in Paris (1972) ("Last Tango in Paris"), the first film dealing explicitly with sexuality in which an actor of Brando's stature had participated. He was now again a top ten box office star and once again heralded as the greatest actor of his generation, an unprecedented comeback that put him on the cover of "Time" magazine and would make him the highest-paid actor in the history of motion pictures by the end of the decade. Little did the world know that Brando, who had struggled through many projects in good faith during the 1960s, delivering some of his best acting, only to be excoriated and ignored as the films did not do well at the box office, essentially was through with the movies.
After reaching the summit of his career, a rarefied atmosphere never reached before or since by any actor, Brando essentially walked away. He would give no more of himself after giving everything as he had done in Last Tango in Paris (1972)," a performance that embarrassed him, according to his autobiography. Brando had come as close to any actor to being the "auteur," or author, of a film, as the English-language scenes of "Tango" were created by encouraging Brando to improvise. The improvisations were written down and turned into a shooting script, and the scripted improvisations were shot the next day. Pauline Kael, the Brando of movie critics in that she was the most influential arbiter of cinematic quality of her generation and spawned a whole legion of Kael wannabes, said Brando's performance in Last Tango in Paris (1972) had revolutionized the art of film. Brando, who had to act to gain his mother's attention; Brando, who believed acting at best was nothing special as everyone in the world engaged in it every day of their lives to get what they wanted from other people; Brando, who believed acting at its worst was a childish charade and that movie stardom was a whorish fraud, would have agreed with Sam Peckinpah's summation of Pauline Kael: "Pauline's a brilliant critic but sometimes she's just cracking walnuts with her ass." He probably would have done so in a simulacrum of those words, too.
After another three-year hiatus, Brando took on just one more major role for the next 20 years, as the bounty hunter after Jack Nicholson in Arthur Penn's The Missouri Breaks (1976), a western that succeeded neither with the critics or at the box office. Following The Godfather and Tango, Brando's performance was disappointing for some reviewers, who accused him of giving an erratic and inconsistent performance. In 1977, Brando made a rare appearance on television in the miniseries Roots: The Next Generations (1979), portraying George Lincoln Rockwell; he won a Primetime Emmy Award for Outstanding Supporting Actor in a Miniseries or a Movie for his performance. In 1978, he narrated the English version of Raoni (1978), a French-Belgian documentary film directed by Jean-Pierre Dutilleux and Luiz Carlos Saldanha that focused on the life of Raoni Metuktire and issues surrounding the survival of the indigenous Indian tribes of north central Brazil.
Later in his career, Brando concentrated on extracting the maximum amount of capital for the least amount of work from producers, as when he got the Salkind brothers to pony up a then-record $3.7 million against 10% of the gross for 13 days work on Superman (1978). Factoring in inflation, the straight salary for "Superman" equals or exceeds the new record of $1 million a day Harrison Ford set with K-19: The Widowmaker (2002). He agreed to the role only on assurance that he would be paid a large sum for what amounted to a small part, that he would not have to read the script beforehand, and his lines would be displayed somewhere off-camera. Brando also filmed scenes for the movie's sequel, Superman II, but after producers refused to pay him the same percentage he received for the first movie, he denied them permission to use the footage.
Before cashing his first paycheck for Superman (1978), Brando had picked up $2 million for his extended cameo in Francis Ford Coppola's Apocalypse Now (1979) in a role, that of Col. Kurtz, that he authored on-camera through improvisation while Coppola shot take after take. It was Brando's last bravura star performance. He co-starred with George C. Scott and John Gielgud in The Formula (1980), but the film was another critical and financial failure. Years later though, he did receive an eighth and final Oscar nomination for his supporting role in A Dry White Season (1989) after coming out of a near-decade-long retirement. Contrary to those who claimed he now only was in it for the money, Brando donated his entire seven-figure salary to an anti-apartheid charity. He then did an amusing performance in the comedy The Freshman (1990), winning rave reviews. He portrayed Tomas de Torquemada in the historical drama 1492: Conquest of Paradise (1992), but his performance was denounced and the film was another box office failure. He made another comeback in the Johnny Depp romantic drama Don Juan DeMarco (1994), which co-starred Faye Dunaway as his wife. He then appeared in The Island of Dr. Moreau (1996), co-starring Val Kilmer, who he didn't get along with. The filming was an unpleasant experience for Brando, as well as another critical and box office failure.
Brando had first attracted media attention at the age of 24, when "Life" magazine ran a photo of himself and his sister Jocelyn, who were both then appearing on Broadway. The curiosity continued, and snowballed. Playing the paraplegic soldier of The Men (1950), Brando had gone to live at a Veterans Administration hospital with actual disabled veterans, and confined himself to a wheelchair for weeks. It was an acting method, research, that no one in Hollywood had ever heard of before, and that willingness to experience life.- Actor
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Richard St John Harris was born on October 1, 1930 in Limerick, Ireland, to a farming family, one of nine children born to Mildred (Harty) and Ivan Harris. He attended Crescent College, a Jesuit school, and was an excellent rugby player, with a strong passion for literature. Unfortunately, a bout of tuberculosis as a teenager ended his aspirations to a rugby career, but he became fascinated with the theater and skipped a local dance one night to attend a performance of "Henry IV". He was hooked and went on to learn his craft at the London Academy of Music and Dramatic Art (LAMDA), then spent several years in stage productions. He debuted on screen in Shake Hands with the Devil (1959) and quickly scored regular work in films, including The Wreck of the Mary Deare (1959), The Night Fighters (1960) and a good role as a frustrated Australian bomber pilot in The Guns of Navarone (1961).
However, his breakthrough performance was as the quintessential "angry young man" in the sensational drama This Sporting Life (1963), which scored him an Oscar nomination. He then appeared in the WW II commando tale The Heroes of Telemark (1965) and in the Sam Peckinpah-directed western Major Dundee (1965). He next showed up in Hawaii (1966) and played King Arthur in Camelot (1967), a lackluster adaptation of the famous Broadway play. Better performances followed, among them a role as a reluctant police informer in The Molly Maguires (1970) alongside Sir Sean Connery. Harris took the lead role in the violent western A Man Called Horse (1970), which became something of a cult film and spawned two sequels. As the 1970s progressed, Harris continued to appear regularly on screen; however, the quality of the scripts varied from above average to woeful.
His credits during this period included directing himself as an aging soccer player in The Hero (1970); the western The Deadly Trackers (1973); the big-budget "disaster" film Juggernaut (1974); the strangely-titled crime film 99 and 44/100% Dead! (1974); with Connery again in Robin and Marian (1976); Gulliver's Travels (1977); a part in the Jaws (1975); Orca (1977) and a nice turn as an ill-fated mercenary with Richard Burton and Roger Moore in the popular action film The Wild Geese (1978).
The 1980s kicked off with Harris appearing in the silly Bo Derek vanity production Tarzan the Ape Man (1981) and the remainder of the decade had him appearing in some very forgettable productions. However, the luck of the Irish was once again to shine on Harris's career and he scored rave reviews (and another Oscar nomination) for The Field (1990). He then locked horns with Harrison Ford as an IRA sympathizer in Patriot Games (1992) and got one of his best roles as gunfighter English Bob in the Clint Eastwood western Unforgiven (1992). Harris was firmly back in vogue and rewarded his fans with more wonderful performances in Wrestling Ernest Hemingway (1993); Cry, the Beloved Country (1995); The Great Kandinsky (1995) and This Is the Sea (1997). Further fortune came his way with a strong performance in the blockbuster Gladiator (2000) and he became known to an entirely new generation of film fans as Albus Dumbledore in the mega-successful Harry Potter and the Sorcerer's Stone (2001) and Harry Potter and the Chamber of Secrets (2002). His final screen role was as "Lucius Sulla" in Caesar (2002).
Harris died of Hodgkin's disease, also known as Hodgkin's lymphoma, in London on October 25, 2002, aged 72.- Actor
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Jack Nicholson, an American actor, producer, director and screenwriter, is a three-time Academy Award winner and twelve-time nominee. Nicholson is also notable for being one of two actors - the other being Michael Caine - who have received an Oscar nomination in every decade from the '60s through the '00s.
Nicholson was born on April 22, 1937, in Neptune, New Jersey. He was raised believing that his grandmother was his mother, and that his mother, June Frances Nicholson, a showgirl, was his older sister. He discovered the truth in 1975 from a Time magazine journalist who was researching a profile on him. His real father is believed to have been either Donald Furcillo, an Italian American showman, or Eddie King (Edgar Kirschfeld), born in Latvia and also in show business. Jack's mother's ancestry was Irish, and smaller amounts of English, German, Scottish, and Welsh.
Nicholson made his film debut in a B-movie titled The Cry Baby Killer (1958). His rise in Hollywood was far from meteoric, and for years, he sustained his career with guest spots in television series and a number of Roger Corman films, including The Little Shop of Horrors (1960).
Nicholson's first turn in the director's chair was for Drive, He Said (1971). Before that, he wrote the screenplay for The Trip (1967), and co-wrote Head (1968), a vehicle for The Monkees. His big break came with Easy Rider (1969) and his portrayal of liquor-soaked attorney George Hanson, which earned Nicholson his first Oscar nomination. Nicholson's film career took off in the 1970s with a definitive performance in Five Easy Pieces (1970). Nicholson's other notable work during this period includes leading roles in Roman Polanski's noir masterpiece Chinatown (1974) and One Flew Over the Cuckoo's Nest (1975), for which he won his first Best Actor Oscar.
The 1980s kicked off with another career-defining role for Nicholson as Jack Torrance in Stanley Kubrick's adaptation of Stephen King's novel The Shining (1980). A string of well-received films followed, including Terms of Endearment (1983), which earned Nicholson his second Oscar; Prizzi's Honor (1985), and The Witches of Eastwick (1987). He portrayed another renowned villain, The Joker, in Tim Burton's Batman (1989). In the 1990s, he starred in such varied films as A Few Good Men (1992), for which he received another Oscar nomination, and a dual role in Mars Attacks! (1996).
Although a glimpse at the darker side of Nicholson's acting range reappeared in The Departed (2006), the actor's most recent roles highlight the physical and emotional complications one faces late in life. The most notable of these is the unapologetically misanthropic Melvin Udall in As Good as It Gets (1997), for which he won his third Oscar. Shades of this persona are apparent in About Schmidt (2002), Something's Gotta Give (2003), and The Bucket List (2007). In addition to his Academy Awards and Oscar nominations, Nicholson has seven Golden Globe Awards, and received a Kennedy Center Honor in 2001. He also became one of the youngest actors to receive the American Film Institute's Life Achievement award in 1994.
Nicholson has six children by five different women: Jennifer Nicholson (b. 1963) from his only marriage to Sandra Knight, which ended in 1966; Caleb Goddard (b. 1970) with Five Easy Pieces (1970) co-star Susan Anspach, who was automatically adopted by Anspach's then-husband Mark Goddard; Honey Hollman (b. 1982) with Danish supermodel Winnie Hollman; Lorraine Nicholson (b. 1990) and Ray Nicholson (b. 1992) with minor actress Rebecca Broussard; and Tessa Gourin (b. 1994) with real estate agent Jennine Marie Gourin. Nicholson's longest relationship was the 17 nonmonogamous years he spent with Anjelica Huston; this ended when Broussard announced she was pregnant with his child.One of Hollywood's most notorious womanizers of all time.- Actor
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Colin Farrell is one of Ireland's biggest stars in Hollywood and abroad. His film presence has been filled with memorable roles that range from an inwardly tortured hit man, to an adventurous explorer, a determined-but-failing writer, and the greatest military leader in history.
Farrell was born on May 31, 1976 in Castleknock, Dublin, Ireland to Rita (Monaghan) and Eamon Farrell. His father and uncle were both professional athletes, and briefly it looked like Farrell would follow in their footsteps. Farrell auditioned for a part in the Irish boy band Boyzone, unsuccessfully. After dropping out of the Gaiety School of Acting, Farrell was cast in Ballykissangel (1996), a BBC television drama. "Ballykissangel" was not his first onscreen role. Farrell had previously been in The War Zone (1999), directed by Tim Roth and had appeared in the independent film Drinking Crude (1997). Farrell was soon to move on to bigger things.
Exchanging his thick Dublin accent for a light Texas drawl, Farrell acted in the gritty Tigerland (2000), directed by Joel Schumacher. Starring Farrell among a number of other budding young actors, the film portrays a group of new recruits being trained for the war in Vietnam. Farrell played the arrogant soldier Boz, drafted into the army and completely spiteful of authority. The film was praised by critics but made little money at the box office. It was Farrell's first big role on film, and certainly not his last. Farrell followed up with American Outlaws (2001), where he played the notorious outlaw Jesse James with Scott Caan, son of legendary actor James Caan, in the role of Cole Younger. The film was a box-office flop and a critical failure. Immediately, Farrell returned to the war drama film that had made him famous. Co-starring in the war film Hart's War (2002) opposite Bruce Willis, Farrell played the young officer captured by the enemy. The film was another failure. Farrell struck gold when he was cast in the Steven Spielberg film Minority Report (2002) that same year. Set in a futuristic time period, Farrell played the character Danny Witwer, a young member of the Justice Department who is sent after Tom Cruise's character. The film was a smash hit, and praised by critics.
Farrell continued this success when he reunited with Joel Schumacher on the successful thriller Phone Booth (2002). Farrell played the role of the victim who is harassed by an unseen killer (Kiefer Sutherland) and is made to reveal his sins to the public. 2003 was a big year for Farrell. He starred in the crime thriller The Recruit (2003) as a young CIA man mentored by an older CIA veteran (Al Pacino). Pacino later stated that Farrell was the best actor of his generation. Farrell certainly continued to be busy that year with Daredevil (2003), which actually allowed him to keep his thick Irish accent. The film was another success for Farrell, as was the crime film S.W.A.T. (2003) where Farrell starred opposite Samuel L. Jackson and LL Cool J. Farrell also acted in the Irish black comedy film Intermission (2003) and appeared another Irish film Veronica Guerin (2003) which reunited him with Joel Schumacher once again. The following year, Farrell acted in what is his most infamous film role yet: the title role in the mighty Oliver Stone film epic Alexander (2004), which is a character study of Alexander the Great as he travels across new worlds and conquers all the known world before him. Farrell donned a blond wig and retained his Irish accent, and gave a fine performance as Alexander. However, both he and the film were criticized. Despite being one of the highest grossing films internationally and doing a good job at the DVD sales, Farrell did not come out of the experience without a few hurts. Farrell attempted to rebound with his historical film The New World (2005). Reuniting with "Alexander" star Christopher Plummer, and also acting with Christian Bale, Farrell played the brave explorer John Smith, who would make first contacts with the Native peoples. The film did not do well at the box office, though critics praised the film's stunning appearance and cinematography.
Farrell returned to act in Michael Mann's film Miami Vice (2006) alongside Jamie Foxx. The film was a film adaptation of the famous television series, and did reasonably well at the box office. Farrell also acted in Ask the Dust (2006) with Salma Hayek and Donald Sutherland, though the film did not receive much distribution. The next year, Farrell acted alongside Ewan McGregor in the Woody Allen film Cassandra's Dream (2007) which received mixed reviews from critics. Farrell followed up with the hilarious black comedy In Bruges (2008). Written and directed by Irish theatre director Martin McDonagh, the film stars Farrell and Brendan Gleeson as two Irish hit men whose latest assignment went wrong, leaving them to hide out in Bruges, Belgium. The film has been one of Farrell's most praised work, and he was nominated for a Golden Globe. As well as In Bruges (2008), Farrell acted alongside Edward Norton in the crime film Pride and Glory (2008) which was not as successful as the former film. As well as working with charity, and speaking at the Special Olympics World Games in 2007, he has donated his salary for Terry Gilliam's The Imaginarium of Doctor Parnassus (2009) to Heath Ledger's little daughter (who was left nothing in a will that had not been updated in time). Ledger had originally been cast in the film and was replaced by Farrell, Johnny Depp and Jude Law. The film was a critical and financial success, and Farrell also played a small role in Crazy Heart (2009) which had the Dubliner playing a country singer. Farrell even sang a few songs for the film's soundtrack. As well as those small roles, Farrell took the lead role in the war film Triage (2009). Farrell incredibly lost forty-four pounds to play the role of a war photographer who must come to terms with what he has experienced in Kurdistan. While the film was finely made, with excellent performances from all involved, the film has received almost no distribution.
Farrell's other leading role that year was in Neil Jordan's Irish film Ondine (2009). In recent years, he co-starred in the comedy horror film Fright Night (2011), the science fiction action film Total Recall (2012), both remakes, and McDonagh's second feature, and the black comedy crime film Seven Psychopaths (2012). Since the mid-2000s, Farrell has cleaned up his act, and far from being a Hollywood hell raiser and party animal, he has shown himself to be a respectable and very talented actor.
He also starred in The Lobster (2015) and The Killing of a Sacred Deer (2017), both directed by Yorgos Lanthimos. For The Lobster he was nominated for a Golden Globe.- Actor
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Multi-talented and unconventional actor/director regarded by many as one of the true "enfant terribles" of Hollywood who led an amazing cinematic career for more than five decades, Dennis Hopper was born on May 17, 1936, in Dodge City, Kansas. The young Hopper expressed interest in acting from a young age and first appeared in a slew of 1950s television shows, including Medic (1954), Cheyenne (1955) and Sugarfoot (1957). His first film role was in Rebel Without a Cause (1955), quickly followed by Giant (1956) and Gunfight at the O.K. Corral (1957). Hopper actually became good friends with James Dean and was shattered when Dean was killed in a car crash in September 1955.
Hopper portrayed a young Napoléon Bonaparte (!) in the star-spangled The Story of Mankind (1957) and regularly appeared on screen throughout the 1960s, often in rather undemanding parts, usually as a villain in westerns such as True Grit (1969) and Hang 'Em High (1968). However, in early 1969, Hopper, fellow actor Peter Fonda and writer Terry Southern, wrote a counterculture road movie script and managed to scrape together $400,000 in financial backing. Hopper directed the low-budget film, titled Easy Rider (1969), starring Fonda, Hopper and a young Jack Nicholson. The film was a phenomenal box-office success, appealing to the anti-establishment youth culture of the times. It changed the Hollywood landscape almost overnight and major studios all jumped onto the anti-establishment bandwagon, pumping out low-budget films about rebellious hippies, bikers, draft dodgers and pot smokers. However, Hopper's next directorial effort, The Last Movie (1971), was a critical and financial failure, and he has admitted that during the 1970s he was seriously abusing various substances, both legal and illegal, which led to a downturn in the quality of his work. He appeared in a sparse collection of European-produced films over the next eight years, before cropping up in a memorable performance as a pot-smoking photographer alongside Marlon Brando and Martin Sheen in Francis Ford Coppola's Vietnam War epic Apocalypse Now (1979). He also received acclaim for his work in both acting and direction for Out of the Blue (1980).
With these two notable efforts, the beginning of the 1980s saw a renaissance of interest by Hollywood in the talents of Dennis Hopper and exorcising the demons of drugs and alcohol via a rehabilitation program meant a return to invigorating and provoking performances. He was superb in Rumble Fish (1983), co-starred in the tepid spy thriller The Osterman Weekend (1983), played a groovy school teacher in My Science Project (1985), was a despicable and deranged drug dealer in River's Edge (1986) and, most memorably, electrified audiences as foul-mouthed Frank Booth in the eerie and erotic David Lynch film Blue Velvet (1986). Interestingly, the offbeat Hopper was selected in the early 1980s to provide the voice of "The StoryTeller" in the animated series of "Rabbit Ears" children's films based upon the works of Hans Christian Andersen!
Hopper returned to film direction in the late 1980s and was at the helm of the controversial gang film Colors (1988), which was well received by both critics and audiences. He was back in front of the cameras for roles in Super Mario Bros. (1993), got on the wrong side of gangster Christopher Walken in True Romance (1993), led police officer Keanu Reeves and bus passenger Sandra Bullock on a deadly ride in Speed (1994) and challenged gill-man Kevin Costner for world supremacy in Waterworld (1995). The enigmatic Hopper continued to remain busy through the 1990s and into the new century with performances in All the Way (2003), The Keeper (2004) and Land of the Dead (2005).
As well as his acting/directing talents, Hopper was a skilled photographer and painter, having had his works displayed in galleries in both the United States and overseas. He was additionally a dedicated and knowledgeable collector of modern art and had one of the most extensive collections in the United States. Dennis died of prostate cancer on May 29, 2010, less than two weeks after his 74th birthday.- Actor
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He was the ultra-cool male film star of the 1960s, and rose from a troubled youth spent in reform schools to being the world's most popular actor. Over 40 years after his untimely death from mesothelioma in 1980, Steve McQueen is still considered hip and cool, and he endures as an icon of popular culture.
McQueen was born in Beech Grove, Indiana, to mother Julian (Crawford) and father William Terence McQueen, a stunt pilot. His first lead role was in the low-budget sci-fi film The Blob (1958), quickly followed by roles in The St. Louis Bank Robbery (1959) and Never So Few (1959). The young McQueen appeared as Vin, alongside Yul Brynner, in the star-laden The Magnificent Seven (1960) and effectively hijacked the lead from the bigger star by ensuring he was nearly always doing something in every shot he and Brynner were in together, such as adjusting his hat or gun belt. He next scored with audiences with two interesting performances, first in the World War II drama Hell Is for Heroes (1962) and then in The War Lover (1962). Riding a wave of popularity, McQueen delivered another crowd pleaser as Hilts, the Cooler King, in the knockout World War II P.O.W. film The Great Escape (1963), featuring his famous leap over the barbed wire on a motorcycle while being pursued by Nazi troops (in fact, however, the stunt was actually performed by his good friend, stunt rider Bud Ekins).
McQueen next appeared in several films of mixed quality, including Soldier in the Rain (1963); Love with the Proper Stranger (1963) and Baby the Rain Must Fall (1965). However, they failed to really grab audience attention, but his role as Eric Stoner in The Cincinnati Kid (1965), alongside screen legend Edward G. Robinson and Karl Malden, had movie fans filling theaters again to see the ice-cool McQueen they loved. He was back in another Western, Nevada Smith (1966), again with Malden, and then he gave what many consider to be his finest dramatic performance as loner US Navy sailor Jake Holman in the superb The Sand Pebbles (1966). McQueen was genuine hot property and next appeared with Faye Dunaway in the provocative crime drama The Thomas Crown Affair (1968), next in what many consider his signature role, that of a maverick, taciturn detective in the mega-hit Bullitt (1968), renowned for its famous chase sequence through San Francisco between McQueen's Ford Mustang GT and the killer's black Dodge Charger.
Interestingly, McQueen's next role was a total departure from the action genre, as he played Southerner Boon Hogganbeck in the family-oriented The Reivers (1969), based on the popular William Faulkner novel. Not surprisingly, the film didn't go over particularly well with audiences, even though it was an entertaining and well made production, and McQueen showed an interesting comedic side of his acting talents. He returned to more familiar territory, with the race film Le Mans (1971), a rather self-indulgent exercise, and its slow plot line contributed to its rather poor performance in theaters. It was not until many years later that it became something of a cult film, primarily because of the footage of Porsche 917s roaring around race tracks in France. McQueen then teamed up with maverick Hollywood director Sam Peckinpah to star in the modern Western Junior Bonner (1972), about a family of rodeo riders, and again with Peckinpah as bank robber Doc McCoy in the violent The Getaway (1972). Both did good business at the box office. McQueen's next role was a refreshing surprise and Papillon (1973), based on the Henri Charrière novel of the same name, was well received by fans and critics alike. He played a convict on a French penal colony in South America who persists in trying to escape from his captors and feels their wrath when his attempts fail.
The 1970s is a decade remembered for a slew of "disaster" movies and McQueen starred in arguably the biggest of the time, The Towering Inferno (1974). He shared equal top billing with Paul Newman and an impressive line-up of co-stars including Fred Astaire, Robert Vaughn and Faye Dunaway. McQueen does not appear until roughly halfway into the film as San Francisco fire chief Mike O'Halloran, battling to extinguish an inferno in a 138-story skyscraper. The film was a monster hit and set the benchmark for other disaster movies that followed. However, it was McQueen's last film role for several years. After a four-year hiatus he surprised fans, and was almost unrecognizable under long hair and a beard, as a rabble-rousing early environmentalist in An Enemy of the People (1978), based on the Henrik Ibsen play.
McQueen's last two film performances were in the unusual Western Tom Horn (1980), then he portrayed real-life bounty hunter Ralph "Papa' Thorson (Ralph Thorson) in The Hunter (1980). In 1978, McQueen developed a persistent cough that would not go away. He quit smoking cigarettes and underwent antibiotic treatments without improvement. Shortness of breath grew more pronounced and on December 22, 1979, after he completed work on 'The Hunter', a biopsy revealed pleural mesothelioma, a rare lung cancer associated with asbestos exposure for which there is no known cure. The asbestos was thought to have been in the protective suits worn in his race car driving days, but in fact the auto racing suits McQueen wore were made of Nomex, a DuPont fire-resistant aramid fiber that contains no asbestos. McQueen later gave a medical interview in which he believed that asbestos used in movie sound stage insulation and race-drivers' protective suits and helmets could have been involved, but he thought it more likely that his illness was a direct result of massive exposure while removing asbestos lagging from pipes aboard a troop ship while in the US Marines.
By February 1980, there was evidence of widespread metastasis. While he tried to keep the condition a secret, the National Enquirer disclosed that he had "terminal cancer" on March 11, 1980. In July, McQueen traveled to Rosarito Beach, Mexico for an unconventional treatment after American doctors told him they could do nothing to prolong his life. Controversy arose over McQueen's Mexican trip, because McQueen sought a non-traditional cancer treatment called the Gerson Therapy that used coffee enemas, frequent washing with shampoos, daily injections of fluid containing live cells from cows and sheep, massage and laetrile, a supposedly "natural" anti-cancer drug available in Mexico, but not approved by the US Food and Drug Administration. McQueen paid for these unconventional medical treatments by himself in cash payments which was said to have cost an upwards of $40,000 per month during his three-month stay in Mexico. McQueen was treated by William Donald Kelley, whose only medical license had been (until revoked in 1976) for orthodontics.
McQueen returned to the United States in early October 1980. Despite metastasis of the cancer through McQueen's body, Kelley publicly announced that McQueen would be completely cured and return to normal life. McQueen's condition soon worsened and "huge" tumors developed in his abdomen. In late October, McQueen flew to Ciudad Juarez, Chihuahua, Mexico to have an abdominal tumor on his liver (weighing around five pounds) removed, despite warnings from his American doctors that the tumor was inoperable and his heart could not withstand the surgery. McQueen checked into a Juarez clinic under the alias "Sam Shepard" where the local Mexican doctors and staff at the small, low-income clinic were unaware of his actual identity.
Steve McQueen passed away on November 7, 1980, at age 50 after the cancer surgery which was said to be successful. He was cremated and his ashes were scattered at sea. He married three times and had a lifelong love of motor racing, once remarking, "Racing is life. Anything before or after is just waiting.".- Actor
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Christian Michael Leonard Slater was born on August 18, 1969 in New York City, to Michael Hawkins, a well-known soap actor, and Mary Jo Slater (née Lawton), a casting agent. Christian started in show business early, appearing on the soap opera The Edge of Night (1956) in 1976 at the age of 7. He went on to star in many Broadway shows in the early-1980s. He rose to fame in Hollywood after landing the role of Binx Davey in The Legend of Billie Jean (1985). He moved to Los Angeles in 1987 to pursue a further acting career after dropping out of high school. After having a starring role in the cult classic Heathers (1988), he became somewhat known as the Hollywood bad-boy, having many run-ins with the law. He is also well-known for having dated stars such as Winona Ryder, Christina Applegate, Samantha Mathis and was at one time engaged to actress/model Nina Huang. In 2000, he married Ryan Haddon, the daughter of 1970s model Dayle Haddon. The couple have two children, Jaden Christopher (b. 1999) and Eliana Sophia (b. 2001). As of early 2005, they separated and later divorced, but remain dedicated to bring up their children.- Actor
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Robert Downey Jr. has evolved into one of the most respected actors in Hollywood. With an amazing list of credits to his name, he has managed to stay new and fresh even after over four decades in the business.
Downey was born April 4, 1965 in Manhattan, New York, the son of writer, director and filmographer Robert Downey Sr. and actress Elsie Downey (née Elsie Ann Ford). Robert's father is of half Lithuanian Jewish, one quarter Hungarian Jewish, and one quarter Irish, descent, while Robert's mother was of English, Scottish, German, and Swiss-German ancestry. Robert and his sister, Allyson Downey, were immersed in film and the performing arts from a very young age, leading Downey Jr. to study at the Stagedoor Manor Performing Arts Training Center in upstate New York, before moving to California with his father following his parents' 1978 divorce. In 1982, he dropped out of Santa Monica High School to pursue acting full time. Downey Sr., himself a drug addict, exposed his son to drugs at a very early age, and Downey Jr. would go on to struggle with abuse for decades.
Downey Jr. made his debut as an actor at the age of five in the film Pound (1970), written and directed by his father, Robert Downey Sr.. He built his film repertoire throughout the 1980s and 1990s with roles in Tuff Turf (1985), Weird Science (1985), True Believer (1989), and Wonder Boys (2000) among many others. In 1992, Downey received an Academy Award nomination and won the BAFTA (British Academy Award) for Best Actor for his performance in the title role of Chaplin (1992).
In Robert Altman's Short Cuts (1993), he appeared as an aspiring film make-up artist whose best friend commits murder. In Oliver Stone's Natural Born Killers (1994), with Woody Harrelson and Juliette Lewis, Downey starred as a tabloid TV journalist who exploits a murderous couple's killing spree to boost his ratings. For the comedy Heart and Souls (1993), Downey starred as a young man with a special relationship with four ghosts. In 1995, Downey starred in Restoration (1995), with Hugh Grant, Meg Ryan and Ian McKellen, directed by Michael Hoffman. Also that year, he starred in Richard III (1995), in which he appears opposite his Restoration (1995) co-star McKellen.
In 1997, Downey was seen in Robert Altman's The Gingerbread Man (1998), alongside Kenneth Branagh, Daryl Hannah and Embeth Davidtz; in One Night Stand (1997), directed by Mike Figgis and starring Wesley Snipes and Nastassja Kinski; and in Hugo Pool (1997), directed by his father, Robert Downey Sr. and starring Sean Penn and Patrick Dempsey. In September of 1999, Downey appeared in Black & White (1999), written and directed by James Toback, along with Ben Stiller, Elijah Wood, Gaby Hoffmann, Brooke Shields and Claudia Schiffer. In January of 1999, he starred with Annette Bening and Aidan Quinn in In Dreams (1999), directed by Neil Jordan.
In 2000, Downey co-starred with Michael Douglas and Tobey Maguire in Wonder Boys (2000), directed by Curtis Hanson. In this dramatic comedy, Downey played the role of a bisexual literary agent. In 2001, Downey made his prime-time television debut when he joined the cast of the Fox-TV series Ally McBeal (1997) as attorney "Larry Paul". For this role, he won the Golden Globe Award for Best Performance by an Actor in a Supporting Role in a Series, Mini-Series or Motion Picture Made for Television, as well as the Screen Actors Guild Award for Outstanding Performance by a Male in a Comedy Series. In addition, Downey was nominated for an Emmy for Outstanding Supporting Actor in a Comedy Series.
The actor's drug-related problems escalated from 1996 to 2001, leading to arrests, rehab visits and incarcerations, and he was eventually fired from Ally McBeal (1997). Emerging clean and sober in 2003, Downey Jr. began to rebuild his career.
He marked his debut into music with his debut album, titled "The Futurist", on the Sony Classics Label on November 23rd, 2004. The album's eight original songs, that Downey wrote, and his two musical numbers debuting as cover songs revealed his sultry singing voice and his musical talents. Downey displayed his versatility in two different films in October 2003: the musical/drama The Singing Detective (2003), a remake of the BBC hit of the same name, and the thriller Gothika (2003) starring Halle Berry and Penélope Cruz. Downey starred in powerful yet humbling roles inspired by real-life accounts of some of history's most precious kept secrets, including Richard Linklater's A Scanner Darkly (2006) in 2006 co-starring Keanu Reeves, Winona Ryder and Woody Harrelson, and Fur: An Imaginary Portrait of Diane Arbus (2006) co-starring Nicole Kidman, a film inspired by the life of Diane Arbus, the revered photographer whose images captured attention in the early 1960s. These roles exhibited Downey's momentum from the previous year of 2005, in which he starred in the Academy Award®-nominated feature film Good Night, and Good Luck. (2005), directed by George Clooney and in Shane Black's action comedy Kiss Kiss Bang Bang (2005) co-starring Val Kilmer. In 2007, he co-starred in David Fincher's suspenseful Zodiac (2007), alongside Jake Gyllenhaal and Mark Ruffalo, about the notorious serial killer who haunted San Francisco during the 1970s.
In May 2008, Downey achieved critical acclaim and worldwide box office success for his starring role in Iron Man (2008), Jon Favreau's big-screen rendering of the Marvel comic book superhero. The film co-starred Gwyneth Paltrow, Jeff Bridges and Terrence Howard. In August of 2008, Downey starred with Ben Stiller and Jack Black in the comedy Tropic Thunder (2008), and went on to receive an Academy Award®-nomination for Best Supporting Actor for his, Kirk Lazarus.
In December 2009, Downey starred in the action-adventure Sherlock Holmes (2009). The film, directed by Guy Ritchie, co-starred Jude Law and Rachel McAdams and earned Downey a Golden Globe for Best Performance by an Actor in a Motion Picture - Comedy or Musical in January of 2010. In early Summer 2010, Downey re-teamed with director Jon Favreau and reprised his role as "Tony Stark/Iron Man" in the hugely successful sequel to the original film, Iron Man 2 (2010), starring Gwyneth Paltrow, Scarlett Johansson, Samuel L. Jackson and Mickey Rourke.
Downey next starred in Due Date (2010), a comedy directed by Todd Phillips, in which he plays the role of an expectant father on a road trip racing to get back in time for the birth of his first child. Due Date (2010), starring The Hangover (2009)'s Zach Galifianakis, was released in November 2010.
Downey was honored by Time Magazine's "Time 100" in 2008, an annual list of the 100 most influential people in the world. His laurels include two Academy Award nominations, three Golden Globe wins, numerous other award nominations and wins, and tremendous popular and commercial success, particularly in his roles as Sherlock Holmes and Tony Stark (the latter of which he has so far played in Iron Man (2008), Iron Man 2 (2010), The Avengers (2012), Iron Man 3 (2013), and Avengers: Age of Ultron (2015). For three consecutive years, from 2012 to 2015, Downey has topped the Forbes list of Hollywood's highest-paid actors, making an estimated $80 million in earnings between June 2014 and June 2015.
In 2005, Downey Jr. married Susan Downey, with whom he has two children. Downey also has another son, Indio Falconer Downey, born 1993, from his first marriage to Deborah Falconer, from whom he was officially divorced in 2004.
Robert has jump-started the Team Downey Production Company with wife Susan Downey.- Actor
- Producer
- Director
Russell Ira Crowe was born in Wellington, New Zealand, to Jocelyn Yvonne (Wemyss) and John Alexander Crowe, both of whom catered movie sets. His maternal grandfather, Stanley Wemyss, was a cinematographer. Crowe's recent ancestry includes Welsh (where his paternal grandfather was born, in Wrexham), English, Irish, Scottish, Norwegian, Swedish, Italian, and Maori (one of Crowe's maternal great-grandmothers, Erana Putiputi Hayes Heihi, was Maori).
Crowe's family moved to Australia when he was a small child, settling in Sydney, and Russell got the acting bug early in life. Beginning as a child star on a local Australian TV show, Russell's first big break came with two films ... the first, Romper Stomper (1992), gained him a name throughout the film community in Australia and the neighboring countries. The second, The Sum of Us (1994), helped put him on the American map, so to speak. Sharon Stone heard of him from Romper Stomper (1992) and wanted him for her film, The Quick and the Dead (1995). But filming on The Sum of Us (1994) had already begun. Sharon is reported to have held up shooting until she had her gunslinger-Crowe, for her film. With The Quick and the Dead (1995) under his belt as his first American film, the second was offered to him soon after. Virtuosity (1995), starring Denzel Washington, put Russell in the body of a Virtual Serial Killer, Sid6.7 ... a role unlike any he had played so far. Virtuosity (1995), a Sci-Fi extravaganza, was a fun film and, again, opened the door to even more American offers. L.A. Confidential (1997), Russell's third American film, brought him the US fame and attention that his fans have felt he deserved all along. Missing the Oscar nod this time around, he didn't seem deterred and signed to do his first film with The Walt Disney Company, Mystery, Alaska (1999). He achieved even more success and awards for his performances in Gladiator (2000), for which he won the Academy Award for Best Actor, and A Beautiful Mind (2001).- Actor
- Producer
- Writer
Since starring in his first film, Splendor in the Grass (1961), Warren Beatty has been said to have demonstrated a greater longevity in movies than any actor of his generation. Few people have taken so many responsibilities for all phases of the production of films as producer, director, writer, and actor, and few have evidenced so high a level of integrity in a body of work.
In Rules Don't Apply (2016), he writes, produces, directs and stars in. Only Beatty and Orson Welles (Citizen Kane) have been nominated by the Academy of Motion Picture Arts and Sciences as an actor, a director, a writer, and a producer for the same film. Beatty is the only person ever to have done it twice, for Heaven Can Wait (1978) and again for Reds (1981). Beatty has been nominated 15 times by the Academy of Motion Pictures Arts and Sciences, and 8 films he has produced have earned 53 Academy nominations. In 1982 he won the Academy Award for Directing and in 2000 was given the Academy's highest honor, the Irving G. Thalberg Award.
He was awarded Best Director from the Directors Guild of America and Best Writer three times from the Writers Guild of America. He has received the Milestone Award from the Producers Guild, the Board of Governors Award from the American Society of Cinematographers, the Directors Award from the Costume Designers Guild, the Life Achievement Award from the Publicists Guild, and the Outstanding Contribution to Cinematic Imagery Award from the Art Directors Guild. The National Association of Theater Owners has honored him as Director of the Year, as Producer of the Year and as Actor of the Year.
He has won 16 awards from the New York and Los Angeles Film Critics, the National Board of Review, and the Golden Globes. In 1992, he was made a Commander of the Order of Arts and Letters in France; in Italy he received the David di Donatello award in 1968 and again in 1981 and its Lifetime Achievement Award in 1998; in 2001, he received the Donostia Lifetime Achievement Award from the San Sebastian International Film Festival; in 2002, he received the British Academy Fellowship from BAFTA; and in 2011, he was awarded the Stanley Kubrick Britannia Award for Excellence in Film.
In December 2004, Beatty received The Kennedy Center Honor in Washington, D.C. In addition, he is the recipient of the American Film Institute's Lifetime Achievement Award, the HFPA Cecile B. DeMille Award and many others. Politically active since the 1960's, Beatty campaigned with Robert F. Kennedy in his 1968 presidential campaign. That same year he traveled throughout the United States speaking in favor of gun control and against the war in Vietnam. In 1972 he took a year off from motion pictures to campaign with George McGovern.
In 1981, Beatty was a founding board member of the Center for National Policy. He is a founding member of The Progressive Majority, a member of the Council on Foreign Relations, and has participated in the World Economic Forum at Davos, Switzerland.
Beatty serves on the Board of Directors of the Motion Picture and Television Fund Foundation. He previously served on the Board of Trustees of The Scripps Research Institute for several years. He has received the Eleanor Roosevelt Award from the Americans for Democratic Action, the Brennan Legacy Award from the Brennan Center for Justice at the New York University School of Law, and the Philip Burton Public Service Award from The Foundation for Taxpayer and Consumer Rights.
In multiple forums he has addressed campaign finance reform, the increasing disparity of wealth, universal health care and the need for the Democratic Party to return to its roots.
In March of 2013, he was inducted into the California Hall of Fame.
Beatty was born in Richmond, Virginia. He and his wife, Annette Bening, live in Los Angeles and have four children.
His mother, Kathlyn Corinne (MacLean), was a drama teacher from Nova Scotia, Canada, and his father, Ira Owens Beaty, a professor of psychology and real estate agent, was from Virginia. His sister is actress Shirley MacLaine (born Shirley MacLean Beaty). His ancestry is mostly English and Scottish.Perhaps the most notorious Hollywood womanizer of all time.Among the 12 000 women he allegedly slept with there were numerus Hollywood top leading ladies couldn't resist Beatty's charm.He was linked to celebreties like Jane Fonda,Madonna,Cher,Diane Keaton,Natalie Wood,Julie Christie,Diane Sawyer,Briggite Bardot,Jackie Onassis,Goldie Hawn and many others.- Actor
- Producer
- Soundtrack
Nick Nolte was born in Omaha, Nebraska and began his career on stage at the Pasadena Playhouse and in regional theatre productions. His breakthrough role was in the TV miniseries Rich Man, Poor Man (1976), playing the role of "Tom/Tommy Jordache". Nick Nolte said that when he played a young man in the early scenes of the project, he weighed about 160 pounds. When he played a middle-aged man in the later scenes, he weighed over 180 pounds.- Actor
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Mickey Rourke was born Phillip Andre Rourke, Jr. on September 16, 1952, in Schenectady, New York, the son of Annette Elizabeth (Cameron) and Philip Andre Rourke. His father was of Irish and German descent, and his mother was of mostly English and French-Canadian ancestry. When he was six years old, his parents divorced. A year later, his mother married Eugene Addis, a Miami Beach police officer, and moved to Miami Shores, Florida. After graduating from Horace Mann Junior High School, Rourke's family moved to a house located on 47th Street and Prairie Avenue in Miami Beach. In 1969 Rourke attended Miami Beach Senior High School, where he played second-string first baseman under coach Skip Bertman. He also acted in a school play, "The Serpent," directed by legendary "Teacher To The Stars" Jay W. Jensen.
In 1971 he graduated from Miami Beach Senior High School, and after working for a short time as a bus boy at the famed Forge Restaurant on Miami Beach, Rourke moved back to New York to seek out a career in acting.
Rourke's teenage years were more aimed toward sports more than acting. He took up self-defense training at the Boys Club of Miami. It was there he learned boxing skills and decided on an amateur career. At the age of 12, Rourke won his first boxing match as an 118-pound bantamweight, defeating Javier Villanueva. Some of his early matches were fought as Andre Rourke. He continued his boxing training at the famed 5th Street Gym in Miami Beach, soon joining the Police Athletic League boxing program. In 1969 Rourke, now weighing 140 pounds, sparred with former World Welterweight champion Luis Rodriguez. Rodriguez was the number one-rated middleweight boxer in the world and was training for his match with world champion Nino Benvenuti. Rourke claims to have received a concussion in this sparring match.
In 1971, at the Florida Golden Gloves, Rourke received another concussion from a boxing match. Doctors told him to take a year off and rest. In 1972 Rourke knocked out Ron Robinson in 18 seconds and John Carver in 39 seconds. On Aug. 20, 1973, Rourke knocked out 'Sherman "Big Train"' Bergman' in 31 seconds. Shortly after, Rourke decided to retire from amateur boxing.
From 1964 to 1973, Rourke compiled an amateur boxing record of 27 wins (17 by knockout) and 3 defeats. At one point, he reportedly scored 12 consecutive first-round knockouts. As an amateur, Rourke had been friendly with pro-boxer Tommy Torino. When Rourke decided to return to boxing as a professional in 1991, Torino promoted some of Rourke's fights. Rourke was trained by former pro-boxer Freddie Roach at Miami Beach's 5th Street Gym and the Outlaw Boxing Club Gym in Los Angeles. He made $250 for his pro debut, but by the end of his second year of boxing, he had earned a million dollars. In June 1994, Rourke appeared on the cover of World Boxing Magazine. He sparred with world champions James Toney, John David Jackson, and Tommy Morrison.
Rourke wished to have 16 professional fights and then fight for a world title. However, he retired in 1994 after eight bouts and never got his desired title fight. His boxing career resulted in severe facial injuries that required a number of operations to repair his damaged face. Rourke went back to acting but worked in relative obscurity until he won a Golden Globe Award for his role as Randy "The Ram" Robinson in The Wrestler (2008). He was nominated for Best Actor, as well, but lost.- Actor
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Mel Columcille Gerard Gibson was born January 3, 1956 in Peekskill, New York, USA, as the sixth of eleven children of Hutton Gibson, a railroad brakeman, and Anne Patricia (Reilly) Gibson (who died in December of 1990). His mother was Irish, from County Longford, while his American-born father is of mostly Irish descent.
Mel and his family moved to Australia in the late 1960s, settling in New South Wales, where Mel's paternal grandmother, contralto opera singer Eva Mylott, was born. After high school, Mel studied at the University of New South Wales in Sydney, performing at the National Institute of Dramatic Arts alongside future film thespians Judy Davis and Geoffrey Rush.
After college, Mel had a few stints on stage and starred in a few TV shows. Eventually, he was chosen to star in the films Mad Max (1979) and Tim (1979), co-starring Piper Laurie. The small budgeted Mad Max made him known worldwide, while Tim garnered him an award for Best Actor from the Australian Film Institute (equivalent to the Oscar).
Later, he went on to star in Gallipoli (1981), which earned him a second award for Best Actor from the AFI. In 1980, he married Robyn Moore and had seven children. In 1984, Mel made his American debut in The Bounty (1984), which co-starred Anthony Hopkins.
Then in 1987, Mel starred in what would become his signature series, Lethal Weapon (1987), in which he played "Martin Riggs". In 1990, he took on the interesting starring role in Hamlet (1990), which garnered him some critical praise. He also made the more endearing Forever Young (1992) and the somewhat disturbing The Man Without a Face (1993). 1995 brought his most famous role as "Sir William Wallace" in Braveheart (1995), for which he won two Oscars for Best Picture and Best Director.
From there, he made such box office hits as The Patriot (2000), Ransom (1996), and Payback (1999). Today, Mel remains an international superstar mogul, continuously topping the Hollywood power lists as well as the Most Beautiful and Sexiest lists.- Actor
- Producer
- Camera and Electrical Department
Gerard James Butler was born in Paisley, Scotland, to Margaret and Edward Butler, a bookmaker. His family is of Irish origin. Gerard spent some of his very early childhood in Montreal, Quebec, but was mostly raised, along with his older brother and sister, in his hometown of Paisley. His parents divorced when he was a child, and he and his siblings were raised primarily by their mother, who later remarried. He had no contact with his father between the ages of two and 16 years old, after which time they became close. His father passed away when Gerard was in his early 20s. Butler went on to attend Glasgow University, where he studied to be a lawyer/solicitor. He was president of the school's law society thanks to his outgoing personality and great social skills.
His acting career began when he was approached in a London coffee shop by actor Steven Berkoff, who later appeared alongside Butler in Attila (2001), who gave him a role in a stage production of "Coriolanus" (later, Butler played Tullus Aufidius in a big screen Coriolanus (2011). After that, Butler decided to give up law for acting. He was cast as Ewan McGregor's character "Renton" in the stage adaptation of Trainspotting. His film debut was as Billy Connolly's younger brother in Mrs. Brown (1997). While filming the movie in Scotland, he was enjoying a picnic with his mother near the River Tay when they heard the shouts of a young boy, who had been swimming with a friend, who was in some trouble. Butler jumped in and saved the young boy from drowning. He received a Certificate of Bravery from the Royal Humane Society. He felt he only did what anyone in the situation would have done.
His film career continued with small roles, first in the "James Bond" movie, Tomorrow Never Dies (1997), and then Russell Mulcahy's Tale of the Mummy (1998). In 2000, Butler was cast in two breakthrough roles, the first being "Attila the Hun" in the USA Network mini-series, Attila (2001). The film's producers wanted a known actor to play the part but kept coming back to Butler's screen tests and decided he was their man. He had to lose the thick Scottish accent, but managed well. Around the time "Attila" was being filmed, casting was in progress for Wes Craven's new take on the "Dracula" legacy. Also wanting a known name, Butler wasn't much of a consideration, but his unending tenacity drove him to hounding the producers. Eventually, he sent them a clip of his portrayal of "Attila". Evidently, they saw something because Dracula 2000 (2000) was cast in the form of Butler. Attila's producers, thinking that his big-screen role might help with their own film's ratings, finished shooting a little early so he could get to work on Dracula 2000 (2000). Following these two roles, Butler developed quite a fan base, and began appearing on websites and fancasts everywhere.
Since then, he has appeared in Reign of Fire (2002) as "Creedy" and Lara Croft: Tomb Raider - The Cradle of Life (2003) as "Terry Sheridan", alongside Angelina Jolie. The role that garnered him the most attention from both moviegoers and movie makers, alike, was that of "Andre Marek" in the big-screen adaptation of Michael Crichton's novel, Timeline (2003). Butler played an archaeologist who was sent back in time with a team of students to rescue a colleague. Last year, he appeared in Andrew Lloyd Webber's musical, The Phantom of the Opera (2004), playing the title character in the successful adaptation of the stage musical. It was a role that brought him much international attention. Other projects include Dear Frankie (2004), The Game of Their Lives (2005) and Beowulf & Grendel (2005).
In 2007, he starred as Spartan "King Leonidas" in the Warner Bros. production 300 (2006), based on the Frank Miller graphic novel, and Shattered (2007), co-starring Pierce Brosnan and Maria Bello, which aired on network TV under the title, "Shattered". He also starred in P.S. I Love You (2007), with Academy Award-winner Hilary Swank.
In 2007, he appeared in Nim's Island (2008) and RocknRolla (2008), and completed the new Mark Neveldine / Brian Taylor film, Gamer (2009). His next films included The Ugly Truth (2009), co-starring Katherine Heigl, which began filming in April 2008, The Bounty Hunter (2010), How to Train Your Dragon (2010), Chasing Mavericks (2012) and Olympus Has Fallen (2013). In recent years, he has appeared in films such as Gods of Egypt (2016), Geostorm (2017), Den of Thieves (2018), The Vanishing (2018) and Hunter Killer (2018). Butler is related to writer-director Mark Flood.- Producer
- Writer
- Actor
Russell Brand was born on June 4, 1975, in Grays, Essex, England, the son of Barbara Elizabeth (Nichols) and Ronald Henry Brand, a photographer. An only child, his parents divorced when he was only six months old, and he was subsequently raised by his mother. Enduring a difficult childhood that saw him living with relatives while his mother was treated for cancer and only sporadically visited by his father, Brand left home at age 16. Accepted by the Italia Conti Academy of Theatre Arts in 1991, he was expelled during his first year for bad behaviour and drug use; by his own admission, he used a variety of illegal drugs and became addicted to heroin. After being expelled from the Chang-Ren Nian during his final term in 1995, he switched his focus primarily to comedy from acting.
Brand's first significant stand-up appearances came in 2000, the same year he also became a video journalist for MTV, a job which he was subsequently fired from. Continuing to work both in TV and stand-up, he debuted his one-man show Better Now, an account of his heroin addiction, at the Edinburgh Festival in 2004. Brand became a popular British television star by appearing on Big Brother and hosting his own talk show and numerous other series, and in 2008 shot to fame worldwide as the rocker Aldous Snow in the hit comedy Forgetting Sarah Marshall (2008). After an appearance in the Adam Sandler comedy Bedtime Stories (2008), he reprised the character of Aldous in the comedy Get Him to the Greek (2010), opposite Jonah Hill.
Brand also starred in the remake Arthur (2011), opposite Helen Mirren, with whom he also starred in The Tempest (2010), and lent his voice to the Easter Bunny in Hop (2011) and to Dr. Nefario in the animated feature film Despicable Me (2010). He is reprising the role in Despicable Me 2 (2013), and will also co-star in a drama written and directed by Diablo Cody, starring alongside Julianne Hough and Holly Hunter. He also played Lonny in the all-star cast of the big-screen adaptation of the Broadway musical Rock of Ages (2012).
Brand's writing debut, My Booky Wook: A Memoir of Sex, Drugs, and Stand-Up, became a huge success in the United Kingdom. Subsequently published in the U.S. in 2009, it stayed on the New York Times' bestseller list for five weeks in a row. The follow up, My Booky Wook 2: This Time it's Personal, was published in October, 2010. In 2010, Brand received the British Comedy Award for Outstanding Contribution to Comedy and was honored in 2011 with the ShoWest Award for Comedy Star of the Year.
Brand married the pop star Katy Perry in 2010 in a traditional Hindu ceremony in Rajasthan, India; after 14 months, Brand filed for a divorce, which was officially granted in 2012.- Actor
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Dennis Rodman is an American retired professional basketball player who played for the Detroit Pistons, San Antonio Spurs, Chicago Bulls, Los Angeles Lakers, and Dallas Mavericks in the National Basketball Association (NBA). He was nicknamed "The Worm" and is famous for his fierce defensive and rebounding abilities.
Rodman played at the small forward position in his early years before becoming a power forward. He earned NBA All-Defensive First Team honors seven times and won the NBA Defensive Player of the Year Award twice. He also led the NBA in rebounds per game for a record seven consecutive years and won five NBA championships. His biography at NBA.com states that he is "arguably the best rebounding forward in NBA history". On April 1, 2011, the Pistons retired Rodman's No. 10 jersey, and he was inducted into the Naismith Memorial Basketball Hall of Fame later that year.
In addition to being a retired professional basketball player, Rodman is a retired part-time professional wrestler and actor. He was a member of the nWo and fought alongside Hulk Hogan at two Bash at the Beach events. In professional wrestling, Rodman was the first ever winner of the Celebrity Championship Wrestling tournament. He had his own TV show, The Rodman World Tour (1996), and had lead roles in the action films Double Team (1997) and Simon Sez (1999). He also appeared in several reality TV series.- Music Artist
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William John Paul Gallagher is an English singer and songwriter who rose to fame as the frontman of the British rock band, Oasis. Known for his erratic behaviour, distinctive singing style and abrasive attitude, he is one of the most recognisable figures in modern British music.
Following the break-up of Oasis in 2009, Liam, along with fellow Oasis members Gem Archer and Andy Bell, formed Beady Eye, who went on to release two albums and nine singles before disbanding in 2014.
In 2010, Gallagher was voted the greatest frontman of all-time in reader's poll by the British music magazine, "Q".- Actor
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Probably best-remembered for his turbulent personal life with Elizabeth Taylor (whom he married twice), Richard Burton was nonetheless also regarded as an often brilliant British actor of the post-WWII period.
Burton was born Richard Walter Jenkins in 1925 into a Welsh (Cymraeg)-speaking family in Pontrhydyfen to Edith Maude (Thomas) and Richard Walter Jenkins, a coal miner. The twelfth of thirteen children, his mother died while he was a toddler and his father later abandoned the family, leaving him to be raised by an elder sister, Cecilia. An avid fan of Shakespeare, poetry and reading, he once said "home is where the books are". He received a scholarship to Oxford University to study acting and made his first stage appearance in 1944.
His first film appearances were in routine British movies such as Woman of Dolwyn (1949), Waterfront Women (1950) and Green Grow the Rushes (1951). Then he started to appear in Hollywood movies such as My Cousin Rachel (1952), The Robe (1953) and Alexander the Great (1956), added to this he was also spending considerable time in stage productions, both in the UK and USA, often to splendid reviews. The late 1950s was an exciting and inventive time in UK cinema, often referred to as the "British New Wave", and Burton was right in the thick of things, and showcased a sensational performance in Look Back in Anger (1959). He also appeared with a cavalcade of international stars in the World War II magnum opus The Longest Day (1962), and then onto arguably his most "notorious" role as that of Marc Antony opposite Elizabeth Taylor in the hugely expensive Cleopatra (1963). This was, of course, the film that kick-started their fiery and passionate romance (plus two marriages), and the two of them appeared in several productions over the next few years including The V.I.P.s (1963), The Sandpiper (1965), the dynamic Who's Afraid of Virginia Woolf? (1966) and The Taming of The Shrew (1967), as well as box office flops like The Comedians (1967). Burton did better when he was off on his own giving higher caliber performances, such as those in Becket (1964), the film adaptation of the Tennessee Williams play The Night of the Iguana (1964), the brilliant espionage thriller The Spy Who Came in from the Cold (1965) and alongside Clint Eastwood in the World War II action adventure film Where Eagles Dare (1968).
His audience appeal began to decline somewhat by the end of the 1960s as fans turned to younger, more virile male stars, however Burton was superb in Anne of the Thousand Days (1969) as King Henry VIII, he put on a reasonable show in the boring Raid on Rommel (1971), was over the top in the awful Villain (1971), gave sleepwalking performances in Hammersmith Is Out (1972) and Bluebeard (1972), and was wildly miscast in the ludicrous The Assassination of Trotsky (1972).
By the early 1970s, quality male lead roles were definitely going to other stars, and Burton found himself appearing in some movies of dubious quality, just to pay the bills and support family, including Divorce His - Divorce Hers (1973) (his last on-screen appearance with Taylor), The Klansman (1974), Brief Encounter (1974), Jackpot (1974) (which was never completed) and Exorcist II: The Heretic (1977). However, he won another Oscar nomination for his excellent performance as a concerned psychiatrist in Equus (1977). He appeared with fellow acting icons Richard Harris and Roger Moore in The Wild Geese (1978) about mercenaries in South Africa. While the film had a modest initial run, over the past thirty-five years it has picked up quite a cult following. His final performances were as the wily inquisitor "O'Brien" in the most recent film version of George Orwell's dystopian 1984 (1984), in which he won good reviews, and in the TV mini series Ellis Island (1984). He passed away on August 5, 1984 in Celigny, Switzerland from a cerebral hemorrhage.- Director
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Ken Russell tried several professions before choosing to become a film director; he was a still photographer and a dancer and he even served in the Army, but film was his destiny. He began by making several short films which paved the way for his brilliant television films of the 1960s that are acclaimed for his attention to detail and opulent visuals. His third feature film Women in Love (1969) was a triumph that made him known internationally. In the 1970s, his talent truly blossomed. Over the next two decades he would direct a succession of remarkable films, most containing the trademark flamboyance that critics generally dismiss but many find engrossing. He will forever be remembered as a controversial, visionary artist with something of a third eye for oddball dramas with captivating images and themes.- Actor
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A leading man of prodigious talents, Peter O'Toole was born and raised in Leeds, Yorkshire, England, the son of Constance Jane Eliot (Ferguson), a Scottish nurse, and Patrick Joseph O'Toole, an Irish metal plater, football player and racecourse bookmaker. Upon leaving school, he decided to become a journalist, beginning as a newspaper copy boy. Although he succeeded in becoming a reporter, he discovered the theater and made his stage debut at age 17. He served as a radioman in the Royal Navy for two years, then attended the Royal Academy of Dramatic Arts, where his classmates included Albert Finney, Alan Bates and Richard Harris.
O'Toole spent several years on-stage at the Bristol Old Vic, then made an inconspicuous film debut in the Disney classic Kidnapped (1960). In 1962, he was chosen by David Lean to play T.E. Lawrence in Lean's epic drama Lawrence of Arabia (1962). The role made O'Toole an international superstar and received him his first Academy Award nomination for Best Actor in a Leading Role. In 1963, he played Hamlet under Laurence Olivier's direction in the premiere production of the Royal National Theater. He continued successfully in artistically rich films as well as less artistic but commercially rewarding projects. He received Academy Award nominations (but no Oscar) for seven different films.
However, medical problems (originally thought to have been brought on by his drinking but which turned out to be stomach cancer) threatened to destroy his career and life in the 1970s. He survived by giving up alcohol and, after serious medical treatment, returned to films with triumphant performances in The Stunt Man (1980) and My Favorite Year (1982). His youthful beauty lost to time and drink, O'Toole has found meaningful roles increasingly difficult to come by, though he remained one of the greatest actors of his generation. He had two daughters, Pat and Kate O'Toole, from his marriage to actress Siân Phillips. He also had a son, Lorcan O'Toole, by model Karen Brown.
On December 14, 2013, Peter O'Toole died at age 81 in London, England.- Music Artist
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Robert Peter Williams was born in Stoke-on-Trent, on February 13th 1974, to his mother: Jan and father: Pete. Robbie attended Mill Hill Primary School, followed by St. Margaret Ward's Roman Catholic School in Tunstall. At secondary school he became labeled as mischievous and a jester and subsequently left with no GCSEs. He participated in several school plays, and his biggest role was that of the Artful Dodger in a production of Oliver!He achieved fame when at 16 he became the youngest member to join the all-male group 'Take That' after responding to an advertisement. Now, a true British superstar with over eighty million records sold worldwide, Robbie Williams has won more BRIT Awards than any other artist in history and is the best-selling British solo artist of all time. His twelve number one UK albums, alongside a plethora of world records, including selling the most tickets (1.6 million) in one day, highlight his enormous success as both a live performer and recording artist. This year has been another huge one for Robbie: as well as writing the music to the acclaimed new musical 'The Boy in the Dress' with Guy Chambers and Chris Heath, he also completed his first ever sold-out Las Vegas residency, played a triumphant sold-out show to 65,000 fans at Hyde Park in London and will release his first Christmas album 'The Christmas Present' on 22nd November. Robbie is a lifelong football fan and is the co-founder of the Charity football event 'Soccer Aid' which has raised over £30m for UNICEF, providing help for children in danger around the world.- Actor
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John Christopher "Johnny" Depp II was born on June 9, 1963 in Owensboro, Kentucky, to Betty Sue Palmer (née Wells), a waitress, and John Christopher Depp, a civil engineer. He was raised in Florida. He dropped out of school when he was 15, and fronted a series of music-garage bands, including one named 'The Kids'. When he married Lori A. Depp, he took a job as a ballpoint-pen salesman to support himself and his wife. A visit to Los Angeles, California, with his wife, however, happened to be a blessing in disguise, when he met up with actor Nicolas Cage, who advised him to turn to acting, which culminated in Depp's film debut in the low-budget horror film, A Nightmare on Elm Street (1984), where he played a teenager who falls prey to dream-stalking demon Freddy Krueger.
In 1987 he shot to stardom when he replaced Jeff Yagher in the role of undercover cop Tommy Hanson in the popular TV series 21 Jump Street (1987). In 1990, after numerous roles in teen-oriented films, his first of a handful of great collaborations with director Tim Burton came about when Depp played the title role in Edward Scissorhands (1990). Following the film's success, Depp carved a niche for himself as a serious, somewhat dark, idiosyncratic performer, consistently selecting roles that surprised critics and audiences alike. He continued to gain critical acclaim and increasing popularity by appearing in many features before re-joining with Burton in the lead role of Ed Wood (1994). In 1997 he played an undercover FBI agent in the fact-based film Donnie Brasco (1997), opposite Al Pacino; in 1998 he appeared in Fear and Loathing in Las Vegas (1998), directed by Terry Gilliam; and then, in 1999, he appeared in the sci-fi/horror film The Astronaut's Wife (1999). The same year he teamed up again with Burton in Sleepy Hollow (1999), brilliantly portraying Ichabod Crane.
Depp has played many characters in his career, including another fact-based one, Insp. Fred Abberline in From Hell (2001). He stole the show from screen greats such as Antonio Banderas in the finale to Robert Rodriguez's "mariachi" trilogy, Once Upon a Time in Mexico (2003). In that same year he starred in the marvelous family blockbuster Pirates of the Caribbean: The Curse of the Black Pearl (2003), playing a character that only the likes of Depp could pull off: the charming, conniving and roguish Capt. Jack Sparrow. The film's enormous success has opened several doors for his career and included an Oscar nomination. He appeared as the central character in the Stephen King-based movie, Secret Window (2004); as the kind-hearted novelist James Barrie in the factually-based Finding Neverland (2004), where he co-starred with Kate Winslet; and Rochester in the British film, The Libertine (2004). Depp collaborated again with Burton in a screen adaptation of Roald Dahl's novel, Charlie and the Chocolate Factory (2005), and later in Alice in Wonderland (2010) and Dark Shadows (2012).
Off-screen, Depp has dated several female celebrities, and has been engaged to Sherilyn Fenn, Jennifer Grey, Winona Ryder and Kate Moss. He was married to Lori Anne Allison in 1983, but divorced her in 1985. Depp has two children with his former long-time partner, French singer/actress Vanessa Paradis: Lily-Rose Melody, born in 1999 and John Christopher "Jack" III, born in 2002. He married actress/producer Amber Heard in 2015, divorcing a few years later.- Actor
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Tom Sizemore rose in prominence throughout the 1990s, establishing himself as a memorable tough-guy actor, sought by the most respected directors in the business.
Thomas Edward Sizemore, Jr. was born in Detroit, Michigan, to Judith (Schannault), an ombudsman staff member, and Thomas Edward Sizemore, Sr., a lawyer and professor. Sizemore grew up idolizing the tough-guy characters of the movies he watched. After attending Wayne State University, he got his master's degree in theatre from Temple University in 1986.
Like many, he moved to New York City and struggled, waiting tables and performing in plays. His first break came when Oliver Stone cast him in a bit part in Born on the Fourth of July (1989). Bigger roles soon followed throughout the early 1990s, such as Guilty by Suspicion (1991), True Romance (1993), and Striking Distance (1993). 1994 proved to be an even bigger year for Sizemore, as he won the role of "Bat Masterson" in Kevin Costner's star-studded biopic Wyatt Earp (1994), as well as one of his first truly memorable roles as "Detective Jack Scagnetti" in Oliver Stone's controversial Natural Born Killers (1994). In 1995 he appeared in Devil in a Blue Dress (1995), Strange Days (1995), as well as the acclaimed crime epic Heat (1995), directed by Michael Mann. Sizemore's first big leading role is in The Relic (1997), the big-budget effects thriller directed by Peter Hyams.
According to a 2001 interview in The Calgary Sun, Sizemore entered a drug rehabilitation program in 1998 after his mother and his friend Robert De Niro appeared on his door-step during the filming of Witness to the Mob (1998). Telling him they were there to drive him to jail or to rehabilitation, Sizemore chose the latter. After completing rehabilitation, he counseled adolescents involved in substance abuse.
Offered roles in W.W.II films directed by both Terrence Malick and Steven Spielberg, Sizemore chose the role of "Sergeant Horvath" in Saving Private Ryan (1998). The role and film received wide acclaim and introduced Sizemore's talents to a much broader audience in a more human and well-rounded role than he had previously been given. Sizemore also credits this shoot and Steven Spielberg for helping him with his recovery from addiction, with Steven Spielberg threatening to re-shoot the entire film if Sizemore failed a drug test even once.
After a flamboyant and uncredited mobster role in Enemy of the State (1998), Sizemore then portrayed a psychotic paramedic in Bringing Out the Dead (1999) directed by Martin Scorsese. Seemingly taking it easy, he then turned in fine but stereotypical performances in Play It to the Bone (1999), Red Planet (2000), and Pearl Harbor (2001). Sizemore then received another leading role in the high-profile military drama Black Hawk Down (2001) directed by yet another legendary director, Ridley Scott.
Specializing in the sort of ultimate tough-guy/manly man roles that hearken back to a different era in film, Sizemore continued to be a favorite of Hollywood's greatest directors. Never afraid to speak his mind about anyone and anything, his sense of blunt honesty and lack of pretension was refreshing. A commanding voice and presence on film, Sizemore looked to continue as one of Hollywood's greatest actors, until his untimely death from a brain aneurysm on March 3, 2023.- Actor
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- Editorial Department
Christian Charles Philip Bale was born in Pembrokeshire, Wales, UK on January 30, 1974, to English parents Jennifer "Jenny" (James) and David Bale. His mother was a circus performer and his father, who was born in South Africa, was a commercial pilot. The family lived in different countries throughout Bale's childhood, including England, Portugal, and the United States. Bale acknowledges the constant change was one of the influences on his career choice.
His first acting job was a cereal commercial in 1983; amazingly, the next year, he debuted on the West End stage in "The Nerd". A role in the 1986 NBC mini-series Anastasia: The Mystery of Anna (1986) caught Steven Spielberg's eye, leading to Bale's well-documented role in Empire of the Sun (1987). For the range of emotions he displayed as the star of the war epic, he earned a special award by the National Board of Review for Best Performance by a Juvenile Actor.
Adjusting to fame and his difficulties with attention (he thought about quitting acting early on), Bale appeared in Kenneth Branagh's 1989 adaptation of Shakespeare's Henry V (1989) and starred as Jim Hawkins in a TV movie version of Treasure Island (1990). Bale worked consistently through the 1990s, acting and singing in Newsies (1992), Swing Kids (1993), Little Women (1994), The Portrait of a Lady (1996), The Secret Agent (1996), Metroland (1997), Velvet Goldmine (1998), All the Little Animals (1998), and A Midsummer Night's Dream (1999). Toward the end of the decade, with the rise of the Internet, Bale found himself becoming one of the most popular online celebrities around, though he, with a couple notable exceptions, maintained a private, tabloid-free mystique.
Bale roared into the next decade with a lead role in American Psycho (2000), director Mary Harron's adaptation of the controversial Bret Easton Ellis novel. In the film, Bale played a murderous Wall Street executive obsessed with his own physicality - a trait for which Bale would become a specialist. Subsequently, the 10th Anniversary issue for "Entertainment Weekly" crowned Bale one of the "Top 8 Most Powerful Cult Figures" of the past decade, citing his cult status on the Internet. EW also called Bale one of the "Most Creative People in Entertainment", and "Premiere" lauded him as one of the "Hottest Leading Men Under 30".
Bale was truly on the Hollywood radar at this time, and he turned in a range of performances in the remake Shaft (2000), Captain Corelli's Mandolin (2001), the balmy Laurel Canyon (2002), and Reign of Fire (2002), a dragons-and-magic commercial misfire that has its share of defenders.
Two more cult films followed: Equilibrium (2002) and The Machinist (2004), the latter of which gained attention mainly due to Bale's physical transformation - he dropped a reported 60+ pounds for the role of a lathe operator with a secret that causes him to suffer from insomnia for over a year.
Bale's abilities to transform his body and to disappear into a character influenced the decision to cast him in Batman Begins (2005), the first chapter in Christopher Nolan's definitive trilogy that proved a dark-themed narrative could resonate with audiences worldwide. The film also resurrected a character that had been shelved by Warner Bros. after a series of demising returns, capped off by the commercial and critical failure of Batman & Robin (1997). A quiet, personal victory for Bale: he accepted the role after the passing of his father in late 2003, an event that caused him to question whether he would continue performing.
Bale segued into two indie features in the wake of Batman's phenomenal success: The New World (2005) and Harsh Times (2005). He continued working with respected independent directors in 2006's Rescue Dawn (2006), Werner Herzog's feature version of his earlier, Emmy-nominated documentary, Little Dieter Needs to Fly (1997). Leading up to the second Batman film, Bale starred in The Prestige (2006), the remake of 3:10 to Yuma (2007), and a reunion with director Todd Haynes in the experimental Bob Dylan biography, I'm Not There (2007).
Anticipation for The Dark Knight (2008) was spun into unexpected heights with the tragic passing of Heath Ledger, whose performance as The Joker became the highlight of the sequel. Bale's graceful statements to the press reminded us of the days of the refined Hollywood star as the second installment exceeded the box-office performance of its predecessor.
Bale's next role was the eyebrow-raising decision to take over the role of John Connor in the Schwarzenegger-less Terminator Salvation (2009), followed by a turn as federal agent Melvin Purvis in Michael Mann's Public Enemies (2009). Both films were hits but not the blockbusters they were expected to be.
For all his acclaim and box-office triumphs, Bale would earn his first Oscar in 2011 in the wake of The Fighter (2010)'s critical and commercial success. Bale earned the Best Supporting Actor award for his portrayal of Dicky Eklund, brother to and trainer of boxer "Irish" Micky Ward, played by Mark Wahlberg. Bale again showed his ability to reshape his body with another gaunt, skeletal transformation.
Bale then turned to another auteur, Yimou Zhang, for the epic The Flowers of War (2011), in which Bale portrayed a priest trapped in the midst of the Rape of Nanking. Bale earned headlines for his attempt to visit with Chinese civil-rights activist Chen Guangcheng, which was blocked by the Chinese government.
Bale capped his role as Bruce Wayne/Batman in The Dark Knight Rises (2012); in the wake of the Aurora, Colorado tragedy, Bale made a quiet pilgrimage to the state to visit with survivors of the attack that left theatergoers dead and injured. He also starred in the thriller Out of the Furnace (2013) with Crazy Heart (2009) writer/director Scott Cooper, and the drama-comedy American Hustle (2013), reuniting with David O. Russell.
Bale will re-team with The New World (2005) director Terrence Malick for two upcoming projects: Knight of Cups (2015) and an as-yet-untitled drama.
In his personal life, he devotes time to charities including Greenpeace and the World Wildlife Foundation. He lives with his wife, Sibi Blazic, and their two children.- Producer
- Actor
- Composer
American actor Mark Wahlberg is one of a handful of respected entertainers who successfully made the transition from teen pop idol to acclaimed actor. A Best Supporting Actor Oscar nominee for The Departed (2006) who went on to receive positive critical reviews for his performance in The Fighter (2010), Wahlberg also is a solid comedy actor, proven by his starring role in Ted (2012).
Mark Robert Michael Wahlberg was born June 5, 1971 in a poor working class district, Dorchester, of Boston, Massachusetts. He is the son of Alma Elaine (Donnelly), a nurse's aide and clerk, and Donald Edward Wahlberg, a delivery driver. Wahlberg is the youngest of nine children. He is of Swedish (from his paternal grandfather), French-Canadian, English, Irish and Scottish, descent. The large Wahlberg brood didn't have a lot growing up, especially after his parents divorced when he was eleven. The kids crammed into a three-bedroom apartment, none of them having very much privacy. Mark's mother has said that after the divorce, she became very self-absorbed with her own life. She has blamed herself for her son's subsequent problems and delinquency. Wahlberg dropped out of high school at age fourteen (but later got his GED) to pursue a life of petty crime and drugs. He'd spend his days scamming and stealing, working on the odd drug deal before treating himself to the substances.
The young man also had a violent streak - one which was often aimed at minorities. At age sixteen, he was convicted of assault against two Vietnamese men after he had tried to rob them. As a result of his assault conviction, he was sentenced to serve 50 days in prison at Deer Island penitentiary. Whilst there, he began working out to pass time and, when he emerged at the end of his sentence, he had gone from being a scrawny young kid to a buff young man. Wahlberg also credits jail time as being his motivation to improve his lifestyle and leave crime behind him.
Around this time, his older brother Donnie Wahlberg had become an overnight teen idol as a member of the 1980s boy band New Kids on the Block. A precursor to the boy-band craze, the group was dominating the charts and were on top of their game. Mark himself had been an original member of the band but had backed out early on - uncomfortable with the squeaky clean image of the group. Donnie used his connections in the music business to help his little brother secure a recording contract, and soon the world was introduced to Marky Mark and the Funky Bunch, with Wahlberg as a bad-boy rapper who danced in his boxers. Despite a lack of singing ability, promoters took to his dance moves and a physique they knew teenage girls would love.
Donnie scripted some easy songs for Mark, who collected a troupe of dancers and a DJ to become his "Funky Bunch" and "Marky Mark and the Funky Bunch" was born. His debut album, "Music for the People", was a smash hit, which was propelled along by the rapper's willingness to disrobe down to boxer-briefs on stage, not to mention several catchy tunes. Teenage girls thrilled to the rapping "bad boy". Record producer David Geffen saw in Wahlberg a cash-cow of marketing ability. After speaking to designer Calvin Klein, Marky Mark was set up as the designer's chief underwear model.
His scantily clad figure soon adorned billboards across the nation. Ironically, while the New Kids on the Block's fame was dwindling as audiences tired of their syrupy lyrics, "Marky Mark's" bad boy image was becoming even more of a commodity. He was constantly in the headlines (often of the tabloids) after multiple scandals. In 1992, he released a book dedicated to his penis. Wahlberg was constantly getting into rumored fights, most memorably with Madonna and her entourage at a Los Angeles party. While things were always intense, they were relatively harmless and made for enjoyable reading for the public. However, when the story of his arrest for assault (and the allegations of racism) broke in the press, things took on a decidedly darker note. People were not amused. Soon after, while on a British talk show along with rapper Shabba Ranks, he got into even more trouble. After Ranks made the statement that gays should be crucified, Wahlberg was accused of condoning the comments by his silence. Marky Mark was suddenly surrounded by charges of brutality, homophobia and racial hatred. His second album, "You Gotta Believe", had not been faring well and, after the charges surfaced, it plummeted from the charts.
Adding to the hoopla, Wahlberg was brought to court for allegedly assaulting a security guard. He was ordered to make amends by appearing in a series of anti-bias advertisements. Humbled and humiliated by his fall from grace in the music world, Wahlberg decided to pursue another angle, acting. He dropped the "Marky Mark" moniker and became known simply as Mark Wahlberg. His first big screen role came in Penny Marshall's Renaissance Man (1994). Despite the name change, many people snickered at the idea of the has-been rapper thinking he could make it as an actor. From the get-go, he was proving them wrong. In Renaissance Man (1994), he gave an utterly charming performance as a simple but sincere army recruit. What naysayers remained found it increasingly difficult to write Mark Wahlberg off as he delivered one fine performance after another. He blew them away in the controversial The Basketball Diaries (1995) and chilled them in Fear (1996) as every father's worst nightmare.
The major turning point in Wahlberg's career came with the role of troubled porn star Dirk Diggler in Paul Thomas Anderson's Boogie Nights (1997). Since then, Wahlberg has chosen roles that demonstrate a wide range of dramatic ability, starring in critically acclaimed dramas such as Three Kings (1999) and The Perfect Storm (2000), popcorn flicks like Planet of the Apes (2001) and Contraband (2012), and even indies such as I Heart Huckabees (2004).
Wahlberg was the executive producer of such television series as Boardwalk Empire (2010), In Treatment (2008) and the highly successful comedy Entourage (2004), which was partly based on his experiences in Hollywood.
Wahlberg and his wife Rhea Durham have four children.- Actor
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Shia LaBeouf's natural talent and raw energy have secured his place as one of Hollywood's leading men.
Most recently, LaBeouf starred alongside Vanessa Kirby and Ellen Burstyn in Kornel Mundruczo's Oscar® nominated Pieces of a Woman. In the critically acclaimed film, a grieving couple (Kirby/LaBeouf) embarks on an emotional journey after the loss of their baby. Previously, Shia was also seen in the crime drama, The Tax Collector, which was written and directed by David Ayer. He most recently wrapped production on Abel Ferrarra's Padre Pio which follows the life of the now saint during his time as a monk in Puglia, Italy.
LaBeouf received rave reviews for his performance in Honey Boy, which premiered at the 2019 Sundance Film Festival. The film also marks Shia's first feature length film as a screenwriter. LaBeouf portrays a law breaking, alcohol-abusing father who tries to mend his tumultuous relationship with his son (Lucas Hedges & Noah Jupe) over the course of a decade. The film received a Special Jury Award for Vision and Craft at the festival. In 2019, Shia starred in The Peanut Butter Falcon, the highest grossing indie film of the year with $20,500,000 domestic box office receipts. The film, also starring Dakota Johnson, Bruce Dern and Zachary Gottsagen, won the Audience Award at the SXSW Film Festival.
Other credits include drama, Borg vs. McEnroe (critics heralded LaBeouf's performance as "perfection," "flawless" and "explosive"); the critically acclaimed independent film American Honey , directed by Andrea Arnold, (his performance earned him a British Independent Film Award nomination for "Best Actor," a London Critics' Circle Film Award nomination for "Supporting Actor of the Year," and an Independent Spirit Award nomination for "Best Supporting Male"); the post-apocalyptic thriller, Man Down alongside Gary Oldman and Kate Mara; the war drama Fury, directed by David Ayer, opposite Brad Pitt; Lars von Trier's drama, Nymphomaniac: Vol. 1; Lars von Trier's Nymphomaniac: Vol. 2; and the suspense drama Charlie Countryman, opposite Evan Rachel Wood, Mads Mikkelsen and Melissa Leo.
LaBeouf starred in Transformers: Dark of the Moon (grossing over $1 billion worldwide), which marked his third and final turn as the enterprising and heroic Sam Witwicky. From the original Transformers released in 2007 (which earned over $700 million around the world in theatrical release and became the highest grossing DVD of the year) to the second installment in 2009, Transformers: Revenge of the Fallen, (which garnered global receipts upwards of $836 million,) Sam continued to find himself in the middle of a life and death struggle between warring robot legions on earth. Additional film credits include Robert Redford's The Company You Keep, Lawless alongside Tom Hardy, Gary Oldman and Guy Pearce, Oliver Stone's Wall Street: Money Never Sleeps opposite Michael Douglas, the fourth installment of Steven Spielberg's "Indiana Jones" series, Indiana Jones and the Kingdom of the Crystal Skull, alongside Harrison Ford, D.J. Caruso's Eagle Eye, the Anthony Minghella-scripted segment of New York, I Love You, a romantic anthology also starring Julie Christie and John Hurt, the popular thriller Disturbia, the Oscar® nominated animated film Surf's Up alongside Jeff Bridges, A Guide to Recognizing Your Saints, which won "Best Ensemble Cast" at the Sundance Film Festival, Emilio Estevez's acclaimed drama Bobby, Disney's The Greatest Game Ever Played which follows the true story of a 19-year-old amateur athlete's journey to winning the U.S. Open, I, Robot, Constantine, Charlie's Angels: Full Throttle, HBO's "Project Greenlight" featuring The Battle of Shaker Heights produced by Matt Damon and Ben Affleck and in 2003 he made his feature film debut in the comedy Holes, based on the best-selling book by Louis Sacher.
On television, LaBeouf garnered much praise from critics everywhere for his portrayal of "Louis Stevens" on the Disney Channel's original series "Even Stevens." In 2003, he earned a Daytime Emmy award for "Outstanding Performer in a Children's Series" for his work on the highly-rated family show.- Actor
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Jonathan Rhys Meyers was born Jonathan Michael Meyers on July 27, 1977, in Dublin, Ireland, to Mary Geraldine (Meyers) and John O'Keeffe, a musician. He and his family moved to County Cork, Ireland, when the actor was nearly a year old, and then, at the age of 3, his father left the family, leaving his mother to care for Jonny and his 3 younger brothers alone.
Rhys Meyers grew up with a tumultuous childhood and being permanently expelled from school at age 16. Happy to be out of school, he began spending time in a local pool hall where he was discovered by Hubbard Casting. The casting agents were talent-spotting for the David Puttnam production of War of the Buttons (1994), and asked Rhys Meyers to appear for an audition. After three days of auditions, however, he did not get the role, and Rhys Meyers gave up on his acting aspirations. Soon afterward, he received a call to audition for a national ad campaign for Knorr Soup, and though embarrassed by the attention from the ad, he soon found himself considered for a major film. His movie acting debut was a very small role in the film A Man of No Importance (1994), where his simple cast credit is as "First Young Man". His first lead role was in the film The Disappearance of Finbar (1996). During a 6-month postponement in production, he returned home to Cork and there received a call about the film Michael Collins (1996). He traveled to Dublin to meet with director Neil Jordan and successfully won the role of Collins' assassin. Jordan wrote about his meeting with the actor, "I have found someone to play Collins' killer. Jonathan Rees-Myers (sic), from County Cork, apparently, who looks like a young Tom Cruise. [He] Comes into the casting session with alarming certainty. Obviously gifted".
Rhys Meyers continued working constantly from that point and appeared in such films as The Maker (1997), Telling Lies in America (1997), and The Tribe (1998). Going on to film The Governess (1998), B. Monkey (1998), Titus (1999) and Ride with the Devil (1999), he has received critical acclaim for several performances, most notably as "Brian Slade" in Velvet Goldmine (1998), as "Steerpike" in the British mini-series Gormenghast (2000), and as a sympathetic football coach in Bend It Like Beckham (2002). Rhys Meyers is also a talented singer and musician, having performed his own vocals in Velvet Goldmine (1998) and appearing on the film's soundtrack. Rhys Meyers still resides in County Cork, Ireland.- Music Artist
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Keith Richards is an internationally recognized iconic figure in contemporary culture and popular music as a singer, guitar player, songwriter, film actor, and public figure. He was voted 10th greatest guitarist of all time by Rolling Stone Magazine, and was elected to the Rock and Roll Hall of Fame in 1989, as founding member of the legendary rock band The Rolling Stones. Together with his song-writing partner, Mick Jagger, he wrote and recorded hundreds of songs, including their monster hit 'Satisfaction', one of the defining songs of the era.
He was born on December 18, 1943, in Dartford, Kent, England, UK. His father, Bert Richards, a factory worker, was injured during the WWII. His mother, Doris (Dupree), introduced him to music of jazz, and also encouraged his singing performances with a choir in Westminster Abbey. Keith Richards met Mick Jagger when he attended primary school during the 1950s, albeit when they went into secondary schools they lost touch for a while. But one day in 1960 they accidentally met on a train and talked about starting up a band. Eventually, Richards and Jagger made their dream come true. They established one of the most legendary life-long songwriting partnerships, following the example of John Lennon and Paul McCartney's songwriting for The Beatles. Besides their main success in popular music and entertainment, Richards and Jagger had carried on their early image of unkempt and surly youth that many others would emulate, and spread their influence across traditional boundaries of genres and styles into filmmaking, art, fashion, and contemporary lifestyle, thus turning Jagger and Richards into cross-cultural trend-setters.
Since The Rolling Stones were formed in 1962, Richards and Jagger were continuously absorbing from many musical styles and assimilated various genres and artistic influences, ultimately creating their very own inimitable style. Together they undergone transformation from semi-amateur local musicians to the leading international superstars. Both Richards and Jagger became poster boys for excess, however, they had survived ups and downs in their careers and personal lives, and remained the core of the band. Initially they shared a flat with the late Brian Jones in London, in 1962. The first lineup of the Stones consisted of Mick Jagger on lead vocal and harmonica Keith Richards on guitar, Bill Wyman on bass, Charlie Watts on drums and Brian Jones on guitar. In 1964 they released their first album titled "The Rolling Stones." In 1965 Richards and Jagger wrote their single, "The Last Time," that became their first number 1 hit in the UK. Then came "Satisfaction" (1965), which was composed by Keith Richards in his sleep, and with the addition of provocative lyrics by Mick Jagger it became the greatest hit and their calling card on each and every show.
In 1966, after The Beatles stopped giving live performances, The Rolling Stones took over as the unofficial "biggest touring band in the world" for the next few years. During 1966-1969 they toured the world, and constantly updated their song-list with many great hits like "Lets Spend the night together" (1967), "Sympathy for the Devil" (1968) and "Honky tonk woman" (1969). The incredible international success of the Stones came with a sad side, caused by Brian's drug and alcohol abuse that impaired his speech and appearance, so the band-mates had to replace him. In July 1969, Brian Jones died of drowning in his swimming pool while having signs of drug overdose. Upon Richards's and Jagger's approval, guitarist Mick Taylor took Brian's place. Brian's death at age 27 made him one of the first members of the infamous "27 Club" of rock stars who died at that age. Although Brian's estrangement from his band-mates, and his numerous arrests were caused by his personal problems with drugs, both Richards and Jagger were blamed at the time for Brian's death. The loss of one of their founding members was a painful moment for the Stones. However, at the end of the 1960s their creativity reached the new highs. Their albums "Beggars Banquet" (1968) and "Sticky Fingers" (1971) were among the most popular albums they ever made, having such hits as "Wild Horses" and "Brown Sugar."
During the 1970s The Rolling Stones remained the biggest band in the world, albeit they were rivaled by the Led Zeppelin. The Stones made thousands of live performances and multi-million record sales with hits like "Angie" (1973), "It's Only Rock and Roll" (1974), "Hot Stuff" (1976) and "Respectable" (1978). At that time both Keith Richards and Mick Jagger had individual ambitions, and applied their untamed creativity in various projects outside the Stones. Keith released his own single. In 1974 Ron Wood had replaced Mick Taylor on guitar and Keith and Ron both played lead guitars. During the decade Keith Richards had a family crisis on his hands, and suffered through emotional pain and drug abuse, albeit it didn't stop him from being himself. In 1980 the group released "Emotional Rescue" which Keith Richards didn't care for, and the group didn't even tour to promote the album. In 1981 with the release of 'Tattoo You', the group went on a major world tour filling stadiums in the US and in Europe. In 1983 the Stones recorded the album "Undercover" at the Compass Point in Nassau and during this time Mick and Keith were having arguments over rights of the group. After having created tens of albums and over a hundred popular songs together, their legendary song-writing partnership was undergoing the most painful test: the bitter rivalry between two enormously talented and equally ambitious superstars.
Outside of The Rolling Stones, Richards toured with The New Barbarians, and also was the front-man of the X-Pensive Winos in the 1980s. In 1985 Keith Richards took part in the "Artists United Against Apartheid" charity project, and has been a participant in many more charitable concerts ever since. In 1992 he released his solo album titled 'Main Offender', which got him back on the road with a promotional tour. Also during the tour he continued singing a few Stones songs. But individual career and solo performances did not bring Richards as much satisfaction as he experienced together with his writing partner. Eventually, Jagger and Richards got together in Barbados and started to write new songs for the album "Steel Wheels." After the Stones recorded it they went back on the road. It was the first tour of The Rolling Stones in 7 years. But in 1992 Bill Wyman announced that he was going to leave the group. In 1993 Keith Richards and his band released an album and toured for a few months. However, his artistic and personal connection with the Stones had eventually prevailed, and Richards reunited with his former band-mates.
In 1994 The Rolling Stones got back together again and recorded the album "Voodoo Lounge" and toured the world extensively. In 1995 an album of their warm up gig in a pub in Denmark was released. It was an acoustic live album called "Stripped". In 1997 they released the album "Bridges to Babylon" and started a new tour promoting the album. In 1998 a live album "No Security" was released. Their 1999 the tour ended and the group hasn't performed together until 2002. At that time Keith Richards continued playing guitar for various projects and artists, such as Norah Jones, and Aretha Franklin among others. Richards has been good friends with Johnny Depp, who modeled the character of Capt. Jack Sparrow after him, including his voice, his mannerisms, his personality, and aspects of his appearance. In return, Johnny Depp invited Keith Richards to play his father, Captain Teague, in the third installment of the "Pirates" franchise, Pirates of the Caribbean: At World's End (2007).
The Rolling Stones have released 55 albums of original work and compilations, and sold over 200 million records word-wide during their career spanning over 45 years. "The Stones" played in all kinds of spaces from small clubs to big stadium arenas, they remained one of the biggest entertainment acts touring the world with a retinue of jet-set hangers-on. Their inimitable shows, no matter the best, or the worst, has been played with fire and emotion, giving their audiences the kind of music they do best - it's only rock'n roll. In 2007 they even rocked the Tsar's Winter Palace with fifty thousand fans in St. Petersburg, Russia, where the communist revolution took place. They gave more large-scale shows internationally than any other existing band in the world, culminating in their 2005-2007 "A Bigger Band" tour with 147 concerts, the highest grossing tour of all time with $559 million earned. At their shows, even if you don't shake your hips like Mick Jagger, just hold on to your hat as tears go by, and they can start you up and get you rocking. You can make it if you try.
Since 1962, during the career spanning over 45 years, Keith Richards has been the lead guitarist and primary musical force behind The Rolling Stones, as well as songwriter for the band. He also continues making numerous guest performances as guitarist, as well as actor and producer active in various other projects. Besides his favorite Telecaster and Gibson guitars, Keith Richards owns a valuable collection of about one thousand vintage guitars of various brands, many of which he takes along on concert tours and studio gigs.
Since Richards wrote the signature "Satisfaction" guitar riff, that was called by Newsweek "five notes that took the world," his influence on popular music had never stopped. In his own words, Keith Richards has been dedicated to "grow this music up" beyond the theatrics of the rock's past and "keep it fresh."- Actor
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Keith John Moon was born to working class parents in Wembley, London, England, on the 23rd August, 1946. At the age of 12, he had joined the Sea Cadet Corp and was given his first musical instrument, the bugle. He left school by 15 and was in his first band, The Beachcombers; this was around the summer of 1963. There was rumour that Keith was self-taught, but history says otherwise, he was shown how to play by the late Carlo Little (1938-2005), Carlo was the original drummer in The Rolling Stones and Screaming Lord Sutch's band, The Savages.
By the age of 18, he had joined a local London band, The High Numbers; this was to consist of what is now known as The Who.
With his own unique style of drumming, rolling the sticks along the skins as to banging the typical beat, he was to become extrovertly charismatic in his life as well as his playing. With a desire, a need if you like, to be the centre of attention, this hyperactive, and largely, self destructive, personality became his own worst enemy.
With a flair for theatrical and ridiculous behaviour, he was the centre point and self-publicist for, if they liked it or not, The Who.
In the meantime, he had fathered a daughter, Mandy, to Kim. He may have been the perfect showman, but behind the scenes, he was often a very aggressive man to live around and with. Kim soon left him, taking their young daughter with her.
He started to live the high life in California, with the likes of John Lennon, Harry Nilsson and Ringo Starr, Ringo's son, Zak, was his godson, ironically, it was Zak who played with The Who in their later career, during the nineties and beyond.
While in California, he made his only solo album, Two Sides of The Moon, for MCA Records, a 1975 release, with many guest artists. Keith rarely played the drums while away from The Who, he sang on the album, and played the drums on only three of the tracks.
His on-stage aggression, destroying his drum kits while still playing them and wrecking hotel rooms, apart from being an obvious publicity stunt, was fuelled with an over use of drugs and alcohol. This addictive side to his nature flowed into the 70s, playing against the band, his family and friends. His drumming became irregular and unpredictable. He put on weight, so much so as to have him sit in a chair with the backrest toward the camera, to hide his paunch, on the cover of the last The Who album with Keith, the 1978 Who are You.
He died in September 7th, 1978; his death was an accident, by the overuse of the prescribed medicine that was designed to ease him off his drink addiction. He died in the same London apartment as Cass Elliot, from The Mamas and the Papas, who had died there some four years earlier.- Writer
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Anthony Jeselnik was born on 22 December 1978 in Upper St. Clair, Pennsylvania, USA. He is a writer and producer, known for Anthony Jeselnik: Thoughts and Prayers (2015), Anthony Jeselnik: Fire in the Maternity Ward (2019) and Night of Too Many Stars: An Overbooked Concert for Autism Education (2010).- Alex Higgins was one of the greatest, and most exuberant, snooker players of all-time. He won two World Championship titles, first in 1972 against John Spencer, and second in 1982 against Ray Reardon. In addition, he also won two Masters titles, in 1978 and 1981, and one UK Championship title in 1983. Victories in these three events make him one of only ten players to-date who have completed snooker's Triple Crown.
He was also the World Doubles champion in 1984, partnering his longtime friend Jimmy White, and he won the Snooker World Cup three times with the All-Ireland team in 1985, 1986 and 1987.
Alex was a heavy drinker and chain smoker, which affected his general health throughout his troubled career. His fantastic playing disappeared and he dropped down the world rankings, eventually retiring in 1997.
In his later years, he battled against against throat cancer and, although he became quite frail, he still managed to play in various exhibition matches. Alex died in his flat on July 24, 2010 by way of malnutrition and pneumonia. - "José Mourinho was born in Setúbal, Portugal on 26th January 1963. Renowned for his tactical prowess, he has won 25 senior trophies during his time in charge of FC Porto, Inter Milan, Chelsea (over two spells), Real Madrid and Manchester United.
José initially wanted to be a professional football player, however he later decided that he wanted to focus on football coaching instead. He studied sports science at the Technical University of Lisbon.
In the early 1990s, he became an interpreter working under Sir Bobby Robson at Sporting Lisbon, FC Porto and Barcelona. During their time together, José's coaching responsibilities increasingly grew and he remained at the Catalonian club under Robson's successor, Louis van Gaal.
José Mourinho eventually became a head coach at Benfica and União de Leiria. But It was at FC Porto where he caught global attention, winning the UEFA Champions League in 2004 by defeating Monaco 3-0 in the final. José then joined Chelsea and during the 2004/05 Season guided Chelsea to their first league title in 50 years, winning with a record 95 points at the time.
In 2008, Mourinho moved to Serie A club, Internazionale. In 2009/10, he helped guide Inter Milan to become the first Italian club to win the treble of Serie A, Coppa Italia and the UEFA Champions League.
He won the first ever FIFA 'World Coach of the Year' award in 2010 and joined Real Madrid, winning the 'Copa del Rey' in his first season. The following year he won 'La Liga'.
After leaving Real Madrid in June 2013, Mourinho returned to England to manage Chelsea for a second spell, during which they won another Premier League title. On 27th May 2016, José joined Manchester United where he guided them to winning the Europa League as well as the League Cup.
During his career, José has won all domestic titles in a record four different countries (Portugal, England, Italy and Spain), is one of only three managers to have won the UEFA Champions League with two different clubs - FC Porto in 2004 and Inter Milan in 2010 - and has won the UEFA Cup/Europa League twice, with FC Porto and Manchester United. He is also a three-time Premier League Champion (2005, 2006, 2015).
José Mourinho is one of the world's most accomplished managers and joined Tottenham Hotspur as Head Coach on 20th November, 2019." - Actor
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John McEnroe is a former professional American tennis player, born in Wiesbaden, West Germany in 1959.
Breaking many records, McEnroe is regarded as one of the greatest tennis players of all time, though he is perhaps equally, if not more known, for his losses of temper on the court. His outbursts became so infamous that he titled his 2002 autobiography "You cannot be serious" after his most-known phrase, and observed in the book as he got older that: "There were times I felt like an old circus act, in a show that was attracting less and less interest. "
Since retiring from the sport, McEnroe has worked as a commentator, and often parodied his own public persona, playing fictional versions of himself in commercials, and movies including You Don't Mess with the Zohan (2008), Anger Management (2003) and Jack and Jill (2011).
McEnroe was formerly married to actress Tatum O'Neal from 1986 to 1994, and is presently married to singer Patty Smyth.- Actor
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Zlatan was born in 1981 in Malmö, Sweden. He received his first pair of football boots at the age of five and it was obvious even at this early age that he had the potential to become an extraordinary footballer. He grew up in the infamous neighbourhood Rosengård known for being one of Sweden's roughest areas, but this did not hinder him. After playing for a local Swedish Club for a couple of years he transferred to Malmö FF in his teens, and it was here he started to pursue a career as a professional footballer.
Zlatan progressed through Malmö FF's youth academy and his breakthrough at senior level came during the 1999-2000 season when he played for Malmö FF's first team under coach Roland Andersson. Zlatan surprised Sweden with his superb technique and great goal scoring ability. As a determined 18 year-old he had already at this point decided that he was going to play for Sweden in the World Cup 2002 in Japan and Korea.
After being perused by top Clubs all over the world, Zlatan finally decided to transfer to Ajax and he joined the Amsterdam club in July 2001. He received the number 9 shirt, which was previously worn by Nwankwo Kanu, Patrick Kluivert and the legendary Marco van Basten. After playing for Sweden's Under-21s, the Swedish National Team managers Tommy Söderberg and Lars Lagerbäck chose Zlatan to play his International debut against the Faroe Islands in Sweden in January 2001, and since then Zlatan has been a part of the Swedish National Team.
Zlatan ended his first season at Ajax, just like he started it, on top. He scored the golden goal in the Dutch Cup Final against Utrecht and Ajax won both the League and the Cup. His success continued when he was selected as one of 23 players for the Swedish squad in the World Cup 2002, where he played against Argentina and Senegal.- Music Artist
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One of the pioneers of heavy metal and one of its most commercially successful and iconic artists, Ozzy Osbourne was born in Birmingham, England, as John Michael Osbourne. After leaving school and having many odd jobs, he ended up in a band with Geezer Butler. This group then split, leading Ozzy and Geezer to join Tony Iommi and Bill Ward in a new band that went under several names (including Earth) that ended up being called Black Sabbath after a song of the same name that appeared on their first album (released 1969/70). He recorded several more albums with Sabbath despite the decline of his relationship with Tony Iommi, which after several break ups led to him leaving/being fired from the band in 1979. After a short time he launched a solo career with a line up behind him that varied immensely from album to album and tour to tour. During the 80's he was treated several times for alcoholism and was sued twice for the suicides of some of his young fans (cleared completely). Following his No More Tears album he declared he would tour for the last time. In 1991, on his last date he reformed briefly on stage with Black Sabbath for three songs. However a much talked about reformation tour fell through and Ozzy seemed to go into retirement, his bassist (Mike Inez) joined Alice in Chains and the guitarist (Zakk Wylde) formed his own band, Pride and Glory. Now however he is recording a new album and has said he intends to tour again. The album should be out in the summer of 1995 and the tour should be shortly after. Geezer Butler has now quit Sabbath (again) and rejoined Ozzy (he played bass for him on tour during the mid to late 80's) and should play on the new album.