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Dustin Lee Hoffman was born in Los Angeles, California, to Lillian (Gold) and Harry Hoffman, who was a furniture salesman and prop supervisor for Columbia Pictures. He was raised in a Jewish family (from Ukraine, Russia-Poland, and Romania). Hoffman graduated from Los Angeles High School in 1955, and went to Santa Monica City College, where he dropped out after a year due to bad grades. But before he did, he took an acting course because he was told that "nobody flunks acting." Also received some training at Los Angeles Conservatory of Music. Decided to go into acting because he did not want to work or go into the service. Trained at The Pasadena Playhouse for two years.- Actor
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Born in London, England, Daniel Michael Blake Day-Lewis is the second child of Cecil Day-Lewis, Poet Laureate of the U.K., and his second wife, actress Jill Balcon. His maternal grandfather was Sir Michael Balcon, an important figure in the history of British cinema and head of the famous Ealing Studios. His older sister, Tamasin Day-Lewis, is a documentarian. His father was of Northern Irish and English descent, and his mother was Jewish (from a family from Latvia and Poland). Daniel was educated at Sevenoaks School in Kent, which he despised, and the more progressive Bedales in Petersfield, which he adored. He studied acting at the Bristol Old Vic School. Daniel made his film debut in Sunday Bloody Sunday (1971), but then acted on stage with the Bristol Old Vic and Royal Shakespeare Companies and did not appear on screen again until 1982, when he landed his first adult role, a bit part in Gandhi (1982). He also appeared on British television that year in Frost in May (1982) and How Many Miles to Babylon? (1982). Notable theatrical performances include Another Country (1982-83), Dracula (1984) and The Futurists (1986).
His first major supporting role in a feature film was in The Bounty (1984), quickly followed by My Beautiful Laundrette (1985) and A Room with a View (1985). The latter two films opened in New York on the same day, offering audiences and critics evidence of his remarkable range and establishing him as a major talent. The New York Film Critics named him Best Supporting Actor for those performances. In 1986, he appeared on stage in Richard Eyre's "The Futurists" and on television in Eyre's production of The Insurance Man (1986). He also had a small role in a British/French film, Nanou (1986). In 1987, he assumed leading-man status in Philip Kaufman's The Unbearable Lightness of Being (1988), followed by a comedic role in the unsuccessful Stars and Bars (1988). His brilliant performance as Christy Brown in Jim Sheridan's My Left Foot (1989) won him numerous awards, including the Academy Award for Best Actor.
He returned to the stage to work again with Eyre, as Hamlet at the National Theater, but was forced to leave the production close to the end of its run because of exhaustion, and has not appeared on stage since. He took a hiatus from film as well until 1992, when he starred in The Last of the Mohicans (1992), a film that met with mixed reviews but was a great success at the box office. He worked with American director Martin Scorsese in The Age of Innocence (1993), based on Edith Wharton's novel. Subsequently, he teamed again with Jim Sheridan to star in In the Name of the Father (1993), a critically acclaimed performance that earned him another Academy Award nomination. His next project was in the role of John Proctor in father-in-law Arthur Miller's play The Crucible (1996), directed by Nicholas Hytner. He worked with Scorsese again to star in Gangs of New York (2002), another critically acclaimed performance that earned him another Academy Award nomination for Best Actor.
Day-Lewis's wife, Rebecca Miller, offered him the lead role in her film The Ballad of Jack and Rose (2005), in which he played a dying man with regrets over how his wife had evolved and over how he had brought up his teenage daughter. During filming, he arranged to live separate from his wife to achieve the "isolation" needed to focus on his own character's reality. The film received mixed reviews. In 2007, he starred in director Paul Thomas Anderson's loose adaptation of Upton Sinclair's novel "Oil!", titled There Will Be Blood (2007). Day-Lewis received the Academy Award for Best Actor, BAFTA Award for Best Actor in a Leading Role, Golden Globe Award for Best Actor - Motion Picture Drama, Screen Actors Guild Award for Outstanding Performance by a Male Actor in a Leading Role, and a variety of film critics' circle awards for the role. In 2009, Day-Lewis starred in Rob Marshall's musical adaptation Nine (2009) as film director Guido Contini. He was nominated for the Golden Globe Award for Best Actor - Motion Picture Musical or Comedy and the Satellite Award for Best Actor - Motion Picture Musical or Comedy.- Producer
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John William Ferrell was born in Irvine, California, to Betty Kay (Overman), a teacher, and Roy Lee Ferrell, Jr., a musician. His parents were originally from Roanoke Rapids, North Carolina.
A graduate of the University of Southern California, Ferrell became interested in performing while a student at University High School in Irvine, where he made his school's daily morning announcements over the public address system in disguised voices. He started as a member of the Los Angeles comedy/improvisation group The Groundlings, where fellow cast members Ana Gasteyer, Maya Rudolph and former Saturday Night Live (1975) repertory players such as Laraine Newman, Jon Lovitz and Phil Hartman began their careers. It was there he met Chris Kattan and the two became good friends and both went on to Saturday Night Live (1975) later. He has also appeared on several television programs, including Strangers with Candy (1999), Grace Under Fire (1993) and Living Single (1993) during his time at The Groundlings. Will also lent his voice to the armless and legless dad of cartoon family "The Oblongs".
In 1995 he became a feature cast member at Saturday Night Live (1975) during the show's rapid re-casting. He was declared quite possibly the worst cast member ever during his first season. However, his talents of impersonations and range of characters shot him forward to making him arguably the greatest Saturday Night Live (1975) cast member ever. During his seven year run he is one of the few cast members to ever be nominated for an Emmy for a performance and played George W. Bush during the 2000 elections. He has appeared in every Saturday Night Live (1975) movie since his premiere on the show in 1995. In 2002 he left Saturday Night Live (1975) and was the only cast member to ever receive a farewell from all the current cast members at the end of the season finale show. Since leaving the show Will has pursued a career in films. In 2000, he married Viveca Paulin, and lives in L.A.- Actor
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Robin McLaurin Williams was born on Saturday, July 21st, 1951, in Chicago, Illinois, a great-great-grandson of Mississippi Governor and Senator, Anselm J. McLaurin. His mother, Laurie McLaurin (née Janin), was a former model from Mississippi, and his father, Robert Fitzgerald Williams, was a Ford Motor Company executive from Indiana. Williams had English, German, French, Welsh, Irish, and Scottish ancestry.
Robin briefly studied political science at Claremont Men's College and theater at College of Marin before enrolling at The Juilliard School to focus on theater. After leaving Juilliard, he performed in nightclubs where he was discovered for the role of "Mork, from Ork", in an episode of Happy Days (1974). The episode, My Favorite Orkan (1978), led to his famous spin-off weekly TV series, Mork & Mindy (1978). He made his feature starring debut playing the title role in Popeye (1980), directed by Robert Altman.
Williams' continuous comedies and wild comic talents involved a great deal of improvisation, following in the footsteps of his idol Jonathan Winters. Williams also proved to be an effective dramatic actor, receiving Academy Award nominations for Best Actor in a Leading Role in Good Morning, Vietnam (1987), Dead Poets Society (1989), and The Fisher King (1991), before winning the Academy Award for Best Actor in a Supporting Role in Good Will Hunting (1997).
During the 1990s, Williams became a beloved hero to children the world over for his roles in a string of hit family-oriented films, including Hook (1991), FernGully: The Last Rainforest (1992), Aladdin (1992), Mrs. Doubtfire (1993), Jumanji (1995), Flubber (1997), and Bicentennial Man (1999). He continued entertaining children and families into the 21st century with his work in Robots (2005), Happy Feet (2006), Night at the Museum (2006), Night at the Museum: Battle of the Smithsonian (2009), Happy Feet Two (2011), and Night at the Museum: Secret of the Tomb (2014). Other more adult-oriented films for which Williams received acclaim include The World According to Garp (1982), Moscow on the Hudson (1984), Awakenings (1990), The Birdcage (1996), Insomnia (2002), One Hour Photo (2002), World's Greatest Dad (2009), and Boulevard (2014).
On Monday, August 11th, 2014, Robin Williams was found dead at his home in Tiburon, California USA, the victim of an apparent suicide, according to the Marin County Sheriff's Office. A 911 call was received at 11:55 a.m. PDT, firefighters and paramedics arrived at his home at 12:00 p.m. PDT, and he was pronounced dead at 12:02 p.m. PDT.- Actor
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Edward Regan Murphy was born April 3, 1961 in Brooklyn, New York, to Lillian Lynch (born: Lillian Laney), a telephone operator, and Charles Edward Murphy, a transit police officer who was also an amateur comedian and actor. After his father died, his mother married Vernon Lynch, a foreman at a Breyer's Ice Cream plant. His brothers are Charlie Murphy & Vernon Lynch Jr. Eddie had aspirations of being in show business since he was a child. A bright kid growing up in the streets of New York, Murphy spent a great deal of time on impressions and comedy stand-up routines rather than academics. His sense of humor and wit made him a stand out amongst his classmates at Roosevelt Junior-Senior High School. By the time he was fifteen, Murphy worked as a stand-up comic on the lower part of New York, wooing audiences with his dead-on impressions of celebrities and outlooks on life.
In the early 1980s, at the age of 19, Murphy was offered a contract for the Not-Ready-For-Prime-Time Players of Saturday Night Live (1975), where Murphy exercised his comedic abilities in impersonating African American figures and originating some of the show's most memorable characters: Velvet Jones, Mr. Robinson, and a disgruntled and angry Gumby. Murphy made his feature film debut in 48 Hrs. (1982), alongside Nick Nolte. The two's comedic and antagonistic chemistry, alongside Murphy's believable performance as a streetwise convict aiding a bitter, aging cop, won over critics and audiences. The next year, Murphy went two for two, with another hit, pairing him with John Landis, who later became a frequent collaborator with Murphy in Coming to America (1988) and Beverly Hills Cop III (1994). Beverly Hills Cop (1984) was the film that made Murphy a box-office superstar and most notably made him a celebrity worldwide, and it remains one of the all-time biggest domestic blockbusters in motion-picture history. Murphy's performance as a young Detroit cop in pursuit of his friend's murderers earned him a third consecutive Golden Globe nomination. Axel Foley became one of Murphy's signature characters. On top of his game, Murphy was unfazed by his success, that is until his box office appeal and choices in scripts resulted into a spotty mix of hits and misses into the late 1980s and early 1990s.
Films like The Golden Child (1986) and Beverly Hills Cop II (1987) were critically panned but were still massive draws at the box office. In 1989, Murphy, coming off another hit, Coming to America (1988), found failure with his directorial debut, Harlem Nights (1989). Another 48 Hrs. (1990), his turn as a hopeless romantic in Boomerang (1992) and as a suave vampire in Vampire In Brooklyn did little to resuscitate his career. However, his remake of Jerry Lewis's The Nutty Professor (1996) brought Murphy's drawing power back into fruition. From there, Murphy rebounded with occasional hits and misses but has long proven himself as a skilled comedic actor with laudable range pertaining to characterizations and mannerisms. Though he has grown up a lot since his fast-lane rise as a superstar in the 1980s, Murphy has lived the Hollywood lifestyle with controversy, criticism, scandal, and the admiration of millions worldwide for his talents. As Murphy had matured throughout the years, learning many lessons about the Hollywood game in the process, he settled down with more family-oriented humor with Doctor Dolittle (1998), Mulan (1998), Bowfinger (1999), and the animated smash Shrek (2001), in a supporting role that showcased Murphy's comedic personality and charm. Throughout the 2000s, he further starred in the hits The Haunted Mansion (2003), Shrek 2 (2004), Dreamgirls (2006) (for which he was nominated for a Best Supporting Actor Oscar), Norbit (2007), Shrek the Third (2007), and Shrek Forever After (2010).
Murphy was married to Nicole Mitchell Murphy from 1993 to 2006. Murphy has ten children.- Actor
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Denzel Hayes Washington, Jr. was born on December 28, 1954 in Mount Vernon, New York. He is the middle of three children of a beautician mother, Lennis, from Georgia, and a Pentecostal minister father, Denzel Washington, Sr., from Virginia. After graduating from high school, Denzel enrolled at Fordham University, intent on a career in journalism. However, he caught the acting bug while appearing in student drama productions and, upon graduation, he moved to San Francisco and enrolled at the American Conservatory Theater. He left A.C.T. after only one year to seek work as an actor. His first paid acting role was in a summer stock theater stage production in St. Mary's City, Maryland. The play was "Wings of the Morning", which is about the founding of the colony of Maryland (now the state of Maryland) and the early days of the Maryland colonial assembly (a legislative body). He played the part of a real historical character, Mathias Da Sousa, although much of the dialogue was created. Afterwards he began to pursue screen roles in earnest. With his acting versatility and powerful presence, he had no difficulty finding work in numerous television productions.
He made his first big screen appearance in Carbon Copy (1981) with George Segal. Through the 1980s, he worked in both movies and television and was chosen for the plum role of Dr. Philip Chandler in NBC's hit medical series St. Elsewhere (1982), a role that he would play for six years. In 1989, his film career began to take precedence when he won the Oscar for Best Supporting Actor for his portrayal of Tripp, the runaway slave in Edward Zwick's powerful historical masterpiece Glory (1989).
Washington has received much critical acclaim for his film work since the 1990s, including his portrayals of real-life figures such as South African anti-apartheid activist Steve Biko in Cry Freedom (1987), Muslim minister and human rights activist Malcolm X in Malcolm X (1992), boxer Rubin "Hurricane" Carter in The Hurricane (1999), football coach Herman Boone in Remember the Titans (2000), poet and educator Melvin B. Tolson in The Great Debaters (2007), and drug kingpin Frank Lucas in American Gangster (2007). Malcolm X and The Hurricane garnered him Oscar nominations for Best Actor, before he finally won that statuette in 2002 for his lead role in Training Day (2001).
Through the 1990s, Denzel also co-starred in such big budget productions as The Pelican Brief (1993), Philadelphia (1993), Crimson Tide (1995), The Preacher's Wife (1996), and Courage Under Fire (1996), a role for which he was paid $10 million. He continued to define his onscreen persona as the tough, no-nonsense hero through the 2000s in films like Out of Time (2003), Man on Fire (2004), Inside Man (2006), and The Taking of Pelham 123 (2009). Cerebral and meticulous in his film work, he made his debut as a director with Antwone Fisher (2002); he also directed The Great Debaters (2007) and Fences (2016).
In 2010, Washington headlined The Book of Eli (2010), a post-Apocalyptic drama. Later that year, he starred as a veteran railroad engineer in the action film Unstoppable (2010), about an unmanned, half-mile-long runaway freight train carrying dangerous cargo. The film was his fifth and final collaboration with director Tony Scott, following Crimson Tide (1995), Man on Fire (2004), Déjà Vu (2006) and The Taking of Pelham 1 2 3. He has also been a featured actor in the films produced by Jerry Bruckheimer and has been a frequent collaborator of director Spike Lee.
In 2012, Washington starred in Flight (2012), for which he was nominated for an Academy Award for Best Actor. He co-starred with Ryan Reynolds in Safe House (2012), and prepared for his role by subjecting himself to a torture session that included waterboarding. In 2013, Washington starred in 2 Guns (2013), alongside Mark Wahlberg. In 2014, he starred in The Equalizer (2014), an action thriller film directed by Antoine Fuqua and written by Richard Wenk, based on the television series of same name starring Edward Woodward. During this time period, he also took on the role of producer for some of his films, including The Book of Eli and Safe House.
In 2016, he was selected as the recipient for the Cecil B. DeMille Lifetime Achievement Award at the 73rd Golden Globe Awards.
He lives in Los Angeles, California with his wife, Pauletta Washington, and their four children.- Producer
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An actor, comedian and writer, Seth Rogen has come a long way from doing stand-up comedy as a teen.
Rogen was born in Vancouver, British Columbia, to Sandy (Belogus), a social worker, and Mark Rogen, who worked for non-profits. His father is American-born and his mother is Canadian. He is of Russian Jewish descent. He attended Vancouver Talmud Torah Elementary School and Point Grey Secondary School (although he dropped out of high school to move to Los Angeles) and was known for the stand-up comedy he performed at Camp Miriam, a Habonim Dror camp. At sixteen, Rogen placed second in the 1998 Vancouver Amateur Comedy Contest.
Soon after that he landed his first role in Judd Apatow's short-lived but well regarded TV series Freaks and Geeks (1999), taking on the role of Ken Miller. Though the show only lasted one season, it was the launching pad for many careers, including Rogen, Apatow, James Franco, and Jason Segel. This early work sharpened Rogen's keen improvisational skills, which he's used on many projects since.
Following Freaks and Geeks (1999), he participated in a few unsuccessful television projects, and then joined the American television version of Da Ali G Show (2000) as a writer during its second and last season, along with his childhood friend and writing partner Evan Goldberg. The writing team received an Emmy nomination. As a huge fan of the first season, Rogen was thrilled to get the chance to work with Sacha Baron Cohen.
Continuing his work with Apatow, he joined the cast of Apatow's debut film The 40-Year-Old Virgin (2005) and is credited as co-producer. After that he took the lead in Knocked Up (2007), Apatow's second movie and a huge success. He's since been a frequent collaborator with Apatow, in projects such as Superbad (2007), Pineapple Express (2008) and Funny People (2009). He co-wrote Superbad (2007), with Goldberg; the pair started the project when they were teens. They won the Canadian Comedy Award for Best Writing in a Film in 2008. They later wrote Pineapple Express (2008) and The Green Hornet (2011), also starring Rogen.
A talented voice artist, Rogen is in the animated films Horton Hears a Who! (2008), Kung Fu Panda (2008), and Monsters vs. Aliens (2009), and has voiced characters for The Simpsons (1989) and American Dad! (2005).
Rogen was named the Canadian Comedy Person of the Year by the Canadian Comedy Awards in both 2008 and 2009.
Rogen lives in Los Angeles with Lauren Miller Rogen, whom he met in 2004. They became engaged in September 2010 and married in October 2011.- Actor
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Jonah Hill was born and raised in Los Angeles, the son of Sharon Feldstein (née Chalkin), a fashion designer and costume stylist, and Richard Feldstein, a tour accountant for Guns N' Roses. He is the brother of music manager Jordan Feldstein and actress Beanie Feldstein. He graduated from Crossroads School in Santa Monica and went on to The New School in New York to study drama.
He began writing and performing in plays while at college in New York, and managed to get himself introduced to Dustin Hoffman, through whom he got an audition for his first film role in I Heart Huckabees (2004). A succession of increasingly high-profile film and TV parts followed until he eventually landed one of the starring roles in the teen hit, Superbad (2007). Continuing to write and act, more roles followed as well as popular appearances on US TV talk shows.- Producer
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Few actors in the world have had a career quite as diverse as Leonardo DiCaprio's. DiCaprio has gone from relatively humble beginnings, as a supporting cast member of the sitcom Growing Pains (1985) and low budget horror movies, such as Critters 3 (1991), to a major teenage heartthrob in the 1990s, as the hunky lead actor in movies such as Romeo + Juliet (1996) and Titanic (1997), to then become a leading man in Hollywood blockbusters, made by internationally renowned directors such as Martin Scorsese and Christopher Nolan.
Leonardo Wilhelm DiCaprio was born in Los Angeles, California, the only child of Irmelin DiCaprio (née Indenbirken) and former comic book artist George DiCaprio. His father is of Italian and German descent, and his mother, who is German-born, is of German, Ukrainian and Russian ancestry. His middle name, "Wilhelm", was his maternal grandfather's first name. Leonardo's father had achieved minor status as an artist and distributor of cult comic book titles, and was even depicted in several issues of American Splendor, the cult semi-autobiographical comic book series by the late 'Harvey Pekar', a friend of George's. Leonardo's performance skills became obvious to his parents early on, and after signing him up with a talent agent who wanted Leonardo to perform under the stage name "Lenny Williams", DiCaprio began appearing on a number of television commercials and educational programs.
DiCaprio began attracting the attention of producers, who cast him in small roles in a number of television series, such as Roseanne (1988) and The New Lassie (1989), but it wasn't until 1991 that DiCaprio made his film debut in Critters 3 (1991), a low-budget horror movie. While Critters 3 (1991) did little to help showcase DiCaprio's acting abilities, it did help him develop his show-reel, and attract the attention of the people behind the hit sitcom Growing Pains (1985), in which Leonardo was cast in the "Cousin Oliver" role of a young homeless boy who moves in with the Seavers. While DiCaprio's stint on Growing Pains (1985) was very short, as the sitcom was axed the year after he joined, it helped bring DiCaprio into the public's attention and, after the sitcom ended, DiCaprio began auditioning for roles in which he would get the chance to prove his acting chops.
Leonardo took up a diverse range of roles in the early 1990s, including a mentally challenged youth in What's Eating Gilbert Grape (1993), a young gunslinger in The Quick and the Dead (1995) and a drug addict in one of his most challenging roles to date, Jim Carroll in The Basketball Diaries (1995), a role which the late River Phoenix originally expressed interest in. While these diverse roles helped establish Leonardo's reputation as an actor, it wasn't until his role as Romeo Montague in Baz Luhrmann's Romeo + Juliet (1996) that Leonardo became a household name, a true movie star. The following year, DiCaprio starred in another movie about doomed lovers, Titanic (1997), which went on to beat all box office records held before then, as, at the time, Titanic (1997) became the highest grossing movie of all time, and cemented DiCaprio's reputation as a teen heartthrob. Following his work on Titanic (1997), DiCaprio kept a low profile for a number of years, with roles in The Man in the Iron Mask (1998) and the low-budget The Beach (2000) being some of his few notable roles during this period.
In 2002, he burst back into screens throughout the world with leading roles in Catch Me If You Can (2002) and Gangs of New York (2002), his first of many collaborations with director Martin Scorsese. With a current salary of $20 million a movie, DiCaprio is now one of the biggest movie stars in the world. However, he has not limited his professional career to just acting in movies, as DiCaprio is a committed environmentalist, who is actively involved in many environmental causes, and his commitment to this issue led to his involvement in The 11th Hour, a documentary movie about the state of the natural environment. As someone who has gone from small roles in television commercials to one of the most respected actors in the world, DiCaprio has had one of the most diverse careers in cinema. DiCaprio continued to defy conventions about the types of roles he would accept, and with his career now seeing him leading all-star casts in action thrillers such as The Departed (2006), Shutter Island (2010) and Christopher Nolan's Inception (2010), DiCaprio continues to wow audiences by refusing to conform to any cliché about actors.
In 2012, he played a mustache twirling villain in Django Unchained (2012), and then tragic literary character Jay Gatsby in The Great Gatsby (2013) and Jordan Belfort in The Wolf of Wall Street (2013).
DiCaprio is passionate about environmental and humanitarian causes, having donated $1,000,000 to earthquake relief efforts in 2010, the same year he contributed $1,000,000 to the Wildlife Conservation Society.- Producer
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William Bradley "Brad" Pitt was born on December 18, 1963 in Shawnee, Oklahoma and raised in Springfield, Missouri to Jane Etta Pitt (née Hillhouse), a school counselor & William Alvin "Bill" Pitt, a truck company manager. At Kickapoo High School, Pitt was involved in sports, debating, student government and school musicals. Pitt attended the University of Missouri, where he majored in journalism with a focus on advertising. He occasionally acted in fraternity shows. He left college two credits short of graduating to move to California. Before he became successful at acting, Pitt supported himself by driving strippers in limos, moving refrigerators and dressing as a giant chicken while working for El Pollo Loco.
Pitt's earliest credited roles were in television, starting on the daytime soap opera Another World (1964) before appearing in the recurring role of Randy on the legendary prime time soap opera Dallas (1978). Following a string of guest appearances on various television series through the 1980s, Pitt gained widespread attention with a small part in Thelma & Louise (1991), in which he played a sexy criminal who romanced and conned Geena Davis. This led to starring roles in badly received films such as Johnny Suede (1991) & Cool World (1992).
But Pitt's career hit an upswing with his casting in A River Runs Through It (1992), which cemented his status as an multi-layered actor as opposed to just a pretty face. Pitt's subsequent projects were as quirky and varied in tone as his performances, ranging from his unforgettably comic cameo as stoner roommate Floyd in True Romance (1993) to romantic roles in such visually lavish films as Interview with the Vampire: The Vampire Chronicles (1994) and Legends of the Fall (1994), to an emotionally tortured detective in the horror-thriller Se7en (1995). His portrayal of frenetic oddball Jeffrey Goines in 12 Monkeys (1995) won him a Globe for Best Performance by an Actor in a Supporting Role.
Pitt's portrayal of Achilles in the big-budget period drama Troy (2004) helped establish his appeal as an action star and was closely followed by a co-starring role in the stylish spy-versus-spy flick Mr. & Mrs. Smith (2005). It was on the set of Mr. & Mrs. Smith that Pitt, who married Jennifer Aniston in a highly publicized ceremony in 2000, met Angelina Jolie. Pitt left Aniston for Jolie in 2005, a break-up that continues to fuel tabloid stories years after its occurrence.
He continues to wildly vary his film choices, appearing in everything from high-concept popcorn flicks such as Megamind (2010) to adventurous critic-bait like Inglourious Basterds (2009) and The Tree of Life (2011). He has received two Best Actor Oscar nominations, for The Curious Case of Benjamin Button (2008) and Moneyball (2011). In 2014, he starred in the war film Fury (2014), opposite Shia LaBeouf, Logan Lerman, Jon Bernthal, and Michael Peña.
Pitt and Jolie have 6 children, 3 adopted & 3 biological.- Actor
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Russell Ira Crowe was born in Wellington, New Zealand, to Jocelyn Yvonne (Wemyss) and John Alexander Crowe, both of whom catered movie sets. His maternal grandfather, Stanley Wemyss, was a cinematographer. Crowe's recent ancestry includes Welsh (where his paternal grandfather was born, in Wrexham), English, Irish, Scottish, Norwegian, Swedish, Italian, and Maori (one of Crowe's maternal great-grandmothers, Erana Putiputi Hayes Heihi, was Maori).
Crowe's family moved to Australia when he was a small child, settling in Sydney, and Russell got the acting bug early in life. Beginning as a child star on a local Australian TV show, Russell's first big break came with two films ... the first, Romper Stomper (1992), gained him a name throughout the film community in Australia and the neighboring countries. The second, The Sum of Us (1994), helped put him on the American map, so to speak. Sharon Stone heard of him from Romper Stomper (1992) and wanted him for her film, The Quick and the Dead (1995). But filming on The Sum of Us (1994) had already begun. Sharon is reported to have held up shooting until she had her gunslinger-Crowe, for her film. With The Quick and the Dead (1995) under his belt as his first American film, the second was offered to him soon after. Virtuosity (1995), starring Denzel Washington, put Russell in the body of a Virtual Serial Killer, Sid6.7 ... a role unlike any he had played so far. Virtuosity (1995), a Sci-Fi extravaganza, was a fun film and, again, opened the door to even more American offers. L.A. Confidential (1997), Russell's third American film, brought him the US fame and attention that his fans have felt he deserved all along. Missing the Oscar nod this time around, he didn't seem deterred and signed to do his first film with The Walt Disney Company, Mystery, Alaska (1999). He achieved even more success and awards for his performances in Gladiator (2000), for which he won the Academy Award for Best Actor, and A Beautiful Mind (2001).- Actor
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Hugh Michael Jackman is an Australian actor, singer, multi-instrumentalist, dancer and producer. Jackman has won international recognition for his roles in major films, notably as superhero, period, and romance characters. He is best known for his long-running role as Wolverine in the X-Men film series, as well as for his lead roles in the romantic-comedy fantasy Kate & Leopold (2001), the action-horror film Van Helsing (2004), the drama The Prestige and The Fountain (2006), the epic historical romantic drama Australia (2008), the film version of Les Misérables (2012), and the thriller Prisoners (2013). His work in Les Misérables earned him his first Academy Award nomination for Best Actor and his first Golden Globe Award for Best Actor - Motion Picture Musical or Comedy in 2013. In Broadway theatre, Jackman won a Tony Award for his role in The Boy from Oz. A four-time host of the Tony Awards themselves, he won an Emmy Award for one of these appearances. Jackman also hosted the 81st Academy Awards on 22 February 2009.
Jackman was born in Sydney, New South Wales, to Grace McNeil (Greenwood) and Christopher John Jackman, an accountant. He is the youngest of five children. His parents, both English, moved to Australia shortly before his birth. He also has Greek (from a great-grandfather) and Scottish (from a grandmother) ancestry.
Jackman has a communications degree with a journalism major from the University of Technology Sydney. After graduating, he pursued drama at the Western Australian Academy of Performing Arts, immediately after which he was offered a starring role in the ABC-TV prison drama Correlli (1995), opposite his future wife Deborra-Lee Furness. Several TV guest roles followed, as an actor and variety compere. An accomplished singer, Jackman has starred as Gaston in the Australian production of "Beauty and the Beast." He appeared as Joe Gillis in the Australian production of "Sunset Boulevard." In 1998, he was cast as Curly in the Royal National Theatre's production of Trevor Nunn's Oklahoma. Jackman has made two feature films, the second of which, Erskineville Kings (1999), garnered him an Australian Film Institute nomination for Best Actor in 1999. Recently, he won the part of Logan/Wolverine in the Bryan Singer- directed comic-book movie X-Men (2000). In his spare time, Jackman plays piano, golf, and guitar, and likes to windsurf.- Actor
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John Christopher "Johnny" Depp II was born on June 9, 1963 in Owensboro, Kentucky, to Betty Sue Palmer (née Wells), a waitress, and John Christopher Depp, a civil engineer. He was raised in Florida. He dropped out of school when he was 15, and fronted a series of music-garage bands, including one named 'The Kids'. When he married Lori A. Depp, he took a job as a ballpoint-pen salesman to support himself and his wife. A visit to Los Angeles, California, with his wife, however, happened to be a blessing in disguise, when he met up with actor Nicolas Cage, who advised him to turn to acting, which culminated in Depp's film debut in the low-budget horror film, A Nightmare on Elm Street (1984), where he played a teenager who falls prey to dream-stalking demon Freddy Krueger.
In 1987 he shot to stardom when he replaced Jeff Yagher in the role of undercover cop Tommy Hanson in the popular TV series 21 Jump Street (1987). In 1990, after numerous roles in teen-oriented films, his first of a handful of great collaborations with director Tim Burton came about when Depp played the title role in Edward Scissorhands (1990). Following the film's success, Depp carved a niche for himself as a serious, somewhat dark, idiosyncratic performer, consistently selecting roles that surprised critics and audiences alike. He continued to gain critical acclaim and increasing popularity by appearing in many features before re-joining with Burton in the lead role of Ed Wood (1994). In 1997 he played an undercover FBI agent in the fact-based film Donnie Brasco (1997), opposite Al Pacino; in 1998 he appeared in Fear and Loathing in Las Vegas (1998), directed by Terry Gilliam; and then, in 1999, he appeared in the sci-fi/horror film The Astronaut's Wife (1999). The same year he teamed up again with Burton in Sleepy Hollow (1999), brilliantly portraying Ichabod Crane.
Depp has played many characters in his career, including another fact-based one, Insp. Fred Abberline in From Hell (2001). He stole the show from screen greats such as Antonio Banderas in the finale to Robert Rodriguez's "mariachi" trilogy, Once Upon a Time in Mexico (2003). In that same year he starred in the marvelous family blockbuster Pirates of the Caribbean: The Curse of the Black Pearl (2003), playing a character that only the likes of Depp could pull off: the charming, conniving and roguish Capt. Jack Sparrow. The film's enormous success has opened several doors for his career and included an Oscar nomination. He appeared as the central character in the Stephen King-based movie, Secret Window (2004); as the kind-hearted novelist James Barrie in the factually-based Finding Neverland (2004), where he co-starred with Kate Winslet; and Rochester in the British film, The Libertine (2004). Depp collaborated again with Burton in a screen adaptation of Roald Dahl's novel, Charlie and the Chocolate Factory (2005), and later in Alice in Wonderland (2010) and Dark Shadows (2012).
Off-screen, Depp has dated several female celebrities, and has been engaged to Sherilyn Fenn, Jennifer Grey, Winona Ryder and Kate Moss. He was married to Lori Anne Allison in 1983, but divorced her in 1985. Depp has two children with his former long-time partner, French singer/actress Vanessa Paradis: Lily-Rose Melody, born in 1999 and John Christopher "Jack" III, born in 2002. He married actress/producer Amber Heard in 2015, divorcing a few years later.- Writer
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Considered to be one of the most pivotal stars of the early days of Hollywood, Charlie Chaplin lived an interesting life both in his films and behind the camera. He is most recognized as an icon of the silent film era, often associated with his popular character, the Little Tramp; the man with the toothbrush mustache, bowler hat, bamboo cane, and a funny walk.
Charles Spencer Chaplin was born in Walworth, London, England on April 16, 1889, to Hannah Harriet Pedlingham (Hill) and Charles Chaplin, both music hall performers, who were married on June 22, 1885. After Charles Sr. separated from Hannah to perform in New York City, Hannah then tried to resurrect her stage career. Unfortunately, her singing voice had a tendency to break at unexpected moments. When this happened, the stage manager spotted young Charlie standing in the wings and led him on stage, where five-year-old Charlie began to sing a popular tune. Charlie and his half-brother, Syd Chaplin spent their lives in and out of charity homes and workhouses between their mother's bouts of insanity. Hannah was committed to Cane Hill Asylum in May 1903 and lived there until 1921, when Chaplin moved her to California.
Chaplin began his official acting career at the age of eight, touring with the Eight Lancashire Lads. At age 18, he began touring with Fred Karno's vaudeville troupe, joining them on the troupe's 1910 United States tour. He traveled west to California in December 1913 and signed on with Keystone Studios' popular comedy director Mack Sennett, who had seen Chaplin perform on stage in New York. Charlie soon wrote his brother Syd, asking him to become his manager. While at Keystone, Chaplin appeared in and directed 35 films, starring as the Little Tramp in nearly all.
In November 1914, he left Keystone and signed on at Essanay, where he made 15 films. In 1916, he signed on at Mutual and made 12 films. In June 1917, Chaplin signed up with First National Studios, after which he built Chaplin Studios. In 1919, he and Douglas Fairbanks, Mary Pickford and D.W. Griffith formed United Artists (UA).
Chaplin's life and career was full of scandal and controversy. His first big scandal was during World War I, at which time his loyalty to England, his home country, was questioned. He had never applied for American citizenship, but claimed that he was a "paying visitor" to the United States. Many British citizens called Chaplin a coward and a slacker. This and other career eccentricities sparked suspicion with FBI chief J. Edgar Hoover and the House Un-American Activities Committee (HUAC), who believed that he was injecting Communist propaganda into his films. Chaplin's later film The Great Dictator (1940), which was his first "talkie", also created a stir. In the film, Chaplin plays a humorous caricature of Adolf Hitler. Some thought the film was poorly done and in bad taste. However, the film grossed over $5 million and earned five Academy Award Nominations.
Another scandal occurred when Chaplin briefly dated 22 year-old Joan Barry. However, Chaplin's relationship with Barry came to an end in 1942, after a series of harassing actions from her. In May 1943, Barry returned to inform Chaplin that she was pregnant and filed a paternity suit, claiming that the unborn child was his. During the 1944 trial, blood tests proved that Chaplin was not the father, but at the time, blood tests were inadmissible evidence, and he was ordered to pay $75 a week until the child turned 21.
Chaplin also was scrutinized for his support in aiding the Russian struggle against the invading Nazis during World War II, and the United States government questioned his moral and political views, suspecting him of having Communist ties. For this reason, HUAC subpoenaed him in 1947. However, HUAC finally decided that it was no longer necessary for him to appear for testimony. Conversely, when Chaplin and his family traveled to London for the premier of Limelight (1952), he was denied re-entry to the United States. In reality, the government had almost no evidence to prove that he was a threat to national security. Instead, he and his wife decided to settle in Switzerland.
Chaplin was married four times and had a total of 11 children. In 1918, he married Mildred Harris and they had a son together, Norman Spencer Chaplin, who lived only three days. Chaplin and Harris divorced in 1920. He married Lita Grey in 1924, who had two sons, Charles Chaplin Jr. and Sydney Chaplin. They were divorced in 1927. In 1936, Chaplin married Paulette Goddard, and his final marriage was to Oona O'Neill (Oona Chaplin), daughter of playwright Eugene O'Neill in 1943. Oona gave birth to eight children: Geraldine Chaplin, Michael Chaplin, Josephine Chaplin, Victoria Chaplin, Eugene Chaplin, Jane Chaplin, Annette-Emilie Chaplin, and Christopher Chaplin.
In contrast to many of his boisterous characters, Chaplin was a quiet man who kept to himself a great deal. He also had an "un-millionaire" way of living. Even after he had accumulated millions, he continued to live in shabby accommodations. In 1921, Chaplin was decorated by the French government for his outstanding work as a filmmaker and was elevated to the rank of Officer of the Legion of Honor in 1952. In 1972, he was honored with an Academy Award for his "incalculable effect in making motion pictures the art form of the century". He was appointed Knight Commander of the Order of the British Empire in the 1975 New Year's Honours List. No formal reason for the honour was listed. The citation simply reads "Charles Spencer Chaplin, Film Actor and Producer".
Chaplin's other works included musical scores that he composed for many of his films. He also authored two autobiographical books, "My Autobiography" (1964) and its companion volume, "My Life in Pictures" (1974).
Chaplin died at age 88 of natural causes on December 25, 1977 at his home in Vevey, Switzerland. His funeral was a small and private Anglican ceremony according to his wishes. In 1978, Chaplin's corpse was stolen from its grave and was not recovered for three months; he was re-buried in a vault surrounded by cement.
Six of Chaplin's films have been selected for preservation in the National Film Registry by the United States Library of Congress: The Immigrant (1917), The Kid (1921), The Gold Rush (1925), City Lights (1931), Modern Times (1936), and The Great Dictator (1940).
Charlie Chaplin is considered one of the greatest filmmakers in the history of American cinema, whose movies were and still are popular throughout the world and have even gained notoriety as time progresses. His films show, through the Little Tramp's positive outlook on life in a world full of chaos, that the human spirit has and always will remain the same.- Producer
- Actor
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Willard Carroll "Will" Smith II (born September 25, 1968) is an American actor, comedian, producer, rapper, and songwriter. He has enjoyed success in television, film, and music. In April 2007, Newsweek called him "the most powerful actor in Hollywood". Smith has been nominated for five Golden Globe Awards, two Academy Awards, and has won four Grammy Awards.
In the late 1980s, Smith achieved modest fame as a rapper under the name The Fresh Prince. In 1990, his popularity increased dramatically when he starred in the popular television series The Fresh Prince of Bel-Air. The show ran for six seasons (1990-96) on NBC and has been syndicated consistently on various networks since then. After the series ended, Smith moved from television to film, and ultimately starred in numerous blockbuster films. He is the only actor to have eight consecutive films gross over $100 million in the domestic box office, eleven consecutive films gross over $150 million internationally, and eight consecutive films in which he starred open at the number one spot in the domestic box office tally.
Smith is ranked as the most bankable star worldwide by Forbes. As of 2014, 17 of the 21 films in which he has had leading roles have accumulated worldwide gross earnings of over $100 million each, five taking in over $500 million each in global box office receipts. As of 2014, his films have grossed $6.6 billion at the global box office. He has received Best Actor Oscar nominations for Ali and The Pursuit of Happyness.
Smith was born in West Philadelphia, the son of Caroline (Bright), a Philadelphia school board administrator, and Willard Carroll Smith, Sr., a refrigeration engineer. He grew up in West Philadelphia's Wynnefield neighborhood, and was raised Baptist. He has three siblings, sister Pamela, who is four years older, and twins Harry and Ellen, who are three years younger. Smith attended Our Lady of Lourdes, a private Catholic elementary school in Philadelphia. His parents separated when he was 13, but did not actually divorce until around 2000.
Smith attended Overbrook High School. Though widely reported, it is untrue that Smith turned down a scholarship to attend the Massachusetts Institute of Technology (MIT); he never applied to college because he "wanted to rap." Smith says he was admitted to a "pre-engineering [summer] program" at MIT for high school students, but he did not attend. According to Smith, "My mother, who worked for the School Board of Philadelphia, had a friend who was the admissions officer at MIT. I had pretty high SAT scores and they needed black kids, so I probably could have gotten in. But I had no intention of going to college."
Smith started as the MC of the hip-hop duo DJ Jazzy Jeff & The Fresh Prince, with his childhood friend Jeffrey "DJ Jazzy Jeff" Townes as producer, as well as Ready Rock C (Clarence Holmes) as the human beat box. The trio was known for performing humorous, radio-friendly songs, most notably "Parents Just Don't Understand" and "Summertime". They gained critical acclaim and won the first Grammy awarded in the Rap category (1988).
Smith spent money freely around 1988 and 1989 and underpaid his income taxes. The Internal Revenue Service eventually assessed a $2.8 million tax debt against Smith, took many of his possessions, and garnished his income. Smith was nearly bankrupt in 1990, when the NBC television network signed him to a contract and built a sitcom, The Fresh Prince of Bel-Air, around him.
The show was successful and began his acting career. Smith set for himself the goal of becoming "the biggest movie star in the world", studying box office successes' common characteristics.
Smith's first major roles were in the drama Six Degrees of Separation (1993) and the action film Bad Boys (1995) in which he starred opposite Martin Lawrence.
In 1996, Smith starred as part of an ensemble cast in Roland Emmerich's Independence Day. The film was a massive blockbuster, becoming the second highest grossing film in history at the time and establishing Smith as a prime box office draw. He later struck gold again in the summer of 1997 alongside Tommy Lee Jones in the summer hit Men in Black playing Agent J. In 1998, Smith starred with Gene Hackman in Enemy of the State.
He turned down the role of Neo in The Matrix in favor of Wild Wild West (1999). Despite the disappointment of Wild Wild West, Smith has said that he harbors no regrets about his decision, asserting that Keanu Reeves's performance as Neo was superior to what Smith himself would have achieved, although in interviews subsequent to the release of Wild Wild West he stated that he "made a mistake on Wild Wild West. That could have been better."
In 2005, Smith was entered into the Guinness Book of World Records for attending three premieres in a 24-hour time span.
He has planned to star in a feature film remake of the television series It Takes a Thief.
On December 10, 2007, Smith was honored at Grauman's Chinese Theatre on Hollywood Boulevard. Smith left an imprint of his hands and feet outside the world-renowned theater in front of many fans. Later that month, Smith starred in the film I Am Legend, released December 14, 2007. Despite marginally positive reviews, its opening was the largest ever for a film released in the United States during December. Smith himself has said that he considers the film to be "aggressively unique". A reviewer said that the film's commercial success "cemented [Smith's] standing as the number one box office draw in Hollywood." On December 1, 2008, TV Guide reported that Smith was selected as one of America's top ten most fascinating people of 2008 for a Barbara Walters ABC special that aired on December 4, 2008.
In 2008 Smith was reported to be developing a film entitled The Last Pharaoh, in which he would be starring as Taharqa. It was in 2008 that Smith starred in the superhero movie Hancock.
Men in Black III opened on May 25, 2012 with Smith again reprising his role as Agent J. This was his first major starring role in four years.
On August 19, 2011, it was announced that Smith had returned to the studio with producer La Mar Edwards to work on his fifth studio album. Edwards has worked with artists such as T.I., Chris Brown, and Game. Smith's most recent studio album, Lost and Found, was released in 2005.
Smith and his son Jaden played father and son in two productions: the 2006 biographical drama The Pursuit of Happyness, and the science fiction film After Earth, which was released on May 31, 2013.
Smith starred opposite Margot Robbie in the romance drama Focus. He played Nicky Spurgeon, a veteran con artist who takes a young, attractive woman under his wing. Focus was released on February 27, 2015. Smith was set to star in the Sci-Fic thriller Brilliance, an adaptation of Marcus Sakey's novel of the same name scripted by Jurassic Park writer David Koepp. But he left the project.
Smith played Dr. Bennet Omalu of the Brain Injury Research Institute in the sports-drama Concussion, who became the first person to discover chronic traumatic encephalopathy (CTE) in a football player's brain. CTE is a degenerative disease caused by severe trauma to the head that can be discovered only after death. Smith's involvement is mostly due to his last-minute exit from the Sci-Fi thriller-drama Brilliance. Concussion was directed by Peter Landesman and-bead filmed in Pittsburgh, according to the Pittsburgh Tribune-Review. It received $14.4 million in film tax credits from Pennsylvania. Principal photography started on October 27, 2014. Actress Gugu Mbatha-Raw played his wife. Omalu served as a consultant.
As of November 2015, Smith is set to star in the independent drama Collateral Beauty, which will be directed by David Frankel. Smith will play a New York advertising executive who succumbs to an deep depression after a personal tragedy.
Nobel Peace Prize Concert December 11, 2009, in Oslo, Norway: Smith with wife Jada and children Jaden and Willow Smith married Sheree Zampino in 1992. They had one son, Trey Smith, born on November 11, 1992, and divorced in 1995. Trey appeared in his father's music video for the 1998 single "Just the Two of Us". He also acted in two episodes of the sitcom All of Us, and has appeared on The Oprah Winfrey Show and on the David Blaine: Real or Magic TV special.
Smith married actress Jada Koren Pinkett in 1997. Together they have two children: Jaden Christopher Syre Smith (born 1998), his co-star in The Pursuit of Happyness and After Earth, and Willow Camille Reign Smith (born 2000), who appeared as his daughter in I Am Legend. Smith and his brother Harry own Treyball Development Inc., a Beverly Hills-based company named after Trey. Smith and his family reside in Los Angeles, California.
Smith was consistently listed in Fortune Magazine's "Richest 40" list of the forty wealthiest Americans under the age of 40.- Actor
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Ethan Green Hawke was born on November 6, 1970 in Austin, Texas, to Leslie Carole (Green), a charity worker, and James Steven Hawke, an insurance actuary. His parents were students at the University of Texas at the time but divorced when Ethan was 5 years old. His mother raised him alone for the next five years, moving around the country, until she remarried in 1981 and the family settled in Princeton Junction, New Jersey.
He attended West Windsor-Plainsboro High School and then transferred to the Hun School of Princeton and it was while he was there that he began taking acting classes at the McCarter Theatre on the Princeton campus. His early ambition had been to be a writer, but as a result of the acting lessons and appearances in student productions he persuaded his mother to allow him to attend an audition for a role in a sci-fi adolescent adventure, Explorers (1985). He got the role (along with River Phoenix) but although the movie was favourably reviewed, it met with little commercial success which discouraged Hawke from pursuing further movie roles for several years.
He was admitted to the prestigious Carnegie-Mellon University to study theatre but his studies were interrupted when he won his break-through role opposite Robin Williams in Dead Poets Society (1989) and he did not complete his degree. He then appeared in numerous films before taking a role in the Generation X drama Reality Bites (1994) for which he received critical praise. He starred in the romantic drama Before Sunrise (1995), and its later sequels Before Sunset (2004) and Before Midnight (2013).
His subsequent acting career was a mix of theatre work (earning a number of awards and nominations, including a Tony Award nomination for his role in "The Coast of Utopia" at the Lincoln Center in New York), and a mix of serious and more commercial movies, notably Gattaca (1997) (where he met his first wife, Uma Thurman) and Training Day (2001). His role as the father in the coming-of-age drama Boyhood (2014) earned him multiple award nominations, including the Academy, BAFTA, Golden Globe, and SAG Award for Best Supporting Actor.
Meanwhile, he also wrote two novels: "The Hottest State" (1996) and "Ash Wednesday" (2002).- Actor
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Marlon Brando is widely considered the greatest movie actor of all time, rivaled only by the more theatrically oriented Laurence Olivier in terms of esteem. Unlike Olivier, who preferred the stage to the screen, Brando concentrated his talents on movies after bidding the Broadway stage adieu in 1949, a decision for which he was severely criticized when his star began to dim in the 1960s and he was excoriated for squandering his talents. No actor ever exerted such a profound influence on succeeding generations of actors as did Brando. More than 50 years after he first scorched the screen as Stanley Kowalski in the movie version of Tennessee Williams' A Streetcar Named Desire (1951) and a quarter-century after his last great performance as Col. Kurtz in Francis Ford Coppola's Apocalypse Now (1979), all American actors are still being measured by the yardstick that was Brando. It was if the shadow of John Barrymore, the great American actor closest to Brando in terms of talent and stardom, dominated the acting field up until the 1970s. He did not, nor did any other actor so dominate the public's consciousness of what WAS an actor before or since Brando's 1951 on-screen portrayal of Stanley made him a cultural icon. Brando eclipsed the reputation of other great actors circa 1950, such as Paul Muni and Fredric March. Only the luster of Spencer Tracy's reputation hasn't dimmed when seen in the starlight thrown off by Brando. However, neither Tracy nor Olivier created an entire school of acting just by the force of his personality. Brando did.
Marlon Brando, Jr. was born on April 3, 1924, in Omaha, Nebraska, to Marlon Brando, Sr., a calcium carbonate salesman, and his artistically inclined wife, the former Dorothy Julia Pennebaker. "Bud" Brando was one of three children. His ancestry included English, Irish, German, Dutch, French Huguenot, Welsh, and Scottish; his surname originated with a distant German immigrant ancestor named "Brandau." His oldest sister Jocelyn Brando was also an actress, taking after their mother, who engaged in amateur theatricals and mentored a then-unknown Henry Fonda, another Nebraska native, in her role as director of the Omaha Community Playhouse. Frannie, Brando's other sibling, was a visual artist. Both Brando sisters contrived to leave the Midwest for New York City, Jocelyn to study acting and Frannie to study art. Marlon managed to escape the vocational doldrums forecast for him by his cold, distant father and his disapproving schoolteachers by striking out for The Big Apple in 1943, following Jocelyn into the acting profession. Acting was the only thing he was good at, for which he received praise, so he was determined to make it his career - a high-school dropout, he had nothing else to fall back on, having been rejected by the military due to a knee injury he incurred playing football at Shattuck Military Academy, Brando Sr.'s alma mater. The school booted Marlon out as incorrigible before graduation.
Acting was a skill he honed as a child, the lonely son of alcoholic parents. With his father away on the road, and his mother frequently intoxicated to the point of stupefaction, the young Bud would play-act for her to draw her out of her stupor and to attract her attention and love. His mother was exceedingly neglectful, but he loved her, particularly for instilling in him a love of nature, a feeling which informed his character Paul in Last Tango in Paris (1972) ("Last Tango in Paris") when he is recalling his childhood for his young lover Jeanne. "I don't have many good memories," Paul confesses, and neither did Brando of his childhood. Sometimes he had to go down to the town jail to pick up his mother after she had spent the night in the drunk tank and bring her home, events that traumatized the young boy but may have been the grain that irritated the oyster of his talent, producing the pearls of his performances. Anthony Quinn, his Oscar-winning co-star in Viva Zapata! (1952) told Brando's first wife Anna Kashfi, "I admire Marlon's talent, but I don't envy the pain that created it."
Brando enrolled in Erwin Piscator's Dramatic Workshop at New York's New School, and was mentored by Stella Adler, a member of a famous Yiddish Theatre acting family. Adler helped introduce to the New York stage the "emotional memory" technique of Russian theatrical actor, director and impresario Konstantin Stanislavski, whose motto was "Think of your own experiences and use them truthfully." The results of this meeting between an actor and the teacher preparing him for a life in the theater would mark a watershed in American acting and culture.
Brando made his debut on the boards of Broadway on October 19, 1944, in "I Remember Mama," a great success. As a young Broadway actor, Brando was invited by talent scouts from several different studios to screen-test for them, but he turned them down because he would not let himself be bound by the then-standard seven-year contract. Brando would make his film debut quite some time later in Fred Zinnemann's The Men (1950) for producer Stanley Kramer. Playing a paraplegic soldier, Brando brought new levels of realism to the screen, expanding on the verisimilitude brought to movies by Group Theatre alumni John Garfield, the predecessor closest to him in the raw power he projected on-screen. Ironically, it was Garfield whom producer Irene Mayer Selznick had chosen to play the lead in a new Tennessee Williams play she was about to produce, but negotiations broke down when Garfield demanded an ownership stake in "A Streetcar Named Desire." Burt Lancaster was next approached, but couldn't get out of a prior film commitment. Then director Elia Kazan suggested Brando, whom he had directed to great effect in Maxwell Anderson's play "Truckline Café," in which Brando co-starred with Karl Malden, who was to remain a close friend for the next 60 years.
During the production of "Truckline Café," Kazan had found that Brando's presence was so magnetic, he had to re-block the play to keep Marlon near other major characters' stage business, as the audience could not take its eyes off of him. For the scene where Brando's character re-enters the stage after killing his wife, Kazan placed him upstage-center, partially obscured by scenery, but where the audience could still see him as Karl Malden and others played out their scene within the café set. When he eventually entered the scene, crying, the effect was electric. A young Pauline Kael, arriving late to the play, had to avert her eyes when Brando made this entrance as she believed the young actor on stage was having a real-life conniption. She did not look back until her escort commented that the young man was a great actor.
The problem with casting Brando as Stanley was that he was much younger than the character as written by Williams. However, after a meeting between Brando and Williams, the playwright eagerly agreed that Brando would make an ideal Stanley. Williams believed that by casting a younger actor, the Neanderthalish Kowalski would evolve from being a vicious older man to someone whose unintentional cruelty can be attributed to his youthful ignorance. Brando ultimately was dissatisfied with his performance, though, saying he never was able to bring out the humor of the character, which was ironic as his characterization often drew laughs from the audience at the expense of Jessica Tandy's Blanche Dubois. During the out-of-town tryouts, Kazan realized that Brando's magnetism was attracting attention and audience sympathy away from Blanche to Stanley, which was not what the playwright intended. The audience's sympathy should be solely with Blanche, but many spectators were identifying with Stanley. Kazan queried Williams on the matter, broaching the idea of a slight rewrite to tip the scales back to more of a balance between Stanley and Blanche, but Williams demurred, smitten as he was by Brando, just like the preview audiences.
For his part, Brando believed that the audience sided with his Stanley because Jessica Tandy was too shrill. He thought Vivien Leigh, who played the part in the movie, was ideal, as she was not only a great beauty but she WAS Blanche Dubois, troubled as she was in her real life by mental illness and nymphomania. Brando's appearance as Stanley on stage and on screen revolutionized American acting by introducing "The Method" into American consciousness and culture. Method acting, rooted in Adler's study at the Moscow Art Theatre of Stanislavsky's theories that she subsequently introduced to the Group Theatre, was a more naturalistic style of performing, as it engendered a close identification of the actor with the character's emotions. Adler took first place among Brando's acting teachers, and socially she helped turn him from an unsophisticated Midwestern farm boy into a knowledgeable and cosmopolitan artist who one day would socialize with presidents.
Brando didn't like the term "The Method," which quickly became the prominent paradigm taught by such acting gurus as Lee Strasberg at the Actors Studio. Brando denounced Strasberg in his autobiography "Songs My Mother Taught Me" (1994), saying that he was a talentless exploiter who claimed he had been Brando's mentor. The Actors Studio had been founded by Strasberg along with Kazan and Stella Adler's husband, Harold Clurman, all Group Theatre alumni, all political progressives deeply committed to the didactic function of the stage. Brando credits his knowledge of the craft to Adler and Kazan, while Kazan in his autobiography "A Life" claimed that Brando's genius thrived due to the thorough training Adler had given him. Adler's method emphasized that authenticity in acting is achieved by drawing on inner reality to expose deep emotional experience
Interestingly, Elia Kazan believed that Brando had ruined two generations of actors, his contemporaries and those who came after him, all wanting to emulate the great Brando by employing The Method. Kazan felt that Brando was never a Method actor, that he had been highly trained by Adler and did not rely on gut instincts for his performances, as was commonly believed. Many a young actor, mistaken about the true roots of Brando's genius, thought that all it took was to find a character's motivation, empathize with the character through sense and memory association, and regurgitate it all on stage to become the character. That's not how the superbly trained Brando did it; he could, for example, play accents, whereas your average American Method actor could not. There was a method to Brando's art, Kazan felt, but it was not The Method.
After A Streetcar Named Desire (1951), for which he received the first of his eight Academy Award nominations, Brando appeared in a string of Academy Award-nominated performances - in Viva Zapata! (1952), Julius Caesar (1953) and the summit of his early career, Kazan's On the Waterfront (1954). For his "Waterfront" portrayal of meat-headed longshoreman Terry Malloy, the washed-up pug who "coulda been a contender," Brando won his first Oscar. Along with his iconic performance as the rebel-without-a-cause Johnny in The Wild One (1953) ("What are you rebelling against?" Johnny is asked. "What have ya got?" is his reply), the first wave of his career was, according to Jon Voight, unprecedented in its audacious presentation of such a wide range of great acting. Director John Huston said his performance of Marc Antony was like seeing the door of a furnace opened in a dark room, and co-star John Gielgud, the premier Shakespearean actor of the 20th century, invited Brando to join his repertory company.
It was this period of 1951-54 that revolutionized American acting, spawning such imitators as James Dean - who modeled his acting and even his lifestyle on his hero Brando - the young Paul Newman and Steve McQueen. After Brando, every up-and-coming star with true acting talent and a brooding, alienated quality would be hailed as the "New Brando," such as Warren Beatty in Kazan's Splendor in the Grass (1961). "We are all Brando's children," Jack Nicholson pointed out in 1972. "He gave us our freedom." He was truly "The Godfather" of American acting - and he was just 30 years old. Though he had a couple of failures, like Désirée (1954) and The Teahouse of the August Moon (1956), he was clearly miscast in them and hadn't sought out the parts so largely escaped blame.
In the second period of his career, 1955-62, Brando managed to uniquely establish himself as a great actor who also was a Top 10 movie star, although that star began to dim after the box-office high point of his early career, Sayonara (1957) (for which he received his fifth Best Actor Oscar nomination). Brando tried his hand at directing a film, the well-reviewed One-Eyed Jacks (1961) that he made for his own production company, Pennebaker Productions (after his mother's maiden name). Stanley Kubrick had been hired to direct the film, but after months of script rewrites in which Brando participated, Kubrick and Brando had a falling out and Kubrick was sacked. According to his widow Christiane Kubrick, Stanley believed that Brando had wanted to direct the film himself all along.
Tales proliferated about the profligacy of Brando the director, burning up a million and a half feet of expensive VistaVision film at 50 cents a foot, fully ten times the normal amount of raw stock expended during production of an equivalent motion picture. Brando took so long editing the film that he was never able to present the studio with a cut. Paramount took it away from him and tacked on a re-shot ending that Brando was dissatisfied with, as it made the Oedipal figure of Dad Longworth into a villain. In any normal film Dad would have been the heavy, but Brando believed that no one was innately evil, that it was a matter of an individual responding to, and being molded by, one's environment. It was not a black-and-white world, Brando felt, but a gray world in which once-decent people could do horrible things. This attitude explains his sympathetic portrayal of Nazi officer Christian Diestl in the film he made before shooting One-Eyed Jacks (1961), Edward Dmytryk's filming of Irwin Shaw's novel The Young Lions (1958). Shaw denounced Brando's performance, but audiences obviously disagreed, as the film was a major hit. It would be the last hit movie Brando would have for more than a decade.
One-Eyed Jacks (1961) generated respectable numbers at the box office, but the production costs were exorbitant - a then-staggering $6 million - which made it run a deficit. A film essentially is "made" in the editing room, and Brando found cutting to be a terribly boring process, which was why the studio eventually took the film away from him. Despite his proved talent in handling actors and a large production, Brando never again directed another film, though he would claim that all actors essentially direct themselves during the shooting of a picture.
Between the production and release of One-Eyed Jacks (1961), Brando appeared in Sidney Lumet's film version of Tennessee Williams' play "Orpheus Descending," The Fugitive Kind (1960) which teamed him with fellow Oscar winners Anna Magnani and Joanne Woodward. Following in Elizabeth Taylor's trailblazing footsteps, Brando became the second performer to receive a $1-million salary for a motion picture, so high were the expectations for this re-teaming of Kowalski and his creator (in 1961 critic Hollis Alpert had published a book "Brando and the Shadow of Stanley Kowalski"). Critics and audiences waiting for another incendiary display from Brando in a Williams work were disappointed when the renamed The Fugitive Kind (1960) finally released. Though Tennessee was hot, with movie versions of Cat on a Hot Tin Roof (1958) and Suddenly, Last Summer (1959) burning up the box office and receiving kudos from the Academy of Motion Picture Arts & Sciences, The Fugitive Kind (1960) was a failure. This was followed by the so-so box-office reception of One-Eyed Jacks (1961) in 1961 and then by a failure of a more monumental kind: Mutiny on the Bounty (1962), a remake of the famed 1935 film.
Brando signed on to Mutiny on the Bounty (1962) after turning down the lead in the David Lean classic Lawrence of Arabia (1962) because he didn't want to spend a year in the desert riding around on a camel. He received another $1-million salary, plus $200,000 in overages as the shoot went overtime and over budget. During principal photography, highly respected director Carol Reed (an eventual Academy Award winner) was fired, and his replacement, two-time Oscar winner Lewis Milestone, was shunted aside by Brando as Marlon basically took over the direction of the film himself. The long shoot became so notorious that President John F. Kennedy asked director Billy Wilder at a cocktail party not "when" but "if" the "Bounty" shoot would ever be over. The MGM remake of one of its classic Golden Age films garnered a Best Picture Oscar nomination and was one of the top grossing films of 1962, yet failed to go into the black due to its Brobdingnagian budget estimated at $20 million, which is equivalent to $120 million when adjusted for inflation.
Brando and Taylor, whose Cleopatra (1963) nearly bankrupted 20th Century-Fox due to its huge cost overruns (its final budget was more than twice that of Brando's Mutiny on the Bounty (1962)), were pilloried by the show business press for being the epitome of the pampered, self-indulgent stars who were ruining the industry. Seeking scapegoats, the Hollywood press conveniently ignored the financial pressures on the studios. The studios had been hurt by television and by the antitrust-mandated divestiture of their movie theater chains, causing a large outflow of production to Italy and other countries in the 1950s and 1960s in order to lower costs. The studio bosses, seeking to replicate such blockbuster hits as the remakes of The Ten Commandments (1956) and Ben-Hur (1959), were the real culprits behind the losses generated by large-budgeted films that found it impossible to recoup their costs despite long lines at the box office.
While Elizabeth Taylor, receiving the unwanted gift of reams of publicity from her adulterous romance with Cleopatra (1963) co-star Richard Burton, remained hot until the tanking of her own Tennessee Williams-renamed debacle Boom! (1968), Brando from 1963 until the end of the decade appeared in one box-office failure after another as he worked out a contract he had signed with Universal Pictures. The industry had grown tired of Brando and his idiosyncrasies, though he continued to be offered prestige projects up through 1968.
Some of the films Brando made in the 1960s were noble failures, such as The Ugly American (1963), The Appaloosa (1966) and Reflections in a Golden Eye (1967). For every "Reflections," though, there seemed to be two or three outright debacles, such as Bedtime Story (1964), Morituri (1965), The Chase (1966), A Countess from Hong Kong (1967), Candy (1968), The Night of the Following Day (1969). By the time Brando began making the anti-colonialist picture Burn! (1969) in Colombia with Gillo Pontecorvo in the director's chair, he was box-office poison, despite having worked in the previous five years with such top directors as Arthur Penn, John Huston and the legendary Charles Chaplin, and with such top-drawer co-stars as David Niven, Yul Brynner, Sophia Loren and Taylor.
The rap on Brando in the 1960s was that a great talent had ruined his potential to be America's answer to Laurence Olivier, as his friend William Redfield limned the dilemma in his book "Letters from an Actor" (1967), a memoir about Redfield's appearance in Burton's 1964 theatrical production of "Hamlet." By failing to go back on stage and recharge his artistic batteries, something British actors such as Burton were not afraid to do, Brando had stifled his great talent, by refusing to tackle the classical repertoire and contemporary drama. Actors and critics had yearned for an American response to the high-acting style of the Brits, and while Method actors such as Rod Steiger tried to create an American style, they were hampered in their quest, as their king was lost in a wasteland of Hollywood movies that were beneath his talent. Many of his early supporters now turned on him, claiming he was a crass sellout.
Despite evidence in such films as The Appaloosa (1966) and Reflections in a Golden Eye (1967) that Brando was in fact doing some of the best acting of his life, critics, perhaps with an eye on the box office, slammed him for failing to live up to, and nurture, his great gift. Brando's political activism, starting in the early 1960s with his championing of Native Americans' rights, followed by his participation in the Southern Christian Leadership Conference's March on Washington in 1963, and followed by his appearance at a Black Panther rally in 1968, did not win him many admirers in the establishment. In fact, there was a de facto embargo on Brando films in the recently segregated (officially, at least) southeastern US in the 1960s. Southern exhibitors simply would not book his films, and producers took notice. After 1968, Brando would not work for three years.
Pauline Kael wrote of Brando that he was Fortune's fool. She drew a parallel with the latter career of John Barrymore, a similarly gifted thespian with talents as prodigious, who seemingly threw them away. Brando, like the late-career Barrymore, had become a great ham, evidenced by his turn as the faux Indian guru in the egregious Candy (1968), seemingly because the material was so beneath his talent. Most observers of Brando in the 1960s believed that he needed to be reunited with his old mentor Elia Kazan, a relationship that had soured due to Kazan's friendly testimony naming names before the notorious House un-American Activities Committee. Perhaps Brando believed this, too, as he originally accepted an offer to appear as the star of Kazan's film adaptation of his own novel, The Arrangement (1969). However, after the assassination of Martin Luther King, Brando backed out of the film, telling Kazan that he could not appear in a Hollywood film after this tragedy. Also reportedly turning down a role opposite box-office king Paul Newman in a surefire script, Butch Cassidy and the Sundance Kid (1969), Brando decided to make Burn! (1969) with Pontecorvo. The film, a searing indictment of racism and colonialism, flopped at the box office but won the esteem of progressive critics and cultural arbiters such as Howard Zinn. He subsequently appeared in the British film The Nightcomers (1971), a prequel to "Turn of the Screw" and another critical and box office failure.
Kazan, after a life in film and the theater, said that, aside from Orson Welles, whose greatness lay in film making, he only met one actor who was a genius: Brando. Richard Burton, an intellectual with a keen eye for observation if not for his own film projects, said that he found Brando to be very bright, unlike the public perception of him as a Terry Malloy-type character that he himself inadvertently promoted through his boorish behavior. Brando's problem, Burton felt, was that he was unique, and that he had gotten too much fame too soon at too early an age. Cut off from being nurtured by normal contact with society, fame had distorted Brando's personality and his ability to cope with the world, as he had not had time to grow up outside the limelight.
Truman Capote, who eviscerated Brando in print in the mid-'50s and had as much to do with the public perception of the dyslexic Brando as a dumbbell, always said that the best actors were ignorant, and that an intelligent person could not be a good actor. However, Brando was highly intelligent, and possessed of a rare genius in a then-deprecated art, acting. The problem that an intelligent performer has in movies is that it is the director, and not the actor, who has the power in his chosen field. Greatness in the other arts is defined by how much control the artist is able to exert over his chosen medium, but in movie acting, the medium is controlled by a person outside the individual artist. It is an axiom of the cinema that a performance, as is a film, is "created" in the cutting room, thus further removing the actor from control over his art. Brando had tried his hand at directing, in controlling the whole artistic enterprise, but he could not abide the cutting room, where a film and the film's performances are made. This lack of control over his art was the root of Brando's discontent with acting, with movies, and, eventually, with the whole wide world that invested so much cachet in movie actors, as long as "they" were at the top of the box-office charts. Hollywood was a matter of "they" and not the work, and Brando became disgusted.
Charlton Heston, who participated in Martin Luther King's 1963 March on Washington with Brando, believes that Marlon was the great actor of his generation. However, noting a story that Brando had once refused a role in the early 1960s with the excuse "How can I act when people are starving in India?," Heston believes that it was this attitude, the inability to separate one's idealism from one's work, that prevented Brando from reaching his potential. As Rod Steiger once said, Brando had it all, great stardom and a great talent. He could have taken his audience on a trip to the stars, but he simply would not. Steiger, one of Brando's children even though a contemporary, could not understand it. When James Mason' was asked in 1971 who was the best American actor, he had replied that since Brando had let his career go belly-up, it had to be George C. Scott, by default.
Paramount thought that only Laurence Olivier would suffice, but Lord Olivier was ill. The young director believed there was only one actor who could play godfather to the group of Young Turk actors he had assembled for his film, The Godfather of method acting himself - Marlon Brando. Francis Ford Coppola won the fight for Brando, Brando won - and refused - his second Oscar, and Paramount won a pot of gold by producing the then top-grossing film of all-time, The Godfather (1972), a gangster movie most critics now judge one of the greatest American films of all time. Brando followed his iconic portrayal of Don Corleone with his Oscar-nominated turn in the high-grossing and highly scandalous Last Tango in Paris (1972) ("Last Tango in Paris"), the first film dealing explicitly with sexuality in which an actor of Brando's stature had participated. He was now again a top ten box office star and once again heralded as the greatest actor of his generation, an unprecedented comeback that put him on the cover of "Time" magazine and would make him the highest-paid actor in the history of motion pictures by the end of the decade. Little did the world know that Brando, who had struggled through many projects in good faith during the 1960s, delivering some of his best acting, only to be excoriated and ignored as the films did not do well at the box office, essentially was through with the movies.
After reaching the summit of his career, a rarefied atmosphere never reached before or since by any actor, Brando essentially walked away. He would give no more of himself after giving everything as he had done in Last Tango in Paris (1972)," a performance that embarrassed him, according to his autobiography. Brando had come as close to any actor to being the "auteur," or author, of a film, as the English-language scenes of "Tango" were created by encouraging Brando to improvise. The improvisations were written down and turned into a shooting script, and the scripted improvisations were shot the next day. Pauline Kael, the Brando of movie critics in that she was the most influential arbiter of cinematic quality of her generation and spawned a whole legion of Kael wannabes, said Brando's performance in Last Tango in Paris (1972) had revolutionized the art of film. Brando, who had to act to gain his mother's attention; Brando, who believed acting at best was nothing special as everyone in the world engaged in it every day of their lives to get what they wanted from other people; Brando, who believed acting at its worst was a childish charade and that movie stardom was a whorish fraud, would have agreed with Sam Peckinpah's summation of Pauline Kael: "Pauline's a brilliant critic but sometimes she's just cracking walnuts with her ass." He probably would have done so in a simulacrum of those words, too.
After another three-year hiatus, Brando took on just one more major role for the next 20 years, as the bounty hunter after Jack Nicholson in Arthur Penn's The Missouri Breaks (1976), a western that succeeded neither with the critics or at the box office. Following The Godfather and Tango, Brando's performance was disappointing for some reviewers, who accused him of giving an erratic and inconsistent performance. In 1977, Brando made a rare appearance on television in the miniseries Roots: The Next Generations (1979), portraying George Lincoln Rockwell; he won a Primetime Emmy Award for Outstanding Supporting Actor in a Miniseries or a Movie for his performance. In 1978, he narrated the English version of Raoni (1978), a French-Belgian documentary film directed by Jean-Pierre Dutilleux and Luiz Carlos Saldanha that focused on the life of Raoni Metuktire and issues surrounding the survival of the indigenous Indian tribes of north central Brazil.
Later in his career, Brando concentrated on extracting the maximum amount of capital for the least amount of work from producers, as when he got the Salkind brothers to pony up a then-record $3.7 million against 10% of the gross for 13 days work on Superman (1978). Factoring in inflation, the straight salary for "Superman" equals or exceeds the new record of $1 million a day Harrison Ford set with K-19: The Widowmaker (2002). He agreed to the role only on assurance that he would be paid a large sum for what amounted to a small part, that he would not have to read the script beforehand, and his lines would be displayed somewhere off-camera. Brando also filmed scenes for the movie's sequel, Superman II, but after producers refused to pay him the same percentage he received for the first movie, he denied them permission to use the footage.
Before cashing his first paycheck for Superman (1978), Brando had picked up $2 million for his extended cameo in Francis Ford Coppola's Apocalypse Now (1979) in a role, that of Col. Kurtz, that he authored on-camera through improvisation while Coppola shot take after take. It was Brando's last bravura star performance. He co-starred with George C. Scott and John Gielgud in The Formula (1980), but the film was another critical and financial failure. Years later though, he did receive an eighth and final Oscar nomination for his supporting role in A Dry White Season (1989) after coming out of a near-decade-long retirement. Contrary to those who claimed he now only was in it for the money, Brando donated his entire seven-figure salary to an anti-apartheid charity. He then did an amusing performance in the comedy The Freshman (1990), winning rave reviews. He portrayed Tomas de Torquemada in the historical drama 1492: Conquest of Paradise (1992), but his performance was denounced and the film was another box office failure. He made another comeback in the Johnny Depp romantic drama Don Juan DeMarco (1994), which co-starred Faye Dunaway as his wife. He then appeared in The Island of Dr. Moreau (1996), co-starring Val Kilmer, who he didn't get along with. The filming was an unpleasant experience for Brando, as well as another critical and box office failure.
Brando had first attracted media attention at the age of 24, when "Life" magazine ran a photo of himself and his sister Jocelyn, who were both then appearing on Broadway. The curiosity continued, and snowballed. Playing the paraplegic soldier of The Men (1950), Brando had gone to live at a Veterans Administration hospital with actual disabled veterans, and confined himself to a wheelchair for weeks. It was an acting method, research, that no one in Hollywood had ever heard of before, and that willingness to experience life.- Actor
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Alfredo James "Al" 'Pacino established himself as a film actor during one of cinema's most vibrant decades, the 1970s, and has become an enduring and iconic figure in the world of American movies.
He was born April 25, 1940 in Manhattan, New York City, to Italian-American parents, Rose (nee Gerardi) and Sal Pacino. They divorced when he was young. His mother moved them into his grandparents' home in the South Bronx. Pacino found himself often repeating the plots and voices of characters he had seen in the movies. Bored and unmotivated in school, he found a haven in school plays, and his interest soon blossomed into a full-time career. Starting onstage, he went through a period of depression and poverty, sometimes having to borrow bus fare to succeed to auditions. He made it into the prestigious Actors Studio in 1966, studying under Lee Strasberg, creator of the Method Approach that would become the trademark of many 1970s-era actors.
After appearing in a string of plays in supporting roles, Pacino finally attained success off-Broadway with Israel Horovitz's "The Indian Wants the Bronx", winning an Obie Award for the 1966-67 season. That was followed by a Tony Award for "Does the Tiger Wear a Necktie?" His first feature films made little departure from the gritty realistic stage performances that earned him respect: he played a drug addict in The Panic in Needle Park (1971) after his film debut in Me, Natalie (1969). The role of Michael Corleone in The Godfather (1972) was one of the most sought-after of the time: Robert Redford, Warren Beatty, Jack Nicholson, Ryan O'Neal, Robert De Niro and a host of other actors either wanted it or were mentioned, but director Francis Ford Coppola wanted Pacino for the role.
Coppola was successful but Pacino was reportedly in constant fear of being fired during the very difficult shoot. The film was a monster hit that earned Pacino his first Academy Award nomination for Best Supporting Actor. However, instead of taking on easier projects for the big money he could now command, Pacino threw his support behind what he considered tough but important films, such as the true-life crime drama Serpico (1973) and the tragic real-life bank robbery film Dog Day Afternoon (1975). He was nominated three consecutive years for the "Best Actor" Academy Award. He faltered slightly with Bobby Deerfield (1977), but regained his stride with And Justice for All (1979), for which he received another Academy Award nomination for Best Actor. Unfortunately, this would signal the beginning of a decline in his career, which produced flops like Cruising (1980) and Author! Author! (1982).
Pacino took on another vicious gangster role and cemented his legendary status in the ultra-violent cult film Scarface (1983), but a monumental mistake was about to follow. Revolution (1985) endured an endless and seemingly cursed shoot in which equipment was destroyed, weather was terrible, and Pacino fell ill with pneumonia. Constant changes in the script further derailed the project. The Revolutionary War-themed film, considered among the worst films ever made, resulted in awful reviews and kept him off the screen for the next four years. Returning to the stage, Pacino did much to give back and contribute to the theatre, which he considers his first love. He directed a film, The Local Stigmatic (1990), but it remains unreleased. He lifted his self-imposed exile with the striking Sea of Love (1989) as a hard-drinking policeman. This marked the second phase of Pacino's career, being the first to feature his now famous dark, owl eyes and hoarse, gravelly voice.
Returning to the Corleones, Pacino made The Godfather Part III (1990) and earned raves for his first comedic role in the colorful adaptation Dick Tracy (1990). This earned him another Academy Award nomination for Best Supporting Actor, and two years later he was nominated for Glengarry Glen Ross (1992). He went into romantic mode for Frankie and Johnny (1991). In 1992, he finally won the Academy Award for Best Actor for his amazing performance in Scent of a Woman (1992). A mixture of technical perfection (he plays a blind man) and charisma, the role was tailor-made for him, and remains a classic.
The next few years would see Pacino becoming more comfortable with acting and movies as a business, turning out great roles in great films with more frequency and less of the demanding personal involvement of his wilder days. Carlito's Way (1993) proved another gangster classic, as did the epic crime drama Heat (1995) directed by Michael Mann and co-starring Robert De Niro. He directed the film adaptation of Shakespeare's Looking for Richard (1996). During this period, City Hall (1996), Donnie Brasco (1997) and The Devil's Advocate (1997) all came out. Reteaming with Mann and then Oliver Stone, he gave commanding performances in The Insider (1999) and Any Given Sunday (1999).
In the 2000s, Pacino starred in a number of theatrical blockbusters, including Ocean's Thirteen (2007), but his choice in television roles (the vicious, closeted Roy Cohn in the HBO miniseries Angels in America (2003) and his sensitive portrayal of Jack Kevorkian, in the television movie You Don't Know Jack (2010)) are reminiscent of the bolder choices of his early career. Each television project garnered him an Emmy Award for Outstanding Lead Actor in a Miniseries or a Movie.
Never wed, Pacino has a daughter, Julie Marie, with acting teacher Jan Tarrant, and a set of twins with former longtime girlfriend Beverly D'Angelo. His romantic history includes Jill Clayburgh, Veruschka von Lehndorff, Carole Mallory, Debra Winger, Tuesday Weld, Marthe Keller, Carmen Cervera, Kathleen Quinlan, Lyndall Hobbs, Penelope Ann Miller, and a two-decade intermittent relationship with "Godfather" co-star Diane Keaton. He currently lives with Argentinian actress Lucila Solá, who is 36 years his junior.
As of 2022, Pacino is 82-years-old. He has never retired from acting, and continues to appear regularly in film.- Producer
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Benjamin Géza "Ben" Affleck-Boldt was born on August 15, 1972 in Berkeley, California and raised in Cambridge, Massachusetts, to mother Chris Anne (Boldt), a school teacher, and father Timothy Byers "Tim" Affleck, a social worker. Ben has a younger brother, actor Casey Affleck, who was born in 1975. He is of mostly English, Irish, German, and Scottish ancestry. His middle name, Géza, is after a Hungarian family friend who was a Holocaust survivor.
Affleck wanted to be an actor ever since he could remember, and his first acting experience was for a Burger King commercial, when he was on the PBS mini-series, The Voyage of the Mimi (1984). It was also at that age when Ben met his lifelong friend and fellow actor, Matt Damon. They played little league together and took drama classes together. Ben's teen years consisted of mainly TV movies and small television appearances including Hands of a Stranger (1987) and The Second Voyage of the Mimi (1988). He made his big introduction into feature films in 1993 when he was cast in Dazed and Confused (1993). After that, he did mostly independent films like Kevin Smith's Mallrats (1995) and Chasing Amy (1997) which were great for Ben's career, receiving renowned appreciation for his works at the Sundance film festival. But the success he was having in independent films didn't last much longer and things got a little shaky for Ben. He was living in an apartment with his brother Casey and friend Matt, getting tired of being turned down for the big roles in films and being given the forgettable supporting ones. Since Matt was having the same trouble, they decided to write their own script, where they could call all the shots. So, after finishing the script for Good Will Hunting (1997), they gave it to their agent, Patrick Whitesell, who showed it to a few Hollywood studios, finally being accepted by Castle Rock. It was great news for the two, but Castle Rock wasn't willing to give Ben and Matt the control over the project they were hoping for. It was friend Kevin Smith who took it to the head of Miramax who bought the script giving Ben and Matt the control they wanted and, in December 5, 1997, Good Will Hunting (1997) was released, making the two unknown actors famous. The film was nominated for 9 Academy Awards and won two, including Best Original Screenplay for Ben and Matt. The film marked Ben's breakthrough role, in which he was given for the first time the chance to choose roles instead of having to go through grueling auditions constantly.
Affleck chose such roles in the blockbusters Armageddon (1998), Shakespeare in Love (1998), and Pearl Harbor (2001). In the early years of the 2000s, he also starred in the box office hits Changing Lanes (2002), The Sum of All Fears (2002), and Daredevil (2003), as well as the disappointing comedies Gigli (2003) and Surviving Christmas (2004). While the mid 2000s were considered a career downturn for Affleck, he received a Golden Globe nomination for his performance in Hollywoodland (2006). In the several years following, he played supporting roles, including in the films Smokin' Aces (2006), He's Just Not That Into You (2009), State of Play (2009), and Extract (2009). He ventured into directing in 2007, with the thriller Gone Baby Gone (2007), which starred his brother, Casey Affleck, and was well received. He then directed, co-wrote, and starred in The Town (2010), which was named to the National Board of Review Top Ten Films of the year. For the political thriller Argo (2012), which he directed and starred in, Affleck won the Golden Globe Award and BAFTA Award for Best Director, and the Academy Award, Golden Globe Award, and BAFTA Award for Best Picture (Affleck's second Oscar win).
In 2014, Affleck headlined the book adaptation thriller Gone Girl (2014). He starred as Bruce Wayne/Batman in the superhero film Batman v Superman: Dawn of Justice (2016), Suicide Squad (2016), and Justice League (2017). He reprised the role in Zack Snyder's Justice League (2021) and he will next appear as Batman in Aquaman and the Lost Kingdom (2023) and The Flash (2023).
Recently he has given praise-worthy performances in The Way Back (2020) as a recovering alcoholic, The Last Duel (2021) (notably he also co-wrote the script), and a scene-stealing golden globe nominated performance in The Tender Bar (2021).- Actor
- Producer
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In 1976, if you had told fourteen-year-old Franciscan seminary student Thomas Cruise Mapother IV that one day in the not too distant future he would be Tom Cruise, one of the top 100 movie stars of all time, he would have probably grinned and told you that his ambition was to join the priesthood. Nonetheless, this sensitive, deeply religious youngster who was born in 1962 in Syracuse, New York, was destined to become one of the highest paid and most sought after actors in screen history.
Tom is the only son (among four children) of nomadic parents, Mary Lee (Pfeiffer), a special education teacher, and Thomas Cruise Mapother III, an electrical engineer. His parents were both from Louisville, Kentucky, and he has German, Irish, and English ancestry. Young Tom spent his boyhood always on the move, and by the time he was 14 he had attended 15 different schools in the U.S. and Canada. He finally settled in Glen Ridge, New Jersey with his mother and her new husband. While in high school, Tom wanted to become a priest but pretty soon he developed an interest in acting and abandoned his plans of becoming a priest, dropped out of school, and at age 18 headed for New York and a possible acting career. The next 15 years of his life are the stuff of legends. He made his film debut with a small part in Endless Love (1981) and from the outset exhibited an undeniable box office appeal to both male and female audiences.
With handsome movie star looks and a charismatic smile, within 5 years Tom Cruise was starring in some of the top-grossing films of the 1980s including Top Gun (1986); The Color of Money (1986), Rain Man (1988) and Born on the Fourth of July (1989). By the 1990s he was one of the highest-paid actors in the world earning an average 15 million dollars a picture in such blockbuster hits as Interview with the Vampire: The Vampire Chronicles (1994), Mission: Impossible (1996) and Jerry Maguire (1996), for which he received an Academy Award Nomination for best actor. Tom Cruise's biggest franchise, Mission Impossible, has also earned a total of 3 billion dollars worldwide. Tom Cruise has also shown lots of interest in producing, with his biggest producer credits being the Mission Impossible franchise.
In 1990 he renounced his devout Catholic beliefs and embraced The Church of Scientology claiming that Scientology teachings had cured him of the dyslexia that had plagued him all of his life. A kind and thoughtful man well known for his compassion and generosity, Tom Cruise is one of the best liked members of the movie community. He was married to actress Nicole Kidman until 2001. Thomas Cruise Mapother IV has indeed come a long way from the lonely wanderings of his youth to become one of the biggest movie stars ever.- Actor
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Christian Charles Philip Bale was born in Pembrokeshire, Wales, UK on January 30, 1974, to English parents Jennifer "Jenny" (James) and David Bale. His mother was a circus performer and his father, who was born in South Africa, was a commercial pilot. The family lived in different countries throughout Bale's childhood, including England, Portugal, and the United States. Bale acknowledges the constant change was one of the influences on his career choice.
His first acting job was a cereal commercial in 1983; amazingly, the next year, he debuted on the West End stage in "The Nerd". A role in the 1986 NBC mini-series Anastasia: The Mystery of Anna (1986) caught Steven Spielberg's eye, leading to Bale's well-documented role in Empire of the Sun (1987). For the range of emotions he displayed as the star of the war epic, he earned a special award by the National Board of Review for Best Performance by a Juvenile Actor.
Adjusting to fame and his difficulties with attention (he thought about quitting acting early on), Bale appeared in Kenneth Branagh's 1989 adaptation of Shakespeare's Henry V (1989) and starred as Jim Hawkins in a TV movie version of Treasure Island (1990). Bale worked consistently through the 1990s, acting and singing in Newsies (1992), Swing Kids (1993), Little Women (1994), The Portrait of a Lady (1996), The Secret Agent (1996), Metroland (1997), Velvet Goldmine (1998), All the Little Animals (1998), and A Midsummer Night's Dream (1999). Toward the end of the decade, with the rise of the Internet, Bale found himself becoming one of the most popular online celebrities around, though he, with a couple notable exceptions, maintained a private, tabloid-free mystique.
Bale roared into the next decade with a lead role in American Psycho (2000), director Mary Harron's adaptation of the controversial Bret Easton Ellis novel. In the film, Bale played a murderous Wall Street executive obsessed with his own physicality - a trait for which Bale would become a specialist. Subsequently, the 10th Anniversary issue for "Entertainment Weekly" crowned Bale one of the "Top 8 Most Powerful Cult Figures" of the past decade, citing his cult status on the Internet. EW also called Bale one of the "Most Creative People in Entertainment", and "Premiere" lauded him as one of the "Hottest Leading Men Under 30".
Bale was truly on the Hollywood radar at this time, and he turned in a range of performances in the remake Shaft (2000), Captain Corelli's Mandolin (2001), the balmy Laurel Canyon (2002), and Reign of Fire (2002), a dragons-and-magic commercial misfire that has its share of defenders.
Two more cult films followed: Equilibrium (2002) and The Machinist (2004), the latter of which gained attention mainly due to Bale's physical transformation - he dropped a reported 60+ pounds for the role of a lathe operator with a secret that causes him to suffer from insomnia for over a year.
Bale's abilities to transform his body and to disappear into a character influenced the decision to cast him in Batman Begins (2005), the first chapter in Christopher Nolan's definitive trilogy that proved a dark-themed narrative could resonate with audiences worldwide. The film also resurrected a character that had been shelved by Warner Bros. after a series of demising returns, capped off by the commercial and critical failure of Batman & Robin (1997). A quiet, personal victory for Bale: he accepted the role after the passing of his father in late 2003, an event that caused him to question whether he would continue performing.
Bale segued into two indie features in the wake of Batman's phenomenal success: The New World (2005) and Harsh Times (2005). He continued working with respected independent directors in 2006's Rescue Dawn (2006), Werner Herzog's feature version of his earlier, Emmy-nominated documentary, Little Dieter Needs to Fly (1997). Leading up to the second Batman film, Bale starred in The Prestige (2006), the remake of 3:10 to Yuma (2007), and a reunion with director Todd Haynes in the experimental Bob Dylan biography, I'm Not There (2007).
Anticipation for The Dark Knight (2008) was spun into unexpected heights with the tragic passing of Heath Ledger, whose performance as The Joker became the highlight of the sequel. Bale's graceful statements to the press reminded us of the days of the refined Hollywood star as the second installment exceeded the box-office performance of its predecessor.
Bale's next role was the eyebrow-raising decision to take over the role of John Connor in the Schwarzenegger-less Terminator Salvation (2009), followed by a turn as federal agent Melvin Purvis in Michael Mann's Public Enemies (2009). Both films were hits but not the blockbusters they were expected to be.
For all his acclaim and box-office triumphs, Bale would earn his first Oscar in 2011 in the wake of The Fighter (2010)'s critical and commercial success. Bale earned the Best Supporting Actor award for his portrayal of Dicky Eklund, brother to and trainer of boxer "Irish" Micky Ward, played by Mark Wahlberg. Bale again showed his ability to reshape his body with another gaunt, skeletal transformation.
Bale then turned to another auteur, Yimou Zhang, for the epic The Flowers of War (2011), in which Bale portrayed a priest trapped in the midst of the Rape of Nanking. Bale earned headlines for his attempt to visit with Chinese civil-rights activist Chen Guangcheng, which was blocked by the Chinese government.
Bale capped his role as Bruce Wayne/Batman in The Dark Knight Rises (2012); in the wake of the Aurora, Colorado tragedy, Bale made a quiet pilgrimage to the state to visit with survivors of the attack that left theatergoers dead and injured. He also starred in the thriller Out of the Furnace (2013) with Crazy Heart (2009) writer/director Scott Cooper, and the drama-comedy American Hustle (2013), reuniting with David O. Russell.
Bale will re-team with The New World (2005) director Terrence Malick for two upcoming projects: Knight of Cups (2015) and an as-yet-untitled drama.
In his personal life, he devotes time to charities including Greenpeace and the World Wildlife Foundation. He lives with his wife, Sibi Blazic, and their two children.- Actor
- Producer
- Director
Forest Steven Whitaker has packaged a king-size talent into his hulking 6' 2", 220 lb. frame. He won an Academy Award for his performance as Ugandan dictator Idi Amin in the film The Last King of Scotland (2006), and has also won a Golden Globe and a BAFTA. He is the fourth African-American male to win an Academy Award for Best Actor, following in the footsteps of Sidney Poitier, Denzel Washington, and Jamie Foxx.
Whitaker was born on July 15, 1961 in Longview, Texas, to Laura Francis (Smith), a special education teacher, and Forest Steven Whitaker, an insurance salesman. His family moved to South Central Los Angeles in 1965. The athletically-inclined Whitaker initially found his way into college via a football scholarship. Later, however, he transferred to USC where he set his concentration on music and earned two more scholarships training as an operatic tenor. This, in turn, led to another scholarship at Berkeley with a renewed focus on acting and the performing stage.
Whitaker made his film debut at the age of 21 in the raucous comedy Fast Times at Ridgemont High (1982) wherein he played, quite naturally, a footballer. He went on to play another sports-oriented student, a wrestler, in his second film Vision Quest (1985). He gained experience on TV as well with featured spots on such varied shows as Diff'rent Strokes (1978) and Cagney & Lacey (1981), not to mention the TV-movie Civil War epic North & South: Book 1, North & South (1985) and its sequel. The movie that truly put him on the map was The Color of Money (1986). His one big scene as a naive-looking pool player who out-hustles Paul Newman's Fast Eddie Felson was pure electricity. This led to more visible roles in the "A" class films Platoon (1986), Stakeout (1987), and Good Morning, Vietnam (1987), which culminated in his breakout lead portrayal of the tortured jazz icon 'Charlie "Bird" Parker' in Clint Eastwood's passion project Bird (1988), for which Whitaker won the Cannes Film Festival award for "best actor" and a Golden Globe nomination. Whitaker continued to work with a number of well-known directors throughout the 1990s.
While his "gentle giant" characters typically display innocence, indecision, and timidity along with a strong underlying humanity, he has certainly not shied away from the edgier, darker corners of life as his occasional hitmen and other menacing streetwise types can attest. Although in only the first section of the film, he was memorable as the IRA-captured British soldier whose bizarre relationship with a mysterious femme fatale serves as the catalyst for the critically-lauded drama The Crying Game (1992). Always a willing participant to push the envelope, he's gone on to enhance a number of lesser films. Among those was his plastic surgeon in Johnny Handsome (1989), gay clothing designer in Robert Altman's Ready to Wear (1994), alien hunter in Species (1995), absentee father confronted by his estranged son in Smoke (1995), and Mafia hitman who models himself after the samurai warrior in Ghost Dog: The Way of the Samurai (1999), among many others. As would be expected, he's also had his share of epic-sized bombs, notoriously the L. Ron Hubbard sci-fi disaster Battlefield Earth (2000). On the TV front, he was the consulting producer and host of a revamped Rod Serling's cult series classic The Twilight Zone (2002), which lasted a disappointing one season.
In the early 1990s, Whitaker widened his horizons to include producing/directing and has since gained respect behind the camera as well. He started things off co-producing the violent gangster film A Rage in Harlem (1991), in which he co-starred with Gregory Hines and Robin Givens, and then made his successful directorial debut with the soulful Waiting to Exhale (1995), showcasing a legion of distaff black stars. He also directed co-star Whitney Houston's music video of the movie's theme song ("Shoop Shoop"). He also helmed the fluffy romantic comedy First Daughter (2004) with Katie Holmes and Michael Keaton. Whitaker also served as an executive producer on First Daughter. He had previously executive produced several made-for-television movies, most notably the 2002 Emmy-award winning Door to Door, starring William H. Macy. He produced these projects through his production company, Spirit Dance Entertainment, which he shut down in 2005 to concentrate on his acting career.
In 2002, he co-starred in Joel Schumacher's thriller, Phone Booth, with Kiefer Sutherland and Colin Farrell. That year, he also co-starred with Jodie Foster in Panic Room.
Whitaker's greatest success to date is the 2006 film, The Last King of Scotland. His performance earned him the 2007 Academy Award for Best Actor in a Leading Role, For that same role, he also received the Golden Globe Award, the Screen Actors Guild Award, a BAFTA Award, and many critical accolades. He has also received several other honors. In September 2006, the 10th Annual Hollywood Film Festival presented him with its "Hollywood Actor of the Year Award," He was also honored at the Santa Barbara International Film Festival 2007, receiving the American Riviera Award. Previously, in 2005, the Deauville Festival of American Film paid tribute to him. In 2007, Forest Whitaker won the Cinema for Peace Award 2007.
In 2007, Whitaker co-starred in The Great Debaters with fellow Oscar winner Denzel Washington, and in 2008, Whitaker played opposite Keanu Reeves in Street Kings and Dennis Quaid in Vantage Point.
In 2009, Forest co-starred in the Warner Bros. film "Where the Wild Things Are," directed by Spike Jonze, which was a mix of live-action, animation and puppetry as an adaptation of the Maurice Sendak classic children's book. Around the same time, he also starred n "Repossession Mambo", with Jude Law, "Hurricane Season", "Winged Creatures", and "Powder Blue". He appeared in the Olivier Dahan film "My Own Love Song", opposite Renée Zellweger, and was part of the Africa Movie Academy Awards in 2009, in Nigeria.
He is married to former model Keisha Whitaker and has three children by her. His younger brothers Kenn Whitaker and Damon Whitaker are both actors as well.
Forest was given a star on the Hollywood Walk in April of 2007. In November 2007, Whitaker was the creative mind behind DEWmocracy.com, a website that let people decide the next flavor of Mountain Dew in a "People's Dew" poll. He directed a short film and created the characters for the video game. Whitaker has done extensive humanitarian work, he has been involved with organizations like, Penny Lane, an organization that provides assistance to abused teenagers. PETA and Farm Sanctuary, organizations that protect animals' rights. Close friends with Neurosurgeon Dr. Keith Black, Forest has helped raise awareness and funds for Dr. Blacks research. During the last couple of years, he has become a spokesperson for Hope North Ugandan orphanage and Human Rights Watch. In the year 2001 Forest received a Humanitas Prize. He was recently honored by The City of Los Angeles with the Hope of Los Angeles Award. And his entire clan received the LA BEST Family Focus Award. Last year he joined forces with "Idol Gives Back" and "Malaria No More"; he has become a GQ Ambassador supporting and fundraising for Hope North. He was a Surrogate for Barack Obama's campaign supporting him across the United States.
Whitaker's multimedia company, Spirit Dance Entertainment, includes film, television and music production. He works closely with a number of charitable organizations, giving back to his community by serving as an Honorary Board Members for Penny Lane, an organization that provides assistance to abused teenagers, the Human Rights Watch and The Hope North organization.- Actor
- Director
- Producer
McAvoy was born on 21 April 1979 in Glasgow, Scotland, to James, a bus driver, and Elizabeth (née Johnstone), a nurse. He was raised on a housing estate in Drumchapel, Glasgow by his maternal grandparents (James, a butcher, and Mary), after his parents divorced when James was 11. He went to St Thomas Aquinas Secondary in Jordanhill, Glasgow, where he did well enough and started 'a little school band with a couple of mates'.
McAvoy toyed with the idea of the Catholic priesthood as a child but, when he was 16, a visit to the school by actor David Hayman sparked an interest in acting. Hayman offered him a part in his film The Near Room (1995) but despite enjoying the experience McAvoy didn't seriously consider acting as a career, although he did continue to act as a member of PACE Youth Theatre. He applied instead to the Royal Navy and had already been accepted when he was also offered a place at the Royal Scottish Academy of Music and Drama (RSAMD).
He took the place at the RSAMD (now the Royal Conservatoire of Scotland) and, when he graduated in 2000, he moved to London. He had already made a couple of TV appearances by this time and continued to get a steady stream of TV and movie work until he came to attention of the British public in 2004 playing car thief Steve McBride in the successful UK TV series Shameless (2004) and then to the rest of the world in 2005 as Mr Tumnus, the faun, in Disney's adaptation of C. S. Lewis's The Chronicles of Narnia: The Lion, the Witch and the Wardrobe (2005). In The Last King of Scotland (2006) McAvoy portrayed a Scottish doctor who becomes the personal physician to dictator Idi Amin, played by Forest Whitaker. McAvoy's career breakthrough came in Atonement (2007), Joe Wright's 2007 adaption of Ian McEwan's novel.
Since then, McAvoy has taken on theatre roles, starring in Shakespeare's 'Macbeth' (directed by Jamie Lloyd), which launched the first Trafalgar Transformed season in London's West End and earned him an Olivier award nomination for Best Actor. In January 2015, McAvoy returned to the Trafalgar Studios stage to play Jack Gurney, the delusional 14th Earl of Gurney who believes he is Jesus, in the first revival of Peter Barnes's satire 'The Ruling Class', a role for which he was subsequently awarded the London Evening Standard Theatre Award's Best Actor.
On screen, McAvoy has appeared as corrupt cop Bruce Robertson in Filth (2013), a part for which he received a Scottish BAFTA for Best Actor, a British Independent Film Award for Best Actor, a London Critics Circle Film Award for British Actor of the Year and an Empire Award for Best Actor. More recently, he reprised his role as Professor Charles Xavier in X-Men: Days of Future Past (2014), X-Men: Apocalypse (2016) and Dark Phoenix (2019). He began his depiction of Kevin Wendell Crumb, also known as The Horde, a man with an extreme case of dissociative identity disorder in M. Night Shyamalan's thriller Split (2016) and continued it in the sequel, Glass (2019). Also in 2019, he played Bill Denbrough in It Chapter Two (2019), the horror sequel to It (2017).
McAvoy and Jamie Lloyd look set to continue their collaboration in December 2019, with a production of 'Cyrano de Bergerac' at the Playhouse Theatre in the West End, London. The project has been on the cards as long ago as 2017, when McAvoy posted a picture of him reading the script and wearing a false nose.- Actor
- Producer
- Additional Crew
Jet Li born Li Lian Jie in Beijing, China. He started training at the Beijing wushu academy (wushu is China's national sport, largely a performance version of various martial art styles) at age eight. He won five gold medals in the Chinese championships, his first when he was only 11. In his teens, he was already a national coach, and before he was 20 he had starred in his first movie: The Shaolin Temple (1982), which started the 1980s Kung-Fu boom in mainland China. He relocated to Hong Kong, where he was the biggest star of the early 1990s Kung-Fu boom. His first directorial effort was Born to Defense (1988).- Producer
- Actor
- Stunts
Hong Kong's cheeky, lovable and best-known film star, Jackie Chan endured many years of long, hard work and multiple injuries to establish international success after his start in Hong Kong's manic martial arts cinema industry.
Jackie was born Kong-sang Chan on April 7, 1954, on Hong Kong's famous Victoria Peak, to Charles and Lee-Lee Chan, and the family immigrated to Canberra, Australia, in early 1960. The young Jackie was less than successful scholastically, so his father sent him back to Hong Kong to attend the rigorous China Drama Academy, one of the Peking Opera schools. Chan excelled at acrobatics, singing and martial arts and eventually became a member of the "Seven Little Fortunes" performing troupe and began lifelong friendships with fellow martial artists / actors Sammo Kam-Bo Hung and Biao Yuen. Chan journeyed back and forth to visit his parents and work in Canberra, but eventually he made his way back to Hong Kong as his permanent home. In the early 1970s, Chan commenced his movie career and interestingly appeared in very minor roles in two films starring then rising martial arts superstar Bruce Lee: Fist of Fury (1972) (aka "The Chinese Connection"), and the Warner Bros. production Enter the Dragon (1973). Not long after Lee's untimely death, Chan was often cast in films cashing in on the success of Bruce Lee by utilizing words like "fist", "fury" or "dragon" in their US release titles.
Chan's own film career was off and running and he swiftly appeared in many low-budget martial arts films that were churned out at a rapid-fire pace by Hong Kong studios eager to satisfy the early 1970s boom in martial-arts cinema. He starred in Shaolin Wooden Men (1976), To Kill with Intrigue (1977), Half a Loaf of Kung Fu (1978) and Magnificent Bodyguards (1978), which all fared reasonably well at the cinemas. However, he scored a major breakthrough with the action comedy Drunken Master (1978), which has become a cult favorite among martial arts film fans. Not too long after this, Chan made his directorial debut with The Young Master (1980) and then "Enter the Dragon" producer Robert Clouse lured Jackie to the United States for a film planned to break Jackie into the lucrative US market. Battle Creek Brawl (1980) featured Jackie competing in a "toughest Street fighter" contest set in 1940s Texas; however, Jackie was unhappy with the end result, and it failed to fire with US audiences. In a further attempt to get his name known in the United States, Jackie was cast alongside Burt Reynolds, Sir Roger Moore and Dean Martin in the Hal Needham-directed car chase film The Cannonball Run (1981). Regrettably, Jackie was cast as a Japanese race driver and his martial arts skills are only shown in one small sequence near the film's conclusion. Stateside success was still a few years away for Jackie Chan!
Undeterred, he returned to East Asia to do what he did best--make jaw-dropping action films loaded with amazing stunt work. Chan and his legendary stunt team were without parallel in their ability to execute the most incredible fight scenes and action sequences, and the next decade would see some of their best work. Chan paired with the dynamic Sammo Kam-Bo Hung to star in Winners & Sinners (1983), Project A (1983), Wheels on Meals (1984), My Lucky Stars (1985) (aka "Winners & Sinners 2"), Twinkle Twinkle Lucky Stars (1985) (aka "Winners & Sinners 3"). Chan then journeyed back to the United States for another shot at that market, starring alongside Danny Aiello in The Protector (1985), filmed in Hong Kong and New York. However, as with previous attempts, Jackie felt the US director--in this case, James Glickenhaus--failed to understand his audience appeal and the film played to lukewarm reviews and box-office receipts. However, Jackie did decide to "harden" up his on-screen image somewhat and his next film, Police Story (1985) was a definite departure from previously light-hearted martial arts fare, and his fans loved the final product!
This was quickly followed up with the Raiders of the Lost Ark (1981)-influenced Armour of God (1986), during filming of which Jackie mistimed a leap from a wall to a tree on location in Yugoslavia and fell many quite a few feet onto his head, causing a skull fracture. It was another in a long line of injuries that Chan has suffered as a result of doing his own stunt work, and he was soon back in front of the cameras. Project A 2 (1987), Police Story 2 (1988), Miracles: The Canton Godfather (1989) (aka "Mr. Canton and Lady Rose)", Armour of God 2: Operation Condor (1991) (aka "Armour of God 2") and Supercop (1992) (aka "Police Story 3") were all sizable hits for Jackie, escalating his status to phenomenal heights in Asia, and to his loyal fanbase around the globe. US success was now just around the corner for the hard-working Jackie Chan, and it arrived in the form of the action film Rumble in the Bronx (1995) (though it was actually filmed in Canada) that successfully blended humor and action to make a winning formula in US theaters.
Jackie did not waste any time and went to work on First Strike (1996) (aka "Police Story 4"), Mr. Nice Guy (1997), Who Am I? (1998), which all met with positive results at the international box office. Jackie then went to work in his biggest-budget US production, starring alongside fast-talking comedian Chris Tucker in the action comedy Rush Hour (1998). The film was a bigger hit than "Rumble in the Bronx" and firmly established Jackie as a bona fide star in the United States. Jackie then paired up with rising talent Owen Wilson to star in Shanghai Noon (2000) and its sequel, Shanghai Knights (2003), and re-teamed with Tucker in Rush Hour 2 (2001), as well as starring in The Tuxedo (2002), The Medallion (2003) and the delightful Around the World in 80 Days (2004). Not one to forget his loyal fanbase, Jackie returned to more gritty and traditional fare with New Police Story (2004) and The Myth (2005). The multi-talented Chan (he is also a major recording star in Asia) shows no sign of slowing down and has long since moved out of the shadow of Bruce Lee, to whom he was usually compared early in his career.
Chan is truly one of the international film industry's true maverick actor / director / stuntman / producer combinations - he has done this the hard way, and always his way to achieve his dreams and goals to be an international cinematic star. Off screen, he has been directly involved in many philanthropic ventures providing financial assistance to schools and universities around the world. He is a UNICEF GoodWill Ambassador, and he has campaigned against animal abuse and pollution and assisted with disaster relief efforts to the 2004 Indian Ocean Tsunami victims.- Actor
- Stunts
- Producer
Donnie Yen was born in Guangzhou, China. His mother, Bow-sim Mark, was a kung fu master and his father, Kylster Yen, a newspaper editor and amateur musician. When Donnie was just two years old, the family moved to Hong Kong and then, when he was 11, to Boston, Massachusetts.
There, Master Bow-sim Mark became a pioneer for Chinese martial arts in America, and it was only natural that her only son was trained from early childhood in the same skills. At the same time, Donnie was influenced by his parents' love of music and reached a high level of proficiency as a pianist. All these interests would have a manifest influence on Yen's later life.
In his teens, Donnie defined his own persona by rebelling against his parents edicts. Beyond the limitations of his mother's school, Yen began training in various different fighting arts, including Japanese karate, Korean taekwondo and western boxing. Donnie also took up hip-hop and break-dancing. At the same time, he began spending his nights in Boston's notorious Combat Zone. Given that he was by now a serious practitioner of modern Wu Shu, his parents decided to send him to Beijing to train at the Chinese capital's famed Wu Shu academy.
It was when Yen returned to Hong Kong en route back to Boston that he met the famed martial arts movie director Yuen Woo-ping.
Donnie exploded onto the Hong Kong movie scene when he was cast in the lead role of director Yuen Woo-ping's 'Drunken Tai Chi'. His debut film immediately established him as a viable leading man, and Yen has remained a major figure in Chinese action cinema to this day.
Yen skills as a street dancer were to the fore in his second starring role, 'Mismatched Couples', in which he showed off his breakdance moves, as well as his general athleticism. This slapstick romantic comedy was produced by Hong Kong's prestigious Cinema City studio.
Donnie was subsequently signed by the newly formed D&B Films, and cast in the hit cop actioner 'Tiger Cage'. In this movie, and his follow-up features for the company ('In the Line of Duty 4', 'Tiger Cage 2'), Yen showed off his own unique form of contemporary screen combat, a form that included elements of rapid fire kicking, Western boxing and grappling moves.
Having established a worldwide fan base, Yen moved on to star in a string of independent Asian action features before director Tsui Hark tapped him to co-star in 'Once Upon A Time In China 2'. The film's two action highlights saw Donnie's character duel the legendary martial arts master Wong Fei-hung, played by his old friend Jet Li. The film brought Yen his first real attention as a thespian and he was nominated in the Best Supporting Actor category at that year's Hong Kong Film Awards.
Tsui Hark went on to produce a remake of King Hu's classic 'New Dragon Inn', which provided another showcase role for Donnie as the film's apparently invincible villain.
Donnie was reunited with director Yuen Woo-ping for 'Iron Monkey', a film which brought Yen's acting and action skills both into focus. In 'Iron Monkey', Yen played the father of Wong Fei-hung, and its success prefigured that which he would later enjoy as another pugilistic patriarch in 'Ip Man'. Donnie collaborated with Yuen on the action for the film, designing a new on-screen interpretation of Wong Fei-hung's classic 'Shadowless Kick'.
'Iron Monkey' was all the more remarkable in that, years after its Asian release, it was acquired by the American studio Miramax, re-cut, re-scored and given a wide release in US theatres. After premieres in New York and Los Angeles, the film enjoyed great acclaim from the American critics, and won a prize at that year's Taurus Awards, an event held to celebrate action in cinema.
After working on a number of independent features, Yen went on to enjoy huge success on the small screen when he accepted a lucrative offer from Hong Kong's ATV to film a series based on the Bruce Lee classic 'Fist of Fury'. The show was the top-rated action drama show around the region, and was subsequently re-edited for international distribution on video.
Donnie went on to make his directorial debut with 'Legend of the Wolf', a stylish period actioner that even attracted the attention of legendary American film-maker Francis Coppola. The film, about an amnesiac warrior returning to his home village, has become a bona fide cult classic.
As director, Donnie followed 'Legend of the Wolf' with a very different venture, 'Ballistic Kiss', an urban thriller about a conflicted assassin. The film played at the prestigious Udine Festival in Italy, and took home awards at several other events, including the Japanese Yubari International Action Film Festival.
Donnie's body of work had by then attracted the attention of Hollywood, and Yen was approached to choreograph the action for the mainstream franchise films 'Highlander: Endgame' and 'Blade 2'. After a period where he was based in Los Angeles, Donnie returned East by way of the West when Jackie Chan requested that Yen play his nemesis in the hit 'Shanghai Knights', a shoot that took the star from Prague to London.
Yen returned to China to co-star in director Zhang Yimou's epic wu xia master work 'Hero'. Yen's duel with Jet Li brought his skills to the emerging Mainland Chinese theatrical audience, and paved the way for Donnie to become the country's biggest action star. The film received a wide US theatrical release from Miramax, and remains one of the most successful foreign language titles ever distributed in the America market.
Donnie returned to Hong Kong to choreograph the smash hit fantasy-horror-comedy 'The Twins Effect', and went on to enjoy his most productive partnership with a director. Beginning with the cop actioner 'SPL', Donnie teamed with helmer Wilson Yip for a series of very different films that Yen would star in and action choreograph and Yip would direct. Star and director subsequently teamed to create the comic book inspired fantasy actioner 'Dragon Tiger Gate' and the gritty police thriller 'Flashpoint', in which Donnie created what fans feel is the definitive on-screen MMA action scene. Yen was to return to this hard-hitting, urban action style for the later 'Special ID'.
Donnie now found himself in demand as a leading man in a series of prestigious period actioners produced for the Chinese market. 'Seven Swords' premiered at the Venice Film Festival, and proved a hit with worldwide audiences. The film was released in North America by The Weinstein Company's Dragon Dynasty label, and remains its biggest hit.
Yen also attracted rave reviews when he played an honorable general in 'An Empress and her Warriors' and an offbeat ghost-buster in Gordon Chan's 'Painted Skin'.
Yen took his career to a new level when he accepted producer Raymond Wong's suggestion that he play Bruce Lee's teacher, 'Ip Man', in an eponymous film relating the life of the great master. The film was a huge success in Hong Kong and China, and 'Ip Man' went on to find favor with audiences worldwide. Donnie also received a Best Actor nomination at the Hong Kong Film Awards.
'Ip Man' confirmed Donnie's position as China's greatest action hero, and he was immediately signed to lead a strong ensemble cast for Teddy Chen's 'Bodyguards and Assassins', produced by Peter Chan. Besides his on-screen performance, Donnie was also called on to choreograph the dynamic duel between himself and MMA champion Cung Le. The movie went on to sweep the board at the Hong Kong Film Awards winning Best Film, among many other prizes. Yen himself was nominated for Best Actor at the Chinese Hundred Flower awards.
Yen followed this with 'Ip Man 2', a rare example of a sequel that proved a match for its predecessor. The film followed Ip's life journey to Hong Kong, where he faces both rival kung fu masters, led by the film's choreographer, Sammo Hung, and a brutal foreign boxer, portrayed by the late Darren Shahlavi. 'Ip Man 2' was the biggest local hit of the year in China, and enjoyed a limited theatrical release in the US.
The film's success led to Donnie being cast as a number of legendary Chinese heroes: He played General Qin-long in Daniel Lee's '14 Blades', Guan Yu in 'The Lost Bladesman' and reprised Bruce Lee's Chen Zhen role in Andrew Lau's 'Legend of the Fist'. Yen also used the lighter side of his screen persona to good effect in two installments of the hit Hong Kong comedy movie series 'Alls Well Ends Well'.
Yen was cast opposite Tang Wei and Takeshi Kaneshiro in director Peter Chan's 'Wu Xia' (aka 'Dragon'), a dark, elegant period martial arts murder mystery. The film premiered to great acclaim at the 2011 Cannes Film Festival, and subsequently received a North American theatrical release from The Weinstein Company.
Donnie Yen played 'The Monkey King' in a hit reimagining of the Chinese classic. Donnie starred opposite screen legend Chow Yun-fat in the film, which smashed box office records in Mainland China.
Showing his versatility, Yen went on to play a kung fu master facing challenges in the modern era in director Teddy Chen's 'Kung Fu Jungle'. The movie, which premiered at the London Film Festival, paid tribute to the great history of Hong Kong martial arts cinema.
During the shooting of his ambitious, time travel themed action fantasy 'Iceman 3D', Yen was approached to revitalize the greatest brand in the history of Chinese martial arts cinema. 'Crouching Tiger, Hidden Dragon: Sword of Destiny' was shot primarily on location in New Zealand, with Yen in the lead role. The world class creative team gathered by producer Harvey Weinstein included legendary kung fu film director Yuen Woo-ping, acclaimed directors Peter Berg and Morten Tyldum (as producers), 'X-Men' series DP Tom Sigel as well as the Oscar-winning production, costume and FX designers from the 'Lord of the Rings' and 'Hobbit' film series.
The film debuted in most international territories as a Netflix Original movie, making it the most widely seen wu xia of all time. 'Crouching Tiger, Hidden Dragon: The Sword of Destiny' also played at selected Imax theatres in North America, and enjoyed a wide theatrical release in China, where it was screened in its 3D version.
Yen reteamed with his former mentor Yuen Woo-ping for the hugely popular 'Ip Man 3'. The film, with Wilson Ip as director and Yuen as choreographer, pitted the title character against legendary boxing champion Mike Tyson. The film out-performed all the previous movies featuring the character of Ip Man, smashing box office records throughout Asia. Following a high profile Los Angeles premiere, 'Ip Man 3' enjoyed a Los Angeles premiere and a US theatrical release, earning rave reviews in the mainstream American media.
Having conquered every territory beneath the Asian skies, Donnie accepted an invitation to join the cast of an entry in the world's biggest film franchise. In 'Rogue One: A Star Wars Story', Yen plays one of the Rebel warriors responsible for the theft of the Death Star plans, the adventure that, within the 'Star Wars' universe, leads to the events of the very first film in the series. The film was shot primarily at the famed Elstree Studios in England.
Donnie had a role opposite Vin Diesel and his fellow Asian action star, Tony Jaa, in xXx: Return of Xander Cage (2017), which filmed in Toronto, Canada.
Now firmly established as a leading player across the globe, Donnie Yen continues to present a unique blend of Eastern experience and Western innovation, of musical grace with martial impact, from Hong Kong to a galaxy far, far away....
Donnie is one of the leading martial arts choreographers in the world of action cinema. His skills behind the camera began developing from his early days in the industry, and he was very much involved with the action choreography of his films for D&B Films. He received his first full action directing credit on the Michelle Yeoh, kung fu drama 'Wing Chun', in which he also starred.
Yen further developed his style of choreography in the high pressure world of Hong Kong television, where he created the action for his hit series 'Kung Fu Master' and 'Fist of Fury', and as a low-budget film-maker, when he directed, starred in and choreographed the movies 'Legend of the Wolf' and 'Ballistic Kiss'.
It was after Yen had helmed his first two Chinese features that Hollywood made its first serious bid for his services. He was signed to co-star in and action direct 'Highlander: Endgame', the latest in a series of fantasy actioners. The film, which starred Adrian Paul and Christopher Lambert, was produced by the US studio Dimension, and enjoyed a successful worldwide theatrical release.
Having relocated to Los Angeles, Yen paid his dues by directing action scenes for the Dimension action thriller 'Stormbreaker' and providing the fight sequences for the German TV series 'The Puma'.
Donnie agreed to both action direct and cameo in the major New Line action franchise entry 'Blade 2', starring Wesley Snipes. The film, directed by Guillermo del Toro, was a huge hit, earning almost twice the box office of the original 'Blade'.
Returning to Hong Kong, Yen found he now had a major contribution to make behind the camera, co-directing the SFX action adventure 'The Twins Effect'. The film, which starred two of China's top pop idols, told the tale of young vampire hunters with well-honed martial arts skills. A huge hit for Emperor, the film earned Yen his first Best Action Director prize at the Hong Kong Film Awards.
'The Twins Effect' saw Donnie start to introduce elements of MMA (Mixed Martial Arts) in his film fight scenes. He took the on-screen depiction of the style to new heights with the film 'SPL', released in the US as 'Kill Zone'. Yen's final reel duel with Sammo Hung is now regarded as a classic of the genre. The film won Donnie his second Best Action Choreography prize at the Hong Kong Film Awards.
He took his on-screen depiction of MMA to new heights in 'Flashpoint', which featured an even longer and more intense final showdown, this time between Yen and 'Matrix Reloaded' actor Collin Chou. The film won Donnie his third Best Action Choreography prize at the Hong Kong Film Awards, as well as a prize for Best Action in a Foreign Language Film at the Taurus Awards.
Yen explored different styles of screen combat when he choreographed the stunning kung fu fights for the period actioners 'Legend of the Fist' and 'The Lost Bladesman', the fantasy combat for 'The Monkey King' and the time travel adventure 'Iceman Cometh 3D'.
Many fans feel that Yen delivered his best choreographic work to date in Peter Chan's masterful 'Wu Xia', released in the US as 'Dragon'. The film saw Donnie bring his own unique flair to classical Shaw Bros style kung fu action.
Donnie brought traditional Chinese martial arts into the modern era with 'Kung Fu Jungle', for which his work won yet another Best Choreography prize at the Hong Kong Film Awards.
Away from the cameras, Yen entered into the most rewarding partnership of his life when he married former beauty queen, Cissy Wang. The couple now has two children, a girl and boy, Jasmine and James.- Actor
- Writer
- Additional Crew
Bruce Lee remains the greatest icon of martial arts cinema and a key figure of modern popular media. Had it not been for Bruce Lee and his movies in the early 1970s, it's arguable whether or not the martial arts film genre would have ever penetrated and influenced mainstream North American and European cinema and audiences the way it has over the past four decades. The influence of East Asian martial arts cinema can be seen today in so many other film genres including comedies, action, drama, science fiction, horror and animation... and they all have their roots in the phenomenon that was Bruce Lee.
Lee was born Lee Jun Fan November 27, 1940 in San Francisco, the son of Lee Hoi Chuen, a singer with the Cantonese Opera. Approximately one year later, the family returned to Kowloon in Hong Kong and at the age of five, a young Bruce begins appearing in children's roles in minor films including The Birth of Mankind (1946) and Fu gui fu yun (1948). At the age of 12, Bruce commenced attending La Salle College. Bruce was later beaten up by a street gang, which inspired him to take up martial arts training under the tutelage of Sifu Yip Man who schooled Bruce in wing chun kung fu for a period of approximately five years. This was the only formalized martial arts training ever undertaken by Lee. The talented and athletic Bruce also took up cha-cha dancing and, at age 18, won a major dance championship in Hong Kong.
However, his temper and quick fists got him in trouble with the Hong Kong police on numerous occasions. His parents suggested that he head off to the United States. Lee landed in San Francisco's Chinatown in 1959 and worked in a close relative's restaurant. He eventually made his way to Seattle, Washington, where he enrolled at university to study philosophy and found the time to practice his beloved kung fu techniques. In 1963, Lee met Linda Lee Cadwell (aka Linda Emery) (later his wife) and also opened his first kung fu school at 4750 University Way. During the early half of the 1960s, Lee became associated with many key martial arts figures in the United States, including kenpo karate expert Ed Parker and tae kwon do master Jhoon Rhee. He made guest appearances at notable martial arts events including the Long Beach Nationals. Through one of these tournaments Bruce met Hollywood hair-stylist Jay Sebring who introduced him to television producer William Dozier. Based on the runaway success of Batman (1966), Dozier was keen to bring the cartoon character the Green Hornet to television and was on the lookout for an East Asian actor to play the Green Hornet's sidekick, Kato. Around this time Bruce also opened a second kung fu school in Oakland, California and relocated to Oakland to be closer to Hollywood.
Bruce's screen test was successful, and The Green Hornet (1966) starring Van Williams aired in 1966-1967 with mixed success. His fight scenes were sometimes obscured by unrevealing camera angles, but his dedication was such that he insisted his character behave like a perfect bodyguard, keeping his eyes on whoever might be a threat to his employer except when the script made this impossible. The show was canceled after only one season (twenty-six episodes), but by this time Lee was receiving more fan mail than the series' nominal star. He then opened a third branch of his kung fu school in Los Angeles and began providing personalized martial arts training to celebrities including film stars Steve McQueen and James Coburn as well as screenwriter Stirling Silliphant. In addition he refined his prior knowledge of wing chun and incorporated aspects of other fighting styles such as traditional boxing and Okinawan karate. He also developed his own unique style Jeet Kune Do (Way of the Intercepting Fist). Another film opportunity then came his way as he landed the small role of a stand over man named Winslow Wong who intimidates private eye James Garner in Marlowe (1969). Wong pays a visit to Garner and proceeds to demolish the investigator's office with his fists and feet, finishing off with a spectacular high kick that shatters the light fixture. With this further exposure of his talents, Bruce then scored several guest appearances as a martial arts instructor to blind private eye James Franciscus on the television series Longstreet (1971).
With his minor success in Hollywood and money in his pocket, Bruce returned for a visit to Hong Kong and was approached by film producer Raymond Chow who had recently started Golden Harvest productions. Chow was keen to utilize Lee's strong popularity amongst young Chinese fans, and offered him the lead role in The Big Boss (1971). In it, Lee plays a distant cousin coming to join relatives working at an ice house, where murder, corruption, and drug-running lead to his character's adventures and display of Kung-Fu expertise. The film was directed by Wei Lo, shot in Thailand on a very low budget and in terrible living conditions for cast and crew. However, when it opened in Hong Kong the film was an enormous hit. Chow knew he had struck box office gold with Lee and quickly assembled another script entitled Fist of Fury (1972). The second film (with a slightly bigger budget) was again directed by Wei Lo and was set in Shanghai in the year 1900, with Lee returning to his school to find that his beloved master has been poisoned by the local Japanese karate school. Once again he uncovers the evildoers and sets about seeking revenge on those responsible for murdering his teacher and intimidating his school. The film features several superb fight sequences and, at the film's conclusion, Lee refuses to surrender to the Japanese police and seemingly leaps to his death in a hail of police bullets.
Once more, Hong Kong streets were jammed with thousands of fervent Chinese movie fans who could not get enough of the fearless Bruce Lee, and his second film went on to break the box office records set by the first! Lee then set up his own production company, Concord Productions, and set about guiding his film career personally by writing, directing and acting in his next film, The Way of the Dragon (1972). A bigger budget meant better locations and opponents, with the new film set in Rome, Italy and additionally starring hapkido expert In-shik Hwang, karate legend Robert Wall and seven-time U.S. karate champion Chuck Norris. Bruce plays a seemingly simple country boy sent to assist at a cousin's restaurant in Rome and finds his cousins are being bullied by local thugs for protection.
By now, Lee's remarkable success in East Asia had come to the attention of Hollywood film executives and a script was hastily written pitching him as a secret agent penetrating an island fortress. Warner Bros. financed the film and also insisted on B-movie tough guy John Saxon starring alongside Lee to give the film wider appeal. The film culminates with another show-stopping fight sequence between Lee and the key villain, Han, in a maze of mirrors. Shooting was completed in and around Hong Kong in early 1973 and in the subsequent weeks Bruce was involved in completing overdubs and looping for the final cut. Various reports from friends and co-workers cite that he was not feeling well during this period and on July 20, 1973 he lay down at the apartment of actress Betty Ting Pei after taking a headache medicine called Equagesic and was later unable to be revived. A doctor was called and Lee was taken to hospital by ambulance and pronounced dead that evening. The official finding was death due to a cerebral edema, caused by a reaction to the headache tablet Equagesic.
Fans worldwide were shattered that their virile idol had passed at such a young age, and nearly thirty thousand fans filed past his coffin in Hong Kong. A second, much smaller ceremony was held in Seattle, Washington and Bruce was laid to rest at Lake View Cemetary in Seattle with pall bearers including Steve McQueen, James Coburn and Dan Inosanto. Enter the Dragon (1973) was later released in the mainland United States, and was a huge hit with audiences there, which then prompted National General films to actively distribute his three prior movies to U.S. theatres... each was a box office smash.
Fans throughout the world were still hungry for more Bruce Lee films and thus remaining footage (completed before his death) of Lee fighting several opponents including Dan Inosanto, Hugh O'Brian and Kareem Abdul-Jabbar was crafted into another film titled Game of Death (1978). The film used a lookalike and shadowy camera work to be substituted for the real Lee in numerous scenes. The film is a poor addition to the line-up and is only saved by the final twenty minutes and the footage of the real Bruce Lee battling his way up the tower. Amazingly, this same shoddy process was used to create Game of Death II (1980), with a lookalike and more stunt doubles interwoven with a few brief minutes of footage of the real Bruce Lee.
Tragically, his son Brandon Lee, an actor and martial artist like his father, was killed in a freak accident on the set of The Crow (1994). Bruce Lee was not only an amazing athlete and martial artist but he possessed genuine superstar charisma and through a handful of films he left behind an indelible impression on the tapestry of modern cinema.- Actor
- Director
- Cinematographer
When hunky, twenty-year-old heart-throb Heath Ledger first came to the attention of the public in 1999, it was all too easy to tag him as a "pretty boy" and an actor of little depth. He spent several years trying desperately to sway this image, but this was a double-edged sword. His work comprised nineteen films, including 10 Things I Hate About You (1999), The Patriot (2000), A Knight's Tale (2001), Monster's Ball (2001), Ned Kelly (2003), The Brothers Grimm (2005), Lords of Dogtown (2005), Brokeback Mountain (2005), Casanova (2005), Candy (2006), I'm Not There (2007), The Dark Knight (2008) and The Imaginarium of Doctor Parnassus (2009). He also produced and directed music videos and aspired to be a film director.
Heath Ledger was born on the fourth of April 1979, in Perth, Western Australia, to Sally (Ramshaw), a teacher of French, and Kim Ledger, a mining engineer who also raced cars. His ancestry was Scottish, English, Irish, and Sephardi Jewish. As the story goes, in junior high school it was compulsory to take one of two electives, either cooking or drama. As Heath could not see himself in a cooking class he tried his hand at drama. Heath was talented, however the rest of the class did not acknowledge his talent. When he was seventeen he and a friend decided to pack up, leave school, take a car and rough it to Sydney. Heath believed Sydney to be the place where dreams were made or, at least, where actors could possibly get their big break. Upon arriving in Sydney with a purported sixty-nine cents to his name, Heath tried everything to get a break.
His first real acting job came in a low-budget movie called Blackrock (1997), a largely unimpressive cliché; an adolescent angst film about one boy's struggle when he learns his best mate raped a girl. He only had a very small role in the film. After that small role Heath auditioned for a role in a T.V. show called Sweat (1996) about a group of young Olympic hopefuls. He was offered one of two roles, one as a swimmer, another as a gay cyclist. Heath accepted the latter because he felt to really stand out as an actor one had to accept unique roles that stood out from the bunch. It got him small notice, but unfortunately the show was quickly axed, forcing him to look for other roles. He was in Home and Away (1988) for a very short period, in which he played a surfer who falls in love with one of the girls of Summer Bay. Then came his very brief role in Paws (1997), a film which existed solely to cash in on guitar prodigy Nathan Cavaleri's brief moment of fame, where he was the hottest thing in Australia. Heath played a student in the film, involved in a stage production of a Shakespeare play, in which he played "Oberon". A very brief role, this offered him a small paycheck but did nothing to advance his career. Then came Two Hands (1999). He went to the U.S. trying to audition for film roles, showcasing his brief role in Roar (1997) opposite then unknown Vera Farmiga.
Then Australian director Gregor Jordan auditioned him for the lead in Two Hands (1999), which he got. An in your face Aussie crime thriller, Two Hands (1999) was outstanding and helped him secure a role in 10 Things I Hate About You (1999). After that, it seemed Heath was being typecast as a young hunk, which he did not like, so he accepted a role in a very serious war drama The Patriot (2000).
What followed was a stark inconsistency of roles, Ledger accepting virtually every single character role, anything to avoid being typecast. Some met with praise, like his short role in Monster's Ball (2001), but his version of Ned Kelly (2003) was an absolute flop, which led distributors hesitant to even release it outside Australia. Heath finally had deserved success with his role in Brokeback Mountain (2005). For his portrayal of Ennis Del Mar in in the film, Ledger won the New York Film Critics Circle Award for Best Actor and Best International Actor from the Australian Film Institute, and was nominated for the BAFTA Award for Best Actor in a Leading Role and for the Academy Award for Best Actor.
Ledger was found dead on January 22, 2008 in his apartment in the Manhattan neighborhood of SoHo, with a bottle of prescription sleeping pills near-by. It was concluded weeks later that he died of an accidental overdose of prescription drugs that included pain-killers, sleeping pills and anti-anxiety medication. His death occurred during editing of The Dark Knight (2008) and in the midst of filming his last role as Tony in The Imaginarium of Doctor Parnassus (2009).
Posthumously, he shared the 2007 Independent Spirit Robert Altman Award with the rest of the ensemble cast, the director, and the casting director for the film I'm Not There (2007), which was inspired by the life and songs of American singer-songwriter Bob Dylan. In the film, Ledger portrayed a fictional actor named Robbie Clark, one of six characters embodying aspects of Dylan's life and persona.
A few months before his death, Ledger had finished filming his performance as the Joker in 'The Dark Knight (2008). His untimely death cast a somber shadow over the subsequent promotion of the $185 million Batman production. Ledger received more than thirty posthumous accolades for his critically acclaimed performance as the Joker, the psychopathic clown prince of crime, in the film, including the Academy Award for Best Supporting Actor, a Best Actor International Award at the 2008 Australian Film Institute Awards (for which he is the second actor to win an acting award posthumously after Peter Finch who won an Oscar for Network (Best Actor 1977)), the 2008 Los Angeles Film Critics Association Award for Best Supporting Actor, the 2009 Golden Globe Award for Best Supporting Actor - Motion Picture, and the 2009 BAFTA Award for Best Supporting Actor.- Actor
- Producer
- Art Department
Andy Lau Tak-wah, (born 27 September 1961) is a Hong Kong actor, singer-songwriter, presenter, and film producer. Lau has been one of Hong Kong's most commercially successful film actors since the mid-1980s, performing in more than 160 films while maintaining a successful singing career at the same time. In the 1990s, Lau was branded by the media as one of the Four Heavenly Kings of Cantopop. Lau was entered into the Guinness World Records for the "Most Awards Won by a Cantopop Male Artist". By April 2000, he had already won a total unprecedented 292 awards. In 2005, Lau was awarded "No.1 Box office Actor 1985-2005" of Hong Kong, yielding a total box office of HKD 1,733,275,816 for shooting 108 films in the past 20 years. In 2007, Lau was also awarded the "Nielsen Box Office Star of Asia" by the Nielsen Company.- Actor
- Producer
- Camera and Electrical Department
Gerard James Butler was born in Paisley, Scotland, to Margaret and Edward Butler, a bookmaker. His family is of Irish origin. Gerard spent some of his very early childhood in Montreal, Quebec, but was mostly raised, along with his older brother and sister, in his hometown of Paisley. His parents divorced when he was a child, and he and his siblings were raised primarily by their mother, who later remarried. He had no contact with his father between the ages of two and 16 years old, after which time they became close. His father passed away when Gerard was in his early 20s. Butler went on to attend Glasgow University, where he studied to be a lawyer/solicitor. He was president of the school's law society thanks to his outgoing personality and great social skills.
His acting career began when he was approached in a London coffee shop by actor Steven Berkoff, who later appeared alongside Butler in Attila (2001), who gave him a role in a stage production of "Coriolanus" (later, Butler played Tullus Aufidius in a big screen Coriolanus (2011). After that, Butler decided to give up law for acting. He was cast as Ewan McGregor's character "Renton" in the stage adaptation of Trainspotting. His film debut was as Billy Connolly's younger brother in Mrs. Brown (1997). While filming the movie in Scotland, he was enjoying a picnic with his mother near the River Tay when they heard the shouts of a young boy, who had been swimming with a friend, who was in some trouble. Butler jumped in and saved the young boy from drowning. He received a Certificate of Bravery from the Royal Humane Society. He felt he only did what anyone in the situation would have done.
His film career continued with small roles, first in the "James Bond" movie, Tomorrow Never Dies (1997), and then Russell Mulcahy's Tale of the Mummy (1998). In 2000, Butler was cast in two breakthrough roles, the first being "Attila the Hun" in the USA Network mini-series, Attila (2001). The film's producers wanted a known actor to play the part but kept coming back to Butler's screen tests and decided he was their man. He had to lose the thick Scottish accent, but managed well. Around the time "Attila" was being filmed, casting was in progress for Wes Craven's new take on the "Dracula" legacy. Also wanting a known name, Butler wasn't much of a consideration, but his unending tenacity drove him to hounding the producers. Eventually, he sent them a clip of his portrayal of "Attila". Evidently, they saw something because Dracula 2000 (2000) was cast in the form of Butler. Attila's producers, thinking that his big-screen role might help with their own film's ratings, finished shooting a little early so he could get to work on Dracula 2000 (2000). Following these two roles, Butler developed quite a fan base, and began appearing on websites and fancasts everywhere.
Since then, he has appeared in Reign of Fire (2002) as "Creedy" and Lara Croft: Tomb Raider - The Cradle of Life (2003) as "Terry Sheridan", alongside Angelina Jolie. The role that garnered him the most attention from both moviegoers and movie makers, alike, was that of "Andre Marek" in the big-screen adaptation of Michael Crichton's novel, Timeline (2003). Butler played an archaeologist who was sent back in time with a team of students to rescue a colleague. Last year, he appeared in Andrew Lloyd Webber's musical, The Phantom of the Opera (2004), playing the title character in the successful adaptation of the stage musical. It was a role that brought him much international attention. Other projects include Dear Frankie (2004), The Game of Their Lives (2005) and Beowulf & Grendel (2005).
In 2007, he starred as Spartan "King Leonidas" in the Warner Bros. production 300 (2006), based on the Frank Miller graphic novel, and Shattered (2007), co-starring Pierce Brosnan and Maria Bello, which aired on network TV under the title, "Shattered". He also starred in P.S. I Love You (2007), with Academy Award-winner Hilary Swank.
In 2007, he appeared in Nim's Island (2008) and RocknRolla (2008), and completed the new Mark Neveldine / Brian Taylor film, Gamer (2009). His next films included The Ugly Truth (2009), co-starring Katherine Heigl, which began filming in April 2008, The Bounty Hunter (2010), How to Train Your Dragon (2010), Chasing Mavericks (2012) and Olympus Has Fallen (2013). In recent years, he has appeared in films such as Gods of Egypt (2016), Geostorm (2017), Den of Thieves (2018), The Vanishing (2018) and Hunter Killer (2018). Butler is related to writer-director Mark Flood.- Producer
- Actor
- Writer
Thomas Jeffrey Hanks was born in Concord, California, to Janet Marylyn (Frager), a hospital worker, and Amos Mefford Hanks, an itinerant cook. His mother's family, originally surnamed "Fraga", was entirely Portuguese, while his father was of mostly English ancestry. Tom grew up in what he has called a "fractured" family. He moved around a great deal after his parents' divorce, living with a succession of step-families. No problems, no alcoholism - just a confused childhood. He has no acting experience in college and credits the fact that he could not get cast in a college play with actually starting his career. He went downtown, and auditioned for a community theater play, was invited by the director of that play to go to Cleveland, and there his acting career started.
Ron Howard was working on Splash (1983), a fantasy-comedy about a mermaid who falls in love with a business executive. Howard considered Hanks for the role of the main character's wisecracking brother, which eventually went to John Candy. Instead, Hanks landed the lead role and the film went on to become a surprise box office success, grossing more than $69 million. After several flops and a moderate success with the comedy Dragnet (1987), Hanks' stature in the film industry rose. The broad success with the fantasy-comedy Big (1988) established him as a major Hollywood talent, both as a box office draw and within the film industry as an actor. For his performance in the film, Hanks earned his first Academy Award nomination as Best Actor.
Hanks climbed back to the top again with his portrayal of a washed-up baseball legend turned manager in A League of Their Own (1992). Hanks has stated that his acting in earlier roles was not great, but that he subsequently improved. In an interview with Vanity Fair, Hanks noted his "modern era of movie making ... because enough self-discovery has gone on ... My work has become less pretentiously fake and over the top". This "modern era" began for Hanks, first with Sleepless in Seattle (1993) and then with Philadelphia (1993). The former was a blockbuster success about a widower who finds true love over the radio airwaves. Richard Schickel of Time magazine called his performance "charming", and most critics agreed that Hanks' portrayal ensured him a place among the premier romantic-comedy stars of his generation.
In Philadelphia, he played a gay lawyer with AIDS who sues his firm for discrimination. Hanks lost 35 pounds and thinned his hair in order to appear sickly for the role. In a review for People, Leah Rozen stated, "Above all, credit for Philadelphia's success belongs to Hanks, who makes sure that he plays a character, not a saint. He is flat-out terrific, giving a deeply felt, carefully nuanced performance that deserves an Oscar." Hanks won the 1993 Academy Award for Best Actor for his role in Philadelphia. During his acceptance speech, he revealed that his high school drama teacher Rawley Farnsworth and former classmate John Gilkerson, two people with whom he was close, were gay.
Hanks followed Philadelphia with the blockbuster Forrest Gump (1994) which grossed a worldwide total of over $600 million at the box office. Hanks remarked: "When I read the script for Gump, I saw it as one of those kind of grand, hopeful movies that the audience can go to and feel ... some hope for their lot and their position in life ... I got that from the movies a hundred million times when I was a kid. I still do." Hanks won his second Best Actor Academy Award for his role in Forrest Gump, becoming only the second actor to have accomplished the feat of winning consecutive Best Actor Oscars.
Hanks' next role - astronaut and commander Jim Lovell, in the docudrama Apollo 13 (1995) - reunited him with Ron Howard. Critics generally applauded the film and the performances of the entire cast, which included actors Kevin Bacon, Bill Paxton, Gary Sinise, Ed Harris, and Kathleen Quinlan. The movie also earned nine Academy Award nominations, winning two. Later that year, Hanks starred in Disney/Pixar's computer-animated film Toy Story (1995), as the voice of Sheriff Woody. A year later, he made his directing debut with the musical comedy That Thing You Do! (1996) about the rise and fall of a 1960s pop group, also playing the role of a music producer.
As of 2022, Hanks is 66-years-old. He has never retired from acting, and has remained active in the film industry for more than four decades.- Actor
- Producer
- Writer
Robert Downey Jr. has evolved into one of the most respected actors in Hollywood. With an amazing list of credits to his name, he has managed to stay new and fresh even after over four decades in the business.
Downey was born April 4, 1965 in Manhattan, New York, the son of writer, director and filmographer Robert Downey Sr. and actress Elsie Downey (née Elsie Ann Ford). Robert's father is of half Lithuanian Jewish, one quarter Hungarian Jewish, and one quarter Irish, descent, while Robert's mother was of English, Scottish, German, and Swiss-German ancestry. Robert and his sister, Allyson Downey, were immersed in film and the performing arts from a very young age, leading Downey Jr. to study at the Stagedoor Manor Performing Arts Training Center in upstate New York, before moving to California with his father following his parents' 1978 divorce. In 1982, he dropped out of Santa Monica High School to pursue acting full time. Downey Sr., himself a drug addict, exposed his son to drugs at a very early age, and Downey Jr. would go on to struggle with abuse for decades.
Downey Jr. made his debut as an actor at the age of five in the film Pound (1970), written and directed by his father, Robert Downey Sr.. He built his film repertoire throughout the 1980s and 1990s with roles in Tuff Turf (1985), Weird Science (1985), True Believer (1989), and Wonder Boys (2000) among many others. In 1992, Downey received an Academy Award nomination and won the BAFTA (British Academy Award) for Best Actor for his performance in the title role of Chaplin (1992).
In Robert Altman's Short Cuts (1993), he appeared as an aspiring film make-up artist whose best friend commits murder. In Oliver Stone's Natural Born Killers (1994), with Woody Harrelson and Juliette Lewis, Downey starred as a tabloid TV journalist who exploits a murderous couple's killing spree to boost his ratings. For the comedy Heart and Souls (1993), Downey starred as a young man with a special relationship with four ghosts. In 1995, Downey starred in Restoration (1995), with Hugh Grant, Meg Ryan and Ian McKellen, directed by Michael Hoffman. Also that year, he starred in Richard III (1995), in which he appears opposite his Restoration (1995) co-star McKellen.
In 1997, Downey was seen in Robert Altman's The Gingerbread Man (1998), alongside Kenneth Branagh, Daryl Hannah and Embeth Davidtz; in One Night Stand (1997), directed by Mike Figgis and starring Wesley Snipes and Nastassja Kinski; and in Hugo Pool (1997), directed by his father, Robert Downey Sr. and starring Sean Penn and Patrick Dempsey. In September of 1999, Downey appeared in Black & White (1999), written and directed by James Toback, along with Ben Stiller, Elijah Wood, Gaby Hoffmann, Brooke Shields and Claudia Schiffer. In January of 1999, he starred with Annette Bening and Aidan Quinn in In Dreams (1999), directed by Neil Jordan.
In 2000, Downey co-starred with Michael Douglas and Tobey Maguire in Wonder Boys (2000), directed by Curtis Hanson. In this dramatic comedy, Downey played the role of a bisexual literary agent. In 2001, Downey made his prime-time television debut when he joined the cast of the Fox-TV series Ally McBeal (1997) as attorney "Larry Paul". For this role, he won the Golden Globe Award for Best Performance by an Actor in a Supporting Role in a Series, Mini-Series or Motion Picture Made for Television, as well as the Screen Actors Guild Award for Outstanding Performance by a Male in a Comedy Series. In addition, Downey was nominated for an Emmy for Outstanding Supporting Actor in a Comedy Series.
The actor's drug-related problems escalated from 1996 to 2001, leading to arrests, rehab visits and incarcerations, and he was eventually fired from Ally McBeal (1997). Emerging clean and sober in 2003, Downey Jr. began to rebuild his career.
He marked his debut into music with his debut album, titled "The Futurist", on the Sony Classics Label on November 23rd, 2004. The album's eight original songs, that Downey wrote, and his two musical numbers debuting as cover songs revealed his sultry singing voice and his musical talents. Downey displayed his versatility in two different films in October 2003: the musical/drama The Singing Detective (2003), a remake of the BBC hit of the same name, and the thriller Gothika (2003) starring Halle Berry and Penélope Cruz. Downey starred in powerful yet humbling roles inspired by real-life accounts of some of history's most precious kept secrets, including Richard Linklater's A Scanner Darkly (2006) in 2006 co-starring Keanu Reeves, Winona Ryder and Woody Harrelson, and Fur: An Imaginary Portrait of Diane Arbus (2006) co-starring Nicole Kidman, a film inspired by the life of Diane Arbus, the revered photographer whose images captured attention in the early 1960s. These roles exhibited Downey's momentum from the previous year of 2005, in which he starred in the Academy Award®-nominated feature film Good Night, and Good Luck. (2005), directed by George Clooney and in Shane Black's action comedy Kiss Kiss Bang Bang (2005) co-starring Val Kilmer. In 2007, he co-starred in David Fincher's suspenseful Zodiac (2007), alongside Jake Gyllenhaal and Mark Ruffalo, about the notorious serial killer who haunted San Francisco during the 1970s.
In May 2008, Downey achieved critical acclaim and worldwide box office success for his starring role in Iron Man (2008), Jon Favreau's big-screen rendering of the Marvel comic book superhero. The film co-starred Gwyneth Paltrow, Jeff Bridges and Terrence Howard. In August of 2008, Downey starred with Ben Stiller and Jack Black in the comedy Tropic Thunder (2008), and went on to receive an Academy Award®-nomination for Best Supporting Actor for his, Kirk Lazarus.
In December 2009, Downey starred in the action-adventure Sherlock Holmes (2009). The film, directed by Guy Ritchie, co-starred Jude Law and Rachel McAdams and earned Downey a Golden Globe for Best Performance by an Actor in a Motion Picture - Comedy or Musical in January of 2010. In early Summer 2010, Downey re-teamed with director Jon Favreau and reprised his role as "Tony Stark/Iron Man" in the hugely successful sequel to the original film, Iron Man 2 (2010), starring Gwyneth Paltrow, Scarlett Johansson, Samuel L. Jackson and Mickey Rourke.
Downey next starred in Due Date (2010), a comedy directed by Todd Phillips, in which he plays the role of an expectant father on a road trip racing to get back in time for the birth of his first child. Due Date (2010), starring The Hangover (2009)'s Zach Galifianakis, was released in November 2010.
Downey was honored by Time Magazine's "Time 100" in 2008, an annual list of the 100 most influential people in the world. His laurels include two Academy Award nominations, three Golden Globe wins, numerous other award nominations and wins, and tremendous popular and commercial success, particularly in his roles as Sherlock Holmes and Tony Stark (the latter of which he has so far played in Iron Man (2008), Iron Man 2 (2010), The Avengers (2012), Iron Man 3 (2013), and Avengers: Age of Ultron (2015). For three consecutive years, from 2012 to 2015, Downey has topped the Forbes list of Hollywood's highest-paid actors, making an estimated $80 million in earnings between June 2014 and June 2015.
In 2005, Downey Jr. married Susan Downey, with whom he has two children. Downey also has another son, Indio Falconer Downey, born 1993, from his first marriage to Deborah Falconer, from whom he was officially divorced in 2004.
Robert has jump-started the Team Downey Production Company with wife Susan Downey.