Noir: International 2 Noir Films: *Actresses and Their Movies.
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Swedish actress Noomi Rapace was born in Hudiksvall, Gävleborgs län, Sweden to Swedish actress Nina Norén and Spanish Flamenco singer Rogelio de Badajoz (Rogelio Durán). Her parents did not stay together, and when she was five she moved to Iceland with her mother and stepfather, where she lived for three years. When she was eight she was cast in a small role in the Icelandic film 'Í skugga hrafnsins', and this sparked her love of acting. At 15 she left home and joined the Stockholm Theatre School.
Rapace won the recurring role of Lucinda Gonzales in the Swedish TV series Tre kronor (1994), and also became a respected stage performer. She won critical acclaim for playing the leading role in 2007's Daisy Diamond (2007). In 2009, Rapace came to the attention of international audiences for her portrayal of Lisbeth Salander in The Girl with the Dragon Tattoo (2009). Her performance was widely praised, and she won the Best Actress prize at Sweden's prestigious Guldbagge Awards. She went on to reprise the role in the sequels, The Girl Who Played with Fire (2009) and The Girl Who Kicked the Hornet's Nest (2009).
Rapace made her English-language film debut in Guy Ritchie's Sherlock Holmes: A Game of Shadows (2011) alongside Robert Downey Jr. She was also cast as Elizabeth Shaw in Ridley Scott's Prometheus (2012).Sweden.
2... The Girl Who Played with Fire (2009). 2009.
The Girl Who Played With Fire.
Sweden /Denmark /Germany.
Filmed in Sweden.
2... The Girl with the Dragon Tattoo (2009). 2009.
The Girl With the Dragon Tattoo.
Sweden /Denmark /Germany /Norway.
Filmed in Spain and Sweden.- Jolanta Umecka was born on 17 March 1937 in Warsaw, Poland. She is an actress, known for Knife in the Water (1962), The Miraculous Virgin (1967) and Echo (1964).
- María Esther Buschiazzo was born in 1889. She was an actress, known for El pendiente (1951), Historia de crímenes (1942) and El fin de la noche (1944). She died in 1971.
- Maria Antonietta Farias Portocarrero was born in Rio de Janeiro on August 23, 1922. Her father, Hermenegildo Portocarrero (1894-1959), was a military man and maths teacher with a lifelong interest in show business. A close friend of the great Brazilian actor Procópio Ferreira, he was acquainted with actors, singers and musicians, and for a time was the director of Radio Nacional, the chief radio station in Rio, then capital of Brazil. Tônia had two older brothers, both military men and teachers. At a very early age, she took an interest in dancing and in sports, eventually graduating as a physical education teacher.
In 1940 she married the artist Carlos Thiré, who was already creating the comic books for which he is now recognized as a major name of the early years of comics in Brazil. The young couple's only child, the actor, director and drama teacher Cecil Thiré was born on May 28, 1943. In early 1947, she was invited to appear as one of the schoolgirls in Querida Susana (1947) (aka "Querida Suzana") (literally, "Darling Suzana"), directed by Alberto Pieralisi and starring Anselmo Duarte, who was soon to become the biggest leading man in Brazilian films. In her film debut, she had nothing to do but smile. At her insistence, however, she was given one line. When the film was completed, they asked her how she should be credited. She had no idea. Maria Antonietta Portocarrero surely didn't sound like an actress' name. She was having singing lessons at the time and told her teacher about it. The woman thought for a moment and said, "From 'Antonietta' we take 'Tônia.' By breaking the surname in two and keeping the second half, we get 'Carrero.' Your name is going to be Tônia Carrero." And so it was. For her family and closest friends, however, she has always been Mariinha, the nickname given to her when she was born.
Shortly after the making of "Querida Suzana", Thiré got a scholarship and went to Paris to study art with the famous French painter André Lothe (1885-1962). Tônia accompanied him and, once there, enrolled in an acting course named "Education par les Jeux Dramatiques", directed by the famous actor-director Jean-Louis Barrault. As she likes to recall, half of her classmates were horrified to have among them someone so cheerful and healthy in direct contrast to the somber atmosphere of those post-war years. The other half loved her precisely for that.
In December of 1947, the Thirés came back to Brazil and Tônia started looking for work. In 1948 she was invited by 'Fernando de Barros' to play the sister of his wife Maria Della Costa in his first film as a director, Caminhos do Sul (1949) (lit. "Paths of the South"). When the film was released, in late 1949, the two actresses were praised for their beauty, presence, and adroit acting. Fernando then cast Tônia as the lead in Quando a Noite Acaba (1950) (lit. "When the Night Is Over"), made in 1949, right after "Caminhos do Sul." The story was set in Rio and the film was released in that city first. To the director's great annoyance, when it was later shown in São Paulo the title was changed to "Perdida pela Paixão" (lit. "Lost by Passion"), which, besides being misleading, has often caused the two titles to appear in the filmographies of cast and crew as two different films.
Whatever the title, the film did well and Tônia's performance was hailed as a great accomplishment for its lack of pretense and its amazing blend of intensity and restraint, audiences being very impressed by her awesome death scene at the end. She got the admiration of critics and audiences alike for being a stunningly beautiful woman who didn't rest on that, one critic (Décio Vieira Ottoni) going as far as calling her performance "the best by any actress ever seen in Brazilian films so far."
December 13, 1949 became a historical date for the Brazilian theater. On that day, at Rio's Teatro Copacabana, Tônia Carrero and a young lawyer named Paulo Autran made their joint stage debut in "Um Deus Dormiu Lá em Casa", a comedy by the Brazilian author Guilherme Figueiredo, based on the Greek myth of Amphitryon. In the years to come, Tônia and Paulo would turn into household names for their work, together and separately, in films, on the stage, and on TV. 1949 marked the beginning of a legendary partnership that lasted until 2004 when they were seen acting together for the last time in the TV mini-series One Heart (2004) (lit. "One Heart"), as an elderly couple dining at the restaurant where the young actors and directors who were starting a new phase of the Brazilian theater in São Paulo gathered every night, in the late 1940s, the inside joke being that two of the young actors they saw at a nearby table and talked about were ... Tônia Carrero and Paulo Autran!
The creation of the Vera Cruz film company in late 1949 attracted a great number of actors and Tônia was no exception. In 1952 she was seen in the studio's most lavish production, Tico-Tico no Fubá (1952), about the life of that song's composer, Zequinha de Abreu, played by Anselmo Duarte. Tônia was Branca, the circus ballerina the composer falls in love with. The film represented Brazil in the Cannes Film Festival and, like the composer whose life it portrayed, audiences all over fell in love with the beautiful woman who rode a horse with so much skill and enchanted the whole town where the circus stayed for a while, until finding out that she too had fallen in love with the composer. The director was Adolfo Celi, an Italian actor who had come to Brazil in 1948 and in time became one of the country's most influential directors and drama teachers. During the making of the film, in 1951, they fell in love and decided to stay together. That was the end of Tônia's marriage to Carlos Thiré and Adolfo Celi's relationship with the first lady of the Brazilian theater, the celebrated actress Cacilda Becker.
Soon after the enormous success of "Tico Tico no Fubá," Tônia was seen in Fernando de Barros' Appassionata (1952), a somewhat turgid melodrama in which she played a pianist who is loved by Anselmo Duarte. The film did well in spite of mixed reviews and among all her films remains the one in which, beautifully photographed by British cinematographer Ray Sturgess, she looks more stunning. Her last film for Vera Cruz was É Proibido Beijar (1954) (lit. "Kissing Forbidden"). A light comedy directed by Ugo Lombardi, in which for the third time in a row she acted with Zbigniew Ziembinski, the father-figure of the modern Brazilian theater, the film looks dated today, its biggest asset being once again Tônia's striking beauty.
As it was being made, in 1953, pre-production began for the studio's most ambitious project, a film version of "Ana Terra", one of the segments of Érico Veríssimo's monumental epic novel "O Tempo e o Vento" ("Time and the Wind"). Tônia was to star and Celi to direct. Alas, the film was not to be. Vera Cruz collapsed, its contract players, directors, and technicians disbanded, and all that remains today are the beautiful photographic studies suggesting that Ana Terra could have been Tônia's most emblematic film role. In retrospect, Tônia's greatest moment at Vera Cruz remains the scene in "Tico Tico no Fubá" in which, as the circus caravan moves away from the small town where she had met the composer, she and Ziembinski are seen at the coachman's seat of the leading wagon, talking about how life makes you leave things behind, and how hard it can be to make choices.
With the end of hers and Celi's Vera Cruz tenure, they decided to settle in Rio, where, along with Paulo Autran, they founded the famous Tônia-Celi-Autran theater company. From 1956 to 1961, Celi directed, Tônia and Paulo starred, and some of the best actors of the day joined the cast in carefully selected plays by Shakespeare, Goldoni, Lillian Hellman, Jean-Paul Sartre, Pirandello, George Axelrod, Françoise Sagan, and Brazilian authors such as Osman Lins. The company's success was immense, to the point of extending a tour of the southern states of Brazil to Buenos Aires, where Argentinian audiences didn't seem to mind seeing "Othello" in Portuguese.
However, the theatergoers' gain was the moviegoers' loss. Her Vera Cruz days behind her, Tônia turned down an offer to make films in Italy (she dreaded the idea of being away from her son) and became essentially a stage actress. In 1955 she was seen on the screen once more, opposite Arturo de Córdova in Mãos Sangrentas (1955) (released in the US as "The Violent and the Damned"), a prison melodrama made the year before at another studio by the Argentinian director Carlos Hugo Christensen, and then went on a film hiatus of six years, during which she kept a hectic schedule of theater and TV work.
In 1960, during the company's exceptionally successful Buenos Aires season, she was invited by the illustrious director and actor Lautaro Murúa to play his wife in his own film Alias Gardelito (1961). She completed her scenes in four days at neck breaking speed so as to be able to come back to Rio where she was being expected to fulfill a theater engagement. She couldn't possibly know then that, following its release in 1961, the film she had no idea she would be making when she arrived to Buenos Aires would become a classic of the Argentinian cinema, the big irony being that, since it was never released in Brazil and this was before the VHS/DVD era, she has never seen it.
For a while it looked as if the early 1960s would be the beginning of a new phase of her work as a film actress. Early in 1961, almost back to back, she made two films, both released in 1962. First, Carnival of Crime (1962), a Brazilian-American-Argentinian co-production directed by George Cahan and starring the internationally famous French actor Jean-Pierre Aumont (released in the US in 1964 as "Carnival of Crime", the film is available on DVD). Then, Esse Rio Que Eu Amo (1962) (lit. "My Beloved Rio"), an episode film directed by Carlos Hugo Christensen, in which she played an unfaithful woman in the modern version of a story by Brazil's greatest writer, Machado de Assis.
In 1962, when "Esse Rio que Eu Amo" was released, her delicate performance and great beauty at 38 so much impressed the European producers of Copacabana Palace (1962), about to start shooting in Rio, that they offered her the juicy part of the elegant wife of a jewel thief who acted in the famous hotel of the title. Released the same year it was made, this Italian-French co-production directed by Steno (also known as Stefano Vanzina), and starring the popular Italian actor Walter Chiari, became something of a cult movie of its kind. In 1979, when Adolfo Celi came to Rio to direct her in the theater for the first time after the break-up of their marriage in 1962, he jokingly told Tônia that he had never really stopped seeing her, for every other time he turned on the TV in his Rome home, there she was in "Copacabana Palace."
In 1963 Celi had gone back to Italy, where he became an amazingly active actor in international films, his best remembered role being Emilio Largo, the villain who defies James Bond in Thunderball (1965). In 1964 Tônia married the engineer César Thedim (1930-2000), who was to have a brief career as a film producer. They separated in 1977, and she didn't marry again. Like Paulo Autran, after the end of Tônia-Celi-Autran, she founded a new theater company and went on producing and acting in plays by world-wide famous authors like Ibsen (her Nora in "A Doll's House", in which she was directed by her son, Cecil Thiré, and for which she won an award, stands as one of her stage performances people remember more fondly), Feydeau, Somerset Maugham, and Tennessee Williams, as well as Brazilian authors such as Domingos de Oliveira.
In 1967, during the military regime ("the years of lead") when censorship made life hell for those whose work had to do with theater, cinema, music, and literature, she read a play named "Navalha na Carne" (lit. "Razor in the Flesh"), by a brilliant young Brazilian author named Plínio Marcos, and decided to do it. It told the story of an aging prostitute living with her pimp in the shabby pension of a poor and dangerous neighborhood where she walked the streets every night. She can hardly get clients anymore, the pimp gets mad at her, they go through a ghastly night during which he beats her, takes all her money, humiliates her, and leaves her to her fate. Alone, she cries like hell, than pulls herself together, sits down and very calmly eats a sandwich as the curtain comes down. The play was banned by the censors and couldn't be performed anywhere in Brazil. But Tônia fought for it so ferociously and with so much intelligence that the authorities ended up thinking it wiser not to go against a woman the whole country adored, and she was granted permission to do it.
At the peak of her beauty and charm, Tônia gained weight, stopped having her hair done, developed a heavy walk and a clumsy way to move around, learned how to speak with a most ungracious croaky voice, and, under the clever direction of Fauzi Arap, came up with a performance that has become part of the history of the Brazilian theater, for which she became the first actress to win the prestigious Molière Award by unanimous vote. People went to the theater and for a moment their minds boggled. It took them a while to realize that the woman on the stage really was Tônia Carrero. Needless to say, there was a standing ovation every night.
However, when two years later the play was filmed by Braz Chediak and she was invited to repeat on screen her most famous stage role, she turned it down. As she explained, she had done the play for more than a year, all over Brazil, and it was a marvelous experience. But now she was through with it and had even done another play (Frank D. Gilroy's "The Subject Was Roses", in which she played her own son's mother). Along with the suicidal woman in Terence Rattigan's "The Deep Blue Sea", the prostitute in Plínio Marcos' play had been one of the two most straining roles she had ever played. While acting in both she felt she was using up her emotional energy. Playing the prostitute had been immensely rewarding, but she didn't want to go through it again. She suggested Glauce Rocha, one of Brazil's most gifted actresses, whom she admired and was personally very fond of. Her suggestion was accepted and "Navalha na Carne" became one of the last film credits in Glauce Rocha's sadly short career.
In late 1968 Tônia gave a fine performance as the lead in Hugo Kusnet's Tempo de Violência (1969) (lit. "Time of Violence"), a vigorous film about the risk in politically deranged times of thinking that if you mind your own business you will stay out of trouble. The film got good reviews and did well with the public. The same year it was released, Tônia appeared as an elegant 19th century French courtesan in Sangue do Meu Sangue (1969) (lit. "My Own Blood"), a TV series, or rather a "novela" (the Portuguese word to define a genre that flourished in Brazil in the 1960s and doesn't quite have an equivalent in English speaking countries, the best way to describe it being, "Imagine a mini-series, with daily episodes like all mini-series, but lasting from six to eight months").
It was the beginning of the great phase of her career as a TV actress. In 1970 she did something very few actresses in the world (if any at all) must have done. At the same time as she appeared every night on the stage as Lady MacBeth with Paulo Autran in the title role, she played the lead in Pigmalião 70 (1970), her first "novela" for TV Globo, Brazil's biggest TV studio. Such was her success in it, that all over Brazil, hairdressers had a hard time trying to make room for all the women who wanted to get a "Dona Cristina cut" (her character's name). After a number of Globo "novelas" she became tired of the hoopla and asked to be released from her contract. She decided to concentrate on her work in the theater, which was always phenomenally successful, and eventually make a film, like Mário Carneiro's Gordos e Magros (1976) (lit. "The Fat Ones and the Thin Ones"), made in early 1976 and released in 1977, in which she played the mother of her lifelong friend Carlos Kroeber. Alas, the film got bad reviews and did poorly with audiences.
She did accept to make other things for TV, like specials, or single episodes of shows like "Aplauso" (not to be confused with the 1978 Spanish series of the same title), in which a different repertory play was adapted for TV every week. But she would only make another "novela" in 1980, when author Gilberto Braga invited her to what would become one of his biggest hits, Água Viva (1980) (lit. "Jelly Fish"). At 57 she looked more beautiful than the young stars around her. As an eccentric millionairess who had a bolder, more outgoing attitude to life than people half her age, she won the hearts of a whole new generation who had heard about her but was seeing her for the first time. As a tribute to her, towards the end Braga wrote a highly dramatic scene in which, following a depressive bout triggered by the mysterious death of a dear friend, she took a whole bottle of sleeping pills and, as she played again and again an old recording of a famous French song, went on a long monologue explaining to the people she had loved and lost why she had decided to join them.
When the scene was aired, even her most unabashed fans were taken aback by how intimately and with how much intensity the actress they loved so much could relate to the camera. For some of them the scene brought back memories of her doing Jean Cocteau's "The Human Voice" live on TV, in the 1950s, directed by Adolfo Celi, with whom, she has always been very proud to say, she learned her craft.
The late 1980s and early 1990s were a sad time for the Brazilian film industry. A time of uncertainty when it became extremely difficult to raise money for any kind of project, to the point when (in 1990-91) production practically stopped. For actors, much as they all relished the idea of making films, it became the sort of thing you jump at if it comes your way, but you never count on. With Tônia it wasn't any different. With no film projects in view, at the peak of her prestige as one of the leading figures of the Brazilian theater, she enjoyed very long runs in Rio and São Paulo, as well as touring other Brazilian cities in plays such as Marguerite Duras' "L'Amante Anglaise" (once again with Paulo Autran), John Murrell's "Memoir" (as Sarah Bernhardt, with her son Cecil), William Luce's "Zelda" (as Zelda Fitzgerald), Edward Albee's "A Delicate Balance," Chekhov's "The Cherry Orchard," and "As Atrizes" ("The Actresses") by the Brazilian actor and author Juca de Oliveira.
In 1986 she appeared in "Quartett," a strange play by German author Rainer Muller, in which she played Merteuil, the vicious aristocrat of the famous classic "Les Liaisons Dangereuses," as seen many years after the events of that novel. Alone in her mansion, she talked to the ghost of her former lover Valmont (played by Sérgio Britto), in what turned out to be a tragicomic comment on modern life. Under the brilliant direction of Gerald Thomas, she came up with what was hailed as the top of her achievements as a stage actress, for which, once again she was given a Molière Award, now in the honorary category.
By now the Vera Cruz film company ("The Brazilian Hollywood") had become a legend and she was constantly asked if she didn't miss making films. She certainly did and in 1987 gladly took the chance to start again by making three films in a row. Early in the year, she joined a large number of stars (including Paulo Autran, if not with her in the same scene) who played cameo roles in Fogo e Paixão (1988) (lit "Fire and Passion"), co-directed by Marcio Kogan and Isay Weinfeld. Released in 1988, it turned out to be a fascinating film in which the big joke was to see her as a beggar after the endless series of rich, sophisticated women audiences had grown accustomed to see her play, especially on TV. Next she played the male lead's mother in Ruy Guerra's Fábula de la Bella Palomera (1988) (aka "A Bela Palomera"), a Brazilian-Spanish co-production released in 1988.
As soon as it was finished, she filmed Sonhos de Menina Moça (1988) (aka "Best Wishes"), as the matriarch of a large and rich family. An ambitious project by director Tereza Trautman, when it was generally released in 1988 after a round of international festivals, the film was poorly received and hasn't been seen much, the general line being that there were too many script problems. Late in 1988 Tônia played the grandmother telling the story in O Gato de Botas Extraterrestre (1990) (lit. "The Extraterrestrial Puss in Boots"), released in 1990. Directed by Wilson Rodrigues, this well-done film for children was her last in 16 years.
As active as ever in the theater, in 2002 she celebrated her 80th birthday on the stage, in Rio, as the old lady in Friedrich Dürrenmatt's famous play, "The Visit." During the curtain call of the first performance for the general public, after a long standing ovation, having read in the press that it was her very special birthday, the whole audience broke into a warm "Happy Birthday." Being in the cast, the author of this biography was on the stage with the others, and like them has not forgotten the expression of gratitude in the faces of the people who paid her such a spontaneous tribute. She had become what they would like to be at her age. She was a star all right, a very big one, but she was their own, tangible star, and they loved her for that.
In 2004, along with several other people who had known or worked with him, she filmed a series of interviews for Vinicius (2005), a documentary by Miguel Faria Jr. about one of her dearest friends, the poet and composer Vinicius de Moraes. Released in 2005, it turned out to be a wonderful film, getting rave reviews and setting a new box office record for a documentary. While it was still making the rounds, in 2006, Tônia worked for the first time with the young and enormously talented director Laís Bodanzky, who cast her as the old lady who comes with her lifelong companion (wonderfully played by the great Leonardo Villar) to the ballroom of the title in Chega de Saudade (2007).
Among a great number of characters (beautifully played by an impeccable cast), the events of one single evening concentrate on three couples: one very young, one middle-aged, and one elderly. When the film was generally released in 2008 (after a preview in 2007 at the Brasília Film Festival) it became a huge success. Lots of people told they had come back to see it again shortly after the first time, their favorite moment being the scene towards the end, in which, out of jealousy, the cranky old man played by Leo Villar decides to leave without saying goodbye. From the top of the stairs, Tônia stops him calling it a shame to leave like that, not simply because of the bad manners, but especially because of the defeat attitude in life.
He asks her what she expects from him. Her stern face dissolving into a beautiful smile, she says, "Dance with me!" He goes back and they dance. In a long arc shot, as the camera shows the entire cast watching them, it becomes possible to see how moved they all are to witness this absolutely magical moment. Then the camera cuts to Tônia and Leo Villar, as she kisses him saying, "I love you- I love you-"
When the film was released, perhaps because of having done it so many times while watching these two live on the stage, at the peak of their big scene audiences often burst into a very loud applause. At 84, Tônia Carrero, the film actress, had made the best film of her entire career. Just before it was released, in 2007, she made her last stage appearance to date in a play by the Russian author Alexei Arbuzov known in America as "Do You Do Somersaults?" and in England as "Old World." With her on the stage was the much loved actor Mauro Mendonça. The director was none other than her own grandson Carlos Thiré (aka Carlos Artur Thiré), whose sister, 'Luisa Thiré', and younger brother, Miguel Thiré, are also actors. While Tônia's youngest grandson, João Thiré, is pursuing a career in music, her great-grandson Vitor Thiré (Luisa's son) has already made his acting debut in the TV series "Filhos do Carnaval."
Also in 2007, a year tainted by sadness with the death of Paulo Autran, a theater was named after her in Rio, not long after she had been decorated by the Brazilian government (she had already been decorated by the French government, who made her a "Chevalier de l'Ordre des Arts et des Lettres" for making some of the best French playwrights well-known in Brazil). Then, in 2008, during the ceremony of the prestigious Shell Theater Award she was given a Life Achievement Award, presented to her by her good friend, the cartoonist Chico Caruso, and received a thunderous standing ovation that didn't seem to finish, from an audience of actors, directors, playwrights, producers, designers, journalists and friends who had loved her for longer than they could remember.
But the biggest tribute came every night from the audience that had come to see her on the stage in "Um Barco para o Sonho" (the Arbuzov play). At the end of scene four, she told the doctor played by Mauro Mendonça that, being a circus artist, she had once made a film in Moscow. He wanted to know more about it and she described the one scene she had in the film as being a routine with a horse. Impressed by the passionate way she talked about it, to her big surprise, he invited her out to dinner. The lights went out, circus music started playing, and there she was, at 28, more beautiful than ever, riding her horse around the arena, in a clip from "Tico Tico no Fubá." Those who had seen the film were always very moved. Those who hadn't marveled at her beauty and, like with all movie stars, the way the camera seemed to be caressing her. Invariably, they all burst into applause to the woman who had given so much of herself for both theater and films to be something Brazilians can be so immensely proud of.Argentina
2... Mãos Sangrentas (1955). '55.
Bloody Hands. Brazil /Argentina. Filmed in Panama.
3...Alias Gardelito (1961)
Alias Big Shot. '61. - Actress
- Soundtrack
Willa Pearl Curtis was born on 21 March 1896 in Texas, USA. She was an actress, known for Second Chorus (1940), The Wages of Sin (1938) and Mom and Dad (1945). She died on 19 December 1970 in Los Angeles, California, USA.- Actress
- Writer
- Producer
Born in July 19th, 1978, Dolores María Fonzi is the eldest sister of the Fonzi family. She started working as a model in lots of agencies and was the face of lots of pictures. In 1998 she officially started her acting career in Verano del '98 (1998), as Clara Vázquez, with her own brother Tomás Fonzi, who was Benjamín Vázquez in the series, her brother in fiction too. In 1999 she left "Verano del 98" to be part of the main cast of Marcelo Piñeyro film Burnt Money (2000) , and now she is the evil María in Cabecita (1999).- Josefa Goldar was born in 1906 in Argentina. She was an actress, known for The Beast Must Die (1952), Amor a primera vista (1956) and Delito (1962). She was married to Leónidas Barletta. She died on 11 June 1992 in Buenos Aires, Argentina.
- Actress
- Producer
- Costume and Wardrobe Department
Martina Gusmán was born on 28 October 1978 in Buenos Aires, Argentina. She is an actress and producer, known for Leonera (2008), Carancho (2010) and El marginal (2016). She has been married to Pablo Trapero since 2000. They have one child.- Haydeé Larroca was born in 1915. She was an actress, known for Galleguita (1940), Vidas marcadas (1942) and Deshonra (1952). She was married to Homero Cárpena. She died on 25 December 2003 in Buenos Aires, Argentina.
- Actress
- Soundtrack
Mirtha Legrand was born on 23 February 1927 in Villa Cañás, Santa Fe Province, Argentina. She is an actress, known for La pequeña señora de Pérez (1944), The Chairwoman (2012) and Cinco besos (1946). She was previously married to Daniel Tinayre.- Blanca del Prado was born in Argentina. She was an actress, known for Brigada en acción (1977), Quiero llenarme de ti (1969) and Simplemente una rosa (1971). She died on 21 November 1991 in Buenos Aires, Argentina.
- Ilka Windish has played many dramatic roles in her acting career but none outweighs the fascinating drama of her own life. She was impressed by both Germans and Russians before escaping to the United States.
Ilka was born in Vienna as Ilonka Katerina Gerta Maria Theresa Windisch. She was 12 when Hitler invaded Austria (1938), and was studying to be an actress when Hitler decided his troops on the Russian front needed the lilt of Viennese laughter in entertainment. As an entertainer she was sent to the Leningrad sector, along with almost two dozen other students. She was reported to have said, "We were conscripted like soldiers and had to take the oath of allegiance to Hitler. This meant we could be shot if we deserted." For over six months she sang and danced and "died a little" every time applause was drowned out by the booming of the front-line guns.
Returning to Vienna, she won a contract from the Viennese Film Company and starred in eight films, until 1943 brought a change at the studio. Things were going so badly with the Nazis that the studio was converted into a factory, and all contractees were put to work making uniforms and other war apparel. The end of the war brought the Russians to Vienna. Ilka's film company was reestablished, but the performing personnel were "under contract" to the government-operated Cabaret Simplicissimum. She sang and acted for her supper - "mostly lard, flour, and bread".
She met an American war correspondent, Joseph Israels. They wed in 1946 and settled down in a New York apartment in 1947. She studied English, became miserably homesick and took Israels' suggestion that "an actress should act." She acted in a play, "Chameleon," appeared on Hollywood's Screen Test show, and then she and Joe went back to Vienna. They produced a movie in which Ilka starred, and she appeared in other films. Again they returned to New York together, where Israels suddenly died of a heart attack.
To earn money quickly, Ilka became a fashion model, which led to television acting again and to the show, "Studio One." The producer was Felix Jackson and they fell in love. They were married in 1955, and a son, Lawrence, was born to them the following year. - Viviane Chantel was born in 1925 in Brussels, Belgium. She was an actress, known for Purple Noon (1960), Les atouts de Monsieur Wens (1947) and Le cocu magnifique (1947). She died on 11 September 1992 in Brussels, Belgium.
- Actress
- Soundtrack
Helena was the daughter of a lawyer and senior official of the city of Rio de Janeiro. As a child, aside from regular school subjects, she was taught English by her governess, and soon also began to sing and play the guitar.
She started her career in the mid-1930s at 'Rádio Mayrink Veiga', an icon of the Golden Age of Radio headquartered in Rio de Janeiro, singing in English and with an American accent since she dominated the language. Her film career would soon follow, by appearing as herself in Jaime Costa's first screen musical, one of the most important actors in the history of Brazilian theater and who would become her idol.
In October 1936, she was invited to sing on "Parada das Maravilhas", a benefit show at Rio the Janeiro's Municipal Theater, so she asked composer João de Barro to create lyrics for Pixinguinha's now classic melody "Carinhoso" (1917). The event would become the song's first public performance. She would also sing at Urca, Copacabana and Atlântico Cassinos. At the time The Embassy of the United States promoted a cultural exchange with Brazil and Helena ended up going to New Orleans, remaining there for some time.
Starting in 1938, she would be cast in several stage musicals and plays, including Edward Albee's play "Tudo no Jardim" ('Everything in the Garden', 1967) in 1971 and Paulo Pontes's "Dr. Fausto da Silva" in 1973.
In 1951, she was invited to join the newly opened Tupi TV station in Rio de Janeiro, where she would act in several tele theater episodes as well as hosting and directing shows. She moved to Globo TV in 1969, beginning a long list of telenovelas and miniseries appearances until 1998.
She died at 81, leaving a of memorable legacy in music, film, theater, and TV.- One of the most beautiful women in Brazil in the 1950s and 1960s, Ilka Soares' career began in 1947 in a Miss Brazil pageant promoted by 'O Globo' newspaper. There, she met Vittorio Cardineli and Ugo Lombardi, actress Bruna Lombardi's father, who invited her to audition for Iracema (1949), an adaptation of the novel of the same name by José de Alencar. After a successful screen test at 'Brasil Vita Filmes' studios, she got the leading role in what is now considered a lost film.
In the 50s, she starred in ten films for 'Atlântida Empresa Cinematográfica do Brasil' and 'Companhia Cinematográfica Vera Cruz', two of the most prestigious Brazilian film studios at that time.
She started on TV in 1956 as a news anchor and variety show host, becoming popular on magazine covers as well as a professional model. Her 40-decade-long career in telenovelas began with O Cafona (1971). - Actress
- Soundtrack
Gwei Lun-mei was born in Taipei, Taiwan. She began her acting career in the film Blue Gate Crossing (2002). She had her breakthrough in 2007 when she played the female lead in the film Secret (2007) directed by Jay Chou. She was awarded Best Leading Actress for Girlfriend Boyfriend (2012) at the 49th Golden Horse Film Awards in 2012.- Marie Brozová was born on 14 September 1901 in Hustopece, Moravia, Austria-Hungary [now Czech Republic]. She was an actress, known for Advokát chudých (1941), Pavlínka (1974) and Good-for-Nothing (1978). She was married to Bohus Stejskal. She died on 26 September 1987 in Prague, Czechoslovakia [now Czech Republic].
- Minna Jørgensen was born on 22 December 1904 in Copenhagen, Denmark. She was an actress, known for Duellen (1962), Naar bønder elsker (1942) and Alle gaar rundt og forelsker sig (1941). She died on 25 February 1975 in Denmark.
- Actress
- Director
- Second Unit Director or Assistant Director
Lisbeth Movin was born on 25 August 1917 in Odense, Denmark. She was an actress and director, known for The Viking Watch of the Danish Seaman (1948), Det gælder os alle (1949) and Min kone fra Paris (1961). She was married to Lau Lauritzen. She died on 7 November 2011 in Hillerød, Hovedstaden, Denmark.- Actress
- Director
Berthe Qvistgaard was born on 11 August 1910 in Denmark. She was an actress and director, known for Johnny Larsen (1979), Regnen holdt op (1942) and Ikke osse, Joe (1966). She died on 24 October 1999 in Denmark.- Lily Weiding was born on 22 October 1924 in Copenhagen, Denmark. She was an actress, known for Vor by (1970), Damen med de lyse handsker (1942) and The Green Butchers (2003). She was married to Morten Grunwald, Mogens Wieth and Sigfred Johansen. She died on 15 June 2021 in Copenhagen, Denmark.
- Helen Elde was born on 17 December 1939 in Hämeenlinna, Finland. She is an actress, known for Tulipunainen kyyhkynen (1961), Aidankaatajat eli heidän jälkeensä vedenpaisumus (1982) and The Last Lumbercamp (1977). She was previously married to Sakari Jurkka.
- Mona Seefried was born on 30 March 1957 in Vienna, Austria. She is an actress, known for Felidae (1994), Marienhof (1992) and Lady Windermeres Fächer (1978). She has been married to Peter E. Funck since 1992. She was previously married to Nikolaus Paryla.
- Ann Bridgewater is known for Full Contact (1992), The Fatal Game (1991) and Ba wang nu fu xing (1988).
- Actress
- Director
- Soundtrack
Went to primary school in Hong Kong, High school in Japan. Graduated from Parsons School of Design in New York, specialized in Graphic Design. Speaks Cantonese Mandarin Japanese and English. Has and elder sister and a younger brother, singer Victor Chen Si Hon.- Actress
- Writer
- Producer
Teresa Mo was born on 5 November 1960 in Hong Kong. She is an actress and writer, known for Hard Boiled (1992), Tomorrow Is Another Day (2017) and Men Suddenly in Black (2003). She has been married to Tony Au since 1995. They have two children. She was previously married to Jeffrey Chiang and Shu-yeung Man.- Actress
- Animation Department
Joey Wang grew up in her native Taiwan, where she was spotted by a talent scout for a modeling agency. Her height and delicate beauty made her one of the most popular Taiwanese models, and Wang went on to have a successful film career. Her ethereal elegance was used to great effect by director Ching Siu-tung in A Chinese Ghost Story (1987) and its sequels. Wang has also appeared in dozens of contemporary feature films, including 'God of Gamblers' starring Chow Yun-Fat, and 'City Hunter' opposite Jackie Chan.- Mária Lázár was born on 18 April 1895 in Herkulesfürdõ, Austria-Hungary. She was an actress, known for Megvédtem egy asszonyt (1938), Ember a híd alatt (1936) and Magdolna (1942). She was married to András Klár, Lajos Ihász and Antal Burger. She died on 1 October 1983 in Budapest, Hungary.
- Actress
- Producer
Kalpana Kartik was born on 19 September 1931 in Lahore, India. She is an actress and producer, known for Nau Do Gyarah (1957), Prem Pujari (1970) and Shareef Budmaash (1973). She was previously married to Dev Anand.- Neelam Kothari Soni, better known as Neelam, is an actress who has also ventured into jewellery design.
Kothari was born and raised in a business-class family in Hong Kong. She studied at the Island School and soon shifted to Thailand with her family.
She visited Mumbai for a holiday, where she was approached by Ramesh Behl, the director of the movie Jawaani (1984).
Kothari was frequently cast opposite Govinda, and she worked in 14 movies with him, some of which are Ilzaam (1986), Sindoor (1987), Khudgarz (1987), Do Qaidi (1989), Billoo Baadshah (1989) and Taaqatwar (1989).
Another star she consistently worked with was Chunky Pandey, with whom she did films like Aag Hi Aag (1987), Zakham (1989), and more.
She also worked in two Bengali films in 1990, Mandira (1990) and Badnam (1990). The same year, she appeared as Reshma in the Marathi movie UPKAR DUDHACHE (1991).
She also played the role of Amitabh Bachchan's sister in the award-winning movie Agneepath (1990) that year.
She played a small but impactful role as a DJ in Kuch Kuch Hota Hai (1998), which starred superstars like Shah Rukh Khan, Kajol and Rani Mukerji.
She also appeared in the family drama movie Hum Saath-Saath Hain (1999) as Salman Khan's sister. She was nominated for her role as the Best Supporting Actress at Zee Cine Awards in 2000.
She appeared in a web series on Netflix, Fabulous Lives of Bollywood Wives (2020), which started in 2020, along with other star wives like Seema Khan, Maheep Kapoor, and link=nm12060839].
Kothari won three awards in 2019. First, she was given the Blackswan Award in 2019 for Women's Empowerment. Then, she was recognised as the Most Promising Jeweller of the year and given the Iconic Achievers Award. Finally, she won the Global Spa Fit and Fab Jeweller Award. - Actress
- Director
Asha Kelunni, better known by her stage name Revathi, is a highly acclaimed Indian actress and director, recognized for her significant contributions to Tamil and Malayalam cinema, as well as her notable presence in Telugu, Hindi, and Kannada films. Born in Cochin (present-day Kochi) to Malank Kelunni Nair, a major in the Indian Army, from Palakkad, and Lalitha Kelunni, Revathi began her journey in the entertainment industry with a chance encounter that would change her life.
During her school days, Revathi participated in a fashion show, and a photograph of her from the event became the cover of a popular Tamil magazine. This caught the attention of director Bharathiraja, who was in search of a new heroine for his film "Mann Vasanai." This marked the beginning of her acting career, and her debut in the Tamil film industry with "Mann Vasanai" in 1983 was a silver jubilee hit, earning her a Filmfare Special Award - South.
Revathi continued to make waves in the industry, making her Malayalam debut with "Kattathe Kilikkoodu" in 1983, which also achieved great success. She ventured into Telugu films with "Seethamma Pelli" in 1984 and gained recognition for her roles in films like "Kai Kodukkum Kai" (1984) and "Vaidehi Kathirunthal" (1984). Her breakthrough role came in Mani Ratnam's "Mouna Ragam" (1986), where she portrayed the spirited and headstrong Divya.
Known for her versatility, Revathi took on diverse roles and portrayed strong, relatable women characters. She achieved critical acclaim for her performances in films like "Punnagai Mannan" (1986), "Kakkothikkavile Appooppan Thaadikal" (1988), and "Kizhakku Vaasal" (1990). Her remarkable acting skills were further recognized with a National Film Award for Best Supporting Actress in "Thevar Magan" (1992).
In the early 1990s, Revathi continued to deliver hits such as "Kilukkam" (1991) and "Marupadiyum" (1993). Her success extended to Hindi cinema with films like "Love" (1991), and she won a National Film Award for her role in "Thevar Magan." Revathi's golden era persisted until the late 1990s, marked by notable films like "Anjali" (1990), "Magalir Mattum" (1994), and "Thalaimurai" (1998).
Apart from her acting prowess, Revathi showcased her directorial skills with two feature films, "Mitr, My Friend" and "Phir Milenge." She also contributed to anthology films like "Kerala Cafe" and the unreleased "Mumbai Cutting."
Revathi's talent transcended regional boundaries, and she captivated Hindi audiences with her performances in "Margarita with a Straw" (2014) and "2 States" (2014). Her notable Tamil films include "Pa Paandi" (2017) and "Jackpot" (2019), while her impactful role in the Malayalam film "Virus" (2019) showcased her continued excellence.
In 2022, Revathi received the Kerala State Film Award for Best Actress for her role in "Bhoothakaalam." She also portrayed Major Sandeep Unnikrishnan's mother, Dhanalakshmi, in the bilingual Telugu and Hindi film "Major."
Revathi's journey in the film industry is not only marked by her acting prowess but also by her directorial achievements and her ability to contribute significantly to cinema across multiple languages. Her enduring legacy is a testament to her talent and versatility.- Shakila's was born as Badshah Begum on January 1, 1935 in the Middle East. Her younger sisters are Noor Jehan (nicknamed Noor) and Nasreen. Their ancestors belonged to the royal families of Afghanistan and Iran. Their paternal grandparents and mother were killed during family feuds over the throne. Their father and his sister Feroza Begum brought the children to Mumbai, India. Shakila and her sisters faced tough times, since their father died soon after. Her aunt, who was engaged to marry a prince, lost him in an accident, and she decided to remain unmarried and raise her three nieces. Her aunt was fond of movies and took the girls to showings. Their family friends with Kardar and Mehboob Khan. In fact, it was 'Kardar' who offered her the chance to act in Dastaan (1949). She took the name Shakila and made her debut as a child artiste in the film, which starred Suraiya. She quickly acted in another film with Suraiya titled Duniya (1949). After working in some routine films in secondary roles including Gumasta (1951), Sindbad the Sailor (1952), Rajrani Damyanti (1952), Aagosh (1953), Shahenshah (1953), Raj Mahal (1953), Armaan (1953), people finally noticed her in Guru Dutt's Aar-Paar (1954). In Aar-Paar, she played the other woman in Guru Dutt's life, the cabaret dancer, who is disdained by society and is a complex and embittered person. Aar-Paar was a superhit film and its best songs were picturized on Shakila. Her sister Noor also acted in Aar-Paar (1954) and later married famous comedian Johnny Walker and quit films, as did Nasreen, who became a housewife.
Dutt was impressed with Shakila's performance to repeat her in Raj Khosla's C.I.D. (1956), but she was eclipsed by Dutt's protégé Waheeda Rehman who made her debut in that film. Shakila's aunt was managing her career and she didn't want Shakila to be typecast in fantasy films, so she quoted a large sum of Rs. 10000 for Alibaba and Forty Thieves (1954) thinking it would dissuade the producer from casting her, but he agreed and she acted in the film. It became a hit. As a consequence, Shakila was reduced to B-grade mythological and fantasy films and she earned the title "Arbi Chehra" (Arabian Princess) from the film fraternity. She acted in Lalpari (1954), Veer Rajputani (1955), Roop Kumari (1956), Agra Road (1957), Al-Hilal (1958) etc. She played a ethereal fairy in "Hatim Tai" (1956), which is an A-grade color hit film, based on an Arabian Nights tale. She created some stir in 1957, when her film opposite Kishore Kumar - Begunah was banned after 10 days of its release. The film was a carbon copy of Hollywood's Knock on Wood (1954) starring Danny Kaye and the producers of that film went to court and won the case to stop the further screening of this film. As a consequence, all the negatives of this film were destroyed. In 1958, she starred opposite Sunil Dutt in suspense/thriller Post Box. 999. In the latter part of her career, Shakti Samanta cast her in China Town (1962) opposite Shammi Kapoor, and the songs became a rage.
During the course of her fourteen-year career, she appeared in more than 50 films with well-known actors and directors. After that, she quit the industry and got married and moved to Germany. After her marriage ended, she came back to Mumbai and remarried to an Afghan man who was the Consulate General in India. They had a daughter Meenaz together, and they went to live abroad. In 1991, she suffered a terrible blow when her daughter jumped to her death. Putting the tragedy behind her, she moved back to Mumbai and stayed close to her sisters and friends. She declined all film and television serial offers and refused to make a comeback, since she wanted fans to remember her as a young, beautiful heroine. She died of a massive heart attack at the age of 82 on September 20, 2017 in Mumbai, India. - Actress
- Music Department
Tabu is an Indian actress. She has mainly acted in Hindi films, though she has also starred in Telugu, Tamil, Malayalam, Marathi and Bengali-language films, as well as one American film. She has won the National Film Award for Best Actress twice, and holds the record for the most wins of Filmfare's Critics Award for Best Female Performer, with four. With few exceptions, she is best known for acting in artistic, low-budget films that go on to garner more critical appreciation than substantial box-office figures. Her appearances in commercially successful films were few, and her parts in these films were small, such as Border (1997), Saajan Chale Sasural (1996), Biwi No. 1 (1999) and Hum Saath-Saath Hain (1999). Her most notable performances include Maachis (1996), Virasat (1997), Hu Tu Tu (1999), Astitva (2000), Chandni Bar (2001), Maqbool (2003) and Cheeni Kum (2007). Her leading role in Mira Nair's American film The Namesake (2006) also drew major praise.
Regarded as one of the most talented Indian actresses of her generation, Tabu is known to be selective about her film roles. She was awarded the Padma Shri, India's fourth highest civilian award, in 2011 by the Government of India for her contributions towards the arts.- Laura Nucci was born on 26 February 1913 in Carrara, Tuscany, Italy. She was an actress, known for Pride and Prejudice (1957), Warrior of the Lost World (1983) and La bella Lola (1962). She died on 30 January 1994 in Rome, Lazio, Italy.Italy
68 acting credits, 1930-1989.
4... We Still Kill the Old Way (1967). '67.
We Still Kill the Old Way. - Geneviève Page was born on 13 December 1927 in Paris, France. She is an actress, known for Belle de Jour (1967), The Private Life of Sherlock Holmes (1970) and Fanfan la Tulipe (1952). She was previously married to Jean-Claude Bujard.
- Michiyo Aratama was born on 15 January 1930 in Nara, Japan. She was an actress, known for The Human Condition I: No Greater Love (1959), The Human Condition II: Road to Eternity (1959) and The Sword of Doom (1966). She died on 17 March 2001 in Tokyo, Japan.Japan.
102 acting credits, 1951-1976.
2... The Stranger Within a Woman (1966). '66.
The Stranger Within a Woman. - Actress
- Soundtrack
Maiko Kawakami was born on 5 February 1966 in Stockholm, Sweden. She is an actress, known for Debeso (1996), Violent Cop (1989) and Angel Guts 6: Red Flash (1994).- Tanie Kitabayashi was born on 21 May 1911 in Tokyo, Japan. She was an actress, known for Dai yûkai (1991), Amida-do dayori (2002) and Kiku to Isamu (1959). She died on 27 April 2010 in Setagaya, Tokyo, Japan.
- Actress
- Soundtrack
Mie Kitahara was born on 23 July 1933 in Tokyo, Japan. She is an actress, known for Man Who Causes a Storm (1957), Red Pier (1958) and Crazed Fruit (1956). She was previously married to Yûjirô Ishihara.- Shizuko Mori was born on 25 December 1909 in Tokyo, Japan. She was an actress, known for Ijin musume to bushi (1925), Sunae shibari: Dai-ippen (1927) and Shôbôshu (1934). She died on 31 January 2004.
- Hiromi Nakajima was born on 13 September 1967 in Tokyo, Japan. She is an actress, known for Nobody (1999), Gwan gai (2007) and Senso e iko yo!! (1994).
- Miho Nomoto was born on 10 November 1974 in Saitama, Japan. She is an actress, known for Fudoh: The New Generation (1996), Sex Medusa (2001) and The Peeping Tom (1997).
- Actress
- Editor
Kumamoto City-born Shimada Yoko is best known in the west as Mariko from the 1980 mini-series Shogun. The lady-in-waiting role created an interest in Japan and its culture overseas and introduced Japanese history to foreign audiences. She won the Golden Globe For Best Performance by an Actress in a TV-Series - Drama category and was nominated for a Prime-time Emmy Award for her work on the serial in 1981. Shimada, who spoke some English for the serial, had been acting for years prior to Shogun however. She began learning ballet since age three and wanted to become a ballerina until her high high school days. Her family had moved to Tokyo when she was eight. She obtained an agent and began acting while in junior high school. The TV serial Zoku Hyouten made her famous beginning 1970. She released a nude photo book, called Kir Royal, in 1992. She was 39 and the photo book became a bestseller shifting half a million copies. At 57 she starred in an 'AV' pornography video called Mikkai in 2011. This was a tribute to her body even at that age. Shimada has a reservation for a space burial.- Chigusa Takayama was born on 6 March 1931. She is an actress, known for Garasu no Jonî: Yajû no yô ni miete (1962) and Dynamite ni hi o tsukero (1959).
- Actress
- Soundtrack
Meche Barba was born on 24 September 1922 in New York City, New York, USA. She was an actress, known for Los años de Greta (1992), Quinceañera (1987) and Quiero vivir (1953). She died on 14 January 2000 in Mexico City, Distrito Federal, Mexico.- Anita Blanch was born on 26 July 1910 in Sagunto, Valencia, Spain. She was an actress, known for Tlayucan (1962), El abanico de Lady Windermere (1944) and Presagio (1974). She was married to Guillermo Diez de Garci. She died on 23 April 1983 in Mexico City, Distrito Federal, Mexico.
- Actress
- Writer
- Soundtrack
Esther Fernández was born on 22 August 1918 in Mascota, Jalisco, Mexico. She was an actress and writer, known for Flor de durazno (1945), Santa (1943) and The Macabre Trunk (1936). She was married to Antonio Badú. She died on 21 October 1999 in Mexico D.F., Mexico.- Actress
- Soundtrack
Emilia Guiú was born on 31 March 1922 in Manresa, Barcelona, Catalonia, Spain. She was an actress, known for Bel Ami (1947), El último Round (1953) and Carta Brava (1949). She was married to Abraham Piceno, Manuel Suárez, Enrique de la Concha, Guillermo Méndez and Bill Hieb. She died on 7 February 2004 in San Diego, California, USA.- Tana Lynn was born on 15 June 1915 in Havana, Cuba. She was an actress, known for No te ofendas, Beatriz (1953), Un cuerpo de mujer (1949) and El niño y la niebla (1953). She died on 31 July 2001 in the USA.Mexico
6... Ventarrón (1949). '49
10+. Hombres sin alma (1951). '51.
10+. In the Palm of Your Hand (1951). '51. In the Palm of Your Hand. - Actress
- Writer
Rita Macedo was the daughter of novelist Julia Guzmán. She began acting in the 1940s. Macedo was first married to writer 'Carlos Fuentes'; then to producer Luis de Llano and their children are actress/singer/producer Julissa, and TV producer Luis de Llano Macedo. She won the Best Actress Ariel for "Nosotros," an episode of the multi-part film _Tú, yo, nosotros (1970)_ (ironically, one of the other actresses nominated was her daughter, Julissa); Macedo also earned a Best Supporting Actress Ariel nomination for The Criminal Life of Archibaldo de la Cruz (1955).Mexico
92 acting credits, 1942-1992.
2... Manos de seda (1951). '51
3.. The Criminal Life of Archibaldo de la Cruz (1955). '55. The Criminal Life of Archibaldo de la Cruz.- Gloria Morel was born on 16 September 1918 in Mexico. She was an actress, known for Don Juan Tenorio (1937), Triangulo (1972) and The Blessed Rosebush (1936). She was married to Federico Santibáñez García. She died on 15 April 2005 in Mexico D.F., Mexico.
- Actress
- Soundtrack
Lilia Prado was born on 30 March 1928 in Sahuayo, Michoacan, Mexico. She was an actress, known for El rincón de las vírgenes (1972), Talpa (1956) and El analfabeto (1961). She was married to Gabriel España. She died on 22 May 2006 in Mexico City, Mexico.Mexico
110 acting credits, 1947-1991.
10+. El reino de los gángsters (1948). '48
2.... El desalmado (1950). '50.
2... Cuando acaba la noche (1950). '50.- Martha Roth was born on 29 May 1932 in Padua, Veneto, Italy. She was an actress, known for Mujeres engañadas (1999), Una familia de tantas (1949) and Corazón salvaje (1956). She was married to Juan Fernando Pérez Gavilán and Rubén Fuentes. She died on 7 October 2016 in Mexico City, Mexico.
- Aurora Segura was born on 29 December 1923 in Estella-Lizarra, Navarra, Spain. She was an actress, known for A.T.M.: ¡¡A toda máquina!! (1951), El Suavecito (1951) and El enmascarado de plata (1954). She died in 2002.
- Urda Arneberg was born on 26 January 1929 in Oslo, Norway. She was an actress, known for Ut av mørket (1958), Bernardas hus (1964) and Roser til Monica (1956). She was married to Arild Brinchmann, Thor Hjorth-Jenssen and Per. She died on 14 May 2000.
- Actress
- Additional Crew
Bente Børsum was born on 21 June 1934 in Oslo, Norway. She is an actress, known for Late Summer (2016), Jakten (1959) and House on the Rocks (1974).- Doona Bae was born in Seoul, South Korea. Her mother, Hwa-Young Kim, is a stage actress. Bae started out as a model. She soon moved to T.V. and movies, and it proved the right move. Her first movie was The Ring Virus (1999). Barking Dogs Never Bite (2000) (aka "Barking Dogs Never Bite") and Take Care of My Cat (2001) (A.K.A. "Take Care of My Cat") not only made Doona a household name in Korea but also won her critical acclaim as a serious young actress. Doona Bae is now busy making movies and T.V. shows.
- Jeon Mi-seon was born on 7 December 1972 in South Korea. She was an actress, known for Memories of Murder (2003), Mother (2009) and The King's Letters (2019). She was married to Park Sang-hoon. She died on 29 June 2019 in Jeonju, South Korea.
- Yu-mi Jung is a South Korean actress. She is best known for Silenced (2011), and Train to Busan (2016).
Jung was born on January 18, 1983 in South Korea. Her filmography also includes the films Family Ties (2006), Chaw (2009), My Dear Desperado (2010), Oki's Movie (2010), and Our Sunhi (2013).
For her role in Family Ties she won the Best Supporting Actress at the Blue Dragon Film Awards. - Actress
- Writer
Seo Yeong-hie was born on 13 June 1980 in Seoul, South Korea. She is an actress and writer, known for The Chaser (2008), Bedevilled (2010) and All for Love (2005).- Mercedes Borqué was born on 24 September 1923. She was an actress, known for Fortunata y Jacinta (1970), Estudio 1 (1965) and Solos los dos (1968). She was married to Enrique Rambal. She died on 21 January 1999 in Madrid, Madrid, Spain.
- Laura Granados is known for La tête du client (1965), La mentira tiene cabellos rojos (1962) and Rififí en la ciudad (1963).
- Actress
- Soundtrack
Berta Drews was born on 19 November 1901 in Berlin, Germany. She was an actress, known for The Tin Drum (1979), Our Flags Lead Us Forward (1933) and One or the Other (1974). She was married to Heinrich George. She died on 10 April 1987 in West Berlin, West Germany.Switzerland.
German actress.
7... It Happened in Broad Daylight (1958)
It Happened in Broad Daylight. '58.
Switzerland /West Germany /Spain.
Filmed in -Kanton -Zurich. Kanton -Graubunden. Kanton -St. Gallen. Switzerland.
Berlin, Germany.- María Rosa Salgado was born on 20 April 1929 in Madrid, Spain. She was an actress, known for Don Juan (1950), To an Unknown God (1977) and El teatro (1970). She died on 11 March 1995 in Madrid, Madrid, Spain.Switzerland
Actress -Spain
10... It Happened in Broad Daylight (1958).
It Happened in Broad Daylight. '58. - Margrit Winter was born on 13 November 1917 in Basel, Switzerland. She was an actress, known for It Happened in Broad Daylight (1958), Romeo und Julia auf dem Dorfe (1941) and Die Käserei in der Vehfreude (1958). She was married to Erwin Kohlund. She died on 18 June 2001 in Stäfa, Zurich, Switzerland.Switzerland
Switzerland actress.
10+.. It Happened in Broad Daylight (1958).
It Happened in Broad Daylight. '58. - Jessica Pasaphan is known for Slice (2009), Eclipse of the Heart (2023) and Roy Rak Hak Liam Tawan (2014).
- Brunette Corny Collins (born in Berlin as Gisela Szymanski) had begun her working life as a medical assistant until her acumen as an entertainer was noticed by the actor Günter Pfitzmann. Pfitzmann, co-founder of the famous Cabaret 'Die Stachelschweine' (which translates to The Porcupines), slotted Collins into Berlin cabaret opposite Wolfgang Neuss and comedienne Ursula Herking. Having received expert coaching in the finer points of acting under Marlise Ludwig, Collins then made her theatrical debut in the comedy 'Ein Tag im siebten Himmel'. The director/writer Axel von Ambesser now also spotted her comedic talent and cast her in his marital farce Die Freundin meines Mannes (1957) as a philandering architect's daughter. Despite the fact that Corny Collins was by then already 25 years old, her youthful pretty looks led to her being typed in subsequent film outings as teenagers.
She made her breakthrough appearance on the screen as a spoiled brat and proverbial 'rotten egg' in the drama Imperfect Angel (1958). After that, her characters tended to be rebellious youngsters (as, for example, the girl from a good family falling into bad company in Verdammt die jungen Sünder nicht (1961)), materialistic gold diggers (Wilde Wasser (1962)), friends of the heroine, precocious (Bis daß das Geld euch scheidet (1960)) or sweetly innocent daughters (Vater, Mutter und neun Kinder (1958)), or damsels in distress (Der lustige Krieg des Hauptmann Pedro (1959), Case 33: Antwerp (1964). In The Indian Scarf (1963) (one of several films in which she was directed by genre specialist Alfred Vohrer) she was one of nine suspects in a series of strangulation murders at a dead aristocrat's castle. In the Eurospy thriller High Season for Spies (1966), her Jenny Renoir was one of many shady characters prowling around Lisbon in search of a groundbreaking formula. By the late 60s, Collins worked primarily in television, her screen personae having grown rather more dispirited or jaded (problems in her own personal life may well have been a contributing factor). She had guest roles in a few well known shows like Percy Stuart (1969), Der Kommissar (1969) and Tatort (1970). After her retirement from the screen in 1991, Collins made only occasional forays to the stage.
A prolific voice actress, Corny Collins has provided the German dubbing voice for stars like Frances McDormand, Ann-Margret, Debbie Reynolds, Joan Bennett and Fay Wray. - Annemarie Düringer was born on 26 November 1925 in Basel, Switzerland. She was an actress, known for Veronika Voss (1982), The Devil Strikes at Night (1957) and Vor Sonnenuntergang (1956). She died on 26 November 2014 in Baden, Lower Austria, Austria.
- Actress
- Music Department
- Soundtrack
Hilde Hildebrand was born on 10 September 1897 in Hanover, Germany. She was an actress, known for Enemy at the Gates (2001), The Czar's Courier (1936) and Bel Ami (1939). She died on 28 April 1976 in West Berlin, West Germany.West Germany
115 acting credits, 1920-1972.
4...Panic in Chicago (1931). '31.
6... Epilog - Das Geheimnis der Orplid (1950). '50.
Epilogue.
7... Die Schuld des Dr. Homma (1951). '51.