Favorite Actors ♛
In no particular order. This is always being updated, and it's not an exhaustive list by any means; it's just the ones I've thought of so far.
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John Stephen Goodman's an American film, TV & stage actor. He was born in Affton, Missouri to Virginia Roos (Loosmore), a waitress and saleswoman & Leslie Francis Goodman, a postal worker who died when he was a small child. He's of English, Welsh & German ancestry. He's best known for his role as Dan Conner on the TV show Roseanne (1988), which ran until 1997 & for which he earned him a Best Actor Golden Globe in 1993. He's also noted for appearances in films of the Coen brothers, w/ prominent roles in Raising Arizona (1987) as an escaped convict, in Barton Fink (1991) as a congenial murderer, in The Big Lebowski (1998) as a volatile bowler & in O Brother, Where Art Thou? (2000) as a cultured thief. Additionally, he has done voice work in numerous Disney & Pixar films, including the Sulley in Monsters, Inc. (2001). Having contributed to more than 50 films, he has also won 2 American Comedy Awards & hosted Saturday Night Live (1975) 14 times."OVER THE LINE!!!"
"The *beep* dog has *beep* papers." - The Big Lebowski
10 Cloverfield Lane. This man is a great and versatile actor.- Actor
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Steve Buscemi was born in Brooklyn, New York, to Dorothy (Wilson), a restaurant hostess, and John Buscemi, a sanitation worker. He is of Italian (father) and English, Dutch, and Irish (mother) descent. He became interested in acting during his last year of high school. After graduating, he moved to Manhattan to study acting with John Strasberg. He began writing and performing original theatre pieces with fellow actor/writer Mark Boone Junior. This led to his being cast in his first lead role in Parting Glances (1986). Since then, he has worked with many of the top filmmakers in Hollywood, including Quentin Tarantino, Jerry Bruckheimer, and The Coen Brothers. He is a highly respected actor."So ah, who's your friend there in the woodchipper?" - Fargo- Actor
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He was the ultra-cool male film star of the 1960s, and rose from a troubled youth spent in reform schools to being the world's most popular actor. Over 40 years after his untimely death from mesothelioma in 1980, Steve McQueen is still considered hip and cool, and he endures as an icon of popular culture.
McQueen was born in Beech Grove, Indiana, to mother Julian (Crawford) and father William Terence McQueen, a stunt pilot. His first lead role was in the low-budget sci-fi film The Blob (1958), quickly followed by roles in The St. Louis Bank Robbery (1959) and Never So Few (1959). The young McQueen appeared as Vin, alongside Yul Brynner, in the star-laden The Magnificent Seven (1960) and effectively hijacked the lead from the bigger star by ensuring he was nearly always doing something in every shot he and Brynner were in together, such as adjusting his hat or gun belt. He next scored with audiences with two interesting performances, first in the World War II drama Hell Is for Heroes (1962) and then in The War Lover (1962). Riding a wave of popularity, McQueen delivered another crowd pleaser as Hilts, the Cooler King, in the knockout World War II P.O.W. film The Great Escape (1963), featuring his famous leap over the barbed wire on a motorcycle while being pursued by Nazi troops (in fact, however, the stunt was actually performed by his good friend, stunt rider Bud Ekins).
McQueen next appeared in several films of mixed quality, including Soldier in the Rain (1963); Love with the Proper Stranger (1963) and Baby the Rain Must Fall (1965). However, they failed to really grab audience attention, but his role as Eric Stoner in The Cincinnati Kid (1965), alongside screen legend Edward G. Robinson and Karl Malden, had movie fans filling theaters again to see the ice-cool McQueen they loved. He was back in another Western, Nevada Smith (1966), again with Malden, and then he gave what many consider to be his finest dramatic performance as loner US Navy sailor Jake Holman in the superb The Sand Pebbles (1966). McQueen was genuine hot property and next appeared with Faye Dunaway in the provocative crime drama The Thomas Crown Affair (1968), next in what many consider his signature role, that of a maverick, taciturn detective in the mega-hit Bullitt (1968), renowned for its famous chase sequence through San Francisco between McQueen's Ford Mustang GT and the killer's black Dodge Charger.
Interestingly, McQueen's next role was a total departure from the action genre, as he played Southerner Boon Hogganbeck in the family-oriented The Reivers (1969), based on the popular William Faulkner novel. Not surprisingly, the film didn't go over particularly well with audiences, even though it was an entertaining and well made production, and McQueen showed an interesting comedic side of his acting talents. He returned to more familiar territory, with the race film Le Mans (1971), a rather self-indulgent exercise, and its slow plot line contributed to its rather poor performance in theaters. It was not until many years later that it became something of a cult film, primarily because of the footage of Porsche 917s roaring around race tracks in France. McQueen then teamed up with maverick Hollywood director Sam Peckinpah to star in the modern Western Junior Bonner (1972), about a family of rodeo riders, and again with Peckinpah as bank robber Doc McCoy in the violent The Getaway (1972). Both did good business at the box office. McQueen's next role was a refreshing surprise and Papillon (1973), based on the Henri Charrière novel of the same name, was well received by fans and critics alike. He played a convict on a French penal colony in South America who persists in trying to escape from his captors and feels their wrath when his attempts fail.
The 1970s is a decade remembered for a slew of "disaster" movies and McQueen starred in arguably the biggest of the time, The Towering Inferno (1974). He shared equal top billing with Paul Newman and an impressive line-up of co-stars including Fred Astaire, Robert Vaughn and Faye Dunaway. McQueen does not appear until roughly halfway into the film as San Francisco fire chief Mike O'Halloran, battling to extinguish an inferno in a 138-story skyscraper. The film was a monster hit and set the benchmark for other disaster movies that followed. However, it was McQueen's last film role for several years. After a four-year hiatus he surprised fans, and was almost unrecognizable under long hair and a beard, as a rabble-rousing early environmentalist in An Enemy of the People (1978), based on the Henrik Ibsen play.
McQueen's last two film performances were in the unusual Western Tom Horn (1980), then he portrayed real-life bounty hunter Ralph "Papa' Thorson (Ralph Thorson) in The Hunter (1980). In 1978, McQueen developed a persistent cough that would not go away. He quit smoking cigarettes and underwent antibiotic treatments without improvement. Shortness of breath grew more pronounced and on December 22, 1979, after he completed work on 'The Hunter', a biopsy revealed pleural mesothelioma, a rare lung cancer associated with asbestos exposure for which there is no known cure. The asbestos was thought to have been in the protective suits worn in his race car driving days, but in fact the auto racing suits McQueen wore were made of Nomex, a DuPont fire-resistant aramid fiber that contains no asbestos. McQueen later gave a medical interview in which he believed that asbestos used in movie sound stage insulation and race-drivers' protective suits and helmets could have been involved, but he thought it more likely that his illness was a direct result of massive exposure while removing asbestos lagging from pipes aboard a troop ship while in the US Marines.
By February 1980, there was evidence of widespread metastasis. While he tried to keep the condition a secret, the National Enquirer disclosed that he had "terminal cancer" on March 11, 1980. In July, McQueen traveled to Rosarito Beach, Mexico for an unconventional treatment after American doctors told him they could do nothing to prolong his life. Controversy arose over McQueen's Mexican trip, because McQueen sought a non-traditional cancer treatment called the Gerson Therapy that used coffee enemas, frequent washing with shampoos, daily injections of fluid containing live cells from cows and sheep, massage and laetrile, a supposedly "natural" anti-cancer drug available in Mexico, but not approved by the US Food and Drug Administration. McQueen paid for these unconventional medical treatments by himself in cash payments which was said to have cost an upwards of $40,000 per month during his three-month stay in Mexico. McQueen was treated by William Donald Kelley, whose only medical license had been (until revoked in 1976) for orthodontics.
McQueen returned to the United States in early October 1980. Despite metastasis of the cancer through McQueen's body, Kelley publicly announced that McQueen would be completely cured and return to normal life. McQueen's condition soon worsened and "huge" tumors developed in his abdomen. In late October, McQueen flew to Ciudad Juarez, Chihuahua, Mexico to have an abdominal tumor on his liver (weighing around five pounds) removed, despite warnings from his American doctors that the tumor was inoperable and his heart could not withstand the surgery. McQueen checked into a Juarez clinic under the alias "Sam Shepard" where the local Mexican doctors and staff at the small, low-income clinic were unaware of his actual identity.
Steve McQueen passed away on November 7, 1980, at age 50 after the cancer surgery which was said to be successful. He was cremated and his ashes were scattered at sea. He married three times and had a lifelong love of motor racing, once remarking, "Racing is life. Anything before or after is just waiting.".Papillon & The Great Escape. Did I mention Papillon?- Actor
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Tony Curtis was born Bernard Schwartz, the eldest of three children of Helen (Klein) and Emanuel Schwartz, Jewish immigrants from Hungary. Curtis himself admits that while he had almost no formal education, he was a student of the "school of hard knocks" and learned from a young age that the only person who ever had his back was himself, so he learned how to take care of both himself and younger brother, Julius. Curtis grew up in poverty, as his father, Emanuel, who worked as a tailor, had the sole responsibility of providing for his entire family on his meager income. This led to constant bickering between Curtis's parents over money, and Curtis began to go to movies as a way of briefly escaping the constant worries of poverty and other family problems. The financial strain of raising two children on a meager income became so tough that in 1935, Curtis's parents decided that their children would have a better life under the care of the state and briefly had Tony and his brother admitted to an orphanage. During this lonely time, the only companion Curtis had was his brother, Julius, and the two became inseparable as they struggled to get used to this new way of life. Weeks later, Curtis's parents came back to reclaim custody of Tony and his brother, but by then Curtis had learned one of life's toughest lessons: the only person you can count on is yourself.
In 1938, shortly before Tony's Bar Mitzvah, tragedy struck when Tony lost the person most important to him when his brother, Julius, was hit by a truck and killed. After that tragedy, Curtis's parents became convinced that a formal education was the best way Tony could avoid the same never-knowing-where-your-next-meal-is-coming-from life that they had known. However, Tony rejected this because he felt that learning about literary classics and algebra wasn't going to advance him in life as much as some real hands-on life experience would. He was to find that real-life experience a few years later, when he enlisted in the navy in 1942. Tony spent over two years getting that life experience doing everything from working as a crewman on a submarine tender, the USS Proteus (AS-19), to honing his future craft as an actor performing as a sailor in a stage play at the Navy Signalman School in Illinois.
In 1945, Curtis was honorably discharged from the navy, and when he realized that the GI Bill would allow him to go to acting school without paying for it, he now saw that his lifelong pipe dream of being an actor might actually be achievable. Curtis auditioned for the New York Dramatic Workshop, and after being accepted on the strength of his audition piece (a scene from "Dr. Jekyll and Mr. Hyde" in pantomime), Curtis enrolled in early 1947. He then began to pay his dues by appearing in a slew of stage productions, including "Twelfth Night" and "Golden Boy". He then connected with a small theatrical agent named Joyce Selznick, who was the niece of film producer David O. Selznick. After seeing his potential, Selznick arranged an interview for Curtis to see David O. Selznick at Universal Studios, where Curtis was offered a seven-year contract. After changing his name to what he saw as an elegant, mysterious moniker--"Tony Curtis" (named after the novel Anthony Adverse (1936) by Hervey Allen and a cousin of his named Janush Kertiz)--Curtis began making a name for himself by appearing in small, offbeat roles in small-budget productions. His first notable performance was a two-minute role in Criss Cross (1949), with Burt Lancaster, in which he makes Lancaster jealous by dancing with Yvonne De Carlo. This offbeat role resulted in Curtis's being typecast as a heavy for the next few years, such as playing a gang member in City Across the River (1949).
Curtis continued to build up a show reel by accepting any paying job, acting in a number of bit-part roles for the next few years. It wasn't until late 1949 that he finally got the chance to demonstrate his acting flair, when he was cast in an important role in an action western, Sierra (1950). On the strength of his performance in that movie, Curtis was finally cast in a big-budget movie, Winchester '73 (1950). While he appears in that movie only very briefly, it was a chance for him to act alongside a Hollywood legend, James Stewart.
As his career developed, Curtis wanted to act in movies that had social relevance, ones that would challenge audiences, so he began to appear in such movies as Spartacus (1960) and The Defiant Ones (1958). He was advised against appearing as the subordinate sidekick in Spartacus (1960), playing second fiddle to the equally famous Kirk Douglas. However, Curtis saw no problem with this because the two had recently acted together in dual leading roles in The Vikings (1958).A very pretty man.
"Christian had a thing for Tony Curtis, so he brought over 'Some Like It Hot' and 'Sparatacus'!"- Cher, Clueless
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Oscar Isaac was born Óscar Isaac Hernández Estrada in Guatemala, to a Guatemalan mother, María Eugenia, and a Cuban father, Oscar Gonzalo Hernández-Cano, a pulmonologist. Oscar was raised in Miami, Florida. Before he became an actor, he played lead guitar and sang vocals in his band the Blinking Underdogs. He graduated from the Juilliard School in 2005.
Isaac's first major film role was Joseph in the film The Nativity Story (2006). He also had a small role in All About the Benjamins (2002) and the Ché Guevara biopic Guerrilla (2011). In addition to movie appearances, he made an appearance in the television series Law & Order: Criminal Intent (2001). He also had a part in the movies The Life Before Her Eyes (2007); Body of Lies (2008), alongside Leonardo DiCaprio and Russell Crowe; Agora (2009), alongside Rachel Weisz; and the Australian film Balibo (2009), where he played José Ramos-Horta, former president of East Timor, set amid the Indonesian invasion of East Timor in 1975; Isaac won the Australian Film Institute Award for Best Supporting Actor for the role.
In 2013, Oscar starred in the Coen Brothers' folk music-themed comedy-drama, Inside Llewyn Davis (2013), for which he received a Golden Globe Award nomination. He subsequently starred in the crime drama A Most Violent Year (2014) and the science fiction thriller Ex Machina (2014), and appeared in the Star Wars films Star Wars: Episode VII - The Force Awakens (2015) and Star Wars: Episode VIII - The Last Jedi (2017), as X-wing pilot Poe Dameron, and the ninth X-Men film, X-Men: Apocalypse (2016), as the mutant supervillain Apocalypse. He has also headlined the HBO miniseries Show Me a Hero (2015), as politician Nick Wasicsko in 2015, which earned him the Golden Globe Award for Best Actor - Miniseries or Television Film.
He has two sons with his wife, Danish director Elvira Lind. He is also long-time friends with Triple Frontier (2019) co-star Pedro Pascal.A Most Violent Year, Drive- Actor
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Humphrey DeForest Bogart was born in New York City, New York, to Maud Humphrey, a famed magazine illustrator and suffragette, and Belmont DeForest Bogart, a moderately wealthy surgeon (who was secretly addicted to opium). Bogart was educated at Trinity School, NYC, and was sent to Phillips Academy in Andover, Massachusetts, in preparation for medical studies at Yale. He was expelled from Phillips and joined the U.S. Naval Reserve. From 1920 to 1922, he managed a stage company owned by family friend William A. Brady (the father of actress Alice Brady), performing a variety of tasks at Brady's film studio in New York. He then began regular stage performances. Alexander Woollcott described his acting in a 1922 play as inadequate. In 1930, he gained a contract with Fox, his feature film debut in a ten-minute short, Broadway's Like That (1930), co-starring Ruth Etting and Joan Blondell. Fox released him after two years. After five years of stage and minor film roles, he had his breakthrough role in The Petrified Forest (1936) from Warner Bros. He won the part over Edward G. Robinson only after the star, Leslie Howard, threatened Warner Bros. that he would quit unless Bogart was given the key role of Duke Mantee, which he had played in the Broadway production with Howard. The film was a major success and led to a long-term contract with Warner Bros. From 1936 to 1940, Bogart appeared in 28 films, usually as a gangster, twice in Westerns and even a horror film. His landmark year was 1941 (often capitalizing on parts George Raft had stupidly rejected) with roles in classics such as High Sierra (1940) and as Sam Spade in one of his most fondly remembered films, The Maltese Falcon (1941). These were followed by Casablanca (1942), The Big Sleep (1946), and Key Largo (1948). Bogart, despite his erratic education, was incredibly well-read and he favored writers and intellectuals within his small circle of friends. In 1947, he joined wife Lauren Bacall and other actors protesting the House Un-American Activities Committee witch hunts. He also formed his own production company, and the next year made The Treasure of the Sierra Madre (1948). Bogie won the best actor Academy Award for The African Queen (1951) and was nominated for Casablanca (1942) and as Captain Queeg in The Caine Mutiny (1954), a film made when he was already seriously ill. He died in his sleep at his Hollywood home following surgeries and a battle with throat cancer.The all-time baddest detective/gangster. This man is ride or die, and Lauren Bacall is one hell of a honey. <3- Actor
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Once told by an interviewer, "Everybody would like to be Cary Grant", Grant is said to have replied, "So would I."
Cary Grant was born Archibald Alec Leach on January 18, 1904 in Horfield, Bristol, England, to Elsie Maria (Kingdon) and Elias James Leach, who worked in a factory. His early years in Bristol would have been an ordinary lower-middle-class childhood, except for one extraordinary event. At age nine, he came home from school one day and was told his mother had gone off to a seaside resort. However, the real truth was that she had been placed in a mental institution, where she would remain for years, and he was never told about it (he would not see his mother again until he was in his late 20s).
He left school at age 14, lying about his age and forging his father's signature on a letter to join Bob Pender's troupe of knockabout comedians. He learned pantomime as well as acrobatics as he toured with the Pender troupe in the English provinces, picked up a Cockney accent in the music halls in London, and then in July 1920, was one of the eight Pender boys selected to go to the United States. Their show on Broadway, "Good Times", ran for 456 performances, giving Grant time to acclimatize. He would stay in America. Mae West wanted Grant for She Done Him Wrong (1933) because she saw his combination of virility, sexuality and the aura and bearing of a gentleman. Grant was young enough to begin the new career of fatherhood when he stopped making movies at age 62.
One biographer said Grant was alienated by the new realism in the film industry. In the 1950s and early 1960s, he had invented a man-of-the-world persona and a style - "high comedy with polished words". In To Catch a Thief (1955), he and Grace Kelly were allowed to improvise some of the dialogue. They knew what the director, Alfred Hitchcock, wanted to do with a scene, they rehearsed it, put in some clever double entendres that got past the censors, and then the scene was filmed. His biggest box-office success was another Hitchcock 1950s film, North by Northwest (1959) made with Eva Marie Saint since Kelly was by that time Princess of Monaco.
Although Grant retired from the screen, he remained active. He accepted a position on the board of directors at Faberge. By all accounts this position was not honorary, as some had assumed. Grant regularly attended meetings and traveled internationally to support them. The position also permitted use of a private plane, which Grant could use to fly to see his daughter wherever her mother Dyan Cannon, was working. He later joined the boards of Hollywood Park, the Academy of Magical Arts (The Magic Castle - Hollywood, California), Western Airlines (acquired by Delta Airlines in 1987) and MGM.
Grant expressed no interest in making a career comeback. He was in good health until almost the end of his life, when he suffered a mild stroke in October 1984. In his last years, he undertook tours of the United States in a one-man-show, "A Conversation with Cary Grant", in which he would show clips from his films and answer audience questions. On November 29, 1986, Cary Grant died at age 82 of a cerebral hemorrhage in Davenport, Iowa.
In 1999, the American Film Institute named Grant the second male star of Golden Age of Hollywood cinema (after Humphrey Bogart). Grant was known for comedic and dramatic roles; his best-known films include Bringing Up Baby (1938), The Philadelphia Story (1940), His Girl Friday (1940), Arsenic and Old Lace (1944), Notorious (1946), An Affair to Remember (1957), North by Northwest (1959) and Charade (1963).The man who epitomizes the leading man for me in classic Hollywood.- Actor
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James Maitland Stewart was born on May 20, 1908, in Indiana, Pennsylvania, to Elizabeth Ruth (Johnson) and Alexander Maitland Stewart, who owned a hardware store. He was of Scottish, Ulster-Scots, and some English descent. Stewart was educated at a local prep school, Mercersburg Academy, where he was a keen athlete (football and track), musician (singing and accordion playing), and sometime actor.
In 1929, he won a place at Princeton University, where he studied architecture with some success and became further involved with the performing arts as a musician and actor with the University Players. After graduation, engagements with the University Players took him around the northeastern United States, including a run on Broadway in 1932. But work dried up as the Great Depression deepened, and it was not until 1934, when he followed his friend Henry Fonda to Hollywood, that things began to pick up.
After his first screen appearance in Art Trouble (1934), Stewart worked for a time for MGM as a contract player and slowly began making a name for himself in increasingly high-profile roles throughout the rest of the 1930s. His famous collaborations with Frank Capra, in You Can't Take It with You (1938), Mr. Smith Goes to Washington (1939), and, after World War II, It's a Wonderful Life (1946) helped to launch his career as a star and to establish his screen persona as the likable everyman.
Having learned to fly in 1935, he was drafted into the United States Army in 1940 as a private (after twice failing the medical for being underweight). During the course of World War II, he rose to the rank of colonel, first as an instructor at home in the United States, and later on combat missions in Europe. He remained involved with the United States Air Force Reserve after the war and officially retired in 1968. In 1959, he was promoted to brigadier general, becoming the highest-ranking actor in U.S. military history.
Stewart's acting career took off properly after the war. During the course of his long professional life, he had roles in some of Hollywood's best-remembered films, starring in a string of Westerns, bringing his everyman qualities to movies like The Man Who Shot Liberty Valance (1962)), biopics (The Stratton Story (1949), The Glenn Miller Story (1954), and The Spirit of St. Louis (1957), for instance, thrillers (most notably his frequent collaborations with Alfred Hitchcock), and even some screwball comedies.
On June 25, 1997, a thrombosis formed in his right leg, leading to a pulmonary embolism, and a week later on July 2, 1997, surrounded by his children, James Stewart died at age 89 at his home in Beverly Hills, California. His last words to his family were, "I'm going to be with Gloria now".- Actor
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Lead and supporting actor of the American stage and films, with sandy colored hair, and pale complexion. He won an Oscar as Best Supporting Actor for his performance in The Deer Hunter (1978), and has been seen in mostly character roles, often portraying psychologically unstable individuals, though that generalization would not do justice to Walken's depth and breadth of performances.
Walken was born in Astoria, Queens, New York. His mother, Rosalie (Russell), was a Scottish emigrant, from Glasgow. His father, Paul Wälken, was a German emigrant, from Horst, who ran Walken's bakery. Christopher learned his stage craft, including dancing, at Hofstra University & ANTA, and picked up a Theatre World award for his performance in the revival of the Tennessee Williams play "The Rose Tattoo". Walken then first broke through into cinema in 1969 appearing in Me and My Brother (1968), before appearing alongside Sean Connery in the sleeper heist movie The Anderson Tapes (1971). His eclectic work really came to the attention of critics in 1977 with his intense portrayal of Diane Keaton suicidal younger brother in Annie Hall (1977), and then he scooped the Best Supporting Actor Academy Award in 1977 for his role as Nick in the electrifying The Deer Hunter (1978). Walken was lured back by The Deer Hunter (1978) director Michael Cimino for a role in the financially disastrous western Heaven's Gate (1980), before moving onto surprise audiences with his wonderful dance skills in Pennies from Heaven (1981), taking the lead as a school teacher with telepathic abilities in the Stephen King inspired The Dead Zone (1983) and then as billionaire industrialist Max Zorin trying to blow up Silicon Valley in the 007 adventure A View to a Kill (1985). Looking at many of Walken's other captivating screen roles, it is easy to see the diversity of his range and even his droll comedic talents with humorous appearances in Biloxi Blues (1988), Wayne's World 2 (1993), Joe Dirt (2001), Mousehunt (1997) and America's Sweethearts (2001). Most recently, he continued to surprise audiences again with his work as a heart broken and apologetic father to Leonardo DiCaprio in Catch Me If You Can (2002).From being on the yacht when Natalie Wood died mysteriously, to putting in the best cameo scene of all time in Pulp Fiction, to dancing and flying in Fatboy Slim's video for "Weapon of Choice", this man has everything it takes to be a star in my book.- Actor
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Born in West Covina, California, but raised in New York City, Tim Robbins is the son of former The Highwaymen singer Gil Robbins and actress Mary Robbins (née Bledsoe). Robbins studied drama at UCLA, where he graduated with honors in 1981. That same year, he formed the Actors' Gang theater group, an experimental ensemble that expressed radical political observations through the European avant-garde form of theater. He started film work in television movies in 1983, but hit the big time in 1988 with his portrayal of dimwitted fastball pitcher "Nuke" Laloosh in Bull Durham (1988). Tall with baby-faced looks, he has the ability to play naive and obtuse (Cadillac Man (1990) and The Hudsucker Proxy (1994)) or slick and shrewd (The Player (1992) and Bob Roberts (1992)).Andy Dufresne- Actor
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With an authoritative voice and calm demeanor, this ever popular American actor has grown into one of the most respected figures in modern US cinema. Morgan was born on June 1, 1937 in Memphis, Tennessee, to Mayme Edna (Revere), a teacher, and Morgan Porterfield Freeman, a barber. The young Freeman attended Los Angeles City College before serving several years in the US Air Force as a mechanic between 1955 and 1959. His first dramatic arts exposure was on the stage including appearing in an all-African American production of the exuberant musical Hello, Dolly!.
Throughout the 1970s, he continued his work on stage, winning Drama Desk and Clarence Derwent Awards and receiving a Tony Award nomination for his performance in The Mighty Gents in 1978. In 1980, he won two Obie Awards, for his portrayal of Shakespearean anti-hero Coriolanus at the New York Shakespeare Festival and for his work in Mother Courage and Her Children. Freeman won another Obie in 1984 for his performance as The Messenger in the acclaimed Brooklyn Academy of Music production of Lee Breuer's The Gospel at Colonus and, in 1985, won the Drama-Logue Award for the same role. In 1987, Freeman created the role of Hoke Coleburn in Alfred Uhry's Pulitzer Prize-winning play Driving Miss Daisy, which brought him his fourth Obie Award. In 1990, Freeman starred as Petruchio in the New York Shakespeare Festival's The Taming of the Shrew, opposite Tracey Ullman. Returning to the Broadway stage in 2008, Freeman starred with Frances McDormand and Peter Gallagher in Clifford Odets' drama The Country Girl, directed by Mike Nichols.
Freeman first appeared on TV screens as several characters including "Easy Reader", "Mel Mounds" and "Count Dracula" on the Children's Television Workshop (now Sesame Workshop) show The Electric Company (1971). He then moved into feature film with another children's adventure, Who Says I Can't Ride a Rainbow! (1971). Next, there was a small role in the thriller Blade (1973); then he played Casca in Julius Caesar (1979) and the title role in Coriolanus (1979). Regular work was coming in for the talented Freeman and he appeared in the prison dramas Attica (1980) and Brubaker (1980), Eyewitness (1981), and portrayed the final 24 hours of slain Malcolm X in Death of a Prophet (1981). For most of the 1980s, Freeman continued to contribute decent enough performances in films that fluctuated in their quality. However, he really stood out, scoring an Oscar nomination as a merciless hoodlum in Street Smart (1987) and, then, he dazzled audiences and pulled a second Oscar nomination in the film version of Driving Miss Daisy (1989) opposite Jessica Tandy. The same year, Freeman teamed up with youthful Matthew Broderick and fiery Denzel Washington in the epic Civil War drama Glory (1989) about freed slaves being recruited to form the first all-African American fighting brigade.
His star continued to rise, and the 1990s kicked off strongly with roles in The Bonfire of the Vanities (1990), Robin Hood: Prince of Thieves (1991), and The Power of One (1992). Freeman's next role was as gunman Ned Logan, wooed out of retirement by friend William Munny to avenge several prostitutes in the wild west town of Big Whiskey in Clint Eastwood's de-mythologized western Unforgiven (1992). The film was a sh and scored an acting Oscar for Gene Hackman, a directing Oscar for Eastwood, and the Oscar for best picture. In 1993, Freeman made his directorial debut on Bopha! (1993) and soon after formed his production company, Revelations Entertainment.
More strong scripts came in, and Freeman was back behind bars depicting a knowledgeable inmate (and obtaining his third Oscar nomination), befriending falsely accused banker Tim Robbins in The Shawshank Redemption (1994). He was then back out hunting a religious serial killer in Se7en (1995), starred alongside Keanu Reeves in Chain Reaction (1996), and was pursuing another serial murderer in Kiss the Girls (1997).
Further praise followed for his role in the slave tale of Amistad (1997), he was a worried US President facing Armageddon from above in Deep Impact (1998), appeared in Neil LaBute's black comedy Nurse Betty (2000), and reprised his role as Alex Cross in Along Came a Spider (2001). Now highly popular, he was much in demand with cinema audiences, and he co-starred in the terrorist drama The Sum of All Fears (2002), was a military officer in the Stephen King-inspired Dreamcatcher (2003), gave divine guidance as God to Jim Carrey in Bruce Almighty (2003), and played a minor role in the comedy The Big Bounce (2004).
2005 was a huge year for Freeman. First, he he teamed up with good friend Clint Eastwood to appear in the drama, Million Dollar Baby (2004). Freeman's on-screen performance is simply world-class as ex-prize fighter Eddie "Scrap Iron" Dupris, who works in a run-down boxing gym alongside grizzled trainer Frankie Dunn, as the two work together to hone the skills of never-say-die female boxer Hilary Swank. Freeman received his fourth Oscar nomination and, finally, impressed the Academy's judges enough to win the Best Supporting Actor Oscar for his performance. He also narrated Steven Spielberg's War of the Worlds (2005) and appeared in Batman Begins (2005) as Lucius Fox, a valuable ally of Christian Bale's Bruce Wayne/Batman for director Christopher Nolan. Freeman would reprise his role in the two sequels of the record-breaking, genre-redefining trilogy.
Roles in tentpoles and indies followed; highlights include his role as a crime boss in Lucky Number Slevin (2006), a second go-round as God in Evan Almighty (2007) with Steve Carell taking over for Jim Carrey, and a supporting role in Ben Affleck's directorial debut, Gone Baby Gone (2007). He co-starred with Jack Nicholson in the breakout hit The Bucket List (2007) in 2007, and followed that up with another box-office success, Wanted (2008), then segued into the second Batman film, The Dark Knight (2008).
In 2009, he reunited with Eastwood to star in the director's true-life drama Invictus (2009), on which Freeman also served as an executive producer. For his portrayal of Nelson Mandela in the film, Freeman garnered Oscar, Golden Globe and Critics' Choice Award nominations, and won the National Board of Review Award for Best Actor.
Recently, Freeman appeared in RED (2010), a surprise box-office hit; he narrated the Conan the Barbarian (2011) remake, starred in Rob Reiner's The Magic of Belle Isle (2012); and capped the Batman trilogy with The Dark Knight Rises (2012). Freeman has several films upcoming, including the thriller Now You See Me (2013), under the direction of Louis Leterrier, and the science fiction actioner Oblivion (2013), in which he stars with Tom Cruise.- Actor
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Denzel Hayes Washington, Jr. was born on December 28, 1954 in Mount Vernon, New York. He is the middle of three children of a beautician mother, Lennis, from Georgia, and a Pentecostal minister father, Denzel Washington, Sr., from Virginia. After graduating from high school, Denzel enrolled at Fordham University, intent on a career in journalism. However, he caught the acting bug while appearing in student drama productions and, upon graduation, he moved to San Francisco and enrolled at the American Conservatory Theater. He left A.C.T. after only one year to seek work as an actor. His first paid acting role was in a summer stock theater stage production in St. Mary's City, Maryland. The play was "Wings of the Morning", which is about the founding of the colony of Maryland (now the state of Maryland) and the early days of the Maryland colonial assembly (a legislative body). He played the part of a real historical character, Mathias Da Sousa, although much of the dialogue was created. Afterwards he began to pursue screen roles in earnest. With his acting versatility and powerful presence, he had no difficulty finding work in numerous television productions.
He made his first big screen appearance in Carbon Copy (1981) with George Segal. Through the 1980s, he worked in both movies and television and was chosen for the plum role of Dr. Philip Chandler in NBC's hit medical series St. Elsewhere (1982), a role that he would play for six years. In 1989, his film career began to take precedence when he won the Oscar for Best Supporting Actor for his portrayal of Tripp, the runaway slave in Edward Zwick's powerful historical masterpiece Glory (1989).
Washington has received much critical acclaim for his film work since the 1990s, including his portrayals of real-life figures such as South African anti-apartheid activist Steve Biko in Cry Freedom (1987), Muslim minister and human rights activist Malcolm X in Malcolm X (1992), boxer Rubin "Hurricane" Carter in The Hurricane (1999), football coach Herman Boone in Remember the Titans (2000), poet and educator Melvin B. Tolson in The Great Debaters (2007), and drug kingpin Frank Lucas in American Gangster (2007). Malcolm X and The Hurricane garnered him Oscar nominations for Best Actor, before he finally won that statuette in 2002 for his lead role in Training Day (2001).
Through the 1990s, Denzel also co-starred in such big budget productions as The Pelican Brief (1993), Philadelphia (1993), Crimson Tide (1995), The Preacher's Wife (1996), and Courage Under Fire (1996), a role for which he was paid $10 million. He continued to define his onscreen persona as the tough, no-nonsense hero through the 2000s in films like Out of Time (2003), Man on Fire (2004), Inside Man (2006), and The Taking of Pelham 123 (2009). Cerebral and meticulous in his film work, he made his debut as a director with Antwone Fisher (2002); he also directed The Great Debaters (2007) and Fences (2016).
In 2010, Washington headlined The Book of Eli (2010), a post-Apocalyptic drama. Later that year, he starred as a veteran railroad engineer in the action film Unstoppable (2010), about an unmanned, half-mile-long runaway freight train carrying dangerous cargo. The film was his fifth and final collaboration with director Tony Scott, following Crimson Tide (1995), Man on Fire (2004), Déjà Vu (2006) and The Taking of Pelham 1 2 3. He has also been a featured actor in the films produced by Jerry Bruckheimer and has been a frequent collaborator of director Spike Lee.
In 2012, Washington starred in Flight (2012), for which he was nominated for an Academy Award for Best Actor. He co-starred with Ryan Reynolds in Safe House (2012), and prepared for his role by subjecting himself to a torture session that included waterboarding. In 2013, Washington starred in 2 Guns (2013), alongside Mark Wahlberg. In 2014, he starred in The Equalizer (2014), an action thriller film directed by Antoine Fuqua and written by Richard Wenk, based on the television series of same name starring Edward Woodward. During this time period, he also took on the role of producer for some of his films, including The Book of Eli and Safe House.
In 2016, he was selected as the recipient for the Cecil B. DeMille Lifetime Achievement Award at the 73rd Golden Globe Awards.
He lives in Los Angeles, California with his wife, Pauletta Washington, and their four children.- Actor
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Peter Lorre was born László Löwenstein in Rózsahegy in the Slovak area of the Austro-Hungarian Empire, the son of Hungarian Jewish parents. He learned both Hungarian and German languages from birth, and was educated in elementary and secondary schools in the Austria-Hungary capitol Vienna, but did not complete. As a youth he ran away from home, first working as a bank clerk, and after stage training in Vienna, Austria, made his acting debut at age 17 in 1922 in Zurich, Switzerland. He traveled for several years acting on stage throughout his home region, Vienna, Berlin, and Zurich, including working with Bertolt Brecht, until Fritz Lang cast him in a starring role as the psychopathic child killer in the German film M (1931).
After several more films in Germany, including a couple roles for which he learned to speak French, Lorre left as the Nazis came to power, going first to Paris where he made one film, then London where Alfred Hitchcock cast him as a creepy villain in The Man Who Knew Too Much (1934), where he learned his lines phonetically, and finally arrived in Hollywood in 1935. In his first two roles there he starred as a mad scientist in Mad Love (1935) directed by recent fellow-expatriate Karl Freund, and the leading part of Raskolnikov in Crime and Punishment (1935), by another expatriate German director Josef von Sternberg, a successful movie made at Lorre's own suggestion. He returned to England for a role in another Hitchcock film, Secret Agent (1936), then back to the US for a few more films before checking into a rehab facility to cure himself of a morphine addiction.
After shaking his addiction, in order to get any kind of acting work, Lorre reluctantly accepted the starring part as the Japanese secret agent in Thank You, Mr. Moto (1937), wearing makeup to alter his already very round eyes for the part. He ended up committed to repeating the role for eight more "Mr. Moto" movies over the next two years.
Lorre played numerous memorable villain roles, spy characters, comedic roles, and even a romantic type, throughout the 1940s, beginning with his graduation from 30s B-pictures The Maltese Falcon (1941). Among his most famous films, Casablanca (1942), and a comedic role in the Broadway hit film Arsenic and Old Lace (1944).
After the war, between 1946 and '49 Lorre concentrated largely on radio and the stage, while continuing to appear in movies. In Autumn 1950 he traveled to West Gemany where he wrote, directed and starred in the critically acclaimed but generally unknown German-language film The Lost Man (1951), adapted from Lorre's own novel.
Lorre returned to the US in 1952, somewhat heavier in stature, where he used his abilities as a stage actor appearing in many live television productions throughout the 50s, including the first James Bond adaptation Casino Royale (1954), broadcast just a few months after Ian Fleming had published that first Bond novel. In that decade, Lorre had various roles, often to type but also as comedic caricatures of himself, in many episodes of TV series, and variety shows, though he continued to work in motion pictures, including the Academy Award winning Around the World in 80 Days (1956), and a stellar role as a clown in The Big Circus (1959).
In the late 50s and early 1960s he worked in several low-budget films, with producer-director Roger Corman, and producer-writer-director Irwin Allen, including the aforementioned The Big Circus and two adventurous Disney movies with Allen. He died from a stroke the year he made his last movie, playing a stooge in Jerry Lewis' The Patsy (1964).Such a talent!! Peter Lorre brightens up every movie he's in with his bug-eyed facial expressions and unplacable accents. :D- Actor
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James Gandolfini was born in Westwood, New Jersey, to Santa (Penna), a high school lunchlady, and James Joseph Gandolfini, Sr., a bricklayer and head school janitor. His parents were both of Italian origin. Gandolfini began acting in the New York theater. His Broadway debut was in the 1992 revival of "A Streetcar Named Desire" with Jessica Lange and Alec Baldwin. James' breakthrough role was his portrayal of Virgil the hitman in Tony Scott's True Romance (1993), but the role that brought him worldwide fame and accolades was as complex Mafia boss Tony Soprano in HBO's smash hit series The Sopranos (1999). He died unexpectedly of a heart attack in 2013 while vacationing in Italy."The Boss", Tony Soprano himself. What an amazing turn on an amazing television show. RIP.- Actor
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- Director
When he was 11, he wanted to be a comedian like Sid Caesar. Then, when he was 15 and saw Lee J. Cobb in 'Death of a Salesman,' he decided he would be a comedy actor and found that Mel Brooks was a great influence on his screen writing. He combined both talents with directing in The World's Greatest Lover (1977), followed by The Adventure of Sherlock Holmes' Smarter Brother (1975).<3 "For we are the music-makers, and we are the dreamers of dreams."- Actor
- Producer
- Additional Crew
Michael Caine was born as Maurice Joseph Micklewhite in London, to Ellen (née Burchell), a cook, and Maurice Micklewhite Sr., a fish-market porter. He had a younger brother, Stanley Caine, and an older maternal half-brother named David Burchell. He left school at age 15 and took a series of working-class jobs before joining the British army and serving in Korea during the Korean War, where he saw combat. Upon his return to England, he gravitated toward the theater and got a job as an assistant stage manager. He adopted the name of Caine on the advice of his agent, taking it from a marquee that advertised The Caine Mutiny (1954). In the years that followed, he worked in more than 100 television dramas, with repertory companies throughout England and eventually in the stage hit "The Long and the Short and the Tall".
Zulu (1964), the epic retelling of a historic 19th-century battle in South Africa between British soldiers and Zulu warriors, brought Caine to international attention. Instead of being typecast as a low-ranking Cockney soldier, he played a snobbish, aristocratic officer. Although "Zulu" was a major success, it was the role of Harry Palmer in The Ipcress File (1965) and the title role in Alfie (1966) that made Caine a star of the first magnitude. He epitomized the new breed of actor in mid-1960s England, the working-class bloke with glasses and a down-home accent. However, after initially starring in some excellent films, particularly in the 1960s, including Gambit (1966), Funeral in Berlin (1966), Play Dirty (1969), Battle of Britain (1969), Too Late the Hero (1970), The Last Valley (1971) and especially Get Carter (1971), he seemed to take on roles in below-average films, simply for the money he could by then command.
However, there were some gems amongst the dross. He gave a magnificent performance opposite Sean Connery in The Man Who Would Be King (1975) and turned in a solid one as a German colonel in The Eagle Has Landed (1976). Educating Rita (1983), Blame It on Rio (1984) and Hannah and Her Sisters (1986) (for which he won his first Oscar) were highlights of the 1980s, while more recently Little Voice (1998), The Cider House Rules (1999) (his second Oscar) and Last Orders (2001) have been widely acclaimed. Caine played Nigel Powers in the parody sequel Austin Powers in Goldmember (2002), and Alfred Pennyworth in Christopher Nolan's Dark Knight trilogy. He appeared in several other of Nolan's films including The Prestige (2006), Inception (2010) and Interstellar (2014). He also appeared as a supporting character in Alfonso Cuarón's Children of Men (2006) and Pixar's sequel Cars 2 (2011).
As of 2015, films in which Caine has starred have grossed over $7.4 billion worldwide. He is ranked the ninth highest grossing box office star. Caine is one of several actors nominated for an Academy Award for acting every decade from five consecutive decades (the other being Laurence Olivier and Meryl Streep). He was appointed Commander of the Order of the British Empire in the 1992 Birthday Honours, and was knighted by Queen Elizabeth II in the 2000 Birthday Honours in recognition for his contributions to the cinema.
Caine has been married twice. First to actress Patricia Haines from 1954 to 1958. They had a daughter, Dominique, in 1957. A bachelor for some dozen-plus years after the divorce, he was romantically linked to Edina Ronay (for three years), Nancy Sinatra, Natalie Wood, Candice Bergen, Bianca Jagger, Françoise Pascal and Jill St. John. In 1971 he met his second wife, fashion model Shakira Caine (née Baksh), and they married in 1973, six months before their daughter Natasha was born. The couple has three grandchildren, and in 2023, they celebrated their 50th wedding anniversary.- Actor
- Producer
- Director
Laurence Olivier could speak William Shakespeare's lines as naturally as if he were "actually thinking them", said English playwright Charles Bennett, who met Olivier in 1927. Laurence Kerr Olivier was born in Dorking, Surrey, England, to Agnes Louise (Crookenden) and Gerard Kerr Olivier, a High Anglican priest. His surname came from a great-great-grandfather who was of French Huguenot origin.
One of Olivier's earliest successes as a Shakespearean actor on the London stage came in 1935 when he played "Romeo" and "Mercutio" in alternate performances of "Romeo and Juliet" with John Gielgud. A young Englishwoman just beginning her career on the stage fell in love with Olivier's Romeo. In 1937, she was "Ophelia" to his "Hamlet" in a special performance at Kronborg Castle, Elsinore (Helsingør), Denmark. In 1940, she became his second wife after both returned from making films in America that were major box office hits of 1939. His film was Wuthering Heights (1939), her film was Gone with the Wind (1939). Vivien Leigh and Olivier were screen lovers in Fire Over England (1937), 21 Days Together (1940) and That Hamilton Woman (1941).
There was almost a fourth film together in 1944 when Olivier and Leigh traveled to Scotland with Charles C. Bennett to research the real-life story of a Scottish girl accused of murdering her French lover. Bennett recalled that Olivier researched the story "with all the thoroughness of Sherlock Holmes" and "we unearthed evidence, never known or produced at the trial, that would most certainly have sent the young lady to the gallows". The film project was then abandoned. During their two-decade marriage, Olivier and Leigh appeared on the stage in England and America and made films whenever they really needed to make some money.
In 1951, Olivier was working on a screen adaptation of Theodore Dreiser's novel "Sister Carrie" (Carrie (1952)) while Leigh was completing work on the film version of the Tennessee Williams' play, A Streetcar Named Desire (1951). She won her second Oscar for bringing "Blanche DuBois" to the screen. Carrie (1952) was a film that Olivier never talked about. George Hurstwood, a middle-aged married man from Chicago who tricked a young woman into leaving a younger man about to marry her, became a New York street person in the novel. Olivier played him as a somewhat nicer person who didn't fall quite as low. A PBS documentary on Olivier's career broadcast in 1987 covered his first sojourn in Hollywood in the early 1930s with his first wife, Jill Esmond, and noted that her star was higher than his at that time. On film, he was upstaged by his second wife, too, even though the list of films he made is four times as long as hers.
More than half of his film credits come after The Entertainer (1960), which started out as a play in London in 1957. When the play moved across the Atlantic to Broadway in 1958, the role of "Archie Rice"'s daughter was taken over by Joan Plowright, who was also in the film. They married soon after the release of The Entertainer (1960).- Actor
- Soundtrack
Zero Mostel was born Samuel Joel Mostel on February 28, 1915 in Brooklyn, New York, one of eight children of an Orthodox Jewish family. Raised in the Lower East Side of Manhattan, the young Zero, known as Sammy, developed his talent for painting and drawing at art classes provided by the Educational Alliance, an institution serving Jewish immigrants and their children. Sammy often would go to the Metropolitan Museum of Art to copy the paintings.
Sam Mostel matriculated at the City College of New York, then entered a master's program in art at New York University after graduating from CCNY in 1935. He dropped out after a year and worked at odd jobs before being hired by the Works Progress Administration's Federal Art Project to teach drawing and painting at the 92nd Street "Y", the famous Young Men and Young Women's Hebrew Association located on Manhattan's 92nd St., in 1937.
Mostel married Clara Sverd, a CCNY classmate, in 1939, but the marriage was troubled due to personality conflicts. The couple separated in 1941 and divorced in 1944. While still teaching, Mostel supplemented his income by providing gallery lectures at various museums under the aegis of the WPA. His lectures were full of jokes as Mostel personally was a clown, and subsequently he was hired to perform at private parties.
Mostel auditioned as a comedian at the downtown nightclub Cafe Society in late 1941, a jazz club. Initially rejected, owner Barney Josephson hired Mostel after Pearl Harbor, figuring his patrons, now at war, could use some laughs. It was Ivan Black, the club's press agent, who gave Sam Mostel the nickname Zero, explaining, "Here's a guy who's starting from nothing."
Debuting at the Cafe Society on February 16, 1942, Zero was a hit with audiences and the critics, Simultaneously, Zero began appearing in the play "Cafe Crown" at the Cort Theatre, which opened on January 23, 1942 and played through May 23rd, closing after 141 performances. Zero made some impromptu appearances on stage, but he wasn't officially part of the cast of the play, which was staged by Elia Kazan and starred Morris Carnovsky, Sam Jaffe (a future blacklistee), Whit Bissell, and Sam Wanamaker. Zero made his formal Broadway debut in "Keep 'em Laughing" on April 24, 1942 at the 44th Street Theatre. The show ran for 77 performances.
Within a year, he was touring the national nightclub circuit and appearing on radio. He had a brief stint in the Army in 1943, but was quickly discharged due to an unspecified physical disability. Zero spent the rest of the war entertaining the troops overseas.
Zero married Kathryn Harkin, a former Radio City Music Hall Rockette, on July 2, 1944, an act that ruined his relationship with his Orthodox Jewish parents as his new wife was a gentile. The two remained a married couple until his death and produced two sons: Josh Mostel, who was born in 1946, and Tobias, who was born in 1949.
In the post-war years, Zero began to branch-out as a straight actor. On October 19, 1948, he made his television debut in the series "Off the Record," which was broadcast on the DuMont network, following it up with an appearance on October 26, 1948. He later appeared in the The Ford Theatre Hour (1948) episode "The Man Who Came to Dinner," which was broadcast on January 16, 1949 on NBC. He was reunited with his "Cafe Crown" director Elia Kazan in the Oscar-winner's movie Panic in the Streets (1950) (1950). In the movies, Zero often played heavies due to his physique, roles that downplayed his unique gift for comedy.
Zero had long been a leftist politically, and had made contributions to progressive causes. His nightclub act lampooned the red-baiters rampant at the time, and featured the character of a pompous senator called Polltax T. Pellagra. When he and the wife of his good friend 'Jack Gilford' were named by Jerome Robbins before the House Un-American Activities Committee as being communists, Zero was subpoenaed to testify by HUAC.
Mostel testified before the House Un-American Activities Committee on October 14, 1955. In a playful mood, he told the Committee that he was employed by "19th Century-Fox." Zero denied he was a Communist, but refused to name names. He told the Committee that he would gladly discuss his own conduct but was prohibited by religious convictions from naming others. Consequently, he was blacklisted during the 1950s. Shut-out from the movies, he also lost many lucrative nightclub gigs, and he had to make due by playing gigs for meager salaries and by selling his paintings.
In the 1950s, Mostel bumped into Elia Kazan on the street in New York City, and the two reminisced. Kazan said Mostel chided him for putting Mostel through the paces in "Panic in the Streets," forcing him to run more than he ever had. The two retired to a bar, and as they began to drink, s Mostel kept muttering, in reference to Kazan's naming names before HUAC, "Ya shouldn't a done that. Ya shouldn't a done that."
There was no blacklist in the theater, and his friend Burgess Meredith, a noted liberal, offered Zero the lead role in his 1958 Off-Broadway production of "Ulysses in Nighttown," based on the Nighttown episode of James Joyce's novel "Ulysses," that Meredith was directing. Mostel's performance as Leopold Bloom, Joyce's Jewish Everyman, was a great hit with audiences and critics alike, and he won an "Obie," the Off-Broadway equivalent of a Tony. Zero also starred in productions of "Nighttown" in London and Paris.
By the end of 1959, Zero again was appearing on television, cast in the "Play of the Week" episode "The World of Sholom Aleichem," which was broadcast on December 14, 1959 in syndication. He also was cast in a Broadway play, "The Good Soup."
Zero never opened in the play as he was hit by a bus on January 13, 1960. His left leg was severely injured, and required four operations. Zero was in the hospital for five months but regained the use of the leg.
He made a triumphant return to Broadway in the fall of 1960, starring in Ionesco's absurdist tour-de-force "Rhinoceros," for which he won a Tony award. He was cast in another "Play of the Week" episode, this time in Samuel Beckett's "Waiting for Godot," which was broadcast on April 3, 1961 in syndication.
Zero and his friend Jack Gilford, who had also been blacklisted due to Jerome Robbins having named names and hadn't worked for many years, were both cast in the Broadway musical "A Funny Thing Happened on the Way to the Forum." However, the show, under director George Abbott, was troubled. When Stephen Sondheim pitched Robbins to producer Harold Prince as the savior of "Forum," which was floundering in its out-of-town tryouts, Prince phoned Mostel to ask whether he would be prepared to work with Robbins.
"Are you asking me to eat with him?" asked Mostel.
"I'm just asking you to work with him," Prince replied.
"Of course I'll work with him," Mostel said. "We of the left do not blacklist."
When Robbins showed up at his first rehearsal, everyone was terrified of him because of his reputation as a tough taskmaster and perfectionist. Robbins made the rounds of the cast, shaking hands. When he got to Mostel, there was silence. Then Mostel boomed, "Hiya, Loose Lips!"
Everyone burst out laughing, including Robbins, and the show went on. Robbins was uncredited for staging and choreographing "Forum," which opened at the Alvin Theatre on May 8, 1962. "Forum" was a great hit, running for 964 performances at the Alvin and at the Mark Hellinger Theatre and later at the Majestic, closing on August 29, 1964. "Forum" won six Tony awards, including Best Musical and Best Director for George Abbott. Mostel won his second Tony and Gilford was nominated for the Tony for Best Featured Actor.
Zero followed up this triumph with his legendary turn as Tevye, the milkman with marriageable daughters in "Fiddler on the Roof," based on the stories of Sholom Aleichem. With direction and choreography credited to Jerome Robbins, "Fiddler on the Roof" opened at the Imperial Theatre on September 22, 1964 and did not close until almost eight years later, at the Broadway Theatre on July 2, 1972, with a stop at the Majestic in between during the late '60s. After seven previews, "Fiddler" racked up a total of 3,242 performances, making it one of the greatest Broadway smashes ever. After wining nine Tony awards in 1965, including Best Musical, Best Director, and Best Actor in A Musical (Zero's third Tony), the show was awarded a 10th Tony, a Special Award in 1972 when "Fiddler" became the longest-running musical in Broadway history.
Zero was cast in the 1966 movie version of A Funny Thing Happened on the Way to the Forum (1966), and then concentrated on movies and television for the rest of his career. Most of his projects, with the exception of Mel Brooks' The Producers (1967), did not fully utilize his talents. It was a major blow when director Norman Jewison cast the Israeli actor Topol as Tevye in his movie adaptation of Fiddler on the Roof (1971), passing over the legend who had created the role. Topol got an Oscar nomination, but faded quickly out of American movies. The movie of "Fiddler," a huge roadshow hit in 1971, also faded out of American consciousness. One wonders if with Zero in the role, the movie would now be considered a classic and constantly revived on television.
In 1974, Zero reprised his Leopold Bloom in a Broadway production of "Ulysses in Nighttown," again directed by Burgess Meredith, which netted him a Tony Award nomination as Best Actor in a Play. He turned in an affecting performance as a blacklisted comedian in Martin Ritt's movie about the blacklist, The Front (1976). He also had a success with a Broadway revival of "Fiddler on the Roof" in December 1976.
Zero was cast as Shylock in Arnold Wesker's "The Merchant," a pro-Jewish reimagining of 'William Shakespeare''s "The Merchant of Venice." Mostel had great hopes that his Shylock would be the crowning achievement of his career and put him back on top. His huge talent and larger-than-life persona seemed to do better on stage.
This was not to come to pass. He fell ill after a tryout performance in Philadelphia in September and was hospitalized. On September 8, 1977, Zero Mostel died from an aortic aneurysm at the age of sixty-two. One of the greatest, most unique, and definitely irreplaceable talents to grace the American stage and movies had passed away. We are unlikely to look on his likes again.The Producers!- Writer
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- Producer
Steve Martin was born on August 14, 1945 in Waco, Texas, USA as Stephen Glenn Martin to Mary Lee (née Stewart; 1913-2002) and Glenn Vernon Martin (1914-1997), a real estate salesman and aspiring actor. He was raised in Inglewood and Garden Grove in California. In 1960, he got a job at the Magic shop of Disney's Fantasyland, and while there he learned magic, juggling, and creating balloon animals. At Santa Ana College, he took classes in drama and English poetry. He also took part in comedies and other productions at the Bird Cage Theatre, and joined a comedy troupe at Knott's Berry Farm. He attended California State University as a philosophy major, but in 1967 transferred to UCLA as a theatre major.
His writing career began on The Smothers Brothers Comedy Hour (1967), winning him an Emmy Award. Between 1967 and 1973, he also wrote for many other shows, including The Glen Campbell Goodtime Hour (1969) and The Sonny and Cher Comedy Hour (1971). He also appeared on talk shows and comedy shows in the late 1960s and early 1970s. In 1972, he first appeared on The Tonight Show Starring Johnny Carson (1962), doing stand-up several times each year, and even guest hosting a few years later. In 1976, he served for the first time as guest-host on Saturday Night Live (1975). By 2016, he has guest-hosted 15 times, which is one less than Alec Baldwin's record, and also appeared 12 other times on SNL.
In 1977, he released his first comedy album, a platinum selling "Let's Get Small". He followed it with "A Wild and Crazy Guy" (1978), which sold more than a million copies. Both albums went on to win Grammys for Best Comedy Recording. This is when he performed in arenas in front of tens of thousands of people, and begun his movie career, which was always his goal. His first major role was in the short film, The Absent-Minded Waiter (1977), which he also wrote. His star value was established in The Jerk (1979), which was co-written by Martin, and directed by Carl Reiner. The film earned more than $100 million on a $4 million budget. He also starred in Dead Men Don't Wear Plaid (1982), The Man with Two Brains (1983), and All of Me (1984), all directed by Reiner. To avoid being typecast as a comedian, he wanted do more dramatic roles, starring in Pennies from Heaven (1981), a film remake of Dennis Potter's 1978 series. Unfortunately, it was a financial failure.
He also starred in John Landis's Three Amigos! (1986), co-written by himself, opposite Martin Short and Chevy Chase. That year, he also appeared in the musical horror comedy, Little Shop of Horrors (1986) opposite Rick Moranis. Next year, he starred in Roxanne (1987), co-written by himself, and in John Hughes' Planes, Trains & Automobiles (1987), opposite John Candy. His other films include Parenthood (1989) and My Blue Heaven (1990), both opposite Moranis. In 1991, he wrote and starred in L.A. Story (1991), about a weatherman who searches meaning in his life and love in Los Angeles. It also starred his then-wife, Victoria Tennant. Same year, Father of the Bride (1991) was so successful that a 1995 sequel followed.
During the 1990s, he continued to play more dramatic roles, in Grand Canyon (1991), playing a traumatized movie producer, in Leap of Faith (1992), playing a fake faith healer, in A Simple Twist of Fate (1994), playing a betrayed man adopting a baby, and in David Mamet's thriller The Spanish Prisoner (1997). Other, more comedic roles include in HouseSitter (1992) and The Out-of-Towners (1999), opposite Goldie Hawn, in Nora Ephron's Mixed Nuts (1994), and in Bowfinger (1999), written by himself and co-starring Eddie Murphy. After Bowfinger, he starred in Bringing Down the House (2003) and Cheaper by the Dozen (2003), both earning more than $130 million. He wrote and starred in Shopgirl (2005), and appeared in the sequel of Cheaper by the Dozen. After them, he appeared in The Pink Panther (2006) and The Pink Panther 2 (2009), which he both co-wrote, as Inspector Clouseau.
He continues to do movies, more recently appearing in The Big Year (2011), Home (2015), and Love the Coopers (2015). Besides aforementioned, he has been an avid art collector since 1968, written plays, written for The New Yorker, written a well-received memoir (Born Standing Up), written a novel (An Object of Beauty; 2010), hosted the Academy Awards three times, released a Grammy award winning music album (The Crow: New Songs for the 5-String Banjo; 2009), and another album (Love Has Come For You; 2013) with Edie Brickell. Since 2007, he has been married to Anne Stringfield, with whom he has a daughter.He really just has to be on this list - because he plays the banjo.- Actor
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Candy was one of Canada's greatest and funniest character actors. His well-known role as the big hearted buffoon earned him classics in Uncle Buck (1989) and Planes, Trains & Automobiles (1987). His career has handed him some dry spells but Candy always rebounded.
Born in Newmarket, Ontario, in the year 1950, Candy was the son of Evangeline (Aker) and Sidney James Candy. His mother was of Ukrainian and Polish ancestry. Candy found his passion for drama while attending a community college. In 1971 Candy made his TV debut in an episode of Police Surgeon (1971) co-starring Sharon Farrell, John Hamelin, and Nick Mancuso. Candy then found a number of bit parts in other Canadian television shows and also in such small films as Tunnel Vision (1976) and Find the Lady (1976). However, his big success came at the age of twenty-seven, when he became part of the comedy group "Second City" in Toronto. Alongside such soon-to-be Canadian stars as Catherine O'Hara (one of Candy's lifelong friends), Eugene Levy, Rick Moranis, and Harold Ramis, Candy was also part of the television show the group inspired. SCTV (1976) earned Candy a reputation for his quirky humor and his uncanny imitations of others.
After the television series, Candy appeared alongside fellow Canadian Dan Aykroyd in the Steven Spielberg flop 1941 (1979). However, other jobs followed and Candy landed a role, once again with Aykroyd, in the successful classic The Blues Brothers (1980). Candy played a parole officer who is part of the chase after Jake and Elwood Blues. The film was a hit and Candy followed up accordingly.
Candy acted in the smash hit Stripes (1981) where he played a dopey, overweight recruit affectionately nicknamed 'Ox'. After the success of Stripes (1981), Candy returned to the Second City with the other former stars, in SCTV Network (1981). Candy also hosted "Saturday Night Live" before landing himself a role in the Ron Howard film Splash (1983), a romantic comedy about a mermaid who washes ashore and learns to live like a human. Candy played a sleazy womanizing brother to the character played by Tom Hanks. The film was a bigger success than even Stripes (1981) and a number of people have said that Splash (1983) was his breakout role.
He took a second billing in the comedic film Brewster's Millions (1985) where a man must spend thirty million in order to inherit three hundred million from his deceased relative. Candy played the man's best friend, who accidentally gets in the way as much as helping out. Candy continued making films tirelessly, including the film Armed and Dangerous (1986) where he and Eugene Levy play characters who become security guards.
1987 was an especially good year to Candy, giving him two classic roles: Barf the Mawg in the Mel Brooks comedy Spaceballs (1987) and the bumbling salesman Del Griffith alongside Steve Martin's uptight character in the John Hughes film Planes, Trains & Automobiles (1987). The latter film is a golden classic and is one of Candy's greatest films. He followed up immediately with The Great Outdoors (1988), once again alongside Dan Aykroyd. Candy landed another classic role in the film Uncle Buck (1989) which was about a bumbling uncle who must look after his brother's three children.
Although he was in the smash hit Home Alone (1990), Candy's career fell into a slump, turning out unsuccessful films in the early nineties. This caused him to change his strategy by taking more serious roles. The first of these serious roles was the corrupt lawyer Dean Andrews in the 'Oliver Stone' film JFK (1991). The film was a big success, and Candy moved on from this victory to make the film Cool Runnings (1993) about the first Jamaican bobsled team.
Candy was well known for his size, six feet two and weighing around 300 pounds. However, he was very sensitive about the subject and in the nineties tried to lose weight and quit smoking. He was aware that heart attacks were in his family: both his father and his grandfather died of heart attacks and Candy wanted to prevent that happening to him as best he could.
In the mid-nineties Candy filmed the Michael Moore comedy Canadian Bacon (1995) then went to Mexico to film the western spoof Wagons East (1994). It was in Mexico that Candy had a heart attack and passed away in March 1994. Canadian Bacon (1995) was released a year after his death and is his last film.
Candy was loved by thousands of people who loved his classic antics in Splash (1983) and The Great Outdoors (1988). He was well-known for his roles in Stripes (1981) and Uncle Buck (1989) and he himself never forgot his Canadian background.- Actor
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Christopher Crosby Farley was born on February 15, 1964, in Madison, Wisconsin, to Mary Anne (Crosby) and Thomas Farley, who owned an oil company. Among his siblings are actors Kevin P. Farley and John Farley. He was of Irish heritage. Farley studied theatre and communications on Marquette University. After finishing university he was in the cast of the Second City Theatre, where he was discovered by the producer of the great comedy show Saturday Night Live (1975), Lorne Michaels. Farley worked on Saturday Night Live (1975) for five years during which he appeared in movies like Wayne's World (1992), Coneheads (1993), Billy Madison (1995) and finally Tommy Boy (1995), with his comic partner and SNL cast member David Spade. The duo later made one more movie called Black Sheep (1996). From that time on, Farley was one of the big comedy stars, and his fame was growing and growing.
After some more time, he made another "lone" movie, Beverly Hills Ninja (1997), which featured former SNL member Chris Rock. Farley was made even more famous, but with his growing fame, his problems grew bigger as well; he didn't want to be the "fat guy who falls down" any longer. Farley had several other problems, too, with alcohol and drug dependency. On December 18th, 1997, he died from a heroin (opiate) and cocaine overdose in his apartment in Chicago, where his body was found by his brother John the next day. Farley's weight of 296 pounds was a contributing factor in his death, but according to his autopsy the alcohol, marijuana and Prozac that was also found in his body, were not. Less than two months prior to his death, he had appeared alongside Chevy Chase on what would be Farley's only SNL show as host. Not unlike his idol John Belushi, he was credited for one more appearance after having left SNL and died at age 33. His death cause was also the same. In the year after Farley's departing, the movie Almost Heroes (1998), where he plays the leading role alongside Matthew Perry was released. He also makes cameo appearances in Dirty Work (1998)- Actor
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Moura was born in Salvador, a city located in Northeast Region of Brazil, but grew up in the small town of Rodelas, Bahia. His mother, Alderiva, was a housewife, and his father, José Moura, was a Sergeant in the Brazilian Air Force. At the age of 13, he moved with his family to Salvador, Bahia.
Besides his acting career, Moura is a lyricist and the vocalist of a band named Sua Mãe ("Your Mum"). In 2012, he guest performed as lead vocalist for some Legião Urbana tribute shows, featuring surviving members Marcelo Bonfá and Dado Villa-Lobos.Narcos.- Actor
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Maurice Chevalier's first working job was as an acrobat, until a serious accident ended that career. He turned his talents to singing and acting, and made several short films in France. During World War I he enlisted in the French army. He was wounded in battle, captured and placed in a POW camp by the Germans. During his captivity he learned English from fellow prisoners. After the war he returned to the film business, and when "talkies" came into existence, Chevalier traveled to the US to break into Hollywood. In 1929 he was paired with operatic singer/actress Jeanette MacDonald to make The Love Parade (1929). Although Chevalier was attracted to the beautiful MacDonald and made several passes at her, she rejected him firmly, as she had designs on actor Gene Raymond, who she eventually married. He did not take rejection lightly, being a somewhat vain man who considered himself quite a catch, and derided MacDonald as a "prude". She, in turn, called him "the quickest derrière pincher in Hollywood". They made three more pictures together, the most successful being Love Me Tonight (1932). In the late 1930s he returned to Europe, making several films in France and England. World War II interrupted his career and he was dogged by accusations of collaboration with the Nazi authorities occupying France, but he was later vindicated. In the 1950s he returned to Hollywood, older and gray-headed. He made Gigi (1958), from which he took his signature songs, "Thank Heaven for Little Girls" and "I Remember it Well". He also received a special Oscar that year. In the 1960s he made a few more films, and in 1970 he sang the title song for Walt Disney's The Aristocats (1970). This marked his last contribution to the film industry.Love Me Tonight (1932). Delightful!! :)- Actor
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Born Ryan Thomas Gosling on November 12, 1980, in London, Ontario, Canada, he is the son of Donna (Wilson), a secretary, and Thomas Ray Gosling, a traveling salesman. Ryan was the second of their two children, with an older sister, Mandi. His ancestry is French-Canadian, as well as English, Scottish, and Irish. The Gosling family moved to Cornwall, Ontario, where Ryan grew up and was home-schooled by his mother. He also attended Gladstone Public School and Cornwall Collegiate & Vocational School, where he excelled in Drama and Fine Arts. The family then relocated to Burlington, Ontario, where Ryan attended Lester B. Pearson High School.
Ryan first performed as a singer at talent contests with Mandi. He attended an open audition in Montreal for the TV series "The Mickey Mouse Club" (The All New Mickey Mouse Club (1989)) in January 1993 and beat out 17,000 other aspiring actors for a a spot on the show. While appearing on "MMC" for two years, he lived with co-star Justin Timberlake's family.
Though he received no formal acting training, after "MMC," Gosling segued into an acting career, appearing on the TV series Young Hercules (1998) and Breaker High (1997), as well as the films The Slaughter Rule (2002), Murder by Numbers (2002), and Remember the Titans (2000). He first attracted serious critical attention with his performance as the Jewish neo-Nazi in the controversial film The Believer (2001), which won the Grand Jury Prize at the 2001 Sundance Film Festival. He was cast in the part by writer-director Henry Bean, who believed that Gosling's strict upbringing gave him the insight to understand the character Danny, whose obsessiveness with the Judaism he was born into turns to hatred. He was nominated for an Independent Spirit Award as Best Male Lead in 2002 for the role and won the Golden Aries award from the Russian Guild of Film Critics.
After appearing in the sleeper The Notebook (2004) in 2004, Gosling won the dubious honor of being named one of the 50 Hottest Bachelors by People Magazine. More significantly, he was named the Male Star of Tomorrow at the 2004 Show West convention of movie exhibitors.
Gosling reached a summit of his profession with his performance in Half Nelson (2006), which garnered him an Academy Award nomination as Best Actor. In a short time, he has established himself as one of the finest actors of his generation. Throughout the subsequent decade, he has become all three of an internet fixation, a box office star, and a critical darling, having headlined Blue Valentine (2010), Crazy, Stupid, Love. (2011), Drive (2011), The Ides of March (2011), The Place Beyond the Pines (2012), The Nice Guys (2016), and La La Land (2016). In 2017, he starred in the long-awaited science fiction sequel Blade Runner 2049 (2017), with Harrison Ford.
Ryan has two children with his partner, actress Eva Mendes.La La Land. Dude can tickle the ivories and sing in a monotone voice for me anytime :)- Actor
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Robert Mitchum was an underrated American leading man of enormous ability, who sublimated his talents beneath an air of disinterest. He was born in Bridgeport, Connecticut, to Ann Harriet (Gunderson), a Norwegian immigrant, and James Thomas Mitchum, a shipyard/railroad worker. His father died in a train accident when he was two, and Robert and his siblings (including brother John Mitchum, later also an actor) were raised by his mother and stepfather (a British army major) in Connecticut, New York, and Delaware. An early contempt for authority led to discipline problems, and Mitchum spent good portions of his teen years adventuring on the open road. He later claimed that on one of these trips, at the age of 14, he was charged with vagrancy and sentenced to a Georgia chain gang, from which he escaped. Working a wide variety of jobs (including ghostwriter for astrologist Carroll Righter), Mitchum discovered acting in a Long Beach, California, amateur theater company. He worked at Lockheed Aircraft, where job stress caused him to suffer temporary blindness. About this time he began to obtain small roles in films, appearing in dozens within a very brief time. In 1945, he was cast as Lt. Walker in Story of G.I. Joe (1945) and received an Oscar nomination as Best Supporting Actor. His star ascended rapidly, and he became an icon of 1940s film noir, though equally adept at westerns and romantic dramas. His apparently lazy style and seen-it-all demeanor proved highly attractive to men and women, and by the 1950s, he was a true superstar despite a brief prison term for marijuana usage in 1949, which seemed to enhance rather than diminish his "bad boy" appeal. Though seemingly dismissive of "art," he worked in tremendously artistically thoughtful projects such as Charles Laughton's The Night of the Hunter (1955) and even co-wrote and composed an oratorio produced at the Hollywood Bowl by Orson Welles. A master of accents and seemingly unconcerned about his star image, he played in both forgettable and unforgettable films with unswerving nonchalance, leading many to overlook the prodigious talent he can bring to a project that he finds compelling. He moved into television in the 1980s as his film opportunities diminished, winning new fans with The Winds of War (1983) and War and Remembrance (1988). His sons James Mitchum and Christopher Mitchum are actors, as is his grandson Bentley Mitchum. His last film was James Dean: Race with Destiny (1997) with Casper Van Dien as James Dean.The Night of the Goddamn Hunter. *beep* rock.- Actor
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Distinguished U.S. actor and longtime civil rights campaigner Robert Bushnell Ryan was born in Chicago, Illinois, to Mable Arbutus (Bushnell), a secretary, and Timothy Aloysius Ryan, whose wealthy family owned a real estate firm. His father was of Irish ancestry, and his mother was of English and Irish descent. Ryan served in the United States Marines as a drill sergeant (winning a boxing championship) and went on to become a key figure in post WWII American Film Noir and western productions.
Ryan grabbed critical attention for his dynamic performances as an anti-Semitic bully in the superb Crossfire (1947), as an over-the-hill boxer who refuses to take a fall in The Set-Up (1949) and as a hostile & jaded cop in On Dangerous Ground (1951). Ryan's athletic physique, intense gaze and sharply delivered, authoritarian tones made him an ideal actor for the oily world of the Film Noir genre, and he contributed solid performances to many Film Noir features, usually as a vile villain. Ryan played a worthy opponent for bounty hunter James Stewart in the Anthony Mann directed western The Naked Spur (1953), he locked horns with an intrepid investigator Spencer Tracy in the suspenseful Bad Day at Black Rock (1955) and starred alongside Harry Belafonte in the grimy, gangster flick Odds Against Tomorrow (1959). Plus, the inventive Ryan excelled as the ruthless "John Claggart" in Billy Budd (1962), and two different WWII US generals - first in the star-filled The Longest Day (1962) and then in Battle of the Bulge (1965).
For the next eight years prior to his untimely death in 1973, Ryan landed some tremendous roles in a mixture of productions each aided by his high-caliber acting skills leaving strong impressions on movie audiences. He was one of the hard men hired to pursue kidnapped Claudia Cardinale in the hard boiled action of The Professionals (1966), a by-the-book army colonel clashing with highly unorthodox army major Lee Marvin in The Dirty Dozen (1967), and an embittered bounty hunter (again) forced to hunt down old friend William Holden in the violent Sam Peckinpah western classic The Wild Bunch (1969). Ryan's final on-screen performance was in the terrific production of The Iceman Cometh (1973) based on the Eugene O'Neill play and also starring Lee Marvin and Fredric March.
Legend has it that Sam Peckinpah clashed very heatedly with Ryan during the making of The Wild Bunch (1969); however Peckinpah eventually backed down when a crew member reminded Sam of Robert Ryan's proficiency with his fists!
Primarily a man of pacifist beliefs, Ryan often found it a challenge playing sadistic and racist characters who very much were at odds with his own personal ideals. Additionally, Ryan actively campaigned for improved civil rights, restricting the growth of nuclear weapons, and he strongly opposed McCarthyism and its abuse of people who many believed were innocent. A gifted, intelligent and powerful actor, Robert Ryan passed away on July 11th, 1973 of lung cancer.This man, like Robert Mitchum, makes his presence known in many great film noirs. He won a boxing championship and championed civil rights IRL, so that's badass. I love how old-school film actors were often admirable and accomplished people in real life, not just narcissistic "stars" like many are today...- Actor
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Japanese leading man, an important star and one of the handful of Japanese actors well known outside Japan. Nakadai was a tall handsome clerk in a Tokyo shop when director Masaki Kobayashi encountered him and cast him in The Thick-Walled Room (1956). Nakadai was subsequently cast in the lead role in Kobayashi's monumental trilogy 'Ningen no joken' and became a star whose international acclaim rivaled that of countryman Toshirô Mifune. Like Mifune, Nakadai worked frequently with director Akira Kurosawa and indeed more or less replaced Mifune as Kurosawa's principal leading man after the well-known falling out between Mifune and Kurosawa. His appearances for Kurosawa in Kagemusha: The Shadow Warrior (1980) and Ran (1985) are among the most indelible in the director's oeuvre.- Actor
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Toshiro Mifune achieved more worldwide fame than any other Japanese actor of his century. He was born in Tsingtao, China, to Japanese parents and grew up in Dalian. He did not set foot in Japan until he was 21. His father was an importer and a commercial photographer, and young Toshiro worked in his father's studio for a time after graduating from Dalian Middle School. He was automatically drafted into the Japanese army when he turned 20, and enlisted in the Air Force where he was attached to the Aerial Photography Unit for the duration of the World War II. In 1947 he took a test for Kajirô Yamamoto, who recommended him to director Senkichi Taniguchi, thus leading to Mifune's first film role in These Foolish Times II (1947). Mifune then met and bonded with director Akira Kurosawa, and the two joined to become the most prominent actor-director pairing in all Japanese cinema. Beginning with Drunken Angel (1948), Mifune appeared in 16 of Kurosawa's films, most of which have become world-renowned classics. In Kurosawa's pictures, especially Rashomon (1950), Mifune would become the most famous Japanese actor in the world. A dynamic and ferocious actor, he excelled in action roles, but also had the depth to plumb intricate and subtle dramatic parts. A personal rift during the filming of Red Beard (1965) ended the Mifune-Kurosawa collaboration, but Mifune continued to perform leading roles in major films both in Japan and in foreign countries. He was twice named Best Actor at the Venice Film Festival (for Yojimbo (1961) and Red Beard (1965)). In 1963 he formed his own production company, directing one film and producing several others. In his later years he gained new fame in the title role of the American TV miniseries Shogun (1980), and appeared infrequently in cameo roles after that. His last years were plagued with Alzheimer's Syndrome and he died of organ failure in 1997, a few months before the death of the director with whose name he will forever be linked, Akira Kurosawa.- Actor
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The "boy next door, if that boy spent lots of time alone in the basement", is how Rich Cohen described Kyle MacLachlan in a 1994 article for "Rolling Stone" magazine. That distinctly askew wholesomeness made MacLachlan a natural to become famous as the alter ego of twisted director David Lynch.
MacLachlan was born and raised in Yakima, Washington, to Catherine Louise (Stone), a public relations director, and Kent Alan McLachlan, a lawyer and stockbroker. He has Scottish, English, Cornish, and German ancestry. MacLachlan graduated from the University of Washington in 1982. The darkly handsome actor made his feature film debut when he starred in the big-budget David Lynch adaptation of Frank Herbert's Dune (1984), but only enjoyed real success after appearing in a second Lynch project, the moody and perverse classic, Blue Velvet (1986).
The following year saw MacLachlan appearing as an otherworldly FBI agent in the cult classic sci-fi film, The Hidden (1987). This turned out to be a sign of things to come, as MacLachlan soon took on another oddball G-man, "Special Agent Dale Cooper", on Lynch's cryptic ABC-TV series, Twin Peaks (1990), perhaps, along with Blue Velvet (1986), his most famous role. MacLachlan's remarkable work as Agent Cooper earned him a Golden Globe award and a pair of Emmy nominations, as well as steady work in television and films, including a part as Ray Manzarek in the Oliver Stone film, The Doors (1991), and villain "Cliff Vandercave" in the live action version of The Flintstones (1994).
His career took a hit after he appeared in the infamous flop, Showgirls (1995). However, MacLachlan returned to prominence in the early 2000s with a re-occurring role on HBO's Sex and the City (1998), as well as a starring role in the TV movie, The Spring (2000), and a turn as "Claudius" in director Michael Almereyda's version of Hamlet (2000). MacLachlan later took advantage of his resemblance to Cary Grant, when he played the classic actor's spirit in Touch of Pink (2004).
MacLachlan has remained a popular actor with independent filmmakers, and he has also been a familiar face on television, appearing on the ABC-TV shows, In Justice (2006) and Desperate Housewives (2004).Multiple roles on Twin Peaks.- Actor
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Raymond Herbert "Ray" Wise (born August 20, 1947) is an American actor. Some of his best-known roles include Leland Palmer in Twin Peaks (1990), henchman Leon C. Nash in RoboCop (1987), Jack Taggart Sr. in Jeepers Creepers 2 (2003), the Devil in the CW television series Reaper (2007), Donald Wadsworth in Suburban Gothic (2014).
Wise was born in Akron, Ohio, graduated from Garfield High School in 1964 and attended Kent State University in Kent, Ohio. He is of Romanian descent on his mother's side.I feel like this dude is on everything, but I'll always think of him as Leland Palmer. He's great on Fargo S3, which I'm watching the finale of right now.- Actor
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Born in London, England, Daniel Michael Blake Day-Lewis is the second child of Cecil Day-Lewis, Poet Laureate of the U.K., and his second wife, actress Jill Balcon. His maternal grandfather was Sir Michael Balcon, an important figure in the history of British cinema and head of the famous Ealing Studios. His older sister, Tamasin Day-Lewis, is a documentarian. His father was of Northern Irish and English descent, and his mother was Jewish (from a family from Latvia and Poland). Daniel was educated at Sevenoaks School in Kent, which he despised, and the more progressive Bedales in Petersfield, which he adored. He studied acting at the Bristol Old Vic School. Daniel made his film debut in Sunday Bloody Sunday (1971), but then acted on stage with the Bristol Old Vic and Royal Shakespeare Companies and did not appear on screen again until 1982, when he landed his first adult role, a bit part in Gandhi (1982). He also appeared on British television that year in Frost in May (1982) and How Many Miles to Babylon? (1982). Notable theatrical performances include Another Country (1982-83), Dracula (1984) and The Futurists (1986).
His first major supporting role in a feature film was in The Bounty (1984), quickly followed by My Beautiful Laundrette (1985) and A Room with a View (1985). The latter two films opened in New York on the same day, offering audiences and critics evidence of his remarkable range and establishing him as a major talent. The New York Film Critics named him Best Supporting Actor for those performances. In 1986, he appeared on stage in Richard Eyre's "The Futurists" and on television in Eyre's production of The Insurance Man (1986). He also had a small role in a British/French film, Nanou (1986). In 1987, he assumed leading-man status in Philip Kaufman's The Unbearable Lightness of Being (1988), followed by a comedic role in the unsuccessful Stars and Bars (1988). His brilliant performance as Christy Brown in Jim Sheridan's My Left Foot (1989) won him numerous awards, including the Academy Award for Best Actor.
He returned to the stage to work again with Eyre, as Hamlet at the National Theater, but was forced to leave the production close to the end of its run because of exhaustion, and has not appeared on stage since. He took a hiatus from film as well until 1992, when he starred in The Last of the Mohicans (1992), a film that met with mixed reviews but was a great success at the box office. He worked with American director Martin Scorsese in The Age of Innocence (1993), based on Edith Wharton's novel. Subsequently, he teamed again with Jim Sheridan to star in In the Name of the Father (1993), a critically acclaimed performance that earned him another Academy Award nomination. His next project was in the role of John Proctor in father-in-law Arthur Miller's play The Crucible (1996), directed by Nicholas Hytner. He worked with Scorsese again to star in Gangs of New York (2002), another critically acclaimed performance that earned him another Academy Award nomination for Best Actor.
Day-Lewis's wife, Rebecca Miller, offered him the lead role in her film The Ballad of Jack and Rose (2005), in which he played a dying man with regrets over how his wife had evolved and over how he had brought up his teenage daughter. During filming, he arranged to live separate from his wife to achieve the "isolation" needed to focus on his own character's reality. The film received mixed reviews. In 2007, he starred in director Paul Thomas Anderson's loose adaptation of Upton Sinclair's novel "Oil!", titled There Will Be Blood (2007). Day-Lewis received the Academy Award for Best Actor, BAFTA Award for Best Actor in a Leading Role, Golden Globe Award for Best Actor - Motion Picture Drama, Screen Actors Guild Award for Outstanding Performance by a Male Actor in a Leading Role, and a variety of film critics' circle awards for the role. In 2009, Day-Lewis starred in Rob Marshall's musical adaptation Nine (2009) as film director Guido Contini. He was nominated for the Golden Globe Award for Best Actor - Motion Picture Musical or Comedy and the Satellite Award for Best Actor - Motion Picture Musical or Comedy."There Will Be Blood" - a virtuosic performance in the touching story of a guy who loves drinking milkshakes.- An extremely versatile character actor and originator of several memorable characterizations in the horror film genre, Dwight Frye had a notable theatrical career in the 1920s, moving from juvenile parts to leads before entering film. A favorite actor of Broadway theatrical producer-director Brock Pemberton, he originated the part of "the Son" in his hit 1922 production of Luigi Pirandello's "Six Characters in Search of an Author". Pemberton would continue to employ Frye in Broadway productions throughout the decade. Cast with Bela Lugosi in a 1926 production of "The Devil and the Cheese", he ultimately appeared in at least two Lugosi films.
Despite (or perhaps because of) his memorable, impassioned portrayals of real estate agent-cum-madman Renfield in Tod Browning's Dracula (1931) and Fritz the sadistic hunchbacked lab-assistant in James Whale's Frankenstein (1931), the industry seemed determined to typecast Frye, and his film career would be marked with frustration. The Crime of Doctor Crespi (1935) offered him billing second only to that of villain Erich von Stroheim, but all too soon, he was consigned to playing a lackluster array of crazies, spies, red herrings, grasping heirs and bit parts. He occasionally returned to the stage in comedies, musicals, and thrillers such as "Night Must Fall" and a stage version of "Dracula".
Frye was perplexed to find that his versatility in the theatre went unnoticed in Hollywood, where he was relegated to lunatic roles and often had his parts severely cut. Indeed, in Son of Frankenstein (1939) his role was deemed as unnecessary when an abrupt switch was made from Technicolor to black-and-white after his scenes were shot.
Dwight Frye, a devout Christian Scientist, had concealed a heart-condition from his friends and family. After the outbreak of WWII, unable to enlist, he worked nights (between films and local theatre-productions) as a draftsman for the Lockheed Aircraft Co. An uncanny physical resemblance to then-Secretary of War Newton Baker led his to being signed to a substantial role in Wilson (1944), directed by Henry King, based on the life of U.S. President Woodrow Wilson, but Frye succumbed to a heart-attack on a crowded bus a few days after being cast while returning home from a movie with his son. He was buried at Forest Lawn Cemetery in Glendale, California.Dwight Frye is great in Dracula (1931). His portrayal of a mad vampire is so looney tunes, it feels much closer to some kind of demonic spirit than to the Count's cool demeanor. His mad eyes bulge white in the shadows, and he menaces all those around him with his leering grin. As the insane vampire Renfield, Frye chews the scenery a la Peter Lorre, and it's haunting to watch. - Actor
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In 1979 with his Detroit friends, Sam Raimi and Rob Tapert, Bruce Campbell raised $350,000 for a low-budget film, The Evil Dead (1981), in which he starred and co-executive produced. Completed piecemeal over four years, the film first gained notoriety in England where it became the best-selling video of 1983, beating out The Shining (1980). After its appearance at Cannes, where Stephen King dubbed it "the most ferociously original horror film of the year", New Line Cinema stepped forward to release "Evil Dead" in the U.S.
After co-producing Crimewave (1985), a cross-genre comedy written by Sam Raimi, Ethan and Joel Coen, Campbell moved to Los Angeles and quickly gained a foothold producing or starring in genre films such as the Maniac Cop (1988) series, Lunatics: A Love Story (1991), Moontrap (1988), and Mindwarp (1991), a post-apocalyptic "Jeremiah Johnson", during which he met his wife-to-be, filmmaker, Ida Gearon.
Campbell then rejoined his Detroit colleagues to star and co-produce the second and third films in the Evil Dead trilogy (Evil Dead II (1987) & Army of Darkness (1992)), completing 12 years of work on the cult favorite.
This rough-and-tumble background was a plus as Campbell made his foray into television, first starring in the highly touted Fox series The Adventures of Brisco County, Jr. (1993), then as a recurring guest-star on the hit show Lois & Clark: The New Adventures of Superman (1993).
With these under his belt, Campbell easily made the transition to director, helming numerous episodes and recurring as the King of Thieves in the #1 syndicated Hercules: The Legendary Journeys (1995), and its follow-up phenomenon, Xena: Warrior Princess (1995).
Bruce has since expanded his range on television, appearing in anything from Disney's update of The Love Bug (1997), to decidedly dramatic turns on the acclaimed series Homicide: Life on the Street (1993) and The X-Files (1993). At the invitation of ABC, Campbell ventured into the world of sitcoms with a recurring role on ABC's Emmy-nominated Ellen (1994), participating in one of the three touted "out" episodes.
But Campbell didn't abandon his film roots. During that time, he had featured roles in the blockbuster Congo (1995), John Carpenter's Escape from L.A. (1996), and the award-winning independent crime drama, Running Time (1997). He followed these up with roles in Paramount's romantic comedy, Serving Sara (2002), Jim Carrey's The Majestic (2001), and all three of Sam Raimi's blockbuster Spider-Man movies.
After a return to episodic television in the swashbuckling series, Jack of All Trades (2000), Campbell took the title role in MGM's cult sleeper Bubba Ho-Tep (2002). His directorial debut, Man with the Screaming Brain (2005) premiered on the Sci Fi Channel, and Dark Horse Comics published the comic adaptation.
Campbell then directed and starred as himself in My Name Is Bruce (2007), a spoof of his B-movie career, then re-teamed with Disney for their fun-filled hit, Sky High (2005).
Campbell has since made the leap into other forms of entertainment, and is enjoying his role as an author with back-to-back New York Times bestsellers: a memoir entitled "If Chins Could Kill: Confessions of a B Movie Actor", and his first novel, "Make Love the Bruce Campbell Way".
In the multi-media industry, Bruce has enjoyed voicing characters for Disney's animated TV series The Legend of Tarzan (2001) and the Warner Brothers feature The Ant Bully (2006). He also portrayed the character of "Mayor Shelbourne" in the animated hit film, Cloudy with a Chance of Meatballs (2009). Recently, Campbell voiced the role of "Rod Torque Redline" in Cars 2 (2011), the sequel to the smash Disney animated feature and for the immensely popular game, "Call of Duty".
In 2013, Bruce co-produced the hit remake of Evil Dead (2013), joined his filmmaking pal Sam Raimi on Oz the Great and Powerful (2013), and completed an impressive seven-year run on the spy show, Burn Notice (2007) (2007-2013), USA's #1 show on cable.
More than two decades after the release of Army of Darkness (1992), Bruce returned to his most iconic role for Ash vs Evil Dead (2015), a highly-anticipated series premiering on the Starz network on Halloween 2015.Yes!- Actor
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Veteran character actor Robert Englund was born in Glendale, California, to Janis (MacDonald) and John Kent Englund, an aeronautics engineer. Since 1973, Robert has appeared in over 75 feature films and starred in four TV series. He has starred alongside Oscar-winners Henry Fonda, Susan Sarandon and Jeff Bridges. Since 1984 he's achieved international fame as the iconic boogeyman Freddy Krueger in the hit franchise A Nightmare on Elm Street and its seven sequels. Englund has guest starred in hundreds of hours of TV most recently Bones, Criminal Minds and Hawaii 5-0. He will soon be seen starring in the horror film Fear Clinic, and the English thriller The Last Showing, he can be heard as the voice of the Evil Beaver in Teenage Mutant Ninja Turtles cartoon show."1, 2, Freddy's coming for you..." :D- Actor
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Anthony Hopkins was born on December 31, 1937, in Margam, Wales, to Muriel Anne (Yeats) and Richard Arthur Hopkins, a baker. His parents were both of half Welsh and half English descent. Influenced by Richard Burton, he decided to study at College of Music and Drama and graduated in 1957. In 1965, he moved to London and joined the National Theatre, invited by Laurence Olivier, who could see the talent in Hopkins. In 1967, he made his first film for television, A Flea in Her Ear (1967).
From this moment on, he enjoyed a successful career in cinema and television. In 1968, he worked on The Lion in Winter (1968) with Timothy Dalton. Many successes came later, and Hopkins' remarkable acting style reached the four corners of the world. In 1977, he appeared in two major films: A Bridge Too Far (1977) with James Caan, Gene Hackman, Sean Connery, Michael Caine, Elliott Gould and Laurence Olivier, and Maximilian Schell. In 1980, he worked on The Elephant Man (1980). Two good television literature adaptations followed: Othello (1981) and The Hunchback of Notre Dame (1982). In 1987 he was awarded with the Commander of the order of the British Empire. This year was also important in his cinematic life, with 84 Charing Cross Road (1987), acclaimed by specialists. In 1993, he was knighted.
In the 1990s, Hopkins acted in movies like Desperate Hours (1990) and Howards End (1992), The Remains of the Day (1993) (nominee for the Oscar), Legends of the Fall (1994), Nixon (1995) (nominee for the Oscar), Surviving Picasso (1996), Amistad (1997) (nominee for the Oscar), The Mask of Zorro (1998), Meet Joe Black (1998) and Instinct (1999). His most remarkable film, however, was The Silence of the Lambs (1991), for which he won the Oscar for Best Actor. He also got a B.A.F.T.A. for this role.- Actor
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Carel Struycken was born in the Hague, The Netherlands. When he was four years old his family moved to Curacao, an island in the Caribbean. At age sixteen, he returned to his home country, where he finished high school. He graduated from the directing program at the film school in Amsterdam, following which he did a year at the American Film Institute in Los Angeles.
After school, he collaborated on a number of projects of writer/director Rene Daalder. He was "discovered" as an actor at the corner of Hollywood and Vine in Los Angeles by a lady who had abandoned her car in the middle of the street, calling after him, "We need you for a movie!". The movie was Sgt. Pepper's Lonely Hearts Club Band (1978). The turning point in his acting career however was Ewoks: The Battle for Endor (1985), a George Lucas film. In addition to cinema, he has also appeared on television, notably as the recurring character, valet Mr. Homn, on Star Trek: The Next Generation (1987).
Carel has also helped in hardware and software development of virtual reality systems.- Actor
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Often credited as the greatest comedian of all time, Peter Sellers was born Richard Henry Sellers to a well-off acting family in 1925 in Southsea, a suburb of Portsmouth. He was the son of Agnes Doreen "Peg" (Marks) and William "Bill" Sellers. His parents worked in an acting company run by his grandmother. His father was Protestant and his mother was Jewish (of both Ashkenazi and Sephardi background). His parents' first child had died at birth, so Sellers was spoiled during his early years. He enlisted in the Royal Air Force and served during World War II. After the war he met Spike Milligan, Harry Secombe and Michael Bentine, who would become his future workmates.
After the war, he set up a review in London, which was a combination of music (he played the drums) and impressions. Then, all of a sudden, he burst into prominence as the voices of numerous favorites on the BBC radio program "The Goon Show" (1951-1960), and then making his debut in films in Penny Points to Paradise (1951) and Down Among the Z Men (1952), before making it big as one of the criminals in The Ladykillers (1955). These small but showy roles continued throughout the 1950s, but he got his first big break playing the dogmatic union man, Fred Kite, in I'm All Right Jack (1959). The film's success led to starring vehicles into the 1960s that showed off his extreme comic ability to its fullest. In 1962, Sellers was cast in the role of Clare Quilty in the Stanley Kubrick version of the film Lolita (1962) in which his performance as a mentally unbalanced TV writer with multiple personalities landed him another part in Kubrick's Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb (1964) in which he played three roles which showed off his comic talent in play-acting in three different accents; British, American, and German.
The year 1964 represented a peak in his career with four films in release, all of them well-received by critics and the public alike: Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb (1964), for which he was Oscar nominated, The Pink Panther (1963), in which he played his signature role of the bumbling French Inspector Jacques Clouseau for the first time, its almost accidental sequel, A Shot in the Dark (1964), and The World of Henry Orient (1964). Sellers was on top of the world, but on the evening of April 5, 1964, he suffered a nearly fatal heart attack after inhaling several amyl nitrites (also called 'poppers'; an aphrodisiac-halogen combination) while engaged in a sexual act with his second wife Britt Ekland. He had been working on Billy Wilder's Kiss Me, Stupid (1964). In a move Wilder later regretted, he replaced Sellers with Ray Walston rather than hold up production. By October 1964, Sellers made a full recovery and was working again.
The mid-1960s were noted for the popularity of all things British, from the Beatles music (who were presented with their Grammy for Best New Artist by Sellers) to the James Bond films, and the world turned to Sellers for comedy. What's New Pussycat (1965) was another big hit, but a combination of his ego and insecurity was making Sellers difficult to work with. When the James Bond spoof Casino Royale (1967) ran over budget and was unable to recoup its costs despite an otherwise healthy box-office take, Sellers received some of the blame. He turned down an offer from United Artists for the title role in Inspector Clouseau (1968), but was angry when the production went ahead with Alan Arkin in his place. His difficult reputation and increasingly erratic behavior, combined with several less successful films, took a toll on his standing. By 1970, he had fallen out of favor. He spent the early years of the new decade appearing in such lackluster B films as Where Does It Hurt? (1972) and turning up more frequently on television as a guest on The Dean Martin Show (1965) and a Glen Campbell TV special.
In 1974, Inspector Clouseau came to Sellers rescue when Sir Lew Grade expressed an interest in a TV series based on the character. Clouseau's creator, writer-director Blake Edwards, whose career had also seen better days, convinced Grade to bankroll a feature film instead, and The Return of the Pink Panther (1975) was a major hit release during the summer of Jaws (1975) and restored both men to prominence. Sellers would play Clouseau in two more successful sequels, The Pink Panther Strikes Again (1976) and Revenge of the Pink Panther (1978), and Sellers would use his newly rediscovered clout to realize his dream of playing Chauncey Gardiner in a film adaptation of Jerzy Kosinski's novel "Being There". Sellers had read the novel in 1972, but it took seven years for the film to reach the screen. Being There (1979) earned Sellers his second Oscar nomination, but he lost to Dustin Hoffman for Kramer vs. Kramer (1979).
Sellers struggled with depression and mental insecurities throughout his life. An enigmatic figure, he often claimed to have no identity outside the roles that he played. His behavior on and off the set and stage became more erratic and compulsive, and he continued to frequently clash with his directors and co-stars, especially in the mid-1970s when his physical and mental health, together with his continuing alcohol and drug problems, were at their worst. He never fully recovered from his 1964 heart attack because he refused to take traditional heart medication and instead consulted with 'psychic healers'. As a result, his heart condition continued to slowly deteriorate over the next 16 years. On March 20, 1977, Sellers barely survived another major heart attack and had a pacemaker surgically implanted to regulate his heartbeat which caused him further mental and physical discomfort. However, he refused to slow down his work schedule or consider heart surgery which might have extended his life by several years.
On July 25, 1980, Sellers was scheduled to have a reunion dinner in London with his Goon Show partners, Spike Milligan and Harry Secombe. However, at around 12 noon on July 22, Sellers collapsed from a massive heart attack in his Dorchester Hotel room and fell into a coma. He died in a London hospital just after midnight on July 24, 1980 at age 54. He was survived by his fourth wife, Lynne Frederick, and three children: Michael, Sarah and Victoria. At the time of his death, he was scheduled to undergo an angiography in Los Angeles on July 30 to see if he was eligible for heart surgery.
His last movie, The Fiendish Plot of Dr. Fu Manchu (1980), completed just a few months before his death, proved to be another box office flop. Director Blake Edwards' attempt at reviving the Pink Panther series after Sellers' death resulted in two panned 1980s comedies, the first of which, Trail of the Pink Panther (1982), deals with Inspector Clouseau's disappearance and was made from material cut from previous Pink Panther films and includes interviews with the original casts playing their original characters.- Actor
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Geoffrey Roy Rush was born on July 6, 1951, in Toowoomba, Queensland, Australia, to Merle (Bischof), a department store sales assistant, and Roy Baden Rush, an accountant for the Royal Australian Air Force. His mother was of German descent and his father had English, Irish, and Scottish ancestry. He was raised in Brisbane, Queensland, after his parents split up.
Rush attended Everton Park State High School during his formative years. His early interest in the theatre led to his 1971 stage debut at age 20 in "Wrong Side of the Moon" with the Queensland Theatre Company.
Known for his classical repertory work over the years, he scored an unexpected hit with his Queensland role as Snoopy in the musical "You're a Good Man, Charlie Brown". A few years later he moved to France to study but subsequently returned to his homeland within a short time and continued work as both actor and director with the Queensland company ("June and the Paycock," "Aladdin," "Godspell," "Present Laughter," "The Rivals"). In the 1980s Rush became a vital member of the State Theatre Company of South Australia and showed an equally strong range there in such productions as "Revenger's Tragedy," "A Midsummer Night's Dream," "Mother Courage...and Her Children," "Blood Wedding," "Pal Joey," "Twelfth Night" and as The Fool in "King Lear".
Rush made an inauspicious debut in films with the feature Hoodwink (1981), having little more than a bit part, and didn't carry off his first major role until playing Sir Andrew Aguecheek in a movie production of Twelfth Night (1986). Yet, he remained a durable presence on stage with acclaimed productions in "The Diary of a Madman" in 1989 and "The Government Inspector" in 1991.
Rush suffered a temporary nervous breakdown in 1992 due to overwork and anguish over his lack of career advancement. Resting for a time, he eventually returned to the stage. Within a few years film-goers finally began taking notice of Geoffrey after his performance in Children of the Revolution (1996). This led to THE role of a lifetime as the highly dysfunctional piano prodigy David Helfgott in Shine (1996). Rush's astonishing tour-de-force performance won him every conceivable award imaginable, including the Oscar, Golden Globe, British Film Award and Australian Film Institute Award.
"Shine" not only put Rush on the international film map, but atypically on the Hollywood "A" list as well. His rather homely mug was made fascinating by a completely charming, confident and captivating demeanor; better yet, it allowed him to more easily dissolve into a number of transfixing historical portrayals, notably his Walsingham in Elizabeth (1998) and Leon Trotsky in Frida (2002). He's also allowed himself to have a bit of hammy fun in such box office escapism as Mystery Men (1999), House on Haunted Hill (1999), The Banger Sisters (2002), Finding Nemo (2003) and Pirates of the Caribbean: The Curse of the Black Pearl (2003). More than validating his early film success, two more Oscar nominations came his way in the same year for Quills (2000) (best actor) and Shakespeare in Love (1998) (support actor) in 2000. Geoffrey's amazing versatility continued into the millennium with his portrayal of the manic, volatile comedy genius Peter Sellers in the biopic The Life and Death of Peter Sellers (2004). He also merited attention as Lionel Logue in The King's Speech (2010), Basil Hunter in The Eye of the Storm (2011), Hans Hubermann in The Book Thief (2013), artist/sculptor Alberto Giocometti in Final Portrait (2017) and Michael Kingley Storm Boy (2019).
Rush's intermittent returns to the stage have included productions of "Marat-Sade," "Uncle Vanya," "Oleanna," "Hamlet" and "The Small Poppies". In 2009 he made his Broadway debut in "Exit the King" co-starring Susan Sarandon. His marriage (since 1988) to Aussie classical actress Jane Menelaus produced daughter Angelica (1992) and son James (1995). Menelaus, who has also performed with the State Theatre of South Australia, has co-starred on stage with Rush in "The Winter's Tale" (1987), "Troilus and Cressida" (1989) and "The Importance of Being Earnest" (as Gwendolyn to his Jack Worthing). She also had featured roles in a few of his films, including Quills (2000) and The Eye of the Storm (2011).- Actor
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Academy Award-nominated and Emmy Award-winning actor Woodrow Tracy Harrelson was born on July 23, 1961 in Midland, Texas, to Diane Lou (Oswald) and Charles Harrelson. He grew up in Lebanon, Ohio, where his mother was from. After receiving degrees in theater arts and English from Hanover College, he had a brief stint in New York theater. He was soon cast as Woody on TV series Cheers (1982), which wound up being one of the most-popular TV shows ever and also earned Harrelson an Emmy for his performance in 1989.
While he dabbled in film during his time on Cheers (1982), that area of his career didn't fully take off until towards the end of the show's run. In 1991, Doc Hollywood (1991) gave him his first widely-seen movie role, and he followed that up with White Men Can't Jump (1992), Indecent Proposal (1993) and Natural Born Killers (1994). More recently, Harrelson was seen in No Country for Old Men (2007), Zombieland (2009), 2012 (2009), and Friends with Benefits (2011), along with the acclaimed HBO movie Game Change (2012).
In 2011, Harrelson snagged the coveted role of fan-favorite drunk Haymitch Abernathy in the big-screen adaptation of The Hunger Games (2012), which ended up being one of the highest-grossing movies ever at the domestic box office. Harrelson is set to reprise that role for the sequels, which are scheduled for release in November 2013, 2014 and 2015. Harrelson has received two Academy Award nominations, first for his role as controversial Hustler founder Larry Flynt in The People vs. Larry Flynt (1996) and then for a role in The Messenger (2009). He also received Golden Globe nominations for both of these parts. In 2016, he had a stand-out role as a wise teacher in the teen drama The Edge of Seventeen (2016).
Harrelson was briefly married to Nancy Simon in the 80s, and later married his former assistant, Laura Louie, with whom he has three daughters.- Actor
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Stanton was born in West Irvine, Kentucky, to Ersel (Moberly), a cook, and Sheridan Harry Stanton, a barber and tobacco farmer. He lived in Lexington, Kentucky and graduated from Lafayette Senior High School with the class of 1944. Drafted into the Navy, he served as a cook in the U.S. Navy during World War II, and was on board an LST during the Battle of Okinawa. He then returned to the University of Kentucky to appear in a production of "Pygmalion", before heading out to California and honing his craft at the prestigious Pasadena Playhouse. Stanton then toured around the United States with a male choir, worked in children's theater, and then headed back to California.
His first role on screen was in the tepid movie Tomahawk Trail (1957), but he was quickly noticed and appeared regularly in minor roles as cowboys and soldiers through the late 1950s and early 1960s. His star continued to rise and he received better roles in which he could showcase his laid-back style, such as in Cool Hand Luke (1967), Kelly's Heroes (1970), Dillinger (1973), The Godfather Part II (1974), and in Alien (1979). It was around this time that Stanton came to the attention of director Wim Wenders, who cast him in his finest role yet as Travis in the moving Paris, Texas (1984). Next indie director Alex Cox gave Stanton a role that brought him to the forefront, in the quirky cult film Repo Man (1984).
Stanton was now heavily in demand, and his unique look got him cast as everything from a suburban father in the mainstream Pretty in Pink (1986) to a soft-hearted, but ill-fated, private investigator in Wild at Heart (1990) and a crazy yet cunning scientist in Escape from New York (1981). Apart from his film performances, he was also an accomplished musician, and "The Harry Dean Stanton Band" and their unique spin on mariachi music played together for well over a decade. They toured internationally. He became a cult figure of cinema and music and when Debbie Harry sang the lyric, "I want to dance with Harry Dean..." in her 1990s hit "I Want That Man", she was talking about him. Stanton remained consistently active on screen, lastly appearing in films including Fear and Loathing in Las Vegas (1998), The Green Mile (1999) and The Man Who Cried (2000).- Actor
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Klaus Kinski was born as Klaus Günter Karl Nakszynski in Zoppot, Free City of Danzig (now Sopot, Poland), to Susanne (Lutze), a nurse, and Bruno Nakszynski, a pharmacist. He grew up in Berlin, was drafted into the German army in 1944 and captured by British forces in Holland. After the war he began acting on the stage, quickly gaining a reputation for a ferocious talent and an equally ferocious temper. He started acting in films shortly afterward, showing an utter disregard for the quality of the productions he appeared in and churning out so many that a complete filmography is almost impossible to assemble.
However, he did turn out memorable work for director Werner Herzog, a similarly driven and obsessive character. Herzog and Kinski pushed each other to extremes over a 15-year working relationship, which finally ended after filming Cobra Verde (1987), a production plagued by volcanic clashes between the star and director, involving--among other things--violent physical altercations and mutual death threats. He subsequently directed and starred in the notorious Paganini (1989), his only film as director and which was marked by (again) clashes between Kinski and his producers, who accused him of turning their movie into a pornographic film and sued him in court. His autobiography, "All I Need is Love", a vicious attack on the film industry, was withdrawn for legal reasons and subsequently re-released as "Kinski Uncut" in the US & UK, "Ich brauche Liebe" in Germany, and in various other languages.- Actor
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Highly influential, and always controversial, African-American actor/comedian who was equally well known for his colorful language during his live comedy shows, as for his fast paced life, multiple marriages and battles with drug addiction. He has been acknowledged by many modern comic artist's as a key influence on their careers, and Pryor's observational humor on African-American life in the USA during the 1970s was razor sharp brilliance.
He was born Richard Franklin Lennox Pryor III on December 1, 1940, in Peoria, Illinois, the son of Gertrude L. (Thomas) and LeRoy "Buck Carter" Pryor. His mother, a prostitute, abandoned him when he was ten years of age, after which he was raised in his grandmother's brothel. Unfortunately, Pryor was molested at the age of six by a teenage neighbor, and later by a neighborhood preacher. To escape this troubled life, the young Pryor was an avid movie fan and a regular visitor to local movie theaters in Peoria. After numerous jobs, including truck driver and meat packer, the young Pryor did a stint in the US Army between 1958 & 1960 in which he performed in amateur theater shows. After he left the services in 1960, Pryor started singing in small clubs, but inadvertently found that humor was his real forte.
Pryor spent time in both New York & Las Vegas, honing his comic craft. However, his unconventional approach to humor sometimes made bookings difficult to come by and this eventually saw Pryor heading to Los Angeles. He first broke into films with minor roles in The Busy Body (1967) and Wild in the Streets (1968). However, his performance as a drug addicted piano player in Lady Sings the Blues (1972), really got the attention of fans and film critics alike.
He made his first appearance with Gene Wilder in the very popular action/comedy Silver Streak (1976), played three different characters in Which Way Is Up? (1977) and portrayed real-life stock-car driver "Wendell Scott" in Greased Lightning (1977). Proving he was more than just a comedian, Pryor wowed audiences as a disenchanted auto worker who is seduced into betraying his friends and easy money in the Paul Schrader working class drama Blue Collar (1978), also starring Yaphet Kotto and Harvey Keitel. Always a strong advocate of African-American talent, Pryor next took a key role in The Wiz (1978), starring an all African-American cast, including Diana Ross and Michael Jackson, retelling the story of The Wizard of Oz (1939). His next four screen roles were primarily cameos in California Suite (1978); The Muppet Movie (1979); Wholly Moses! (1980) and In God We Trust (or Gimme That Prime Time Religion) (1980). However, Pryor teamed up with Gene Wilder once more for the prison comedy Stir Crazy (1980), which did strong box office business.
His next few films were a mixed bag of material, often inhibiting Pryor's talent, with equally mixed returns at the box office. Pryor then scored second billing to Christopher Reeve in the big budget Superman III (1983), and starred alongside fellow funny man John Candy in Brewster's Millions (1985) before revealing his inner self in the autobiographical Jo Jo Dancer, Your Life Is Calling (1986). Again, Pryor was somewhat hampered by poor material in his following film ventures. However, he did turn up again in See No Evil, Hear No Evil (1989) with Gene Wilder, but the final product was not as sharp as their previous pairings. Pryor then partnered on-screen with two other very popular African-American comic's. The legendary Redd Foxx and 1980s comic newcomer Eddie Murphy starred with Pryor in the gangster film Harlem Nights (1989) which was also directed by Eddie Murphy. Having contracted multiple sclerosis in 1986, Pryor's remaining film appearances were primarily cameos apart from his fourth and final outing with Gene Wilder in the lukewarm Another You (1991), and his final appearance in a film production was a small role in the David Lynch road flick Lost Highway (1997).
Fans of this outrageous comic genius are encouraged to see his live specials Richard Pryor: Live and Smokin' (1971); the dynamic Richard Pryor: Live in Concert (1979); Richard Pryor: Live on the Sunset Strip (1982) and Richard Pryor... Here and Now (1983). In addition, The Richard Pryor Show (1977) is a must-have for any Richard Pryor fans' DVD collection.
Unknown to many, Pryor was a long time advocate against animal cruelty, and he campaigned against fast food chains and circus shows to address issues of animal welfare. He was married a total of seven times, and fathered eight children.
After long battles with ill health, Richard Pryor passed away on December 10th, 2005.- Actor
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Jay Scott Greenspan, known professionally as Jason Alexander, is an American actor, comedian, film director, and television presenter. An Emmy and Tony winner, he is best known for his role as George Costanza in the television series Seinfeld (1989), for which he was nominated for seven consecutive Primetime Emmy Awards and four Golden Globe Awards. His other well-known roles include Phillip Stuckey in the film Pretty Woman (1990), comic relief gargoyle Hugo in the Disney animated feature The Hunchback of Notre Dame (1996), and the title character in the animated series Duckman: Private Dick/Family Man (1994). He has also made guest appearances on shows such as Dream On (1994), Curb Your Enthusiasm (2001, 2009), and The Marvelous Mrs. Maisel (2019). For his role in Dream On, he was nominated for a Primetime Emmy Award for Outstanding Guest Actor in a Comedy Series. He won the Daytime Emmy Award for Outstanding Original Song in 2020 for "The Bad Guys?" on Brainwashed By Toons.- Actor
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Boguslaw Linda is a Polish actor, director, and writer. He graduated from the National Academy of Theatre Arts in Krakow and co-founded the Warsaw Film School. Linda's acting career took off with his first major role as Gryziak in the movie Fever (1981). He gained popularity for his roles in movies such as Psy (1992) and Tato (1995).- Actor
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Bill Bailey is known for his sharp wit and classic sense of humor. he is most famous for being in Never Mind The Buzzcocks, celebrity game-show in which he is a team captain. Bill is a stand up comedian, and has also starred in cult comedies such as Spaced and of course Black Books. He was given the award for the "best stand-up" at the British comedy awards.- Actor
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Irish comedian Dylan Moran was born in Navan, County Meath in 1971. Leaving school without any qualifications at age 16, Moran quickly became attracted to stand-up comedy and debuted, in 1992, at a comedy club in Dublin, The Comedy Cellar. A year later, he won the Channel Four comedy newcomer's "So You Think You're Funny" award at the Edinburgh Festival, and began developing his comedy routines into a one-man show, "Gurgling for Money", for which he won the prestigious Perrier Comedy Award in 1996, and which he subsequently took to a nationwide tour of the UK. His exposure at the Edinburgh Festival also led to him getting programmed at international stand-up comedy festivals, worldwide.
Subsequently, Moran took to writing and performing for British television. He has starred in the BBC sitcom, How Do You Want Me? (1998), and - more importantly - in 2000, he was commissioned by Channel Four for the sitcom, Black Books (2000). He wrote and starred in three 6-episode series of this comedy. Co-starring popular British stand-up comedian Bill Bailey, who was nominated for the Perrier Award the year Moran won, Black Books (2000) sees Moran play a character close to his stand-up comedy persona: an unsociable misanthrope, reminiscent of the John Cleese sitcom character, "Basil Fawlty", that shares a great love of wine with one of razor-sharp put-downs of all things human. Also, his character Bernard Black's often surreal views on everyday things and on human behavior is close to his stand-up persona's dealing with them.
The same year the first series of "Black Books" aired, Moran took his one-man show, "Ready, Steady, Cough", on a UK tour, followed two years later by Dylan Moran: Monster (2004). This was followed by Monster II in 2004.
In the late 1990's, Moran also moved from doing stand-up to working on a film acting CV. He played opposite Julia Roberts and Hugh Grant in Notting Hill (1999), co-starred with Michael Caine in The Actors (2003) and had parts in the Simon Pegg comedy, Shaun of the Dead (2004) and the Michael Winterbottom film, Tristram Shandy (2005).
Moran's live stand-up comedy is unique in that it merges two strands of stand-up that seemed incompatible for a long time: sharp observational humor, and surreal and fantastical language-based absurdity. On the one hand, he has a clear influence from what could be called an American school of stand-up comedy that is heavily observational. On the other hand, Moran's comedy is characterized by a use of language similar to the stand-up comedy of Eddie Izzard and Ross Noble: surreal associative leaps between on the one side observations and on the other fantasies, verbally painting bizarre and absurd worlds, often through a use of stream-of-consciousness narration. His language is often highly poetic, resembling a James Joyce that has had one too many.
Moran is very reluctant to give interviews on his personal life and even on his career, a fact parodied in a staged interview inter-cut with the recording of his live stand-up show, "Monster", on its DVD release.- Actor
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An eccentric rebel of epic proportions, this Hollywood titan reigned supreme as director, screenwriter and character actor in a career that endured over five decades. The ten-time Oscar-nominated legend was born John Marcellus Huston in Nevada, Missouri, on August 5, 1906. His ancestry was English, Scottish, Scots-Irish, distant German and very remote Portuguese. The age-old story goes that the small town of his birth was won by John's grandfather in a poker game. John's father was the equally magnanimous character actor Walter Huston, and his mother, Rhea Gore, was a newspaperwoman who traveled around the country looking for stories. The only child of the couple, John began performing on stage with his vaudevillian father at age 3. Upon his parents' divorce at age 7, the young boy would take turns traveling around the vaudeville circuit with his father and the country with his mother on reporting excursions. A frail and sickly child, he was once placed in a sanitarium due to both an enlarged heart and kidney ailment. Making a miraculous recovery, he quit school at age 14 to become a full-fledged boxer and eventually won the Amateur Lightweight Boxing Championship of California, winning 22 of 25 bouts. His trademark broken nose was the result of that robust activity.
John married his high school sweetheart, Dorothy Harvey, and also took his first professional stage bow with a leading role off-Broadway entitled "The Triumph of the Egg." He made his Broadway debut that same year with "Ruint" on April 7, 1925, and followed that with another Broadway show "Adam Solitaire" the following November. John soon grew restless with the confines of both his marriage and acting and abandoned both, taking a sojourn to Mexico where he became an officer in the cavalry and expert horseman while writing plays on the sly. Trying to control his wanderlust urges, he subsequently returned to America and attempted newspaper and magazine reporting work in New York by submitting short stories. He was even hired at one point by mogul Samuel Goldwyn Jr. as a screenwriter, but again he grew restless. During this time he also appeared unbilled in a few obligatory films. By 1932 John was on the move again and left for London and Paris where he studied painting and sketching. The promising artist became a homeless beggar during one harrowing point.
Returning again to America in 1933, he played the title role in a production of "Abraham Lincoln," only a few years after father Walter portrayed the part on film for D.W. Griffith. John made a new resolve to hone in on his obvious writing skills and began collaborating on a few scripts for Warner Brothers. He also married again. Warners was so impressed with his talents that he was signed on as both screenwriter and director for the Dashiell Hammett mystery yarn The Maltese Falcon (1941). The movie classic made a superstar out of Humphrey Bogart and is considered by critics and audiences alike--- 65 years after the fact--- to be the greatest detective film ever made. In the meantime John wrote/staged a couple of Broadway plays, and in the aftermath of his mammoth screen success directed bad-girl 'Bette Davis (I)' and good girl Olivia de Havilland in the film melodrama In This Our Life (1942), and three of his "Falcon" stars (Bogart, Mary Astor and Sydney Greenstreet) in the romantic war picture Across the Pacific (1942). During WWII John served as a Signal Corps lieutenant and went on to helm a number of film documentaries for the U.S. government including the controversial Let There Be Light (1980), which father Walter narrated. The end of WWII also saw the end of his second marriage. He married third wife Evelyn Keyes, of "Gone With the Wind" fame, in 1946 but it too lasted a relatively short time. That same year the impulsive and always unpredictable Huston directed Jean-Paul Sartre's experimental play "No Exit" on Broadway. The show was a box-office bust (running less than a month) but nevertheless earned the New York Drama Critics Award as "best foreign play."
Hollywood glory came to him again in association with Bogart and Warner Brothers'. The Treasure of the Sierra Madre (1948), a classic tale of gold, greed and man's inhumanity to man set in Mexico, won John Oscars for both director and screenplay and his father nabbed the "Best Supporting Actor" trophy. John can be glimpsed at the beginning of the movie in a cameo playing a tourist, but he wouldn't act again on film for a decade and a half. With the momentum in his favor, John hung around in Hollywood this time to write and/or direct some of the finest American cinema made including Key Largo (1948) and The African Queen (1951) (both with Bogart), The Asphalt Jungle (1950), The Red Badge of Courage (1951) and Moulin Rouge (1952). Later films, including Moby Dick (1956), The Unforgiven (1960), The Misfits (1961), Freud (1962), The Night of the Iguana (1964) and The Bible in the Beginning... (1966) were, for the most part, well-regarded but certainly not close to the level of his earlier revered work. He also experimented behind-the-camera with color effects and approached topics that most others would not even broach, including homosexuality and psychoanalysis.
An ardent supporter of human rights, he, along with director William Wyler and others, dared to form the Committee for the First Amendment in 1947, which strove to undermine the House Un-American Activities Committee. Disgusted by the Hollywood blacklisting that was killing the careers of many talented folk, he moved to St. Clerans in Ireland and became a citizen there along with his fourth wife, ballet dancer Enrica (Ricki) Soma. The couple had two children, including daughter Anjelica Huston who went on to have an enviable Hollywood career of her own. Huston and wife Ricki split after a son (director Danny Huston) was born to another actress in 1962. They did not divorce, however, and remained estranged until her sudden death in 1969 in a car accident. John subsequently adopted his late wife's child from another union. The ever-impulsive Huston would move yet again to Mexico where he married (1972) and divorced (1977) his fifth and final wife, Celeste Shane.
Huston returned to acting auspiciously with a major role in Otto Preminger's epic film The Cardinal (1963) for which Huston received an Oscar nomination at age 57. From that time forward, he would be glimpsed here and there in a number of colorful, baggy-eyed character roles in both good and bad (some positively abysmal) films that, at the very least, helped finance his passion projects. The former list included outstanding roles in Chinatown (1974) and The Wind and the Lion (1975), while the latter comprised of hammy parts in such awful drek as Candy (1968) and Myra Breckinridge (1970).
Directing daughter Angelica in her inauspicious movie debut, the thoroughly mediocre A Walk with Love and Death (1969), John made up for it 15 years later by directing her to Oscar glory in the mob tale Prizzi's Honor (1985). In the 1970s Huston resurged as a director of quality films with Fat City (1972), The Man Who Would Be King (1975) and Wise Blood (1979). He ended his career on a high note with Under the Volcano (1984), the afore-mentioned Prizzi's Honor (1985) and The Dead (1987). His only certifiable misfire during that era was the elephantine musical version of Annie (1982), though it later became somewhat of a cult favorite among children.
Huston lived the macho, outdoors life, unencumbered by convention or restrictions, and is often compared in style or flamboyancy to an Ernest Hemingway or Orson Welles. He was, in fact, the source of inspiration for Clint Eastwood in the helming of the film White Hunter Black Heart (1990) which chronicled the making of "The African Queen." Illness robbed Huston of a good portion of his twilight years with chronic emphysema the main culprit. As always, however, he continued to work tirelessly while hooked up to an oxygen machine if need be. At the end, the living legend was shooting an acting cameo in the film Mr. North (1988) for his son Danny, making his directorial bow at the time. John became seriously ill with pneumonia and died while on location at the age of 81. This maverick of a man's man who was once called "the eccentric's eccentric" by Paul Newman, left an incredibly rich legacy of work to be enjoyed by film lovers for centuries to come.- Actor
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Anthony Perkins was born April 4, 1932 in New York City, to Janet Esselstyn (Rane) and Osgood Perkins, an actor of both stage and film. His father died when he was five. Anthony's paternal great-grandfather was engraver Andrew Varick Stout Anthony. Perkins attended the Brooks School, the Browne & Nichols School, Columbia University and Rollins College. He made his screen debut in The Actress (1953), and was nominated for a Best Supporting Actor Oscar Friendly Persuasion (1956). Four years later, he appeared in what would be his most noted role, Norman Bates in Psycho (1960), memorializing him into film history forever.- Actor
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One of Hollywood's preeminent male stars of all time, James Cagney was also an accomplished dancer and easily played light comedy. James Francis Cagney was born on the Lower East Side of Manhattan in New York City, to Carolyn (Nelson) and James Francis Cagney, Sr., who was a bartender and amateur boxer. Cagney was of Norwegian (from his maternal grandfather) and Irish descent. Ending three decades on the screen, he retired to his farm in Stanfordville, New York (some 77 miles/124 km. north of his New York City birthplace), after starring in Billy Wilder's One, Two, Three (1961). He emerged from retirement to star in the 1981 screen adaptation of E.L. Doctorow's novel "Ragtime" (Ragtime (1981)), in which he was reunited with his frequent co-star of the 1930s, Pat O'Brien, and which was his last theatrical film and O'Brien's as well). Cagney's final performance came in the title role of the made-for-TV movie Terrible Joe Moran (1984), in which he played opposite Art Carney.- Actor
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Brendan Gleeson was born in Dublin, Ireland, to Pat and Frank Gleeson. From a very young age, he loved to learn, especially reading classical text in and outside the classroom. He took great attention to Irish play writers such as Samuel Beckett, which eventually led to him performing in his high school play production of "Waiting for Godot", and paying great attention to detail in his high school drama classes. Upon finishing 12th grade, he spent a couple of years with the Dublin Shakespeare Festival, and under the advice of a director there, headed across to London and auditioned for drama schools. Soon to follow, he was invited to audition for the Royal Shakespeare Company in Stratford upon Avon, and spent a couple of seasons back in England on the stage. He then, at the age of thirty five, decided to audition for films in the UK and began to build a very respectable resume playing many different diverse characters.
He made his debut as a quarryman in The Field (1990). He had several small roles in major Hollywood movies based in Ireland, such as Far and Away (1992) and Into the West (1992). Memorably played historical Irish figure "Michael Collins" in The Treaty (1991). Made his breakthrough in Scottish themed Braveheart (1995), which was largely filmed in Ireland, opposite Mel Gibson. He played Gibson's right-hand man "Hamish". Since then, he has appeared in numerous major films such as Mission: Impossible II (2000), Lake Placid (1999), Turbulence (1997). He has made a name for himself taking the titular role in The General (1998), based on the life of Irish criminal "Martin Cahill", for which he won the Boston Society of Film Critics Award. He appears in director John Boorman's film The Tailor of Panama (2001) as well as Martin Scorsese's Gangs of New York (2002) and Steven Spielberg's A.I. Artificial Intelligence (2001).
Ever since, he has continued to bring his huge stage presence to the screen, always delivering the character in full development to his audience. He is married to his lovely wife, Mary, since 1982. They have four sons.- Owning a pair of the most incredibly soulful and searching eyes you'll ever find, Michael Sarrazin's poetic drifters crept into Hollywood unobtrusively on little cat's feet, but it didn't take long for him to make his mark. Quiet yet uninhibited, the lean, laconic, fleshy-lipped actor with the intriguingly faraway look and curiously sunken features enhanced a number of quality offbeat fare without ever creating too much of a fuss. While Hollywood couldn't quite pigeonhole him, they also weren't sure what to do with him. Out-and-out stardom would prove elusive.
He was born Jacques Michel Andre Sarrazin on May 22, 1940 in Quebec, Canada, and drifted through eight different schools before eventually dropping out. He worked at a Toronto theatre, on TV, and for the Canadian Broadcasting Corporation during his teen years. He also studied acting at the Actors Studio in New York. While playing parts for the National Film Board of Canada in a handful of their historical documentary shorts, he was noticed by Universal and signed in 1965. Following insignificant roles in such series as The Virginian (1962) and in the mini-movie The Doomsday Flight (1966), the actor made his film debut in the post-Civil War drama Gunfight in Abilene (1967) starring an equally offbeat Bobby Darin. One scene had him being flogged shirtless. It was Sarrazin's second film, however, that created the initial stir playing grifter George C. Scott's young apprentice in The Flim-Flam Man (1967). Sarrazin's hesitant con artist more than held its own against the freewheeling Scott while also engaging in romantic clinches with Lolita (1962) sexpot Sue Lyon.
A number of other Sarrazin characters found their way as a result. He played a guileless tenderfoot again, this time taken under the wing of cowboy Anthony Franciosa, in A Man Called Gannon (1968) which takes an unexpected twist at the end; he shared the screen with fellow up-and-comers Harrison Ford and Jan-Michael Vincent as a green Confederate soldier in Journey to Shiloh (1968); earned a Golden Globe "best promising newcomer" nomination portraying an aimless surfer in The Sweet Ride (1968) opposite the spectacularly beautiful Jacqueline Bisset (they lived together for several years); and supposedly turned down the role of Joe Buck in Midnight Cowboy (1969) in order to appear in the kinky love triangle In Search of Gregory (1969) as, yet again, another be charming young stranger, but that film was not successful.
This all culminated in the portrayal of his career as a wanderlust Depression-era floater plucked from the beach shore to participate in a grueling dance marathon. As Robert, the unassuming partner to feisty, cynical Jane Fonda's Gloria, in the bleak, fascinatingly depressing They Shoot Horses, Don't They? (1969), Sarrazin was both soft and spellbinding. His pairing with Fonda is an eerie and ultimately doomed one resulting in a shattering climax. Remote and wordless, Sarrazin's strength lies in both his ease and passive defiance. His peaceful body language and the few calm utterances he allows himself seems to illicit a strange, neutralizing power. It's not the kind of movie persona, however, that wins awards - as it did for his more flamboyant co-stars Ms. Fonda, Susannah York and Gig Young.
Another glum, ostracized outsider role came in the showier form of Paul Newman's hippie half-brother in Sometimes a Great Notion (1971) and Sarrazin continued to show a flair for the unconventional with the non-mainstream Believe in Me (1971), as a medical student who shares a drug needle with (again) Ms. Bissett, and in The Pursuit of Happiness (1971) as a collegiate fighting the system. In Harry in Your Pocket (1973) Sarrazin again plays the naive square who falls in with a bad crowd (this time, pickpockets). He capped this radical run with a mesmerizing, intelligent and, of course, sympathetic portrayal of the monster in the mini-movie Frankenstein: The True Story (1973). As assurance of his offbeat popularity, he hosted Saturday Night Live (1975) twice.
A performance as the haunted title role in the psychological thriller The Reincarnation of Peter Proud (1975) proved to be one of his last hurrahs, as the film was a critical and box office failure. At this juncture his films (or his film roles) became underwhelming. He starred alongside Ursula Andress in the Italian film The Loves and Times of Scaramouche (1976), but the film was very poorly received. Utterly wasted even though second billed as Barbra Streisand's hubby in her slapstick vehicle For Pete's Sake (1974), he also headed up a so-so car chase film in The Gumball Rally (1976). He co-starred in the big budget escapist adventure Caravans (1978), but the film was a financial disaster. The 1980s signaled a significant down turn and strange pall in his films.
It started with his third-wheel participations in the excruciating bad and violent Morgan Fairchild/Andrew Stevens stalking thriller The Seduction (1982) and in the hard-edged vigilante film Fighting Back (1982) behind Tom Skerritt/Patti LuPone. When he did have a lead, the films themselves were flawed as in Keeping Track (1986) and the excessively sleazy Mascara (1987). Sarrazin has continued to work steadily, however, but the one great film that could put him into the top character ranks had yet to arrive. With age, the always-lean Sarrazin turned pale and haggard which lent itself toward rather eccentric casting.
Throughout the course of his career, Michael remained true to his homeland, appearing in many Canadian-based productions such as The Groundstar Conspiracy (1972), Double Negative (1980), Joshua Then and Now (1985), Captive Hearts (1987), The Phone Call (1989), La Florida (1993) and Crackerjack 2 (1997).
Sarrazin moved to Montreal many years back in order to be near family. He died there following a brief bout with cancer at age 70 on April 17, 2011, and was survived by daughters Michelle and Catherine, as well as producer/brother Pierre Sarrazin. While the fascination and appeal of Michael Sarrazin certainly cannot be denied, one wonders why Hollywood was not able to serve his talent better in later years. - Actor
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Neil Maskell was born in 1976. From the age of eleven he attended the Anna Scher acting school in Islington in his native London and later studied at the Miskin Theatre at the North West Kent College,subsequently returning there as a director. He began acting as a teenager,making his television debut in 'The Bill' and has appeared in several populist dramas such as 'Casualty' and 'Soldier Soldier'. On stage he has worked with the Traverse Theatre in Edinburgh and made his film debut in 1997 in 'Nil By Mouth'. In 2011 he was nominated as Best Actor by the British Independent Film Awards for his role in the British movie 'Kill List'.- Writer
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Considered to be one of the most pivotal stars of the early days of Hollywood, Charlie Chaplin lived an interesting life both in his films and behind the camera. He is most recognized as an icon of the silent film era, often associated with his popular character, the Little Tramp; the man with the toothbrush mustache, bowler hat, bamboo cane, and a funny walk.
Charles Spencer Chaplin was born in Walworth, London, England on April 16, 1889, to Hannah Harriet Pedlingham (Hill) and Charles Chaplin, both music hall performers, who were married on June 22, 1885. After Charles Sr. separated from Hannah to perform in New York City, Hannah then tried to resurrect her stage career. Unfortunately, her singing voice had a tendency to break at unexpected moments. When this happened, the stage manager spotted young Charlie standing in the wings and led him on stage, where five-year-old Charlie began to sing a popular tune. Charlie and his half-brother, Syd Chaplin spent their lives in and out of charity homes and workhouses between their mother's bouts of insanity. Hannah was committed to Cane Hill Asylum in May 1903 and lived there until 1921, when Chaplin moved her to California.
Chaplin began his official acting career at the age of eight, touring with the Eight Lancashire Lads. At age 18, he began touring with Fred Karno's vaudeville troupe, joining them on the troupe's 1910 United States tour. He traveled west to California in December 1913 and signed on with Keystone Studios' popular comedy director Mack Sennett, who had seen Chaplin perform on stage in New York. Charlie soon wrote his brother Syd, asking him to become his manager. While at Keystone, Chaplin appeared in and directed 35 films, starring as the Little Tramp in nearly all.
In November 1914, he left Keystone and signed on at Essanay, where he made 15 films. In 1916, he signed on at Mutual and made 12 films. In June 1917, Chaplin signed up with First National Studios, after which he built Chaplin Studios. In 1919, he and Douglas Fairbanks, Mary Pickford and D.W. Griffith formed United Artists (UA).
Chaplin's life and career was full of scandal and controversy. His first big scandal was during World War I, at which time his loyalty to England, his home country, was questioned. He had never applied for American citizenship, but claimed that he was a "paying visitor" to the United States. Many British citizens called Chaplin a coward and a slacker. This and other career eccentricities sparked suspicion with FBI chief J. Edgar Hoover and the House Un-American Activities Committee (HUAC), who believed that he was injecting Communist propaganda into his films. Chaplin's later film The Great Dictator (1940), which was his first "talkie", also created a stir. In the film, Chaplin plays a humorous caricature of Adolf Hitler. Some thought the film was poorly done and in bad taste. However, the film grossed over $5 million and earned five Academy Award Nominations.
Another scandal occurred when Chaplin briefly dated 22 year-old Joan Barry. However, Chaplin's relationship with Barry came to an end in 1942, after a series of harassing actions from her. In May 1943, Barry returned to inform Chaplin that she was pregnant and filed a paternity suit, claiming that the unborn child was his. During the 1944 trial, blood tests proved that Chaplin was not the father, but at the time, blood tests were inadmissible evidence, and he was ordered to pay $75 a week until the child turned 21.
Chaplin also was scrutinized for his support in aiding the Russian struggle against the invading Nazis during World War II, and the United States government questioned his moral and political views, suspecting him of having Communist ties. For this reason, HUAC subpoenaed him in 1947. However, HUAC finally decided that it was no longer necessary for him to appear for testimony. Conversely, when Chaplin and his family traveled to London for the premier of Limelight (1952), he was denied re-entry to the United States. In reality, the government had almost no evidence to prove that he was a threat to national security. Instead, he and his wife decided to settle in Switzerland.
Chaplin was married four times and had a total of 11 children. In 1918, he married Mildred Harris and they had a son together, Norman Spencer Chaplin, who lived only three days. Chaplin and Harris divorced in 1920. He married Lita Grey in 1924, who had two sons, Charles Chaplin Jr. and Sydney Chaplin. They were divorced in 1927. In 1936, Chaplin married Paulette Goddard, and his final marriage was to Oona O'Neill (Oona Chaplin), daughter of playwright Eugene O'Neill in 1943. Oona gave birth to eight children: Geraldine Chaplin, Michael Chaplin, Josephine Chaplin, Victoria Chaplin, Eugene Chaplin, Jane Chaplin, Annette-Emilie Chaplin, and Christopher Chaplin.
In contrast to many of his boisterous characters, Chaplin was a quiet man who kept to himself a great deal. He also had an "un-millionaire" way of living. Even after he had accumulated millions, he continued to live in shabby accommodations. In 1921, Chaplin was decorated by the French government for his outstanding work as a filmmaker and was elevated to the rank of Officer of the Legion of Honor in 1952. In 1972, he was honored with an Academy Award for his "incalculable effect in making motion pictures the art form of the century". He was appointed Knight Commander of the Order of the British Empire in the 1975 New Year's Honours List. No formal reason for the honour was listed. The citation simply reads "Charles Spencer Chaplin, Film Actor and Producer".
Chaplin's other works included musical scores that he composed for many of his films. He also authored two autobiographical books, "My Autobiography" (1964) and its companion volume, "My Life in Pictures" (1974).
Chaplin died at age 88 of natural causes on December 25, 1977 at his home in Vevey, Switzerland. His funeral was a small and private Anglican ceremony according to his wishes. In 1978, Chaplin's corpse was stolen from its grave and was not recovered for three months; he was re-buried in a vault surrounded by cement.
Six of Chaplin's films have been selected for preservation in the National Film Registry by the United States Library of Congress: The Immigrant (1917), The Kid (1921), The Gold Rush (1925), City Lights (1931), Modern Times (1936), and The Great Dictator (1940).
Charlie Chaplin is considered one of the greatest filmmakers in the history of American cinema, whose movies were and still are popular throughout the world and have even gained notoriety as time progresses. His films show, through the Little Tramp's positive outlook on life in a world full of chaos, that the human spirit has and always will remain the same.- Actor
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Emanuel Goldenberg arrived in the United States from Romania at age ten, and his family moved into New York's Lower East Side. He took up acting while attending City College, abandoning plans to become a rabbi or lawyer. The American Academy of Dramatic Arts awarded him a scholarship, and he began work in stock, with his new name, Edward G. Robinson (the "G" stood for his birth surname), in 1913. Broadway was two years later; he worked steadily there for 15 years. His work included "The Kibitzer", a comedy he co-wrote with Jo Swerling. His film debut was a small supporting part in the silent The Bright Shawl (1923), but it was with the coming of sound that he hit his stride. His stellar performance as snarling, murderous thug Rico Bandello in Little Caesar (1931)--all the more impressive since in real life Robinson was a sophisticated, cultured man with a passion for fine art--set the standard for movie gangsters, both for himself in many later films and for the industry. He portrayed the title character in several biographical works, such as Dr. Ehrlich's Magic Bullet (1940) and A Dispatch from Reuters (1940). Psychological dramas included Flesh and Fantasy (1943), Double Indemnity (1944), The Woman in the Window (1944)and Scarlet Street (1945). Another notable gangster role was in Key Largo (1948). He was "absolved" of allegations of Communist affiliation after testifying as a friendly witness for the House Un-American Activities Committee during the McCarthy hysteria of the early 1950s. In 1956 he had to sell off his extensive art collection in a divorce settlement and also had to deal with a psychologically troubled son. In 1956 he returned to Broadway in "Middle of the Night". In 1973 he was awarded a special, posthumous Oscar for lifetime achievement.- Wonderfully talented German-born actor, capable of tremendous comedic and dramatic performances, usually as some type of pompous bureaucrat or similarly arrogant individual. Ruman was born on October 11, 1884, in Hamburg, Germany, and actually studied electrotechnology in college before making the switch to acting. He served with the Imperial German Forces in World War I before coming to the United States in 1924. He became friendly with playwright George S. Kaufman and critic Alexander Woollcott and was regularly appearing in high-quality stage productions on Broadway.
With the advent of talkies, he was kept very busy in the cinema and became a favorite of the Marx Brothers, appearing as stiff-shirted NYC opera owner Herman Gottlieb in the comedy classic A Night at the Opera (1935). He played a know-it-all surgeon crossing swords with Groucho Marx over what exactly was wrong with hypochondriac Margaret Dumont in A Day at the Races (1937). and a dual role in A Night in Casablanca (1946). With his German accent, he was also a regular in several WWII espionage thrillers, including Confessions of a Nazi Spy (1939), They Came to Blow Up America (1943), and The Hitler Gang (1944), and gave a superb portrayal of the two-faced POW guard Schulz in the splendid Stalag 17 (1953). He was also popular with famed director Ernst Lubitsch, who cast Ruman in Ninotchka (1939), and To Be or Not to Be (1942). In all, he notched up over 100 feature film appearances as well as guest star spots on many TV shows.
Ruman suffered ill health for the final two decades of his life and passed away on February 14, 1967, from a heart attack. - Actor
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Along with fellow actors Lon Chaney, Bela Lugosi and Vincent Price, Boris Karloff is recognized as one of the true icons of horror cinema, and the actor most closely identified with the general public's perception of the Frankenstein Monster from the classic Mary Shelley novel "Frankenstein; or, The Modern Prometheus". William Henry Pratt was born on November 23, 1887, in Camberwell, London, England, UK, the son of Edward John Pratt Jr., the Deputy Commissioner of Customs Salt and Opium, Northern Division, Indian Salt Revenue Service, and his third wife, Eliza Sarah Millard.
He was educated at London University in anticipation that he would pursue a diplomatic career; however, he emigrated to Canada in 1909, joined a touring company based out of Ontario and adopted the stage name of "Boris Karloff." He toured back and forth across the U.S. for over 10 years in a variety of low budget theater shows and eventually ended up in Hollywood, reportedly with very little money to his name. Needing cash to support himself, Karloff secured occasional acting work in the fledgling silent film industry in such films as The Deadlier Sex (1920), Omar the Tentmaker (1922), Dynamite Dan (1924) and Tarzan and the Golden Lion (1927), in addition to a handful of film serials (the majority of these, sadly, are all lost films). Karloff supplemented his meager film income by working as a truck driver in Los Angeles, which allowed him enough time off to continue to pursue acting roles.
His big break came in 1931 when he was cast as the Frankenstein Monster in the Universal production of Frankenstein (1931), directed by James Whale, one of the studio's few remaining auteur directors. The aura of mystery surrounding Karloff was highlighted in the opening credits, as he was listed as simply "?". The film was a commercial and critical success for Universal, and Karloff was instantly established as a hot property in Hollywood. He quickly appeared in several other sinister roles, including Scarface (1932) (filmed before Frankenstein (1931)), the black-humored The Old Dark House (1932), as the titular Chinese villain of Sax Rohmer's Dr. Fu Manchu novels in The Mask of Fu Manchu (1932), as the undead Im-ho-tep in The Mummy (1932) and as the misguided Prof. Morlant in The Ghoul (1933). He thoroughly enjoyed his role as a religious fanatic in John Ford's The Lost Patrol (1934), although contemporary critics described it as a textbook example of overacting.
He donned the signature make-up, neck bolts and asphalt spreader's boots again to play the Frankenstein Monster twice, the first time in the sensational Bride of Frankenstein (1935) and the second time in the less thrilling Son of Frankenstein (1939). Karloff, on loan to Fox, appeared in one of the best of the Warner Oland Charlie Chan films, Charlie Chan at the Opera (1936), before beginning his own short-lived detective film series as Mr. Wong. He was a wrongly condemned doctor in Devil's Island (1938), shaven-headed executioner "Mord the Merciless" in Tower of London (1939), another misguided scientist in The Ape (1940), a crazed scientist surrounded by monsters, vampires and werewolves in House of Frankenstein (1944), a murderous cab-man in The Body Snatcher (1945) and a Greek general fighting vampirism in the Val Lewton thriller Isle of the Dead (1945).
While Karloff continued to appear in a plethora of films, many of them were not up to the standards of his previous efforts, including appearances in two of the hokey Bud Abbott and Lou Costello monster films (he had appeared with both of them in an earlier, superior film, Bud Abbott Lou Costello Meet the Killer Boris Karloff (1949), of which theater owners often added his name to the marquee), the low point of the Universal-International horror film cycle. During the 1950s he was a regular guest on many high-profile TV shows, including The Milton Berle Show (1948), Tales of Tomorrow (1951), The Veil (1958), The Donald O'Connor Show (1954), The Red Skelton Hour (1951) and The Dinah Shore Chevy Show (1956), just to name a few, and he appeared in a mixed bag of films, including Sabaka (1954) and Voodoo Island (1957). On Broadway, he appeared as the murderous Jonathan Brewster in the hit play "Arsenic and Old Lace" (his role, or rather the absence of him in it, was amusingly parodied in the play's 1944 film version) and 10 years later he enjoyed a long run in another hit play, "Peter Pan," perfectly cast as both Captain Hook and Mr. Darling.
His career experienced something of a revival in the 1960s thanks to hosting the TV anthology series Thriller (1960) and indie director Roger Corman, with Karloff contributing wonderful performances in The Raven (1963), The Terror (1963), the ultra-eerie Black Sabbath (1963) and the H.P. Lovecraft-inspired Die, Monster, Die! (1965). Karloff's last great film role before his death was as Byron Orlok, an aging and bitter horror film star on the brink of retirement who confronts a modern-day sniper in the Peter Bogdanovich film Targets (1968). In 1970, he played the blind sculptor Franz Badulescu in Cauldron of Blood (1968) which was produced, directed and written by Edward Mann, who had also come to the art of film from the stage and the theater. His TV career was capped off by achieving Christmas immortality as both the voices of the titular character and the narrator of Chuck Jones' perennial animated favorite, How the Grinch Stole Christmas! (1966). Four low-budget Mexican horror films starring an ailing Karloff were then released in the two years after his death; however, they do no justice to this great actor. In retrospect, he never took himself too seriously as an actor and had a tendency to downplay his acting accomplishments. Renowned as a refined, kind and warm-hearted gentleman with a sincere affection for children and their welfare, Karloff passed away on February 2, 1969 from emphysema. Respectful of his Indian roots and in true Hindu fashion, he was cremated at Guildford Crematorium, Godalming, Surrey, England, UK, where he is commemorated by a plaque in Plot 2 of the Garden of Remembrance.- Actor
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Clinton Eastwood Jr. was born May 31, 1930 in San Francisco, to Clinton Eastwood Sr., a bond salesman and later manufacturing executive for Georgia-Pacific Corporation, and Ruth Wood (née Margret Ruth Runner), a housewife turned IBM clerk. He grew up in nearby Piedmont. At school Clint took interest in music and mechanics, but was an otherwise bored student; this resulted in being held back a grade. In 1949, the year he is said to have graduated from high school, his parents and younger sister Jeanne moved to Seattle. Clint spent a couple years in the Pacific Northwest himself, operating log broncs in Springfield, Oregon, with summer gigs life-guarding in Renton, Washington. Returning to California in 1951, he did a two-year stint at Fort Ord Military Reservation and later enrolled at L.A. City College, but dropped out to pursue acting.
During the mid-1950s he landed uncredited bit parts in such B-films as Revenge of the Creature (1955) and Tarantula (1955) while digging swimming pools and driving a garbage truck to supplement his income. In 1958, he landed his first consequential acting role in the long-running TV show Rawhide (1959) with Eric Fleming. Although only a secondary player the first seven seasons, he was promoted to series star when Fleming departed--both literally and figuratively--in its final year, along the way becoming a recognizable face to television viewers around the country.
Eastwood's big-screen breakthrough came as The Man with No Name in Sergio Leone's trilogy of excellent spaghetti westerns: A Fistful of Dollars (1964), For a Few Dollars More (1965), and The Good, the Bad and the Ugly (1966). The movies were shown exclusively in Italy during their respective copyright years with Enrico Maria Salerno providing the voice of Eastwood's character, finally getting American distribution in 1967-68. As the last film racked up respectable grosses, Eastwood, 37, rose from a barely registering actor to sought-after commodity in just a matter of months. Again a success was the late-blooming star's first U.S.-made western, Hang 'Em High (1968). He followed that up with the lead role in Coogan's Bluff (1968) (the loose inspiration for the TV series McCloud (1970)), before playing second fiddle to Richard Burton in the World War II epic Where Eagles Dare (1968) and Lee Marvin in the bizarre musical Paint Your Wagon (1969). In Two Mules for Sister Sara (1970) and Kelly's Heroes (1970), Eastwood leaned in an experimental direction by combining tough-guy action with offbeat humor.
1971 proved to be his busiest year in film. He starred as a sleazy Union soldier in The Beguiled (1971) to critical acclaim, and made his directorial debut with the classic erotic thriller Play Misty for Me (1971). His role as the hard edge police inspector in Dirty Harry (1971), meanwhile, boosted him to cultural icon status and helped popularize the loose-cannon cop genre. Eastwood put out a steady stream of entertaining movies thereafter: the westerns Joe Kidd (1972), High Plains Drifter (1973) and The Outlaw Josey Wales (1976) (his first of six onscreen collaborations with then live-in love Sondra Locke), the Dirty Harry sequels Magnum Force (1973) and The Enforcer (1976), the action-packed road adventures Thunderbolt and Lightfoot (1974) and The Gauntlet (1977), and the prison film Escape from Alcatraz (1979). He branched out into the comedy genre in 1978 with Every Which Way But Loose (1978), which became the biggest hit of his career up to that time; taking inflation into account, it still is. In short, The Eiger Sanction (1975) notwithstanding, the 1970s were nonstop success for Eastwood.
Eastwood kicked off the 1980s with Any Which Way You Can (1980), the blockbuster sequel to Every Which Way but Loose. The fourth Dirty Harry film, Sudden Impact (1983), was the highest-grossing film of the franchise and spawned his trademark catchphrase: "Make my day." He also starred in Bronco Billy (1980), Firefox (1982), Tightrope (1984), City Heat (1984), Pale Rider (1985) and Heartbreak Ridge (1986), all of which were solid hits, with Honkytonk Man (1982) being his only commercial failure of the period. In 1988, he did his fifth and final Dirty Harry movie, The Dead Pool (1988). Although it was a success overall, it did not have the box office punch the previous films had. About this time, with outright bombs like Pink Cadillac (1989) and The Rookie (1990), it seemed Eastwood's star was declining as it never had before. He then started taking on low-key projects, directing Bird (1988), a biopic of Charlie Parker that earned him a Golden Globe, and starring in and directing White Hunter Black Heart (1990), an uneven, loose biopic of John Huston (both films had a limited release).
Eastwood bounced back big time with his dark western Unforgiven (1992), which garnered the then 62-year-old his first ever Academy Award nomination (Best Actor), and an Oscar win for Best Director. Churning out a quick follow-up hit, he took on the secret service in In the Line of Fire (1993), then accepted second billing for the first time since 1970 in the interesting but poorly received A Perfect World (1993) with Kevin Costner. Next was a love story, The Bridges of Madison County (1995), where Eastwood surprised audiences with a sensitive performance alongside none other than Meryl Streep. But it soon became apparent he was going backwards after his brief revival. Subsequent films were credible, but nothing really stuck out. Absolute Power (1997) and Space Cowboys (2000) did well enough, while True Crime (1999) and Blood Work (2002) were received badly, as was Midnight in the Garden of Good and Evil (1997), which he directed but didn't appear in.
Eastwood surprised again in the mid-2000s, returning to the top of the A-list with Million Dollar Baby (2004). Also starring Hilary Swank and Morgan Freeman, the hugely successful drama won four Academy Awards, including Best Picture and Best Director for Eastwood. He scored his second Best Actor nomination, too. His next starring vehicle, Gran Torino (2008), earned almost $30 million in its opening weekend and was his highest grosser unadjusted for inflation. 2012 saw him in a rare lighthearted movie, Trouble with the Curve (2012), as well as a reality show, Mrs. Eastwood & Company (2012).
Between acting jobs, he chalked up an impressive list of credits behind the camera. He directed Mystic River (2003) (in which Sean Penn and Tim Robbins gave Oscar-winning performances), Flags of Our Fathers (2006), Letters from Iwo Jima (2006) (nominated for the Best Picture Oscar), Changeling (2008) (a vehicle for Angelina Jolie), Invictus (2009) (again with Freeman), Hereafter (2010), J. Edgar (2011), Jersey Boys (2014), American Sniper (2014) (2014's top box office champ), Sully (2016) (starring Tom Hanks as hero pilot Chesley Sullenberger) and The 15:17 to Paris (2018). Back on screens after a considerable absence, he played an unlikely drug courier in The Mule (2018), which reached the top of the box office with a nine-figure gross, then directed Richard Jewell (2019). At age 91, Eastwood made history as the oldest actor to star above the title in a movie with the release of Cry Macho (2021).
Away from the limelight, Eastwood has led an aberrant existence and is described by biographer Patrick McGilligan as a cunning manipulator of the media. His convoluted slew of partners and children are now somewhat factually acknowledged, but for the first three decades of his celebrity, his personal life was kept top secret, and several of his families were left out of the official narrative. The actor refuses to disclose his exact number of offspring even to this day. He had a longtime relationship with similarly abstruse co-star Locke (who died aged 74 in 2018, though for her entire public life she masqueraded about being younger), and has fathered at least eight children by at least six different women in an unending string of liaisons, many of which overlapped. He has been married only twice, however, with a mere three of his progeny coming from those unions.
His known children are: Laurie Murray (b. 1954), whose mother is unidentified; Kimber Eastwood (b. 1964) with stuntwoman Roxanne Tunis; Kyle Eastwood (b. 1968) and Alison Eastwood (b. 1972) with his first ex-wife, Margaret Neville Johnson; Scott Eastwood (b. 1986) and Kathryn Eastwood (b. 1988) with stewardess Jacelyn Reeves; Francesca Eastwood (b. 1993) with actress Frances Fisher; and Morgan Eastwood (b. 1996) with his second ex-wife, Dina Eastwood. The entire time that he lived with Locke she was legally married to sculptor Gordon Anderson.
Eastwood has real estate holdings in Bel-Air, La Quinta, Carmel-by-the-Sea, Cassel (in remote northern California), Idaho's Sun Valley and Kihei, Hawaii.- Actor
- Producer
- Music Department
Legendary actor Christopher Plummer, perhaps Canada's greatest thespian, delivered outstanding performances as Sherlock Holmes in Murder by Decree (1979), the chilling villain in The Silent Partner (1978), the iconoclastic Mike Wallace in The Insider (1999), the empathetic psychiatrist in A Beautiful Mind (2001), the kindly and clever mystery writer in Knives Out (2019), and as Leo Tolstoy in The Last Station (2009). It was this last role that finally brought him recognition from the Academy of Motion Picture Arts & Sciences, when he was nominated as Best Actor in a Supporting Role, one of three Academy Award nominations he received in the 2010s, along with All the Money in the World (2017) (as J. Paul Getty) and Beginners (2010); he won for the latter role. He will also likely always be remembered as Captain Von Trapp in the atomic bomb-strength blockbuster The Sound of Music (1965), a film he publicly despised until softening his stance in his autobiography "In Spite of Me" (2008).
Christopher Plummer was born Arthur Christopher Orme Plummer on December 13, 1929 in Toronto, Ontario. He was the only child of Isabella Mary (Abbott), a secretary to the Dean of Sciences at McGill University, and John Orme Plummer, who sold securities and stocks. Christopher was a great-grandson of John Abbott, who was Canada's third Prime Minister (from 1891 to 1892), and a great-great-great-grandson of Presbyterian clergyman John Bethune. He had Scottish, English, Anglo-Irish, and Cornish ancestry. Plummer was raised in Senneville, Quebec, near Montreal, at his maternal grandparents' home.
Aside from the youngest member of the Barrymore siblings (which counted Oscar-winners Ethel Barrymore and Lionel Barrymore in their number), Plummer was the premier Shakespearean actor to come out of North America in the 20th century. He was particularly memorable as Hamlet, Iago and Lear, though his Macbeth opposite Glenda Jackson was -- and this was no surprise to him due to the famous curse attached to the "Scottish Play" -- a failure.
Like another great stage actor, Richard Burton, early in his career Plummer failed to connect with the screen in a way that would make him a star. Dynamic on stage, he didn't succeed as a younger leading man in films. Perhaps if he had been born earlier, and acted in the studio system of Hollywood's golden age, he could have been carefully groomed for stardom. As it was, he shared the English stage actors' disdain -- and he was equally at home in London as he was on the boards of Broadway or on-stage in his native Canada -- for the movies, which did not help him in that medium, as he has confessed. As he aged, Plummer excelled at character roles. He was always a good villain, this man who garnered kudos playing Lucifer on Broadway in Archibald Macleish's Pulitzer Prize-winning "J.B.".
Plummer won two Emmy Awards out of seven nominations stretching 46 years from 1959 and 2011, and one Genie Award in six nominations from 1980 to 2009. For his stage work, Plummer has racked up two Tony Awards on six nominations, the first in 1974 as Best Actor (Musical) for the title role in "Cyrano" and the second in 1997, as Best Actor (Play), in "Barrymore". Surprisingly, he did not win (though he was nominated) for his masterful 2004 performance of "King Lear", which he originated at the Stratford Festival in Ontario and brought down to Broadway for a sold-out run. His other Tony nominations show the wide range of his talent, from a 1959 nod for the Elia Kazan-directed production of Macleish's "J.B." to recognition in 1994 for Harold Pinter's "No Man's Land", with a 1982 Best Actor (Play) nomination for his "Iago" in William Shakespeare's "Othello".
Until the 2009 Academy Awards were announced, it could be said about Plummer that he was the finest actor of the post-World War II period to fail to get an Academy Award. In that, he was following in the footsteps of the late great John Barrymore, whom Plummer so memorably portrayed on Broadway in a one-man show that brought him his second Tony Award. In 2010, Plummer finally got an Oscar nod for his portrayal of another legend, Lev Tolstoy in The Last Station (2009). Two years later, the first paragraph of his obituary was written when the 82-year-old Plummer became the oldest person in Academy history to win an Oscar. He won for playing a senior citizen who comes out as gay after the death of his wife in the movie Beginners (2010). As he clutched his statuette, the debonaire thespian addressed it thus: "You're only two years older than me darling, where have you been all of my life?"
Plummer then told the audience that at birth, "I was already rehearsing my Academy acceptance speech, but it was so long ago mercifully for you I've forgotten it." The Academy Award was a long time in coming and richly deserved.
Plummer gave many other fine portrayals on film, particularly as he grew older and settled down into a comfortable marriage with his third wife Elaine. He continued to be an in-demand character actor in prestigious motion pictures. If he were English rather than Canadian, he would have been knighted. (In 1968, he was appointed Companion of the Order of Canada, the country's highest civilian honor and one which required the approval of the sovereign, Queen Elizabeth II.) If he lived in the company town of Los Angeles rather than in Connecticut, he likely would have several more Oscar nominations before winning his first for "The Last Station".
As it is, as attested to in his witty and well-written autobiography, Plummer was amply rewarded in life. In 1970, Plummer - then a self-confessed 43-year-old "bottle baby" - married his third wife Elaine Taylor, a dancer, who helped wean him off his dependency on alcohol. They lived happily with their dogs on a 30-acre estate in Weston, Connecticut. He thanked her from the stage during the 2012 Oscar telecast, quipping that she "deserves the Nobel Peace Prize for coming to my rescue every day of my life." Although he spent the majority of his time in the United States, he remained a Canadian citizen. He died in his Weston, Connecticut home on February 5, 2021 at age 91.
His daughter, with actress Tammy Grimes, is actress Amanda Plummer.- Actor
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Billy Bob Thornton was born on August 4, 1955 in Hot Springs, Arkansas, to Virginia Roberta (Faulkner), a psychic, and William Raymond (Billy Ray) Thornton, an educator, high school history teacher, and basketball coach (now deceased). He is the older brother of James Donald (Jimmy Don) (born in 1958 and now deceased) and John David (born in 1969). He has been married six times and has four children: daughter Amanda Brumfield, with Melissa Lee Gatlin (now Parish); sons William and Harry, both with Pietra Dawn Cherniak; and daughter Bella with Connie Angland.
Billy Bob began his artistic career as a musician, playing drums and singing in a band called Tres Hombres, which once opened for Hank Williams Jr.. In 1981, he moved to Los Angeles with childhood friend Tom Epperson to pursue an acting and writing career. On the side, Billy Bob also sought work as a singer and drummer. He and Epperson tried for years to sell their scripts but no one was buying. During those rough times, Billy Bob neglected his health and subsequently landed in the hospital with heart problems due to malnutrition. In 1992, Billy Bob starred in One False Move (1991), a movie he co-wrote with Epperson. The team finally received attention because of this work, which was very well received in Hollywood. His popularity increased steadily, especially after Sling Blade (1996) which he wrote, directed and in which he starred.- Actor
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David Thewlis was born David Wheeler in 1963 in Blackpool, Lancashire, to Maureen (Thewlis) and Alec Raymond Wheeler, and lived with his parents above their combination wallpaper and toy shop during his childhood. Originally, he came to London with his band Door 66, however he changed his plans and entered Guildhall School of Drama.
He had minor roles in films and TV until he took the main role in Naked (1993). The film won him several awards including the New York Critics Award. He has since been in many other films including DragonHeart (1996), Restoration (1995), Black Beauty (1994) and he took the part of Professor Remus John Lupin in Harry Potter and the Prisoner of Azkaban (2004) and its sequels.
Recently, he starred in the third season of FX's Fargo (2014).
He lived with the British actress Anna Friel from 2001-2010. They have a daughter, Gracie Ellen Mary, born July 9, 2005.- Actor
- Director
- Producer
Sidney Poitier was a native of Cat Island, Bahamas, although born, two months prematurely, in Miami during a visit by his parents, Evelyn (Outten) and Reginald James Poitier. He grew up in poverty as the son of farmers, with his father also driving a cab in Nassau. Sidney had little formal education and at the age of 15 was sent to Miami to live with his brother, in order to forestall a growing tendency toward delinquency. In the U.S., he experienced the racial chasm that divides the country, a great shock to a boy coming from a society with a majority of African descent.
At 18, he went to New York, did menial jobs and slept in a bus terminal toilet. A brief stint in the Army as a worker at a veterans' hospital was followed by more menial jobs in Harlem. An impulsive audition at the American Negro Theatre was rejected so forcefully that Poitier dedicated the next six months to overcoming his accent and improving his performing skills. On his second try, he was accepted. Spotted in rehearsal by a casting agent, he won a bit part in the Broadway production of "Lysistrata", for which he earned good reviews. By the end of 1949, he was having to choose between leading roles on stage and an offer to work for Darryl F. Zanuck in the film No Way Out (1950). His performance as a doctor treating a white bigot got him plenty of notice and led to more roles. Nevertheless, the roles were still less interesting and prominent than those white actors routinely obtained. But seven years later, after turning down several projects he considered demeaning, Poitier got a number of roles that catapulted him into a category rarely if ever achieved by an African-American man of that time, that of leading man. One of these films, The Defiant Ones (1958), earned Poitier his first Academy Award nomination as Best Actor. Five years later, he won the Oscar for Lilies of the Field (1963), the first African American to win for a leading role.
He remained active on stage and screen as well as in the burgeoning Civil Rights movement. His roles in Guess Who's Coming to Dinner (1967) and To Sir, with Love (1967) were landmarks in helping to break down some social barriers between blacks and whites. Poitier's talent, conscience, integrity, and inherent likability placed him on equal footing with the white stars of the day. He took on directing and producing chores in the 1970s, achieving success in both arenas.- Actor
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An actor for all seasons and all kinds of roles (from dark, difficult characters to more loving ones) Paul Dano has an extensive body work that includes working with directors such as Paul Thomas Anderson, Steve McQueen, Dayton & Ferris, Ang Lee, Denis Villenueve and Paolo Sorrentino; acting with heavyweights such as Harrison Ford, Daniel Day-Lewis, Alan Arkin, Jake Gyllenhaal, Toni Collette, Michael Caine, Kevin Kline - just to mention a few names; and easily making a fine transition in between independent cinema, art-house films and mainstream Hollywood blockbusters.
Paul Franklin Dano was born on 19 June, 1984 in New York City, the son of Gladys (Pipp) and Paul Dano. He is of Rusyn, Slovenian/Czech, and Swedish descent. At an early age he was already appearing in community plays and by his early teens he got his first TV appearance on an episode of Smart Guy (1998). His first major role was as Howie Blitzer, a trouble teenager who gets involved with an older man, played by Brian Cox, in the controversial and acclaimed L.I.E. (2001). For the role, Dano was awarded an Independent Spirit Award in the Best Debut Performance category, along with some other awards from Indie cinema. From the on, he moved on to supporting roles in The Girl Next Door (2004), Taking Lives (2004), The King (2005), Fast Food Nation (2006) and The Ballad of Jack and Rose (2005).
Dano's rise to stardom came in consecutive films that showcased his talents and made him an important name in the business: as Dwayne, a rebel teen who copes with his teen angst by refusing to speak to everyone in his family, only using of his cold expressions and a notepad in Little Miss Sunshine (2006), he was praised by critics and audiences, a role that earned him among other awards the Screen Actors Guild as Best Ensemble Cast. The following year, he appeared on a dual role as twin brothers Paul and Eli Sunday - the latter character, a devoted preacher, is more extensive and challenging than the mysterious Paul, in Paul Thomas Anderson critically acclaimed There Will Be Blood (2007). The role was given to Dano after a recommendation from Daniel Day-Lewis who had worked with the young actor in The Ballad of Jack and Rose (2005) and found him a very talented and interesting role. Anderson followed Day-Lewis suggestion, and the result was another hit for Dano, who received several awards nominations, including the Bafta as Best Supporting Actor.
After that, he went on with his career with Taking Woodstock (2009), Cowboys & Aliens (2011), Ruby Sparks (2012) - in which he appears alongside his girlfriend Zoe Kazan, Looper (2012), as the tortured suspect in Prisoners (2013); the Oscar winning 12 Years a Slave (2013); as a young Method actor in Youth (2015); the freak comedy Swiss Army Man (2016); Okja (2017); and the miniseries War & Peace (2016) and Escape at Dannemora (2018), the latter being a role completely the opposite he ever played in previous years, as an inmate who escapes jail, a very physical work for him. In between those films and projects, he gained notoriety by playing the young Brian Wilson in Love & Mercy (2014), the Beach Boys leader who suffers a nervous breakdown while trying to compose an epic album. That role gave Paul Dano plenty of buzz during awards season, some deserved recognition and his first Golden Globe nomination in the Best Supporting Actor category.
His career seems to always be going further each year goes by, always promising. He made his directorial debut in Wildlife (2018), which was co-written with Zoe Kazan. They're living together for a decade and have one daughter.
In the 2020's, he provided the voice from a character in the thriller The Guilty (2021) and played the Riddler in the box-office hit The Batman (2022), in one of his most challenging roles. During 2022/2023 awards season he received a lot of praise and attention for his role in the acclaimed The Fabelmans (2022) where he plays a version of Steven Spielberg's father.- Actor
- Producer
William McChord Hurt was born in Washington, D.C., to Claire Isabel (McGill) and Alfred McChord Hurt, who worked at the State Department. He was trained at Tufts University and The Juilliard School and has been nominated for four Academy Awards, including the most recent nomination for his supporting role in David Cronenberg's A History of Violence (2005). Hurt received Best Supporting Actor accolades for the role from the Los Angeles Film Critics circle and the New York Film Critics Circle.
Hurt spent the early years of his career on the stage between drama school, summer stock, regional repertory and off-Broadway, appearing in more than fifty productions including "Henry V", "5th of July", "Hamlet", "Uncle Vanya", "Richard II", "Hurlyburly" (for which he was nominated for a Tony Award), "My Life" (winning an Obie Award for Best Actor), "A Midsummer's Night's Dream" and "Good". For radio, Hurt read Paul Theroux's "The Grand Railway Bazaar", for the BBC Radio Four and "The Shipping News" by Annie Proulx. He has recorded "The Polar Express", "The Boy Who Drew Cats", "The Sun Also Rises" and narrated the documentaries, "Searching for America: The Odyssey of John Dos Passos", "Einstein-How I See the World" and the English narration of Elie Wiesel's "To Speak the Unspeakable", a documentary directed and produced by Pierre Marmiesse. In 1988, Hurt was awarded the first Spencer Tracy Award from UCLA.- Actor
- Producer
- Soundtrack
Timothy James Curry was born on April 19, 1946 in Grappenhall, Cheshire, England. His mother, Maura Patricia (Langmead), was a school secretary, and his father, James Curry, was a Methodist Royal Navy chaplain. Curry studied Drama and English at Birmingham University, from which he graduated with Combined Honors. His first professional success was in the London production of "Hair", followed by more work in the Royal Shakespeare Company, the Glasgow Citizens Repertory Company, and the Royal Court Theatre where he created the role of Dr. Frank-N-Furter in "The Rocky Horror Show". He recreated the role in the Los Angeles and Broadway productions and starred in the screen version entitled The Rocky Horror Picture Show (1975). Curry continued his career on the New York and London stages with starring roles in "Travesties", "Amadeus", "The Pirates of Penzance", "The Rivals", "Love for Love", "Dalliance", "The Threepenny Opera", "The Art of Success" and "My Favorite Year". He also starred in the United States tour of "Me and My Girl". He has received two Tony Award nominations for best actor and won the Royal Variety Club Award as "Stage Actor of the Year".
A composer and a singer, Tim Curry toured the United States and Europe with his own band and released four albums on A&M Records. In addition to an active movie and television career, he is a sought-after actor for CD-ROM productions. His distinctive voice can be heard on more than a dozen audio books, and in countless animated television series and videos. He lives in Los Angeles, California.- Actor
- Soundtrack
Tall, slim, remote and boyishly handsome, one of Keir Dullea's most arresting features is his pale blue eyes, which featured in a number of watershed films of the 1960s. His major breakthrough (providing him legendary status) was the starring role as astronaut Dave Bowman in Stanley Kubrick's 2001: A Space Odyssey. After that, he persevered quite well on T.V. and (especially) the stage in a career now surpassing five decades.
Dullea, who was born in Cleveland, Ohio, is the son of two book-store owners, and he was raised in New York's Greenwich Village section. He graduated from George School in Pennsylvania and attended both Rutgers and San Francisco State before deciding to pursue summer stock and regional theatre. Attending the Neighborhood Playhouse, he made his New York City acting debut in a production of "Sticks and Bones" in 1956. His first big break came with the pilot program of the Route 66 (1960) series, and he proceeded to find other TV roles in Naked City (1958), Checkmate (1960) and various dramatic programs.
Following stage work in "Season of Choice" (1959) and "A Short Happy Life" (1961), Dullea made an auspicious film debut in a leading role with The Hoodlum Priest (1961), playing a troubled street gang member who crosses paths with Don Murray's determined minister. The young actor's characters from then on seemed to walk a dangerous tight-rope of emotions, and his apparent versatility at such a young age led him to a number of other psychologically scarred portrayals. Tending to play men younger than he really was, none were more disturbed than his haphephobic adolescent David (Dullea was twenty-six at the time) in the deeply felt love story David and Lisa (1962). Paired beautifully with Janet Margolin's schizophrenic Lisa, Dullea won the Golden Globe Award for "Most Promising Male Newcomer."
In the World War II military drama The Thin Red Line (1964)he played an edgy, nervous-eyed private who is pushed to his murderous brink by a brutal sergeant on Guadacanal. In Bunny Lake Is Missing (1965) Dullea portrayed the incestuous brother of Carol Lynley, who may or may not figure into the disappearance of Lynley's child. Keir also costarred as the mysterious intruder who inserts an emotional wedge between gay lovers Anne Heywood and Sandy Dennis in the ground-breaking film about homosexuals, The Fox (1967).
Topping that off, Dullea played the salacious Marquis De Sade himself in a relatively tame, internationally flavored production of De Sade (1969). The apex of his film career, however, came with his lead role in Stanley Kubrick's epic science-fiction film, 2001: A Space Odyssey (1968), as the astronaut Dr. David Bowman.
In the realm of stage acting, Keir made his debut on Broadway in 1967 with "Dr. Cook's Garden" costarring Burl Ives, and Dullea won some "flower power" stardom two years later as a sensitive young blind man who attempted to wriggle free of his protective, overbearing mother. His character also pursues love with a free-spirited girl, played by Blythe Danner, in the play "Butterflies Are Free." By the time the movie of this story was released in 1972 both stars had been replaced by Goldie Hawn and Edward Albert.
Dullea next went abroad to seek film work in England and in Canada, but with lukewarm results. He continued to show his odd-man-out appeal on the Broadway stage as "Brick" in 1970, and in the Broadway revival of "Cat on a Hot Tin Roof" in 1974, acting along with Elizabeth Ashley as "Maggie," and in the black comedy "P.S. Your Cat Is Dead!" one year later.
In the years since then, Dullea has acted steadily on the stage in New York City, and in U.S. regional theatres, in productions of "Sweet Prince," "The Seagull" and "The Little Foxes,"among others. His cinematic roles since 1970 have included another "mysterious stranger" in The Next One (1984), and he also reprised his "David Bowman" role in 2010 (1984), the sequel to "2001: A Space Odyssey." Dullea has had four wives: his first was actress Margot Bennett, and he and his third wife, Susie Fuller (whom he met during the British performances of "Butterflies are Free" in London), cofounded the Theater Artists Workshop of Westport in 1983. Dullea, Fuller and her two children resided in London for quite a while. After Fuller's death in 1998, Dullea married for the fourth time in 1999 to actress Mia Dillon, who is best known for portraying the character "Babe" in in the play, "Crimes of the Heart" in New York City. Just a few weeks later they appeared together in the play "Deathtrap."
Into the millennium, Keir has been featured on film, including the sci-fi adventure Alien Hunter (2003); the senator in The Good Shepherd (2006), along with Matt Damon and Angelina Jolie, which was directed by Robert De Niro; the romantic comedy The Accidental Husband (2008) starring Uma Thurman; the touching Mark Ruffalo social drama Infinitely Polar Bear (2014); and a prime role in the romantic mystery April Flowers (2017). On TV he was seen in such popular programs as "Law & Order," "Castle" and "Damages." and was seen in the recurring role of a religious cult leader in the fascinating series The Path (2016).- Actor
- Producer
- Writer
With his breakthrough performance as Eames in Christopher Nolan's sci-fi thriller Inception (2010), English actor Tom Hardy has been brought to the attention of mainstream audiences worldwide. However, the versatile actor has been steadily working on both stage and screen since his television debut in the miniseries Band of Brothers (2001). After being cast in the World War II drama, Hardy left his studies at the prestigious Drama Centre in London and was subsequently cast as Twombly in Ridley Scott's Black Hawk Down (2001) and as the villain Shinzon in Star Trek: Nemesis (2002).
Edward Thomas Hardy was born on September 15, 1977 in Hammersmith, London; his mother, Elizabeth Anne (Barrett), is an artist and painter, and his father, Chips Hardy, is a writer. He is of English and Irish descent. Hardy was brought up in East Sheen, London, and first studied at Reed's School. His education continued at Tower House School, then at Richmond Drama School, and subsequently at the Drama Centre London, along with fellow Oscar nominee Michael Fassbender. After winning a modeling competition at age 21, he had a brief contract with the agency Models One.
Tom spent his teens and early twenties battling delinquency, alcoholism and drug addiction; after completing his work on Star Trek: Nemesis (2002), he sought treatment and has also admitted that his battles with addiction ended his five-year marriage to Sarah Ward. Returning to work in 2003, Hardy was awarded the Evening Standard Most Promising Newcomer Award for his theatre performances in the productions of "In Arabia, We'd All Be Kings" and "Blood". In 2003, Tom also co-starred in the play "The Modernists" with Paul Popplewell, Jesse Spencer and Orlando Wells.
During the next five years, Hardy worked consistently in film, television and theatre, playing roles as varied as Robert Dudley in the BBC's The Virgin Queen (2005), Bill Sikes in Oliver Twist (2007) and starring in "The Man of Mode" at the National Theatre. On the silver screen, he appeared in the crime thriller Layer Cake (2004) with Daniel Craig, Sofia Coppola's Marie Antoinette (2006), and the romp Scenes of a Sexual Nature (2006).
In 2006, Hardy created "Shotgun", an underground theatre company along with director Robert Delamere, and directed a play, penned by his father for the company, called "Blue on Blue". In 2007, Hardy received a best actor BAFTA nomination for his touching performance as Stuart Shorter in the BBC adaptation of Alexander Masters' bestselling biography Stuart: A Life Backwards (2007). Hailed for his transformative character acting, Hardy was lauded for his emotionally and physically convincing portrayal in the ill-fated and warmhearted tale of Shorter, a homeless and occasionally violent man suffering from addiction and muscular dystrophy.
The following year, he appeared as gay hoodlum Handsome Bob in the Guy Ritchie film RocknRolla (2008), but this would be his next transformation that would prove his extensive range and stun critics. In the film Bronson (2008), Hardy played the notorious Charles Bronson (given name, Michael Peterson), the "most violent prisoner in Britain". Bald, pumped-up, and outfitted with Bronson's signature strongman mustache, Hardy is unrecognizable and gives a harrowing performance that is physically fearless and psychologically unsettling. Director Nicolas Winding Refn breaks the fourth wall with Hardy retelling his tales directly to viewers as well as performing them outright before an audience of his own imagining. The performance mixes terrifying brutality, vaudevillian showmanship, wry humor, and an alarming amount of commitment, and won Hardy a British Independent Film Award for Best Actor. The performance got Hollywood's attention, and in 2009, Hardy was named one of Variety's "10 Actors to Watch". That year, he continued to garner praise for his starring role in The Take (2009), a four-part adaptation of Martina Cole's bestselling crime novel, as well as for his performance as Heathcliff in a version of Wuthering Heights (2009).
Recent work includes the aforementioned breakthrough appearance in Inception (2010) alongside Leonardo DiCaprio, Joseph Gordon-Levitt, Cillian Murphy, Tom Berenger, Ken Watanabe, Michael Caine, Marion Cotillard and Elliot Page. The movie was released in July 2010 and became one of top 25 highest grossing films of all time, collecting eight Oscar nominations (including Best Picture) and winning four.
Other films include Warrior (2011), opposite Joel Edgerton, the story of two estranged brothers facing the fight of a lifetime from director Gavin O'Connor, and This Means War (2012), directed by McG and co-starring Reese Witherspoon and Chris Pine. Tom also starred in the heralded Cold War thriller, Tinker Tailor Soldier Spy (2011) with Colin Firth and Gary Oldman. Hardy rejoined Christopher Nolan for The Dark Knight Rises (2012); he played the villain role of Bane opposite Christian Bale, Anne Hathaway, Joseph Gordon-Levitt and Gary Oldman. Hardy's menacing physique and his character's scrambled, hard-to-distinguish voice became a major discussion point as the film was released.
Outside of performing, Hardy is the patron for the charity "Flack", which is an organization to aid the recovery of the homeless in Cambridge. And in 2010, Hardy was named an Ambassador for The Prince's Trust, which helps disadvantaged youth. On the recent stage, he starred in the Brett C. Leonard play "The Long Red Road" in early 2010. Written for Hardy and directed by Philip Seymour Hoffman, the play was staged at Chicago's Goodman Theater.
In 2015, Hardy starred as the iconic Mad Max in George Miller's reboot of his franchise, Mad Max: Fury Road (2015). He also collected a British Independent Film Award for his portrayal of both the Kray twins, Ronnie and Reggie, in Legend (2015), and an Oscar nomination for Best Supporting Actor for his role as John Fitzgerald in The Revenant (2015). Hardy also starred on the BBC series Peaky Blinders (2013), alongside Cillian Murphy, and on the television series Taboo (2017), both created by Steven Knight.
He has an outlaw biker story among other projects in development. In 2010, Hardy became engaged to fellow English actress Charlotte Riley, whom he starred with in The Take (2009) and Wuthering Heights (2009), and is raising a young son, Louis Thomas Hardy, with ex-girlfriend Rachael Speed. He was appointed Commander of the Order of the British Empire at the 2018 Queen's Birthday Honours for his services to drama.- Actor
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Film and stage actor and theater director Philip Seymour Hoffman was born in the Rochester, New York, suburb of Fairport to Marilyn (Loucks), a lawyer and judge, and Gordon Stowell Hoffman, a Xerox employee, and was mostly of German, Irish, English and Dutch ancestry. After becoming involved in high school theatrics, he attended New York University's Tisch School of the Arts, graduating with a B.F.A. degree in Drama in 1989.
He made his feature film debut in the indie production Triple Bogey on a Par Five Hole (1991) as Phil Hoffman, and his first role in a major release came the next year in My New Gun (1992). While he had supporting roles in some other major productions like Scent of a Woman (1992) and Twister (1996), his breakthrough role came in Paul Thomas Anderson's Boogie Nights (1997).
He quickly became an icon of indie cinema, establishing a reputation as one of the screen's finest actors, in a variety of supporting and second leads in indie and major features, including Todd Solondz's Happiness (1998), Flawless (1999), The Talented Mr. Ripley (1999), Paul Thomas Anderson's Magnolia (1999), Almost Famous (2000) and State and Main (2000). He also appeared in supporting roles in such mainstream, big-budget features as Red Dragon (2002), Cold Mountain (2003) and Mission: Impossible III (2006).
Hoffman was also quite active on the stage. On Broadway, he has earned two Tony nominations, as Best Actor (Play) in 2000 for a revival of Sam Shepard's "True West" and as Best Actor (Featured Role - Play) in 2003 for a revival of Eugene O'Neill (I)'s "Long Day's Journey into Night". His other acting credits in the New York theater include "The Seagull" (directed by Mike Nichols for The New York Shakespeare Festival), "Defying Gravity", "The Merchant of Venice" (directed by Peter Sellars), "Shopping and F*@%ing" and "The Author's Voice" (Drama Desk nomination).
He was the Co-Artistic Director of the LAByrinth Theater Company in New York, for which he directed "Our Lady of 121st Street" by Stephen Adly Guirgis. He also directed "In Arabia, We'd All Be Kings" and "Jesus Hopped the A Train" by Guirgis for LAByrinth, and "The Glory of Living" by Rebecca Gilman at the Manhattan Class Company.
Hoffman consolidated his reputation as one of the finest actors under the age of 40 with his turn in the title role of Capote (2005), for which he won the Los Angeles Film Critics Award as Best Actor. In 2006, he was awarded the Best Actor Oscar for the same role.
On February 2, 2014, Philip Seymour Hoffman was found dead in an apartment in Greenwich village, New York. Investigators found Hoffman with a syringe in his arm and two open envelopes of heroin next to him. Mr. Hoffman was long known to struggle with addiction. In 2006, he said in an interview with "60 Minutes" that he had given up drugs and alcohol many years earlier, when he was age 22. In 2013, he checked into a rehabilitation program for about 10 days after a reliance on prescription pills resulted in his briefly turning again to heroin.- Actor
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One of the truly great and gifted performers of the century, who often suffered lesser roles, Burgess Meredith was born in 1907 in Cleveland, Ohio. He was educated in Amherst College in Massachusetts, before joining Eva Le Gallienne's Student Repertory stage company in 1929. By 1934 he was a star on Broadway in 'Little 'Ol Boy', a part for which he tied with George M. Cohan as Best Performer of the Year.. He became a favorite of dramatist Maxwell Anderson, premiering on film in the playwright's Winterset (1936). Other Broadway appearances included 'The Barretts of Wimpole Street'. 'The Remarkable Mr Pennypacker', 'Candida', and 'Of Mice and Men. 'Meredith served in the United States Army Air Corps in World War II, reaching the rank of captain. He continued in a variety of dramatic and comedic roles often repeating his stage roles on film until being named an unfriendly witness by the House Un-American Activities Committee in the early 1950s, whereupon studio work disappeared. His career picked up again, especially with television roles, in the 1960s, although younger audiences know him best for either the Rocky (1976) or Grumpy Old Men (1993) films. Meredith also did a large amount of commercial work, serving as the voice for Skippy Peanut Butter and United Air Lines, among others. He was also an ardent environmentalist who believed pollution one of the greatest tragedies of the time, and an opponent of the Vietnam War. Burgess Meredith died at age 89 of Alzheimer's disease and melanoma in his home in Malibu, California on September 9, 1997.- Actor
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Robert Forster was born Robert Wallace Foster, Jr. in Rochester, New York, to Grace Dorothy (Montanarella) and Robert Wallace Foster, Sr., who worked as an elephant trainer and baking supply company executive. He was of English, Irish, and Italian descent. Forster first became interested in acting while attending Rochester's Madison High School, where he performed as a song-and-dance man in musical revues. After graduating in 1959, Forster attended Heidelberg College, Alfred University and the University of Rochester on football scholarships and continued to perform in student theatrical revues.
After earning a BA in Psychology from Rochester in 1963, Forster took an apprenticeship at an East Rochester theater where he performed in such plays as "West Side Story". He moved to New York City in 1965, where his first big break came when he landed the lead in the two-character play "Mrs. Dally Has a Lover", opposite Arlene Francis. However, after the play ran its course work was hard to find in the theater. Forster returned to Rochester, where he worked as a substitute teacher and construction worker until an agent from 20th Century-Fox offered him a five-picture deal. His movie debut was a small part in the drama Reflections in a Golden Eye (1967), which starred Elizabeth Taylor and Marlon Brando. Forster went on to appear in small and minor roles alongside some top Hollywood actors in films like The Stalking Moon (1968) and Medium Cool (1969), and a large part in Justine (1969). Although he continued to act in feature films, he took the part of a hard-boiled detective in the short-lived TV series Banyon (1971).
Forster also appeared in notable parts in The Black Hole (1979), Avalanche (1978) and as the lead in the cult horror flick Alligator (1980), and played the part of a factory worker-turned-vigilante in the thriller Vigilante (1982). Forster also took the lead as a taxi driver in Walking the Edge (1985) by director Norbert Meisel. A series of action flicks followed, the most notable being The Delta Force (1986), starring Chuck Norris. By the late 1980s Forster's acting career had begun to slide, and he was getting less and less work; if there was any, he would be cast in small parts playing villains. Forster then began to work as a motivational speaker and an acting coach in Hollywood film schools.
However, in the mid-1990s, his career was resurrected by writer-director Quentin Tarantino, a big fan of Forster's early work, who offered him an audition for a part in his latest movie. After a seven-hour audition, Tarantino cast Forster as the tough but sympathetic bail bondsman Max Cherry in Jackie Brown (1997), which netted him an Academy Award nomination and a measure of recognition, both nationwide and within his own profession, landing him more high-profile roles in such films as All the Rage (1999), Gus Van Sant's Psycho (1998)--a remake of Alfred Hitchcock's 1960 film--and Supernova (2000). Forster continued to act in many big-budget Hollywood productions for the next two decades.
Forster died on October 11, 2019, in Los Angeles, California, aged 78. His last film, El Camino: A Breaking Bad Movie (2019), was released on the day of his death. He is survived by four children (Bobby, Elizabeth, Kate and Maeghen), four grandchildren (Tess, Liam, Jack and Olivia), and his long-time partner, Denise Grayson. Denise has been Robert's long-time partner and they had been together for 16 years till Robert passed away at home in Los Angeles surrounded by family.- Actor
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Samuel L. Jackson is an American producer and highly prolific actor, having appeared in over 100 films, including Die Hard with a Vengeance (1995), Unbreakable (2000), Shaft (2000), Formula 51 (2001), Black Snake Moan (2006), Snakes on a Plane (2006), and the Star Wars prequel trilogy (1999-2005), as well as the Marvel Cinematic Universe.
Samuel Leroy Jackson was born in Washington, D.C., to Elizabeth (Montgomery) and Roy Henry Jackson. He was raised by his mother, a factory worker, and his grandparents. At Morehouse College, Jackson was active in the black student movement. In the seventies, he joined the Negro Ensemble Company (together with Morgan Freeman). In the eighties, he became well-known after three movies made by Spike Lee: Do the Right Thing (1989), Mo' Better Blues (1990) and Jungle Fever (1991). He achieved prominence and critical acclaim in the early 1990s with films such as Patriot Games (1992), Amos & Andrew (1993), True Romance (1993), Jurassic Park (1993), and his collaborations with director Quentin Tarantino, including Pulp Fiction (1994), Jackie Brown (1997), and later Django Unchained (2012). Going from supporting player to leading man, his performance in Pulp Fiction (1994) gave him an Oscar nomination for his character Jules Winnfield, and he received a Silver Berlin Bear for his part as Ordell Robbi in Jackie Brown (1997). Jackson usually played bad guys and drug addicts before becoming an action hero, co-starring with Bruce Willis in Die Hard with a Vengeance (1995) and Geena Davis in The Long Kiss Goodnight (1996).
With Jackson's permission, his likeness was used for the Ultimate version of the Marvel Comics character, Nick Fury. He later did a cameo as the character in a post-credits scene from Iron Man (2008), and went on to sign a nine-film commitment to reprise this role in future films, including major roles in Iron Man 2 (2010), The Avengers (2012), Captain America: The Winter Soldier (2014) and Avengers: Age of Ultron (2015) and minor roles in Thor (2011) and Captain America: The First Avenger (2011). He has also portrayed the character in the second and final episodes of the first season of the TV show, Marvel's Agents of S.H.I.E.L.D. (2013). He has provided his voice to several animated films, television series and video games, including the roles of Lucius Best / Frozone in Pixar's film The Incredibles (2004), Mace Windu in Star Wars: The Clone Wars (2008), Afro Samurai in the anime television series Afro Samurai (2007), and Frank Tenpenny in the video game Grand Theft Auto: San Andreas (2004).- Actor
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One of the greatest actors of all time, Robert De Niro was born on August 17, 1943 in Manhattan, New York City, to artists Virginia (Admiral) and Robert De Niro Sr. His paternal grandfather was of Italian descent, and his other ancestry is Irish, English, Dutch, German, and French. He was trained at the Stella Adler Conservatory and the American Workshop. De Niro first gained fame for his role in Bang the Drum Slowly (1973), but he gained his reputation as a volatile actor in Mean Streets (1973), which was his first film with director Martin Scorsese. He received an Academy Award for Best Supporting Actor for his role in The Godfather Part II (1974) and received Academy Award nominations for best actor in Taxi Driver (1976), The Deer Hunter (1978) and Cape Fear (1991). He received the Academy Award for Best Actor for his role as Jake LaMotta in Raging Bull (1980).
De Niro has earned four Golden Globe Award nominations for Best Actor - Motion Picture Musical or Comedy, for his work in New York, New York (1977), opposite Liza Minnelli, Midnight Run (1988), Analyze This (1999) and Meet the Parents (2000). Other notable performances include Brazil (1985), The Untouchables (1987), Backdraft (1991), Frankenstein (1994), Heat (1995), Casino (1995) and Jackie Brown (1997). At the same time, he also directed and starred in such films as A Bronx Tale (1993) and The Good Shepherd (2006). De Niro has also received the AFI Lifetime Achievement Award in 2003 and the Golden Globe Cecil B. DeMille Award in 2010.
As of 2022, De Niro is 79-years-old. He has never retired from acting, and continues to work regularly in mostly film.- Actor
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Born to a Czech mother and a Serbian father in Chicago as Mladen Sekulovich, on March 22, 1912, Karl Malden did not speak English until he was in kindergarten. After graduating from high school in the nearby steel town of Gary, Indiana, Malden worked in the industry for three years until 1934, when he was frustrated with the drudgery of manual labor. He left to attend the Arkansas State Teacher's College, then the Goodman Theater Dramatic School and never looked back. Three years later, he went to New York City to find fame.
Malden rapidly became involved with the Group Theater, an organization of actors and directors who were changing the face of theater, where he attracted the attention of director Elia Kazan. With Kazan directing, Karl starred in plays such as "All My Sons" by Arthur Miller and "A Streetcar Named Desire" by Tennessee Williams. While Malden had one screen appearance before his military service in World War II, in They Knew What They Wanted (1940), he did not establish his film career until after the war. Malden won the Oscar for Best Supporting Actor as Mitch in A Streetcar Named Desire (1951) and showed his range as an actor in roles such as that of Father Corrigan in On the Waterfront (1954) and the lecherous Archie Lee in Baby Doll (1956).
He starred in dozens of films such as Fear Strikes Out (1957), Pollyanna (1960), Birdman of Alcatraz (1962), Gypsy (1962), How the West Was Won (1962), The Cincinnati Kid (1965), and Patton (1970) as General Omar Bradley. In the early 1970s, he built a television career on the tough but honest screen persona he had created when he starred as Detective Mike Stone on The Streets of San Francisco (1972), co-starring with Michael Douglas. He also became the pitchman for American Express, a position he held for 21 years. In 1988, he was elected President of the Academy of Motion Picture Arts and Sciences, a position he held for five years. Following that he, published his memoir entitled, "When Do I Start?: A Memoir", written with his daughter Carla.
Malden also courted controversy by pushing for a special salute to Elia Kazan at the 1999 Academy Awards. Malden defended both Kazan and the award, arguing that Kazan's artistic achievements outshone any shame attached to Kazan's naming names before the Congressional committee investigating Communists in Hollywood. Marlon Brando refused to give Kazan the statuette; Robert De Niro ultimately did. Karl Malden died at age 97 of natural causes at his home in Los Angeles on July 1, 2009. He was buried at Westwood Village Memorial Park Cemetery in Westwood, California.- Actor
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The French-born scion to a wealthy Russian-Jewish family, Nicolas, the 5th Baron de Gunzburg was known in Paris for his lavish costume balls and was popular with the artistic and social elite of the 20s and 30s. He yearned to become an actor and financed Dreyer's now-classic Vampyr in exchange for landing the lead role, using the screen name "Julian West."
Not long after the film was released, though, Nicolas' father passed away, and Nicolas himself was left with little money. He threw one last lavish costume party, then took off for America to seek his fortune in the summer of 1934.
Attempts at reviving his screen career didn't pan out, and he never made any more movies. He moved to New York in the 1940s and eventually became editor-in-chief of Town & Country magazine, and became a friend of such luminaries as Noel Coward, Lauren Bacall, Cole Porter, Coco Chanel, and Cecil Beaton.
He later became the senior fashion editor of Vogue, remaining there during the 50s and 60s, then becoming fashion editor of Harper's Bazaar. By the 1970s his personal style became a legend and he was universally regarded as one of the best-dressed men in America. While openly gay, his romantic life was discreet.
He also mentored three up-and-coming fashion designers: Bill Blass, Oscar de la Renta, and Calvin Klein, all of whom became legends. De Gunzberg, though, remained known only to the literary and social set of New York, London, and Paris. He died at the age of 76, mourned by his many friends and proteges. Ironically, although he is remembered today for his one film role, his influence on the fashion world has continued long after his death.- Slim Pickens spent the early part of his career as a real cowboy and the latter part playing cowboys, and he is best remembered for a single "cowboy" image: that of bomber pilot Maj. "King" Kong waving his cowboy hat rodeo-style as he rides a nuclear bomb onto its target in the great black comedy Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb (1964). Born in Kingsburg, near Fresno in California's Central Valley, he spent much of his boyhood in nearby Hanford, where he began rodeoing at the age of 12. Over the next two decades he toured the country on the rodeo circuit, becoming a highly-paid and well-respected rodeo clown, a job that entailed enormous danger. In 1950, at the age of 31, Slim married Margaret Elizabeth Harmon and that same year he was given a role in a western, Rocky Mountain (1950). He quickly found a niche in both comic and villainous roles in that genre. With his hoarse voice and pronounced western twang, he was not always easy to cast outside the genre, but when he was, as in "Dr. Strangelove", the results were often memorable. He died in 1983 after a long and courageous battle against a brain tumor. He was survived by his wife Margaret and children.