Shortest Oscar Acting Performance
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His mother was the French Lady Comynyplatt Henrietta de Gacher, his father was the British Lieutenant William Graham Niven, who died in the war when David was six years old. Niven was considered a difficult child to educate and had to change schools often until he finally went to Sandhurst Military Academy. He came to Malta as a soldier, left the army here and went to Canada, where he worked as a lumberjack, bridge builder, journalist and whiskey salesman. After detours via New York and Cuba, Niven settled in California in 1934, where he had his first roles as an extra. He appeared in smaller films until the Second World War and then had to go to war for the British army.
In between, he also starred in propaganda films. Niven fought on the British front at Dunkirk and was promoted to colonel in 1944. General Eisenhower decorated him with the medals of the American Legion of Merit. From his first marriage to Primula Rollo, whom he married in 1940, Niven had two sons, David and Jamie. After his wife died in an accident in 1946, he married the Swede Hjordis Tersmeden in 1948, and his daughters Kristine and Fiona came from this marriage. In 1952, Niven founded the television production "Four Star TV" with Charles Boyer and other colleagues and starred in the self-produced series "The David Niven Show" and "Rogues Against Crooks". He had already been successful as an actor for a long time.
Niven starred in the 1946 English production of Error in the Afterlife and then returned to Hollywood. He celebrated successes with "The Virgin on the Roof", "Bonjour Tristesse", "The Guns of Navarone", "55 Days in Peking", "The Pink Panther", "Lady L." and with "Casino Royale". In 1959 he reached the peak of his success when he was honored with the Oscar for Best Actor for Separated from Table and Bed. His most beautiful film role was that of "Phileas Fogg" in the Jules Verne film adaptation "Around the World in 80 Days". Niven later demonstrated his enormous skills in many other films. In the 1970s and 1980s he starred in "Vampira", "A Corpse for Dessert", "Death on the Nile", "The Lion Shows its Claws" and in "Grandpa Seldom Comes Alone".
In 1982 and 1983 he had his last two roles in "The Pink Panther is Hunted" and "The Curse of the Pink Panther". Niven retired and lived on the Cote d'Azur and in Switzerland.
David Niven died on July 29, 1983 in Switzerland as a result of the nervous disease ALS. He made part of his inheritance available to medical research.As Major Angus Pollock in Separate Tables (1958). Won Oscar Best Actor in Leading Role with only about 15 minutes on screen (23 minutes and 39 seconds for all counted appearance).- Actor
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Anthony Hopkins was born on December 31, 1937, in Margam, Wales, to Muriel Anne (Yeats) and Richard Arthur Hopkins, a baker. His parents were both of half Welsh and half English descent. Influenced by Richard Burton, he decided to study at College of Music and Drama and graduated in 1957. In 1965, he moved to London and joined the National Theatre, invited by Laurence Olivier, who could see the talent in Hopkins. In 1967, he made his first film for television, A Flea in Her Ear (1967).
From this moment on, he enjoyed a successful career in cinema and television. In 1968, he worked on The Lion in Winter (1968) with Timothy Dalton. Many successes came later, and Hopkins' remarkable acting style reached the four corners of the world. In 1977, he appeared in two major films: A Bridge Too Far (1977) with James Caan, Gene Hackman, Sean Connery, Michael Caine, Elliott Gould and Laurence Olivier, and Maximilian Schell. In 1980, he worked on The Elephant Man (1980). Two good television literature adaptations followed: Othello (1981) and The Hunchback of Notre Dame (1982). In 1987 he was awarded with the Commander of the order of the British Empire. This year was also important in his cinematic life, with 84 Charing Cross Road (1987), acclaimed by specialists. In 1993, he was knighted.
In the 1990s, Hopkins acted in movies like Desperate Hours (1990) and Howards End (1992), The Remains of the Day (1993) (nominee for the Oscar), Legends of the Fall (1994), Nixon (1995) (nominee for the Oscar), Surviving Picasso (1996), Amistad (1997) (nominee for the Oscar), The Mask of Zorro (1998), Meet Joe Black (1998) and Instinct (1999). His most remarkable film, however, was The Silence of the Lambs (1991), for which he won the Oscar for Best Actor. He also got a B.A.F.T.A. for this role.As Dr. Hannibal Lecter in The Silence of the Lambs (1991). Won Oscar Best Actor in Leading Role with only about 16 minutes on screen (24 minutes and 52 seconds all counted appearance).- Actor
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Anthony Quinn was born Antonio Rodolfo Quinn Oaxaca (some sources indicate Manuel Antonio Rodolfo Quinn Oaxaca) on April 21, 1915, in Chihuahua, Mexico, to Manuela (Oaxaca) and Francisco Quinn, who became an assistant cameraman at a Los Angeles (CA) film studio. His paternal grandfather was Irish, and the rest of his family was Mexican.
After starting life in extremely modest circumstances in Mexico, his family moved to Los Angeles, where he grew up in the Boyle Heights and Echo Park neighborhoods. He played in the band of evangelist Aimee Semple McPherson as a youth and as a deputy preacher. He attended Polytechnic High School and later Belmont High, but eventually dropped out. The young Quinn boxed (which stood him in good stead as a stage actor, when he played Stanley Kowalski in "A Streetcar Named Desire" to rave reviews in Chicago), then later studied architecture under Frank Lloyd Wright at the great architect's studio, Taliesin, in Arizona. Quinn was close to Wright, who encouraged him when he decided to give acting a try. Made his credited film debut in Parole! (1936). After a brief apprenticeship on stage, Quinn hit Hollywood in 1936 and picked up a variety of small roles in several films at Paramount, including an Indian warrior in The Plainsman (1936), which was directed by the man who later became his father-in-law, Cecil B. DeMille.
As a contract player at Paramount, Quinn's roles were mainly ethnic types, such as an Arab chieftain in the Bing Crosby-Bob Hope comedy, Road to Morocco (1942). As a Mexican national (he did not become an American citizen until 1947), he was exempt from the draft. With many other actors in military service during WWII, he was able to move up into better supporting roles. He married DeMille's daughter Katherine DeMille, which afforded him entrance to the top circles of Hollywood society. He became disenchanted with his career and did not renew his Paramount contract despite the advice of others, including his father-in-law, with whom he did not get along (whom Quinn reportedly felt had never accepted him due to his Mexican roots; the two men were also on opposite ends of the political spectrum) but they eventually were able to develop a civil relationship. Quinn returned to the stage to hone his craft. His portrayal of Stanley Kowalski in "A Streetcar Named Desire" in Chicago and on Broadway (where he replaced the legendary Marlon Brando, who is forever associated with the role) made his reputation and boosted his film career when he returned to the movies.
Brando and Elia Kazan, who directed "Streetcar" on Broadway and on film (A Streetcar Named Desire (1951)), were crucial to Quinn's future success. Kazan, knowing the two were potential rivals due to their acclaimed portrayals of Kowalski, cast Quinn as Brando's brother in his biographical film of Mexican revolutionary Emiliano Zapata, Viva Zapata! (1952). Quinn won the Best Supporting Actor Academy Award for 1952, making him the first Mexican-American to win an Oscar. It was not to be his lone appearance in the winner's circle: he won his second Supporting Actor Oscar in 1957 for his portrayal of Paul Gauguin in Vincente Minnelli's biographical film of Vincent van Gogh, Lust for Life (1956), opposite Kirk Douglas. Over the next decade Quinn lived in Italy and became a major figure in world cinema, as many studios shot films in Italy to take advantage of the lower costs ("runaway production" had battered the industry since its beginnings in the New York/New Jersey area in the 1910s). He appeared in several Italian films, giving one of his greatest performances as the circus strongman who brutalizes the sweet soul played by Giulietta Masina in her husband Federico Fellini's masterpiece The Road (1954). He met his second wife, Jolanda Addolori, a wardrobe assistant, while he was in Rome filming Barabbas (1961).
Alternating between Europe and Hollywood, Quinn built his reputation and entered the front rank of character actors and character leads. He received his third Oscar nomination (and first for Best Actor) for George Cukor's Wild Is the Wind (1957). He played a Greek resistance fighter against the Nazi occupation in the monster hit The Guns of Navarone (1961) and received kudos for his portrayal of a once-great boxer on his way down in Rod Serling's Requiem for a Heavyweight (1962). He went back to playing ethnic roles, such as an Arab warlord in David Lean's masterpiece Lawrence of Arabia (1962), and he played the eponymous lead in the "sword-and-sandal" blockbuster Barabbas (1961). Two years later, he reached the zenith of his career, playing Zorba the Greek in the film of the same name (a.k.a. Zorba the Greek (1964)), which brought him his fourth, and last, Oscar nomination as Best Actor. The 1960s were kind to him: he played character leads in such major films as The Shoes of the Fisherman (1968) and The Secret of Santa Vittoria (1969). However, his appearance in the title role in the film adaptation of John Fowles' novel, The Magus (1968), did nothing to save the film, which was one of that decade's notorious turkeys.
In the 1960s, Quinn told Life magazine that he would fight against typecasting. Unfortunately, the following decade saw him slip back into playing ethnic types again, in such critical bombs as The Greek Tycoon (1978). He starred as the Hispanic mayor of a southwestern city on the short-lived television series The Man and the City (1971), but his career lost its momentum during the 1970s. Aside from playing a thinly disguised Aristotle Onassis in the cinematic roman-a-clef The Greek Tycoon (1978), his other major roles of the decade were as Hamza in the controversial The Message (1976) (a.k.a. "Mohammad, Messenger of God"); as the Italian patriarch in The Inheritance (1976); yet another Arab in Caravans (1978); and as a Mexican patriarch in The Children of Sanchez (1978). In 1983, he reprised his most famous role, Zorba the Greek, on Broadway in the revival of the musical "Zorba" for 362 performances (opposite Lila Kedrova, who had also appeared in the film, and won an Oscar for Best Supporting Actress for her performance). His career slowed during the 1990s but he continued to work steadily in films and television, including an appearance with frequent film co-star Maureen O'Hara in Only the Lonely (1991).
Quinn lived out the latter years of his life in Bristol, Rhode Island, where he spent most of his time painting and sculpting. Beginning in 1982, he held numerous major exhibitions in cities such as Vienna, Paris, and Seoul. He died in a hospital in Boston at age 86 from pneumonia and respiratory failure linked to his battle with throat cancer.As Paul Gauguin in Lust for Life (1956). Won Oscar Best Actor in Supporting Role with only about 8 minutes on screen (Even though many sources claim that Anthony Quinn won his Best Supporting Actor Oscar for appearing a short 8 minutes in the movie, his performance actually lasts 22 minutes and 40 seconds.)- Actress
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Elegant Nicole Kidman, known as one of Hollywood's top Australian imports, was actually born in Honolulu, Hawaii, while her Australian parents were there on educational visas.
Kidman is the daughter of Janelle Ann (Glenny), a nursing instructor, and Antony David Kidman, a biochemist and clinical psychologist. She is of English, Irish, and Scottish descent. Shortly after her birth, the family moved to Washington, D.C., where Nicole's father pursued his research on breast cancer, and then, three years later, made the pilgrimage back to her parents' native Sydney in Australia, where Nicole was raised. Young Nicole's first love was ballet, but she eventually took up mime and drama as well (her first stage role was a bleating sheep in an elementary school Christmas pageant). In her adolescent years, acting edged out the other arts and became a kind of refuge -- as her classmates sought out fun in the sun, the fair-skinned Kidman retreated to dark rehearsal halls to practice her craft. She worked regularly at the Philip Street Theater, where she once received a personal letter of praise and encouragement from audience member Jane Campion (then a film student). Kidman eventually dropped out of high school to pursue acting full-time. She broke into movies at age 16, landing a role in the Australian holiday favorite Bush Christmas (1983). That appearance touched off a flurry of film and television offers, including a lead in BMX Bandits (1983) and a turn as a schoolgirl-turned-protester in the miniseries Vietnam (1987) (for which she won her first Australian Film Institute Award). With the help of an American agent, she eventually made her US debut opposite Sam Neill in the at-sea thriller Dead Calm (1989).
Kidman's next casting coup scored her more than exposure. While starring as Tom Cruise's doctor/love interest in the racetrack romance Days of Thunder (1990), she won over the Hollywood hunk hook, line and sinker. After a whirlwind courtship (and decent box office returns), the couple wed on December 24, 1990. Determined not to let her new marital status overshadow her fledgling career, the actress pressed on. She appeared as a catty high school senior in the Australian film Flirting (1991), then as Dustin Hoffman's moll in the gangster flick Billy Bathgate (1991). She reunited with Cruise for Far and Away (1992), the story of young Irish lovers who flee to America in the late 1800s, and starred opposite Michael Keaton in the tear-tugger My Life (1993). Despite her steady employment, critics and moviegoers still had not quite warmed to Kidman as a leading lady. She tried to spice up her image by seducing Val Kilmer in Batman Forever (1995), but achieved her real breakthrough with Gus Van Sant's To Die For (1995). As a fame-crazed housewife determined to eliminate any obstacle in her path, Kidman proved that she had an impressive range and deadly comic timing. She took home a Golden Globe and several critics' awards for the performance. In 1996, Kidman stepped into a corset to work with her countrywoman and onetime admirer, Jane Campion, on the adaptation of Henry James's The Portrait of a Lady (1996). A few months later, she tore across the screen as a nuclear weapons expert in The Peacemaker (1997), adding "action star" to her professional repertoire.
She and Cruise then disappeared into a notoriously long, secretive shoot for Stanley Kubrick's sexual thriller Eyes Wide Shut (1999). The couple's on-screen shenanigans prompted an increase in public speculation about their sex life (rumors had long been circulating that their marriage was a cover-up for Cruise's rumored homosexuality); tired of denying tabloid attacks, they successfully sued The Star for a story alleging that they needed a sex therapist to coach them through love scenes. Family life has always been a priority for Kidman. Born to social activists (mother was a feminist; father, a labor advocate), Nicole and her little sister, Antonia Kidman, discussed current events around the dinner table and participated in their parents' campaigns by passing out pamphlets on street corners. When her mother was diagnosed with breast cancer, 17-year-old Nicole stopped working and took a massage course so that she could provide physical therapy (her mother eventually beat the cancer). She and Cruise adopted two children: Isabella Jane (born 1993) and Connor Antony (born 1995). Despite their rock-solid image, the couple announced in early 2001 that they were separating due to career conflicts. Her marriage to Cruise ended mid-summer of 2001.As Virginia Woolf in The Hours (2002). Won Oscar Best Actress in Leading Role with only about 28 minutes on screen.- In her long career, Beatrice Straight did quite a bit of work in the movies, despite plying her trade mostly onstage. When she did grace the silver screen, she did it with great skill. Her first love was theater, having debuted on Broadway in the 1935 "Bitter Oleander". Her work garnered her much acclaim, including laurels in her Tony-winning performance for which she won the award for best supporting actress as Elizabeth Proctor in the 1953 production of Arthur Miller's "The Crucible". In addition to theater and movies, she gave us notable work on television. In 1978, she won an Emmy nomination for her part as the matriarch Alice Dain Leggett in the miniseries The Dain Curse (1978). No less stately, she played the part of Lynda Carter's Queen Mother in the 1970s Wonder Woman (1975) series. Her life was touched by that same kind of elegance and stateliness that she often portrayed onstage and on-screen. She was born Beatrice Whitney Straight in Old Westbury on Long Island. Her father, banker and diplomat Willard Dickerman Straight, associated with the likes of J.P. Morgan. Her mother, Dorothy Payne Whitney Straight, was an heiress of the Whitneys, a dynastic (in the sense of TV's own "Dynasty"), moneyed family on the eastern seaboard. Beatrice went to the best schools and caught the acting bug while a student in Devonshire, England, rendering a critically acclaimed performance in a school production of Ibsen's "A Doll's House." Her studies subsequently turned to acting, and she studied under the tutelage of Michael Chekhov, nephew of Russian playwright Anton Chekhov and a member of the Moscow Art Theatre. Their relationship was somewhat symbiotic in that she persuaded him to start an acting school, later teaching there herself. It was through her work in the theater that she met her husband Peter Cookson, appearing opposite him as leading lady in "The Heiress" in 1948. She is perhaps best known for her achievement in the 1976 movie Network (1976); after only three days of work in that movie in just a few scenes that actually made it into the final cut, Beatrice Straight contributed such a stellar performance that she earned the Academy Award for the best performance by a supporting actress.As Louise Schumacher in Network (1976). Won Oscar Best Actress in Supporting Role with only about 5 minutes on screen.
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Dame Judi Dench was born Judith Olivia Dench in York, England, to Eleanora Olive (Jones), who was from Dublin, Ireland, and Reginald Arthur Dench, a doctor from Dorset, England. She attended Mount School in York, and studied at the Central School of Speech and Drama. She has performed with the Royal Shakespeare Company, the National Theatre, and at Old Vic Theatre. She is a ten-time BAFTA winner including Best Actress in a Comedy Series for A Fine Romance (1981) in which she appeared with her husband, Michael Williams, and Best Supporting Actress in A Handful of Dust (1988) and A Room with a View (1985). She received an ACE award for her performance in the television series Mr. and Mrs. Edgehill (1985). She was appointed an Officer of the Order of the British Empire (OBE) in 1970, a Dame Commander of the Order of the British Empire (DBE) in 1988 and a Member of the Order of the Companions of Honour (CH) in 2005.As Elizabeth I in Shakespeare in Love (1998). Won Oscar Best Actress in Supporting Role with only about 8 minutes on screen.- Actress
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Anne Jacqueline Hathaway was born in Brooklyn, New York, to Kate McCauley Hathaway, an actress, and Gerald T. Hathaway, a lawyer, both originally from Philadelphia. She is of mostly Irish descent, along with English, German, and French. Her first major role came in the short-lived television series Get Real (1999). She gained widespread recognition for her roles in The Princess Diaries (2001) and its 2004 sequel as a young girl who discovers she is a member of royalty, opposite Julie Andrews and Heather Matarazzo.
She also had a notable role in Nicholas Nickleby (2002) opposite Charlie Hunnam and Jamie Bell, and a starring role in Ella Enchanted (2004). A former top-ranking soprano in New York, Hathaway was reportedly a front-runner for the role of "Christine" in the 2004 The Phantom of the Opera (2004). However, due to scheduling conflicts with The Princess Diaries 2: Royal Engagement (2004), she couldn't take the role, which was later given to newcomer Emmy Rossum.
Hathaway soon started to move away from family-friendly films. Following The Princess Diaries 2: Royal Engagement (2004), she appeared topless in the films Havoc (2005) opposite Josh Peck and Brokeback Mountain (2005) opposite Heath Ledger and Jake Gyllenhaal. Her desire to break out of her "Princess Diaries" image parallels that of her one-time co-star, Julie Andrews, who went topless in the film S.O.B. (1981) in order to break away from the image she created from her 1960s musicals. In interviews, Hathaway said that doing family-friendly films didn't mean she was similar to their characters or mean she objected to appearing nude in other films.As Fantine Thénardier in Les Misérables (2012). Won Oscar Best Actress in Supporting Role with only about 15 minutes on screen.