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Joseph Cheshire Cotten, Jr. was born in Petersburg, Virginia, into a well-to-do Southern family. He was the eldest of three sons born to Sally Whitworth (Willson) and Joseph Cheshire Cotten, Sr., an assistant postmaster.
Jo (as he was known) and his brothers Whit and Sam spent their summers at their aunt and uncle's home at Virginia Beach. And there and at an early age he discovered a passion for story-telling, reciting, and performing acts for his family. Cotten studied acting at the Hickman School of Expression in Washington, D.C. and worked as an advertising agent afterward. But by 1924 tried to enter acting in New York. His money opportunities were limited to shipping clerk, and after a year of attempting stage work, he left with friends, heading for Miami. There he found a variety of jobs: lifeguard, salesman, a stint as entrepreneur -- making and selling 'Tip Top Potato Salad' - but more significantly, drama critic for the Miami Herald. That evidently led to appearance in plays at the Miami Civic Theater. Through a connection at the Miami Herald he managed to land an assistant stage manager job in New York. In 1929 he was engaged for a season at the Copley Theatre in Boston, and there he was able to expand his acting experience, appearing in 30 plays in a wide variety of parts. By 1930 he made his Broadway debut. In 1931 Cotten married Lenore LaMont (usually known as Kipp), a pianist, divorced with a four-year-old daughter.
To augment his income as an actor in the mid-30s, Cotten took on radio shows in addition to his theatre work. At one audition he met an ambitious, budding actor/writer/director/producer with a mission to make his name-Orson Welles. Cotten was 10 years his senior, but the two found a kindred spirit in one another. For Cotten, Welles association would completely redirect his serious acting life. Their early co-acting attempts boded ill for employment in formal acting vehicles. At a rehearsal for CBS radio the two destroyed a scene taking place on a rubber tree plantation. One or the other was supposed to say the line: "Barrels and barrels of pith...." They could not overcome uncontrolled laughter at each attempt. The director berated them as acting like 'school-children' and 'unprofessional', and thereafter both were considered unreliable. Welles's ambition put that quickly behind them when he formed The Mercury Theatre Players. Coming on board were later Hollywood stalwarts: Everett Sloane, Agnes Moorehead, Ruth Warrick, and Ray Collins. In 1937, Cotten starred in Welles's Mercury productions of "Julius Caesar" and "Shoemaker's Holiday". And he made his film debut in the Welles-directed short Too Much Johnson (1938), a comedy based on William Gillette's 1890 play. The short was occasionally screened before or after Mercury productions, but never received an official release. Cotten returned to Broadway in 1939, starring as C.K. Dexter Haven in the original production of Philip Barry's "The Philadelphia Story". The uproar over Welles's "War of the Worlds" radio broadcast, was rewarded with an impressive contract from RKO Pictures. The two-picture deal promised full creative control for the young director, and Welles brought his Mercury players on-board in feature roles in what he chose to bring to the screen. But after a year, nothing had germinated until Welles met with writer Herman J. Mankiewicz, resulting in the Citizen Kane (1941) idea - early 1940. The story of a slightly veiled William Randolph Hearst with Welles as Kane and Cotten, in his Hollywood debut, as his college friend turned confidant and theater critic, Jed Leland, would become film history, but at the time it caused little more than a ripple. Hearst owned the majority of the country's press outlets and so forbade advertisements for the film. The film was nominated for nine Academy Awards in 1942 but was largely ignored by the Academy, only winning for Best Screenplay for Welles and Mankiewicz.
The following year Cotten and Welles collaborated again in The Magnificent Ambersons (1942), acclaimed but again ignored at Oscar time, and the next year's Nazi thriller Journey Into Fear (1943). Cotten, along with some Welles ideas, wrote the screenplay. Welles with his notorious overrunning of budgeting was duly dropped by RKO thereafter. Later in 1943 Cotten's exposure and acquaintance with young producer David O. Selznick resulted in a movie contract and the launching of his mainstream and very successful movie career as a romantic leading man. Thereafter he appeared with some of the most leading of Hollywood leading ladies - a favorite being Jennifer Jones, Selznick's wife with the two of them being his most intimate friends. Cotten got the opportunity to play a good range of roles through the 1940s - the darkest being the blue beard-like killer in Alfred Hitchcock thriller Shadow of a Doubt (1943) with Teresa Wright. Perhaps the most fun was The Farmer's Daughter (1947) with a vivacious Loretta Young. Cotten starred with Jennifer Jones in four films: the wartime domestic drama Since You Went Away (1944), the romantic drama Love Letters (1945), the western Duel in the Sun (1946), and later in the critically acclaimed Portrait of Jennie (1948), from the haunting Robert Nathan book. Cotten is thoroughly convincing as a second-rate, unmotivated artist who finds inspiration from a chance acquaintance budding into love with an incarnation of a girl who died years before. Welles and Cotten did not work again until The Third Man (1949), directed by Carol Reed. For Cotten, the role as the hapless boyhood friend and second-rate novel writer Holly Martins would be a defining moment in a part both comedic and bittersweet, its range making it one of his best performances. Unfortunately, he was again overlooked for an Oscar.
Cotten was kept in relative demand into his mature acting years. Into the 1950s, he reunited with "Shadow Of A Doubt" co star Thereas Wright, to do the memorable bank caper "The Steel Trap"(1952).He co stared with Jean Peters in "Blueprint For A Murder"(1953). For the most part, the movie roles were becoming more B than A. He had a brief role as a member of the Roman Senate, reuniting with lifelong friend Welles in his Othello (1951). There were a few film-noir outings along with the usual fare of the older actor with fewer roles. However, he was much more successful in returning to theater roles in the new television playhouse format. He also did some episodic TV and some series ventures, as with On Trial, which was later called The Joseph Cotten Show. He had a memorable role in an Alfred Hitchcock Presents, "Breakdown", where he was a man in a lone and isolated car accident, trapped and unable to speak. He voices over and shows his great acting skill simply through facial expressions. His one last stint with Welles was uncredited and sort of Jed Leland-revisited as the hokey coroner early in Welles's over-the-top Touch of Evil (1958). Of his association with Welles, Cotten said: "Exasperating, yes. Sometimes eruptive, unreasonable, ferocious, yes. Eloquent, penetrating, exciting, and always - never failingly even at the sacrifice of accuracy and at times his own vanity - witty. Never, never, never dull."
With the passing of his first wife in 1960 Cotten met and married British actress Patricia Medina. The 1960s found him equally busy in TV and film. He made the circuit of the most popular detective and cowboy series of the period. By 1964 he returned to film with the money making old-Hollywood-dame- horror-movie genre hit Hush...Hush, Sweet Charlotte (1964) with other vintage Hollywood legends Bette Davis, Olivia de Havilland, and Agnes Moorehead. His other films of that decade were of the quick entertainment variety along with some foreign productions, and TV movies. There were also more TV series and guests appearances, especially The Ed Sullivan Show, a popular stop during its long run. In the 1970s Cotten was still in demand-for even more of the curiosity-appeal of the populace for an older star. Along with the new assortment of TV series, he anchored himself at Universal with small parts in forgettable movies, the sluggish Universal epic dud Tora! Tora! Tora! for instance, and the steady diet of TV series being cranked out there. Though older actors have laughed in public about their descent into cheap horror movies, one can only wonder at the impetus to do them -- by such greats, as Claude Rains -- besides a can't-pass-up alluring salary.
Cotten did the campy The Abominable Dr. Phibes (1971) with Vincent Price and about that time two second rate Italian horror outings where he was Baron Blood and Baron Frankenstein. Then again there was better exposure in the Universal minor sci-fi classic Soylent Green (1973). And in yet another Universal sequel, where the profit-logic was to gather a cast of veterans from the Hollywood spectrum in any situation spelling disaster and watch the ticket sales skyrocket, Cotten joined the all-star cast of Airport '77 (1977). He rounded out the decade with the ever faddish Fantasy Island and more Universal TV rounds. This contributor met and worked with Joseph Cotten during this latter evolution of one of Hollywood's greats. He wore his own double-breasted blue blazer and tan slacks in several roles - no need for wardrobe. His pride and joy was a blue 1939 Jaguar SS, something of a fixture on the Universal lot.
Cotten was not ready to turn his back on Hollywood until the beginning of the 1980s when he managed to appear in the epic flop Heaven's Gate (1980). After a Love Boat episode (1981), Cotten joined his wife and his love of gardening and entertaining friends in retirement. He also had the time to write an engaging autobiography Vanity Will Get You Somewhere (1987). Cotten's somewhat matter-of-fact and seemingly gruff acting voice served him well. Certainly his command of varied roles deserved more than the snub of never being nominated for an Academy Award. He was not the only actor to suffer being underrated, but that is largely forgotten in those memorable roles that speak for him. And for what it is worth, the Europeans had the very good sense to award him the Venice Film Festival Award for Best Actor for Portrait of Jennie, one of his favorite roles.- Actor
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With his breakthrough performance as Eames in Christopher Nolan's sci-fi thriller Inception (2010), English actor Tom Hardy has been brought to the attention of mainstream audiences worldwide. However, the versatile actor has been steadily working on both stage and screen since his television debut in the miniseries Band of Brothers (2001). After being cast in the World War II drama, Hardy left his studies at the prestigious Drama Centre in London and was subsequently cast as Twombly in Ridley Scott's Black Hawk Down (2001) and as the villain Shinzon in Star Trek: Nemesis (2002).
Edward Thomas Hardy was born on September 15, 1977 in Hammersmith, London; his mother, Elizabeth Anne (Barrett), is an artist and painter, and his father, Chips Hardy, is a writer. He is of English and Irish descent. Hardy was brought up in East Sheen, London, and first studied at Reed's School. His education continued at Tower House School, then at Richmond Drama School, and subsequently at the Drama Centre London, along with fellow Oscar nominee Michael Fassbender. After winning a modeling competition at age 21, he had a brief contract with the agency Models One.
Tom spent his teens and early twenties battling delinquency, alcoholism and drug addiction; after completing his work on Star Trek: Nemesis (2002), he sought treatment and has also admitted that his battles with addiction ended his five-year marriage to Sarah Ward. Returning to work in 2003, Hardy was awarded the Evening Standard Most Promising Newcomer Award for his theatre performances in the productions of "In Arabia, We'd All Be Kings" and "Blood". In 2003, Tom also co-starred in the play "The Modernists" with Paul Popplewell, Jesse Spencer and Orlando Wells.
During the next five years, Hardy worked consistently in film, television and theatre, playing roles as varied as Robert Dudley in the BBC's The Virgin Queen (2005), Bill Sikes in Oliver Twist (2007) and starring in "The Man of Mode" at the National Theatre. On the silver screen, he appeared in the crime thriller Layer Cake (2004) with Daniel Craig, Sofia Coppola's Marie Antoinette (2006), and the romp Scenes of a Sexual Nature (2006).
In 2006, Hardy created "Shotgun", an underground theatre company along with director Robert Delamere, and directed a play, penned by his father for the company, called "Blue on Blue". In 2007, Hardy received a best actor BAFTA nomination for his touching performance as Stuart Shorter in the BBC adaptation of Alexander Masters' bestselling biography Stuart: A Life Backwards (2007). Hailed for his transformative character acting, Hardy was lauded for his emotionally and physically convincing portrayal in the ill-fated and warmhearted tale of Shorter, a homeless and occasionally violent man suffering from addiction and muscular dystrophy.
The following year, he appeared as gay hoodlum Handsome Bob in the Guy Ritchie film RocknRolla (2008), but this would be his next transformation that would prove his extensive range and stun critics. In the film Bronson (2008), Hardy played the notorious Charles Bronson (given name, Michael Peterson), the "most violent prisoner in Britain". Bald, pumped-up, and outfitted with Bronson's signature strongman mustache, Hardy is unrecognizable and gives a harrowing performance that is physically fearless and psychologically unsettling. Director Nicolas Winding Refn breaks the fourth wall with Hardy retelling his tales directly to viewers as well as performing them outright before an audience of his own imagining. The performance mixes terrifying brutality, vaudevillian showmanship, wry humor, and an alarming amount of commitment, and won Hardy a British Independent Film Award for Best Actor. The performance got Hollywood's attention, and in 2009, Hardy was named one of Variety's "10 Actors to Watch". That year, he continued to garner praise for his starring role in The Take (2009), a four-part adaptation of Martina Cole's bestselling crime novel, as well as for his performance as Heathcliff in a version of Wuthering Heights (2009).
Recent work includes the aforementioned breakthrough appearance in Inception (2010) alongside Leonardo DiCaprio, Joseph Gordon-Levitt, Cillian Murphy, Tom Berenger, Ken Watanabe, Michael Caine, Marion Cotillard and Elliot Page. The movie was released in July 2010 and became one of top 25 highest grossing films of all time, collecting eight Oscar nominations (including Best Picture) and winning four.
Other films include Warrior (2011), opposite Joel Edgerton, the story of two estranged brothers facing the fight of a lifetime from director Gavin O'Connor, and This Means War (2012), directed by McG and co-starring Reese Witherspoon and Chris Pine. Tom also starred in the heralded Cold War thriller, Tinker Tailor Soldier Spy (2011) with Colin Firth and Gary Oldman. Hardy rejoined Christopher Nolan for The Dark Knight Rises (2012); he played the villain role of Bane opposite Christian Bale, Anne Hathaway, Joseph Gordon-Levitt and Gary Oldman. Hardy's menacing physique and his character's scrambled, hard-to-distinguish voice became a major discussion point as the film was released.
Outside of performing, Hardy is the patron for the charity "Flack", which is an organization to aid the recovery of the homeless in Cambridge. And in 2010, Hardy was named an Ambassador for The Prince's Trust, which helps disadvantaged youth. On the recent stage, he starred in the Brett C. Leonard play "The Long Red Road" in early 2010. Written for Hardy and directed by Philip Seymour Hoffman, the play was staged at Chicago's Goodman Theater.
In 2015, Hardy starred as the iconic Mad Max in George Miller's reboot of his franchise, Mad Max: Fury Road (2015). He also collected a British Independent Film Award for his portrayal of both the Kray twins, Ronnie and Reggie, in Legend (2015), and an Oscar nomination for Best Supporting Actor for his role as John Fitzgerald in The Revenant (2015). Hardy also starred on the BBC series Peaky Blinders (2013), alongside Cillian Murphy, and on the television series Taboo (2017), both created by Steven Knight.
He has an outlaw biker story among other projects in development. In 2010, Hardy became engaged to fellow English actress Charlotte Riley, whom he starred with in The Take (2009) and Wuthering Heights (2009), and is raising a young son, Louis Thomas Hardy, with ex-girlfriend Rachael Speed. He was appointed Commander of the Order of the British Empire at the 2018 Queen's Birthday Honours for his services to drama.- Actor
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Mads Mikkelsen's great successes parallel those achieved by the Danish film industry since the mid-1990s. He was born in Østerbro, Copenhagen, to Bente Christiansen, a nurse, and Henning Mikkelsen, a banker.
Starting out as a low-life pusher/junkie in the 1996 success Pusher (1996), he slowly grew to become one of Denmark's biggest movie actors. The success in his home country includes Flickering Lights (2000), En kort en lang (2001) and the Emmy-winning police series Unit One (2000).
His success has taken him abroad where he has played alongside Gérard Depardieu in I Am Dina (2002) as well as in the Spanish comedy Torremolinos 73 (2003) and the American blockbuster King Arthur (2004).
He played the role of Dr. Hannibal Lecter in the critically acclaimed NBC series Hannibal (2013), from 2013 to 2015, with great success.- Actor
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Geoffrey Roy Rush was born on July 6, 1951, in Toowoomba, Queensland, Australia, to Merle (Bischof), a department store sales assistant, and Roy Baden Rush, an accountant for the Royal Australian Air Force. His mother was of German descent and his father had English, Irish, and Scottish ancestry. He was raised in Brisbane, Queensland, after his parents split up.
Rush attended Everton Park State High School during his formative years. His early interest in the theatre led to his 1971 stage debut at age 20 in "Wrong Side of the Moon" with the Queensland Theatre Company.
Known for his classical repertory work over the years, he scored an unexpected hit with his Queensland role as Snoopy in the musical "You're a Good Man, Charlie Brown". A few years later he moved to France to study but subsequently returned to his homeland within a short time and continued work as both actor and director with the Queensland company ("June and the Paycock," "Aladdin," "Godspell," "Present Laughter," "The Rivals"). In the 1980s Rush became a vital member of the State Theatre Company of South Australia and showed an equally strong range there in such productions as "Revenger's Tragedy," "A Midsummer Night's Dream," "Mother Courage...and Her Children," "Blood Wedding," "Pal Joey," "Twelfth Night" and as The Fool in "King Lear".
Rush made an inauspicious debut in films with the feature Hoodwink (1981), having little more than a bit part, and didn't carry off his first major role until playing Sir Andrew Aguecheek in a movie production of Twelfth Night (1986). Yet, he remained a durable presence on stage with acclaimed productions in "The Diary of a Madman" in 1989 and "The Government Inspector" in 1991.
Rush suffered a temporary nervous breakdown in 1992 due to overwork and anguish over his lack of career advancement. Resting for a time, he eventually returned to the stage. Within a few years film-goers finally began taking notice of Geoffrey after his performance in Children of the Revolution (1996). This led to THE role of a lifetime as the highly dysfunctional piano prodigy David Helfgott in Shine (1996). Rush's astonishing tour-de-force performance won him every conceivable award imaginable, including the Oscar, Golden Globe, British Film Award and Australian Film Institute Award.
"Shine" not only put Rush on the international film map, but atypically on the Hollywood "A" list as well. His rather homely mug was made fascinating by a completely charming, confident and captivating demeanor; better yet, it allowed him to more easily dissolve into a number of transfixing historical portrayals, notably his Walsingham in Elizabeth (1998) and Leon Trotsky in Frida (2002). He's also allowed himself to have a bit of hammy fun in such box office escapism as Mystery Men (1999), House on Haunted Hill (1999), The Banger Sisters (2002), Finding Nemo (2003) and Pirates of the Caribbean: The Curse of the Black Pearl (2003). More than validating his early film success, two more Oscar nominations came his way in the same year for Quills (2000) (best actor) and Shakespeare in Love (1998) (support actor) in 2000. Geoffrey's amazing versatility continued into the millennium with his portrayal of the manic, volatile comedy genius Peter Sellers in the biopic The Life and Death of Peter Sellers (2004). He also merited attention as Lionel Logue in The King's Speech (2010), Basil Hunter in The Eye of the Storm (2011), Hans Hubermann in The Book Thief (2013), artist/sculptor Alberto Giocometti in Final Portrait (2017) and Michael Kingley Storm Boy (2019).
Rush's intermittent returns to the stage have included productions of "Marat-Sade," "Uncle Vanya," "Oleanna," "Hamlet" and "The Small Poppies". In 2009 he made his Broadway debut in "Exit the King" co-starring Susan Sarandon. His marriage (since 1988) to Aussie classical actress Jane Menelaus produced daughter Angelica (1992) and son James (1995). Menelaus, who has also performed with the State Theatre of South Australia, has co-starred on stage with Rush in "The Winter's Tale" (1987), "Troilus and Cressida" (1989) and "The Importance of Being Earnest" (as Gwendolyn to his Jack Worthing). She also had featured roles in a few of his films, including Quills (2000) and The Eye of the Storm (2011).- Actor
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Michael Fassbender is an Irish actor who was born in Heidelberg, Germany, to a German father, Josef, and an Irish mother, Adele (originally from Larne, County Antrim, in Northern Ireland). Michael was raised in the town of Killarney, Co. Kerry, in south-west Ireland, where his family moved to when he was two years old. His parents ran a restaurant (his father is a chef).
Fassbender is based in London, England, and became known in the U.S. after his role in the Quentin Tarantino's Inglourious Basterds (2009). In 2011, Fassbender debuted as the Marvel antihero Magneto in the prequel X-Men: First Class (2011); he would go on to share the role with Ian McKellen in X-Men: Days of Future Past (2014). Also in 2011, Fassbender's performance as a sex addict in Shame (2011) received critical acclaim. He won the Volpi Cup for Best Actor at the Venice Film Festival and was nominated for Golden Globe and BAFTA Awards. In 2013, his role as slave owner Edwin Epps in slavery epic 12 Years a Slave (2013) was similarly praised, earning him his first Oscar nomination, for Best Supporting Actor. 12 Years a Slave marked Fassbender's third collaboration with Steve McQueen, who also directed Hunger and Shame. In 2013, Fassbender appeared in another Ridley Scott film, The Counselor (2013). In 2015, he portrayed Steve Jobs (2015) in the Danny Boyle-directed biopic of the same name, and played Macbeth (2015) in Justin Kurzel's adaptation of William Shakespeare's play. For the former, he has received Academy Award, BAFTA, Golden Globe and SAG nominations for Best Actor. As well as acting, Fassbender produced the 2015 western Slow West (2015), which he also starred in.- Actor
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Peter Wilton Cushing was born on May 26, 1913 in Kenley, Surrey, England, to Nellie Maria (King) and George Edward Cushing, a quantity surveyor. He and his older brother David were raised first in Dulwich Village, a south London suburb, and then later back in Surrey. At an early age, Cushing was attracted to acting, inspired by his favorite aunt, who was a stage actress. While at school, Cushing pursued his acting interest in acting and also drawing, a talent he put to good use later in his first job as a government surveyor's assistant in Surrey. At this time, he also dabbled in local amateur theater until moving to London to attend the Guildhall School of Music and Drama on scholarship. He then performed in repertory theater in Worthing, deciding in 1939 to head for Hollywood, where he made his film debut in The Man in the Iron Mask (1939). Other Hollywood films included A Chump at Oxford (1940) with Stan Laurel and Oliver Hardy, Vigil in the Night (1940) and They Dare Not Love (1941). However, after a short stay, he returned to England by way of New York (making brief appearances on Broadway) and Canada. Back in his homeland, he contributed to the war effort during World War II by joining the Entertainment National Services Association.
After the war, he performed in the West End and had his big break appearing with Laurence Olivier in Hamlet (1948), in which Cushing's future partner-in-horror Christopher Lee had a bit part. Both actors also appeared in Moulin Rouge (1952) but did not meet until their later horror films. During the 1950s, Cushing became a familiar face on British television, appearing in numerous teleplays, such as 1984 (1954) and Beau Brummell (1954), until the end of the decade when he began his legendary association with Hammer Film Productions in its remakes of the 1930s Universal horror classics. His first Hammer roles included Dr. Frankenstein in The Curse of Frankenstein (1957), Dr. Van Helsing in Horror of Dracula (1958), and Sherlock Holmes in The Hound of the Baskervilles (1959).
Cushing continued playing the roles of Drs. Frankenstein and Van Helsing, as well as taking on other horror characters, in Hammer films over the next 20 years. He also appeared in films for the other major horror producer of the time, Amicus Productions, including Dr. Terror's House of Horrors (1965) and its later horror anthologies, a couple of Dr. Who films (1965, 1966), I, Monster (1971), and others. By the mid-1970s, these companies had stopped production, but Cushing, firmly established as a horror star, continued in the genre for some time thereafter.
Perhaps his best-known appearance outside of horror films was as Grand Moff Tarkin in George Lucas' phenomenally successful science fiction film Star Wars: Episode IV - A New Hope (1977). Biggles: Adventures in Time (1986) was Cushing's last film before his retirement, during which he made a few television appearances, wrote two autobiographies and pursued his hobbies of bird watching and painting. In 1989, he was made an Officer of the Order of the British Empire in recognition of his contributions to the acting profession in Britain and worldwide. Peter Cushing died at age 81 of prostate cancer on August 11, 1994.- Actor
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Actor, raconteur, art collector and connoisseur of haute cuisine are just some of the attributes associated with Vincent Price. He was born Vincent Leonard Price, Jr. in St. Louis, Missouri, to Marguerite Cobb "Daisy" (Wilcox) and Vincent Leonard Price, who was President of the National Candy Company. His grandfather, also named Vincent, invented Dr. Price's Baking Powder, which was tartar-based. His family was prosperous, as he said, "not rich enough to evoke envy but successful enough to demand respect." His uniquely cultivated voice and persona were the result of a well-rounded education which began when his family dispatched him on a tour of Europe's cultural centres. His secondary education eventually culminated in a B.A. in English from Yale University and a degree in art history from London's Courtauld Institute.
Famously, his name has long been a byword for Gothic horror on screen. However, Vincent Price was, first and foremost, a man of the stage. It is where he began his career and where it ended. He faced the footlights for the first time at the Gate Theatre in London. At the age of 23, he played Prince Albert in the premiere of Arthur Schnitzler 's 'Victoria Regina' and made such an impression on producer Gilbert Miller that he launched the play on Broadway that same year (legendary actress Helen Hayes played the title role). In early 1938, he was invited to join Orson Welles 's Mercury Theatre on a five-play contract, beginning with 'The Shoemaker's Holiday'. He gave what was described as "a polished performance". Thus established, Vincent continued to make sporadic forays to the Great White Way, including as the Duke of Buckingham in Shakespeare's 'Richard III' (in which a reviewer for the New Yorker found him to be "satisfactorily detestable") and as Oscar Wilde in his award-winning one man show 'Diversions and Delights', which he took on a hugely successful world-wide tour in 1978. While based in California, Vincent was instrumental in the success of the La Jolla Playhouse in San Diego, starring in several of their bigger productions, including 'Billy Budd' and 'The Winslow Boy'. In 1952, Vincent joined the national touring company of 'Don Juan in Hell' in which he was cast as the devil. Acting under the direction of Charles Laughton and accompanied by noted thespians Charles Boyer, Cedric Hardwicke and Agnes Moorehead, he later recalled this as one of his "greatest theatrical excitements".
As well as acting on stage, Vincent regularly performed on radio network programs, including Lux Radio Theatre, CBS Playhouse and shows for the BBC. He narrated or hosted assorted programs ranging from history (If these Walls Could Speak) to cuisine (Cooking Price-Wise). He wrote several best-selling books on his favourite subjects: art collecting and cookery. In 1962, he was approached by Sears Roebuck to act as a buying consultant "selling quality pictures to department store customers". As if that were not enough, he lectured for 15 years on art, poetry and even the history of villainy. He recorded numerous readings of poems by Edgar Allan Poe (nobody ever gave a better recital of "The Raven"!), Shelley and Whitman. He also served on the Arts Council of UCLA, was a member of the Fine Arts Committee for the White House, a former chairman of the Indian Arts & Crafts Board and on the board of trustees of the Los Angeles County Museum of Art.
And besides all of that, Vincent Price remained a much sought-after motion picture actor. He made his first appearance on screen as a romantic lead in Service de Luxe (1938), a frothy Universal comedy which came and went without much fanfare. After that, he reprized his stage role as Master Hammon in an early television production of 'The Shoemaker's Holiday'. For one reason or another, Vincent was henceforth typecast as either historical figures (Sir Walter Raleigh, Duke of Clarence, Mormon leader Joseph Smith, King Charles II, Cardinal Richelieu, Omar Khayyam) or ineffectual charmers and gigolos. Under contract to 20th Century Fox (1940-46), Laura (1944) provided one of his better vehicles in the latter department, as did the lush Technicolor melodrama Leave Her to Heaven (1945) which had Vincent showcased in a notably powerful scene as a prosecuting attorney. His performance was singled out by the L.A. Times as meriting "attention as contending for Academy supporting honors".
His first fling with the horror genre was Dragonwyck (1946), a Gothic melodrama set in the Hudson Valley in the early 1800's. For the first time, Vincent played a part he actually coveted and fought hard to win. His character was in effect a precursor of those he would later make his own while working for Roger Corman and American-International. As demented, drug-addicted landowner Nicholas Van Ryn, he so effectively terrorized Gene Tierney's Miranda Wells that the influential columnist Louella Parsons wrote with rare praise: "The role of Van Ryn calls for a lot of acting and Vincent admits he's a ham and loves to act all over the place, but the fact that he has restrained himself and doesn't over-emote is a tribute to his ability". If Vincent was an occasional ham, he proved it with his Harry Lime pastiche Carwood in The Bribe (1949). Much better was his starring role in a minor western, The Baron of Arizona (1950), in which he was convincingly cast as a larcenous land office clerk attempting to create his own desert baronetcy.
With House of Wax (1953) , Vincent fine-tuned the character type he had established in Dragonwyck, adding both pathos and comic elements to the role of the maniacal sculptor Henry Jarrod. It was arduous work under heavy make-up which simulated hideous facial scarring and required three hours to apply and three hours to remove. He later commented that it "took his face months to heal because it was raw from peeling off wax each night". However, the picture proved a sound money maker for Warner Brothers and firmly established Vincent Price in a cult genre from which he was henceforth unable to escape. The majority of his subsequent films were decidedly low-budget affairs in which the star tended to be the sole mitigating factor: The Mad Magician (1954), The Fly (1958) (and its sequel), House on Haunted Hill (1959), the absurd The Tingler (1959) (easily the worst of the bunch) and The Bat (1959). With few exceptions, Vincent's acting range would rarely be stretched in the years to come.
Vincent's association with the genial Roger Corman began when he received a script for The Fall of the House of Usher, beginning a projected cycle of cost-effective films based on short stories by Edgar Allen Poe. As Roderick Usher, Vincent was Corman's "first and only choice". Though he was to receive a salary of $50,000 for the picture, it was his chance "to express the psychology of Poe's characters" and to "imbue the movie versions with the spirit of Poe" that clinched the deal for Vincent. He made another six films in this vein, all of them box office winners. Not Academy Award stuff, but nonetheless hugely enjoyable camp entertainment and popular with all but highbrow audiences. Who could forget Vincent at his scenery chewing best as the resurgent inquisitor, luring Barbara Steele into the crypt in The Pit and the Pendulum (1961)? Or as pompous wine aficionado Fortunato Luchresi in that deliriously funny wine tasting competition with Montresor Herringbone (Peter Lorre) in Tales of Terror (1962)? Best still, the climactic battle of the magicians pitting Vincent's Erasmus Craven against Boris Karloff's malevolent Dr. Scarabus in The Raven (1963) (arguably, the best offering in the Poe cycle). The Comedy of Terrors (1963) was played strictly for laughs, with the inimitable combo of Price and Lorre this time appearing as homicidal undertakers.
For the rest of the 60s, Vincent was content to remain in his niche, playing variations on the same theme in City in the Sea (1965) and Witchfinder General (1968) (as Matthew Hopkins). He also spoofed his screen personae as Dr. Goldfoot and as perennial villain Egghead in the Batman (1966) series. He rose once more to the occasion in the cult black comedy The Abominable Dr. Phibes (1971) (and its sequel Dr. Phibes Rises Again (1972)) commenting that he had to play Anton Phibes "very seriously so that it would come out funny". The tagline, a parody of the ad for Love Story (1970), announced "love means never having to say you're ugly".
During the 70s and 80s, Vincent restricted himself mainly to voice-overs and TV guest appearances. His final role of note was as the inventor in Edward Scissorhands (1990), a role written specifically for him. The embodiment of gleeful, suave screen villainy, Vincent Price died in Los Angeles in October 1993 at the age of 82. People magazine eulogized him as "the Gable of Gothic." Much earlier, an English critic named Gilbert Adair spoke for many fans when he said "Every man his Price - and mine is Vincent."- Actor
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Sir Christopher Frank Carandini Lee was perhaps the only actor of his generation to have starred in so many films and cult saga. Although most notable for personifying bloodsucking vampire, Dracula, on screen, he portrayed other varied characters on screen, most of which were villains, whether it be Francisco Scaramanga in the James Bond film, The Man with the Golden Gun (1974), or Count Dooku in Star Wars: Episode II - Attack of the Clones (2002), or as the title monster in the Hammer Horror film, The Mummy (1959).
Lee was born in 1922 in London, England, where he and his older sister Xandra were raised by their parents, Contessa Estelle Marie (Carandini di Sarzano) and Geoffrey Trollope Lee, a professional soldier, until their divorce in 1926. Later, while Lee was still a child, his mother married (and later divorced) Harcourt George St.-Croix (nicknamed Ingle), who was a banker. Lee's maternal great-grandfather was an Italian political refugee, while Lee's great-grandmother was English opera singer Marie (Burgess) Carandini.
After attending Wellington College from age 14 to 17, Lee worked as an office clerk in a couple of London shipping companies until 1941 when he enlisted in the Royal Air Force during World War II. Following his release from military service, Lee joined the Rank Organisation in 1947, training as an actor in their "Charm School" and playing a number of bit parts in such films as Corridor of Mirrors (1948). He made a brief appearance in Laurence Olivier's Hamlet (1948), in which his future partner-in-horror Peter Cushing also appeared. Both actors also appeared later in Moulin Rouge (1952) but did not meet until their horror films together.
Lee had numerous parts in film and television throughout the 1950s. He struggled initially in his new career because he was discriminated as being taller than the leading male actors of his time and being too foreign-looking. However, playing the monster in the Hammer film The Curse of Frankenstein (1957) proved to be a blessing in disguise, since the was successful, leading to him being signed on for future roles in Hammer Film Productions.
Lee's association with Hammer Film Productions brought him into contact with Peter Cushing, and they became good friends. Lee and Cushing often than not played contrasting roles in Hammer films, where Cushing was the protagonist and Lee the villain, whether it be Van Helsing and Dracula respectively in Horror of Dracula (1958), or John Banning and Kharis the Mummy respectively in The Mummy (1959).
Lee continued his role as "Dracula" in a number of Hammer sequels throughout the 1960s and into the early 1970s. During this time, he co-starred in The Hound of the Baskervilles (1959), and made numerous appearances as Fu Manchu, most notably in the first of the series The Face of Fu Manchu (1965), and also appeared in a number of films in Europe. With his own production company, Charlemagne Productions, Ltd., Lee made Nothing But the Night (1973) and To the Devil a Daughter (1976).
By the mid-1970s, Lee was tiring of his horror image and tried to widen his appeal by participating in several mainstream films, such as The Private Life of Sherlock Holmes (1970), The Three Musketeers (1973), The Four Musketeers: Milady's Revenge (1974), and the James Bond film The Man with the Golden Gun (1974).
The success of these films prompted him in the late 1970s to move to Hollywood, where he remained a busy actor but made mostly unremarkable film and television appearances, and eventually moved back to England. The beginning of the new millennium relaunched his career to some degree, during which he has played Count Dooku in Star Wars: Episode II - Attack of the Clones (2002) and as Saruman the White in the Lord of the Rings trilogy. Lee played Count Dooku again in Star Wars: Episode III - Revenge of the Sith (2005), and portrayed the father of Willy Wonka, played by Johnny Depp, in the Tim Burton film, Charlie and the Chocolate Factory (2005).
On 16 June 2001, he was created a Commander of the Order of the British Empire in recognition of his services to drama. He was created a Knight Bachelor on 13 June 2009 in the Queen's Birthday Honours List for his services to drama and charity. In addition he was made a Commander of the Order of St John on 16 January 1997.
Lee died at the Chelsea and Westminster Hospital on 7 June 2015 at 8:30 am after being admitted for respiratory problems and heart failure, shortly after celebrating his 93rd birthday there. His wife delayed the public announcement until 11 June, in order to break the news to their family.- Writer
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Considered to be one of the most pivotal stars of the early days of Hollywood, Charlie Chaplin lived an interesting life both in his films and behind the camera. He is most recognized as an icon of the silent film era, often associated with his popular character, the Little Tramp; the man with the toothbrush mustache, bowler hat, bamboo cane, and a funny walk.
Charles Spencer Chaplin was born in Walworth, London, England on April 16, 1889, to Hannah Harriet Pedlingham (Hill) and Charles Chaplin, both music hall performers, who were married on June 22, 1885. After Charles Sr. separated from Hannah to perform in New York City, Hannah then tried to resurrect her stage career. Unfortunately, her singing voice had a tendency to break at unexpected moments. When this happened, the stage manager spotted young Charlie standing in the wings and led him on stage, where five-year-old Charlie began to sing a popular tune. Charlie and his half-brother, Syd Chaplin spent their lives in and out of charity homes and workhouses between their mother's bouts of insanity. Hannah was committed to Cane Hill Asylum in May 1903 and lived there until 1921, when Chaplin moved her to California.
Chaplin began his official acting career at the age of eight, touring with the Eight Lancashire Lads. At age 18, he began touring with Fred Karno's vaudeville troupe, joining them on the troupe's 1910 United States tour. He traveled west to California in December 1913 and signed on with Keystone Studios' popular comedy director Mack Sennett, who had seen Chaplin perform on stage in New York. Charlie soon wrote his brother Syd, asking him to become his manager. While at Keystone, Chaplin appeared in and directed 35 films, starring as the Little Tramp in nearly all.
In November 1914, he left Keystone and signed on at Essanay, where he made 15 films. In 1916, he signed on at Mutual and made 12 films. In June 1917, Chaplin signed up with First National Studios, after which he built Chaplin Studios. In 1919, he and Douglas Fairbanks, Mary Pickford and D.W. Griffith formed United Artists (UA).
Chaplin's life and career was full of scandal and controversy. His first big scandal was during World War I, at which time his loyalty to England, his home country, was questioned. He had never applied for American citizenship, but claimed that he was a "paying visitor" to the United States. Many British citizens called Chaplin a coward and a slacker. This and other career eccentricities sparked suspicion with FBI chief J. Edgar Hoover and the House Un-American Activities Committee (HUAC), who believed that he was injecting Communist propaganda into his films. Chaplin's later film The Great Dictator (1940), which was his first "talkie", also created a stir. In the film, Chaplin plays a humorous caricature of Adolf Hitler. Some thought the film was poorly done and in bad taste. However, the film grossed over $5 million and earned five Academy Award Nominations.
Another scandal occurred when Chaplin briefly dated 22 year-old Joan Barry. However, Chaplin's relationship with Barry came to an end in 1942, after a series of harassing actions from her. In May 1943, Barry returned to inform Chaplin that she was pregnant and filed a paternity suit, claiming that the unborn child was his. During the 1944 trial, blood tests proved that Chaplin was not the father, but at the time, blood tests were inadmissible evidence, and he was ordered to pay $75 a week until the child turned 21.
Chaplin also was scrutinized for his support in aiding the Russian struggle against the invading Nazis during World War II, and the United States government questioned his moral and political views, suspecting him of having Communist ties. For this reason, HUAC subpoenaed him in 1947. However, HUAC finally decided that it was no longer necessary for him to appear for testimony. Conversely, when Chaplin and his family traveled to London for the premier of Limelight (1952), he was denied re-entry to the United States. In reality, the government had almost no evidence to prove that he was a threat to national security. Instead, he and his wife decided to settle in Switzerland.
Chaplin was married four times and had a total of 11 children. In 1918, he married Mildred Harris and they had a son together, Norman Spencer Chaplin, who lived only three days. Chaplin and Harris divorced in 1920. He married Lita Grey in 1924, who had two sons, Charles Chaplin Jr. and Sydney Chaplin. They were divorced in 1927. In 1936, Chaplin married Paulette Goddard, and his final marriage was to Oona O'Neill (Oona Chaplin), daughter of playwright Eugene O'Neill in 1943. Oona gave birth to eight children: Geraldine Chaplin, Michael Chaplin, Josephine Chaplin, Victoria Chaplin, Eugene Chaplin, Jane Chaplin, Annette-Emilie Chaplin, and Christopher Chaplin.
In contrast to many of his boisterous characters, Chaplin was a quiet man who kept to himself a great deal. He also had an "un-millionaire" way of living. Even after he had accumulated millions, he continued to live in shabby accommodations. In 1921, Chaplin was decorated by the French government for his outstanding work as a filmmaker and was elevated to the rank of Officer of the Legion of Honor in 1952. In 1972, he was honored with an Academy Award for his "incalculable effect in making motion pictures the art form of the century". He was appointed Knight Commander of the Order of the British Empire in the 1975 New Year's Honours List. No formal reason for the honour was listed. The citation simply reads "Charles Spencer Chaplin, Film Actor and Producer".
Chaplin's other works included musical scores that he composed for many of his films. He also authored two autobiographical books, "My Autobiography" (1964) and its companion volume, "My Life in Pictures" (1974).
Chaplin died at age 88 of natural causes on December 25, 1977 at his home in Vevey, Switzerland. His funeral was a small and private Anglican ceremony according to his wishes. In 1978, Chaplin's corpse was stolen from its grave and was not recovered for three months; he was re-buried in a vault surrounded by cement.
Six of Chaplin's films have been selected for preservation in the National Film Registry by the United States Library of Congress: The Immigrant (1917), The Kid (1921), The Gold Rush (1925), City Lights (1931), Modern Times (1936), and The Great Dictator (1940).
Charlie Chaplin is considered one of the greatest filmmakers in the history of American cinema, whose movies were and still are popular throughout the world and have even gained notoriety as time progresses. His films show, through the Little Tramp's positive outlook on life in a world full of chaos, that the human spirit has and always will remain the same.- Actor
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Humphrey DeForest Bogart was born in New York City, New York, to Maud Humphrey, a famed magazine illustrator and suffragette, and Belmont DeForest Bogart, a moderately wealthy surgeon (who was secretly addicted to opium). Bogart was educated at Trinity School, NYC, and was sent to Phillips Academy in Andover, Massachusetts, in preparation for medical studies at Yale. He was expelled from Phillips and joined the U.S. Naval Reserve. From 1920 to 1922, he managed a stage company owned by family friend William A. Brady (the father of actress Alice Brady), performing a variety of tasks at Brady's film studio in New York. He then began regular stage performances. Alexander Woollcott described his acting in a 1922 play as inadequate. In 1930, he gained a contract with Fox, his feature film debut in a ten-minute short, Broadway's Like That (1930), co-starring Ruth Etting and Joan Blondell. Fox released him after two years. After five years of stage and minor film roles, he had his breakthrough role in The Petrified Forest (1936) from Warner Bros. He won the part over Edward G. Robinson only after the star, Leslie Howard, threatened Warner Bros. that he would quit unless Bogart was given the key role of Duke Mantee, which he had played in the Broadway production with Howard. The film was a major success and led to a long-term contract with Warner Bros. From 1936 to 1940, Bogart appeared in 28 films, usually as a gangster, twice in Westerns and even a horror film. His landmark year was 1941 (often capitalizing on parts George Raft had stupidly rejected) with roles in classics such as High Sierra (1940) and as Sam Spade in one of his most fondly remembered films, The Maltese Falcon (1941). These were followed by Casablanca (1942), The Big Sleep (1946), and Key Largo (1948). Bogart, despite his erratic education, was incredibly well-read and he favored writers and intellectuals within his small circle of friends. In 1947, he joined wife Lauren Bacall and other actors protesting the House Un-American Activities Committee witch hunts. He also formed his own production company, and the next year made The Treasure of the Sierra Madre (1948). Bogie won the best actor Academy Award for The African Queen (1951) and was nominated for Casablanca (1942) and as Captain Queeg in The Caine Mutiny (1954), a film made when he was already seriously ill. He died in his sleep at his Hollywood home following surgeries and a battle with throat cancer.- Actor
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One of Hollywood's preeminent male stars of all time, James Cagney was also an accomplished dancer and easily played light comedy. James Francis Cagney was born on the Lower East Side of Manhattan in New York City, to Carolyn (Nelson) and James Francis Cagney, Sr., who was a bartender and amateur boxer. Cagney was of Norwegian (from his maternal grandfather) and Irish descent. Ending three decades on the screen, he retired to his farm in Stanfordville, New York (some 77 miles/124 km. north of his New York City birthplace), after starring in Billy Wilder's One, Two, Three (1961). He emerged from retirement to star in the 1981 screen adaptation of E.L. Doctorow's novel "Ragtime" (Ragtime (1981)), in which he was reunited with his frequent co-star of the 1930s, Pat O'Brien, and which was his last theatrical film and O'Brien's as well). Cagney's final performance came in the title role of the made-for-TV movie Terrible Joe Moran (1984), in which he played opposite Art Carney.- Actor
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Since his screen debut as a young Amish farmer in Peter Weir's Witness (1985), Viggo Mortensen's career has been marked by a steady string of well-rounded performances.
Mortensen was born in New York City, to Grace Gamble (Atkinson) and Viggo Peter Mortensen, Sr. His father was Danish, his mother was American, and his maternal grandfather was Canadian. His parents met in Norway. They wed and moved to New York, where Viggo, Jr. was born, before moving to South America, where Viggo, Sr. managed chicken farms and ranches in Venezuela and Argentina. Two more sons were born, Charles and Walter, before the marriage grew increasingly unhappy. When Viggo was seven, his parents sent him to the St. Paul's boarding school, in the Córdoba Sierras, in Argentina. Then, at age eleven, his parents divorced. His mother moved herself and the children back to her home state of New York.
Viggo attended Watertown High School, and became a very good student and athlete. He graduated in 1976 and went on to St. Lawrence University in Canton, New York. After graduation, he moved to Denmark - driven by the need for a defining purpose in life. He began writing poetry and short stories while working many odd jobs, from dock worker to flower seller. In 1982, he fell in love and followed his girlfriend back to New York City, hoping for a long romance and a writing career. He got neither. In New York, Viggo found work waiting tables and tending bar and began taking acting classes, studying with Warren Robertson. He appeared in several plays and movies, and eventually moved to Los Angeles, where his performance in "Bent" at the Coast Playhouse earned him a Drama-logue Critic's Award.
He made his film debut with a small part in Witness (1985). He appeared in Salvation! (1987) and married his co-star, Exene Cervenka. The two had a son, Henry Mortensen. But after nearly eleven years of marriage, the couple divorced.
In 1999, Viggo got a phone call about a movie he did not know anything about: "The Lord of the Rings." At first, he didn't want to do it, because it would mean time away from his son. But Henry, a big fan of the books, told his father he shouldn't turn down the role. Viggo accepted the part and immediately began work on the project, which was already underway. Eventually, the success of "The Lord of the Rings" made him a household name - a difficult consequence for the ever private and introspective Viggo.
Critics have continually recognized his work in over thirty movies, including such diverse projects as Jane Campion's The Portrait of a Lady (1996), Sean Penn's The Indian Runner (1991), Brian De Palma's Carlito's Way (1993), Ridley Scott's G.I. Jane (1997), Tony Scott's Crimson Tide (1995), Andrew Davis's A Perfect Murder (1998), Ray Loriga's My Brother's Gun (1997), Tony Goldwyn's A Walk on the Moon (1999), and Peter Farrelly's Green Book (2018).
Mortensen is also an accomplished poet, photographer and painter.- Actor
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Benicio Del Toro emerged in the mid-1990s as one of the most watchable and charismatic character actors to come along in years. A favorite of film buffs, Del Toro gained mainstream public attention as the conflicted but basically honest Mexican policeman in Steven Soderbergh's Traffic (2000).
Benicio was born on February 19, 1967 in San Germán, Puerto Rico, the son of lawyer parents Fausta Genoveva Sanchez Rivera and Gustavo Adolfo Del Toro Bermudez. His mother died when he was young, and his father moved the family to a farm in Pennsylvania. A basketball player with an interest in acting, he decided to follow the family way and study business at the University of California in San Diego. A class in acting resulted in his being bitten by the acting bug, and he subsequently dropped out and began studying with legendary acting teacher Stella Adler in Los Angeles and at the Circle in the Square Acting School in New York City. Telling his parents that he was taking courses in business, Del Toro hid his new studies from his family for a little while.
During the late 1980s, he made several television appearances, most notably in an episode of Miami Vice (1984) and in the NBC miniseries Drug Wars: The Camarena Story (1990). Del Toro's big-screen career got off to a slower start, however--his first role was Duke the Dog-Faced Boy in Big Top Pee-wee (1988). However, things looked better when he landed the role of Dario, the vicious henchman in the James Bond film Licence to Kill (1989). Surprising his co-stars at age 21, Del Toro was the youngest actor ever to portray a Bond villain. However, the potential break was spoiled as the picture turned out to be one of the most disappointing Bond films ever; this was lost amid bigger summer competition.
Benicio gave creditable performances in many overlooked films for the next several years, such as The Indian Runner (1991), Christopher Columbus: The Discovery (1992) and Money for Nothing (1993). His roles in Fearless (1993) and China Moon (1994) gained him more critical notices, and 1995 proved to be the first "Year of Benicio" as he gave a memorable performance in Swimming with Sharks (1994) before taking critics and film buffs by storm as the mumbling, mysterious gangster in The Usual Suspects (1995), directed by Bryan Singer. Del Toro won an Independent Spirit Award for Best Supporting Actor for the role in the Oscar-winning film.
Staying true to his independent roots, he next gave a charismatic turn as cold-blooded gangster Gaspare Spoglia in The Funeral (1996) directed by Abel Ferrara. He also appeared as Benny Dalmau in Basquiat (1996), directed by artist friend Julian Schnabel. That year also marked his first truly commercial film, as he played cocky Spanish baseball star Juan Primo in The Fan (1996), which starred Robert De Niro. Del Toro took his first leading man role in Excess Baggage (1997), starring and produced by Alicia Silverstone. Hand-picked by Silverstone, Del Toro's performance was pretty much the only thing critics praised about the film, and showed the level of consciousness he was beginning to have in the minds of film fans.
He took a leading role with his good friend Johnny Depp in Fear and Loathing in Las Vegas (1998), co-written and directed by the legendary Terry Gilliam. Gaining 40 pounds for the role of Dr. Gonzo, the drug-addicted lawyer to sportswriter Raoul Duke, Benicio immersed himself totally in the role. Using his method acting training so far as to burn himself with cigarettes for a scene, this was a trying time for Del Toro. The harsh critical reviews proved tough on him, as he felt he had given his all for the role and been dismissed. Many saw the crazed, psychotic performance as a confirmation of the rumors and overall weirdness that people seemed to place on Del Toro.
Taking a short break after the ordeal, 2000 proved to be the second "Year of Benicio". He first appeared in The Way of the Gun (2000), directed by friend and writer Christopher McQuarrie. Then he went to work for actor's director Steven Soderbergh in Traffic (2000). A complex and graphic film, this nonetheless became a widespread success and Oscar winner. His role as conflicted Mexican policeman Javier Rodriguez functions as the movie's real heart amid an all-star ensemble cast, and many praised this as the year's best performance, a sentiment validated by a Screen Actor's Guild Award for "Best Actor". He also gave a notable performance in Snatch (2000) directed by Guy Ritchie, which was released several weeks later, and The Pledge (2001) directed by Sean Penn. Possessing sleepy good looks reminiscent of James Dean or Marlon Brando, Del Toro has often jokingly been referred to as the "Spanish Brad Pitt".
With his newfound celebrity, Del Toro has become a sort of heartthrob, being voted one of People magazine's "50 Most Beautiful People" as well as "Most Eligible Bachelors." A favorite of film fans for years for his diverse and "cool guy" gangster roles, he has become a mainstream favorite, respected for his acting skills and choices. So far very careful in his projects and who he works with, Del Toro can boast an impressive resume of films alongside some of the most influential and talented people in the film business.- Actor
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James Maitland Stewart was born on May 20, 1908, in Indiana, Pennsylvania, to Elizabeth Ruth (Johnson) and Alexander Maitland Stewart, who owned a hardware store. He was of Scottish, Ulster-Scots, and some English descent. Stewart was educated at a local prep school, Mercersburg Academy, where he was a keen athlete (football and track), musician (singing and accordion playing), and sometime actor.
In 1929, he won a place at Princeton University, where he studied architecture with some success and became further involved with the performing arts as a musician and actor with the University Players. After graduation, engagements with the University Players took him around the northeastern United States, including a run on Broadway in 1932. But work dried up as the Great Depression deepened, and it was not until 1934, when he followed his friend Henry Fonda to Hollywood, that things began to pick up.
After his first screen appearance in Art Trouble (1934), Stewart worked for a time for MGM as a contract player and slowly began making a name for himself in increasingly high-profile roles throughout the rest of the 1930s. His famous collaborations with Frank Capra, in You Can't Take It with You (1938), Mr. Smith Goes to Washington (1939), and, after World War II, It's a Wonderful Life (1946) helped to launch his career as a star and to establish his screen persona as the likable everyman.
Having learned to fly in 1935, he was drafted into the United States Army in 1940 as a private (after twice failing the medical for being underweight). During the course of World War II, he rose to the rank of colonel, first as an instructor at home in the United States, and later on combat missions in Europe. He remained involved with the United States Air Force Reserve after the war and officially retired in 1968. In 1959, he was promoted to brigadier general, becoming the highest-ranking actor in U.S. military history.
Stewart's acting career took off properly after the war. During the course of his long professional life, he had roles in some of Hollywood's best-remembered films, starring in a string of Westerns, bringing his everyman qualities to movies like The Man Who Shot Liberty Valance (1962)), biopics (The Stratton Story (1949), The Glenn Miller Story (1954), and The Spirit of St. Louis (1957), for instance, thrillers (most notably his frequent collaborations with Alfred Hitchcock), and even some screwball comedies.
On June 25, 1997, a thrombosis formed in his right leg, leading to a pulmonary embolism, and a week later on July 2, 1997, surrounded by his children, James Stewart died at age 89 at his home in Beverly Hills, California. His last words to his family were, "I'm going to be with Gloria now".- Actor
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Max von Sydow was born Carl Adolf von Sydow on April 10, 1929 in Lund, Skåne, Sweden, to a middle-class family. He was the son of Baroness Maria Margareta (Rappe), a teacher, and Carl Wilhelm von Sydow, an ethnologist and folklore professor. His surname traces back to his partial German ancestry.
When he was in high school, he and a few fellow students, including Yvonne Lombard, started a theatre club which encouraged his interest in acting. After conscription, he began to study at the Royal Dramatic Theatre's acting school (1948-1951), together with Lars Ekborg, Margaretha Krook and Ingrid Thulin. His first role was as Nils the crofter in Alf Sjöberg's Only a Mother (1949). After graduation, he worked at the city theatres in Norrköping and Malmö.
His work in the movies by Ingmar Bergman (especially The Seventh Seal (1957), including the iconic scenes in which he plays chess with Death) made him well-known internationally, and he started to get offers from abroad. His career abroad began with him playing Jesus in The Greatest Story Ever Told (1965); Hawaii (1966) and The Quiller Memorandum (1966). Since then, his career includes very different kind of characters, like Karl Oskar Nilsson in The Emigrants (1971); Father Lankester Merrin in The Exorcist (1973); Joubert the assassin in Three Days of the Condor (1975), Emperor Ming in Flash Gordon (1980); the villain Ernst Stavro Blofeld in the Never Say Never Again (1983); Liet-Kynes in Dune (1984) the artist Frederick in Hannah and Her Sisters (1986); Lassefar in Pelle the Conqueror (1987), for which he received his first Academy Award nomination; Dr. Peter Ingham in Awakenings (1990); Lamar Burgess in Minority Report (2002) and The Renter in Extremely Loud & Incredibly Close (2011), which earned him his second Academy Award nomination.
He became one of Sweden's most admired and professional actors, and is the only male Swedish actor to receive an Oscar nomination. He was nominated twice: for Pelle the Conqueror (1987) in 1988 and for Extremely Loud & Incredibly Close (2011) in 2012. He received the Guldbagge Award for Best Director in his directing debut, the drama film Ved vejen (1988). In 2016, he joined the sixth season of the HBO series Game of Thrones (2011) as the Three-eyed Raven, which earned him his Primetime Emmy Award nomination.
Max von Sydow died on March 8, 2020, in Provence, France, and was survived by his wife Catherine Brelet and four children. He was 90.- Actor
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Having made over one hundred films in his legendary career, Willem Dafoe is internationally respected for bringing versatility, boldness, and daring to some of the most iconic films of our time. His artistic curiosity in exploring the human condition leads him to projects all over the world, large and small, Hollywood films as well as Independent cinema.
In 1979, he was given a role in Michael's Cimino's Heaven's Gate, from which he was fired. Since then, he has collaborated with directors who represent a virtual encyclopedia of modern cinema: James Wan, Robert Eggers, Sean Baker, Kenneth Branagh, Kathryn Bigelow, Sam Raimi, Alan Parker, Walter Hill, Mary Harron, Wim Wenders, Anton Corbijn, Zhang Yimou, Wes Anderson, Martin Scorsese, David Lynch, Oliver Stone, William Friedkin, Werner Herzog, Lars Von Trier, Abel Ferrara, Spike Lee, David Cronenberg, Paul Schrader, Anthony Minghella, Theo Angelopoulos, Robert Rodriguez, Phillip Noyce, Hector Babenco, John Milius, Paul Weitz, The Spierig Brothers, Andrew Stanton, Josh Boone, Dee Rees and Julian Schnabel.
Dafoe has been recognized with four Academy Award nominations: Best Actor in a Supporting Role for Platoon, Best Actor in a Supporting Role for Shadow Of The Vampire, for which he also received Golden Globe and Screen Actors Guild nominations, Best Actor in a Supporting Role for The Florida Project, for which he also received Golden Globe and Screen Actors Guild nominations, and most recently, Best Leading Actor for At Eternity's Gate, for which he also received a Golden Globe nomination. Among his other nominations and awards, he has received two Los Angeles Film Critics Awards, a New York Film Critics Circle Award, a National Board of Review Award, two Independent Spirit Awards, Venice Film Festival Volpi Cup, as well as a Berlinale Honorary Golden Bear for Lifetime Achievement.
Willem was born in Appleton, Wisconsin, to Muriel Isabel (Sprissler), a nurse, and William Alfred Dafoe, a surgeon. He is of mostly German, Irish, Scottish, and English descent. He and his wife, director Giada Colagrande, have made three films together: Padre, A Woman, and Before It Had A Name.
His natural adventurousness is evident in roles as diverse as Marcus, the elite assassin who is mentor to Keanu Reeves in the neo-noir John Wick; in his voice work as Gil the Moorish Idol in Finding Nemo and Ryuk the Death God in Death Note; as Paul Smecker, the obsessed FBI agent in the cult classic The Boondock Saints; and as real life hero Leonhard Seppala, who led the 1925 Alaskan dog sled diphtheria serum run in Ericson Core's Togo. That adventurous spirit continues with upcoming films including Wes Anderson's The French Dispatch, Abel Ferrara's Siberia, and Paul Schrader's The Card Counter.
Dafoe is one of the founding members of The Wooster Group, the New York based experimental theatre collective. He created and performed in all of the group's work from 1977 thru 2005, both in the U.S. and internationally. Since then, he worked with Richard Foreman in Idiot Savant at The Public Theatre (NYC), with Robert Wilson on two international productions: The Life & Death of Marina Abramovic and The Old Woman opposite Mikhail Baryshnikov and developed a new theatre piece, directed by Romeo Castellucci, based on Nathaniel Hawthorne's The Minister's Black Veil. He recently completed work on Marina Abramovic's opera 7 Deaths of Maria Callas.- Actor
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Eldred Gregory Peck was born on April 5, 1916 in La Jolla, California, to Bernice Mae (Ayres) and Gregory Pearl Peck, a chemist and druggist in San Diego. He had Irish (from his paternal grandmother), English, and some German, ancestry. His parents divorced when he was five years old. An only child, he was sent to live with his grandmother. He never felt he had a stable childhood. His fondest memories are of his grandmother taking him to the movies every week and of his dog, which followed him everywhere. He studied pre-med at UC-Berkeley and, while there, got bitten by the acting bug and decided to change the focus of his studies. He enrolled in the Neighborhood Playhouse in New York and debuted on Broadway after graduation. His debut was in Emlyn Williams' play "The Morning Star" (1942). By 1943, he was in Hollywood, where he debuted in the RKO film Days of Glory (1944).
Stardom came with his next film, The Keys of the Kingdom (1944), for which he was nominated for an Academy Award. Peck's screen presence displayed the qualities for which he became well known. He was tall, rugged and heroic, with a basic decency that transcended his roles. He appeared in Alfred Hitchcock's Spellbound (1945) as an amnesia victim accused of murder. In The Yearling (1946), he was again nominated for an Academy Award and won the Golden Globe. He was especially effective in westerns and appeared in such varied fare as David O. Selznick's critically blasted Duel in the Sun (1946), the somewhat better received Yellow Sky (1948) and the acclaimed The Gunfighter (1950). He was nominated again for the Academy Award for his roles in Gentleman's Agreement (1947), which dealt with anti-Semitism, and Twelve O'Clock High (1949), a story of high-level stress in an Air Force bomber unit in World War II.
With a string of hits to his credit, Peck made the decision to only work in films that interested him. He continued to appear as the heroic, larger-than-life figures in such films as Captain Horatio Hornblower (1951) and Moby Dick (1956). He worked with Audrey Hepburn in her debut film, Roman Holiday (1953). Peck finally won the Oscar, after four nominations, for his performance as lawyer Atticus Finch in To Kill a Mockingbird (1962). In the early 1960s, he appeared in two darker films than he usually made, Cape Fear (1962) and Captain Newman, M.D. (1963), which dealt with the way people live. He also gave a powerful performance as Captain Keith Mallory in The Guns of Navarone (1961), one of the biggest box-office hits of that year.
In the early 1970s, he produced two films, The Trial of the Catonsville Nine (1972) and The Dove (1974), when his film career stalled. He made a comeback playing, somewhat woodenly, Robert Thorn in the horror film The Omen (1976). After that, he returned to the bigger-than-life roles he was best known for, such as MacArthur (1977) and the monstrous Nazi Dr. Josef Mengele in the huge hit The Boys from Brazil (1978). In the 1980s, he moved into television with the miniseries The Blue and the Gray (1982) and The Scarlet and the Black (1983). In 1991, he appeared in the remake of his 1962 film, playing a different role, in Martin Scorsese's Cape Fear (1991). He was also cast as the progressive-thinking owner of a wire and cable business in Other People's Money (1991).
In 1967, Peck received the Academy's Jean Hersholt Humanitarian Award. He was also been awarded the US Presidential Medal of Freedom. Always politically progressive, he was active in such causes as anti-war protests, workers' rights and civil rights. In 2003, his Peck's portrayal of Atticus Finch was named the greatest film hero of the past 100 years by the American Film Institute. Gregory Peck died at age 87 on June 12, 2003 in Los Angeles, California.- Actor
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A natural at portraying complex villains, anti-heroes, and charming heavies, Ian McShane is the classically trained, award-winning actor who has grabbed attention and acclaim from audiences and critics around the world with his unforgettable gallery of scoundrels, kings, mobsters and thugs.
And, now, a god as well!
McShane just completed his third season (as star and executive producer) on the hit Starz series, "American Gods," the TV adaptation of Neil Gaiman's 2001 novel. As Mr. Wednesday, a shifty, silver-tongued conman, he masks his true identity - that of the Norse god of war, Odin, who's assembling a team of elders to bring down the new false idols. A series McShane calls "like nothing else I've seen on television."
It's a comment that also befits McShane's critically-acclaimed role of the charismatic, menacing and lawless 19th century brothel-and-bar keep, Al Swearengen, in the profound and profane HBO western series "Deadwood," which ran for just 36 episodes over three seasons from 2004-06. For his work on the series' second season, McShane won the 2005 Golden Globe Award for Best Actor in a Television Drama (in addition to Emmy and Screen Actors Guild nominations as Outstanding Lead Dramatic Actor). He also received the Television Critics Association Award for Individual Achievement in Drama for his work in the show's debut season (with a second nomination in 2005).
It is a role and performance the New York Times dubbed "one of the most interesting villains on television." And, a recent online poll called Swearengen a more compelling onscreen gangster over the likes of Tony Soprano and Michael Corleone. After a twelve-year hiatus from portraying maybe his most iconic character ("it was the most satisfyingly creative three years of my professional career" he says), McShane recently reprised the unforgettable rogue when HBO resurrected the 1870s western in a two-hour telefilm, "Deadwood: The Movie," nominated for the Outstanding Television Movie Emmy.
At an age when many successful thespians turn to cameo appearances and character parts, McShane's busy career (which dates back to 1962) also includes three very different starring roles on the big screen. He was seen alongside David Harbour in Neil Marshall's reimagined comic book epic, "Hellboy." McShane also co-starred with Gary Carr in the Dan Pritzker drama, "Bolden," the biopic of musician Buddy Bolden, the father of jazz and a key figure in the development of ragtime music (McShane portrays Bolden's nemesis, Judge Perry). And, he reprised his role (reuniting with Keanu Reeves) as Winston, the suave and charming owner of the assassins-only Tribeca hotel in the latest installment of director Chad Stahelski's action trilogy, "John Wick: Chapter 3 - Parabellum," which opened to enormous box office success.
Years before his triumphant role in "Deadwood," McShane had compiled a long and diverse career on both British and American television. He produced and starred in the acclaimed series "Lovejoy" for the BBC (and A&E in the U.S.), directing several episodes during the show's lengthy run. The popular Sunday night drama (which attracted 18 million viewers weekly during its run from 1990-94) saw McShane in the title role of an irresistible, roguish Suffolk antiques dealer. He would reunite with the BBC by producing and starring in the darker and more serious drama, Madson.
He collected a second Golden Globe nomination for Best Actor in a Miniseries for his portrayal of the scheming Waleran Bigod in Starz's Emmy-nominated "Pillars of the Earth." The production, which originated on the U.K.'s Channel 4, was based on Ken Follett's bestselling historic novel about the building of a 12th-century cathedral during the time known as "the Anarchy" after King Henry I had lost his only son in the White Ship disaster of 1120. It's a character McShane says "would fit into the Vatican."
He is also well-known to TV audiences for his roles in FX's "American Horror Story," Showtime's "Ray Donovan" and, more recently, Amazon's "Dr. Thorne" and HBO's juggernaut, "Game of Thrones" ("I loved the character and did it because my three grandkids, big fans of the show, wouldn't have forgiven me if I hadn't"). And, he first worked with "American Gods" producer Michael Green on the short-lived NBC drama, "Kings," a show (inspired by The Book Of Samuel) he calls "far too revolutionary for network television."
Other notable small screen roles include his appearance in David Wolper's landmark miniseries "Roots" (as the British cockfighting aficionado), "Whose Life Is it Anyway?," Heathcliff in the 1967 miniseries "Wuthering Heights" and Harold Pinter's Emmy-winning "The Caretaker." McShane has also played a variety of real-life subjects like Sejanus in the miniseries "A.D.," the title role of Masterpiece Theater's "Disraeli: Portrait of A Romantic" and Judas in NBC's "Jesus of Nazareth" (directed by Franco Zeffirelli).
McShane, who shows no signs of slowing down in a career now entrenched in its sixth decade ("acting is the only business where the older you get, the parts and the pay get better"), began his career during Britain's New Wave Cinema of the early 1960s. He landed his first lead role in the 1962 English feature "The Wild and the Willing," which also starred another acting upstart and fellow Brit - McShane's lifelong friend, the late John Hurt. McShane later revealed that he had ditched class at the Royal Academy of Dramatic Art to audition for the role.
Since that 1962 motion picture debut, McShane has enjoyed a fabulous run of character roles such as the sinister Cockney mobster, Teddy Bass, opposite Ray Winstone and Ben Kingsley in "Sexy Beast"; the infamous pirate, Blackbeard, alongside Johnny Depp and Penelope Cruz in "Pirates of the Caribbean: On Stranger Tides"; and Richard Burton's bi-sexual partner, Wolfie, in the 1971 heist film, "Villain." He gave Hayley Mills her first onscreen kiss as a smoldering gypsy in 1965's "Sky West and Crooked," was part of the stellar ensemble cast (James Mason, James Coburn, Dyan Cannon) in the Stephen Sondheim-Anthony Perkins scripted big screen mystery, "The Last of Sheila," and played a retired sheriff with a violent past opposite Patrick Wilson in the gritty drama, "The Hollow Point."
Other film credits include Guy Hamilton's all-star WWII epic, "The Battle of Britain," the romantic comedy "If It's Tuesday, This Must Be Belgium," "Pottersville," "Hercules," "Snow White and the Huntsman" and "Jawbone" (reuniting with fellow Brit Ray Winstone in both), "Jack the Giant Slayer," Woody Allen's "Scoop," Rodrigo Garcia's indie drama "Nine Lives" (Gotham Award nominee for Best Ensemble Performance) and the darkly perverse crime drama, "44 Inch Chest," a film in which McShane not only starred, but also produced.
While also making his professional theatre debut in 1962 ("Infanticide in the House of Fred August," Arts Theatre, London), McShane appeared onstage in the original 1965 production of Joe Orton's "Loot." Two years later, he starred alongside Ian McKellen and Judi Dench in the hit stage play, "The Promise," a production which transferred to Broadway in 1967 (with Eileen Atkins replacing Dench). He would return to Broadway one more time forty years later (2008), starring in the 40th anniversary staging of Harold Pinter's "The Homecoming," for which he shared a Drama Desk Award as Best Cast Ensemble.
McShane also returned to the West End boards in 2000, charming audiences as the seductive, sex-obsessed Darryl Van Horne while making his musical stage debut in Cameron Mackintosh's "The Witches of Eastwick," an adaptation of the 1987 film. At the esteemed Matrix Theatre in Los Angeles, he appeared in Harold Pinter's "Betrayal," and John Osborne's "Inadmissible Evidence," earning a pair of Los Angeles Drama Critics' Awards for Lead Performance in the process. He also starred in the world premiere of Larry Atlas' "Yield of the Long Bond."
In addition to his work in front of the camera, McShane is also well-known for his voiceover work, with his low, distinctive baritone on display in a variety of projects. He voiced the eccentric magician, Mr. Bobinsky, in Henry Selick's award nominated "Coraline" (scripted by "American Gods" author Neil Gaiman), lent a sinister air to Tai Lung, the snow leopard adept at martial arts, in "Kung Fu Panda" (Annie Award nominee), and created the notorious Captain Hook in "Shrek the Third." He also narrated Grace Jones' 1985 album, Slave to the Rhythm, succumbing to producer Trevor Horn's request to take the job because, per Horn," Orson Welles was dead, and I needed a voice." The album sold over a million copies worldwide. In the virtual reality domain, he recently lent his voice to the award- winning VR animated short "Age of Sail" in the role of the elderly sailor, William Avery, adrift alone in the North Atlantic.
After almost sixty years entertaining audiences across the performance spectrum, McShane admits he did not set out for a career in the footlights while growing up in Manchester, England (he was actually born in Blackburn). It was by unexpected circumstances after McShane broke his leg playing soccer that he ended up performing in the school play production of Cyrano De Bergerac where he met his life-long friend and teacher, Leslie Ryder. Before he knew it, he auditioned for the Royal Academy of Arts where he was accepted and then left a term early to appear in the film, "The Wild and The Willing".
McShane never looked back.- Actor
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- Director
Djimon Hounsou was born in Cotonou, Benin, in west Africa to Albertine and Pierre Hounsou, a cook. He moved to Lyon, France, when he was 13. Hounsou has graced the catwalks of Paris and London as a popular male model. He has since left his modeling career and has worked on Gladiator (2000) by Ridley Scott and Amistad (1997) by Steven Spielberg.- Actor
- Producer
An oddly fascinating bloke with prominent bony cheeks and rawboned figure, Peter William (Pete) Postlethwaite was born on February 16, 1946 and was a distinguished character actor on stage, TV and film. Growing up the youngest of four siblings in a Catholic family in Warrington, Lancashire (near Liverpool) in middle-class surroundings to working-class parents, he attended St Mary's University (London). However, while completing his studies, he developed an interest in theatre, to the chagrin of his father, who wanted his children to find secure positions in life.
A drama teacher initially at a Catholic girls convent school, he decided to follow his acting instincts full-time and gradually built up an impressive array of classical stage credits via repertory, including the Bristol Old Vic Drama School, and in stints with Liverpool Everyman, Manchester Royal Exchange and the Royal Shakespeare Company. By the 1980s he was ready to branch out into film and TV, giving a startling performance as a wife abuser in the Distant Voices, Still Lives (1988).
By 1993 he had crossed over into Hollywood parts and earned his first Oscar nomination for his superb role as Daniel Day-Lewis' father in In the Name of the Father (1993). Other quality roles came his way with The Usual Suspects (1995), Brassed Off (1996), and Amistad (1997). He did fine work on television in Sharpe's Company (1994), Lost for Words (1999), and The Sins (2000). Postlethwaite worked equally both in the UK and abroad, and avoided the public limelight for the most part, except for occasional displays of political activism.
Postlethwaite lived quietly out of the spotlight in England and continued on in films with roles in The Shipping News (2001), The Limit (2004), Dark Water (2005), The Omen (2006), Ghost Son (2007) and Solomon Kane (2009). In 2010, he was seen in Clash of the Titans (2010), Inception (2010) and The Town (2010).
Postlewaite died on January 2, 2011, at age 64, of pancreatic cancer. He was surrounded by his wife and son, and by his daughter from a prior relationship.- Actor
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English actor, writer and director Chiwetel Ejiofor is renowned for his portrayal of Solomon Northup in 12 Years a Slave (2013), for which he received Academy Award and Golden Globe Award nominations, along with the BAFTA Award for Best Actor. He is also known for playing Okwe in Dirty Pretty Things (2002), the Operative in Serenity (2005), Lola in Kinky Boots (2005), Luke in Children of Men (2006), Dr. Adrian Helmsley in 2012 (2009) and Dr. Vincent Kapoor in The Martian (2015).
Chiwetelu Umeadi Ejiofor was born on July 10, 1977 in Forest Gate, London, England, to Nigerian parents, Obiajulu (Okaford), a pharmacist, and Arinze Ejiofor, a doctor. Chiwetel attended Dulwich College in South-East London. By the age of 13, he was appearing in numerous school and National Youth Theatre productions and subsequently attended the London Academy of Music and Dramatic Arts (LAMDA).
Ejiofor caught the attention of Steven Spielberg who cast him in the critically acclaimed Amistad (1997) alongside Morgan Freeman and Anthony Hopkins. He has since been seen on the big screen in numerous features including Stephen Frears' Dirty Pretty Things (2002) (for which he won Best Actor at the British Independent Film Awards, the Evening Standard Film Awards, and the San Diego Film Critics Society Awards), Love Actually (2003), Woody Allen's Melinda and Melinda (2004), Kinky Boots (2005), Inside Man (2006), Children of Men (2006), American Gangster (2007) and Talk to Me (2007), for which his performance won him an Independent Spirit Award for Best Supporting Actor.
Ejiofor has balanced his film and television commitments with a number of prestigious stage productions. In 2008, his portrayal of the title role in Michael Grandage's "Othello" at the Donmar Warehouse alongside Ewan McGregor was unanimously commended and won him best actor at the 2008 Laurence Olivier Awards and Evening Standard Theatre Awards. He also received nominations in the South Bank Show Awards and the What's On Stage Theatregoers' Choice Awards in 2009. His other stage roles include Roger Michell's "Blue/Orange" in 2000 which received the Laurence Olivier Award for Best Play, and the same year Tim Supple's "Romeo and Juliet" in which Ejiofor portrayed the title role.
Following his television debut in the series episode Deadly Voyage (1996), Ejiofor has complimented his film and theatre work on the small screen in productions including Murder in Mind (2001), created by the award-winning writer Anthony Horowitz, Trust (2003), Twelfth Night, or What You Will (2003), and Canterbury Tales (2003). His television appearance in the hard hitting emotional drama Tsunami: The Aftermath (2006) alongside Toni Collette, Sophie Okonedo and Tim Roth earned him a nomination for a Golden Globe Award as well as an NAACP Image award.
Ejiofor also appeared in such notable films as Endgame (2009), Channel 4's moving drama set in South Africa for which his performance earned him a Golden Globe Award nomination for Best Performance by an Actor in a Miniseries; Roland Emmerich's action feature 2012 (2009), opposite John Cusack, Danny Glover and Thandiwe Newton; and Salt (2010), opposite Angelina Jolie and Liev Schreiber. In 2013, he starred in Half of a Yellow Sun (2013) and 12 Years a Slave (2013), receiving an Academy Award nomination for Best Actor for the latter film.- Actor
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Christoph Waltz is an Austrian-German actor. He is known for his work with American filmmaker Quentin Tarantino, receiving acclaim for portraying SS-Standartenführer Hans Landa in Inglourious Basterds (2009) and bounty hunter Dr. King Schultz in Django Unchained (2012). For each performance, he won an Academy Award, a BAFTA Award, and a Golden Globe Award for Best Supporting Actor. Additionally, he received the Best Actor Award at the Cannes Film Festival and a Screen Actors Guild Award for his portrayal of Landa.
Christoph Waltz was born in Vienna, Austria, into a theatrical family, his mother Elisabeth Urbancic, an Austrian-born costume designer, and Johannes Waltz, a German-born stage builder. He has three siblings. His maternal grandmother was Viennese Burgtheater actress Maria Mayen, and his step-grandfather was fellow Burgtheater actor Emmerich Reimers. His maternal grandfather, Rudolf von Urban, was a psychologist and psychiatrist who wrote the 1949 book "Sex Perfection and Marital Happiness".
Waltz attended the Theresianium and Billrothstrasse in Vienna. Upon graduation, he attended the Max-Reinhardt-Seminar before going to New York to the Lee Strasberg Institute. While in New York, Christoph met his first wife, and moved back to Vienna, then to London.
During the 80s, Christoph worked primarily in theatre, commuting from his home in London to Germany. Slowly Waltz began to work in TV, taking one-off roles in series, and TV movies. Film roles soon followed. Attempts to break into English-speaking film and TV were, however, unsuccessful. Waltz has expressed his gratitude to have been able to make a living and support his family through acting. For thirty years he worked steadily, tirelessly, in this manner.
It was not until he met Quentin Tarantino that his career in Hollywood took off. The role of Colonel Hans Landa in Inglourious Basterds (2009) catapulted Waltz from a lifetime working in German TV/film to the new life of an international superstar and Academy Award-winning actor. He won 27 awards for his performance as Hans Landa, including the Cannes prix d'interpretation Masculin for 2009, the Golden Globe for Best Supporting Actor, the BAFTA Best Supporting Actor award, and the Academy Award for Best Supporting Actor (which he won again for 2012's Django Unchained (2012)).
He also has portrayed computer genius Qohen Leth in the film The Zero Theorem (2013), American plagiarist Walter Keane in the biographical film _Big Eyes (2014), and 007's nemesis and head of SPECTRE Ernst Stavro Blofeld in _Spectre (2015)_. In Quentin Tarantino's 2009 film Inglourious Basterds, Waltz portrayed SS-Standartenführer Hans Landa, aka "The Jew Hunter". Clever, courteous, and multilingual - but also self-serving, cunning, implacable, and murderous. Waltz played gangster Benjamin Chudnofsky in The Green Hornet (2011). That same year, he starred in Water for Elephants (2011), Roman Polanski's Carnage (2011), and a remake of The Three Musketeers (2011). He played German bounty hunter Dr. King Schultz in Quentin Tarantino's Django Unchained (2012), a role Tarantino wrote specifically for Waltz.
Waltz resides in Berlin and Los Angeles. His wife is costume builder Judith Holste.- Actor
- Producer
- Additional Crew
One of Hollywood's finest character / "Method" actors, Eli Wallach was in demand for over 60 years (first film/TV role was 1949) on stage and screen, and has worked alongside the world's biggest stars, including Clark Gable, Clint Eastwood, Steve McQueen, Marilyn Monroe, Yul Brynner, Peter O'Toole, and Al Pacino, to name but a few.
Wallach was born on 7 December 1915 in Brooklyn, NY, to Jewish parents who emigrated from Poland, and was one of the few Jewish kids in his mostly Italian neighborhood. His parents, Bertha (Schorr) and Abraham Wallach, owned a candy store, Bertha's Candy Store. He went on to graduate with a B.A. from the University of Texas in Austin, but gained his dramatic training with the Actors Studio and the Neighborhood Playhouse. He made his debut on Broadway in 1945, and won a Tony Award in 1951 for portraying Alvaro Mangiacavallo in the Tennessee Williams play "The Rose Tattoo".
Wallach made a strong screen debut in 1956 in the film version of the Tennessee Williams play Baby Doll (1956), shined as "Dancer", the nattily dressed hitman, in director Don Siegel's film-noir classic The Lineup (1958), and co-starred in the heist film Seven Thieves (1960). Director John Sturges then cast Wallach as vicious Mexican bandit Calvera in The Magnificent Seven (1960), the western adaptation of the Akira Kurosawa epic Seven Samurai (1954). The Misfits (1961), in the star-spangled western opus How the West Was Won (1962), the underrated WW2 film The Victors (1963), as a kidnapper in The Moon-Spinners (1964), in the sea epic Lord Jim (1965) and in the romantic comedy How to Steal a Million (1966).
Looking for a third lead actor in the final episode of the "Dollars Trilogy", Italian director Sergio Leone cast the versatile Wallach as the lying, two-faced, money-hungry (but somehow lovable) bandit "Tuco" in the spectacular The Good, the Bad and the Ugly (1966) (aka "The Good, The Bad and The Ugly"), arguably his most memorable performance. Wallach kept busy throughout the remainder of the '60s and into the '70s with good roles in Mackenna's Gold (1969), Cinderella Liberty (1973), Crazy Joe (1974), The Deep (1977) and as Steve McQueen's bail buddy in The Hunter (1980).
The 1980s was an interesting period for Wallach, as he was regularly cast as an aging doctor, a Mafia figure or an over-the-hill hitman, such as in The Executioner's Song (1982), Our Family Honor (1985), Tough Guys (1986), Nuts (1987), The Two Jakes (1990) and as the candy-addicted "Don Altabello" in The Godfather Part III (1990). At 75+ years of age, Wallach's quality of work was still first class and into the 1990s and beyond, he has remained in demand. He lent fine support to Vendetta: Secrets of a Mafia Bride (1990), Teamster Boss: The Jackie Presser Story (1992), Naked City: Justice with a Bullet (1998) and Keeping the Faith (2000). Most recently Wallach showed up as a fast-talking liquor store owner in Mystic River (2003) and in the comedic drama King of the Corner (2004).
In early 2005, Eli Wallach released his much anticipated autobiography, "The Good, The Bad And Me: In My Anecdotage", an enjoyable reading from one of the screen's most inventive and enduring actors.
Eli Wallach was very much a family man who remained married to his wife Anne Jackson for 66 years. When Wallach died at 98, in 2014, in Manhattan, NY, he was survived by his wife, three children, five grandchildren and several great-grandchildren.- Actor
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Errol Flynn was born to parents Theodore Flynn, a respected biologist, and Marrelle Young, an adventurous young woman. Young Flynn was a rambunctious child who could be counted on to find trouble. Errol managed to have himself thrown out of every school in which he was enrolled. In his late teens he set out to find gold, but instead found a series of short lived odd jobs. Information is sketchy, however the positions of police constable, sanitation engineer, treasure hunter, sheep castrator, ship-master for hire, fisherman, and soldier seem to be among his more reputable career choices. Staying one jump ahead of the law and jealous husbands forced Flynn to England. He took up acting, a pastime he had previously stumbled into when asked to play (ironically) Fletcher Christian in a film called In the Wake of the Bounty (1933). Flynn's natural athletic talent and good looks attracted the attention of Warner Brothers and soon he was off to America. His luck held when he replaced Robert Donat in the title role of Captain Blood (1935). He quickly rocketed to stardom as the undisputed king of adventure films, a title inherited from Douglas Fairbanks, though which remains his to this day. Onscreen, he was the freedom loving rebel, a man of action who fought against injustice and won the hearts of damsels in the process. His off-screen passions; drinking, fighting, boating and sex, made his film escapades seem pale. His love life brought him considerable fame, three statutory rape trials, and a lasting memorial in the expression "In like Flynn". Serious roles eluded him, and as his lifestyle eroded his youthful good looks, his career declined. Troubles with lawsuits and the IRS plagued him at this time, eroding what little money he had saved. A few good roles did come his way late in life, however, these were usually that of aging alcoholic, almost mirror images of Flynn. Regardless of any perceived similarity; he was making a name as a serious actor before his death.- Actor
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A leading man of prodigious talents, Peter O'Toole was born and raised in Leeds, Yorkshire, England, the son of Constance Jane Eliot (Ferguson), a Scottish nurse, and Patrick Joseph O'Toole, an Irish metal plater, football player and racecourse bookmaker. Upon leaving school, he decided to become a journalist, beginning as a newspaper copy boy. Although he succeeded in becoming a reporter, he discovered the theater and made his stage debut at age 17. He served as a radioman in the Royal Navy for two years, then attended the Royal Academy of Dramatic Arts, where his classmates included Albert Finney, Alan Bates and Richard Harris.
O'Toole spent several years on-stage at the Bristol Old Vic, then made an inconspicuous film debut in the Disney classic Kidnapped (1960). In 1962, he was chosen by David Lean to play T.E. Lawrence in Lean's epic drama Lawrence of Arabia (1962). The role made O'Toole an international superstar and received him his first Academy Award nomination for Best Actor in a Leading Role. In 1963, he played Hamlet under Laurence Olivier's direction in the premiere production of the Royal National Theater. He continued successfully in artistically rich films as well as less artistic but commercially rewarding projects. He received Academy Award nominations (but no Oscar) for seven different films.
However, medical problems (originally thought to have been brought on by his drinking but which turned out to be stomach cancer) threatened to destroy his career and life in the 1970s. He survived by giving up alcohol and, after serious medical treatment, returned to films with triumphant performances in The Stunt Man (1980) and My Favorite Year (1982). His youthful beauty lost to time and drink, O'Toole has found meaningful roles increasingly difficult to come by, though he remained one of the greatest actors of his generation. He had two daughters, Pat and Kate O'Toole, from his marriage to actress Siân Phillips. He also had a son, Lorcan O'Toole, by model Karen Brown.
On December 14, 2013, Peter O'Toole died at age 81 in London, England.- Actor
- Producer
- Soundtrack
Ernest Borgnine was born Ermes Effron Borgnino on January 24, 1917 in Hamden, Connecticut. His parents were Anna (Boselli), who had emigrated from Carpi (MO), Italy, and Camillo Borgnino, who had emigrated from Ottiglio (AL), Italy. As an only child, Ernest enjoyed most sports, especially boxing, but took no real interest in acting. At age 18, after graduating from high school in New Haven, and undecided about his future career, he joined the United States Navy, where he stayed for ten years until leaving in 1945. After a few factory jobs, his mother suggested that his forceful personality could make him suitable for a career in acting, and Borgnine promptly enrolled at the Randall School of Drama in Hartford. After completing the course, he joined Robert Porterfield's famous Barter Theatre in Abingdon, Virginia, staying there for four years, undertaking odd jobs and playing every type of role imaginable. His big break came in 1949, when he made his acting debut on Broadway playing a male nurse in "Harvey".
In 1951, Borgnine moved to Los Angeles to pursue a movie career, and made his film debut as Bill Street in The Whistle at Eaton Falls (1951). His career took off in 1953 when he was cast in the role of Sergeant "Fatso" Judson in From Here to Eternity (1953). This memorable performance led to numerous supporting roles as "heavies" in a steady string of dramas and westerns. He played against type in 1955 by securing the lead role of Marty Piletti, a shy and sensitive butcher, in Marty (1955). He won an Academy Award for Best Actor for his performance, despite strong competition from Spencer Tracy, Frank Sinatra, James Dean and James Cagney. Throughout the 1950s, 1960s and 1970s, Borgnine performed memorably in such films as The Catered Affair (1956), Ice Station Zebra (1968) and Emperor of the North (1973). Between 1962 and 1966, he played Lt. Commander Quinton McHale in the popular television series McHale's Navy (1962). In early 1984, he returned to television as Dominic Santini in the action series Airwolf (1984) co-starring Jan-Michael Vincent, and in 1995, he was cast in the comedy series The Single Guy (1995) as doorman Manny Cordoba. He also appeared in several made-for-TV movies.
Ernest Borgnine has often stated that acting was his greatest passion. His amazing 61-year career (1951 - 2012) included appearances in well over 100 feature films and as a regular in three television series, as well as voice-overs in animated films such as All Dogs Go to Heaven 2 (1996), Small Soldiers (1998), and a continued role in the series SpongeBob SquarePants (1999). Between 1973 until his death, Ernest was married to Tova Traesnaes, who heads her own cosmetics company. They lived in Beverly Hills, California, where Ernest assisted his wife between film projects. When not acting, Ernest actively supported numerous charities and spoke tirelessly at benefits throughout the country. He has been awarded several honorary doctorates from colleges across the United States as well as numerous Lifetime Achievement Awards. In 1996, Ernest purchased a bus and traveled across the United States to see the country and meet his many fans. On December 17, 1999, he presented the University of North Alabama with a collection of scripts from his film and television career, due to his long friendship with North Alabama alumnus and actor George Lindsey (died May 6, 2012), who was an artist in residence at North Alabama.
Ernest Borgnine passed away aged 95 on July 8, 2012, at Cedars-Sinai Medical Center in Los Angeles, California, of renal failure. He is survived by his wife Tova, their children and his younger sister Evelyn (1926-2013)- Actor
- Producer
- Stunts
He was the ultra-cool male film star of the 1960s, and rose from a troubled youth spent in reform schools to being the world's most popular actor. Over 40 years after his untimely death from mesothelioma in 1980, Steve McQueen is still considered hip and cool, and he endures as an icon of popular culture.
McQueen was born in Beech Grove, Indiana, to mother Julian (Crawford) and father William Terence McQueen, a stunt pilot. His first lead role was in the low-budget sci-fi film The Blob (1958), quickly followed by roles in The St. Louis Bank Robbery (1959) and Never So Few (1959). The young McQueen appeared as Vin, alongside Yul Brynner, in the star-laden The Magnificent Seven (1960) and effectively hijacked the lead from the bigger star by ensuring he was nearly always doing something in every shot he and Brynner were in together, such as adjusting his hat or gun belt. He next scored with audiences with two interesting performances, first in the World War II drama Hell Is for Heroes (1962) and then in The War Lover (1962). Riding a wave of popularity, McQueen delivered another crowd pleaser as Hilts, the Cooler King, in the knockout World War II P.O.W. film The Great Escape (1963), featuring his famous leap over the barbed wire on a motorcycle while being pursued by Nazi troops (in fact, however, the stunt was actually performed by his good friend, stunt rider Bud Ekins).
McQueen next appeared in several films of mixed quality, including Soldier in the Rain (1963); Love with the Proper Stranger (1963) and Baby the Rain Must Fall (1965). However, they failed to really grab audience attention, but his role as Eric Stoner in The Cincinnati Kid (1965), alongside screen legend Edward G. Robinson and Karl Malden, had movie fans filling theaters again to see the ice-cool McQueen they loved. He was back in another Western, Nevada Smith (1966), again with Malden, and then he gave what many consider to be his finest dramatic performance as loner US Navy sailor Jake Holman in the superb The Sand Pebbles (1966). McQueen was genuine hot property and next appeared with Faye Dunaway in the provocative crime drama The Thomas Crown Affair (1968), next in what many consider his signature role, that of a maverick, taciturn detective in the mega-hit Bullitt (1968), renowned for its famous chase sequence through San Francisco between McQueen's Ford Mustang GT and the killer's black Dodge Charger.
Interestingly, McQueen's next role was a total departure from the action genre, as he played Southerner Boon Hogganbeck in the family-oriented The Reivers (1969), based on the popular William Faulkner novel. Not surprisingly, the film didn't go over particularly well with audiences, even though it was an entertaining and well made production, and McQueen showed an interesting comedic side of his acting talents. He returned to more familiar territory, with the race film Le Mans (1971), a rather self-indulgent exercise, and its slow plot line contributed to its rather poor performance in theaters. It was not until many years later that it became something of a cult film, primarily because of the footage of Porsche 917s roaring around race tracks in France. McQueen then teamed up with maverick Hollywood director Sam Peckinpah to star in the modern Western Junior Bonner (1972), about a family of rodeo riders, and again with Peckinpah as bank robber Doc McCoy in the violent The Getaway (1972). Both did good business at the box office. McQueen's next role was a refreshing surprise and Papillon (1973), based on the Henri Charrière novel of the same name, was well received by fans and critics alike. He played a convict on a French penal colony in South America who persists in trying to escape from his captors and feels their wrath when his attempts fail.
The 1970s is a decade remembered for a slew of "disaster" movies and McQueen starred in arguably the biggest of the time, The Towering Inferno (1974). He shared equal top billing with Paul Newman and an impressive line-up of co-stars including Fred Astaire, Robert Vaughn and Faye Dunaway. McQueen does not appear until roughly halfway into the film as San Francisco fire chief Mike O'Halloran, battling to extinguish an inferno in a 138-story skyscraper. The film was a monster hit and set the benchmark for other disaster movies that followed. However, it was McQueen's last film role for several years. After a four-year hiatus he surprised fans, and was almost unrecognizable under long hair and a beard, as a rabble-rousing early environmentalist in An Enemy of the People (1978), based on the Henrik Ibsen play.
McQueen's last two film performances were in the unusual Western Tom Horn (1980), then he portrayed real-life bounty hunter Ralph "Papa' Thorson (Ralph Thorson) in The Hunter (1980). In 1978, McQueen developed a persistent cough that would not go away. He quit smoking cigarettes and underwent antibiotic treatments without improvement. Shortness of breath grew more pronounced and on December 22, 1979, after he completed work on 'The Hunter', a biopsy revealed pleural mesothelioma, a rare lung cancer associated with asbestos exposure for which there is no known cure. The asbestos was thought to have been in the protective suits worn in his race car driving days, but in fact the auto racing suits McQueen wore were made of Nomex, a DuPont fire-resistant aramid fiber that contains no asbestos. McQueen later gave a medical interview in which he believed that asbestos used in movie sound stage insulation and race-drivers' protective suits and helmets could have been involved, but he thought it more likely that his illness was a direct result of massive exposure while removing asbestos lagging from pipes aboard a troop ship while in the US Marines.
By February 1980, there was evidence of widespread metastasis. While he tried to keep the condition a secret, the National Enquirer disclosed that he had "terminal cancer" on March 11, 1980. In July, McQueen traveled to Rosarito Beach, Mexico for an unconventional treatment after American doctors told him they could do nothing to prolong his life. Controversy arose over McQueen's Mexican trip, because McQueen sought a non-traditional cancer treatment called the Gerson Therapy that used coffee enemas, frequent washing with shampoos, daily injections of fluid containing live cells from cows and sheep, massage and laetrile, a supposedly "natural" anti-cancer drug available in Mexico, but not approved by the US Food and Drug Administration. McQueen paid for these unconventional medical treatments by himself in cash payments which was said to have cost an upwards of $40,000 per month during his three-month stay in Mexico. McQueen was treated by William Donald Kelley, whose only medical license had been (until revoked in 1976) for orthodontics.
McQueen returned to the United States in early October 1980. Despite metastasis of the cancer through McQueen's body, Kelley publicly announced that McQueen would be completely cured and return to normal life. McQueen's condition soon worsened and "huge" tumors developed in his abdomen. In late October, McQueen flew to Ciudad Juarez, Chihuahua, Mexico to have an abdominal tumor on his liver (weighing around five pounds) removed, despite warnings from his American doctors that the tumor was inoperable and his heart could not withstand the surgery. McQueen checked into a Juarez clinic under the alias "Sam Shepard" where the local Mexican doctors and staff at the small, low-income clinic were unaware of his actual identity.
Steve McQueen passed away on November 7, 1980, at age 50 after the cancer surgery which was said to be successful. He was cremated and his ashes were scattered at sea. He married three times and had a lifelong love of motor racing, once remarking, "Racing is life. Anything before or after is just waiting.".- Actor
- Producer
- Director
Screen legend, superstar, and the man with the most famous blue eyes in movie history, Paul Leonard Newman was born on January 26, 1925, in Cleveland, Ohio, the second son of Arthur Sigmund Newman (died 1950) and Theresa Fetsko (died 1982). His elder brother was Arthur S. Newman Jr., named for their father, a Jewish businessman who owned a successful sporting goods store and was the son of emigrants from Poland and Hungary. Newman's mother (born Terézia Fecková, daughter of Stefan Fecko and Mária Polenak) was a Roman Catholic Slovak from Homonna, Pticie (former Austro-Hungarian Empire), who became a practicing Christian Scientist. She and her brother, Newman's uncle Joe, had an interest in the creative arts, and it rubbed off on him. He acted in grade school and high school plays. The Newmans were well-to-do and Paul Newman grew up in affluent Shaker Heights. Before he became an actor, Newman ran the family sporting goods store in Cleveland, Ohio.
By 1950, the 25-year-old Newman had been kicked out of Ohio University, where he belonged to the Phi Kappa Tau fraternity, for unruly behavior (denting the college president's car with a beer keg), served three years in the United States Navy during World War II as a radio operator, graduated from Ohio's Kenyon College, married his first wife, Jacqueline "Jackie" Witte (born 1929), and had his first child, Scott. That same year, his father died. When he became successful in later years, Newman said if he had any regrets it would be that his father was not around to witness his success. He brought Jackie back to Shaker Heights and he ran his father's store for a short period. Then, knowing that wasn't the career path he wanted to take, he moved Jackie and Scott to New Haven, Connecticut, where he attended Yale University's School of Drama.
While doing a play there, Newman was spotted by two agents, who invited him to come to New York City to pursue a career as a professional actor. After moving to New York, he acted in guest spots for various television series and in 1953 came a big break. He got the part of understudy of the lead role in the successful Broadway play "Picnic". Through this play, he met actress Joanne Woodward (born 1930), who was also an understudy in the play. While they got on very well and there was a strong attraction, Newman was married and his second child, Susan, was born that year. During this time, Newman was accepted into the much admired and popular New York Actors Studio, although he did not actually audition.
In 1954, a film Newman was very reluctant to do was released, The Silver Chalice (1954). He considered his performance in this costume epic to be so bad that he took out a full-page ad in a trade paper apologizing for it to anyone who might have seen it. He had always been embarrassed about the film and reveled in making fun of it. He immediately wanted to return to the stage, and performed in "The Desperate Hours". In 1956, he got the chance to redeem himself in the film world by portraying boxer Rocky Graziano in Somebody Up There Likes Me (1956), and critics praised his performance. In 1957, with a handful of films to his credit, he was cast in The Long, Hot Summer (1958), co-starring Joanne Woodward.
During the shooting of this film, they realized they were meant to be together and by now, so did his then-wife Jackie, who gave Newman a divorce. He and Woodward wed in Las Vegas in January 1958. They went on to have three daughters together and raised them in Westport, Connecticut. In 1959, Newman received his first Academy Award nomination for Best Actor, in Cat on a Hot Tin Roof (1958). The 1960s would bring Newman into superstar status, as he became one of the most popular actors of the decade, and garnered three more Best Actor Oscar nominations, for The Hustler (1961), Hud (1963) and Cool Hand Luke (1967). In 1968, his debut directorial effort Rachel, Rachel (1968) was given good marks, and although the film and Woodward were nominated for Oscars, Newman was not nominated for Best Director. However, he did win a Golden Globe Award for his direction.
1969 brought the popular screen duo of Newman and Robert Redford together for the first time when Butch Cassidy and the Sundance Kid (1969) was released. It was a box office smash. Through the 1970s, Newman had hits and misses from such popular films as The Sting (1973) and The Towering Inferno (1974) to lesser known films as The Life and Times of Judge Roy Bean (1972) to a cult classic Slap Shot (1977). After the death of his only son, Scott, in 1978, Newman's personal life and film choices moved in a different direction. His acting work in the 1980s and on is what is often most praised by critics today. He became more at ease with himself and it was evident in The Verdict (1982) for which he received his sixth Best Actor Oscar nomination and, in 1987, finally received his first Oscar for The Color of Money (1986), almost thirty years after Woodward had won hers. Friend and director of Somebody Up There Likes Me (1956), Robert Wise accepted the award on Newman's behalf as the actor did not attend the ceremony.
Films were not the only thing on his mind during this period. A passionate race car driver since the early 1970s (despite being color-blind), he was co-founder of Newman-Haas racing in 1982, and also founded "Newman's Own", a successful line of food products that has earned in excess of $100 million, every penny of which Newman donated to charity. He also started The Hole in the Wall Gang Camps, an organization for children with serious illness. He was as well known for his philanthropic ways and highly successful business ventures as he was for his legendary actor status.
Newman's marriage to Woodward lasted a half-century. Connecticut was their primary residence after leaving Hollywood and moving East in 1960. Renowned for his sense of humor, in 1998 he quipped that he was a little embarrassed to see his salad dressing grossing more than his movies. During his later years, he still attended races, was much involved in his charitable organizations, and in 2006, he opened a restaurant called Dressing Room, which helps out the Westport Country Playhouse, a place in which Newman took great pride. In 2007, while the public was largely unaware of the serious illness from which he was suffering, Newman made some headlines when he said he was losing his invention and confidence in his acting abilities and that acting was "pretty much a closed book for me". A smoker for many years, Newman died on September 26, 2008, aged 83, from lung cancer.- Actor
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- Soundtrack
William Claude Rains, born in the Clapham area of London, was the son of the British stage actor Frederick Rains. The younger Rains followed, making his stage debut at the age of eleven in "Nell of Old Drury." Growing up in the world of theater, he saw not only acting up close but the down-to-earth business end as well, progressing from a page boy to a stage manager during his well-rounded learning experience. Rains decided to come to America in 1913 and the New York theater, but with the outbreak of World War I the next year, he returned to serve with a Scottish regiment in Europe. He remained in England, honing his acting talents, bolstered with instruction patronized by the founder of the Royal Academy of Dramatic Arts, Herbert Beerbohm Tree. It was not long before his talent garnered him acknowledgment as one of the leading stage actors on the London scene. His one and only silent film venture was British with a small part for him, the forgettable -- Build Thy House (1920).
In the meantime, Rains was in demand as acting teacher as well, and he taught at the Royal Academy. Young and eager Laurence Olivier and John Gielgud were perhaps his best known students. Rains did return to New York in 1927 to begin what would be nearly 20 Broadway roles. While working for the Theater Guild, he was offered a screen test with Universal Pictures in 1932. Rains had a unique and solid British voice-deep, slightly rasping -- but richly dynamic. And as a man of small stature, the combination was immediately intriguing. Universal was embarking on its new-found role as horror film factory, and they were looking for someone unique for their next outing, The Invisible Man (1933). Rains was the very man. He took the role by the ears, churning up a rasping malice and volume in his voice to achieve a bone chilling persona of the disembodied mad doctor. He could also throw out a high-pitched maniac laugh that would make you leave the lights on before going to bed. True to Universal's formula mentality, it cast him in similar roles through 1934 with some respite in more diverse film roles -- and further relieved by Broadway roles (1933, 1934) for the remainder of his contract. By 1936, he was at Warner Bros. with its ambitious laundry list of literary epics in full swing. His acting was superb, and his eyes could say as much as his voice. And his mouth could take on both a forbidding scowl and the warmest of smiles in an instant. His malicious, gouty Don Luis in Anthony Adverse (1936) was inspired. After a shear lucky opportunity to dispatch his young wife's lover, Louis Hayward, in a duel, he triumphs over her in a scene with derisive, bulging eyes and that high pitched laugh -- with appropriate shadow and light backdrop -- that is unforgettable.
He was kept very busy through the remainder of the 1930s with a mix of benign and devious historical, literary, and contemporary characters always adapting a different nuance -- from murmur to growl -- of that voice to become the person. He culminated the decade with his complex, ethics-tortured Senator "Joe" Paine in Mr. Smith Goes to Washington (1939). That year he became an American citizen. Into the 1940s, Rains had risen to perhaps unique stature: a supporting actor who had achieved A-list stardom -- almost in a category by himself. His some 40 films during that period ranged from subtle comedy to psychological drama with a bit of horror revisited; many would be golden era classics. He was the firm but thoroughly sympathetic Dr. Jaquith in Now, Voyager (1942) and the smoothly sardonic but engaging Capt. Louis Renault -- perhaps his best known role -- in Casablanca (1942). He was the surreptitiously nervous and malignant Alexander Sebastian in Notorious (1946) and the egotistical and domineering conductor Alexander Hollenius in Deception (1946). He was the disfigured Phantom of the Opera (1943) as well. He played opposite the challenging Bette Davis in three movies through the decade and came out her equal in acting virtuosity. He was nominated four times for the Best Supporting Actor Oscar -- but incredibly never won. With the 1950s the few movies left to an older Rains were countered by venturing into new acting territory -- television. His haunted, suicidal writer Paul DeLambre in the mountaineering adventure The White Tower (1950), though a modest part, was perhaps the most vigorously memorable film role of his last years. He made a triumphant Broadway return in 1951's "Darkness at Noon."
Rains embraced the innovative TV playhouse circuit with nearly 20 roles. As a favored 'Alfred Hitchcock' alumnus, he starred in five Alfred Hitchcock Presents (1955) suspense dramas into the 1960s. And he did not shy away from episodic TV either with some memorable roles that still reflected the power of Claude Rains as consummate actor -- for many, first among peers with that hallowed title.