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With prominent cheekbones, luminous skin and the most crystalline green eyes of her day, Gene Tierney's striking good looks helped propel her to stardom. Her best known role is the enigmatic murder victim in Laura (1944). She was also Oscar-nominated for Leave Her to Heaven (1945). Her acting performances were few in the 1950s as she battled a troubled emotional life that included hospitalization and shock treatment for depression.
Gene Eliza Tierney was born on November 19, 1920 in Brooklyn, New York, to well-to-do parents, Belle Lavinia (Taylor) and Howard Sherwood Tierney. Her father was a successful insurance broker and her mother was a former teacher. Her childhood was lavish indeed. She also lived, at times, with her equally successful grandparents in Connecticut and New York. She was educated in the finest schools on the East Coast and at a finishing school in Switzerland.
After two years in Europe, Gene returned to the US where she completed her education. By 1938 she was performing on Broadway in What a Life! and understudied for the Primrose Path (1938) at the same time. Her wealthy father set up a corporation that was only to promote her theatrical pursuits. Her first role consisted of carrying a bucket of water across the stage, prompting one critic to announce that "Miss Tierney is, without a doubt, the most beautiful water carrier I have ever seen!" Her subsequent roles Mrs O'Brian Entertains (1939) and RingTwo (1939) were meatier and received praise from the tough New York critics. Critic Richard Watts wrote "I see no reason why Miss Tierney should not have a long and interesting theatrical career, that is if the cinema does not kidnap her away."
After being spotted by the legendary Darryl F. Zanuck during a stage performance of the hit show The Male Animal (1940), Gene was signed to a contract with 20th Century-Fox. Her first role as Barbara Hall in Hudson's Bay (1940) would be the send-off vehicle for her career. Later that year she appeared in The Return of Frank James (1940). The next year would prove to be a very busy one for Gene, as she appeared in The Shanghai Gesture (1941), Sundown (1941), Tobacco Road (1941) and Belle Starr (1941). She tried her hand at screwball comedy in Rings on Her Fingers (1942), which was a great success. Her performances in each of these productions were masterful. In 1945 she was nominated for a Best Actress Oscar for her portrayal of Ellen Brent in Leave Her to Heaven (1945). Though she didn't win, it solidified her position in Hollywood society. She followed up with another great performance as Isabel Bradley in the hit The Razor's Edge (1946).
In 1944, she played what is probably her best-known role (and, most critics agree, her most outstanding performance) in Otto Preminger's Laura (1944), in which she played murder victim named Laura Hunt. In 1947 Gene played Lucy Muir in the acclaimed The Ghost and Mrs. Muir (1947). By this time Gene was the hottest player around, and the 1950s saw no letup as she appeared in a number of good films, among them Night and the City (1950), The Mating Season (1951), Close to My Heart (1951), Plymouth Adventure (1952), Personal Affair (1953) and The Left Hand of God (1955). The latter was to be her last performance for seven years. The pressures of a failed marriage to Oleg Cassini, the birth of a daughter with learning disabilities in 1943, and several unhappy love affairs resulted in Gene being hospitalized for depression. When she returned to the the screen in Advise & Consent (1962), her acting was as good as ever but there was no longer a big demand for her services.
Her last feature film was The Pleasure Seekers (1964), and her final appearance in the film industry was in a TV miniseries, Scruples (1980). Gene died of emphysema in Houston, Texas, on November 6, 1991, just two weeks shy of her 71st birthday.- Actress
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Elizabeth Rosemond Taylor was considered one of the last, if not the last, major star to have come out of the old Hollywood studio system. She was known internationally for her beauty, especially for her violet eyes, with which she captured audiences early in her youth and kept the world hooked with ever after.
Taylor was born on February 27, 1932 in London, England. Although she was born an English subject, her parents, Sara Taylor (née Sara Viola Warmbrodt) and Francis Taylor, were Americans, art dealers from St. Louis, Missouri. Her father had moved to London to set up a gallery prior to Elizabeth's birth. Her mother had been an actress on the stage, but gave up that vocation when she married. Elizabeth lived in London until the age of seven, when the family left for the US when the clouds of war began brewing in Europe in 1939. They sailed without her father, who stayed behind to wrap up the loose ends of the art business.
The family relocated to Los Angeles, where Mrs. Taylor's own family had moved. Mr. Taylor followed not long afterward. A family friend noticed the strikingly beautiful little Elizabeth and suggested that she be taken for a screen test. Her test impressed executives at Universal Pictures enough to sign her to a contract. Her first foray onto the screen was in There's One Born Every Minute (1942), released when she was ten. Universal dropped her contract after that one film, but Elizabeth was soon picked up by MGM.
The first production she made with that studio was Lassie Come Home (1943), and on the strength of that one film, MGM signed her for a full year. She had minuscule parts in her next two films, The White Cliffs of Dover (1944) and Jane Eyre (1943) (the former made while she was on loan to 20th Century-Fox). Then came the picture that made Elizabeth a star: MGM's National Velvet (1944). She played Velvet Brown opposite Mickey Rooney. The film was a smash hit, grossing over $4 million. Elizabeth now had a long-term contract with MGM and was its top child star. She made no films in 1945, but returned in 1946 in Courage of Lassie (1946), another success. In 1947, when she was 15, she starred in Life with Father (1947) with such heavyweights as William Powell, Irene Dunne and Zasu Pitts, which was one of the biggest box office hits of the year. She also co-starred in the ensemble film Little Women (1949), which was also a box office huge success.
Throughout the 1950s, Elizabeth appeared in film after film with mostly good results, starting with her role in the George Stevens film A Place in the Sun (1951), co-starring her good friend Montgomery Clift. The following year, she co-starred in Ivanhoe (1952), one of the biggest box office hits of the year. Her busiest year was 1954. She had a supporting role in the box office flop Beau Brummell (1954), but later that year starred in the hits The Last Time I Saw Paris (1954) and Elephant Walk (1954). She was 22 now, and even at that young age was considered one of the world's great beauties. In 1955 she appeared in the hit Giant (1956) with James Dean.
Sadly, Dean never saw the release of the film, as he died in a car accident in 1955. The next year saw Elizabeth co-star with Montgomery Clift in Raintree County (1957), an overblown epic made, partially, in Kentucky. Critics called it dry as dust. In addition, Clift was seriously injured during the film, with Taylor helping save his life. Despite the film's shortcomings and off-camera tragedy, Elizabeth was nominated for an Academy Award for her portrayal of Southern belle Susanna Drake. However, on Oscar night the honor went to Joanne Woodward for The Three Faces of Eve (1957).
In 1958 Elizabeth starred as Maggie Pollitt in Cat on a Hot Tin Roof (1958). The film received rave reviews from the critics and Elizabeth was nominated again for an Academy Award for best actress, but this time she lost to Susan Hayward in I Want to Live! (1958). She was still a hot commodity in the film world, though. In 1959 she appeared in another mega-hit and received yet another Oscar nomination for Suddenly, Last Summer (1959). Once again, however, she lost out, this time to Simone Signoret for Room at the Top (1958). Her Oscar drought ended in 1960 when she brought home the coveted statue for her performance in BUtterfield 8 (1960) as Gloria Wandrous, a call girl who is involved with a married man. Some critics blasted the movie but they couldn't ignore her performance. There were no more films for Elizabeth for three years. She left MGM after her contract ran out, but would do projects for the studio later down the road. In 1963 she starred in Cleopatra (1963), which was one of the most expensive productions up to that time--as was her salary, a whopping $1,000,000. The film took years to complete, due in part to a serious illness during which she nearly died.
This was the film where she met her future and fifth husband, Richard Burton (the previous four were Conrad Hilton, Michael Wilding, Mike Todd--who died in a plane crash--and Eddie Fisher). Her next films, The V.I.P.s (1963) and The Sandpiper (1965), were lackluster at best. Elizabeth was to return to fine form, however, with the role of Martha in Who's Afraid of Virginia Woolf? (1966). Her performance as the loudmouthed, shrewish, unkempt, yet still alluring Martha was easily her finest to date. For this she would win her second Oscar and one that was more than well-deserved. The following year, she and Burton co-starred in The Taming of The Shrew (1967), again giving winning performances. However, her films afterward were box office failures, including Reflections in a Golden Eye (1967), The Comedians (1967), Boom! (1968) (again co-starring with Burton), Secret Ceremony (1968), The Only Game in Town (1970), X, Y & Zee (1972), Hammersmith Is Out (1972) (with Burton again), Ash Wednesday (1973), Night Watch (1973), The Driver's Seat (1974), The Blue Bird (1976) (considered by many to be her worst), A Little Night Music (1977), and Winter Kills (1979) (a controversial film which was never given a full release and in which she only had a small role). She later appeared in some movies, both theatrical and made-for-television, and a number of television programs. In February 1997, Elizabeth entered the hospital for the removal of a brain tumor. The operation was successful. As for her private life, she divorced Burton in 1974, only to remarry him in 1975 and divorce him, permanently, in 1976. She had two more husbands, U.S. Senator John Warner and construction worker Larry Fortensky, whom she met in rehab.
In 1959, Taylor converted to Judaism, and continued to identify herself as Jewish throughout her life, being active in Jewish causes. Upon the death of her friend, actor Rock Hudson, in 1985, she began her crusade on behalf of AIDS sufferers. In the 1990s, she also developed a successful series of scents. In her later years, her acting career was relegated to the occasional TV-movie or TV guest appearance.
Elizabeth Taylor died on March 23, 2011 in Los Angeles, from congestive heart failure. Her final resting place is Forest Lawn Memorial Park, in Glendale, California.- Actress
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Katharine Houghton Hepburn was born on May 12, 1907 in Hartford, Connecticut to a suffragist, Katharine Martha (Houghton), and a doctor, Thomas Norval Hepburn, who both always encouraged her to speak her mind, develop it fully, and exercise her body to its full potential. An athletic tomboy as a child, she was very close to her brother Tom; at 14 she was devastated to find him dead, the apparent result of accidentally hanging himself while practicing a hanging trick their father had taught them. For many years afterward, she used his November 8 birth date as her own. She became shy around girls her age and was largely schooled at home. She did attend Bryn Mawr College, where she decided to become an actress, appearing in many of their productions.
After graduating, she began getting small roles in plays on Broadway and elsewhere. She always attracted attention, especially for her role in "Art and Mrs. Bottle" (1931). She finally broke into stardom when she took the starring role of the Amazon princess Antiope in "A Warrior's Husband" (1932). The inevitable film offers followed; after making a few screen tests, she was cast in A Bill of Divorcement (1932), opposite John Barrymore. The film was a hit, and after agreeing to her salary demands, RKO signed her to a contract. She made five films between 1932 and 1934. For her third, Morning Glory (1933), she won her first Academy Award. Her fourth, Little Women (1933), was the most successful picture of its day.
But stories were beginning to leak out, of her haughty behavior off- screen and her refusal to play the Hollywood Game, always wearing slacks and no makeup, never posing for pictures or giving interviews. Audiences were shocked at her unconventional behavior instead of applauding it, and so when she returned to Broadway in 1934 to star in "The Lake", the critics panned her, and the audiences, who at first bought up tickets, soon deserted her. When she returned to Hollywood, things didn't get much better. From 1935-1938, she had only two hits: Alice Adams (1935), which brought her her second Oscar nomination, and Stage Door (1937); the many flops included Break of Hearts (1935), Sylvia Scarlett (1935), Mary of Scotland (1936), Quality Street (1937), and the now-classic Bringing Up Baby (1938).
With so many flops, she came to be labeled "box-office poison". She decided to go back to Broadway to star in "The Philadelphia Story" (1938) and was rewarded with a smash. She quickly bought the film rights and so was able to negotiate her way back to Hollywood on her own terms, including her choice of director and co-stars. The Philadelphia Story (1940) was a box-office hit, and Hepburn, who won her third Oscar nomination for the film, was bankable again. For her next film, Woman of the Year (1942), she was paired with Spencer Tracy, and the chemistry between them lasted for eight more films, spanning the course of 25 years, and a romance that lasted that long off-screen. (She received her fourth Oscar nomination for the film.) Their films included the very successful Adam's Rib (1949), Pat and Mike (1952), and Desk Set (1957).
With The African Queen (1951), Hepburn moved into middle-aged spinster roles, receiving her fifth Oscar nomination for the film. She played more of these types of roles throughout the 1950s, and won more Oscar nominations for many of them, including her roles in Summertime (1955), The Rainmaker (1956), and Suddenly, Last Summer (1959). Her film roles became fewer and farther between in the 1960s, as she devoted her time to the ailing Tracy. For one of her film appearances in this decade, in Long Day's Journey Into Night (1962), she received her ninth Oscar nomination. After a five-year absence from films, she then made Guess Who's Coming to Dinner (1967), her last film with Tracy and the last film Tracy ever made; he died just weeks after finishing it. It garnered Hepburn her tenth Oscar nomination and her second win. The next year, she did The Lion in Winter (1968), which brought her her eleventh Oscar nomination and third win.
In the 1970s, she turned to making made-for-TV films, with The Glass Menagerie (1973), Love Among the Ruins (1975), and The Corn Is Green (1979). She still continued to make an occasional appearance in feature films, such as Rooster Cogburn (1975) with John Wayne and On Golden Pond (1981) with Henry Fonda. This last brought her her twelfth Oscar nomination and fourth win - the latter still the record.
She made more TV-films in the 1980s and wrote her autobiography, 'Me', in 1991. Her last feature film was Love Affair (1994), with Warren Beatty and Annette Bening, and her last TV- film was One Christmas (1994). With her health declining, she retired from public life in the mid-1990s. She died at 96 at her home in Old Saybrook, Connecticut.- Actress
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On November 12, 1929, Grace Patricia Kelly was born in Philadelphia, Pennsylvania to wealthy parents. Her girlhood was uneventful for the most part, but one of the things she desired was to become an actress which she had decided on at an early age. After her high school graduation in 1947, Grace struck out on her own, heading to New York's bright lights to try her luck there. Grace worked some as a model and made her debut on Broadway in 1949. She also made a brief foray into the infant medium of television. Not content with the work in New York, Grace moved to Southern California for the more prestigious part of acting -- motion pictures. In 1951, she appeared in her first film entitled Fourteen Hours (1951) when she was 22. It was a small part, but a start nonetheless. The following year she landed the role of Amy Kane in High Noon (1952), a western starring Gary Cooper and Lloyd Bridges which turned out to be very popular. In 1953, Grace appeared in only one film, but it was another popular one. The film was Mogambo (1953) where Grace played Linda Nordley. The film was a jungle drama in which fellow cast members, Clark Gable and Ava Gardner turned in masterful performances. It was also one of the best films ever released by MGM. Although she got noticed with High Noon, her work with director Alfred Hitchcock, which began with Dial M for Murder (1954) made her a star. Her standout performance in Rear Window (1954) brought her to prominence. As Lisa Fremont, she was cast opposite James Stewart, who played a crippled photographer who witnesses a murder in the next apartment from his wheelchair. Grace stayed busy in 1954 appearing in five films. Grace would forever be immortalized by winning the Academy Award for Best Actress for her portrayal of Georgie Elgin opposite Bing Crosby in The Country Girl (1954). In 1955, Grace once again teamed with Hitchcock in To Catch a Thief (1955) co-starring Cary Grant. In 1956, she played Tracy Lord in the musical comedy High Society (1956) which also starred Frank Sinatra and Bing Crosby. The whimsical tale ended with her re-marrying her former husband, played by Crosby. The film was well received. It also turned out to be her final acting performance. Grace had recently met and married Prince Rainier of the little principality of Monaco. By becoming a princess, she gave up her career. For the rest of her life, she was to remain in the news with her marriage and her three children. On September 14, 1982, Grace was killed in an automobile accident in her adoptive home country. She was just 52 years old.- Actress
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Greta Garbo was born Greta Lovisa Gustafsson on September 18, 1905, in Stockholm, Sweden, to Anna Lovisa (Johansdotter), who worked at a jam factory, and Karl Alfred Gustafsson, a laborer. She was fourteen when her father died, which left the family destitute. Greta was forced to leave school and go to work in a department store. The store used her as a model in its newspaper ads. She had no film aspirations until she appeared in short advertising film at that same department store while she was still a teenager. Erik A. Petschler, a comedy director, saw the film and gave her a small part in his Luffar-Petter (1922). Encouraged by her own performance, she applied for and won a scholarship to a Swedish drama school. While there she appeared in at least one film, En lyckoriddare (1921). Both were small parts, but it was a start. Finally famed Swedish director Mauritz Stiller pulled her from the drama school for the lead role in The Saga of Gösta Berling (1924). At 18 Greta was on a roll.
Following The Joyless Street (1925) both Greta and Stiller were offered contracts with MGM, and her first film for the studio was the American-made Torrent (1926), a silent film in which she didn't have to speak a word of English. After a few more films, including The Temptress (1926), Love (1927) and A Woman of Affairs (1928), Greta starred in Anna Christie (1930) (her first "talkie"), which not only gave her a powerful screen presence but also garnered her an Academy Award nomination as Best Actress (she didn't win). Later that year she filmed Romance (1930), which was somewhat of a letdown, but she bounced back in 1931, landing another lead role in Mata Hari (1931), which turned out to be a major hit.
Greta continued to give intense performances in whatever was handed her. The next year she was cast in what turned out to be yet another hit, Grand Hotel (1932). However, it was in MGM's Anna Karenina (1935) that she gave what some consider the performance of her life. She was absolutely breathtaking in the role as a woman torn between two lovers and her son. Shortly afterwards, she starred in the historical drama Queen Christina (1933) playing the title character to great acclaim. She earned an Oscar nomination for her role in the romantic drama Camille (1936), again playing the title character. Her career suffered a setback the following year in Conquest (1937), which was a box office disaster. She later made a comeback when she starred in Ninotchka (1939), which showcased her comedic side. It wasn't until two years later she made what was to be her last film, Two-Faced Woman (1941), another comedy. But the film drew controversy and was condemned by the Catholic Church and other groups and was a box office failure, which left Garbo shaken.
After World War II Greta, by her own admission, felt that the world had changed perhaps forever and she retired, never again to face the camera. She would work for the rest of her life to perpetuate the Garbo mystique. Her films, she felt, had their proper place in history and would gain in value. She abandoned Hollywood and moved to New York City. She would jet-set with some of the world's best-known personalities such as Aristotle Onassis and others. She spent time gardening and raising flowers and vegetables. In 1954 Greta was given a special Oscar for past unforgettable performances. She even penned her biography in 1990.
On April 15, 1990, Greta died of natural causes in New York and with her went the "Garbo Mystique". She was 84.- Actress
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Like many other female Italian film stars, Claudia Cardinale's entry into the business was by way of a beauty pageant. She was 17 years old and studying at the Centro Sperimentale in Rome when she entered a beauty contest, which resulted in her getting a succession of small film roles. Her earthy interpretations of Sicilian women got her noticed by Italian producers, and the combination of her beauty, dark, flashing eyes, explosive sexuality and genuine acting talent virtually guaranteed her stardom. After Careless (1962) she rose to the front ranks of Italian cinema, and became an international star in Federico Fellini's classic 8½ (1963) with Marcello Mastroianni. American audiences may best remember her from her starring role in Sergio Leone's Once Upon a Time in the West (1968).- Sylvia Sidney was born in The Bronx, New York City, on August 8, 1910 as Sophia Kosow to Jewish parents. Her father was born in Russia and her mother was born in Romania. They divorced not long after her birth. Her mother subsequently remarried and young Sophia was adopted by her stepfather, Sigmund Sidney.
A shy, only child, her parents tried to encourage her to be more outgoing and gregarious. As an early teen, Sophia (later Sylvia) had decided she wanted a stage career. While most parents would have looked down on such an announcement, Sylvia was encouraged to pursue the dream she had made. She enrolled in the Theater Guild's School for Acting. Sylvia later admitted that when she decided to become a stage actress at 15, it wasn't being star struck that occurred to her, but the expression of beauty that encompassed acting. All she wanted was to be identified with good productions.
One school production was held at a Broadway theater and in the audience there was a critic from the New York Times who had nothing but rave reviews for the young woman. On the strength of her performance in New York, she appeared onstage in Washington, D.C. Further stage productions followed, each better than the last and it wasn't long before the film moguls were at the doorstep. She was appearing in the stage production of "Crime" when she made her first appearance on the silver screen in 1927. The film in question was Broadway Nights (1927) which dealt with stage personalities of which Sylvia, despite her extremely tender age, was one. After the film she returned to the stage where she appeared in creations which were, for the most part, forgettable. She moved to Colorado to tour with a stock company. She later returned to Broadway for a series of other plays. By 1929, she was on the big screen with Thru Different Eyes (1929) as Valerie Briand. This was followed by a short film, Five Minutes from the Station (1930). Sylvia Sidney was slowly leaving the stage for the production studios of Paramount.
1931 saw her appear in five films, one of which, City Streets (1931), made her a star. Aware that she was replacing the great Clara Bow, who was suffering from severe and debilitating health issues, mainly depression. The contrast between the two actresses was great but the movie was a hit. The sad-eyed Sylvia made a tremendous impact and her screen career was off a running. Her next film was Ladies of the Big House (1931) as Kathleen Storm McNeil, part of a couple framed for a murder they didn't commit. The film made huge profits at the box-office. She then made Merrily We Go to Hell (1932), appearing opposite Fredric March. The film was an unqualified success. Later, in Madame Butterfly (1932), she starred as the doomed geisha girl (Cho-Cho San); critics agreed that only her performance saved the film from being a total disaster.
In 1933, she starred in the title role in Jennie Gerhardt (1933). Yet another doom and gloom picture, she played a girl beset with poverty and the death of her young husband before the birth of their child. Sidney received the star spotlight in Good Dame (1934). Despite her fine performance, the film failed at the box-office. She scored big with the film critics as the lead female in Mary Burns, Fugitive (1935), a restaurant owner who falls for a big time gangster. Her performance was overshadowed by Alan Baxter, who gave an outstanding portrayal as the gangster. That film was quickly followed by "Accent On Youth", in which she played Linda Brown, a young lady fascinated by older men. In 1938, Sidney played in "You and Me", opposite George Raft. The film critics gave it mixed reviews but it did not fare well at the box-office. Afterward, the roles began to dissipate. She filmed ...One Third of a Nation... (1939) and would not be seen again onscreen until The Wagons Roll at Night (1941). There was a four year hiatus before Blood on the Sun (1945), opposite James Cagney.
In 1946, she starred in The Searching Wind (1946) as Cassie Bowman. The film was based on a Broadway play but it just didn't transfer well onto the big screen. It was widely considered to be too serious and flopped with the movie fans. After Love from a Stranger (1947), she didn't appear onscreen again until Les Miserables (1952), as "Fantine". Only three more films followed that decade. There were no films throughout the 1960s. After appearing in a made-for-television movie, she returned to the big screen in Summer Wishes, Winter Dreams (1973), playing the mother of the character played by Oscar-winning actress Joanne Woodward. For her performance, Sidney received her only Oscar nomination, losing to another actress who also only received one Oscar nomination in her lifetime, Tatum O'Neal (Paper Moon (1973)). O'Neal was 10 years old when she accepted the award.
Aside from a few more supporting role film appearances strewn here and there, Sidney mostly appeared on television thereafter. In 1988, she appeared as Juno in Tim Burton 's hit film Beetlejuice (1988). Her last film for the big screen was Mars Attacks! (1996) as the unlikely heroine whose taste in music saves Earth from an exceptionally brutal Martian victory. She had been seriously injured after being hit by a car but director Burton waited for her to be able to appear (in a wheelchair) rather than recast the role. In 1998, she played Clia, the irritable elderly travel agency clerk, who appeared (along with Fyvush Finkel) at the beginning of every episode of Fantasy Island (1998), the short-lived black-humored reboot of the iconic 1970s series of the same name.
A lifelong heavy smoker, Sidney died on July 1, 1999, aged 88, of throat cancer. - Actress
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Her father was a police lieutenant and imbued in her a military attitude to life. Marlene was known in school for her "bedroom eyes" and her first affairs were at this stage in her life - a professor at the school was terminated. She entered the cabaret scene in 1920s Germany, first as a spectator then as a cabaret singer. In 1923, she married and, although she and Rudolf Sieber lived together only 5 years, they remained married until his death. She was in over a dozen silent films in increasingly important roles. In 1929, she was seen in a Berlin cabaret by Josef von Sternberg and, after a screen test, captured the role of the cabaret singer in The Blue Angel (1930) (and became von Sternberg's lover). With the success of this film, von Sternberg immediately took her to Hollywood, introducing her to the world in Morocco (1930), and signing an agreement to produce all her films. A series of successes followed, and Marlene became the highest paid actress of her time, but her later films in the mid-part of the decade were critical and popular failures. She returned to Europe at the end of the decade, with a series of affairs with former leading men (she had a reputation of romancing her co-stars), as well as other prominent artistic figures. In 1939, an offer came to star with James Stewart in a western and, after initial hesitation, she accepted. The film was Destry Rides Again (1939) - the siren of film could also be a comedienne and a remarkable comeback was reality. She toured extensively for the allied effort in WW II (she had become a United States citizen) and, after the war, limited her cinematic life. But a new career as a singer and performer appeared, with reviews and shows in Las Vegas, touring theatricals, and even Broadway. New success was accompanied by a too close acquaintance with alcohol, until falls in her performance eventually resulted in a compound fracture of the leg. Although the last 13 years of her life were spent in seclusion in her apartment in Paris, with the last 12 years in bed, she had withdrawn only from public life and maintained active telephone and correspondence contact with friends and associates.- Actress
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Sophia Loren was born as Sofia Scicolone at the Clinica Regina Margherita in Rome on September 20, 1934. Her father Riccardo was married to another woman and refused to marry her mother Romilda Villani, despite the fact that she was the mother of his two children (Sophia and her younger sister Maria Scicolone). Growing up in the slums of Pozzuoli during the second World War without any support from her father, she experienced great sadness in her childhood. Her life took an unexpected turn for the best when, at age 14, she entered into a beauty contest and placed as one of the finalists. It was here that Sophia caught the attention of film producer Carlo Ponti, some 22 years her senior, whom she later married. Perhaps he was the father figure she never experienced as a child. Under his guidance, Sophia was put under contract and appeared as an extra in ten films beginning with Le sei mogli di Barbablù (1950), before working her way up to supporting roles. In these early films, she was credited as "Sofia Lazzaro" because people joked her beauty could raise Lazzarus from the dead.
By her late teens, Sophia was playing lead roles in many Italian features such as La favorita (1952) and Aida (1953). In 1957, she embarked on a successful acting career in the United States, starring in Boy on a Dolphin (1957), Legend of the Lost (1957), and The Pride and the Passion (1957) that year. She had a short-lived but much-publicized fling with co-star Cary Grant, who was nearly 31 years her senior. She was only 22 while he was 53, and she rejected a marriage proposal from him. They were paired together a second time in the family-friendly romantic comedy Houseboat (1958). While under contract to Paramount, Sophia starred in Desire Under the Elms (1958), The Key (1958), The Black Orchid (1958), It Started in Naples (1960), Heller in Pink Tights (1960), A Breath of Scandal (1960), and The Millionairess (1960) before returning to Italy to star in Two Women (1960). The film was a period piece about a woman living in war-torn Italy who is raped while trying to protect her young daughter. Originally cast as the more glamorous child, Sophia fought against type and was re-cast as the mother, displaying a lack of vanity and proving herself as a genuine actress. This performance received international acclaim and was honored with an Academy Award for Best Actress.
Sophia remained a bona fide international movie star throughout the sixties and seventies, making films on both sides of the Atlantic, and starring opposite such leading men as Paul Newman, Marlon Brando, Gregory Peck, and Charlton Heston. Her English-language films included El Cid (1961), The Fall of the Roman Empire (1964), Arabesque (1966), Man of La Mancha (1972), and The Cassandra Crossing (1976). She gained wider respect with her Italian films, especially Marriage Italian Style (1964) and A Special Day (1977), both of which co-starred Marcello Mastroianni. During these years she received a second Oscar nomination and won five Golden Globe Awards.
From the eighties onward, Sophia's appearances on the big screen came few and far between. She preferred to spend the majority of her time raising sons Carlo Ponti Jr. (b. 1968) and Edoardo Ponti (b. 1973). Her only acting credits during the decade were five television films, beginning with Sophia Loren: Her Own Story (1980), a biopic in which she portrayed herself and her mother. She ventured into other areas of business and became the first actress to launch her own fragrance and design of eyewear. In 1982 she voluntarily spent nineteen days in jail for tax evasion.
In 1991 Sophia received an Honorary Academy Award for her body of work, and was declared "one of world cinema's greatest treasures." That same year, she experienced a terrible loss when her mother died of cancer. Her return to mainstream films in Ready to Wear (1994) was well-received, although the film as a whole was not. She followed this up with her biggest U.S. hit in years, the comedy Grumpier Old Men (1995), in which she played a sexy divorcée who seduces Walter Matthau. Over the next decade Sophia had plum roles in a few independent films like Soleil (1997), Between Strangers (2002) (directed by Edoardo), and Lives of the Saints (2004). Still beautiful at 72, she posed scantily-clad for the 2007 Pirelli Calendar. Sadly, that same year she mourned the death of her 94-year-old spouse, Carlo Ponti. In 2009, after far too much time away from film, she appeared in the musical Nine (2009) opposite Daniel Day-Lewis. These days Sophia is based in Switzerland but frequently travels to the states to spend time with her sons and their families (Eduardo is married to actress Sasha Alexander). Sophia Loren remains one of the most beloved and recognizable figures in the international film world.- Actress
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Hedy Lamarr, the woman many critics and fans alike regard as the most beautiful ever to appear in films, was born Hedwig Eva Maria Kiesler in Vienna, Austria. She was the daughter of Gertrud (Lichtwitz), from Budapest, and Emil Kiesler, a banker from Lemberg (now known as Lviv). Her parents were both from Jewish families. Hedwig had a calm childhood, but it was cinema that fascinated her. By the time she was a teenager, she decided to drop out of school and seek fame as an actress, and was a student of theater director Max Reinhardt in Berlin. Her first role was a bit part in the German film Geld auf der Straße (1930) (aka "Money on the Street") in 1930. She was attractive and talented enough to be in three more German productions in 1931, but it would be her fifth film that catapulted her to worldwide fame. In 1932 she appeared in a Czech film called Ekstase (US title: "Ecstasy") and had made the gutsy move to appear nude. It's the story of a young girl who is married to a gentleman much older than she, but she winds up falling in love with a young soldier. The film's nude scenes created a sensation all over the world. The scenes, very tame by today's standards, caused the film to be banned by the U.S. government at the time.
Hedy soon married Fritz Mandl, a munitions manufacturer and a prominent Austrofascist. He attempted to buy up all the prints of "Ecstasy" he could lay his hands on (Italy's dictator, Benito Mussolini, had a copy but refused to sell it to Mandl), but to no avail (there are prints floating around the world today). The notoriety of the film brought Hollywood to her door. She was brought to the attention of MGM mogul Louis B. Mayer, who signed her to a contract (a notorious prude when it came to his studio's films, Mayer signed her against his better judgment, but the money he knew her notoriety would bring in to the studio overrode any moral concerns he may have had). However, he insisted she change her name and make good, wholesome films.
Hedy starred in a series of exotic adventure epics. She made her American film debut as Gaby in Algiers (1938). This was followed a year later by Lady of the Tropics (1939). In 1942, she played the plum role of Tondelayo in the classic White Cargo (1942). After World War II, her career began to decline, and MGM decided it would be in the interest of all concerned if her contract were not renewed. Unfortunately for Hedy, she turned down the leads in both Gaslight (1940) and Casablanca (1942), both of which would have cemented her standing in the minds of the American public. In 1949, she starred as Delilah opposite Victor Mature's Samson in Cecil B. DeMille's epic Samson and Delilah (1949). This proved to be Paramount Pictures' then most profitable movie to date, bringing in $12 million in rental from theaters. The film's success led to more parts, but it was not enough to ease her financial crunch. She made only six more films between 1949 and 1957, the last being The Female Animal (1958).
Hedy retired to Florida. She died there, in the city of Casselberry, on January 19, 2000.- Actress
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Natalie Wood was an American actress of Russian and Ukrainian descent. She started her career as a child actress and eventually transitioned into teenage roles, young adult roles, and middle-aged roles. She drowned off Catalina Island on November 29, 1981 at age 43.
Wood was born July 20, 1938 in San Francisco to Russian immigrant parents: housewife Maria Gurdin (née Zoodiloff), known by multiple aliases including Mary, Marie and Musia, and second husband Nick Gurdin (née Zacharenko), a janitor and prop builder. Nicholas was born in Primorsky Krai, son of a chocolate-factory worker. Maria was born in Barnaul, southern Siberia to a wealthy industrialist. Natalie's maternal grandfather owned soap and candle factories.
Wood's parents had to migrate due to the Russian Civil War. Her paternal grandfather joined the anti-Bolshevik civilian forces early in the war and was killed in a street fight between Red and White Russian soldiers. This convinced the Zacharenkos to migrate to Shanghai, China, where they had relatives. Wood's paternal grandmother remarried in 1927 and moved the family to Vancouver, British Columbia. In 1933 they resettled along the U.S. West Coast. Nicholas met Wood's mother, four years his senior, while she was still married to Alexander Tatuloff, an Armenian mechanic she divorced in 1936.
Mary Tatuloff, Wood's mother, had unfulfilled ambitions of becoming a ballet dancer. She grew up in the Chinese city of Harbin and had married Alexander there in 1925. The Tatuloffs had one daughter, Ovsanna, before coming to America in 1930. After marrying Nicholas Zacharenko in 1938, five months before Wood's birth, Mary (now calling herself Marie) transferred her dream of stardom onto her second child. Marie frequently took a young Wood with her to the cinema, where she could study the films of Hollywood child stars.
Wood's parents changed the family name to Gurdin upon obtaining U.S. citizenship, and her pseudonymous mother finally settled on a permanent first name: Maria. In 1942 they bought a house in Santa Rosa, where young Natalie was noticed by members of a crew during a film shoot. She got to audition for roles as an actress, and the family moved to Los Angeles to help seek out roles for her. RKO Radio Pictures' executives William Goetz and David Lewis chose the stage name Wood for her, in reference to director Sam Wood. Natalie's younger sister Svetlana Gurdin would eventually follow an acting career as well, under the stage name Lana Wood.
Wood made her film debut in Happy Land (1943). She was only five years old, and her scene as the "Little Girl Who Drops Ice Cream Cone" lasted 15 seconds. Wood somehow attracted the interest of film director Irving Pichel who remained in contact with her family. She had few job offers over the following two years, but Pichel helped her get a screen test for a more substantial role in the romance film Tomorrow Is Forever (1946). Wood passed through an audition and won the role of Margaret Ludwig, a post-World War II German orphan. At the time, Wood was unable to "cry on cue" for a key scene, so her mother tore a butterfly to pieces in front of her, giving her a reason to cry for the scene.
Wood started appearing regularly in films following this role and soon received a contract with 20th Century Fox. Her first major role was that of Susan Walker in the Christmas film Miracle on 34th Street (1947), which was a commercial and critical hit. Wood got her first taste of fame, and afterwards Macy's invited her to appear in the store's annual Thanksgiving Day parade. Following her early success, Wood receive many more film offers. She typically appeared in family films, cast as the daughter of such stars as Fred MacMurray, Margaret Sullivan, James Stewart, Joan Blondell, and Bette Davis. Wood found herself in high demand and appeared in over twenty films as a child actress.
The California laws of the era required that until reaching adulthood, child actors had to spend at least three hours per day in the classroom. Wood received her primary education on the studio lots, receiving three hours of school lessons whenever she was working on a film. She was reportedly a "straight A student." Director Joseph L. Mankiewicz was quite impressed by Wood's intellect. After school hours ended, Wood would hurry to the set to film her scenes.
While Wood acquired the services of agents, her early career was micromanaged by her mother. An older Wood gained her first major television role in the short-lived sitcom The Pride of the Family (1953). At the age of 16, she found more success with the role of Judy in Rebel Without a Cause (1955). She played the role of a teenage girl who wears makeup and dresses up in racy clothes to attract the attention of a father who typically ignores her. The film's success helped Wood make the transition from child actress to an ingenue. She was nominated for an Academy Award for Best Supporting Actress.
Her next significant film was The Searchers (1956), a western in which she played the role of abduction victim Debbie Edwards, niece of John Wayne's character. The film was a commercial and critical hit, and has since become regarded as a masterpiece. Also in 1956, Wood graduated from Van Nuys High School. She signed a contract with Warner Brothers, where she was kept busy with several new films. To her disappointment, she was typically cast as the girlfriend of the protagonist and received roles of little depth. For a while, WB had her paired with teen heartthrob Tab Hunter. The studio was hoping that the pairing would serve as a box-office draw, but this did not work out. One of Wood's only serious roles from this period was the title character in Marjorie Morningstar (1958), as a young Jewish girl whose efforts to create her own identity and career path clash with the expectations of her family. The film was a critical success, and fit well with other films exploring the restlessness of youth in the '50s.
Wood's first major box office flop was the biographical film All the Fine Young Cannibals (1960), examining the rags to riches story of jazz musician Chet Baker without actually using his name. The film's box office earnings barely covered the production costs, and MGM recorded a loss of $1,108,000. For the first time. Wood's appeal to the audience was in doubt. With her career in decline following this failure, Wood was seen as "washed up" by many in the film community. But director Elia Kazan gave her the chance to audition for the role of the sexually-repressed Wilma Dean Loomis in his upcoming film Splendor in the Grass (1961). Kazan cast Wood as the female lead, because he found in her (in his words): a "true-blue quality with a wanton side that is held down by social pressure." Kazan is credited for producing Wood's most powerful moment as an actress. The film was a critical success, with Wood nominated for an Academy Award for Best Actress.
Wood's next important film was West Side Story (1961), where she played Maria, a restless Puerto Rican girl. Wood was once again called to represent the restlessness of youth, this time in a story involving youth gangs and juvenile delinquents. The film was a great commercial success with about $44 million gross, the highest-grossing film of 1961. It was also critically acclaimed, and is still regarded as one of the best films of Wood's career. Her next film was Gypsy (1962), playing the role of burlesque entertainer and stripper Gypsy Rose Lee. Film historians credit the film as an even better role for Wood than that of Maria, with witty dialogue, a greater emotional range, and complex characterization. The film was the eighth highest-grossing release of 1962, and was well-received critically.
Wood's next significant role was that of Macy's salesclerk Angie Rossini in Love with the Proper Stranger (1963). In the film, Angie has a one-night-stand with musician Rocky Papasano, played by Steve McQueen, finds herself pregnant and desperately seeks an abortion. The film under-performed at the box office but was critically well-received. Wood received her third (and last) nomination for an Academy Award. At age 25, Wood was tied with Teresa Wright as the youngest person to score three Oscar nominations. Wood held that designation until 2013, when Jennifer Lawrence achieved her third nomination at age 23.
Wood continued her successful film career until 1966, but her health status was not as successful. She was suffering emotionally and had sought professional therapy. She paid Warner Bros. $175,000 to cancel her contract and was able to retire for a while. She also fired her entire support team: agents, managers, publicist, accountant, and attorneys. She took a three-year hiatus from acting.
Wood made her comeback in the comedy Bob & Carol & Ted & Alice (1969) with the themes of sexual liberation and wife swapping. It was a box office hit. Wood decided to gamble her $750,000 fee on a percentage of the gross, earning a million dollars in profits. She chose not to capitalize on the film's success, however, and did not take another acting job for five years.
In 1970, Wood was married to the screenwriter Richard Gregson and was expecting her first child, Natasha Gregson Wagner. She went into semi-retirement to be a stay-at-home mom, appearing in only four more theatrical films before her death. These films were the mystery comedy Peeper (1975), the science fiction film Meteor (1979), the comedy The Last Married Couple in America (1980), and the posthumously-released science fiction film Brainstorm (1983).
In the late '70s, Wood found success in television roles, appearing in several made-for-TV movies and the mini-series From Here to Eternity (1979). Her project received high ratings, and she had plans to make her theatrical debut in a 1982 production of Anastasia.
On November 28, 1981, Wood joined her last husband Robert Wagner, their married friend Christopher Walken, and captain Dennis Davern on a weekend boat trip to Catalina Island. Conspicuously absent from the group was Christopher's wife, casting director Georgianne Walken. The four of them were on board the Wagners' yacht "Splendour." Earwitness Marilyn Wayne heard cries for help around 11:05 P.M. and a "man's voice slurred, and in aggravated tone, say something to the effect of, 'Oh, hold on, we're coming to get you,' and not long after, the cries for help subsided." On the morning of November 29, Wood's corpse was recovered 1 mile (1.6 kilometers) away from the boat, near small Valiant-brand inflatable dinghy beached nearby. The toxicology report revealed her blood alcohol level was at .14, over the legal limit of .10. Wood was buried on December 2 at Westwood Village Memorial Park Cemetery in Los Angeles. Nine days later, the LACSD officially closed the case.- Actress
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Ingrid Bergman was one of the greatest actresses from Hollywood's lamented Golden Era. Her natural and unpretentious beauty and her immense acting talent made her one of the most celebrated figures in the history of American cinema. Bergman is also one of the most Oscar-awarded actresses, tied with Meryl Streep and Frances McDormand, all three of them second only to Katharine Hepburn.
Ingrid Bergman was born on August 29, 1915 in Stockholm, Sweden, to a German mother, Frieda Henrietta (Adler), and a Swedish father, Justus Samuel Bergman, an artist and photographer. Her mother died when she was only two and her father died when she was 12. She went to live with an elderly uncle.
The woman who would be one of the top stars in Hollywood in the 1940s had decided to become an actress after finishing her formal schooling. She had had a taste of acting at age 17 when she played an uncredited role of a girl standing in line in the Swedish film Landskamp (1932) in 1932 - not much of a beginning for a girl who would be known as "Sweden's illustrious gift to Hollywood." Her parents died when she was just a girl and the uncle she lived with didn't want to stand in the way of Ingrid's dream. The next year she enrolled at the Royal Dramatic Theatre School in Stockholm but decided that stage acting was not for her. It would be three more years before she would have another chance at a film. When she did, it was more than just a bit part. The film in question was The Count of the Old Town (1935), where she had a speaking part as Elsa Edlund. After several films that year that established her as a class actress, Ingrid appeared in Intermezzo (1936) as Anita Hoffman. Luckily for her, American producer David O. Selznick saw it and sent a representative from Selznick International Pictures to gain rights to the story and have Ingrid signed to a contract. Once signed, she came to California and starred in United Artists' 1939 remake of her 1936 film, Intermezzo (1939), reprising her original role. The film was a hit and so was Ingrid.
Her beauty was unlike anything the movie industry had seen before and her acting was superb. Hollywood was about to find out that they had the most versatile actress the industry had ever seen. Here was a woman who truly cared about the craft she represented. The public fell in love with her. Ingrid was under contract to go back to Sweden to film Only One Night (1939) in 1939 and June Night (1940) in 1940. Back in the US she appeared in three films, all well-received. She made only one film in 1942, but it was the classic Casablanca (1942) opposite Humphrey Bogart.
Ingrid was choosing her roles well. In 1943 she was nominated for an Academy Award for her role in For Whom the Bell Tolls (1943), the only film she made that year. The critics and public didn't forget her when she made Gaslight (1944) the following year--her role of Paula Alquist got her the Oscar for Best Actress. In 1945 Ingrid played in Spellbound (1945), Saratoga Trunk (1945) and The Bells of St. Mary's (1945), for which she received her third Oscar nomination for her role of Sister Benedict. She made no films in 1947, but bounced back with a fourth nomination for Joan of Arc (1948). In 1949 she went to Italy to film Stromboli (1950), directed by Roberto Rossellini. She fell in love with him and left her husband, Dr. Peter Lindstrom, and daughter, Pia Lindström. America's "moral guardians" in the press and the pulpits were outraged. She was pregnant and decided to remain in Italy, where her son was born. In 1952 Ingrid had twins, Isotta and Isabella Rossellini, who became an outstanding actress in her own right, as did Pia.
Ingrid continued to make films in Italy and finally returned to Hollywood in 1956 in the title role in Anastasia (1956), which was filmed in England. For this she won her second Academy Award. She had scarcely missed a beat. Ingrid continued to bounce between Europe and the US making movies, and fine ones at that. A film with Ingrid Bergman was sure to be a quality production. In her final big-screen performance in 1978's Autumn Sonata (1978) she had her final Academy Award nomination. Though she didn't win, many felt it was the most sterling performance of her career. Ingrid retired, but not before she gave an outstanding performance in the mini-series A Woman Called Golda (1982), a film about Israeli prime minister Golda Meir. For this she won an Emmy Award as Best Actress, but, unfortunately, she did not live to see the fruits of her labor.
Ingrid died from cancer on August 29, 1982, her 67th birthday, in London, England.- Actress
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Jodie Foster started her career at the age of two. For four years she made commercials and finally gave her debut as an actress in the TV series Mayberry R.F.D. (1968). In 1975 Jodie was offered the role of prostitute Iris Steensma in the movie Taxi Driver (1976). This role, for which she received an Academy Award nomination in the "Best Supporting Actress" category, marked a breakthrough in her career. In 1980 she graduated as the best of her class from the College Lycée Français and began to study English Literature at Yale University, from where she graduated magna cum laude in 1985. One tragic moment in her life was March 30th, 1981 when John Warnock Hinkley Jr. attempted to assassinate the President of the United States, Ronald Reagan. Hinkley was obsessed with Jodie and the movie Taxi Driver (1976), in which Travis Bickle, played by Robert De Niro, tried to shoot presidential candidate Palantine. Despite the fact that Jodie never took acting lessons, she received two Oscars before she was thirty years of age. She received her first award for her part as Sarah Tobias in The Accused (1988) and the second one for her performance as Clarice Starling in The Silence of the Lambs (1991).- Actress
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Natalie Portman is the first person born in the 1980s to have won the Academy Award for Best Actress (for Black Swan (2010)).
Natalie was born Natalie Hershlag on June 9, 1981, in Jerusalem, Israel. She is the only child of Avner Hershlag, an Israeli-born doctor, and Shelley Stevens, an American-born artist (from Cincinnati, Ohio), who also acts as Natalie's agent. Her parents are both of Ashkenazi Jewish descent. Natalie's family left Israel for Washington, D.C., when she was still very young. After a few more moves, her family finally settled in New York, where she still lives to this day. She graduated with honors, and her academic achievements allowed her to attend Harvard University. She was discovered by an agent in a pizza parlor at the age of 11. She was pushed towards a career in modeling but she decided that she would rather pursue a career in acting. She was featured in many live performances, but she made her powerful film debut in the movie Léon: The Professional (1994) (aka "Léon"). Following this role Natalie won roles in such films as Heat (1995), Beautiful Girls (1996), and Mars Attacks! (1996).
It was not until 1999 that Natalie received worldwide fame as Queen Amidala in the highly anticipated US$431 million-grossing prequel Star Wars: Episode I - The Phantom Menace (1999). She then she starred in two critically acclaimed comedy dramas, Anywhere But Here (1999) and Where the Heart Is (2000), followed by Closer (2004), for which she received an Oscar nomination. She reprised her role as Padme Amidala in the last two episodes of the Star Wars prequel trilogy: Star Wars: Episode II - Attack of the Clones (2002) and Star Wars: Episode III - Revenge of the Sith (2005). She received an Academy Award and a Golden Globe Award for Best Actress in Black Swan (2010).
She received a second nomination for Best Actress, for playing Jacqueline Kennedy in Jackie (2016).- Actress
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Naomi Ellen Watts was born on September 28, 1968 in Shoreham, England to Myfanwy Edwards "Miv" (Roberts), an antiques dealer and costume/set designer, and Peter Watts (Peter Anthony Watts), Pink Floyd's road manager. Her maternal grandfather was Welsh. Her father died when she was seven and she followed her mother and brother around England until she was 14 and they finally settled in Australia, homeland of her maternal grandmother. When they arrived, she coaxed her mother to let her take acting classes. After bit parts in commercials, she landed her first role in For Love Alone (1986). Naomi met her best friend Nicole Kidman when they both auditioned for a bikini commercial and shared a taxi ride home. In 1991, Naomi starred with Kidman in the sleeper hit Flirting (1991), directed by John Duigan. Naomi continued her career by starring in the Australian Brides of Christ (1991) co-starring Oscar-winners Russell Crowe and Brenda Fricker.
In 1993, she worked with John Duigan again in Wide Sargasso Sea (1993) and director George Miller in Gross Misconduct (1993). Tank Girl (1995), in 1995, an adaptation of the comic book was a cult hit, starred Naomi as "Jet Girl", but it didn't do at the box-office or do much for her career. Watts continued to take insignificant parts in movies including the much forgotten film Children of the Corn: The Gathering (1996). It wasn't until David Lynch cast her in the critically acclaimed film Mulholland Drive (2001) that she began to become noticed. Her part as an aspiring actress showed her strong acting ability and wide range and earned her much respect, as much as to say by some that she was overlooked for a Oscar nomination that year. Stardom finally came to Naomi in the surprise hit The Ring (2002), which grossed over $100,000,000 at the box-office and starred Watts as an investigative reporter hunting down the truth behind several mysterious deaths seemingly caused by a video tape. While the movie did not fare well with the critics, it launched her into the spotlight. In 2003, she starred in Alejandro González Iñárritu's 21 Grams (2003) which earned her - what some say is a much overdue Oscar nomination and brought others to call her one of the best in her generation of actors. The same year, she was nominated for 21 Grams (2003), Naomi was chosen to play "Ann Darrow" in director Peter Jackson's King Kong (2005) which took her to New Zealand for a five month shoot. Watts completed her first comedy in I Heart Huckabees (2004) for director David O. Russell, playing a superficial spokes model - a break from her usual intense and dramatic roles she is known for.
In 2005, she reprized her role as the protective-mother-reporter "Rachel Keller" in The Ring Two (2005). The movie, released in March, opened to $35,000,000 at the box office in the first weekend and established her as a box-office draw. Also in 2005, it was decided that her independent movie Ellie Parker (2001) would be re-released in late 2005 after its success at resurfacing at the Sundance Film Festival. The movie, which Naomi also produced, features her in the title role and is a bit biographical, but yet exaggerated take of the life of a struggling actress as she comes to Hollywood and encounters nightmares of the profession (it also features Watts' own beat-up Honda which she travels around in). In 2006, she starred with Edward Norton in The Painted Veil (2006). In July of 2007, Naomi gave birth to a boy, Alexander Pete (Sasha Schreiber) in Los Angeles with Liev Schreiber. Since then her career choices have gathered even more critical acclaim with starring roles roles in German director Michael Haneke's American remake of his thriller Funny Games (2007), David Cronenberg's Eastern Promises (2007), and the action-thriller, The International (2009), released in February 2009. In mid-2008, Watts announced she was expecting her second child with Schreiber and gave birth to second son Samuel Kai Schreiber, in New York on December 13.- Producer
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Charlize Theron was born in Benoni, a city in the greater Johannesburg area, in South Africa, the only child of Gerda Theron (née Maritz) and Charles Theron. She was raised on a farm outside the city. Theron is of Afrikaner (Dutch, with some French Huguenot and German) descent, and Afrikaner military figure Danie Theron was her great-great-uncle.
Theron received an education as a ballet dancer and has danced both the "Swan Lake" and "The Nutcracker". There was not much work for a young actress or dancer in South Africa, so she soon traveled to Europe and the United States, where she got a job at the Joffrey Ballet in New York. She was also able to work as a photo model. However, an injured knee put a halt to her dancing career.
In 1994, her mother bought her a one-way ticket to Los Angeles, and Charlize started visiting all of the agents on Hollywood Boulevard, but without any luck. She went to a bank to cash a check for $500 she received from her mother, and became furious when she learned that the bank would not cash it because it was an out-of-state check. She made a scene and an agent gave her his card, in exchange for learning American English, which she did by watching soap operas on television.
Her first role was in the B-film Children of the Corn III: Urban Harvest (1995), a non-speaking part with three seconds of screen time. Her next role was as Helga Svelgen in 2 Days in the Valley (1996), which landed her the role of Tina Powers in That Thing You Do! (1996). Since then, she has starred in movies like The Devil's Advocate (1997), Mighty Joe Young (1998), The Cider House Rules (1999), The Legend of Bagger Vance (2000) and The Italian Job (2003). On February 29, 2004, she won her first Academy Award, a Best Actress Oscar for her performance in Monster (2003).- Actress
- Producer
- Camera and Electrical Department
Keira Christina Knightley was born March 26, 1985 in the South West Greater London suburb of Richmond. She is the daughter of actor Will Knightley and actress turned playwright Sharman Macdonald. An older brother, Caleb Knightley, was born in 1979. Her father is English, while her Scottish-born mother is of Scottish and Welsh origin. Brought up immersed in the acting profession from both sides - writing and performing - it is little wonder that the young Keira asked for her own agent at the age of three. She was granted one at the age of six and performed in her first TV role as "Little Girl" in Royal Celebration (1993), aged seven.
It was discovered at an early age that Keira had severe difficulties in reading and writing. She was not officially dyslexic as she never sat the formal tests required of the British Dyslexia Association. Instead, she worked incredibly hard, encouraged by her family, until the problem had been overcome by her early teens. Her first multi-scene performance came in A Village Affair (1995), an adaptation of the lesbian love story by Joanna Trollope. This was followed by small parts in the British crime series The Bill (1984), an exiled German princess in The Treasure Seekers (1996) and a much more substantial role as the young "Judith Dunbar" in Giles Foster's adaptation of Rosamunde Pilcher's novel Coming Home (1998), alongside Peter O'Toole, Penelope Keith and Joanna Lumley. The first time Keira's name was mentioned around the world was when it was revealed (in a plot twist kept secret by director George Lucas) that she played Natalie Portman's decoy "Padme" to Portman's "Amidala" in Star Wars: Episode I - The Phantom Menace (1999). It was several years before agreement was reached over which scenes featured Keira as the queen and which featured Natalie!
Keira had no formal training as an actress and did it out of pure enjoyment. She went to an ordinary council-run school in nearby Teddington and had no idea what she wanted to do when she left. By now, she was beginning to receive far more substantial roles and was starting to turn work down as one project and her schoolwork was enough to contend with. She reappeared on British television in 1999 as "Rose Fleming" in Alan Bleasdale's faithful reworking of Charles Dickens' Oliver Twist (1999), and traveled to Romania to film her first title role in Walt Disney's Princess of Thieves (2001) in which she played Robin Hood's daughter, Gwyn. Keira's first serious boyfriend was her Princess of Thieves (2001) co-star Del Synnott, and they later co-starred in Peter Hewitt's 'work of fart' Thunderpants (2002). Nick Hamm's dark thriller The Hole (2001) kept her busy during 2000, and featured her first nude scene (15 at the time, the film was not released until she was 16 years old). In the summer of 2001, while Keira studied and sat her final school exams (she received six A's), she filmed a movie about an Asian girl's (Parminder Nagra) love for football and the prejudices she has to overcome regarding both her culture and her religion). Bend It Like Beckham (2002) was a smash hit in football-mad Britain but it had to wait until another of Keira's films propelled it to the top end of the US box office. Bend It Like Beckham (2002) cost just £3.5m to make, and nearly £1m of that came from the British Lottery. It took £11m in the UK and has since gone on to score more than US$76m worldwide.
Meanwhile, Keira had started A-levels at Esher College, studying Classics, English Literature and Political History, but continued to take acting roles which she thought would widen her experience as an actress. The story of a drug-addicted waitress and her friendship with the young son of a drug-addict, Pure (2002), occupied Keira from January to March 2002. Also at this time, Keira's first attempt at Shakespeare was filmed. She played "Helena" in a modern interpretation of a scene from "A Midsummer Night's Dream" entitled The Seasons Alter (2002). This was commissioned by the environmental organization "Futerra", of which Keira's mother is patron. Keira received no fee for this performance or for another short film, New Year's Eve (2002), by award-winning director Col Spector. But it was a chance encounter with producer Andy Harries at the London premiere of Bridget Jones's Diary (2001) which forced Keira to leave her studies and pursue acting full-time. The meeting lead to an audition for the role of "Larisa Feodorovna Guishar" - the classic heroine of Boris Pasternak's novel Doctor Zhivago (2002), played famously in the David Lean movie by Julie Christie. This was to be a big-budget TV movie with a screenplay written by Andrew Davies. Keira won the part and the mini-series was filmed throughout the Spring of 2002 in Slovakia, co-starring Sam Neill and Hans Matheson as "Yuri Zhivago". Keira rounded off 2002 with a few scenes in the first movie to be directed by Blackadder and Vicar of Dibley writer Richard Curtis. Called Love Actually (2003), Keira played "Juliet", a newlywed whose husband's Best Man is secretly besotted with her. A movie filmed after Love Actually (2003) but released before it was to make the world sit up and take notice of this beautiful fresh-faced young actress with a cute British accent. It was a movie which Keira very nearly missed out on, altogether. Auditions were held in London for a new blockbuster movie called Pirates of the Caribbean: The Curse of the Black Pearl (2003), but heavy traffic in the city forced Keira to be tagged on to the end of the day's auditions list. It helped - she got the part. Filming took place in Los Angeles and the Caribbean from October 2002 to March 2003 and was released to massive box office success and almost universal acclaim in the July of that year.
Meanwhile, a small British film called Bend It Like Beckham (2002) had sneaked onto a North American release slate and was hardly setting the box office alight. But Keira's dominance in "Pirates" had set tongues wagging and questions being asked about the actress playing "Elizabeth Swann". Almost too late, "Bend It"'s distributors realized one of its two stars was the same girl whose name was on everyone's lips due to "Pirates", and took the unusual step of re-releasing "Bend It" to 1,000 screens across the US, catapulting it from no. 26 back up to no. 12. "Pirates", meanwhile, was fighting off all contenders at the top spot, and stayed in the Top 3 for an incredible 21 weeks. It was perhaps no surprise, then, that Keira was on producer Jerry Bruckheimer's wanted list for the part of "Guinevere" in a planned accurate telling of the legend of "King Arthur". Filming took place in Ireland and Wales from June to November 2003. In July, Keira had become the celebrity face of British jeweller and luxury goods retailer, Asprey. At a photoshoot for the company on Long Island New York in August, Keira met and fell in love with Northern Irish model Jamie Dornan. King Arthur (2004) was released in July 2004 to lukewarm reviews. It seems audiences wanted the legend after all, and not necessarily the truth. Keira became the breakout star and 'one to watch in 2004' throughout the world's media at the end of 2003.
Keira's 2004 started off in Scotland and Canada filming John Maybury's time-travelling thriller The Jacket (2005) with Oscar-winner Adrien Brody. A planned movie of Deborah Moggach's novel, "Tulip Fever", about forbidden love in 17th Century Amsterdam, was canceled in February after the British government suddenly closed tax loopholes which allowed filmmakers to claw back a large proportion of their expenditure. Due to star Keira and Jude Law in the main roles, the film remains mothballed. Instead, Keira spent her time wisely, visiting Ethiopia on behalf of the "Comic Relief" charity, and spending summer at various grandiose locations around the UK filming what promises to be a faithful adaptation of Jane Austen's classic novel Pride & Prejudice (2005), alongside Matthew Macfadyen as "Mr. Darcy", and with Donald Sutherland and Judi Dench in supporting roles. In October 2004, Keira received her first major accolade, the Hollywood Film Award for Best Breakthrough Actor - Female, and readers of Empire Magazine voted her the Sexiet Movie Star Ever. The remainder of 2004 saw Keira once again trying a completely new genre, this time the part-fact, part-fiction life story of model turned bounty hunter Domino (2005). 2005 started with the premiere of The Jacket (2005) at the Sundance Film Festival, with the US premiere in LA on February 28th. Much of the year was then spent in the Caribbean filming both sequels to Pirates Of The Caribbean. Keira's first major presenting role came in a late-night bed-in comedy clip show for Comic Relief with presenter Johnny Vaughan. In late July, promotions started for the September release of Pride & Prejudice (2005), with British fans annoyed to learn that the US version would end with a post-marriage kiss, but the European version would not. Nevertheless, when the movie opened in September on both sides of the Atlantic, Keira received her greatest praise thus far in her career, amid much talk of awards. It spent three weeks at No. 1 in the UK box office.
Domino (2005) opened well in October, overshadowed by the death of Domino Harvey earlier in the year. Keira received Variety's Personality Of The Year Award in November, topped the following month by her first Golden Globe nomination, for Pride & Prejudice (2005). KeiraWeb.com exclusively announced that Keira would play Helene Joncour in an adaptation of Alessandro Baricco's novella Silk (2007). Pride & Prejudice (2005) garnered six BAFTA nominations at the start of 2006, but not Best Actress for Keira, a fact which paled soon after by the announcement she had received her first Academy Award nomination, the third youngest Best Actress Oscar hopeful. A controversial nude Vanity Fair cover of Keira and Scarlett Johansson kept the press busy up till the Oscars, with Reese Witherspoon taking home the gold man in the Best Actress category, although Keira's Vera Wang dress got more media attention. Keira spent early summer in Europe filming Silk (2007) opposite Michael Pitt, and the rest of the summer in the UK filming Atonement (2007), in which she plays Cecilia Tallis, and promoting the new Pirates movie (her Ellen Degeneres interview became one of the year's Top 10 'viral downloads'). Pirates Of The Caribbean: Dead Man's Chest (2006) broke many box office records when it opens worldwide in July, becoming the third biggest movie ever by early September. Keira sued British newspaper The Daily Mail in early 2007 after her image in a bikini accompanied an article about a woman who blamed slim celebrities for the death of her daughter from anorexia. The case was settled and Keira matched the settlement damages and donated the total amount to an eating disorder charity. Keira filmed a movie about the life of Dylan Thomas, The Edge Of Love (2008) with a screenplay written by her mother Sharman Macdonald. Her co-star Lindsay Lohan pulled out just a week before filming began, and was replaced by Sienna Miller.
What was announced to be Keira's final Pirates movie in the franchise, Pirates Of The Caribbean: At World's End (2007), opened strongly in June, rising to all-time fifth biggest movie by July. Atonement (2007) opened the Venice Film Festival in August, and opened worldwide in September, again to superb reviews for Keira. Meanwhile, Silk (2007) opened in September on very few screens and disappeared without a trace. Keira spent the rest of the year filming The Duchess (2008), the life story of Georgiana, Duchess of Devonshire, based on Amanda Foreman's award-winning biography of the distant relation of Princess Diana. The year saw more accolades and poll-topping for Keira than ever before, including Women's Beauty Icon 2007 and gracing the covers of all the top-selling magazines. She won Best Actress for Atonement (2007) at the Variety Club Of Great Britain Showbiz Awards, and ended the year with her second Golden Globe nomination. Christmas Day saw - or rather heard - Keira on British TV screens in a new Robbie The Reindeer animated adventure, with DVD proceeds going to Comic Relief. At the start of 2008, Keira received her first BAFTA nomination - Best Actress for Atonement, and the movie wins Best Film: Drama at the Golden Globes. Seven Academy Award nominations for Atonement soon follow. Keira wins Best Actress for her role as Cecilia Tallis at the Empire Film Awards. In May, Keira's first Shakespearean role is announced, when she is confirmed to play Cordelia in a big-screen version of King Lear, alongside Naomi Watts and Gwyneth Paltrow, with Sir Anthony Hopkins as the titular monarch. After two years of rumours, it is confirmed that Keira is on the shortlist to play Eliza Doolittle in a new adaptation of My Fair Lady. The Edge Of Love opens the Edinburgh Film Festival on June 18th, and opens on limited release in the UK and US. A huge round of promotions for The Duchess occurs throughout the summer, with cast and crew trying to play down the marketers' decision to draw parallels between the duchess and Princess Diana. Keira attends the UK and US premieres and Toronto Film Festival within the first week of September. The Duchess opens strongly on both sides of the Atlantic. Two more movies were confirmed for Keira during September - a tale of adultery called Last Night (2010), and a biopic of author F Scott Fitzgerald entitled The Beautiful and the Damned.
Keira spent October on the streets of New York City filming Last Night alongside Sam Worthington and Guillaume Canet. Keira helped to promote the sixtieth anniversary of the UN's Declaration of Human Rights, by contributing to a series of short films produced to mark the occasion. In January 2009 it was announced Keira had signed to play a reclusive actress in an adaptation of Ken Bruen's novel London Boulevard (2010), co-starring Colin Farrell. Keira continues her close ties with the Comic Relief charity by helping to launch their British icons T-shirts campaign. In the same week King Lear was revealed to have been shelved, it was announced that Keira would instead star alongside her Pride & Prejudice co-star Carey Mulligan in an adaptation of Kazuo Ishiguro's novel Never Let Me Go (2010). A new short film emerges in March, recorded in the January of 2008 in which Keira plays a Fairy! The Continuing and Lamentable Saga of the Suicide Brothers (2009) was written by Keira's boyfriend Rupert Friend and actor Tom Mison. It went to be shown at the London Film Festival in October and won Best Comedy Short at the New Hampshire Film Festival. Keira continued to put her celebrity to good use in 2009 with a TV commercial for WomensAid highlighting domestic abuse against women. Unfortunately, UK censors refused to allow its broadcast and it can only be viewed on YouTube. May and June saw Keira filming Never Let Me Go (2010) and London Boulevard (2010) back-to-back. In October, a new direction for Keira's career emerged, when it was announced she would appear on the London stage in her West End debut role as Jennifer, in a reworking of Moliere's The Misanthrope, starring Damian Lewis and Tara Fitzgerald. More than $2m of ticket sales followed in the first four days, before even rehearsals had begun! The play ran from December to March at London's Comedy Theatre.- Actress
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Ava Lavina Gardner was born on December 24, 1922 in Grabtown, North Carolina, to Mary Elizabeth (née Baker) and Jonas Bailey Gardner. Born on a tobacco farm, where she got her lifelong love of earthy language and going barefoot, Ava grew up in the rural South. At age 18, her picture in the window of her brother-in- law's New York photo studio brought her to the attention of MGM, leading quickly to Hollywood and a film contract based strictly on her beauty. With zero acting experience, her first 17 film roles, 1942-1945, were one-line bits or little better. After her first starring role in B-grade Whistle Stop (1946), MGM loaned her to Universal for her first outstanding film The Killers (1946). Few of her best films were made at MGM which, keeping her under contract for 17 years, used her popularity to sell many mediocre films. Perhaps as a result, she never believed in her own acting ability, but her latent talent shone brightly when brought out by a superior director, as with John Ford in Mogambo (1953) and George Cukor in Bhowani Junction (1956).
After three failed marriages, dissatisfaction with Hollywood life prompted Ava to move to Spain in 1955; most of her subsequent films were made abroad. By this time, stardom had made the country girl a cosmopolitan, but she never overcame a deep insecurity about acting and life in the spotlight. Her last quality starring film role was in The Night of the Iguana (1964), her later work being (as she said) strictly "for the loot". In 1968, tax trouble in Spain prompted a move to London, where she spent her last 22 years in reasonable comfort. Her film career did not bring her great fulfillment, but her looks may have made it inevitable; many fans still consider her the most beautiful actress in Hollywood history. Ava Gardner died at age 67 of bronchial pneumonia on January 25, 1990 in Westminister, London, England.- Actress
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Academy Award-winning actress Marion Cotillard was born on September 30, 1975 in Paris. Cotillard is the daughter of Jean-Claude Cotillard, an actor, playwright and director, and Niseema Theillaud, an actress and drama teacher. Her father's family is from Brittany.
Raised in Orléans, France, she made her acting debut as a child with a role in one of her father's plays. She studied drama at the Conservatoire d'Art Dramatique in Orléans. After small appearances and performances in theater, Cotillard had occasional and minor roles in TV series such as Highlander (1992) and Extrême limite (1994), but her career as a film actress began in the mid-1990s. While still a teenager, Cotillard made her cinema debut at the age of 18 in the film L'histoire du garçon qui voulait qu'on l'embrasse (1994), and had small but noticeable roles in films such as Arnaud Desplechin's My Sex Life... or How I Got Into an Argument (1996) and Coline Serreau's comedy The Green Planet (1996).
In 1996, she had her first lead role in the TV film Chloé (1996), playing the title role - a teenage runaway who is forced into prostitution. Cotillard co-starred opposite Anna Karina, the muse of the Nouvelle Vague.
In 1997, she won her first film award at the Festival Rencontres Cinématographiques d'Istres in France, for her performance as the young imprisoned Nathalie in the short film Affaire classée (1997). Her first prominent screen role was Lilly Bertineau in Gérard Pirès's box-office hit Taxi (1998), a role which she reprised in two sequels: Taxi 2 (2000) and Taxi 3 (2003), this role earned her first César award nomination (France's equivalent to the Oscar) for Most Promising Actress in 1999.
In 1999, Cotillard starred as Julie Bonzon in the Swiss war drama War in the Highlands (1998). For her performance in the film, she won the Best Actress award at the Autrans Film Festival in France. In 2001, Marion starred in Pretty Things (2001) as the twin sisters Marie and Lucie, and was nominated for her second César award for Most Promising Actress.
Cotillard's breakthrough in France came in 2003, when she starred in Yann Samuell's dark romantic comedy Love Me If You Dare (2003), in which she played Sophie Kowalsky, the daughter of Polish immigrants who lives a love-hate relationship with her childhood friend. The film was a box-office hit in France, became a cult film abroad and led Cotillard to bigger projects.
Her first Hollywood movie was Tim Burton's Big Fish (2003), in which she played Joséphine, the wife of William Bloom (played by Billy Crudup). A few years later, Marion starred in Ridley Scott's A Good Year (2006) playing Fanny Chenal, a French café owner who falls in love with Russell Crowe's character. In 2004, she won the Chopard Thophy of Female Revelation at the Cannes Film Festival. In 2005, Cotillard won the César award for Best Supporting Actress for her performance of Tina Lombardi in Jean-Pierre Jeunet's A Very Long Engagement (2004).
In 2007, Cotillard received international recognition for her iconic portrayal of Édith Piaf in La Vie En Rose (2007). Director Olivier Dahan cast Cotillard to play the legendary French singer because to him, her eyes were like those of "Piaf". The fact that she can sing also helped Cotillard land the role of "Piaf", although most of the singing in the film is that of Piaf's. The role won Cotillard the Academy Award for Best Actress along with a César, a Lumière Award, a BAFTA Award, and a Golden Globe. That made her only the second actress to win an acting Oscar performing in a language other than English next to Sophia Loren (Two Women (1960)). Only two male performers (Roberto Benigni for Life Is Beautiful (1997) and Robert De Niro for The Godfather Part II (1974)) have won an Oscar for solely non-English parts. Trevor Nunn called her portrayal of "Piaf" "one of the greatest performances on film ever". At the Berlin International Film Festival, where the film premiered, Cotillard was given a 15-minute standing ovation. When she won the César, Alain Delon presented the award and announced the winner as "La Môme Marion" (The Kid Marion), he also praised her at the stage saying: "Marion, I give you this César. I think this César is for a great great actress, and I know what I'm talking about".
Cotillard has worked much more frequently in English-language movies following her Academy Award recognition. In 2009, she acted opposite Johnny Depp in Michael Mann's Public Enemies (2009), and later that year played Luisa Contini in Rob Marshall's musical Nine (2009) and received a Golden Globe nomination for her performance. Time magazine ranked her as the fifth best performance by a female in 2009. The following year, she took on the main antagonist role, Mal, in Christopher Nolan's Inception (2010), and in 2011 she had memorable parts in Midnight in Paris (2011) and Contagion (2011) and reteamed with Christopher Nolan in The Dark Knight Rises (2012).
In 2011 and 2012 respectively, Cotillard appeared on the top of Le Figaro's list of the highest paid actors in France, it was the first time in nine years that a female topped the list. Cotillard was also the highest paid foreign actress in Hollywood.
In 2012, Cotillard received wide-spread critical acclaim for her role as the legless orca trainer Stéphanie in Rust and Bone (2012). The film was a box office hit in France and received a ten-minute standing ovation at the end of its screening at the 65th Cannes Film Festival. Cotillard won the Globe de Cristal (France's equivalent to the Golden Globe), the Étoile d'Or award and was nominated for the Golden Globes, SAG, BAFTA, Critics' Choice and César Awards for her performance in the film. Cate Blanchett wrote an op-ed for Variety praising Cotillard's performance in "Rust and Bone", the two actresses competed for the Academy Awards for Best Actress in 2008, Cate was nominated for her performance in Elizabeth: The Golden Age (2007) and Marion for her performance in La Vie En Rose (2007) and Cotillard won the Oscar.
She had her first leading role in an American movie in 2013, in James Gray's The Immigrant (2013), in which she played Ewa Cybulska, a Polish immigrant who wants to experience the American dream. Cotillard received wide-spread acclaim for her performance in the film at the 66th Cannes Film Festival, where the film premiered, and also won several critics awards. In 2014, Cotillard played Sandra in the Belgian film Two Days, One Night (2014) by the Dardenne brothers. Her performance was unanimously praised at the 67th Cannes Film Festival, earned several critics awards, Cotillard won her first European Award for Best Actress and also received her second Oscar nomination and her sixth César award nomination.
In 2015, she played Lady Macbeth opposite Michael Fassbender in Justin Kurzel's Macbeth (2015) and voiced two animated movies: The Little Prince (2015) in which she voiced The Rose, and April and the Extraordinary World (2015), in which she voiced the lead role, Avril. Her 2016 included Nicole Garcia's From the Land of the Moon (2016), Xavier Dolan's It's Only the End of the World (2016), Justin Kurzel's Assassin's Creed (2016), in which she worked again with her Macbeth co-star Michael Fassbender; and Robert Zemeckis's Allied (2016), with Brad Pitt.- Actress
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Diane Kruger was born Diane Heidkrüger in Algermissen, near Hildesheim, Germany, to Maria-Theresa, a bank employee, and Hans-Heinrich Heidkrüger, a computer specialist. She studied ballet with the Royal Ballet in London before an injury ended her career. She returned to Germany and became a top fashion model. She later pursued acting and relocated to Paris at the suggestion of filmmaker Luc Besson (The Fifth Element (1997)). She married French actor Guillaume Canet (The Beach (2000)) in 2001.- Actress
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This marvelous screen comedienne's best asset was only muffled during her seven years' stint in silent films. That asset? It was, of course, her squeaky, frog-like voice, which silent-era cinema audiences had simply no way of perceiving, much less appreciating. Jean Arthur, born Gladys Georgianna Greene in upstate New York, 20 miles south of the Canadian border, has had her year of birth cited variously as 1900, 1905 and 1908. Her place of birth has often been cited as New York City! (Herein we shall rely for those particulars on Miss Arthur's obituary as given in the authoritative and reliable New York Times. The date and place indicated above shall be deemed correct.) Following her screen debut in a bit part in John Ford's Cameo Kirby (1923), she spent several years playing unremarkable roles as ingénue or leading lady in comedy shorts and cheapie westerns. With the arrival of sound she was able to appear in films whose quality was but slightly improved over that of her past silents. She had to contend, for example, with the consummately evil likes of Dr. Fu Manchu (played by future "Charlie Chan" Warner Oland). Her career bloomed with her appearance in Ford's The Whole Town's Talking (1935), in which she played opposite Edward G. Robinson, the latter in a dual role as a notorious gangster and his lookalike, a befuddled, well-meaning clerk. Here is where her wholesomeness and flair for farcical comedy began making themselves plain. The turning point in her career came when she was chosen by Frank Capra to star with Gary Cooper in the classic social comedy Mr. Deeds Goes to Town (1936). Here she rescues the hero - thus herself becoming heroine! - from rapacious human vultures who are scheming to separate him from his wealth. In Capra's masterpiece Mr. Smith Goes to Washington (1939), she again rescues a besieged hero (James Stewart), protecting him from a band of manipulative and cynical politicians and their cronies and again she ends up as a heroine of sorts. For her performance in George Stevens' The More the Merrier (1943), in which she starred with Joel McCrea and Charles Coburn, she received a Best Actress Academy Award nomination, but the award went to Jennifer Jones in The Song of Bernadette (1943) (Coburn, incidentally, won for Best Supporting Actor). Her career began waning toward the end of the 1940s. She starred with Marlene Dietrich and John Lund in Billy Wilder's fluff about post-World War II Berlin, A Foreign Affair (1948). Thereafter, the actress would return to the screen but once, again for George Stevens but not in comedy. She starred with Alan Ladd and Van Heflin in Stevens' western Shane (1953), playing the wife of a besieged settler (Heflin) who accepts help from a nomadic gunman (Ladd) in the settler's effort to protect his farm. It was her silver-screen swansong. She would provide one more opportunity for a mass audience to appreciate her craft. In 1966 she starred as a witty and sophisticated lawyer, Patricia Marshall, a widow, in the TV series The Jean Arthur Show (1966). Her time was apparently past, however; the show ran for only 11 weeks.- Actress
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Considered by many critics to be the greatest living actress, Meryl Streep has been nominated for the Academy Award an astonishing 21 times, and has won it three times. Meryl was born Mary Louise Streep in 1949 in Summit, New Jersey, to Mary Wolf (Wilkinson), a commercial artist, and Harry William Streep, Jr., a pharmaceutical executive. Her father was of German and Swiss-German descent, and her mother had English, Irish, and German ancestry.
Meryl's early performing ambitions leaned toward the opera. She became interested in acting while a student at Vassar and upon graduation she enrolled in the Yale School of Drama. She gave an outstanding performance in her first film role, Julia (1977), and the next year she was nominated for her first Oscar for her role in The Deer Hunter (1978). She went on to win the Academy Award for her performances in Kramer vs. Kramer (1979) and Sophie's Choice (1982), in which she gave a heart-wrenching portrayal of an inmate mother in a Nazi death camp.
A perfectionist in her craft and meticulous and painstaking in her preparation for her roles, Meryl turned out a string of highly acclaimed performances over the next decade in great films like Silkwood (1983); Out of Africa (1985); Ironweed (1987); and A Cry in the Dark (1988). Her career declined slightly in the early 1990s as a result of her inability to find suitable parts, but she shot back to the top in 1995 with her performance as Clint Eastwood's married lover in The Bridges of Madison County (1995) and as the prodigal daughter in Marvin's Room (1996). In 1998 she made her first venture into the area of producing, and was the executive producer for the moving ...First Do No Harm (1997). A realist when she talks about her future years in film, she remarked that "...no matter what happens, my work will stand..."- Actress
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Monica Anna Maria Bellucci was born on September 30, 1964 in the Italian village of Città di Castello, Umbria, the only child of Brunella Briganti and Pasquale Bellucci. She originally pursued a career in the legal profession. While attending the University of Perugia, she modeled on the side to earn money for school, and this led to her modeling career. In 1988, she moved to one of Europe's fashion centers, Milan, and joined Elite Model Management. Although enjoying great success as a model, she made her acting debut on television in 1990, and her American film debut in Bram Stoker's Bram Stoker's Dracula (1992). Her role in the French thriller The Apartment (1996), shot her to stardom as she won the French equivalent of an Oscar nomination. Other credits include Malena (2000), Under Suspicion (2000) and Brotherhood of the Wolf (2001).- Actress
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Jeanne Crain was born in Barstow, California, on May 25, 1925. The daughter of a high school English teacher and his wife, Jeanne was moved to Los Angeles not long after her birth after her father got another teaching position in that city. While in junior high school, Jeanne played the lead in a school production which set her on the path to acting. When she was in high school Jeanne was asked to take a screen test to appear in a film by Orson Welles. Unfortunately, she didn't get the part, but it did set her sights on being a movie actress.
After high school, Jeanne enrolled at UCLA to study drama. At the age of 18, Jeanne won a bit part in Fox Studio's film entitled The Gang's All Here (1943) and a small contract. Her next film saw Jeanne elevated to a more substantial part in Home in Indiana (1944) the following year, which was filmed in neighboring Kentucky. The movie was an unquestionable hit. On the strength of that box-office success, Jeanne was given a raise and star billing, as Maggie Preston, in the next film of 1944, In the Meantime, Darling (1944). Unfortunately, the critics not only roasted the film, but singled out Jeanne's performance in particular. She rebounded nicely in her last film of the year, Winged Victory (1944). The audiences loved it and the film was profitable.
In 1945, Jeanne was cast in State Fair (1945) as Margie Frake who travels to the fair and falls in love with a reporter played by Dana Andrews. Now, Jeanne got a bigger contract and more recognition. Later that year, Jeanne married Paul Brooks on New Year's Eve. Although her mother wasn't supportive of the marriage, the union lasted until her husband's death and produced seven children. The year 1947 was an off year for Jeanne, as she took time off to bear the Brooks' first child.
In 1949, Jeanne appeared in three films, A Letter to Three Wives (1949), The Fan (1949), and Pinky (1949). It was this latter film which garnered her an Oscar nomination as Best Actress for her role as Pinky Johnson, a nurse who sets up a clinic in the Deep South. She lost to Olivia de Havilland for The Heiress (1949). Jeanne left Fox after filming Vicki (1953) in 1953, with Jean Peters. She had made 23 films for the studio that started her career, but she needed a well-deserved change. As with any good artist, Jeanne wanted to expand her range instead of playing the girl-next-door types.
She went briefly to Warner Brothers for the filming of Duel in the Jungle (1954) in 1954. The film was lukewarm at best. Jeanne, then, signed a contract, that same year, with Universal Studios with promises of better, high profile roles. She went into production in the film Man Without a Star (1955) which was a hit with audiences and critics. After The Joker Is Wild (1957) in 1957, Jeanne took time off for her family and to appear in a few television programs. She returned, briefly, to film in Guns of the Timberland (1960) in 1960. The films were sporadic after that. In 1967, she appeared in a low-budget suspense yarn called Hot Rods to Hell (1966). Her final film was as Clara Shaw in 1972's Skyjacked (1972).
Jeanne died of a heart attack in Santa Barbara, California, on December 14, 2003. Her husband Paul Brooks had died two months earlier.- Actress
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Gemma Christina Arterton was born in Gravesend, Kent, England, where she was raised. She is the daughter of Sally-Anne (Heap), a cleaner, and Barry J. Arterton, a welder. Her mother's cousin is singer-songwriter Eric Goulden.
Her parents divorced when she was age five, and Gemma subsequently lived with her younger sister and her mother. Her parents encouraged their children to explore their creative abilities. Gemma's sister, Hannah, liked to sing, whereas Gemma chose acting. During her teenage years, she was part of the Masquerade and Miskin theater companies, appearing in productions of The Massacre of Civitella and Guiding Star. In 2004, she won an award for Best Supporting Actress, which helped her to win a grant to study at the Royal Academy of Dramatic Art (RADA).
Whilst studying at RADA, she landed her first professional role in Capturing Mary (2007), directed by Stephen Poliakoff and starring Maggie Smith. Gemma graduated from RADA in 2007 and won her first film role in St. Trinian's (2007). Her breakthrough role came in 2008, when she appeared in the James Bond film Quantum of Solace (2008). In 2009, she was the winner of Empire's Best Newcomer Award.- Actress
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Scarlett Ingrid Johansson was born on November 22, 1984 in Manhattan, New York City, New York. Her mother, Melanie Sloan is from a Jewish family from the Bronx and her father, Karsten Johansson is a Danish-born architect from Copenhagen. She has a sister, Vanessa Johansson, who is also an actress, a brother, Adrian, a twin brother, Hunter Johansson, born three minutes after her, and a paternal half-brother, Christian. Her grandfather was writer Ejner Johansson.
Johansson began acting during childhood, after her mother started taking her to auditions. She made her professional acting debut at the age of eight in the off-Broadway production of "Sophistry" with Ethan Hawke, at New York's Playwrights Horizons. She would audition for commercials but took rejection so hard her mother began limiting her to film tryouts. She made her film debut at the age of nine, as John Ritter's character's daughter in the fantasy comedy North (1994). Following minor roles in Just Cause (1995), as the daughter of Sean Connery and Kate Capshaw's character, and If Lucy Fell (1996), she played the role of Amanda in Manny & Lo (1996). Her performance in Manny & Lo garnered a nomination for the Independent Spirit Award for Best Lead Female, and positive reviews, one noting, "[the film] grows on you, largely because of the charm of ... Scarlett Johansson", while San Francisco Chronicle critic Mick LaSalle commentated on her "peaceful aura", and wrote, "If she can get through puberty with that aura undisturbed, she could become an important actress."
After appearing in minor roles in Fall (1997) and Home Alone 3 (1997), Johansson garnered widely spread attention for her performance in The Horse Whisperer (1998), directed by Robert Redford, where she played Grace MacLean, a teenager traumatized by a riding accident. She received a nomination for the Chicago Film Critics Association Award for Most Promising Actress for the film. In 1999, she appeared in My Brother the Pig (1999) and in the music video for Mandy Moore's single, "Candy". Although the film was not a box office success, she received praise for her breakout role in Ghost World (2001), credited with "sensitivity and talent [that] belie her age". She was also featured in the Coen Brothers' dark drama The Man Who Wasn't There (2001), opposite Billy Bob Thornton and Frances McDormand. She appeared in the horror comedy Eight Legged Freaks (2002) with David Arquette and Kari Wuhrer.
In 2003, she was nominated for two Golden Globe Awards, one for drama (Girl with a Pearl Earring (2003)) and one for comedy (Lost in Translation (2003)), her breakout role, starring opposite Bill Murray, and receiving rave reviews and a Best Actress Award at the Venice Film Festival. Her film roles include the critically acclaimed Weitz brothers' film In Good Company (2004), as well as starring opposite John Travolta in A Love Song for Bobby Long (2004), which garnered her a third Golden Globe Award nomination.
She dropped out of Mission: Impossible III (2006) due to scheduling conflicts. Her next film role was in The Island (2005) alongside Ewan McGregor which earned weak reviews from U.S. critics. After this, she appeared in Woody Allen's Match Point (2005) and was nominated again for a Golden Globe Award. In May 2008, she released her album "Anywhere I Lay My Head", a collection of Tom Waits covers featuring one original song. Also that year, she starred in Frank Miller's The Spirit (2008), the Woody Allen film Vicky Cristina Barcelona (2008), and played Mary Boleyn opposite Natalie Portman in The Other Boleyn Girl (2008).
Since then, she has appeared as part of an ensemble cast in the romantic comedy He's Just Not That Into You (2009), the action superhero film Iron Man 2 (2010), the comedy-drama We Bought a Zoo (2011) and starred as the original scream queen, Janet Leigh, in Hitchcock (2012). She then played her character, Black Widow, in the blockbuster action films The Avengers (2012), Captain America: The Winter Soldier (2014), Avengers: Age of Ultron (2015), Captain America: Civil War (2016), Avengers: Infinity War (2018), Avengers: Endgame (2019) and Black Widow (2021), and also headlined the sci-fi action thriller Lucy (2014), a box office success. With more than a decade of work already under her belt, Scarlett has proven to be one of Hollywood's most talented young actresses. Her other starring roles are in the sci-fi action thriller Ghost in the Shell (2017) and the dark comedy Rough Night (2017).
Scarlett and Canadian actor Ryan Reynolds were engaged in May 2008 and married in September of that year. In 2010, the couple announced their separation, and subsequently divorced a year later. In 2013, she became engaged to French journalist Romain Dauriac, the couple married a year later. In January 2017, the couple announced their separation, and subsequently divorced in March of that year. They have a daughter, Rose Dorothy Dauriac (born 2014). The couple divorced in September 2017.
She married Colin Jost in October 2020. They have one child, a son.- Actress
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Marilyn Monroe was an American actress, comedienne, singer, and model. Monroe is of English, Irish, Scottish and Welsh descent. She became one of the world's most enduring iconic figures and is remembered both for her winsome embodiment of the Hollywood sex symbol and her tragic personal and professional struggles within the film industry. Her life and death are still the subjects of much controversy and speculation.
She was born Norma Jeane Mortenson at the Los Angeles County Hospital on June 1, 1926. Her mother, Gladys Pearl (Monroe), was born in Piedras Negras, Coahuila, Mexico, to American parents from Indiana and Missouri, and was a film-cutter at Consolidated Film Industries. Marilyn's biological father has been established through DNA testing as Charles Stanley Gifford, who had been born in Newport, Rhode Island, to a family with deep roots in the state. Because Gladys was mentally and financially unable to care for young Marilyn, Gladys placed her in the care of a foster family, The Bolenders. Although the Bolender family wanted to adopt Marilyn, Gladys was eventually able to stabilize her lifestyle and took Marilyn back in her care when Marilyn was 7 years old. However, shortly after regaining custody of Marilyn, Gladys had a complete mental breakdown and was diagnosed as a paranoid schizophrenic and was committed to a state mental hospital. Gladys spent the rest of her life going in and out of hospitals and rarely had contact with young Marilyn. Once Marilyn became an adult and celebrated as a film star, she paid a woman by the name of Inez Melson to look in on the institutionalized Gladys and give detailed reports of her progress. Gladys outlived her daughter, dying in 1984.
Marilyn was then taken in by Gladys' best friend Grace Goddard, who, after a series of foster homes, placed Marilyn into the Los Angeles Orphan's Home in 1935. Marilyn was traumatized by her experience there despite the Orphan's Home being an adequate living facility. Grace Goddard eventually took Marilyn back to live with her in 1937 although this stay did not last long as Grace's husband began molesting Marilyn. Marilyn went to live with Grace's Aunt Ana after this incident, although due to Aunt Ana's advanced age she could not care properly for Marilyn. Marilyn once again for the third time had to return to live with the Goddards. The Goddards planned to relocated and according to law, could not take Marilyn with them. She only had two choices: return to the orphanage or get married. Marilyn was only 16 years old.
She decided to marry a neighborhood friend named James Dougherty; he went into the military, she modeled, they divorced in 1946. She owned 400 books (including Tolstoy, Whitman, Milton), listened to Beethoven records, studied acting at the Actors' lab in Hollywood, and took literature courses at UCLA downtown. 20th Century Fox gave her a contract but let it lapse a year later. In 1948, Columbia gave her a six-month contract, turned her over to coach Natasha Lytess and featured her in the B movie Ladies of the Chorus (1948) in which she sang three numbers : "Every Baby Needs a Da Da Daddy", "Anyone Can Tell I Love You" and "The Ladies of the Chorus" with Adele Jergens (dubbed by Virginia Rees) and others. Joseph L. Mankiewicz saw her in a small part in The Asphalt Jungle (1950) and put her in All About Eve (1950) , resulting in 20th Century re-signing her to a seven-year contract. Niagara (1953) and Gentlemen Prefer Blondes (1953) launched her as a sex symbol superstar.
When she went to a supper honoring her in the The Seven Year Itch (1955) , she arrived in a red chiffon gown borrowed from the studio (she had never owned a gown). That same year, she married and divorced baseball great Joe DiMaggio (their wedding night was spent in Paso Robles, California). After The Seven Year Itch (1955) , she wanted serious acting to replace the sexpot image and went to New York's Actors Studio. She worked with director Lee Strasberg and also underwent psychoanalysis to learn more about herself. Critics praised her transformation in Bus Stop (1956) and the press was stunned by her marriage to playwright Arthur Miller . True to form, she had no veil to match her beige wedding dress so she dyed one in coffee; he wore one of the two suits he owned. They went to England that fall where she made The Prince and the Showgirl (1957) with Laurence Olivier , fighting with him and falling further prey to alcohol and pills. Two miscarriages and gynecological surgery followed. So had an affair with Yves Montand . Work on her last picture The Misfits (1961) , written for her by departing husband Miller, was interrupted by exhaustion. She was dropped from the unfinished Something's Got to Give (1962) due to chronic lateness and drug dependency.
On August 4, 1962, Marilyn Monroe's day began with threatening phone calls. Dr. Ralph Greenson, Marilyn's physician, came over the following day and quoted later in a document "Felt it was possible that Marilyn had felt rejected by some of the people she had been close to." Apart from being upset that her publicist slept too long, she seemed fine. Pat Newcombe, who had stayed the previous night at Marilyn's house, left in the early evening as did Greenson who had a dinner date. Marilyn was upset he couldn't stay, and around 7:30pm she telephoned him to say that her second husband's son had called her. Peter Lawford also called Marilyn, inviting her to dinner, but she declined. Lawford later said her speech was slurred. As the evening went on there were other phone calls, including one from Jose Belanos, who said he thought she sounded fine. According to the funeral directors, Marilyn died sometime between 9:30pm and 11:30pm. Her maid unable to raise her but seeing a light under her locked door, called the police shortly after midnight. She also phoned Ralph Greenson who, on arrival, could not break down the bedroom door. He eventually broke in through French windows and found Marilyn dead in bed. The coroner stated she had died from acute barbiturate poisoning, and it was a 'probable suicide' though many conspiracies would follow in the years after her death.- Actress
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Jacqueline Bisset has been an international film star since the late '60s. She received her first roles mainly because of her stunning beauty, but over time she has become a fine actress respected by fans and critics alike. Bisset has worked with directors John Huston, François Truffaut, George Cukor and Roman Polanski. Her co-stars have included Anthony Quinn, Paul Newman, Nick Nolte, Jean-Paul Belmondo, Kenneth Branagh and Marcello Mastroianni.
Her somewhat French-sounding name has led many to assume that she is from France, but she was brought up in England and had to study to learn French. Her mother was French and was an attorney before being married. As a child Jacqueline studied ballet. During her teenage years her father left the family when her mother was diagnosed with disseminating sclerosis; Jacqueline worked as a model to support her ailing mother and eventually her parents divorced, an experience she has said she considered character-strengthening. She took an early interest in film, and her modeling career helped pay for acting lessons.
In 1967 Bisset gained her first critical attention in Two for the Road (1967), and that same year appeared in the popular James Bond spoof Casino Royale (1967), playing Miss Goodthighs. In 1968 her career got a boost when Mia Farrow unexpectedly dropped out of the shooting of The Detective (1968); Farrow's marriage to co-star Frank Sinatra was on the rocks, and her role was eventually given to Bisset, who received special billing in the film's credits. In the following year she earned a Golden Globe nomination as Most Promising Newcomer for The Sweet Ride (1968) and gained even more attention playing opposite Steve McQueen in the popular action film Bullitt (1968). In 1970 she was featured in the star-studded disaster film Airport (1970) and had the main role in The Grasshopper (1970). Then she co-starred with Alan Alda in the well-reviewed but commercially underperforming horror movie, The Mephisto Waltz (1971). In 1973 she became recognized in Europe as a serious actress when she played the lead in Truffaut's Day for Night (1973). However, it would be several years before her talents would be taken seriously in the US. Though she scored another domestic hit with Murder on the Orient Express (1974), her part in it, as had often been the case, was decorative. She did appear to good effect in Believe in Me (1971), Le Magnifique (1973), The Sunday Woman (1975) and St. Ives (1976).
Jacqueline's stunning looks and figure made quite a splash in The Deep (1977). Her underwater swimming scenes in that movie inspired the worldwide wet T-shirt craze, and Newsweek magazine declared her "the most beautiful film actress of all time." The film's producer, Peter Guber, said "That T-shirt made me a rich man." However, she hated the wet T-shirt scenes because she felt exploited. At the time of filming she was not told that the filmmakers would shoot the scenes in such a provocative way, and she felt tricked. On the plus side, the huge success of the picture made Bisset officially bankable. She was next seen in high-profile roles in The Greek Tycoon (1978), a thinly disguised fictionalization of the marriage of Jacqueline Kennedy and Aristotle Onassis, and Who Is Killing the Great Chefs of Europe? (1978), for which she received a Golden Globe nomination as Best Actress in a Comedy.
In the early '80s, Bisset starred in the box office disasters When Time Ran Out... (1980) and Inchon (1981), but her well-received turn opposite Candice Bergen in Rich and Famous (1981) between those two films helped gain her recognition as a serious actress from American audiences. She rebounded neatly with Class (1983) and Under the Volcano (1984), getting a Golden Globe nomination as Best Supporting Actress for the latter. She also earned praise for her work in the excellent made-for-cable WWII drama Forbidden (1984), then appeared on network TV in adaptations of Anna Karenina (1985) with Christopher Reeve and Napoleon and Josephine: A Love Story (1987) with Armand Assante. In 1989 she co-starred in the raunchy yet witty comedy Scenes from the Class Struggle in Beverly Hills (1989) and the erotic thriller Wild Orchid (1989), neither of which fared too well, but her output remained consistent. As she transitioned seamlessly out of her ingenue years, smaller-scale productions such as CrimeBroker (1993) and Leave of Absence (1994) would provide Bisset with plum roles, even if they went largely unseen.
In 1996 she was nominated for a César Award, the French equivalent of the Oscar, for her performance in Claude Chabrol's La Cérémonie (1995). She held roles in period pieces like Dangerous Beauty (1998), as well as the Biblical epics Jesus (1999) and In the Beginning (2000). Other notable credits included the miniseries Joan of Arc (1999) alongside Leelee Sobieski, which gained her an Emmy nomination, and The Sleepy Time Gal (2001), which premiered at Sundance but unfortunately was not picked up for theatrical distribution. In 2005 Jacqueline was back on the big screen, playing Keira Knightley's mother in the Domino Harvey biopic Domino (2005) for Tony Scott. In 2006 she appeared in the fourth season of Nip/Tuck (2003) as the ruthless extortionist "James." Bisset then turned in strong performances in Boaz Yakin's disturbing independent drama Death in Love (2008) and the telepic An Old Fashioned Thanksgiving (2008), garnering accolades for both. In 2013 she appeared in BBC's program Dancing on the Edge (2013), for which she finally won her first Golden Globe. She followed that up with the movies Welcome to New York (2014) with Gérard Depardieu and Miss You Already (2015) with Drew Barrymore and Toni Collette.
2016 saw the long-awaited release of Linda Yellen's comedy The Last Film Festival (2016), where Jacqueline was a riot as a washed-up Italian diva alongside Dennis Hopper in his final role. Since then she's kept busy on the indie circuit, appearing in Backstabbing for Beginners (2018) with Ben Kingsley, Here and Now (2018) with Sarah Jessica Parker, and Asher (2018) with Ron Perlman and Famke Janssen, as well as the Amazon original movie Birds of Paradise (2021) and a title role in Loren & Rose (2022).
Bisset has never married, but has been involved in long-term romantic relationships with Canadian actor Michael Sarrazin, Moroccan entrepreneur Victor Drai, Russian ballet dancer Alexander Godunov, Swiss actor Vincent Perez and Turkish martial arts instructor Emin Boztepe. She continues to make numerous films, and frequently participates in film festivals and award ceremonies around the world.- Actress
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If a film were made of the life of Vivien Leigh, it would open in India just before World War I, where a successful British businessman could live like a prince. In the mountains above Calcutta, a little princess is born. Because of the outbreak of World War I, she is six years old the first time her parents take her to England. Her mother thinks she should have a proper English upbringing and insists on leaving her in a convent school - even though Vivien is two years younger than any of the other girls at the school. The only comfort for the lonely child is a cat that was in the courtyard of the school that the nuns let her take up to her dormitory. Her first and best friend at the school is an eight-year-old girl, Maureen O'Sullivan who has been transplanted from Ireland. In the bleakness of a convent school, the two girls can recreate in their imaginations the places they have left and places where they would some day like to travel. After Vivien has been at the school for 18 months, her mother comes again from India and takes her to a play in London. In the next six months Vivien will insist on seeing the same play 16 times. In India the British community entertained themselves at amateur theatricals and Vivien's father was a leading man. Pupils at the English convent school are eager to perform in school plays. It's an all-girls school, so some of the girls have to play the male roles. The male roles are so much more adventurous. Vivien's favorite actor is Leslie Howard, and at 19 she marries an English barrister who looks very much like him. The year is 1932. Vivien's best friend from that convent school has gone to California, where she's making movies. Vivien has an opportunity to play a small role in an English film, Things Are Looking Up (1935). She has only one line but the camera keeps returning to her face. The London stage is more exciting than the movies being filmed in England, and the most thrilling actor on that stage is Laurence Olivier. At a party Vivien finds out about a stage role, "The Green Sash", where the only requirement is that the leading lady be beautiful. The play has a very brief run, but now she is a real actress. An English film is going to be made about Elizabeth I. Laurence gets the role of a young favorite of the queen who is sent to Spain. Vivien gets a much smaller role as a lady-in-waiting of the queen who is in love with Laurence's character. In real life, both fall in love while making this film, Fire Over England (1937). In 1938, Hollywood wants Laurence to play Heathcliff in Wuthering Heights (1939). Vivien, who has just recently read Gone with the Wind (1939), thinks that the role of Scarlett O'Hara is the first role for an actress that would be really exciting to bring to the screen. She sails to America for a brief vacation. In New York she gets on a plane for the first time to rush to California to see Laurence. They have dinner with Myron Selznick the night that his brother, David O. Selznick, is burning Atlanta on a backlot of MGM (actually they are burning old sets that go back to the early days of silent films to make room to recreate an Atlanta of the 1860s). Vivien is 26 when Gone with the Wind (1939) makes a sweep of the Oscars in 1939. So let's show 26-year-old Vivien walking up to the stage to accept her Oscar and then as the Oscar is presented the camera focuses on Vivien's face and through the magic of digitally altering images, the 26-year-old face merges into the face of Vivien at age 38 getting her second Best Actress Oscar for portraying Blanche DuBois in A Streetcar Named Desire (1951). She wouldn't have returned to America to make that film had not Laurence been going over there to do a film, Carrie (1952) based on Theodore Dreiser's novel "Sister Carrie". Laurence tells their friends that his motive for going to Hollywood to make films is to get enough money to produce his own plays for the London stage. He even has his own theater there, the St. James. Now Sir Laurence, with a seat in the British House of Lords, is accompanied by Vivien the day the Lords are debating about whether the St James should be torn down. Breaking protocol, Vivien speaks up and is escorted from the House of Lords. The publicity helps raise the funds to save the St. James. Throughout their two-decade marriage Laurence and Vivien were acting together on the stage in London and New York. Vivien was no longer Lady Olivier when she performed her last major film role, The Roman Spring of Mrs. Stone (1961).- Actress
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Rita Hayworth was born Margarita Carmen Cansino on October 17, 1918, in Brooklyn, New York, into a family of dancers. Her father, Eduardo Cansino Reina, was a dancer as was his father before him. He emigrated from Spain in 1913. Rita's American mother, Volga Margaret (Hayworth), who was of mostly Irish descent, met Eduardo in 1916 and were married the following year. Rita, herself, studied as a dancer in order to follow in her family's footsteps. She joined her family on stage when she was eight years old when her family was filmed in a movie called La Fiesta (1926). It was her first film appearance, albeit an uncredited one. Sotted by Fox studio head Winfield R. Sheehan, she signed her first studio contract, and make her film debut at age sixteen, in Dante's Inferno (1935), followed by Cruz Diablo (1934). She continued to play small bit parts in several films under the name of "Rita Cansino". Fox dropped her after five small roles, but expert, exploitative promotion by her first husband Edward Judson soon brought Rita a new contract at Columbia Pictures, where studio head Harry Cohn changed her surname to Hayworth and approved raising her hairline by electrolysis. She played the second female lead, Judy McPherson, in Only Angels Have Wings (1939). After thirteen minor roles, Columbia lent her to Warner Bros. for her first big success, The Strawberry Blonde (1941); her splendid dancing with Fred Astaire in You'll Never Get Rich (1941) made her a star. This was the film that exuded the warmth and seductive vitality that was to make her famous. Her natural, raw beauty was showcased later that year in Blood and Sand (1941), filmed in Technicolor.
Rita was probably the second most popular actress after Betty Grable. In You'll Never Get Rich (1941) with Fred Astaire, was probably the film that moviegoers felt close to Rita. Her dancing, for which she had studied all her life, was astounding. After the hit Gilda (1946) (her dancing had made the film and it had made her), her career was on the skids. Although she was still making movies, they never approached her earlier success. The drought began between The Lady from Shanghai (1947) and Champagne Safari (1954). Then after Salome (1953), she was not seen again until Pal Joey (1957). Part of the reasons for the downward spiral was television, but also Rita had been replaced by a new star at Columbia, Kim Novak.
Rita, herself, said, "Men fell in love with Gilda, but they wake up with me". In person, Rita was shy, quiet and unassuming; only when the cameras rolled did she turn on the explosive sexual charisma that in Gilda (1946) made her a superstar. To Rita, though, domestic bliss was a more important, if elusive, goal, and in 1949 she interrupted her career for marriage - unfortunately an unhappy one almost from the start - to the playboy Prince Aly Khan. Her films after her divorce from Khan include perhaps her best straight acting performances, Miss Sadie Thompson (1953) and They Came to Cordura (1959).
After a few, rather forgettable films in the 1960s, her career was essentially over. Her final film was The Wrath of God (1972). Her career was really never the same after Gilda (1946). Perhaps Gene Ringgold said it best when he remarked, "Rita Hayworth is not an actress of great depth. She was a dancer, a glamorous personality, and a sex symbol. These qualities are such that they can carry her no further professionally." Perhaps he was right but Hayworth fans would vehemently disagree with him.
Beginning in 1960 (age 42), early onset of Alzheimer's disease (undiagnosed until 1980) limited Rita's ability. The last few roles in her 60-film career were increasingly small. With 20 years of symptoms, Rita was cared for by her daughter, Yasmin Khan, until Rita's death at age 68 on May 14, 1987, in New York City.- Actress
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Rachel Hannah Weisz was born on 7 March, 1970, in London, U.K., to Edith Ruth (Teich), a psychoanalyst, and George Weisz, an inventor. Her parents both came to England around 1938. Her father is a Hungarian Jewish immigrant, and her mother, from Vienna, was of Italian and Austrian Jewish heritage. Rachel has a sister, Minnie, a curator and photographer.
Rachel started modeling when she was 14, and began acting during her studies at Cambridge University. While there, she formed a theater company named "Talking Tongues", which won the Guardian Award, at the Edinburgh Festival, for its take on Neville Southall's "Washbag". Rachel went on to star on stage in the lauded Sean Mathias revival of Noël Coward's "Design For Living". It was a role that won her a vote for Most Promising Newcomer by the London Critics' Circle.
She has starred in many movies, including The Mummy (1999), Enemy at the Gates (2001) and Stealing Beauty (1996). Rachel can also be seen in the movies The Shape of Things (2003), About a Boy (2002), Constantine (2005) and The Constant Gardener (2005), for which she won an Academy Award, Golden Globe, and Screen Actors Guild Award for Best Supporting Actress.
Rachel has a son with her former partner, director Darren Aronofsky. In June 2011, she married "James Bond" actor Daniel Craig in a private ceremony in New York.- Actress
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Cybill Lynne Shepherd was born in Memphis, Tennessee, to Patty, a homemaker, and William Shepherd, a small business owner. Named after her grandfather, Cy, and her father, Bill, Shepherd's career began at a young age in modeling, when she won the "Miss Teenage Memphis" contest in 1966 and the "Model of the Year" contest in 1968. She became a fashion icon and went on to grace the cover of every major magazine, as well as famously act as spokesperson for L'Oreal. This lead to her acting and on her screen debut in Peter Bogdanovich's The Last Picture Show (1971). Nominated for Most Promising Newcomer, Shepherd continued to build her film career with influential roles in The Heartbreak Kid (1972) and Taxi Driver (1976). After taking a break in her career to have her first child, Clementine Ford, she returned to Hollywood in 1983, to make her television series debut in an episode of Fantasy Island (1977). She went on to star with Bruce Willis in the highly recognized show, Moonlighting (1985), and won Shepherd two Golden Globe Awards. Her third Golden Globe followed for her series, Cybill (1995), with which she also took on a producer role.
Aside from the film industry, Shepherd has been an outspoken activist for issues such as gay rights and abortion rights. In 2009, she was honored by the Human Rights Campaign in Atlanta to accept one of two National Ally for Equality awards.- Actress
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French actress Léa Seydoux was born in 1985 in Paris, France, to Valérie Schlumberger, a philanthropist, and Henri Seydoux, a businessman. Her grandfather, Jérôme Seydoux, is chairman of Pathé, and her father is a great-grandson of businessman and inventor Marcel Schlumberger (her mother also descends from the Schlumberger family). Her parents are both of mixed French and Alsatian German descent, with more distant Venezuelan (Spanish, Basque) roots on her father's side.
Léa began her acting career in French cinema, appearing in films such as The Last Mistress (2007) and On War (2008). She first came to attention after she received her first César Award nomination for her performance in The Beautiful Person (2008), and won the Trophée Chopard, an award given to promising actors at the Cannes Film Festival. Since then, she has appeared in major Hollywood films including Quentin Tarantino's Inglourious Basterds (2009), Ridley Scott's Robin Hood (2010), Woody Allen's Midnight in Paris (2011), and Brad Bird's Mission: Impossible - Ghost Protocol (2011). In French cinema, she was nominated for the César Award for Most Promising Actress for a second time for her role in Belle Épine (2010) and was nominated for the César Award for Best Actress for the film Farewell, My Queen (2012).
In 2013, Seydoux came to widespread attention when Seydoux and co-star Adèle Exarchopoulos, alongside director Abdellatif Kechiche, were awarded the Palme d'Or at the Cannes Film Festival, for their involvement in the critically acclaimed film Blue Is the Warmest Colour (Blue Is the Warmest Colour (2013)). As a special prize for their roles, Along with Jane Campion, Seydoux and Exarchopoulos are the only women to have ever won a Palme d'Or.
That same year, she also received the Lumières Award for Best Actress for the film Grand Central and, in 2014, she was nominated for the BAFTA Rising Star Award and starred in the films Beauty and the Beast, The Grand Budapest Hotel and Saint Laurent. In 2015 she played Madeleine Swann in the 24th James Bond film Spectre.- Actress
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Emily Jean "Emma" Stone was born on November 6, 1988 in Scottsdale, Arizona to Krista Jean Stone (née Yeager), a homemaker & Jeffrey Charles "Jeff" Stone, a contracting company founder and CEO. She is of Swedish, German & British Isles descent. Stone began acting as a child as a member of the Valley Youth Theatre in Phoenix, Arizona, where she made her stage debut in a production of Kenneth Grahame's "The Wind in the Willows". She appeared in many more productions through her early teens until, at the age of fifteen, she decided that she wanted to make acting her career.
The official story is that she made a PowerPoint presentation, backed by Madonna's "Hollywood" and itself entitled "Project Hollywood", in an attempt to persuade her parents to allow her to drop out of school and move to Los Angeles. The pitch was successful and she and her mother moved to LA with her schooling completed at home while she spent her days auditioning.
She had her TV breakthrough when she won the part of Laurie Partridge in the VH1 talent/reality show In Search of the Partridge Family (2004) which led to a number of small TV roles in the following years. Her movie debut was as Jules in Superbad (2007) and, after a string of successful performances, her leading role as Olive in Easy A (2010) established her as a star.- Actress
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Michelle Pfeiffer was born in Santa Ana, California to Dick and Donna Pfeiffer. She has an older brother and two younger sisters - Dedee Pfeiffer, and Lori Pfeiffer, who both dabbled in acting and modeling but decided against making it their lives' work. She graduated from Fountain Valley High School in 1976, and attended one year at the Golden West College, where she studied to become a court reporter. But it was while working as a supermarket checker at Vons, a large Southern California grocery chain, that she realized her true calling. She was married to actor/director Peter Horton ("Gary" of Thirtysomething (1987)) in 1981. They were later divorced, and she then had a three year relationship with actor Fisher Stevens. When that didn't work out, Pfeiffer decided she didn't want to wait any longer before having her own family, and in March of 1993, she adopted a baby girl, Claudia Rose. On November 13th of the same year, she married lawyer-turned-writer/producer David E. Kelley, creator of Picket Fences (1992), Chicago Hope (1994), The Practice (1997), and Boston Public (2000). On August 5, 1994 their son, John Henry was born.- Actress
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Diane Keaton was born Diane Hall in Los Angeles, California, to Dorothy Deanne (Keaton), an amateur photographer, and John Newton Ignatius "Jack" Hall, a civil engineer and real estate broker. She studied Drama at Santa Ana College, before dropping out in favor of the Neighborhood Playhouse in New York. After appearing in summer stock for several months, she got her first major stage role in the Broadway rock musical "Hair". As understudy to the lead, she gained attention by not removing any of her clothing. In 1968, Woody Allen cast her in his Broadway play "Play It Again, Sam," which had a successful run. It was during this time that she became involved with Allen and appeared in a number of his films. The first one was Play It Again, Sam (1972), the screen adaptation of the stage play. That same year Francis Ford Coppola cast her as Kay in the Oscar-winning The Godfather (1972), and she was on her way to stardom. She reprized that role in the film's first sequel, The Godfather Part II (1974). She then appeared with Allen again in Sleeper (1973) and Love and Death (1975).
In 1977, she broke away from her comedy image to appear in the chilling Looking for Mr. Goodbar (1977), which won her a Golden Globe nomination. It was the same year that she appeared in what many regard as her best performance, in the title role of Annie Hall (1977), which Allen wrote specifically for her (her real last name is Hall, and her nickname is Annie), and what an impact she made. She won the Oscar and the British Award for Best Actress, and Allen won the Directors Award from the DGA. She started a fashion trend with her unisex clothes and was the poster girl for a lot of young males. Her mannerisms and awkward speech became almost a national craze. The question being asked, though, was, "Is she just a lightweight playing herself, or is there more depth to her personality?" For whatever reason, she appeared in but one film a year for the next two years and those films were by Allen. When they broke up she was next involved with Warren Beatty and appeared in his film Reds (1981), as the bohemian female journalist Louise Bryant. For her performance, she received nominations for the Academy Award and the Golden Globe. For the rest of the 1980s she appeared infrequently in films but won nominations in three of them. Attempting to break the typecasting she had fallen into, she took on the role of a confused, somewhat naive woman who becomes involved with Middle Eastern terrorists in The Little Drummer Girl (1984). To offset her lack of movie work, Diane began directing. She directed the documentary Heaven (1987), as well as some music videos. For television she directed an episode of the popular, but strange, Twin Peaks (1990).
In the 1990s, she began to get more mature roles, though she reprized the role of Kay Corleone in the third "Godfather" epic, The Godfather Part III (1990). She appeared as the wife of Steve Martin in the hit Father of the Bride (1991) and again in Father of the Bride Part II (1995). In 1993 she once again teamed with Woody Allen in Manhattan Murder Mystery (1993), which was well received. In 1995 she received high marks for Unstrung Heroes (1995), her first major feature as a director.- Actress
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Elegant Nicole Kidman, known as one of Hollywood's top Australian imports, was actually born in Honolulu, Hawaii, while her Australian parents were there on educational visas.
Kidman is the daughter of Janelle Ann (Glenny), a nursing instructor, and Antony David Kidman, a biochemist and clinical psychologist. She is of English, Irish, and Scottish descent. Shortly after her birth, the family moved to Washington, D.C., where Nicole's father pursued his research on breast cancer, and then, three years later, made the pilgrimage back to her parents' native Sydney in Australia, where Nicole was raised. Young Nicole's first love was ballet, but she eventually took up mime and drama as well (her first stage role was a bleating sheep in an elementary school Christmas pageant). In her adolescent years, acting edged out the other arts and became a kind of refuge -- as her classmates sought out fun in the sun, the fair-skinned Kidman retreated to dark rehearsal halls to practice her craft. She worked regularly at the Philip Street Theater, where she once received a personal letter of praise and encouragement from audience member Jane Campion (then a film student). Kidman eventually dropped out of high school to pursue acting full-time. She broke into movies at age 16, landing a role in the Australian holiday favorite Bush Christmas (1983). That appearance touched off a flurry of film and television offers, including a lead in BMX Bandits (1983) and a turn as a schoolgirl-turned-protester in the miniseries Vietnam (1987) (for which she won her first Australian Film Institute Award). With the help of an American agent, she eventually made her US debut opposite Sam Neill in the at-sea thriller Dead Calm (1989).
Kidman's next casting coup scored her more than exposure. While starring as Tom Cruise's doctor/love interest in the racetrack romance Days of Thunder (1990), she won over the Hollywood hunk hook, line and sinker. After a whirlwind courtship (and decent box office returns), the couple wed on December 24, 1990. Determined not to let her new marital status overshadow her fledgling career, the actress pressed on. She appeared as a catty high school senior in the Australian film Flirting (1991), then as Dustin Hoffman's moll in the gangster flick Billy Bathgate (1991). She reunited with Cruise for Far and Away (1992), the story of young Irish lovers who flee to America in the late 1800s, and starred opposite Michael Keaton in the tear-tugger My Life (1993). Despite her steady employment, critics and moviegoers still had not quite warmed to Kidman as a leading lady. She tried to spice up her image by seducing Val Kilmer in Batman Forever (1995), but achieved her real breakthrough with Gus Van Sant's To Die For (1995). As a fame-crazed housewife determined to eliminate any obstacle in her path, Kidman proved that she had an impressive range and deadly comic timing. She took home a Golden Globe and several critics' awards for the performance. In 1996, Kidman stepped into a corset to work with her countrywoman and onetime admirer, Jane Campion, on the adaptation of Henry James's The Portrait of a Lady (1996). A few months later, she tore across the screen as a nuclear weapons expert in The Peacemaker (1997), adding "action star" to her professional repertoire.
She and Cruise then disappeared into a notoriously long, secretive shoot for Stanley Kubrick's sexual thriller Eyes Wide Shut (1999). The couple's on-screen shenanigans prompted an increase in public speculation about their sex life (rumors had long been circulating that their marriage was a cover-up for Cruise's rumored homosexuality); tired of denying tabloid attacks, they successfully sued The Star for a story alleging that they needed a sex therapist to coach them through love scenes. Family life has always been a priority for Kidman. Born to social activists (mother was a feminist; father, a labor advocate), Nicole and her little sister, Antonia Kidman, discussed current events around the dinner table and participated in their parents' campaigns by passing out pamphlets on street corners. When her mother was diagnosed with breast cancer, 17-year-old Nicole stopped working and took a massage course so that she could provide physical therapy (her mother eventually beat the cancer). She and Cruise adopted two children: Isabella Jane (born 1993) and Connor Antony (born 1995). Despite their rock-solid image, the couple announced in early 2001 that they were separating due to career conflicts. Her marriage to Cruise ended mid-summer of 2001.- Actress
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Margot Elise Robbie was born on July 2, 1990 in Dalby, Queensland, Australia to Scottish parents. Her mother, Sarie Kessler, is a physiotherapist, and her father, is Doug Robbie. She comes from a family of four children, having two brothers and one sister. She graduated from Somerset College in Mudgeeraba, Queensland, Australia, a suburb in the Gold Coast hinterland of South East Queensland, where she and her siblings were raised by their mother and spent much of her time at the farm belonging to her grandparents. In her late teens, she moved to Melbourne, Victoria, Australia to pursue an acting career.
From 2008-2010, Robbie played the character of Donna Freedman in the long-running Australian soap opera, Neighbours (1985), for which she was nominated for two Logie Awards. She set off to pursue Hollywood opportunities, quickly landing the role of Laura Cameron on the short-lived ABC series, Pan Am (2011). She made her big screen debut in the film, About Time (2013).
Robbie rose to fame co-starring alongside Leonardo DiCaprio, portraying the role of Naomi Lapaglia in Martin Scorsese's Oscar nominated film, The Wolf of Wall Street (2013). She was nominated for a Breakthrough Performance MTV Movie Award, and numerous other awards.
In 2014, Robbie founded her own production company, LuckyChap Entertainment. She also appeared in the World War II romantic-drama film, Suite Française (2014). She starred in Focus (2015) and Z for Zachariah (2015), and made a cameo in The Big Short (2015).
In 2016, she married Tom Ackerley in Byron Bay, New South Wales, Australia.
She starred as Jane Porter in The Legend of Tarzan (2016), Tanya Vanderpoel in Whiskey Tango Foxtrot (2016) and as DC comics villain Harley Quinn in Suicide Squad (2016), for which she was nominated for a Teen Choice Award, and many other awards.
She portrayed figure skater Tonya Harding in the biographical film I, Tonya (2017), receiving critical acclaim and a Golden Globe Award nomination for Best Actress - Motion Picture Comedy or Musical.- Actress
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Elizabeth Chase "Lizzie" Olsen (born February 16, 1989) is an American actress. She is known for her roles in the films Silent House (2011), Liberal Arts (2012), Godzilla (2014), Avengers: Age of Ultron (2015), and Captain America: Civil War (2016). For her role in the critically-acclaimed Martha Marcy May Marlene (2011), she was nominated for numerous awards, including the Independent Spirit Award for Best Female Lead. She is the younger sister of actresses and fashion designers Mary-Kate Olsen and Ashley Olsen.
Olsen was born in Sherman Oaks, California to Jarnette "Jarnie", a personal manager, and David "Dave" Olsen, a real estate developer and mortgage banker. She is the younger sister of twins Mary-Kate Olsen and Ashley Olsen, who became famous as TV and movie stars at an early age. Her oldest brother is named Trent Olsen, and she has two younger half-siblings. In 1996, Olsen's parents divorced. The Olsens have Norwegian and English ancestry.
As a child, Olsen received ballet and singing lessons. She began acting at age 4, and by 11 she'd had small roles in How the West Was Fun and the straight-to-video series The Adventures of Mary-Kate & Ashley. Having appeared in her sisters' videos, when she was in the fourth grade, Olsen began to go on auditions for other projects, auditioning for the film Spy Kids. She almost quit acting in 2004 over the media frenzy surrounding Mary-Kate's eating disorder.
She attended Campbell Hall School in North Hollywood, California from kindergarten through grade 12. After graduation, she enrolled at New York University's Tisch School of the Arts. In 2009, Olsen spent a semester studying in Moscow, Russia at the Moscow Art Theatre School through the MATS program at the Eugene O'Neill Theater Center.
Olsen's breakout role came in 2011, when she appeared in the film Martha Marcy May Marlene. The film, along with Olsen's performance, received critical acclaim. Olsen was nominated for and won numerous critics awards for her portrayal of the titular character Martha, a girl suffering from delusions and paranoia after fleeing her life in a cult and returning to her family. She next appeared in the horror film remake Silent House, in which she played the role of Sarah. The film received mixed reviews, although Olsen's performance was once again praised. Olsen also appeared in the music video "The Queen" by Carlotta. Olsen filmed the movie Red Lights during mid-2011, and it was released in the U.S. on July 13, 2012. She starred in Josh Radnor's film Liberal Arts, which was released on January 22, 2012. She and Dakota Fanning starred in Very Good Girls, a 2013 release.
In January 2013, Olsen was nominated for the BAFTA Rising Star Award. She co-starred in the 2013 American remake of the 2003 South Korean film Oldboy; she played Marie, a young social worker who developed a relationship with the protagonist, played by Josh Brolin. She played Edie Parker, Jack Kerouac's first wife and the author of the Beat Generation memoir You'll Be Okay, in Kill Your Darlings.
In 2014, Olsen starred in Legendary's Godzilla a reboot, opposite Bryan Cranston and Aaron Taylor-Johnson. Olsen joined the Marvel Cinematic Universe by playing the Scarlet Witch in Avengers: Age of Ultron, the 2015 Avengers sequel. She first appeared as the character in a mid-credits scene of the film Captain America: The Winter Soldier, again alongside her Godzilla co-star Taylor-Johnson, who portrayed her brother Quicksilver. She reprised this role as the Scarlet Witch in the 2015 film Avengers: Age of Ultron and the 2016 film Captain America: Civil War.
In September 2014, it was announced that Olsen would portray Audrey Williams, Hank Williams' wife, manager, and duet partner in the upcoming 2015 biopic I Saw the Light directed by Marc Abraham and starring Tom Hiddleston as Hank Williams.
In January 2016, it was announced that Olsen would team up with her Avengers: Age of Ultron co-star Jeremy Renner in Taylor Sheridan's directorial feature film debut, Wind River.
Olsen attended New York University's Tisch School of the Arts and the Atlantic Theater Company and graduated in March 2013 after six years of intermittent study. Her sisters' clothing line "Elizabeth and James" was named after her and her older brother.
Olsen started dating fellow actor Boyd Holbrook in September 2012 after meeting him on the film Very Good Girls. They became engaged in March 2014 but called it off in January 2015.- Actress
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Amy Lou Adams was born in Vicenza, Veneto, Italy, to American parents, Kathryn (Hicken) and Richard Kent Adams, a U.S. serviceman who was stationed at Caserma Ederle in Italy at the time. She was raised in a Mormon family of seven children in Castle Rock, Colorado, and has English, as well as smaller amounts of Danish, Swiss-German, and Norwegian, ancestry.
Adams sang in the school choir at Douglas County High School and was an apprentice dancer at a local dance company, with the ambition of becoming a ballerina. However, she worked as a greeter at The Gap and as a Hooters hostess to support herself before finding work as a dancer at Boulder's Dinner Theatre and Country Dinner Playhouse in such productions as "Brigadoon" and "A Chorus Line". It was there that she was spotted by a Minneapolis dinner-theater director who asked her to move to Chanhassen, Minnesota for more regional dinner theatre work.
Nursing a pulled muscle that kept her from dancing, she was free to audition for a part in Drop Dead Gorgeous (1999), which was filming nearby in Minnesota. During the filming, Kirstie Alley encouraged her to move to Los Angeles, where she soon won a part in the Fox television version of the film, Cruel Intentions (1999), in the part played in the film by Sarah Michelle Gellar, "Kathryn Merteuil". Although three episodes were filmed, the troubled series never aired. Instead, parts of the episodes were cobbled together and released as the direct-to-video Cruel Intentions 2 (2000). After more failed television spots, she landed a major role in Catch Me If You Can (2002), playing opposite Leonardo DiCaprio. But this did not provide the break-through she might have hoped for, with no work being offered for about a year. She eventually returned to television, and joined the short-lived series, Dr. Vegas (2004).
Her role in the low-budget independent film Junebug (2005) (which was shot in 21 days) got her real attention, including an Academy Award nomination for Best Supporting Actress as well as other awards. The following year, her ability to look like a wide-eyed Disney animated heroine helped her to be chosen from about 300 actresses auditioning for the role of "Giselle" in the animated/live-action feature film, Enchanted (2007), which would prove to be her major break-through role. Her vivacious yet innocent portrayal allowed her to use her singing and dancing talents. Her performance garnered a Golden Globe Award nomination for Best Actress in a Motion Picture Musical or Comedy.
Adams next appeared in the major production, Charlie Wilson's War (2007), and went on to act in the independent film, Sunshine Cleaning (2008), which premiered at the 2008 Sundance Film Festival. Her role as "Sister James" in Doubt (2008) brought her a second Academy Award nomination for Best Supporting Actress, as well as nominations for a Golden Globe, a Screen Actors Guild award, and a British Academy Film award. She appeared as Amelia Earhart in Night at the Museum: Battle of the Smithsonian (2009) and as a post-9/11 hot line counselor, aspiring writer, amateur cook and blogger in Julie & Julia (2009). In the early 2010s, she starred with Jason Segel in The Muppets (2011), with Philip Seymour Hoffman in Paul Thomas Anderson's The Master (2012), and alongside Clint Eastwood and Justin Timberlake in Trouble with the Curve (2012). She played reporter Lois Lane in Man of Steel (2013) and con artist Sydney Prosser in American Hustle (2013), before portraying real-life artist Margaret Keane in Tim Burton's biopic Big Eyes (2014).
In 2016, she reprised her role as Lane in Batman v Superman: Dawn of Justice (2016), and headlined Denis Villeneuve's science fiction drama Arrival (2016) and Tom Ford's dark thriller Nocturnal Animals (2016). In 2018, she received another Oscar nomination, her sixth, for starring as Lynne Cheney in the biographical drama Vice (2018), opposite Christian Bale as Dick Cheney.- Actress
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Emily Olivia Leah Blunt is a British actress known for her roles in The Devil Wears Prada (2006), The Young Victoria (2009), Edge of Tomorrow (2014), and The Girl on the Train (2016), among many others.
Blunt was born on February 23, 1983, in Roehampton, South West London, England, the second of four children in the family of Joanna Mackie, a former actress and teacher, and Oliver Simon Peter Blunt, a barrister. Her grandfather was Major General Peter Blunt, and her uncle is MP Crispin Blunt. Emily received a rigorous education at Ibstock Place School, a co-ed private school at Roehampton. However, young Emily Blunt had a stammer, since she was a kid of 8. Her mother took her to relaxation classes, which did not do anything. She reached a turning point at 12, when a teacher cleverly asked her to play a character with a different voice and said, "I really believe in you". Blunt ended up using a northern accent, and it did the trick, her stammer disappeared.
From 1999 - 2001, Blunt went to Hurtwood House, the top co-ed boarding school where she would excel at sport, cello and singing. She also had two years of drama studies at Hurtwood's theatre course. In August 2000, she was chosen to perform at the Edinburgh Festival. She was signed up by an agent, Kenneth Mcreddie, who led her to the West End and the BBC, scoring her roles in several period dramas on stage as well as on TV productions, such as Foyle's War (2002), Henry VIII (2003) and Empire (2005). In 2001, she appeared as "Gwen Cavendish" opposite Dame Judi Dench in Sir Peter Hall's production of "The Royal Family" at Haymarket Theatre. For that role, she won the Evening Standard Award for Best Newcomer. In 2002, she played "Juliet" in "Romeo and Juliet" at the prestigious Chichester Festival.
Blunt's career ascended to international fame after she starred as "Isolda" opposite Alex Kingston in Warrior Queen (2003). A year later, she won critical acclaim for her breakout performance as "Tamsin", a well-educated, cynical and deceptive 16-year-old beauty in My Summer of Love (2004), a story of two lonely girls from the opposite ends of the social heap. Emily Blunt and her co-star, Natalie Press, shared an Evening Standard British Film award for Most Promising Newcomer. In 2005, she spent a few months in Australia filming Irresistible (2006) with Susan Sarandon and Sam Neill. Blunt gave an impressive performance as "Mara", a cunning young destroyer who acts crazy and surreptitiously provokes paranoia in others. She also continued her work on British television, starring as "Natasha" in Stephen Poliakoff's Gideon's Daughter (2005), opposite Bill Nighy, a role that won her a 2007 Golden Globe Award for Best Performance by an Actress in a Supporting Role.
She continued the line of playing manipulative characters as "Emily", a caustic put-upon assistant to Meryl Streep's lead in The Devil Wears Prada (2006). Blunt's performance with a neurotic twist added a dimension of sarcasm to the comedy, and gained her much attention as well as new jobs: in two dramas opposite Tom Hanks, then in the title role in the period drama, The Young Victoria (2009). Her most recent works include appearances as antiques dealer "Gwen Conliffe" in The Wolfman (2010) and as the ballerina in The Adjustment Bureau (2011).
Emily is a highly versatile actress and a multifaceted person. Her talents include singing and playing cello; she is also skilled at horseback riding.
On August 28, 2009, Blunt and Krasinski announced their engagement. The couple married on July 10, 2010, at the estate of their friend, George Clooney, on Lake Como in Italy. Blunt and Krasinski live in the Los Angeles area, California, and have two children.- Actress
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Born Joan de Beauvoir de Havilland on October 22, 1917, in Tokyo, Japan, in what was known as the International Settlement, to British parents, Lilian Augusta (Ruse), a former actress, and Walter Augustus de Havilland, an English professor and patent attorney. Her paternal grandfather's family was from Guernsey in the Channel Islands. Her father had a lucrative practice in Japan, but due to Joan and older sister Olivia de Havilland's recurring ailments the family moved to California in the hopes of improving their health. Mrs. de Havilland and the two girls settled in Saratoga while their father went back to his practice in Japan. Joan's parents did not get along well and divorced soon afterward. Mrs. de Havilland had a desire to be an actress but her dreams were curtailed when she married, but now she hoped to pass on her dream to Olivia and Joan. While Olivia pursued a stage career, Joan went back to Tokyo, where she attended the American School. In 1934 she came back to California, where her sister was already making a name for herself on the stage. Joan likewise joined a theater group in San Jose and then Los Angeles to try her luck there. After moving to L.A., Joan adopted the name of Joan Burfield because she didn't want to infringe upon Olivia, who was using the family surname.
She tested at MGM and gained a small role in No More Ladies (1935), but she was scarcely noticed and Joan was idle for a year and a half. During this time she roomed with Olivia, who was having much more success in films. In 1937, this time calling herself Joan Fontaine, she landed a better role as Trudy Olson in You Can't Beat Love (1937) and then an uncredited part in Quality Street (1937). Although the next two years saw her in better roles, she still yearned for something better. In 1940 she garnered her first Academy Award nomination for Rebecca (1940). Although she thought she should have won, (she lost out to Ginger Rogers in Kitty Foyle (1940)), she was now an established member of the Hollywood set. She would again be Oscar-nominated for her role as Lina McLaidlaw Aysgarth in Suspicion (1941), and this time she won. Joan was making one film a year but choosing her roles well. In 1942 she starred in the well-received This Above All (1942).
The following year she appeared in The Constant Nymph (1943). Once again she was nominated for the Oscar, she lost out to Jennifer Jones in The Song of Bernadette (1943). By now it was safe to say she was more famous than her older sister and more fine films followed. In 1948, she accepted second billing to Bing Crosby in The Emperor Waltz (1948). Joan took the year of 1949 off before coming back in 1950 with September Affair (1950) and Born to Be Bad (1950). In 1951 she starred in Paramount's Darling, How Could You! (1951), which turned out badly for both her and the studio and more weak productions followed.
Absent from the big screen for a while, she took parts in television and dinner theaters. She also starred in many well-produced Broadway plays such as Forty Carats and The Lion in Winter. Her last appearance on the big screen was The Witches (1966) and her final appearance before the cameras was Good King Wenceslas (1994). She is, without a doubt, a lasting movie icon.- Actress
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Kay Francis is possibly the biggest of the 'forgotten stars' from Hollywood's Golden Era. Yet, for a while in the 1930s she ranked as one of America's most popular actresses, tagged the 'Queen of Warner Brothers'. By 1935, she earned a yearly salary of $115,000 (compared to Bette Davis with $18,000). The daughter of actress Katherine Clinton and businessman Joseph Gibbs, Kay did not start her working life in show business but sold real estate and arranged extravagant parties for wealthy socialites. Following her marriage in 1922 to James Dwight Francis, the son of a moneyed family, Kay adopted the surname Francis. Her first acting job was in a modernized 1925 version of 'Hamlet' (as the Player Queen), performing as 'Katharine Francis'. She then played Marjorie Grey in the melodrama "Crime" (1927) and appeared in the Ring Lardner play "Elmer the Great" (1928), produced by George M. Cohan and starring Walter Huston as Elmer Kane. On the strength of her stage work, Kay was screen-tested by Paramount and subsequently offered a contract (1929-31). A brief affair with writer/director Edmund Goulding (some time around April 1928) may also have been a contributing factor.
She had a bit in the first Marx Brothers outing, The Cocoanuts (1929), and then graduated to playing sophisticated seductresses opposite stars like William Powell and Ronald Colman. She appeared in the Lubitsch comedy Trouble in Paradise (1932), though being unhappy about being billed below Miriam Hopkins in the picture. One of her best early films was the comedy/drama One Way Passage (1932), in which Kay portrayed a gravely-ill baroness opposite Powell's gentleman burglar. This doomed romance, interlaced with witty dialogue, was described by a reviewer as 'spilled cocktail and love at first sight'.
Paramount, at the time well-stocked with female stars but experiencing financial problems, decided to let Kay move to Warner Brothers. There she would remain for the rest of the decade. A tall, attractive, gray-eyed brunette with undeniable style and poise, she soon acquired a reputation as Hollywood's 'best dressed woman', wearing the most glamorous gowns designed by great studio costumers like Orry-Kelly, Travis Banton and Adrian. Female audiences, in particular, often flocked to see Kay Francis pictures simply to appreciate her sumptuous wardrobe. For her part, Kay spent a lot of time and effort on collaborative efforts with costume designers to select the right clothes for the parts she played. Dorothy Jeakins believed, that Kay possessed an 'innate sense of style'.
By the mid-1930s, Kay earned $5,250 per week and was voted by Variety as Hollywood's sixth most popular star. Numerous magazine articles were written about every detail of her life in and off the studio lot. She had major hits with I Found Stella Parish (1935) and Confession (1937), both excellent money-spinners for the studio. While much was made at the time (and since) of her famous lisp, this had not hitherto been a significant detriment to Kay's career. At least, not until her falling out with the studio executives who thought her salary too excessive. The tight control the studio exercised over the roles she played on screen caused her to file a lawsuit against Warner Brothers in an effort to escape her contract. It had all started to go wrong for her when she was assigned the role of 'women's picture star', effectively typecasting her in sentimental melodramas, earnest biopics (The White Angel (1936), and three-handkerchief tearjerkers like My Bill (1938), her script filled with Rs and Ls as chastisement for bucking the system. Though she still managed to give several good performances, the writing was now on the wall. By the end of the decade, the 'Queen of Warner Brothers' mantle had passed on to Bette Davis.
During the mid-1940s, Kay co-produced several B-movies as vehicles for herself at Monogram, then made a brief return to stage work, acting in summer stock before retiring permanently in 1952. She spent the remainder of her life in virtual seclusion in New York and in her estate near Falmouth, Cape Cod. She left some of her estate (in excess of one million dollars) to an organization training guide dogs for the blind, Seeing Eye Inc. Her surviving personal papers are accessible at the Wesleyan University Cinema Archives.- Actress
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Audrey Hepburn was born as Audrey Kathleen Ruston on May 4, 1929 in Ixelles, Brussels, Belgium. Her mother, Baroness Ella Van Heemstra, was a Dutch noblewoman, while her father, Joseph Victor Anthony Ruston, was born in Úzice, Bohemia, to English and Austrian parents.
After her parents' divorce, Audrey went to London with her mother where she went to a private girls school. Later, when her mother moved back to the Netherlands, she attended private schools as well. While she vacationed with her mother in Arnhem, Netherlands, Hitler's army took over the town. It was here that she fell on hard times during the Nazi occupation. Audrey suffered from depression and malnutrition.
After the liberation, she went to a ballet school in London on a scholarship and later began a modeling career. As a model, she was graceful and, it seemed, she had found her niche in life--until the film producers came calling. In 1948, after being spotted modeling by a producer, she was signed to a bit part in the European film Nederlands in zeven lessen (1948). Later, she had a speaking role in the 1951 film, Young Wives' Tale (1951) as Eve Lester. The part still wasn't much, so she headed to America to try her luck there. Audrey gained immediate prominence in the US with her role in Roman Holiday (1953). This film turned out to be a smashing success, and she won an Oscar as Best Actress.
On September 25, 1954, she married actor Mel Ferrer. She also starred in Sabrina (1954), for which she received another Academy Award nomination. She starred in the films Funny Face (1957) and Love in the Afternoon (1957). She received yet another Academy Award nomination for her role in The Nun's Story (1959). On July 17, 1960, she gave birth to her first son, Sean Hepburn Ferrer.
Audrey reached the pinnacle of her career when she played Holly Golightly in Breakfast at Tiffany's (1961), for which she received another Oscar nomination. She scored commercial success again playing Regina Lampert in the espionage caper Charade (1963). One of Audrey's most radiant roles was in the fine production of My Fair Lady (1964). After a couple of other movies, most notably Two for the Road (1967), she hit pay dirt and another nomination in Wait Until Dark (1967).
In 1967, Audrey decided to retire from acting while she was on top. She divorced from Mel Ferrer in 1968. On January 19, 1969, she married Dr. Andrea Dotti. On February 8, 1970, she gave birth to her second son, Luca Dotti in Lausanne, Vaud, Switzerland. From time to time, she would appear on the silver screen.
In 1988, she became a special ambassador to the United Nations UNICEF fund helping children in Latin America and Africa, a position she retained until 1993. She was named to People's magazine as one of the 50 most beautiful people in the world. Her last film was Always (1989).
Audrey Hepburn died, aged 63, on January 20, 1993 in Tolochnaz, Vaud, Switzerland, from appendicular cancer. She had made a total of 31 high quality movies. Her elegance and style will always be remembered in film history as evidenced by her being named in Empire magazine's "The Top 100 Movie Stars of All Time".- Actress
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Born in New York City to legendary screen star Henry Fonda and Ontario-born New York socialite Frances Seymour Brokaw, Jane Seymour Fonda was destined early to an uncommon and influential life in the limelight. Although she initially showed little inclination to follow her father's trade, she was prompted by Joshua Logan to appear with her father in the 1954 Omaha Community Theatre production of "The Country Girl". Her interest in acting grew after meeting Lee Strasberg in 1958 and joining the Actors Studio. Her screen debut in Tall Story (1960) (directed by Logan) marked the beginning of a highly successful and respected acting career highlighted by two Academy Awards for her performances in Klute (1971) and Coming Home (1978), and five Oscar nominations for Best Actress in They Shoot Horses, Don't They? (1969), Julia (1977), The China Syndrome (1979), The Morning After (1986) and On Golden Pond (1981), which was the only film she made with her father. Her professional success contrasted with her personal life, which was often laden with scandal and controversy. Her appearance in several risqué movies (including Barbarella (1968)) by then-husband Roger Vadim was followed by what was to become her most debated and controversial period: her espousal of anti-establishment causes and especially her anti-war activities during the Vietnam War. Her political involvement continued with fellow activist and husband Tom Hayden in the late 1970s and early 1980s. In the 1980s she started the aerobic exercise craze with the publication of the "Jane Fonda's Workout Book". She and Hayden divorced, and she married broadcasting mogul Ted Turner in 1991.- Actress
- Producer
- Additional Crew
Isabelle Yasmine Adjani was born in Gennevilliers, Hauts-de-Seine, a suburb of Paris, to Emma Augusta "Gusti" (Schweinberger) and Mohammed Adjani. Her father was a Kabyle Algerian, from Iferhounène, and her mother was a Bavarian German. She grew up speaking German fluently. After winning a school recitation contest, she began acting in amateur theater by the age of twelve. At the age of 14, she starred in her first motion picture, Le Petit Bougnat (1970). Adjani has appeared in 30 films since 1970. She holds the record for most César Award for Best Actress (5), which she won for Possession (1981), One Deadly Summer (1983) (aka "One Deadly Summer"), Camille Claudel (1988), Queen Margot (1994) (aka "Queen Margot") and Skirt Day (2008) (aka "Skirt Day"). She was also given a double Cannes Film Festival Best Actress Award in 1981. She also received two Academy Award nominations for Best Actress. She performs in French, English, Italian and German. Adjani was made a Chevalier de la Légion d'honneur in 2010.