The Works of Director Steven Soderbergh
List activity
221 views
• 0 this weekCreate a new list
List your movie, TV & celebrity picks.
34 titles
- DirectorSteven SoderberghStarsJames SpaderAndie MacDowellPeter GallagherA sexually repressed woman's husband is having an affair with her sister. The arrival of a visitor with a rather unusual fetish changes everything.Writer & Picture Editor: Steven Soderbergh
Producer / Unit Production Manager: John Hardy
Producer: Robert Newmyer
EPs: Nancy Tenenbaum, Nick Wechsler, Morgan Mason
Cinematographer: Walt Lloyd ASC
Composer: Cliff Martinez
First Assistant Director: Michael Dempsey
Second Assistant Director: Alexandra Root
Home Video Mastering Colorist: Richard Garibaldi
Cameras: Panaflex GII & Platinum (35mm Agfa XT 320)
Lenses: Panavision Super & Ultra Speed Z-Series MKII SL Primes
AR: 1.85:1 (Spherical) - DirectorSteven SoderberghStarsJeremy IronsTheresa RussellJoel GreyKafka works during the day at an insurance company, where events lead him to discover a mysterious underground society with strange suppressive goals.Film Editor: Steven Soderbergh
Cinematographer: Walt Lloyd ASC
Production Designer: Gavin Bocquet
Composer: Cliff Martinez
Costume Designer: Michael Jeffery
A Camera Operator: Eddie Collins
Cameras: Panaflex GII & Platinum (35mm Eastman Double-X 5222/EXR 500T 5296)
Lenses: Panavision Primo SL Primes & Ultra Speed MKII SL Primes
AR: 1.85:1 (Spherical) - DirectorSteven SoderberghStarsJesse BradfordJeroen KrabbéLisa EichhornA young boy struggles on his own in a run-down hotel after his parents and younger brother are separated from him in 1930s Depression-era Midwest.Film Editor: Steven Soderbergh
Cinematographer: Elliot Davis
Cinematographer, Add'l Photog: Jan Kiesser ASC
Production Designer: Gary Frutkoff
Composer: Cliff Martinez
Costume Designer: Susan Lyall
A Camera/Steadicam Operator: John Nuler
Shooting Format: 4-Perf Center-Hold S35mm
Cameras: Panaflex GII & Platinum (35mm)
Lenses: Panavision Primo Spherical Primes
AR: 1.33:1 (Negative Ratio), 2.39:1 (Intended Ratio) - DirectorSteven SoderberghStarsPeter GallagherElisabeth ShueAlison ElliottA recovering gambling addict attempts to reconcile with his family and friends but finds trouble and temptation when caught between feelings for his ex-wife and her dangerous hoodlum boyfriend.Cinematographer: Elliot Davis ASC BSC
Production Designer: Howard Cummings
Camera Operator/Chief Lighting Technician: Christopher Porter
Additional Camera Operator: Robin Brown
Composer: Cliff Martinez
Film Editor: Stan Salfas ACE
Costume Designer: Karyn Wagner
Unit Production Manager: Georgia Kacandes
Cameras: Panaflex GII, Platinum & Panastar (35mm)
Lenses: Panavision Primo AL Primes & E-Series AL Primes
AR: 2.39:1 (Anamorphic)
Attribute: Filmed in Panavision - DirectorSteven SoderberghStarsSteven SoderberghScott AllenBetsy BrantleyFletcher Munson, the lethargic employee of a pseudo-religious self help company, and his doppelganger, the friendly but dull dentist Dr. Jeffrey Korchek.Writer, Composer & Cinematographer / "Fletcher Munson/Dr. Jeffrey Korchek" Actor: Steven Soderbergh
Composers: Cliff Martinez, Jeff Rona
Producer: John Hardy
Executive Producer: John Lawrence Ré
Film Editor: Sarah Flack ACE
Stunts Performer/Coordinator: Gunter Anderson
Still Photographer: Diana Gary
Production Sound Mixer: Paul Ledford
Sound Mixer: Whit Norris
Re-Recording Mixer: Larry Blake
Production Sound Editor: Mark A. Mangini
Sound Effects Wrangler: Steve Lee
Extras Casting Director: Ronnie Stutes
On-Set PAs: Darrin Dickerson, Sean Garman
Distribution & Marketing Coordinator: Michael Charles Hill
Studio Executive: Daniel Wheatcroft
Filming Dates: March 1995 - November 1995
Film Stock: 35mm Eastman EXR 500T 5296
AR: 1.85:1 (Spherical)
Budget: 250 Thousand USD
Budget AFI (2022): 474.8 Thousand USD - DirectorSteven SoderberghStarsSpalding GrayMike McLaughlinMelissa RobertsonAfter doctors inform him that an eye affliction will require risky surgery, monologist Spalding Gray recounts his various pursuits for alternative medicine to avoid the doctor's scalpel.Co-Director, Original Stage Production / Monologue Writer: Renée Shafransky
Co-Writer: Spalding Gray
Producer: John Hardy
EPs: Caroline Kaplan, Kathleen Russo, Jonathan Sehring
Cinematographer: Elliot Davis
Production Designer: Adele Plauche
Film Editor: Susan Littenberg
Composer: Cliff Martinez
First Assistant Director: Brian Rosett
Set Decorator: Cynthia Wigginton
A First Assistant Camera: Tony Brignac
A Second Assistant Camera: Buddy Carr
Hair / Makeup Stylist: Charley Soderbergh
Production Sound Mixer: Paul Ledford
Boom Operator: Keenan Wyatt
Chief Lighting Technician: Calvin Maehl
Electricians: David Jensen, Chris Robertson
Key Grip: Richard Mall
Grips: Gilly Charbonnet, Val Zimmer
Re-Recording Mixer: Larry Blake
Production Sound Editor: Mark A. Mangini
Overall Special Effects Supervisor, Coordinator, Consultant & Technician: Mike Malone
Cameras: Panavision
Lenses: Panavision
AR: 1.85:1 (Spherical)
Budget: 350 Thousand USD
Budget AFI (2022): 664.7 Thousand USD - DirectorSteven SoderberghStarsGeorge ClooneyJennifer LopezVing RhamesA career bank robber breaks out of jail, and shares a moment of mutual attraction with a U.S. Marshal he has kidnapped.Screenwriter: Scott Frank
Producers: Danny DeVito, Michael Shamberg, Stacey Sher
Cinematographer/A Cam Operator: Elliot Davis
Production Designer: Gary Frutkoff
Film Editor: Anne V. Coates ACE
Composer: David Holmes
Costume Designer: Betsy Heimann
Second Unit Director: Brad Froman
A Camera Operator: Gary Jay
Steadicam/B Camera Operator: Stephen Collins
A Camera First Assistant: Duane Manwiller
B Camera First Assistant: Barry Baz Idione
Additional A Camera Operator, Louisiana: Francis James
Add'l B Camera Operator, Louisiana: Troy Dick
A Camera Operator, AP: David J. Frederick
Filming Dates: 1 October 1997 - 12 Jan 1998
Cameras: Clairmont (35mm Eastman EXR 500T 5298)
AR: 1.85:1 (Spherical)
Budget: 48 Million USD
Budget AFI (2022): 87.7 Million USD - DirectorSteven SoderberghStarsTerence StampPeter FondaLesley Ann WarrenAn extremely volatile and dangerous Englishman goes to Los Angeles to find the man he considers responsible for his daughter's death.Cinematographer: Edward Lachman ASC
Production Designer: Gary Frutkoff
Film Editor: Sarah Flack ACE
Composer: Cliff Martinez
Costume Designer: Louise Frogley
A Camera Operator: Ray De La Motte
A Camera Loader: Stacy De La Motte
Camera: Moviecam Compact (35mm Kodak Vision 500T 5279 / 800T 5289 / Eastman EXR 200T 5293)
Lenses: Cooke S2 Primes, S3 Primes & Zeiss Super Speed Primes
AR: 1.85:1 (Spherical) - DirectorSteven SoderberghStarsJulia RobertsAlbert FinneyDavid BrisbinAn unemployed single mother becomes a legal assistant and almost single-handedly brings down a California power company accused of polluting a city's water supply.Cinematographer: Edward Lachman ASC
Production Designer: Philip Messina
Additional VFX DP: Louie Schwartzberg
Camera Loader: Stacy De La Motte
A-Camera Operator: Chris Lombardi
Composer: Thomas Newman
Score Mixer: Dennis S. Sands
Film Editor: Anne V. Coates ACE
Costume Designer: Jeffrey Kurland
Camera: Moviecam Compact (35mm Kodak Vision 320T 5277/500T 5279)
Lenses: Cooke S4 Primes
AR: 1.85:1 (Spherical) - DirectorSteven SoderberghStarsMichael DouglasBenicio Del ToroCatherine Zeta-JonesA conservative judge is appointed by the President to spearhead America's escalating war against drugs, only to discover that his teenage daughter is a crack addict. Two DEA agents protect an informant. A jailed drug baron's wife attempts to carry on the family business.Cinematographer: Steven Soderbergh
Production Designer: Philip Messina
Camera Loader: Stacy De La Motte
Camera Operators: Gary Jay, Thom Owens
Steadicam Operator: Duane Manwiller
1st Assistant A-Camera: Barry Baz Idione
Chief Lighting Technician: Jim Plannette
Composer: Cliff Martinez
Film Editor: Stephen Mirrione ACE
Costume Designer: Louise Frogley
Camera: Panaflex XL (35mm Kodak Vision 320T 5277 & 800T 5289)
Lenses: Panavision Primo Spherical Primes
AR: 1.85:1 (Spherical) - DirectorSteven SoderberghStarsGeorge ClooneyBrad PittJulia RobertsDanny Ocean and his ten accomplices plan to rob three Las Vegas casinos simultaneously.Cinematographer & EP: Steven Soderbergh
Cinematographer (Second Unit) & A / Steadicam Operator: Duane Charles "DL" Manwiller
Screenwriter: Ted Griffin
Producer: Jerry Weintraub
EPs: Jon Hardy, Susan Ekins, Bruce Berman
Production Design Supervisor: Philip Messina
Film Editor: Stephen Mirrione ACE
Composer: David Holmes
Costume Design Supervisor: Jeffrey Kurland
Co-Producer: R.J. Lewis
Casting Director: Debra Zane CSA
Executive Producer: George Clooney
Unit Production Manager: Frederic W. Brost
First Assistant Director: Gregory Jacobs
Second Assistant Director: Trey Batchelor
Stunt Coordinator: John Robotham
Stunts: Corey Eubanks, Steven Lambert, Brad Martin
Supervising Art Director: Keith P. Cunningham
Set Decorator: Kristen Toscano Messina SDSA
B Camera Operator: Andres L. Porras
A Camera First Assistant: Barry Baz Idione ASC
B Camera First Assistant: Bob Brown
Production Sound Mixer: Paul Ledford CAS
Boom Operator: Randy Johnson
Utility Sound Assistant: Ryan Ferro
Production Supervisor: Robin Le Chanu
Key Production Coordinator: Jackie Baugh
Script Supervisor: Annie Welles
Asst ADs: Blair Huizingh, Robert Woodruff
Fifth Set Designer: Eric Sundahl
Supervising Prop Master: Steven B. Melton
Art Department Coordinator: Wylie Griffin
Storyboard Artist: Leonard Morganti
A Camera Second Assistant: James Apted
B Camera Second Assistant: Stacy De La Motte
Panaflex XL Film Loader: Timothy Tillman
Panaflex XL Assistant Film Loader: Caz Duffy
Second Unit B Cam Operator: Timberlake Lewis
Chief Lighting Technician: Jim Plannette
Assistant Chief Lighting Tech: Eric Wolfson-Sagot
Rigging Gaffer: R. Michael De Chellis
Second 2nd Assist Director: Basti Van Der Woude
DGA Trainee: Natalie Van Doren
First AEs: Douglas Crise ACE, Keith Sauter
Second Assistant Editor: Norman Walker
Senior Special Effects Coordinator: Kev Hannigan
Assistant Costume Designer: Rob Wojewodski
Costume Supervisor: Elaine Maser
Supervising Location Manager: Ken Lavet
Assistant Location Manager: Caleb Duffy
Production Manager, New Jersey: Charles Miller
Production Coordinator: Karen Jarnecke
Asst Production Coordinator: Ken Ungrodt
Production Secretary: John Sanchez
Casting Associate: Terri Taylor CSA
Casting Assistant: Pamela Thomas
Production Publicist: Spooky Stevens
Still Photographer: Bob Marshak
Production Translator: Steve Hai
Technical Advisor: Chic Daniel
Supervising Sound Editor / Re-Recording Mixer: Larry Blake
Lead Sound Editor: David E. Stone MPSE
Assistant Sound Editor: F. Scott Taylor
Sound Effects Recording Mixer: Eric Potter
Post-Production Supervisor: Caitlin Maloney
Post-Production Assistant: Betsy Dennis
Production Color Timer: Dana Ross
Cinesite Visual FX Supervisor: Thomas J. Smith
Cinesite Visual Effects Producer: Michael S. Pryor
Cinesite CG Supervisor: Serge Sretschinsky
Cinesite Composite Supervisor: Thom Zils
Cinesite Digital Compositor: David Rey
Cinesite CG Lighter: Dane Picard
E=MC² Sup. Video Engineer: Geoffrey Haley SOC
Music Consultant: Frankie Pine
Filming Dates: 11 February 2001 - 7 June 2001
Camera: Panaflex XL (35mm Kodak Vision 250D 5246 & 500T 5279)
Lenses: Panavision® Primo SL Primes, SLZ Zoom, SLZ11 Zoom & SLZ3 Hubble Zoom
AR: 2.39:1 (4-Perf Common-Top Super 35mm)
Budget: 85 Million USD
Budget AFI (2022): 143 Million USD
Printed on: Kodak Vision Premier 2393
Titles & Opticals Designed by: Pacific Title
Visual Effects & Animation Provided by: Cinesite
Video Playback Provided by: E=MC²
Color Provided by: CFI
Shot on: Kodak Motion Picture Film
Attribute: Filmed in Panavision® - DirectorSteven SoderberghStarsJulia RobertsDavid Hyde PierceDavid DuchovnyA day in the life of a group of men and women in Hollywood, in the hours leading up to a friend's birthday party.Cinematographer: Steven Soderbergh
Cinematographer, Second Unit/A Cam Operator: Duane Manwiller
Film Editor: Sarah Flack ACE
Composer: Jacques Davidovici
First Assistant Camera (Film): Daniel Moder
Cameras: Arriflex 35-III & Canon XL-1S (35mm & DV)
AR: 1.85:1 (Spherical) - DirectorSteven SoderberghStarsGeorge ClooneyNatascha McElhoneUlrich TukurA troubled psychologist is sent to investigate the crew of an isolated research station orbiting a bizarre planet.Cinematographer/Writer/Film Editor/B Operator: Steven Soderbergh
Cinematographer (Second Unit) / A Camera Op.: Duane Charles Manwiller
Prods: James Cameron ACE, Rae Sanchini, Jon Landau
Executive Producer: Gregory Jacobs
Production Designer: Philip Messina
Costume Designer: Milena Canonero
Co-Producer: Michael Polaire, Charles V. Bender
Composer: Cliff Martinez
Casting: Debra Zane CSA
A First Assistant Camera: Barry Baz Idione ASC
Gaffer: Jim Plannette
Camera: Panaflex XL (35mm Kodak Vision 500T 5279)
Lenses: Panavision® Primo AL Primes & E-Series AL Primes
AR: 2.39:1 (Anamorphic)
Budget: 47 Million USD
Budget AFI (2022): 77.8 Million USD
Distributed by: Walt Disney Studios Motion Pictures
Attribute: Filmed in Panavision® - DirectorSteven SoderberghStarsGeorge ClooneyBrad PittJulia RobertsDaniel Ocean recruits one more team member so he can pull off three major European heists in this sequel to Ocean's Eleven (2001).Cinematographer/EP: Steven Soderbergh
Cinematographer, AP/Gaffer: Robert Jason
Writer: George Nolfi
Producer: Jerry Weintraub
EPs: John Hardy, Sue Ekins, Bruce Berman
Production Design Super.: Philip Messina
Film Editor: Stephen Mirrione ACE
Composer/Music Supervisor: Dave Holmes
Costume Design Super.: Milena Canonero
Casting Director: Debra Zane CSA
Co-Producer / Unit PM: Frederic W. Brost
Co-Producer / First AD: Gregory Jacobs
Co-Executive Producer: George Clooney
Special Guest Stars: Robbie Coltrane, Eddie Izzard, Cherry Jones, Jeroen Krabbé
Second ADs: Trey Batchelor, Basti Van Der Woude
Stunt Coordinator: John Robotham
Supervising Art Director: Tony Fanning
Set Decor: Kristen Toscano Messina SDSA
A / Steadicam Op.: Duane "DC" Manwiller
A Camera First Assistant: Steven Meizler
A Camera Second Assistant: Tom Jordan
Production Sound Mixer: Paul Ledford CAS
Boom Operator: Randy Johnson
Production Supervisor: Robin Le Chanu
Production Controller: Dorothy Precious
Script Supervisor: Annie Welles
Assist ADs: Easton Michael Smith, Susan Wexler
Lead Set Designers: C. Scott Baker, Andrea Dopaso, Lori Rowbotham Grant
Set Designers: Billy Hunter, Lauren Polizzi
Supervising Prop Master: Doug Harlocker
Art Department Coordinator: Wylie Griffin
Art Department Coordinator - LA: Diana Goodwin
Graph Artists: Mark Pollard, Karen Teneyck
Art Department Assistant: Mark Taylor
Set Dressing Coordinator: Claudia Bonfe
Additional Set Decorators: Douglas Mowat, Brana Rosenfeld
B Camera First Assistant: James W. Apted
B Camera Second Assist: Giulio Magnolia
Panaflex XL Film Loader: Paul Toomey
Aerial Unit DoP/A Operator: Adam Dale
First AC (Underwater Crew): Maryan Zurek
Video Assistant Engineer: Chuck Buch
Computer Playback Lead: Rick Whitfield
Chief Lighting Technician: Jim Plannette
Assistant Chief LT: R. Michael DeChellis
Lighting Tech/Board Operator: Jeff Durling
Rigging Gaffer - LA: Russell Ayer
Rigging Best Boy - LA: Erik Bernstein
Key Grip: Al LaVerde
2nd Company Grip: Dana Baker
Key Rigging Grip: Kent Baker
Rigging Grip, 2nd Company: Michael Grady
DGA Trainee: Patrizia Bidone-Valdiserra
First Assistant Editor: Douglas Crise ACE
Second Assistant Editor: Keith Sauter
Special Effects Coordinator: Kev Hannigan
Special Effects Foreman: Werner Hahnlein
Special Effects Office Assistant: Manuela Hahnlein
Associate Costume Designer: Florence Isabelle Megginson
Costume Supervisor: Hans G. Struhar
Set Costumer: Roger J. Forker
Staff Assistant: Amy Lin
Overall Location Manager: George Herthel
Add'l LMs: Ken Lavet, Quentin Halliday
Assist Location Manager: Christian Krieger
Prod Accountant - LA: Several Spracklen
Production Coordinator: Kate Kelly
Assistant PC: Rachael Lin Gallaghan
Casting Associate: Tannis Vallely
Production Publicist: Spooky Stevens
Still Photographers: Ralph Nelson, Bob Marshak
Construction Coordinator: Chris Snyder
Second 2nd AD, Chicago Crew: Aiman A. Humaideh
B Camera First Assistant, Chicago Crew: Robert Carlson
Panaflex XL Loader, Chicago Crew: Thomas S. Ciciura
Video Assist, Chicago Crew: Kevin P. Boyd
Gaffer, Chicago Crew: Dick Oakes
Best Boy, Chicago Crew: Mark R. Lindberg
Key Grip, Chicago Crew: Art Bartels
2nd Company Grip, Chicago Crew: Donald E. Miller
Dailies Assistant, Chicago Crew: Chris J. Brown
Location Manager, Chicago Crew: Mike Dunitz
Assistant LM, Chicago Crew: Brian Kalata
Asst PC, Chicago Crew: Rosemary Orlando
Production Secretary, Chicago Crew: Debra Oyer
European Casting: Beatrice Kruger UIC
Supervising Art Director, European Crew: Stefano Maria Ortolani
Key Grip, European Crew: Tommaso Mele
Costume Supervisor, European Crew: Marina Roberti
LP, Amsterdam Crew: Erwin Godschalk
PM, Amsterdam Crew: Nicky Tüske
S.S.E. / Re-Recording Mixer: Larry Blake
EFilm Digital Color Timer: Michael Eaves
EFilm Digital Intermediate Producer: Terra Bliss
EFilm Digital Intermediate Editor: Devon Miller
EFilm Digital Colorist Assist: Chris Jensen
EFilm Digital Opticals Lead: Pat Clancey
EFilm DI Assist Producer: Linda Avitabile
Overall VFX Supervisor: Thomas J. Smith
C.I.S. Visual Effects Producer: Lisa Maher
C.I.S. Compositing Sequence Supervisor: Gregory Oehler
C.I.S. Lead Compositor: Gregory Liegey
C.I.S. Visual Effects Coordinator: Julia Gaudette
C.I.S. CG Effects Lead: Christopher Ryan
C.I.S. CG Effects Artist: Amy Garbeck
C.I.S. Compositor: Tom Daws
C.I.S. Rotoscope Supervisor: Larry Gaynor
C.I.S. Rotoscope Artist: Chris Anderson
C.I.S. Software Development Lead: Kyle Yamamoto
Music Consultant: Frankie Pine
Music Coordinator: Rochelle Sharpe
Special Thanks: Gary Ross, Enzo Sisti
Camera: Panaflex XL (35mm Fuji Reala 500D 8592)
Lenses: Panavision Primo SL Primes, SLZ Zoom, SLZ11 Zoom & SLZ3 Hubble Zoom
AR: 2.39:1 (4-Perf Common-Top S35mm)
Printed on: Kodak Motion Picture Film
Digital Intermediate Color & Prints by: EFilm & Technicolor®
Visual Effects Produced by: C.I.S. - Hollywood
Shot on: Fujifilm
Attribute: Filmed in Panavision® - DirectorSteven SoderberghStarsDebbie DoebereinerOmar CowanDustin James AshleySet against the backdrop of a decaying Midwestern town, a murder becomes the focal point of three people who work in a doll factory.Cinematographer/Film Editor: Steven Soderbergh
Composer: Robert Pollard
Camera: Sony HDW-F900 (HD)
Lenses: Panavision Primo Spherical Primes
AR: 2.39:1 (Super 35mm)
Anecdote: Filmed with Panavision Cameras and Lenses - DirectorSteven SoderberghStarsGeorge ClooneyCate BlanchettTobey MaguireWhile in post-war Berlin to cover the Potsdam Conference, an American military journalist is drawn into a murder investigation that involves his former mistress and his driver.Cinematographer/Film Editor: Steven Soderbergh
Production Designer: Philip Messina
Camera Operator: Chris Lombardi
Chief Lighting Technician: Jim Plannette
VFX Supervisor: Thomas J. Smith
Composer: Thomas Newman
Costume Designer: Louise Frogley
Camera: Panaflex XL2 (35mm Kodak Vision2 500T 5218)
Lenses: Panavision Normal Speed MKII Spherical Primes
AR: 1.66:1 (Spherical)
Anecdote: Filmed with Panavision Cameras and Lenses - DirectorSteven SoderberghStarsGeorge ClooneyBrad PittMatt DamonDanny Ocean rounds up the boys for a third heist after casino owner Willy Bank double-crosses one of the original eleven, Reuben Tishkoff.Cinematographer: Steven Soderbergh
Production Designer: Philip Messina
Camera/Steadicam Operator: Duane Manwiller
Chief Lighting Technician: Jim Plannette
VFX Supervisor: Thomas J. Smith
Composer: David Holmes
Film Editor: Stephen Mirrione ACE
Costume Designer: Louise Frogley
Camera: Panaflex XL2 (35mm Kodak Vision2 500T 5218)
Lenses: Panavision Primo Spherical Primes
AR: 2.39:1 (Super 35mm: Common-Top)
Anecdote: Filmed with Panavision Cameras And Lenses - DirectorSteven SoderberghStarsJulia OrmondBenicio Del ToroOscar IsaacIn 1956, Ernesto 'Che' Guevara and a band of Castro-led Cuban exiles mobilize an army to topple the regime of dictator Fulgencio Batista.Cinematographer: Steven Soderbergh
Production Designer: Antxón Gomez
Camera Operators: Weston Scott Higgins, Gary Jay
VFX Supervisor: Rafa Solorzano
Composer: Alberto Iglesias
Film Editor: Pablo Zumárraga
Costume Designer: Bina Daigeler
Camera(s): Aaton A-Minima, Panaflex XL2 & Red One (16mm Kodak Vision3 500T 7219, 35mm Kodak Vision3 500T 5219 & 4K Redcode RAW)
Lenses: Panavision C-Series Anamorphic Primes & Zeiss Ultra 16 Primes
AR: 2.39:1 (Anamorphic & Super 16mm)
Anecdote: Filmed in Panavision - DirectorSteven SoderberghStarsDemián BichirRodrigo SantoroBenicio Del ToroIn 1967, Ernesto 'Che' Guevara leads a small partisan army to fight an ill-fated revolutionary guerrilla war in Bolivia, South America.Cinematographer: Steven Soderbergh
Production Designers: Philip Messina, Antxón Gomez
Camera Operator: Gary Jay
VFX Supervisor: Rafa Solorzano
Composer: Alberto Iglesias
Film Editor: Pablo Zumárraga
Costume Designer: Bina Daigeler
Camera(s): Aaton A-Minima & Red One (16mm Kodak Vision3 500T 7219 & 4K Redcode RAW)
Lenses: Red Pro Primes & Zeiss Ultra 16 Primes
AR: 1.85:1 (Super 16mm & 35mm)
Anecdote: Camera Equipment Provided by Red Digital Cinema - DirectorSteven SoderberghStarsSasha GreyChris SantosPhilip EytanA drama set in the days leading up to the 2008 Presidential election, and centered on a high-end Manhattan call girl meeting the challenges of her boyfriend, her clients, and her work.Cinematographer/Film Editor: Steven Soderbergh
B-Camera Operator: Mark Schmidt
Composer: Ross Godfrey
Costume Designer: Christopher Peterson
Camera: Red One (4K Redcode RAW)
Lenses: Panavision C-Series Anamorphic Primes
AR: 2.39:1 (Anamorphic)
Anecdote: Filmed in Panavision - DirectorSteven SoderberghStarsMatt DamonTony HalePatton OswaltThe U.S. government decides to go after an agro-business giant with a price-fixing accusation, based on the evidence submitted by their star witness, vice president-turned-informant Mark Whitacre.Cinematographer: Steven Soderbergh
Production Designer: Doug J. Meerdink
VFX Director: Chris B. Schnitzer
Camera Operator: Patrick B. O'Brien
VFX Supervisor: Thomas J. Smith
Composer: Marvin Hamlisch
Film Editor: Stephen Mirrione ACE
Costume Designer: Shoshana Rubin
Camera: Red One (4K)
Lenses: Red Pro Primes
AR: 1.85:1 (Spherical)
Anecdote: Camera Equipment Provided by Red Digital Cinema - DirectorSteven SoderberghStarsMatt DamonKate WinsletJude LawHealthcare professionals, government officials and everyday people find themselves in the midst of a pandemic as the CDC works to find a cure.Cinematographer: Steven Soderbergh
Cinematographer (Second Unit) & A/Steadicam Operator: Duane Charles Manwiller
Production Designer: Howard Cummings
VFX Director: Chris B. Schnitzer
Additional Camera Operator: Patrick B. O'Brien
VFX Supervisor: Thomas J. Smith
Composer: Cliff Martinez
Score Mixer: Dennis S. Sands
Film Editor: Stephen Mirrione ACE
Costume Designer: Louise Frogley
Camera: Red One MX (4.5K)
Lenses: Zeiss Super Speed Primes
AR: 1.85:1 (Super 35mm)
Anecdote: Camera Equipment Provided By Red Digital Cinema - DirectorSteven SoderberghStarsGina CaranoEwan McGregorMichael FassbenderA black ops super soldier seeks payback after she is betrayed and set up during a mission.Cinematographer & Film Editor: Steven Soderbergh
Cinematographer (Second Unit) & A/Steadicam Operator: Duane Charles Manwiller
Production Designer: Howard Cummings
Composer: David Holmes
Costume Designer: Shoshana Rubin
Filming Dates: February 2, 2010 - March 25, 2010
Camera: Red One MX (4.5K Redcode RAW)
Lenses: Hawk V-Lite AL Primes, V-Plus AL Zooms & V-Series Anamorphic Primes
AR: 2.39:1 (Anamorphic)
Budget: 23 Million USD
Budget AFI (2021): 27 Million USD - DirectorSteven SoderberghStarsChanning TatumAlex PettyferOlivia MunnA male stripper teaches a younger performer how to party, pick up women, and make easy money.Cinematographer & Film Editor: Steven Soderbergh
Cinematographer, AP: Duane Charles Manwiller
Production Designer: Howard Cummings
MS VFX Supervisor: Thomas J. Smith
Costume Designer: Christopher Peterson
Filming Dates: September 2011 - October 2011
Camera: Red Epic (5K Redcode RAW)
Lenses: Hawk V-Lite Anamorphic Primes, V-Plus Anamorphic Primes & V-Series Anamorphic Primes
AR: 2.39:1 (Anamorphic)
Budget: 7 Million USD - DirectorSteven SoderberghStarsRooney MaraChanning TatumJude LawA young woman's world unravels when a drug prescribed by her psychiatrist has unexpected side effects.Cinematographer/Film Editor: Steven Soderbergh
Production Designer: Howard Cummings
Camera Operator: Patrick B. O'Brien
VFX Supervisor: Thomas J. Smith
Composer: Thomas Newman
Costume Designer: Susan Lyall
Filming Dates: 5 April 2012 - 23 May 2012
Camera: Red Epic (5K Redcode RAW)
AR: 1.85:1 (Super 35mm)
Budget: 30 Million USD
Anecdote: Camera Equipment Provided by Red Digital Cinema - DirectorSteven SoderberghStarsMichael DouglasMatt DamonScott BakulaA chronicle of the tempestuous six-year romance between megastar singer Liberace and his young lover Scott Thorson.Cinematographer/Film Editor: Steven Soderbergh
Production Designer: Howard Cummings
Camera Operator: Christopher Duskin
VFX Supervisor: Thomas J. Smith
Costume Designer: Ellen Mirojnick
Camera: Red Epic (5K Redcode RAW)
AR: 1.85:1 (Super 35mm)
Budget: 23 Million USD
Anecdote: Camera Equipment Provided by Red Digital Cinema - DirectorSteven SoderberghStarsChanning TatumAdam DriverDaniel CraigTwo brothers attempt to pull off a heist during a NASCAR race in North Carolina.Cinematographer/Film Editor: Steven Soderbergh
Production Designer: Howard Cummings
B-Unit Camera Operator: Ian Hayes Brett
Main Unit/2nd Unit Camera Operator: Christopher Duskin
B-Camera/C-Camera Operator: Peter Hawkins
VFX Supervisors: Christina Mitrotti, Lesley Robson-Foster
Composer: David Holmes
Costume Designer: Ellen Mirojnick
Filming Dates: August 24, 2016 - September 28, 2016
Camera: Red Epic Dragon (6K Redcode RAW)
Lenses: Leica Summilux-C Spherical Primes
AR: 2.39:1 (Super 35mm)
Budget: 29 Million USD
Anecdote: Camera Equipment Provided By Keslow Camera - DirectorSteven SoderberghStarsClaire FoyJoshua LeonardJay PharoahA young woman is involuntarily committed to a mental institution, where she is confronted by her greatest fear - but is it real or a product of her delusion?Cinematographer/Film Editor: Steven Soderbergh
Production Designer: April Lasky
VFX Supervisor: Lesley Robson-Foster
Composer: David Wilder Savage
Costume Designer: Susan Lyall
Camera: iPhone 7 Plus (FiLMIC Pro Log H.264 2160p)
AR: 1.56:1 (Spherical)
Budget: 1.5 Million USD - DirectorSteven SoderberghStarsAndré HollandMelvin GreggEddie TavaresDuring a pro basketball lockout, a sports agent pitches a rookie basketball client on an intriguing and controversial business proposition.Cinematographer/Film Editor: Steven Soderbergh
Production Designer: Andy Eklund
VFX Supervisor: Lesley Robson-Foster
Composer: David Wilder Savage
Costume Designer: Marci Rodgers
Filming Dates: February 2018 - March 15, 2018
Camera: iPhone 8 (FiLMIC Pro Log H.264 2160p)
Lenses: Moondog Labs Anamorphic Adapter & Moment 2Xtele Anamorphic Adapter
AR: 2.39:1 (Anamorphic)
Budget: 2 Million USD - DirectorSteven SoderberghStarsGary OldmanAntonio BanderasAJ MeijerA widow investigates an insurance fraud, chasing leads to a pair of Panama City law partners exploiting the world's financial system.Cinematographer/Film Editor: Steven Soderbergh
Production Designer: Howard Cummings
Underwater DP: Peter Zuccarini
Camera Operator: Christopher Duskin
VFX Unit Camera Operator: Henry Lynk
Steadicam Operators: Lawrence Karman, Massimiliano Travis
VFX Supervisor: Robert Stadd
Composer: David Holmes
Costume Designer: Ellen Mirojnick
Camera: Red Monstro (8K Redcode RAW)
Lenses: Sigma Cine Primes
AR: 1.85:1 (Super 35mm), 2.39:1 (China Segment)
Anecdote: Camera Equipment Provided by Keslow Camera - DirectorSteven SoderberghStarsMeryl StreepGemma ChanDianne WiestA famous author goes on a cruise trip with her friends and nephew in an effort to find fun and happiness while she comes to terms with her troubled past.Cinematographer/Film Editor: Steven Soderbergh
Camera Operator: Mark Lee Cobb
VFX Supervisor: Fernando Torres Idrovo
Composer: Thomas Newman
Costume Designer: Ellen Mirojnick
Unit Production Manager: Joseph Malloch
Camera: Red Komodo (6K Redcode RAW)
Lenses: Leitz Summilux-C Primes
AR: 2.39:1 (Super 35mm)
Attribute: Camera Equipment Provided by Technological Cinevideo Services - DirectorSteven SoderberghStarsDon CheadleBenicio Del ToroDavid HarbourA group of criminals are brought together under mysterious circumstances and have to work together to uncover what's really going on when their simple job goes completely sideways.Cinematographer/Film Editor: Steven Soderbergh
Composer: David Holmes
Music Consultants: Michael Harris, Michael Patterson
Production Designer: Hannah Beachler
Supervising Art Director: Priscilla Elliott
Set Decorator: Merissa Lombardo
Costume Designer: Marci Rodgers
Senior SFX Coordinator: Jason Trosky
Senior VFX Supervisor: Vico Sharabani
VFX Supervisor/Compositing Supervisor: John J. Budion
VFX Coordinator: Rachel Evans
Lead Senior VFX Producer: Amber Kirsch
Senior VFX Producer: Deborah Sullivan
VFX Producer: Ruben Gloria
Associate VFX Producer: Thurman Martin Jr.
Stunt Coordinator: Stephen A. Pope
B-Camera Operator: Henry Cline
Colorist: Nat Jencks
Conform Artist/Ass't Colorist: Tom Younghans
Historical Consultant: Jamon Jordan
Artistic Consultant: Laura Shapiro
Police Consultant: Emanuel Martinez
Consultant to Benicio Del Toro: Matt Daniel
Research Consultant to Benicio Del Toro: Zack Stoff
Athletic Performance Consultant to Benicio Del Toro: Joe Horrigan
Health & Safety Manager: Madilyn Christensen
Health & Safety Supervisor: Phil Levy
Ass't Health & Safety Supervisor: Ronald Moore
Filming Dates: 28 September 2020 - 12 November 2020
Camera: Red Monstro (8K Redcode RAW)
Lenses: Kowa Prominar Anamorphic Primes
AR: 2.20:1 (Anamorphic)
Attribute: Camera Equipment Provided by Technological Cinevideo Services - DirectorSteven SoderberghStarsZoë KravitzByron BowersRita WilsonAn agoraphobic Seattle tech worker uncovers evidence of a crime.Cinematographer & Film Editor: Steven Soderbergh
Writer/Producer: David Koepp
Producer/Unit Production Manager: Michael Polaire
Co-Producer/Associate Film Editor: Corey Bayes
Production Designer: Philip Messina
Composer: Cliff Martinez
Sound Designer, Supervising Sound Editor & Re-Recording Mixer: Larry Blake
Costume Designer: Ellen Mirojnick
1st Assistant Director: Jody Spilkoman
2nd Assistant Director: Alina Gatti
Stunt Coordinator: RA Rondell
Production VFX Supervisor: Bruce Jones
Music Supervisor: Season Kent
Production Supervisor: Robb Earnest
Set Decorator: Victor Zolfo
A-Camera Operator: Chris Duskin
1st Assistant A-Camera: James Apted
1st Assistant B-Camera: Bill Coe
Location Manager: Ken Lavat
Gaffer: Jim Plannette
Key Grip: John Joseph Minardi
Prop Master: Brad Einhorn
Production Coordinator: Adriana Limon
2nd 2nd Ass't Director: Jeremy Silveira
Art Director: Michael Manson
Ass't Art Director: Victor Capoccia
1st Set Designer: David Chow
2nd Set Designer: Brandi Benkert
Graphic Designer: Bryan Eddy
Art Dept. Coordinator: Lydia Lucente
2nd Assistant A-Camera: Jeremiah kent
2nd Assistant B-Camera: Trevor Carroll-Coe
A-Camera Loader: Wiley Schott
Computer Video Supervisor: David Henri
Video Engineer: Randall Green
Ass't Prop Master: Carolyn Lassek
Special Makeup FX Dept. Head: Justin Raleigh
Ass't Chief Lighting Technician: Darrel D'Itri
Ass't Production Coordinator: Andie Isaacs
Ass't Location Manager: Garrett Schecher
Key Set Production Assistant: Robert Guerrero
Supervising SFX Coordinator: Elia Popov
Production SFX Foreman: Adam Bedi
Production SFX Gang Boss: Ryan Buckley
Production SFX Purchaser: Abby White
Unit Production Manager (Seattle Unit): Julie M. Anderson
Seattle Unit 2nd 2nd ADs: Alicia Triana, Ryan Pezdirc, Matthew Kramer
Seattle Unit Production Coordinator: Kylie Walchuk
Seattle Unit Art Director: Trae King
Seattle Unit Location Manager: Mark Freid
Seattle Unit Key Ass't Location Manager: Paul Riordan
Seattle Unit SFX Coordinator: Bob Riggs
Seattle Unit SFX Gang Boss: Conor Wing
Seattle Unit SFX Techs: Peter Tiemann, Jeff Crow
Post-Production Supervisor: Peter Mavromates
1st Assistant Editor: Alfonso Carrion
DI Colorist: John Daro
DI Producer: Paul Lavoie
DI Editor: Leo Ferrini
DI Head of Operations: Bruce Lomet
DI Data Management Supervisor: Chris Coleman
Production VFX Producer/Add'l VFX Supervisor: Ari Nikjeh
VFX Production Supervisor: Jessica Wilson-Silas
Production CG Supervisor: Jason Howey
Production VFX Coordinator: David Hemphil
Weta Senior VFX Supervisor: Joe Letteri
Weta VFX Supervisors: Keith F. Miller, Dan Cox
Weta DFX Supervisor: Thelvin Cabezas
Weta VFX Production Manager: Marion Davey
Weta Pre-Production Manager: Cale Hetariki
Weta Senior Modeler: Gak Gyu Choi
Weta Lead Texture Artist: Caterina Schiffers
Score Conductor & Orchestrator: Randy Miller
Score Recordist & Mixer: Laurence Anslow
Digital Score Recordists: Larry Mah, Kevin Globerman
Music Editor: Mark Jan
Technical Score Coordinator; Gregory Tripi
Score Consultant: Celeste Chada
Filming Dates: April 2021 - June 2021
Camera: Red Monstro (8K Redcode RAW)
Lenses: Leitz Summilux-C Spherical Primes
AR: 2.00:1 (3-Perf Super 35mm)
Special Makeup Effects Designed by: Fractured FX
Visual Effects Provided by: Weta Digital
Attribute: Camera Equipment Supplied by Keslow Camera - DirectorSteven SoderberghStarsChanning TatumSalma HayekAyub Khan-DinMike takes to the stage again, following a business deal that went bust, leaving him broke and taking bartender gigs in Florida. Mike heads to London with a wealthy socialite who lures him with an offer he can't refuse.Cinematographer & Editor: Steven Soderbergh
Writer & Producer: Reid Carolin
Producers: Gregory Jacobs, Peter Kiernan, Nick Wechsler
Executive Producer: Julie M. Anderson
Production Designer: Pat Campbell
Music Supervisor: Season Kent
Costume Designer: Christopher Peterson
Casting Director: Carmen Cuba
Camera: Red V-Raptor (8K Redcode RAW)
Lenses: Hawk V-Lite Anamorphic Primes
AR: 2.39:1 (Anamorphic)