Celebrity Deaths in 2021
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- Mark Eden was born on 14 February 1928 in London, England, UK. He was an actor, known for Doctor Zhivago (1965), The Pleasure Girls (1965) and London Belongs to Me (1977). He was married to Sue Nicholls, Diana Eden and Joan Le Mesurier. He died on 1 January 2021.
- Soundtrack
Misty Morgan was born on 23 May 1945 in Buffalo, New York, USA. She was married to Jack Blanchard. She died on 1 January 2021 in the USA.- Actor
- Writer
- Composer
Gerry Marsden was born on 24 September 1942 in Liverpool, England, UK. He was an actor and writer, known for Zodiac (2007), Riding in Cars with Boys (2001) and Beast (2017). He was married to Pauline Behan. He died on 3 January 2021 in Arrowe Park, Merseyside, England, UK.- Kerry Vincent was born on 2 June 1945 in Wyalkatchem, Western Australia, Australia. She was married to Doug Vincent. She died on 2 January 2021 in Oklahoma, USA.
- The sexy Barbara Shelley was born Barbara Kowin on February 13, 1932 in London, England. With her beautiful looks and stature, she worked as a model during her salad days. Her film career began in Italy in the mid-1950s in such tempting fare as Luna nova (1955) and Nero's Mistress (1956), but when this seemed like she was going to remain in the minor ranks, she returned to England to attempt to better her career. After appearing in the minor sex farce The Little Hut (1957) with Stewart Granger, David Niven and Ava Gardner, Barbara caught notoriety in the title role of Cat Girl (1957), a low budget production in which she played a woman possessed by a family curse who develops psychic links with a leopard.
This paid off and she quickly evolved into a popular Gothic glamour woman at Hammer Studios. Starting things off with The Camp on Blood Island (1958) and Blood of the Vampire (1958), the lovely actress proceeded to stake out her own lucrative territory in the horror genres. Through the 1960s, she co-starred in the classic Village of the Damned (1960), along with The Shadow of the Cat (1961), The Gorgon (1964), The Secret of Blood Island (1965), Dracula: Prince of Darkness (1966), Rasputin: The Mad Monk (1966) and Quatermass and the Pit (1967). However, Barbara's film career had fallen aside by the late 1960s and she turned to television.
In her retirement, she pursued interior decorating. Whether playing female monsters or their intended victims, Barbara played them straight and handled them all with requisite style and grace. For this, she was occasionally seen by motion picture fans at conventions as an integral figure of camp horror history. - Actress
- Producer
The second daughter of manufacturing executive Oscar Blum and his wife Dorothy, Tanya Roberts was born 1949 in Manhattan and grew up in the elite Westchester County suburbs Scarsdale and Greenburgh. Tanya reportedly dropped out of high school, got married and hitchhiked around the country until her mother-in-law had the marriage annulled. She met psychology student Barry Roberts while waiting in line to see a movie. A few months later, she proposed to him in a subway station, and they were married. She studied acting under Lee Strasberg and Uta Hagen. In her early years in New York, she supported herself as an Arthur Murray dance instructor and by modeling. She appeared in off-Broadway productions of "Picnic" and "Antigone", and in television commercials for Ultra Brite, Clairol and Cool Ray sunglasses.
In 1977, Tanya and her husband -- by then a scriptwriter -- moved to Hollywood. She began appearing in made-for-TV films including Pleasure Cove (1979), Zuma Beach (1978), and Waikiki (1980). Her film debut was in The Last Victim (1976). After appearing in several minor films, her first big break came when she was selected as the last Angel on the final season of Charlie's Angels (1976), and was featured on the cover of People magazine (02/09/1981). The attention she garnered helped secure her most significant film roles: The Beastmaster (1982) (and posed for the cover and an inside spread in Playboy magazine to promote the film), the title role in Sheena (1984) and as a Bond girl in A View to a Kill (1985). She continued to appear in films, though mainly direct-to-video and direct-to-cable features. She was featured in the CD computer game The Pandora Directive (1996) and had a recurring lead role in the television series That '70s Show (1998). Widowed in 2006, Tanya Roberts died of sepsis from a urinary tract infection in 2021.- Actor
- Writer
- Soundtrack
James Greene was born on 19 May 1931 in Belfast, Northern Ireland, UK. He was an actor and writer, known for What a Girl Wants (2003), Sherlock Holmes (2009) and Johnny English (2003). He died on 5 January 2021 in the UK.- Brian Cowan was an actor, known for Taggart (1983), Family Affairs (1997) and Crimes That Shook the World (2006). He died on 2 January 2021 in Falkirk, Stirlingshire, Scotland, UK.
- Actress
- Make-Up Department
- Soundtrack
Marion Ramsey was an American actress and singer from Philadelphia. She is primarily known for her role as the soft-spoken policewoman Laverne Hooks in the "Police Academy" film series (1984-1994). Hooks was depicted as a "diminutive, soft-spoken and unassertive woman" with a high-pitched voice. But switched to a more aggressive and authoritative tone when sufficiently frustrated.
Ramsey was born in 1947, but little is known about her early life. She started her career as a theatrical actress, and became a prominent performer for Broadway shows. She appeared in the Broadway version of the hit musical "Hello, Dolly!" (1964) by Jerry Herman and Michael Stewart, and subsequently was part of the musical's touring productions. The musical was an adaptation of the farce "The Merchant of Yonkers" (1938) by Thornton Wilder (1897 -1975), but was much better received than the original work.
Ramsey made her television debut as part of the regular cast in the variety series "Keep On Truckin'" (1975). This was a summer replacement series, broadcast by ABC on Saturday nights. It only lasted four episodes. In 1976, Ramsey made a guest-star appearance in an episode of the then-popular sitcom "The Jeffersons" (1975-1985).
Also in 1976, Ramsey became part of the regular cast of the short-lived sketch comedy show "Cos". The show was named after its host, the popular comedian Bill Cosby (1937-). The series only lasted for 9 episodes, and was canceled due to low ratings. It was replaced on ABC's schedule by a new show called "The Hardy Boys/Nancy Drew Mysteries" (1977-1979), which was adapting mystery novels for children,. The novels were originally published by the long-running Stratemeyer Syndicate (1899-1987).
In 1977, Ramsey had a guest-star role in the short-lived sitcom "Sanford Arms" (1977). The series was intended as a sequel to the hit show "Sanford and Son" (1972-1977), but focused on a new protagonist. It failed to find an audience, and was canceled after only 4 episodes. Another 4 completed episodes, including the one featuring Ramsey, were never aired, although they became available on later reruns.
In 1978, Ramsey was one of the main performers of the revue "Eubie!" in Broadway. The revue showcased 23 songs by the popular jazz composer Eubie Blake (1887 - 1983). The show ran for 439 performances. Ramsey and the rest of the original cast participated in a recording of the show, which was released on vinyl in 1979.
Ramsey gained her first substantial film role in the police comedy "Police Academy" (1984), when she was 37-years-old. As cadet Laverne Hooks , she received enough screen time to be one of the film's memorable characters. The film was a box office hit, earning 150 million dollars at the worldwide box office. A film series featuring featuring the same cast followed. Ramsey appeared in 5 of the original film's sequels, and her character was soon depicted as a police sergeant. She made her last appearance in the film series in "Police Academy 6: City Under Siege" (1989). She did not appear in the series finale "Police Academy: Mission to Moscow" (1994), which also failed to include several other regular cast members.
In the early 1990s, Ramsey made a few appearances in then-popular television series, such as "MacGyver", "Beverly Hills, 90210", and "The Nanny". Most of her roles were minor unnamed characters. Ramsey worked as a voice actor in the animated series "The Addams Family" (1992 -1993). Her most memorable character in the series was summer camp owner D.I. Holler, who had the mentality of a drill sergeant. The character aimed to teach fitness and self-reliance to rich kids, but was unreasonably strict.
Ramsey had her next film role in the horror comedy "Maniacts" (2001) , where she played an unnamed prostitute. The film featured two serial killers who fall in love with each other, and try to settle down for a while. Ramsey next played a policewoman again in the comedy television film "Recipe for Disaster" (2003). The premise of the film is that the owners of a family restaurant have disappeared, and their underage kids try to operate the restaurant in their absence. The film is remembered for an early starring role for teenage actress Margo Harshman (1986-).
In 2006, Ramsey voiced Laverne Hooks in a comedy sketch of the animated series "Robot Chicken" (2005-). The sketch featured several characters from the "Police Academy" series being recruited as new members of the X-Men. The sketch reunited Ramsey with her former co-star Michael Winslow, an accomplished voice actor.
In 2007, Ramsey had a supporting role in the romantic comedy "Lord Help Us". The film's main plot is that the elderly preacher Henry Thomas (played by Bill Toliver) needs help to repair his reputation, after a rumor suggests that he is having an affair with a much younger woman. Also in 2007, Ramsey had a small role in the thriller film "The Stolen Moments of September". The film depicts the life of a young runaway, who befriends a suspected serial killer.
After a hiatus of a few years, Ramsey returned to film roles with the mystery comedy "Who Killed Soul Glow?" (2012). As the title suggests, it featured a murder mystery. In 2013, Ramsey appeared in the historical film "Return to Babylon", which depicted the lives of famous Hollywood actors in the 1920s. Ramsey played the maid of the famous vamp Barbara La Marr (1896 - 1926). The real life La Marr was highly popular in the 1920s, but died at the age of 29 due to tuberculosis.
In 2014, Ramsey played a supporting role in the sports film "Wal-Bob's". The film depicted the operation of an underground football league in Cincinnati. In 2015, Ramsey had a role in the science fiction horror television film "Lavalantula". The film depicted giant tarantulas unleashed in modern-day Los Angeles. The film notably reunited several veteran actors from the "Police Academy" film series, with the protagonist role reserved for Steve Guttenberg (1958-). Ramsey also appeared in the film's sequel "2 Lava 2 Lantula" (2016).
In 2016, Ramsey appeared in the comedy-drama film "DaZe: Vol. Too (sic) - NonSeNse". The film reunited several veterans of the "Police Academy" film series, and featured the last film role for Ramsey's longtime friend Bubba Smith (1945-2011). In 2018, Ramsey appeared in the biographical film "When I Sing", which was based on the life of singer-songwriter Linda Chorney (1960-). This was Ramsey's last film role.
Ramsey spend her last years in retirement.
In January she died at her residence in Los Angeles, following a short illness. Her cause of death was not announced to the public. She was 73-years-old at the time of her death. She was cremated, and her ashes were scattered at sea. News of her death was covered by the press, as the actress was still well-known and fondly remembered. Ramsey is considered an icon of the 1980s.- Actor
- Soundtrack
Deezer D was born in 1965 in Los Angeles, California. He is not only an actor but a popular performer in the Christian and underground hip hop communities. His latest release is titled "Unpredictable". He also briefly hosted a Christian Rap radio show in Los Angeles on station 96.3 KFSG.- Classically handsome John Richardson began his career with small roles in British movies at the end of the 1950s. His first role of note was opposite Barbara Steele in the gothic horror classic Black Sunday (1960), directed by Mario Bava. His massive success was Don Chaffey's One Million Years B.C. (1966) with Raquel Welch, produced by Hammer Films. Later, following the steps of some other actors, he went on to appear in various Italian movies such as Umberto Lenzi's horror movie Eyeball (1975), Michele Soavi's The Church (1989) and many others. Richardson's great passion was collecting automobiles and he sometimes appeared in movies as long as an automobile was included in the contract. But his recent movies filmed in the 1980s convinced him to retire from acting completely. He was a noteworthy photographer with no interest whatsoever in looking back on his career in cinema. John Richardson passed away from complications of COVID-19 on January 4, 2021, only two weeks away from his 87th birthday.
- Animation Department
- Art Department
- Script and Continuity Department
Dave Creek was born on 19 June 1978 in Bellevue, Washington, USA. Dave is known for Youth in Revolt (2009), The Bob's Burgers Movie (2022) and Bob's Burgers (2011). Dave died on 7 January 2021 in California, USA.- Tommy Lasorda was one of the best managers in baseball until his retirement in July 1996. He was involved with the Los Angeles Dodgers for over 50 years. He managed the team from 1976 to 1996. He retired due to a heart attack. He thought being a manager would be too stressful.
- Actor
- Sound Department
- Additional Crew
Brad Venable was born on 16 July 1977 in Muskogee, Oklahoma, USA. He was an actor, known for Pokémon: Detective Pikachu (2019), Dragon Ball Z: Resurrection 'F' (2015) and The Boy and the Beast (2015). He was married to Kathryn Venable. He died on 7 January 2021 in Los Angeles, California, USA.- Tom LaBonge was born on 6 October 1953 in Los Angeles, California, USA. He was an actor, known for Designed for Dreaming (2010), Clash of Colors: LA Riots of 1992 (2012) and The Hollywood Moment at Home Edition (2020). He was married to Brigid. He died on 7 January 2021 in Los Angeles, California, USA.
- Director
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- Additional Crew
Michael Apted was born on 10 February 1941 in Aylesbury, Buckinghamshire, England, UK. He was a director and producer, known for Amazing Grace (2006), Rome (2005) and Gorillas in the Mist (1988). He was married to Paige Simpson, Dana Stevens and Jo Apted. He died on 7 January 2021 in Los Angeles, California, USA.- Actor
- Music Department
- Soundtrack
Ed Bruce was born on 29 December 1939 in Keiser, Arkansas, USA. He was an actor, known for Public Enemies (2009), American Honey (2016) and Catch and Release (2006). He was married to Patsy Bruce and Judith Woodlee. He died on 8 January 2021 in Clarksville, Tennessee, USA.- Composer
- Soundtrack
Jamie O'Hara was born on 8 August 1950 in Toledo, Ohio, USA. He was a composer, known for An Unfinished Life (2005), Lucky You (2007) and Two If by Sea (1996). He was married to Lola White. He died on 7 January 2021 in Nashville, Tennessee, USA.- Director
- Cinematographer
- Producer
Born in Brooklyn, New York, Steve Carver received his first camera when he was eight years old. At 13 he began his formal education in photography, attending the High School of Music & Arts in Manhattan where he received training in art and music. Fascinated by techniques of creating imagery, he experimented with situations to maximize his learning experience--testing and exploring the creative limitations of the mediums.
Attending the University of Buffalo in New York on a Regents Scholarship, Carver developed an interest in photography while studying commercial art and illustration. Determined to learn the entire photographic process, he served an apprenticeship under several professional photographers and gained invaluable technical knowledge. It was his willingness to explore ideas and adapt his skills to new situations that resulted in an impressive portfolio of work.
Following the completion of his undergraduate studies at Cornell University in Ithaca, New York, Carver accepted a fellowship to study classical arts at Washington University in St. Louis, Missouri. Inspired by insightful portrait photography, he attempted to broaden the scope of his study by serious practice. Establishing himself as a freelance portraitist, he began his career with limited success and encouragement. Determined to work as a photographer, Carver undertook a photojournalist assignment on a documentary film. By learning the flexibility and immediacy that the work required, he gained valuable experience that contributed to his artistic vision of observed life. The experience also sowed the seed for Carver's interest in storytelling. He spent increasing amounts of time studying the creative process of filmmaking. In his final year at graduate school, Carver was a mature artist who had a passion for the visual arts and whose goals were vividly conceived. He rejected a conventional presentation of his thesis in favor of creating a film as a deliberate aesthetic choice to enhance the collective nature of his artwork with visual excitement and inventiveness. Working feverishly, Carver prepared a scenario that incorporated an assemblage of images derived from his photographs, paintings, drawings and etchings. While he labored with the arduous and complicated process, the single-minded intensity and pure ambition that he brought to the task ultimately motivated the completion of his first film. The achievement earned Carver a Master of Fine Arts degree and reinforced a new objectivity. During the next two years, Carver devoted himself to studying filmmaking while concentrating primarily on photography and art.
Resuming his freelance career, he worked as a conceptual artist, contract photographer, lecturer, film consultant and sometimes journalist. He accepted an invitation to attend a special postgraduate program in photojournalism at the University of Missouri in Columbia, Missouri. Under a core group of staff photographers from "Life" magazine, Carver began studying the techniques of pictorial journalism. By drawing upon his unique vision and the imagery of culture, he built a portfolio of photographs that explored the interstices connecting culture, art and the artist. Returning to St. Louis, he exhibited his work at a fine-arts gallery and enjoyed both critical and commercial success. That success earned Carver a teaching position at Florissant Valley College and offers of employment.
Dividing his time between working as a photography instructor and freelance photojournalist, he contributed to the "St. Louis Post-Dispatch", ABC-TV's Wide World of Sports (1981), "Architectural Digest", "National Geographic" and "Time-Life". He later became a staff photographer for United Press International, where he developed a documentary portrait style producing a significant body of work. While photojournalism inspired his creativity, Carver maintained his fascination with filmmaking. On weekends he enjoyed the challenge of experimenting and exploring its technical process by shooting and editing thousands of feet of 16mm film. For inspiration he turned to the work of documentary filmmakers and the intellectual stimulation provided by friends. Mainly self-taught, he began taking on assignments as a cameraman and film editor. While teaching photography and filmmaking at the Metropolitan Education Council in the Arts in St. Louis, he began producing educational films that documented urban life and attitudes under the auspices of the St. Louis Mayor's Council on the Arts. Subsequently, the photo-documentaries created collections of images, dramatically increasing his productivity as well as his profitability. Despite his best efforts, however, the work exhausted Carver's interests in art and photography of all kinds. At the invitation of the American Film Institute in Beverly Hills, California, he shifted the focus of his efforts and relocated to Los Angeles to pursue a formal education in filmmaking.
Over the next 20 years he gradually gave up professional photography and rarely used a still camera. While attending the fellowship program at the Center for Advanced Film Studies, Carver studied screenwriting, film directing and editing, exclusively as a student. His principal mentors were great directors, producers and actors. Their counsel contributed enormously to his education in film and provided an outstanding professional atmosphere. Through the apprenticeship program at the Directors Guild of America (DGA), Carver gained employment as an assistant director and developed a technical aptitude for the craft. As a result, he got a foothold in the movie industry and received his first directorial assignment, establishing himself as a feature film director. Directing feature films and TV-movies throughout the Americas, Europe, Asia and Africa, he made good use of the creative vision he developed through photography. While working on location in Moscow he receiving a still camera as a gift, and he renewed his interest in photography by undertaking a series of photographic expeditions throughout Russia. After his return to Los Angeles he was offered a partnership in a business, but decided to take a break from directing and turned his attention to a different kind of creative enterprise--establishing a photography business he named The Darkroom, located in Venice Beach. Its opening, however, coincided with the demise of the partnership, and Carver ran the business himself for five years--he was not only the owner but the operator, technician, educator and photographer, even doing the rentals and services that helped to support the facility. Largely self-taught, he quickly came to terms with the arduous business process. Since his technical skills relied heavily on the precepts and techniques that he learned over the previous 20 years, he began to focus his efforts on encompassing new photographic technology to stimulate diversity in his work. To maximize production, he practiced, concentrating more and more on photography, adapting his idiosyncratic working methods. Working independently, he explored the boundaries of his classical photographic vision in black-and-white, and by using applications of early chemical processes as a means of documenting the evolving ideas and facets of his work, he liberally incorporated the technology from his explorations into his photography as a means of expression. Gradually, it allowed him to produce photographs of exceptional depth and quality. As a result, The Darkroom gained popularity and increasingly attracted a core group of photographic artists and serious students.
While his techniques and methods became the subject and inspiration of a diverse body of photographs, as a portraitist Carver began creating sensuous and moody figure studies that he considered being among his highest artistic achievements. As expressive formalism incorporating a traditional classic sensibility, his portraiture provided a stylish and diverse cultural document, serving to chronicle life and culture while conveying the emotional, psychological, and spiritual as opposed to merely rendering a likeness. He also produced photo-transformations of people in motion, isolating successive stages of rapid movement by using long exposures to permit the intrusion of motion into the image, as both a means of expression and transformation. These images typically included insightful psychological compositions, involving precise staging, elaborate props, and direction. Psychologically probing and surreal, the images often involved the use of light abstractions, color-frequency alteration, long-exposure techniques, split-filter printing, solarization, and archival chemical toning. Carver became affiliated with conservators and scientists in an effort to interact with private collectors, archivists, and curators, to further the development of his work in archival preservation of historical prints and negatives. He appropriated images from archives and private collections in order to raise issues of cultural heritage. Primarily produced and used as source material for scholars and as telling documentation to ensure the preservation of cultural heritages, he created replicas and duplicates of photographs that characteristically challenged perception of its originality. While the closing of the lab allowed Carver to resume his career as a director, his ambition now is to create exceptional collections of formal portraiture for wide publication. It is his hope that these informative photographic studies will offer new interpretations and contribute to the necessary preservation of cultural heritages.- Diana became involved in show business at a very early age, tap dancing at seven and winning a beauty contest three years later. This led to modeling sun suits for Sears Department Stores, and, eventually, to becoming a Conover model for the John Robert Powers Agency in New York. She also acquired plenty of acting practice during seven seasons of summer stock, playing assorted leads in classic plays like The Little Foxes, The Seven Year Itch (the role immortalized by Marilyn Monroe on screen!), Tobacco Road and Life With Father. From the mid-50s, she appeared on numerous live TV shows in New York and even enjoyed a second-billed leading role in a 1955 episode of Star Tonight (1955). This did not lead anywhere career-wise, so the blonde, comely-looking Diana took on further acting studies and got herself noticed with covers in popular contemporary magazines. Alas, it took a move to Hollywood for her career to really gain some traction, then, before long, she became a much-in-demand guest actress for prime-time TV shows. So much so, where by 1962, she was given the sobriquet 'Miss Emmy'.
Diana also appeared thrice on Broadway, culminating in a leading role in the comedy play Boeing-Boeing in 1962. That same year, she toured the U.S. and Canada in a National Theatre Company Production of The Seven Year Itch, opposite Eddie Bracken.
During her prolific TV appearances in the 60s, Diana accumulated screen credits on some of the most popular shows of the day, including Maverick (1957), Gunsmoke (1955), Route 66 (1960), Rawhide (1959), Perry Mason (1957), 77 Sunset Strip (1958), The Virginian (1962) and The Man from U.N.C.L.E. (1964).
However, her undoubted career highlight came near the end of her life as an actress when producer/creator Dan Curtis offered her the juicy role of Laura Collins (an immortal Phoenix-like entity) in his cult supernatural day time series Dark Shadows (1966). Between 1966 and 1969, Diana lived and breathed this character in 62 episodes and a subsequent spin-off movie release, Night of Dark Shadows (1971). After that, her acting career ended somewhat inconspicuously.
In later years, she moved back to New York where she reinvented herself as an author of several books, including "The Power of Halloween" (dealing with supernatural themes, such as witchcraft), "How to Create Good Luck" and "I'd Rather Eat Than Act".
Between 1966 and 1968, Diana Claire Millay was married to Geoffrey Montgomery Talbot Jones, a Broadway producer, Princeton alumnus and former wartime OSS officer. Sometime during the 1990s, she worked as a promoter for Microhydrin, an antioxidant and nutritional supplement.
Diana passed away in New York on 8 January 2021 at the age of 86. - Actor
- Additional Crew
Rugged Sicilian-born actor who came to international notice after playing Ferrari racing ace Nino Barlini in John Frankenheimer's high octane blockbuster Grand Prix (1966). His charismatic performance saw Sabato nominated for a Golden Globe Award as Most Promising Newcomer. During the 1970s, he starred in a slew of low-budget Italian language productions, predominantly spaghetti westerns and crime thrillers, essaying villains (Crime Boss (1972)), heroes (Seven Blood-Stained Orchids (1972)) and anti-heroes (Thunder Over El Paso (1972)) with equal verve. By the mid-80s, Sabato and his family had relocated to California where he devoted more time to painting and family life while continuing to star in international co-productions, typically action films like the futuristic Escape from the Bronx (1983), The Wild Team (1985) and High Voltage (1998). His last work on screen consisted of several appearances in the soap The Bold and the Beautiful (1987) , which also featured his son Antonio Sabato Jr...- John Reilly was born on 11 November 1934 in Chicago, Illinois, USA. He was an actor, known for General Hospital (1963), Tales of the Gold Monkey (1982) and Mortal Kombat: Conquest (1998). He was married to Lily Beth (Liz) Janred and Donna Reilly . He died on 9 January 2021 in the USA.
- George Gerdes was born on 23 February 1948 in Queens, New York, USA. He was an actor, known for The Girl with the Dragon Tattoo (2011), Bats (1999) and Hidalgo (2004). He died on 1 January 2021 in Glendale, California, USA.
- Patricia Loud was born on 4 October 1926 in Eugene, Oregon, USA. She was married to Bill Loud. She died on 10 January 2021 in Los Angeles, California, USA.
- Etienne Draber was born on 26 March 1939 in Strasbourg, Bas-Rhin, France. He was an actor, known for Madame Bovary (1991), Le fou du roi (1984) and Plus belle la vie (2004). He died on 11 January 2021 in Paris, France.