Dancer/Actress
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Carrie Ann Inaba was born and raised in Honolulu, Hawaii, USA. She is of Japanese, Chinese, and Irish ancestry, and is the youngest of two children. Carrie Ann grew up dancing the hula (native Hawaiian dance) and other dance forms. She also played the piano and violin and sang in the choir. She attended Hanahaouli School and then Punahou School. Carrie Ann played volleyball for a little while but found her true love in performing.
At the age of 16, she and her closest friend Tina Horii won the Hawaii statewide competition, "Search for Talent", dancing a piece that they had choreographed together. While still sixteen, Carrie Ann was scouted to go to Japan to become a "Teen Idol".
However, she waited until she finished high school and then left Hawaii to pursue her career as a musical artist in Japan. During her time in Japan, Carrie Ann released three singles with Pony Canyon Records while attending Sophia University, a Jesuit university in Tokyo. In the two-year period spent living in Tokyo, Japan, she learned a great deal about the entertainment industry, performing, as well as the Japanese language. She also made great friends from all over the world, which later became a theme in her life as a documentarian.
After realizing that the Tokyo lifestyle wasn't for her at the time, Carrie Ann returned to the United States, relocating to California. She began to study choreography at the University of California, Irvine. It wasn't long till she got the bug to dance in Los Angeles and moved up to study with Alex Magno at the Debbie Reynolds Studios in North Hollywood, California. One day in dance class, Carrie Ann was approached by a producer who asked her to be in a music video for an artist named Terry Lin. She met the choreographer and booked the job. She was ready to start working.
One of her first jobs was as a dancer for the Emmy Award-winning television show, In Living Color (1990). Her next big gig was performing with Madonna, being featured as the "Pole Girl" on The Girlie Show tour. For this tour, Carrie Ann had to shave her head and also train with circus trainers and a stripper. She later went on to dance with Ricky Martin, David Copperfield, Chayanne, and did a lot of appearances on shows such as The Creative Arts Emmys, The SAG Awards, The NAACP Awards, The MTV Awards, The Oprah Winfrey Show (1986), and so much more. To this day, she still loves to dance. In her heart of hearts, it is the movement and the music that will always inspire her as an artist. In fact, even as an actress, she likes to incorporate dance and movement.
When Carrie Ann began her acting career, her main interest was in action roles. She studied tae kwon do with Billy Blanks, the creator Taebo, and continues her education in martial arts. She also practices hatha yoga. Carrie Ann always looks for ways to include her background in movement (choreography and martial arts) into her career.
Besides performing, Carrie Ann has many credits behind the scenes as well. Besides her choreography, she opened up her own digital video production company, EnterMediArts, Inc., which produced two of her documentaries and her short film. She hopes that EnterMediArts, Inc. will soon produce more reality/education television programming, behind-the-scenes DVD productions as well as lower-end film projects. She is the president and CEO for the company and has directed and edited most of her own projects. She loves the entertainment industry and loves the accessibility that DV (Digital Video) provides. She invested in a few edit bays and a few cameras and produces projects for fellow artists and "creatives." As her company's name implies, Carrie Ann likes to break down barriers and combine elements, creating hybrids just like she, herself, is a combination of cultures. Her production company, EnterMediArts, Inc., gets its name from Entertainment, Media, and the Arts -- all rolled into one.
Carrie Ann has also modeled here and there and has been on the cover of European magazines and Japanese magazines. She was the national spokesmodel for an AT&T Asian Campaign and has been in many commercials throughout her career.
At the time of this writing, Carrie Ann is in the limelight once more for her participation in the hit show, Dancing with the Stars (2005) and Dance War: Bruno vs. Carrie Ann (2008).- Actress
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French ballet dancer Leslie Caron was discovered by the legendary MGM star Gene Kelly during his search for a co-star in one of the finest musicals ever filmed, the Oscar-winning An American in Paris (1951), which was inspired by and based on the music of George Gershwin. Leslie's gamine looks and pixie-like appeal would be ideal for Cinderella-type rags-to-riches stories, and Hollywood made fine use of it. Combined with her fluid dancing skills, she became one of the top foreign musical artists of the 1950s, while her triple-threat talents as a singer, dancer and actress sustained her long after musical film's "Golden Age" had passed.
Leslie Claire Margaret Caron was born in France on July 1, 1931. Her father, Claude Caron, was a French chemist, and her American-born mother, Margaret Petit, had been a ballet dancer back in the States during the 1920s. Leslie herself began taking dance lessons at age 11. She was on holidays at her grandparents' estate near Grasse when the Allies landed on the 15th of August 1944. After the German rendition, she and her family went to Paris to live. There she attended the Convent of the Assumption and started ballet training. While studying at the National Conservatory of Dance, she appeared at age 14 in "The Pearl Diver," a show for children where she danced and played a little boy. At age 16, she was hired by the renowned Roland Petit to join the Ballet des Champs-Elysees, where she was immediately given solo parts.
Leslie's talent and reputation as a dancer had already been recognized when on opening night of Petit's 1948 ballet "La Rencontre," which was based on the theme of Orpheus and featured the widely-acclaimed dancer 'Jean Babilee', she was seen by then-married Hollywood couple Gene Kelly and Betsy Blair. Leslie did not meet the famed pair at the end of the show that night as the 17-year-old went home dutifully right after her performance, but one year later Kelly remembered Leslie's performance when he returned to Paris in search for a partner for his upcoming movie musical An American in Paris (1951). The rest is history.
Kelly and newcomer Caron's touching performances and elegant and exuberant footwork (especially in the "Our Love Is Here to Stay" and "Embraceable You" numbers, as well as the dazzling 17-minute ballet to the title song) had critics and audiences simply enthralled. The film, directed by Vincente Minnelli, won a total of six Oscar awards, including "Best Picture," plus a Golden Globe for "Best Picture in a Musical or Comedy". Leslie was put under a seven-year MGM contract where her luminous skills would also be featured in non-musical showcases.
While Leslie's dramatic mettle was tested as a New Orleans nightclub entertainer opposite Ralph Meeker's boxer in Glory Alley (1952) and as a French governess in The Story of Three Loves (1953), it was as the child-like urchin who falls for a cruel carnival puppeteer (Mel Ferrer) in Lili (1953) that finally lifted Leslie to Academy Award attention. The film, which went on to inspire the Tony-winning Broadway musical "Carnival," earned Leslie not only an Oscar nomination, but the British Film Award for "Best Actress" as well. At her waif-like best once again in the musical Daddy Long Legs (1955), Leslie was paired this time with the "other" MGM male dancing legend Fred Astaire. The story, which unfolded in an appealing Henry Higgins/Eliza Dolittle style, was partly choreographed by Roland Petit, who founded the Ballet des Champs-Elysees, Leslie's former dance company.
While the actress gave poignant life to the ugly-duckling-turned-swan tale, The Glass Slipper (1955), choreographed by Petit and co-starring Britisher Michael Wilding as Prince Charming, Leslie also played a ballerina in love with WWII soldier John Kerr in Gaby (1956), a lukewarm remake of the superior Waterloo Bridge (1940). It took another plush musical classic, Gigi (1958), to remind audiences once again of Leslie's unique, international appeal. Audrey Hepburn, who had played the title part on Broadway, was keen on doing the film, but producer Arthur Freed wrote the part expressly for Leslie. It was also Freed who called up Fred Astaire to suggest her as his leading lady in Gigi (1958). Leslie tried the role out on the London stage prior to doing the film version. The musical wound up receiving nine Academy Awards, including "Best Picture," and Leslie herself was nominated for a Golden Globe as "Best Musical/Comedy Actress".
A few more forgettable film roles came and went until she returned triumphantly in a non-musical adaptation of a highly successful 1954 Broadway musical. The film version of Fanny (1961) was more adult in nature for Leslie and was blessed with gorgeous cinematography, a touching script and the continental flavor of veterans, Maurice Chevalier, Charles Boyer, and Horst Buchholz. At the movie's centerpiece is a child-like Leslie (at age 30!) who is mesmerizing as a young girl with child who is deserted by her sailor/boyfriend. Even more adult in scope was the shattering British drama The L-Shaped Room (1962) wherein the actress plays a pregnant French refugee who is abandoned yet again. She earned her a second British Academy Award and a second Oscar nomination for this superb performance.
On stage in London with the Royal Shakespeare Company, Leslie earned applause in another Audrey Hepburn Broadway vehicle, "Ondine," in 1961. While the mid-1960s and 1970s saw her film career take a Hollywood detour into breezy comedy with a number of lightweight fare opposite the likes of Rock Hudson, Cary Grant and Warren Beatty, she managed to shine with a complex working class mother role in the remarkable Italian film Il padre di famiglia (1967) starring Nino Manfredi and Ugo Tognazzi, and was spotted in the popular crossover film Valentino (1977) starring iconic Russian ballet star Rudolf Nureyev.
In the 1980s, Leslie appeared in stage productions of "Can-Can", "On Your Toes" and "One for the Tango". She also was invited and accepted to appear on American TV. At the age of 75, the actress won her first Emmy Award with her very moving portrayal of an elderly woman and closeted rape victim in a 2006 episode of Law & Order: Special Victims Unit (1999). More recent filming have included Damage (1992) by Louis Malle, Chocolat (2000) by Lasse Hallström, and the Merchant Ivory romantic comedy/drama The Divorce (2003).
Leslie's private life has been more turbulent than expected. She is divorced from the late meat packing heir and musician Geordie Hormel; from avant-garde Royal Shakespeare director Peter Hall, by whom she has two children, Christopher and Jennifer (both of whom have careers in the entertainment field); and from her Chandler (1971) movie producer Michael Laughlin.
One of the few MGM post-musical stars to enjoy a long, lasting and formidable dramatic career, Leslie Caron is still continuing today though on a much more limited basis. In 2008, the actress published her memoirs, "Thank Heaven," later translated to French as "Une Francaise à Hollywood". In 2010, she triumphed on the Chatelet Theater stage in Paris with her portrayal of Madame Armfeldt in Stephen Sondheim's "A Little Night Music. More recently the still mesmerizing octogenarian had a recurring role as a countess in the British TV series The Durrells (2016). Over the years, she has received a number of "Life Achievement" awards for her contributions to both film and dance.- Actress
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Cheryl Burke was born on 3 May 1984 in San Francisco, California, USA. She is an actress, known for Dancing with the Stars (2005), Toy Story 3 (2010) and The Suite Life of Zack & Cody (2005). She was previously married to Matthew Lawrence.- Producer
- Actress
- Director
Deborah Kaye Allen was born in Houston, Texas, to African-American parents, Vivian Elizabeth (Ayers), a poet and art director, and Andrew Arthur Allen, an orthodontist. As a child, Debbie, her older brother, Andrew (called Tex), and her older sister, actress Phylicia Rashad, lived in Mexico to escape US racism. Their mother decided to live there to give the Allen children a brief experience of not having to endure the chronic racism and segregation that was typical of Texas during the 1950s. Debbie and Phylicia are fluent in Spanish.
Debbie graduated from Jack Yates Senior High School in Houston, TX in 1967. She graduated cum laude from Howard University in 1971 with a BFA in Classical Greek Literature, Speech, and Theater from Howard University. She used her experiences from attending Historically Black College Howard to inform her production and direction of the TV show A Different World (1987).
Although her parents divorced, Debbie remained extremely close to her father until his death. With Phylicia she has production company "D.A.D." which stood for "Doctor Allen's Daughters". Her Pulitzer-nominated poet mother Vivian is, the artistic and free spirit that has influenced and encouraged the remarkable creativity that so marks Allen as a performer.