List activity
290 views
• 0 this weekCreate a new list
List your movie, TV & celebrity picks.
209 people
- Actress
- Producer
- Soundtrack
Elizabeth Rosemond Taylor was considered one of the last, if not the last, major star to have come out of the old Hollywood studio system. She was known internationally for her beauty, especially for her violet eyes, with which she captured audiences early in her youth and kept the world hooked with ever after.
Taylor was born on February 27, 1932 in London, England. Although she was born an English subject, her parents, Sara Taylor (née Sara Viola Warmbrodt) and Francis Taylor, were Americans, art dealers from St. Louis, Missouri. Her father had moved to London to set up a gallery prior to Elizabeth's birth. Her mother had been an actress on the stage, but gave up that vocation when she married. Elizabeth lived in London until the age of seven, when the family left for the US when the clouds of war began brewing in Europe in 1939. They sailed without her father, who stayed behind to wrap up the loose ends of the art business.
The family relocated to Los Angeles, where Mrs. Taylor's own family had moved. Mr. Taylor followed not long afterward. A family friend noticed the strikingly beautiful little Elizabeth and suggested that she be taken for a screen test. Her test impressed executives at Universal Pictures enough to sign her to a contract. Her first foray onto the screen was in There's One Born Every Minute (1942), released when she was ten. Universal dropped her contract after that one film, but Elizabeth was soon picked up by MGM.
The first production she made with that studio was Lassie Come Home (1943), and on the strength of that one film, MGM signed her for a full year. She had minuscule parts in her next two films, The White Cliffs of Dover (1944) and Jane Eyre (1943) (the former made while she was on loan to 20th Century-Fox). Then came the picture that made Elizabeth a star: MGM's National Velvet (1944). She played Velvet Brown opposite Mickey Rooney. The film was a smash hit, grossing over $4 million. Elizabeth now had a long-term contract with MGM and was its top child star. She made no films in 1945, but returned in 1946 in Courage of Lassie (1946), another success. In 1947, when she was 15, she starred in Life with Father (1947) with such heavyweights as William Powell, Irene Dunne and Zasu Pitts, which was one of the biggest box office hits of the year. She also co-starred in the ensemble film Little Women (1949), which was also a box office huge success.
Throughout the 1950s, Elizabeth appeared in film after film with mostly good results, starting with her role in the George Stevens film A Place in the Sun (1951), co-starring her good friend Montgomery Clift. The following year, she co-starred in Ivanhoe (1952), one of the biggest box office hits of the year. Her busiest year was 1954. She had a supporting role in the box office flop Beau Brummell (1954), but later that year starred in the hits The Last Time I Saw Paris (1954) and Elephant Walk (1954). She was 22 now, and even at that young age was considered one of the world's great beauties. In 1955 she appeared in the hit Giant (1956) with James Dean.
Sadly, Dean never saw the release of the film, as he died in a car accident in 1955. The next year saw Elizabeth co-star with Montgomery Clift in Raintree County (1957), an overblown epic made, partially, in Kentucky. Critics called it dry as dust. In addition, Clift was seriously injured during the film, with Taylor helping save his life. Despite the film's shortcomings and off-camera tragedy, Elizabeth was nominated for an Academy Award for her portrayal of Southern belle Susanna Drake. However, on Oscar night the honor went to Joanne Woodward for The Three Faces of Eve (1957).
In 1958 Elizabeth starred as Maggie Pollitt in Cat on a Hot Tin Roof (1958). The film received rave reviews from the critics and Elizabeth was nominated again for an Academy Award for best actress, but this time she lost to Susan Hayward in I Want to Live! (1958). She was still a hot commodity in the film world, though. In 1959 she appeared in another mega-hit and received yet another Oscar nomination for Suddenly, Last Summer (1959). Once again, however, she lost out, this time to Simone Signoret for Room at the Top (1958). Her Oscar drought ended in 1960 when she brought home the coveted statue for her performance in BUtterfield 8 (1960) as Gloria Wandrous, a call girl who is involved with a married man. Some critics blasted the movie but they couldn't ignore her performance. There were no more films for Elizabeth for three years. She left MGM after her contract ran out, but would do projects for the studio later down the road. In 1963 she starred in Cleopatra (1963), which was one of the most expensive productions up to that time--as was her salary, a whopping $1,000,000. The film took years to complete, due in part to a serious illness during which she nearly died.
This was the film where she met her future and fifth husband, Richard Burton (the previous four were Conrad Hilton, Michael Wilding, Mike Todd--who died in a plane crash--and Eddie Fisher). Her next films, The V.I.P.s (1963) and The Sandpiper (1965), were lackluster at best. Elizabeth was to return to fine form, however, with the role of Martha in Who's Afraid of Virginia Woolf? (1966). Her performance as the loudmouthed, shrewish, unkempt, yet still alluring Martha was easily her finest to date. For this she would win her second Oscar and one that was more than well-deserved. The following year, she and Burton co-starred in The Taming of The Shrew (1967), again giving winning performances. However, her films afterward were box office failures, including Reflections in a Golden Eye (1967), The Comedians (1967), Boom! (1968) (again co-starring with Burton), Secret Ceremony (1968), The Only Game in Town (1970), X, Y & Zee (1972), Hammersmith Is Out (1972) (with Burton again), Ash Wednesday (1973), Night Watch (1973), The Driver's Seat (1974), The Blue Bird (1976) (considered by many to be her worst), A Little Night Music (1977), and Winter Kills (1979) (a controversial film which was never given a full release and in which she only had a small role). She later appeared in some movies, both theatrical and made-for-television, and a number of television programs. In February 1997, Elizabeth entered the hospital for the removal of a brain tumor. The operation was successful. As for her private life, she divorced Burton in 1974, only to remarry him in 1975 and divorce him, permanently, in 1976. She had two more husbands, U.S. Senator John Warner and construction worker Larry Fortensky, whom she met in rehab.
In 1959, Taylor converted to Judaism, and continued to identify herself as Jewish throughout her life, being active in Jewish causes. Upon the death of her friend, actor Rock Hudson, in 1985, she began her crusade on behalf of AIDS sufferers. In the 1990s, she also developed a successful series of scents. In her later years, her acting career was relegated to the occasional TV-movie or TV guest appearance.
Elizabeth Taylor died on March 23, 2011 in Los Angeles, from congestive heart failure. Her final resting place is Forest Lawn Memorial Park, in Glendale, California.- Actress
- Producer
- Writer
A new reigning 1960s international sex symbol took to the cinematic throne as soon as Raquel Welch emerged from the sea in her purposely depleted, furry prehistoric bikini. Tantalizingly wet with her garb clinging to all the right amazonian places, One Million Years B.C. (1966), if nothing else, captured the hearts and libidos of modern men (not to mention their teenage sons) while producing THE most definitive and best-selling pin-up poster of that time.
She was born Jo Raquel Tejada on September 5, 1940 in Chicago, Illinois, the first of three children of Bolivian-born Armando Carlos Tejada, an aerospace engineer, and his wife, Josephine Sarah (Hall). The family moved to San Diego, California (her father was transferred) when Raquel was only two. Taking dance lessons as a youngster, she grew up to be quite a knockout and nailed a number of teen beauty titles ("Miss Photogenic," "Miss La Jolla," "Miss Contour," "Miss Fairest of the Fair" and "Miss San Diego").
With her sights set on theater arts, she studied at San Diego State College on a scholarship starting in 1958 and married her first husband, high school sweetheart James Welch, the following year. They had two children: Damon Welch (born 1959), who later became an actor/production assistant, and actress Tahnee Welch (born 1961). Tahnee went on to take advantage of her own stunning looks as an actress, most notably with her prime role in Cocoon (1985).
Off campus, she became a local TV weather girl in San Diego and eventually quit college. Following the end of her marriage in 1962 (although Raquel and James Welch didn't divorce until 1964), she packed up her two children and moved to Dallas, Texas, where she modeled for Neiman-Marcus and worked as a barmaid for a time.
Regrouping, she returned to California and made the rounds of film/TV auditions. She found work providing minor but sexy set decoration on the small screen (Bewitched (1964), McHale's Navy (1962) and The Virginian (1962)) as well as the large screen (Elvis Presley's Roustabout (1964) and Doris Day's Do Not Disturb (1965)). Caught in the midst of the "beach party" craze, it's not surprising to find out that her first major film role was A Swingin' Summer (1965), which concentrated more on musical guests The Righteous Brothers and Gary Lewis & The Playboys than on Welch's outstanding assets. But 20th Century-Fox certainly took notice and signed her up.
With her very first film under contract (actually, she was on loan out to Britain's Hammer Studios at the time), she took on One Million Years B.C. (1966) (the remake of One Million B.C. (1940), in the role originated by Carole Landis), and the rest is history. Welch remained an international celebrity in her first few years of stardom. In England, she was quite revealing as the deadly sin representing "lust" for the comedy team of Peter Cook and Dudley Moore in their vehicle Bedazzled (1967), and as the title secret agent in the spy spoof Fathom (1967). In Italy, she gained some exposure in primarily mediocre vehicles opposite such heartthrobs as Marcello Mastroianni.
Back in the U.S., however, she caused quite a stir in her groundbreaking sex scenes with black athlete Jim Brown in the "spaghetti western" 100 Rifles (1969), and as the transgender title role in the unfathomable Myra Breckinridge (1970). Adapted from Gore Vidal's novel, she created some unwelcome notoriety by locking horns with septuagenarian diva Mae West on the set. The instant cult movie certainly didn't help Welch's attempt at being taking seriously as an actress.
Box office bombs abounded. Try as she might in such films as Kansas City Bomber (1972) and The Wild Party (1975), which drew some good reviews for her, her sexy typecast gave her little room to breathe. With determination, however, she partly offset this with modest supporting roles in larger ensemble pieces. She showed definite spark and won a Golden Globe for the swashbuckler The Three Musketeers (1973), and appeared in the mystery thriller The Last of Sheila (1973). She planned on making a comeback in Cannery Row (1982), even agreeing to appear topless (which she had never done before), but was suddenly fired during production without notice. She sued MGM for breach of contract and ultimately won a $15 million settlement, but it didn't help her film career and only helped to label her as trouble on a set.
TV movies became a positive milieu for Welch as she developed sound vehicles for herself such as The Legend of Walks Far Woman (1980) and Right to Die (1987), earning a Golden Globe nomination for the latter project. She also found a lucrative avenue pitching beauty products in infomercials and developing exercise videos (such as Jane Fonda).
Welch took advantage of her modest singing and dancing abilities by performing in splashy Las Vegas showroom acts and starring in such plausible stage vehicles as "Woman of the Year" and "Victor/Victoria". She spoofed her own image on occasion, most memorably on Seinfeld (1989). Into the millennium, she co-starred in the Hispanic-oriented TV series American Family (2002) and the short-lived comedies Welcome to the Captain (2008) and Date My Dad (2017), along with the movies Tortilla Soup (2001), Legally Blonde (2001), Forget About It (2006) and How to Be a Latin Lover (2017).
Her three subsequent marriages were to producer/agent Patrick Curtis (who produced her TV special, Raquel (1970)), director André Weinfeld (who directed her in several fitness videos), and pizza parlor owner Richie Palmer, who was 14 years her junior. All these unions ended in divorce.
She died at 2:25 a.m. on February 15, 2023, aged 82, at her Los Angeles home after suffering a cardiac arrest. She had been suffering from Alzheimer's disease.- Actress
- Soundtrack
Sharon's early life was one of constant moving as her father served in the military. When she lived in Italy, she was voted "Homecoming Queen" of her high school. After being an extra in a few Italian films, Sharon headed to Hollywood where she would again start as an extra. Her first big break came when she was cast as the shapely bank secretary, "Janet Trego", in the television series The Beverly Hillbillies (1962) (1963-1965). In 1967, she would meet her future husband, director Roman Polanski, on the set of the English film The Fearless Vampire Killers (1967). Sharon's big role would be that same year when she was the starlet in Valley of the Dolls (1967). With her marriage to Roman, her life became one of parties, travel and meeting influential movie people. She would appear as a red-haired beauty in the spy spoof The Wrecking Crew (1968) working with Dean Martin and the equally beautiful Elke Sommer. Sharon was 2 months pregnant of her first child while filming in Italy and France a funny Italian comedy movie 12 + 1 (1969) in February 1969. On August 9, 1969 Sharon Tate, Abigail Folger, Jay Sebring, Steve Parent, and Voytek Frykowski were murdered by 3 of Charles Manson's followers: Charles 'Tex' Watson, Susan Atkins (died in prison in 2009), and Patricia Krenwinkel. Manson died in prison in 2017. Watson and Krenwinkel are still in prison.- Actress
- Producer
- Soundtrack
Yvonne Joyce Craig was born on May 16, 1937 in Taylorville, Illinois. As a young teenager, Yvonne showed such promise as a dancer that she was accepted to Denham's Ballet Russe de Monte Carlo. Her training progressed until she left the company in 1957 over a disagreement on casting changes. She moved to Los Angeles hoping to continue her dancing, but was soon cast in movies. At first, Yvonne had small roles in movies such as Gidget (1959) and The Gene Krupa Story (1959). After that, her film career just bumped along. As Yvonne was dating Elvis Presley at the time, she did have a supporting role in the two Elvis movies, It Happened at the World's Fair (1963) and Kissin' Cousins (1964).
But her fame would come with the cult television series Batman (1966) in which she played Commissioner Gordon's daughter, Barbara. Her secret identity was Batgirl and as the Commissioner's daughter, she had access to all the calls of trouble taking place in Gotham City. Her character, Batgirl, was part of the 1967-68 season, which was the end of the run for the series. After Batman (1966), she also appeared on other television series such as Star Trek (1966) and The Six Million Dollar Man (1974). As her career wound down, Yvonne went into the real estate business. Yvonne Craig died at age 78 of breast cancer at her home in Pacific Palisades, California on August 17, 2015.- Actress
- Producer
- Soundtrack
Ali was educated at Wellesley College, where she studied art history. After graduating, she worked on fashion magazines. Her interest in fashion photography led her to become a top model, a profession she carried on until 1968, when she made a late start in what was to be a sporadic film career, mainly due to her marriage to Steve McQueen. Even so, what films she did make were in the main either hugely successful (Goodbye, Columbus (1969), Love Story (1970), The Getaway (1972), Convoy (1978)) or fairly so (Players (1979), Just Tell Me What You Want (1980), The Winds of War (1983)). Today, the former star leads a surprisingly modest lifestyle in New Mexico.- Actress
- Producer
- Director
Anjelica Huston was born on July 8, 1951 to director and actor John Huston and Russian prima ballerina Enrica 'Ricki' Soma. Huston spent most of her childhood overseas, in Ireland and England, and in 1968 first dipped her toe into the world of show business, taking on the lead role of her father's movie A Walk with Love and Death (1969). However, before it was released, her mother died in a car accident, at 39, and Huston relocated to the United States, where the very tall, exotically-beautiful young woman modeled for several years.
While modeling, Huston made sporadic cameo appearances in a couple films, but decided to pursue it as a career in the early '80s. She prepared herself by reaching out to acting coach Peggy Feury and began to get roles. The first notable part was in Bob Rafelson's remake of the classic noir movie The Postman Always Rings Twice (1981) (in which Jack Nicholson, with whom Huston had been living since 1973, was the star). After a few more years of on-again, off-again supporting work, her father perfectly cast her as calculating, imperious Maerose, the daughter of a Mafia don whose love is scorned by a hit man (Nicholson again) in his film adaptation of Richard Condon's Mafia-satire novel Prizzi's Honor (1985). Huston won the Best Supporting Actress Oscar for her performance, making her the first person in Academy Award history to win an Oscar when a parent and a grandparent (her father and grandfather Walter Huston) had also won one.
Huston thereafter worked prolifically, including notable roles in Francis Ford Coppola's Gardens of Stone (1987), Barry Sonnenfeld's film versions of the Charles Addams cartoons The Addams Family (1991) and Addams Family Values (1993), in which she portrayed Addams matriarch Morticia, Wes Anderson's The Royal Tenenbaums (2001) and The Life Aquatic with Steve Zissou (2004). Probably her finest performance on-screen, however, was as Lilly, the veteran, iron-willed con artist in Stephen Frears' The Grifters (1990), for which she received another Oscar nomination, this time for Best Actress. A sentimental favorite is her performance as the lead in her father's final film, an adaptation of James Joyce's The Dead (1987) -- with her many years of residence in Ireland, Huston's Irish accent in the film is authentic.
Endowed with her father's great height and personal boldness, and her mother's beauty and aristocratic nose, Huston certainly cuts an imposing figure, and brings great confidence and authority to her performances. She clearly takes her craft seriously and has come into her own as a strong actress, emerging from under the shadow of her father, who passed away in 1987. Huston married the sculptor Robert Graham in 1992. The couple lived in Venice Beach until Graham's death in 2008.- Yasmine Bleeth was born on 14 June 1968 in New York City, New York, USA. She is an actress, known for BASEketball (1998), Baywatch: Hawaiian Wedding (2003) and Nash Bridges (1996). She has been married to Paul Cerrito since 25 August 2002.
- Actress
- Soundtrack
Blythe Danner was born in Philadelphia, Pennsylvania, to Katharine (Kile) and Harry Earl Danner, a bank executive. She has German, as well as English and Irish, ancestry. Danner studied acting and got her degree from Bard College and began her career in Boston theater companies. By 25, she won the Theater World Award for her work in Molière's "The Miser", at Lincoln Center. She also won the 1970 Tony award for her role in "Butterflies Are Free". She made her film premiere in the same year in the television production of Dr. Cook's Garden (1971). For 25 years, she has been a regular performer at the Williamstown Summer Theater Festival. She has also been nominated for Tonys for performances in "A Streetcar Named Desire" and "Betrayal". Married to director Bruce Paltrow, she is the mother of two acting children, Gwyneth Paltrow and Jake Paltrow.- Music Artist
- Actress
- Producer
Barbra Streisand is an American singer, actress, director and producer and one of the most successful personalities in show business. She is the only person ever to receive all of the following: Oscar, Tony, Emmy, Grammy, Golden Globe, Cable Ace, National Endowment for the Arts, and Peabody awards, as well as the Kennedy Center Honor, American Film Institute's Lifetime Achievement honor and the Film Society of Lincoln Center Chaplin Award.
She was born in Brooklyn, New York, in 1942 to Diana Kind (née Ida Rosen), a singer turned school secretary, and Emanuel Streisand, a high school teacher. Her father died when she was 15 months old. She has a brother, Sheldon, and a half-sister, Roslyn Kind, from their mother's remarriage. As a child she attended the Beis Yakov Jewish School in Brooklyn. She was raised in a middle-class family and grew up dreaming of becoming an actress (or even an actress / conductor, as she happily described her teenage years at one of her concerts).
After a period as a nightclub singer and off-Broadway performer in New York City she began to attract interest and a fan base, thanks to her original and powerful vocal talent. She debuted on Broadway in the 1962 musical comedy "I Can Get It For You Wholesale" by Harold Rome, receiving a Tony Award nomination for Best Supporting Actress and a New York Drama Critics Poll award. The following year she reached great commercial success with her first Columbia Records solo releases, "The Barbra Streisand Album" (multiple Grammy winner, including "Best Album of the Year") and "The Second Barbra Streisand Album" (her first RIAA Gold Album); these albums, mostly devoted to composer Harold Arlen, brought her critical praise and, most of all, public acclaim all over the US. In 1964 she had another smash Broadway hit when she portrayed legendary Broadway star Fanny Brice in "Funny Girl" by Jule Styne and Bob Merrill; the show's main song, "People", became her first hit single and she appeared on the cover of Time magazine. After many TV appearances as a guest on various music and variety shows (such as an episode of The Judy Garland Show (1963), for which she was nominated for an Emmy), she signed an exclusive contract with CBS for a series of annual TV specials. My Name Is Barbra (1965) (which won an Emmy) and Color Me Barbra (1966) were extremely successful.
After a brief London stage period and the birth of her son Jason Gould (with then-husband Elliott Gould), in summer 1967 she gave a memorable free concert in New York City, "A Happening in Central Park", that was filmed and later broadcast (in an edited version) as a TV special; then she flew to Hollywood for her first movie, Funny Girl (1968), a filming of her stage success. The picture, directed by William Wyler, opened in 1968 and became a hit in the US and abroad, making her an international "superstar" and multiple award winner, including the Best Actress Oscar. After a series of screen musicals, such as Gene Kelly's Hello, Dolly! (1969) and Vincente Minnelli's On a Clear Day You Can See Forever (1970), she wanted to try comedies, resulting in such films as The Owl and the Pussycat (1970) and What's Up, Doc? (1972). She turned to dramas and turned out Up the Sandbox (1972) and the classic The Way We Were (1973), directed by Sydney Pollack and co-starring Robert Redford. The song "The Way We Were" (written by Marvin Hamlisch and Alan Bergman and Marilyn Bergman) became one of her biggest hits and most memorable and famous songs.
She returned to TV for a new special conceived as a musical journey covering many world musical styles, Barbra Streisand and Other Musical Instruments (1973), then returned (for contractual reasons) to her Fanny Brice role in a sequel to her hit "Funny Girl" film, Funny Lady (1975), and the next year turned out one of her most personal film projects, A Star Is Born (1976), one of the biggest hits of the year for which she won a Golden Globe for Best Actress and her second Oscar, for the song "Evergreen". Always extremely busy on the discography side, averaging one album a year throughout the '70s and '80s, she had a string of successful singles and albums, such as "You Don't Bring Me Flowers" (duet with Neil Diamond), "Enough is Enough" (with Donna Summer), "The Main Event" (from her film The Main Event (1979) with her friend Ryan O'Neal) and the album "Guilty", written for her by The Bee Gees' Barry Gibb, which sold more than 10 million copies worldwide.
She debuted as a director with the musical drama Yentl (1983), in which she also portrayed a Jewish girl who is forced to pass herself off as a man to pursue her dreams. The movie received generally positive reviews and the beautiful score by Michel Legrand and lyricists Marilyn Bergman and Alan Bergman stands up as one of Streisand's finest musical works. The film received several Oscar nominations, winning in two categories, but she was not nominated as Best Director, which disappointed both her and her fans, many of whom consider this the Academy's biggest "snub".
In 1985 her album "The Broadway Album" was an unexpected runaway success, winning a Grammy Award and helping to introduce a new generation to the world of American musical theater. In 1986 she performed in a memorable concert, after 19 years of stage silence, "One Voice". She returned to the screen in Nuts (1987), a drama directed by Martin Ritt, in the role of a prostitute accused of murder who fights to avoid being labeled "insane" at her trial. In 1991 she appeared in The Prince of Tides (1991), which many consider to be the pinnacle of her screen career, playing a psychiatrist who tries to help a man (Nick Nolte) to find the pieces of his past life. The film received seven Oscar nominations (but again NOT for Best Directing), but she did receive a nomination from the DGA (Directors Guild of America) for Best Director. In 1994 she returned to the stage after 27 years for a series of sold-out concerts (for the televised version of one of these, she won another Emmy).
In the 1990s she broke several personal records: with two #1 albums ("Back to Broadway" in 1993 and "Higher Ground" in 1997) and became the only artist to achieve a #1 album on the Billboard charts in the 1960s, 1970s, 1980s and 1990s (she extended this record into the 21st century in 2009 with the jazz album "Love is the Answer"). In 1996 she starred in her third picture as director, The Mirror Has Two Faces (1996), with Jeff Bridges and Lauren Bacall. The film had a "the girl got the guy" ending, and the same happened to her in real life--the next year she married well known TV actor James Brolin.
In 2000 she focused her career again on concerts ("Timeless") and in 2006-07 with a European tour. She made only two more films--a supporting role as a sex therapist mother in the Ben Stiller comedy Meet the Fockers (2004) and its sequel, Little Fockers (2010), alongside Dustin Hoffman and Robert De Niro. She published a book, "Passion for Design", in 2010 and celebrated her friendship with the Bergmans with an entire album of their songs, "What Matters Most" (2011), that debuted in the top 10.
After a long break from filming, she returned in a starring role for the 2012 holiday season with The Guilt Trip (2012), a mother/son picture co-starring Seth Rogen and directed by Anne Fletcher, and is working on putting together a film version of the well-known Jule Styne musical "Gypsy". In almost 50 years of career, Streisand has contributed to the show business industry in a personal and unique way, collecting a multi-generational fan base; she has a powerful and recognize vocal range, and a raucous and often self-deprecating sense of humor, which doesn't prevent her from showing the serious and dramatic sides of her personality. Her strong political belief in social justice infuses her professional career and personal life, and she makes no bones about what she believes; her willingness to put her money where her mouth is has resulted in some truly vicious attacks by many who hold opposite political views, but that hasn't stopped her from acting on her beliefs. She has been honored with the Humanitarian Award from the Human Rights Campaign, an Honorary Doctorate in Arts and Humanities from Brandeis University in 1995, an Honorary Doctorate of Philosophy from the Hebrew University of Jerusalem in 2013 and the bestowing by the government of France the title of Commander of the Order of Arts and Letters. She supports many humanitarian causes through the Streisand Foundation and has been a dedicated environmentalist for many years; she endowed a chair in environmental studies in 1987 and donated her 24-acre estate to the Santa Monica Mountains Conservancy. In addition, she was the lead founder for the Clinton Climate Change Initiative. This effort brought together a consortium of major cities around the world to drive down greenhouse gas emissions. She is a leading spokesperson and fund-raiser for social and political causes close to her heart and has often dedicated proceeds from her live concert performances to benefit programs she supports.- Actress
- Soundtrack
A popular musical name noted on film for one delightfully feisty Cockney lass, Shani Wallis was born in 1933 in Tottenham (North London), England and initially studied at the Royal Academy of Dramatic Art on a scholarship. On stage from age 4 and performing in repertory as a young teen, she became one of the brighter young singing voices of her day. She made her West End musical debut at 18 with "Call Me Madam" at the Coliseum in 1952, and immediately established herself in the role of Princess Maria, the leading ingénue. Following other starring roles in the mediocre musicals "Happy as a King" and "Wish You Were Here," she scored again in "Wonderful Town" (1955) playing a comic soubrette, and as another spirited ingénue in "Finian's Rainbow" (1958). In-between were a number of musical-revue shows. In 1960 she replaced Tony winner Elizabeth Seal in the title role of "Irma La Douce" at London's Lyric Theatre. After the show closed, few offers came her way, so she decided to try her luck in America.
She went about rebuilding her name on the cabaret, concert, and club circuits, and added more musical roles such as "South Pacific," "The King and I" and "Bells Are Ringing" to her credits. She finally made it to Broadway in 1966, co-starring with the legendary Tessie O'Shea in "A Time For Singing," a musical version of "How Green Was My Valley." Backed by three strong numbers, she had a chance to shine in the Maureen O'Hara colleen role, but the show closed after a disappointing run of 41 performances.
A few inconsequential film roles had come her way earlier in England, including The Extra Day (1956) and Ramsbottom Rides Again (1956), not to mention a minor singing bit in Charles Chaplin's A King in New York (1957). Other than assorted variety show appearances and a televised performance supporting Carol Burnett in Once Upon a Mattress (1964), she found only a modicum of on-camera work, so it was all the more astounding when she nabbed the role of a lifetime as the ill-fated Nancy in the Oscar-winning picture Oliver! (1968). Successfully replacing the seemingly-irreplaceable Georgia Brown, Shani made a durable marquee name for herself while giving her all in the rousing "Oom-pah-Pah" number and putting her own indelible stamp on the show-stopping "As Long as He Needs Me, which is now considered her signature song. She went on to perform Nancy on the theatre stage as well.
Shani was seen only sporadically in films following this breakthrough, including the horror opus Terror in the Wax Museum (1973), for the live stage was still her first love. Over the years she has gamely performed in a number of musical staples, including "42nd Street" and "Follies," and toured with Liberace for five years during the 1980s. In 1996, she returned to England to appear in the musical "Always" at the Victoria Palace Theatre.
Shani's most recent on-camera appearances were a 2004 recurring nanny-type role on the daytime soap The Young and the Restless (1973) and a small role in the film Mojave Phone Booth (2006).
Long is married to agent and former actor Bernard Rich; their daughter Rebecca Rich is a costume designer.- Actress
- Soundtrack
Sophia Loren was born as Sofia Scicolone at the Clinica Regina Margherita in Rome on September 20, 1934. Her father Riccardo was married to another woman and refused to marry her mother Romilda Villani, despite the fact that she was the mother of his two children (Sophia and her younger sister Maria Scicolone). Growing up in the slums of Pozzuoli during the second World War without any support from her father, she experienced great sadness in her childhood. Her life took an unexpected turn for the best when, at age 14, she entered into a beauty contest and placed as one of the finalists. It was here that Sophia caught the attention of film producer Carlo Ponti, some 22 years her senior, whom she later married. Perhaps he was the father figure she never experienced as a child. Under his guidance, Sophia was put under contract and appeared as an extra in ten films beginning with Le sei mogli di Barbablù (1950), before working her way up to supporting roles. In these early films, she was credited as "Sofia Lazzaro" because people joked her beauty could raise Lazzarus from the dead.
By her late teens, Sophia was playing lead roles in many Italian features such as La favorita (1952) and Aida (1953). In 1957, she embarked on a successful acting career in the United States, starring in Boy on a Dolphin (1957), Legend of the Lost (1957), and The Pride and the Passion (1957) that year. She had a short-lived but much-publicized fling with co-star Cary Grant, who was nearly 31 years her senior. She was only 22 while he was 53, and she rejected a marriage proposal from him. They were paired together a second time in the family-friendly romantic comedy Houseboat (1958). While under contract to Paramount, Sophia starred in Desire Under the Elms (1958), The Key (1958), The Black Orchid (1958), It Started in Naples (1960), Heller in Pink Tights (1960), A Breath of Scandal (1960), and The Millionairess (1960) before returning to Italy to star in Two Women (1960). The film was a period piece about a woman living in war-torn Italy who is raped while trying to protect her young daughter. Originally cast as the more glamorous child, Sophia fought against type and was re-cast as the mother, displaying a lack of vanity and proving herself as a genuine actress. This performance received international acclaim and was honored with an Academy Award for Best Actress.
Sophia remained a bona fide international movie star throughout the sixties and seventies, making films on both sides of the Atlantic, and starring opposite such leading men as Paul Newman, Marlon Brando, Gregory Peck, and Charlton Heston. Her English-language films included El Cid (1961), The Fall of the Roman Empire (1964), Arabesque (1966), Man of La Mancha (1972), and The Cassandra Crossing (1976). She gained wider respect with her Italian films, especially Marriage Italian Style (1964) and A Special Day (1977), both of which co-starred Marcello Mastroianni. During these years she received a second Oscar nomination and won five Golden Globe Awards.
From the eighties onward, Sophia's appearances on the big screen came few and far between. She preferred to spend the majority of her time raising sons Carlo Ponti Jr. (b. 1968) and Edoardo Ponti (b. 1973). Her only acting credits during the decade were five television films, beginning with Sophia Loren: Her Own Story (1980), a biopic in which she portrayed herself and her mother. She ventured into other areas of business and became the first actress to launch her own fragrance and design of eyewear. In 1982 she voluntarily spent nineteen days in jail for tax evasion.
In 1991 Sophia received an Honorary Academy Award for her body of work, and was declared "one of world cinema's greatest treasures." That same year, she experienced a terrible loss when her mother died of cancer. Her return to mainstream films in Ready to Wear (1994) was well-received, although the film as a whole was not. She followed this up with her biggest U.S. hit in years, the comedy Grumpier Old Men (1995), in which she played a sexy divorcée who seduces Walter Matthau. Over the next decade Sophia had plum roles in a few independent films like Soleil (1997), Between Strangers (2002) (directed by Edoardo), and Lives of the Saints (2004). Still beautiful at 72, she posed scantily-clad for the 2007 Pirelli Calendar. Sadly, that same year she mourned the death of her 94-year-old spouse, Carlo Ponti. In 2009, after far too much time away from film, she appeared in the musical Nine (2009) opposite Daniel Day-Lewis. These days Sophia is based in Switzerland but frequently travels to the states to spend time with her sons and their families (Eduardo is married to actress Sasha Alexander). Sophia Loren remains one of the most beloved and recognizable figures in the international film world.- Actress
- Producer
- Director
Born In England, raised in Canada. BFA Acting University of Windsor. Amanda spent 12 seasons on Stargate SG-1 (1997) and its spin-offs, Stargate: Atlantis (2004) and Stargate Universe (2009), as "Samantha Carter". She then took on the lead role of "Dr. Helen Magnus" on the television series Sanctuary (2008), a project she had been nurturing from its inception on the internet.
Tapping has come to secure a strong and direct influence on her projects from behind the lens. She was an Executive Producer of Sanctuary (2008) and also sat in the director's chair for several episodes. She previously directed the Stargate SG-1 (1997) episode, Resurrection (2004), in 2004, which garnered her a Leo Award nomination for Best Director. She has also directed three episodes each of Primeval: New World (2012), Arctic Air (2012) and Continuum (2012). She has also directed Strange Empire (2014), Olympus (2015), Dark Matter (2015) and X Company (2015). Tapping has also earned four Leo Awards for Best Actress, has been nominated for two Gemini Awards and four Saturn Awards and won the 2005 Saturn Award for Best Supporting Actress.
Amanda's love of comedy lead her to co-found the all female Canadian comedy troupe, Random Acts. Her work in the short film Breakdown (2006) earned her the Canadian Comedy Award in 2007. She also did films like Space Milkshake (2012), Random Acts of Romance (2012), Taken Back: Finding Haley (2012) and Kid Cannabis (2014). She was Naomi on 7 episodes of the 8th season of Supernatural (2005). She also played a recurring character on the sitcom Package Deal (2013).
Tapping has had the pleasure of supporting various charities and organizations such as The Coast Foundation, a support agency for people with mental disabilities, The Canadian Cancer Society, UNICEF and V-Day by performing in "The Vagina Monologues" to help end violence against women and girls worldwide. She also sits on the leadership council for The Waterkeeper Alliance. Amanda launched the charitable foundation "Sanctuary for Kids" in 2009 to support both local and global children's charities helping children in crisis. To date they have raised over $650,000. Their work takes them to Nepal, Haiti and the downtown east side of Vancouver. She was honored with Women in Film's "Woman of Vision" award. She also received the YWCA Women of Distinction "Connecting the Community" Award. She was awarded The Jules Verne Award in Paris for her humanitarian work. She was offered an Honorary Life Membership from the University College of Dublin Law Society and received an Honorary Doctorate of Laws from The University of Windsor.- Actress
- Soundtrack
- Writer
Adrienne Jo Barbeau is an American actress and author best known for her roles on the sitcom Maude (1972) and in horror films, especially those directed by John Carpenter, with whom she was once married. She was born on June 11, 1945 in Sacramento, California, the daughter of an executive for Mobil Oil Company. Early on in her career, she starred in Someone's Watching Me! (1978), The Fog (1980) and Escape from New York (1981), all John Carpenter-related projects. She has collaborated with George A. Romero on occasion, such as Stephen King's anthology Creepshow (1982) and Two Evil Eyes (1990). Her work with other horror directors includes Wes Craven's superhero monster movie Swamp Thing (1982). During the 1990s, she became best known for providing the voice of Catwoman on Batman: The Animated Series (1992). She was the original tough-girl Betty Rizzo in the first Broadway production of "Grease". She is the author of the memoir "There Are Worse Things I Can Do" (2006), and the comedy romance vampire novels "Vampyres of Hollywood" (2008), "Love Bites" (2010) and "Make Me Dead" (2015).- Actress
- Producer
- Director
Goldie Jeanne Hawn was born November 21, 1945 in Washington, D.C. to Laura Hawn, who owned a dance school, and Rut Hawn, a band musician. She has one sister, entertainment publicist Patti Hawn; a brother, Edward, died in infancy before her birth. She was raised in the Jewish religion. Her mother was Jewish and the daughter of Hungarian immigrants. Her father was Presbyterian. At the age of three, Goldie began taking ballet and tap dance lessons, and at the age of ten she danced in the chorus of the Ballet Russe de Monte Carlo production of "The Nutcracker". At the age of 19 she ran and instructed a ballet school, having dropped out of college where she was majoring in drama. Before going into the film business she worked as a professional dancer.
Hawn made her feature film debut in The One and Only, Genuine, Original Family Band (1968), with a small role as a giggling dancer. Her first big role came in 1969, where she played opposite Walter Matthau and Ingrid Bergman in Cactus Flower (1969), a role which earned her an Academy Award for Best Supporting Actress. After the Oscar win her career took off and she followed with roles in successful comedies such as There's a Girl in My Soup (1970) and Shampoo (1975), and more dramatic roles in The Girl from Petrovka (1974) and The Sugarland Express (1974). In 1978, she starred alongside Chevy Chase in the box office hit, Foul Play (1978). In 1980 she starred in another box office hit, Private Benjamin (1980), where she also served as producer. During the 1980s she starred in hit movies such as Best Friends (1982), Protocol (1984) and Wildcats (1986). In 1987, she appeared with her boyfriend Kurt Russell in Overboard (1987), which became both a critical and box office disappointment. Her career slowed down after that until 1990 when she starred alongside Mel Gibson in Bird on a Wire (1990). In 1992 she starred in the successful film, Death Becomes Her (1992), with Meryl Streep and Bruce Willis, which was followed by another successful film HouseSitter (1992), which co-starred Steve Martin. In 1996 she played the role of an aging alcoholic actress in the comedy, The First Wives Club (1996), with Diane Keaton and Bette Midler; it became a critical and financial success. She also starred in the Woody Allen film Everyone Says I Love You (1996) and The Out-of-Towners (1999), which reunited her with Martin. In 2001 and 2002 she starred in Town & Country (2001) with Warren Beatty, and The Banger Sisters (2002) with Susan Sarandon.
Goldie has been married twice. First to dancer/director Gus Trikonis from 1969 to 1973. In 1976 she married musician Bill Hudson and became a mother for the first time that year, when she gave birth to their son Oliver Hudson. In 1979, she had her second child with Hudson, daughter Kate Hudson. The marriage ended in divorce in 1980. Since 1983, she has been having a relationship with actor Kurt Russell. Their son Wyatt Russell was born in 1986. Goldie is also a de-facto stepmother to Kurt's son Boston Russell. She has eight grandchildren.- Actress
- Producer
- Additional Crew
This elegant lady has defined the television version of the rich, sophisticated businesswoman who knows what she wants, and will do whatever it takes to get it. She was born Patsy Ann McClenny on February 3, 1950 in Dallas, Texas. She began acting as a child, when her mother enrolled her in drama lessons after she was too shy to give a book report in class. From the age of 10, she performed in children's plays. Later, she would do dinner theater and stock productions in Dallas. She chose Morgan as a stage name. In 1973, Morgan decided to pursue a career in television; just 6 weeks after moving to New York, she landed the key role of Jennifer in the daytime soap opera Search for Tomorrow (1951); she stayed on until 1977.
Morgan moved to Los Angeles, where she originated the role of Jenna Wade on the wildly popular nighttime soap opera Dallas (1978) (Jenna was later portrayed by Priscilla Presley). Morgan made numerous guest appearances on television series. She played Constance (Weldon) Carlyle in Flamingo Road (1980), and she was nominated for a Golden Globe for Best Actress; that was her breakout series that propelled her to stardom.
Morgan continued to perform in live theater, her acclaimed portrayal of Skye in the off-Broadway comedy "Geniuses" helped make it one of the "Top Ten Plays" of the year according to Time Magazine and the New York Times. Other stage appearances have included productions of "Goodbye Charlie" and "Gentlemen Prefer Blondes." On television, she played the naughty Racine in the soap opera Paper Dolls (1984) in 1984. Later, she starred in the soap opera Falcon Crest (1981) from 1985-86, having made a niche for herself playing ambitious beauties. Morgan received an Emmy nomination for a special episode of Murphy Brown (1988).
Morgan has shared some of her beauty secrets by authoring the book "Super Looks" which is a complete guide that includes makeup, exercise, and diet tips. Morgan is a member of the Entertainment Industry AIDS Task Force. She is an active speaker on environmental issues and helped found the Environmental Communications Office, which encourages entertainment industry professionals to become better educated and more active on environmental issues. Morgan is a collector of movie memorabilia (particularly anything about Marilyn Monroe) and antique clothing. She is a ballet fan and is also interested in anthropology and paleontology; Morgan is truly a brainy beauty.- Actress
- Additional Crew
- Soundtrack
Elizabeth Montgomery was born into show business. Her parents were screen actor Robert Montgomery and Broadway actress Elizabeth Allen. Elizabeth graduated from the Spence School in New York City and attended the Academy of Dramatic Arts in New York. After three years' intensive training, she made her TV debut in her father's 1950s playhouse series Robert Montgomery Presents (1950) and appeared in more than 200 live programs over the next decade. She once remarked, "I guess you could say I'm a TV baby." Notable early film roles included The Court-Martial of Billy Mitchell (1955) and Johnny Cool (1963). However, she is best remembered for her leading role as the witch Samantha in the top-rated ABC sitcom Bewitched (1964). Her family - mother Endora (Agnes Moorehead), look-alike cousin Serena (Montgomery, wearing a dark wig) and advertising executive husband Darrin (first Dick York then Dick Sargent) - tried to suppress her supernatural skills but often turned to her tricks to solve problems. The signal of impending witchcraft was a twitch of Samantha's nose. After her first and only TV series ended she turned to made-for-TV movies, many of which won critical praise: A Case of Rape (1974), The Legend of Lizzie Borden (1975), Black Widow Murders: The Blanche Taylor Moore Story (1993). She narrated the movie The Panama Deception (1992) which won an Academy Award in 1993. Reference works showed her as 62 when she died though the family said she was 57. The family did not disclose the type of cancer which caused her death.- Actress
- Additional Crew
Tura Satana started exotic dancing when she was only 13 years old. She integrated acrobatics, humor, and sensual beauty to her dancing art form. As a dancer, she started doing guest appearances in films such as Our Man Flint (1966) and Who's Been Sleeping in My Bed? (1963) and made several films with low-budget auteur Ted V. Mikels. Her skills as a martial artist landed her small roles in TV shows such as Hawaiian Eye (1959), The Man from U.N.C.L.E. (1964), The Girl from U.N.C.L.E. (1966), The Greatest Show on Earth (1963) and Burke's Law (1963).- Brigette Baum is known for Around the World with Nothing On (1963), Erotica (1961) and Lust for the Sun (1961).
- Actress
- Soundtrack
One of the world's most famous and distinguished actresses, Dame Maggie Smith was born Margaret Natalie Smith in Essex. Her Scottish mother, Margaret (Hutton), worked as a secretary, and her English father, Nathaniel Smith, was a teacher at Oxford University. Smith has been married twice: to actor Robert Stephens and to playwright Beverley Cross. Her marriage to Stephens ended in divorce in 1974. She was married to Cross until his death in 1999. She had two sons with Stephens, Chris Larkin and Toby Stephens who are also actors.
Maggie Smith's career began at the Oxford Playhouse in the 1950s. She made her film debut in 1956 as one of the party guests in Child in the House (1956). She has since performed in over sixty films and television series with some of the most prominent actors and actresses in the world. These include: Othello (1965) with Laurence Olivier, The Prime of Miss Jean Brodie (1969), California Suite (1978) with Michael Caine and Jane Fonda, A Room with a View (1985), Richard III (1995) with Ian McKellen and Jim Broadbent, Franco Zeffirelli's Tea with Mussolini (1999) with Judi Dench, Joan Plowright and Cher and Gosford Park (2001) with Kristin Scott Thomas and Clive Owen, directed by Robert Altman. Maggie Smith has also been nominated for an Oscar six times and won twice, for The Prime of Miss Jean Brodie (1969) and California Suite (1978).
Smith later appeared in the very successful 'Harry Potter' franchise as the formidable Professor McGonagall as well as in Julian Fellowes' ITV drama series, Downton Abbey (2010) (2010-2011) as the Dowager Countess of Grantham.- Actress
- Soundtrack
The quintessential jet-set Euro starlet, Ursula Andress was born in the Swiss canton of Berne on March 19, 1936, one of six children in a strict German Protestant family. Although often seeming icily aloof, a restless streak early demonstrated itself in her personality, and she had an impetuous desire to explore the world outside Switzerland. (For instance, she was tracked down by Interpol for running away from boarding school at 17 years old.) The stunning young woman found work as an art model in Rome and did walk-on parts in three quickie Italian pictures before coming to Hollywood in 1955 and getting nowhere professionally; a four-month fling with rising star James Dean brought her good publicity but not much else. That same year, still just 19, she met and had an affair with fading matinée idol John Derek, who left his wife Pati Behrs and two kids for Ursula even though she spoke almost no English at the time. In 1957 they eloped to Las Vegas, and the new bride put her acting aspirations on hold for a few years thereafter.
1962 saw the relatively unknown Swiss beauty back on the set, playing opposite Sean Connery in the first movie version of Ian Fleming's fanciful "James Bond" espionage novels, Dr. No (1962). Andress' role as bikini-clad Honey Ryder was somewhat brief, and her Swiss/German accent so thick that her entire performance had to be dubbed by a voiceover artist. Nevertheless, her striking looks and smoldering screen presence made a strong impression on moviegoers, immediately establishing her as one of the most desired women in the world and as an ornament to put alongside some of the most bankable talent of the era, such as Elvis Presley in Fun in Acapulco (1963) and Dean Martin in 4 for Texas (1963). In 1965, she was one of several European starlets to co-star in What's New Pussycat (1965) -- a film that perhaps sums up mid-'60s pop culture better than any other -- written by Woody Allen, starring Allen and Peter Sellers, with music by Burt Bacharach, a title song performed by Tom Jones and much on-screen sexual romping.
Andress appeared in many more racy-for-their time movies in both the United States and Europe, including The 10th Victim (1965), in which she wore a famously ballistic bra, and The Blue Max (1966), where she was aptly cast as the sultry, insatiable wife of an aristocratic World War I German general. She was also featured in Casino Royale (1967), a satirical foray into the world of James Bond, and gave a sparkling performance in the T&A-filled crime caper Perfect Friday (1970). Roles as a prostitute kidnapped by outlaws in Red Sun (1971), a stewardess living on the edge in Loaded Guns (1975), and a bombshell nurse hired to titillate a doddering millionaire to death in The Sensuous Nurse (1975) all provided plenty of excuses to throw her clothes to the wind. In Slave of the Cannibal God (1978), she was notoriously stripped and slathered in orange paint by a pair of nubiles. Then she took on the sophisticated role of Louise de la Valliere, slinky, conspiratorial mistress of King Louis XIV (Beau Bridges) in The Fifth Musketeer (1979).
As for her personal life, Andress separated from Derek in 1964 and got divorced two years later, after falling in love with French superstar Jean-Paul Belmondo on the Malaysian set of Up to His Ears (1965). (Ron Ely, John Richardson and Marcello Mastroianni kept her company during the interim.) The relationship with Belmondo hit a wall in 1972, and she was next attached to her leading man from Stateline Motel (1973), Italian heartthrob Fabio Testi. When that didn't work out, Andress jumped into the dating pool, sporadically involved with a host of Lotharios including (but by no means limited to) Dennis Hopper, Franco Nero, John DeLorean and Ryan O'Neal. In 1979, she began what would be a long-term romance with Harry Hamlin, her handsome young co-star from Clash of the Titans (1981) (in which she was cast, predictably, as "Aphrodite"). While subsequently traveling in India, Andress' belly began to swell out of her clothing, and she felt very nauseous. What at first seemed a severe case of "Delhi Belly" turned out to be pregnancy, her first and only, at age 43. Hamlin encouraged her to have the baby, and on May 19, 1980, the international sex symbol gave birth to a boy named Dimitri Hamlin amid much hoopla.
After the birth of her son, Andress scaled back her career, which now focused on slight European productions, as she was raising Dimitri in Italy. This meant turning down a big-budget Mel Brooks film in lieu of Red Bells (1982) (starring old flame Nero). Occasional television stints on the soap opera Falcon Crest (1981) and critically lauded miniseries Peter the Great (1986) helped maintain her visibility as an actress. Dumped by Hamlin in 1983, she started seeing Fausto Fagone, a Sicilian student three decades her junior, in 1986. In 1991, she met a new man when things dwindled with Fagone -- karate master Jeff Speakman. Since the breakup of that relationship, her love life has gone undocumented. She last worked on a film in 2005. Apparently retired from acting, Ursula makes the rounds of charity events and pops up on foreign talk shows every now and then. She divides her time between family in Switzerland, friends in Virginia and Spain, and her properties in Rome and L.A.- Actress
- Soundtrack
Judi Bowker was born on 6 April 1954 in Shawford, Hampshire, England, UK. She is an actress, known for Clash of the Titans (1981), Brother Sun, Sister Moon (1972) and Count Dracula (1977). She has been married to Harry Meacher since 1979.- Actress
- Additional Crew
- Writer
Carrie Frances Fisher was born on October 21, 1956 in Burbank, California, to singers/actors Eddie Fisher and Debbie Reynolds. She was an actress and writer known for Star Wars: Episode IV - A New Hope (1977), Star Wars: Episode V - The Empire Strikes Back (1980) and Star Wars: Episode VI - Return of the Jedi (1983). Fisher is also known for her book, "Postcards from the Edge", and she wrote the screenplay for the movie based on her novel. Carrie Fisher and talent agent Bryan Lourd have a daughter, Billie Lourd (Billie Catherine Lourd), born on July 17, 1992.- Actress and model June Palmer was born on August 1, 1940, in London, England. She started out in the adult entertainment industry working as a topless dancer at the Windmill Theatre in London. She began modeling while still in her late teens in 1959. With her sweetly comely face, long black hair and generously proportioned ripe'n'robust 38-23-37 voluptuous figure, Palmer soon became a popular and beloved pin-up queen in both Britain and America. She achieved her greatest fame with her frequent collaborations with noted glamour photographer George Harrison Marks. Among the men's magazines Palmer graced the covers of and/or had pictorials in are "Fiesta," "Parade," "Adam," "Beau," "Dapper," "Modern Man," "Sir!," and "Monsieur." June popped up in minor parts in such films as Sex Through the Ages (1974), the Hammer horror outing Taste the Blood of Dracula (1970), It's the Only Way to Go (1970), and The Nine Ages of Nakedness (1969). Of course, said small roles often featured Palmer in various stages of undress. She appears as herself in the comedic documentary The Dream World of Harrison Marks (1966) and also acted in a few "nudie-cutie" loops for Marks.
June retired from modeling in the late 1960s. However, she made a surprise comeback at age 37 with a stunning nude pictorial in the November 1977 issue of "Mayfair." At age 53 Palmer married stuntman/photographer Arthur Howell in 1963. June and Arthur ran the Strobe Studio in Clapham, South London. Palmer divorced Howell in 2000 and married another man. She died suddenly at age 63 on January 6, 2004. - Actress
- Producer
- Additional Crew
Born in New York City to legendary screen star Henry Fonda and Ontario-born New York socialite Frances Seymour Brokaw, Jane Seymour Fonda was destined early to an uncommon and influential life in the limelight. Although she initially showed little inclination to follow her father's trade, she was prompted by Joshua Logan to appear with her father in the 1954 Omaha Community Theatre production of "The Country Girl". Her interest in acting grew after meeting Lee Strasberg in 1958 and joining the Actors Studio. Her screen debut in Tall Story (1960) (directed by Logan) marked the beginning of a highly successful and respected acting career highlighted by two Academy Awards for her performances in Klute (1971) and Coming Home (1978), and five Oscar nominations for Best Actress in They Shoot Horses, Don't They? (1969), Julia (1977), The China Syndrome (1979), The Morning After (1986) and On Golden Pond (1981), which was the only film she made with her father. Her professional success contrasted with her personal life, which was often laden with scandal and controversy. Her appearance in several risqué movies (including Barbarella (1968)) by then-husband Roger Vadim was followed by what was to become her most debated and controversial period: her espousal of anti-establishment causes and especially her anti-war activities during the Vietnam War. Her political involvement continued with fellow activist and husband Tom Hayden in the late 1970s and early 1980s. In the 1980s she started the aerobic exercise craze with the publication of the "Jane Fonda's Workout Book". She and Hayden divorced, and she married broadcasting mogul Ted Turner in 1991.- Actress
- Soundtrack
Romy Schneider was born on 23 September 1938 in Vienna, Austria into a family of actors. Making her film debut at the age of 15, her breakthrough came two years later in the very popular trilogy Sissi (1955). Her mother, supervising her daughter's career, immediately approved Romy's participation in Christine (1958), the remake of Max Ophüls's Playing at Love (1933), where Magda Schneider once starred herself. During the shooting, she fell in love with her co-star Alain Delon and eventually moved with him to Paris. At that time, she started her international career collaborating with famous directors such as Luchino Visconti and Orson Welles. After Delon had broken up with her in 1964, she married Harry Meyen shortly after. Although she gave birth to a boy, David-Christopher, their relationship was difficult, so they divorced in 1975. Being unsatisfied with her personal life, she turned to alcohol and drugs, but her cinematic career -especially in France- remained intact. She was the first actress, receiving the new created César Award as "Best Actress" for her role in That Most Important Thing: Love (1975). Three years later, she was awarded again for A Simple Story (1978). After a short marriage to her former secretary Daniel Biasini, being the father of her daughter Sarah Biasini, she suffered the hardest blow of her life when her son was impaled on a fence in 1981. She never managed to recover from this loss and died on 29 May 1982 in Paris. Although it was suggested she committed suicide caused by an overdose of sleeping pills, she was declared to have died from cardiac arrest.- Actress
- Producer
- Soundtrack
On November 12, 1929, Grace Patricia Kelly was born in Philadelphia, Pennsylvania to wealthy parents. Her girlhood was uneventful for the most part, but one of the things she desired was to become an actress which she had decided on at an early age. After her high school graduation in 1947, Grace struck out on her own, heading to New York's bright lights to try her luck there. Grace worked some as a model and made her debut on Broadway in 1949. She also made a brief foray into the infant medium of television. Not content with the work in New York, Grace moved to Southern California for the more prestigious part of acting -- motion pictures. In 1951, she appeared in her first film entitled Fourteen Hours (1951) when she was 22. It was a small part, but a start nonetheless. The following year she landed the role of Amy Kane in High Noon (1952), a western starring Gary Cooper and Lloyd Bridges which turned out to be very popular. In 1953, Grace appeared in only one film, but it was another popular one. The film was Mogambo (1953) where Grace played Linda Nordley. The film was a jungle drama in which fellow cast members, Clark Gable and Ava Gardner turned in masterful performances. It was also one of the best films ever released by MGM. Although she got noticed with High Noon, her work with director Alfred Hitchcock, which began with Dial M for Murder (1954) made her a star. Her standout performance in Rear Window (1954) brought her to prominence. As Lisa Fremont, she was cast opposite James Stewart, who played a crippled photographer who witnesses a murder in the next apartment from his wheelchair. Grace stayed busy in 1954 appearing in five films. Grace would forever be immortalized by winning the Academy Award for Best Actress for her portrayal of Georgie Elgin opposite Bing Crosby in The Country Girl (1954). In 1955, Grace once again teamed with Hitchcock in To Catch a Thief (1955) co-starring Cary Grant. In 1956, she played Tracy Lord in the musical comedy High Society (1956) which also starred Frank Sinatra and Bing Crosby. The whimsical tale ended with her re-marrying her former husband, played by Crosby. The film was well received. It also turned out to be her final acting performance. Grace had recently met and married Prince Rainier of the little principality of Monaco. By becoming a princess, she gave up her career. For the rest of her life, she was to remain in the news with her marriage and her three children. On September 14, 1982, Grace was killed in an automobile accident in her adoptive home country. She was just 52 years old.- Daniela Bianchi is an Italian actress, best known for her role of Bond girl Tatiana Romanova in From Russia with Love (1963). She Finished 1st Runner Up in Miss Universe 1960 Competition, enough to get the attentions of Bond movie producers who chose her over 200 female prospects for the role of Tatiana Romanova.
Bianchi made a number of French and Italian movies after From Russia with Love (1963), the last being The Last Chance (1968). One of her later films was Operation Kid Brother (1967), which was a James Bond spoof filmed in English (though Bianchi was again dubbed) and starring Sean Connery's brother, Neil Connery.
In 2012, Bianchi appeared in a small role in the documentary film We're Nothing Like James Bond. - Actress
- Additional Crew
Ornella Muti was born on 9 March 1955 in Rome, Lazio, Italy. She is an actress, known for Flash Gordon (1980), Oscar (1991) and The Most Beautiful Wife (1970). She was previously married to Federico Fachinetti and Alessio Orano.- Actress
- Writer
- Camera and Electrical Department
Tessa Charlotte Rampling was born 5 February 1946 in Sturmer, England, to Isabel Anne (Gurteen), a painter, and Godfrey Lionel Rampling, an Olympic gold medalist, army officer, and colonel, who became a NATO commander. She was educated at Jeanne d'Arc Académie pour Jeunes Filles in Versailles, France and at the exclusive St. Hilda's school in Bushey, England. She was a model before entering films in Richard Lester's The Knack... and How to Get It (1965), followed by roles in Georgy Girl (1966) and Luchino Visconti's The Damned (1969). Rampling is best known for her role in Liliana Cavani's The Night Porter (1974), where she played a concentration camp survivor who is reunited with the Nazi guard (Dirk Bogarde) who tortured her throughout her captivity. In 1974, she co-starred with Sean Connery in John Boorman's science fiction adventure Zardoz (1974), with Robert Mitchum in Farewell, My Lovely (1975), with Woody Allen in his Stardust Memories (1980), and with Paul Newman in Sidney Lumet's The Verdict (1982). An actress always willing to take on bold and meaningful roles, Rampling had perhaps the most off-beat one in Nagisa Ôshima's 1986 comedy Max My Love (1986) as Margaret, a woman in love with a chimpanzee. She has also voiced video games, such as The Ring.- Actress
- Producer
- Director
Kathleen Turner was born June 19, 1954 in Springfield, Missouri, to Patsy (Magee) and Allen Richard Turner, a U.S. Foreign Service officer. She graduated from American School in London in 1972. After the death of her father, the Turner family moved back to the United States where Kathleen later enrolled at Missouri State University for two years, and earned her Bachelor of Fine Arts degree from the University of Maryland Baltimore County (UMBC) in 1977. Kathleen made her film debut in Body Heat (1981), her role as the relentless Matty Waker brought her astronomical success, and is remembered as one of the sexiest roles in film history. After her initial success, Kathleen continued to flourish with performances in The Man with Two Brains (1983), Romancing the Stone (1984), The Jewel of the Nile (1985), Prizzi's Honor (1985), Peggy Sue Got Married (1986), The War of the Roses (1989), and Serial Mom (1994).- Actress
- Writer
- Soundtrack
Katharine Juliet Ross was born January 29, 1940, in Hollywood, CA, to Katherine (née Mullen) and Dudley Tying Ross. Her father, who had also worked as a reporter for the Associated Press, was a commander in the US Navy when she was born. His navy career shuttled the family around to Virginia, then Palo Alto, and finally to Walnut Creek, outside of San Francisco, where Ross grew up.
Ross graduated from Las Lomas High School in Walnut Creek in 1957 and attended Santa Rosa Junior College and Diablo Valley College in the Bay Area, where she took part in her first onscreen work in a student film. Moving to San Francisco, into an apartment on Stockton Street above a grocery store, she began her acting career as an understudy in Actor's Workshop productions, and was soon auditioning for roles. She was also married in 1960 to college sweetheart Joel Fabiani, the first of five husbands.
Work came steadily for Ross, at first mainly in television westerns, and indeed Westerns would make up the majority of her best-known work, her natural beauty being a strong asset in that genre. She made her TV debut in an episode of Sam Benedict (1962), and her first film role was in the Civil War era Shenandoah (1965) starring James Stewart. Ross' career as a leading actress began in earnest in 1967, with her strong turn co-starring with James Caan and Simone Signoret in Games (1967), and with The Graduate (1967). Ross' performance as Elaine earned her a Supporting Actress Oscar nomination.
A disappointing, formulaic John Wayne vehicle, Hellfighters (1968), followed but she soon returned to form with two films with Robert Redford. As Etta Place in Butch Cassidy and the Sundance Kid (1969), Ross was part of the most memorable scene from that hit film, precariously perched barefoot on the bumper of that newfangled contraption, the bicycle, as Paul Newman's Butch Cassidy takes her for a ride. The compelling Tell Them Willie Boy Is Here (1969) was less of a box office success but more highly regarded by the critics, and Ross won a BAFTA Award for her work as Lola, a Paiute Indian who flees with her boyfriend, played by Robert Blake, after he kills her father in self-defense.
Swept up into a whirlwind of fame, widely idealized as the symbol of beauty for the Woodstock generation, Ross had accomplished so much so quickly that it seemed her entire career had happened almost all at once, in that frenzy of activity between 1967 and 1969. Sure enough, there followed a long dry spell in which she was mostly cast in forgettable roles; her next strong film wasn't for another six years. In The Stepford Wives (1975), an intriguing black comedy-cum-horror film, Ross plays a independent, free-spirited wife newly relocated to a suburb where the other wives all seem to be just a little too perfect, too submissive; it was arguably her strongest performance to date, but Stepford Wives would prove to be but a temporary resurgence for Ross, and her work in the decade and a half to follow would include such star-studded duds as The Betsy (1978), and a return to TV, including a part in primetime soap opera The Colbys (1985). Along the way, however, Ross found love. After four failed marriages (the second, third and fourth were to John Marion, Conrad L. Hall and Gaetano Lisi respectively), she met her current husband Sam Elliott, while working on The Legacy (1978). They married in May 1984; that September, just four months short of her 45th birthday, Ross gave birth to a daughter, Cleo Rose.
In 1991, Ross and Elliott adapted the Louis L'Amour novel, Conagher (1991), for television in a remarkably affecting Western tale which showcases both actors' remarkable talents. Ross continues to take roles on occasion and, as usual, her work is strong -- something that was sometimes overlooked in her youth due to her famous beauty. For instance, Ross turned up in Donnie Darko (2001), in a solid performance as Donnie's psychiatrist.
Ross and Elliott live on their ranchito in Malibu.- Actress
- Soundtrack
Actress and singer Ann-Margret is one of the most famous sex symbols and actresses of the 1960s and beyond. She continued her career through the following decades and into the 21st century.
Ann-Margret was born Ann-Margret Olsson in Valsjöbyn, Jämtland County, Sweden, to Anna Regina (Aronsson) and Carl Gustav Olsson, who worked for an electrical company. She came to America at age 6. She studied at Northwestern University and left for Las Vegas to pursue a career as a singer. Ann-Margret was discovered by George Burns and soon afterward got both a record deal at RCA and a film contract at 20th Century Fox. In 1961, her single "I Just Don't Understand" charted in the Top 20 of the Billboard Hot 100 Charts. Her acting debut followed the same year as Bette Davis' daughter in Frank Capra's Pocketful of Miracles (1961). She appeared in the musical State Fair (1962) a year later before her breakthrough in 1963. With Bye Bye Birdie (1963) and Viva Las Vegas (1964) opposite Elvis Presley, she became a Top 10 Box Office star, teen idol and even Golden Globe nominated actress. She was marketed as Hollywood's hottest young star and in the years to come got awarded the infamous nickname "sex kitten." Her following pictures were sometimes ripped apart by critics (Bus Riley's Back in Town (1965) and The Swinger (1966)), sometimes praised (The Cincinnati Kid (1965)). She couldn't escape being typecast because of her great looks. By the late 1960s, her career stalled, and she turned to Italy for new projects. She returned and, by 1970, she was back in the public image with Hollywood films (R.P.M. (1970) opposite Anthony Quinn), Las Vegas sing-and-dance shows and her own television specials. She finally overcame her image with her Oscar-nominated turn in Mike Nichols' Carnal Knowledge (1971) and succeeded in changing her image from sex kitten to respected actress. A near-fatal accident at a Lake Tahoe show in 1972 only momentarily stopped her career. She was again Oscar-nominated in 1975 for Tommy (1975), the rock opera film of the British rock band The Who. Her career continued with successful films throughout the late 1970s and into the 1980s. She starred next to Anthony Hopkins in Magic (1978) and appeared in pictures co-starring Walter Matthau, Gene Hackman, Glenda Jackson and Roy Scheider. She even appeared in a television remake of Tennessee Williams's masterpiece play "A Streetcar Named Desire" in 1983. Another late career highlight for her was Grumpy Old Men (1993) as the object of desire for Jack Lemmon and Walter Matthau. She continues to act in movies today.- Jenny Maxwell was an American actress of Norwegian descent. She had a relatively brief career during the late 1950s and the 1960s. Her most substantial role was that of Ellie Corbett in the musical comedy "Blue Hawaii" (1961), depicted as a flirtatious teenage girl who has suicidal thoughts.
Maxwell was born in New York City. Her father was reportedly a construction worker. The original family name was "Moksvold", but was Americanized to "Maxwell". In news reports of the 1950s, it was claimed that Maxwell was a cousin of fellow actress Marilyn Monroe (1926 -1962). This connection was used for publicity reasons, but it is unclear whether it was an actual relation or a mere fabrication.
In 1958, Maxwell was "discovered" by film director Vincente Minnelli (1903 -1986). He had brought her to Hollywood, where she auditioned for a substantial role in the drama film "Some Came Running". Maxwell did not get this part, but was offered guest start roles in television. She appeared in then-popular television series, such as "Bachelor Father ", "Father Knows Best ", and "Bonanza".
In 1959, Maxwell made her film debut in the drama film "Blue Denim". The film concerned teenage pregnancy, and teenagers raising the funds needed for an abortion. It was based on a theatrical play by James Leo Herlihy (1927 - 1993). Maxwell's role was uncredited, though her character did receive a name.
In 1961, Maxwell received a substantial role in "Blue Hawaii". Though she was not the film's female lead, Maxwell appeared in several of its key scenes and. Her character was depicted as a 17-year-old girl trying to seduce the film's protagonist Chadwick "Chad" Gates (played by Elvis Presley) , while feeling that nobody loves her and considering suicide. Her character received plenty of screen-time, and had its own subplots within the film. The film was a box office hit, the 10th highest-grossing film of 1961. This was probably the height of Maxwell's career.
In 1963, Maxwell had a small role in the comedy film "Take Her, She's Mine". The film concerned a father and daughter relationship, with a middle-aged father worried because his college-aged daughter is hanging out with beatniks. The film was a box office flop, grossing less than its own production costs.
In 1963, Maxwell had another role as a teenage girl in the comedy film "Shotgun Wedding". In the film, her character Honey Bee Heller wants to marry her boyfriend, who happens to be the son of her father's worst enemy. The film was a B-movie, mainly remembered because one of its screenwriters was the famous director Ed Wood ( 1924 -1978). This was Maxwell's last film's role.
Maxwell continued frequently appearing in television roles throughout the 1960s, mostly in guest star roles. Her career was not particularly lucrative, and she reportedly faced financial problems. In 1970, she married her second husband, the affluent lawyer Ervin "Tip" Roeder. Roeder was 21 years older than her, but could provide for her. At that point, Maxwell retired from acting.
In the early 1970s, Maxwell and her husband settled on a large home, located on Cherokee Lane in Beverly Hills. She decorated it in safari-style, and started inviting friends and associates for parties in her home. Roeder rarely attended these parties. Their marriage was reportedly turbulent, with the couple repeatedly trying to live separately and then reuniting. By 1980, Maxwell had started a divorce process. She was entitled to a "hefty" divorce settlement.
On June 9, 1981, Maxwell had a minor surgery at a hospital. While they lived separately at the time, Roeder offered to drive her home once she exited the hospital. She took the offer, though her friends distrusted Roeder. On June 10, Maxwell and Roeder visited a restaurant together. Afterwards, they drove to Roeder's residence in Beverly Hills.
Shortly afterwards, someone shot both Maxwell and Roeder. When Roeder called for help, Maxwell was already dead with "half her head blown away". Roeder died shortly afterwards, without identifying their assailant. Maxwell was 39-years-old at the time of her death. The police attributed the deaths to a botched robbery, though nothing was stolen from Roeder's residence. The case remains officially unsolved.
In 2018, veteran journalist Buddy Moorehouse (a cousin of Maxwell) started researching the murder. He found out that the police had further theories on the murder, though with no known suspects. He used his research to publish the novel "Murder of an Elvis Girl: Solving the Jenny Maxwell Case" (2021), a fictionalized depiction of the murder case.
Maxwell is long gone, though she is still remembered for her relatively few notable roles. Her unsolved murder has attracted the interest of true-crime writers, and still attracts some publicity. She is probably more famous than many struggling actresses of her era. - Actress
- Producer
- Soundtrack
This wholesome "Chatty Cathy" delight had all the earmarks of becoming a dithery TV star in the early 70s and a couple of sitcom vehicles were handed to her with silver platter-like enthusiasm. Neither, however, made the best use of her elfin charm and both series died a quick, and deserved, death. Nonetheless, Sandy Duncan went on to become a Disney film lead, a TV commodity pitching crackers and arguably the best Peter Pan Broadway has ever offered. Like Sally Field and Karen Valentine before her, Sandy had a potentially terminal case of the cutes that often did her more harm than good. But also, like the others, her talent eventually won out.
The story goes that wistful tomboy Sandra Kay Duncan, born February 20, 1946, felt like an outsider growing up in her native Texas because of her desire to become an actress. The elder of two girls born to a gas station owner, she trained in dance and appeared in productions of "The King and I" and "The Music Man" as a teen. She cast all negativity and self doubt aside and packed her bags for New York upon leaving Lon Morris Junior College (in Texas).
Sandy made an enchanting Wendy in "Peter Pan" and soon poised herself as a triple threat on stage (singer/dancer/actress). She married Broadway actor Bruce Scott in 1968 and appeared in the rock musical "Your Own Thing" that same year. Taking her first Broadway curtain call and grabbing a Tony nomination in a bawdy musical version of Chaucer's "Canterbury Tales", she next won the soubrette role of Maisie in the Jazz-age musical "The Boy Friend". She managed to steal the thunder right from under star Judy Carne (who had just left the cast of TV's "Laugh-In" in order to branch out) and earned her second Tony nomination -- this time as "Best Actress".
The toothy strawberry blonde was a sensation and in 1970 Time Magazine named her "the most promising face of tomorrow". All this buildup reached the ears of Disney who decided to take a chance and cast her opposite Disney perennial Dean Jones in the featherweight comedy film The Million Dollar Duck (1971). TV also saw her potential and featured her sparkling mug more and more in commercials. She then took on the title role in the film version of Neil Simon's comedy hit Star Spangled Girl (1971), which turned out to be a major disappointment.
An untried talent on the prime-time scene, CBS decided Sandy had enough promise and star quality to be given her own TV sitcom. Replacing Melba Moore at the last minute in the weekly show Funny Face (1971), the story line had Duncan playing single, independently-minded Sandy Stockton, a corn-fed Midwesterner who heads to the big-city (Los Angeles) where she winds up in TV commercials while pursuing a teaching degree at UCLA. The series was a success and was a Top 10 show, but Duncan began experiencing severe headaches on the set and a tumor was discovered on her optic nerve. She had to leave the series and it was consequently pulled from the air. The series' sudden departure led to a misconception among some viewers that it had been canceled. Following a lengthy and delicate operation, the doctors managed to save her eye but she lost all vision in it.
The following year the show was revamped and retitled. Duncan returned as Sandy Stockton. This time she was a single working girl who created chaos at an ad agency. This second incarnation of her series failed to regain the audience that the first incarnation had had. The Sandy Duncan Show (1972) was canceled by mid-December. In the meantime, she divorced her first husband in 1972 and married Dr. Thomas Calcateera a year later, whom she met while undergoing her eye operation. They would divorce six years later.
After the demise of her second series, Sandy refocused on her strengths -- musical comedy -- and maintained her profile as a guest star on such variety shows as "The Sonny & Cher Show", "The Flip Wilson Show", "The Tonight Show" and "Laugh-In". She also was seen around the game show circuit as panelist on "What's My Line?" and "Hollywood Squares", among others. In 1979 Sandy retook Broadway by storm. Instead of the role of Wendy, she played the title tomboy in the musical "Peter Pan" and was nominated for a third time for a Tony Award. Born to play this role, she followed this spectacular success by locking arms with a carefree Tommy Tune in the tuneful Broadway show "My One and Only" replacing Twiggy in 1984.
Sandy also appeared again for Disney both co-starring in the lightweight film comedy The Cat from Outer Space (1978) opposite fellow hoofer Ken Berry and providing a foxy voice for their popular The Fox and the Hound (1981) animated feature. Taking on a more serious tone, she garnered critical respect for her Emmy-nominated role in the epic mini-series Roots (1977), but these dramatic offerings were few and far between.
In the 1980s Sandy became a household name once again with her popular Wheat Thins commercials in which she periodically shared the camera with her two sons, Jeffrey and Michael, her children by Tony-nominated choreographer/dancer Don Correia, whom she married in 1980. In 1987, she returned to prime-time TV, but not in her own tailor-made vehicle. Instead Sandy replaced Valerie Harper in HER tailor-made vehicle after Harper departed in a well-publicized contractual dispute with producers after only one season. The show was simple changed in title from Valerie (1986) to "The Hogan Family" and Sandy entered the proceedings as a close relative and new female head of household after Harper's character "died". As a testament to her audience appeal, the show managed to run for four more healthy seasons.
In later days, the pert, indefatigable Sandy hosted Thanksgiving Day parades, dance competitions and teen pageants. Always a formidable star on stage, she portrayed Roxie Hart on Broadway in "Chicago" (1999), and headlined touring companies "Anything Goes" and "The King and I." In 2008, she performed in the musical "No, No, Nanette," and a year later played the leads in both "Driving Miss Daisy" and "The Glass Menagerie." Sporadically on TV, she played both a defense attorney and judge on the "Law & Order" shows and was featured as one of Jill Clayburgh's girlfriends in the romantic comedy film Never Again (2001).
Sandy has also been a volunteer for the non-profit organization "RFB&D" (Recording for the Blind and Dyslexic) and was a recipient of the National Rehabilitation Hospital Victory Award, which is given to individuals who exhibit exceptional courage and strength in the face of adversity.- Shapely, dark haired British actress who appeared in a number of sensual film and TV roles that showcased her beauty. She is probably best recognizable as Miss Caruso, the beautiful young Italian agent sleeping with James Bond in the opening of Live and Let Die (1973) whose blue dress zipper meets its match in Bond's magnetic watch. Prior to this, she had worked with Roger Moore in an early TV appearance and he recommended her for the role.
- Actress
- Additional Crew
Bettie Page's life was filled with cult myth, mystery and sadness. Her image captured the imagination of a generation with her free spirit and unabashed sensuality, during an era of strong sexual repression. She was the quintessential pin-up, tacked up on walls in military barracks and garages; five decades later, some feminists still hail her as a pioneer of women's liberation. It has been estimated that over 20,000 photographs of Bettie were taken, and new generations of fans still buy copies by the thousands. Born in Nashville, Tennessee to a part-Cherokee mother, she grew up in a family so poor "we were lucky to get an orange in our Christmas stockings." The family included three boys and three girls, and Page later said her father molested most of the girls. He eventually stole a police car for a cross-country trip, was caught and sent to prison, and for a time Bettie resided in an orphanage. Her parents divorced when she was 10 years old.
In her teens, Bettie acted in high school plays and was a straight-A student. She graduated from the Peabody College for Teachers in Nashville on a Daughters of the American Revolution scholarship in 1944, and went on to study drama in New York City. Her notorious career began one day in October 1950, while on a break from her job as a secretary in a New York office. On a walk along the beach at Coney Island, an amateur photographer admired the 27-year-old's curvaceous body and asked her to pose. Nudity didn't bother her, she said, likening it to Adam and Eve in the Garden of Eden. Her modeling career took off, and she was the centerfold in the January 1955 issue of then-fledgling Playboy magazine.
In 1951, Bettie fell under the influence of Irving Klaw, a photographer. He cut her hair into the dark bangs that became her trademark, and posed her in spiked heels and little else. She also appeared as a performer in over 50 burlesque films. Her photos and films were publicly denounced by civic and religious leaders as "perversion", and Klaw was later arrested for "conspiracy to distribute obscene material" through the United States mail. Bettie was called to testify in a private session. Senator Estes Kefauver of Tennessee, her home state, even launched a congressional investigation against her. Believing that her days as a pin-up were over, Bettie retreated from public view, later saying she was hounded by federal agents. Her early marriage to her high school sweetheart had ended in divorce; she moved to Florida in 1957 and married a much younger man, but that marriage also failed, as did a third, and she suffered a nervous breakdown.
In 1959, she was lying on a sea wall in Key West when she saw a church with a white neon cross on top. She walked inside and became a born-again Christian. After attending Bible school, she wanted to serve as a missionary but was turned down. Instead, she worked full-time for evangelist Billy Graham's ministry. However, a move to Southern California in 1979 brought her more troubles. She was arrested after an altercation with her landlady. Doctors diagnosed her as suffering from acute schizophrenia, and she spent 20 months in Patton State Hospital in San Bernardino and she was subsequently placed under state supervision for eight years.
Her mysterious disappearance from the public eye only fueled the public's fascination. In fact, for two decades no one was sure where she was or even if she was still alive. She resurfaced in the 1990s after being tracked down for a documentary. She occasionally granted interviews and sold autographs, but refused to allow her picture to be taken in her old age. In a 1993 telephone interview, she told a reporter that she was "penniless and infamous." She later hired a law firm to help her recoup some of the profits being made with her likeness. She spent her final years residing in Los Angeles with her brother.
After a three-week battle with pneumonia, Bettie Page suffered a deadly heart attack at age 85 on December 11, 2008.- Actress
- Director
- Writer
Buxom, highly painted blonde Lili St. Cyr was a notorious striptease artist of the 1940s and 1950s who replaced Gypsy Rose Lee and Ann Corio on the burlesque queen pedestal. Lili actually took the stripper out of burlesque and put her squarely on the Las Vegas stage. She was also noted for her pin-up photography, especially for photos taken by Bernard of Hollywood. She was married and divorced six times, including small-time actors Paul Valentine and Ted Jordan and well-known restaurateur Armando Orsini.
Born Willis Marie Van Schaack on June 3, 1918, the Minneapolis-born entertainer's early life remains somewhat of a mystery. She was raised by her grandparents and had two sisters that went into show biz. Trained in ballet, Lili started out as a chorine at such notable places as the Florentine Gardens. She went on to develop and choreograph her own solo act while featuring herself in the nude. Lili's bare-all debut, at the Music Box, proved disastrous, so she put together a new act.
Lili first became famous performing at the Gaiety Theater in Montreal in 1944. Her club acts quickly became the talk of the town as she would be seen taking a bath on stage or doing the reverse strip. One famous gimmick involved having her G-string, which was attached to a fishing rod, fly off into the balcony as the lights dimmed. This gimmick was known as the "Flying G," and other such novelty bits of business became trademarks as well. She eventually conquered Las Vegas, and it was there that she created her "bubble bath" bit on stage while being dressed by a maid for the crowd. Her notoriety eventually extended outside the U.S.; she was especially well received in Montreal.
While Lili was featured in a couple of mainstream acting roles in movies, including The Miami Story (1954) and The Naked and the Dead (1958), she usually played a stripper or appeared as herself. Some short soft-core films which featured her dancing are more interesting today, such as the Irving Klaw film Varietease (1954).
Lili's private life was a feast for the tabloids: six marriages, highly publicized brawls, and attempted suicides. She eventually tired of it all and retreated, starting up a Frederick's of Hollywood-like lingerie business. Her last decades were spent in virtual seclusion until her death on January 29, 1999.- Actress
- Soundtrack
With blonde hair, big blue eyes and a big smile, Joan Blondell was usually cast as the wisecracking working girl who was the lead's best friend.
Joan was born Rose Blondell in Manhattan, New York, the daughter of Katie and Eddie Blondell, who were vaudeville performers. Her father was a Polish Jewish immigrant, and her mother was of Irish heritage. Joan was on the stage when she was three years old. For years, she toured the circuit with her parents and joined a stock company when she was 17. She made her New York debut with the Ziegfeld Follies and appeared in several Broadway productions.
She was starring with James Cagney on Broadway in "Penny Arcade" (1929) when Warner Brothers decided to film the play as Sinners' Holiday (1930). Both Cagney and Joan were given the leads, and the film was a success. She would be teamed with Cagney again in The Public Enemy (1931) and Blonde Crazy (1931) among others. In The Office Wife (1930), she stole the scene when she was dressing for work. While Warner Brothers made Cagney a star, Joan never rose to that level. In gangster movies or musicals, her performances were good enough for second leads, but not first lead. In the 1930s, she made a career playing gold-diggers and happy-go-lucky girlfriends. She would be paired with Dick Powell in ten musicals during these years, and they were married for ten years. By 1939, Joan had left Warner Brothers to become an independent actress, but by then, the blonde role was being defined by actresses like Veronica Lake. Her work slowed greatly as she went into straight comedy or dramatic roles. Three of her better roles were in Topper Returns (1941), Cry 'Havoc' (1943), and A Tree Grows in Brooklyn (1945). By the 50s, Joan would garner an Academy Award nomination for The Blue Veil (1951), but her biggest career successes would be on the stage, including a musical version of "A Tree Grows in Brooklyn."
In 1957, Joan would again appear on the screen as a drunk in Lizzie (1957) and as mature companion to Jayne Mansfield in Will Success Spoil Rock Hunter? (1957). While she would appear in a number of television shows during the 50s and 60s, she had the regular role of Winifred on The Real McCoys (1957) during the 1963 season. Her role in the drama The Cincinnati Kid (1965) was well received, but most of her remaining films would be comedies such as Waterhole #3 (1967) and Support Your Local Gunfighter (1971). Still in demand for TV, she was cast as Lottie on Here Come the Brides (1968) and as Peggy on Banyon (1971).- Actress
- Writer
- Director
Born in Denmark, she came to Paris at 18. She met Coco Chanel and Pierre Cardin and started as a top model. She met Jean-Luc Godard about a cameo in Breathless (1960), but she had to be naked and she refused to play in the movie. One year later, they wed and she became famous with the "Nouvelle Vague" movies directed by him, Jacques Rivette, and Agnès Varda.
In 1967, Serge Gainsbourg wrote his only film musical Anna (1967) for her, with the hit "Sous le soleil exactement". Then, she went to Hollywood for a few movies and came back to Paris. She wrote and directed Vivre ensemble (1973) after her divorce from Pierre Fabre. She later remarried, to Dennis Berry.- Actress
- Costume and Wardrobe Department
- Soundtrack
Elsa Martinelli was born in the central Tuscan city of Grosseto into a struggling family, one of eight siblings. She had to earn her keep from the age of twelve, delivering groceries in Rome. Looking older than her years suggested, she then did some part-time work as a barmaid. Aged sixteen and ambitious, she moved on to modeling and was soon promoted by well known designers, and, in particular, by a New York magazine editor who suggested a move to the Big Apple. While employed with the Eileen Ford Agency, she was spotted on a Life magazine cover by none other than Kirk Douglas (or by Douglas' wife, according to another version of the story) who, incidentally, happened to own a fashion company. In any case, Elsa soon found herself in Hollywood to co-star opposite Douglas in The Indian Fighter (1955) (despite some as yet unresolved problems with her command of English). Her sojourn in tinseltown was short-lived, however, and the contract she had signed with Douglas was quietly annulled -- and thus she famously spurned an opportunity to appear in the lucrative blockbuster Spartacus (1960). There were to be no further American pictures at this time. Instead, she returned to Italy, married Count Franco Mancinelli Scotti di San Vito, joined the glitterati, attended lavish parties and created an image for herself which rivaled those of Sophia Loren and Gina Lollobrigida. She counted Aristotle Onassis and Maria Callas among her close friends.
Taken under the wing of Carlo Ponti, Elsa was able to eventually make a success of her screen career not merely because of her exotic good looks, but by deliberately varying the type of parts she took on and thereby avoid typecasting. Those included the titular Stowaway Girl (1957) who bewitches an embittered steamboat captain played by Trevor Howard. In stark contrast, she was also Carmilla, possessed by her vampiric ancestor Millarca in the unsatisfactorily filmed Blood and Roses (1960), an 'arthouse' horror movie, though artlessly directed by Roger Vadim, based on Sheridan Le Fanu's Gothic novella. Encumbered by excessive bathos, neither scary nor original, the only saving grace of the picture was derived from Claude Renoir's evocative camera work.
In Hatari! (1962) -- which might aptly be described as a good-looking travelogue -- Elsa co-starred as a freelance wildlife photographer on a Tanganyika game farm, torn between affections for baby elephants and 'bring-'em-back-alive' trapper John Wayne. With character development sorely lacking, the animals, the scenery (and two exquisitely ornamental ladies -- the other being Michèle Girardon) pretty much stole the show. Likewise, in her next outing, the wartime comedy The Pigeon That Took Rome (1962), Elsa was the romantic (mostly decorative) interest of Charlton Heston's army guy smuggled into Nazi-occupied Rome in 1944 to extract and send back secret military information via carrier pigeon. For the remainder of the '60s, Elsa appeared in a number of international co-productions which included a segment in The Oldest Profession (1967) as a Roman Emperor's wife discovered in a brothel; and as a gangster's daughter helping a bumbling American treasury agent in Rome (played by Dustin Hoffman in his first starring role) to recover Madigan's Millions (1968).
In 1968, Elsa married Paris Match photographer and furniture designer Willy Rizzo. Having already invested some of her earnings from film work into Roman and Parisian real estate, Elsa began to diversify into designing avant garde furniture with apparently mixed success. By the 1980s, she was active as an interior designer in Rome while still making sporadic screen appearances, primarily in TV series. Described by the newspaper La Repubblica as "an icon of style and elegance", Elsa Martinelli died on July 8, 2017 in Rome at the age of 82.- Actress
- Producer
- Soundtrack
Rita Hayworth was born Margarita Carmen Cansino on October 17, 1918, in Brooklyn, New York, into a family of dancers. Her father, Eduardo Cansino Reina, was a dancer as was his father before him. He emigrated from Spain in 1913. Rita's American mother, Volga Margaret (Hayworth), who was of mostly Irish descent, met Eduardo in 1916 and were married the following year. Rita, herself, studied as a dancer in order to follow in her family's footsteps. She joined her family on stage when she was eight years old when her family was filmed in a movie called La Fiesta (1926). It was her first film appearance, albeit an uncredited one. Sotted by Fox studio head Winfield R. Sheehan, she signed her first studio contract, and make her film debut at age sixteen, in Dante's Inferno (1935), followed by Cruz Diablo (1934). She continued to play small bit parts in several films under the name of "Rita Cansino". Fox dropped her after five small roles, but expert, exploitative promotion by her first husband Edward Judson soon brought Rita a new contract at Columbia Pictures, where studio head Harry Cohn changed her surname to Hayworth and approved raising her hairline by electrolysis. She played the second female lead, Judy McPherson, in Only Angels Have Wings (1939). After thirteen minor roles, Columbia lent her to Warner Bros. for her first big success, The Strawberry Blonde (1941); her splendid dancing with Fred Astaire in You'll Never Get Rich (1941) made her a star. This was the film that exuded the warmth and seductive vitality that was to make her famous. Her natural, raw beauty was showcased later that year in Blood and Sand (1941), filmed in Technicolor.
Rita was probably the second most popular actress after Betty Grable. In You'll Never Get Rich (1941) with Fred Astaire, was probably the film that moviegoers felt close to Rita. Her dancing, for which she had studied all her life, was astounding. After the hit Gilda (1946) (her dancing had made the film and it had made her), her career was on the skids. Although she was still making movies, they never approached her earlier success. The drought began between The Lady from Shanghai (1947) and Champagne Safari (1954). Then after Salome (1953), she was not seen again until Pal Joey (1957). Part of the reasons for the downward spiral was television, but also Rita had been replaced by a new star at Columbia, Kim Novak.
Rita, herself, said, "Men fell in love with Gilda, but they wake up with me". In person, Rita was shy, quiet and unassuming; only when the cameras rolled did she turn on the explosive sexual charisma that in Gilda (1946) made her a superstar. To Rita, though, domestic bliss was a more important, if elusive, goal, and in 1949 she interrupted her career for marriage - unfortunately an unhappy one almost from the start - to the playboy Prince Aly Khan. Her films after her divorce from Khan include perhaps her best straight acting performances, Miss Sadie Thompson (1953) and They Came to Cordura (1959).
After a few, rather forgettable films in the 1960s, her career was essentially over. Her final film was The Wrath of God (1972). Her career was really never the same after Gilda (1946). Perhaps Gene Ringgold said it best when he remarked, "Rita Hayworth is not an actress of great depth. She was a dancer, a glamorous personality, and a sex symbol. These qualities are such that they can carry her no further professionally." Perhaps he was right but Hayworth fans would vehemently disagree with him.
Beginning in 1960 (age 42), early onset of Alzheimer's disease (undiagnosed until 1980) limited Rita's ability. The last few roles in her 60-film career were increasingly small. With 20 years of symptoms, Rita was cared for by her daughter, Yasmin Khan, until Rita's death at age 68 on May 14, 1987, in New York City.- Actress
- Stunts
- Soundtrack
Ava Lavina Gardner was born on December 24, 1922 in Grabtown, North Carolina, to Mary Elizabeth (née Baker) and Jonas Bailey Gardner. Born on a tobacco farm, where she got her lifelong love of earthy language and going barefoot, Ava grew up in the rural South. At age 18, her picture in the window of her brother-in- law's New York photo studio brought her to the attention of MGM, leading quickly to Hollywood and a film contract based strictly on her beauty. With zero acting experience, her first 17 film roles, 1942-1945, were one-line bits or little better. After her first starring role in B-grade Whistle Stop (1946), MGM loaned her to Universal for her first outstanding film The Killers (1946). Few of her best films were made at MGM which, keeping her under contract for 17 years, used her popularity to sell many mediocre films. Perhaps as a result, she never believed in her own acting ability, but her latent talent shone brightly when brought out by a superior director, as with John Ford in Mogambo (1953) and George Cukor in Bhowani Junction (1956).
After three failed marriages, dissatisfaction with Hollywood life prompted Ava to move to Spain in 1955; most of her subsequent films were made abroad. By this time, stardom had made the country girl a cosmopolitan, but she never overcame a deep insecurity about acting and life in the spotlight. Her last quality starring film role was in The Night of the Iguana (1964), her later work being (as she said) strictly "for the loot". In 1968, tax trouble in Spain prompted a move to London, where she spent her last 22 years in reasonable comfort. Her film career did not bring her great fulfillment, but her looks may have made it inevitable; many fans still consider her the most beautiful actress in Hollywood history. Ava Gardner died at age 67 of bronchial pneumonia on January 25, 1990 in Westminister, London, England.- Actress
- Writer
- Music Department
Marilyn Monroe was an American actress, comedienne, singer, and model. Monroe is of English, Irish, Scottish and Welsh descent. She became one of the world's most enduring iconic figures and is remembered both for her winsome embodiment of the Hollywood sex symbol and her tragic personal and professional struggles within the film industry. Her life and death are still the subjects of much controversy and speculation.
She was born Norma Jeane Mortenson at the Los Angeles County Hospital on June 1, 1926. Her mother, Gladys Pearl (Monroe), was born in Piedras Negras, Coahuila, Mexico, to American parents from Indiana and Missouri, and was a film-cutter at Consolidated Film Industries. Marilyn's biological father has been established through DNA testing as Charles Stanley Gifford, who had been born in Newport, Rhode Island, to a family with deep roots in the state. Because Gladys was mentally and financially unable to care for young Marilyn, Gladys placed her in the care of a foster family, The Bolenders. Although the Bolender family wanted to adopt Marilyn, Gladys was eventually able to stabilize her lifestyle and took Marilyn back in her care when Marilyn was 7 years old. However, shortly after regaining custody of Marilyn, Gladys had a complete mental breakdown and was diagnosed as a paranoid schizophrenic and was committed to a state mental hospital. Gladys spent the rest of her life going in and out of hospitals and rarely had contact with young Marilyn. Once Marilyn became an adult and celebrated as a film star, she paid a woman by the name of Inez Melson to look in on the institutionalized Gladys and give detailed reports of her progress. Gladys outlived her daughter, dying in 1984.
Marilyn was then taken in by Gladys' best friend Grace Goddard, who, after a series of foster homes, placed Marilyn into the Los Angeles Orphan's Home in 1935. Marilyn was traumatized by her experience there despite the Orphan's Home being an adequate living facility. Grace Goddard eventually took Marilyn back to live with her in 1937 although this stay did not last long as Grace's husband began molesting Marilyn. Marilyn went to live with Grace's Aunt Ana after this incident, although due to Aunt Ana's advanced age she could not care properly for Marilyn. Marilyn once again for the third time had to return to live with the Goddards. The Goddards planned to relocated and according to law, could not take Marilyn with them. She only had two choices: return to the orphanage or get married. Marilyn was only 16 years old.
She decided to marry a neighborhood friend named James Dougherty; he went into the military, she modeled, they divorced in 1946. She owned 400 books (including Tolstoy, Whitman, Milton), listened to Beethoven records, studied acting at the Actors' lab in Hollywood, and took literature courses at UCLA downtown. 20th Century Fox gave her a contract but let it lapse a year later. In 1948, Columbia gave her a six-month contract, turned her over to coach Natasha Lytess and featured her in the B movie Ladies of the Chorus (1948) in which she sang three numbers : "Every Baby Needs a Da Da Daddy", "Anyone Can Tell I Love You" and "The Ladies of the Chorus" with Adele Jergens (dubbed by Virginia Rees) and others. Joseph L. Mankiewicz saw her in a small part in The Asphalt Jungle (1950) and put her in All About Eve (1950) , resulting in 20th Century re-signing her to a seven-year contract. Niagara (1953) and Gentlemen Prefer Blondes (1953) launched her as a sex symbol superstar.
When she went to a supper honoring her in the The Seven Year Itch (1955) , she arrived in a red chiffon gown borrowed from the studio (she had never owned a gown). That same year, she married and divorced baseball great Joe DiMaggio (their wedding night was spent in Paso Robles, California). After The Seven Year Itch (1955) , she wanted serious acting to replace the sexpot image and went to New York's Actors Studio. She worked with director Lee Strasberg and also underwent psychoanalysis to learn more about herself. Critics praised her transformation in Bus Stop (1956) and the press was stunned by her marriage to playwright Arthur Miller . True to form, she had no veil to match her beige wedding dress so she dyed one in coffee; he wore one of the two suits he owned. They went to England that fall where she made The Prince and the Showgirl (1957) with Laurence Olivier , fighting with him and falling further prey to alcohol and pills. Two miscarriages and gynecological surgery followed. So had an affair with Yves Montand . Work on her last picture The Misfits (1961) , written for her by departing husband Miller, was interrupted by exhaustion. She was dropped from the unfinished Something's Got to Give (1962) due to chronic lateness and drug dependency.
On August 4, 1962, Marilyn Monroe's day began with threatening phone calls. Dr. Ralph Greenson, Marilyn's physician, came over the following day and quoted later in a document "Felt it was possible that Marilyn had felt rejected by some of the people she had been close to." Apart from being upset that her publicist slept too long, she seemed fine. Pat Newcombe, who had stayed the previous night at Marilyn's house, left in the early evening as did Greenson who had a dinner date. Marilyn was upset he couldn't stay, and around 7:30pm she telephoned him to say that her second husband's son had called her. Peter Lawford also called Marilyn, inviting her to dinner, but she declined. Lawford later said her speech was slurred. As the evening went on there were other phone calls, including one from Jose Belanos, who said he thought she sounded fine. According to the funeral directors, Marilyn died sometime between 9:30pm and 11:30pm. Her maid unable to raise her but seeing a light under her locked door, called the police shortly after midnight. She also phoned Ralph Greenson who, on arrival, could not break down the bedroom door. He eventually broke in through French windows and found Marilyn dead in bed. The coroner stated she had died from acute barbiturate poisoning, and it was a 'probable suicide' though many conspiracies would follow in the years after her death.- Actress
- Producer
- Soundtrack
Veronica Lake was born as Constance Frances Marie Ockleman on November 14, 1922, in Brooklyn, New York. She was the daughter of Constance Charlotta (Trimble) and Harry Eugene Ockelman, who worked for an oil company as a ship employee. Her father was of half German and half Irish descent, and her mother was of Irish ancestry. While still a child, Veronica's parents moved to Florida when she was not quite a year old. By the time she was five, the family had returned to Brooklyn. When Connie was only twelve, tragedy struck when her father died in an explosion on an oil ship. One year later her mother married Anthony Keane and Connie took his last name as her own. In 1934, when her stepfather was diagnosed with tuberculosis, the family moved to Saranac Lake, where Connie Keane enjoyed the outdoor life and flourished in the activities of boating on the lakes, skating, skiing, swimming, biking around Moody Pond and hiking up Mt Baker. The family made their home in 1935 at 1 Watson Place, (now 27 Seneca Street) then they moved to 1 Riverside Drive,(now Lake Kiwassa Road). Both Connie and Anthony benefited from the Adirondack experience and in 1936 the family left the Adirondacks and moved to Miami, FL., however, the memories of those carefree Saranac Lake days would always remain deeply rooted in her mind.
Two years later, Connie graduated from high school in Miami. Her natural beauty and charm and a definite talent for acting prompted her mother and step-father to move to Beverly Hills, California, where they enrolled her in the well known Bliss Hayden School of Acting in Hollywood. Connie had previously been diagnosed as a classic schizophrenic and her parents saw acting as a form of treatment for her condition. She showed remarkable abilities and did not have to wait long for a part to come her way.
Her first movie was as one of the many coeds in the RKO film, Sorority House (1939). It was a minor part, to be sure, but it was a start. Veronica quickly followed up that project with two other films. All Women Have Secrets (1939) and Dancing Co-Ed (1939), were again bit roles for the pretty young woman from the East Coast, but she did not complain. After all, other would-be starlets took a while before they ever received a bit part. Veronica continued her schooling, while taking a bit roles in two more films, Young as You Feel (1940) and Forty Little Mothers (1940). Prior to this time, she was still under her natural name of Constance Keane. Now, with a better role in I Wanted Wings (1941), she was asked to change her name, and Veronica Lake was born. Now, instead of playing coeds, she had a decent, speaking part. Veronica felt like an actress. The film was a success and the public loved this bright newcomer.
Paramount, the studio she was under contract with, then assigned her to two more films that year, Hold Back the Dawn (1941) and Sullivan's Travels (1941). The latter received good reviews from the always tough film critics. As Ellen Graham, in This Gun for Hire (1942) the following year, Veronica now had top billing. She had paid her dues and was on a roll. The public was enamored with her. In 1943, Veronica starred in only one film. She portrayed Lieutenant Olivia D'Arcy in So Proudly We Hail! (1943) with Claudette Colbert. The film was a box-office smash. It seemed that any film Veronica starred in would be an unquestionable hit. However, her only outing for 1944, The Hour Before the Dawn (1944) would not be well-received by either the public or the critics. As Nazi sympathizer Dora Bruckmann, Veronica's role was dismal at best. Critics disliked her accent immensely because it wasn't true to life. Her acting itself suffered because of the accent. Mediocre films trailed her for all of 1945. It seemed that Veronica was dumped in just about any film to see if it could be salvaged. Hold That Blonde! (1945), Out of This World (1945), and Miss Susie Slagle's (1946) were just a waste of talent for the beautiful blonde. The latter film was a shade better than the previous two. In 1946, Veronica bounced back in The Blue Dahlia (1946) with Alan Ladd and Howard Da Silva. The film was a hit, but it was the last decent film for Veronica. Paramount continued to put her in pathetic movies. After 1948, Paramount discharged the once prized star, and she was out on her own. In 1949, she starred in the Twentieth Century film Slattery's Hurricane (1949), which, unfortunately, was another weak film. She was not on the big screen again until 1952 when she appeared in Stronghold (1951). By Veronica's own admission, the film "was a dog". From 1952 to 1966, Veronica made television appearances and even tried her hand on the stage. Not a lot of success for her at all. By now alcohol was the order of the day. She was down on her luck and drank heavily. In 1962, Veronica was found living in an old hotel and working as a bartender. She finally returned to the big screen in Footsteps in the Snow (1966). Another drought ensued and she appeared on the silver screen for the last time in Flesh Feast (1970) - a very low budget film.
On July 7, 1973, Veronica died of hepatitis in Burlington, Vermont. The beautiful actress with the long blonde hair was dead at the age of 50.- Actress
- Soundtrack
Like many other female Italian film stars, Claudia Cardinale's entry into the business was by way of a beauty pageant. She was 17 years old and studying at the Centro Sperimentale in Rome when she entered a beauty contest, which resulted in her getting a succession of small film roles. Her earthy interpretations of Sicilian women got her noticed by Italian producers, and the combination of her beauty, dark, flashing eyes, explosive sexuality and genuine acting talent virtually guaranteed her stardom. After Careless (1962) she rose to the front ranks of Italian cinema, and became an international star in Federico Fellini's classic 8½ (1963) with Marcello Mastroianni. American audiences may best remember her from her starring role in Sergio Leone's Once Upon a Time in the West (1968).- Actress
- Music Department
- Additional Crew
Natalie Wood was an American actress of Russian and Ukrainian descent. She started her career as a child actress and eventually transitioned into teenage roles, young adult roles, and middle-aged roles. She drowned off Catalina Island on November 29, 1981 at age 43.
Wood was born July 20, 1938 in San Francisco to Russian immigrant parents: housewife Maria Gurdin (née Zoodiloff), known by multiple aliases including Mary, Marie and Musia, and second husband Nick Gurdin (née Zacharenko), a janitor and prop builder. Nicholas was born in Primorsky Krai, son of a chocolate-factory worker. Maria was born in Barnaul, southern Siberia to a wealthy industrialist. Natalie's maternal grandfather owned soap and candle factories.
Wood's parents had to migrate due to the Russian Civil War. Her paternal grandfather joined the anti-Bolshevik civilian forces early in the war and was killed in a street fight between Red and White Russian soldiers. This convinced the Zacharenkos to migrate to Shanghai, China, where they had relatives. Wood's paternal grandmother remarried in 1927 and moved the family to Vancouver, British Columbia. In 1933 they resettled along the U.S. West Coast. Nicholas met Wood's mother, four years his senior, while she was still married to Alexander Tatuloff, an Armenian mechanic she divorced in 1936.
Mary Tatuloff, Wood's mother, had unfulfilled ambitions of becoming a ballet dancer. She grew up in the Chinese city of Harbin and had married Alexander there in 1925. The Tatuloffs had one daughter, Ovsanna, before coming to America in 1930. After marrying Nicholas Zacharenko in 1938, five months before Wood's birth, Mary (now calling herself Marie) transferred her dream of stardom onto her second child. Marie frequently took a young Wood with her to the cinema, where she could study the films of Hollywood child stars.
Wood's parents changed the family name to Gurdin upon obtaining U.S. citizenship, and her pseudonymous mother finally settled on a permanent first name: Maria. In 1942 they bought a house in Santa Rosa, where young Natalie was noticed by members of a crew during a film shoot. She got to audition for roles as an actress, and the family moved to Los Angeles to help seek out roles for her. RKO Radio Pictures' executives William Goetz and David Lewis chose the stage name Wood for her, in reference to director Sam Wood. Natalie's younger sister Svetlana Gurdin would eventually follow an acting career as well, under the stage name Lana Wood.
Wood made her film debut in Happy Land (1943). She was only five years old, and her scene as the "Little Girl Who Drops Ice Cream Cone" lasted 15 seconds. Wood somehow attracted the interest of film director Irving Pichel who remained in contact with her family. She had few job offers over the following two years, but Pichel helped her get a screen test for a more substantial role in the romance film Tomorrow Is Forever (1946). Wood passed through an audition and won the role of Margaret Ludwig, a post-World War II German orphan. At the time, Wood was unable to "cry on cue" for a key scene, so her mother tore a butterfly to pieces in front of her, giving her a reason to cry for the scene.
Wood started appearing regularly in films following this role and soon received a contract with 20th Century Fox. Her first major role was that of Susan Walker in the Christmas film Miracle on 34th Street (1947), which was a commercial and critical hit. Wood got her first taste of fame, and afterwards Macy's invited her to appear in the store's annual Thanksgiving Day parade. Following her early success, Wood receive many more film offers. She typically appeared in family films, cast as the daughter of such stars as Fred MacMurray, Margaret Sullivan, James Stewart, Joan Blondell, and Bette Davis. Wood found herself in high demand and appeared in over twenty films as a child actress.
The California laws of the era required that until reaching adulthood, child actors had to spend at least three hours per day in the classroom. Wood received her primary education on the studio lots, receiving three hours of school lessons whenever she was working on a film. She was reportedly a "straight A student." Director Joseph L. Mankiewicz was quite impressed by Wood's intellect. After school hours ended, Wood would hurry to the set to film her scenes.
While Wood acquired the services of agents, her early career was micromanaged by her mother. An older Wood gained her first major television role in the short-lived sitcom The Pride of the Family (1953). At the age of 16, she found more success with the role of Judy in Rebel Without a Cause (1955). She played the role of a teenage girl who wears makeup and dresses up in racy clothes to attract the attention of a father who typically ignores her. The film's success helped Wood make the transition from child actress to an ingenue. She was nominated for an Academy Award for Best Supporting Actress.
Her next significant film was The Searchers (1956), a western in which she played the role of abduction victim Debbie Edwards, niece of John Wayne's character. The film was a commercial and critical hit, and has since become regarded as a masterpiece. Also in 1956, Wood graduated from Van Nuys High School. She signed a contract with Warner Brothers, where she was kept busy with several new films. To her disappointment, she was typically cast as the girlfriend of the protagonist and received roles of little depth. For a while, WB had her paired with teen heartthrob Tab Hunter. The studio was hoping that the pairing would serve as a box-office draw, but this did not work out. One of Wood's only serious roles from this period was the title character in Marjorie Morningstar (1958), as a young Jewish girl whose efforts to create her own identity and career path clash with the expectations of her family. The film was a critical success, and fit well with other films exploring the restlessness of youth in the '50s.
Wood's first major box office flop was the biographical film All the Fine Young Cannibals (1960), examining the rags to riches story of jazz musician Chet Baker without actually using his name. The film's box office earnings barely covered the production costs, and MGM recorded a loss of $1,108,000. For the first time. Wood's appeal to the audience was in doubt. With her career in decline following this failure, Wood was seen as "washed up" by many in the film community. But director Elia Kazan gave her the chance to audition for the role of the sexually-repressed Wilma Dean Loomis in his upcoming film Splendor in the Grass (1961). Kazan cast Wood as the female lead, because he found in her (in his words): a "true-blue quality with a wanton side that is held down by social pressure." Kazan is credited for producing Wood's most powerful moment as an actress. The film was a critical success, with Wood nominated for an Academy Award for Best Actress.
Wood's next important film was West Side Story (1961), where she played Maria, a restless Puerto Rican girl. Wood was once again called to represent the restlessness of youth, this time in a story involving youth gangs and juvenile delinquents. The film was a great commercial success with about $44 million gross, the highest-grossing film of 1961. It was also critically acclaimed, and is still regarded as one of the best films of Wood's career. Her next film was Gypsy (1962), playing the role of burlesque entertainer and stripper Gypsy Rose Lee. Film historians credit the film as an even better role for Wood than that of Maria, with witty dialogue, a greater emotional range, and complex characterization. The film was the eighth highest-grossing release of 1962, and was well-received critically.
Wood's next significant role was that of Macy's salesclerk Angie Rossini in Love with the Proper Stranger (1963). In the film, Angie has a one-night-stand with musician Rocky Papasano, played by Steve McQueen, finds herself pregnant and desperately seeks an abortion. The film under-performed at the box office but was critically well-received. Wood received her third (and last) nomination for an Academy Award. At age 25, Wood was tied with Teresa Wright as the youngest person to score three Oscar nominations. Wood held that designation until 2013, when Jennifer Lawrence achieved her third nomination at age 23.
Wood continued her successful film career until 1966, but her health status was not as successful. She was suffering emotionally and had sought professional therapy. She paid Warner Bros. $175,000 to cancel her contract and was able to retire for a while. She also fired her entire support team: agents, managers, publicist, accountant, and attorneys. She took a three-year hiatus from acting.
Wood made her comeback in the comedy Bob & Carol & Ted & Alice (1969) with the themes of sexual liberation and wife swapping. It was a box office hit. Wood decided to gamble her $750,000 fee on a percentage of the gross, earning a million dollars in profits. She chose not to capitalize on the film's success, however, and did not take another acting job for five years.
In 1970, Wood was married to the screenwriter Richard Gregson and was expecting her first child, Natasha Gregson Wagner. She went into semi-retirement to be a stay-at-home mom, appearing in only four more theatrical films before her death. These films were the mystery comedy Peeper (1975), the science fiction film Meteor (1979), the comedy The Last Married Couple in America (1980), and the posthumously-released science fiction film Brainstorm (1983).
In the late '70s, Wood found success in television roles, appearing in several made-for-TV movies and the mini-series From Here to Eternity (1979). Her project received high ratings, and she had plans to make her theatrical debut in a 1982 production of Anastasia.
On November 28, 1981, Wood joined her last husband Robert Wagner, their married friend Christopher Walken, and captain Dennis Davern on a weekend boat trip to Catalina Island. Conspicuously absent from the group was Christopher's wife, casting director Georgianne Walken. The four of them were on board the Wagners' yacht "Splendour." Earwitness Marilyn Wayne heard cries for help around 11:05 P.M. and a "man's voice slurred, and in aggravated tone, say something to the effect of, 'Oh, hold on, we're coming to get you,' and not long after, the cries for help subsided." On the morning of November 29, Wood's corpse was recovered 1 mile (1.6 kilometers) away from the boat, near small Valiant-brand inflatable dinghy beached nearby. The toxicology report revealed her blood alcohol level was at .14, over the legal limit of .10. Wood was buried on December 2 at Westwood Village Memorial Park Cemetery in Los Angeles. Nine days later, the LACSD officially closed the case.- Actress
- Producer
- Soundtrack
Actress and producer Eva Marie Saint was born on July 4, 1924 on Newark, New Jersey. She is known for starring in Elia Kazan's On the Waterfront (1954), for which she won an Academy Award for Best Supporting Actress, and Alfred Hitchcock's North by Northwest (1959). Her film career also includes roles in Raintree County (1957), Exodus (1960), The Russians Are Coming the Russians Are Coming (1966), Grand Prix (1966), Nothing in Common (1986), Because of Winn-Dixie (2005), Superman Returns (2006) and Winter's Tale (2014).
Saint made her feature film debut in On the Waterfront (1954), starring Marlon Brando and directed by Elia Kazan - a performance for which she won the Academy Award for Best Supporting Actress. The film was a major success and launched her movie career. She starred in the pioneering drug-addiction drama A Hatful of Rain (1957) with Don Murray and Anthony Franciosa. She also starred in lavish the Civil War epic Raintree County (1957) with Elizabeth Taylor and Montgomery Clift.
Director Alfred Hitchcock surprised many by choosing Saint over dozens of other candidates for the femme fatale role in what was to become a suspense classic North by Northwest (1959) with Cary Grant and James Mason. Written by Ernest Lehman, the film updated and expanded upon the director's early "wrong man" spy adventures of the 1930s, 1940s and 1950s, including The 39 Steps (1935), Young and Innocent (1937), and Saboteur (1942). North by Northwest (1959) became a box-office success and an influence on spy films for decades.- Actress
- Music Department
- Producer
Brigitte Bardot was born on September 28, 1934 in Paris, France. Her father had an engineering degree and worked with his father in the family business. Brigitte's mother encouraged her daughter to take up music and dance, and she proved to be very adept at it. By the time she was 15, Brigitte was trying a modeling career, and found herself in the French magazine "Elle". Her incredible beauty readily apparent, Brigitte next tried films. In 1952, she appeared on screen for the first time as Javotte Lemoine in Crazy for Love (1952). Two more films followed and it was also the same year she married Roger Vadim (the union lasted 3½ years). Capitalizing on her success in French films, Brigitte made her first American production in Act of Love (1953) with Kirk Douglas, but she continued to make films in France. Brigitte's explosive sexuality took the United States by storm, and the effect she had on millions of American men who had not seen a woman like her in a long, long time--if ever--was electric. Rise to the phrase "sex kitten" and fascination of her in the United States consisted of magazines photographs and dubbed over French films--good, bad or indifferent, her films drew audiences--mainly men--into theaters like lemmings. In 1965, she appeared as herself in the American-made Dear Brigitte (1965) with James Stewart (she only appeared in one scene). Just before she turned 40, Brigitte retired from movies after filming The Edifying and Joyous Story of Colinot (1973). She prefers life outside of stardom. While it enabled her to become internationally famous, it also carried with it annoyances. It was not anything for her to have "fans" enter her house or wander around the grounds of her home in the hopes of getting a glimpse of her or to take something that belonged to her. Paparazzi constantly hounded her with their cameras. She has been so soft-hearted that some people even have taken advantage of her generosity. After her life in the spotlight, Brigitte went on to become a leading spokesperson for animal rights and started the "Foundation Brigitte Bardot" dedicated solely to that cause. Her work in that realm is, perhaps, far greater than any film she could have made. Brigitte has been married to Bernard d'Ormale since 1992 and they reside in St. Tropez with their nearly 50 pets.- Actress
- Soundtrack
With prominent cheekbones, luminous skin and the most crystalline green eyes of her day, Gene Tierney's striking good looks helped propel her to stardom. Her best known role is the enigmatic murder victim in Laura (1944). She was also Oscar-nominated for Leave Her to Heaven (1945). Her acting performances were few in the 1950s as she battled a troubled emotional life that included hospitalization and shock treatment for depression.
Gene Eliza Tierney was born on November 19, 1920 in Brooklyn, New York, to well-to-do parents, Belle Lavinia (Taylor) and Howard Sherwood Tierney. Her father was a successful insurance broker and her mother was a former teacher. Her childhood was lavish indeed. She also lived, at times, with her equally successful grandparents in Connecticut and New York. She was educated in the finest schools on the East Coast and at a finishing school in Switzerland.
After two years in Europe, Gene returned to the US where she completed her education. By 1938 she was performing on Broadway in What a Life! and understudied for the Primrose Path (1938) at the same time. Her wealthy father set up a corporation that was only to promote her theatrical pursuits. Her first role consisted of carrying a bucket of water across the stage, prompting one critic to announce that "Miss Tierney is, without a doubt, the most beautiful water carrier I have ever seen!" Her subsequent roles Mrs O'Brian Entertains (1939) and RingTwo (1939) were meatier and received praise from the tough New York critics. Critic Richard Watts wrote "I see no reason why Miss Tierney should not have a long and interesting theatrical career, that is if the cinema does not kidnap her away."
After being spotted by the legendary Darryl F. Zanuck during a stage performance of the hit show The Male Animal (1940), Gene was signed to a contract with 20th Century-Fox. Her first role as Barbara Hall in Hudson's Bay (1940) would be the send-off vehicle for her career. Later that year she appeared in The Return of Frank James (1940). The next year would prove to be a very busy one for Gene, as she appeared in The Shanghai Gesture (1941), Sundown (1941), Tobacco Road (1941) and Belle Starr (1941). She tried her hand at screwball comedy in Rings on Her Fingers (1942), which was a great success. Her performances in each of these productions were masterful. In 1945 she was nominated for a Best Actress Oscar for her portrayal of Ellen Brent in Leave Her to Heaven (1945). Though she didn't win, it solidified her position in Hollywood society. She followed up with another great performance as Isabel Bradley in the hit The Razor's Edge (1946).
In 1944, she played what is probably her best-known role (and, most critics agree, her most outstanding performance) in Otto Preminger's Laura (1944), in which she played murder victim named Laura Hunt. In 1947 Gene played Lucy Muir in the acclaimed The Ghost and Mrs. Muir (1947). By this time Gene was the hottest player around, and the 1950s saw no letup as she appeared in a number of good films, among them Night and the City (1950), The Mating Season (1951), Close to My Heart (1951), Plymouth Adventure (1952), Personal Affair (1953) and The Left Hand of God (1955). The latter was to be her last performance for seven years. The pressures of a failed marriage to Oleg Cassini, the birth of a daughter with learning disabilities in 1943, and several unhappy love affairs resulted in Gene being hospitalized for depression. When she returned to the the screen in Advise & Consent (1962), her acting was as good as ever but there was no longer a big demand for her services.
Her last feature film was The Pleasure Seekers (1964), and her final appearance in the film industry was in a TV miniseries, Scruples (1980). Gene died of emphysema in Houston, Texas, on November 6, 1991, just two weeks shy of her 71st birthday.- Actress
- Additional Crew
Kerstin Anita Marianne Ekberg was born on September 29, 1931 in Malmo, Sweden. Growing up with seven brothers and sisters was not an adventure, but Anita's adventure began when she was elected Miss Sweden in 1950. She did not win the Miss Universe contest but she got a modeling contract in the United States. She quickly got a film contract with Howard Hughes's RKO that did not lead anywhere (but Anita herself has said that Hughes wanted to marry her). Instead, she started making movies with Universal, small roles that more often than not only required her to look beautiful. After five years in Hollywood, she found herself in Rome, where Federico Fellini's La Dolce Vita (1960) meant her breakthrough. She stayed in Italy and made around 20 movies during the next ten years, some roles memorable, some to be forgotten. Her two marriages gave her a great deal of attention from the press. During the 1970s, the roles became less frequent, but she made a marvellous comeback with Fellini's Intervista (1987).
Anita Ekberg retired from acting in 2002 after 50 years in the motion picture industry. In December 2011, she was destitute following three months in a hospital with a broken thigh in Rimini, during which her home was robbed of jewelry and furniture, and her villa was badly damaged in a fire. Ekberg applied for help from the Fellini Foundation, which also found itself in difficult financial straits. She died at age 83 from complications of an enduring illness on January 11, 2015 at the clinic San Raffaele in Rocca di Papa, Italy. Ekberg had a new film project with exclusively female Italian producer "Le Bestevem", in which her character, as movie star, should have been recovered again as an icon of the silver screen, a project that was interrupted by her death.
Her funeral was held on January 14, 2015, at the Lutheran-Evangelical Christuskirche in Rome, after which her body was cremated and her remains were buried at the cemetery of Skanor Church in Sweden.- Actress
- Writer
- Soundtrack
If a film were made of the life of Vivien Leigh, it would open in India just before World War I, where a successful British businessman could live like a prince. In the mountains above Calcutta, a little princess is born. Because of the outbreak of World War I, she is six years old the first time her parents take her to England. Her mother thinks she should have a proper English upbringing and insists on leaving her in a convent school - even though Vivien is two years younger than any of the other girls at the school. The only comfort for the lonely child is a cat that was in the courtyard of the school that the nuns let her take up to her dormitory. Her first and best friend at the school is an eight-year-old girl, Maureen O'Sullivan who has been transplanted from Ireland. In the bleakness of a convent school, the two girls can recreate in their imaginations the places they have left and places where they would some day like to travel. After Vivien has been at the school for 18 months, her mother comes again from India and takes her to a play in London. In the next six months Vivien will insist on seeing the same play 16 times. In India the British community entertained themselves at amateur theatricals and Vivien's father was a leading man. Pupils at the English convent school are eager to perform in school plays. It's an all-girls school, so some of the girls have to play the male roles. The male roles are so much more adventurous. Vivien's favorite actor is Leslie Howard, and at 19 she marries an English barrister who looks very much like him. The year is 1932. Vivien's best friend from that convent school has gone to California, where she's making movies. Vivien has an opportunity to play a small role in an English film, Things Are Looking Up (1935). She has only one line but the camera keeps returning to her face. The London stage is more exciting than the movies being filmed in England, and the most thrilling actor on that stage is Laurence Olivier. At a party Vivien finds out about a stage role, "The Green Sash", where the only requirement is that the leading lady be beautiful. The play has a very brief run, but now she is a real actress. An English film is going to be made about Elizabeth I. Laurence gets the role of a young favorite of the queen who is sent to Spain. Vivien gets a much smaller role as a lady-in-waiting of the queen who is in love with Laurence's character. In real life, both fall in love while making this film, Fire Over England (1937). In 1938, Hollywood wants Laurence to play Heathcliff in Wuthering Heights (1939). Vivien, who has just recently read Gone with the Wind (1939), thinks that the role of Scarlett O'Hara is the first role for an actress that would be really exciting to bring to the screen. She sails to America for a brief vacation. In New York she gets on a plane for the first time to rush to California to see Laurence. They have dinner with Myron Selznick the night that his brother, David O. Selznick, is burning Atlanta on a backlot of MGM (actually they are burning old sets that go back to the early days of silent films to make room to recreate an Atlanta of the 1860s). Vivien is 26 when Gone with the Wind (1939) makes a sweep of the Oscars in 1939. So let's show 26-year-old Vivien walking up to the stage to accept her Oscar and then as the Oscar is presented the camera focuses on Vivien's face and through the magic of digitally altering images, the 26-year-old face merges into the face of Vivien at age 38 getting her second Best Actress Oscar for portraying Blanche DuBois in A Streetcar Named Desire (1951). She wouldn't have returned to America to make that film had not Laurence been going over there to do a film, Carrie (1952) based on Theodore Dreiser's novel "Sister Carrie". Laurence tells their friends that his motive for going to Hollywood to make films is to get enough money to produce his own plays for the London stage. He even has his own theater there, the St. James. Now Sir Laurence, with a seat in the British House of Lords, is accompanied by Vivien the day the Lords are debating about whether the St James should be torn down. Breaking protocol, Vivien speaks up and is escorted from the House of Lords. The publicity helps raise the funds to save the St. James. Throughout their two-decade marriage Laurence and Vivien were acting together on the stage in London and New York. Vivien was no longer Lady Olivier when she performed her last major film role, The Roman Spring of Mrs. Stone (1961).- Actress
- Producer
- Soundtrack
Lana Turner had an acting ability that belied the "Sweater Girl" image MGM thrust upon her, and even many of her directors admitted that they knew she was capable of greatness (check out The Postman Always Rings Twice (1946)). Unfortunately, her private life sometimes overshadowed her professional accomplishments.
Lana Turner was born Julia Jean Mildred Francis Turner in Wallace, Idaho. There is some discrepancy as to whether her birth date is February 8, 1920 or 1921. Lana herself said in her autobiography that she was one year younger (1921) than the records showed, but then this was a time where women, especially actresses, tended to "fib" a bit about their age. Most sources agree that 1920 is the correct year of birth. Her parents were Mildred Frances (Cowan) and John Virgil Turner, a miner, both still in their teens when she was born. In 1929, her father was murdered and it was shortly thereafter her mother moved her and the family to California where jobs were "plentiful". Once she matured into a beautiful young woman, she went after something that would last forever: stardom. She wasn't found at a drug store counter, like some would have you believe, but that legend persists. She pounded the pavement as other would-be actors and actresses have done, are doing and will continue to do in search of movie roles.
In 1937, Lana entered the movie world, at 17, with small parts in They Won't Forget (1937), The Great Garrick (1937) and A Star Is Born (1937). These films didn't bring her a lot of notoriety, but it was a start. In 1938 she had another small part in Love Finds Andy Hardy (1938) starring Mickey Rooney. It was this film that made young men's hearts all over America flutter at the sight of this alluring and provocative young woman--known as the "Sweater Girl"--and one look at that film could make you understand why: she was one of the most spectacularly beautiful newcomers to grace the screen in years. By the 1940s Lana was firmly entrenched in the film business. She had good roles in such films as Johnny Eager (1941), Somewhere I'll Find You (1942) and Week-End at the Waldorf (1945). If her career was progressing smoothly, however, her private life was turning into a train wreck, keeping her in the news in a way no one would have wanted.
Without a doubt her private life was a threat to her public career. She was married eight times, twice to Stephen Crane. She also married Ronald Dante, Robert Eaton, Fred May, Lex Barker, Henry Topping and bandleader Artie Shaw. She also battled alcoholism. In yet another scandal, her daughter by Crane, Cheryl Crane, fatally stabbed Lana's boyfriend, gangster Johnny Stompanato, in 1958. It was a case that would have rivaled the O.J. Simpson murder case. Cheryl was acquitted of the murder charge, with the jury finding that she had been protecting her mother from Stompanato, who was savagely beating her, and ruled it justifiable homicide. These and other incidents interfered with Lana's career, but she persevered. The release of Imitation of Life (1959), a remake of a 1934 film (Imitation of Life (1934)), was Lana's comeback vehicle. Her performance as Lora Meredith was flawless as an actress struggling to make it in show business with a young daughter, her housekeeper and the housekeeper's rebellious daughter. The film was a box-office success and proved beyond a doubt that Lana had not lost her edge.
By the 1960s, however, fewer roles were coming her way with the rise of new and younger stars. She still managed to turn in memorable performances in such films as Portrait in Black (1960) and Bachelor in Paradise (1961). By the next decade the roles were coming in at a trickle. Her last appearance in a big-screen production was in Witches' Brew (1980). Her final film work came in the acclaimed TV series Falcon Crest (1981) in which she played Jacqueline Perrault from 1982-1983. After all those years as a sex symbol, nothing had changed--Lana was still as beautiful as ever.
She died on June 25, 1995, in Culver City, California, after a long bout with cancer. She was 74 years old.- Actress
- Stunts
Rosanne Katon was born on 5 February 1952 in New York City, New York, USA. She is an actress, known for Motel Hell (1980), Bachelor Party (1984) and St. Elsewhere (1982). She has been married to Richard Walden since 9 January 1984. They have one child.- Actress
- Producer
- Soundtrack
Ingrid Bergman was one of the greatest actresses from Hollywood's lamented Golden Era. Her natural and unpretentious beauty and her immense acting talent made her one of the most celebrated figures in the history of American cinema. Bergman is also one of the most Oscar-awarded actresses, tied with Meryl Streep and Frances McDormand, all three of them second only to Katharine Hepburn.
Ingrid Bergman was born on August 29, 1915 in Stockholm, Sweden, to a German mother, Frieda Henrietta (Adler), and a Swedish father, Justus Samuel Bergman, an artist and photographer. Her mother died when she was only two and her father died when she was 12. She went to live with an elderly uncle.
The woman who would be one of the top stars in Hollywood in the 1940s had decided to become an actress after finishing her formal schooling. She had had a taste of acting at age 17 when she played an uncredited role of a girl standing in line in the Swedish film Landskamp (1932) in 1932 - not much of a beginning for a girl who would be known as "Sweden's illustrious gift to Hollywood." Her parents died when she was just a girl and the uncle she lived with didn't want to stand in the way of Ingrid's dream. The next year she enrolled at the Royal Dramatic Theatre School in Stockholm but decided that stage acting was not for her. It would be three more years before she would have another chance at a film. When she did, it was more than just a bit part. The film in question was The Count of the Old Town (1935), where she had a speaking part as Elsa Edlund. After several films that year that established her as a class actress, Ingrid appeared in Intermezzo (1936) as Anita Hoffman. Luckily for her, American producer David O. Selznick saw it and sent a representative from Selznick International Pictures to gain rights to the story and have Ingrid signed to a contract. Once signed, she came to California and starred in United Artists' 1939 remake of her 1936 film, Intermezzo (1939), reprising her original role. The film was a hit and so was Ingrid.
Her beauty was unlike anything the movie industry had seen before and her acting was superb. Hollywood was about to find out that they had the most versatile actress the industry had ever seen. Here was a woman who truly cared about the craft she represented. The public fell in love with her. Ingrid was under contract to go back to Sweden to film Only One Night (1939) in 1939 and June Night (1940) in 1940. Back in the US she appeared in three films, all well-received. She made only one film in 1942, but it was the classic Casablanca (1942) opposite Humphrey Bogart.
Ingrid was choosing her roles well. In 1943 she was nominated for an Academy Award for her role in For Whom the Bell Tolls (1943), the only film she made that year. The critics and public didn't forget her when she made Gaslight (1944) the following year--her role of Paula Alquist got her the Oscar for Best Actress. In 1945 Ingrid played in Spellbound (1945), Saratoga Trunk (1945) and The Bells of St. Mary's (1945), for which she received her third Oscar nomination for her role of Sister Benedict. She made no films in 1947, but bounced back with a fourth nomination for Joan of Arc (1948). In 1949 she went to Italy to film Stromboli (1950), directed by Roberto Rossellini. She fell in love with him and left her husband, Dr. Peter Lindstrom, and daughter, Pia Lindström. America's "moral guardians" in the press and the pulpits were outraged. She was pregnant and decided to remain in Italy, where her son was born. In 1952 Ingrid had twins, Isotta and Isabella Rossellini, who became an outstanding actress in her own right, as did Pia.
Ingrid continued to make films in Italy and finally returned to Hollywood in 1956 in the title role in Anastasia (1956), which was filmed in England. For this she won her second Academy Award. She had scarcely missed a beat. Ingrid continued to bounce between Europe and the US making movies, and fine ones at that. A film with Ingrid Bergman was sure to be a quality production. In her final big-screen performance in 1978's Autumn Sonata (1978) she had her final Academy Award nomination. Though she didn't win, many felt it was the most sterling performance of her career. Ingrid retired, but not before she gave an outstanding performance in the mini-series A Woman Called Golda (1982), a film about Israeli prime minister Golda Meir. For this she won an Emmy Award as Best Actress, but, unfortunately, she did not live to see the fruits of her labor.
Ingrid died from cancer on August 29, 1982, her 67th birthday, in London, England.- Actress
- Soundtrack
Lauren Bacall was born Betty Joan Perske on September 16, 1924, in New York City. She was the daughter of Natalie Weinstein-Bacal, a Romanian Jewish immigrant, and William Perske, who was born in New Jersey, to Polish Jewish parents. Her family was middle-class, with her father working as a salesman and her mother as a secretary. They divorced when she was five and she rarely saw her father after that.
As a school girl, she originally wanted to be a dancer, but later switched gears to head into acting. She studied at the American Academy of Dramatic Arts in New York, after attending She was educated at Highland Manor, a private boarding school in Tarrytown, New York (through the generosity of wealthy uncles), and then at Julia Richman High School, which enabled her to get her feet wet in some off-Broadway productions.
Out of school, she entered modeling and, because of her beauty, appeared on the cover of Harper's Bazaar, one of the most popular magazines in the US. The wife of famed director Howard Hawks spotted the picture in the publication and arranged with her husband to have Lauren take a screen test. As a result, which was entirely positive, she was given the part of Marie Browning in To Have and Have Not (1944), a thriller opposite Humphrey Bogart, when she was just 19 years old. This not only set the tone for a fabulous career but also one of Hollywood's greatest love stories (she married Bogart in 1945). It was also the first of several Bogie-Bacall films.
After 1945's Confidential Agent (1945), Lauren received second billing in The Big Sleep (1946) with Bogart. The mystery, in the role of Vivian Sternwood Rutledge, was a resounding success. Although she was making one film a year, each production would be eagerly awaited by the public. In 1947, again with her husband, Lauren starred in the thriller Dark Passage (1947). The film kept movie patrons on the edge of their seats. The following year, she starred with Bogart, Edward G. Robinson, and Lionel Barrymore in Key Largo (1948). The crime drama was even more of a nail biter than her previous film.
In 1950, Lauren starred in Bright Leaf (1950), a drama set in 1894. It was a film of note because she appeared without her husband - her co-star was Gary Cooper. In 1953, Lauren appeared in her first comedy as Schatze Page in How to Marry a Millionaire (1953). The film, with co-stars Marilyn Monroe and Betty Grable, was a smash hit all across the theaters of America.
After filming Designing Woman (1957), which was released in 1957, Humphrey Bogart died on January 14 from throat cancer. Devastated at being a widow, Lauren returned to the silver screen with The Gift of Love (1958) in 1958 opposite Robert Stack. The production turned out to be a big disappointment. Undaunted, Lauren moved back to New York City and appeared in several Broadway plays to huge critical acclaim. She was enjoying acting before live audiences and the audiences in turn enjoyed her fine performances.
Lauren was away from the big screen for five years, but she returned in 1964 to appear in Shock Treatment (1964) and Sex and the Single Girl (1964). The latter film was a comedy starring Henry Fonda and Tony Curtis. In 1966, Lauren starred in Harper (1966) with Paul Newman and Julie Harris, which was one of former's signature films.
Alternating her time between films and the stage, Lauren returned in 1974's Murder on the Orient Express (1974). The film, based on Agatha Christie's best-selling book was a huge hit. It also garnered Ingrid Bergman her third Oscar. Actually, the huge star-studded cast helped to ensure its success. Two years later, in 1976, Lauren co-starred with John Wayne in The Shootist (1976). The film was Wayne's last - he died from cancer in 1979. In late 1979, Lauren appeared with her good friend, James Garner, in a double episode, Lions, Tigers, Monkeys and Dogs (1979), of his Rockford Files series.
For Lauren's next film role, she appeared in a large ensemble film, HealtH (1980), which again paired her with James Garner, and in 1981, she played an actress being stalked by a crazed admirer in The Fan (1981). The thriller was absolutely fascinating with Lauren in the lead role, again playing opposite her good friend James Garner, making three straight screen roles with Lauren opposite James Garner. After that production, Lauren was away from films again, this time for seven years. In the interim, she again appeared on the stages of Broadway. When she returned, it was for the filming of 1988's Appointment with Death (1988) and Mr. North (1988). After 1990's Misery (1990) and several made for television films, Lauren appeared in 1996's My Fellow Americans (1996), a comedy romp with Jack Lemmon and James Garner as two ex-presidents and their escapades. In 1997, Lauren appeared in The Mirror Has Two Faces (1996), in one of the best roles of her later career, opposite Barbra Streisand, where Lauren was nominated as Best Actress in a Supporting Role by both the Academy and the Golden Globes, winning the Golden Globe for the role.
Despite her age and failing health, she made a small-scale comeback in the English-language dub of Hayao Miyazaki's Howl's Moving Castle (2004) ("Howl's Moving Castle," based on the young-adult novel by Diana Wynne Jones) as the Witch of the Waste, and several other roles through 2008, but thereafter acting endeavors for the beloved actress became increasingly rare. Lauren Bacall died on 12 August 2014, five weeks short of her 90th birthday.- Actress
- Soundtrack
Lauren Bacall was born Betty Joan Perske on September 16, 1924, in New York City. She was the daughter of Natalie Weinstein-Bacal, a Romanian Jewish immigrant, and William Perske, who was born in New Jersey, to Polish Jewish parents. Her family was middle-class, with her father working as a salesman and her mother as a secretary. They divorced when she was five and she rarely saw her father after that.
As a school girl, she originally wanted to be a dancer, but later switched gears to head into acting. She studied at the American Academy of Dramatic Arts in New York, after attending She was educated at Highland Manor, a private boarding school in Tarrytown, New York (through the generosity of wealthy uncles), and then at Julia Richman High School, which enabled her to get her feet wet in some off-Broadway productions.
Out of school, she entered modeling and, because of her beauty, appeared on the cover of Harper's Bazaar, one of the most popular magazines in the US. The wife of famed director Howard Hawks spotted the picture in the publication and arranged with her husband to have Lauren take a screen test. As a result, which was entirely positive, she was given the part of Marie Browning in To Have and Have Not (1944), a thriller opposite Humphrey Bogart, when she was just 19 years old. This not only set the tone for a fabulous career but also one of Hollywood's greatest love stories (she married Bogart in 1945). It was also the first of several Bogie-Bacall films.
After 1945's Confidential Agent (1945), Lauren received second billing in The Big Sleep (1946) with Bogart. The mystery, in the role of Vivian Sternwood Rutledge, was a resounding success. Although she was making one film a year, each production would be eagerly awaited by the public. In 1947, again with her husband, Lauren starred in the thriller Dark Passage (1947). The film kept movie patrons on the edge of their seats. The following year, she starred with Bogart, Edward G. Robinson, and Lionel Barrymore in Key Largo (1948). The crime drama was even more of a nail biter than her previous film.
In 1950, Lauren starred in Bright Leaf (1950), a drama set in 1894. It was a film of note because she appeared without her husband - her co-star was Gary Cooper. In 1953, Lauren appeared in her first comedy as Schatze Page in How to Marry a Millionaire (1953). The film, with co-stars Marilyn Monroe and Betty Grable, was a smash hit all across the theaters of America.
After filming Designing Woman (1957), which was released in 1957, Humphrey Bogart died on January 14 from throat cancer. Devastated at being a widow, Lauren returned to the silver screen with The Gift of Love (1958) in 1958 opposite Robert Stack. The production turned out to be a big disappointment. Undaunted, Lauren moved back to New York City and appeared in several Broadway plays to huge critical acclaim. She was enjoying acting before live audiences and the audiences in turn enjoyed her fine performances.
Lauren was away from the big screen for five years, but she returned in 1964 to appear in Shock Treatment (1964) and Sex and the Single Girl (1964). The latter film was a comedy starring Henry Fonda and Tony Curtis. In 1966, Lauren starred in Harper (1966) with Paul Newman and Julie Harris, which was one of former's signature films.
Alternating her time between films and the stage, Lauren returned in 1974's Murder on the Orient Express (1974). The film, based on Agatha Christie's best-selling book was a huge hit. It also garnered Ingrid Bergman her third Oscar. Actually, the huge star-studded cast helped to ensure its success. Two years later, in 1976, Lauren co-starred with John Wayne in The Shootist (1976). The film was Wayne's last - he died from cancer in 1979. In late 1979, Lauren appeared with her good friend, James Garner, in a double episode, Lions, Tigers, Monkeys and Dogs (1979), of his Rockford Files series.
For Lauren's next film role, she appeared in a large ensemble film, HealtH (1980), which again paired her with James Garner, and in 1981, she played an actress being stalked by a crazed admirer in The Fan (1981). The thriller was absolutely fascinating with Lauren in the lead role, again playing opposite her good friend James Garner, making three straight screen roles with Lauren opposite James Garner. After that production, Lauren was away from films again, this time for seven years. In the interim, she again appeared on the stages of Broadway. When she returned, it was for the filming of 1988's Appointment with Death (1988) and Mr. North (1988). After 1990's Misery (1990) and several made for television films, Lauren appeared in 1996's My Fellow Americans (1996), a comedy romp with Jack Lemmon and James Garner as two ex-presidents and their escapades. In 1997, Lauren appeared in The Mirror Has Two Faces (1996), in one of the best roles of her later career, opposite Barbra Streisand, where Lauren was nominated as Best Actress in a Supporting Role by both the Academy and the Golden Globes, winning the Golden Globe for the role.
Despite her age and failing health, she made a small-scale comeback in the English-language dub of Hayao Miyazaki's Howl's Moving Castle (2004) ("Howl's Moving Castle," based on the young-adult novel by Diana Wynne Jones) as the Witch of the Waste, and several other roles through 2008, but thereafter acting endeavors for the beloved actress became increasingly rare. Lauren Bacall died on 12 August 2014, five weeks short of her 90th birthday.- Actress
- Producer
- Additional Crew
Hedy Lamarr, the woman many critics and fans alike regard as the most beautiful ever to appear in films, was born Hedwig Eva Maria Kiesler in Vienna, Austria. She was the daughter of Gertrud (Lichtwitz), from Budapest, and Emil Kiesler, a banker from Lemberg (now known as Lviv). Her parents were both from Jewish families. Hedwig had a calm childhood, but it was cinema that fascinated her. By the time she was a teenager, she decided to drop out of school and seek fame as an actress, and was a student of theater director Max Reinhardt in Berlin. Her first role was a bit part in the German film Geld auf der Straße (1930) (aka "Money on the Street") in 1930. She was attractive and talented enough to be in three more German productions in 1931, but it would be her fifth film that catapulted her to worldwide fame. In 1932 she appeared in a Czech film called Ekstase (US title: "Ecstasy") and had made the gutsy move to appear nude. It's the story of a young girl who is married to a gentleman much older than she, but she winds up falling in love with a young soldier. The film's nude scenes created a sensation all over the world. The scenes, very tame by today's standards, caused the film to be banned by the U.S. government at the time.
Hedy soon married Fritz Mandl, a munitions manufacturer and a prominent Austrofascist. He attempted to buy up all the prints of "Ecstasy" he could lay his hands on (Italy's dictator, Benito Mussolini, had a copy but refused to sell it to Mandl), but to no avail (there are prints floating around the world today). The notoriety of the film brought Hollywood to her door. She was brought to the attention of MGM mogul Louis B. Mayer, who signed her to a contract (a notorious prude when it came to his studio's films, Mayer signed her against his better judgment, but the money he knew her notoriety would bring in to the studio overrode any moral concerns he may have had). However, he insisted she change her name and make good, wholesome films.
Hedy starred in a series of exotic adventure epics. She made her American film debut as Gaby in Algiers (1938). This was followed a year later by Lady of the Tropics (1939). In 1942, she played the plum role of Tondelayo in the classic White Cargo (1942). After World War II, her career began to decline, and MGM decided it would be in the interest of all concerned if her contract were not renewed. Unfortunately for Hedy, she turned down the leads in both Gaslight (1940) and Casablanca (1942), both of which would have cemented her standing in the minds of the American public. In 1949, she starred as Delilah opposite Victor Mature's Samson in Cecil B. DeMille's epic Samson and Delilah (1949). This proved to be Paramount Pictures' then most profitable movie to date, bringing in $12 million in rental from theaters. The film's success led to more parts, but it was not enough to ease her financial crunch. She made only six more films between 1949 and 1957, the last being The Female Animal (1958).
Hedy retired to Florida. She died there, in the city of Casselberry, on January 19, 2000.- Actress
- Producer
- Additional Crew
Janet Leigh was the only child of a couple who often moved from town to town. Living in apartments, Janet was a bright child who skipped several grades and finished high school when she was 15. A lonely child, she would spend much of her time at movie theaters. She was a student, studying music and psychology, at the University of the Pacific until she was "discovered" while visiting her parents in Northern California. Her father was working the desk at a ski resort where her mother worked as a maid. Retired MGM actress Norma Shearer saw a picture of Janet on the front desk and asked if she could borrow it. This led to a screen test at MGM and a starring role in The Romance of Rosy Ridge (1947). MGM was looking for a young naive country girl and Janet filled the bill perfectly. She would play the young ingénue in a number of films and work with such stars as Errol Flynn, Gary Cooper, James Stewart, Orson Welles and Judy Garland. She appeared in a number of successful films, including Little Women (1949), Angels in the Outfield (1951), Scaramouche (1952), Houdini (1953) and The Black Shield of Falworth (1954), among others. Janet would appear in a variety of films, from comedies to westerns to musicals to dramas. Of her more than 50 movies, she would be remembered for the 45 minutes that she was on the screen in the small-budget thriller Psycho (1960). Directed by Alfred Hitchcock, this 1960 classic would include the shower scene that would become a film landmark. Even though her character is killed off early in the picture, she would be nominated for an Academy Award and receive a Golden Globe. Her next film would be The Manchurian Candidate (1962), in which she starred with Frank Sinatra. For the rest of the decade, her appearances in films would be rare, but she worked with Paul Newman in Harper (1966). In the 1970s she appeared on the small screen in a number of made-for-TV movies. In 1980, she appeared alongside her daughter Jamie Lee Curtis in The Fog (1980), and later, in Halloween H20: 20 Years Later (1998). Janet Leigh died at age 77 in her home in Beverly Hills, California on October 3, 2004.- Actress
- Director
- Writer
Gina Lollobrigida was born on July 4, 1927 in Subiaco, Italy. Destined to be called "The Most Beautiful Woman in the World", Gina possibly had St. Brigid as part of her surname. She was the daughter of a furniture manufacturer, and grew up in the pictorial mountain village. The young Gina did some modeling and, from there, went on to participate successfully in several beauty contests. In 1947, she entered a beauty competition for Miss Italy, but came in third. The winner was Lucia Bosè (born 1931), who would go on to appear in over 50 movies, and the first runner-up was Gianna Maria Canale (born 1927), who would appear in almost 50 films. After appearing in a half-dozen films in Italy, it was rumored that, in 1947, film tycoon Howard Hughes had her flown to Hollywood; however, this did not result in her staying in America, and she returned to Italy (her Hollywood breakout movie would not come until six years later in the John Huston film Beat the Devil (1953)).
Back in Italy, in 1949, Gina married Milko Skofic, a Slovenian (at the time, "Yugoslavian") doctor, by whom she had a son, Milko Skofic Jr. They would be married for 22 years, until their divorce in 1971. As her film roles and national popularity increased, Gina was tagged "The Most Beautiful Woman in the World", after her signature movie Beautiful But Dangerous (1955). Gina was nicknamed "La Lollo", as she embodied the prototype of Italian beauty. Her earthy looks and short "tossed salad" hairdo were especially influential and, in fact, there's a type of curly lettuce named "Lollo" in honor of her cute hairdo. Her film Come September (1961), co-starring Rock Hudson, won the Golden Globe Award as the World's Film Favorite. In the 1970s, Gina was seen in only a few films, as she took a break from acting and concentrated on another career: photography. Among her subjects were Paul Newman, Salvador Dalí and the German national soccer team.
A skilled photographer, Gina had a collection of her work "Italia Mia", published in 1973. Immersed in her other passions (sculpting and photography), it would be 1984 before Gina would grace American television on Falcon Crest (1981). Although Gina was always active, she only appeared in a few films in the 1990s. She retired from acting in 1997 after 50 years in the motion picture industry. In June 1999, she turned to politics and ran, unsuccessfully, for one of Italy's 87 European Parliament seats, from her hometown of Subiaco. Gina was also a corporate executive for fashion and cosmetics companies. As she told Parade magazine in April 2000: "I studied painting and sculpting at school and became an actress by mistake". (We're glad she made that mistake). Gina went on to say: "I've had many lovers and still have romances. I am very spoiled. All my life, I've had too many admirers."- Actress
- Writer
- Soundtrack
Katharine Houghton Hepburn was born on May 12, 1907 in Hartford, Connecticut to a suffragist, Katharine Martha (Houghton), and a doctor, Thomas Norval Hepburn, who both always encouraged her to speak her mind, develop it fully, and exercise her body to its full potential. An athletic tomboy as a child, she was very close to her brother Tom; at 14 she was devastated to find him dead, the apparent result of accidentally hanging himself while practicing a hanging trick their father had taught them. For many years afterward, she used his November 8 birth date as her own. She became shy around girls her age and was largely schooled at home. She did attend Bryn Mawr College, where she decided to become an actress, appearing in many of their productions.
After graduating, she began getting small roles in plays on Broadway and elsewhere. She always attracted attention, especially for her role in "Art and Mrs. Bottle" (1931). She finally broke into stardom when she took the starring role of the Amazon princess Antiope in "A Warrior's Husband" (1932). The inevitable film offers followed; after making a few screen tests, she was cast in A Bill of Divorcement (1932), opposite John Barrymore. The film was a hit, and after agreeing to her salary demands, RKO signed her to a contract. She made five films between 1932 and 1934. For her third, Morning Glory (1933), she won her first Academy Award. Her fourth, Little Women (1933), was the most successful picture of its day.
But stories were beginning to leak out, of her haughty behavior off- screen and her refusal to play the Hollywood Game, always wearing slacks and no makeup, never posing for pictures or giving interviews. Audiences were shocked at her unconventional behavior instead of applauding it, and so when she returned to Broadway in 1934 to star in "The Lake", the critics panned her, and the audiences, who at first bought up tickets, soon deserted her. When she returned to Hollywood, things didn't get much better. From 1935-1938, she had only two hits: Alice Adams (1935), which brought her her second Oscar nomination, and Stage Door (1937); the many flops included Break of Hearts (1935), Sylvia Scarlett (1935), Mary of Scotland (1936), Quality Street (1937), and the now-classic Bringing Up Baby (1938).
With so many flops, she came to be labeled "box-office poison". She decided to go back to Broadway to star in "The Philadelphia Story" (1938) and was rewarded with a smash. She quickly bought the film rights and so was able to negotiate her way back to Hollywood on her own terms, including her choice of director and co-stars. The Philadelphia Story (1940) was a box-office hit, and Hepburn, who won her third Oscar nomination for the film, was bankable again. For her next film, Woman of the Year (1942), she was paired with Spencer Tracy, and the chemistry between them lasted for eight more films, spanning the course of 25 years, and a romance that lasted that long off-screen. (She received her fourth Oscar nomination for the film.) Their films included the very successful Adam's Rib (1949), Pat and Mike (1952), and Desk Set (1957).
With The African Queen (1951), Hepburn moved into middle-aged spinster roles, receiving her fifth Oscar nomination for the film. She played more of these types of roles throughout the 1950s, and won more Oscar nominations for many of them, including her roles in Summertime (1955), The Rainmaker (1956), and Suddenly, Last Summer (1959). Her film roles became fewer and farther between in the 1960s, as she devoted her time to the ailing Tracy. For one of her film appearances in this decade, in Long Day's Journey Into Night (1962), she received her ninth Oscar nomination. After a five-year absence from films, she then made Guess Who's Coming to Dinner (1967), her last film with Tracy and the last film Tracy ever made; he died just weeks after finishing it. It garnered Hepburn her tenth Oscar nomination and her second win. The next year, she did The Lion in Winter (1968), which brought her her eleventh Oscar nomination and third win.
In the 1970s, she turned to making made-for-TV films, with The Glass Menagerie (1973), Love Among the Ruins (1975), and The Corn Is Green (1979). She still continued to make an occasional appearance in feature films, such as Rooster Cogburn (1975) with John Wayne and On Golden Pond (1981) with Henry Fonda. This last brought her her twelfth Oscar nomination and fourth win - the latter still the record.
She made more TV-films in the 1980s and wrote her autobiography, 'Me', in 1991. Her last feature film was Love Affair (1994), with Warren Beatty and Annette Bening, and her last TV- film was One Christmas (1994). With her health declining, she retired from public life in the mid-1990s. She died at 96 at her home in Old Saybrook, Connecticut.- Actress
- Costume and Wardrobe Department
- Soundtrack
Kim Novak was born in Chicago, Illinois on February 13, 1933 with the birth name of Marilyn Pauline Novak. She was the daughter of a former teacher turned transit clerk and his wife, also a former teacher. Throughout elementary and high school, Kim did not get along well with teachers. She even admitted that she didn't like being told what to do and when to do it.
Her first job, after high school, was modeling teen fashions for a local department store. Kim, later, won a scholarship in a modeling school and continued to model part-time. Kim later worked odd jobs as an elevator operator, sales clerk, and a dental assistant. The jobs never seemed to work out so she fell back on modeling, the one job she did well.
After a stint on the road as a spokesperson for an appliance company, Kim decided to go to Los Angeles and try her luck at modeling there. Ultimately, her modeling landed her an uncredited role in the RKO production of The French Line (1953). The role encompassed nothing more than being seen on a set of stairs.
Later a talent agent arranged for a screen test with Columbia Pictures and won a small six month contract. In truth, some of the studio hierarchy thought that Kim was Columbia's answer to Marilyn Monroe. Kim, who was still going by her own name of Marilyn, was originally going to be called "Kit Marlowe". She wanted to at least keep her family name of Novak, so the young actress and studio personnel settled on Kim Novak.
After taking some acting lessons, which the studio declined to pay for, Kim appeared in her first film opposite Fred MacMurray in Pushover (1954). Though her role as "Lona McLane" wasn't exactly a great one, it was her classic beauty that seemed to capture the eyes of the critics. Later that year, Kim appeared in the film, Phffft (1954) with Jack Lemmon and Judy Holliday. Now more and more fans were eager to see this bright new star. These two films set the tone for her career with a lot of fan mail coming her way.
Her next film was as "Kay Greylek" in 5 Against the House (1955). The film was well-received, but it was her next one for that year that was her best to date. The film was Picnic (1955). Although Kim did a superb job of acting in the film as did her co-stars, the film did win two Oscars for editing and set decoration. Kim's next film was with United Artists on a loan out in the controversial Otto Preminger film The Man with the Golden Arm (1955). Her performance was flawless, but it was was Kim's beauty that carried the day. The film was a big hit.
In 1957, Kim played "Linda English" in the hit movie Pal Joey (1957) with Frank Sinatra and Rita Hayworth. The film did very well at the box office, but was condemned by the critics. Kim really didn't seem that interested in the role. She even said she couldn't stand people such as her character.
That same year, Novak risked her career when she started dating singer/actor Sammy Davis Jr.. The interracial affair alarmed studio executives, most notably Harry Cohn, and they ended their relationship in January of the following year. In 1958, Kim appeared in Alfred Hitchcock's, now classic, Vertigo (1958) with James Stewart. This film's plot was one that thoroughly entertained the theater patrons wherever it played. The film was one in which Stewart's character, a detective, is hired to tail a friend's wife (Kim) and witnesses her suicide. In the end, Stewart finds that he has been duped in an elaborate scheme.
Her next film was Bell Book and Candle (1958) which was only a modest success. By the early 1960s, Kim's star was beginning to fade, especially with the rise of new stars or stars that were remodeling their status within the film community. With a few more nondescript films between 1960 and 1964, she landed the role of "Mildred Rogers" in the remake of Of Human Bondage (1964). The film debuted to good reviews.
In the meantime, Kim broke off her engagement to director Richard Quine and embarked on a brief dalliance with basketball player Wilt Chamberlain. While filming The Amorous Adventures of Moll Flanders (1965), she had a romance with co-star Richard Johnson, whom she married, but the marriage failed the following year.
Kim stepped away from the cameras for a while, returning in 1968 to star in The Legend of Lylah Clare (1968). It was a resounding flop, perhaps the worst of her career. However, after that, Kim, basically, was able to pick what projects she wanted. After The Great Bank Robbery (1969) in 1969, Kim was away for another four years until she was seen with then-boyfriend Michael Brandon in a television movie called The Third Girl from the Left (1973), playing a veteran Las Vegas showgirl experiencing a midlife crisis.
In a personal development, Novak met equine veterinarian Robert Malloy in October 1974 and the couple married in 1976. Subsequent films were not the type to get the critics to sit up and take notice, but afforded her the opportunity to work with strong talent. She appeared to good effect in Satan's Triangle (1975), Just a Gigolo (1978), The Mirror Crack'd (1980) and Malibu (1983).
In 1986 and 1987, Kim played, of all people, "Kit Marlowe" in the TV series Falcon Crest (1981). In 1990, she starred alongside Ben Kingsley in The Children (1990), a fine independent film shot in Europe. It was not widely distributed, thus few got to see Novak giving one of her most powerful performances.
Her last film, on the silver screen, was Liebestraum (1991), in which she played a terminally ill woman with a past. The film was a major disappointment in every aspect. Kim clashed with director Mike Figgis over how to play her character. Consequently, the role was cut to shreds. Kim has ruled out any plans for a comeback and says she just isn't cut out for Hollywood.
Fortunately, she has found long-lasting happiness outside her career. Today she lives in Eagle Point, Oregon with her husband Bob, on a ranch where they raise horses and llamas. Kim is also an accomplished artist and has exhibited her painting in galleries around the country. She enjoys riding, canoeing and expressing herself through paint, poetry and photography.- Actress
- Soundtrack
Audrey Hepburn was born as Audrey Kathleen Ruston on May 4, 1929 in Ixelles, Brussels, Belgium. Her mother, Baroness Ella Van Heemstra, was a Dutch noblewoman, while her father, Joseph Victor Anthony Ruston, was born in Úzice, Bohemia, to English and Austrian parents.
After her parents' divorce, Audrey went to London with her mother where she went to a private girls school. Later, when her mother moved back to the Netherlands, she attended private schools as well. While she vacationed with her mother in Arnhem, Netherlands, Hitler's army took over the town. It was here that she fell on hard times during the Nazi occupation. Audrey suffered from depression and malnutrition.
After the liberation, she went to a ballet school in London on a scholarship and later began a modeling career. As a model, she was graceful and, it seemed, she had found her niche in life--until the film producers came calling. In 1948, after being spotted modeling by a producer, she was signed to a bit part in the European film Nederlands in zeven lessen (1948). Later, she had a speaking role in the 1951 film, Young Wives' Tale (1951) as Eve Lester. The part still wasn't much, so she headed to America to try her luck there. Audrey gained immediate prominence in the US with her role in Roman Holiday (1953). This film turned out to be a smashing success, and she won an Oscar as Best Actress.
On September 25, 1954, she married actor Mel Ferrer. She also starred in Sabrina (1954), for which she received another Academy Award nomination. She starred in the films Funny Face (1957) and Love in the Afternoon (1957). She received yet another Academy Award nomination for her role in The Nun's Story (1959). On July 17, 1960, she gave birth to her first son, Sean Hepburn Ferrer.
Audrey reached the pinnacle of her career when she played Holly Golightly in Breakfast at Tiffany's (1961), for which she received another Oscar nomination. She scored commercial success again playing Regina Lampert in the espionage caper Charade (1963). One of Audrey's most radiant roles was in the fine production of My Fair Lady (1964). After a couple of other movies, most notably Two for the Road (1967), she hit pay dirt and another nomination in Wait Until Dark (1967).
In 1967, Audrey decided to retire from acting while she was on top. She divorced from Mel Ferrer in 1968. On January 19, 1969, she married Dr. Andrea Dotti. On February 8, 1970, she gave birth to her second son, Luca Dotti in Lausanne, Vaud, Switzerland. From time to time, she would appear on the silver screen.
In 1988, she became a special ambassador to the United Nations UNICEF fund helping children in Latin America and Africa, a position she retained until 1993. She was named to People's magazine as one of the 50 most beautiful people in the world. Her last film was Always (1989).
Audrey Hepburn died, aged 63, on January 20, 1993 in Tolochnaz, Vaud, Switzerland, from appendicular cancer. She had made a total of 31 high quality movies. Her elegance and style will always be remembered in film history as evidenced by her being named in Empire magazine's "The Top 100 Movie Stars of All Time".- Actress
- Soundtrack
Dorothy Jean Dandridge was born on November 9, 1922 in Cleveland, Ohio, to Ruby Dandridge (née Ruby Jean Butler), an entertainer, and Cyril H. Dandridge, a cabinet maker and minister. Under the prodding of her mother, Dorothy and her sister Vivian Dandridge began performing publicly, usually in black Baptist churches throughout the country. Her mother would often join her daughters on stage. As the depression worsened, Dorothy and her family picked up and moved to Los Angeles where they had hopes of finding better work, perhaps in film. Her first film was in the Marx Brothers comedy, A Day at the Races (1937). It was only a bit part but Dandridge hoped it would blossom into something better. She only appeared in another film in 1940, in Four Shall Die (1940).
Meanwhile, she dropped out of high school and became part of a musical trio which performed with the orchestra of Jimmie Lunceford. During the late 30s, she dated music composer Phil Moore, who was instrumental in launching her career as a nightclub singer and big band vocalist.
Her next few screen roles in the early 1940s tended to be small stereotypical roles of black girls or princesses - such as Bahama Passage (1941) and Drums of the Congo (1942), She was the singing star of the western themed all-black-cast "soundie" (short musical) Cow-Cow Boogie (1942) and appeared in movies that showcased her talents as actress and singer, like Hit Parade of 1943 (1943) as the vocalist of Count Basie's Band, and twice as the vocalist of Louis Armstrong's Band in Pillow to Post (1945) and Atlantic City (1944).
Those brought her headline acts in the nation's finest hotel nightclubs in New York, Miami, Chicago and Las Vegas. She may have been allowed to sing in these fine hotels but, because of racism, she couldn't have a room in any of them. It was reported that one hotel drained its swimming pool to keep her from enjoying that amenity.
In 1954, she appeared in the all-black production of Carmen Jones (1954) in the title role. She was so superb in that picture that she garnered an Academy Award nomination but lost to Grace Kelly in The Country Girl (1954). She did not get another movie role until Tamango (1958), an Italian film. She did six more films, including, most notably, Island in the Sun (1957) and Porgy and Bess (1959). The last movie in which she would ever appear was The Murder Men (1962) (1961).
Dandridge faded quickly after that, due to an ill-considered marriage to Jack Dennison (her first husband was Harold Nicholas), poor investments, financial woes, and alcoholism.
She was found dead in her apartment at 8495 Fountain Avenue, West Hollywood, on September 8, 1965, aged 42, from barbiturate poisoning. She left $2.14 in her bank account, and a handwritten letter: "In case of my death - whoever discovers it - Don't remove anything I have on - scarf, gown, or underwear. Cremate me right away - if I have any money, furniture, give it to my mother, Ruby Dandridge - She will know what to do.". She was cremated and her ashes were interred in the Freedom Mausoleum at Forest Lawn Memorial Park in Glendale, California.
She was posthumously awarded a Star on the Hollywood Walk of Fame at 6719 Hollywood Blvd. on January 18, 1983.- A former model, the luminously beautiful Dorothy Hart was signed to a contract by Universal Pictures after having made only one film, Columbia's Gunfighters (1947). After that she did westerns, costume dramas, prison sagas, Tarzan movies, and the cult classic I Was a Communist for the F.B.I. (1951). However, she soon left the film business in 1952, moved to New York and did occasional guest spots on TV dramas and game shows. She was very active in working through the United Nations for the world's children.
- Actress
- Soundtrack
Yvonne De Carlo was born Margaret Yvonne Middleton on September 1, 1922 in Vancouver, British Columbia, Canada. She was three when her father abandoned the family. Her mother turned to waitressing in a restaurant to make ends meet--a rough beginning for an actress who would, one day, be one of Hollywood's elite. Yvonne's mother wanted her to be in the entertainment field and enrolled her in a local dance school and also saw that she studied dramatics. Yvonne was not shy in the least. She was somewhat akin to Colleen Moore who, like herself, entertained the neighborhood with impromptu productions. In 1937, when Yvonne was 15, her mother took her to Hollywood to try for fame and fortune, but nothing came of it and they returned to Canada. They came back to Hollywood in 1940, where Yvonne would dance in chorus lines at night while she checked in at the studios by day in search of film work. After appearing in unbilled parts in three short films, she finally got a part in a feature.
Although the film Harvard, Here I Come! (1941) was quite lame, Yvonne glowed in her brief appearance as a bathing beauty. The rest of 1942 and 1943 saw her in more uncredited roles in films that did not quite set Hollywood on fire. In The Deerslayer (1943), she played Wah-Tah. The role did not amount to much, but it was much better than the ones she had been handed previously. The next year was about the same as the previous two years. She played small parts as either secretaries, someone's girlfriend, native girls or office clerks. Most aspiring young actresses would have given up and gone home in defeat, but not Yvonne. She trudged on. The next year, started out the same, with mostly bit parts, but later that year, she landed the title role in Salome, Where She Danced (1945) for Universal Pictures. While critics were less than thrilled with the film, it was at long last her big break, and the film was a success for Universal. Now she was rolling.
Her next film was the western comedy Frontier Gal (1945) as Lorena Dumont. After a year off the screen in 1946, she returned in 1947 as Cara de Talavera in Song of Scheherazade (1947), and many agreed that the only thing worth watching in the film was Yvonne. Her next film was the highly regarded Burt Lancaster prison film Brute Force (1947). Time after time, Yvonne continued to pick up leading roles, in such pictures as Slave Girl (1947), Black Bart (1948), Casbah (1948) and River Lady (1948). She had a meaty role in Criss Cross (1949), a gangster movie, as the ex-wife of a hoodlum. At the start of the 1950s, Yvonne enjoyed continued success in lead roles. Her talents were again showcased in movies such as The Desert Hawk (1950), Silver City (1951) and Scarlet Angel (1952). Her last film in 1952 was Hurricane Smith (1952), a picture most fans and critics agree is best forgotten.
In 1956, she appeared in the film that would immortalize her best, The Ten Commandments (1956). She played Sephora, the wife of Moses (Charlton Heston). The film was, unquestionably, a super smash, and is still shown on television today. Her performance served as a springboard to another fine role, this time as Amantha Starr in Band of Angels (1957). In the late 1950s and early 1960s, Yvonne appeared on such television series as Bonanza (1959) and The Virginian (1962). With film roles drying up, she took the role of Lily Munster in the smash series The Munsters (1964). However, she still was not completely through with the big screen. Appearances in such films as McLintock! (1963), The Power (1968), The Seven Minutes (1971) and La casa de las sombras (1976) kept her before the eyes of the movie-going public. Yvonne De Carlo died at age 84 of natural causes on January 8, 2007 in Woodland Hills, California.- Actress
- Soundtrack
In America, the early performing arts accomplishments of young Maureen FitzSimons (who we know as Maureen O'Hara) would definitely have put her in the child prodigy category. However, for a child of Irish heritage surrounded by gifted parents and family, these were very natural traits. Maureen made her entrance into this caring haven on August 17, 1920, in Ranelagh (a suburb of Dublin), Ireland. Her mother, Marguerita Lilburn FitzSimons, was an accomplished contralto. Her father, Charles FitzSimons, managed a business in Dublin and also owned part of the renowned Irish soccer team "The Shamrock Rovers." Maureen was the second of six FitzSimons children - Peggy, Florrie, Charles B. Fitzsimons, Margot Fitzsimons and James O'Hara completed this beautiful family.
Maureen loved playing rough athletic games as a child and excelled in sports. She combined this interest with an equally natural gift for performing. This was demonstrated by her winning pretty much every Feis award for drama and theatrical performing her country offered. By age 14 she was accepted to the prestigious Abbey Theater and pursued her dream of classical theater and operatic singing. This course was to be altered, however, when Charles Laughton, after seeing a screen test of Maureen, became mesmerized by her hauntingly beautiful eyes. Before casting her to star in Jamaica Inn (1939), Laughton and his partner, Erich Pommer, changed her name from Maureen FitzSimons to "Maureen O'Hara" - a bit shorter last name for the marquee.
Under contract to Laughton, Maureen's next picture was to be filmed in America (The Hunchback of Notre Dame (1939)) at RKO Pictures. The epic film was an extraordinary success and Maureen's contract was eventually bought from Laughton by RKO. At 19, Maureen had already starred in two major motion pictures with Laughton. Unlike most stars of her era, she started at the top, and remained there - with her skills and talents only getting better and better with the passing years.
Maureen has an enviable string of all-time classics to her credit that include the aforementioned "The Hunchback of Notre Dame," How Green Was My Valley (1941), Miracle on 34th Street (1947), Sitting Pretty (1948), The Quiet Man (1952), and The Parent Trap (1961). Add to this the distinction of being voted one of the five most beautiful women in the world and you have a film star who was as gorgeous as she was talented.
Although at times early in her career Hollywood didn't seem to notice, there was much more to Maureen O'Hara than her dynamic beauty. She not only had a wonderful lyric soprano voice, but she could use her inherent athletic ability to perform physical feats that most actresses couldn't begin to attempt, from fencing to fisticuffs. She was a natural athlete.
In her career Maureen starred with some of Hollywood's most dashing leading men, including Tyrone Power, John Payne, Rex Harrison, James Stewart, Henry Fonda, Brian Keith, Sir Alec Guinness and, of course, her famed pairings with "The Duke" himself, John Wayne. She starred in five films with Wayne, the most beloved being The Quiet Man (1952).
In addition to famed director John Ford, Maureen was also fortunate to have worked for some other great directors in the business: Alfred Hitchcock, William Dieterle, Henry Hathaway, Henry King, Jean Renoir, John M. Stahl, William A. Wellman, Frank Borzage, Walter Lang, George Seaton, George Sherman, Carol Reed, Delmer Daves, David Swift, Andrew V. McLaglen and Chris Columbus.
In 1968 Maureen found much deserved personal happiness when she married Charles Blair. Gen. Blair was a famous aviator whom she had known as a friend of her family for many years. A new career began for Maureen, that of a full-time wife. Her marriage to Blair, however, was again far from typical. Blair was the real-life version of what John Wayne had been on the screen. He had been a Brigadier General in the Air Force, a Senior Pilot with Pan American, and held many incredible record-breaking aeronautic achievements. Maureen happily retired from films in 1973 after making the TV movie The Red Pony (1973) (which on the prestigious Peabody Award for Excellence) with Henry Fonda. With Blair, Maureen managed Antilles Airboats, a commuter sea plane service in the Caribbean. She not only made trips around the world with her pilot husband, but owned and published a magazine, "The Virgin Islander," writing a monthly column called "Maureen O'Hara Says."
Tragically, Charles Blair died in a plane crash in 1978. Though completely devastated, Maureen pulled herself together and, with memories of ten of the happiest years of her life, continued on. She was elected President and CEO of Antilles Airboats, which brought her the distinction of being the first woman president of a scheduled airline in the United States.
Fortunately, she was coaxed out of retirement several times - once in 1991 to star with John Candy in Only the Lonely (1991) and again, in 1995, in a made-for-TV movie, The Christmas Box (1995) on CBS. In the spring of 1998, Maureen accepted the second of what would be three projects for Polson Productions and CBS: Cab to Canada (1998) - and, in October, 2000, The Last Dance (2000).
On St. Patrick's Day in 2004, she published her New York Times bestselling memoir, 'Tis Herself, co-authored with her longtime biographer and manager Johnny Nicoletti.
On November 4, 2014 Maureen was honored by a long overdue Oscar for "Lifetime Achievement" at the annual Motion Picture Arts and Sciences Governors Awards.
Maureen O'Hara was absolutely stunning, with that trademark red hair, dazzling smile and those huge, expressive eyes. She has fans from all over the world of all ages who are utterly devoted to her legacy of films and her persona as a strong, courageous and intelligent woman.- Actress
- Soundtrack
As a baby, she was winning beauty contests; as a teenager, with good looks and an attractive contralto voice, she was singing with big bands (most notably Enric Madriguera's orchestra in Latin Club Del Rio in Washington, D.C.. She met Rudy Vallee, her first husband, on the radio where she also enjoyed a brief stint as a singer. At age 15, an attack of palsy left her face partially paralyzed. She claimed that it was through facial exercises to overcome the paralysis that she learned the efficacy of facial expression in conveying human emotion, a skill she was renowned for using in her acting.- Actress
- Soundtrack
Donna Reed was born in the midwestern town of Denison, Iowa, on January 27, 1921, as Donna Belle Mullenger. A small town - a population of less than 3,000 people - Denison was located by the Boyer River, and was the county seat of Crawford County. Donna grew up as a farm girl, much like many young girls in western Iowa, except for one thing - Donna was very beautiful. That wasn't to say that others weren't as pretty, it's just that Donna's beauty stood out from all the other local girls, so much so that she won a beauty contest in Denison. Upon graduation from high school Donna left for college in Los Angeles, in the hopes of eventually entering movies. While at Los Angeles City College, she pursued her dream by participating in several college stage productions. In addition to the plays, she also won the title of Campus Queen. At one of those stage plays Donna was spotted by an MGM talent scout and was signed to a contract. Her first film was a minor role in MGM's The Getaway (1941). That was followed by a small part in Babes on Broadway (1941), with Mickey Rooney and Judy Garland as a secretary. She then won her breakthrough role in Shadow of the Thin Man (1941). Afterwards, MGM began giving her better parts, in films such as The Bugle Sounds (1942), The Courtship of Andy Hardy (1942) and The Man from Down Under (1943). In 1944 she received second billing playing Carol Halliday in See Here, Private Hargrove (1944), a comedy about a reporter drafted into the army who eventually meets up with Donna's character as a worker in the canteen. The following year Donna starred in The Picture of Dorian Gray (1945), her best role to date. It was a love story set in London in 1890. It got mixed critical reviews but did well at the box-office. Donna was now one of the leading ladies of Hollywood. In 1946 she starred in what is probably her best-known role, as the wife of James Stewart in the classic It's a Wonderful Life (1946). This timeless story is a holiday staple to this day. The film also starred Lionel Barrymore and Thomas Mitchell. The next year Donna starred as Ann Daniels in Paramount's Beyond Glory (1948) with Alan Ladd, which did well at the box-office. Her next role was the strongest she had had yet--Chicago Deadline (1949), again with Ladd. It was one of the best mystery dramas to come out of Hollywood in a long time, and did very well at the box office. As the 1940s faded out and the 1950s stormed in, Donna's roles got bigger but were mainly of the wholesome, girl-next-door type. In 1953, however, she starred as the hostess Alma in the widely acclaimed From Here to Eternity (1953). She was so good in that film she was nominated for and won the Academy Award for Best Supporting Actress, beating out such veterans as Thelma Ritter and Marjorie Rambeau. The film itself won for Best Picture and remains a classic to this day. Later that year Donna starred in The Caddy (1953), a comedy with Jerry Lewis and Dean Martin. Three years later she landed the role of Sacajawea in The Far Horizons (1955), the story of the Lewis and Clark Expedition, starring Charlton Heston and Fred MacMurray. After finishing The Whole Truth (1958), Donna began her own TV series (produced by her husband), The Donna Reed Show (1958), a hit that ran for eight years. She was so effective in the show that she was nominated for TV's prestigious Emmy Award as Best Actress every year from 1959-1962. She was far more popular in TV than on the screen. After the run of the program, Donna took some time away from show business before coming back in a couple of made-for-TV movies (in 1974, she had made a feature called Welcome to Arrow Beach (1973), but it was never released). She did get the role of Ellie Ewing Farlow in the hit TV series Dallas (1978) during the 1984-85 season. It was to be her final public performance. On January 14, 1986, less than two weeks before her 65th birthday, she died of pancreatic cancer in Beverly Hills, California. Grover Asmus, her husband, created the Donna Reed Foundation for the Performing Arts in her hometown of Denison. The foundation helps others who desire a career in the arts. Donna never forgot her roots. She was still a farm girl at heart.- Actress
- Soundtrack
Cyd Charisse was born Tula Ellice Finklea on March 8, 1922, in Amarillo, Texas. Born to be a dancer, she spent her early childhood taking ballet lessons and joined the Ballet Russe at age 13. In 1939, she married Nico Charisse, her former dance teacher. In 1943, she appeared in her first film, Something to Shout About (1943), billed as Lily Norwood. The same year, she played a Russian dancer in Mission to Moscow (1943), directed by Michael Curtiz. In 1945, she was hired to dance with Fred Astaire in Ziegfeld Follies (1945), and that uncredited appearance got her a seven-year contract with MGM. She appeared in a number of musicals over the next few years, but it was Singin' in the Rain (1952) with Gene Kelly that made her a star. That was quickly followed by her great performance in The Band Wagon (1953). As the 1960s dawned, musicals faded from the screen, as did her career. She made appearances on television and performed in a nightclub revue with her second husband, singer Tony Martin. Cyd Charisse died at age 86 of a heart attack on June 17, 2008 in Los Angeles, California.- Vikki Dougan was born on 1 January 1929 in New York City, New York, USA. She is an actress, known for The Tunnel of Love (1958), Hootenanny Hoot (1963) and The Great Man (1956).
- Actress
- Costume Designer
- Soundtrack
Born in Shanghai, China to a banker father and a painter mother. The family left for Hong Kong where Irene attended parochial school and studied ballet. At 12 the family immigrated to New York City where Irene attended George Washington HS and Quintano's School for young professionals and studied ballet and jazz at Carnegie Hall. She was a teenage dancer in Flower Drum Song (1961), directed by Henry Koster who gave her her first speaking role as a teenage prostitute in his next film, Take Her, She's Mine starring James Stewart which launched her acting career.
Her career spans four decades in most of the popular TV series (50 titles) and 32 feature films. Irene was able to cross over to play not only Chinese parts but roles originally written for other ethnicities with the help of casting directors and creative writers/directors. Director Paul Mazursky cast Irene as Shiela Waltzberg, the Jewish princess wife in Down & Out in Beverly Hills. Director Frank Tashlin cast Irene as Ray Walston's secretary in Caprice Irene played a Malaysian revolutionary in Paper Tiger. She was also the TV spokeswoman for Chevron Island Wiki Wiki Dollars for Standard Oil, as well as Hawaiian Punch for Proctor and Gamble
Irene Speaks 3 dialects of Chinese, she appeared in the Peter Chan Ho-Sun's hit Hong Kong film Comrades: Almost a Love Story (1996) and Golden Chicken (2002).
Irene studied acting with Ned Manderino and Milton Katselas in Los Angeles For the past two decades, Irene has been a successful realtor in Beverly Hills. She enjoys helping people body mind and spirit. She teaches Bikram yoga for the Beverly Hills Department of Parks.- IMDB Mini Biography
- Actress
- Music Department
- Director
Dame Judi Dench was born Judith Olivia Dench in York, England, to Eleanora Olive (Jones), who was from Dublin, Ireland, and Reginald Arthur Dench, a doctor from Dorset, England. She attended Mount School in York, and studied at the Central School of Speech and Drama. She has performed with the Royal Shakespeare Company, the National Theatre, and at Old Vic Theatre. She is a ten-time BAFTA winner including Best Actress in a Comedy Series for A Fine Romance (1981) in which she appeared with her husband, Michael Williams, and Best Supporting Actress in A Handful of Dust (1988) and A Room with a View (1985). She received an ACE award for her performance in the television series Mr. and Mrs. Edgehill (1985). She was appointed an Officer of the Order of the British Empire (OBE) in 1970, a Dame Commander of the Order of the British Empire (DBE) in 1988 and a Member of the Order of the Companions of Honour (CH) in 2005.- Actress
- Stunts
- Soundtrack
Long before Bea Arthur, Estelle Getty and company showed up in 1980s TV households, Hollywood had, in effect, its own original "Golden Girl"...literally...in the form of stunning British actress Shirley Eaton. Although she found definitive cult stardom in 1964 with her final golden moment in a certain "007" film, Shirley was hardly considered an "overnight success". For nearly a decade, she had been out and about uplifting a number of 1950s and early 1960s British dramatic films and slapstick farce. Shirley became quite a sought-after actress internationally but, by the end of the decade, the dark-browed blonde beauty intentionally bade Hollywood and her acting career a fond and permanent farewell. She has never looked back.
Born in Edgware, Middlesex, England on January 12, 1937 (some references incorrectly list her birth year as 1936), Shirley Jean Eaton began on stage as a youth, making her debut at age 12 in "Set to Partners" (1949) and following it up the following year with Benjamin Britten's "Let's Make an Opera". Her first on-camera work was on TV in 1951, but it didn't take long before the pretty teen began to provide fleeting, decorative interest on film. Under contract to Alexander Korda in her early career, she found an encouraging break with minor parts in such comedies as Doctor in the House (1954) and The Love Match (1955). She quickly rose to co-star status in the droll features, Panic in the Parlor (1956), Three Men in a Boat (1956), Your Past Is Showing (1957) and Doctor at Large (1957), while appearing opposite such top stars as Peter Sellers and Dirk Bogarde, among others.
Upon Korda's death in 1956, Shirley briefly joined the Rank Organization. Every once in awhile, she relished playing a fetching villainess in a drama, such as in The Girl Hunters (1963) when not playing it straight as the beautiful foil caught up in some of Britain's finest madcap farces, which included the highly popular "Carry On" movies. Trained also in ballet and voice, Shirley was afforded a great chance to sing and dance with the film, Life Is a Circus (1960), and managed to grace the BBC as well in a few of their musical formats of the 1950s.
Shirley's career hit international status, of course, when she played "Jill Masterson", one of a bevy of beauties linked to titular archvillain Gert Fröbe in the film, Goldfinger (1964). And like many of the Bondian girls before and since, her character dearly paid for her furtive romantic clinches with Sean Connery's magnetic "James Bond". Shirley's memorable 24-karat gold death scene (She was found by Bond, painted head to toe in gold paint, and had "died of skin suffocation".), became the eye-catching draw for the movie. The image was splattered everywhere -- on movie posters, in press junkets and in publicity campaigns. Despite the formidable attention the movie received in the form of Honor Blackman's high-kicking "Pussy Galore" character and Shirley Bassey's famous rendition of the title song playing the airwaves, it was Eaton's gilded visuals that became THE iconic image of not only the movie but the whole "007" phenomena.
In its wake, Hollywood beckoned and Shirley immediately won a number of female leads in melodrama, crime yarns, war stories and rugged adventures. Adding to the mesmerizing Ivan Tors scenery in such movies as Rhino! (1964) and the underwater epic, Around the World Under the Sea (1966), she appeared opposite some of Hollywood best-looking and talented leading men, including Harry Guardino and Robert Culp of the afore-mentioned Rhino! (1964), and Hugh O'Brian in the classic whodunnit, Ten Little Indians (1965). During this highly productive time, her co-stars ranged from comedy legend Bob Hope in Eight on the Lam (1967) to horror icon Christopher Lee in The Blood of Fu Manchu (1968). Shirley's film career ended with her participation as "Sumuru", the ambitious leader of an all-woman's society called "Femina", in both The Million Eyes of Sumuru (1967) and Mothers of America (1969). Many of her movies remain interesting to the public today as they are a product reflective of their times, and a number of them, like she, have achieved cult status.
After Shirley's self-imposed retirement, she, first and foremost, dedicated herself to her family. The widow of building contractor Colin Rowe (they were married in 1957; he died in 1994), she has two sons, Grant and Jason, and is the proud grandmother of five. She also developed a special knack for writing and, in 1999, published her autobiography entitled "Golden Girl". In 2006, she marketed an "intimate diary" of poems. These days, the spectacular Shirley can be glimpsed from time to time at film festivals that very much appreciate her cult celebrity. She also enjoys painting and has made a return to the stage in recent years.- Actress
- Soundtrack
This gorgeous Teutonic temptress was one of Hollywood's most captivating imports of the 1960s. Blonde and beautiful, Berlin-born Elke Sommer, with her trademark pouty lips, high cheekbones and sky-high bouffant hairdos, proved irresistible to American audiences, whether adorned in lace or leather, or donning lingerie or lederhosen . She was born in Berlin-Spandau on November 5, 1940 with the unlikely name of Else Schletz-Ho to a Lutheran minister and his wife. The family was forced to evacuate to Erlangen, during World War II in 1942, a small university town in the southern region of Germany. It was here that her parents first introduced her to water colors and her lifelong passion for painting was ignited. Her father's death in 1955, when she was only 14, interrupted her education and she relocated to Great Britain, where she learned English and made ends meet as an au pair. She eventually attended college back in Germany and entertained plans to become a diplomatic translator but, instead, decided to try modeling.
After winning a beauty title ("Miss Viareggio Turistica") while on vacation in Italy, she caught the attention of renowned film actor/director Vittorio De Sica and began performing on screen. Her debut film was in the Italian feature, Uomini e nobiluomini (1959), which starred DeSica and was directed by Giorgio Bianchi. Following a few more Italian pictures, which included her first starring role in Love, the Italian Way (1960), also directed by Bianchi, Elke began making a name for herself in German films, as well, and gradually upgraded her status to European sex symbol. A pin-up favorite, she appeared fetchingly in both dramas and comedies, with such continental features as Daniella by Night (1961), Sweet Violence (1962) and her first English-speaking picture, Why Bother to Knock (1961), to her credit.
Hollywood naturally became intrigued and she moved there in the early 1960s to try and tap into the American market. Her sexy innocence made a vivid impression in the all-star, war-themed drama, The Victors (1963), the Hitchcock-like thriller, The Prize (1963), for which she won a "Best Newcomer" Golden Globe Award, and, especially, A Shot in the Dark (1964), the classic bumbling comedy where she proved a shady and sexy foil to Peter Sellers' Inspector Clousseau. She grew in celebrity, which was certainly helped after showing off her physical assets, posing for spreads in Playboy Magazine. In the meantime, she was appearing opposite the hunkiest of Hollywood actors including Paul Newman, James Garner, Glenn Ford and Stephen Boyd.
Always a diverting attraction in spy intrigue or breezy comedy, she was too often misused and setbacks began to occur when the quality of her films began to deteriorate. The tacky Hollywood entry, The Oscar (1966), the Bob Hope misfire, Boy, Did I Get a Wrong Number! (1966), the tired Dean Martin "Matt Helm" spy spoof, The Wrecking Crew (1968), and her title role in the tasteless Cold War comedy, The Wicked Dreams of Paula Schultz (1968), starring Hogan's Heroes (1965) alumnus, Bob Crane, Werner Klemperer and Leon Askin, proved her undoing.
The multilingual actress, whose career took her to scores of different countries over time and benefited from speaking seven languages fluently, resorted to a number of low-budget features in Europe, including two Italian horror movies directed by Mario Bava that have now gone on to become cult classics: Baron Blood (1972) and The Exorcist (1973) rip-off, Lisa and the Devil (1973). The latter movie actually was a guilty pleasure. "Lisa" was re-released in 1975 as "The House of Exorcism" and added more footage of a demonic Elke, Linda Blair style, spewing frogs, insects, green pea soup and a slew of cuss words! In England, she good-naturedly appeared in the "comedy" films, Percy (1971), and its equally cheeky sequel, It's Not the Size That Counts (1974), which starred Hywel Bennett (later Leigh Lawson) as the first man to have a penis transplant(!). She also showed up in one of the later "Carry On" farces, entitled Carry on Behind (1975).
Elke fared better on television, where she appeared in the television pilot, Probe (1972), opposite Hugh O'Brian, as well as the well-made 1980s miniseries, Inside the Third Reich (1982), Jenny's War (1985), Anastasia: The Mystery of Anna (1986) and Peter the Great (1986). In addition, she made a few TV guest appearances on such popular shows as "Fantasy Island," "The Love Boat" and "St. Elsewhere."
A delightful personality on the talk show circuit, the lovely Elke also made appearances as a cabaret singer and, in time, put out several albums. She found a creative outlet on stage too with such vehicles as "Irma la Douce", "Born Yesterday", "Cactus Flower", "Woman of the Year" and "Same Time, Next Year".
Dividing her time between here and in Germany in later years, she added her usual charm to films both here (Lily in Love (1984), Severed Ties (1992)), and in Germany (Himmelsheim (1988), Flashback (2000), Life Is Too Long (2010)).
The veteran actress has since focused more time on book writing and painting than she has on acting. Holding her first one-woman art show at the McKenzie Galleries in Beverly Hills in 1965, her artwork bears an exceptionally strong influence to Marc Chagall and she, at one point, hosted a mid-1980s PBS series ("Painting with Elke"), that centered on her artwork, which has now exhibited and sold for more than 40 years. Nevertheless, on occasion, she tackles an acting role, often in her native Germany. Divorced from writer and journalist Joe Hyams, whom she met when he interviewed her for a Hollywood article (he recently died in November 2008), she has been married since 1993 to hotelier Wolf Walther.- Actress
- Soundtrack
An honest-to-goodness Southern Belle, similar to her most famous character role, "Elly May Clampett" on The Beverly Hillbillies (1962), Donna Douglas grew up in the Baton Rouge, Louisiana area, loving "critters". She got married soon after high school, had a son, divorced and won a couple of beauty contests, all within the span of a few years. She moved to New York and soon appeared on television series, including a well-remembered guest-star shot on The Twilight Zone (1959) in one of the series' most famous episodes, Eye of the Beholder (1960), in which she plays a woman who tries to undergo a series of experimental treatments to make her beautiful, only for the treatments to fail. The twist was she was beautiful, at least to the viewers, but considered hideous to the pig people of the planet, she was on. She immediately won the character role of "Elly May Clampett" on one of the greatest situation comedies of all time, The Beverly Hillbillies (1962). This extremely comical series debuted with The Clampetts Strike Oil (1962), on her 30th birthday, Wednesday, September 26th, 1962, which is among the narrowest & sheerest coincidences, that are hardest to believe.- Actress
- Soundtrack
Her artistic dreams came early in life and were further supported by her older sister Gerd Andersson who became a ballet dancer at the Royal Opera and made her acting debut in 1951. Bibi, on the other side, had to make do with bit parts and commercials. She debuted in Dum-Bom (1953), playing against Nils Poppe. Eventually, she was able to start at the Royal Dramatic Theatre's acting school in 1954. A brief relationship with Ingmar Bergman made her quit school and follow him to the Malmö city theatre, where he was a director, performing in plays by August Strindberg and Hjalmar Bergman. Bergman also gave her a small part in his comedy Smiles of a Summer Night (1955), and larger roles in his Wild Strawberries (1957) and The Seventh Seal (1957). From the the 1960s she got offers from abroad, with best result in I Never Promised You a Rose Garden (1977). During the civil war in Yugoslavia she has worked with several initiatives to give the people of Sarajevo theatre and other forms of culture.- Francesca Romana Coluzzi was born on 20 May 1943 in Tirana, Albania. She was an actress, known for Come Have Coffee with Us (1970), Red Sonja (1985) and Rome (2005). She died on 15 July 2009 in Rome, Lazio, Italy.
- Actress
- Producer
- Writer
Joan Collins is an English actress from Paddington, London. She is most famous for playing the role of vengeful schemer Alexis Carrington Colby in the soap opera "Dynasty" (1981-1989). In 1997, She was appointed an Officer of the Order of the British Empire (OBE) for services to drama. In 2015, She was promoted to the rank of Dame Commander of the Order of the British Empire (DBE) for services to charity.
She was the daughter of talent agent Joseph William Collins (1902-1988) and his wife, dance teacher Elsa Bessant, (1906-1962). Joseph was born in South Africa, and of Jewish descent. As a talent agent, his most famous clients were Shirley Bassey, the Beatles, and Tom Jones. Elsa was born in the United Kingdom to an Anglican family.
Collins was educated at Francis Holland School in London, an independent day school for girls. She made her theatrical debut c. 1942, as a child actress. She had a role in a performance of the play "A Doll's House" (1879) by Henrik Ibsen (1828-1906). In 1949, She started training as an actress at the Royal Academy of Dramatic Art (RADA) in London. In 1950, she signed a contract with a British film studio, the Rank Organisation of businessman Joseph Arthur Rank, 1st Baron Rank (1888-1972).
Collins made her film debut in the short film "Facts and Fancies" (1951), and her feature film debut in "Lady Godiva Rides Again" (1951), where she played an unnamed Beauty Queen Contestant. She had supporting roles as the Greek maid Marina in "The Woman's Angle" (1952) and gangster's moll Lil Carter in "Judgment Deferred" (1952).
Collins had her big break when cast as juvenile delinquent Norma Hart in prison drama "I Believe in You" (1952). She was hailed as Britain's new "bad girl" and started being offered high-profile roles in British films. The next stage in her career started when cast as Princess Nellifer of Egypt in the historical epic "Land of the Pharaohs" (1955), an international production . While the film was not successful at the box office, it became a cult classic and Nellifer was one of her most recognizable roles. Studio executive Darryl Francis Zanuck (1902-1979) was sufficiently impressed to offer her a 7-year-long contract with American studio 20th Century Fox. She took the offer.
Collins' first American film was the historical drama "The Virgin Queen" (1955), where she shared the top-billing with established stars Bette Davis and Richard Todd. She then played the leading role of actress Evelyn Nesbit (1884/1885-1967) in the biographical film "The Girl in the Red Velvet Swing" (1955). The role was intended for established actress Marilyn Monroe, but she replaced Monroe based on a studio decision.
Collins was placed on loan to studio Metro-Goldwyn-Mayer for her next role, that of gold digger Crystal in "The Opposite Sex" (1956). She received the top billing in the refugee-themed film "Sea Wife" (1956), and enjoyed box-office success with the interracial-love themed drama "Island in the Sun" (1957). In the drama film "The Wayward Bus" (1957), she received top-billing over her co-star Jayne Mansfield. Her next films included the spy thriller "Stopover Tokyo" (1957), the Western "The Bravados" (1958), the comedy "Rally Round the Flag, Boys" (1959), the caper film "Seven Thieves" (1960), and the biblical epic Esther and the King (1960).
By 1960, Collins was one of 20th Century Fox's biggest stars, but she demanded a release from her studio contract. She had campaigned for the title role in the upcoming production of "Cleopatra", but the studio chose to cast Elizabeth Taylor in the role. Collins felt slighted. As a freelance actress for most of the 1960s, she had few film roles. Among her most notable roles was playing the leading lady in "The Road to Hong Kong" (1962), the last film in the long-running "Road to ..." series. The male leads for the entire series were Bing Crosby and Bob Hope, but their usual leading lady Dorothy Lamour was considered too old for the role. Collins replaced Lamour.
Collins started appearing frequently on television guest star roles. Among her most notable television roles was the villainous Siren in "Batman", and pacifist spokeswoman Edith Keeler in "Star Trek: The Original Series". "Road to ..." played in only one episode of Star Trek, the time-travel episode "The City on the Edge of Forever" (1967). However the episode is regarded among the best episodes in the entire Star Trek franchise, with Collins considered one of the most memorable guest stars in the original series.
In 1970, Collins returned to her native United Kingdom. She started appearing frequently in British thriller and horror films of the decade. Among her films was revenge-themed drama "Revenge" (1971),science fiction film "Quest for Love" (1972), horror anthology "Tales from the Crypt" (1972), psychological horror "Fear in the Night" (1972), thriller "Dark Places", horror anthology "Tales That Witness Madness" (1973), and horror film "I Don't Want to Be Born" (1975).
Collins appeared in a few comedies in-between horror films, but none was particularly successful. She returned to the United States in order to play a role in the giant monster film "Empire of the Ants" (1977). She then returned to mostly appearing in thriller roles. She was catapulted back to stardom with the lead role of nymphomaniac Fontaine Khaled in the erotic drama "The Stud" (1978), an adaptation of a novel written by her younger sister Jackie Collins. The film was a surprise box office hit, earning 20 million dollars at the worldwide box office. "Road to ..." returned to the role of Fontaine in the sequel film ''The Bitch'' (1979), which was also a hit.
Collins found herself in high demand in both stage and film. But she gained more notoriety with the television role of Alexis Carington in "Dynasty". She started appearing in the role in the second season of the soap opera. Her performance is credited with the subsequent rise of the show's Nielsen's ratings. She became a household name, and received a star on the Hollywood Walk of Fame in 1983.
By 1985, "Dynasty" was the number-one show in the United States, beating out rival soap opera "Dallas". Collins was nominated six times for a Golden Globe Award for her role, winning once in 1983. She was also once nominated for an Emmy as Best Actress in a Drama Series. Collins was viewed as a sex symbol at the time, and in 1983 appeared in a 12-page photo layout for Playboy magazine. She was 50-years-old, unusually old for a Playboy model.
Collins appeared in a total of 195 episodes of "Dynasty". The series was canceled with the last episode of its 9th season, due to falling ratings. New ABC entertainment president Bob Iger (1951-) is credited with ending the series as soon as possible. The show had a cliffhanger ending, and several of its subplots were not resolved. Collins returned to the role of Alexis in the sequel mini-series "Dynasty: The Reunion" (1991). The miniseries only lasted for 2 episodes, but resolved several subplots and was a ratings hit.
Throughout the 1990s., Collins returned to guest star roles in television. She appeared in (among others) "Roseanne", "Egoli: Place of Gold", and "The Nanny", She had the recurring role of Christina Hobson in the short-lived soap opera "Pacific Palisades" (1997). She appeared in 7 of its 13 episodes. Her next notable soap opera role was that of so-called "rich bitch" Alexandra Spaulding in 2002 episodes of the long-running series "Guiding Light". Collins was the third actress to play this role. following Beverlee McKinsey and Marj Dusay.
In film, Collins played Pearl Slaghoople, Wilma Flintstone's mother, in "The Flintstones in Viva Rock Vegas" (2000). It was the second live-action film based on the popular animated series "The Flintstones". In 2006, she toured the United Kingdom with "An Evening with Joan Collins", an one-woman show where she narrated the highs and lows of her career and life. She later toured the word with both this show and its sequel "Joan Collins Unscripted".
Collins had a notable guest star-role as Ruth Van Rydock in the television film "Agatha Christie's Marple: They Do It with Mirrors" (2009). The film was an adaptation of the 1952 novel by Agatha Christie, where Ruth is an old school friend of Jane Marple, who assigned Jane to investigate a home for juvenile delinquents.
Collins played herself in three episodes of the sitcom "Happily Divorced" (2011-2013). She had the recurring role of Crystal Hennessy-Vass in the sitcom "Benidorm" (2007-2018). She had another recurring role as Alexandra, Grand Duchess of Oxford in the soap opera "The Royals" (2015-2018).
Collins had two different roles in the horror anthology series "American Horror Story". She played wealthy grandmother Evie Gallant, and witch Bubbles McGee. She appeared in a total of four episodes in 2018.
By 2024, Collins was 90-years-old. She has never retired from acting, and she continues to appear in new roles.- Actress
- Soundtrack
Actress Linda Evans has personified beauty and grace to American television viewers for over five decades, from her role as Audra Barkley, a daughter of the Old West on The Big Valley (1965) (1965-1969 on ABC) to the glamorous Krystle Carrington on Dynasty (1981) (1981-1989 on ABC) to Hell's Kitchen (2004), the British competitive cooking reality show she won in 2009.
Linda became one of the most celebrated female television stars of the 1980s. For her role as Krystle, wife of an oil multimillionaire played by John Forsythe and good girl counterpart to Joan Collins' evil Alexis, Linda was nominated five times for the Golden Globe Award for Best Actress in a TV Drama series (every year from 1982 to 1986). She won in 1982, sharing the honor with Barbara Bel Geddes of rival primetime television soap opera Dallas (1978). Linda won five People's Choice Awards as Favorite Actress in a Drama Series in 1982, 1983, 1984, 1985, and 1986, and was nominated for an Emmy Award for Outstanding Lead actress in a Drama Series in 1983. For her contribution to the television industry, Linda has a star on the Hollywood Walk of Fame at 6834 Hollywood Blvd.
Linda was born on November 18, 1942, as Linda Evenstad in Hartford, Connecticut, the second of three daughters to parents who were professional dancers. When Linda was six months old, her family moved to Hollywood.
At age 14, Linda was encouraged to take drama classes to overcome her shyness. At 15, she joined a friend who was auditioning for a television commercial. Linda got the part.
A short time later, Linda earned her first guest-starring role on a major television series, Bachelor Father (1957), starring John Forsythe, whose career would become eternally tied to Linda when they portrayed the powerful Carringtons on Dynasty. She went on to guest-star on The Adventures of Ozzie and Harriet (1952), Wagon Train (1957), My Favorite Martian (1963) and other staples of the 1960s before landing the role of Audra, daughter of Big Valley matriarch Victoria Barkley, played by Barbara Stanwyck.
Between her Audra years and her portrayal of Krystle, Linda was rarely off the airwaves, guest starring on shows that ranged from McCloud (1970) to The Rockford Files (1974), from the miniseries North & South: Book 2, Love & War (1986) to the primetime drama Hunter (1976), co-starring Linda as secret agent Marty Shaw.
After Dynasty, Linda decided there was something more to life than Hollywood and moved to the Pacific Northwest, where she began an extraordinary journey of self-discovery.
But she returned to performing frequently, starring in the stage play, Legends, and winning the Hell's Kitchen competition while working under Michelin-starred chef Marco Pierre White.
Linda's often lavish and luxurious life has rivaled Krystle Carrington's. She has dined with queens and presidents, been romanced by the rich and famous, and today, what Linda treasures most is the wisdom she has gained along the way.- Actress
- Soundtrack
Actress Linda Evans has personified beauty and grace to American television viewers for over five decades, from her role as Audra Barkley, a daughter of the Old West on The Big Valley (1965) (1965-1969 on ABC) to the glamorous Krystle Carrington on Dynasty (1981) (1981-1989 on ABC) to Hell's Kitchen (2004), the British competitive cooking reality show she won in 2009.
Linda became one of the most celebrated female television stars of the 1980s. For her role as Krystle, wife of an oil multimillionaire played by John Forsythe and good girl counterpart to Joan Collins' evil Alexis, Linda was nominated five times for the Golden Globe Award for Best Actress in a TV Drama series (every year from 1982 to 1986). She won in 1982, sharing the honor with Barbara Bel Geddes of rival primetime television soap opera Dallas (1978). Linda won five People's Choice Awards as Favorite Actress in a Drama Series in 1982, 1983, 1984, 1985, and 1986, and was nominated for an Emmy Award for Outstanding Lead actress in a Drama Series in 1983. For her contribution to the television industry, Linda has a star on the Hollywood Walk of Fame at 6834 Hollywood Blvd.
Linda was born on November 18, 1942, as Linda Evenstad in Hartford, Connecticut, the second of three daughters to parents who were professional dancers. When Linda was six months old, her family moved to Hollywood.
At age 14, Linda was encouraged to take drama classes to overcome her shyness. At 15, she joined a friend who was auditioning for a television commercial. Linda got the part.
A short time later, Linda earned her first guest-starring role on a major television series, Bachelor Father (1957), starring John Forsythe, whose career would become eternally tied to Linda when they portrayed the powerful Carringtons on Dynasty. She went on to guest-star on The Adventures of Ozzie and Harriet (1952), Wagon Train (1957), My Favorite Martian (1963) and other staples of the 1960s before landing the role of Audra, daughter of Big Valley matriarch Victoria Barkley, played by Barbara Stanwyck.
Between her Audra years and her portrayal of Krystle, Linda was rarely off the airwaves, guest starring on shows that ranged from McCloud (1970) to The Rockford Files (1974), from the miniseries North & South: Book 2, Love & War (1986) to the primetime drama Hunter (1976), co-starring Linda as secret agent Marty Shaw.
After Dynasty, Linda decided there was something more to life than Hollywood and moved to the Pacific Northwest, where she began an extraordinary journey of self-discovery.
But she returned to performing frequently, starring in the stage play, Legends, and winning the Hell's Kitchen competition while working under Michelin-starred chef Marco Pierre White.
Linda's often lavish and luxurious life has rivaled Krystle Carrington's. She has dined with queens and presidents, been romanced by the rich and famous, and today, what Linda treasures most is the wisdom she has gained along the way.- When we think of the term "worse for wear," somehow provocative images of 39-26-37 Edwina Beth Williams (better known as Edy Williams) and her outrageous apparel at film festivals and award shows instantly stand out in one's mind. You have to admit that this wild child, who has now come into her seventies (born on July 9, 1941), can never be accused of being a shrinking violet or not giving her all to her chosen profession.
Born in Salt Lake City, Utah, this courageous perennial starlet grew up in all sorts of ways in southern California. She first began her career chasing after modeling work with local photographers while in her teens and has not slowed down since. An undeniably fetching and voluptuous presence, she was the recipient of several California beauty titles which led to her eventual signing by 20th Century-Fox in the early 1960s.
Known for her untamed chestnut hair, she displayed her talents initially with taunting, decorative roles in such pictures as For Love or Money (1963), Man's Favorite Sport? (1964), A House Is Not a Home (1964) (in which she and fellow glamazon Raquel Welch played call girls), The Naked Kiss (1964), the Elvis Presley musical Paradise, Hawaiian Style (1966) and Nevada Smith (1966) starring Steve McQueen. Television utilized her as sexy scenery or a vapid foil on such series as The Twilight Zone (1959), The Beverly Hillbillies (1962), Burke's Law (1963) and Batman (1966).
In her more mainstream prime, Edy earned second-femme lead status next to James Farentino, Julie Sommars and Brian Bedford in the teasing comedy The Pad (and How to Use It) (1966) and Walter Matthau and Anne Jackson in The Secret Life of an American Wife (1968), but things changed big-time once she associated with producer-director Russ Meyer, her mentor-turned-husband. She was displayed front-and-center as a predatory porn star in his campy softcore erotica Beyond the Valley of the Dolls (1970) and The Seven Minutes (1971), but in the end he failed to make her anything but a cult figure.
She and Meyer divorced in 1975, and since then she has been more or less promoting herself. The notorious publicity hound who could make even Jayne Mansfield wince a little, Edy has made annual cheesecake appearances (not usually in a positive way), opting for jaw-dropping bordello-chic formal wear to get the flashbulbs popping at entertainment events. Her scanty gowns have earned her numerous worst-dressed awards from here to Timbuktu. In later years, she has occasionally departed exploitation with roles in such films as Chained Heat (1983), Lady Lust (1984), Hollywood Hot Tubs (1984), Nudity Required (1989), Bad Girls from Mars (1990) and Snatch Masters 6 (1995). You have to give her credit or praise, Edy Williams certainly succeeded her way. - Actress
- Soundtrack
As Disney's lively lass Katie O'Gill, she was the freshness of spring. She could inspire you to dance a jig through a field of flowers. Her entrancing green eyes and catchy spirit had that kind of life-affirming effect. Cute, spunky, almond-eyed British actress Janet Munro was deemed to be an actress from day one as the daughter of Scottish stage and variety-hall comedian Alex Munro (1911-1986) (born Alexander Horsburgh). Janet Neilson Horsburgh was born in Blackpool (near Liverpool), Lancashire, England on September 28, 1934. Her entertainer father adopted the name Munro a few years after she was born. His wife, Janet's mother Phyllis, died when Janet was 8 and she was raised by his second wife, Lilias.
Janet first trained as a teenager in repertory theatre in the Lancashire area, and in the late 1950s she found popularity on British TV, even earning the title of "Miss Television of 1958" from a fan magazine. She also dabbled in films and had prominent roles in the breezy comedy Small Hotel (1957), the drama The Young and the Guilty (1959), and the creepy sci-fi/horror The Crawling Eye (1958) [aka The Trollenberg Terror].
Adaptable to both comedy and drama, the little charmer caught the eye of Walt Disney who saw big things for her, and she was signed to a five-picture deal in 1959. She made four. Appealing to a brand new generation of Britishers and Americans as the scrappy, brunette-banged ingénue of several box-office family films, she brightened up the screen with her performances in Darby O'Gill and the Little People (1959), Third Man on the Mountain (1959), and Swiss Family Robinson (1960).
The Golden Globe winner for "most promising newcomer" eventually outgrew Disney and tried to move ahead by altering her wholesome image with some mature, spicier roles, but audiences didn't respond well to this sudden departure. The idea of an adult Janet Munro playing overly-sexy ladies and seriously downtrodden women did not take and her career quickly faltered. Despite a BAFTA nomination for her role in Walk in the Shadow (1962), she began to see life unraveling both personally and professionally right before her eyes.
Janet's marriages to actors Tony Wright and Ian Hendry fell by the wayside and two miscarriages, plus chronic medical ills, only deepened her suffering. Worse yet, she developed an acute alcohol problem. Semi-retired from acting between 1964 and 1968 while married to Hendry in order to raise her children, she found the going difficult when she tried to return full-time.
Ironically, one of Janet's last screen roles showed her at her dramatic best, a boozing pop star in the British film Sebastian (1968). Four years later Janet died under somewhat mysterious circumstances. Reports circulated that she choked to death at a London hotel while drinking tea. The immediate cause of her death was acute myocarditis; the underlying cause was chronic ischemic heart disease. The sun set all too soon on this lovely actress when she was only 38. She was survived by her daughters, Sally and Corrie Hendry.- Valli Kemp was born on 19 November 1950 in Kenya. She is an actress, known for Dr. Phibes Rises Again (1972), The Great Muppet Caper (1981) and Riptide (1969).
- Actress
- Producer
- Writer
Cassandra Peterson was born in Manhattan, Kansas, and grew up in Colorado Springs, Colorado. She began her career at age 17 as the youngest showgirl in Las Vegas history in the show "Vive Les Girls" at the Dunes Hotel. After receiving advice from "The King" himself, Elvis Presley, she traveled to Europe where she pursued a career as a singer and actor. She worked in several Italian films, including Federico Fellini's Roma (1972) and performed throughout Europe as lead singer of an Italian rock band.
Upon returning to the United States, she toured the country as star of her own musical-comedy show, "Mama's Boys". She eventually settled in Hollywood, where she spent four and a half years with L.A.'s foremost improvisational comedy group, The Groundlings. In 1981, she auditioned for the role of horror hostess on a local Los Angeles television station. Her show, Elvira's Movie Macabre (1981), and her newly created character, Elvira, became an overnight sensation.
Cassandra has used Elvira's celebrity status to bring attention to many worthy causes and organizations over the years, including her well-known work for animal welfare and raising money and awareness for the prevention of HIV/AIDS. In addition to co-writing and performing in both the local L.A. and nationally syndicated television versions of "Movie Macabre", she co-wrote, produced and starred in two feature films, Elvira: Mistress of the Dark (1988) and Elvira's Haunted Hills (2001). In 2010, she returned to syndicated television in a reboot of her original series, Elvira's Movie Macabre (2010). She returned in 2014 in a similar show format for Hulu's 13 Nights of Elvira. Her latest endeavors include producing, writing and starring in Elvira's 40th Anniversary, Very Scary, Very Special, Special - a 2021 four-hour special streaming on Shudder, and Dr. Elvira, a Halloween promotional mini-series for Netflix.
Cassandra Peterson has spent over four decades solidifying the Elvira brand that has become synonymous with Halloween and the horror genre.- Cassandra Harris was born on 15 December 1942 in Sydney, New South Wales, Australia. She was an actress, known for For Your Eyes Only (1981), Remington Steele (1982) and Rough Cut (1980). She was married to Pierce Brosnan, Dermot Harris and William Firth. She died on 28 December 1991 in Los Angeles, California, USA.
- Actress
- Soundtrack
Shirley Anne Field was one of Britain's most highly respected actresses. She starred opposite Laurence Olivier, Albert Finney, Steve McQueen, Michael Caine, Daniel Day-Lewis and Ned Beatty in such classic films as The Entertainer, Saturday Night and Sunday Morning, The War Lover, Alfie, My Beautiful Laundrette and Hear My Song.
As a teenager, she returned to London, her birthplace. She worked as a photographic model to pay her way through acting school, and had small parts in films. Her break came when she was cast as Tina the Beauty Queen opposite Sir Laurence Oliver in The Entertainer. She credited Tony Richardson, the director, with starting her (proper) career.
Her role as "Doreen" in Saturday Night and Sunday Morning soon followed. Only 22 years old, Shirley Anne was a major film star. Her next movie, Man in the Moon, was featured in a Royal Command Performance. This resulted in her name being above the title in all the major cinemas around Leicester Square. Apparently this is a record to this day.
A friend of Richardson told Shirley how Tony and he had gone to Leicester Square to see her name in lights. She worked with Albert Finney at the Royal Court in Lindsay Anderson production of The Lily White Boys. They later worked together again, on Saturday Night and Sunday Morning, written by Alan Sillitoe.
Hollywood was paying attention. Shirley Anne was cast as the female lead in The War Lover opposite Steve McQueen and Robert Wagner. Then she starred in a Hollywood blockbuster, Kings of the Sun, with Yul Brynner and George Chakiris, filmed in Mexico.
She interspersed her film career with theatre and TV performances in Britain and around the world. She played the lead in Wait until Dark in South Africa. She played the part of "Pamela" in the U.S. television drama Santa Barbara.
In the 1980s, she met up again with Stephen Frears, with whom she had worked when they were both beginners at the Royal Court. He cast her in My Beautiful Laundrette which was a big success and a breakthrough movie Her next big film was Hear My Song, as Cathleen Doyle, was made in the 1990s.
In recent years, she toured in theatre productions such as The Cemetery Club and Five Blue Hair Ladies Sitting on a Green Park Bench. Late in her career, she appeared alongside Flora Spencer Longhurst in Beautiful Relics, a short film directed by Adrian Hedgecock.- Actress
- Soundtrack
Julia Chalene Newmeyer was born on August 16, 1933, in Los Angeles, California, the eldest of three children. Her father, Don, was a one-time professional football player (LA Buccaneers, 1926), her mother, Helene Jesmer, was a star of the Follies of 1920 and later became a fashion designer under the professional name of Chalene. From an early age, Julie studied piano, dance, and classical ballet. She graduated from high school at the age of 15, and spent a year touring Europe with her mother and brother. She became prima ballerina for the Los Angeles Opera. She attended UCLA studying classical piano, philosophy, and French.
Newmar went to New York and tried out for Broadway musicals; in 1955, she made her Broadway debut as the ballerina in "Silk Stockings". She won acclaim for her role as Stupefyin' Jones in "Li'l Abner". Though audiences and critics alike were stupefied by her good looks, that was not the compliment Newmar wanted.
Newmar wanted to be known for her comedy, as she told the New York Times: "Tell me I'm funny, and it's the greatest compliment in the world." She had beauty, brains and a fantastic sense of humor. Promoting her various Broadway and off-Broadway show appearances, she often posed as a pin-up girl. Making the transition to television, Newmar appeared in Rod Serling's science-fiction series The Twilight Zone (1959), playing Miss Devlin (devil). As physical perfection, Julie was perfect to play Rhoda the Robot in My Living Doll (1964); the sitcom had an enthusiastic cult following. In 1966, urged on by her friends, she tried out for and was cast as Catwoman (a character she had never heard of) in the wildly popular television series Batman (1966) On account of a movie commitment, Newmar was unavailable to play Catwoman in the third season. (Her role was taken over by Eartha Kitt.)
Newmar was very busy in the 1960s and 1970s, making guest appearances in many television series and several television movies. She toured the country in stage productions of "Damn Yankees" and "Dames at Sea", among others. Becoming an entrepreneur, in 1977, Newmar turned up in People magazine wearing her new invention, Nudemar pantyhose. In the 1980s, she appeared in nine films while she was busy raising her son and working in the real-estate business. Newmar went back to UCLA to take a few real-estate courses. In 1991, she toured in a stage production of "The Women". Still very active, and very beautiful, she occasionally has appeared at fan conventions.- Lovely, buxom, and shapely blonde bombshell Judith Lee Bamber was born on October 13, 1936 in Ann Arbor, Michigan. She is of mixed German-English and American Indian descent. Her father was an engineer with the Ford Motor Company. Judy started modeling while in high school so she could lose weight and correct her posture. Following graduation from Dearborn High School in 1954, Bamber moved to Detroit to further pursue a modeling career. While in Detroit, Judy met television announcer Frank Robinson, whom she eventually married. In 1955, she moved to Los Angeles, California and worked as a carhop, a laundry clerk, a babysitter, and a dishwasher before her modeling career took off. Bamber briefly owned her own agency and modeled for the J.C. Penney catalog. She then began doing live commercials and was eventually discovered by Nils Thor Granlund, who set her up with drama coach Joe Graham. Judy attended Warner Brothers Acting School. Her personal manager Bryon Griffin got her contracts with both Warner Brothers and American International Pictures. (Both contracts were subsequently dropped when the two studios found out about this.)
Bamber acted in a handful of films and television series in the 1950s and 1960s; she was especially memorable as the snippy and obnoxious Alice in Roger Corman's hilarious horror black comedy cult gem A Bucket of Blood (1959). Moreover, Judy was a popular pin-up girl of the period: She graced the covers of and/or was featured in such men's magazines as "Modern Man", "Vue", "Glamor Parade", "Gaze", "Snappy", "Male Point of View", "Caper" and "Gala". In addition, Bamber also was featured as the cover model on various albums. She gave birth to son Louis I. on September 13, 1962. Judy quit acting and modeling in the mid-1960s so she could focus instead on raising her family. Bamber married Douglas W. McClary on November 11, 1967 and gave birth to son Brooks S. on November 18, 1971. McClary died at age 72 in 2004, and Judy remarried the following year. Bamber lives in Los Angeles, California. - Actress
- Director
- Writer
Britt Ekland was born in Sweden and grew up to be the poster girl for beautiful, big-eyed Scandinavian blondes. She attended a drama school and then joined a traveling theater group. With her looks as her passport, Britt entered films and became a star in Italy. When Peter Sellers met her in a hotel, he fell hard for her and they soon married. The combination of Sellers' stardom and her stunning beauty contributed to her fame (the fact that Sellers suffered a heart attack in bed on their wedding night did not hurt, either). She appeared in two films with her husband: After the Fox (1966), written by Neil Simon, and the forgettable The Bobo (1967). Her claim to fame would come as the young girl who invented the striptease in The Night They Raided Minsky's (1968). After that, she appeared in a string of movies that were built around her looks and not much else. She did appear in some first-rate productions over the years, though, two of them being Get Carter (1971) and the cult classic The Wicker Man (1973). The high point in her career would be her role as Bond girl Mary Goodnight in The Man with the Golden Gun (1974). After her much publicized breakup with rocker Rod Stewart in 1977, Britt continued to make movies--both features and made-for-TV films--and tried the stage. By that time, the quality of her film projects had decreased markedly, and she was reduced to appearing in things like Fraternity Vacation (1985) and Beverly Hills Vamp (1989).- Actress
- Soundtrack
Claudine Auger, a former Miss France 1st Runner-up (1958), received her dramatic training at the Paris Drama Conservatory and is best known to US / UK audiences as the stunning brunette "Domino" opposite Sean Connery in the James Bond thriller Thunderball (1965), She has kept fairly busy since her Bond days, acting in a number of Italian, French and Spanish films including The Bermuda Triangle (1978), Credo (1983), and La bocca (1991).- Actress
- Producer
Luciana Paluzzi's an Italian actress, best known for playing SPECTRE assassin ,Fiona Volpe, in the fourth James Bond film, Thunderball.
In the film, Thunderball she had auditioned for the part of the lead Bond girl, Dominetta "Domino" Petacchi, but producers cast Claudine Auger, changing the Domino character from an Italian to a Frenchwoman and renaming her Dominique Derval.
Paluzzi's first film was an uncredited walk-on part in Three Coins in the Fountain (1954).- Actress
- Additional Crew
- Soundtrack
Brunette bombshell and second-string goddess Jamaican actress Martine Beswick(e) was born on September 26, 1941, to a British father and Portuguese/Jamaican mother in Port Antonio, Jamaica. Some brief modeling and pageant entering came to be before seeking a career in films. She allegedly once won a "Miss Autoville" contest and won a car only to sell it in order to move to and study acting in London.
While finding roles on such British TV series as "Secret Agent," "Love Story" and "Court Martial," a minor break occurred for Martine in the James Bond "007" film series. Director Terence Young cast her twice -- as the gypsy girl Zora in From Russia with Love (1963) and then as the doomed spy Paula in Thunderball (1965). After playing in the well-tanned minority ranks for years, Martine finally got noticed after cat-fighting with Raquel Welch in the cult prehistoric saga One Million Years B.C. (1966), which also starred handsome caveman John Richardson. She also starred in her own back-in-time Neanderthal low-budget Prehistoric Women (1967).
Transporting herself to Hollywood in the late 1960's, Martine guested on such shows as "It Takes a Thief," "Mannix," "The Name of the Game" and "Longstreet." She then made an infamous mark as the distaff evil incarnate in the Hammer Studio horror cult hit Dr Jekyll & Sister Hyde (1971). Other films during that time usually had her in various stages of sexy undress, including Ultimo tango a Zagarol (1973), The Kiss of Death (1974) and Seizure (1974).
She later focused on TV with such mini-movie entries as Crime Club (1975), Strange New World (1975), Devil Dog: The Hound of Hell (1978), My Husband Is Missing (1978) and The Tenth Month (1979), plus the mini-series Aspen (1977) and episodes of "The Six Million Dollar Man," "Baretta," "Quincy," "The Fall Guy," "Fantasy Island," "Hart to Hart," "Buffalo Bill" and "Sledge Hammer." In the mid-1980's, Martine also found back-to-back daytime work on the soap operas Days of Our Lives (1965) and Santa Barbara (1984).
On film, she would quicken pulses as Xaviera Hollander as The Happy Hooker Goes Hollywood (1980), but not return until the early 1990's with the horror films Evil Spirits (1991) and Trancers II (1991), the comedy Life on the Edge (1992) and the drama Wide Sargasso Sea (1993). After filming Night of the Scarecrow (1995), Martine retired from films.
Since then, she has mainly participated in film documentaries, providing commentary and relating her experiences on the many films in which she has appeared. She owned a removals business in London and is semiretired except for guest appearances at James Bond conventions. She did, however, more recently return (after 25 years) to star with fellow Hammer actors Caroline Munro and Veronica Carlson in a horror "tribute" to Hammer entitled House of the Gorgon (2019).- Gila Golan's career started as an Israeli fashion model, which led to appearances as a film actress. She was apparently born in Krakow, Poland, for she was discovered there in a train station during the German occupation in 1940. She was adopted by a Roman Catholic couple and later sent to a boarding school in France before emigrating to Israel after World War II where she changed her name from Zusia Sobetzcki to Miriam Goldberg. She became interested in fashion and her being spotted by an American photographer led to appearing in the Israeli magazine La'isha. It was a natural step for her to extend her fashion activities into the 1960 competition which led to her being crowned "Na'arat Israel" - Israel's Maiden of Beauty (IMB) - or using international usage, "Miss Israel." For this competition she changed her name to Gila Golan. Such a change of names to one more typically Israeli was common at the time, but she may have done this to prevent any embarrassment to her religiously conservative family and friends. She went on to place second in the Miss World competition held later that year in London where she met the Columbia Pictures executive William Cohan and his wife. This led to her entrance into films with a debut in Ship of Fools (1965). Cohen and his wife came to view her as sort of a foster daughter. She married three times and has several children and reportedly she now runs an investment business.
- Actress
- Producer
- Additional Crew
Farrah Fawcett is a true Hollywood success story. Born in Texas, she was the daughter of Pauline Fawcett (Pauline Alice Evans), a homemaker, and James Fawcett, an oil field contractor. She was a natural athlete, something that her father encouraged, and she attended a high school with a strong arts program. She attended the University of Texas in Austin, graduating with a degree in Microbiology, but only wanted to be an actress.
Winning a campus beauty contest got her noticed by an agent, who encouraged her to pursue acting. After graduating, she moved to Los Angeles and her healthy, all-American blond beauty was immediately noticed. She quickly got roles in various television commercials for such products as Ultra-Brite toothpaste, and Wella Balsam shampoo, and also made appearances in some TV series. In 1968, she met another Southerner, actor Lee Majors, star of the popular TV series The Big Valley (1965), on a blind date set up by their publicists. He became very taken with her and also used his own standing to promote her career. In 1969, she made her film debut in Love Is a Funny Thing (1969). The next year, she appeared in the film adaptation of the Gore Vidal bestselling novel Myra Breckinridge (1970). The shooting was very unpleasant, with much feuding on the set, and Farrah was embarrassed by the finished film, which was a major failure. But Farrah was undamaged and continued to win roles. In 1973, she and Majors married, and the following year, she won a recurring role in the crime series, Harry O (1973). She had her first taste of major success when she won a supporting role in the science fiction film, Logan's Run (1976). She came to the attention of the highly successful producer Aaron Spelling, who was impressed by her beauty and vivacious personality. That won her a role in the TV series, Charlie's Angels (1976). She played a private investigator who works for a wealthy and mysterious businessman, along with two other glamorous female detectives, played by Kate Jackson and Jaclyn Smith. The show immediately became the most popular series on television, earning record ratings and a huge audience. All three actresses became very popular, but Farrah became, by far, the best known. She won the People's Choice Award for Favorite Female Performer in a New TV program in 1977. Her lush, free-wheeling, wavy blond hair also became a phenomenon, with millions of women begging their hairstylists to give them "The Farrah", as her hairstyle was called. Fawcett was also a savvy businesswoman, and she received 10% profit from the proceeds of her famous poster in a red swimsuit. It sold millions and she became the "It Girl" of the 1970s.
Fawcett was America's sweetheart and found herself on every celebrity magazine and pursued by photographers and fans. While she enjoyed the success and got along well with her co-stars (both of whom were also of Southern origin), she found the material lightweight. Also, the long hours she worked were beginning to take a toll on her marriage to Majors, who found himself eclipsed by her popularity. So the following year, when the show was at its peak, she left to pursue a movie career. Charlie's Angels' producers sued her, and the studios shied away from her, and she lost out on the lead role in the hit feature film Foul Play (1978) to Goldie Hawn. Eventually, she and the Charlie's Angels producers reached a settlement, where she would make guest appearances on the series. As a result of the negative publicity and some poor script choices, her career briefly hit a slow spot. In addition, she and Majors separated in 1979. She had starring roles in Somebody Killed Her Husband (1978), Sunburn (1979), and Saturn 3 (1980) (which she did a topless scene in), but all three failed financially. She appeared in the Burt Reynolds chase comedy The Cannonball Run (1981), which was successful financially, but it was met not only with bad reviews but also with bad publicity when Farrah's stunt double Heidi Von Beltz was involved in a stunt that went horribly wrong and left her a quadriplegic. Farrah's feature film career came to a halt, and she and Majors were drifting apart. In 1981, she met Ryan O'Neal, a friend of her husband's, and they began became friends and spent a great deal of time together. He also encouraged her to go back to television and she received good reviews in the well-received miniseries, Murder in Texas (1981). In 1982, she filed for divorce, which Majors readily agreed to. Soon, she and O'Neal were a couple and moved in together. She set on sights on becoming a serious dramatic actress. She took over for Susan Sarandon in the stage play, "Extremities", where she played a rape victim who turns the tables on her rapist. That, in turn, led her to her major comeback, when she starred in the searing story of a battered wife in The Burning Bed (1984), based on a true story. It garnered a very large audience, and critics gave her the best reviews she had ever received for her heartfelt performance. She was nominated for both an Emmy and Golden Globe and also became involved in helping organizations for battered women. The following year, she and O'Neal became the parents of a son, Redmond O'Neal. She tried to continue her momentum with a starring role in the feature film adaptation of Extremities (1986), and while she garnered a Golden Globe nomination, the film, itself, was not a hit.
She continued to seek out serious roles, appearing mainly on television. She scored success again in Small Sacrifices (1989), again based on a true crime. Portraying an unhappy woman who is so obsessed with the man she loves that she shoots her children to make herself available and disguises it as a carjacking, Farrah again won rave reviews and helped draw a large audience, and was nominated for an Emmy again. Shortly afterwards, she and O'Neal co-starred in Good Sports (1991), playing a couple who co-star in a sports news program, but O'Neal's performance was lambasted and only 9 episodes were aired. In 1995, she surprised her fans by posing for "Playboy" at the age of 48, it became the magazine's best-selling issue of that decade.
Her relationship with O'Neal was deteriorating, however, and in 1997, they broke up. The breakup took a toll, and she posed for Playboy again at the age of 50. To promote it, she appeared on Late Show with David Letterman (1993) and gave a rambling interview, sparking rumors of drug use. That same year, however, she made another comeback in The Apostle (1997), playing the neglected wife of a Pentacostal preacher, played by Robert Duvall. Both stars were praised and the film became a surprise hit. She also began dating James Orr, who had directed her earlier in the feature film, Man of the House (1995). An incident occurred between them in 1998, and Farrah suffered injuries. The scandal drew nationwide headlines, especially after the tabloids published photos of Farrah with her injuries. The authorities compelled Fawcett to testify against Orr in court, and he was found guilty of assault and given a minimum sentence. Embarrassed, she lowered her profile and her career lost momentum, but she continued to work in television and films. She and O'Neal also started seeing each other again, when he was diagnosed with leukemia. The new millennium brought her highs and lows. In 2000, she acted with Richard Gere in Robert Altman's film, Dr. T & the Women (2000). Her son Redmond has had problems with drug abuse and has been in and out of jail. In 2001, she lost her only sister, Diane Fawcett Walls, to cancer. In 2004, she received her third Emmy nomination for her performance in The Guardian (2003), and she starred in her own reality show, titled Chasing Farrah (2005), in 2005 along with Ryan O'Neal, but that ended after only 7 episodes. That same year, she was devastated when her beloved mother, Pauline Fawcett, died. In 2006, producer Aaron Spelling died, and she famously reunited with her Charlie's Angels co-stars, Kate Jackson and Jaclyn Smith, at the Emmys, in a tribute to him. She looked tan and healthy, but soon, she was diagnosed with anal cancer. She asked her friend Alana Stewart to accompany her and videotape her during her doctor's visits. Those video journals resulted in the documentary Farrah's Story (2009), co-executive produced by Fawcett. It aired in 2009, and viewers were shocked to see Farrah with a shaved head and in a continuous state of pain. Ryan O'Neal and Alana Stewart were constantly by her side, and her Charlie's Angels co-stars, Kate Jackson and Jaclyn Smith, also visited her, marking the final time that all three original Angels appeared together on television. The documentary became a ratings success, and it earned a Emmy nomination as Outstanding Nonfiction Special. On June 25, 2009 Farrah lost her battle with cancer and passed away at aged 62. She left the bulk of her estate to her only son Redmond, and her trust fund allowed for the creation of The Farrah Fawcett Foundation, which provides funding for cancer research and prevention. Alana Stewart is the president of the Foundation and Jaclyn Smith's husband Dr. Brad Allen is one of the Board of Directors. Ryan O'Neal and Farrah's nephew, Greg Walls, are also on the Advisory Board, keeping alive her legacy.- Actress
- Music Department
- Producer
Lynda Jean Cordova Carter is an American actress, singer, and beauty pageant titleholder who was crowned Miss World USA 1972 and finished in the top 15 at the Miss World 1972 pageant. Carter is best known as the star of the live-action television series Wonder Woman, in the role of Diana Prince / Wonder Woman. The role was based on the DC comic book fictional superhero character of the same name, and aired on ABC and later on CBS from 1975 to 1979.- Actress
- Producer
- Soundtrack
One of the leading sex symbols of the 1950s and 1960s, film actress Jayne Mansfield was born Vera Jayne Palmer on April 19, 1933 in Bryn Mawr, Pennsylvania, the only child of Vera J. (nee Palmer; later Peers) and Herbert W. Palmer. Her parents were well-to-do, with her father a successful attorney in Phillipsburg, New Jersey, where she spent a portion of her childhood. Her parents were both born with the same surname, and her ancestry was seven eighths English and Cornish and one eighth German. She was reportedly a talented pianist and played the violin when she was young.
Tragedy struck when Jayne was three, when her father suddenly died of a heart attack. Three years later, her mother remarried and she and her mother moved to Dallas, Texas, buying a small home where she had violin concerts in the driveway of their home. Her IQ was reportedly 163, and she attended the University of Dallas and participated in little-theater productions. In 1949, at the age of 16, she married a man five years her senior named Paul Mansfield. In November 1950, when Jayne was seventeen, their daughter, Jayne Marie Mansfield was born. The union ended in divorce but she kept the surname Mansfield as a good surname for an actress.
After some productions there and elsewhere, Jayne decided to go to Hollywood. Her first film was a bit role as a cigarette girl in Pete Kelly's Blues (1955). Although the roles in the beginning were not much, she was successful in gaining those roles because of her ample physical attributes which placed her in two other films that year, Hell on Frisco Bay (1955) and Illegal (1955). Her breakout role came the next year with a featured part in The Burglar (1957). By the time she portrayed Rita Marlowe in Will Success Spoil Rock Hunter? (1957) and Playgirl After Dark (1960), Jayne was now known as the poor man's Marilyn Monroe. She did not get the plum roles that Marilyn got in her productions. Instead, her films were more of a showcase for her body more than anything else. She did have a real talent for acting, but the movie executives insisted she stay in her dumb blonde stereotype roles. By the 1960s, her career had options that grew lower. She made somewhat embarrassing guest appearances like on the popular game show What's My Line? (1950), she appeared on the show four times in 1956, 1957, 1964, and 1966 and many other 1950s and 1960s game shows. By 1962, she was dropped from 20th Century Fox and the rest of her career had smaller options like being in B movies and low budget movies or performing at food stores or small nightclubs.
While traveling from a nightclub in Biloxi, Mississippi and 30 miles from New Orleans to where she was to be on television the following day, she was killed instantly on Highway 90 in Slidell, Louisiana in a car crash in the early hours of June 29, 1967, when the car in which she was riding slammed into the back of a semi-tractor trailer truck that had stopped due to a truck in front of the tractor trailer that was spraying for bugs. Her car went under the truck at nearly 80 miles per hour. Her boyfriend Samuel Brody and their driver Ronnie Harrison, were also killed. The damage to the car was so bad that the engine was twisted sideways. She was not, however, decapitated, as had long been misreported. She was 34 years old.
Mansfield's funeral was on July 3, 1967 and hundreds of people lined the main street of Pen Argyl for Mansfield's funeral, a small private ceremony at Fairview Cemetery in Plainfield (outside Pen Argyl), Pennsylvania (where her father was also buried), attended by her family. The only ex-husband to attend was Mickey Hargitay. Her final film, Single Room Furnished (1966), was released the following year. In 2000, Mansfield's 97 year old mother, Mrs. Vera Peers, was interred alongside Mansfield.
After Mansfield's death, Mansfield's mother, as well as her ex-husband Mickey Hargitay, William Pigue (legal guardian for her daughter, Jayne Marie), Charles Goldring (Mansfield's business manager), and Bernard B. Cohen and Jerome Webber (both administrators of the estate) all filed unsuccessful suits to gain control of her estate, which was initially estimated at $600,000 ($3,712,000 in 2018 dollars), including the Pink Palace (estimated at $100,000 ($619,000 in 2018 dollars)), a sports car sold for $7,000 ($43,000 in 2018 dollars), her jewelry, and Sam Brody's $185,000 estate left to her in his last will ($1,145,000 in 2018 dollars).
In 1971, Beverly Brody sued the Mansfield estate for $325,000 ($2,011,000 in 2018 dollars) worth of presents and jewelry given to Mansfield by Sam Brody; the suit was settled out of court.
In 1977, Mansfield's four eldest children (Jayne Marie, Mickey, Zoltan, and Mariska) went to court to discover that some $500,000 in debt which Mansfield had incurred ($3,093,000 in 2018 dollars) and litigation had left the estate insolvent.- Actress
- Producer
- Talent Agent
Catherine Fabienne Deneuve was born October 22, 1943 in Paris, France, to actor parents Renée Simonot and Maurice Dorléac. She made her movie debut in 1957, when she was barely a teenager and continued with small parts in minor films, until Roger Vadim gave her a meatier role in Vice and Virtue (1963). Her breakthrough came with the excellent musical The Umbrellas of Cherbourg (1964), in which she gave an unforgettable performance as a romantic middle-class girl who falls in love with a young soldier but gets imprisoned in a loveless marriage with another man; the director was the gifted Jacques Demy, who also cast Deneuve in the less successful The Young Girls of Rochefort (1967). She then played a schizophrenic killer in Roman Polanski's Repulsion (1965) and a married woman who works as a part-time prostitute every afternoon in Luis Buñuel's masterpiece Belle de Jour (1967). She also worked with Buñuel in Tristana (1970) and gave a great performance for François Truffaut in Mississippi Mermaid (1969), a kind of apotheosis of her "frigid femme fatale" persona. In the seventies she didn't find parts of that caliber, but her magnificent work in Truffaut's The Last Metro (1980) as a stage actress in Nazi-occupied Paris revived her career. She was also very good in the epic drama Indochine (1992), for which she earned her first Academy Award nomination (Best Actress). Although the elegant and always radiant Deneuve has never appeared on stage, she is universally hailed as one of the "grandes dames" of French cinema, joining a list that includes such illustrious talents as Simone Signoret, Jeanne Moreau, Isabelle Huppert, Isabelle Adjani and the younger Juliette Binoche.- Actress
- Additional Crew
The enticing, voluptuous European beauty Greta Thyssen filled out the pages of movie magazines everywhere during the 1950s. Born on March 30, 1927, she was a freshly-scrubbed brunette when she was crowned Miss Denmark in 1952. The subsequent attention had her packing her bags for Hollywood. At that time, Marilyn Monroe had become an international sex symbol and Hollywood hopefuls were falling all over themselves to be just like her. Enter Greta, in a major, major transformation, as a statuesque, peroxide-blonde bombshell -- competing against the whistle-blowing likes of Jayne Mansfield and Mamie Van Doren. With mouth-dropping measurements reported at 40-24-36, this pin-up favorite became the best piece of Danish pastry in town. She also had her eyes out for films.
Like Ms. Mansfield and Ms. Van Doren, Greta's movie career was a bust -- literally. She bordered slightly on the seamy side and was offered such roles. However, she proved a trooper and was qualified enough to handle a scattered amount of low-grade crime dramas, adventures and horror stories -- a few having since reached "cult turkey" status. Greta actually started off in the quality movie Bus Stop (1956), unbilled as a "cover girl". She also served as Ms. Monroe's double in the movie. Another small film role in Accused of Murder (1956) led to a regular role as a busty "Pirate Girl" model on the quiz show Treasure Hunt (1956) starring wolfish host Jan Murray. She momentarily took a few male minds off the horrific The Beast of Budapest (1958) and did her scream queen schtick in Terror Is a Man (1959), in which she played vulnerable to a mad scientist-turned-panther-like creature à la "The Island of Dr. Moreau".
Greta added the requisite hard-boiled touch to the noirish detective film Three Blondes in His Life (1961) opposite Jock Mahoney and showed up in Journey to the Seventh Planet (1962) as well, which was another John Agar sci-fi cheapie. On television, she played a fetching foil in some of The Three Stooges shorts (Joe Besser was the third Stooge at the time) and appeared on television series, mostly crime stories, including Dragnet (1951) and Perry Mason (1957). Her film career ended dismally with the inane comedy Cottonpickin' Chickenpickers (1967), which pretty much says this all. Toward the end, she appeared in a couple of wink-wink stage comedies such as "Pajama Tops" until the early 1970s. She then retired from acting and moved to New York City where she found success as a painter, combining representational nude figures and surrealistic allegory. Generally, Greta took advantage of the equipment she had, made this work for her, and got her "fifteen minutes".
Greta Thyssen passed away at age 90 of complications from pneumonia on January 6, 2018 at her Manhattan home.- Actress
- Soundtrack
Blonde and blue-eyed with an attractively feline appeal, Carol Lynley began her professional career as Carolyn Lee. She learned ballet at age seven, became a successful child model at age 10 (eventually working for the Sears & Roebuck department store in New York), and got her face nationally recognized as "the Coca-Cola Girl."
Carole Ann Jones was born in New York City to Frances Fuller (Felch) from New England and Irish immigrant Cyril Roland Jones. Trying to branch out into acting early on, in New York City, to Frances Fuller (Felch), from New England, and Cyril Roland Jones, who was an Irish immigrant. Trying to branch out into acting early on, Carol discovered that another individual by that name, born seven years earlier, was already on the books of Actors' Equity, so Carolyn fused "lyn" and "lee" to create 'Lynley'. From age 15 she appeared on Broadway, played juvenile roles in early anthology television, and was featured on the cover of Life Magazine in April 1957. Her first important film roles came in decidedly wholesome fare, beginning with The Light in the Forest (1958) for Walt Disney Productions, in which she played indentured servant Shenandoe. It was a promising start. A New York Times reviewer praised her performance (alongside that of fellow screen newbie James MacArthur), describing both as "real charmers with more than their share of talent." Thrust once more into the limelight, Lynley reprised her earlier Broadway role in the film version of Blue Denim (1959) as a naive girl who becomes pregnant and ponders having an illegal abortion. This performance got her nominated for a Golden Globe Award as Most Promising Newcomer in 1959. That same year, she graduated with a diploma from New York's School for Young Professionals. Lynley went on to play other ingénues and troubled teens before shedding her wholesome image by the early 1960s.
Return to Peyton Place (1961) headlined the actress as a best-selling novelist who controversially reveals the town's darkest secrets and scandals. This was followed by the bawdy (and mostly irritating) sex farce Under the Yum Yum Tree (1963), with Lynley as a virginal college student in a New York apartment block pursued by a lecherous landlord/playboy (played by Jack Lemmon). Luckily, better opportunities to prove her acting mettle turned up with a double role in The Cardinal (1963) (opposite Tom Tryon), and as the tormented mother of a kidnapped child in the superior psychological thriller Bunny Lake Is Missing (1965), directed by Otto Preminger and co-starring Laurence Olivier. Cinema magazine commented "With a face like that of a fallen angel, Carol Lynley has beauty that is often awe inspiring".
In March 1965, the former teen queen posed nude for an issue of Playboy magazine; later that year she played the title role in a turgid biopic of 1930s Hollywood sex symbol Jean Harlow. While the quality of her films tended to decline after the mid-'60s, there were still entertaining moments in B-pictures like The Shuttered Room (1967) and Once You Kiss a Stranger... (1969) (in this lurid thriller, Lynley rose above her material and was memorable in the role of a psychotic murderess). In Irwin Allen's The Poseidon Adventure (1972), she was merely one of the ill-fated passengers who ended up in Davy Jones' Locker. Still, Variety called her performance "especially effective". After 1967, television provided most of her work, including guest spots in seminal shows like Mannix (1967), The Invaders (1967), Hawaii Five-O (1968) and as co-star of the TV pilot for The Night Stalker (1972) (as Carl Kolchak's girlfriend). In her penultimate role, Lynley played a grandmother in a film titled uncannily similar to the one which had launched her career: A Light in the Forest (2003).
Carol Lynley retired from the screen in 2006. A highly capable actress who should have made a bigger splash in Hollywood, she passed away on September 3, 2019 in Pacific Palisades, California from a heart attack. She was 77.- Dorothy Stratten's story was brief, glorious and tragic. She was born Dorothy Ruth Hoogstraten on February 28, 1960 in Vancouver, British Columbia, Canada. She grew up in a rough neighborhood in Vancouver, but kept out of trouble and went through the motions of school. While not a beauty as a child, nor early teen, Stratten came into her own out of high school and attracted the attention of Paul Snider, a promoter and wannabe star. He started dating her and after seeing an advertisement for Playboy's 25th Anniversary Playmate search in 1978, convinced her to pose for photos. Playboy saw the potential in Stratten and flew her out to Los Angeles, California, where she became a candidate. Although she lost out to Candy Loving, Stratten was made a Playmate in the August 1979 issue of Playboy. Soon after, she was pressured into marrying Snider, who had a Svengali-like influence on her.
After her centerfold came out, Stratten found work in a few movies, notably Americathon (1979) and Skatetown U.S.A. (1979), as well as being the object of Richard Dawson's affection in an ABC-TV special shot at the Playboy mansion. Clearly, her star was on the rise. In 1980, it was revealed that Stratten would be tabbed as the Playmate of the Year by Playboy publisher and founder Hugh Hefner. While this was one of the crowning achievements of her career, things were not going well in her marriage to Snider. He bothered her on the set of the movie Galaxina (1980) and when Snider found out she was developing more than a friendly relationship with director Peter Bogdanovich, Snider grew increasingly frustrated.
After a separation, Snider bought a shotgun and talked Stratten into coming to the apartment they used to share in West Los Angeles. Snider tied her up, sexually assaulted her and put the shotgun next to her face and pulled the trigger. Snider then turned the shotgun on himself to complete the murder-suicide. Since her death, Stratten has become something of a minor cult fixture, and has had two (one a television) movies, a song, and a couple of books written about her. The last movie she was in, They All Laughed (1981), was released after her death.