Best Ex-Yu Directors
The directors of my favorite Ex-Yu films
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Jasmila Zbanic was born on 19 December 1974 in Sarajevo, Bosnia and Herzegovina, Yugoslavia. She is a writer and director, known for Quo Vadis, Aida? (2020), Grbavica (2006) and Na putu (2010). She is married to Damir Ibrahimovic. They have one child.- Director
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Slobodan Sijan was born on 16 November 1946 in Belgrade, Serbia, Yugoslavia. He is a director and writer, known for Who's Singin' Over There? (1980), Maratonci trce pocasni krug (1982) and Strangler vs. Strangler (1984).- Director
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Goran Paskaljevic is one of Europe's most respected independent directors. He was born in 1947 in Belgrade (Serbia) and he studied at the well-known Prague school of cinema (FAMU). He has made 30 documentaries and 17 feature films (Cabaret Balkan, Special Treatment, Someone Else's America, How Harry Became a Tree, Midwinter Night's Dream, When Day Breaks...), shown and acclaimed at the most prestigious international film festivals (Cannes, Berlin, Venice, Toronto, San Sebastian...).
In 2001, Variety International Film Guide marked him as one of the world's top five directors of the year.
The Museum of Modern Art in New York (MoMA) in 2008 and the British Film Institute (London) in 2010, both presented a full retrospective of his feature films, along with the publication of a monograph in English about his work.- Director
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The son of actors Rade Markovic and Olivera Markovic, between 1965 and 1970 he studied film directing in Prague and then started working for television, directing documentaries and about fifty tv movies. His first theatrical feature was the critically acclaimed and financially successful Special Education (1977). Although his followup film was also extremely successful, most of the critics panned it: it would take more than ten years before it was recognized as a classic. Most of his following features have been screened in various Yugoslavian and international festivals. Besides making movies, Markovic also staged two plays and wrote three more. Since 1979 he's been teaching film directing in Belgrade's Dramatic Arts faculty.- Actor
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Ljubisa Samardzic was born into a miner's family. His acting talent was discovered very early and he won a scholarship with respected director Bojan Stupica. After graduating Belgrade Drama Arts Academy and playing a few theater roles, Ljubisa Samardzic was given the part in Igre na skelama (1961). After that experience, he decided to quit theater and try his luck in movies. In a few years he got the leading roles in some of the most popular or influential movies ever made in former Yugoslavia and soon became one of the movie icons in that country, together with 'Velimir 'Bata' Zivojinovic', Milena Dravic and Boris Dvornik. In the 1980s and during the break-up of Yugoslavia his acting star began to fade but he managed to switch careers by founding his own movie production company together with his son Dragan Samardzic. The company not only survived the harsh times of UN sanctions against rump Yugoslavia, but managed to produce few successful movies that became popular in many of the former Yugoslav republics. Ljubisa Samardzic now lives and works in Belgrade, is married and has two children and two grandchildren.- Director
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Milcho Manchevski's acclaimed Before the Rain is considered "one of the greatest debut feature films in the history of cinema" (Annette Insdorf) and "one of the most important films of the decade" (Ann Kibbey). The New York Times included it on its list "Best 1,000 Movies Ever Made". It won the Golden Lion in Venice, Independent Spirit, an Academy Award nomination and 30 other awards.
"Manchevski continues down his distinctive artistic path" (Hollywood Reporter) with the award-winning features Dust (which opened Venice 2001), Shadows, Mothers, Bikini Moon, Willow, the short forms The End of Time, Thursday, Macedonia Timeless, 1.73, Arrested Development's Tennessee and an episode of HBO's The Wire. "His work stands out in world cinema for its unique way of playing with space, time and emotion" (Keith Brown).
Roger Ebert said, "Work like this keeps me going. A reminder of the nobility that film can attain." "His unique blend of experimentation, poetry, emotion, and a demand for the active participation of the viewer in the construction of meaning are highly praised." (Conor McGrady). His work is part of the curricula at numerous universities and is the subject of many essays and books.
Milcho Manchevski wrote and directed the feature films Willow (2019), Bikini Moon (2017), Mothers (2010), Shadows (2007), Dust (2001), Before the Rain (1994) and over 50 short forms, including The End of Time (2017), Thursday (2013), 1.73 (1984) and the music video Tennessee (1991) for Arrested Development. He has also been a director on HBO's The Wire (2002). He had three solo exhibitions of photographs, published works of fiction, books of photographs and staged performance art.
Before the Rain won an Academy-Award nomination and thirty awards, including Golden Lion for Best Film in Venice, Independent Spirit, FIPRESCI, UNESCO, best film of the year in Argentina, Italy, Sweden, Turkey, and other awards in Austria, Belgium, Brazil, Poland, Puerto Rico, Russia, etc. The New York Times included Before the Rain on its list of the best 1,000 films ever made.
All of Manchevski's films were widely screened at international film festivals. Dust was the opening film of the Venice Film Festival. Willow, Shadows and Mothers were the Macedonian Academy Awards entries. Willow and Mothers were selected among the 40 European films of the year by the European Film Academy committee. Willow opened at the Rome Film Festival and subsequently won five festival awards. Mothers screened in the Panorama section of Berlinale, later winning seven festival awards.
Manchevski also won awards for his shorts Thursday (2013) and The End of Time (2017), best experimental film (for 1.73), best MTV video (for Tennessee, which The Rolling Stone placed on the list of the 100 best videos ever), and best commercial (for Macedonia Timeless (2009)).
His films are part of the curricula at numerous universities worldwide, and have been discoursed at a number of conferences. The University of Leipzig (Germany) and the European University Institute in Florence (Italy) hosted academic conferences dedicated, respectively, to Before the Rain and Dust.
He has published fiction, essays and op-ed pieces in Journal of Screenwriting, New American Writing, La Repubblica, Corriere Della Sera, Sineast, The Guardian, Suddeutsche Zeitung, Pravda, etc. Manchevski has staged performance art with the group 1AM (which he founded) and by himself.
He has published a (very small) book of fiction, The Ghost of My Mother (1985), a short book on art theory Truth and Fiction: Notes on (Exceptional) Faith in Art (2012), a book of photographs and essays Pictures, Words and Lies (2015) and three books of photographs, Street (1999), Five Drops of Dream (2010) and There (2020) which accompany the three solo photo exhibitions.
He taught and served as Head of Directing Studies at NYU's Tisch School of the Arts' Graduate Film program. He has also taught and lectured at a number of universities, cinematheques, art museums and art institutes: Feirstein Graduate School of Cinema at Brooklyn College, EICTV (Cuba), VGIK (Russia), London Film School, Oxford Brookes, Cambridge, University of Chicago, University of Texas (Austin), Brown University, FDU (Belgrade), Shanghai Normal University, Hanoi Cinematheque, University of Tsukuba (Japan), University Babelsberg Konrad Wolf (the German state film school), Universität Bielefeld, Universidade Federal do Rio Grande do Sul (Brazil), etc.
Manchevski's work has screened at more than four hundred festivals, and has been distributed in more than 60 countries (theatrically, TV, cable, streaming and video).
He holds an honorary doctorate from VGIK in Moscow, Russia. He is a member of the Directors Guild of America, European Film Academy and the PEN Club.
He has served on festival juries in Venice, Shanghai, Warsaw, Locarno, Teheran, Vilnius, Pula, Montenegro, FEST (Belgrade), Munich, Rostov-on-Don, Hainan, etc.- Writer
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Born in 1963. in Belgrade. Degree in Clinical Psychology and in Film Directing. Author of the 8 feature films and 8 books for grown-up's and the kids. Professor at Film Academy in Belgrade 2000-2004. MP at Serbian Parliament, 2012-2015. Director of 200 commercials, for "the bread and butter" purposes. His books for kids "Poopwille", "Poopking" and "Winged childhood" are among the bestsellers for the kids in Ex-Yu region. His film "Pretty Village, Pretty Flame is among 1000 best films of all time in Halliwell's film encyclopedia and among 30 best war films in history, according to Sight&Sound critics. "The Parade" was a huge box office hit in Europe in 2012 after receiving three awards at Berlinale.- Writer
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Rajko Grlic was born on 2 September 1947 in Zagreb, Yugoslavia [now Croatia]. He is a writer and director, known for Just Between Us (2010), The Border Post (2006) and The Constitution (2016).- Director
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Aida Begic was born on 9 May 1976 in Sarajevo, Bosnia and Herzegovina. She is a director and writer, known for Snijeg (2008), Djeca (2012) and Never Leave Me (2017).- Director
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Darko is a European-born, American-based, genre-oriented writer and director. Graduated with a degree in Film and TV Directing in his native country, worked in several others. Passionate about suspense thrillers, mystery SF, all kinds of westerns and dark comedies. Heavily influenced by non-superhero comics and vinyl records. Adores cats, despite his allergy.- Director
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Zivko Nikolic was born on 20 November 1941 in Ozrinici near Niksic, Montenegro, Yugoslavia. He was a director and writer, known for Cudo nevidjeno (1984), Biljeg (1981) and Graditelj (1980). He was married to Vesna Pecanac. He died on 17 August 2001 in Belgrade, Serbia and Montenegro.- Writer
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Srdjan Karanovic was born on 17 November 1945 in Belgrade, Serbia, Yugoslavia [now Serbia]. He is a writer and director, known for Petrijin venac (1980), Fragrance of Wild Flowers (1977) and Virgina (1991).- Director
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Dusan Makavejev is the premier figure in Yugoslavian film history; his films are deeply rooted in his nation's painful postwar experiences and draw on important Yugoslavian cinematic and cultural models. Makavejev's work has violated many political and sexual taboos and invited censorship in dozens of nations. In the 1950s, after studying psychology at Belgrade University, Makavejev became involved in the activities of various film societies and festivals and studied direction at the Academy for Radio, Television and Film. As early as 1953, he began making short films and documentaries and would work in various capacities at both the Zagreb and Avala studios during the late 50s and early 60s. The documentary impulse remains powerful in Makavejev's work, as does the tendency to intercut undigested segments from other films into longer works.
Makavejev enjoyed great critical success with his first three features, Man Is Not a Bird (1965), "Love Affair" (1967) and Innocence Unprotected (1968). Highly allegorical and relying on techniques derived from Brecht and influenced by Godard, these films were sardonic and anarchistic views of Eastern European state socialist milieus.
Much of Makavejev's work has been uncompromisingly experimental as well as politically outrageous. WR: Mysteries of the Organism (1971) is the best example of this combination and is the director's most influential work to date. Much of the film is composed of a documentary Makavejev researched in the late 1960s while in the US on a Ford Foundation grant and which was eventually financed by German TV. A witty, passionate, and often rambling account of pioneering psychoanalyst Wilhelm Reich and his American disciples, the material is intercut with a fictitious political-sexual allegory set in contemporary Belgrade. The film was instantly banned in Yugoslavia and made Makavejev persona non grata in his native country until the late 1980s.
Sweet Movie (1974) was made in Canadian exile, with some production resources furnished by the National Film Board of Canada. Also a disjointed, two-part narrative, it again focuses on radical techniques in sexual psychotherapy, here played out rather than verbalized. Intertwined is yet another acidic, allegorical fable of the decay of Yugoslavia's socialist legacy. Extremely violent and sexually explicit, "Sweet Movie" was dismissed (and censored) as pornography in many countries, and added to Makavejev's reputation as a "filmmaker maudit."
Montenegro (1981) has been Makavejev's greatest financial success to date. Political commentary and formal experimentation are subordinated to narrative drive in this story of a housewife (Susan Anspach) who grapples with sexual liberation and fails.
The Coca-Cola Kid (1985), Makavejev's second major international co-production, was marred by on-set squabbles between actors, and the rejection of Makavejev's intriguing plan to use a long reel of multilingual Coca-Cola commercials as a narrative structuring device. What emerged was a genuinely erotic film which takes a quirky, satiric view both of its Australian setting and the international business world.
Makavejev's long exile from his homeland ended in 1988 with the release of Manifesto (1988), a Ruritanian political farce mostly shot in Yugoslavia. Although the film marks the most disciplined, traditional storytelling of Makavejev's career, it has seen only limited bookings in the US. Also little seen was his follow-up Gorilla Bathes at Noon (1993), a political comedy based on the adventures of a Russian soldier as he wanders around Berlin.
Profession(s): director, screenwriter, professor, essayist Sometimes Credited As: Sam Rotterdam
Family wife: Bojana Marijan (married in 1964; has worked with Makavejev)
Education Academy of Theater, Radio, Film and Television Belgrade, Yugoslavia Belgrade University Belgrade, Yugoslavia psychology 1955.- Director
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A Serbian film director. Born in 1954 in Sarajevo. Graduated in film directing at the prestigious Academy of Performing Arts (FAMU) in Prague in 1978. During his studies, he was awarded several times for his short movies including Guernica (1978), which took first prize at the Student's Film Festival in Karlovy Vary. After graduation, he directed several TV movies in his hometown, Sarajevo. In collaboration with the screenwriter Abdulah Sidran in 1981, he made the successful feature debut Do You Remember Dolly Bell? (1981) which won the Silver Lion for best first feature at the Venice Film Festival. Their subsequent work, human political drama When Father Was Away on Business (1985) unanimously won top prize at the 1985 Cannes Film Festival as well as FIPRESCI prize and was nominated for the Best Foreign Language film Oscar. In 1989 he won the Best Director award at Cannes for Time of the Gypsies (1988), a film about the life of a gypsy family in Yugoslavia scripted by Gordan Mihic. His first English language movie, Arizona Dream (1993) starring Johnny Depp, Jerry Lewis and Faye Dunaway and scripted by his USA student, David Atkins was awarded the Silver Bear at the 1993 Berlin Film Festival. Underground (1995), a bitter surrealistic comedy about the Balkans, scripted by Dusan Kovacevic, won him a second Palme d'Or at the Cannes Film Festival in 1995.