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- Jay Adler was born on 26 September 1896 in New York City, New York, USA. He was an actor, known for The Killing (1956), Cry Danger (1951) and The Big Combo (1955). He died on 23 September 1978 in Woodland Hills, Los Angeles, California, USA.
- Actor
- Soundtrack
The actor and Broadway director Luther Adler was born into a Yiddish theatrical dynasty. One of the six children born to Jacob P. and Sara Adler, he made his debut in the world in New York City, originally billed as Lutha J. Adler. His full siblings Charles, Jay, Julia, and Stella (the famous acting teacher) as well as his half-siblings Celia and Abram Adler all appeared on Broadway, and his father Jacob, the biggest star of the Yiddish-language theater, was considered one of the great American actors.
The Yiddish theater was an important cultural venue in the days when the millions of Jewish immigrants in the greater metropolitan New York area spoke Yiddish as their first (and sometimes only) language. People who trained and appeared in the Yiddish theater were instrumental in the development of the modern American theater and film, and some, including Sidney Lumet, are still active in the 21st century. It was in this cultural milieu that Luther and his siblings got their grounding in acting and the theater.
Jacob Adler owned and operated his own stage in New York's Lower East Side, and Luther began appearing in the family productions at the age of five with the Adler production of "Schmendrick." He made his official debut as an actor at the age of 13 at his father's theater and his Broadway debut at the the age of 18. Billed as Lutha Adler, he appeared in the Provincetown Players' production of Theodore Drieser's "The Hand of the Potter" in December 1921 at the Provincetown Playhouse,
Adler's first Broadway hit was "Humoresque" in 1923, and he appeared regularly in top productions throughout the '20s, including "Street Scene" (1929) and "Red Dust" (1929). Along with his sister 'Stella Adler", Luther Adler was one of the original members of the Group Theatre acting company, which was formed in 1931 by Harold Clurman (his future brother-in-law), Cheryl Crawford, and Lee Strasberg. Others who would make their bones in the company were Elia Kazan, Julius "John" Garfield, Howard Da Silva, Franchot Tone, John Randolph, Will Geer, Clifford Odets and Lee J. Cobb.
The Group Theatre was dedicated to bringing realism to the American stage and was instrumental in introducing the Stanislavsky technique into American acting. Most members were leftists if not communists, and the collective wanted to produce plays dealing with social issues. For the Groupe Theatre, Adler appeared in "Night Over Taos" (1932), "Success Story" (1933), "Alien Corn" (1933) and two seminal works of the American stage written by Odets: "Awake and Sing!" (1935) and "Golden Boy" (1937). He played opposite leading ladies Katharine Cornell in "Alien Corn" (1933), his sister Stella in "Gold Eagle Guy "(1934), "Awake and Sing!" and "Paradise Lost" (both 1935), and Frances Farmer in "Golden Boy" (1937).
His appearance as the urban ethnic boxer Joe Bonaparte in Odets' "Golden Boy" arguably was his greatest role, but when the film was made in 1939, he was passed over for the improbably cast Wlliam Holden, a white-bread WASP. Although Adler appeared in many motion pictures, his reputation would remain primarily that of a stage actor.
Adler became a director on Broadway in 1942, though his first staging, "They Should Have Stayed in Bed", was a flop, lasting but 11 performances. He next directed Ben Hecht's pro-Israel propaganda play "A Flag is Born" in 1946, starring the great Paul Muni, a graduate of the Yiddish theater, and newcomer Marlon Brando, an Irish-American born-Protestant who had been trained by his sister Stella. The play, which raised money for Jewsh refugees from the Holocaust seeking sanctuary in Palestine, was a hit, running for 120 performances. He also directed "Angel Street" (1955) and "A View from the Bridge" (1960). He last appeared on Broadway as a replacement in the long running "Fiddler on the Roof."
Adler made his movie debut in Lancer Spy (1937), but he never became a star in that medium. His best roles like "Golden Boy" and "Humoresque" were taken by other actors, including Group Theatre alumnus John Garfield. He had memorable supporting turns in the noir classic D.O.A. (1949), in Joseph Losey's remake of M (1951), in Paul Muni's last film The Last Angry Man (1959), in the Holocaust drama The Man in the Glass Booth (1975), and as Paul Newman's mobster uncle in Absence of Malice (1981). He also worked frequently on television.
From 1938 until 1947, Adler was married to the actress Sylvia Sidney. They had one child, a son, Jacob. Luther Adler died in Kutztown, Pennsylvania on December 8, 1984. He was 81 years old.- Actress
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Stella Adler was born on February 10, 1901, in New York, the youngest daughter of the Yiddish theater actors, Jacob P. Adler and Sarah Adler, who founded an acting dynasty. In addition to her parents, Stella's family included her siblings Charles Adler, Jay Adler, Julia and Luther Adler, all of whom appeared on Broadway. Stella made her debut at the age of four in the family-owned theater in the play "Broken Hearts". At the age of 18, she made her London debut as "Naomi" in "Elisa Ben Avia", in which she appeared for a year before returning to New York. Stella then spent the next 10 years treading the boards in vaudeville and Yiddish language theaters throughout North and South America and Europe. In all, she appeared in 100 plays.
Adler was widely acclaimed in the Yiddish theater, but she wanted to break out of that theatrical ghetto and play a wider variety of roles on the legitimate stage and in Hollywood. What was constant in Adler's 83-year-long career was her intense dedication to broadening the level of artistry in the theater.
She made her Broadway debut as a replacement in Carl Kapek's "The World We Live In". (Her official debut as a member of the original company was in "The Straw Hat" on Oct 14, 1926). After its run played out, she joined the acting school run by Richard Boleslawski and Maria Ouspenskaya, the American Laboratory. Both Boleslavsky and Maria Ouspenskaya were former members of the famous Moscow Art Theatre.
While married to Horace Eleaschreff, Adler met Harold Clurman, who would become her second husband and one of the co-founders of The Group Theatre, in 1924 (They would marry 19 years later). In this period, she met another future Group Theatre co-founder, Lee Strasberg, at the Actor's Laboratory when she participated in classes there in 1928. Along with Cheryl Crawford, Clurman and Strasberg founded the Group Theatre in 1931. It became arguably the most influential theater group in 20th century America, at least in terms of its influence on acting by introducing the teaching of Konstantin Stanislavski's System to the American stage. Its aim was the championing of realism and it is credited with bringing naturalism into the American theater. Clurman and Strasberg invited Adler to become a founding member of the Group Theatre. The Utopian political ideals that were central to the idea of the Group Theatre did not appeal to Adler, nor did the cooperative focus of the company, but she did join after being promised leading roles and because she supported Clurman's vision of the theater as an art form. It was with the Group Theatre that Stella played some of her more acclaimed roles, including "Sarah Glassman" in "Success Story", "Bessie Berger" in "Awake and Sing" and "Clara" in "Paradise Lost".
In 1934, she took a leave of absence from the Group Theatre and traveled to Russia to study for five weeks in Moscow Art Theatre, and in private sessions with the great man himself, Konstantin Stanislavski, whose motto was "Think of your own experiences and use them truthfully." Adler was among few American actors, such as Michael Chekhov and Richard Boleslawski to study privately with Stanislavsky. In August 1934, she returned from Russia, and made a presentation of what she learned from Stanislavski, then she began teaching acting classes to members of The Group Theatre troupe, including the actors Elia Kazan, Sanford Meisner and Robert Lewis. Meisner and Lewis would go on to be the most influential acting teachers in America after Adler herself and Strasberg. Kazan, who would go on to become the greatest theatrical director in 20th century American theater, also had a huge impact on American acting by championing what became known in the vernacular as "The Method", which was closely related to Adler's teaching. Kazan's exposure to Konstantin Stanislavski's System via Adler was highly influential in his work.
Stella Adler, being the most experienced of the Group Theatre actors, had not accepted Lee Strasberg's idiosyncratic version of Stanislavski's System, which Strasberg interpreted as "method" and shifted its goals to memory exercises. "The (memory) emphasis was the sick one" in Strasberg's "method", said Stella Adler, as it made acting under Strasberg increasingly painful for her. Feeling uncomfortable with the Group Theatre members, many of whom were also Communist Party members, Adler left the company in 1937 to conquer Hollywood. According to her later student and friend, Marlon Brando, she had a bad nose job to camouflage her looks, so hell-bent was she on conquering the movies as she had the stage. She was not to succeed.Adler spent six years as an associate producer at the Metro-Goldwyn-Mayer studio, at which she acted in movies under the name "Stella Ardler."
She did not achieve the quality of roles or the acclaim that she had in the theater, and she eventually returned to the stage in the early 1940s, acting and directing on Broadway and in London. Adler also began to teach at German émigré Erwin Piscator's acting workshop at the New School for Social Research, where she mentored the young Marlon Brando. She married Clurman in 1943. At its core, the theatrical experience is rooted in the willing suspension of disbelief, with an audience willingly ignoring the fact that it is watching a synthetic entertainment in a highly unrealistic venue. Such is the power of good theater to draw the audience into the world created upon the stage that this suspension of disbelief not only occurs, but that it, as an art form, provides an immediacy that other more "realistic" forms such as movies or television cannot provide. Adler believed that "the theater exists 99% in the imagination" and it was this belief that was the foundation of her philosophy and instruction.
Drawing on Stanislavski's System, Adler made it the bedrock of her technique that an actor's primary concern was with the emotional origins of the script. An actor (and acting student) must search between the lines of the script for the playwright's important, but unspoken, messages. To tap into this vein and bring forth the real meaning in a character, an actor needed both imagination and the ability to open oneself up emotionally. Essentially, Adler's method emphasized that authenticity in acting is achieved by drawing on inner reality to expose deep emotional experience. Konstantin Stanislavski taught her that "the source of acting is imagination and the key to its problems is truth, truth in the circumstances of the play."
It was a fortuitous occasion when Brando enrolled in Erwin Piscator's Dramatic Workshop at New York's New School and came into Stella Adler's orbit. The results of this meeting between an actor and the teacher preparing him for a life in the theater would mark a watershed in American acting and culture as it was through Brando that "The Method" was introduced into the American theater and movies. It would dominate American acting for more than half-a-century and is still the dominant paradigm now, over sixty years since Adler tutored Brando.
"The Method" as taught by Adler and other Group Theater alumni was a more naturalistic style of performing, as it engendered a close identification of the actor with the character's emotions. The extraordinarily sensitive and intelligent Brando was the ideal student due to the prodigious talent he could yoke to the harness of technique that was "The Method". Adler took pride of place among Brando's acting teachers, and socially she helped turn him from a fairly ignorant Midwestern farm boy into a knowledgeable and cosmopolitan artist who one day would socialize with presidents.
Aside from acting, Adler directed two plays on Broadway, "Manhattan Nocturne" during the 1943-44 season, and "Sunday Breakfast" in 1952. Her last appearance as an actress on the Broadway stage was in the revival of "He Who Gets Slapped" in 1946.
Stella Adler left the faculty of the New School in 1949 to establish her own acting school, the Stella Adler Theatre Studio (which would be renamed the Stella Adler Conservatory of Acting before taking its final name, the Stella Adler Studio of Acting). She developed a curriculum from her wide knowledge and experience, combining her understanding of Konstantin Stanislavski's System with the techniques and traditions of the Yiddish theater, The Group Theatre, Broadway and Hollywood. In addition to acting technique, the school offered workshops in play analysis, character, and scene preparation; the students gleaned on-stage experience by performing scenes and plays before invited audiences. Among the alumni of her school were Marlon Brando (chairman of the board of the school until his death), Warren Beatty (who has taken over the position), Robert De Niro and Harvey Keitel.
Adler taught script analysis at Yale for a year and half. Courses for advanced students and professionals were added to the curriculum of her own school, including rehearsal technique and script analysis. Due to her reputation and connections, the school was able to attract distinguished lecturers, including Sir John Gielgud and Arthur Laurents.
Stella Adler was a major inspiration to her students. Her mantra was, "You act with your soul. That's why you all want to be actors - because your souls are not used up by life". Adler is still, more than a decade after her death, viewed as one of the foremost influences on contemporary acting.
Adler divorced Clurman in 1960, after 17 years of marriage. Subsequently, she married Mitchell Wilson, whom she remained married to until his death in 1973. She did not remarry.
Stella Adler died on December 21, 1992 in Los Angeles, California. She was 91 years old.- Actress
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Dianna Elise Agron was born in Savannah, Georgia to Mary and Ronald Agron and grew up in a middle-class family in Savannah before moving to Texas and, later, San Francisco, California, because her father was a general manager for Hyatt. Dianna and her brother Jason were raised Jewish and she graduated from Burlingame High School with honors.
While Dianna was growing up, she spent much of her time performing. She began dancing at age three, focusing mainly on jazz and ballet; she later began hip-hop dancing. She also appeared in many local musical-theater productions.
After graduating from high school, Dianna decided to pursue acting as a career and began appearing in commercials and television shows including CSI: NY (2004), Numb3rs (2005), Veronica Mars (2004), and Heroes (2006). In 2009, she won the role of high-school cheerleader Quinn Fabray on the FOX television series Glee (2009). Since the hit television show's premiere on May 19th, 2009, she and her castmates have received critical praise for well as her fellow cast mates, have received critical praise for their incredible work. In addition to her work on, Glee (2009), Dianna has ventured into films, such as Burlesque (2010), where she had the opportunity to star alongside Christina Aguilera, Cher, and Stanley Tucci, and the action thriller I Am Number Four (2011). There is no doubt that her beautiful talent will shine for years to come.- Actress
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Pamela Adlon comes from an acting family and began her career in television in 1983. She has appeared in many popular TV shows, including as a voice actress in a number of animated TV series including, most famously, King of the Hill (1997) for which she won an Emmy for her role as Bobby Hill.Voice of Bobby Hill- Actor
- Music Department
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Bandleader who had several big instrumental hits in 1960s with his band, Herb Alpert & The Tijuana Brass. First big hit was "The Lonely Bull" in 1963. He and the Brass followed that with other big hits like "Tijuana Taxi", "Spanish Flea" (familiar to some as "the Dating Game song"), "A Taste of Honey", and "Zorba the Greek". It wasn't until he decided to try a vocal that he finally hit #1 on the Billboard charts with "This Guy's in Love With You" in 1968. After the breakup of the Tijuana Brass, Alpert was out of the public eye until his comeback album, Rise, hit the charts in 1979. That album produced his first instrumental #1, "Rise". After several mediocre attempts after that, Alpert laid low and then resurfaced in 1987 with a more modern jazz/funk sound with "Keep Your Eye on Me".- Director
- Animation Department
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Wesley Meyer Archer is an American animation director and storyboard artist from Houston, Texas who is known for directing episodes of animated shows such as Rick & Morty, The Simpsons, King of the Hill, The Goode Family, Starship Regulars, Allen Gregory, Zombie College, Supermodels, Futurama, Bob's Burgers and Disenchantment. He graduated from CalArts.- Producer
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- Actor
Allan Arkush was born on 30 April 1948 in Jersey City, New Jersey, USA. He is a producer and director, known for Heroes (2006), Rock 'n' Roll High School (1979) and Crossing Jordan (2001).- Actress
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- Soundtrack
Eleanor Audley was an American actress, with a distinctive voice that helped her find work as a voice actress in radio and animation. She is primarily remembered as the first actress to voice Lady Tremaine and Maleficent, two of the most memorable Disney villains.
Audley's real name was Eleanor Zellman, and she was from New York City. She was Jewish, but little is known about her family background and she apparently never married.
She made her acting debut in 1926, aged 20, at the Broadway production of "Howdy, King". She remained primarily a theatrical actress through the 1920s and the 1930s. During the 1940s, Audley started playing a number of prominent roles in radio serials. Among them was mother-in-law Leticia Cooper in "My Favorite Husband" (1948-51), receptionist Molly Byrd in "The Story of Dr. Kildare" (1949-51), and neighbor, Elizabeth Smith in "Father Knows Best" (1949-54).
Audley was hired by Disney to play the role of wealthy widow Lady Tremaine in the animated feature film "Cinderella" (1950). Audley was also used as the live-action model of the character, and her facial features were used by the animators who designed the character. In the film, Lady Tremaine is depicted as the abusive stepmother of Cinderella (voiced by Ilene Woods) and the domineering mother of Anastasia Tremaine (voiced by Lucille Bliss) and Drizella Tremaine (voiced by Rhoda Williams). The film was a box office hit, and its profits helped rescue the Disney studio from a financial decline that had lasted for almost a decade.
For the rest of the decade, Audley appeared regularly in supporting roles in film, and guest roles in television. She returned to animation when hired to voice the evil fairy Maleficent in "Sleeping Beauty" (1959). As before, Audley was also used as a live-action model for the character. During the film's production, Audley was struggling with tuberculosis, While nominally the villain, Maleficent received more screen-time in the finished film than titular protagonist Princess Aurora (voiced by singer Mary Costa).
"Sleeping Beauty" had box office receipts of more than $51 million in the U.S. and Canada, against a budget of $6 million. It finished the year second in ticket sales, behind the number one film, "Ben-Hur." Audley was not invited to voice other villains. The film earned critical and popular acclaim through later re-releases, and Maleficent has been revived many times by Disney. But never with her original voice actress.
In the 1960s, Audley played supporting roles in then-popular television series. Among her most prominent roles were Irma Lumpkin in "The Many Loves of Dobie Gillis", Peggy Billings in "The Dick Van Dyke Show", Millicent Schuyler-Potts in "The Beverly Hillbillies" , Aunt Martha in "Mister Ed", Jenny Teasley in "Pistols 'n' Petticoats", Eunice Douglas in "Green Acres", and Beatrice Vincent in "My Three Sons".
Audley worked with Disney again to voice psychic medium Madame Leota in the Haunted Mansion attractions in Disneyland and Walt Disney World. Leota is depicted as a ghost who communicates with the living, and other actresses have since voiced the character.
Her long career ended prematurely in the 1970s, due to increasingly poor health. She lived in retirement until her death in 1991, at the age of 86. The cause of death was respiratory failure. Audley was interred at the Mount Sinai Memorial Park Cemetery in Los Angeles. Her character of Madame Leota received its own tombstone in 2001. The epitaph reads: "Dear sweet Leota, beloved by all. In regions beyond now, but having a ball."- Cute, tiny, and prolific little old lady character actress Frances Bay worked constantly in both films and TV shows alike after making her debut at the age of 59 in life with a small part in the comedy Foul Play (1978) in 1978.
She frequently portrayed eccentric elderly women and good-hearted grandmothers in all kinds of pictures and television programs. Frances acted several times for David Lynch: she's Kyle MacLachlan's sweet doddery aunt in Blue Velvet (1986), a gruff, profane whorehouse madam in Wild at Heart (1990), and the spooky Mrs. Tremond in the cult TV series Twin Peaks (1990) and its spin-off feature Twin Peaks: Fire Walk with Me (1992). Frances popped up in two movies for director Stuart Gordon: she's a kind witch in The Pit and the Pendulum (1991) and a fortune teller in Edmond (2005).
Other notable film roles include a snippy librarian in The Attic (1980), a mysterious blind nun in the offbeat Nomads (1986), another librarian in In the Mouth of Madness (1994), and Adam Sandler's loving grandmother in the hit comedy Happy Gilmore (1996). Frances had the unique distinction of guesting on the final episodes of the TV shows Happy Days (1974), Who's the Boss? (1984), and Seinfeld (1989).
Among the many TV series Bay had guest spots on are Charmed (1998), ER (1994), Matlock (1986), The X-Files (1993), Murder, She Wrote (1984), The Commish (1991), L.A. Law (1986), Hill Street Blues (1981), Touched by an Angel (1994), The Golden Girls (1985), and Amazing Stories (1985).
She won a Gemini Award for her performance in the Disney TV program Avonlea (1990). Frances was also in the music video for Jimmy Fallon's "Idiot Boyfriend." In addition to her substantial movie and TV credits, Bay also acted in both Off-Broadway stage productions and regional theater; these plays include "Finnegan's Wake," "Grease," "Genuis," "The Caucasion Chalk Circle," "Number Our Days," "Uncommon Women," "Sarcophagus," and "The Pleasure of His Company." Frances won two DramaLogue Awards and was nominated for a Los Angeles Dramatic Critics' Award.
In 2002 Bay was the unfortunate victim of an automobile accident which resulted in having part of her right leg amputated. Her husband Charles sadly died in 2002 as well.
In real life Frances Bay was a very practical and unassuming woman with an avid love for jazz music. - Actor
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A bold, innovative, avant-garde figure in theatre who helped revolutionized the style of playwriting and acting in the 1950s and 1960s, actor/writer/producer/directer Julian Beck was certainly a odd-looking sort with his baleful, hollow eyes, stark and skullish features and near-bald dome capped by long fringes of stringy hair along the side. He could have easily given inspiration to the creepy look Richard O'Brien gave his bizarre character in "The Rocky Horror Show."
Born in the Washington Heights section of Manhattan in New York City, Julian was the son of Irving, a businessman, and Mabel Lucille (Blum) Beck. Educated at the College of the City of New York, he briefly attended Yale University, but then abandoned it to pursue writing and art. An abstract expressionist painter in the 1940s, his life's destiny was forever changed after meeting his future wife, actress/writer/director Judith Malina, in 1943. His passions swiftly centered around the likes of hers -- the theatre -- and together they co-founded The Living Theatre in 1947, which would base itself in New York City. Their subsequent contributions propelled the off-off-Broadway movement and the vision of performance art. Julian would continue to work with the Living Theater up until his death nearly forty years later.
The group strongly reflected the ideals of another theatre revolutionary, Antonin Artaud (1896-1948), who embraced the Theatre of Cruelty and sought to jar its audiences out of their own complacency. The plays were presented in various venues, chiefly in the couple's own home when it couldn't financial keep up a theatre space. The Living Theatre also spread its philosophy throughout the world, performing extensively in non-traditional places such as street corners and prisons. In one performance piece, from Jack Gelbert's "The Connection," the drama about drug addiction had its actors playing junkies and wandering about the audience shouting expletives while demanding money for a fix. They were among the first to import the plays of Bertolt Brecht and Jean Cocteau, as well as modernist poets such as T.S. Eliot and Gertrude Stein. Their productions could be undeniably repelling or imaginative and often involved collective improvisation. It took on an anarcho-pacifist point of view while celebrating the uninhibited use of drugs, hallucinogens, crude language and anything else under the kitchen sink in order to send home its political intent or shock effect. One of their their most controversial works was "Paradise Now" (1968), a free-form denouncement of American life that involved nudity and audience participation. Other productions include "The Brig" (1963), "In the Jungle of the Cities" (1960), The Brig (1963), "Frankenstein" (1968) and Antigone (1968). Their work often led to their frequent arrests for anything from indecent exposure to drug possession.
The Living Theater moved out of New York for a time in 1974 due to tax problems and a sensationalistic trial that Beck and Malina lost. Besides his theatre work, Beck published several volumes of poetry reflecting his left-wing, anarchist beliefs, two non-fiction books and a handful of experimental and mainstream films. His intense, imposing acting style was captured vividly in films, such as his sadistic gangster in The Cotton Club (1984) and his creepy, spectral stranger in Poltergeist II: The Other Side (1986), a rare major role that ended up becoming his final movie.
Diagnosed with stomach cancer in 1983, he died at Mount Sinai Hospital in New York City while filming the afore-mentioned movie at the age of 60 on September 14, 1985. He was survived by his wife, a brother, and two children, Garrick and Isha.- Writer
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Renowned composer ("West Side Story", "Candide", "On The Town"), conductor, arranger, pianist, educator, author, TV/radio host, educated at the Boston Latin School and Harvard University (BA) with Walter Piston. Edward Burlingame Hill and A. Tillman Merritt. He studied piano with Helen Coates, Heinrich Gebhard and Isabelle Vengerova, at the Curtis Institute with Fritz Reiner, and at the Berkshire Music Center with Serge Koussevitzky (and became an assistant to Koussevitzky). He was assistant conductor of the New York Philharmonic in 1943-1944, and conductor of the New York Symphony, 1945-1948.
He was music advisor to the Israel Philharmonic from 1948-1949, and a member of the faculty at the Berkshire Music Center from 1948 (though he did take leaves of absence), and head of the conducting department there in 1951. He was Professor of Music at Brandeis University, 1951-1956; and co-conductor of the New York Philharmonic, 1957-1958, and music director there after 1958. He won an Emmy award for his televised Young People's Concerts. He was guest conductor of symphony orchestras in the USA and Europe, and conducted the Israel Philharmonic seven times between 1947 and 1957. He toured the US with Koussevitzky in 1951, and was the first American to conduct at the La Scala Opera House in Milan, in 1953. He was awarded the Sonning Prize in Denmark, and was a member of the National Institute of Arts and Letters.
He joined ASCAP in 1944, and his chief musical collaborators included Betty Comden, Adolph Green, John Latouche, and Stephen Sondheim. His song compositions include "New York, New York", "Lonely Town", "Some Other Time", "I Can Cook, Too", "I Get Carried Away", "Lucky to Be Me", "Ohio", "A Quiet Girl", "It's Love", "A Little Bit in Love", "Wrong Note Rag", "Glitter and Be Gay", "El Dorado", "The Best of All Possible Worlds", "Maria", "Tonight", "Something's Coming", "I Feel Pretty", "Cool", "America", and "Gee, Officer Krupke".- Writer
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Attended Carnegie Tech (now Carnegie-Mellon University) as a playwriting major. Barbara Bosson (his second wife), Michael Tucker, Bruce Weitz and Charles Haid were classmates; he and Tucker drove cross-country to Hollywood for full-time jobs at Universal, where Bochco would remain for 12 years.
In 1978, he moved to MTM Enterprises, who after several attempts gave him carte Blanche to create a show similar to Fort Apache the Bronx (1981) (Hill Street Blues (1981)). In 1985, MTM fired him, in part for his inability to keep HSB on budget. After creating L.A. Law (1986) and Doogie Howser, M.D. (1989) for NBC, he struck a $15M deal with ABC in 1987 to create 10 series pilots over 10 years.Creator of “Hill Street Blues”, “L.A. Law” and “Doogie Howser, M.D.”- Actress
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Natalie Burn is an accomplished actress of Ukrainian heritage, now holding American citizenship. She boasts a distinguished career, marked by her commitment to excellence in the performing arts. Natalie is proud to be a lifetime member of The Actors Studio and an active member of the Academy of Television Arts and Sciences.
In her latest project, "Til Death Do Us Part," which was released in AMC theaters nationwide, Natalie received critical acclaim for her portrayal as a runaway bride in danger. Several reviewers and articles like Hollywood Reporter, CBS News and LA Times praised Burn's ability to do her own stunts as well as her dramatic performance alongside esteemed actors Cam Gigandet and Jason Patric. Her recent credits encompass a range of notable productions, including Warner Brothers' DC Comic film "Black Adam," starring Dwayne Johnson, and "The Enforcer," opposite Antonio Banderas and Kate Bosworth. She shone in "The Expendables 3" alongside Sylvester Stallone, Arnold Schwarzenegger, and Mel Gibson. Her upcoming film, "The Movers," features Academy Nominee Terence Howard and Jena Malone.
Natalie's television work includes co-starring roles in the Amazon Prime Emmy Award-winning Limited Drama Series "Studio City," which earned her an Indie Series Award Nomination for Best Supporting Actress, and the Lifetime Original movie "Vanished: Search for My Sister.
Also recognized for her exceptional skills in martial arts, Natalie has starred in several action movies across industry legends like Bruce Willis and Jason Statham. Recently, she commanded the screen as the lead in the action-packed thriller "Acceleration," alongside Dolph Lundgren and Sean Patrick Flanery. Later this year she can be seen starring in the upcoming medieval epic "The Last Redemption."
In addition to her acting prowess, Natalie is a classically trained ballet dancer, having graduated from The Royal Ballet School in London and Bolshoi Ballet Academy. Fluent in four languages, she brings a global perspective to her artistic endeavors.
As a producer, Natalie owns two production companies, 7Heaven Productions and Born To Burn Films, with a track record of producing a dozen successful films to date and several more in pre-production.
Driven by a desire to inspire and empower women in the entertainment industry worldwide, Natalie Burn sets a high standard as a role model for artistic excellence and professionalism.- Producer
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Mark Cuban was born July 31, 1958 in Pittsburgh, Pennsylvania, to Shirley (Feldman) and Norton Cuban, an automobile upholsterer. His family, of Eastern European Jewish descent, was originally named Chabenisky. Mark graduated from Indiana University in 1981 with a degree in Business. After college, he moved to Dallas, Texas and created a computer consulting business called "MicroSolutions" which transformed him into a millionaire when he sold the business to CompuServe in 1990. In 1995, Mark and his business partner Todd Wagner began working on an idea (that later became known as Broadcast.com) in order to stream live events over the Internet. This innovative duo sold their company to Yahoo.com in 1999 for billions of dollars in Yahoo! stock. Mr. Cuban went on to purchase the NBA's Dallas Mavericks basketball franchise for $285 million on January 14, 2000, dramatically changing the team for the better. Mark's brilliant ability to lead this organization and mold the Mavericks into an evolving superior force led the team to reach the NBA Finals in 2006 for the first time in franchise history.
Beyond that, Cuban launched the high-definition television network "HDNet" in September of 2001 with Philip Garvin. HDNet provides the highest level of digital broadcast quality available. Mark and Todd Wagner established a media company named "2929" with holdings that cover many aspects of entertainment. This includes film production companies HDNet Films and 2929 Productions, movie distributor Magnolia Pictures, home video distributor Magnolia Home Entertainment, the Landmark Theatres chain, and a stake in Lions Gate Entertainment.
Mr. Cuban is famous for his bold, unambiguous views and mindset, which has a great deal to do with his perpetual success. He continues to challenge the status quo in the worlds of media and technology. In 2005, Mark announced he was financially backing the underdog in a U.S. Supreme Court "peer-to-peer" file-sharing case. Also in 2005, Cuban experimented with a "day-and-date" model when he produced the film Bubble (2005) which was released simultaneously across theatrical, television and home video platforms. His stated goal of collapsing the traditional release windows was intended to give consumers the choice in terms of exactly how they might be interested in viewing a film.
It's impossible to truly know what Mark Cuban will create, produce, buy, or sell next, but you can bet it will be considered "genius" just like the man himself.- Actor
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Michael Cudlitz was born on 29 December 1964 in Queens, New York, USA. He is an actor and director, known for Grosse Pointe Blank (1997), The Walking Dead (2010) and Sex Drive (2008). He is married to Rachael Cudlitz. They have two children.- Director
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Jules Dassin was an Academy Award-nominated director, screenwriter and actor best known for his films Rififi (1955), Never on Sunday (1960), and Topkapi (1964).
He was born Julius Samuel Dassin on 18 December 1911, in Middletown, Connecticut, USA. He was one of eight children of Russian-Jewish immigrants, Samuel Dassin and Berthe Vogel. Young Dassin grew up in Harlem, and he attended Morris High School in the Bronx, graduating in 1929. After taking acting classes in Europe, he returned to New York. In 1934, he became and actor with the ARTEF Players (Arbeter Teater Farband), and was a member of the troupe until 1939. Dassin played character roles in Yiddish, mainly in the plays by Sholom Aleichem. But upon discovering "that an actor I was not," he switched to directing and writing. At that time, he joined the Communist Party of the United States, but left the party in 1939, he said, disillusioned after the Soviet Union signed a pact with Adolf Hitler.
Dassin came to Hollywood in 1940, and was an apprentice to directors Alfred Hitchcock and Garson Kanin. In 1941, he made his directorial debut at MGM with adaptation of a story by Edgar Allan Poe. Dassin's best directorial works for Hollywood include such criminal dramas as Brute Force (1947) starring Burt Lancaster; The Naked City (1948), one of the first police dramas shot on the streets of New York; and Night and the City (1950) starring Richard Widmark as a hustler in London who is caught up in his own schemes. While he was assigned by producer Darryl F. Zanuck to make the film, Dassin was accused of affiliation with the Communist Party in his past. Zanuck advised Dassin to "shoot the expensive scenes first, to hook the studio" so the film was finished and released in 1951. Dassin was reported to HUAC in a 1951 testimony by directors Edward Dmytryk and Frank Tuttle. That was enough to sink his career in Hollywood. Dassin was subpoenaed by HUAC in 1952 and eventually became blacklisted after refusing to testify before the House Un-American Activities Committee.
He left the United States for France in 1953 and struggled during his first years in Paris. He was not fluent in French, and his connections were limited. However, Dassin's low-budget film, Rififi (1955), famous for its long heist sequence that was free of dialog, won him the Best Director Award at the 1955 Cannes Film Festival. There, he met the Greek actress Melina Mercouri. Later, Dassin co-starred opposite Mercouri in his film Never on Sunday (1960), which won the Best Film Award at Cannes in 1960. At that time, the anti-Communist witch hunt in America was fading, and Dassin was accepted again. He received two Academy Award-nominations for directing and screen-writing for Topkapi (1964), starring Mercouri, Maximilian Schell, and Peter Ustinov. Dassin also served as member of jury at the Cannes and several other international film festivals.
Jules Dassin was married twice. He had three children with his first wife, violinist Beatrice Launer. His son, Joe Dassin, was a popular French singer in the 1960s and '70s, with such hits as "Bip Bip," "L'Eté Indien" and "Aux Champs-Èlysées." In 1966, Jules Dassin married Mercouri, an ardent anti-fascist who lost her Greek citizenship for opposing the junta, and the couple was living in Manhattan, remaining very active in their efforts to restore democracy in Greece during the dictatorship of the Colonels. After 1974, the couple returned to Greece, Mercouri became a member of the Greek Parliament, and Culture Minister of Greece. While living in Athens, Dassin was active in the effort to bring the 2500-year-old Elgin marbles of the Parthenon back to Athens from their current location at the British Museum in London. In this and other humanitarian causes, Dassin followed the last will of his late wife.
Jules Dassin died of complications caused by a flu, on April 1, 2008, at age 96, at Hygeia Hospital in Athens, Greece. He is survived by two daughters and grandchildren.- Actor
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A native of San Francisco, Dimitri Diatchenko attended Newton North High School in Newton, Massachusetts. After high school, he attended Stetson University in Deland, Florida where he was a scholarship music student, majoring in classical guitar. After completing the Bachelors program, he matriculated to Florida State University in Tallahassee, Florida where he continued with his acting and music studies in the Masters program. His first acting experience was as the lead in the play, Foxfire, by Hume Cronin, where he played the country music star, Dillard Nations. Diatchenko continued to develop his acting skills both on stage and on camera in Florida-based projects from 1990 - 1996, while studying with Ken Stilson and George Judy. Some of these projects include the award-winning short films, Third on a Match, Used Cars and Goiter Boy. . In April of 1996, as Dimitri was graduating with his Masters degree from Florida State University, he landed a small role as a Navy Seal in Ridley Scott's Demi Moore starer G.I. Jane. After that break, Diatchenko moved out to Los Angeles and officially started his professional acting career. In addition to his acting, Diatchenko continues to perform as a master classical guitarist. As a soloist, he has four guitar CDs in release. His original composition for solo guitar, entitled, "Tango en Paraiso" is featured on the soundtrack for his film, Remarkable Power. Mel Bay Publications has published this piece in "Master Anthology of New Classic Guitar Solos, Vol. 1." Dimitri has also performed on the soundtrack of the film he co-stars in, Clubhouse and performs his arrangement of Hungarian Dance No. 5 by J. Brahms with a Django gypsy jazz treatment in the film, Repossessed.- Voiceover artist par excellence Hal Douglas was born Harold Cone on September 1, 1924 in Stamford, Connecticut. The son of Samuel and Miriam Levenson Cone, Hal and his brother Edwin were primarily raised by their grandparents Sarah and Tevya Levenson after their mother died when Hal was only nine. (Their father later remarried.) Douglas trained as a pilot and served three years in the Navy during World War II. Hal wrote fiction in his spare time and upon finishing his tour of duty enrolled on the G.I. Bill at the University of Miami, where he studied acting. He changed his last name to Douglas after moving to New York and began supplementing his slight income from acting gigs with voiceover and announcer work on both radio and television. Hal soon became one of the most sought after (and instantly recognizable) vocal talents for commercials and lead-ins for TV shows. Douglas worked steadily out of New York and not only continued to lend his distinctive gravelly baritone to television, but also narrated the occasional documentary and countless film trailers in a diverse array of genres. Hal was still working two years prior to his death from pancreatic cancer at age 89 at his home in Lovettsville, Virginia on March 7, 2014. He's survived by his wife of forty-three years, Ruth Francis Douglas; their daughter Sarah Douglas; and two sons from a previous marriage, Jon and Jeremy.
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Francine Joy "Fran" Drescher was born on September 30, 1957 in Queens, New York City, New York to Sylvia Drescher, a bridal consultant & Mort Drescher, a naval systems analyst. Fran attended Hillcrest High School in New York with another now-famous name, Ray Romano. She was a studious girl and was quite popular. In fact, at age fifteen, she'd met the man she thought she'd spend the rest of her life with. That man was Peter Marc Jacobson. Her first break was in the unforgettable movie, Saturday Night Fever (1977) with John Travolta. She continued to play small roles in movies, until she came up with the idea for The Nanny (1993). She was visiting a friend in England and came up with the plot line. The Nanny (1993) became an instant success, and so did Fran. Since then, she has been in films such as The Beautician and the Beast (1997) (which she also produced) and Picking Up the Pieces (2000) co-starring Woody Allen. Fran has since divorced her husband Jacobson. She is a cancer survivor and an inspiration to women everywhere.- Music Artist
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Robert Allen Zimmerman was born 24 May 1941 in Duluth, Minnesota; his father Abe worked for the Standard Oil Co. Six years later the family moved to Hibbing, often the coldest place in the US, where he taught himself piano and guitar and formed several high school rock bands. In 1959 he entered the University of Minnesota and began performing as Bob Dylan at clubs in Minneapolis and St. Paul. The following year he went to New York, performed in Greenwich Village folk clubs, and spent much time in the hospital room of his hero Woody Guthrie. Late in 1961 Columbia signed him to a contract and the following year released his first album, containing two original songs. Next year "The Freewheelin' Bob Dylan" appeared, with all original songs including the 1960s anthem "Blowin' in the Wind." After several more important acoustic/folk albums, and tours with Joan Baez, he launched into a new electric/acoustic format with 1965's "Bringing It All Back Home" which, with The Byrds' cover of his "Mr Tambourine Man," launched folk-rock. The documentary Bob Dylan: Dont Look Back (1967) was filmed at this time; he broke off his relationship with Baez and by the end of the year had married Sara Dylan (born Sara Lowndes). Nearly killed in a motorcycle accident 29 July 1966, he withdrew for a time of introspection. After more hard rock performances, his next albums were mostly country. With his career wandering (and critics condemning the fact), Sam Peckinpah asked him to compose the score for, and appear in, his Pat Garrett & Billy the Kid (1973) - more memorable as a soundtrack than a film. In 1974 he and The Band went on tour, releasing his first #1 album, "Planet Waves". It was followed a year later by another first-place album, "Blood on the Tracks". After several Rolling Thunder tours, the unsuccessful film Renaldo and Clara (1978) and a divorce, he stunned the music world again by his release of the fundamentalist Christrian album "Slow Train Coming," a cut from which won him his first Grammy. Many tours and albums later, on the eve of a European tour May 1997, he was stricken with histoplasmosis (a possibly fatal infection of the heart sac); he recovered and appeared in Bologna that September at the request of the Pope. In December he received the Kennedy Center Award for artistic excellence.- Actress
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Taissa Farmiga is an American actress, and the younger sister of Academy Award nominee Vera Farmiga, who is 21 years her senior. She was born in Readington Township, New Jersey, USA, to Ukrainian-born parents Michael and Lubomyra (Spas) Farmiga.
Unlike her older sister, Taissa initially had no interest in becoming an actor. However, she was persuaded to make her acting debut in Vera's directorial debut film Higher Ground (2011). Also playing the lead, Vera wanted to cast someone who was physically similar to play the younger version of her character. Taissa was 15 years old and, apart from a second grade school play, had no previous acting experience. The film premiered at the Sundance Film Festival, and Taissa's performance received critical acclaim. It was after Sundance that Taissa officially decided to pursue acting. At age 16, she landed a leading role as Violet Harmon in the Fox horror series American Horror Story (2011).
Farmiga has since starred in films from a range of genres, including Sofia Coppola's crime film The Bling Ring (2013), Jorge Dorado's psychological thriller Anna (2013), Todd Strauss-Schulson's horror comedy The Final Girls (2015), Hannah Fidell's romantic drama 6 Years (2015), Ti West's western In a Valley of Violence (2016), and Warren Beatty's comedy-drama Rules Don't Apply (2016).- Actress
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Vera Farmiga is an American actress who has received an Academy Award nomination for her role in Up in the Air (2009) and Primetime Emmy Award nominations for her roles in Bates Motel (2013) and When They See Us (2019).
She was born Vera Ann Farmiga, the second of seven children, on August 6, 1973, in Clifton, New Jersey, USA, to Ukrainian parents. She did not speak English until the age of six, and was raised in the Ukrainian Catholic home of her mother, Luba (Spas), a schoolteacher, and her father, Michael Farmiga, a computer systems analyst. Her younger sister is actress Taissa Farmiga, who is 21 years her junior. Young Vera was a shy, nearsighted girl, who played piano and folk danced with a Ukrainian touring company in her teens.
In 1991, she graduated from Hunterdon Central Regional High School. Farmiga initially dreamed of becoming an optometrist, but she later changed her mind and studied acting at Syracuse University's School of Performing Arts, graduating in 1995. The following year, she began her professional acting career, making her Broadway debut as an understudy in the play "Taking Sides". Her stage credits included performances in "The Tempest", "Good", "The Seagull", and in a well-reviewed off-Broadway production of "Second-Hand Smoke" (1997). That same year, she made her television debut as the female lead, opposite a then-unknown Heath Ledger, in Fox's adventure series Roar (1997).
In 1998, Farmiga made her big screen debut in the drama Return to Paradise (1998), then played the daughters of Christopher Walken in The Opportunists (1999) and Richard Gere in Autumn in New York (2000). She starred as a working-class mother struggling to keep her life and marriage together while hiding her drug addiction in Down to the Bone (2004), for which she was awarded Best Actress from the 2004 Sundance Film Festival and the Los Angeles Film Critics Association. Farmiga's acting talent shone in a range of characters, from her role as a senator's daughter in The Manchurian Candidate (2004), the wife of a mobster in Running Scared (2006), a humorous prostitute in Breaking and Entering (2006), and a police psychiatrist in The Departed (2006).
In 2010, Farmiga received an Academy Award nomination for Best Actress in a Supporting Role for her performance in Up in the Air (2009). In 2011, she made her directorial debut with the drama Higher Ground (2011), in which she also appeared in the leading role. Although the film had a limited release, Farmiga's direction and performance received attention at several festivals. In 2013, she began starring in the drama thriller series Bates Motel (2013), for which she received a Primetime Emmy Award nomination for Outstanding Lead Actress in a Drama Series in the first season. In 2019, she received a second Primetime Emmy Award nomination, this time in the Outstanding Supporting Actress in a Limited Series or Movie category, for her role in the drama miniseries When They See Us (2019).
Farmiga was formerly married to actor Sebastian Roché, whom she met during production of Roar (1997). The two eloped to the Bahamas after the series ended in 1997. They separated and subsequently divorced in 2004. On September 13, 2008, she married musician Renn Hawkey, with whom she has two children, son Fynn McDonnell (b. 2009) and daughter Gytta Lubov Hawkey (b. 2010). Farmiga lives with her family in Hudson Valley, New York. Her other activities, outside her acting profession, include reading, playing piano, boxing, jujitsu, and spending time with her pet angora goats.- Actor
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Mark Feuerstein got his break-through on television as a recurring character on the daytime soap opera Loving (1983). Most of the people in his family are lawyers. He was a high school state championship wrestler. He enjoys mountain-biking, wrestling, dancing (hip-hop to salsa) and jogging.
He got the nickname "Chaplin" on the set of Giving It Up (1999) because of his uncanny knack of physical comedy. He even had a physical slapstick back-and-forth with Mel Gibson a year later on the set of What Women Want (2000).- Actress
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Totie Fields was born on 7 May 1927 in Hartford, Connecticut, USA. She was an actress, known for That's Life (1968), Medical Center (1969) and Rowan & Martin's Laugh-In (1967). She was married to George William Johnston. She died on 2 August 1978 in Los Angeles, California, USA.- Betty Lou Gerson was born on 20 April 1914 in Chattanooga, Tennessee, USA. She was an actress, known for One Hundred and One Dalmatians (1961), Cinderella (1950) and Cats Don't Dance (1997). She was married to Louis Rocco Lauria and Joe Ainley. She died on 12 January 1999 in Los Angeles, California, USA.
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Amy Goodman was born on 13 April 1957 in Bay Shore, Long Island, New York, USA. She is a producer, known for Barney the Dinosaur Documentary (2022), Democracy Now! (2001) and Broadcast Blues (2009).- Actor
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Elliott Gould is an American actor known for his roles in M*A*S*H (1970), his Oscar-nominated performance in Bob & Carol & Ted & Alice (1969), and more recently, his portrayal of old-time con artist Reuben Tishkoff in Ocean's Eleven (2001), Ocean's Twelve (2004) and Ocean's Thirteen (2007). Gould was born Elliott Goldstein on August 29, 1938 in Brooklyn, NY, to Lucille (Raver), who sold artificial flowers, and Bernard Goldstein, a textiles buyer in the garment industry. His family were Jewish immigrants (from Romania, Belarus, and Russia).
Gould's portrayal of Trapper John in Robert Altman's M*A*S*H (1970) marked the beginning of perhaps the most prolific period of his career, highlighted by such roles as Philip Marlowe in Altman's The Long Goodbye (1973) and Robert Caulfield in Capricorn One (1977).
On television Gould has the distinction of having hosted Saturday Night Live (1975) six times and helmed E/R (1984), a situation comedy set in Chicago about a divorced physician working in an emergency room, which aired for one season. He also co-starred in the series Nothing Is Easy (1986) about a couple raising an adopted Chinese boy.
Gould appeared regularly on television and in film throughout the 1980s and the 1990s, including cameos in The Muppet Movie (1979) and The Muppets Take Manhattan (1984). His most prominent recent television role was a recurring part on Friends (1994), on which he played Monica and Ross Geller's father Jack. More recently he voiced the character of Mr. Stoppable on the Disney Channel animated series Kim Possible (2002). In film Gould received critical acclaim for his portrayal of an older mobster in Warren Beatty's Bugsy (1991), and make a noteworthy appearance in American History X (1998). His next major TV role will be in Showtime's drama Ray Donovan (2013) starring Liev Schreiber.
Gould has been married three times, twice to Jennifer Bogart, and once to Barbra Streisand. He has three children.- Actor
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Jason Gould was born on 29 December 1966 in New York City, New York, USA. He is an actor and director, known for Say Anything (1989), The Prince of Tides (1991) and Boys Life 3 (2000).- Actor
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Wayne Gretzky, nicknamed "The Great One, " is widely considered the greatest hockey player of all-time. At the time of his retirement at the end of the 1998-99 NHL season he was the NHL's all-time scoring leader in Goals, Assists & Points in both the regular season & Stanley Cup Playoffs. He led the NHL in scoring a record 10 times, was Captain of 4 Stanley Cup Championship teams, and was named the league's MVP a record 9 times. He is the only NHL player ever to score 200 Points in a season, and did so 4 times in the span of 5 years. A great ambassador of pro sports, he was also named the NHL's Most Gentlemanly Player 4 times and received the Order of Canada (their highest civilian honor) in 1998. Upon his retirement in 1999, his trademark jersey No. 99 was retired by the NHL.- Producer
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Monty Hall was born Maurice Halperin on August 25, 1921 in Winnipeg, Manitoba, Canada. He graduated with a Bachelor of Science degree from the University of Manitoba in 1945. He's the father of Tony Award winner Joanna Gleason, television writer/director Sharon Hall, and Emmy Award winner television writer/director Richard Hall. He has five grandchildren. He was awarded the Order of Canada for his charitable works for the Variety Clubs International, the Muscular Dystrophy Association.Let’s Make A Deal- Actor
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Bob Jaffe is known for FBI (2018), The Tonight Show Starring Jimmy Fallon (2014) and Time After Time (2017).- Actress
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Jaffe's career was mainly based on doing voice-over work. She is best remembered as the voice of the nerdy-and-intelectual Velma Dinkley in the Scooby-Doo cartoons from 1969-1973; before actress Pat Stevens picked up the role. After the demise of the last Scooby cartoon The New Scooby-Doo Movies (1972) (in 1973), Jaffe got married and left Hanna-Barbera Studios, only to become a agent for actors/actresses at William Morris Agency - a year later; in 1974. Since 1974, Jaffe (now going by Nichole David) is still an agent, and at the same company.
Some of Jaffe's other movie roles include Betty Smith, the girl who was seductively trying to land Elvis Presley in The Trouble with Girls (1969) and as the hippie girl in the dune-buggy in Disney's The Love Bug (1969).Voice of Velma Dinkley- Music Artist
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William Martin Joel is an American singer, pianist, composer and songwriter. Commonly nicknamed the "Piano Man" after his single and signature song of the same name, he has led a commercially successful career as a solo artist since the 1970s, having released 12 pop and rock studio albums from 1971 to 1993 as well as one studio album of classical compositions in 2001. He is one of the best-selling music artists of all time, as well as the seventh-best-selling recording artist and the fourth-best-selling solo artist in the United States, with over 160 million records sold worldwide. His 1985 compilation album, Greatest Hits Vol. 1 & 2, is one of the best-selling albums in the United States.- Producer
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Larry King was born on 19 November 1933 in Brooklyn, New York City, New York, USA. He was a producer and actor, known for Ghostbusters (1984), Enemy of the State (1998) and Bee Movie (2007). He was married to Shawn Ora Engemann, Julie Alexander, Sharon Lepore, Alene Akins, Mickey Sutphin, Annette Kaye and Freda Miller. He died on 23 January 2021 in Los Angeles, California, USA.- Music Department
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Don Kirshner was born on 17 April 1934 in Bronx, New York City, New York, USA. He was a producer and composer, known for Toomorrow (1970), Musical Chairs (1975) and The Kowboys (1970). He was married to Sheila Grod. He died on 17 January 2011 in Boca Raton, Florida, USA.- Actor
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Genial character comedian Bernie Kopell is undoubtedly best known as Dr. Adam Bricker, doling out sage advice on TV's The Love Boat (1977) for its entire run of ten seasons and 250 episodes. He once described the experience as "a paid vacation. We got to be in 98 countries". While this may have been his longest engagement on a series, his most memorable comic creation remains the iconic Siegfried in Get Smart (1965).
Bernie was born in Brooklyn, of Ukrainian and Jewish ancestry, as Bernard Morton Kopell to Abraham Bernard Kopell (1905-1965) and his wife Pauline (née Taran, 1911-2011). After finishing high school, he studied at New York University, graduating in 1955 with a bachelor of fine arts.
A year later, Bernie was drafted into the U.S. Navy, happily accepting the opportunity to serve as librarian at the Naval Operations Base, the Naval Air Station at Norfolk, Virginia, and (between 1956-57), aboard the World War II battleship U.S.S. Iowa. He later quipped "I got to read more books than I'd gotten to read at NYU, so it was just a glorious thing for me."
Back in New York after demobilization, Bernie was invited to Los Angeles by fellow NYU alumnus James Drury (of The Virginian (1962) fame). His first agent turned him down for being 'not handsome enough to be a leading man, not ugly enough to be a heavy.' For a while, he earned a crust as a taxi driver and vacuum cleaner salesman. A chance audition for casting director Marilyn Howard (then Marilyn Bodgen) then led to a small part in an early CBS daytime soap, The Brighter Day (1954), as a Cuban bad guy named Pablo. Bernie's aptitude for dialects impressed TV execs to the extent that he found himself typecast as Mexicans or Puerto Ricans in episodes of The Danny Thomas Show (1953), The Jack Benny Program (1950), My Favorite Martian (1963) and The Flying Nun (1967). Ultimately, his innate ability to bring levity to any scene earned him numerous guest starring turns on sitcoms like McHale's Navy (1962), The Lucy Show (1962), Petticoat Junction (1963), The Beverly Hillbillies (1962), Run Buddy Run (1966) and Green Acres (1965).
At the age of 33, Bernie got his first big break, cast as KAOS chief Siegfried in Get Smart by executive producer Leonard Stern. This character, replete with leather jacket, neat moustache and Heidelberg duelling scar, was essentially the primary nemesis of Control agents 86 and 99. Bernie, by his own admission, adopted Siegfried's German accent from an Austrian psychiatrist he was visiting at the time. The character became so popular with fans that the actor would often be asked to sign autographs with the catchphrase "we don't shush at KAOS, Shtarker". A classic line from the episode 'Rub-a-Dub-Dub... Three Spies in a Sub' has Siegfried explaining to Don Adams "As you go through the world of espionage Shmart, you will find that there are the good guys and the bad guys. I happen to be one of the bad guys."
In between Get Smart and Love Boat, Bernie alternated dramatic roles with comic ones, appearing in a wide variety of shows, ranging from Night Gallery (1969) (as a TV executive), Kolchak: The Night Stalker (1974) (Dr. Gravanites) and the live-action CBS children's sitcom The Ghost Busters (1975) (as Dr. Frankenstein) to the Mel Brooks spoof of Robin Hood, When Things Were Rotten (1975) (a recurring role as Alan-a-Dale). He appeared in nine episodes of Bewitched (1964), variously as the ancient Postlethwaite, aka Mr. Apothecary, the hippie warlock Alonzo, psychiatrists Chomsky and Rhinehouse and the Siegfried clone Baron von Fuchs). Bernie also had a co-starring role in a short-lived 1973 sitcom, Needles and Pins (1973), as a salesman for a ladies' clothing manufacturer in New York. His more recent appearances have included an ill-fated men's room attendant in Monk (2002), a coroner in Charmed (1998), a hayseed in My Name Is Earl (2005), a Holocaust survivor in Hawaii Five-0 (2010) and a senior citizen in the medical sitcom B Positive (2020).
For the stage, Bernie has appeared in Los Angeles productions of Death of a Salesman, and, as a Russian peddler, in The 49th Cousin. He had a leading role as Lenny Ganz in the Neil Simon farce Rumors at the Whitefire Theatre, Sherman Oaks (1996-97). As late as 2022, he headlined off-Broadway, alongside Hal Linden, as biblical characters Lou and Bud in Ed. Weinberger's comedy play, Two Jews Talking. Seemingly impervious to age, Bernie continues make regular appearances in films and on TV, albeit in smaller supporting roles. He is an avid tennis player and has hosted pro-celebrity tennis and golf tournaments with proceeds benefiting the Alzheimer's Association.- Actor
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Martin Kove was born on March 6, 1947 in Brooklyn, New York. Strong-featured, narrow-eyed actor who has portrayed a mixed bag of both good guys and bad guys. He first turned up on screen in several minor roles, and was noticed as the villainous Nero the Hero in the low-budget road race Death Race 2000 (1975), and then as Clem the sadistic rigger, breaking Jan-Michael Vincent's ribs in White Line Fever (1975). He cropped up on the television series Cagney & Lacey (1981) portraying honest Police Detective Isbecki, and then ended up on the wrong side of a rampaging Sylvester Stallone in Rambo: First Blood Part II (1985).
Kove probably scored his greatest visibility to the public in the hugely successful The Karate Kid (1984) in which he played John Kreese, the head instructor of the Cobra Kai karate school. He reprised the role in the two sequels, The Karate Kid Part II (1986) and The Karate Kid Part III (1989). Kove has since kept consistently busy, primarily in the action-thriller film genre, and has notched up over 80 film appearances to date, as well as numerous television guest roles.- Tall (5'8"), busty, and shapely blonde bombshell Heather Kozar was born on May 4, 1976 in Akron, Ohio. Heather was raised in a strict Christian household. She graduated from Green High School in 1994. Kozar was the Playmate of the Month in the January, 1998 issue of "Playboy." Heather graced the cover of the June, 1999 issue of the famous men's magazine and was named Playmate of the Year that same year. Kozar was the St. Pauli Beer spokeswoman for 2002 and a Barker's Beauty on the popular game-show "The Price Is Right." Moreover, Heather has worked as a model for such high profile clients as Brut, BMW, Wendy's, and Cutty Sark Scots Whisky. She married ex-Cleveland Browns quarterback Tim Couch on February 26, 2005. The mother of sons Chase and Brady, Kozar lives with her family in Lexington, Kentucky.
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Canadian-born cartoon cartoonist Kricfalusi began his career by working on low end Saturday morning cartoons like The Jetsons (1962) revival and Fat Albert and the Cosby Kids (1972). In 1987, Kricfalusi's mentor, Ralph Bakshi, saved him by hiring him as supervising director on his show Mighty Mouse: The New Adventures (1987). The show was canceled after a scene where Mighty Mouse sniffed a flower to get superpowers and some people thought he was using cocaine. Soon afterwards, Nickelodeon bought his twisted brainchild The Ren & Stimpy Show (1991). But after continuous battles over script content and control, he was fired from his own show in 1992. After he was fired, he furthered his fight for creative freedom by founding a website where he sold dolls of his other characters. He then hired some of his old Ren and Stimpy co-workers and produced the first 'made for the web' cartoon series The Goddamn George Liquor Program (1997). He also created and produced "Weekend Pussy Hunt" another 'made for the web' series. Other work includes directing a Yogi Bear short for Cartoon Network, directing a music video for Björk. And in 2001 he returned to TV with the Saturday morning cartoon for Fox Kids called The Ripping Friends (2001), which he created and produced. By 2019, he released the cartoon by Kickstarter Cans Without Labels (2019).Creator of “Ren and Stimpy”- Actress
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Milena Markovna "Mila" Kunis is a Ukrainian-American actress born to a Jewish family in Chernivtsi, Ukraine.
Her mother, Elvira, is a physics teacher, her father, Mark Kunis, is a mechanical engineer, and she has an older brother named Michael. Her family moved to Los Angeles, California, in 1991. After attending one semester of college between gigs, she realized that she wanted to act for the rest of her life. She started acting when she was nine years old, when her father heard about an acting class on the radio and decided to enroll Mila in it. There, she met her future agent. Her first gig was when she played a character named Melinda in Make a Wish, Molly (1995). From there, her career skyrocketed into big-budget films.
Although she is mostly known for playing Jackie Burkhart on That '70s Show (1998), she has shown the world that she can do so much more. Since 1999, she provided the voice of self-conscious daughter Meg Griffin on the animated sitcom Family Guy (1999). Her breakthrough film was Forgetting Sarah Marshall (2008), in which she played a free-spirited character named Rachel Jansen. She has since starred or co-starred in the films Max Payne (2008), The Book of Eli (2010), Black Swan (2010), Friends with Benefits (2011), Ted (2012) and Oz the Great and Powerful (2013).
Mila Kunis is married to actor Ashton Kutcher, with whom she has two children.- Actor
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Mean, miserly and miserable-looking, they didn't come packaged with a more annoying and irksome bow than Charles Lane. Glimpsing even a bent smile from this unending sourpuss was extremely rare, unless one perhaps caught him in a moment of insidious glee after carrying out one of his many nefarious schemes. Certainly not a man's man on film or TV by any stretch, Lane was a character's character. An omnipresent face in hundreds of movies and TV sitcoms, the scrawny, scowling, beady-eyed, beak-nosed killjoy who usually could be found peering disdainfully over a pair of specs, brought out many a comic moment simply by dampening the spirit of his nemesis. Whether a Grinch-like rent collector, IRS agent, judge, doctor, salesman, reporter, inspector or neighbor from hell, Lane made a comfortable acting niche for himself making life wretched for someone somewhere.
He was born Charles Gerstle Levison on January 26, 1905 in San Francisco and was actually one of the last survivors of that city's famous 1906 earthquake. He started out his working-class existence selling insurance but that soon changed. After dabbling here and there in various theatre shows, he was prodded by a friend, director Irving Pichel, to consider acting as a profession. In 1928 he joined the Pasadena Playhouse company, which, at the time, had built up a solid reputation for training stage actors for the cinema. While there he performed in scores of classical and contemporary plays. He made his film debut anonymously as a hotel clerk in Smart Money (1931) starring Edward G. Robinson and James Cagney and was one of the first to join the Screen Actor's Guild. He typically performed many of his early atmospheric roles without screen credit and at a cost of $35 per day, but he always managed to seize the moment with whatever brief bit he happened to be in. People always remembered that face and raspy drone of a voice. He appeared in so many pictures (in 1933 alone he made 23 films!), that he would occasionally go out and treat himself to a movie only to find himself on screen, forgetting completely that he had done a role in the film. By 1947 the popular character actor was making $750 a week.
Among his scores of cookie-cutter crank roles, Lane was in top form as the stage manager in Twentieth Century (1934); the Internal Revenue Service agent in You Can't Take It with You (1938); the newsman in Mr. Smith Goes to Washington (1939); the rent collector in It's a Wonderful Life (1946); the recurring role of Doc Jed Prouty, in the "Ellery Queen" film series of the 1940s, and as the draft board driver in No Time for Sergeants (1958). A minor mainstay for Frank Capra, the famed director utilized the actor's services for nine of his finest films, including a few of the aforementioned plus Mr. Deeds Goes to Town (1936), Arsenic and Old Lace (1944) and State of the Union (1948).
Lane's career was interrupted for a time serving in the Coast Guard during WWII. In post-war years, he found TV quite welcoming, settling there as well for well over four decades. Practically every week during the 1950s and 1960s, one could find him displaying somewhere his patented "slow burn" on a popular sitcom - Topper (1953), The Real McCoys (1957), The Many Loves of Dobie Gillis (1959), Mister Ed (1961), Bewitched (1964), Get Smart (1965), Gomer Pyle: USMC (1964), The Munsters (1964), Green Acres (1965), The Flying Nun (1967) and Maude (1972). He hassled the best sitcom stars of the day, notably Lucille Ball (an old friend from the RKO days with whom he worked multiple times), Andy Griffith and Danny Thomas. Recurring roles on Dennis the Menace (1959), The Beverly Hillbillies (1962) and Soap (1977) made him just as familiar to young and old alike. Tops on the list had to be his crusty railroad exec Homer Bedloe who periodically caused bucolic bedlam with his nefarious schemes to shut down the Hooterville Cannonball on Petticoat Junction (1963). He could also play it straightforward and serious as demonstrated by his work in The Twilight Zone (1959), Perry Mason (1957), Little House on the Prairie (1974) and L.A. Law (1986).
A benevolent gent in real life, Lane was seen less and less as time went by. One memorable role in his twilight years was as the rueful child pediatrician who chose to overlook the warning signs of child abuse in the excellent TV movie Sybil (1976). One of Lane's last on-screen roles was in the TV-movie remake of The Computer Wore Tennis Shoes (1995) at age 90. Just before his death he was working on a documentary on his long career entitled "You Know the Face".
Cinematically speaking, perhaps the good ones do die young, for the irascible Lane lived to be 102 years old. He died peacefully at his Brentwood, California home, outliving his wife of 71 years, former actress Ruth Covell, who died in 2002. A daughter, a son and a granddaughter all survived him.- Actor
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Harvey Lembeck was an American actor of Jewish descent, primarily known for comedic roles. Early in his life, Lembeck had worked as a dancer, and radio announcer.
Lembeck was born in Brooklyn, New York City in 1923, and attended New Utrecht High School in Brooklyn.. In 1939, the 16-year-old Lembeck started working as a dancer, part of a dance team known as The Dancing Carrolls. The team performed at the New York World's Fair (April, 1939-October, 1940). Lembeck started dating his teammate, the female dancer Caroline Dubs. Lembeck and Dubs eventually married each other, and remained married until Lembeck's death in 1982.
During World War II, Lembeck served in the United States Army. He was discharged at the end of the War, and soon after started college studies at New York University. He graduated in 1947, with a degree at radio arts. He intended to work as sports radio announcer, but his teacher Robert Emerson advised Lembeck to try his hand at an acting career. Emerson had seen Lembeck perform at the University's theatrical productions and had seen potential in him.
From 1948 to 1951, Lembeck performed at the hit Broadway play "Mister Roberts" by Joshua Logan. The play was an adaptation of a novel by Thomas Heggen, and dramatized life aboard a ship of the United States Navy during the Pacific War campaign of World War II. Based on his Broadway success, Lembeck was offered his first film roles by the a California-based film studio, called 20th Century Fox.
In 1951, Lembeck played parts in three new films: the military-themed comedy "You're in the Navy Now", the film noir "Fourteen Hours", and the scuba-diving- themed war film "The Frogmen". However, he was cast in small parts in each of them. Back in Broadway, Lembeck had more success with the hit play "Stalag 17" by co-writers Donald Bevan and Edmund Trzcinski. The play depicted the life of the inmates in a Gernan prisoners-of-war camp during World War II.
In 1953, a film adaptation of "Stalag 17" was produced by Paramount Pictures, and Lembeck was hired to reprise his role. The film became a surprise box office hit, and Lembeck won the Theater Owners of America's Laurel Award for outstanding comedy performance. Afterwards Lembeck received more offers for film roles, though he was typecast into military roles for most of these films.
In 1955, Lembeck had a main-cast role in a television sitcom "The Phil Silvers Show" (1955-1959). The show featured the misadventures of Master Sergeant Ernest G. Bilko of the United States Army, a self-serving con-man and swindler. Lembeck played the part of Corporal Rocco Barbella, one of Bilko's sidekicks and partners-in-crime. The sitcom lasted four years, and the final episode featured both Bilko and Barbella being arrested for an embezzling scheme and incarcerated.
In the early 1960s, Lembeck played recurring parts in various sitcoms. He was eventually cast in co-starring role in the short-lived military comedy series "Ensign O'Toole" (1962-1963). He continued to appear in films, and had a minor hit with with the comedy film "Beach Party" (1963). He played the film's sympathetic villain, the outlaw biker Eric Von Zipper. Zipper was an affectionate parody of Marlon Brando's character Johnny Strabler from "The Wild One" (1953).
From 1964 to 1966, Lembeck reprise the role of Eric Von Zipper in five sequels to "Beach Party". They were "Bikini Beach" (1964), "Pajama Party" (1964), "Beach Blanket Bingo" (1965), "How to Stuff a Wild Bikini" (1965) and "The Ghost in the Invisible Bikini" (1966). He also played another, unnamed, "motorcycle thug" in the comedy "Dr. Goldfoot and the Bikini Machine" (1965), which spoofed the then-new "James Bond" series of films.
For most of the late 1960s, Lembeck was preoccupied with his theatrical career. In 1964, Lembeck succeeded Jack Kosslyn at the leadership of an actors' workshop. He initially focused on working with comedy scripts, but later started training actors in improvisational comedy. In his view, improvisation was one of the best ways to develop the comedy skills of an actor.
Lembeck had another hit theatrical role in the 1960s, as Sancho Panza in the play "Man of La Mancha" (1965) by Dale Wasserman. The play was itself a loose adaptation of the two-part novel "Don Quixote" (1605, 1615) by Miguel de Cervantes.
For most of the late 1960s, 1970s, and early 1980s, Lembeck appeared in guest star roles in television, with infrequent appearances in film. His last film appearance was a bit part in the comedy "The Gong Show Movie" (1980), a notorious flop of its era. He continued to both perform and teach acting.
In January 1982, Lembeck was performing in an episode of the sitcom "Mork & Mindy" (1978-1982), when he suddenly felt ill. Soon after, he had a heart attack and died in the studio set of the show. He was only 58-years-old. Lembeck's children were the actor Michael Lembeck and actress Helaine Lembeck.- Director
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Michael Lembeck was born in Brooklyn, New York, USA to Harvey Lembeck and Caroline Lembeck, both in show business. He graduated from Beverly Hills High School in 1966 and his classmates in a drama course included Rob Reiner, Albert Brooks and Richard Dreyfuss.
After continuing his drama studies at Los Angeles City College and Cal State, he added singing and dancing lessons, and performed in summer stock productions. He toured with the original National company of the Broadway hit, "Grease", with John Travolta as his roommate.- Producer
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Barry Lee Levinson was born in Baltimore, Maryland, to Violet (Krichinsky) and Irvin Levinson, who worked in furniture and appliance. He is of Russian Jewish descent. Levinson graduated from high school in 1960, attended college at American University in Washington, DC. He did well, but decided he wanted to go to Los Angeles. In LA, Levinson worked for the Oxford Company, studying acting, improvisation, and production; worked in comedy clubs, where he learned how to write; and began dating Valerie Curtin. In 1967, won a job writing for a local TV comedy show. He eventually performed his material on the show, winning a local Emmy. In the 70s, Levinson wrote for The Carol Burnett Show (1967) -- and won two Emmys in three years. Mel Brooks hired him for Silent Movie (1976), then, High Anxiety (1977). Levinson and Curtin married in 1975. They co-wrote: _...And Justice for All (1979)_, and other scripts. While Curtin performed in San Francisco, he wrote Diner (1982). MGM bought it and, with a budget of under $5 million, Levinson directed. Curtin and Levinson divorced in 1982. Levinson met Dianna Rhodes while he was filming Diner (1982). She lived in Baltimore, with her two children Patrick and Michelle Levinson. Levinson and Rhodes later married and had two more children, Sam Levinson and Jack Levinson. Proving himself as a director with The Natural (1984), he tackled his most ambitious project to that time in Rain Man (1988). Levinson went on to place his stamp on films like Good Morning, Vietnam (1987), and Bugsy (1991). After his many successes, Toys (1992) did poorly. Levinson had a hit with Disclosure (1994) in 1994, the same year the Levinsons moved to Marin County in Northern California to get away from the Hollywood scene.- Actor
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Will Lyman is a greatly underused actor who grabbed a bit of popularity with two TV series: Crossbow (1987) and Hull High (1990), playing Mr. Deerborn under the direction of Kenny Ortega. He also played in two well-regarded made-for-TV movies, Three Sovereigns for Sarah: Part I (1985) and Hostile Takeover (1988), as well as the feature films School Ties (1992) and Welcome to the Dollhouse (1995).- Actress
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Rachel Maddow was born on 1 April 1973 in Castro Valley, California, USA. She is an actress and writer, known for The Ides of March (2011), The Rachel Maddow Show (2008) and Red, White & Royal Blue (2023). She is married to Susan Mikula.- Actor
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American actor of stage and screen. His father was a famous character actor, Maurice Moscovitch who sent his son abroad to study in Paris, Lausanne, and London. Upon returning to the U.S. following his stage debut in Great Britain, he began an active career on the American stage, specializing in highly sophisticated characters. In 1930, he began appearing in films, most often in roles far different from the upper-class types he played on stage, mostly as gangsters and low-lifes. In 1943, he left films and returned full-time to the theatre, where he was active both as an actor and as a director.- Actor
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Paul Mazursky was born on 25 April 1930 in Brooklyn, New York City, New York, USA. He was an actor and writer, known for An Unmarried Woman (1978), Harry and Tonto (1974) and Bob & Carol & Ted & Alice (1969). He was married to Betsy Mazursky. He died on 30 June 2014 in Beverly Grove, Los Angeles, California, USA.- Additional Crew
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Brett Melnick is known for Bystander (2021), The Mysterious Disappearance of Mr. Bankington (2013) and Conveyor Belt (2015).- Actor
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Allan Melvin was born on 18 February 1923 in Kansas City, Missouri, USA. He was an actor and writer, known for Flash Gordon (1979), Spider-Man and His Amazing Friends (1981) and Archie Bunker's Place (1979). He was married to Amalia Faustina Sestero. He died on 17 January 2008 in Brentwood, Los Angeles, California, USA.- Producer
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Lee Mendelson was born on 24 March 1933 in San Francisco, California, USA. He was a producer and writer, known for The Royal Tenenbaums (2001), You Don't Look 40, Charlie Brown! (1990) and Happy Anniversary, Charlie Brown (1976). He was married to Ploenta Inthapruksa, Thompson, Barbara Claire and Mendelson, Debbie. He died on 25 December 2019 in Hillsborough, California, USA.- Jason Mesnick was born on 5 July 1976 in Cleveland, Ohio, USA. He has been married to Molly Malaney since 27 February 2010. They have one child.
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Elliot Mintz was born on 16 February 1945. He is a publicist, known for John and Yoko: A Love Story (1985), Cult of Celebrity and The U.S. vs. John Lennon (2006).- Actor
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George Montgomery was boxing champion at the University of Montana where he majored in architecture and interior design. Dropping out a year later he decided to take up boxing more seriously. He moved to California where he was coached by ex-heavyweight world champion James J. Jeffries. While in Hollywood, he came to the attention of the studios (not least, because he was an expert rider) and was hired as a stuntman in 1935. After doing this for four years, George was offered a contract at 20th Century Fox in 1939, but found himself largely confined to leads in B-westerns. He did not secure a part in anything even remotely like a prestige picture until his co-starring role in Roxie Hart (1942), opposite Ginger Rogers. Next, in Orchestra Wives (1942), he played the perfunctory love interest for Ann Rutherford, though both, inevitably, ended up playing second trombone to Glenn Miller and His Orchestra.
In 1947, George got his first serious break, being cast as Raymond Chandler's private eye Philip Marlowe in The Brasher Doubloon (1947). Reviewers, however, compared his performance unfavorably with that of Humphrey Bogart and found the film "pallid" overall. So it was back in the saddle for George. Unable to shake his image as a cowboy actor he starred in scores of films with titles like Belle Starr's Daughter (1948), Dakota Lil (1950), Jack McCall, Desperado (1953), and Masterson of Kansas (1954) at Columbia, and for producer Edward Small at United Artists. When not cleaning up the Wild West with his six-shooter, he branched out into adventure films set in exotic locales (notably as Harry Quartermain in Watusi (1959)). During the 60s, he also wrote, directed and starred in several long-forgotten, low-budget wartime potboilers made in the Philippines.
At the height of his popularity, George attracted as much publicity for his acting as for his liaisons with glamorous stars, like Ginger Rogers, Hedy Lamarr (to whom he was briefly engaged) and singer Dinah Shore (whom he married in 1943). After his retirement from the film business, he devoted himself to his love of painting, furniture-making and sculpting bronze busts, including one of his close friend Ronald Reagan.- He was one of those delightful, typically British actors with a penchant for playing eccentrics. Early in his career, Jeremy Brett once quaintly introduced Aubrey Morris to Noël Coward as "the finest small-part player in London". Born Aubrey Steinberg of Jewish-Ukrainian ancestry, he was one of several siblings with artistic inclinations (his brother Wolfe Morris was also a noted character player). Aubrey studied at the Royal Academy of Dramatic Art in London on a scholarship and made his stage debut in 1944. During the 1950s, he acted regularly on the West End stage, at the Old Vic, and on Broadway.
In addition to making excellent use of his Shakespearean-trained voice, his diminutive stature and beaming, toothy countenance proved a significant asset to a remarkable versatility on screen. Morris was adept at conveying unctuousness, cunning, duplicity, civility, or obsession with equal ease and in a wide variety of roles and genres. His many memorable performances include: the Freud-fixated writer Mr. Mybug in Cold Comfort Farm (1968); the sleazy probation officer Mr. Deltoid in A Clockwork Orange (1971); a sinister gravedigger in The Wicker Man (1973); the oily manservant Grosvenor, asking Michael Palin for the use of the 'naughty books', in "The Curse of the Claw" episode of Ripping Yarns (1976); the jolly captain of the 'B-Ark' (filled with such folk as telephone sanitizers), spending years luxuriating in his bubble-bath in The Hitchhiker's Guide to the Galaxy (1981); and last, but not least, the ancient thespian Chesterton, shuffling off this mortal coil while being read quotes from King Lear in HBO's Deadwood (2004).
Residing in the U.S. since the mid-1980s, Aubrey Morris continued to ply his trade right up until his death at the venerable age of 89. - Maurice Moscovitch was born on 23 November 1871 in Odessa, Kherson Governorate, Russian Empire [now Ukraine]. He was an actor, known for The Great Dictator (1940), Make Way for Tomorrow (1937) and Love Affair (1939). He died on 18 June 1940 in Los Angeles, California, USA.
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Paul Muni was born Sept. 22, 1895, in Lemberg, Austro-Hungarian Empire, to Salli and Phillip Weisenfreund, who were both professionals. His family was Jewish, and spoke Yiddish. Paul was educated in New York and Cleveland public schools. He was described as 5 feet 10 inches, with black hair and eyes, 165 pounds. He joined the Yiddish Art Theatre in New York (1908) for 4 years, and then moved to other Yiddish theaters until 1926, when he "went into an American play" called "We Americans", his first English-language role. In 1927-28, he appeared in the plays "Four Walls", "This One Man", "Counsellor-at-Law", and others. He began with Fox in 1928. He would later alternate between Broadway and Hollywood for his roles, becoming one of the more distinguished actors in either venue. Failing eyesight and otherwise poor health forced him into retirement after his appearance in The Last Angry Man (1959).- Actor
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Leonard Simon Nimoy was born in Boston, Massachusetts, to Dora (Spinner) and Max Nimoy, who owned a barbershop. His parents were Ukrainian Jewish immigrants. Raised in a tenement and acting in community theaters since age eight, Nimoy did not make his Hollywood debut until he was 20, with a bit part in Queen for a Day (1951) and another as a ballplayer in the perennial Rhubarb (1951). After two years in the United States Army, he was still getting small, often uncredited parts, like an Army telex operator in Them! (1954). His part as Narab, a Martian finally friendly to Earth, in the closing scene in the corny Republic serial Zombies of the Stratosphere (1952), somewhat foreshadowed the role which would make him a household name: Mr. Spock, the half-human/half-Vulcan science officer on Star Trek (1966) one of television's all-time most successful series. His performance won him three Emmy nominations and launched his career as a writer and director, notably of Star Trek IV: The Voyage Home (1986), the story of a humpback whale rescue that proved the most successful of the Star Trek movies. Stage credits have included "Fiddler on the Roof", "Oliver", "Camelot" and "Equus". He has hosted the well-known television series In Search of... (1977) and Ancient Mysteries (1994), authored several volumes of poetry and guest-starred on two episodes of The Simpsons (1989). In the latter years of his career, he played Mustafa Mond in NBC's telling of Aldous Huxley's Brave New World (1998), voiced Sentinel Prime in the blockbuster Transformers: Dark of the Moon (2011), and played Spock again in two new Star Trek films, Star Trek (2009) and Star Trek Into Darkness (2013).
Leonard Nimoy died on February 27, 2015 in Bel Air, Los Angeles, California, of end-stage chronic obstructive pulmonary disease. He was 83.Spock on Star Trek- Actress
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Larisa Oleynik was born in Santa Clara County, California, to Lorraine (Allen), a nurse, and Roman Oleynik, an anesthesiologist. Her father is of Ukrainian and Rusyn descent.
Larisa's big break came when she was eight. She had gotten the part of young Cosette in a production of "Les Misérables". Her costar was Rider Strong, playing Gavroche. The two would be reunited when Larisa guested on Rider's sitcom, Boy Meets World (1993). Larisa's most well known roles are Bianca in 10 Things I Hate About You (1999), and Alex in The Secret World of Alex Mack (1994).- Director
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Actor Ken Olin's dark, sincere, extreme good looks were steadily put to use on the small screen during the 80s, but, in retrospect, the actor will probably now be considered more of a major force behind the camera as a producer and director when all is said and done.
Born Kenneth Edward Olin in Chicago on July 30, 1954, Ken was the son of a former Jewish Peace Corps official and pharmaceutical company owner. After graduating from Pennsylvania State University with an English Literature degree, he continued his studies at the University of Pennsylvania. Heading for Hollywood in the late 70s, he went the typical route with bit parts in such TV movies as Women at West Point (1979) and the TV series "The Paper Chase," before his acting career suddenly soared in leaps and bounds.
A couple of strong, single-season regular parts on the short-lived baseball ensemble series Bay City Blues (1983), the detective series Hill Street Blues (1981) and the primetime soaper Falcon Crest (1981) led to his poignant casting as the introspective and quietly sexy Michael Steadman on another ensemble series, the classic yuppie social drama Thirtysomething (1987), which ran an acclaimed four seasons and nabbed numerous awards for its performances, direction, liberal writing and sensitive subject material. Ken co-starred with Patricia Wettig (his real-life wife since 1982), but the multi-Emmy winner Wettig did not play Ken's wife (actress Mel Harris did) and the public was often confused as to who Ken's real wife really was. He was Golden Globe-nominated for his work here.
During the show's run, Ken found acting employment away from the set of Thirtysomething (1987) on such films as the ensemble dramedy Queens Logic (1991), as well as TV movie leads in A Stoning in Fulham County (1988), Police Story: Cop Killer (1988) and It (1990), and a part in the mini-series I'll Take Manhattan (1987). Ken also earned the chance to direct occasionally on the program and this would have a significant impact as to the direction of his career in the years to come.
Following the show's cancellation, Ken pursued TV acting work as both hero (Telling Secrets (1993)) and villain (Dead by Sunset (1995)), along with various shades in between (Nothing But the Truth (1995) (co-starring wife Patricia)), he also starred in a gritty crime series as a cop taking on a crime syndicate in EZ Streets (1996) and a recurring role on the soap drama Brothers & Sisters (2006) that featured wife Patricia. In later years, he appeared frequently as Professor Oz on the TV series Zoo (2015).
It was Ken's burgeoning interest in producing and directing, however, that truly took focus into the millennium. He has since found prolifically steady duties on such popular shows as Alias (2001), Brothers & Sisters (2006), The Mob Doctor (2012), Sleepy Hollow (2013) and This Is Us (2016), the last-mentioned for which he has been Emmy-nominated in the "Best Dramatic Series" category.
The father of two children, actor/writer/co-producer Clifford Olin and actress Roxy Olin, Ken more recently returned (with most of the original cast) to his role as Michael Steadman in the TV movie "Thirtysomething Sequel" (????). This time around, however, the TV movie focused on the second generation family.- Writer
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Chuck is a low key writer who never stops writing and taking down notes to file away for future writing. Very funny, very creative and very thought provoking. His books often make you look at yourself in ways that you would never have before. Same goes for the world, he will make you notice things that you never did. He is of French and Russian descent but his last name is from Ukraine. He gained recognition with his first book "Fight Club" which was later made into a film by 20th Century Fox. He went on to gain popularity as his later novels which include Survivor, Invisible Monsters, Choke, Lullaby, and Haunted. More recently (2003) he has written a travel book about his hometown Portland, Oregon entitled "Fugitives & Refugees". His newest novel is entitled "Rant".Author of Fight Club- Holly Palance was born on 5 August 1950 in Los Angeles, California, USA. She is an actress, known for The Omen (1976), The Best of Times (1986) and The Thorn Birds (1983). She was previously married to Roger Spottiswoode.
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Jack Palance quite often exemplified evil incarnate on film, portraying some of the most intensely feral villains witnessed in 1950s westerns and melodrama. Enhanced by his tall, powerful build, icy voice, and piercing eyes, he earned two "Best Supporting Actor" nominations early in his career. It would take a grizzled, eccentric comic performance 40 years later, however, for him to finally grab the coveted statuette.
Of Ukrainian descent, Palance was born Volodymyr Ivanovich Palahniuk (later taking Walter Jack Palance as his legal name) on February 18, 1919 (although some sources, including his death certificate, cite 1920) in Lattimer Mines, Pennsylvania (coal country), one of six children born to Anna (nee Gramiak) and Ivan Palahniuk. His father, an anthracite miner, died of black lung disease. Palance worked in the mines in his early years but averted the same fate as his father. Athletics was his ticket out of the mines when he won a football scholarship to the University of North Carolina. He subsequently dropped out to try his hand at professional boxing. Fighting under the name "Jack Brazzo", he won his first 15 fights, 12 by knockout, before losing a 4th round decision to future heavyweight contender Joe Baksi on December 17, 1940.
With the outbreak of World War II, his boxing career ended and his military career began, serving in the Army Air Force as a bomber pilot. Wounded in combat and suffering severe injuries and burns, he received the Purple Heart, Good Conduct Medal, and the World War II Victory Medal. He resumed college studies as a journalist at Stanford University and became a sportswriter for the San Francisco Chronicle. He also worked for a radio station until he was bit by the acting bug.
Palance made his stage debut in "The Big Two" in 1947 and immediately followed it understudying Marlon Brando as Stanley Kowalski in the groundbreaking Broadway classic "A Streetcar Named Desire", a role he eventually took over. Following stage parts in "Temporary Island" (1948), "The Vigil" (1948), and "The Silver Tassle" (1949), Palance won a choice role in "Darkness of Noon" and a Theatre World Award for "Promising New Personality." This recognition helped him secure a 20th Century-Fox contract. The facial burns and resulting reconstructive surgery following the crash and burn of his WWII bomber plane actually worked to his advantage. Out of contention as a glossy romantic leading man, Palance instead became the archetypal intimidating villain equipped with towering stance, imposing glare, and killer-shark smile.
He stood out among a powerhouse cast that included actors such as Richard Widmark, Zero Mostel and Paul Douglas in his movie debut in Elia Kazan's Panic in the Streets (1950), as a plague-carrying fugitive. He was soon on his way. Briefly billed as Walter Jack Palance before eliminating the first name, the actor made fine use of his former boxing skills and war experience for the film Halls of Montezuma (1951) as a boxing Marine in Richard Widmark's platoon. He followed this with the first of his back-to-back Oscar nods. In Sudden Fear (1952), only his third film, he played rich-and-famous playwright Joan Crawford's struggling actor/husband who plots to murder her and run off with gorgeous Gloria Grahame. Finding just the right degree of intensity and menace to pretty much steal the proceedings without chewing the scenery, he followed this with arguably his finest villain of the decade, that of sadistic gunslinger Jack Wilson who takes on Alan Ladd's titular hero, played by Shane (1953), in a classic showdown.
Throughout the 1950s, Palance doled out strong leads and supports such as those in Man in the Attic (1953) (his first lead), The Big Knife (1955) and the war classic Attack (1956). Mixed in were a few routine to highly mediocre parts in Flight to Tangier (1953), Sign of the Pagan (1954) (as Attila the Hun), and the biblical bomb The Silver Chalice (1954). In between filmmaking were a host of television roles, none better than his down-and-out boxer in Requiem for a Heavyweight (1956), a rare sympathetic role that earned him an Emmy Award.
Back and forth overseas in the 1960s and 1970s, Palance would dominate foreign pictures in a number of different genres -- sandal-and-spear spectacles, biblical epics, war stories and "spaghetti westerns." Such films included The Battle of Austerlitz (1960), The Mongols (1961), Barabbas (1961), Night Train to Milan (1962), Contempt (1963), The Mercenary (1968), Marquis de Sade's Justine (1969), The Desperados (1969), It Can Be Done Amigo (1972), Chato's Land (1972), Blood and Bullets (1976), Welcome to Blood City (1977). Back home, he played Fidel Castro in Che! (1969) while also appearing in Monte Walsh (1970), Oklahoma Crude (1973) and The Four Deuces (1975).
On the made-for-television front, Jack played a number of nefarious nasties to perfection, ranging from Mr. Hyde (The Strange Case of Dr. Jekyll and Mr. Hyde (1968)) to Dracula in Dracula (1974) to Ebenezer Scrooge in a "Wild West" version of the Dickens classic Ebenezer (1998). He also played one of the Hatfields in The Hatfields and the McCoys (1975). Jack switched gears to star as a "nice guy" lieutenant in the single-season TV cop drama Bronk (1975). In later years, the actor mellowed with age, as exemplified by roles in Bagdad Cafe (1987), but could still display his bad side as he did as an evil rancher, crime boss or drug lord in, respectively, Young Guns (1988), Batman (1989) and Tango & Cash (1989). Into his twilight years he showed a penchant for brash, quirky comedy capped by his Oscar-winning role in City Slickers (1991) and its sequel. He ended his film career playing Long John Silver in Treasure Island (1999).
His three children by his first wife, actress Virginia Baker -- Holly Palance, Brooke Palance, and Cody Palance -- all pursued acting careers and appeared with their father at one time or another. A man of few words off the set, he owned his own cattle ranch and displayed other creative sides as a exhibited painter and published poet.
His last years were marred by both failing health and the 1998 death of his son Cody from melanoma. He was later diagnosed with pancreatic cancer and died at the Santa Barbara County home of his daughter, Holly Palance, in 2006.- Actor
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Jack Plotnick was born in Columbus, Ohio, USA. He is an actor and producer, known for Girls Will Be Girls (2003), Gods and Monsters (1998) and Space Station 76 (2014).- Writer
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Amy Beth Schumer is an American comedian, writer and actress from Manhattan who is known for Trainwreck, Last Comic Standing, Snatched, Expecting Amy, Price Check, I Feel Pretty, The Humans and Inside Amy Schumer. She is married to chef Chris Fischer and had a son. Slated to appear as the iconic role in the 'Barbie' movie she pulled out due to creative differences.- Actor
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William Shatner has notched up an impressive 70-plus years in front of the camera, displaying heady comedic talent and being instantly recognizable to several generations of cult television fans as the square-jawed Captain James T. Kirk, commander of the starship U.S.S. Enterprise.
Shatner was born in Côte Saint-Luc, Montréal, Québec, Canada, to Anne (Garmaise) and Joseph Shatner, a clothing manufacturer. His father was a Jewish emigrant from Bukovina in the Austro-Hungarian Empire, while his maternal grandparents were Lithuanian Jews. After graduating from university, he joined a local Summer theatre group as an assistant manager. He then performed with the National Repertory Theatre of Ottawa and at the Stratford, Ontario, Shakespeare Festival as an understudy working with such as Alec Guinness, James Mason, and Anthony Quayle. He came to the attention of New York critics and was soon playing important roles in major shows on live television.
Shatner spent many years honing his craft before debuting alongside Yul Brynner in The Brothers Karamazov (1958). He was kept busy during the 1960s in films such as Judgment at Nuremberg (1961) and The Intruder (1962) and on television guest-starring in dozens of series such as Alfred Hitchcock Presents (1955), The Defenders (1961), The Outer Limits (1963) and The Twilight Zone (1959). In 1966, Shatner boarded the USS Enterprise for three seasons of Star Trek (1966), co-starring alongside Leonard Nimoy, with the series eventually becoming a bona-fide cult classic with a worldwide legion of fans known variously as "Trekkies" or "Trekkers".
After "Star Trek" folded, Shatner spent the rest of the decade and the 1970s making the rounds, guest-starring on many prime-time television series, including Hawaii Five-O (1968), Marcus Welby, M.D. (1969) and Ironside (1967). He has also appeared in several feature films, but they were mainly B-grade (or lower) fare, such as the embarrassingly bad Euro western White Comanche (1968) and the campy Kingdom of the Spiders (1977). However, the 1980s saw a major resurgence in Shatner's career with the renewed interest in the original Star Trek (1966) series culminating in a series of big-budget "Star Trek" feature films, including Star Trek: The Motion Picture (1979), Star Trek II: The Wrath of Khan (1982), Star Trek III: The Search for Spock (1984), Star Trek IV: The Voyage Home (1986), Star Trek V: The Final Frontier (1989) and Star Trek VI: The Undiscovered Country (1991). In addition, he starred in the lightweight police series T.J. Hooker (1982) from 1982 to 1986, alongside spunky Heather Locklear, and surprised many fans with his droll comedic talents in Airplane II: The Sequel (1982), Loaded Weapon 1 (1993) and Miss Congeniality (2000).
He has most recently been starring in the David E. Kelley television series The Practice (1997) and its spin-off Boston Legal (2004).
Outside of work, he jogs and follows other athletic pursuits. His interest in health and nutrition led to him becoming spokesman for the American Health Institute's 'Know Your Body' program to promote nutritional and physical health.Captain Kirk on Star Trek- Writer
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Michael Showalter is a director, writer, and producer who most recently directed the 2017 hit The Big Sick. Previously he directed and co-wrote the 2016 film Hello, My Name Is Doris starring Sally Field. Michael's first film was the The Baxter (2005) starring Michelle Williams and Justin Theroux. Michael is a co-creator of the critically acclaimed television show Search Party on TBS. He also co-created the TV mini-series Wet Hot American Summer: First Day of Camp and Wet Hot American Summer: Ten Years Later on Netflix.
As a writer and producer, Michael's other film credits include Wet Hot American Summer and They Came Together. Michael is a founding member of the comedy groups The State and Stella. He's also written two books: Mr. Funny Pants and Guys Can Be Cat Ladies Too.- Writer
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Ed Solomon was born on 15 September 1960 in Saratoga, California, USA. He is a writer and producer, known for Men in Black (1997), Bill & Ted's Excellent Adventure (1989) and Now You See Me 2 (2016). He was previously married to Cynthia Cleese.- Producer
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One of the most influential personalities in the history of cinema, Steven Spielberg is Hollywood's best known director and one of the wealthiest filmmakers in the world. He has an extraordinary number of commercially successful and critically acclaimed credits to his name, either as a director, producer or writer since launching the summer blockbuster with Jaws (1975), and he has done more to define popular film-making since the mid-1970s than anyone else.
Steven Allan Spielberg was born in 1946 in Cincinnati, Ohio, to Leah Frances (Posner), a concert pianist and restaurateur, and Arnold Spielberg, an electrical engineer who worked in computer development. His parents were both born to Russian Jewish immigrant families. Steven spent his younger years in Haddon Township, New Jersey, Phoenix, Arizona, and later Saratoga, California. He went to California State University Long Beach, but dropped out to pursue his entertainment career. Among his early directing efforts were Battle Squad (1961), which combined World War II footage with footage of an airplane on the ground that he makes you believe is moving. He also directed Escape to Nowhere (1961), which featured children as World War Two soldiers, including his sister Anne Spielberg, and The Last Gun (1959), a western. All of these were short films. The next couple of years, Spielberg directed a couple of movies that would portend his future career in movies. In 1964, he directed Firelight (1964), a movie about aliens invading a small town. In 1967, he directed Slipstream (1967), which was unfinished. However, in 1968, he directed Amblin' (1968), which featured the desert prominently, and not the first of his movies in which the desert would feature. Amblin' also became the name of his production company, which turned out such classics as E.T. the Extra-Terrestrial (1982). Spielberg had a unique and classic early directing project, Duel (1971), with Dennis Weaver. In the early 1970s, Spielberg was working on TV, directing among others such series as Rod Serling's Night Gallery (1969), Marcus Welby, M.D. (1969) and Murder by the Book (1971). All of his work in television and short films, as well as his directing projects, were just a hint of the wellspring of talent that would dazzle audiences all over the world.
Spielberg's first major directorial effort was The Sugarland Express (1974), with Goldie Hawn, a film that marked him as a rising star. It was his next effort, however, that made him an international superstar among directors: Jaws (1975). This classic shark attack tale started the tradition of the summer blockbuster or, at least, he was credited with starting the tradition. His next film was the classic Close Encounters of the Third Kind (1977), a unique and original UFO story that remains a classic. In 1978, Spielberg produced his first film, the forgettable I Wanna Hold Your Hand (1978), and followed that effort with Used Cars (1980), a critically acclaimed, but mostly forgotten, Kurt Russell/Jack Warden comedy about devious used-car dealers. Spielberg hit gold yet one more time with Raiders of the Lost Ark (1981), with Harrison Ford taking the part of Indiana Jones. Spielberg produced and directed two films in 1982. The first was Poltergeist (1982), but the highest-grossing movie of all time up to that point was the alien story E.T. the Extra-Terrestrial (1982). Spielberg also helped pioneer the practice of product placement. The concept, while not uncommon, was still relatively low-key when Spielberg raised the practice to almost an art form with his famous (or infamous) placement of Reese's Pieces in "E.T." Spielberg was also one of the pioneers of the big-grossing special-effects movies, like "E.T." and "Close Encounters", where a very strong emphasis on special effects was placed for the first time on such a huge scale. In 1984, Spielberg followed up "Raiders" with Indiana Jones and the Temple of Doom (1984), which was a commercial success but did not receive the critical acclaim of its predecessor. As a producer, Spielberg took on many projects in the 1980s, such as The Goonies (1985), and was the brains behind the little monsters in Gremlins (1984). He also produced the cartoon An American Tail (1986), a quaint little animated classic. His biggest effort as producer in 1985, however, was the blockbuster Back to the Future (1985), which made Michael J. Fox an instant superstar. As director, Spielberg took on the book The Color Purple (1985), with Whoopi Goldberg and Oprah Winfrey, with great success. In the latter half of the 1980s, he also directed Empire of the Sun (1987), a mixed success for the occasionally erratic Spielberg. Success would not escape him for long, though.
The late 1980s found Spielberg's projects at the center of pop-culture yet again. In 1988, he produced the landmark animation/live-action film Who Framed Roger Rabbit (1988). The next year proved to be another big one for Spielberg, as he produced and directed Always (1989) as well as Indiana Jones and the Last Crusade (1989), and Back to the Future Part II (1989). All three of the films were box-office and critical successes. Also, in 1989, he produced the little known comedy-drama Dad (1989), with Jack Lemmon and Ted Danson, which got mostly mixed results. Spielberg has also had an affinity for animation and has been a strong voice in animation in the 1990s. Aside from producing the landmark "Who Framed Roger Rabbit", he produced the animated series Tiny Toon Adventures (1990), Animaniacs (1993), Pinky and the Brain (1995), Freakazoid! (1995), Pinky, Elmyra & the Brain (1998), Family Dog (1993) and Toonsylvania (1998). Spielberg also produced other cartoons such as The Land Before Time (1988), We're Back! A Dinosaur's Story (1993), Casper (1995) (the live action version) as well as the live-action version of The Flintstones (1994), where he was credited as "Steven Spielrock". Spielberg also produced many Roger Rabbit short cartoons, and many Pinky and the Brain, Animaniacs and Tiny Toons specials. Spielberg was very active in the early 1990s, as he directed Hook (1991) and produced such films as the cute fantasy Joe Versus the Volcano (1990) and An American Tail: Fievel Goes West (1991). He also produced the unusual comedy thriller Arachnophobia (1990), Back to the Future Part III (1990) and Gremlins 2: The New Batch (1990). While these movies were big successes in their own right, they did not quite bring in the kind of box office or critical acclaim as previous efforts. In 1993, Spielberg directed Jurassic Park (1993), which for a short time held the record as the highest grossing movie of all time, but did not have the universal appeal of his previous efforts. Big box-office spectacles were not his only concern, though. He produced and directed Schindler's List (1993), a stirring film about the Holocaust. He won best director at the Oscars, and also got Best Picture. In the mid-90s, he helped found the production company DreamWorks, which was responsible for many box-office successes.
As a producer, he was very active in the late 90s, responsible for such films as The Mask of Zorro (1998), Men in Black (1997) and Deep Impact (1998). However, it was on the directing front that Spielberg was in top form. He directed and produced the epic Amistad (1997), a spectacular film that was shorted at the Oscars and in release due to the fact that its release date was moved around so much in late 1997. The next year, however, produced what many believe was one of the best films of his career: Saving Private Ryan (1998), a film about World War Two that is spectacular in almost every respect. It was stiffed at the Oscars, losing best picture to Shakespeare in Love (1998).
Spielberg produced a series of films, including Evolution (2001), The Haunting (1999) and Shrek (2001). he also produced two sequels to Jurassic Park (1993), which were financially but not particularly critical successes. In 2001, he produced a mini-series about World War Two that definitely *was* a financial and critical success: Band of Brothers (2001), a tale of an infantry company from its parachuting into France during the invasion to the Battle of the Bulge. Also in that year, Spielberg was back in the director's chair for A.I. Artificial Intelligence (2001), a movie with a message and a huge budget. It did reasonably at the box office and garnered varied reviews from critics.
Spielberg has been extremely active in films there are many other things he has done as well. He produced the short-lived TV series SeaQuest 2032 (1993), an anthology series entitled Amazing Stories (1985), created the video-game series "Medal of Honor" set during World War Two, and was a starting producer of ER (1994). Spielberg, if you haven't noticed, has a great interest in World War Two. He and Tom Hanks collaborated on Shooting War: World War II Combat Cameramen (2000), a documentary about World War II combat photographers, and he produced a documentary about the Holocaust called Eyes of the Holocaust (2000). With all of this to Spielberg's credit, it's no wonder that he's looked at as one of the greatest ever figures in entertainment.Directed:
• Jaws
• Jurassic Park
• Schindler’s List
• Saving Private Ryan
• E.T.: The Extra-Terrestrial
• Indiana Jones trilogy- Susan Stamberg was born on 7 September 1938 in Newark, New Jersey, USA. She is an actress, known for The Siege (1998), Alive from Off Center (1984) and Yoo-Hoo, Mrs. Goldberg (2009). She was previously married to Louis Collins Stamberg.
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Daniel Stern was born in Bethesda, Maryland, to a social worker father and a day care manager mother. He has been acting professionally since the age of seventeen. Following his high school graduation, he auditioned for the Washington Shakespeare Festival seeking a job as a lighting engineer but ended up as "a strolling player with a lute" in their production of "As You Like It." Shortly thereafter, he made his way to New York where he "took a couple of acting lessons" and began to assemble an impressive portfolio of such off-Broadway credits as "Split," "Frankie and Annie," "The Mandrake," and "The Old Glory." In addition, director Peter Yates cast him as one of the four Indiana teenagers in the highly acclaimed film Breaking Away (1979). Variety in acting roles appeals to Stern. Following "Breaking Away," he appeared in Woody Allen's Stardust Memories (1980), Claudia Weill's It's My Turn (1980) and John Schlesinger's Honky Tonk Freeway (1981) before returning to New York to appear off-Broadway in the two character play "How I Got That Story," which led to critical acclaim and a starring role in Barry Levinson's Diner (1982). Other film credits include I'm Dancing as Fast as I Can (1982), Blue Thunder (1983), Hannah and Her Sisters (1986), The Boss' Wife (1986), The Milagro Beanfield War (1988), Born in East L.A. (1987) and D.O.A. (1988) In addition to his voice-over work on the series, Stern directed several episodes of the popular and critically acclaimed television comedy, The Wonder Years (1988).- Producer
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Alec Sulkin was born on 14 February 1973 in the USA. He is a producer and actor, known for Ted 2 (2015), Family Guy (1999) and Ted (2012).- Actor
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Miles Alexander Teller is an American actor and musician. For his performance in the film The Spectacular Now (2013), he won the Dramatic Special Jury Award for Acting at the 2013 Sundance Film Festival. He has appeared in the films Rabbit Hole (2010), Footloose (2011), Project X (2012), That Awkward Moment (2014), Divergent (2014), Two Night Stand (2014), Whiplash (2014).- Producer
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Born and raised in Sudbury, Ontario, Alex Trebek graduated from the University of Ottawa with a degree in Philosophy. After his first decision to become a newscaster, he joined the CBC (Canadian Broadcasting Company), Canada's premier network in 1961. As he was working, he helped organize national news and covered a variety of special events for CBC's radio and television divisions, receiving high praise as a broadcaster who retained his poise and composure in the toughest places. Then, in 1966, he became a Canadian game show host on Reach for the Top (1965), and stayed there for the first seven years until he migrated to the United States to host his very first game show in that country, The Wizard of Odds (1973), for NBC.
Prior to being selected as the host of Jeopardy! (1984), for syndication, he came back to NBC and hosted the revamped version of Classic Concentration (1987), which was also his second hit in his then-almost 30 year career. On this show, he received 4 Emmy nominations, but didn't win. It was canceled in 1991, when the network stopped making game show for daytime TV.
On May 17, 2002, Jeopardy! (1984) celebrated a milestone, with its 4000th episode and at the same time, received another Daytime Emmy for "Outstanding Game Show/Audience Participation," making it its 21st Emmy. Like Bob Barker, Alex Trebek broke the world record as host of TV's #1 quiz show in the country, won seven Outstanding Game Show Host Emmy Awards, received a star on the Hollywood Walk of Fame, and was often described as one of the Top 10 Canadians on U.S. Television. Trebek passed away, after a long battle against pancreatic cancer on November 8, 2020, at age 80.Host of Jeopardy- Actor
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Jeremy Allen White (born 1991) is an American film and television actor. He is best known for his long-running role as Phillip "Lip" Gallagher on the Showtime dreamed series Shameless (2011-2021). He has also appeared in the first season of the thriller series Homecoming (2018) and in several films including Afterschool, Twelve, After Everything, and The Rental.- Actress
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Shelley Winters was born Shirley Schrift of very humble beginnings on August 18, 1920 (some sources list 1922) in East St. Louis, Illinois. Her mother, Rose Winter, was born in Missouri, to Austrian Jewish parents, and her father, Jonas Schrift, was an Austrian Jewish immigrant. She had one sibling, a sister, Blanche. Her father moved the family to Brooklyn when she was still young so that he, a tailor's cutter, could find steadier work closer to the city's garment industry. An unfailing interest in acting began quite early for Shelley, and she appeared in high school plays. By her mid- to late teens she had already been employed as a Woolworth's store clerk, model, borscht belt vaudevillian and nightclub chorine, all in order to pay for her acting classes. During a nationwide search in 1939 for GWTW's Scarlett O'Hara, Shelley was advised by auditioning director George Cukor to get acting lessons, which she did. Apprenticing in summer stock, she made her Broadway debut in the short-lived comedy "The Night Before Christmas" in 1941 and followed it with the operetta "Rosalinda" (1942) initially billing herself in both shows as Shelley Winter (without the "s").
Within a short time, Shelley pushed ahead for a career out west. Hollywood proved to be a tough road. Toiling in bit roles for years, many of her scenes were excised altogether during her early days. Obscurely used in such movies as What a Woman! (1943), The Racket Man (1944), Cover Girl (1944) and Tonight and Every Night (1945), her breakthrough did not occur until 1947, and it happened on both the stage and big screen. Not only did she win the replacement role of Ado Annie Carnes in "Oklahoma!" on Broadway but, around the same time, scored excellent notices on film as the party girl waitress who ends up a victim of deranged strangler (and Oscar winner) Ronald Colman in the critically-hailed A Double Life (1947) directed by Cukor. From this moment, she achieved a somewhat earthy film stardom, playing second-lead broads who often met untimely ends (as in Cry of the City (1948) and The Great Gatsby (1949)), or tawdry-black-stockinged and feather-boa-adorned leads, as in South Sea Sinner (1950) in which her eclectic co-stars included Macdonald Carey and Liberace!
As a tarnished glamour girl and symbol of working-class vulgarity in Hollywood, Shelley was about to be written off in pictures altogether when one of her finest movie roles arrived on her front porch. Her best hard luck girl storyboard showed up in the form of depressed, frumpy-looking Alice Tripp, a factory girl seduced and abandoned by wanderlust Montgomery Clift in A Place in the Sun (1951). Favoring gorgeous society girl Elizabeth Taylor who is totally out of his league, Clift is subsequently blackmailed by Winters' pathetic (and now pregnant) character into marrying her. For her desperate efforts, she is purposely drowned by Clift after he tips their canoe. The role, which garnered Shelley her first Oscar nomination, finally plucked her out of the sordid starlet pool she was treading and into the ranks of serious femme star contenders. But not for long.
Winters just couldn't escape the lurid bottle-blonde quality she instilled in her characters. During what should have been her peak time in films were a host of badly-scripted "B" films. The obvious, two-dimensional chorines, barflies, floozies and gold diggers she played in Behave Yourself! (1951), Frenchie (1950), Phone Call from a Stranger (1952), Playgirl (1954), and also Mambo (1954), in which co-starred second husband Vittorio Gassman, pretty much said it all. She grew extremely disenchanted and decided to return to dramatic study. Earning membership into the famed Actors' Studio, she went to Broadway and earned kudos, thereby reestablishing her reputation as a strong actress with the drug-themed play "A Hatful of Rain" (1955). Co-starring in the show was the up-and-coming Anthony Franciosa, who became her third husband in 1957. Her renewed dedication to pursuing quality work was shown by her appearances in a number of heavyweight theater roles including Blanche in "A Streetcar Named Desire" (1955). In later years, the Actors' Studio enthusiast became one of its most respected coaches, shaping up a number of today's fine talents with the Strasberg "method" technique.
By the late 1950s, she had started growing in girth and wisely eased into colorful character supports. The switch paid off. After a sterling performance as the ill-fated wife of sadistic killer Robert Mitchum in Charles Laughton's The Night of the Hunter (1955), she scored big in the Oscar department when she won "Best Supporting Actress" for the shrill and hypertensive but doomed Mrs. Van Daan in The Diary of Anne Frank (1959). From this period sprouted a host of revoltingly bad mamas, blowsy matrons, and trashy madams in such film fare as Lolita (1962), The Chapman Report (1962), The Balcony (1963) Wives and Lovers (1963), and A House Is Not a Home (1964). She topped things off as the abusive prostitute mom in A Patch of Blue (1965) who was not above pimping her own blind daughter (the late Elizabeth Hartman) for household money. The actress managed to place a second Oscar on her mantle for this riveting support work.
With advancing age and increasing size, she found a comfortable niche in the harping Jewish wife/mother category with loud, flashy, unsubtle roles in Enter Laughing (1967), Next Stop, Greenwich Village (1976) and, most notably, The Poseidon Adventure (1972). She earned another Oscar nomination for "Poseidon" while portraying her third drowning victim. At around the same time, she scored quite well as the indomitable Marx Brothers' mama in "Minnie's Boys" on Broadway in 1970.
In the 1970s and 1980s, she developed into an oddly-distracted personality on TV, making countless talk show appearances and becoming quite the raconteur and incessant name dropper with her juicy Hollywood behind-the-scenes tales. Candid would be an understatement when she published two scintillating tell-all autobiographies that reached the bestsellers list. "Shelley, Also Known as Shirley" (1981) and "Shelley II: The Middle of My Century" (1989) detailed dalliances with Errol Flynn, Burt Lancaster, Marlon Brando, William Holden, Sean Connery and Clark Gable, to name just a few.
Thrice divorced (her first husband was a WWII captain; her only child, Vittoria, was the daughter of her second husband, Gassman), she remained footloose and fancy free after finally breaking it off with the volatile Franciosa in 1960. Her stormy marriages and notorious affairs, not to mention her ambitious forays into politics and feminist causes, kept her name alive for decades. She worked in films until the beginning of the millennium, her last film being the easily-dismissed Italian feature La bomba (1999). She enjoyed Emmy-winning TV work and had the recurring role of Roseanne Barr's tell-it-like-it-is grandmother on the comedienne's self-named sitcom. Her last years were marred by failing health and, for the most part, she was confined to a wheelchair. Suffering a heart attack in October of 2005, she died in a Beverly Hills nursing home of heart failure on January 14, 2006.
It was reported that only hours earlier on her deathbed she had entered into a "spiritual" union with her longtime companion of 19 years, Gerry McFord; a relationship of which her daughter disapproved. Gregarious, brazen, ambitious and completely unpredictable -- that would be Shelley Winters, the storyteller, whose amazing career lasted over six colorful decades.- Actress
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Award-winning actress, director, producer, Katheryn Winnick, is best known for starring and directing the critically acclaimed, Emmy award-winning television series "Vikings." Winnick made her directorial debut in sixth and final season which earned her "Best Director" at the 2020 WIN Awards. She produced and starred in Sean Penn's "Flag Day" that premiered at the 2021 Cannes Film Festival and recently starred in David E. Kelley's critically acclaimed series "Big Sky" that was ABC's most watched and highest-rated debut since 2017. She started her production company, Kat Scratch Inc., to champion strong female-lead stories.- Actress
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Madeline Kahn was born Madeline Gail Wolfson of Russian Jewish descent on September 29, 1942 in Boston, Massachusetts, to Freda Goldberg (later known as Paula Kahn), who was still in her teens, and Bernard B. Wolfson, a garment manufacturer. She began her acting career in high school and went on to university where she trained as an opera singer and starred in several campus productions, ultimately earning a doctorate in her chosen field.
Kahn's best-known work came in Paper Moon (1973) with Ryan O'Neal, which was followed the next year by Mel Brooks's outrageous Blazing Saddles (1974) as Lili Von Shtupp, a cabaret singer who was obviously based on Marlene Dietrich's performance in Destry Rides Again (1939). Kahn was nominated for an Academy Award for Best Supporting Actress in both movies. In 1998, she lent her voice to the character of "Gypsy" in A Bug's Life (1998).
On December 3, 1999, Madeline Kahn died of ovarian cancer in New York City, after a yearlong or so battle, during part of which time she was a cast member of Cosby (1996), aged 57.- Actress
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Julie grew up on the Upper West Side of Manhattan. Her father, Neil Warner, was a musical arranger, who wrote jingles for products such as Tic-Tacs and Fig Newtons. Her mother, Naomi, is a freelance book agent. A 10-years younger brother, James, works for the New York City Parks Department. At 12, she attended the exclusive Dalton School, where she became friends with Mary Stuart Masterson. While there, an agent urged her to try out for a role in the movie Pretty Baby (1978). She didn't get it, but it did lead to a role on the soap Guiding Light (1952). She majored in theatre arts at Brown University and graduated in 1987. She worked as a waitress in Los Angeles, while seeking her acting break. In 1995, she married writer-director Jonathan Prince.- Music Department
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He was born Jacob Gershowitz, 26 September 1898, in Brooklyn, New York, of Russian-Jewish immigrants. As a boy he could play popular and classical works on his brother Ira's piano by ear. In 1913 he quit school to study music and began composing for Tin Pan Alley; by 1919 he had his first hit "Swanee" and his first Broadway show "La, La, Lucille." In less than three weeks in 1924 he composed "Rhapsody in Blue," originally for Paul Whiteman's relatively small swing band and later orchestrated by Ferde Grofé. "Concerto in F" followed the next year, and his musical success "Oh, Kay!" (which included "Someone to Watch Over Me") the year after that. Success continued: "Funny Face" (1927), the tone poem "American in Paris" (1928), "Girl Crazy" (1929), "Of Thee I Sing" (1931 the first musical to win the Pulitzer Prize), and the first true American opera: "Porgy and Bess" (1935). He moved to Hollywood were his songs were performed by Fred Astaire and Ginger Rogers. In 1937 he fell in love with Paulette Goddard, then married to Charlie Chaplin. He was heartbroken that she would not leave her husband for him. When he fell ill, that June, it was written off as stress. A month later he died of a brain tumor, five hours after a failed surgical attempt to remove it. Funerals were hold in both Hollywood and New York.- Writer
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David Kohan is the Creator/Executive Producer of Will & Grace (1998), Good Morning, Miami (2002) and Executive Producer of The Stones (2004). For his work on "Will & Grace" he has been honored with an Emmy Award for Outstanding Comedy Series; a People's Choice Award (Favorite New Comedy); four Golden Globe nominations (Best Comedy Series); four GLAAD Media Awards (Outstanding TV Comedy Series); a Founders Award from the Viewers for Quality Television, and the National Award for Excellence from the Human Rights Campaign.
As writing partners, David and Max Mutchnick began their careers writing for The Dennis Miller Show (1992). Their series writing credits include Hearts Afire (1992) with John Ritter and Markie Post, Good Advice (1993) with Shelley Long and Dream On (1990). In addition to "Will & Grace", they also created and served as executive producers on the comedy series Boston Common (1996) and "Good Morning, Miami." Currently, David and Max serve as Executive Producers on the new CBS comedy, "The Stones."
Born in New York and raised in Los Angeles, Kohan is the son of Emmy Award-winning television writer Buz Kohan (winner of 13 Emmys) and novelist Rhea Kohan. "I guess I felt a genetic imperative to write," says Kohan. He has a twin brother, Jono (born four minutes earlier), who works in the music business and a younger sister, Jenji, who is also a television writer/producer. Kohan moved to Connecticut to attend Wesleyan University, where he majored in English and philosophy. In 1986, he returned to Los Angeles after graduation and began a stint as a writer on "It's Garry Shandling's Show." Says Kohan, "Writing television was always a way to keep me off the mean streets of Beverly Hills where I might have fallen in with the wrong crowd of wealthy professionals."
In 1991, Kohan teamed up with Mutchnick, and after obtaining an agent, they have been writing together ever since. "I love sitcom writing," says Kohan. "To me it's the most satisfying venue for a writer. You write a script, and then two-and-one-half weeks later, you see the fruits of your labor." Kohan, who has an 8-year-old daughter, Olivia, lives in Los Angeles. When he's not working, he enjoys reading up on his favorite subject: "15th-century midwifery."Creator of “Will & Grace”- Actress
- Music Department
- Additional Crew
Natalie Wood was an American actress of Russian and Ukrainian descent. She started her career as a child actress and eventually transitioned into teenage roles, young adult roles, and middle-aged roles. She drowned off Catalina Island on November 29, 1981 at age 43.
Wood was born July 20, 1938 in San Francisco to Russian immigrant parents: housewife Maria Gurdin (née Zoodiloff), known by multiple aliases including Mary, Marie and Musia, and second husband Nick Gurdin (née Zacharenko), a janitor and prop builder. Nicholas was born in Primorsky Krai, son of a chocolate-factory worker. Maria was born in Barnaul, southern Siberia to a wealthy industrialist. Natalie's maternal grandfather owned soap and candle factories.
Wood's parents had to migrate due to the Russian Civil War. Her paternal grandfather joined the anti-Bolshevik civilian forces early in the war and was killed in a street fight between Red and White Russian soldiers. This convinced the Zacharenkos to migrate to Shanghai, China, where they had relatives. Wood's paternal grandmother remarried in 1927 and moved the family to Vancouver, British Columbia. In 1933 they resettled along the U.S. West Coast. Nicholas met Wood's mother, four years his senior, while she was still married to Alexander Tatuloff, an Armenian mechanic she divorced in 1936.
Mary Tatuloff, Wood's mother, had unfulfilled ambitions of becoming a ballet dancer. She grew up in the Chinese city of Harbin and had married Alexander there in 1925. The Tatuloffs had one daughter, Ovsanna, before coming to America in 1930. After marrying Nicholas Zacharenko in 1938, five months before Wood's birth, Mary (now calling herself Marie) transferred her dream of stardom onto her second child. Marie frequently took a young Wood with her to the cinema, where she could study the films of Hollywood child stars.
Wood's parents changed the family name to Gurdin upon obtaining U.S. citizenship, and her pseudonymous mother finally settled on a permanent first name: Maria. In 1942 they bought a house in Santa Rosa, where young Natalie was noticed by members of a crew during a film shoot. She got to audition for roles as an actress, and the family moved to Los Angeles to help seek out roles for her. RKO Radio Pictures' executives William Goetz and David Lewis chose the stage name Wood for her, in reference to director Sam Wood. Natalie's younger sister Svetlana Gurdin would eventually follow an acting career as well, under the stage name Lana Wood.
Wood made her film debut in Happy Land (1943). She was only five years old, and her scene as the "Little Girl Who Drops Ice Cream Cone" lasted 15 seconds. Wood somehow attracted the interest of film director Irving Pichel who remained in contact with her family. She had few job offers over the following two years, but Pichel helped her get a screen test for a more substantial role in the romance film Tomorrow Is Forever (1946). Wood passed through an audition and won the role of Margaret Ludwig, a post-World War II German orphan. At the time, Wood was unable to "cry on cue" for a key scene, so her mother tore a butterfly to pieces in front of her, giving her a reason to cry for the scene.
Wood started appearing regularly in films following this role and soon received a contract with 20th Century Fox. Her first major role was that of Susan Walker in the Christmas film Miracle on 34th Street (1947), which was a commercial and critical hit. Wood got her first taste of fame, and afterwards Macy's invited her to appear in the store's annual Thanksgiving Day parade. Following her early success, Wood receive many more film offers. She typically appeared in family films, cast as the daughter of such stars as Fred MacMurray, Margaret Sullivan, James Stewart, Joan Blondell, and Bette Davis. Wood found herself in high demand and appeared in over twenty films as a child actress.
The California laws of the era required that until reaching adulthood, child actors had to spend at least three hours per day in the classroom. Wood received her primary education on the studio lots, receiving three hours of school lessons whenever she was working on a film. She was reportedly a "straight A student." Director Joseph L. Mankiewicz was quite impressed by Wood's intellect. After school hours ended, Wood would hurry to the set to film her scenes.
While Wood acquired the services of agents, her early career was micromanaged by her mother. An older Wood gained her first major television role in the short-lived sitcom The Pride of the Family (1953). At the age of 16, she found more success with the role of Judy in Rebel Without a Cause (1955). She played the role of a teenage girl who wears makeup and dresses up in racy clothes to attract the attention of a father who typically ignores her. The film's success helped Wood make the transition from child actress to an ingenue. She was nominated for an Academy Award for Best Supporting Actress.
Her next significant film was The Searchers (1956), a western in which she played the role of abduction victim Debbie Edwards, niece of John Wayne's character. The film was a commercial and critical hit, and has since become regarded as a masterpiece. Also in 1956, Wood graduated from Van Nuys High School. She signed a contract with Warner Brothers, where she was kept busy with several new films. To her disappointment, she was typically cast as the girlfriend of the protagonist and received roles of little depth. For a while, WB had her paired with teen heartthrob Tab Hunter. The studio was hoping that the pairing would serve as a box-office draw, but this did not work out. One of Wood's only serious roles from this period was the title character in Marjorie Morningstar (1958), as a young Jewish girl whose efforts to create her own identity and career path clash with the expectations of her family. The film was a critical success, and fit well with other films exploring the restlessness of youth in the '50s.
Wood's first major box office flop was the biographical film All the Fine Young Cannibals (1960), examining the rags to riches story of jazz musician Chet Baker without actually using his name. The film's box office earnings barely covered the production costs, and MGM recorded a loss of $1,108,000. For the first time. Wood's appeal to the audience was in doubt. With her career in decline following this failure, Wood was seen as "washed up" by many in the film community. But director Elia Kazan gave her the chance to audition for the role of the sexually-repressed Wilma Dean Loomis in his upcoming film Splendor in the Grass (1961). Kazan cast Wood as the female lead, because he found in her (in his words): a "true-blue quality with a wanton side that is held down by social pressure." Kazan is credited for producing Wood's most powerful moment as an actress. The film was a critical success, with Wood nominated for an Academy Award for Best Actress.
Wood's next important film was West Side Story (1961), where she played Maria, a restless Puerto Rican girl. Wood was once again called to represent the restlessness of youth, this time in a story involving youth gangs and juvenile delinquents. The film was a great commercial success with about $44 million gross, the highest-grossing film of 1961. It was also critically acclaimed, and is still regarded as one of the best films of Wood's career. Her next film was Gypsy (1962), playing the role of burlesque entertainer and stripper Gypsy Rose Lee. Film historians credit the film as an even better role for Wood than that of Maria, with witty dialogue, a greater emotional range, and complex characterization. The film was the eighth highest-grossing release of 1962, and was well-received critically.
Wood's next significant role was that of Macy's salesclerk Angie Rossini in Love with the Proper Stranger (1963). In the film, Angie has a one-night-stand with musician Rocky Papasano, played by Steve McQueen, finds herself pregnant and desperately seeks an abortion. The film under-performed at the box office but was critically well-received. Wood received her third (and last) nomination for an Academy Award. At age 25, Wood was tied with Teresa Wright as the youngest person to score three Oscar nominations. Wood held that designation until 2013, when Jennifer Lawrence achieved her third nomination at age 23.
Wood continued her successful film career until 1966, but her health status was not as successful. She was suffering emotionally and had sought professional therapy. She paid Warner Bros. $175,000 to cancel her contract and was able to retire for a while. She also fired her entire support team: agents, managers, publicist, accountant, and attorneys. She took a three-year hiatus from acting.
Wood made her comeback in the comedy Bob & Carol & Ted & Alice (1969) with the themes of sexual liberation and wife swapping. It was a box office hit. Wood decided to gamble her $750,000 fee on a percentage of the gross, earning a million dollars in profits. She chose not to capitalize on the film's success, however, and did not take another acting job for five years.
In 1970, Wood was married to the screenwriter Richard Gregson and was expecting her first child, Natasha Gregson Wagner. She went into semi-retirement to be a stay-at-home mom, appearing in only four more theatrical films before her death. These films were the mystery comedy Peeper (1975), the science fiction film Meteor (1979), the comedy The Last Married Couple in America (1980), and the posthumously-released science fiction film Brainstorm (1983).
In the late '70s, Wood found success in television roles, appearing in several made-for-TV movies and the mini-series From Here to Eternity (1979). Her project received high ratings, and she had plans to make her theatrical debut in a 1982 production of Anastasia.
On November 28, 1981, Wood joined her last husband Robert Wagner, their married friend Christopher Walken, and captain Dennis Davern on a weekend boat trip to Catalina Island. Conspicuously absent from the group was Christopher's wife, casting director Georgianne Walken. The four of them were on board the Wagners' yacht "Splendour." Earwitness Marilyn Wayne heard cries for help around 11:05 P.M. and a "man's voice slurred, and in aggravated tone, say something to the effect of, 'Oh, hold on, we're coming to get you,' and not long after, the cries for help subsided." On the morning of November 29, Wood's corpse was recovered 1 mile (1.6 kilometers) away from the boat, near small Valiant-brand inflatable dinghy beached nearby. The toxicology report revealed her blood alcohol level was at .14, over the legal limit of .10. Wood was buried on December 2 at Westwood Village Memorial Park Cemetery in Los Angeles. Nine days later, the LACSD officially closed the case.- Actor
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When he was 11, he wanted to be a comedian like Sid Caesar. Then, when he was 15 and saw Lee J. Cobb in 'Death of a Salesman,' he decided he would be a comedy actor and found that Mel Brooks was a great influence on his screen writing. He combined both talents with directing in The World's Greatest Lover (1977), followed by The Adventure of Sherlock Holmes' Smarter Brother (1975).Willy Wonka- Writer
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- Producer
Author, producer, and composer who earned a Bachelor of Science degree from CCNY, then a Purple Heart during World War II while serving in the US Army. Joining ASCAP in 1955, his chief musical collaborators included George Bassman and Harry Warren. His popular-song compositions include "Marty" and "Middle of the Night".- Producer
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- Director
Art Linson has produced critically acclaimed movies in every decade since the seventies including Fight Club, Heat, The Untouchables , Fast Times at Ridgemont High , Into the Wild, and two time Oscar winner Melvin and Howard. Art is an award winning producer, author, screenwriter, and director.
Linson was an executive producer on the long-running FX television series Sons of Anarchy (2008-2014), as well as Yellowstone, starring Kevin Costner. Yellowstone premiered on June 20, 2018, on the Paramount Network. Yellowstone has become the most popular scripted series in television. Art is currently an executive producer on the hit tv series 1883 , and 1923 .
He is the author of two books A Pound of Flesh: Perilous Tales of How to Produce Movies in Hollywood(1998) and What Just Happened?: Bitter Hollywood Tales from the Front Line, the last of which was made into a major motion picture starring Robert De Niro directed by Barry Levinson.
Linson's credits range from such commercial and critical hits as The Untouchables (1987) (winner of the Academy Award for Best Supporting Actor Sean Connery), Heat (1995) (Robert De Niro and Al Pacino), Fast Times at Ridgemont High (1982) (Sean Penn), Car Wash (1976) and Scrooged (1988), to unusual classics such as Melvin and Howard (1980) (winner of two Academy Awards for Best Screenplay and Best Supporting Actress, Mary Steenburgen), Fight Club (1999) (Brad Pitt and Edward Norton), The Edge (1997) (Anthony Hopkins), Heist (2001) (Gene Hackman), Casualties of War (1989) and This Boy's Life (1993) (Robert De Niro and Leonardo DiCaprio).
In 1995, Linson published his first book, "A Pound of Flesh: Perilous Tales of How to Produce Movies in Hollywood". His second book, "What Just Happened? Bitter Hollywood Tales From the Front Line", was published in 2002.- Producer
- Production Manager
- Transportation Department
Gerald R. Molen was born on 6 January 1935 in Great Falls, Montana, USA. He is a producer and production manager, known for Rain Man (1988), Jurassic Park (1993) and Schindler's List (1993).- Director
- Producer
- Additional Crew
ALEX ZAMM DIRECTOR & SCREENWRITER
BIO:
Alex Zamm is an American director and screenwriter with a focus on creating family entertainment that is often visual effects heavy and frequently incorporates animals and kids.
Zamm recently directed, co-wrote and co-produced the hybrid cgi-live action film, Woody Woodpecker, based on the classic Walter Lantz character. The successful theatrical and streaming release of the film led to Zamm being asked by Universal to expand the Woody brand by producing, directing, and co-writing ten original 2-D animated shorts for YouTube, , which have received 100 million views worldwide.
Zamm has directed two of the highest grossing live action direct to SVOD/DVD titles of all time, Beverly Hills Chihuahua 2 and Inspector Gadget 2 for Disney. And his Wonderful World Of Disney film, My Date With The President's Daughter garnered he and his writing partner a Writer's Guild Of American nomination for Best Children's Programming.
His other family entertainment credits include: Little Rascals Save The Day, Tooth Fairy 2, R.L. Stine's: The Haunting Hour, Jingle All The Way 2, Dr. Doolittle: Million Dollar Mutts, Snow, and The Pooch And The Pauper.
He has also directed a number of highly rated romantic dramadies for Netflix and Hallmark: A Christmas Prince, A Royal Christmas, Crown For Christmas, Paris, Wine & Romance, and Christmas In Evergreen.
Zamm has directed the sitcoms, The Thundermans for Nickelodeon and multiple episodes of Dog With A Blog for Disney, with his episodes helping garner the show an Emmy nomination for Best Children's TV Series.
At the beginning of his career, his first short film, Croutons & You, was selected by Monty Python's Graham Chapman's HBO series, The Dangerous Film Club. Zamm's second short film, Maestro, made for HBO, was nominated for a Palm d'Or at the Cannes Film Festival. And his third short, The Birthday Fish was selected for the Sundance Film Festival.
He is attached to direct the hybrid feature, Hong Kong Phooey, based on the classic Hanna Barbera cartoon character for Alcon Entertainment and Warner Brothers.
A few more Zammtastic fun facts...
. Alex grew up in Woodstock, NY...the town where the famous concert didn't actually take place.
. In high school and college Zamm worked for NPR's All Things Considered as an interviewer and editor for producer Jay Allison.
. In college, Zamm started a humor magazine called, MOO and hosted a comedy radio show entitled, The Dr. Shazamm Hour.
. He received his B.A. in film and classical mythology from S.U.N.Y. Binghamton and his M.F.A. from Columbia University, where his mentors included Milos Forman and Martin Scorcese.
. Zamm studied cartooning at the School Of Visual arts and has had cartoons published in Spy Magazine.
. He directed Tobey Maguire in his first TV series, Great Scott for Fox and directed an animated music video starring Joey of the Ramones.
. Zamm was the first writer (albeit uncredited) on The Green Lantern movie.
. Zamm has contributed songs to many of his and others films with his music partner, Alex Geringas. Their holiday themed songs have charted in the Top 20 on iTunes Holiday Music. Their song, It's Always Been You has been used as the
. Zamm wrote and created the sci-fi novel, Zero-G, published by Top Cow, which received glowing reviews from both Stan Lee and Ray Bradbury.
. "Zamm" is Alex's real last name...not a made up superhero name.
But enough about me...tell me about you!- Producer
- Writer
- Director
Brian Michael Levant is an American filmmaker and producer known for directing many films such as The Flintstones, Jingle All the Way, Snow Dogs, Scooby-Doo: The Mystery Begins, The Flintstones: Viva Rock Vegas, Scooby-Doo: Curse of the Lake Monster, Are We There Yet?, The Spy Next Door and Max 2: White House Hero.- Cinematographer
- Actor
- Camera and Electrical Department
Ace cinematographer Owen Roizman was born September 22, 1936, in Brooklyn, New York. His father Sol was a cinematographer for Fox Movietone News and his uncle Morrie Roizman was a film editor. Owen studied math and physics at Gettysburg College in Pennsylvania. He began his career shooting TV commercials, and made his feature debut as a director of photography with the obscure and little seen 1970 movie Stop! (1970). Owen brought a strong and compelling sense of raw, gritty, documentary-style realism to William Friedkin's harsh and hard-hitting police action thriller classic The French Connection (1971). Roizman received a well-deserved Academy Award nomination for his outstanding visual contributions to this picture; he went on to garner four additional Oscar nominations, for The Exorcist (1973), Tootsie (1982), Network (1976) and Wyatt Earp (1994). Owen gave a similar rough and grainy look to the edgy urban thrillers The Taking of Pelham One Two Three (1974) and Straight Time (1978). His other films encompass an impressively diverse array of different genres which include horror ("The Exorcist"), science fiction (The Stepford Wives (1975)), comedy (The Heartbreak Kid (1972) "Tootsie"), musicals (Sgt. Pepper's Lonely Hearts Club Band (1978)), drama (True Confessions (1981), Absence of Malice (1981)) and even Westerns (The Return of a Man Called Horse (1976), "Wyatt Earp"). His last feature to date was French Kiss (1995). In the early 1980s Owen took a hiatus from shooting films and formed the commercial production company Roizman and Associates. He has directed and/or photographed hundreds of TV commercials. In 1997 he was the recipient of a Lifetime Achievement Award from the American Society of Cinematographers.- Editor
- Editorial Department
- Production Manager
Fred A. Chulack was born on 1 October 1926 in Los Angeles, California, USA. He was an editor and production manager, known for Spartacus (1960), The Blue and the Gray (1982) and Hollywood Wives (1985). He died on 31 October 2003 in Los Angeles, California, USA.- William Paley was born on 27 September 1901 in Chicago, Illinois, USA. He was married to Babe Paley and Dorothy Jones Hart . He died on 26 October 1990 in New York City, New York, USA.
- Armand Hammer was born on 21 May 1898 in New York City, New York, USA. He was an actor, known for The Cosby Show (1984), Tovarishch amerikanskiy millioner (1988) and The Tonight Show Starring Johnny Carson (1962). He was married to Frances Barrett, Angela Zevely and Olga Vadimovna Von Root. He died on 15 December 1990 in Los Angeles, California, USA.
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Actor and director Sam Wanamaker was born in Chicago, Illinois, to Ukrainian Jewish immigrants, Molly (Babell) and Maurice Wattenmaker, a tailor. He studied at Drake University, IA, then trained at Goodman Theatre, Chicago, worked with summer stock companies in Chicago as an actor and director, and made his London debut in 1952. In 1957, he was appointed director of the New Shakespeare Theatre, Liverpool, and in 1959 joined the Shakespeare Memorial Theatre company at Stratford-upon-Avon. He produced or directed several works at Covent Garden and elsewhere in the 1960s and 1970s, including the Shakespeare Birthday Celebrations in 1974. He worked both as director and actor in films and television, his appearances included The Spiral Staircase (1975), Private Benjamin (1980), Superman IV: The Quest for Peace (1987), and Baby Boom (1987).
Married to Charlotte Holland, his daughter is actress Zoë Wanamaker.- Writer
- Actor
- Producer
Born on November 21, 1944 in Chicago, Illinois, Harold Allen Ramis got his start in comedy as Playboy magazine's joke editor and reviewer. In 1969, he joined Chicago's Second City's Improvisational Theatre Troupe before moving to New York to help write and perform in "The National Lampoon Show" with other Second City graduates including John Belushi, Gilda Radner and Bill Murray. By 1976, he was head writer and a regular performer on the top Canadian comedy series SCTV (1976). His Hollywood debut came when he collaborated on the script for National Lampoon's Animal House (1978) which was produced by Ivan Reitman. After that, he worked as writer with Ivan as producer on Meatballs (1979), Stripes (1981), Ghostbusters (1984) and Ghostbusters II (1989) and acted in the latter three. Harold Ramis died on February 24, 2014 at age 69 from complications of autoimmune inflammatory vasculitis.- Actor
- Producer
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John Garfield was born Jacob Julius Garfinkle on the Lower East Side of New York City, to Hannah Basia (Margolis) and David Garfinkle, who were Jewish immigrants from Zhytomyr (now in Ukraine). Jules was raised by his father, a clothes presser and part-time cantor, after his mother's death in 1920, when he was 7. He was sent to a special school for problem children, where he was introduced to boxing and drama. He won a scholarship to Maria Ouspenskaya's drama school. He joined the Civic Repertory Theatre in 1932, changing his name to Jules Garfield and making his Broadway debut in that company's Counsellor-at-Law. Joined the Group Theatre company, winning acclaim for his role in Awake and Sing. Embittered over being passed over for the lead in Golden Boy, which was written for him, he signed a contract with Warner Brothers, who changed his name to John Garfield. Won enormous praise for his role of the cynical Mickey Borden in Four Daughters (1938). Appeared in similar roles throughout his career despite his efforts to play varied parts. Children Katherine (1938-1945), David Garfield (1942-1995) and Julie Garfield (1946-). Active in liberal political and social causes, he found himself embroiled in Communist scare of the late 1940s. Though he testified before Congress that he was never a Communist, his ability to get work declined. While separated from his wife, he succumbed to long-term heart problems, dying suddenly in the home of a woman friend at 39. His funeral was mobbed by thousands of fans, in the largest funeral attendance for an actor since Rudolph Valentino.- Actor
- Soundtrack
Bobby Breen was born on 4 November 1925 in Montreal, Québec, Canada. He was an actor, known for Hawaii Calls (1938), Rainbow on the River (1936) and Make a Wish (1937). He was married to Audrey Howard and Jocelyn Lesh. He died on 19 September 2016 in Pompano Beach, Florida, USA.- Actor
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Nick Adams, best known to audiences as Johnny Yuma of the TV series The Rebel (1959), played leads and supporting parts in many films of the 1950s, often cast in the same "troubled young man" mold as his good friend, James Dean. He was nominated for an Oscar for his performance in Twilight of Honor (1963). He died in 1968 due to an overdose of drugs he was taking for a nervous disorder.- Actor
- Soundtrack
Born Malden, Massachusetts on July 9, 1927 (real name Urick), Ed, Vic Ames, Gene Ames and Joe Ames were sons of Ukrainian Jewish parents and four of nine children. They were very poor but Ed attended Boston Public Latin School along with brother Joe. The singing group, The Ames Brothers, was formed in 1947 in Boston and later appeared at the "Roxy Theatre" in New York City. During their early years, they won many amateur contests and made their professional debut at the "Foxes and Hounds", a posh Boston nightclub. They went on to play at the "Chez Paree" in Chicago and "Ciro's" in Hollywood. "The Riviera", just across New York City west of the George Washington bridge, was another nightclub where they appeared regularly. Ed is still best known to audiences for his television role as "Mingo" on the Daniel Boone (1964) series on NBC. Ed also appeared on Broadway in "One Flew Over the Cuckoo's Nest" and "The Crucible". He also appeared in the off-Broadway production of "The Fantasticks" at the Sullivan Street Theatre in Greenwich Village which ran until 2002.- Actor
- Soundtrack
Leon Ames was born Harry Wycoff in Portland, Indiana, to Cora Alice (DeMoss) and Charles Elmer Wycoff. He had always wanted to be an actor and he did it the hard way, serving a long apprenticeship in touring amateur theatre companies -- even selling shoes for a while on 42nd Street in the 1920s. It took him until 1933 to make his debut on Broadway. His play at the Morosco Theatre, "It Pays to Sin," lasted for only three performances after receiving disastrous critical reviews. By then he had already appeared in his first movie, the sombre, expressionistic Murders in the Rue Morgue (1932), an Edgar Allan Poe adaptation, in which Leon played the dependable love interest of heroine Sidney Fox.
For the next three year, he appeared under his birth name (Leon Waycoff) in a variety of B-movies for "Poverty Row" studios like Mayfair, Showmen's Pictures, World-Wide, Empire and Majestic. His first film as 'Leon Ames' was the Shirley Temple vehicle, Stowaway (1932). For the next few years he served yet another apprenticeship, playing a variety of stalwart characters and the occasional bad guy in such cheerful potboilers as the anemic Murder in Greenwich Village (1937), the amusing Mysterious Mr. Moto (1938) and the eminently forgettable Secrets of a Nurse (1938). There were also occasional highlights: he popped up in Ernst Lubitsch's last film at Paramount, Bluebeard's Eighth Wife (1938), with Gary Cooper and Myrna Loy, and even starred as the leading man of Cipher Bureau (1938) and Panama Patrol (1939), albeit at Grand National.
Leon's career improved dramatically after playing Judy Garland's father Alonzo (along with Mary Astor as the matriarch of the family) in MGM's classic, Meet Me in St. Louis (1944), directed by Vincente Minnelli. For the first time, Leon's acting abilities were well employed, especially his ability to deliver dryly humorous one-liners. Signed to a contract at MGM, Leon was now cast in pivotal character roles in more important A-grade output, usually as put-upon, loving fathers: A Date with Judy (1948), Little Women (1949), (where he again teamed up with Mary Astor), By the Light of the Silvery Moon (1953), to name but a few. For something completely different, he also played district attorney Kyle Sackett in the film noir, The Postman Always Rings Twice (1946) and, against type, portrayed Paul Newman's thoroughly unpleasant father in From the Terrace (1960).
Leon continued in films well until his twilight years and was last seen as Kathleen Turner's grandfather in Peggy Sue Got Married (1986). On television, he had a popular run starring in Life with Father (1953) and Father of the Bride (1961) (played by Spencer Tracy on the big screen) as well as playing Wilbur Post's neighbor Gordon Kirkwood in Mister Ed (1961).
Leon had another claim to fame in being one of 19 actors, who -- after a clandestine meeting in June 1933 -- established the Screen Actor's Guild. For thirty years (commencing in 1945) he held a senior executive position as recording secretary and served as national president of the organization between 1957 and 1979. He also served on the board of governors of the Academy of Motion Picture Arts and Sciences. The dapper actor and avid unionist died at a Laguna Beach nursing home at the ripe old age of 91 on October 12, 1993.