Cleopatra 1963 premiere
Wednesday June 19th, Hollywood Pantages Theatre 6233 Hollywood Blvd, Los Angeles, CA 90028
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Rex Harrison was born Reginald Carey Harrison in Huyton, Lancashire, England, to Edith Mary (Carey) and William Reginald Harrison, a cotton broker. He changed his name to Rex as a young boy, knowing it was the Latin word for "King". Starting out on his theater career at age 18, his first job at the Liverpool Rep Theatre was nearly his last - dashing across the stage to say his one line, made his entrance and promptly blew it. Fates were kind, however, and soon he began landing roles in the West End. "French Without Tears", a play by Terence Rattigan, proved to be his breakthrough role. Soon he was being called the "greatest actor of light comedy in the world". Having divorced his first wife Collette Thomas in 1942, he married German actress Lilli Palmer. The two began appearing together in many plays and British films. He attained international fame when he portrayed the King in Anna and the King of Siam (1946), his first American film. After a sex scandal, in which actress Carole Landis apparently committed suicide because he ended their affair, the relationship with wife Lilli became strained. Rex (by this time known as "Sexy Rexy" for his philandering ways and magnetic charm) began a relationship with British actress Kay Kendall and divorced Lilli to marry the terminally ill Kay with hopes of a re-marriage to Palmer upon Kay's death. The death of Kay affected Harrison greatly and Lilli never returned to him. During this time Rex was offered the defining role of his career: Professor Henry Higgins in the original production of "My Fair Lady". He won the Tony for the play and an Oscar for the film version. In 1962 Harrison married actress Rachel Roberts. This union and the one following it to Elizabeth Harris (Richard's ex) also ended in divorce. In 1978 Rex met and married Mercia Tinker. He and Mercia remained happily married until his death in 1990. She was also with him in 1989 when he was granted his much-deserved and long awaited knighthood at Buckingham Palace. Rex Harrison died of pancreatic cancer three weeks after his last stage appearance, as Lord Porteous in W. Somerset Maugham's "The Circle".- Actress
- Writer
- Soundtrack
The middle of seven children, she was named, not for the heroine of "As You Like It" but for the S.S. Rosalind on which her parents had sailed, at the suggestion of her father, a successful lawyer.
After receiving a Catholic school education, she went to the American Academy of Dramatic Art in New York, having convinced her mother that she intended to teach acting. In 1934, with some stock company work and a little Broadway experience, she was tested and signed by Universal. Simultaneously, MGM tested her and made her a better offer. When she plead ignorance of Hollywood (while wearing her worst-fitting clothes), Universal released her and she signed with MGM for seven years.
For some time she was used in secondary roles and as a replacement threat to limit Myrna Loy's salary demands. Knowing she was right for comedy, she tested five times for the role of Sylvia Fowler in The Women (1939). George Cukor told her to "play her as a freak". She did and got the part. Her "boss lady" roles began with the part of reporter Hildy Johnson in His Girl Friday (1940), through whose male lead, Cary Grant, she met her future husband, Grant's house-guest at the time.
In her forties, she returned to the stage, touring "Bell, Book and Candle" in 1951 and winning a Tony Award for "Wonderful Town" in 1953. Columbia, worried the public would think she had the female lead in Picnic (1955), billed her "co-starring Rosalind Russell as Rosemary." She refused to be placed in the Best Supporting Actress category when Columbia Pictures wanted to promote her for an Academy Award nomination for her role in Picnic (1955). Many felt she would have won had she cooperated. "Auntie Mame" kept her on Broadway for two years followed by the movie version.
Oscar nominations: My Sister Eileen (1942), Sister Kenny (1946), Mourning Becomes Electra (1947), and Auntie Mame (1958). In 1972, she received the Jean Hersholt Humanitarian Award for contributions to charity.- Tall, dark, and handsome, Italian actor Cesare Danova (pronounced Chez-a-ray Da-NO-va) was a true Renaissance man. As a boy, it appeared he might become a professional athlete. But his family wanted him to become a doctor. Cesare, by his own account, studied medicine with such diligence that he suffered a nervous breakdown shortly before he was to take his degree. While recuperating, he was sent by a friend to see Dino De Laurentiis, the famous Italian producer, who was so impressed that he gave Danova a screen test. Thinking it was a joke, Danova insisted on seeing the screen test for himself. Soon, he was cast as the lead in La figlia del capitano (1947) (The Captain's Daughter). Thus began his career as an Italian Errol Flynn. In almost 20 European films, Danova played the dashing lead, riding horses, jumping through windows, dueling, and romancing beauties such as Gina Lollobrigida.
Known for his aristocratic bearing, he often played noblemen. The six-foot-four Danova was also an expert athlete. A devotee of strenuous daily workouts from age 12, Danova was a fencing champion by age 15 and a member of the Italian National Rugby Team by age 17. In addition to playing golf, tennis, and croquet, Danova was an amateur swimming champion, an expert horseman and polo player, and a master archer. He won the Robin Hood Trophy when he shot and embedded one arrow inside another arrow within the target's bull's eye. He was also a licensed pilot who flew his own planes (Beechcraft, Piper, Cherokee, and Cessna).
A descendant of famed medieval artist Filippo Lippi, Danova collected antiques and paintings. Describing himself as a fair painter, he taught himself to draw by studying a 75-cent how-to-draw book. Danova owned a library of over 3,000 books, each written in one of the five languages he knew-Italian, English, Spanish, French, and German.
Danova loved the theater and appeared onstage in Rome, Venice, Spain, New York, and Los Angeles. He was in the habit of carrying a small leprechaun good luck charm (and a shamrock ) he'd bought in Ireland, The actor traveled to the Emerald Isle many times. 'I love Ireland and I go there every chance I get,' he once said.
With almost 20 European films under his belt, Danova was spotted by MGM's head of talent in the German-backed 'Don Giovanni'(1955), his first film shown in the U.S. Impressed, the studio signed Danova to a long-term contract in June of 1956, and he traded his flourishing career in Europe for Hollywood. Rumors abounded that MGM had found its Ben-Hur (a role coveted by Tony Curtis and Kirk Douglas, among others) for the upcoming super-epic remake by director William Wyler. The studio said it expected big things from Danova but that it was too soon to say whether he'd play the lead until he'd perfected his English. Still, it was no secret that Danova had been brought to America by Wyler to be groomed for the lead role. Hollywood columnist Bob Thomas referred to Danova as the 'new Italian sensation' and others compared him to 'Tyrone Power (I)' and Robert Taylor, a glamour boy to fill the shoes of Rudolph Valentino.
When Danova arrived, he didn't speak English and insisted on not learning his lines by rote. He spent the next six months learning the language, a not-terribly-difficult feat for a man with a self-professed love of words who already spoke four languages. With a background in classical acting, and his newfound English fluency, Danova was ready for his big break. But just as filming was to get underway in March, 1957, Wyler decided he didn't want an actor with an accent playing Ben-Hur (1959) and, instead, chose Charlton Heston (who would win the best actor Oscar for the role). Danova was shocked - the role would almost certainly have made him an international star.
Although Wyler didn't want Danova, MGM did. The studio said it expected important things from him when they signed him. But now they had no definite alternative plans for him. Danova's career idled for the next two years. MGM kept him on its payroll, paying him well for doing nothing at all. Danova admitted that, although he was not bitter, the lack of work day after day was enough to drive him crazy. He stayed busy reading, writing, taking diction lessons, building furniture, and playing with his two small sons, Fabrizio and Marco, by English actress Pamela Matthews, whom he had wed in 1955.
Finally, with MGM's consent, Danova made his American debut in Los Angeles opposite Paul Muni in a musical version of Grand Hotel (1932). When it flopped, he traveled to Cuba to appear in Catch Me If You Can (1959), a film starring Gilbert Roland and Dina Merrill. Financed by soon-to-be-deposed Cuban dictator Fulgencio Batista, it was apparently never released. Danova's American film debut was as the lover of Leslie Caron in the now-forgotten The Man Who Understood Women (1959), starring Henry Fonda.
When Danova first came to America, he was quoted as saying that he wished to lose his accent so that he would be able to play the role he most wanted, that of an American cowboy. In 1958, he got his wish. He made his American television debut in a first-season episode of The Rifleman (1958) called 'Duel of Honor,' the first of three appearances. United Press International summed up Danova's reversal of fortune this way: "Televiewers will have the opportunity to see the man who almost played the title role in Ben-Hur (1959) - but in place of a chariot he'll be bouncing around in a stage coach...Danova, a ruggedly handsome Italian import, is making his American debut in ABC-TV's The Rifleman (1958). It's quite a comedown from his original intent to star in the most expensive movie in history."
Cesare Danova got a second chance at stardom when he was cast as Cleopatra's court advisor, Apollodorus, in the Cleopatra (1963), starring Elizabeth Taylor. As originally scripted, Danova's character was to be Cleopatra's lover, servicing her when she wasn't being romanced by costars Rex Harrison and Richard Burton. "I'm sort of the third man-the real lover," Danova was quoted as saying.
But then the torrid, real-life love affair between Elizabeth Taylor and Richard Burton became a worldwide media sensation. The resulting scandal, since both stars were married but not to each other, generated badly needed public interest in the troubled, bloated, fantastically over-budget production. Le Scandale (as the French dubbed it) upstaged everything about the film not related to Taylor & Burton. As a result, Danova's performance was now a distraction and most of it was cut, dashing predictions that Danova "should be in big demand after this one."
In October 1963, not quite two-and-a-half months after Cleopatra's release, Pamela and Cesare Danova were divorced. The Associated Press headline stated merely: Wife Divorces Cleopatra Slave.
In his early years in America, Danova turned down the opportunity to appear as a series regular on TV for fear of being typecast and locked out of movies altogether. When he finally accepted, it was for the WWII ensemble cast Garrison's Gorillas (1967), a show patterned somewhat after The Dirty Dozen (1967). Danova said he accepted because he was the first to be cast and his was the best part. He appeared as actor, a con man, expert at disguises and spreading disinformation behind the lines among the Nazis. Although he took pains to distinguish the two roles, Danova's character was obviously similar to that played by TV contemporary Martin Landau on Mission: Impossible (1966). In any event, Garrison's Gorillas (1967) did not last beyond the 1967-1968 season.
In time, as movie roles became fewer, Danova did a great deal of television work. Two of his most memorable later screen roles (and the ones for which he is best remembered) were as Mafia Don Giovanni Cappa in Mean Streets (1973), directed by Martin Scorsese, and as corrupt mayor Carmine DePasto in National Lampoon's Animal House (1978).
Cesare Danova died of a heart attack on March 19, 1992, shortly after his 66th birthday, during a meeting of the Foreign Language Film committee of the Academy of Motion Picture Arts and Sciences (AMPAS), at its Los Angeles headquarters. - Actor
- Producer
- Additional Crew
Oscar-winning character actor Martin Landau was born on June 20, 1928, in Brooklyn, New York. At age 17, he was hired by the New York Daily News to work in the promotions department before he became a staff cartoonist and illustrator. In his five years on the paper, he served as the illustrator for Billy Rose's "Pitching Horseshoes" column. He also worked for cartoonist Gus Edson on "The Gumps" comic strip. Landau's major ambition was to act and, in 1951, he made his stage debut in "Detective Story" at the Peaks Island Playhouse in Peaks Island, Maine. He made his off-Broadway debut that year in "First Love".
Landau was one of 2,000 applicants who auditioned for Lee Strasberg's Actors Studio in 1955; only he and Steve McQueen were accepted. Landau was a friend of James Dean and McQueen, in a conversation with Landau, mentioned that he knew Dean and had met Landau. When Landau asked where they had met, McQueen informed him he had seen Landau riding on the back of Dean's motorcycle into the New York City garage where he worked as a mechanic.
Landau acted during the mid-1950s in the television anthologies Playhouse 90 (1956), Studio One (1948), The Philco Television Playhouse (1948), Kraft Theatre (1947), Goodyear Playhouse (1951), and Omnibus (1952). He began making a name for himself after replacing star Franchot Tone in the 1956 off-Broadway revival of Anton Chekhov's "Uncle Vanya," a famous production that helped put off-Broadway on the New York theatrical map.
In 1957, he made a well-received Broadway debut in the play "Middle of the Night." As part of the touring company with star Edward G. Robinson, he made it to the West Coast. He made his movie debut in Pork Chop Hill (1959), but scored on film as the heavy in Alfred Hitchcock's classic thriller North by Northwest (1959), in which he was shot on top of Mount Rushmore while sadistically stepping on the fingers of Cary Grant, who was holding on for dear life to the cliff face. He also appeared in the blockbuster Cleopatra (1963), the most expensive film ever made up to that time, which nearly scuttled 20th Century-Fox and engendered one of the great public scandals, the Elizabeth Taylor-Richard Burton love affair that overshadowed the film itself. Despite the difficulties with the film, Landau's memorable portrayal in the key role of Rufio was highly favored by the audience and instantly catapulted his popularity.
In 1963, Landau played memorable roles in two episodes of the science-fiction anthology series The Outer Limits (1963), The Bellero Shield (1964), and The Man Who Was Never Born (1963). He was Gene Roddenberry's first choice to play Mr. Spock on Star Trek (1966), but the role went to Leonard Nimoy, who later replaced Landau on Mission: Impossible (1966), the show that really made Landau famous. Landau originally was not meant to be a regular on the series, which co-starred his wife Barbara Bain, whom he had married in 1957. His character, Rollin Hand, was supposed to make occasional, recurring appearances, on Mission: Impossible (1966), but when the producers had problems with star Steven Hill, Landau was used to take up the slack. Landau's characterization was so well-received and so popular with the audience, he was made a regular. Landau received Emmy nominations as Outstanding Lead Actor in a Drama Series for each of the three seasons he appeared. In 1968, he won the Golden Globe award as Best Male TV Star.
Eventually, he quit the series in 1969 after a salary dispute when the new star, Peter Graves, was given a contract that paid him more than Landau, whose own contract stated he would have parity with any other actor on the show who made more than he did. The producers refused to budge and he and Bain, who had become the first actress in the history of television to be awarded three consecutive Emmy Awards (1967-69) while on the show, left the series, ostensibly to pursue careers in the movies. The move actually held back their careers, and Mission: Impossible (1966) went on for another four years with other actors.
Landau appeared in support of Sidney Poitier in They Call Me Mister Tibbs! (1970), the less-successful sequel to the Oscar-winning In the Heat of the Night (1967), but it did not generate more work of a similar caliber. He starred in the television movie Welcome Home, Johnny Bristol (1972) on CBS, playing a prisoner of war returning to the United States from Vietnam. The following year, he shot a pilot for NBC for a proposed show, "Savage." Though it was directed by emerging wunderkind Steven Spielberg, NBC did not pick up the show. Needing work, Landau and Bain moved to England to play the leading roles in the syndicated science-fiction series Space: 1999 (1975).
Landau's and Bain's careers stalled after Space: 1999 (1975) went out of production, and they were reduced to taking parts in the television movie The Harlem Globetrotters on Gilligan's Island (1981). It was the nadir of both their careers, and Bain's acting days and their marriage were soon over. Landau, one of the most talented character actors in Hollywood, and one not without recognition, had bottomed out career-wise. In 1983, he was stuck in low-budget sci-fi and horror movies such as The Being (1981), a role far beneath his talent.
His career renaissance got off to a slow start with a recurring role in the NBC sitcom Buffalo Bill (1983), starring Dabney Coleman. On Broadway, he took over the title role in the revival of "Dracula" and went on the road with the national touring company. Finally, his career renaissance began to gather momentum when Francis Ford Coppola cast him in a critical supporting role in his Tucker: The Man and His Dream (1988), for which Landau was nominated for an Academy Award as Best Supporting Actor. He won his second Golden Globe for the role. The next year, he received his second consecutive Best Supporting Actor Oscar nomination for his superb turn as the adulterous husband in Woody Allen's Crimes and Misdemeanors (1989). He followed this up by playing famed Nazi hunter Simon Wiesenthal in the TNT movie Max and Helen (1990). However, the summit of his post-Mission: Impossible (1966) career was about to be scaled. He portrayed Bela Lugosi in Tim Burton's biopic Ed Wood (1994) and won glowing reviews. For his performance, he won the Best Supporting Actor Oscar. Martin Landau, the superb character actor, finally had been recognized with his profession's ultimate award. His performance, which also won him his third Golden Globe, garnered numerous awards in addition to the Oscar and Golden Globe, including top honors from the New York Film Critics Circle and the National Society of Film Critics. Landau continued to play a wide variety of roles in motion pictures and on television, turning in a superb performance in a supporting role in The Majestic (2001). He received his fourth Emmy nomination in 2004 as Outstanding Guest Actor in a Drama Series for Without a Trace (2002).
Martin Landau was honored with his own star on the Hollywood Walk of Fame, located at 6801 Hollywood Boulevard.
Martin Landau died in Los Angeles, California on July 15, 2017.- Actor
- Producer
- Director
Roderick Andrew Anthony Jude McDowall was born in Herne Hill, London, to Winifriede Lucinda (Corcoran), an Irish-born aspiring actress, and Thomas Andrew McDowall, a merchant seaman of Scottish descent. Young Roddy was enrolled in elocution courses at age five. By age 10, he had appeared in his first film, Murder in the Family (1938), playing Peter Osborne, the younger brother of sisters played by Jessica Tandy and Glynis Johns.
His mother brought Roddy and his sister to the U.S. at the beginning of World War II, and he soon got the part of "Huw", the youngest child in a family of Welsh coal miners, in John Ford's How Green Was My Valley (1941), acting alongside Walter Pidgeon, Maureen O'Hara and Donald Crisp in the film that won that year's best film Oscar. He went on to many other child roles, in films like My Friend Flicka (1943) and Lassie Come Home (1943) until, at age eighteen, he moved to New York, where he played a long series of successful stage roles, both on Broadway and in such venues as Connecticut's Stratford Festival, where he did Shakespeare. He became a naturalized United States citizen in 1949.
In addition to making many more movies (over 150), McDowall acted in television, developed an extensive collection of movies and Hollywood memorabilia, and published five acclaimed books of his own photography. He died at his Los Angeles home, aged 70, of cancer. He never married and had no children.- Writer
- Producer
- Director
Born in Wilkes-Barre, Pennsylvania, on February 11, 1909, Joseph Leo Mankiewicz first worked for the movies as a translator of intertitles, employed by Paramount in Berlin, the UFA's American distributor at the time (1928). He became a dialoguist, then a screenwriter on numerous Paramount productions in Hollywood, most of them Jack Oakie vehicles. Still in his 20s, he produced first-class MGM films, including The Philadelphia Story (1940). Having left Metro after a dispute with studio chief Louis B. Mayer over Judy Garland, he then worked for Darryl F. Zanuck at 20th Century-Fox, producing The Keys of the Kingdom (1944), when Ernst Lubitsch's illness first brought him to the director's chair for Dragonwyck (1946). Mankiewicz directed 20 films in a 26-year period, successfully attempted every kind of movie from Shakespeare adaptation to western, from urban sociological drama to musical, from epic film with thousands of extras to a two-character picture. A Letter to Three Wives (1949) and All About Eve (1950) brought him wide recognition along with two Academy Awards for each as a writer and a director, seven years after his elder brother Herman J. Mankiewicz won Best Screenplay for Citizen Kane (1941). His more intimate films like The Ghost and Mrs. Muir (1947), The Barefoot Contessa (1954)--his only original screenplay--and The Honey Pot (1967) are major artistic achievements as well, showing Mankiewicz as a witty dialoguist, a master in the use of flashback and a talented actors' director (he favored English actors and had in Rex Harrison a kind of alter-ego on the screen).- Actress
- Producer
- Additional Crew
One of America's most loved actresses was born Doris Mary Kappelhoff on April 3, 1922, in Cincinnati, Ohio, to Alma Sophia (Welz), a housewife, and William Joseph Kappelhoff, a music teacher and choir master. Her grandparents were all German immigrants. She had two brothers, Richard, who died before she was born and Paul, a few years older.
Her parents divorced while she was still a child, and she lived with her mother. Like most little girls, Doris liked to dance. At fourteen, she formed a dance act with a boy, Jerry Doherty, and they won $500 in a local talent contest. She and Jerry took a brief trip to Hollywood to test the waters. They felt they could succeed, so she and Jerry returned to Cincinnati with the intention of packing and making a permanent move to Hollywood. Tragically, the night before she was to move to Hollywood, she was injured riding in a car hit by a train, ending the possibility of a dancing career.
It was a terrible setback, but after taking singing lessons she found a new vocation, and at age 17, she began touring with the Les Brown Band. She met trombonist Al Jorden, whom she married in 1941. Jorden was prone to violence and they divorced after two years, not long after the birth of their son Terry. In 1946, Doris married George Weidler, but this union lasted less than a year. Day's agent talked her into taking a screen test at Warner Bros. The executives there liked what they saw and signed her to a contract (her early credits are often confused with those of another actress named Doris Day, who appeared mainly in B westerns in the 1930s and 1940s).
Her first starring movie role was in Romance on the High Seas (1948). The next year, she made two more films, My Dream Is Yours (1949) and It's a Great Feeling (1949). Audiences took to her beauty, terrific singing voice and bubbly personality, and she turned in fine performances in the movies she made (in addition to several hit records). She made three films for Warner Bros. in 1950 and five more in 1951. In that year, she met and married Martin Melcher, who adopted her young son Terry, who later grew up to become Terry Melcher, a successful record producer.
In 1953, Doris starred in Calamity Jane (1953), which was a major hit, and several more followed: Lucky Me (1954), Love Me or Leave Me (1955), The Man Who Knew Too Much (1956) and what is probably her best-known film, Pillow Talk (1959). She began to slow down her filmmaking pace in the 1960s, even though she started out the decade with a hit, Please Don't Eat the Daisies (1960).
In 1958, her brother Paul died. Around this time, her husband, who had also taken charge of her career, had made deals for her to star in films she didn't really care about, which led to a bout with exhaustion. The 1960s weren't to be a repeat of the previous busy decade. She didn't make as many films as she had in that decade, but the ones she did make were successful: Do Not Disturb (1965), The Glass Bottom Boat (1966), Where Were You When the Lights Went Out? (1968) and With Six You Get Eggroll (1968). Martin Melcher died in 1968, and Doris never made another film, but she had been signed by Melcher to do her own TV series, The Doris Day Show (1968). That show, like her movies, was successful, lasting until 1973. After her series went off the air, she made only occasional TV appearances.
By the time Martin Melcher died, Doris discovered she was millions of dollars in debt. She learned that Melcher had squandered virtually all of her considerable earnings, but she was eventually awarded $22 million by the courts in a case against a man that Melcher had unwisely let invest her money. She married for the fourth time in 1976 and since her divorce in 1980 has devoted her life to animals.
Doris was a passionate animal rights activist. She ran Doris Day Animal League in Carmel, California, which advocates homes and proper care of household pets.
Doris died on May 13, 2019, in Carmel Valley Village, California. She was 97.- Actress
- Costume Designer
- Writer
The scintillating, sultry-eyed blonde (formerly a redhead) star of screen, TV and award-winning stage went on to become best known, however, for her sensual delivery pitching cigars in taunting '60s ads and commercials with her Mae Westian come-on line "Why don't you pick one up and smoke it sometime?" This, of course, was at a time when smoking was considered quite sexy and fashionable, and Edie Adams went above and beyond the call of duty in making these ads legendary.
Edie had her hand dipped in all pools of entertainment. She was a singing siren, an award-winning Broadway musical entertainer, a deft impressionist and comedienne, a serious dramatic actress, a commercial saleswoman and a viable TV celebrity. Off-stage, she showed remarkable poise and resourcefulness when her famous first husband, landmark TV comic Ernie Kovacs, was tragically killed in a January 1962 car crash in Los Angeles and she found her family finances in dire straits.
She was born Edith Elizabeth Enke on April 16, 1927, in the relatively small town of Kingston, Pennsylvania, but moved while fairly young to Grove City. Her family relocated again, this time to Tenafly, New Jersey, where she grew up. Following her graduation from high school, Edie aspired to become an opera singer and studied voice and piano at New York's Juilliard School of Music. She then went on to take acting classes at the Columbia School of Drama.
Her theatrical debut occurred with a 1947 production of "Blithe Spirit", and a year later she appeared in the stage show "Goodnight Ladies". Gradually building up her singing reputation via the nightclub circuit, her big break came when Arthur Godfrey booked her on his "Talent Scouts" show. She didn't come out the winner, but a TV director who caught sight of her performance envisioned in her a seductive "straight man" who could mesh well with a certain zany comedian. In 1951, Edie (then known as Edith Adams) was signed up as a featured singer on Ernie Kovacs's comedy show that originated in Philadelphia. The show, live and unrehearsed, became an innovative, groundbreaking effort in the relatively new medium. Outrageous and even incomprehensible at times, his comedy was deemed way ahead of its time and, as a result, had problems reaching mainstream audiences who didn't "get it", and the programs were short-lived. Various Kovacs platforms that included Edie were Ernie in Kovacsland (1951), "Kovacs on the Korner" (1952), and, of course, The Ernie Kovacs Show (1952). She and Kovacs eloped to Mexico City in 1954 and their union produced a daughter, Mia Kovacs. The duo were a popular couple in the Hollywood social circuit (moving there from New York in the late '50s) and the connections she developed out there were quite valuable in furthering her career.
Early '50s TV opened many doors for Edie and she waltzed right through them. Her New York stage debut in the popular musical "Wonderful Town" in 1952 had her walking away with the Theatre World Award for "Best Newcomer". A few years later, she slithered away with a supporting Tony Award for her bodacious take on the "Daisy Mae" character in the musical "Li'l Abner" (1956). Following that were more musical and dramatic ventures on the stage, including "The Merry Widow" (1957) (a show she would return to more than once), "Sweet Bird of Youth" (1960) and "Free as a Bird" (1960). On film, Edie showed the public that she wasn't just a pretty face with her sharply unsympathetic supporting performance in Billy Wilder's The Apartment (1960) and a funny, sexier one in the second of Rock Hudson and Doris Day's three battle-of-the-sexes romps, Lover Come Back (1961). Surprisingly, Edie and Ernie never appeared together in a film. Edie remained primarily a TV fixture and, outside of her Emmy-nominated coupling with Kovacs, winningly played the Fairy Godmother in Julie Andrews' popular TV version of Cinderella (1957), appeared regularly with Jack Paar and Dinah Shore on their respective variety shows, acted on various prime-time shows, and graced a number of celebrity game and talk show panels.
One of Edie's last pairings with Kovacs was in 1960 when they appeared as guests on the very last episode of The Lucy-Desi Comedy Hour (1957). The pair appeared as themselves, with one of the highlights being Edie crooning the lovely ballad "That's All". Kovacs' sudden 1962 death was a terrible reversal of fortunes for Edie. An inveterate gambler, he left her owing much money to the IRS. Instead of filing bankruptcy, however, she worked her way out of debt. In the process, her career received a second wind. Perhaps it didn't hurt that the public adored Edie and that she was a genuinely sympathetic figure in the wake of her private tragedy.
She returned to the nightclub circuit from whence she came, recorded albums, and also toured the country in various dramatic and musical comedy vehicles, including "Rain" (as Sadie Thompson), "Bells Are Ringing", "Annie Get Your Gun" (as Annie Oakley), "I Do! I Do!", "Anything Goes" and "Bus Stop". She also received outstanding notices in a few of her films, whether dramas (Love with the Proper Stranger (1963), The Best Man (1964)) or frivolous comedies (Call Me Bwana (1963), It's a Mad Mad Mad Mad World (1963), Under the Yum Yum Tree (1963), The Honey Pot (1967)). Moreover, she was handed her own musical variety show Here's Edie (1963) (aka "The Edie Adams Show") and received a couple of Emmy nominations for her efforts. She also took advantage of her famous impressions of Zsa Zsa Gabor and others, appearing in various TV comedy formats.
More than anything, however, it was her come-hither temptress pitching Muriel cigars that had TV audiences' tongues wagging. It was a smashingly successful and highly profitable coup for Edie professionally. Her late husband, a notorious cigar smoker, at one time sold Dutch Master cigars on TV. The idea then for Edie to pitch a competing slimmer cigar on TV was only natural. She had much to do with the direction of the commercials, which ran throughout the 1960s, providing them with a perfect blend of class, glamour and sensuality.
While growing noticeably heavier in later years, she never lost her trademark humor and sex appeal. Edie could still be seen from time to time on the stage in such shows as "The Best Little Whorehouse in Texas", the female version of "The Odd Couple", "Hello, Dolly!" and "Nunsense". She remained committed to the end to restoring/preserving her late husband's videotapes and kinescopes of his ground-breaking '50s TV work. She also recalled her offbeat life with Kovacs in the book "Sing a Pretty Song", which was published in 1990.
Edie got married again in 1964, to photographer Marty Mills, with whom she had a son, Josh Mills. That union ended in divorce in 1971. The following year, Edie married jazz trumpeter Pete Candoli. She and Candoli, who died in January of 2008, divorced in 1989. In another eerie, tragic circumstance, daughter Mia Kovacs was killed in a 1982 Los Angeles auto accident at age 22 -- 20 years after her father's similar demise. Suffering from cancer and losing weight in her latter years, the beloved Edie died of complications from pneumonia at age 81 in Los Angeles.- Producer
- Actress
- Production Manager
The woman who will always be remembered as the crazy, accident-prone, lovable Lucy Ricardo was born Lucille Desiree Ball on August 6, 1911 in Jamestown, New York, the daughter of Desiree Evelyn "DeDe" (Hunt) and Henry Durrell "Had" Ball. Her father died before she was four, and her mother worked several jobs, so she and her younger brother were raised by their grandparents. Always willing to take responsibility for her brother and young cousins, she was a restless teenager who yearned to "make some noise". She entered a dramatic school in New York City, but while her classmate Bette Davis received all the raves, she was sent home; "too shy". She found some work modeling for Hattie Carnegie's and, in 1933, she was chosen to be a "Goldwyn Girl" and appear in the film Roman Scandals (1933).
She was put under contract to RKO Radio Pictures and several small roles, including one in Top Hat (1935), followed. Eventually, she received starring roles in B-pictures and, occasionally, a good role in an A-picture, like in Stage Door (1937) or The Big Street (1942). While filming Too Many Girls (1940), she met and fell madly in love with a young Cuban actor-musician named Desi Arnaz. Despite different personalities, lifestyles, religions and ages (he was six years younger), he fell hard, too, and after a passionate romance, they eloped and were married in November 1940. Lucy soon switched to Metro-Goldwyn-Mayer, where she got better roles in films such as Du Barry Was a Lady (1943); Best Foot Forward (1943) and the Katharine Hepburn-Spencer Tracy vehicle Without Love (1945). In 1948, she took a starring role in the radio comedy "My Favorite Husband", in which she played the scatterbrained wife of a Midwestern banker. In 1950, CBS came knocking with the offer of turning it into a television series. After convincing the network brass to let Desi play her husband and to sign over the rights to and creative control over the series to them, work began on the most popular and universally beloved sitcom of all time.
With I Love Lucy (1951), she and Desi promoted the 3-camera technique now the standard in filming sitcoms using 35mm film (the earliest known example of the 3-camera technique is the first Russian feature film, "Defence of Sevastopol" in 1911). Desi syndicated I Love Lucy. Lucille Ball was the first woman to own her own studio as the head of Desilu Productions.
Lucille Ball died at Cedars-Sinai Medical Center, age 77, of an acute aortic aneurysm on April 26, 1989 in Los Angeles, CA.- Actress
- Producer
- Director
Joanne Gignilliat Trimmier Woodward was born on February 27, 1930, in Thomasville, Georgia, to Wade Woodward and Elinor Gignilliat Trimmier Woodward in a modest household. Her one older brother, Wade Jr., who was the favorite of her father, eventually became an architect. Elinor Woodward was a quite a movie buff and enjoyed going to picture shows often. Joanne claims she was nearly born in the middle of a Joan Crawford movie (Our Modern Maidens (1929)). Her mother wanted to name her Joan, but being Southern, she changed it to Joanne.
Thomasville was a typical small town in southern Georgia, around ten miles from the Florida border. Joanne was born right into the Great Depression. Her father was an administrator in the Thomasville school system, and her family was raised Episcopalian. Joanne's mother being an avid movie lover, it wasn't a surprise that Joanne wanted to go into the acting profession. Her father wasn't too keen on the idea, but her mother saw it coming and was thrilled. Joanne and her mother both adored the movie Wuthering Heights (1939) starring Laurence Olivier, and in 1939 Elinor took her daughter to the premiere of Gone with the Wind (1939) in Atlanta. Pulling up in a limo with the love of his life, Vivien Leigh (who starred in Gone with the Wind (1939)), Laurence Olivier was shocked when 9-year-old Joanne hopped right into the limo and sat in his lap without any warning. Years later when Joanne was famous, Olivier keenly remembered this incident. She later worked with Olivier in Come Back, Little Sheba (1977).
In her teens, Joanne entered and won many Georgia beauty contests. Her mother said that "she was the prettiest girl in town". But all Joanne wanted to do was act, and she saw beauty contests as the first step toward her dream. When she was of age, she enrolled in Louisiana State University, majoring in drama. After graduation and doing small plays, Joanne headed to New York and studied acting with Sanford Meisner. The first thing he tackled was Joanne's southern drawl.
Soon, Joanne was starring in television productions and theater. One day, she was introduced by her agent to another young actor at her level by the then-unknown name of Paul Newman. Paul's first reaction was, "Jeez, what an extraordinarily pretty girl". Joanne, while admitting that he was very good-looking, didn't like him at first sight, but she couldn't resist him. Soon they were working closely together as understudies for the Broadway production of "Picnic" and got along very well. They would have long conversations about anything and everything. Then both their movie careers took off: Joanne with Count Three and Pray (1955) and Paul with The Silver Chalice (1954). Also adding to the tension was Paul's wife, Jackie, who refused to get a divorce when Paul asked her for one. He wanted to marry Joanne; Jackie would simply not have it. Eventually, Jackie saw the anguish this was causing Paul and agreed to a divorce. Less than a week after the divorce was final, Paul married Joanne in Las Vegas on January 29, 1958, just months before Joanne won her Best Actress Oscar for The Three Faces of Eve (1957), in which she plays a woman with multiple personality disorder.
On April 8, 1959, Joanne gave birth to their first child, Elinor Teresa Newman, named after her and Paul's mothers. They both continued on with their careers, doing movies both together and apart. Two more children followed: Melissa Steward Newman on September 17, 1961, and Claire Olivia Newman on April 21, 1965. Since then, Joanne has been extremely busy in theater, film and television as well as ballet performances and very involved with charities and taking care of her family. In 2003, Joanne starred in a movie with Paul on HBO.- Actor
- Producer
- Director
Screen legend, superstar, and the man with the most famous blue eyes in movie history, Paul Leonard Newman was born on January 26, 1925, in Cleveland, Ohio, the second son of Arthur Sigmund Newman (died 1950) and Theresa Fetsko (died 1982). His elder brother was Arthur S. Newman Jr., named for their father, a Jewish businessman who owned a successful sporting goods store and was the son of emigrants from Poland and Hungary. Newman's mother (born Terézia Fecková, daughter of Stefan Fecko and Mária Polenak) was a Roman Catholic Slovak from Homonna, Pticie (former Austro-Hungarian Empire), who became a practicing Christian Scientist. She and her brother, Newman's uncle Joe, had an interest in the creative arts, and it rubbed off on him. He acted in grade school and high school plays. The Newmans were well-to-do and Paul Newman grew up in affluent Shaker Heights. Before he became an actor, Newman ran the family sporting goods store in Cleveland, Ohio.
By 1950, the 25-year-old Newman had been kicked out of Ohio University, where he belonged to the Phi Kappa Tau fraternity, for unruly behavior (denting the college president's car with a beer keg), served three years in the United States Navy during World War II as a radio operator, graduated from Ohio's Kenyon College, married his first wife, Jacqueline "Jackie" Witte (born 1929), and had his first child, Scott. That same year, his father died. When he became successful in later years, Newman said if he had any regrets it would be that his father was not around to witness his success. He brought Jackie back to Shaker Heights and he ran his father's store for a short period. Then, knowing that wasn't the career path he wanted to take, he moved Jackie and Scott to New Haven, Connecticut, where he attended Yale University's School of Drama.
While doing a play there, Newman was spotted by two agents, who invited him to come to New York City to pursue a career as a professional actor. After moving to New York, he acted in guest spots for various television series and in 1953 came a big break. He got the part of understudy of the lead role in the successful Broadway play "Picnic". Through this play, he met actress Joanne Woodward (born 1930), who was also an understudy in the play. While they got on very well and there was a strong attraction, Newman was married and his second child, Susan, was born that year. During this time, Newman was accepted into the much admired and popular New York Actors Studio, although he did not actually audition.
In 1954, a film Newman was very reluctant to do was released, The Silver Chalice (1954). He considered his performance in this costume epic to be so bad that he took out a full-page ad in a trade paper apologizing for it to anyone who might have seen it. He had always been embarrassed about the film and reveled in making fun of it. He immediately wanted to return to the stage, and performed in "The Desperate Hours". In 1956, he got the chance to redeem himself in the film world by portraying boxer Rocky Graziano in Somebody Up There Likes Me (1956), and critics praised his performance. In 1957, with a handful of films to his credit, he was cast in The Long, Hot Summer (1958), co-starring Joanne Woodward.
During the shooting of this film, they realized they were meant to be together and by now, so did his then-wife Jackie, who gave Newman a divorce. He and Woodward wed in Las Vegas in January 1958. They went on to have three daughters together and raised them in Westport, Connecticut. In 1959, Newman received his first Academy Award nomination for Best Actor, in Cat on a Hot Tin Roof (1958). The 1960s would bring Newman into superstar status, as he became one of the most popular actors of the decade, and garnered three more Best Actor Oscar nominations, for The Hustler (1961), Hud (1963) and Cool Hand Luke (1967). In 1968, his debut directorial effort Rachel, Rachel (1968) was given good marks, and although the film and Woodward were nominated for Oscars, Newman was not nominated for Best Director. However, he did win a Golden Globe Award for his direction.
1969 brought the popular screen duo of Newman and Robert Redford together for the first time when Butch Cassidy and the Sundance Kid (1969) was released. It was a box office smash. Through the 1970s, Newman had hits and misses from such popular films as The Sting (1973) and The Towering Inferno (1974) to lesser known films as The Life and Times of Judge Roy Bean (1972) to a cult classic Slap Shot (1977). After the death of his only son, Scott, in 1978, Newman's personal life and film choices moved in a different direction. His acting work in the 1980s and on is what is often most praised by critics today. He became more at ease with himself and it was evident in The Verdict (1982) for which he received his sixth Best Actor Oscar nomination and, in 1987, finally received his first Oscar for The Color of Money (1986), almost thirty years after Woodward had won hers. Friend and director of Somebody Up There Likes Me (1956), Robert Wise accepted the award on Newman's behalf as the actor did not attend the ceremony.
Films were not the only thing on his mind during this period. A passionate race car driver since the early 1970s (despite being color-blind), he was co-founder of Newman-Haas racing in 1982, and also founded "Newman's Own", a successful line of food products that has earned in excess of $100 million, every penny of which Newman donated to charity. He also started The Hole in the Wall Gang Camps, an organization for children with serious illness. He was as well known for his philanthropic ways and highly successful business ventures as he was for his legendary actor status.
Newman's marriage to Woodward lasted a half-century. Connecticut was their primary residence after leaving Hollywood and moving East in 1960. Renowned for his sense of humor, in 1998 he quipped that he was a little embarrassed to see his salad dressing grossing more than his movies. During his later years, he still attended races, was much involved in his charitable organizations, and in 2006, he opened a restaurant called Dressing Room, which helps out the Westport Country Playhouse, a place in which Newman took great pride. In 2007, while the public was largely unaware of the serious illness from which he was suffering, Newman made some headlines when he said he was losing his invention and confidence in his acting abilities and that acting was "pretty much a closed book for me". A smoker for many years, Newman died on September 26, 2008, aged 83, from lung cancer.- Producer
- Actor
- Additional Crew
Walter Elias Disney was born on December 5, 1901 in Chicago, Illinois, the son of Flora Disney (née Call) and Elias Disney, a Canadian-born farmer and businessperson. He had Irish, German, and English ancestry. Walt moved with his parents to Kansas City at age seven, where he spent the majority of his childhood. At age 16, during World War I, he faked his age to join the American Red Cross. He soon returned home, where he won a scholarship to the Kansas City Art Institute. There, he met a fellow animator, Ub Iwerks. The two soon set up their own company. In the early 1920s, they made a series of animated shorts for the Newman theater chain, entitled "Newman's Laugh-O-Grams". Their company soon went bankrupt, however.
The two then went to Hollywood in 1923. They started work on a new series, about a live-action little girl who journeys to a world of animated characters. Entitled the "Alice Comedies", they were distributed by M.J. Winkler (Margaret). Walt was backed up financially only by Winkler and his older brother Roy O. Disney, who remained his business partner for the rest of his life. Hundreds of "Alice Comedies" were produced between 1923 and 1927, before they lost popularity.
Walt then started work on a series around a new animated character, Oswald the Lucky Rabbit. This series was successful, but in 1928, Walt discovered that M.J. Winkler and her husband, Charles Mintz, had stolen the rights to the character away from him. They had also stolen all his animators, except for Ub Iwerks. While taking the train home, Walt started doodling on a piece of paper. The result of these doodles was a mouse named Mickey. With only Walt and Ub to animate, and Walt's wife Lillian Disney (Lilly) and Roy's wife Edna Disney to ink in the animation cells, three Mickey Mouse cartoons were quickly produced. The first two didn't sell, so Walt added synchronized sound to the last one, Steamboat Willie (1928), and it was immediately picked up. With Walt as the voice of Mickey, it premiered to great success. Many more cartoons followed. Walt was now in the big time, but he didn't stop creating new ideas.
In 1929, he created the 'Silly Symphonies', a cartoon series that didn't have a continuous character. They were another success. One of them, Flowers and Trees (1932), was the first cartoon to be produced in color and the first cartoon to win an Oscar; another, Three Little Pigs (1933), was so popular it was often billed above the feature films it accompanied. The Silly Symphonies stopped coming out in 1939, but Mickey and friends, (including Minnie Mouse, Donald Duck, Goofy, Pluto, and plenty more), were still going strong and still very popular.
In 1934, Walt started work on another new idea: a cartoon that ran the length of a feature film. Everyone in Hollywood was calling it "Disney's Folly", but Snow White and the Seven Dwarfs (1937) was anything but, winning critical raves, the adoration of the public, and one big and seven little special Oscars for Walt. Now Walt listed animated features among his ever-growing list of accomplishments. While continuing to produce cartoon shorts, he also started producing more of the animated features. Pinocchio (1940), Dumbo (1941), and Bambi (1942) were all successes; not even a flop like Fantasia (1940) and a studio animators' strike in 1941 could stop Disney now.
In the mid 1940s, he began producing "packaged features", essentially a group of shorts put together to run feature length, but by 1950 he was back with animated features that stuck to one story, with Cinderella (1950), Alice in Wonderland (1951), and Peter Pan (1953). In 1950, he also started producing live-action films, with Treasure Island (1950). These began taking on greater importance throughout the 50s and 60s, but Walt continued to produce animated features, including Lady and the Tramp (1955), Sleeping Beauty (1959), and One Hundred and One Dalmatians (1961).
In 1955 he opened a theme park in southern California: Disneyland. It was a place where children and their parents could take rides, just explore, and meet the familiar animated characters, all in a clean, safe environment. It was another great success. Walt also became one of the first producers of films to venture into television, with his series The Magical World of Disney (1954) which he began in 1954 to promote his theme park. He also produced The Mickey Mouse Club (1955) and Zorro (1957). To top it all off, Walt came out with the lavish musical fantasy Mary Poppins (1964), which mixed live-action with animation. It is considered by many to be his magnum opus. Even after that, Walt continued to forge onward, with plans to build a new theme park and an experimental prototype city in Florida.
He did not live to see the culmination of those plans, however; in 1966, he developed lung cancer brought on by his lifelong chain-smoking. He died of a heart attack following cancer surgery on December 15, 1966 at age 65. But not even his death, it seemed, could stop him. Roy carried on plans to build the Florida theme park, and it premiered in 1971 under the name Walt Disney World. His company continues to flourish, still producing animated and live-action films and overseeing the still-growing empire started by one man: Walt Disney, who will never be forgotten.- Actor
- Producer
- Soundtrack
The son of a saloon keeper, Jack Benny (born Benny Kubelsky) began to study the violin at the age six, and his "ineptness" at it, would later become his trademark (in reality, he was a very accomplished player). When given the opportunity to play in live theatre professionally, Benny quit school and joined vaudeville. In the same theatre that Benny was working with were the very young The Marx Brothers. Their mother, Minnie Marx, wanted Benny to go on the road with them. However, this plan was foiled by his parents who would not let their 17-year-old son on the road.
Having a successful vaudeville career, Benny also had a greater career on radio for "The Jack Benny Program". The show was one of the few successful radio programs that also became a successful television show.
Benny also starred in several movies, including The Hollywood Revue of 1929 (1929), Broadway Melody of 1936 (1935), The Horn Blows at Midnight (1945) and George Washington Slept Here (1942), although he had much greater success on radio and on TV than he did on the big screen.
He was good friends with Fred Allen, with whom he had a long-standing comic "feud".- Actor
- Producer
- Art Department
John Wayne was born Marion Robert Morrison in Iowa, to Mary Alberta (Brown) and Clyde Leonard Morrison, a pharmacist. He was of English, Scottish, Ulster-Scots, and Irish ancestry.
Clyde developed a lung condition that required him to move his family from Iowa to the warmer climate of southern California, where they tried ranching in the Mojave Desert. Until the ranch failed, Marion and his younger brother Robert E. Morrison swam in an irrigation ditch and rode a horse to school. When the ranch failed, the family moved to Glendale, California, where Marion delivered medicines for his father, sold newspapers and had an Airedale dog named "Duke" (the source of his own nickname). He did well at school both academically and in football. When he narrowly failed admission to Annapolis he went to USC on a football scholarship 1925-7. Tom Mix got him a summer job as a prop man in exchange for football tickets. On the set he became close friends with director John Ford for whom, among others, he began doing bit parts, some billed as John Wayne. His first featured film was Men Without Women (1930). After more than 70 low-budget westerns and adventures, mostly routine, Wayne's career was stuck in a rut until Ford cast him in Stagecoach (1939), the movie that made him a star. He appeared in nearly 250 movies, many of epic proportions. From 1942-43 he was in a radio series, "The Three Sheets to the Wind", and in 1944 he helped found the Motion Picture Alliance for the Preservation of American Ideals, a Conservative political organization, later becoming its President. His conservative political stance was also reflected in The Alamo (1960), which he produced, directed and starred in. His patriotic stand was enshrined in The Green Berets (1968) which he co-directed and starred in. Over the years Wayne was beset with health problems. In September 1964 he had a cancerous left lung removed; in 1977 when Star Wars: Episode IV - A New Hope was being made, John Waynes archive voice was used for the character Garindan ezz Zavor, later in March 1978 there was heart valve replacement surgery; and in January 1979 his stomach was removed. He received the Best Actor nomination for Sands of Iwo Jima (1949) and finally got the Oscar for his role as one-eyed Rooster Cogburn in True Grit (1969). A Congressional Gold Medal was struck in his honor in 1979. He is perhaps best remembered for his parts in Ford's cavalry trilogy - Fort Apache (1948), She Wore a Yellow Ribbon (1949) and Rio Grande (1950).- Actor
- Additional Crew
- Producer
Art Linkletter was born on 17 July 1912 in Moose Jaw, Saskatchewan, Canada. He was an actor and producer, known for Champagne for Caesar (1950), Philippine Adventure (1964) and The Jack Benny Program (1950). He was married to Lois Marguerite Foerster. He died on 26 May 2010 in Bel-Air, California, USA.- Music Department
- Actor
- Soundtrack
Andre Kostelanetz was born on 22 December 1901 in St. Petersburg, Russia. He was an actor, known for One Fine Day (1996), That Girl from Paris (1936) and Hitting a New High (1937). He was married to Lily Pons. He died on 13 January 1980 in Port-au-Prince, Haiti.- Actor
- Director
- Producer
James Maitland Stewart was born on May 20, 1908, in Indiana, Pennsylvania, to Elizabeth Ruth (Johnson) and Alexander Maitland Stewart, who owned a hardware store. He was of Scottish, Ulster-Scots, and some English descent. Stewart was educated at a local prep school, Mercersburg Academy, where he was a keen athlete (football and track), musician (singing and accordion playing), and sometime actor.
In 1929, he won a place at Princeton University, where he studied architecture with some success and became further involved with the performing arts as a musician and actor with the University Players. After graduation, engagements with the University Players took him around the northeastern United States, including a run on Broadway in 1932. But work dried up as the Great Depression deepened, and it was not until 1934, when he followed his friend Henry Fonda to Hollywood, that things began to pick up.
After his first screen appearance in Art Trouble (1934), Stewart worked for a time for MGM as a contract player and slowly began making a name for himself in increasingly high-profile roles throughout the rest of the 1930s. His famous collaborations with Frank Capra, in You Can't Take It with You (1938), Mr. Smith Goes to Washington (1939), and, after World War II, It's a Wonderful Life (1946) helped to launch his career as a star and to establish his screen persona as the likable everyman.
Having learned to fly in 1935, he was drafted into the United States Army in 1940 as a private (after twice failing the medical for being underweight). During the course of World War II, he rose to the rank of colonel, first as an instructor at home in the United States, and later on combat missions in Europe. He remained involved with the United States Air Force Reserve after the war and officially retired in 1968. In 1959, he was promoted to brigadier general, becoming the highest-ranking actor in U.S. military history.
Stewart's acting career took off properly after the war. During the course of his long professional life, he had roles in some of Hollywood's best-remembered films, starring in a string of Westerns, bringing his everyman qualities to movies like The Man Who Shot Liberty Valance (1962)), biopics (The Stratton Story (1949), The Glenn Miller Story (1954), and The Spirit of St. Louis (1957), for instance, thrillers (most notably his frequent collaborations with Alfred Hitchcock), and even some screwball comedies.
On June 25, 1997, a thrombosis formed in his right leg, leading to a pulmonary embolism, and a week later on July 2, 1997, surrounded by his children, James Stewart died at age 89 at his home in Beverly Hills, California. His last words to his family were, "I'm going to be with Gloria now".- Actress
- Soundtrack
American leading lady whose sweet smile and sunny disposition made her the prototypical girl-next-door of American movies of the 1940s. Raised in semi-poverty in Bronx neighborhoods by her divorced mother, Allyson (nee Ella Geisman) was injured in a fall at age eight and spent four years confined within a steel brace. Swimming therapy slowly gave her mobility again, and she began to study dance as well. She entered dance contests after high school and earned roles in several musical short films. In 1938, she made her Broadway debut in the musical "Sing Out the News." After several roles in the chorus of various musicals, she was hired to understudy Betty Hutton in "Panama Hattie." Hutton's measles gave Allyson a shot at a performance and she impressed director George Abbott so much that he gave her a role in his next musical, "Best Foot Forward." She was subsequently hired by MGM to recreate her role in the screen version. The studio realized what it had in her and offered her a contract.
Her smoky voice and winning personality made her very popular and she made more than a score of films for MGM, most often in musicals and comedies. She became a box-office attraction, paired with many of the major stars of the day. In 1945, she married actor-director Dick Powell, with whom she occasionally co-starred. Following Powell's death from cancer in 1963, she retreated somewhat from film work, appearing only infrequently on screen and slightly more often in television films. Occasional nightclub appearances and commercials were her only other public performances since, and she died of pulmonary respiratory failure and acute bronchitis on July 8, 2006, after a long illness.- Actress
- Soundtrack
Beautiful, swift and tough-tongued British character actress Rachel Roberts gained notice for her roles on the English stage, before she hit it largely in films. Born in Wales and married to actor Rex Harrison in 1962, Roberts made her film debut in a key role in J. Lee Thompson's Young and Willing (1954) a drama film about the life of women in prison. Around the early sixties, it wasn't uncommon to see a British actress in feature films, usually such an actress would remain on the British screen for such time, but Roberts continued going strong, she's hard to forget as the cankerous housewife in Saturday Night and Sunday Morning (1960).
After her divorce from Rex Harrison in 1971, Roberts continued such supporting roles usually as tough authority women characters or villainous beauties in films including Doctors' Wives (1971), Murder on the Orient Express (1974), Picnic at Hanging Rock (1975), Foul Play (1978), When a Stranger Calls (1979) and Charlie Chan and the Curse of the Dragon Queen (1981). Although never far from the screen, she was occasionally seen on television, such as Mrs. Bonnie McClellan in the 1976 series The Tony Randall Show (1976). She probably achieved her greatest success as Richard Harris's love interest in the film This Sporting Life (1963) which earned her an Academy Award nomination as Best Actress. Rachel Roberts committed suicide in November of 1980 of a "barbiturate overdose" at her home in Studio City, California. Roberts was only 53 years old.- Actress
- Soundtrack
Barbara Bain was born in Chicago, graduating from the University of Illinois with a Bachelor's Degree in Sociology. She then relocated to New York City where she gained work as a dancer and high-fashion model. Ms. Bain studied with Martha Graham, permanently cementing her love of dance; however, it was with Lee Strasberg at the prestigious Actors Studio that she discovered her true first love - acting. She is probably best known for her work in the landmark television series Mission: Impossible (1966), created by Bruce Geller, where she created the pivotal role of Impossible Missions Force Agent "Cinnamon Carter", and, in the process, became the first actress in the history of television to receive three consecutive Emmy Awards for Best Dramatic Actress. Ms. Bain followed with the role of "Dr. Helena Russell" in the now classic British syndicated science fiction television series Space: 1999 (1975), created by Gerry Anderson and Sylvia Anderson. Her stage work has garnered her Los Angeles Critic's Circle and DramaLogue Awards for her work on Arthur Kopit's "Wings", Samuel Beckett's "Happy Days" and Eugène Ionesco's "The Chairs". Ms. Bain has worked on behalf of numerous charitable causes and is the founder of the Screen Actors Guild's "BookPals" Program which currently has some 300 of her colleagues reading to children in Los Angeles schools. Following the success of the program there, she helped the program to develop in other major cities throughout North America.- Rosemary Matthews is known for Where the Difference Begins (1961).
- Actress
- Soundtrack
Marion Marshall was born on 8 June 1929 in Los Angeles, California, USA. She was an actress, known for I Was a Male War Bride (1949), Sailor Beware (1952) and That's My Boy (1951). She was married to Robert Wagner, Stanley Donen and Allen M. Davey. She died on 24 September 2018 in Missoula, Montana, USA.- Sam Yorty was born on 1 October 1909 in Lincoln, Nebraska, USA. He was an actor, known for The Candidate (1972), CHiPs (1977) and Here's Lucy (1968). He was married to Elizabeth Hensel. He died on 5 June 1998 in Los Angeles, California, USA.
- Norman Chandler was previously married to Dorothy Chandler.
- Dorothy Chandler was born on 19 May 1901 in Lafayette, Illinois, USA. She was married to Norman Chandler. She died on 6 July 1997.
- Otis Chandler was born on 23 November 1927 in Los Angeles, California, USA. He was married to Bettina A. Whitaker and Marilyn (Missy) Brant. He died on 27 February 2006 in Ojai, California, USA.
- Music Artist
- Actor
- Producer
After high school Gene Autry worked as a laborer for the St. Louis and San Francisco Railroad in Oklahoma. Next he was a telegrapher. In 1928 he began singing on a local radio station, and three years later he had his own show and was making his first recordings. Three years after that he made his film debut in Ken Maynard's In Old Santa Fe (1934) and starred in a 13-part serial the following year for Mascot Pictures, The Phantom Empire (1935). The next year he signed a contract with Republic Pictures and began making westerns. Autry--for better or worse--pretty much ushered in the era of the "singing cowboy" westerns of the 1930s and 1940s (in spite of the presence in his oaters of automobiles, radios and airplanes). These films often grossed ten times their average $50,000 production costs. During World War II he enlisted in the US Army and was assigned as a flight officer from 1942-46 with the Air Transport Command. After his military service he returned to making movies, this time with Columbia Pictures, and finally with his own company, Flying A Productions, which, during the 1950s, produced his TV series The Gene Autry Show (1950), The Adventures of Champion (1955), and Annie Oakley (1954). He wrote over 200 songs. A savvy businessman, he retired from acting in the early 1960s and became a multi-millionaire from his investments in hotels, real estate, radio stations and the California Angels professional baseball team.- Actor
- Additional Crew
- Director
Eugene Curran Kelly was born in Pittsburgh, Pennsylvania, the third son of Harriet Catherine (Curran) and James Patrick Joseph Kelly, a phonograph salesman. His father was of Irish descent and his mother was of Irish and German ancestry.
Metro-Goldwyn-Mayer was the largest and most powerful studio in Hollywood when Gene Kelly arrived in town in 1941. He came direct from the hit 1940 original Broadway production of "Pal Joey" and planned to return to the Broadway stage after making the one film required by his contract. His first picture for Metro-Goldwyn-Mayer was For Me and My Gal (1942) with Judy Garland. What kept Kelly in Hollywood were "the kindred creative spirits" he found behind the scenes at Metro-Goldwyn-Mayer. The talent pool was especially large during World War II, when Hollywood was a refuge for many musicians and others in the performing arts of Europe who were forced to flee the Nazis. After the war, a new generation was coming of age. Those who saw An American in Paris (1951) would try to make real life as romantic as the reel life they saw portrayed in that musical, and the first time they saw Paris, they were seeing again in memory the seventeen-minute ballet sequence set to the title song written by George Gershwin and choreographed by Kelly. The sequence cost a half million dollars (U.S.) to make in 1951 dollars. Another Kelly musical of the era, Singin' in the Rain (1952), was one of the first 25 films selected by the Library of Congress for its National Film Registry. Kelly was in the same league as Fred Astaire, but instead of a top hat and tails Kelly wore work clothes that went with his masculine, athletic dance style.
Gene Kelly died at age 83 of complications from two strokes on February 2, 1996 in Beverly Hills, Los Angeles, California.- Additional Crew
- Actress
- Soundtrack
Jeannie Coyne was a talented dancer who was a long time assistant of Gene Kelly and appeared in a few of his films. Her biggest role would be to dance with Bobby Van in the "From this moment on" number from Kiss Me Kate (1953). Coyne would later become Kelly's second wife and bear him two children, but unfortunately died in 1973 of leukemia.- Actor
- Director
- Producer
Born into a vaudeville family, O'Connor was the youthful figure cutting a rug in several Universal musicals of the 1940s. His best-known musical work is probably Singin' in the Rain (1952), in which he did an impressive dance that culminated in a series of backflips off the wall. O'Connor was also effective in comedic lead roles, particularly as the companion to Francis the Talking Mule in that film series.- Actor
- Writer
- Director
Chuck Connors was born Kevin Joseph Connors in Brooklyn, New York, to Marcella (nee Lundrigan; died 1971) and Alban Francis "Allan" Connors (died 1966), Roman Catholic immigrants of Irish descent from the Dominion of Newfoundland (now part of Canada). Chuck and his two-years-younger sister, Gloria, grew up in a working-class section of the west side of Brooklyn, where their father worked the local docks as a longshoreman. He served as an altar boy at Our Lady of Perpetual Help Basilica School and attended school there. He later became a member of the Bay Ridge Boys' Club and playing sandlot ball as a member of the Bay Ridge Celtics.
A life-long Dodgers' fan, he always dreamed of a baseball career with his favorite team. His natural athletic prowess earned him a scholarship to Adelphi Academy, a private high school, and then to Seton Hall, a Catholic college in South Orange, New Jersey. Leaving Seton Hall after two years, on October 20, 1942, aged 21, he joined the army, listing his occupation as a ski instructor. After enlistment in the infantry at Fort Knox, he later served mostly as a tank-warfare instructor at Camp Campbell, Kentucky, and then finally at West Point. Following his discharge early in 1946, he resumed his athletic pursuits. He played center for the Boston Celtics in the 1946-47 season but left early for spring training with the Brooklyn Dodgers.
Baseball had always been Connors' first love, and for the next several years he knocked about the minor leagues in such places as Rochester (NY), Norfolk (VA), Newark (NJ), Newport News (VA), Mobile (AL) and Montreal, Canada (while in Montreal he met Elizabeth Riddell, whom he married in October 1948. They had four sons during their 13-year marriage). He finally reached his goal, playing for the Brooklyn Dodgers, in May 1949, but after just five weeks and one at-bat, he returned to Montreal. After a brief stint with the Chicago Cubs in 1951, during which he hit two home runs, Connors wound up with the Cubs' Triple-A farm team, the L.A. Angels, in 1952.
A baseball fan who was also a casting director for MGM spotted Connors and recommended him for a part in the Spencer Tracy-Katharine Hepburn comedy Pat and Mike (1952). Originally cast to play a prizefighter, but that role went instead to Aldo Ray. Connors was cast as a captain in the state police. He now abandoned his athletic hopes and devoted full time to his acting career, which often emphasized his muscular 6'6" physique.
During the next several years Connors made 20 movies, culminating in a key role in William Wyler's 1958 western The Big Country (1958). Also appearing in many television series, he finally hit the big time in 1958 with The Rifleman (1958), which began its highly successful five-year run on ABC. Other television series followed, as did a number of movies which, though mostly minor, allowed Connors to display his range as both a stalwart "good guy" and a menacing "heavy".
Connors died at age 71 of lung cancer and pneumonia on November 10, 1992 in Los Angeles, California. He is buried in San Fernando Mission Cemetery with his tombstone carrying a photo of Connors as Lucas McCain in "The Rifleman" as well as logos from the three professional sports teams he played for: the Dodgers, Cubs and Celtics.- Kamala Devi was born on 8 October 1933 in Bombay, Bombay Presidency, British India. She was an actress, known for The Brass Bottle (1964), The Man from U.N.C.L.E. (1964) and Branded (1965). She was married to Maurie Beaumont, Wallace Guberman and Chuck Connors. She died on 29 November 2010 in Arlington, Virginia, USA.
- Actor
- Producer
- Director
Jack Lemmon was born in Newton, Massachusetts, to Mildred Lankford Noel and John Uhler Lemmon, Jr., the president of a doughnut company. His ancestry included Irish (from his paternal grandmother) and English. Jack attended Ward Elementary near his Newton, MA home. At age 9 he was sent to Rivers Country Day School, then located in nearby Brookline. After RCDS, he went to high school at Phillips Andover Academy. Jack was a member of the Harvard class of 1947, where he was in Navy ROTC and the Dramatic Club. After service as a Navy ensign, he worked in a beer hall (playing piano), on radio, off Broadway, TV and Broadway. His movie debut was with Judy Holliday in It Should Happen to You (1954). He won Best Supporting Actor as Ensign Pulver in Mister Roberts (1955). He received nominations in comedy (Some Like It Hot (1959), The Apartment (1960)) and drama (Days of Wine and Roses (1962), The China Syndrome (1979), Tribute (1980) and Missing (1982)). He won the Best Actor Oscar for Save the Tiger (1973) and the Cannes Best Actor award for "Syndrome" and "Missing". He made his debut as a director with Kotch (1971) and in 1985 on Broadway in "Long Day's Journey into Night". In 1988 he received the Life Achievement Award of the American Film Institute.- Of Russian/Romanian and Jewish ancestry, sultry, amber-eyed Olive Felicia Dines grew up in Westchester County, New York. She was the daughter of Max Dines and his wife Sylvia Schwartz. According to differing sources, Max may have been a journalist or an attorney.
Felicia began in movies after first working as a teenage lingerie model in order to afford her dancing lessons. She then studied sociology at Pennsylvania State University (graduating with a B.A. in 1954), acted in college plays, attended drama school and eventually appeared in live TV commercials. As to her modeling bathing suits, negligees, bras and girdles, she later remarked "There is nothing very sexy or exciting about standing around in undergarments under hot lights" and "Modeling was hard work for me. I never liked it very much because I kept thinking I was in a rut".
Felicia's situation improved after a talent agent spotted her playing the female lead in William Inge's play Picnic at The Players Ring Theater in 1955 (Kim Novak starred in the film version that year). Columbia executives were impressed and signed the budding starlet to a seven-year contract. Initially billed as Randy Farr, Felicia found her niche as an intelligent and sexy western leading lady, first showcased in a trio of classics directed by the veteran Delmer Daves: Jubal (1956), 3:10 to Yuma (1957) and (in her best role yet) The Last Wagon (1956), opposite Richard Widmark. For the next two decades, she essayed a wide variety of characters, ranging from religious types to barmaids, from party girls to the occasional femme fatale.
Sandwiched in between frequent TV guest spots, Felicia excelled in just a handful of comedies and action films, notably in Billy Wilder's Kiss Me, Stupid (1964) (as an unfaithful wife), in the poignant, idiosyncratic Jack Lemmon-directed comedy-drama Kotch (1971) (as Walter Matthau's daughter-in-law) and in the slick heist thriller Charley Varrick (1973) (this time as Matthau's love interest). A talented, much underused actress, she left show biz in 1992 but made a brief comeback 22 years later to co-star in a little known comedy drama, Loser's Crown (2014).
Felicia divorced her first husband, the actor Lee Farr, in 1955. Her second marriage was to Jack Lemmon, whom she had first met while he was filming Cowboy (1958). They married in 1962 in Paris during his work on Irma la Douce (1963). A daughter, Courtney, was born in 1966. Latterly known as Felicia F. Lemmon, she has resided in Los Angeles, devoting time and money to various philanthropic endeavours and to her much loved feline pets. - Producer
- Additional Crew
- Production Manager
Richard D. Zanuck was born on 13 December 1934 in Los Angeles, California, USA. He was a producer and production manager, known for Driving Miss Daisy (1989), Cocoon (1985) and Jaws (1975). He was married to Lili Fini Zanuck, Linda Harrison and Lili Gentle. He died on 13 July 2012 in Beverly Hills, California, USA.- Producer
- Director
- Second Unit Director or Assistant Director
Lili Fini Zanuck was born on 2 April 1954 in Leominster, Massachusetts, USA. She is a producer and director, known for Driving Miss Daisy (1989), Cocoon (1985) and Reign of Fire (2002). She was previously married to Richard D. Zanuck.- Writer
- Producer
Robert Dellinger was born on 14 December 1929 in New Albany, Indiana, USA. He is a writer and producer, known for Starsky and Hutch (1975), The Streets of San Francisco (1972) and Kaz (1978).- Actor
- Soundtrack
John Conte was born on 15 September 1915 in Palmer, Massachusetts, USA. He was an actor, known for The Man with the Golden Arm (1955), Musical Comedy Time (1950) and Thousands Cheer (1943). He was married to Sirpuhe Philibosian, Ruth Harris Conte and Marilyn Maxwell. He died on 4 September 2006 in Rancho Mirage, California, USA.- Actor
- Producer
- Director
His mother was the French Lady Comynyplatt Henrietta de Gacher, his father was the British Lieutenant William Graham Niven, who died in the war when David was six years old. Niven was considered a difficult child to educate and had to change schools often until he finally went to Sandhurst Military Academy. He came to Malta as a soldier, left the army here and went to Canada, where he worked as a lumberjack, bridge builder, journalist and whiskey salesman. After detours via New York and Cuba, Niven settled in California in 1934, where he had his first roles as an extra. He appeared in smaller films until the Second World War and then had to go to war for the British army.
In between, he also starred in propaganda films. Niven fought on the British front at Dunkirk and was promoted to colonel in 1944. General Eisenhower decorated him with the medals of the American Legion of Merit. From his first marriage to Primula Rollo, whom he married in 1940, Niven had two sons, David and Jamie. After his wife died in an accident in 1946, he married the Swede Hjordis Tersmeden in 1948, and his daughters Kristine and Fiona came from this marriage. In 1952, Niven founded the television production "Four Star TV" with Charles Boyer and other colleagues and starred in the self-produced series "The David Niven Show" and "Rogues Against Crooks". He had already been successful as an actor for a long time.
Niven starred in the 1946 English production of Error in the Afterlife and then returned to Hollywood. He celebrated successes with "The Virgin on the Roof", "Bonjour Tristesse", "The Guns of Navarone", "55 Days in Peking", "The Pink Panther", "Lady L." and with "Casino Royale". In 1959 he reached the peak of his success when he was honored with the Oscar for Best Actor for Separated from Table and Bed. His most beautiful film role was that of "Phileas Fogg" in the Jules Verne film adaptation "Around the World in 80 Days". Niven later demonstrated his enormous skills in many other films. In the 1970s and 1980s he starred in "Vampira", "A Corpse for Dessert", "Death on the Nile", "The Lion Shows its Claws" and in "Grandpa Seldom Comes Alone".
In 1982 and 1983 he had his last two roles in "The Pink Panther is Hunted" and "The Curse of the Pink Panther". Niven retired and lived on the Cote d'Azur and in Switzerland.
David Niven died on July 29, 1983 in Switzerland as a result of the nervous disease ALS. He made part of his inheritance available to medical research.- Actor
- Writer
- Soundtrack
Joseph Cheshire Cotten, Jr. was born in Petersburg, Virginia, into a well-to-do Southern family. He was the eldest of three sons born to Sally Whitworth (Willson) and Joseph Cheshire Cotten, Sr., an assistant postmaster.
Jo (as he was known) and his brothers Whit and Sam spent their summers at their aunt and uncle's home at Virginia Beach. And there and at an early age he discovered a passion for story-telling, reciting, and performing acts for his family. Cotten studied acting at the Hickman School of Expression in Washington, D.C. and worked as an advertising agent afterward. But by 1924 tried to enter acting in New York. His money opportunities were limited to shipping clerk, and after a year of attempting stage work, he left with friends, heading for Miami. There he found a variety of jobs: lifeguard, salesman, a stint as entrepreneur -- making and selling 'Tip Top Potato Salad' - but more significantly, drama critic for the Miami Herald. That evidently led to appearance in plays at the Miami Civic Theater. Through a connection at the Miami Herald he managed to land an assistant stage manager job in New York. In 1929 he was engaged for a season at the Copley Theatre in Boston, and there he was able to expand his acting experience, appearing in 30 plays in a wide variety of parts. By 1930 he made his Broadway debut. In 1931 Cotten married Lenore LaMont (usually known as Kipp), a pianist, divorced with a four-year-old daughter.
To augment his income as an actor in the mid-30s, Cotten took on radio shows in addition to his theatre work. At one audition he met an ambitious, budding actor/writer/director/producer with a mission to make his name-Orson Welles. Cotten was 10 years his senior, but the two found a kindred spirit in one another. For Cotten, Welles association would completely redirect his serious acting life. Their early co-acting attempts boded ill for employment in formal acting vehicles. At a rehearsal for CBS radio the two destroyed a scene taking place on a rubber tree plantation. One or the other was supposed to say the line: "Barrels and barrels of pith...." They could not overcome uncontrolled laughter at each attempt. The director berated them as acting like 'school-children' and 'unprofessional', and thereafter both were considered unreliable. Welles's ambition put that quickly behind them when he formed The Mercury Theatre Players. Coming on board were later Hollywood stalwarts: Everett Sloane, Agnes Moorehead, Ruth Warrick, and Ray Collins. In 1937, Cotten starred in Welles's Mercury productions of "Julius Caesar" and "Shoemaker's Holiday". And he made his film debut in the Welles-directed short Too Much Johnson (1938), a comedy based on William Gillette's 1890 play. The short was occasionally screened before or after Mercury productions, but never received an official release. Cotten returned to Broadway in 1939, starring as C.K. Dexter Haven in the original production of Philip Barry's "The Philadelphia Story". The uproar over Welles's "War of the Worlds" radio broadcast, was rewarded with an impressive contract from RKO Pictures. The two-picture deal promised full creative control for the young director, and Welles brought his Mercury players on-board in feature roles in what he chose to bring to the screen. But after a year, nothing had germinated until Welles met with writer Herman J. Mankiewicz, resulting in the Citizen Kane (1941) idea - early 1940. The story of a slightly veiled William Randolph Hearst with Welles as Kane and Cotten, in his Hollywood debut, as his college friend turned confidant and theater critic, Jed Leland, would become film history, but at the time it caused little more than a ripple. Hearst owned the majority of the country's press outlets and so forbade advertisements for the film. The film was nominated for nine Academy Awards in 1942 but was largely ignored by the Academy, only winning for Best Screenplay for Welles and Mankiewicz.
The following year Cotten and Welles collaborated again in The Magnificent Ambersons (1942), acclaimed but again ignored at Oscar time, and the next year's Nazi thriller Journey Into Fear (1943). Cotten, along with some Welles ideas, wrote the screenplay. Welles with his notorious overrunning of budgeting was duly dropped by RKO thereafter. Later in 1943 Cotten's exposure and acquaintance with young producer David O. Selznick resulted in a movie contract and the launching of his mainstream and very successful movie career as a romantic leading man. Thereafter he appeared with some of the most leading of Hollywood leading ladies - a favorite being Jennifer Jones, Selznick's wife with the two of them being his most intimate friends. Cotten got the opportunity to play a good range of roles through the 1940s - the darkest being the blue beard-like killer in Alfred Hitchcock thriller Shadow of a Doubt (1943) with Teresa Wright. Perhaps the most fun was The Farmer's Daughter (1947) with a vivacious Loretta Young. Cotten starred with Jennifer Jones in four films: the wartime domestic drama Since You Went Away (1944), the romantic drama Love Letters (1945), the western Duel in the Sun (1946), and later in the critically acclaimed Portrait of Jennie (1948), from the haunting Robert Nathan book. Cotten is thoroughly convincing as a second-rate, unmotivated artist who finds inspiration from a chance acquaintance budding into love with an incarnation of a girl who died years before. Welles and Cotten did not work again until The Third Man (1949), directed by Carol Reed. For Cotten, the role as the hapless boyhood friend and second-rate novel writer Holly Martins would be a defining moment in a part both comedic and bittersweet, its range making it one of his best performances. Unfortunately, he was again overlooked for an Oscar.
Cotten was kept in relative demand into his mature acting years. Into the 1950s, he reunited with "Shadow Of A Doubt" co star Thereas Wright, to do the memorable bank caper "The Steel Trap"(1952).He co stared with Jean Peters in "Blueprint For A Murder"(1953). For the most part, the movie roles were becoming more B than A. He had a brief role as a member of the Roman Senate, reuniting with lifelong friend Welles in his Othello (1951). There were a few film-noir outings along with the usual fare of the older actor with fewer roles. However, he was much more successful in returning to theater roles in the new television playhouse format. He also did some episodic TV and some series ventures, as with On Trial, which was later called The Joseph Cotten Show. He had a memorable role in an Alfred Hitchcock Presents, "Breakdown", where he was a man in a lone and isolated car accident, trapped and unable to speak. He voices over and shows his great acting skill simply through facial expressions. His one last stint with Welles was uncredited and sort of Jed Leland-revisited as the hokey coroner early in Welles's over-the-top Touch of Evil (1958). Of his association with Welles, Cotten said: "Exasperating, yes. Sometimes eruptive, unreasonable, ferocious, yes. Eloquent, penetrating, exciting, and always - never failingly even at the sacrifice of accuracy and at times his own vanity - witty. Never, never, never dull."
With the passing of his first wife in 1960 Cotten met and married British actress Patricia Medina. The 1960s found him equally busy in TV and film. He made the circuit of the most popular detective and cowboy series of the period. By 1964 he returned to film with the money making old-Hollywood-dame- horror-movie genre hit Hush...Hush, Sweet Charlotte (1964) with other vintage Hollywood legends Bette Davis, Olivia de Havilland, and Agnes Moorehead. His other films of that decade were of the quick entertainment variety along with some foreign productions, and TV movies. There were also more TV series and guests appearances, especially The Ed Sullivan Show, a popular stop during its long run. In the 1970s Cotten was still in demand-for even more of the curiosity-appeal of the populace for an older star. Along with the new assortment of TV series, he anchored himself at Universal with small parts in forgettable movies, the sluggish Universal epic dud Tora! Tora! Tora! for instance, and the steady diet of TV series being cranked out there. Though older actors have laughed in public about their descent into cheap horror movies, one can only wonder at the impetus to do them -- by such greats, as Claude Rains -- besides a can't-pass-up alluring salary.
Cotten did the campy The Abominable Dr. Phibes (1971) with Vincent Price and about that time two second rate Italian horror outings where he was Baron Blood and Baron Frankenstein. Then again there was better exposure in the Universal minor sci-fi classic Soylent Green (1973). And in yet another Universal sequel, where the profit-logic was to gather a cast of veterans from the Hollywood spectrum in any situation spelling disaster and watch the ticket sales skyrocket, Cotten joined the all-star cast of Airport '77 (1977). He rounded out the decade with the ever faddish Fantasy Island and more Universal TV rounds. This contributor met and worked with Joseph Cotten during this latter evolution of one of Hollywood's greats. He wore his own double-breasted blue blazer and tan slacks in several roles - no need for wardrobe. His pride and joy was a blue 1939 Jaguar SS, something of a fixture on the Universal lot.
Cotten was not ready to turn his back on Hollywood until the beginning of the 1980s when he managed to appear in the epic flop Heaven's Gate (1980). After a Love Boat episode (1981), Cotten joined his wife and his love of gardening and entertaining friends in retirement. He also had the time to write an engaging autobiography Vanity Will Get You Somewhere (1987). Cotten's somewhat matter-of-fact and seemingly gruff acting voice served him well. Certainly his command of varied roles deserved more than the snub of never being nominated for an Academy Award. He was not the only actor to suffer being underrated, but that is largely forgotten in those memorable roles that speak for him. And for what it is worth, the Europeans had the very good sense to award him the Venice Film Festival Award for Best Actor for Portrait of Jennie, one of his favorite roles.- Actress
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- Additional Crew
Born in New York City to legendary screen star Henry Fonda and Ontario-born New York socialite Frances Seymour Brokaw, Jane Seymour Fonda was destined early to an uncommon and influential life in the limelight. Although she initially showed little inclination to follow her father's trade, she was prompted by Joshua Logan to appear with her father in the 1954 Omaha Community Theatre production of "The Country Girl". Her interest in acting grew after meeting Lee Strasberg in 1958 and joining the Actors Studio. Her screen debut in Tall Story (1960) (directed by Logan) marked the beginning of a highly successful and respected acting career highlighted by two Academy Awards for her performances in Klute (1971) and Coming Home (1978), and five Oscar nominations for Best Actress in They Shoot Horses, Don't They? (1969), Julia (1977), The China Syndrome (1979), The Morning After (1986) and On Golden Pond (1981), which was the only film she made with her father. Her professional success contrasted with her personal life, which was often laden with scandal and controversy. Her appearance in several risqué movies (including Barbarella (1968)) by then-husband Roger Vadim was followed by what was to become her most debated and controversial period: her espousal of anti-establishment causes and especially her anti-war activities during the Vietnam War. Her political involvement continued with fellow activist and husband Tom Hayden in the late 1970s and early 1980s. In the 1980s she started the aerobic exercise craze with the publication of the "Jane Fonda's Workout Book". She and Hayden divorced, and she married broadcasting mogul Ted Turner in 1991.- Actor
- Music Department
- Additional Crew
Salvatore (Sal) Mineo Jr. was born to Josephine and Sal Sr. (a casket maker), who emigrated to the U.S. from Sicily. His siblings were Michael, Victor and Sarina. Sal was thrown out of parochial school and, by age eight, was a member of a street gang in a tough Bronx neighborhood. His mother enrolled him in dancing school and, after being arrested for robbery at age ten, he was given a choice of juvenile confinement or professional acting school.
He soon appeared in the theatrical production "The Rose Tattoo" with Maureen Stapleton and Eli Wallach and as the young prince in "The King and I" with Gertrude Lawrence and Yul Brynner. At age 16 he played a much younger boy in Six Bridges to Cross (1955) with Tony Curtis and later that same year played Plato in James Dean's Rebel Without a Cause (1955). He was nominated for Best Supporting Actor for his performance in this film and again for his role as Dov Landau in Exodus (1960).
Expanding his repertoire, Mineo returned to the theatre to direct and star in the play "Fortune and Men's Eyes" with successful runs in both New York and Los Angeles. In the late 1960s and 1970s he continued to work steadily in supporting roles on TV and in film, including Dr. Milo in Escape from the Planet of the Apes (1971) and Harry O (1973). In 1975 he returned to the stage in the San Francisco hit production of "P.S. Your Cat Is Dead". Preparing to open the play in Los Angeles in 1976 with Keir Dullea, he returned home from rehearsal the evening of February 12th when he was attacked and stabbed to death by a stranger. A drifter named Lionel Ray Williams was arrested for the crime and, after trial in 1979, convicted and sentenced to life in prison for the murder, but was paroled in 1990. Although taken away far too soon, the memory of Sal Mineo continues to live on through the large body of TV and film work that he left behind.- Actor
- Producer
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Born in Leigh-on-Sea, Essex, England on July 23, 1912, Wilding became a commercial artist after leaving school. He gained employment in the art department of a film studio in London in 1933, and he was soon approached by producers to become a movie star-in-training due to his dashing good looks. After debuting at age 21 in Bitter Sweet (1933), Wilding worked steadily in British pictures for nearly three decades. Though never a star of the first rank, he had leading roles in numerous films, including a part in the classic In Which We Serve (1942). Wilding often co-starred with Anna Neagle.
Wilding moved to Hollywood and was featured in two of Alfred Hitchcock's lesser efforts, Under Capricorn (1949) and Stage Fright (1950).
Wilding's last movie role was a two-line cameo in Robert Bolt's Lady Caroline Lamb (1972), which co-starred Leighton.- Actress
- Producer
- Soundtrack
Rita Moreno is one of the very few performers to win an Oscar, an Emmy, a Tony and a Grammy, thus becoming an EGOT. She was born Rosita Dolores Alverío in the hospital in Humacao, Puerto Rico on December 11, 1931 (but raised in nearby, smaller Juncos, which had no hospital), to seamstress Rosa María (Marcano) and farmer Francisco José "Paco" Alverío. Her mother moved to New York City in 1937, taking Rita with her while leaving her reportedly unfaithful husband and Rita's younger brother behind. Rita's professional career began before she reached adolescence.
From the age of nine, she performed as a professional dancer in New York night clubs. At age 11, she landed her first movie experience, dubbing Spanish-language versions of US films. Less than a month before her 14th birthday on November 22, 1945, she made her Broadway debut in the play "Skydrift" at the Belasco Theatre, costarring with Arthur Keegan and a young Eli Wallach. Although she would not appear again on Broadway for almost two decades, Rita Moreno, as she was billed in the play, had arrived professionally. In 1950, she was signed by MGM, but the studio dropped her option after just one year.
The cover of the March 1, 1954, edition of "Life Magazine" featured a three-quarters, over-the-left-shoulder profile of the young Puerto Rican actress/entertainer with the provocative title "Rita Moreno: An Actresses' Catalog of Sex and Innocence". It was sexpot time, a stereotype that would plague her throughout the decade. If not cast as a Hispanic pepper pot, she could rely on being cast as another "exotic", such as her appearance on Father Knows Best (1954) as an exchange student from India. Because of a dearth of decent material, Moreno had to play roles in movies that she considered degrading. Among the better pictures she earned featured roles in were the classic Singin' in the Rain (1952) and The King and I (1956).
Director Robert Wise, who was chosen to co-direct West Side Story (1961) (the film version of the smash Broadway musical, a retelling of William Shakespeare's "Romeo & Juliet" with the warring Venetian clans the Montagues and Capulets re-envisioned as Irish/Polish and Puerto Rican adolescent street gangs, the Jets and the Sharks), cast Moreno as "Anita", the Puerto Rican girlfriend of Sharks' leader Bernardo, whose sister Maria is the piece's Juliet.
However, despite her talent, roles commensurate with that talent were not forthcoming in the 1960s. The following decade would prove kinder, possibly because the beautiful Moreno had aged gracefully and could now be seen by filmmakers, TV producers and casting directors as something other than the spitfire/sexpot that Hispanic women were supposed to conform to. Ironically, it was in two vastly diverging roles--that of a $100 hooker in director Mike Nichols' brilliant realization of Jules Feiffer's acerbic look at male sexuality, Carnal Knowledge (1971), and Milly the Helper in the children's TV show The Electric Company (1971)--that signaled a career renaissance.
Moreno won a 1972 Grammy Award for her contribution to "The Electric Company"'s soundtrack album, following it up three years later with a Tony Award as Best Featured Actress in a Musical for "The Ritz" (a role she would reprise in the film version, The Ritz (1976)). She then won Emmy Awards for The Muppet Show (1976) and The Rockford Files (1974).
She has continued to work steadily on screen (both large and small) and on stage, solidifying her reputation as a national treasure, a status that was officially ratified with the award of the Presidential Medal of Freedom by President George W. Bush in June 2004.- Music Artist
- Actor
- Music Department
Nat King Cole was born Nathaniel Adams Coles (he later dropped the "s" in his surname) in Montgomery, Alabama. He received music lessons from his mother and his family moved to Chicago when he was only five, where his father, Edward James Coles, was a minister at the True Light Baptist Church and later Pastor of the First Baptist Church. At 12, he was playing the church organ. At age 14, he formed a 14 piece band called the Royal Dukes. Nat was a top flight sandlot baseball player at Wendell Phillips high school in Chicago.
His three brothers, Ike, Frankie, and Eddie Cole, also played the piano and sang professionally. Nat was an above-average football player in high school. His sister, Evelyn Cole, was a beautician in nearby Waukegan, Illinois. In 1939 he formed the King Cole Trio after his publicist put a silver tin-foiled crown on his head and proclaimed him "King". He later toured Europe and made a command performance before Queen Elizabeth II.
He had a highly-rated TV show in the 1950s but it was canceled (by Cole himself) as no companies could be found that were willing to sponsor the show. He was a big baseball fan and had a permanent box seat at Dodger Stadium in Los Angeles. He met his wife Maria Cole (a big-band singer) at the Zanzibar nightclub in Los Angeles through Eddie 'Rochester' Anderson show. Her parents opposed her decision to marry Cole, claiming he was "too black". They married, nonetheless, in 1948, and had two daughters, Caroline and Natalie Cole. On April 10, 1956, at Birmingham, Alabama, he was attacked by six white men from a white supremacist group called the White Cizizens Council during a concert and sustained minor injuries to his back. Cole appeared in several movies, the last of which was Cat Ballou (1965), starring Lee Marvin.
Cole received 28 gold record awards for such hits as "Sweet Lorraine", "Ramblin' Rose" in 1962, "Too Young" in 1951, "Mona Lisa" in 1949 and Mel Tormé's "Christmas Song". His first recordings of the Christmas Song included the lyrics, "Reindeers really know how to fly" instead of "reindeer really know how to fly", a mistake later corrected by Capitol Records. He was also a composer and his song "Straighten Up and Fly Right" was sold for $50.00. A heavy smoker, he died of lung cancer.- Actor
- Music Department
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Ricky Nelson was born on May 8, 1940 in Teaneck, New Jersey, USA as Eric Hilliard Nelson. He was an actor, known for The Adventures of Ozzie & Harriet (1952) and Rio Bravo (1959). He was married to Kristin Harmon. He died on December 31, 1985 in De Kalb, Texas, USA.- Music Artist
- Actress
- Soundtrack
An out-of-wedlock child, Eartha Kitt was born in the cotton fields of South Carolina. Kitt's mother was a sharecropper of African-American and Cherokee Native American descent. Her father's identity is unknown. Given away by her mother, she arrived in Harlem at age nine. At 15, she quit high school to work in a Brooklyn factory. As a teenager, Kitt lived in friends' homes and in the subways. However, by the 1950s, she had sung and danced her way out of poverty and into the spotlight: performing with the Katherine Dunham Dance Troupe on a European tour, soloing at a Paris nightclub and becoming the toast of the Continent. Orson Welles called her "the most exciting girl in the world". She also spoke out on hard issues. She took over the role of Catwoman for the third and final season of the television series Batman (1966), replacing Julie Newmar. Eartha Kitt died of colon cancer in her home in Weston, Connecticut, on Christmas Day 2008.- Actor
- Soundtrack
Squat, easygoing, crew-cut blond George Gobel was born George Leslie Goebel in Chicago, on May 20, 1919. Of Austrian/Scottish descent, his immigrant father, Hermann Goebel, was a butcher and grocer. Following graduating from Chicago's Theodore Roosevelt High School in 1937, the young man won initial Midwest attention singing (billed as "Little Georgie Gobel") on radio. He also toured with country music bands while billed as "The Littlest Cowboy."
George's career was interrupted by WWII, in which he served with the Army Air Force as a pilot instructor. While serving, he began doing stand-up for his fellow servicemen and later took to the nightclub, hotel and county fair circuit. His mild-mannered comic delivery, coupled with a cracker-barrel warmness, finally caught fire when the 33-year-old humorist hit the TV waves in 1952. From then on, he focused on comedy rather than singing.
George moved into the new TV medium in 1950 as a guest on "The Bill Slater Show," and continued on the talk/musical variety circuit appearing on the self-titled shows of Garry Moore, Spike Jones, and Dinah Shore. Increasing in popularity, he was given a show on his own The George Gobel Show (1954), winning an Emmy award for his efforts. His alter-ego was this hapless, unassuming, hen-pecked husband who tried to breeze through life the best he could. "Lonesome" George's folksy, non-threatening 'little man' appeal, while working so well on TV, did not extend itself on the large screen, although given a couple of chances. Two lightweight comedy showcases offered him as put-upon protagonists in The Birds and the Bees (1956) and I Married a Woman (1958) had a lukewarm reception.
After the cancellation of his TV series, Gobel lost severe momentum. From 1958 to 1961, he returned to the clubs and headlined in Las Vegas at the El Rancho Vegas and in Reno at the Mapes Hotel. In 1961, George co-starred with Sam Levene in the Broadway musical "Let It Ride, based on the 1935 original Broadway play "Three Men on a Horse." It had a fairly short run. He was also spotted on such TV shows as "Wagon Train," "Death Valley Days," "Daniel Boone," "F Troop," "Rowan and Martin's Laugh-In," "The Red Skelton Show," "Love, American Style," "Chico and the Man" and "The Love Boat."
George made a resurgence on the late 1960's talk show circuit, notably trading off with Johnny Carson on his popular night time show. In 1974, George became a household name again after replacing the late Cliff Arquette (aka "Charley Weaver") as the bottom left square star on the popular game show The Hollywood Squares (Primetime/Nighttime) (1968). He also appeared as an actor in several TV movies, often cameos, including Benny and Barney: Las Vegas Undercover (1977), A Guide for the Married Woman (1978), Better Late Than Never (1979), The Invisible Woman (1983) and Alice in Wonderland (1985). He returned to film only twice -- in the comedy satire Rabbit Test (1978) (as the President) and the backwoods comedy Ellie (1984) (as a preacher).
George won a role on the short-lived series Harper Valley P.T.A. (1981) as a tipsy mayor. The comedian died in Encino, California, on February 24, 1991, at age 71 following bypass surgery. He was survived by his wife of nearly 50 years, Alice, and their three children.- Actor
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A former college athlete at the University of Texas, Fess studied drama in the early fifties and debuted in Springfield Rifle (1952). He made only a handful of movies until he was signed by Walt Disney to star in the "Davy Crockett" series. When Walt was looking for an actor to play the part of Davy, he screened the sci-fi movie Them! (1954) with James Arness. When he saw Fess in a scene, he chose him over Arness and Fess became an instant celebrity when "Davy Crockett, King of the Wild Frontier" debuted in 1955. His appeal with children was enormous with the coon-skinned hat, the #1 hit song "The Ballad Of Davy Crockett", The Davy Crockett Bubble Gum Cards and Comic Books. But the craze ended almost as fast as it started in 1956, and Fess was typecast. Fess appeared in other Disney movies dealing with the early years of Davey and also in non-Crockett parts such as Old Yeller (1957). By 1959, unable to achieve the success that he had gained as Crockett, his career had leveled off. He made guest appearances on a number of television shows, but his attempted return to television in the series Mr. Smith Goes to Washington (1962) was not successful. Unable to procure the rights to play Crockett from Disney, Fess tried the frontiersman role once again with the TV series Daniel Boone (1964). He played this role for six years and the fact that he had a beautiful red-headed wife in a color series did not hurt him at all. After Daniel Boone (1964), Fess retired from the screen and went into real estate, which was profitable. He was later forced to sue his "Daniel Boone" producers over the profits generated by the series.- Actor
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Dan Duryea was educated at Cornell University and worked in the advertising business before pursuing his career as an actor. Duryea made his Broadway debut in the play "Dead End." The critical acclaim he won for his performance as Leo Hubbard in the Broadway production of "The Little Foxes" led to his appearance in the film version, in the same role.- Actress
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Born Helen Luella Koford on January 7, 1929, the Los Angeles, California native worked as a model before she made her film debut at age 11 in 20th Century-Fox's Maryland (1940). Through the 1940s, she worked under a variety of names (her own, Judy Ford and January Ford) before settling on Terry Moore in 1948. Placed under contract by Columbia Pictures, Moore was loaned out to RKO Radio Pictures for one of her most famous films, Mighty Joe Young (1949). By that time, Columbia studio boss Harry Cohn had changed her Swedish name Helen Koford to the Irish-sounding Terry Moore. In 1953, she received an Academy Award nomination for her performance in Paramount Pictures' Come Back, Little Sheba (1952). In the 1970s, she was in the news more than she was in films, asserting that she was the secret wife of the late billionaire Howard Hughes. She has starred in 77 feature films and listed among her leading men are such Hollywood legends including Burt Lancaster, John Wayne, Cary Grant, Tyrone Power, Glenn Ford, Mickey Rooney and Robert Wagner. Since she was a pilot herself, Terry played a major role in preparing Leonardo DiCaprio for his portrayal of Howard Hughes in The Aviator (2004). In 1964, Terry published a memoir of her life with Howard Hughes, entitled 'The Beauty and the Billionaire'.- Carroll Baker was born on May 28, 1931 in Johnstown, Pennsylvania, the daughter of a traveling salesman, William W. Baker. She attended community college for a year and then worked as a dancer and magician's assistant. After a brief marriage, she had a small part in Easy to Love (1953), did TV commercials, and had a bit part on Broadway. She studied at the Actors Studio and was married to director Jack Garfein (one daughter, Blanche Baker). Warner Brothers, sensing a future Marilyn Monroe, cast her in Giant (1956), Baby Doll (1956) (Oscar nomination for her thumb-sucking role), The Carpetbaggers (1964) and Harlow (1965) (title role). Moving to Italy, she made films there and in England, Germany, Mexico and Spain . After returning to American films, she married Donald Burton in 1982 and resided in Hampstead, London in the 1980s. They remained together until Burton's death from emphysema in their home in Cathedral City, California in 2007.
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Canadian-born Jack Kruschen entered films after years on the stage, and became a dependable character actor both in movies and on television. Often cast as ethnic comedy relief, Kruschen occasionally landed a role as a villain, but was more often the volatile, emotional Italian or Jewish neighbor patriarch. He was nominated for an Academy Award for his role in The Apartment (1960).- Actor
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A ruggedly handsome action man of the 1960s and '70s, Steve Forrest was born William Forrest Andrews in Huntsville, Texas, the youngest of thirteen children of Annis (Speed) and Charles Forrest Andrews, a Baptist minister. His brother was actor Dana Andrews. Forrest began his screen career as a small part contract player with MGM. In 1942, Steve enlisted in the U.S. Army, rose to the rank of sergeant and saw action at the Battle of the Bulge. Following his demobilization, he visited his brother in Hollywood and came to the conclusion that acting wasn't a bad way to make a living (having already done some work as a movie extra). He went on to study in college at UCLA, eventually graduating in 1950 with a B.A. Honours Degree in theatre arts. He then served a brief apprenticeship as a carpenter, prop boy and set builder at San Diego's La Jolla Playhouse, where he was discovered by resident actor Gregory Peck and given a small part as a bellboy in the cast of the summer stock production of "Goddbye Again". A subsequent screen test led to a contract with MGM and resulting employment as second leads, brothers of the titular star, toughs and outlaws. His first proper recognition was being awarded 'New Star of the Year' by Golden Globe for his role in So Big (1953), a drama based on a Pulitzer prize-winning novel by Edna Ferber.
From the mid-1950's, the rangy, 6-foot-3 actor became much in-demand on TV, beginning with classic early anthology and western series, interspersed with occasional appearances on the big screen (notably, in The Longest Day (1962) and as Joan Crawford's lover/attorney Greg Savitt in Mommie Dearest (1981)). In addition to numerous guest roles, he was regularly featured in series like Gunsmoke (1955), Dallas (1978) (as Wes Parmalee, who believes himself to be lost Ewing patriarch Jock) and Murder, She Wrote (1984). Already from the mid-60's, he decided to pick his assignments more carefully. In order to shed his image as the perpetual bad guy, he had relocated his family to England to star as antique-dealer-cum-undercover intelligence agent John Mannering in BBC's The Baron (1966). He followed this by another starring role as the stoic, tough Lieutenant Dan 'Hondo' Harrelson in the short-lived ABC police drama series S.W.A.T. (1975), possibly his best-remembered role. Steve later lampooned his screen personae in the satirical Amazon Women on the Moon (1987).
In private life, Steve Forrest was known as a skilled golfer, lover of football and (according to 1970's newspaper articles) as a dedicated amateur beekeeper.- Actress
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Miyoshi Umeki was born as the youngest of 9 children. The daughter of a prominent Japanese iron factory owner, she developed an early passion for music, learning to play the mandolin, harmonica & piano. She also enjoyed singing American-styled tunes, much to the chagrin of her parents. This propensity for Americanized pop songs later paid off.
Although she projected the typical Japanese female stereotype of humbleness, delicacy & subservience in most of her prime film & stage roles, she was nevertheless an assertive scene-stealer. This docile & deceptive-looking talent w/ cropped hair as well as a heart-shaped face radiated charm in addition to innocence so effortlessly, she managed to make history at Academy Awards time as the 1st Asian actor to receive an acting Oscar for her superb work in the tragic post-WWII film drama Sayonara (1957).
Following World War II, she traveled w/ a U.S. Army G.I. jazz band in Japan as Nancy Umeki & was the 1st to record American songs for RCA Victor Japan. She became an extremely popular radio & nightclub artist, which sparked a move to the U.S. in 1955. Again, she demonstrated a demure prowess for gaining attention w/ her 1-season regular role (1955-1956) on the musical variety show Arthur Godfrey and His Friends (1949). W/ that popularity, she was able to sign w/ Mercury Records, eventually releasing 2 albums.
The timing couldn't have been more perfect. From this recognition, she was immediately cast in Sayonara (1957), which was based on James A. Michener's best-selling romantic tale. Inspired casting opposite comedian Red Buttons in a tragic, counterpoint romance as a World War II airman & his naive Japanese war bride who fall victim to post-war prejudice led to supporting Academy Awards for both actors. Despite her win, she would not make another film for 4 years.
Following her Oscar win, she starred on Broadway w/ the 1958 musical Flower Drum Song, in which she proved a highlight as a starry-eyed Chinese immigrant/mail-order bride w/ her captivating rendition of A Hundred Million Miracles, earning a Tony nomination in the process. She scored additional points after recreating her role for the film version of Flower Drum Song (1961).
In total, she made only 5 American films in all. Her other appearances were supporting roles in the naval comedy Cry for Happy (1961), The Horizontal Lieutenant (1962) & A Girl Named Tamiko (1962). She also tread fairly lightly on TV w/ random 60s appearances on The Donna Reed Show (1958), Dr. Kildare (1961), Rawhide (1959) & Mister Ed (1961), among others.
Duing the 50s & 60s, she was an occasional guest on variety shows for TV titans such as Perry Como, Dinah Shore, Merv Griffin, Andy Williams & Ed Sullivan. Arguably her biggest claim to fame was Mrs. Livingston in the heart-tugging TV comedy The Courtship of Eddie's Father (1969). Following this renewed attention, she went into a complete self-imposed retirement.
She lived a sedate family life for more than 3 decades. Her 1958 marriage to TV producer/director Win Opie ended in divorce after 9 years. She subsequently married TV director Randall Hood in 1968. They ran a business renting editing equipment to film studios & university film programs until his sudden death in Los Angeles in 1976. A longtime resident of North Hollywood, she eventually moved to Missouri w/ advancing age to be nearer to her son & his family. She died of cancer at age 78 on August 28, 2007 in Licking, Missouri.- Actor
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Of Greek descent on both sides, the son of immigrants, Savalas was a soldier during World War II, although most of his enlistment records were destroyed in a fire at the National Personnel Records Center in St. Louis, Missouri, in 1973. He later studied psychology at Columbia University under the GI Bill.
Iconically bald, he often played character roles, sometimes as sadists or psychotics. He became famous in the 1970s when his role as Det. Theo Kojak in the TV movie The Marcus-Nelson Murders (1973) was expanded into the gritty Kojak (1973) TV series (1973-78).- Actor
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With effortless class and elegant charm Gene Barry took '50s and '60s TV by storm, after a rather lackluster start on the musical stage and in films. Born Eugene Klass in New York City on June 14, 1919, to Martin (an amateur violinist), and Eva (an amateur singer), he showed a gift at an early age as a violin virtuoso, obviously inherited from his father. After attending various public schools, he graduated Valedictorian from New Utrecht High School in Brooklyn, New York.
Possessing an impressive baritone voice, he concentrated on singing after breaking his arm playing football in school ended any thoughts of a symphonic career. At age 17 he earned a singing scholarship awarded by David Sarnoff (the head of RCA at the time), to the Chatham Square School of Music, and studied there for two years. In the meantime Gene found work in nightclubs, choirs, fairs and emceeing variety shows, and briefly appeared on the vaudeville stage and on radio, winning a prize on Arthur Godfrey's "Talent Scouts" program.
The young actor made it to Broadway in 1942 with the musical "New Moon", and went on to appear in the 1944 Mae West vehicle "Catherine Was Great", where he met and subsequently married chorus girl Betty Barry, whose stage name was Julie Carson at the time. For the rest of the decade, Gene appeared in a random selection of plays and musicals, which did little to elevate his Broadway standing. Hollywood finally beckoned in the 1950's, after gaining some notice on the program "Hollywood Screen Test", and Paramount signed him to a contract.
Gene had stoic co-starring roles in such dramatic "B" films as The Atomic City (1952) (his debut movie), Those Redheads from Seattle (1953), and Alaska Seas (1954), none of which capitalized on his singing ability. The one movie in which he did sing, Red Garters (1954), did not fare well with the public. His most recognizable role during this period was as Dr. Clayton Forrester, a scientist who finds himself in the midst of a Martian invasion in the cult science-fiction classic The War of the Worlds (1953).
Television became his preferred medium after being offered the title role in Bat Masterson (1958), and he quickly established a very successful niche as a suave, dapper gentleman in this and other TV productions. Despite the elegant, globe-trotting typecast that befell him, his other TV characters proved just as well-received: jet-setting detective Amos Burke in Burke's Law (1963), for which he won a Golden Globe, and the impeccably dressed publishing tycoon Glenn Howard in The Name of the Game (1968). Gene revisited the stage and cabaret venues in the 1970's when his on-camera career hit a lull, appearing frequently with his wife as his leading lady.
The singer/actor made a triumphant return to Broadway in 1983, starring as a wealthy gay socialite in the musical version of the popular French film La Cage aux Folles (1978), earning him a Tony nomination - but he lost the award to his more flamboyant co-star George Hearn. After a year on Broadway, he joined the road company in San Francisco, and played Los Angeles for a lengthy run. Other musicals included "On a Clear Day You Can See Forever", "Watergate: The Musical" (as Nixon), "Fiddler on the Roof" (with his wife) and "No, No, Nanette". Gene also appeared in his one-man cabaret show entitled "Gene Barry in One" from time to time.
In later years he made only occasional TV and stage appearances (bringing back his famous characters Bat Masterson and Amos Burke, much to the enjoyment of his fans), preferring to indulge in his favorite hobby - painting. He made a very brief return to feature films, sharing a cameo scene with one-time co-star Ann Robinson in Steven Spielberg's epic remake of The War of the Worlds (2005), with both of them playing the Tom Cruise character's mother and father in-law.
Gene was a political activist, a passion he shared with his wife Betty, who died in 2003 after an almost 60 year marriage. The couple had two sons of their own, and later in life they adopted a daughter. Gene passed away on December 9, 2009 at the age of 90.- Actress
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Perky, talented, blue-eyed redhead Cara Williams had acting aspirations from the get-go. She was born in Brooklyn on June 29, 1925, as Bernice Kamiat, to an Austrian Jewish father, Benjamin Kamiat, and a mother of Romanian Jewish descent, Flora (Schwartz). Cara began performing as a child and continued into her teens. After her parents' divorce, she relocated with her mother to Hollywood where she attended the Hollywood Professional School and lent her voice to both radio and animated cartoon shorts. At age 16 she was signed by 20th Century-Fox and began to play minor, often unbilled parts in drama, comedy and musicals billing herself as Bernice Kay.
Throughout WWII she was always reliable for adding a little pep and zing to her smallish roles. She played various shapely secretaries, salesgirls, girlfriends, etc. in such minor fodder as Wide Open Town (1941), Happy Land (1943), In the Meantime, Darling (1944) and Don Juan Quilligan (1945), but nothing to propel her into the front ranks.
Things started picking up in the post-war years. She made a splash on stage in a production of "Born Yesterday" and started earning notably feisty, tart-tongued roles in such films as Boomerang! (1947) and The Saxon Charm (1948). By the 1950s she showed scene-stealing potential in The Girl Next Door (1953) and The Helen Morgan Story (1957), and finally earned an Academy Award nomination for her sad, touching supporting turn as a widowed mother in the classic The Defiant Ones (1958) opposite Sidney Poitier and Tony Curtis. This led to a couple of flashy gangster moll roles in the film comedies Never Steal Anything Small (1959) and The Man from the Diners' Club (1963).
The sitcom December Bride (1954) starring Spring Byington had deadpan quipster Harry Morgan stealing many scenes griping about scatterbrained wife Gladys (who was never shown on camera). When Morgan moved into his own spinoff series, Gladys was finally revealed in the form of Cara on the initially popular Pete and Gladys (1960) TV show. The program did not last as long as it deserved (two seasons) but the dusky-voiced Cara came off well and was escorted directly into her own series The Cara Williams Show (1964) with the equally personable Frank Aletter at her side. Molded at this time by the CBS powers-that-be as the next wacky redhead to follow in the comedy heels of Lucille Ball, the plans quickly went askew following an unfavorable network power shuffle and the canceling of her sitcom after only one season. With her momentum completely gone, her career went into rapid decline. She did manage a steady role on the first season of Rhoda (1974), and an affecting dramatic turn in the ensemble film soaper Doctors' Wives (1971). By the 1980s, however, she had officially retired.
A turbulent 1950s marriage to actor John Drew Barrymore (who later became the father of actress Drew in a subsequent marriage) produced son John Blyth Barrymore who went into acting as well and appeared in a bit role in his mother's last film The One Man Jury (1978). Cara subsequently married a Beverly Hills realtor (her third husband) and later displayed a strong business acumen in interior designing and as a champion poker player. She also had one child from her first marriage.- Born in Jamaica Hospital Medical Center (Queens, New York City) on April 15, 1940, the son of actors Robert Walker and Jennifer Jones, Robert Walker Jr. certainly had the right pedigree to make the grade in Hollywood. His parents separated when Robert was only three. Six years later, his mother married powerful film mogul David O. Selznick who by this time had already taken firm control of Jones's career.
Walker Jr. began training at the Actors' Studio in the early 1960s. He also married wife Ellie Wood in the early 1960s and they had three children. Walker Jr. preferred to find his own place in the entertainment field and tried to avoid the obvious comparisons, but his startling resemblance to his late father made it extremely difficult for film audiences to separate the two. He started his film career in good company and with two strong roles in The Hook (1963), a morality story set during the Korean war starring Kirk Douglas and Nick Adams, and The Ceremony (1963) in which he received a Golden Globe Award for "promising newcomer" as Laurence Harvey's brother. Walker Jr. also worked on TV and earned a Theatre World Award for his two 1964 off-Broadway roles in "I Knock at the Door" and "Pictures in the Hallway."
Of slight build and boyishly handsome, Robert Walker Jr. seemed on his way when he was handed the biggest challenge of his film career taking over Jack Lemmon's Oscar-winning role as Ensign Pulver (1964) in the sequel to the popular service comedy Mister Roberts (1955). Unfortunately, his comparison to Lemmon paled significantly and the script had neither the charm nor wit of its predecessor. The film and Walker were torpedoed by the reviewers and Walker lost major ground in Hollywood. Despite his obvious talent, his subsequent films lacked the quality and promise of his first two, which included The Happening (1967), The Savage Seven (1968), Killers Three (1968) and the title role in Young Billy Young (1969) starring Robert Mitchum. He and his wife Ellie appeared in roles in the hit cult film Easy Rider (1969).
Walker Jr. had guest roles in many popular television series from the 1960s through the early 1990s. In The Big Valley (1965) episode, "My Son, My Son" (aired November 3, 1965), Walker portrayed Evan Miles, an emotionally disturbed college dropout who becomes obsessed with childhood friend Audra Barkley. He played the title role and another emotionally disturbed character, a troubled actor who lived and performed on the streets and in circuses, in Naked City (1958) episode "Dust Devil on a Quiet Street" (aired November 28, 1962). He had a memorable role in Star Trek (1966) as "Charles 'Charlie' Evans" in the episode "Charlie X" (aired September 15, 1966). In addition, he played Billy the Kid in episode 22 of The Time Tunnel (1966), which originally aired on February 10, 1967. He portrayed Nick Baxter, an ill alien who caused the deaths of humans by touch, in the episode "Panic" in the television series The Invaders (1967) (aired April 11, 1967). He played Mark Cole in the October 29, 1967 episode of Bonanza (1959), titled "The Gentle Ones". He appeared in a pivotal role on the Columbo (1971) episode "Mind Over Mayhem" (1974) and in the 5th season of Combat! (1962) in the episode "Ollie Joe". His final television appearances were in the 1990s, in L.A. Law (1986), FBI: The Untold Stories (1991), Santa Barbara (1984), The New Lassie (1989), The New Adam-12 (1990), and In the Heat of the Night (1988). - Actress
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Rose Marie was a legend of show business, with a career stretching 90 years, since her debut as her self in a Vitaphone musical short that appeared on the bill with The Jazz Singer (1927) at its premiere in 1927. According to Rose Marie, when she approached Al Jolson at the Winter Garden Theater in New York on the night of the premiere that made movie history and told him, "You were wonderful, Mr. Jolson!", his reply was, "Get away, you little brat!"
"He didn't like kids," Rose Marie explained. Her first credited appearance was in another musical short, Baby Rose Marie the Child Wonder (1929) in 1929.
The legendary performer was born Rose Marie Mazetta on August 15, 1923 in New York City, the daughter of an Italian-American father, Frank Mazetta (known as Frank Curley), and Polish-American mother, Stella (Gluszcak). Blessed with a remarkable singing voice for a child that allowed her to belt out jazz songs in the "coon shouter" style of the 1920s (as exemplified by Sophie Tucker), she began performing when she was three years old as "Baby Rose Marie." By the time she was five, she had her own radio show on NBC, appearing after 'Amos and Andy' (1949)_, the most popular show in the country. Many people could not believe the voice they were hearing actually belonged to a child.
Baby Rose Marie made many appearances in films in the 1930s, most famously in International House (1933), a movie about television, the medium in which Rose Marie would win her everlasting fame. In addition to her film performances, Baby Rose Marie also appeared on records and performed in vaudeville as a headliner. One of the acts she appeared with was Edgar Bergen before his Charlie McCarthy ventriloquism act, when he was still a small-timer. A half century later, when she appeared on Murphy Brown (1988), she told star Candice Bergen, "I worked with your father in vaudeville when he was doing a doctor sketch."
When Bergen replied that she couldn't have played the nurse in the act as she was too young, Rose Marie told her that she was the headliner and he was her opening act. "She didn't care for that too much," Rose Marie remembered.
She also appeared in vaudeville with Dick Powell, Rudy Vallee and Jimmy Durante, who mentored her. She also entertained at the White House three separate times at the request of three presidents. They were Calvin Coolidge, Herbert Hoover and Franklin D. Roosevelt.
She transitioned to becoming a nightclub chanteuse as a teenager, playing all the big night clubs and hotels in New York, Chicago, Atlantic City, Las Vegas and Miami, Florida, usually in Mob-controlled venues. (Prominent mobsters, who called her "The Kid", liked her and protected her.) A young Milton Berle, whom she had known since she was a child, wrote some of her material, as did Morey Amsterdam, her future "Dick Van Dyke" co-star whom she knew since she was nine years old.
After the war she married trumpeter Bobby Guy of the Kay Kyser Orchestra, in 1946. She made her Broadway debut in 1951, co-starring with Phil Silvers in the hit show Top Banana (1954) (she also appeared in the 1954 film adaptation). Rose Marie also appeared on radio on "The Phil Harris - Alice Faye Show", playing the sister of Sheldon Leonard, who would later hire her for The Dick Van Dyke Show (1961) in his capacity as executive producer.
Rose Marie had a career resurgence as an actress in the 1960s, starring in three sitcoms during the decade: First, My Sister Eileen (1960) in the 1960-1961 season. Second: as comedy writer "Sally Rogers" on The Dick Van Dyke Show (1961) from 1961 to 1966, and on The Doris Day Show (1968) from 1969 to 1971. She also appeared frequently on The Hollywood Squares (Daytime) (1965). She was the center square at least once, and had a recurring role on Murphy Brown (1988) and Wings (1990). She appeared in a Remington Steele episode "Steele in the Spotlight (1986).
She also kept her singing career going, touring as part of the musical revue "4 Girls 4" from 1977 to 1981 with Rosemary Clooney, Helen O'Connell and Margaret Whiting. In her latter years, she continued to make occasional appearances.
She died on December 28, 2017 in Van Nuys, California, at 94 years old.- Actor
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Martin Ingerman was born on March 6, 1936 in New York City. He had an older brother named Arthur. He had a rough childhood and was often picked on. After he finished school, he went into the army. Later, he appeared in a couple of game shows and won. He wanted to be an actor so he went to California. He lived with another guy and actually ended up dating and eventually marrying his roommate's girlfriend.
Marty made a couple of movies, but made it big when he starred with John Astin in I'm Dickens, He's Fenster (1962). Soon after the show went off the air, he and his wife divorced.
He met and married Shirley Jones and became stepfather to Shaun, Ryan, and Patrick Cassidy, sons of Jones from her marriage to Jack Cassidy. He worked some, but Shirley was primarily the breadwinner. Eventually he started putting some money away and in a couple of years was able to accumulate over a million dollars. In 1999, he and Shirley separated for six months, but then got back together. They live in Encino, California, with three dogs.- Actor
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American leading man Stuart Maxwell Whitman was known for his rugged roles. He was born in San Francisco, California, the elder of two sons of Cecilia (Gold) and Joseph Whitman, a realtor. His mother was a Russian Jewish immigrant, while his paternal grandparents were Polish Jews. His family moved often. He graduated from high school in Los Angeles and spent three post-war years with the Army Corps of Engineers. In the army, he won 32 fights as a light-heavyweight boxer.
Upon his discharge from service, he attended Los Angeles City College, where his interest in acting emerged. He studied at the Los Angeles Academy of Dramatic Art and with Michael Chekhov and Ben Bard. He toured the U.S. in a stage company of "Here Comes Mr. Jordan" and began to get small roles in television and film. Eventually, his athleticism, his handsome features, and his talent for portraying either tough or vulnerable characters led him to a level of stardom. He earned an Academy Award nomination for his leading role of a child molester in The Mark (1961), and starred in the television series Cimarron Strip (1967). A shrewd investor, he amassed a substantial fortune while continuing his career even after its peak in the mid-Sixties.- Actor
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Legendary actor Ricardo Montalban was the epitome of Latin elegance, charm and grace on film and television and in the late 1940s and early 1950s reinvigorated the Rudolph Valentino / Ramon Novarro "Latin Lover" style in Hollywood without achieving top screen stardom. Moreover, unlike most minority actors of his time, he fought to upscale the Latin (particularly, Mexican) image in Hollywood. His noted militancy may have cost him a number of roles along the way, but he gained respect and a solid reputation as a mover and shaker within the acting community while providing wider-range opportunities for Spanish-speaking actors via Los Angeles theater.
He was born in Mexico City on November 25, 1920, the youngest of four children to Castilian Spanish immigrants, Ricarda Merino and Jenaro Montalbán. His father was a dry goods store owner. Montalbán moved to Los Angeles as a teen and lived with his much older brother Carlos Montalbán, who was then pursuing show business as both an actor and dancer. Ricardo attended Fairfax High School in Hollywood and was noticed in a student play but passed on a screen test that was offered. Instead, he traveled with his brother to New York, where he earned a bit part in the Tallulah Bankhead stage vehicle "Her Cardboard Lover" in 1940, and won subsequent roles in the plays "Our Betters" and "Private Affair".
Returning to Mexico to care for his extremely ill mother, his dark good looks and magnetic style helped propel him into the Spanish-language film industry. After nearly a dozen or so films, he was on the verge of stardom in Mexico when Metro-Goldwyn-Mayer took an interest in him and he relocated back to Los Angeles. Making his Hollywood leading debut as a robust bullfighter and twin brother of MGM star Esther Williams in the "B"-level musical Fiesta (1947), he attracted immediate attention. His second film with Williams, On an Island with You (1948), led to a contract with the studio, where he routinely ignited "Latin Lover" sparks opposite such prime female stars as Cyd Charisse, Shelley Winters, Anne Bancroft, Pier Angeli, Laraine Day and (once again) Esther Williams, this time in Neptune's Daughter (1949) (one of his MGM extravaganzas opposite gorgeous Lana Turner was actually called Latin Lovers (1953)). His strongest Hispanic competition in films at the time was Argentine-born fellow MGM player Fernando Lamas, who wound up eventually marrying Esther Williams after divorcing another MGM beauty, Arlene Dahl.
Although Montalban was the epitome of the "Latin lover" type, it actually damaged his cinematic career, pigeonholing him and hurting his momentum. He was seldom able to extricate himself from the usual portrayals of bandidos and gigolos, although he did manage to find an interesting film from time to time, such as his turn as a Mexican undercover policeman in the gritty Border Incident (1949), Mystery Street (1950), the classic war film Battleground (1949) and the hard-edged boxing drama Right Cross (1950). Occasionally, he was handed ethnic roles outside the Latino realm, such as his villainous Blackfoot Indian chief in Across the Wide Missouri (1951) starring Clark Gable, his heroic, bare-chested rebel warrior in the steamy Italian sword-and-sandals costumer The Queen of Babylon (1954) alongside Rhonda Fleming and his Japanese Kabuki actor in the Oscar-winning feature Sayonara (1957). It was during the filming of Across the Wide Missouri (1951) that he suffered a serious injury to his spine after he slipped and fell off a running horse, which resulted in a permanent limp.
Well established by this time, Montalban returned to the stage in 1954 with varied roles in such fare as "Can-Can", "The Inspector General", "South Pacific" and "Accent on Youth", before making his Broadway debut as Chico in the original musical "Seventh Heaven" (1955) with Gloria DeHaven, Kurt Kasznar and Bea Arthur. He then earned a Tony Award nomination as the only non-African-American actor in the tropical-themed musical "Jamaica" (1957) co-starring Lena Horne. He also toured as the title role in "Don Juan in Hell" in the 1960s, returning to Broadway with it in 1973 with Agnes Moorehead, Paul Henreid and Edward Mulhare, and touring once again with the show in 1991.
His strong work ethic and reservoir of talent enabled him to continue on television long after his exotic beefcake status in films had waned. He had married Loretta Young's half-sister Georgiana Young in 1944, and appeared on his sister-in-law's television series (The New Loretta Young Show (1962)) several times. He also showed up in a number of television dramatic anthologies (Playhouse 90 (1956) and Colgate Theatre (1958)) and made guest appearances on the popular series of the day, such as Death Valley Days (1952), Bonanza (1959), Burke's Law (1963), Dr. Kildare (1961), The Defenders (1961) and, more notably, a first-season episode of Star Trek (1966) in which he memorably portrayed galaxy arch-villain Khan Noonien Singh. He resurrected this character memorably in Star Trek II: The Wrath of Khan (1982).
Over the years, he continued to appear occasionally on the big screen, typically playing continental smoothies, in such films as Love Is a Ball (1963), Madame X (1966) and Sweet Charity (1969), but it was television that finally made him a household name. Montalban captivated audiences as the urbane, white-suited concierge of mystery Mr. Roarke in the Aaron Spelling series Fantasy Island (1977). He stayed with the series for six seasons, buoyed by his popular "odd couple" teaming with the late Hervé Villechaize, who played Mr. Roarke's diminutive sidekick, and fellow greeter, Tattoo. While it may have seemed a somewhat lightweight and undemanding role for the talented Montalban, it nevertheless became his signature character. The series faltered after Villechaize, who had become erratic and difficult on the set, was fired from the series in 1983. Corpulent Britisher Christopher Hewett, as Lawrence, replaced the Tattoo character but to little avail and the series was canceled one season later. The troubled Villechaize committed suicide on September 4, 1993.
An Emmy Award winner for his role in the miniseries How the West Was Won (1976) and a noteworthy villain in the Dynasty (1981) spin-off series The Colbys (1985), Montalban was also famous for a series of television commercials in which he returned somewhat to his "Latin lover" persona, primarily in a series of slick commercials for Chrysler's Cordoba automobile, pitching the elegant auto with its "rich, Corinthian leather" (it later came to light that this phrase had been conjured up as a marketing tool, and that there was no such product from Corinth or anywhere else!). As for film and television work in his later years, he good-naturedly spoofed his Hollywood image in a number of featured roles, including a hilarious send-up of himself in The Naked Gun: From the Files of Police Squad! (1988). Two of his final, larger-scaled film roles were as the grandfather in the two "Spy Kids" sequels: Spy Kids 2: Island of Lost Dreams (2002) and Spy Kids 3: Game Over (2003). His deep, soothing, confident tones could also be heard in animated features and television series.
Frustrated at Hollywood's portrayal of Mexicans, he helped to found, and gave great support, attention and distinction to, the image-building "Nosotros" organization, a Los Angeles theatre-based company designed for Latinos working in the industry. Nosotros and the Montalban foundation eventually bought the historic Doolittle Theater in Hollywood and renamed the theatre in his honor in 2004. It became the first major theater facility (1200 seats) in the United States to carry the name of a Latino performing artist. In 1980, along with Bob Thomas, he published his memoir, entitled "Reflections: A Life in Two Worlds".
A class act who was beloved in the industry for his gentle and caring nature, the long-term effects of his spinal injury eventually confined him to a wheelchair in his later years. He died in his Los Angeles home of complications from old age on January 14, 2009 at age 88. His wife having died on November 29, 2007, he was survived by their two daughters and two sons: Laura, Anita, Victor and Mark.- Originally named Shalom Jaffe, he became known to the world as Sam Jaffe. He was born in New York City, to Heida (Ada) and Barnett Jaffe, who were Russian Jewish immigrants. As a child, he appeared in Yiddish theatre productions with his mother, a prominent regional stage actress. He graduated from the City College of New York and then studied engineering at Columbia University graduate school. He began his career as a mathematics teacher in the Bronx. Around 1915 Jaffe joined the Washington Square Players. By 1918 he was no stranger to Broadway, having debuted in the original play Youth, and he appeared regularly through the 1920s, though less in the 1930s and only sporadically in the 1940s. He appeared in 21 plays on Broadway during his acting career, his final appearance in 1979.
Jaffe was a method actor before it was defined and early on sported his signature shock of curly hair that some people would later misinterpret as part of some Harpo Marx characterization. Jaffe was anything but. His acting talents were considerable, and Hollywood noticed him first for the unusual role of the mad Grand Duke Peter in Josef von Sternberg 's The Scarlet Empress (1934). Frightening in his rendition of Peter, he was dispatched by the always magnificent Marlene Dietrich.
Jaffe was no matinee idol but his homely features were made for unusual character roles. He did not disappoint in providing unforgettable performances. Frank Capra cast him as the mysterious High Lama in Lost Horizon (1937) (as last minute replacement; the actor originally cast had died). It would be another two years before Jaffe was once more called to Hollywood - he was back quite busy on Broadway. He appeared in George Stevens Gunga Din (1939) which sported big star names as well. Stevens gave Jaffe the lead, Gunga Din, native regimental bhisti (Hindi for water-carrier). It was probably Jaffe's most familiar film role. It was a standout part which Jaffe handled with great humanity, and the film was a huge hit.
Jaffe would not appear in another film for eight years. His second of two movies in 1947 was Elia Kazan 's powerful expose of anti-Semitism Gentleman's Agreement (1947) in which Jaffe played an Albert Einstein-like professor. Jaffe would play doctors of one sort or another in the handful of movies for the next few years. Then in 1950 he played a very different doctor - Doc Erwin Riedenschneider, criminal mastermind -- in John Huston's taut The Asphalt Jungle (1950). Jaffe would receive a nomination for a supporting actor Oscar for this effort. Of the three films he did in 1951, Jaffe also appeared in an another Einstein-like role in the Robert Wise sci-fi classic The Day the Earth Stood Still (1951).
Jaffe experienced the destructive anti-communist furor when his name was included on a listing of performers sympathetic to communism in the Red Channels pamphlet and like many, was blacklisted by the big Hollywood studios. He was considered essential by producer Julian Blaustein and Robert Wise to play Professor Jacob Barnhardt, and 20th Century Fox boss Darryl Zanuck (who had resisted much heat for Gentleman's Agreement (1947)) agreed. It was ironic that Einstein, veiled as the character Barnhardt, was a pacifist and being watched by the U.S. government at that time. There was some credence for rumors that Jaffe provided the calculus equations (mainly the gravitational force between bodies) on Barnhardt's blackboard - solved so easily by alien Michael Rennie.
Jaffe didn't appear on-screen for seven years due to the punitive effects of the blacklisting. In 1958, John Huston wanted him for his very original The Barbarian and the Geisha (1958) with John Wayne, and director William Wyler also came forward later to cast him as faithful servant Simonides in the blockbuster Ben-Hur (1959). From then on Jaffe was very busy, especially with episodic TV through the 1960s which included his own recurring role as Dr. Zorba in the very popular Ben Casey (1961) series. Jaffe also appeared with his lifelong best friend, screen icon Edward G. Robinson in the made-for-TV film The Old Man Who Cried Wolf (1970) . Jaffe remained active into the year of his passing, a thoroughly engaging and unique actor and human being who never pushed his views on anyone. - Bettye Ackerman was born on 28 February 1924 in Cottageville, South Carolina, USA. She was an actress, known for Ben Casey (1961), Studio One (1948) and Return to Peyton Place (1972). She was married to Sam Jaffe. She died on 1 November 2006 in Columbia, South Carolina, USA.
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Swinging teen idol Fabiano Anthony Forte, better known to his fans as Fabian, was born in Philadelphia, Pennsylvania in 1943, to a police officer. His father took ill and died when Fabian was young and the boy was forced to find work to help pay the family bills. With no experience but looks to die for, he was "discovered" one day by record promoters and artificially groomed for rock 'n' roll stardom. Given singing lessons and a complete visual makeover (including black pompadour and sexy V-neck sweaters), Fabian was marketed with a rebel image and snarling baritone unlike the other clean-cut heartthrobs of his heyday, Frankie Avalon and Bobby Rydell. After a couple of false starts, including one of his earliest singles entitled "Shivers", Fabian zoomed to stardom on the strength of Dick Clark's American American Bandstand (1952), later winning the Silver Award as "The Most Promising Male Vocalist of 1958".
From 1959-1960, Fabian recorded a number of "Top 10" hits, including "Tiger", "Hound Dog Man" and what would be his signature song, "Turn Me Loose". He was able to parlay his pop success into an acting career in the early 60s, coasting for awhile on his single name alone. Trained in acting by Sanford Meisner, some of his more notable film achievements include Hound-Dog Man (1959) (his movie debut), North to Alaska (1960) with John Wayne, High Time (1960) with Bing Crosby and the all-star war epic The Longest Day (1962). Most of his other films, however, were geared toward the young, finding himself entrapped in cheap-jack beach or biker films. The invasion of The Beatles in the mid-60s left Fabian and many of his contemporaries by the musical wayside. He continued to hang on and billed himself as Fabian Forte for a time in low-budget films, including A Bullet for Pretty Boy (1970) in which he played the notorious criminal "Pretty Boy Floyd". He also made frequent appearances on the traveling nostalgia revue circuit, courtesy of Dick Clark. In the 1990s, Fabian evolved into a minor TV, film and music producer. Married to his third wife Andrea Patrick, a one-time "Miss Pennsylvania" AND "Miss West Virginia" since 1998, he has two children from his first wife: Christian Forte, a screenwriter, and Julie Forte, an animator, born in 1969 and 1970, respectively.- Actress
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Patti Page was born Clara Ann Fowler in Oklahoma in 1927. She began her professional singing career at KTUL, a Tulsa radio station. Since the program was sponsored by Page Milk, she adopted the moniker Patti Page, and it stuck. Patti toured the US in the late 1940s with Jimmy Joy, and notably sang with the Benny Goodman band in Chicago. In 1950 she recorded "With My Eyes Wide Open I'm Dreaming", her first platinum-selling record. In 1951 her rendition of "The Tennessee Waltz" became the biggest hit of her career. It was #1 on the Billboard charts and stayed there for 30 weeks; over the years it would sell 10 million copies. Patti was the best-selling female vocalist of the 1950s, and was wildly popular all through the 1960s. She got national exposure on TV shows, appearing on such top-rated television programs as The Dean Martin Show (1965). In 1968 she recorded what some consider her signature song, "Have a Little Faith and Love Will Come to You." Patti continued to thrill fans for decades. In 1999 she received a Grammy for her "Live at Carnegie Hall" album, a compilation from her 50th-anniversary concert. Patti has millions of fans, and we can live by the words of her famous song: "Beyond the clouds the sky is always blue / Have a little faith and love will come to you."- Actor
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Dennis Weaver first became familiar to television audiences as Matt Dillon's assistant Chester Goode in Gunsmoke (1955). After playing the part for nine years, he moved on to star in his own series, Kentucky Jones (1964). However, the show failed to find mass appeal and was cancelled after just one season. Weaver had to wait another five years before finally emerging as a TV star in his own right. Beginning in 1971, he portrayed the titular Marshal Sam McCloud, a lawman from Taos, New Mexico, working in New York to learn the ways of policing in Manhattan's 27th Precinct under the auspices of a frequently apoplectic Chief of Detectives, Peter Clifford (J.D. Cannon). Accented in a slow Texan drawl (his regular catchphrase was "There you go..") and decked out with cowboy hat, lasso and sheepskin jacket, McCloud went about his tasks pretty much the same way he would have done out in the West -- often to the chagrin of his boss, nevertheless always apprehending the villain in the end (sometimes on horseback). His fractious relationship with Clifford provided much of the enjoyment inherent in the show. Weaver later recalled "McCloud was the kind of role I left Gunsmoke to get... I wanted to be a leading man instead of a second banana." Between 1971 and 1977, McCloud (1970) (based in part on the Clint Eastwood film Coogan's Bluff (1968)) was part of Universal's "Mystery Movie" which filled a slot at NBC with films lasting from 74 to 97 minutes (longer than your average TV episode) and which rotated several productions, the most important being Columbo (1971) (Peter Falk), Banacek (1972) (George Peppard), McMillan & Wife (1971) (Rock Hudson) and Hec Ramsey (1972) (Richard Boone).
Weaver hailed from Joplin, Missouri, where his father (who was of mixed English, Irish, Scottish, Cherokee, and Osage ancestry) worked for the local electric company. Young Dennis proved himself a gifted track and field athlete while studying for a degree in fine arts at the University of Oklahoma. During World War II, he served as a fighter pilot in the U.S. Navy. After the war, Weaver forsook sports for a career on the stage, undertaking further drama classes at the Actor's Studio in New York. One of his fellow alumni was actress Shelley Winters who later helped him to get into films. Following his Broadway debut in "Come Back, Little Sheba", Weaver found work in plays by Tennessee Williams off-Broadway and then made his movie debut at Universal in the western Horizons West (1952). He made several more pictures, mostly westerns, but was largely cast in minor roles. He languished in relative obscurity until he landed several guest spots on Jack Webb's Dragnet (1951). His career really took off with McCloud and with the Steven Spielberg-directed Duel (1971), a thriller made for the small screen (essentially a one-man show) in which a lone driver is menaced by a sinister petrol tanker driven by an unseen force. He later found other regular television work (Stone (1979), Emerald Point N.A.S. (1983) and Buck James (1987)), but none of these managed to recapture his earlier successes. In Lonesome Dove: The Series (1994), he was true to his colors, playing western hero Buffalo Bill Cody, a.k.a. Buffalo Bill.
Weaver served as President of the Screen Actors Guild from 1973 to 1975. He was in the forefront of environmental activism, a proponent of alternative energy and recycling (his Colorado home, called "Earthship", was primarily constructed from recycled tires and aluminium cans).- Actor
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Richard Allen Boone was born in Los Angeles, California, to Cecile Lillian (Beckerman) and Kirk Etna Boone, a wealthy corporate lawyer. His maternal grandparents were Russian Jewish immigrants, while his father was descended from a brother of frontiersmen Daniel Boone and Squire Boone.
Richard was a college student, boxer, painter and oil-field laborer before ending up in the U.S. Navy during World War II. After the war he used the G.I. Bill to study acting with the Actor's Studio in New York. Serious and methodical, Boone debuted on Broadway in the play "Medea". Other plays followed, as did occasional TV work. In 1950 20th Century-Fox signed him to a contract and he made his screen debut in Halls of Montezuma (1951), playing a Marine Corps officer. Tall and craggy, Boone was continually cast in a number of war and western movies. He also tackled roles such as Pontius Pilate in The Robe (1953) and a police detective in Vicki (1953). In 1954 he was cast as Dr. Konrad Styner in the pioneering medical series Medic (1954), which was a critical but not a ratings success. This role lasted for two years, though in the meantime, he continued to appear in westerns and war movies.
In 1957 he played Dr. Wright, who treats Elizabeth for her memory lapses, in Lizzie (1957). It was also in that year that Boone was cast in what is his best-known role, the cultured gunfighter Paladin in the highly regarded western series Have Gun - Will Travel (1957). Although a gun for hire, Paladin was usually a moral one, did the job and lived at the Hotel Carlton in San Francisco. Immensely popular, the show made Boone a star. The series lasted six years, and in addition to starring in it, Boone also directed some episodes. He still kept busy on the big screen during the series' run, appearing as Sam Houston in the John Wayne epic The Alamo (1960), and as a weary cavalry captain fighting Indians in A Thunder of Drums (1961). After Have Gun - Will Travel (1957) ended in 1963, Boone hosted a dramatic anthology series, The Richard Boone Show (1963), but it was not successful.
Boone moved to Hawaii for the next seven years. During this time he made a few Westerns, including the muscular Rio Conchos (1964), but he was largely absent from the screen. In the 1970s he moved to Florida, and resumed his film and TV career with a vengeance. In 1972 he again appeared on television in the Jack Webb-produced series Hec Ramsey (1972) (years before he had played a police captain in Webb's first "Dragnet" film, Dragnet (1954)). Based on a real man, Hec was a tough, grizzled old frontier sheriff at the turn of the 20th century who, late in life, has studied the newest scientific theories of crime detection. His new boss, a much younger man, doesn't always approve of Hec, his nonconformist style or his new methods. The series lasted for two years. Boone continued working until the end of the decade but died as a result of throat cancer in 1981.- Actor
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Brash, virile Italian-American lead and supporting "tough guy" Harry Guardino, with dark, wavy hair and a perpetual worried look on his craggy-looking mug, was born Harold Vincent Guardino on December 23, 1925, in Manhattan but raised as a Brooklynite. Serving with the U.S. Navy during World War II, he joined the Merchant Marine.
He would start out in the late 1940s in the school hard knocks, training in dramatic workshops and slumming for nearly half a decade in small, obscure 'tough guy' film bits in early '50s Universal and Columbia pictures including an orderly in the service comedy Up Front (1951); soldiers in both Sirocco (1951) and Purple Heart Diary (1951); and two Tony Curtis films where he was the star--(Son of Ali Baba (1952) and Flesh and Fury (1952)).
After making his Broadway debut in 1953 with a small cadet role in the play "End as a Man," Harry earned his first big break as the Broadway understudy to Ben Gazzara in the acclaimed drama "A Hatful of Rain." He later took over the role and then went on the national tour. Although it did little to elevate his bit part standing in Hollywood, he figured in more prominently on the smaller screen with parts on "I Led Three Lives," "The Millionaire," "Alfred Hitchcock Presents," "Suspect" and several TV anthologies.
Making a play for film once again, Harry received "second lead" status in the family comedy Houseboat (1958), stealing scenes from both stars Cary Grant and Sophia Loren. As Italianate truck driver/handyman Angelo, he earned a Golden Globe nomination for his hilarious supporting turn as the guy who sells Cary the titled boat after completely destroying their other home in a truck accident.
With and without a comic edge, Harry played several other guy-guy co-star types after this in such crime/war stories as Pork Chop Hill (1959), 5 Branded Women (1960), Hell Is for Heroes (1962), Madigan (1968), Dirty Harry (1971) and The Enforcer (1976), the last two pairing him up with Clint Eastwood as his beleaguered superior, Lt. Bressler. At one point, the New Yorker even played "Barabbas" in the classic biblical epic King of Kings (1961) and a scurrilous poacher in the Ivan Tors African adventure Rhino! (1964), just for a distinct change of pace and scenery.
Harry returned to the Broadway stage and was Tony nominated for the play "One More River" in 1960 despite its extremely short run. He would return again again to Broadway throughout the rest of the 1960's in "Natural Affection" (1963), the musical "Anyone Can Whistle," "The Rose Tattoo" (1966) and "The Seven Descents of Myrtle" (1968).
TV, he became more and more, however, the favorite medium of choice. Progressing to top guest parts in such TV programs as "Johnny Staccato," "Checkmate," "The Untouchables," "Dr. Kildare," "Route 66," "Naked City," "The Outer Limits," "Ben Casey," "The Virginian," "Twelve O'Clock High" and "Run for Your Life," Harry was given three short-run series to star or co-star in -- as an overly gregarious newsman in The Reporter (1964); the title government agent Monty Nash (1971); and the perpetually losing district attorney "Hamilton Burger" in The New Perry Mason (1973) revival.
Harry co-starred in dozens of TV projects as a scruffy, hard-nosed, street-smart cop or detective. These included the TV movie The Lonely Profession (1969), plus the shows "McCloud," "The Name of the Game," "Get Christie Love!," "Kojak," "Police Story," "Fantasy Island," "The Sophisticated Gents" and "Murder, She Wrote." He also enjoyed an unlikely outlet in musical theatre in later years, co-starring in the Broadway production of "Woman of the Year" (1981) opposite and as Billy Flynn in stock production of "Chicago."
Harry died of lung cancer on in 1995 at age 69, and was survived by his third wife and four children from various marriages.- Music Department
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German-American pianist, composer, arranger and conductor André George Previn (born Andreas Ludwig Priwin, in Berlin) was for eight decades a hugely influential and prolific figure in jazz, as well as classical and film music. Being Jewish, Previn's family was forced to leave Hitler's Germany in 1939. Hollywood naturally beckoned, since André's grand uncle (Charles Previn) was already well established as musical director at Universal (1936-42). Child prodigy André recorded his first piano jazz album at the age of sixteen while continuing studies at Beverly Hills High School.
He joined MGM at age 17 in 1946 (initially as an uncredited music supervisor/arranger), later as orchestra conductor and still later as a composer of film scores. He remained under contract at the studio until 1960. During his tenure in Hollywood, he was nominated for eleven Academy Awards, winning four (all for Best Adapted Score: Gigi (1958), Porgy and Bess (1959), Irma la Douce (1963), and My Fair Lady (1964)). In the 1950s, he recorded several acclaimed jazz albums with drummer Shelly Manne and pianist Russ Freeman, featuring excellent tracks like "Who's on First" and "Strike Out the Band". He began conducting with the St. Louis Symphony in 1961 while still working primarily as a jazz and studio musician. Much of his recorded work consisted of show tunes adapted for jazz. Gradually, his interest in classical music won out.
By the late 1960s, Previn had settled in England and in 1968 was made principal conductor of the London Symphony Orchestra, a position he occupied for eleven years. His popularity led to cameo TV appearances (including a famous sketch for the 1971 Christmas special of the The Morecambe & Wise Show (1968), in which he appeared as "Mr. Andrew Preview") and television advertising (Vauxhall, Ferguson TX portable television etc.). From 1985 to 1989, he was musical director of the Los Angeles Philharmonic as well as with the Royal Philharmonic (1985-88, subsequently also principal conductor, from 1988-91).
In 1993, he was appointed conductor laureate of the London Symphony and three years later was made an Honorary Knight Commander of the Order of the British Empire for services to music. He won 10 Grammy Awards (including two for jazz and two for film music) and was nominated for six Emmys. Previn latterly returned to recording jazz albums with, among others, Ella Fitzgerald (1983), Joe Pass & Ray Brown (1989), and Kiri Te Kanawa (1992). Two excellent tribute albums released, respectively in 1998 and 2000 for Deutsche Grammophon, were 'We Got Rhythm: A Gershwin Songbook' and 'We Got it Good: An Ellington Songbook'.
Married (and divorced) five times, his ex-wives included Dory Previn and Mia Farrow. Previn died in New York on February 28, 2019, aged 89.- Actor
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Born in Decatur, Alabama and christened Dean Carroll Jones, the actor's father worked for a railroad company and the family moved often, living in Washington, DC, Nashville, and New Orleans. "It was in New Orleans I really learned how to sing", Jones told the Pittsburgh Press in 1969. Dropping out of school at 15, he worked for a short time singing in a club in that city, but when the club closed, he returned to Decatur and got his degree but Jones had gotten the show business bug.
After serving in the U.S. Navy during the Korean War, Jones got a job acting in a melodrama at Knott's Berry Farm. He was spotted by veteran composer Vernon Duke, who was planning a musical. The musical project fell through, but Duke enabled Jones an audition with Arthur Freed, the famous producer of MGM feature film musicals such as "Singin' In the Rain". It did not go as planned. "He's an actor, not singer!", Freed exclaimed as related by Jones in a 1966 L.A. Times interview.
Still, the studio signed Jones, and in his first credited role, he found himself acting opposite James Cagney in the 1956 drama "These Wilder Years." The veteran actor helped him through their scene. "There I was, just out of the U.S. Navy without an acting lesson to my name," Jones told the Christianity Today. "In walks Cagney and says, 'Walk to your mark and remember your lines.' That's all I've been doing for 50 years."
Jones had mostly small roles of a far grittier nature than his later Disney fare. "I played drug addicts, pimps, hard-cased killers, ex-cons and angry young men," he told The Times in 1995. And he reveled in the movie life. In a 2007 interview with the Pantagraph newspaper in Bloomington, Illinois, he recalled being on the MGM Culver City studio back-lot, with "Liz Taylor yelling, 'Hey Dean-O, let's go down to Stage 22 and watch Bing and Frank sing!'" Jones would appear with Elvis Presley in 1957 in "Jailhouse Rock".
He made his debut on Broadway in 1960 opposite Jane Fonda in "There Was a Little Girl", which flopped. Jones went on to the more successful "Under the Yum-Yum Tree" later that same year. He appeared in the title role of the Disney television series "Ensign O'Toole", a military comedy, which debuted in 1962 on NBC on Sunday evenings. The show was followed by Disney's anthology television show, so Disney caught the end of some episodes of Jones series, and liked what he saw.
Beginning in 1965 with "That Darn Cat!", Jones became closely identified with Disney family fare. In addition to the "Love Bug" and "The Ugly Dachshund", he was the leading man in "Monkeys, Go Home", "The Horse in the Gray Flannel Suit", "The Million Dollar Duck", "The Shaggy D.A.", "Herbie Goes to Monte Carlo", and other Disney feature films.
But in the late 1960s and early 1970s, he was leading an off-screen life contrary to his wholesome image. He had numerous affairs and was drinking heavily. "I had thought if I became a star I'd be happy," he said in a 1976 L.A. Times interview. "I had thought if I had a fairly large amount of money I'd be happy. I thought if I had a house on a hill I'd be happy. I thought if I had a Ferrari I'd be happy. One goal after another was accomplished. And with no fulfillment." Jones was able to keep his torment largely separated from his work life. Even the head of the studio was fooled. "I remember having lunch with Walt one day, and he told me, 'Dean, you're a perfect fit for these pictures. You're such a good family man!'" Jones told the Pantagraph. "I wasn't a good family man", Jones acknowledged. "I was showing up at home smelling of perfume that wasn't my wife's".
Jones' first marriage to Mae Inez Entwisle ended in divorce in 1970. They had two daughters. He was married to actress Lory Patrick from 1973 until his death in 2015. Lory had a son, Michael Patrick, whom Jones adopted.- Actor
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Craggy-faced, dependable star character actor Van Heflin never quite made the Hollywood "A" list, but made up for what he lacked in appearance with hard work, charisma and solid acting performances. He was born Emmett Evan Heflin in Oklahoma in December 1908, the son of Fanny Bleecker (Shippey) and Emmett Evan Heflin, a dental surgeon. When his parents separated his brother and sister stayed with his mother, while he was farmed out to his grandmother in California. He was never quite settled and his restless spirit led him to ship out on a tramp steamer after graduating from school. After a year at sea he studied for a law degree at the University of Oklahoma, but after two years he decided he had enough and went back to sailing the Pacific. When he returned he decided to try his hand at acting and enrolled at the prestigious Yale School of Drama. His first foray into theatre was the comedy "Mister Moneypenny" (1928) (credited as "Evan Heflin"). It was indifferently received and Van went back to sea, this time for three years. In 1934 he returned to the stage in the plays "The Bride of Torozko" and "The Night Remembers", both outright disasters.
His big break came in 1936, when he landed a good leading role as a radical leftist at odds with the established elite in the S.N. Behrman comedy of manners, "End of Summer" at the Guild Theatre. Critic Brooks Atkinson, praising the play and the actors, commended the "sparkling dialogue" and "fluent and sunny performance" (New York Times, February 18 1936). Katharine Hepburn, who saw him on stage, then persuaded Van to take a swing at film acting and finagled a role for him alongside her in the Pandro S. Berman production A Woman Rebels (1936). Van spent a year at RKO in forgettable films, with roles ranging from a reverend in The Outcasts of Poker Flat (1937) to a top-billed part as a burnt-out quarterback in Saturday's Heroes (1937). By 1939 Van was back on stage, rather more successfully, in "The Philadelphia Story" at the Shubert Theatre. The hit play, which also starred Vera Allen, Shirley Booth and Joseph Cotten, ran for 417 performances, closing in March 1940. That same year he appeared for Warner Brothers in the entertaining but historically inaccurate western Santa Fe Trail (1940), Bosley Crowther describing his performance, above other cast members, as containing "the sharpest punch" (New York Times, December 21 1940).
On the strength of these performances, Van was signed to a contract at MGM, where he remained for eight years (1941-49). His tenure was interrupted only by two years of wartime service as a combat photographer with the U.S. 9th Air Force, First Motion Picture Unit, which produced training and morale-boosting short films. Back at MGM, his third assignment at the studio, Johnny Eager (1941), had proved an excellent showcase for his acting skills. He played Jeff Hartnett, right-hand man of the titular crime figure (Robert Taylor), a complex, sardonic character, at once loyal soldier yet abjectly self-loathing. For his role as the heavy-drinking, Shakespeare-quoting mobster with a conscience, Van got the Academy Award as Best Supporting Actor in 1942. He was immediately cast in the leading role as a forensically-minded detective in Kid Glove Killer (1942), a film which marked the debut of Fred Zinnemann as a feature director. This was in turn followed by another B-movie whodunit, Grand Central Murder (1942).
The prestigious--but not always accurate--historical drama Tennessee Johnson (1942) saw Van playing Andrew Johnson, the 17th US president. While the film was a critical success, it did less well at the box office. The New York Times commented on the "sincerity and strength" of his performance, adding "Mr. Heflin, in a full-bodied, carefully delineated portrait of a passionate man, gives decisive proof that his talents have thus far been haphazardly used" (January 13, 1943). In between wartime service and two musicals, Presenting Lily Mars (1943) and the Jerome Kern biopic Till the Clouds Roll By (1946), Van appeared in the excellent film noir The Strange Love of Martha Ivers (1946) with Barbara Stanwyck (as the inevitable femme fatale) and Kirk Douglas (as an alcoholic district attorney). As the sympathetic gambler Sam who returns to his home town, ostensibly to expose the dirty secrets of the main protagonists, Van had more on-screen time than his illustrious co-stars and some good lines to boot. Van put his tough-guy screen persona to good use in enacting Raymond Chandler's wisecracking gumshoe Philip Marlowe on NBC radio from June 1947, with 19 real-life Los Angeles detectives among the live audience.
During the next few years the versatile Heflin dealt capably with a wide variety of assignments. He appeared as a jilted lover in the expensively-produced costume drama Green Dolphin Street (1947); he was Athos, one of The Three Musketeers (1948) and an ex-GI on the trail of a psychopathic prison camp informer in Fred Zinnemann's Act of Violence (1948); poignant as the unloved Monsieur Bovary in Madame Bovary (1949); an ex-cop in love with a high-flying socialite in the melodrama East Side, West Side (1949); and a cop whose affair with a married woman leads to a plot to kill her husband in The Prowler (1951).
The 1950s saw Van's progression from leading man to star character actor. Having left MGM in 1949, he was signed in this capacity to several short-term contracts by Universal (1951-54), 20th Century Fox (1954), Columbia (1957-59) and Paramount (1959-60). Apart from the big-business drama Patterns (1956), he is best remembered in this decade for his portrayal of western characters with integrity and singularity of purpose: as the struggling homesteader at the mercy of a ruthless cattle baron who befriends Shane (1953); the desperate, single-minded rancher trying to get a captured outlaw on the 3:10 to Yuma (1957); and the tough, uncompromisingly stern father forced to kill his errant son in Gunman's Walk (1958).
With the possible exception of his sympathetic German captain of a World War II surface raider in the offbeat international co-production Under Ten Flags (1960) (aka "Under Ten Flags"), Heflin had few roles of note in the 1960s. He appeared in the calamitous flop The Greatest Story Ever Told (1965) and the equally disastrous Stagecoach (1966) remake. One of his last performances was as the deranged bomber in Airport (1970). His final curtain call on stage was as Robert Sloane in "A Case of Libel" (1963-64) on Broadway.
Unlike many of his peers, Van shunned the limelight and was never a part of the Hollywood glamour set. A well-liked, introspective and talented performer, he died of a heart attack in July 1971, aged just 62.- Actor
- Soundtrack
An exceptionally handsome and charismatic performer with a serene baritone voice, Guy Williams was born Armand Joseph Catalano (nicknamed "Armando" by his family) of Italian parentage in New York City on January 14, 1924. The elder child of an insurance broker (he had a younger sister, Valerie), he was raised in the Washington Heights area. Attending Peekskill Military Academy during his formative years, he originally broke into the entertainment field as a male fashion model. Guy subsequently joined New York's Neighborhood Playhouse, which led to such TV assignments as Studio One (1948), and he debuted in films with a featured role as the bombardier on the Enola Gay in the feature film The Beginning or the End (1947), the story about the first US-deployed atom bomb.
In 1952 he was given a screen test and signed by Universal Pictures. As tall, dark and athletic (6'3", 190 lb.) in Hollywood nearly always fits the bill, the highly photogenic Williams began paying his dues in unbilled bits in such standard movies as Back at the Front (1952), All I Desire (1953), The Golden Blade (1953) and Take Me to Town (1953). When he did manage to receive billing, he was rather benignly used: Bonzo Goes to College (1952) (sequel to Ronald Reagan's cult classic Bedtime for Bonzo (1951)), The Mississippi Gambler (1953) with Tyrone Power and The Man from the Alamo (1953) with Glenn Ford.
Guy eventually left Universal and freelanced in films, which would include a minor role as a cop in the cult horror classic I Was a Teenage Werewolf (1957) starring Michael Landon, and also added scattered TV appearances (Highway Patrol (1955), The Lone Ranger (1949)) to his resumé. Nothing, however, of major significance happened until Walt Disney came into the picture. His signing at age 33 to play Don Diego de la Vega, aka Zorro (1957), thrust Guy immediately into the celebrity limelight. His dashing good looks, eloquence and charm had female hearts fluttering, while the male audiences admired his fencing dexterity and effortless ladies'-man appeal. The Disney series was so popular that certain episodes were culled together and released into two feature films: The Sign of Zorro (1958) and Zorro, the Avenger (1959).
Further propelled by Disney with his captivating role in The Prince and the Pauper: The Pauper King (1962), Guy was handed fully-bearded heroes to play in a couple of fantasy film adventures, portraying Damon in the costumer Damon and Pythias (1962) a/k/a "Damon and Pythias", and the title role in Captain Sindbad (1963), an MGM attraction. In 1964 he reunited with "Teen Werewolf" Michael Landon when he arrived on the Bonanza (1959) set to play cousin Will Cartwright for a few episodes.
The cult science fiction series Lost in Space (1965) would be Guy's last hurrah in show business. Although overshadowed extensively by the nefariously campy antics of Jonathan Harris' Dr. Smith character, Guy nevertheless provided a necessary strong anchor to the family show, which included June Lockhart as the silver-suited wife and mother of his three intergalactic offspring. Battling aliens and the forces of nature, the show's popularity went stratospheric at first. However, much like Batman (1966), it faded very quickly and ended up having a short life--three seasons.
When Guy first visited Argentina in 1973 he was quite taken by the signs of admiration and fascination the Argentines expressed for him and his signature character of "El Zorro." In turn Guy fell in love with the people and culture of Argentina. Eventually he retired, except for personal appearances, to Recoleta in the 1970s, an upscale neighborhood of Buenos Aires. He died there of a brain aneurysm at the age of 65 on April 30, 1989. Long married (since 1948) to Janice Cooper, he was survived by their two children.- Actor
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- Director
George Montgomery was boxing champion at the University of Montana where he majored in architecture and interior design. Dropping out a year later he decided to take up boxing more seriously. He moved to California where he was coached by ex-heavyweight world champion James J. Jeffries. While in Hollywood, he came to the attention of the studios (not least, because he was an expert rider) and was hired as a stuntman in 1935. After doing this for four years, George was offered a contract at 20th Century Fox in 1939, but found himself largely confined to leads in B-westerns. He did not secure a part in anything even remotely like a prestige picture until his co-starring role in Roxie Hart (1942), opposite Ginger Rogers. Next, in Orchestra Wives (1942), he played the perfunctory love interest for Ann Rutherford, though both, inevitably, ended up playing second trombone to Glenn Miller and His Orchestra.
In 1947, George got his first serious break, being cast as Raymond Chandler's private eye Philip Marlowe in The Brasher Doubloon (1947). Reviewers, however, compared his performance unfavorably with that of Humphrey Bogart and found the film "pallid" overall. So it was back in the saddle for George. Unable to shake his image as a cowboy actor he starred in scores of films with titles like Belle Starr's Daughter (1948), Dakota Lil (1950), Jack McCall, Desperado (1953), and Masterson of Kansas (1954) at Columbia, and for producer Edward Small at United Artists. When not cleaning up the Wild West with his six-shooter, he branched out into adventure films set in exotic locales (notably as Harry Quartermain in Watusi (1959)). During the 60s, he also wrote, directed and starred in several long-forgotten, low-budget wartime potboilers made in the Philippines.
At the height of his popularity, George attracted as much publicity for his acting as for his liaisons with glamorous stars, like Ginger Rogers, Hedy Lamarr (to whom he was briefly engaged) and singer Dinah Shore (whom he married in 1943). After his retirement from the film business, he devoted himself to his love of painting, furniture-making and sculpting bronze busts, including one of his close friend Ronald Reagan.- Actress
- Writer
- Producer
Shirley MacLaine was born Shirley MacLean Beaty in Richmond, Virginia. Her mother, Kathlyn Corinne (MacLean), was a drama teacher from Nova Scotia, Canada, and her father, Ira Owens Beaty, a professor of psychology and real estate agent, was from Virginia. Her brother, Warren Beatty, was born on March 30, 1937. Her ancestry includes English and Scottish.
Shirley was the tallest in her ballet classes at the Washington School of Ballet. Just after she graduated from Washington-Lee High School, she packed her bags and headed for New York. While auditioning for Richard Rodgers and Oscar Hammerstein II's "Me and Juliet", the producer kept mispronouncing her name. She then changed her name from Shirley MacLean Beaty to Shirley MacLaine. She later had a role in "The Pajama Game", as a member of the chorus and understudy to Carol Haney. A few months into the run, Shirley was going to leave the show for the lead role in "Can-Can" but ended up filling in for Haney, who had broken her ankle and could not perform. She would fill in for Carol, again, three months later, following another injury, the very night that movie producer Hal B. Wallis was in the audience. Wallis signed MacLaine to a five-year contract to Paramount Pictures. Three months later, she was off to shoot The Trouble with Harry (1955). She then took roles in Hot Spell (1958) and Around the World in 80 Days (1956), completed not too long before her daughter, Sachi Parker (born Stephanie), was born. With Shirley's career on track, she played one of her most challenging roles: "Ginny Moorhead" in Some Came Running (1958), for which she received her first Academy Award nomination for Best Actress. She went on to do The Sheepman (1958) and The Matchmaker (1958). In 1960, she got her second Academy Award nomination for The Apartment (1960). Three years later, she received a third nomination for Irma la Douce (1963). In 1969, she brought her friend Bob Fosse from Broadway to direct her in Sweet Charity (1969), from which she got her "signature" song, "If My Friends Could See Me Now". After a five-year hiatus, Shirley made a documentary on China called The Other Half of the Sky: A China Memoir (1975), for which she received an Oscar nomination for best documentary.
In 1977, she got her fourth Best Actress Oscar nomination for The Turning Point (1977). In 1979, she worked with Peter Sellers in Being There (1979), made shortly before his death. After 20 years in the film industry, she finally took home the Best Actress Oscar for Terms of Endearment (1983). After a five-year hiatus, Shirley made Madame Sousatzka (1988), a critical and financial hit that took top prize at the Venice Film Festival. In 1989, she starred with Dolly Parton, Sally Field and Julia Roberts in Steel Magnolias (1989). She received rave reviews playing Meryl Streep's mother in Postcards from the Edge (1990) and for Guarding Tess (1994). In 1996, she reprised her role from "Terms of Endearment" as "Aurora Greenway" in The Evening Star (1996), which didn't repeat its predecessor's success at the box office. In mid-1998, she directed Bruno (2000), which starred Alex D. Linz. In February 2001, Shirley worked with close friends once again in These Old Broads (2001), and co-starred with Julia Stiles in Carolina (2003) and with Kirstie Alley in Salem Witch Trials (2002).
MacLaine as her own website which includes her own radio show and interviews, the Encounter Board, and Independent Expression, a members-only section of the site. In the past few years, Shirley starred in a CBS miniseries based on the life of cosmetics queen Mary Kay Ash--Hell on Heels: The Battle of Mary Kay (2002), and wrote two more books, "The Camino" in 2001, and "Out On A Leash" in 2003. After taking a slight hiatus from motion pictures, Shirley returned with roles in the movies that were small, but wonderfully scene-stealing: Bewitched (2005) with Nicole Kidman and Will Ferrell, In Her Shoes (2005) with Cameron Diaz and Toni Collette, in which Shirley was nominated for a Golden Globe in the best supporting actress category, and Rumor Has It... (2005) with Jennifer Aniston and Kevin Costner. Shirley completed filming of Closing the Ring (2007), directed by Sir Richard Attenborough, in 2007. Her latest book is entitled "Sage-ing While Ag-ing"; Shirley's latest film is Valentine's Day (2010), which debuted in theaters on February 12, 2010.- Actress
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Her father was a butcher. In 1913 she met and married matinée idol DeWolf Hopper Sr. and in 1915 they moved to Hollywood, where both began active film careers. He became a star with Triangle Company, she began in vamp parts and turned to supporting roles. After her divorce she appeared in dozens of films, becoming known as "Queen of the Quickies". In 1936 she started a gossipy radio show and two years later commenced a 28-year stint as a newspaper gossip columnist, rival of Louella Parsons. In her last films she mostly played herself, a tribute to her influence in Hollywood. Her son became famous as investigator Paul Drake in the Perry Mason (1957) series.- Producer
- Additional Crew
- Actor
Gary Morton was a comedian who worked the famed "Borscht Belt" of resorts in the Catskills Mountains. Never as talented nor as renowned as such fellow Borscht Belt comics like Milton Berle, whom he caricatured in one of his few film roles in Lenny (1974), Morton nonetheless was personally popular among his fellow performers. Due to his personable nature, Morton made a living as the opening act for many major artistes, including Tony Bennett.
Morton met his future wife Lucille Ball while headlining at New York's Copacabana night club in 1960, when he went on a blind date with the famous redhead, who had recently divorced Desi Arnaz. Morton's indifference to Lucy's celebrity at first infuriated her but, eventually, she was won over by Morton's charm and married him within a year.
Morton gave up his nightclub career after marrying Lucy, at her request, and became a producer of her television shows. Morton also served as a warm-up comic for The Lucy Show (1962)'s live audience, content with his role as "Mr. Lucille Ball".- Dede Ball was born on 21 September 1892 in Jamestown, New York, USA. She was an actress, known for Here's Lucy (1968), The Carol Burnett Show (1967) and The Merv Griffin Show (1962). She was married to Peterson, Edward and Ball, Henry. She died on 20 July 1977 in Los Angeles, California, USA.
- Additional Crew
Rupert Allan was born on 25 October 1912 in St. Louis, Missouri, USA. He is known for Hollywood Uncensored (1987), Hollywood Greats (1977) and Cary Grant: A Celebration of a Leading Man (1988). He died on 24 August 1991.- Actress
- Soundtrack
An incredible piece of 1960s eye candy, Jill St. John absolutely smoldered on the big screen, a trendy presence in lightweight comedy, spirited adventure and spy intrigue who appeared alongside some of Hollywood's most handsome male specimens. Although she was seldom called upon to do much more than frolic in the sun and playfully taunt and tempt as needed, this tangerine-topped stunner managed to do her job very, very well. A remarkably bright woman in real life, she was smart enough to play the Hollywood game to her advantage and did so for nearly two decades before looking elsewhere for fun and contentment.
Jill St. John was actually born Jill Oppenheim in 1940 in Los Angeles. On stage and radio from age five, she was pretty much prodded by a typical stage mother. Making her TV debut in The Christmas Carol (1949), Jill began blossoming and attracting the right kind of attention in her late teens. She signed with Universal Pictures at age 16 and made her film debut as a perky support in Summer Love (1958) starring then-hot John Saxon. Moving ahead, she filled the bill as a slightly dingy love interest in such innocuous fun as The Remarkable Mr. Pennypacker (1959), Holiday for Lovers (1959), Who's Been Sleeping in My Bed? (1963), Who's Minding the Store? (1963) and Honeymoon Hotel (1964).
Whether the extremely photogenic Jill had talent (and she did!) or not never seemed to be a fundamental issue with casting agents. By the late '60s she had matured into a classy, ravishing redhead who not only came equipped with a knockout figure but some sly, suggestive one-liners as well that had her male co-stars (and audiences) more than interested. She skillfully traded sexy quips with Anthony Franciosa in the engaging TV pilot to the hit series The Name of the Game (1968) and scored a major coup as the ever-tantalizing Tiffany Case, a ripe and ready Bond girl, in Diamonds Are Forever (1971) opposite Sean Connery's popular "007" character. She also co-starred with Bob Hope in the dismal Eight on the Lam (1967), but the connection allowed her to be included in a number of the comedian's NBC specials over the years. A part of Frank Sinatra's "in" crowd, she worked with him on both Come Blow Your Horn (1963) and Tony Rome (1967).
On camera, Jill's glossy femme fatales had a delightfully brazen, tongue-in-cheek quality to them. Off-camera, she lived the life of a jet-setter and was known for her romantic excursions with such eligibles as Jack Nicholson, David Frost, Joe Namath, Bill Hudson, Roman Polanski and even Henry Kissinger. Of her four marriages, which included laundry heir Neil Dubin, the late sports car racer Lance Reventlow, son of Woolworth heiress Barbara Hutton, and easy-listening crooner Jack Jones, she seems to have found her soulmate in present husband Robert Wagner, whom she married in 1990 after an eight-year courtship. Jill first met Wagner when they were both just beginning their careers as contract players at 20th Century Fox. The couple share credits on several productions, notably Banning (1967) as well as the top-tier TV movies How I Spent My Summer Vacation (1967) and Around the World in 80 Days (1989).
Abandoning acting out of boredom, she has returned only on rare occasions. She played against type as a crazed warden in the prison drama The Concrete Jungle (1982) and has had some fun cameos alongside Wagner both on film (The Player (1992)) and even TV (Seinfeld (1989)). In the late 1990s they started touring together in A.R. Gurney's popular two-person stage reading of "Love Letters." Jill's lifelong passion for cooking (her parents were restaurateurs) has turned profitable over the years. She has written a cookbook and appeared as a TV chef and "in-house" cooking expert on Good Morning America (1975). She also served as a food columnist for the USA Weekend newspaper. On the philanthropic front, she is founder of the Aunts Club, a Rancho Mirage-based group of special women who contribute at least $1,000 per year to provide financial support for a child.
She was glimpsed more recently in the films The Calling (2002) and The Trip (2002) and she and Wagner had small roles as Santa and Mrs. Claus in the TV movie Northpole (2014). The Wagners make their home in Aspen.- Music Artist
- Actor
- Producer
Frank Sinatra was born in Hoboken, New Jersey, to Italian immigrants Natalina Della (Garaventa), from Northern Italy, and Saverio Antonino Martino Sinatra, a Sicilian boxer, fireman, and bar owner. Growing up on the gritty streets of Hoboken made Sinatra determined to work hard to get ahead. Starting out as a saloon singer in musty little dives (he carried his own P.A. system), he eventually got work as a band singer, first with The Hoboken Four, then with Harry James and then Tommy Dorsey. With the help of George Evans (Sinatra's genius press agent), his image was shaped into that of a street thug and punk who was saved by his first wife, Nancy Barbato Sinatra. In 1942 he started his solo career, instantly finding fame as the king of the bobbysoxers--the young women and girls who were his fans--and becoming the most popular singer of the era among teenage music fans. About that time his film career was also starting in earnest, and after appearances in a few small films, he struck box-office gold with a lead role in Anchors Aweigh (1945) with Gene Kelly, a Best Picture nominee at the 1946 Academy Awards. Sinatra was awarded a special Oscar for his part in a short film that spoke out against intolerance, The House I Live In (1945). His career on a high, Sinatra went from strength to strength on record, stage and screen, peaking in 1949, once again with Gene Kelly, in the MGM musical On the Town (1949) and Take Me Out to the Ball Game (1949). A controversial public affair with screen siren Ava Gardner broke up his marriage to Nancy Barbato Sinatra and did his career little good, and his record sales dwindled. He continued to act, although in lesser films such as Meet Danny Wilson (1952), and a vocal cord hemorrhage all but ended his career. He fought back, though, finally securing a role he desperately wanted--Maggio in From Here to Eternity (1953). He won an Oscar for best supporting actor and followed this with a scintillating performance as a cold-blooded assassin hired to kill the US President in Suddenly (1954). Arguably a career-best performance--garnering him an Academy Award nomination for Best Actor--was his role as a pathetic heroin addict in the powerful drama The Man with the Golden Arm (1955).
Known as "One-Take Charlie" for his approach to acting that strove for spontaneity and energy, rather than perfection, Sinatra was an instinctive actor who was best at playing parts that mirrored his own personality. He continued to give strong and memorable performances in such films as Guys and Dolls (1955), The Joker Is Wild (1957) and Some Came Running (1958). In the late 1950s and 1960s Sinatra became somewhat prolific as a producer, turning out such films as A Hole in the Head (1959), Sergeants 3 (1962) and the very successful Robin and the 7 Hoods (1964). Lighter roles alongside "Rat Pack" buddies Dean Martin and Sammy Davis Jr. were lucrative, especially the famed Ocean's Eleven (1960). On the other hand, he alternated such projects with much more serious offerings, such as The Manchurian Candidate (1962), regarded by many critics as Sinatra's finest picture. He made his directorial debut with the World War II picture None But the Brave (1965), which was the first Japanese/American co-production. That same year Von Ryan's Express (1965) was a box office sensation. In 1967 Sinatra returned to familiar territory in Sidney J. Furie's The Naked Runner (1967), once again playing as assassin in his only film to be shot in the U.K. and Germany. That same year he starred as a private investigator in Tony Rome (1967), a role he reprised in the sequel, Lady in Cement (1968). He also starred with Lee Remick in The Detective (1968), a film daring for its time with its theme of murders involving rich and powerful homosexual men, and it was a major box-office success.
After appearing in the poorly received comic western Dirty Dingus Magee (1970), Sinatra didn't act again for seven years, returning with a made-for-TV cops-and-mob-guys thriller Contract on Cherry Street (1977), which he also produced. Based on the novel by William Rosenberg, this fable of fed-up cops turning vigilante against the mob boasted a stellar cast and was a ratings success. Sinatra returned to the big screen in The First Deadly Sin (1980), once again playing a New York detective, in a moving and understated performance that was a fitting coda to his career as a leading man. He made one more appearance on the big screen with a cameo in Cannonball Run II (1984) and a final acting performance in Magnum, P.I. (1980), in 1987, as a retired police detective seeking vengeance on the killers of his granddaughter, in an episode entitled Laura (1987).- Writer
- Producer
Charles Brackett, born in Saratoga Springs, New York, of Scottish ancestry, followed in his attorney-father's footsteps and graduated with a law degree from Harvard University in 1920. He practised law for several years, before commencing work as drama critic for The New Yorker (1925-29), in addition to submitting short stories to The Saturday Evening Post. In 1932, Brackett left for Hollywood as a screenwriter. He was signed by Paramount primarily on the strength of his novel "Week-End". Brackett remained at the studio until 1950, doubling up as producer from 1945.
During his tenure at Paramount, Brackett became part of one of the most celebrated screenwriting partnerships in the motion picture business, alongside Billy Wilder. They were eventually dubbed by Life Magazine as "the happiest couple in Hollywood". Despite having very different personalities and arguing incessantly -- Wilder being the more extroverted and cynical, while Bracket was, to quote Gloria Swanson, 'quieter, more refined' -- their collaboration endured until 1951, spanning fourteen motion pictures. Many of their most popular hits, such as Ninotchka (1939), Ball of Fire (1941) and The Lost Weekend (1945), were noted for their intricate scripting and witty, sardonic dialogue. The culmination of their efforts was Sunset Boulevard (1950), which won an Academy Award for Best Writing, Story and Screenplay. Following this, the team split up at the peak of their success, each going their separate ways.
Brackett moved on to work under contract at 20th Century Fox for the next eight years. With Walter Reisch, he co-wrote the screenplays for Niagara (1953) and Titanic (1953), winning his third Oscar for the latter. He also produced the superior western Garden of Evil (1954), the historical drama The Virgin Queen (1955) and the lavish musical The King and I (1956). Brackett retired due to illness after producing State Fair (1962).- Actress
- Soundtrack
Elsa Sullivan Lanchester was born into an unconventional a family at the turn of the 20th century. Her parents, James "Shamus" Sullivan and Edith "Biddy" Lanchester, were socialists - very active members of the Social Democratic Federation (SDF) in a rather broad sense - and did not believe in the institution of marriage and being tied to any conventions of legality, for that matter. Her mother had actually been committed to an asylum in 1895 by her father and older brothers because of her unmarried state with James. The incident received worldwide press as the "Lanchester Kidnapping Case."
Elsa had a great desire to become a classical dancer and to that end at age 10 her mother enrolled her at the famed Isadora Duncan's Bellevue School in Paris in 1912. But the uncertainties of WW1 brought her home after only two years. At age 12, she was sent to a co-educational boarding school in Kings Langley, Hertfordshire, England, to teach dance classes in exchange for her education and board. In 1918, she was hired as a dance teacher at Margaret Morris's school on the Isle of Wight.
Next to dance, she loved the music halls of the period, so in 1920 she debuted in a music hall act as an Egyptian dancer. About the same time she founded the Children's Theater in Soho, London and taught there for several years. She made her stage debut in 1922 in the West End play "Thirty Minutes in a Street." In 1924 she and her partner, Harold Scott, opened a London nightclub called the Cave of Harmony. They performed one-act plays by Pirandello and Chekhov and sang cabaret songs. She would later collect and record these and many others. The spot was frequented by literati like Aldous Huxley, H.G. Wells and also James Whale, working in London theater and soon to be directing on Broadway and Hollywood's most famous horror films. Lanchester kept busy including, on her own admission, posing nude for artists. During a 1926 comic performance in the Midnight Follies at London's Metropole, a member of the British Royal family walked out as she sang, "Please Sell No More Drink to My Father." She closed her nightclub in 1928 as her film career began in earnest.
Perhaps not beautiful in the more conventional sense, Lanchester was certainly pretty as a young woman with a turned-up nose that gave her a pert, impish expression, all the more striking with her large, expressive dark eyes and full lips. She had a lithe figure that she carried with the assuredness of her dancing background. Her voice was bright and distinctive, and had a delightful rush and trill that had an almost Scottish burr quality. What clicked on stage would do the same in the movies.
Her first film appearance was actually in an amateur movie by friend and author Evelyn Waugh called The Scarlet Woman: An Ecclesiastical Melodrama (1925). Her formal film debut was in the British movie One of the Best (1927). She continued stage work and became associated in 1927 with a rather self-possessed but keenly dedicated actor, Charles Laughton. He appeared with her in three of four films Lanchester did in 1928. (Three of these were written for her by H.G. Wells). They did a few plays as well and wed in 1929. According to Lanchester, after two years, she discovered Laughton was homosexual but they remained married until his death in 1962. Lanchester declared in a 1958 interview that she kept to a separate career path from her husband. They appeared together on occasion, moving through 1931 with several smart play-like films including Potiphar's Wife (1931) with Laurence Olivier. She had done the play "Payment Deferred" in London in 1930 and followed it to Broadway in 1931.
MGM offered her a contract in 1932. In 1933 Alexander Korda was casting his The Private Life of Henry VIII (1933) and decided that Laughton was the perfect choice - and his wife would be just as perfect as one of Henry's six wives. Her versatility pointed to a part with some comedic elements and fitting more into a caricature. She looked most like Hans Holbein's famous portrait of Anne of Cleves (Henry's fourth wife who was actually somewhat more homely than the painter depicted). In costume Lanchester was charming if not striking. Her interpretation of Anne was a perfect integration with herself, and her scene with Laughton informally playing cards on the marriage bed and deciding on annulment is a high point of the movie.
Of course, it would be hard to mention her film career of the 1930s without mentioning the one role that would forever dog her, Bride of Frankenstein (1935). Having come to Hollywood with Laughton in 1932 (but not permanently until 1939), Lanchester did only a few films up to 1935 and was disappointed enough with Hollywood's reception to return to London for a respite. She was quickly called back by an old friend from London, stage and film associate James Whale, now the noted director of Frankenstein (1931) and The Invisible Man (1933). He wanted her for two parts in Bride: author Mary Shelley and the bride. A central joke of the movie build-up was the tag lines: "WHO will be The Bride of Frankenstein? WHO will dare?"
Indeed, it was no honeymoon for her. For some ten days, Lanchester was wrapped in yards of bandage and covered in heavy makeup. The stand-on-end hairdo was accomplished by combing it over a wire mesh cage. Lanchester was in real agony with her eyes kept taped wide open for long takes - and it showed in her looks of horror. Her monster's screaming and hissing sounds (based on the sounds of Regents Park swans in London) were taped and then run backward to spook-up the effect. She was delightfully melodramatic and picturesque as Wollstonecraft, and her bride would become iconic. Many have considered Bride of Frankenstein (1935) the best of the golden age horror movies.
Lanchester stood out in her next movie with Laughton the next year, Korda's dark Rembrandt (1936), but she only did a few more films for the remainder of the decade. Through the 1940s she was doubly busy - a couple of films per year while regenerating her beloved musical revue sketches. She performed for 10 years at the Turnabout Theater in Hollywood, using old London music hall/cabaret songs and others written for her. Later she would have to split her time further doing a similar act at a supper club called The Bar of Music. By the later 1940s she had become rather matronly, and the roles would settle appropriately. But she always lent her sparkle, as with her charming maid Matilda in The Bishop's Wife (1947). She would be nominated for best supporting actress in Come to the Stable (1949).
She entered the 1950s busy with road touring of her nightclub act with pianist J. Raymond Henderson (who went by "Ray" and who is sometimes confused with popular songwriter Ray Henderson). There was a series of tours to complement Laughton's famous reading tours, called Elsa Lanchester's Private Music Hall which ended in 1952; Elsa Lanchester--Herself which ended in 1961; and once more in 1964 at the Ivar Theater. She was equally busy with a stock of film roles and a large share of TV playhouse theater. She made ten movies with Laughton, the last of which, Witness for the Prosecution (1957) garnered her second supporting actress nomination. But her dizzy Aunt Queenie Holroyd of Bell Book and Candle (1958) is a fond remembrance of that time.
With the two decades from the 1960s to early 1980s, Lanchester was a fixture on episodic TV and an institution in Disney and G-rated fare - perhaps a bit ironic for the unconventional Lanchester. She wrote two autobiographies: "Charles Laughton and I" (1938) and "Elsa Lanchester: Herself" (1983), both recalling her nearly 100 roles before the camera. Lanchester remained humorously reflective in regard to her film career, describing it as "...large parts in lousy pictures and small parts in big pictures." It was the mix of silly, bawdy, and outrageous in her revues that was her great joy: "I was content because I was fully aware that I did not like straight acting but preferred performing direct to an audience. You might call what I do vaudeville. Making a joke, especially impromptu, and getting a big laugh is just plain heaven."- Nedda Logan is known for See China and Die (1981).
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Troy Donahue was a journalism student at Columbia University when he began playing in stock productions. He made his film debut in Man Afraid (1957) and in 1959 signed as a contract player with Warner Bros., which promoted him to stardom with A Summer Place (1959) that year. He was soon a teenage heartthrob, his blond hair and blue eyes appearing frequently on the covers of movie magazines. His most successful film was Parrish (1961), in which he played the title character. A few years after that his career went into a decline; he made only a few television movies between the mid-'60s and his small role in The Godfather Part II (1974) (in which his character's name, Merle Johnson, was actually his real name). His later films were almost entirely for the low-budget home video market, e.g., Sexpot (1990) and Nudity Required (1989).
On August 30, 2001, Donahue suffered a heart attack and was admitted to the hospital in Santa Monica, California. He died three days later on September 2 at the age of 65.- Actress
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Suzanne Pleshette achieved television immortality in her role as Bob Newhart's wife in the 1970s classic situation comedy, The Bob Newhart Show (1972). For her role as "Emily Hartley," wife of psychologist "Bob Hartley" (played by Bob Newhart), Pleshette was nominated for the Emmy Award twice, in 1977 and 1978. She was also nominated for an Emmy in 1962 for a guest appearance on the TV series, Dr. Kildare (1961) and, in 1991, for playing the title role in Leona Helmsley: The Queen of Mean (1990) in a 1990 TV movie. Her acting career lasted almost 50 years.
Suzanne Pleshette was born on January 31, 1937, in New York, New York, to Gene Pleshette, a TV network executive who had managed the Paramount Theaters in Manhattan and Brooklyn during the Big Band era, and the former Geraldine Kaplan, a dancer who performed under the pseudonym Geraldine Rivers. Pleshette claims that she was not an acting natural, but just "found" herself attending New York City's High School of the Performing Arts. After graduating high school, she attended Syracuse University for a semester before returning to NYC to go to Finch College, an elite finishing school for well-to-do young ladies. After a semester at Finch, Pleshette dropped out of college to take lessons from famed acting teacher Sanford Meisner at the Neighborhood Playhouse.
She made her Broadway debut in 1957 as part of the supporting cast for the play Compulsion (1959). Initially cast as "The Fourth Girl," she eventually took over the ingénue role during the play's run.
Blessed with beauty, a fine figure, and a husky voice that made her seem older than her years, she quickly achieved success on both the small and big screens. She made her TV debut, at age 20, in Harbourmaster (1957), then was chosen as the female lead opposite superstar Jerry Lewis in his 1958 comedy, The Geisha Boy (1958). On Broadway, she replaced Anne Bancroft in the Broadway hit The Miracle Worker (1962).
Once Pleshette started acting, her career never lagged until she was afflicted with cancer.
Her most famous cinematic role was in Alfred Hitchcock's classic, The Birds (1963), as the brunette schoolteacher jilted by the hero of the film, "Mitch Brenner" (played by Rod Taylor). Pleshette's warm, earthy character was a perfect contrast to the icy blonde beauty, "Melanie Daniels" (Tippi Hedren).
Frankly, it is hard to understand how Taylor's Mitch would jilt Pleshette's Annie, other than to work out Hitchcock's dark vision of society and psychosexual relations between the sexes, in which amoral blondes triumph for aesthetic rather than moral reasons.
Still, it is for Emily Hartley she will always be remembered, for both the original show and her part in another show that had the most clever sign-off episode in TV series history. Bob Newhart had enjoyed a second success during the 1980s with his TV sitcom Newhart (1982), and when he decided to end that series, he asked Suzanne Pleshette to come back. She did, reprising her tole of Emily in a final episode of Newhart, where Newhart woke up as Bob Hartley from "The Bob Newhart Show" in the bedroom of the Hartley's Chicago apartment, Pleshette's Emily at his side. Bob Hartley then told his wife Emily of a crazy dream he'd just had, where he was the proprietor of a Vermont inn overrun with eccentrics, the premise of the second show.
After "The Bob Newhart Show" ceased production, Suzanne Pleshette worked regularly on television, mostly in TV movies. Although she was a talented dramatic actress, she had a flair for comedy and, in 1984, she headlined her own series at CBS. She helped develop the half-hour sitcom, and even had the rare honor of having her name in the title. Suzanne Pleshette Is Maggie Briggs (1984), however, was not a success. She co-starred with Hal Linden in another short-lived CBS TV series, The Boys Are Back (1994), in the 1994-95 season, then had recurring roles in the TV series Good Morning, Miami (2002) and 8 Simple Rules (2002).
Pleshette was married three times: In 1964, she wed teen idol Troy Donahue, her co-star in the 1962 film Rome Adventure (1962) and in 1964's A Distant Trumpet (1964), but the marriage lasted less than a year. She was far more successful in her 1968 nuptials to Texas oil millionaire Tommy Gallagher, whom she remained married to until his death in 2000. After becoming a widow, she and widower Tom Poston (a Newhart regular) rekindled an old romance they had enjoyed when appearing together in "The Golden Fleecing," a 1959 Broadway comedy. They were married from 2001 until Poston's death, in April 2007.
Pleshette was diagnosed with lung cancer and underwent chemotherapy in the summer of 2006; she rallied, but in late 2007, she barely survived a bout of pneumonia. She died of respiratory failure on January 19, 2008, a few days shy of her 71st birthday.
Suzanne Pleshette was remembered as a gregarious, down-to-earth person who loved to talk and often would regale her co-stars with a naughty story. Newhart and his producers had picked her for the role of Emily in "The Bob Newhart Show" after watching her appearances with Johnny Carson on The Tonight Show Starring Johnny Carson (1962), where she showed herself to be a first-rate raconteuse. Because she could hold her own with Newhart's friend Carson, it was felt she would be a perfect foil as Newhart's TV wife.
She accepted the part, and TV history was made.- Writer
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Steve Allen was born on 26 December 1921 in New York City, New York, USA. He was a writer and actor, known for Casino (1995), The Player (1992) and College Confidential (1960). He was married to Jayne Meadows and Dorothy Goodman. He died on 30 October 2000 in Encino, Los Angeles, California, USA.- Producer
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Dan Rowan was a comedian most famous as the straight man to Dick Martin, with whom he co-hosted the watershed TV program Rowan & Martin's Laugh-In (1967) from 1968-1973. The comedian debuted into small-town life as Daniel Hale David in Beggs, Oklahoma on July 22, 1922, the son of show people. As a child, Rowan toured the carnival circuit with his mother in father as part of a song and dance act. Orphaned in 1933, he eventually was adopted by a family in Denver, Colorado. He moved to Hollywood after high school, and obtained employment as a writer at Paramount Studios. Rowan joined the U.S. Army Air Force in World War II, where he distinguished himself as a P-40 fighter plane pilot in the Pacific Theater. Rowan was credited with downing two Japanese aircraft (it took five kills to be named an ace during World War II), but he was shot down and seriously wounded in New Guinea. During his military career, Rowan was awarded the Distinguished Flying Cross with Oak Leaf Cluster, the Air Medal, and the Purple Heart.
Demobilized, Dan Rowan returned to California and married Phyllis Mathis in 1946. He and Phyllis had three children, Thomas, Mary Ann (who was briefly married to actor and professional Presidential brother-in-law Peter Lawford, and Christie. (Rowan divorced his first wife and married again, to Adriana Van Ballegooyen in 1963). He eventually teamed up with Dick Martin in a comedy act that toured the night-club circuit and played Las Vegas. Rowan & Martin had made TV appearances before on such programs as "The Ed Sullivan Show" and "Merv Griffin" before being hired by NBC to host a comedy special in the summer of 1967. In an era of "Be-Ins" and "Love-Ins" (an outgrowth of the "Sit-Ins" of the Civil Rights Movement, itself a reflection of the autoworkers' sit-ins of the late 1930s staged to win labor union recognition), NBC wanted to host a "Laugh-In". The middle-aged Rowan & Martin were picked as the hosts. The success of the special lead to the scheduling of Rowan & Martin's Laugh-In (1967) as part of NBC's regular line-up in 1968, programmed against the popular Lucille Ball on CBS.
A hybrid comedy-variety program that proved a counterpoint to the more satirical and political The Smothers Brothers Comedy Hour (1967) on rival network CBS, "Laugh-In" was rooted in traditional vaudeville like most musical/variety series of the time, but had an improvisational, anarchic style. This style, which downplayed appearances of guest stars like Jack Benny, Johnny Carson, John Wayne, Zsa Zsa Gabor and even Richard Nixon in favor of the cast of regulars, reflected the late '60s zeitgeist. As hosts, Dan Rowan and Dick Martin did not dominate their variety show as did a contemporary like Dean Martin. Part of the fun and the freshness of the series was that the two co-hosts were continually being undermined by the appearances of the regulars, during which a comedic "all-hell" would break loose. The sight-gags and appearance of the eccentric performers created a sense of the unexpected that proved intoxicating to TV audiences. (The regular cast included announcer Gary Owens, Emmy-winner Ruth Buzzi, Henry Gibson, Emmy-winner Arte Johnson, Alan Sues, Jo Anne Worley, and Judy Carne, while the regularly appearing guest stars included Tiny Tim, Peter Lawford and Henny Youngman).
The dynamic of the two co-hosts also was anarchic, as Dan Rowan's straight-man continually was undermined by the silliness and outright other-world imbecility of Dick Martin's comic persona. In this, Martin was an ally of the cast, who appeared willy-nilly during the broadcast, without discernible rhyme or reason other than making merry. Rowan, as the "mature" member of the hosting ensemble, was less a conductor of the comedy show than a ring-master who seemed to have found himself put down inside the center of the lion's den, with a hopelessly inept lion-tamer (Martin) as his partner.
"Laugh-In" was considered revolutionary at the time in terms of production, as it broke away from the old proscenium stage production that had dominated variety shows on TV since the beginning of broadcast television after World War II. The program was produced with a quick-cutting, fragmentary editing style that not only reflected current avant-garde movie production techniques but fully realized the power of video. It was an audacious melding of form and content, and "Laugh-In" proved to be a huge hit and was one of the highest-rated series of the late 1960s. It would prove to be the single most influential TV show in terms of its influence on comedy until the debut of the more conventionally produced Saturday Night Live (1975) in 1975.
"Laugh-In" won three Emmys at the 1968 Emmy Awards, for Outstanding Musical or Variety Program (for the 1967 Special), for Best Musical or Variety Series, and for Best Writing (shared by ten writers, including series creator Digby Wolfe). Due to its topicality and because it so closely caught the spirit of the '60s and reflected that era's aesthetic, "Laugh-In" quickly dated and never packed the punch in syndication that other retired TV shows did. Nothing becomes old-fashioned more quickly than the fashionable. However, "Laugh-In" also proved ground-breaking in its introduction and use of female and minority performers, bringing to a mainstream audience such diverse entertainers as the great, "Chitlin Circuit" African-American comedian Dewey 'Pigmeat' Markham and the young, Emmy-nominated Goldie Hawn, who would go on to a long movie-career as an Oscar-winning comedienne and top box-office star. Rowan & Martin attempted to launch a movie career, but their attempt to become the late '60s answer to Martin & Lewis with the ill-conceived The Maltese Bippy (1969) flopped. After "Laugh-In" was canceled in 1973, Rowan occasionally made some TV program and game show appearances, but eventually retired to Florida. A type II diabetic, he died of lymphatic cancer in Manasota Key, Florida on September 22, 1987. He was 65 years old.- Director
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Dick Martin, the comedian and television director who achieved TV immortality as the co-host of Rowan & Martin's Laugh-In (1967) as the comic foil to straight man Dan Rowan, was born on January 30, 1922 in Battle Creek, Michigan. The young Martin was a writer for the popular radio sit-com "Duffy's Tavern" before teaming up with Rowan in the 1950s. The duo achieved success playing the nightclub circuit and Las Vegas, leading to Martin's being cast in a recurring role on The Lucy Show (1962) as series start Lucille Ball's next door neighbor "Harry Conners" when Lucy's new series debuted in 1962, Martin remained as a regular on "Lucy" through the 1963-64 season.
As the success of their act increased, Rowan & Martin began making appearances on TV during the 1960s. In 1966, the duo were cast as the co-hosts for the The Dean Martin Summer Show (1966) on NBC. The following year, when NBC decided it wanted a new comic variety show that would have cross-generational appeal, producers Ed Friendly and George Schlatter hired Rowan & Martin to co-host a one-time special, "Laugh-In", that would serve as a pilot for the potential series. The special was a success, and Rowan & Martin's Laugh-In (1967) debuted the following year. It was a smash hit, proving to be one of the top-rated shows of the late 1960s, and had a huge impact on American pop culture during the first years of its five-year run. The series was canceled in 1973.
In 1969, Rowan & Martin made an attempt to recapture the small-screen magic of "Laugh-In" on the big screen, but The Maltese Bippy (1969) was a flop. After the cancellation of their series, Rowan & Martin generally parted ways, professionally, as Dan Rowan was a diabetic and limited his work. Like Rowan, Martin became a frequent panelist on game shows such as Match Game (1973). He also hosted the Mindreaders (1979) game show in 1979, but the show was not a success. Martin eventually launched a new career as a TV director, serving as the chief director of the 1980s sitcom, Newhart (1982).
On the personal front, Martin was most known for his two marriages to Playboy Playmate of the Year Dolly Read (1971-75; 1978-present). Martin's first wife was the former Peggy Connelly, by whom he had two sons, Richard Martin, Jr. and Cary Martin.- Bill Welsh was born on 25 April 1911 in Greeley, Colorado, USA. He was an actor, known for Dragstrip Girl (1957), The Rose Bowl Story (1952) and Hollywood Horror House (1970). He was married to Lucinda Pennington. He died on 27 February 2000 in Thousand Oaks, California, USA.
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Mary Pickford was born Gladys Louise Smith in Toronto, Ontario, Canada, to Elsie Charlotte (Hennessy) and John Charles Smith. She was of English and Irish descent. Pickford began in the theater at age seven. Then known as "Baby Gladys Smith", she toured with her family in a number of theater companies. At some point, at her devout maternal grandmother's insistence, when young Gladys was seriously ill with diphtheria, she received a Catholic baptism and her middle name was changed to "Marie".
In 1907, she adopted a family name Pickford and joined the David Belasco troupe, appearing in the long-running The Warrens of Virginia". She began in films in 1909 with the 'American Mutoscope & Biograph [us]', working with director D.W. Griffith.
For a short time in 1911, to earn more money, she joined the IMP Film Co. under Carl Laemmle. She returned to Biograph in 1912, then, in 1913 joined the Famous Players Film Company under Adolph Zukor. She then joined First National Exhibitor's Circuit in 1918. In 1919, she co-founded United Artists with D.W. Griffith, Charlie Chaplin and then-future husband, Douglas Fairbanks.- Actor
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Jack Bailey was born on 15 September 1907 in Hampton, Iowa, USA. He was an actor, known for The Monroes (1966), The Day of the Wolves (1971) and Queen for a Day (1951). He died on 1 February 1980 in Santa Monica, California, USA.- Actress
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Dark-haired beauty Jeanne Carolyn Cagney was born in New York City, New York on March 25, 1919 - just a few months after the end of World War I. She and her four brothers - including James Cagney and William Cagney - were raised by her widowed mother. Jeanne majored in French and German during her years at Hunter College High School, and starred in plays produced by the Hunter College of City College of New York. Upon graduating from college, she studied acting at the Pasadena Playhouse in California.
She began her movie career in 1939, with a role in the obscure comedy All Women Have Secrets (1939). This succeeded an appearance on Bing Crosby's radio program. However, she did not become known until three years later, when she acted in the highly-acclaimed biographical musical Yankee Doodle Dandy (1942) alongside her brother, James (who won an Academy Award for his performance as George M. Cohan). Regrettably, Jeanne only made sporadic appearances in film and television until her retirement from acting in 1965. Notable movies include Quicksand (1950) - in which she played a femme fatale - and the Marilyn Monroe thriller Don't Bother to Knock (1952). Jeanne also made three more films with her brother James (The Time of Your Life (1948), A Lion Is in the Streets (1953), and Man of a Thousand Faces (1957)), and, in 1948, appeared on stage in a production of 'The Iceman Cometh'.
Jeanne was married to actor Ross Latimer from 1944 to 1952. She later wed Jack Sherman Morrison, a faculty member in theater arts at UCLA, in 1953, with whom she had two daughters: Mary and Terry. Jeanne and Morrison ended their marriage in 1973.
Jeanne Cagney was sadly diagnosed with lung cancer later on in her life, and died of the disease on December 7, 1984. She was 65. While not a household name, Ms. Cagney is remembered today among modern-day aficionados of 1940s and 1950s cinema.- Actor
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One of Hollywood's preeminent male stars of all time, James Cagney was also an accomplished dancer and easily played light comedy. James Francis Cagney was born on the Lower East Side of Manhattan in New York City, to Carolyn (Nelson) and James Francis Cagney, Sr., who was a bartender and amateur boxer. Cagney was of Norwegian (from his maternal grandfather) and Irish descent. Ending three decades on the screen, he retired to his farm in Stanfordville, New York (some 77 miles/124 km. north of his New York City birthplace), after starring in Billy Wilder's One, Two, Three (1961). He emerged from retirement to star in the 1981 screen adaptation of E.L. Doctorow's novel "Ragtime" (Ragtime (1981)), in which he was reunited with his frequent co-star of the 1930s, Pat O'Brien, and which was his last theatrical film and O'Brien's as well). Cagney's final performance came in the title role of the made-for-TV movie Terrible Joe Moran (1984), in which he played opposite Art Carney.- Actor
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Roy Rogers (born Leonard Slye) moved to California in 1930, aged 18. He played in such musical groups as The Hollywood Hillbillies, Rocky Mountaineers, Texas Outlaws, and his own group, the International Cowboys. In 1934 he formed a group with Bob Nolan called Sons of the Pioneers. While in that group he was known as Leonard Slye, then Dick Weston. Their songs included "Cool Water" and "Tumbling Tumbleweeds". They first appeared in the western Rhythm on the Range (1936), starring Bing Crosby and Martha Raye. In 1936 he appeared as a bandit opposite Gene Autry in "The Old Coral". In 1937 Rogers went solo from "The Sons Of The Pioneeres", and made his first starring film in 1938, Under Western Stars (1938). He made almost 100 films. The Roy Rogers Show (1951) ran on NBC from October 1951 through 1957 and on CBS from 1961 to September 1964. In 1955, 67 of his feature films were released to television.- Actress
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American leading lady of musical westerns of the 1940s. Born Frances Octavia Smith in Uvalde, Texas. She was raised in Texas and Arkansas. Married at 14 and a mother at 15, she was divorced at 17 (some sources say widowed). Intent on a singing career, she moved to Memphis, Tennessee, and worked in an insurance company while taking occasional radio singing jobs. After another unhappy marriage, she went to Louisville, Kentucky, and became a popular singer on a local radio station. There she took the stage name Dale Evans (from her third husband, Robert Dale Butts, and actress Madge Evans). Divorced in 1936, she moved to Dallas, Texas, and again found local success as a radio singer. She married Butts and they moved to Chicago, where she began to attract increasing attention from both radio audiences and film industry executives. She signed with Fox Pictures and made a few small film appearances, then was cast as leading lady to rising cowboy star Roy Rogers. She and Rogers clicked and she became his steady on-screen companion. In 1946, Rogers' wife died and Evans' marriage to Butts ended about the same time. Rogers and Evans had been close onscreen in a string of successful westerns, and now became close off-screen as well. A year later she married Rogers and the two become icons of American pop culture. Their marriage was dogged by tragedy, including the loss of three children before adulthood, but Evans was able not only to find inspiration in the midst of tragedy but to provide inspiration as well, authoring several books on her life and spiritual growth through difficulty. She and Rogers starred during the 1950s on the popular TV program bearing his name, and even after retirement continued to make occasional appearances and to run their Roy Rogers and Dale Evans Museum in Victorville, California. Following Dale's death, the Roy Rogers and Dale Evans Museum moved to Branson, Missouri.- Actor
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Don DeFore toured the country in stock companies for several years before making his Broadway debut in 1938. In films since 1941, he occasionally played leads in B pictures, but was more often cast as the good-natured buddy of the hero or a likable but gullible character whom the hero has to bail out of trouble. DeFore found much more success on television, and was a regular in the hit series Hazel (1961) and The Adventures of Ozzie and Harriet (1952).- Actress
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Mahalia Jackson was born on 26 October 1911 in New Orleans, Louisiana, USA. She was an actress, known for Mississippi Burning (1988), Glory Road (2006) and An American Crime (2007). She was married to Minters Sigmund Galloway and Isaac Lanes Grey Hockenhull. She died on 27 January 1972 in Chicago, Illinois, USA.