Alternative 94th Academy Awards In Memoriam
Here's a list of people i would have included in an alternative In Memoriam for the 94th Academy Awards
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- Stunts
- Actor
- Second Unit Director or Assistant Director
BRAD ALLAN: Born with an inherent fascination of all things Chinese, Brad Allan started studying martial arts, boxing, gymnastics and Chinese circus arts from the age of 10 years. At age 15 years, Brad met two of China's greatest wushu athletes Liang Chang Xing and Tang Lai Wei of the renowned Beijing Wushu Team (the same team as Jet Li). Under their expert guidance Brad quickly rose to become one of Australia's top wushu athletes. At the age of 22 years Brad returned to Australia after several years studying language and martial arts in Asia. It was in his home town of Melbourne that he met his mentor and master, Jackie Chan. A chance encounter gave Brad an opportunity to demonstrate his skills to Jackie and his team; a dream come true that would change his life forever. As the first non-Asian member, Brad spent the next 12 years traveling and performing around the world as part of the illustrious Jackie Chan Stunt Team. It was during this time and under Jackie's direct guidance that Brad progressed from stunt performer, to action choreographer, to stunt coordinator and finally action director. Brad Allan traveled one of the more unique paths to Hollywood and brought a unique visual style that combined the best of the east and west. Action transcends language and cultural boundaries; It can excite us, move us and make us laugh. Brad Allan had a global vision for action film making. He worked with an international team of skilled professionals from all over the world united by their passion for action and film making. His goal was to entertain, excite and motivate the human race.- Actor
- Producer
- Additional Crew
Edward Asner was born of Russian Jewish parentage in Kansas City, to Morris David Asner (founder and owner of the Kansas City-based Asner Iron & Metal Company) and his wife Elizabeth "Lizzie" (Seliger). After attending college, Ed worked various jobs, including in a steel mill, as a door-to-door salesman and on an assembly line for General Motors. Between 1947 and 1949, he attended the University of Chicago. The onset of the Korean War saw him drafted into the U.S. Army Signals Corps and posted to France where he was primarily assigned clerical tasks. Upon demobilization, Asner joined the Playwrights Theatre Company in Chicago but soon progressed to New York. In 1955, he appeared off-Broadway in the leading role of the beggar king Jonathan Peachum in Brecht's Threepenny Opera. Five years later, he made his debut on the Great White Way in the courtroom drama Face of a Hero, co-starring alongside Jack Lemmon. He also began regular TV work in anthology drama.
From the early '60s, Asner, now based in California, earned his living as a busy supporting actor. His many noted guest appearances included turns in Route 66 (1960), The Untouchables (1959), The Fugitive (1963), Voyage to the Bottom of the Sea (1964) (sinister dictator-in-exile Brynov), The Invaders (1967) (twice -- as aliens) and How the Ghosts Stole Christmas (1998) (one of a couple of ghostly residents in a haunted mansion). Heavy-set and distinctively gravelly-voiced, Asner established his reputation as tough, robust and uncompromising (though, on occasion, good-hearted) authority figures. Excellent at conveying menace, he was memorably cast as the brutish patriarch Axel Jordache in Rich Man, Poor Man (1976) and as the slave ship's morally conflicted master, Captain Thomas Davies, in Roots (1977), which earned him a Primetime Emmy Award in 1977. The immensely prolific Asner (417 IMDB screen credits!) would receive seven Emmys in total (from 21 nominations), all Primetime, and become the only actor to win in both the comedy and drama category for the same role. That was also the part which made Asner a household name: the gruff, snarky newspaper editor Lou Grant (1977). Grant began as a mainstay on The Mary Tyler Moore Show (1970), a 30-minute sitcom.
When the character was promoted to West Coast editor of The Los Angeles Tribune, Asner went on to star in his own much acclaimed drama series. Despite consistently high ratings, the show was axed after five seasons amid rumours of disharmony between the star and producers, possibly due to the former's outspoken political views. Indeed, Asner has been a controversial figure as an activist and campaigner, engaged in a variety of humanitarian and political issues. A self-proclaimed liberal Democrat, he published a book in 2017, amusingly titled "The Grouchy Historian: An Old-Time Lefty Defends Our Constitution Against Right-Wing Hypocrites and Nutjobs."
Between 1981 and 1985, Asner served twice as President of the Screen Actors Guild, during which time he was critical of former SAG President Ronald Reagan -- then the president of a greater concern -- for his Central American policy. In 1996, he was inducted into the Television Hall of Fame and in 2002 received the Screen Actors Guild's Life Achievement Award. In addition to appearing on screen and stage, he performed extensive work for radio, video games and animated TV series. He voiced the lead character Carl Fredricksen in Pixar's Oscar-winning production of Up (2009), starred as Santa in Elf (2003), and played Nicholas Drago in The Games Maker (2014). Ed passed away in Los Angeles at the age of 91 on August 29, 2021.- Lisa Lou Banes was an American actress known for more than 80 film and television roles, as well as stage appearances on Broadway and elsewhere.
She was nominated for a Drama Desk Award for Best Featured Actress in a Play in 1984 for Isn't it Romantic? and won a 1981 Theatre World Award for her performance as Alison Porter Off-Broadway in Look Back in Anger. She played Lady Croom in the 1995 American premiere of Tom Stoppard's Arcadia. In film, she appeared in Cocktail (1988), Freedom Writers (2007), Gone Girl (2014), and as Hollis in A Cure for Wellness (2016). - Actor
- Soundtrack
Stocky, genial-looking supporting actor Ned Beatty was once hailed by Daily Variety as the "busiest actor in Hollywood."
Ned Thomas Beatty was born in Louisville, Kentucky, to Margaret (Fortney) and Charles William Beatty. He grew up fishing and working on farms. His hometown of St. Matthews, Kentucky, is hardly the environment to encourage a career in the entertainment industry, though, so when asked, "How did you get into show business?" Beatty responded, "By hanging out with the wrong crowd." That "crowd" includes some of the industry's most prominent names, such as John Huston, Steven Spielberg, Robert Altman, Paul Newman, Richard Burton, Charlton Heston, Marlon Brando and Robert Redford.
Beatty garnered praise from both critics and peers as a dedicated actor's actor. He started as a professional performer at age ten, when he earned pocket money singing in gospel quartets and a barber shop. The big city and bright lights did not come easy, though. The first ten years of Beatty's career were spent at the Barter Theater in Abingdon, Virginia. He then moved on to the Erie Playhouse in Pennsylvania, the Playhouse Theater in Houston, Texas, and the prestigious Arena Stage Company in Washington, D.C. He was also a member of Shakespeare in Central Park, Louisville, Kentucky. Later, he appeared in the Broadway production of "The Great White Hope". At the Mark Taper Forum in Los Angeles, he won rave reviews when he starred in "The Accidental Death of an Anarchist."
In 1971, Beatty was chosen by director John Boorman for the role of Bobby Trippe in the hit film/backwoods nightmare Deliverance (1972). Co-star Burt Reynolds and Beatty struck up a friendship, and Ned was then cast by Burt in several other films together, including White Lightning (1973), W.W. and the Dixie Dancekings (1975), and the abysmal Stroker Ace (1983). Ned's talents were also noticed by others in Hollywood and he was cast in many key productions of the 1970s turning in stellar performance, including an Academy Award nomination of Best Supporting Actor for his role in Network (1976). Beatty was also marvelous in Nashville (1975), under fire from a crazed sniper in The Deadly Tower (1975), an undercover FBI man in the action comedy Silver Streak (1976), as Lex Luthor's bumbling assistant, Otis, in the blockbuster Superman (1978) ... and he returned again with Gene Hackman to play Otis and Lex Luthor again in Superman II (1980).
Beatty continued to remain busy throughout the 1980s with appearances in several big budget television productions including The Last Days of Pompeii (1984). However, the overall caliber of the productions in general did not match up to those he had appeared in during the 1970s. Nonetheless, Beatty still shone in films including The Big Easy (1986) and The Fourth Protocol (1987). Into the 1990s, Beatty's work output swung between a mixture of roles in family orientated productions (Gulliver's Travels (1996), Back to Hannibal: The Return of Tom Sawyer and Huckleberry Finn (1990), etc.) taking advantage of his "fatherly" type looks, but he could still accentuate a hard edge, and additionally was cast in Radioland Murders (1994) and Just Cause (1995). His many other films include The Toy (1982), All the President's Men (1976), Wise Blood (1979), Rudy (1993), Spring Forward (1999), Hear My Song (1991) -- for which he earned a Golden Globe nomination for Best Supporting Actor -- Prelude to a Kiss (1992), He Got Game (1998) and Cookie's Fortune (1999). Beatty's numerous television credits include three years on the NBC series Homicide: Life on the Street (1993), Streets of Laredo (1995) and The Boys (1993).
Beatty received an Emmy Award nomination for Best Actor for his performance in Friendly Fire (1979) opposite Carol Burnett, and a Best Supporting Actor nomination for Family Channel's Magic Hour: Tom Alone (1989). Other notable credits include The Wool Cap (2004), The Execution of Private Slovik (1974), A Woman Called Golda (1982), Pray TV (1982), the miniseries Robert Kennedy and His Times (1985), Lockerbie: A Night Remembered (1998) and T Bone N Weasel (1992). He also had a recurring role on Roseanne (1988) and performed musically on television specials for Dolly Parton and The Smothers Brothers.
In 2001, Beatty returned to his theatrical roots starring in London's West End revival production of Tennessee Williams' "Cat on a Hot Tin Roof" with Brendan Fraser. He also appeared in the production on Broadway in 2003/2004 with Jason Patric and Ashley Judd. In 2006, Beatty completed three features to be released next year: The Walker (2007); Paul Schrader's film also starring Woody Harrelson, Kristin Scott Thomas and Lily Tomlin; Paramount Pictures' Shooter (2007) starring Mark Wahlberg; and Charlie Wilson's War (2007), Mike Nichols's film with Tom Hanks, Philip Seymour Hoffman and Julia Roberts. Also in the 21st century, Beatty turned out a terrific performance in the popular Where the Red Fern Grows (2003). Blessed with eight children, Ned Beatty enjoyed golf and playing the bass guitar. He gave himself until the age of 70 to become proficient at both. He died at age 83 of natural causes on June 13, 2021 in Los Angeles, California.- Second Unit Director or Assistant Director
- Producer
- Director
A rabid movie fan when he was young, Jean-Jacques Beineix first studied medicine before entering the movie business. During the seventies, he became an established assistant director, working with Claude Berri, René Clément, Claude Zidi and even Jerry Lewis. But, like many assistants, Beineix's ultimate dream was to direct. He had a pass at it in 1977 with the short Le chien de Monsieur Michel (1977). A promising debut, it won the first price at Trouville Festival and earned a César nomination for best short film (fiction).
In 1981, came his first long feature Diva (1981), a stylish thriller based on a book by Delacorta. When it came out, Diva was not supported by French critics and seemed at first well on its way to crash and burn. But slowly the film gained momentum due to good word of mouth and positive reactions in various festivals like Moscow and Toronto. Ultimately, the film became a great success internationally, winning four Césars along the way.
Next came the expensive The Moon in the Gutter (1983). An adaptation of a David Goodis novel, the film was even more radical than 'Diva' in its deliberate artificiality. Premiering in competition at the 36th Cannes Film Festival in 1983, the film was booed and most critics found it pretentious and boring. Only few voices rose up to defend the movie but it was not enough to save it. It flopped at the box office but manage to win one César for set design.
At that point, Beineix's career was in serious danger of biting the dust, but he came back in force in 1986 with Betty Blue (1986) (aka 'Betty Blue'), based on a 'Philippe Djian' novel. Despite mixed reviews, the film was another international hit, won the top price at Montréal festival, and was nominated for best foreign film at both the Oscars and Golden Globes, each time losing to Fons Rademakers' 'De Aanslag'. It also earned 9 César nominations including best film and best director ... but won only for best poster !
Beineix's next movie Roselyne and the Lions (1988), set in the circus world, came and went unnoticed. In 1992, IP5: The Island of Pachyderms (1992) got attention mostly for being Yves Montand's last role. Beineix then resurfaced where he was least expected with social documentaries. He did a film about children in Romania; Otaku (1994) was shot in Japan; Assigné à résidence (1997) was about locked-in syndrome victim Jean-Dominique Bauby.
In 2001, he came back to fiction with Mortal Transfer (2001), a psycho-thriller based on a Jean-Pierre Gattegno novel. Once again, critics were lukewarm and the film performed poorly at the box-office. In 2002, however, Beineix drew strong ratings with made for TV documentary Loft Paradoxe (2002), an attempt to analyse the success of reality show 'Loft Story'.
With his intense focus on the power of images, Beineix paved the way for directors like Luc Besson, Leos Carax and Jean-Pierre Jeunet. A self-proclaimed misanthropist who never hid his contempt for producers and was often deemed excessive and irascible, he will go down in the history books as a director who raised controversy not for the subjects he tackled but for his stylistic approach. Still, with Diva (1981) and Betty Blue (1986), he directed two of the few French films of the eighties that reached an international audience.- Actor
- Producer
- Stunts
The son of the renowned French sculptor Paul Belmondo, he studied at Conservatoire National Superieur d'Art Dramatique (CNSAD); after the minor stage performances he made his screen debut in À pied, à cheval et en voiture (1957) but the episodes with his participation were cut before release. However, the breakthrough role in Jean-Luc Godard's Breathless (1960) made him one of the key figures in the French New Wave. Since mid-60s he completely switched to commercial mainstream pictures and became a big comedy and action star in France. Following the example of Alain Delon he founded his own production company Cerito named after his grandmother's maiden name. In 1989 he was awarded Cesar for his performance in Itinerary of a Spoiled Child (1988) . Recently he returned to stage performing in the Théâtre Marigny, Paris, notably as Edmund Kean or Cyrano de Bergerac. He still appears in the movies but not so often as before preferring mostly dramatic roles. The president of France distinguished him with order of Legion of Honour. Belmondo had three children with his first spouse Elodie Constant: Patricia Belmondo ( who died in a fire in 1993), Florence Belmondo and Paul Belmondo. In 2003, he had another daughter, Stella Belmondo, with his second spouse Natty Belmondo. None of his children became actors though you could have seen his son Paul in an episodic role (the same as his father, at an earlier age) in Itinerary of a Spoiled Child (1988).- Music Department
- Writer
- Composer
Prolific songwriter ("Nice 'n' Easy", "Yellow Bird"), composer and author Marilyn Bergman wrote several theme songs for television and songs for revues, night clubs, and films. Joining ASCAP in 1953, her chief musical collaborators included her husband Alan Bergman, Lew Spence, Norman Luboff, Paul Weston, Sammy Fain, and Alex North. Her other song compositions included "Cheatin' Billy", "Don't Know Where I'm Goin'", "I've Never Left Your Arms", "Never Be Afraid", "Outta My Mind", "The Right Approach" (for film), "Marriage-Go-Round" (for film), "Sentimental Baby", "Sleep Warm", "Sogni D'Oro", "That Face", "Baby, the Ball is Over", "Ol' MacDonald", "If I Were in Love" (for film) and "That's Him Over There."- Actor
- Director
- Writer
Peter Bogdanovich was conceived in Europe but born in Kingston, New York. He is the son of immigrants fleeing the Nazis, Herma (Robinson) and Borislav Bogdanovich, a painter and pianist. His father was a Serbian Orthodox Christian, and his mother was from a wealthy Austrian Jewish family. Peter originally was an actor in the 1950s, studying his craft with legendary acting teacher Stella Adler and appearing on television and in summer stock. In the early 1960s he achieved notoriety for programming movies at the Museum of Modern Art in New York City. An obsessive cinema-goer, sometimes seeing up to 400 movies a year in his youth, Bogdanovich prominently showcased the work of American directors such as John Ford, about whom he subsequently wrote a book based on the notes he had produced for the MOMA retrospective of the director, and the then-underappreciated Howard Hawks. Bogdanovich also brought attention to such forgotten pioneers of American cinema as Allan Dwan.
Bogdanovich was influenced by the French critics of the 1950s who wrote for Cahiers du Cinema, especially critic-turned-director François Truffaut. Before becoming a director himself, he built his reputation as a film writer with articles in Esquire Magazine. In 1968, following the example of Cahiers du Cinema critics Truffaut, Jean-Luc Godard, Claude Chabrol and Éric Rohmer who had created the Nouvelle Vague ("New Wave") by making their own films, Bogdanovich became a director. Working for low-budget schlock-meister Roger Corman, Bogdanovich directed the critically praised Targets (1968) and the not-so-critically praised Voyage to the Planet of Prehistoric Women (1968), a film best forgotten.
Turning back to journalism, Bogdanovich struck up a lifelong friendship with the legendary Orson Welles while interviewing him on the set of Mike Nichols' film adaptation of Catch-22 (1970) from the novel by Joseph Heller. Subsequently, Bogdanovich has played a major role in elucidating Welles and his career with his writings on the great actor-director, most notably his book "This is Orson Welles" (1992). He has steadily produced invaluable books about the cinema, especially "Who the Devil Made It: Conversations with Legendary Film Directors," an indispensable tome that establishes Bogdanovich, along with Kevin Brownlow, as one of the premier English-language chroniclers of cinema.
The 32-year-old Bogdanovich was hailed by a critics as a Wellesian wunderkind when his most famous film, The Last Picture Show (1971) was released. The film received eight Academy Award nominations, including Bogdanovich as Best Director, and won two of them, for Cloris Leachman and "John Ford Stock Company" veteran Ben Johnson in the supporting acting categories. Bogdanovich, who had cast 19-year-old model Cybill Shepherd in a major role in the film, fell in love with the young beauty, an affair that eventually led to his divorce from the film's set designer Polly Platt, his longtime artistic collaborator and the mother of his two children.
Bogdanovich followed up The Last Picture Show (1971) with a major hit, What's Up, Doc? (1972), a screwball comedy heavily indebted to Hawks' Bringing Up Baby (1938) and His Girl Friday (1940), starring Barbra Streisand and 'Ryan O'Neal'. Despite his reliance on homage to bygone cinema, Bogdanovich had solidified his status as one of a new breed of A-list directors that included Academy Award winners Francis Ford Coppola and William Friedkin, with whom he formed The Directors Company. The Directors Company was a generous production deal with Paramount Pictures that essentially gave the directors carte blanche if they kept within strict budget limitations. It was through this entity that Bogdanovich's next big hit, the critically praised Paper Moon (1973), was produced.
Paper Moon (1973), a Depression-era comedy starring Ryan O'Neal that won his ten-year-old daughter Tatum O'Neal an Oscar as Best Supporting Actress, proved to be the highwater mark of Bogdanovich's career. Forced to share the profits with his fellow directors, Bogdanovich became dissatisfied with the arrangement. The Directors Company subsequently produced only two more films, Francis Ford Coppola's critically acclaimed The Conversation (1974) which was nominated for an Academy Award for Best Picture of 1974 and garnered Coppola an Oscar nod for Best Director, and Bogdanovich's Daisy Miller (1974), a film that had a quite different critical reception.
An adaptation of the Henry James novella, Daisy Miller (1974) spelled the beginning of the end of Bogdanovich's career as a popular, critically acclaimed director. The film, which starred Bogdanovich's lover Cybill Shepherd as the title character, was savaged by critics and was a flop at the box office. Bogdanovich's follow-up, At Long Last Love (1975), a filming of the Cole Porter musical starring Cybill Shepherd, was derided by some critics as one of the worst films ever made, noted as such in Harry Medved and Michael Medved's book "The Golden Turkey Awards: Nominees and Winners, the Worst Achievements in Hollywood History" (1980). The film also was a box office bomb despite featuring Burt Reynolds, a hotly burning star who would achieve super-nova status at the end of the 1970s.
Bogdanovich insisted on filming the musical numbers for At Long Last Love (1975) live, a process not used since the early days of the talkies, when sound engineer Douglas Shearer developed lip-synching at Metro-Goldwyn-Mayer. The decision was widely ridiculed, as none of the leading actors were known for their singing abilities (Bogdanovich himself had produced a critically panned album of Cybill Shepherd singing Cole Porter songs in 1974). The public perception of Bogdanovich became that of an arrogant director hamstrung by his own hubris.
Trying to recapture the lightning in the bottle that was his early success, Bogdanovich once again turned to the past, his own and that of cinema, with Nickelodeon (1976). The film, a comedy recounting the earliest days of the motion picture industry, reunited Ryan O'Neal and 'Tatum O'Neal' from his last hit, Paper Moon (1973) with Burt Reynolds. Counseled not to use the unpopular (with both audiences and critics) Cybill Shepherd in the film, Bogdanovich instead used newcomer Jane Hitchcock as the film's ingénue. Unfortunately, the magic of Paper Moon (1973) was not be repeated and the film died at the box office. Jane Hitchcock, Bogdanovich's discovery, would make only one more film before calling it quits.
After a three-year hiatus, Bogdanovich returned with the critically and financially underwhelming Saint Jack (1979) for Hugh Hefner's Playboy Productions Inc. Bogdanovich's long affair with Cybill Shepherd had ended in 1978, but the production deal making Hugh Hefner the film's producer was part of the settlement of a lawsuit Shepherd had filed against Hefner for publishing nude photos of her pirated from a print of The Last Picture Show (1971) in Playboy Magazine. Bogdanovich then launched the film that would be his career Waterloo, They All Laughed (1981), a low-budget ensemble comedy starring Audrey Hepburn and the 1980 Playboy Playmate of the Year, Dorothy Stratten. During the filming of the picture, Bogdanovich fell in love with Stratten, who was married to an emotionally unstable hustler, Paul Snider, who relied on her financially. Stratten moved in with Bogdanovich, and when she told Snider she was leaving him, he shot and killed her, then committed suicide.
They All Laughed (1981) could not attract a distributor due to the negative publicity surrounding the Stratten murder, despite it being one of the few films made by the legendary Audrey Hepburn after her provisional retirement in 1967 (the film would prove to be Hepburn's last starring role in a theatrically released motion picture). The heartbroken Bogdanovich bought the rights to the negative so that it would be seen by the public, but the film had a limited release, garnered weak reviews and cost Bogdanovich millions of dollars, driving the emotionally devastated director into bankruptcy.
Bogdanovich turned back to his first avocation, writing, to pen a memoir of his dead love, "The Killing of the Unicorn: Dorothy Stratten (1960-1980)" that was published in 1984. The book was a riposte to Teresa Carpenter's "Death of a Playmate" article written for The Village Voice that had won the 1981 Pulitzer Prize. Carpenter had lambasted Bogdanovich and Hugh Hefner, claiming that Stratten was as much a victim of them as she was of Paul Snider. The article served as the basis of Bob Fosse's film Star 80 (1983), in which Bogdanovich was portrayed as the fictional director "Aram Nicholas".
Bogdanovich's career as a noted director was over, and though he achieved modest success with Mask (1985), his sequel to his greatest success The Last Picture Show (1971), Texasville (1990), was a critical and box office disappointment. He directed two more theatrical films in 1992 and 1993, but their failure kept him off the big screen until 2001's The Cat's Meow (2001). Returning once again to a reworking of the past, this time the alleged murder of director Thomas H. Ince by Welles' bete noir William Randolph Hearst, The Cat's Meow (2001) was a modest critical success but a flop at the box office. In addition to helming some television movies, Bogdanovich has returned to acting, with a recurring guest role on the cable television series The Sopranos (1999) as Dr. Jennifer Melfi's analyst.
Bogdanovich's personal reputation suffered from gossip about his 13-year marriage to Dorothy Stratten's 19-year-old-kid sister Louise Stratten, who was 29 years his junior. Some gossip held that Bogdanovich's behavior was akin to that of the James Stewart character in Alfred Hitchcock's necrophiliac masterpiece Vertigo (1958), with the director trying to remold Stratten into the image of her late sister. The marriage ended in divorce in 2001.
Now in his early eighties, Bogdanovich has arguably imitated his hero Orson Welles, but in an unintended fashion, as filmmaker who never regained the acclaim bestowed on their first major success. However, unlike the widely acclaimed master Welles, the orbit of Bogdanovich's reputation has never recovered from the apogee it reached briefly in the early 1970s.
There has been speculation that Peter Bogdanovich's ruin as a director was guaranteed when he ditched his wife and artistic collaborator Polly Platt for Cybill Shepherd. Platt had worked with Bogdanovich on all his early successes, and some critics believe that the controlling artistic consciousness on The Last Picture Show (1971) was Platt's. Parting company with Platt after Paper Moon (1973), Bogdanovich promptly slipped from the heights of a wunderkind to a has-been pursuing epic folly, as evidenced by Daisy Miller (1974) and At Long Last Love (1975).
In 1998 the National Film Preservation Board of the Library of Congress named The Last Picture Show (1971) to the National Film Registry, an honor awarded only to the most culturally significant films.- Editor
- Editorial Department
David Brenner was born on 3 November 1962 in Hollywood, California, USA. He was an editor, known for Independence Day (1996), Avatar: The Way of Water (2022) and Born on the Fourth of July (1989). He was married to Amber Brenner. He died on 17 February 2022 in West Hollywood, California, USA.- Music Department
- Writer
- Composer
Leslie Bricusse was born on 29 January 1931 in Southfields, London, England, UK. He was a writer and composer, known for Doctor Dolittle (1967), Willy Wonka & the Chocolate Factory (1971) and Scrooge (1970). He was married to Yvonne Romain. He died on 19 October 2021 in Saint-Paul-de-Vence, Alpes-Maritime, France.- Producer
- Director
- Writer
George Butler was a director and producer, who created acclaimed documentary features as well as giant screen films including Pumping Iron, The Endurance, Going Upriver: The Long War of John Kerry and Roving Mars. Butler's films screened at over 30 international film festivals and won honors ranging from National Board of Review Best Documentary of the Year (2001, The Endurance), IDA Best Documentary finalist (1990, In the Blood), the Whitney Biennial (2006, Going Upriver), to National Academy of Science Best Science Film of the Year (2008, Roving Mars). His IMAX® film Roving Mars was produced by Frank Marshall and distributed by Disney around the world. The New York Times called it "the best IMAX movie ever made."- Director
- Writer
- Producer
Felipe Cazals was born on 28 July 1937 in Mexico City, Distrito Federal, Mexico. He was a director and writer, known for The Year of the Plague (1979), Las vueltas del citrillo (2005) and Canoa: A Shameful Memory (1976). He was married to Rosa Eugenia Báez de Cazals. He died on 16 October 2021 in Mexico City, Distrito Federal, Mexico.- Actor
- Stunts
- Additional Crew
Sonny Chiba was born as Sadao Maeda in Fukuoka, Japan on January 22, 1939. His father was a military test pilot. During his youth, he had an interest in both theater & gymnastics. He was talented enough to make the Japanese Olympic Team until a chronic back injury ended his career. However, he took a strong interest in karate under the guidance of the Mas Oyama during college & soon earned his first black belt. However, his life changed again when he was discovered during a talent search by Toei Studios in 1960. He soon began his screen career under the name Shinichi Chiba, appearing as the space chief in Uchu Kaisoku-ken. Over the next decade, he busied himself w/ appearances in Japanese crime thrillers, steadily building a reputation for playing hard men of few words & direct actions.
With his proficiency in karate, judo & kenpo, he took advantage of the early 1970s martial arts boom sparked by Bruce Lee. He starred in The Street Fighter (1974), playing a mercenary style street thug who would do anything for a price & take on anyone, even the yakuza. The approach of the film was quite different from the Bruce Lee films in that Lee only eliminated his enemies when he was defending his friends or his honor. Instead, he was only aiming for a fistful of dollars for his deadly services & would engage in mortal combat for the highest bidder, although this often clouded his judgement to his own detriment. The only person the Street Fighter respects is his martial arts teacher, karate master Masaoko who manages to easily out smart & out fight him. Upon its release, the film was criticized for its excessive violence.
A sequel quickly followed w/ him back in Return of the Street Fighter (1974), which was then followed by a third Street Fighter movie starring Etsuko Shihomi in the gritty Sister Street Fighter (1974). There was a fourth & final film in the series Gyakushu Satsujin ken.
He had firmly established himself as a key anti-hero of Asian martial arts cinema who said little & used his fists to sort out his troubles. With the demand high from fans, he remained busy on screen for the next 20 years, starring in numerous Japanese film & TV productions w/ an emphasis on bruising fights, samurai swords, yakuza gangsters & beautiful girls in trouble.
Outside of Japan, the Street Fighter film series has achieved enduring popularity through many midnight cult screenings. Their style heavily influenced Quentin Tarantino. He has used strong references & imagery from the Street Fighter movies in several of his films including True Romance (1993) and Pulp Fiction (1994). When he came around to casting for Kill Bill: Vol. 1 (2003), he was eager to have Chiba accept the key role of the hot headed & sometimes humorous Okinawan sword maker Hanzo Hattori. He continued to be a major figure & influence in the world-wide passion in martial arts movies for over 3 decades, contributing to the genre by encouraging & training young hopefuls seeking to make their mark on screen.
He passed away on August 19, 2021.- Award-winning Greek-American actor Michael Constantine (born 22 May 1927) is best known for his portrayal of the Windex bottle-toting family patriarch "Gus Portokalos" in the sleeper hit My Big Fat Greek Wedding (2002). Before his appearance in that movie and the subsequent TV series based on it, he was primarily known for his portrayal of principal Seymour Kaufman in the series Room 222 (1969), for which he won a 1970 Emmy Award as Best Supporting Actor (in 1971, he also received a second Emmy nomination and a Golden Globe nomination as Best Supporting Actor for the role).
Michael Constantine was born Constantine Joanides in Reading, Pennsylvania, to Greek parents, Andromache (Fotiadou) and Theoharis Ioannides, a steel worker. He made his Broadway debut as part of the ensemble of the hit play "Inherit the Wind," which made its bow at the National Theatre on April 21, 1955, and closed on June 22, 1957, after 806 performances. During the run of the play, Constantine managed to work his way up into the part of "Conklin". His next appearance on the Great White Way was in "Compulsion," a dramatization of the Leopold & Loeb trial, in which he played three parts: speakeasy owner "Al," defense attorney "Jonathan Wilk" and "Dr. Ball." The show had a modest run of 140 performances in the 1957-58 season at the Ambassador Theatre.
On October 19, 1959, Constantine was part of the opening-night cast of the hit play "The Miracle Worker," appearing in the role of "Anagnos." It ran for 719 performances at the Playhouse through July 1, 1961, but his next play, "The Egg", was a flop, lasting but one week (eight performances) at the Cort in January 1962. His last turn on Broadway was in Tony Richardson's staging of Bertolt Brecht's mediation on the rise of Adolf Hitler, "Arturo Ui" (a.k.a. "The Resistible Rise of Arturo Ui"). Constantine played the character "Dogsborough" in support of the great Broadway star Christopher Plummer's "Arturo Ui." It, too, was a one-week flop, lasting but eight performances at the Lunt-Fontanne Theatre in November 1963. Constantine's Broadway career was at an end.
He made his motion picture debut in The Last Mile (1959) in support of Mickey Rooney, but had already begun appearing in the medium in which he made his reputation, television, the year before. He appeared in teleplays on the omnibus television anthologies Armstrong Circle Theatre (1950) and Play of the Week (1959) and made numerous guest appearances on TV series, where his ethnic look made him valuable as heavies on such programs as The Untouchables (1959). In film, he appeared in such productions as Robert Rossen's classic The Hustler (1961), If It's Tuesday, This Must Be Belgium (1969) and the film version of Woody Allen's play, Don't Drink the Water (1969), the latter two films revealing his flair for comedy.
Constantine was a regular on the series Hey, Landlord (1966). His stint on Room 222 (1969) was followed by his star-turn in the short-lived series Sirota's Court (1976), for which he received his second Golden Globe nomination, this time as Best Leading Actor in a Musical or Comedy TV Series, in 1976. After that, he remained steadily employed but his career remained rather quiet until cast he was cast in My Big Fat Greek Wedding (2002).
Michael Constantine died in August 2021. He was 94. - Actor
- Additional Crew
- Soundtrack
Jacques D'Amboise was trained in the School of American Ballet before joining the New York City Ballet in 1950. He soon went on to become a principal dancer. For over 3 decades, he danced with NYCB. During that time, he also choreographed several ballets. In 1976, D'Amboise founded the National Dance Institute in New York City, teaching children how to dance. NDI has since expanded into other cities and internationally. D'Amboise's efforts with NDI were filmed in documentary form in 1982 -- winning the Academy Award. D'Amboise has four children -- his daughter, Charlotte d'Amboise, has appeared in films, and his son, Christopher d'Amboise, is an accomplished dancer.- Actress
- Costume and Wardrobe Department
- Costume Designer
Elegance and femininity are fitting descriptions for Arlene Dahl. She is considered to be one of the most beautiful actresses to have graced the screen during the postwar period. Audiences were captivated by her breathtaking beauty and the way she used to it to her advantage, progressing from claimer to character roles.
Of Norwegian extraction, Miss Dahl was born in Minneapolis. Following high school she joined a local drama group, supporting herself with a variety of jobs, including modeling for a number of department stores. Arriving in Hollywood in 1946, she signed a brief contract with Warner Brothers, but she is best remembered for her work at MGM. The Bride Goes Wild (1948) was her first work at Metro. It was an odd but rather humorous love story, which starred Van Johnson and June Allyson.
Although her beauty captivated audiences, it ultimately limited her to smaller roles, and the mark she made at MGM was small. Some of her best films were Reign of Terror (1949), which actually required some acting and she acquitted herself quite well, Three Little Words (1950), Woman's World (1954), Slightly Scarlet (1956) and Journey to the Center of the Earth (1959).
Leaving films behind her in 1959, her typecasting would pay off financially as she became a beauty columnist and writer. She later established herself as a businesswoman, founding Arlene Dahl Enterprises which marketed lingerie and cosmetics.
She was married six times, two of whom were actors, Lex Barker and Fernando Lamas. She is the mother of actor / action star Lorenzo Lamas, and actually made a guest appearance in his film Night of the Warrior (1991).- Producer
- Additional Crew
Martha De Laurentiis formed the Dino De Laurentiis Company (DDLC) in 1980 with her partner and husband, Dino De Laurentiis. Over the past 33 years, Martha produced, executive produced, and co-produced over 40 films and miniseries. Now known as the De Laurentiis Company, the enterprise has overseen the construction and management of three major international film studios: the Screen Gem Studios in Wilmington, NC; the Warner Bros. / Village Roadshow Studios on the Gold Coast of Australia; and the CLA-De Laurentiis studios in Ouarzazate, Morocco.
DLC is based on the Universal Pictures lot, where it holds a long-standing first-look deal. In addition to producing the smash hit Hannibal for NBC, DLC is developing a diverse slate of projects for both film and television, including a Barbarella series with Nicolas Winding Refn for Gaumont International TV and Canal Plus, a series based on the novel Gateway by Frederik Pohl, a feature film entitled The Seventh Day (2021), and a new project based on the Sandman Slim series by Richard Kadrey.- Producer
- Additional Crew
- Writer
David H. DePatie was born on 24 December 1929 in Los Angeles, California, USA. He was a producer and writer, known for ABC Afterschool Specials (1972), Doctor Dolittle (1970) and The Grinch Grinches the Cat in the Hat (1982). He was married to Marcia MacPherson, Beverly McKay and Ann Stevens. He died on 23 September 2021 in Gig Harbor, Washington, USA.- Director
- Producer
- Actor
Richard Donner was born on 24 April 1930 in The Bronx, New York City, New York, USA. He was a director and producer, known for Superman (1978), Ladyhawke (1985) and Superman II: The Richard Donner Cut (1980). He was married to Lauren Shuler Donner. He died on 5 July 2021 in Los Angeles, California, USA.- Actress
- Producer
- Soundtrack
Suzzanne Douglas is an award-winning actress of both screen and stage, whose work has led her through all walks of creative life. Driven by her desire to constantly grow as an artist, Suzzanne has developed a canon of enigmatic and complex roles, and hopes to encourage younger artists to do the same.
Her theater credits include Dorothy Brock in "42nd Street" at the Drury Lane Theaterm Mertreuil in the Baltimore Center Stage Theater's production of "Les Liaisons Dangereuses", and Kendra in George Street Playhouse's "American Son." Other theater credits include "The Tap Dance Kid", "Night in Tunisia", "Julius by Design", "The Drowning Crow", "Crowns" (NAACP Image Award for Best Ensemble), "Women of Brewster Place", and Arthur Laurent's "Hallelujah, Baby!", which he re-wrote especially for her. Suzzanne was also the first African-American to play the role of Dr. Bearing in the Pulitzer-Prize-winning play "Wit" at the George Street Playhouse.
On television, she is best known for her co-starring role with Robert Townsend in the long-running Warner Brothers sitcom "The Parent 'Hood", which is in syndication in most markets. She has also appeared in such highly acclaimed shows as CBS' "Bull" with Michael Weatherly, "The Good Wife", "Bones", and "Law & Order" ("SVU" and "Criminal Intent"). Suzzanne has also brought her numerous talents to the big screen. Her filmography runs the gamut from made-for-television, to independent, to mainstream cinema including "Whitney", "How Stella Got Her Groove Back" (Black Oscar, NAACP Image Award Nominee), "School of Rock", "The Inkwell", "Jason's Lyric", "Tap" (NAACP Image Award), the ABC remake of the classic "Sounder" (Black Reel Award, NAACP Image Award Nominee), "Black N' Blue", "Happy Yummy Chicken"--for which she wrote the title track, and "Changing the Game", which was selected for the prestigious Cannes Film Festival.
As a producer, Suzzanne won the award for Best Short film at the Hollywood Black Film Festival awards for "The Last Weekend." She co-produced Theresa Rebeck's Love on the Rocks starring Julie White.
Suzzanne's vocal talents have taken her from Broadway, starring opposite Sting in "The Threepenny Opera", to the concert halls of Russia with Jon Faddis. A singer and composer, Suzzanne performs regularly with her trio, performing music from the American Songbook as well as her original compositions. She has traveled and performed with many renowned musicians including Nate Adderley, Don Braden, T.S. Monk, Helen Sung, Stanley Turrentine, Gene Harris, and Kenney Burrell.
Suzzanne earned a Bachelor of Arts degree at Illinois State University and a Master in Music degree at the Manhattan School of Music. She is a dedicated patron of the arts and an advocate for teaching artistic expression in the educational system. Through this, she hopes to engage and empower individuals and their communities. Suzzanne is a former board member at George Street Playhouse, and a current member of the Artistic Board at Luna Stage in West Orange, NJ. She is a lifetime member of Girl Scouts of America, The National Council of Negro Women, Sigma Alpha Lambda, and Jack and Jill of America, Inc. She is an Honorary Member of Delta Sigma Theta Sorority, Inc. where she serves on its National Board.- Actor
- Director
- Writer
Robert Downey Sr. served in the army, played minor-league baseball, was a Golden Gloves champion and off-off Broadway playwright, all before he was 22 years old.
Downey was born in New York City, New York, the son of Elizabeth (McLoughlin), a model, and Robert Elias, who worked in hotel/restaurant management. He took the surname of his stepfather, James Downey, when enlisting in the army. His father was of Lithuanian Jewish descent, while his mother was of half-Irish and half-Hungarian Jewish ancestry. In 1960, he began writing and directing basement-budgeted, absurdist films that gained an underground following: Balls Bluff (1961), Babo 73 (1964), Chafed Elbows (1966) and No More Excuses (1968). Putney Swope (1969) was the first Downey-directed film to earn a mainstream release. A devastating satire of Madison Avenue, it explored what happens when an African-American activist is given carte blanche at an advertising agency. The film was among the year's Top 10 Films in New York Magazine.
Downey thrived in the laissez-faire film world of the 1970s with such irreverent films as Pound (1970), where humans play dogs waiting to be adopted. Around this time he worked on projects for Joseph Papp and the New York Public Theatre, directing David Rabe's play "Sticks and Bones" for CBS (Sticks and Bones (1973)). The strong anti-war sentiments expressed in this live broadcast resulted in a major controversy when its sponsors pulled out at the last minute, and the network had to air the film uninterrupted because it couldn't find a sponsor. His Greaser's Palace (1972) is an outrageous restaging of the life of Christ in "spaghetti western" terms. Time Magazine put this film on its list of the year's Top 10 movies. Downey's take-no-prisoners sense of humor is also apparent in Two Tons of Turquoise to Taos Tonight (1975) and Hugo Pool (1997) (world premiere at the Sundance festival in 1997), a film that examines a day in the life of a female pool cleaner in Hollywood. Rittenhouse Square (2005) was the feature presentation of the Galway Film Festival and his second teaming with Max L. Raab, having been a consultant on Raab's award-winning Strut! (2001).
From time to time, Downey acted (badly, according to him) and he can be seen in films such as Boogie Nights (1997), Magnolia (1999) and The Family Man (2000). He appeared twice on The Tonight Show Starring Johnny Carson (1962), The Dick Cavett Show (1968), IFC's At the IFC Center (1997), Sundance Channel and countless other TV and radio shows. In addition, Downey was a guest speaker at film festivals and universities throughout the country. He developed an update of "Putney Swope." He lived in New York City with his wife, Rosemary Rogers.
Robert was the father of actors Robert Downey Jr. and Allyson Downey.- Actress
- Producer
Long a vital, respected thespian of the classic and contemporary stage, this grand lady did not become a household name and sought-after film actress until age 56 when she turned in a glorious, Oscar-winning performance as Cher's sardonic mother in the romantic comedy Moonstruck (1987). Movie (and TV) fans then discovered what East coast theater-going audiences had uncovered decades before -- Olympia Dukakis was an acting treasure. Her adaptability to various ethnicities (Greek, Italian, Jewish, Eastern European, etc.), as well her chameleon-like versatility in everything from cutting edge comedy to stark tragedy, kept her in high demand for 30 years as one of Hollywood's topnotch character players.
Olympia Dukakis was born on June 20, 1931, in Lowell, Massachusetts, the daughter of Greek immigrants, Alexandra (Christos), from the Peloponnese, and Constantine S. Dukakis, from Anatolia. She majored in physical therapy at Boston University, where she graduated with a BA. Olympia practiced as a physical therapist during the polio epidemic. She later returned to her alma mater and entered the graduate program in performing arts, earning a Master of Fine Arts degree.
Olympia found early success by distinguishing herself first on stage performing in summer stock and with several repertory and Shakespearean companies throughout the county. She made her Broadway debut as an understudy in "The Aspern Papers" at age 30, followed by very short runs in the plays "Abraham Cochrane" (1964) and "Who's Who in Hell" (1974). In 1999, she premiered a one-woman play "Rose," at the National Theatre in London and subsequently on Broadway in 2000. The play earned her an Outer Critics Circle Award and Drama Desk Award nomination and she continues to tour the country with it.
Olympia was seen on the New York stage in the Roundabout Theatre's production of "The Milk Train Doesn't Stop Here Anymore" (2011), in San Francisco in A.C.T.'s production of "Vigil" (2011) and as "Prospera" in "The Tempest" (2012) at Shakespeare & Co. She has performed in over 130 productions Off-Broadway and regionally at theaters including the Public Theatre, A.C.T., Shakespeare in the Park, Shakespeare & Co., and the Williamstown Summer Theatre Festival, where she also served as Associate Director. She was seen again at Shakespeare & Co. in the summer of 2013 as the title role in "Mother Courage and Her Children."
Olympia married Yugoslav-American actor Louis Zorich in 1962. The New York-based couple went on to co-found The Whole Theatre Company in Montclair, New Jersey, and ran the company for 19 years (1971-1990). As actress, director, producer and teacher, she still found the time to raise their three young children. She also became a master instructor at New York University for fourteen years. She scored theater triumphs in "A Man's a Man," for which she won an Off-Broadway Obie Award in 1962; several productions of "The Cherry Orchard" and "Mother Courage"; "Six Characters in Search of an Author"; "The Rose Tattoo"; "The Seagull"; "The Marriage of Bette and Boo" (another Obie Award); and, more notably, her many performances as the title role in "Hecuba." A good portion of her successes was launched within the walls of her own theater company, which encouraged the birth of new and untried plays.
Olympia's prolific stage directing credits include many of the classics: "Orpheus Descending," "The House of Bernarda Alba," "Uncle Vanya," and "A Touch of the Poet," as well as the more contemporary ("One Flew Over the Cuckoo's Nest" and "Kennedy's Children"). She also adapted such plays as "Mother Courage" and "The Trojan Women" for the theater company. Over the duration of their marriage, she and her husband have experienced shared successes, appearing together in "Long Day's Journey Into Night," "Camino Real, "The Three Sisters" and "The Seagull," among many others. Both are master interpreters of Chekhovian plays -- one of their more recent acting collaborations was in "The Chekhov Cycle" in 2003.
Making an inauspicious debut in a bit role as a mental patient in Lilith (1964), she tended to gravitate toward off-the-wall films with various offshoots of the ethnic mother. She played mom to such leads as Dustin Hoffman in John and Mary (1969), Joseph Bologna in the cult comedy Made for Each Other (1971) and Ray Sharkey in The Idolmaker (1980). Interestingly, it was her scene-stealing work on Broadway in the comedy "Social Security" (1986) that caught director Norman Jewison's eye and earned her the Moonstruck (1987) movie role. The Academy Award win for Best Supporting Actress was the last of a stream of awards she earned for that part, including the Los Angeles Film Critics, Golden Globe and American Comedy awards.
From then on, silver-haired Olympia was frequently first in line for a number of cream-of-the-crop matron roles: Steel Magnolias (1989), Dad (1989), Look Who's Talking (1989), The Cemetery Club (1993), Mr. Holland's Opus (1995) and Mother (1995).
On TV, she received high praise for her work especially for her sympathetic trans-gendered landlady Anna Madrigal in the acclaimed miniseries Tales of the City (1993) and its sequels More Tales of the City (1998) (Emmy Nominee) and Further Tales of the City (2001). She was additionally seen in episodes of Bored to Death (2009), and TV movies The Last of the Blonde Bombshells (2000) (Judi Dench), Sinatra (1992) (Golden Globe Nominee), and The Messenger: The Story of Joan of Arc (1999) (Emmy Nominee). This work is among more than 40 other series, mini-series and guest starring roles she accumulated over her long career. Several recurring TV roles also came her way with Center of the Universe (2004), Bored to Death (2009), Sex & Violence (2013), Forgive Me (2013), Switch (2018) and one last return to her popular Anna Madrigal role with the series sequel Tales of the City (2019).
The septuagenarian hardly slowed down and continued strongly into the millennium with top supporting film credits including The Intended (2002), The Event (2003), the title role in the mystery Charlie's War (2003), The Thing About My Folks (2005), Jesus, Mary and Joey (2005), Away from Her (2006), Day on Fire (2006), In the Land of Women (2007), The Last Keepers (2013), A Little Game (2014), 7 Chinese Brothers (2015), The Infiltrator (2016), Her Secret Sessions (2016) and Change in the Air (2018). The film Cloudburst (2011), in which she shared a co-lead with Brenda Fricker, became a critical and audience darling, winning a multitude of "Best Film" awards and several "Best Actress" honors (Seattle, San Diego) at various film festivals.
An ardent liberal and Democrat, she was the cousin of 1988 presidential nominee Michael Dukakis. Moreover, she was a strong advocate of women's rights and environmental causes. Olympia published her best-selling autobiography "Ask Me Again Tomorrow: A Life in Progress" in 2003, an introspective chronicle full of her trademark candor and wry humor. She was also a figure on the lecture circuit covering topics as widespread as life in the theater to feminism, Alzheimer's, diabetes, and osteoporosis.
A hardcore New Yorker, she resided there following the death of her husband in 2018, and until her death in May 2021. She received the Lifetime Achievement Award from the Greek America Foundation, the National Arts Club Medal of Honor, and a star on the Hollywood Walk of Fame.- Costume Designer
- Art Director
- Costume and Wardrobe Department
Robert "Bob" Fletcher was a prolific costume designer for both stage and screen with more than six decades of experience in the field. He is best known for his work on the first four Star Trek films, and is considered the father of the classic Klingon and Vulcan, as we know them today. He passed peacefully in Kansas City on April 5th, 2021 at the age of 98.- Actor
- Director
- Producer
Rarely at a loss for work, Willie Garson appeared in more than 300 episodes of television and more than 70 films. Best known for his long runs on television as Mozzie on White Collar (2009), Stanford Blatch on Sex and the City (1998), and Henry Coffield on NYPD Blue (1993), he also appeared as the grifter with a heart of gold, Gerard Hirsch, on Hawaii Five-0 (2010).
Born in New Jersey, he started training at the Actors Institute In New York, before majoring in psychology and theater at Wesleyan University in Middletown, Connecticut. After graduation, he quickly started landing guest roles on such shows as Cheers (1982), Family Ties (1982), Thirtysomething (1987), L.A. Law (1986), as well as continually recurring in a wide array of shows including The X-Files (1993), Twin Peaks (1990), Two and a Half Men (2003), Stargate SG-1 (1997), Pushing Daisies (2007), The Practice (1997), Ally McBeal (1997), etc., etc., etc. His favorite long-form role on TV was Dr. Kreutz for Steven Spielberg in the acclaimed miniseries Taken (2002). Garson also appeared in many episodes of Boy Meets World (1993) and Girl Meets World (2014).
On the big screen, other than reprising his Sex and the City (1998) role for two features (Sex and the City (2008) and Sex and the City 2 (2010)), he collaborated with the Farrelly brothers on three films, There's Something About Mary (1998), Kingpin (1996), and Fever Pitch (2005), as well as appearing in Soapdish (1991), Groundhog Day (1993), Mars Attacks! (1996), The Rock (1996), Being John Malkovich (1999), and many others. He was often used by such varied directors as Spike Jonze, Michael Bay, the late great Mike Nichols, and Ron Shelton. Next up is Feed (2017), touching on a subject Garson was very proud to be a part of. Upcoming films include 7 Days to Vegas (2019), and Magic Camp (2020).
As a director, Garson directed episodes of White Collar (2009) and Girl Meets World (2014), and, with Warner Brothers, had TV shows in development as producer/creator.
Garson continued to perform with various bicoastal theater companies such as Naked Angles, Manhattan Theater Club, the Roundabout Theater, and the Geffen. He was also very involved with many charities, including AMFAR, Camp Joslin for Diabetes, Doctors Without Borders, Habitat for Humanity, and especially the Alliance for Children's Rights, which facilitates adoptions in LA County. This had a special place in the Garson family, as Willie adopted his son Nathan in Los Angeles in 2010, and twice served as national spokesman for National Adoption Day.
Aside from acting, Garson was known as a world-class poker player, nicknamed Evil Willie on the first episode of Celebrity Poker Showdown (2003), and continued to play in tournaments all over the world, both for charity and through the World Poker Tour.- Actor
- Additional Crew
- Soundtrack
Saginaw is the Hereditary Chief and a respected member of the Sac and Fox, Iowa and Otoe-Missouria Nations.
In 1936, Saginaw Morgan Grant was born to Sarah and Austin Grant Sr. at Pawnee Indian Hospital in Pawnee, Oklahoma. He was raised on a farm in Cushing, Oklahoma with two brothers and one sister. Having a traditional upbringing by both parents, Saginaw was especially influenced by his grandparents. His grandfather Kirvin was a strong medicine man and his other grandfather Saginaw (whom he is named after) was also a very spiritual man. They taught Saginaw their customs, culture, and traditions and the importance of their way of life. As a result, Saginaw witnessed many special ceremonies and events taught to very few.
As a young adult, Saginaw experienced all situations, both good and bad, which every young person faces in today's society, yet he overcame the obstacles that challenged him, and with that he found the courage to become the man he is today.
During his life in Oklahoma he took on employment in various industries such as dry cleaning, also gaining a better understanding of the Bureau of Indian Affairs, and other vocations in which he enjoyed interacting with people. This gave him the opportunity to learn about different philosophies, beliefs and religions.
He resides in the Southern California area. Where he is called upon for counseling, lectures, and family events, while also pursuing his acting career.
He adopted Actress and Activist Mariana Tosca to be his daughter and a member of the Sac and Fox, Iowa and Otoe-Missouria tribes.- Editor
- Editorial Department
Jon Gregory was born on 21 May 1944 in Lahore, Pakistan. He was an editor, known for Three Billboards Outside Ebbing, Missouri (2017), In Bruges (2008) and Four Weddings and a Funeral (1994). He was married to Sue Baker and Beryl Ridley. He died on 9 September 2021.- Actor
- Writer
- Director
Deadpan comedian Charles Sydney Grodin (originally Grodinsky) was born in Pittsburgh, Pennsylvania of Russian/Polish ancestry and raised in a Jewish orthodox home. He attended the University of Miami but dropped out, opting instead for the life of a struggling actor. The movie A Place in the Sun (1951) was said to have steered him towards his chosen profession. In his own words: "It was two things. One is I think I developed an overwhelming crush on Elizabeth Taylor. And two, Montgomery Clift made acting look like 'Gee, well that looks pretty easy - just a guy talking.'".
After a spell with Uta Hagen (1956-59), he attended Lee Strasberg's Actors Studio before making his stage debut on Broadway in 1962. Though he appeared on screen from as early as 1954, Grodin did not make a great deal of headway in this medium until he attracted critical notice playing the small but crucial role of obstetrician Dr. C.C. Hill in Rosemary's Baby (1968). More substantial roles soon followed. His first major starring turn was in The Heartbreak Kid (1972), a black comedy written by Neil Simon and directed by Elaine May. Grodin managed to inject charm and humanity in what was essentially an egotistical central character. Film reviewer Roger Ebert praised his performance, describing the actor as a "kind of Dustin Hoffman-as-overachiever", an opinion which was echoed by Vincent Canby of the New York Times. Ironically, Grodin had earlier turned down the pivotal role in The Graduate (1967) which propelled Hoffman to stardom (he also -- probably unwisely -- spurned the role of oceanographer Matt Hooper in Jaws (1975) which instead went to Richard Dreyfuss).
Grodin's ultimate breakthrough came on the Broadway stage in "Same Time Next Year" (1975) (opposite Ellen Burstyn), a hugely successful romantic comedy about two people, each married to someone else, who conduct an extramarital affair for a single day over the course of 24 years in the same room of a northern Californian inn. Though the two leads left the show after seven months, Grodin was now much sought-after in Hollywood as a droll comic actor and cast in a string of hit comedies: Heaven Can Wait (1978), Seems Like Old Times (1980), The Lonely Guy (1984) and Midnight Run (1988). He also appeared to sterling effect in the underrated farce The Couch Trip (1988), in which he co-starred with Walter Matthau and Dan Aykroyd as the brittle psychiatrist and radio host Dr. George Maitlin. Arguably his most popular box office success was opposite the titular Saint Bernard canine in the family-oriented comedy Beethoven (1992). Despite less than enthusiastic critical reviews, the film was a hit with audiences, grossed $147.2 million worldwide and spawned a sequel.
In the mid-1990s, Grodin reinvented himself as a television host (The Charles Grodin Show (1995)) and political commentator. He made frequent guest appearances on talk shows with Carson or Letterman, typically adopting the persona of a belligerent tongue-in-cheek character to facilitate "comically uncomfortable situations on the set". Grodin was also a prolific author, both of fiction and non-fiction. An autobiography was entitled "It Would Be So Nice If You Weren't Here: My Journey Through Show Business" (1989). Charles Grodin died at age 86 of bone marrow cancer on May 18, 2021 at his home in Wilton, Connecticut.- Actor
- Music Department
- Writer
David Gulpilil is a legendary Yolngu actor, a First Nations person of Northern Australia, born around 1953. The local missionaries gave him his birthdate of July 1, 1953, just as they gave him his Christian name David, although he admits he liked that name from the start. His last name, Gulpilil, was a totem, the kingfisher. He'd never seen a white person until he was 8 when he visited the mission school, but he never really allowed them to teach him anything.
In 1969, the British film director Nicolas Roeg, scouting locations in the Outback, appeared at a mission in the north and asked if anyone knew a boy who can throw a spear, who can hunt, and who can dance, and everyone pointed at David.
David's easy smile made him a natural, and it quickly became obvious that he was unlike anyone the white man had met in the outback. He was not reserved or suspicious of strangers, and carried song on his lips and rhythm in his legs. David Gulpilil was fearless.
Looking back over his career, he tells us in the documentary, My Name is Gulpilil (2021), filmed while dying of terminal lung cancer, that he never acted, that acting wasn't something he had to do because it was natural. "I know how to walk across the land in front of a camera, because I belong there," Standing on stage, before a camera, or before the Queen of England, David felt comfortable in his own skin whether it was barely dressed in a loin cloth, or stuffed into the white man's dinner jacket.
Roeg quickly cast the charismatic Gulpilil in Walkabout (1971), a film based upon Donald G Payne's 1959 novel about a boy who cheerfully leads children to safety. Without really knowing it, Roeg broke new ground in Australian cinema, and redefined the way that Indigenous people were represented in Australian cinema. The film was an international success everywhere but in Australia, where First Nation peoples had been previously portrayed only by white people wearing blackface. And to top it off, the film broke cultural barriers, presenting on the wide screen a sexually attractive young Black man.
David Gulpilli was, overnight, hurled in to high society as an instant, international celebrity and presented before Queen Elizabeth, who found him quite charming and humorous. She in turn introduced David to John Lennon and that was just the beginning. Before long he was soon shaking hands with Muhammad Ali, Marlon Brando, Bruce Lee, Jimi Hendrix, and Bob Marley, who would help contribute to David's downfall. David taught Bob Marley to play the didgeridoo. Marley taught David to smoke ganja. But it was while filming Mad Dog Morgan (1976) that he got his crash course in hellraising by Dennis Hopper. Later in his one-man stage show he'd say, "If you're working with people like Dennis Hopper and [John] Meillon, well, you gotta learn all about drinking and drugs."
David enjoyed being in front of the camera, and he well knew the importance of his work because it was history and it would "remember to generation to generation," shining a spotlight on his people who had been murdered, exploited, and corralled into camps. The collective history of his people meant everything to him and these films, he claimed, "Won't rub it out."
He was a dancer, a singer, an artist, and a story teller, and fell lovingly into the role of ambassador of his culture to the white man's world, which ironically would eventually divorce him from his culture, as he took to drink and drugs and wound up in trouble with the law, racking up four drink-driving arrests, and one drunken escapade that landed him in jail again, but this time for assaulting his wife. As he admitted in his biopic, "Left side, my country. Right side, white man's world. This one tiptoe in caviar and champagne, this one in the dirt of my Dreamtime."
When he'd been discovered, he spoke no English, though he knew a few dialects of the First People's language, and he was such a quick learner. He began picking up English while just listening during the making of the film, Walkabout, and afterwards as he travelled about the world.
In his one man show, "Gulpilli," he tells the story of trying to use a knife and fork while sitting next to the queen. He cut and cut but couldn't get any meat as he just moved the plate around the table. He gave up and finally picked it up with his hands. Whether true or not, he tells how the Royal Family joined in, eating their meat as he did.
After his sudden fame in Walkabout, David found his way onto Australian television in episodes of Boney (1972), Homicide (1964), Rush (1974), The Timeless Land (1980), and more, and even got a bit part in The Right Stuff (1983).
He was quickly recognized as the most renowned tribal dancer in Australia, and he choreographed the traditional First People's dance in Crocodile Dundee (1986). His love of dance inspired him to organize dancing troupes and musicians that won the Darwin Australia Day Eisteddfod dance competition four times.
His breakthrough role came in the mid-seventies with Storm Boy (1976), one of David's personal favorites, followed up by a lead role in The Last Wave (1977). In fact, his last appearance as an actor was in the remake of Storm Boy (2019), playing the father of Fingerbone Bill, the character he'd played in the original version.
Despite his fame, his earnings were never substantial and he was subjected to racism from agents and film crews. He was often homeless, sleeping in parks. He wound up living in a corrugated iron hut in the community of Raminginig that had no electricity or running water, where he hunted kangaroos, cooking bush meat over an open fire. "I was brought up in a tin shed. I wandered all over the world - Paris, New York - now I'm back in a tin shed," Gulpilil said.
Rabbit-Proof Fence (2002) is the story of Australia's Lost Generations, in which mixed race First Nation children were removed from their families and placed in church-run missions in order to breed the "black" out of them and integrate them into society. Many of the children ran away from these camps and trackers were sent out after them. David Gulpilil played the formidable tracker in Rabbit-Proof Fence, and that led to a leading role in The Tracker (2002), directed by Rolf de Heer. David referred to this role as the best performance in his career. He won best actor at the Australian Film Institute Awards, the Inside Film Awards, and the Film Critics' Circle Awards.
He teamed up with Rolf de Herr a few more times, but their most unique production was the first film scripted entirely in the Yolngu language, called Ten Canoes (2006). Gulpilil narrated the film and it won a Special Jury Prize at the Cannes Film Festival. It was after this time that David's life took a downhill turn and landed him in prison because of his drinking and assaulting his then partner Miriam Ashley. After his release he went into treatment and got sober.
Clean and sober he went to work again with Rolf de Herr and co-wrote the film Charlie's Country (2013), the true to life story of an ageing man who yearned to return to his cultural roots. Gulpilil gave the performance of his career, winning four best actor awards, including best actor at the Cannes Film Festival. At the Australian Film Critics Association Awards, he shared with Rolf de Heer the best screenplay award.
Released six months before his passing, My Name is Gulpilil (2021) is, as David put it, the story of his story. Though very ill, David gives us insight into his charismatic life and charm as we witness the full spectrum of his talents. We see him dancing, singing, celebrating, and even painting. One of his paintings, "King brown snake with blue tongue lizard at Gulparil waterhole" hangs in The Art Gallery Of South Australia. He spins wool from his hair, something his ancestors handed down that his father taught him. He takes us for a walk through his land, along the rivers, in the shadows of the mountains, and knowing he's dying, he admits he really doesn't yet grasp it, but tells us, "I'm walking like across the desert of the country, a long, long way. Until the time comes . . . for me."- Producer
- Director
- Actor
Academy award winning film producer, Jerome Hellman was born on September 4, 1928, in New York City. After a brief stint at the Ashley/Steiner Agency, he founded his own agency, the Jerome Hellman Associates which represented several figures from television. He closed the agency in 1959 in order to focus on film producing.
His first film as a producer was George Roy Hill's comedy The World of Henry Orient (1964), followed by A Fine Madness (1966). In 1969, he challenged audiences with the daring and controversial Midnight Cowboy (1969). Directed by John Schlesinger, the adaptation from James Leo Herlihy's novel followed two misfits trying to make their living in a crazed New York City. Dealing with strong sexual themes and the ordinary lives of two low-life characters the movie became a massive hit and defined a whole generation, winning the Best Picture Oscar in 1970 (of which Hellman is the winner).
Again with Schlesinger, Hellman followed with the adaptation of Nataniel West's novel The Day of the Locust (1975), a monumental film by Paramouont Pictures that failed to impress viewers and some critics. But he found success again with the Vietnam War themed film Coming Home (1978) starring Jane Fonda and Jon Voight , also lead in Midnight Cowboy (1969). The movie was well-received and won three Oscars, but losing Best Picture.
That same year of the Oscars, Hellman directed his first film Promises in the Dark (1979).
The following decade only got him working in one movie, Peter Weir's The Mosquito Coast (1986), which was a moderate success.
He died on May 26, 2021.- Director
- Editor
- Producer
Monte Hellman was born on July 12, 1929, in New York City, where his parents were visiting, but he grew up in Los Angeles. He studied drama at Stanford University--on an NBC scholarship--and film at UCLA. After a few years directing in summer theater, Hellman hooked up with legendary "B" movie producer Roger Corman in the late 1950s. Corman helped finance Hellman's production of "Waiting For Godot", the the first time that Samuel Beckett's play had been staged in Los Angeles; the Los Angeles Times said it was "directed with wisdom, devotion and perception." Hellman made his film directorial debut with Beast from Haunted Cave (1959) and directed portions of Corman's The Terror (1963).
Hellman joined forces with frequent collaborator Jack Nicholson for two pictures shot back-to-back in the Philippines: Back Door to Hell (1964) and Flight to Fury (1964), then re-teamed with Nicholson for two existential westerns filmed in Utah under similar conditions: The Shooting (1966) and Ride in the Whirlwind (1966). After editing several films for Corman, including The Wild Angels (1966), Hellman directed what many consider to be his best work, Two-Lane Blacktop (1971), which starred Warren Oates and featured singer James Taylor and The Beach Boys' drummer Dennis Wilson in dramatic roles. It was included in the National Film Registry of the Library of Congress in 2012.
Hellman's next film was Cockfighter (1974), an adaptation of Charles Willeford's novel, also starring Oates. Hellman collaborated with the actor once more on the European western China 9, Liberty 37 (1978). After completing Avalanche Express (1979) following the death of its original director, Mark Robson. Hellman made Iguana (1988) and the darkly humorous Silent Night, Deadly Night 3: Better Watch Out! (1989).
Hellman's work was a major influence on Quentin Tarantino, and he served as executive producer on Tarantino's directorial debut, Reservoir Dogs (1992). After a lengthy absence from the screen, he returned to directing with the short Stanley's Girlfriend (2006), included in the horror anthology Trapped Ashes (2006), and the feature film Road to Nowhere (2010), which won a Special Golden Lion at Venice: the award was presented by jury president Tarantino, who introduced Hellman as "a great cinematic artist and a minimalist poet".
Hellman was one of 70 directors asked to contribute a 90-second movie to _Venice 70: Future Reloaded (2013), which opened the 70th Venice Film Festival in 2013. His latest project is "Love or Die", which is scheduled to commence shooting in Lisbon, Portugal, in March 2014.
-------------- Biography by Woodyanders. Corrected by A. Nonymous. Revised, corrected and updated by Brad Stevens, author of 'Monte Hellman: His Life and Films', in 2014. Corrected by A. Nonymous.- Actor
- Director
- Producer
Blond, boyishly handsome Dwayne Hickman, the younger brother of Darryl Hickman, followed in his sibling's tiny footsteps as a moppet film actor himself. Born Dwayne Bernard Hickman in Los Angeles on May 18, 1934, the brothers had a younger sister as well, Deidre (born 1940). He had minor roles in such films as Captain Eddie (1945) (Darryl had a major role in this), The Secret Heart (1946), The Boy with Green Hair (1948), Mighty Joe Young (1949), The Happy Years (1950) (again with Darryl in a major role), and topped his youthful film career as "Nip Worden" in the canine movie series "Rusty", which began with The Son of Rusty (1947) and ended with Rusty's Birthday (1949).
Graduating from Cathedral High School in 1952 (Darryl graduated from the same school in 1948), Dwayne enrolled at Loyola Marymount University. He returned to Hollywood following college studies and, unlike his brother, focused strongly on television work, making appearances on such series as Public Defender (1954), The Loretta Young Show (1953), The Lone Ranger (1949), and The Adventures of Ozzie and Harriet (1952). He also appeared in the Paul Newman/Joanne Woodward comedy film Rally 'Round the Flag, Boys! (1958) playing the secondary teen couple with Tuesday Weld. He grabbed major comedy attention, especially from young female baby-boomers, as Chuck, the girl-crazy nephew, in The Bob Cummings Show (1955). (Cummings became his mentor.)
Hickman then played the titular lovesick title high school teen in The Many Loves of Dobie Gillis (1959), the role for which he is best known, and in which he was reunited with Tuesday Weld as the prime object of his attention, although Weld did not remain with the series for the entirety of its run. Laying low for a few years, Hickman returned to the screen, making a strong impression in the western film Cat Ballou (1965), and then began hanging out with the young beach crowd in several AIP movies including Ski Party (1965), How to Stuff a Wild Bikini (1965), and Dr. Goldfoot and the Bikini Machine (1965), and a few slapstick comedies such as Sergeant Dead Head (1965) and Doctor, You've Got to Be Kidding! (1967). He guested on a mix of comedic and dramatic TV shows including Combat! (1962), Mod Squad (1968), Ellery Queen (1975), The Flying Nun (1967), and Kolchak: The Night Stalker (1974).
In the 1970s, Hickman began working behind the scenes as a publicist, a Las Vegas entertainment director and, most successfully, as a programming executive for CBS. He would return only occasionally to acting. He revisited his Dobie Gillis character, albeit a fully grown-up version, in such made-for-television movies as Whatever Happened to Dobie Gillis? (1977) and Bring Me the Head of Dobie Gillis (1988). In addition to guest appearances on Murder, She Wrote (1984) and Hi Honey, I'm Home (1991), he appeared in glorified cameos in High School U.S.A. (1983), had a recurring role on Clueless (1996), and was glimpsed in Cops n Roberts (1995), A Night at the Roxbury (1998), and Angels with Angles (2005). He began episodic directing chores in the 1980's, working on such episodes as "Charles in Charge", "Designing Women", "Head of the Class", "Harry and the Hendersons", and "Sister, Sister". In 1994, he published his biography, aptly titled 'Forever Dobie'.
Thrice wed, Hickman has two children -- one by his first wife, actress/model/beauty pageant winner Carol Christensen (1963-1972) who appeared a few times on "Dobie Gillis", and the other by his present wife, actress/voiceover artist Joan Roberts, to whom he has been married since 1983.- Actress
- Producer
- Additional Crew
Patricia Alma Hitchcock was the only child of Alfred Hitchcock and his wife Alma Reville. Her upbringing was 'English' and strict. Two years of boarding school from the age of eight was followed by relocation to the U.S. a year later when Hitch was contracted by David O. Selznick to direct Rebecca (1940). Keen to join the acting fraternity, Pat appeared on stage by the early 40s. In 1944, she played the titular role in the short-lived Broadway play Violet at the Belasco Theater. Though she would have liked to go on to a college education, her father instead packed her off to London when she was 18 to study at RADA (among her classmates were Lionel Jeffries and Dorothy Tutin). She made several appearances on the London stage, followed by an inauspicious screen debut in 1949. In 1950, she had a small role in her father's thriller Stage Fright (1950) (as 'Chubby Bannister') which set the tone for her future roles, usually as the dowdy friend or sister of the heroine (Strangers on a Train (1951), Psycho (1960)). She was also featured in ten episodes of Alfred Hitchcock Presents (1955), whenever (in her own words) "they needed a maid with an English accent". In a 1984 Washington Post interview she bemoaned the fact that her father had not believed in nepotism, so that more work would have come her way. In 1951, Pat got married and -- barely a decade later -- decided to forsake show business to raise a family. Her father did not object. In 2003, Pat published a book of reminiscences and anecdotes (co-authored by film writer Laurent Bouzereau), entitled Alma Hitchcock: the Woman Behind the Man, asserting that "My mother had much more to do with the films than she has ever been given credit for - he depended on her for everything, absolutely everything".- Actor
- Producer
William McChord Hurt was born in Washington, D.C., to Claire Isabel (McGill) and Alfred McChord Hurt, who worked at the State Department. He was trained at Tufts University and The Juilliard School and has been nominated for four Academy Awards, including the most recent nomination for his supporting role in David Cronenberg's A History of Violence (2005). Hurt received Best Supporting Actor accolades for the role from the Los Angeles Film Critics circle and the New York Film Critics Circle.
Hurt spent the early years of his career on the stage between drama school, summer stock, regional repertory and off-Broadway, appearing in more than fifty productions including "Henry V", "5th of July", "Hamlet", "Uncle Vanya", "Richard II", "Hurlyburly" (for which he was nominated for a Tony Award), "My Life" (winning an Obie Award for Best Actor), "A Midsummer's Night's Dream" and "Good". For radio, Hurt read Paul Theroux's "The Grand Railway Bazaar", for the BBC Radio Four and "The Shipping News" by Annie Proulx. He has recorded "The Polar Express", "The Boy Who Drew Cats", "The Sun Also Rises" and narrated the documentaries, "Searching for America: The Odyssey of John Dos Passos", "Einstein-How I See the World" and the English narration of Elie Wiesel's "To Speak the Unspeakable", a documentary directed and produced by Pierre Marmiesse. In 1988, Hurt was awarded the first Spencer Tracy Award from UCLA.- Cinematographer
- Camera and Electrical Department
- Additional Crew
Halyna Hutchins was born on 9 April 1979 in Zhytomyrska, Ukraine. She was a cinematographer, known for Treacle (2019), Archenemy (2020) and Crossing Point (2016). She was married to Matthew Hutchins. She died on 21 October 2021 in Albuquerque, New Mexico, USA.- Actor
- Director
- Producer
After decades in show business, character actor Conrad Janis came to prominence as Mindy's father on TV's Mork & Mindy (1978). Manhattan-born Janis was the son of renowned art dealer and clothing manufacturer Sidney Janis (1986-1989), and his wife Harriet (Grossman), who wrote books about jazz. He began acting as a 13 year old with a travelling stock company. Subsequently working as a radio actor, he went on to provide assorted voices, ranging from teens to middle aged men. He also had a small role in the 1945 Broadway play Dark of the Moon which was noticed by a Hollywood talent scout and paved the way to some freelance work in motion pictures, where he was featured as juvenile leads. In the early 50s, Janis segued into television while pursuing a separate career as a jazz trombonist, inspired by the music of Kid Ory. Having perfected his skills by studying under Cab Calloway alumni Tyree Glenn and Herbie Nichols, Janis fronted his own Dixieland/trad combo (Conrad Janis and His Tailgate Five) in the early 50s. By the late '70s, he had formed the Beverly Hills Unlisted Jazz Band which performed in many festivals and was often showcased on David Letterman's and Johnny Carson's late shows.
Janis acted in anthology TV dramas from as early as 1950, according to his account ultimately racking up some 700 appearances (many of them not recorded or otherwise lost to posterity). He toiled away in fairly minor parts until his breakout role as music store owner Fred McConnell in Mork & Mindy. In addition to numerous guest appearances, the balding Janis was also seen as a regular in the short-lived sitcom Quark (1977) (as philistine bureaucrat Otto Bob Palindrome) and in recurring roles on Murder, She Wrote (1984) and Frasier (1993). True to his roots, he remained involved with the art world and with music education throughout his life.- Actor
- Writer
- Producer
Julien began his career in New York's Off-Broadway circuit including Joseph Papp's Shakespeare in the Park. Moving westward, he landed co-starring roles with Jack Nicholson in Psych-Out (1968) and Candice Bergen in Columbia's box-office hit, Getting Straight (1970).
In Uptight (1968), New York Times critic Judith Crist considered him a standout in a standout cast. The Santa Monica Evening Outlook's Raoul Gripenwaldt predicted that Julien's portrayal of Johnny Wells in Paramount's Uptight (1968) could well result in an Academy Award nomination. Julien was invited to Europe to discuss film possibilities. He went on to write the screenplay for and subsequently co-produce Warner Brothers' Cleopatra Jones (1973).
In a joint venture with Columbia Pictures, Julien wrote, produced, and starred in Thomasine & Bushrod (1974). Assuming responsibility for the final look of the film, he assisted in the direction, supervised the editing and created the design concept for the costumes. The New York Times declared it a western of considerable freshness. The film garnered him a NAACP Image Award Nomination for Best Writer of the year. He then took a sabbatical from film, landing on several other continents, exploring the political developments of their cultures and writing poetry. He completed a novel, Dark Clowns Kickin' Ass, and finished 13 pieces of sculpture exhibited in galleries throughout the United States including Los Angeles' prestigious Pacific Design Center. Julien was dubbed one of the most popular and important filmmakers in the United States (L.A. Times), and graced the covers of such magazines as Ebony and Jet.
A group of Nigerian businessmen commissioned Julien to do a feasibility study for the development of a West African Film Colony. He selected a crew from Europe, Australia and the United States, and for a two-month period trained local craftsmen in the art of filmmaking. As a tribute to his accomplishments and international profile, a year later he was invited to return to co-write and star in Bisi & The Sun God.
In the early 1990s, Julien wrote, directed and essayed the title role in the docudrama Sketches Of A Man/The Charles Drew Story, about the African-American doctor who invented blood plasma. The mid-1990s returned him to West Africa starring, writing, executive-producing and directing Sangu, The Silent One. Nigeria's Ibaden Tribune said "Max Julien's Sangu is a masterpiece, a must for every Third World human being; more appropriately, every spiritual, peace loving person on the globe. This gifted, connected thread (Julien) will do much to keep the continents from colliding." Nigeria's Daily Times echoed "The Silent One speaks loudly; Julien's wisdom has not tarnished, his eyes and his words address the inner feelings of the common man of color. He's a joy to look upon, he is to be cherished."
In the billion dollar consumer market of hip hop, Julien became a Brand Name in hot demand by Rap, R&B and Pop entertainers to write and deliver his uniquely lyrical expressions including: Do Or Die's CD featuring Kanye West and R. Kelly, and Houston blues singer Rue Davis's Legends Are Forever album in early 2007. Around the same time he was writing dialogue for a Warner Brothers video game based on Clint Eastwood's iconic "Dirty Harry" character that ended when the studio shelved the project. He was also a sought-after guest speaker.
On May 13, 2011, on Yahoo News, Nick Cannon was being interviewed for his upcoming Showtime comedy special Mr. Showbiz, which included poking fun at his then-wife, Mariah Carey. Earlier reviews indicate one of the most hilarious bits involved him accusing Mariah of pimping him like Julien ("Goldie" from The Mack (1973)).
Despite being notoriously reclusive, in 2012 Julien's popularity reached cult-like proportions. His face hangs in the lobby Walls of Fame in Magic Johnson's Theatres from L.A. to Atlanta to Harlem.
Stevie Wonder included Julien in the dedications on his classic album "Songs In The Key of Life". Dick Kleiner wrote a chapter about him in his book ESP & The Stars. In Miramax's book on 1970s films, What It Is & What It Was, Academy Award nominee Samuel L. Jackson complimented the actor/filmmaker, saying "I always went to see whatever Max Julien was doing." In a February 2008 interview on Fadar-TV, mega Hip-hop star Rick Ross removed his t-shirt and revealed Julien's face tattooed on his body.
Ninety percent of the world's rappers have sampled his voice and the music from The Mack (1973) (Outkast, 50-Cents, Three 6 Mafia etc.) familiarizing him among the 75% male and female consumers between 15 and 25 years of age, who happen to be white.
Quentin Tarantino scripted a film, True Romance, that shows Julien in a clip while Christian Slater says "I know that film. It's The Mack (1973) starring Max Julien." Although he declined a writing credit, Julien co-wrote the script along with co-star Richard Pryor and director Michael Campus. He also made major contributions in designing the costumes. It remains one of the leading DVD rentals/sellers in the world, recently cited by Entertainment Weekly as the 20th top cult film of all times, on a list of 50.
Julien had a starring cameo and wrote his own role in Def Jam's comedy hit, "How To Be A Player", then wrote and performed the intro, 19 interludes and the final recording on the film's platinum selling soundtrack album. He wrote and performed on Rap-A-Lot artist Tela's Gold Now or Never CD; was highlighted throughout The Hughes Brothers' documentary "The American Pimp"; starred in Bradley Smith's award-winning film short film "Restore"; and featured in N.Y.'s 2002 Urban World Film Festival as well as on Russell Simmons' Hip-Hop Channel.- Actress
- Additional Crew
- Producer
Sally Kellerman arrived quite young on the late 1950s film and television scene with a fresh and distinctively weird, misfit presence. It is this same uniqueness that continued to make her such an attractively offbeat performer. The willowy, swan-necked, flaxen-haired actress shot to film comedy fame after toiling nearly a decade and a half in the business, and is still most brazenly remembered for her career-maker in the irreverent hit Korean War dramedy M*A*S*H (1970), for which she received supporting Oscar and Golden Globe nominations. From there, she went on to enjoy several other hallmark moments as both an actress and a vocalist.
California native Sally Clare Kellerman was born in Long Beach on June 2, 1937, to Edith (née Vaughn), a piano teacher, and John Helm Kellerman, a Shell Oil Company executive. Raised along with her sister in the San Fernando Valley area, Sally was attracted to the performing arts after seeing Marlon Brando star in the film Viva Zapata! (1952). Attending the renowned Hollywood High School as a teenager, she sang in musical productions while there, including a version of "Meet Me in St. Louis." Following graduation, she enrolled at Los Angeles City College but left after a year when enticed by acting guru Jeff Corey's classes.
Initially inhibited by her height (5'10"), noticeably gawky and slinky frame and wide slash of a mouth, Kellerman proved difficult to cast at first but finally found herself up for the lead role in Otto Preminger's "A"-level film Saint Joan (1957). She lost out in the end, however, when Preminger finally decided to give the role of Joan of Arc to fellow newcomer Jean Seberg. Hardly compensation, 20-year-old Sally made her film debut that same year as a girls' reformatory inmate who threatens the titular leading lady in the cult "C" juvenile delinquent drama Reform School Girl (1957) starring "good girl" Gloria Castillo and "bad guy" Edd Byrnes of "777 Sunset Strip" teen idol fame, an actor she met and was dating after attending Corey's workshops. Directed by infamous low-budget horror film Samuel Z. Arkoff, her secondary part in the film did little in the way of advancing her career.
During the same period of time, Sally pursued a singing career and earned a recording contract with Verve Records. The 1960s was an uneventful but growing period for Kellerman, finding spurts of quirky TV roles in both comedies ("Bachelor Father," "My Three Sons," "Dobie Gillis" and "Ozzie and Harriet") and dramas ("Lock Up," "Surfside 6," "Cheyenne," "The Outer Limits," "The Rogues," "Slattery's People" and the second pilot of "Star Trek"). Sally's sophomore film was just as campy as the first, but her part was even smaller. As an ill-fated victim of the Hands of a Stranger (1962), the oft-told horror story of a concert pianist whose transplanted hands become deadly, the film came and went without much fanfare.
Studying later at Los Angeles' Actors' Studio (West), Sally's roles increased toward the end of the 1960s with featured parts in more quality filming, including The Third Day (1965), The Boston Strangler (1968) (as a target for serial killer Tony Curtis) and The April Fools (1969). Sally's monumental break came, of course, via director Robert Altman when he hired her for, and she created a dusky-voiced sensation out of, the aggressively irritating character Major Margaret "'Hot Lips" Houlihan. Her highlighting naked-shower scene in the groundbreaking cinematic comedy M*A*S*H (1970) had audiences ultimately laughing and gasping at the same time. Both she and the film were a spectacular success with Sally the sole actor to earn an Oscar nomination for her marvelous work here. She lost that year to the overly spunky veteran Helen Hayes in Airport (1970).
Becoming extremely good friends with Altman during the movie shoot, Sally went on to film a couple more of the famed director's more winning and prestigious films of the 1970s, beginning with her wildly crazed "angelic" role in Brewster McCloud (1970), and finishing up brilliantly as a man-hungry real estate agent in his Welcome to L.A. (1976), directed by Alan Rudolph. Sally later regretted not taking the Karen Black singing showcase role in one of Altman's best-embraced films, Nashville (1975), when originally offered. Still pursuing her singing interests, she put out her first album, "Roll with the Feelin'" for Decca Records in 1972.
Films continued to be a priority and Sally was deemed a quirky comedy treasure in both co-star and top supporting roles of the 1970s. She was well cast neurotically opposite Alan Arkin in the Neil Simon comedy Last of the Red Hot Lovers (1972) and again alongside ex-con James Caan as a sexy but loony delight in Slither (1973), a precursor to the Coen Bros.' darkly comic films. She also co-starred and contributed a song ("Reflections") to the Burt Bacharach/Hal David soundtrack of the Utopian film Lost Horizon (1973), a musical picture that proved lifeless at the box office. More impressive work came with the movies A Little Romance (1979) as young Diane Lane's quirky mom; Foxes (1980) as Jodie Foster's confronting mother; Serial (1980), a California comedy satire starring Martin Mull; That's Life! (1986), a social comedy with Jack Lemmon and Julie Andrews; and Back to School (1986), comic Rodney Dangerfield's raucous vehicle hit.
Sally's films from the 1980s on were a mixed bag. While some, such as the low-grade Moving Violations (1985), Meatballs III: Summer Job (1986), Doppelganger (1993), American Virgin (1999) and Women of the Night (2001) were beneath her considerable talents, her presence in others were, at the very least, catchy such as her Natasha Fatale opposite Dave Thomas' Boris Badenov in Boris and Natasha (1992); director Percy Adlon's inventive Younger and Younger (1993), which reunited her with MASH co-star Donald Sutherland, and in Robert Altman's rather disjointed, ill-received all-star effort Ready to Wear (1994) in which she played a fashion magazine editor.
When her film output waned in later years, Sally lent a fine focus back to her singing career and made a musical dent as a deep-voiced blues and jazz artist. She started hitting the Los Angeles and New York club circuits with solo acts. In 2009, Kellerman released her first album since "Roll with The Feelin'" simply titled "Sally," a jazz and blues-fused album. Along those same lines, Sally played a nightclub singer in the comedy Limit Up (1989) Kellerman's seductively throaty voice has also put her in good standing as a voice-over artist of commercials, feature films, and television.
Among her offbeat output in millennium films were prime/featured roles in the soft-core thriller Women of the Night (2001), written and director by Zalman King, in which she played a lady deejay (she also gets to sing); the real estate musical Open House (2004) in which she played an agent (who gets to sing again); the Florida senior citizens' romantic comedy Boynton Beach Club (2005); the comedy Night Club (2011) where friends and residents start a club in a retirement home; the social dramas A Place for Heroes (2014) and A Timeless Love (2016); and the family dramedy The Remake (2016).
Divorced from Rick Edelstein, Kellerman married Jonathan D. Krane in 1980 and the couple adopted twins, Jack and Hanna. Sally was also the adoptive mother of her niece, Claire Graham. Her husband died unexpectedly in August 2016; less than three months later, daughter Hanna died from heroin and methamphetamine use. Sally died on February 24, 2022 in Los Angeles.- Actor
- Soundtrack
Scrappy, plucky-looking Kentucky-born Tommy Kirk, who was born on December 10, 1941, became synonymous with everything clean and fun that Disney Entertainment prescribed to in the late 1950s and very early 1960s. One of four sons born to a mechanic, Louie, and legal secretary, Lucy, the Kirk family, in search of better job prospects, moved from Louisville to Downey, California while Tommy was still an infant. The boy's interest in acting was ignited at the age of 13 years when he (instead of older brother Joe) was cast in a minor role in a production of Will Rogers Jr. and Bobby Driscoll in a production of Eugene O'Neill's "Ah, Wilderness!" at the Pasadena Playhouse. Discovered by a Hollywood agent who saw him and signed him up, Tommy went on to appear in two other Pasadena theatre plays, Portrait in Black" and "Barefoot in Athens" and on TV ("Lux Video Theatre, "Frontier," "Big Town," "Gunsmoke" and "The Loretta Young Show") and film (Down Liberty Road (1956) and The Peacemaker (1956)). It was an episode of "Matinee Theatre" that brought the freshly-scrubbed All-American kid to the attention of mogul Walt Disney who quickly signed him to a long-term contract.
In 1955, the lad became a member of the The Mickey Mouse Club (1955) TV series and won a legion of young fans as the brush-cut haired, irrepressibly inquisitive young sleuth Joe Hardy in two "Hardy Boys" serials ("The Mystery of the Applegate Treasure," "The Mystery of the Ghost Farm") with Tim Considine, another young promising Disney staple, playing older brother Frank. With time Tommy became a prime juvenile Disney hero and ideal mischief maker for many of the studio's full-length comedy and drama classics, earning nationwide teen idol status for his exuberant work in Old Yeller (1957), The Shaggy Dog (1959), Swiss Family Robinson (1960), The Absent Minded Professor (1961), Babes in Toyland (1961), Bon Voyage! (1962), Moon Pilot (1962), Son of Flubber (1962) and The Misadventures of Merlin Jones (1964).
In 1963 the bubble completely burst when the Disney factory found out 21-year-old Tommy was in a relationship with an underage boy. He was also arrested on Christmas Eve in 1964 when a party he was attending was raided and busted for marijuana use. Although charges were dropped, it was too late. Fired from his role in the John Wayne western The Sons of Katie Elder (1965) as a result, the Disney studio, out of protection, was forced to release him from his contract, but not after rehiring him one more time to complete a "Merlin Jones" movie sequel entitled The Monkey's Uncle (1965)).
Tommy found very mild restitution after signing with AIP (American International Pictures) and appearing in such popular teen-oriented flicks as Pajama Party (1964), co-starring fellow Disney cohort Annette Funicello, and The Ghost in the Invisible Bikini (1966). He also began appearing on the musical stage as Harold Hill in "The Music Man," Riff in "West Side Story" and as the lead in "Tovarich." He also was lent out to do a lead in the mediocre cult sci-fi Embassy Picture Village of the Giants (1965). After leaving AIP, things got progressively worse for Tommy with a lead role in Trans American Film's It's a Bikini World (1967) -- by this time, beach party films were no longer trendy. Bargain basement fare such as Unkissed Bride (1966)_ (aka Mother Goose a Go-Go), UA's Track of Thunder (1967), Catalina Caper (1967) Mars Needs Women (1968), in which he played a Martian, and Blood of Ghastly Horror (1967) (aka Psycho a Go-Go) pretty much spelled as a leading man. Practically blacklisted by an industry that deemed "outed" gay actors "box office poison," he returned to the musical theatre in his home state of Kentucky with such shows as "Anything Goes" (as Moonface Martin), "Hello, Dolly!" (as Horace Vandergelder), "A Funny Thing Happened on the Way to the Forum" (as Marcus Lycus) and "Little Mary Sunshine" (as General Fairfax).
Following roles in the low budget 70s films Ride the Hot Wind (1973) and the unreleased My Name Is Legend (1975) as well as an isolated TV part on a 1972 episode of "The Streets of San Francisco," Tommy disappeared from the limelight. His life went into a seemingly irreversible tailspin. Depressed and angry, he sought solace in drugs and nearly died from an acute overdose at one point. For health reasons he felt the need to completely abandon his career and slowly moved himself forward as a recovering addict. On a very positive note, he was able to build a very successful carpet and upholstery cleaning company for himself ("Tommy Kirk's Carpet and Upholstery) in Southern California's San Fernando Valley. It stayed open for business for well over two decades.
After some time away, Tommy showed up again in Hollywood, glimpsed in a few dismissible low-budgeters here and there, including Streets of Death (1988), Attack of the 60 Foot Centerfolds (1995), Little Miss Magic (1998), Billy Frankenstein (1998), Club Dead (2000) and, his last to date, The Education of a Vampire (2001). He appeared in several documentary interviews for the DVD releases of some of his best known films and TV shows, and occasionally at film festivals and nostalgia convention/memorabilia fests. He lived in Las Vegas.- Additional Crew
- Producer
- Executive
Alan Ladd Jr. was one of the film industry's most respected executives. He started in the movies as an agent in 1963. In 1969, Ladd moved to London to produce, making nine films. He returned to the States in '73 to become Head of Creative Affairs at Fox. Within three very successful years Mr. Ladd was President of Twentieth Century Fox. Star Wars: Episode IV - A New Hope (1977), Alien (1979) and Young Frankenstein (1974), were a few of the classics during his tenure. But, in 1979, Ladd left his position as President at Fox to found his own production company, The Ladd Company. He enjoyed great successes with comedies like Night Shift (1982) and Police Academy (1984) and Oscar winners' The Right Stuff (1983) and Best Picture, Chariots of Fire (1981). In 1985, Ladd joined MGM/UA, eventually becoming Chairman and CEO of Pathe Entertainment. During his tenure, MGM/UA enjoyed hits like A Fish Called Wanda (1988), Moonstruck (1987) and Thelma & Louise (1991). Ladd reformed the Ladd Company with Paramount Pictures in 1993 where he produced the hits The Brady Bunch Movie (1995) and Best Picture winner: Braveheart (1995). He later produced independently with The Ladd Company.- Actor
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Character actor Art LaFleur was born on September 9, 1943 in Gary, Indiana. LaFleur worked extensively in sales as well as in both the saloon and restaurant business prior to deciding at age 31 in 1975 to move from Chicago, Illinois to Los Angeles, California in order to pursue a career in film. Art initially planned on being a screenwriter, but was ultimately persuaded to try his hand at acting instead by fellow actor and friend Jonathan Banks. LaFleur started landing acting gigs in plays in 1977 and acted in his first TV movie a year later. Often cast in tough guy roles, Art continued to act in a steady succession of both films and television shows alike with pleasing regularity up until 2017. LaFleur died at age 78 following a ten year battle with Parkinson's disease on November 17, 2021 in Los Angeles, California.- Producer
- Actor
- Director
Norman Lloyd was born Norman Perlmutter in Jersey City, New Jersey, to Sadie (Horowitz), a housewife and singer, and Max Perlmutter, a furniture store manager. His family was Jewish (from Hungary and Russia). He began his acting career in the theater, first "treading the boards" at Eva Le Gallienne's Civic Repertory in New York. Aspiring to work as a classical repertory player, he gradually shed his Brooklyn accent and became a busy stage actor in the 1930s; he next joined the original company of the Orson Welles-John Houseman Mercury Theatre. Lloyd was brought to Hollywood to play a supporting part (albeit the title role) in Alfred Hitchcock's Saboteur (1942). Hitchcock, who later used the actor in Spellbound (1945) and other films, made him an associate producer and a director on TV's long-running Alfred Hitchcock Presents (1955) (then in its third year). In the course of his eight years on the series, Lloyd became a co-producer (with Joan Harrison) and then executive producer. He has since directed for other series (including the prestigious Omnibus (1952)) and for the stage, produced TV's Tales of the Unexpected (1979) and Journey to the Unknown (1968), and played Dr. Auschlander in TV's acclaimed St. Elsewhere (1982).- Actor
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Macdonald was born Norman Gene Macdonald in Quebec City, Quebec. He began his career in stand-up comedy. Macdonald's first job was writing for The Dennis Miller Show (1992) and then Roseanne (1988). While writing for Roseanne (1988), he was noticed by Lorne Michaels, who liked Norm's stand up, and gave him his job on Saturday Night Live (1975).
Macdonald became widely popular when he became the Weekend Update anchor with his trademark line, "And now the fake news". He lasted from September 24, 1994 until December 13, 1997, when he was fired by Don Ohlmeyer, president of NBC on the west coast. His last weekend update was December 13, 1997 and he officially left the show in March 1998. His movie, Dirty Work (1998), which he began working on in the summer of 1997, came out 2 months later. In March 1999, his show, called Norm (1999), came out on ABC and had a 3-season run. During that time, he also starred in the movie Screwed (2000), opposite Dave Chappelle.- Actor
- Soundtrack
Gavin MacLeod's pleasing, agreeable manner on two hit TV series in the 1970s and '80s belied a number of shady villains he portrayed in his early career. Born Allan George See in Mt. Kisco, New York, on February 28, 1931, and raised in Pleasantville, he was the son of Margaret (Shea) and George See, a gas station owner who was part Chippewa Indian (Ojibwa). He followed his 1952 graduation from Ithaca College (Fine Arts major) with Air Force military duty, then moved to New York City and worked for a while as an usher and elevator operator at Radio City Music Hall. Focusing on acting, he changed his stage name to "Gavin McLeod."
A solid break on Broadway in "A Hatful of Rain" in 1956 led to a move to Los Angeles in an attempt to break into film and TV. MacLeod began to earn a minor reputation as a second-string heavy in such crime shows as "The Thin Man," "Steve Canyon," "Manhunt," "Mr. Lucky," "Peter Gunn," "Michael Shayne," "The Untouchables" and "Perry Mason." This led to a regular comedy role as part of the McHale's Navy (1962) TV series. He also managed several film roles, although far down the credits, with I Want to Live! (1958), Compulsion (1959), Pork Chop Hill (1959), Operation Petticoat (1959), Twelve Hours to Kill (1960), High Time (1960), War Hunt (1962) and McHale's Navy (1964). He was a member of the superb supporting cast of The Sand Pebbles (1966). He returned to Broadway in "The Captains and the Kings" in 1962.
MacLeod's career more or less flowed and ebbed until 1972, when his shiftless typecast was shattered forever. As Murray Slaughter, the balding, beaming, wisecracking, gleaming-toothed news writer on The Mary Tyler Moore Show (1970), MacLeod became a happy household name. From then on, he could only be envisaged as a lovable schmuck and nice guy. From there he went on to another benign starring role with the TV series, The Love Boat (1977), as the ingratiating Captain Stubing.
On the down side, "Love Boat" marred MacLeod's chances to be considered for more challenging work, and his inability to cope with success led to alcoholism and divorce from second wife Patti. However, he later turned his life around, remarried his wife, and they both wrote a book called "Back on Course" (1987). MacLeod continued sporadically on the musical stage ("Gypsy," "Annie Get Your Gun," "Gigi"), in TV reunions ("Love Boat" specials) and as a TV guest ("Murder, She Wrote," "Touched by an Angel," "The King of Queens," "Oz," "That 70s Show," "JAG" and "The Comeback Kid").- Actor
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Jackie Mason was born on 9 June 1928 in Sheboygan, Wisconsin, USA. He was an actor and writer, known for The Jerk (1979), History of the World: Part I (1981) and Caddyshack II (1988). He was married to Jyll Rosenfeld. He died on 24 July 2021 in Manhattan, New York City, New York, USA.- African-American former NFL player, with plenty of height and built like an ox, Frank McRae scored over 40 film appearances predominantly as physically imposing men and authority figures, sometimes in quite comedic roles. McRae first came to attention playing a grinning jail inmate, "Reed Youngblood," helping Warren Oates escape in Dillinger (1973), and then quickly notched up minor tough guy parts in several films including Hard Times (1975), F.I.S.T. (1978) and Big Wednesday (1978). However, not to be typecast, McRae played some light-hearted & comedic performances in Vacation (1983), *batteries not included (1987) and as a foul-mouthed mechanic in the hilarious Used Cars (1980). He also turned in a quite funny role in Loaded Weapon 1 (1993), and as Arnold Schwarzenegger's long-suffering police captain in Last Action Hero (1993).
- Music Artist
- Actor
- Producer
Meat Loaf was born Marvin Lee Aday in Dallas, Texas, to Wilma Artie (Hukel), a teacher and gospel singer, and Orvis Wesley Aday, a police officer. He moved to Los Angeles in 1967 to play in local bands. In 1970, he moved to New York and appeared in the Broadway musicals "Hair", "Rockabye Hamlet" and "The Rocky Horror Show," and Off Broadway in "Rainbow", "More Than You Deserve", "National Lampoon Show" and the New York Shakespeare Festival's production of "As You Like it;" as well as other productions at the famed New York Public Theatre. He made his film debut with a memorable role in the cult film The Rocky Horror Picture Show (1975).
In 1977, he and lyricist Jim Steinman released an operatic rock album called "Bat Out Of Hell"; the record was huge and has sold 50,000,000 copies worldwide and is tied with AC/DC for the 2nd best selling record of all time. The tour and promoting the album took a toll on Meat Loaf's voice and left him unable to sing for 2 years, but with months of rehabilitation, he was able to get back in the studio and record the album "Dead Ringer". Meat Loaf stayed in the dark through the 1980s in the US, recording 4 records which got very little airplay or high chart positions in the US but continued to have major chart success in Europe and Australia. The 1981 Single "Dead Ringer for Love", a duet with Cher, was a top 10 single in many countries outside the US, but which American radio refused to play.
Meat Loaf had many film and TV roles, including the lead character Travis Redfish in Roadie (1980); a pilot in Out of Bounds (1986); in The Squeeze (1987) with Michael Keaton; and Fred in Focus (2001) (based on the Arthur Miller book by the same name), with Laura Dern and William H. Macy. When Meat Loaf and Steinman got back together in 1993, they delivered a powerful sequel, "Bat Out Of Hell II", which went to #1 in the US and UK and 26 other countries. Bat II sold over 22,000,000 copies.
He appeared in many films, including Crazy in Alabama (1999), Formula 51 (2001) (with Samuel L. Jackson), and Fight Club (1999) (with Brad Pitt). TV credits included guest starring roles as a soldier being held prisoner in Vietnam in Lightning Force (1991), a newspaper reporter in the hit series Glee (2009), a slick landlord of a restaurant who ends up on the menu in HBO series Tales from the Crypt (1989) a blacksmith on Showtime's Dead Man's Gun (1997), as fur trader Jake in Masters of Horror (2005) episode Pelts (2006), in House (2004) as caring husband Eddie, and, most recently, in the supporting role of Doug in the SYFY series Ghost Wars (2017). Hugh Laurie (star of "House") played piano on the song "If I Can't Have You" on Meat Loaf's album "Hang Cool Teddy Bear", which was produced by award-winning music producer Rob Cavallo. (Jack Black also sang on the album.)
Marvin Lee Aday died on January 20, 2022 in Austin, Texas from COVID-19 complications.- Director
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Roger Michell was born on 5 June 1956 in Pretoria, South Africa. He was a director and writer, known for Notting Hill (1999), Venus (2006) and Enduring Love (2004). He was married to Anna Maxwell Martin and Kate Buffery. He died on 22 September 2021.- Actress
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An intelligent, slender leading lady of the 1960s and 70s, Yvette Carmen Mimieux was born in Hollywood, California, to Maria (Montemayor) and René Mimieux, an occasional movie extra. Her father was born in England, of French and German descent, and her mother was Mexican. While she was first persuaded to go into acting by a Hollywood publicist, her discovery for the screen can be attributed to the director Vincente Minnelli who saw her perform in a play and decided to cast her in his melodrama Home from the Hill (1960). Though Yvette's small role ended up on the cutting room floor, MGM producers were sufficiently impressed with her looks to sign her under a long term contract. Her first role of note, Platinum High School (1960), won her a Golden Globe nomination as Most Promising Newcomer. She was then properly 'launched' with the part of Weena, the naive Eloi cave girl, in George Pal's version of The Time Machine (1960). This turned out to be one of the studio's biggest box office winners of 1960. That same year, Mimieux also played a carefree collegian in Where the Boys Are (1960), a teen comedy (with serious undertones) dealing with adolescent sexuality. Both of her performances were well received by critics, but also set the trend for the actress to become typed either as fragile or insecure characters, or as sex kittens.
After a two year hiatus, Mimieux gave a genuinely compelling performance as Clara Johnson, a retarded girl who captures the affections of a young Italian in Light in the Piazza (1962). Though disliking the film, New York Times critic Bosley Crowther described Clara as "played with sunshine radiance and rapturous grace." Having essayed more conventional heroines in Diamond Head (1962) (sister of blustering land baron), The Reward (1965) (a fugitive's girlfriend) and Dark of the Sun (1968) (girl caught up with mercenaries in the Congo), Mimieux began to concentrate on TV movies which gave her the opportunity to further expand her dramatic range. Her contract killer in Hit Lady (1974) and the unhinged stalker in Obsessive Love (1984) were based, respectively, on her own screenplay and story. Probably her last role of note was as the victim of a harrowing chain of events in Jackson County Jail (1976), a downbeat exploitation drama produced by Roger Corman's New World Pictures. In 1985, Mimieux had a recurring role in Berrenger's (1985), a glossy soap opera set in a luxurious department store. The series lasted just one season before being canceled. Though ultimately nominated for three Golden Globes, Mimieux came to bemoan the fact that scriptwriters of the period tended to depict women as 'one-dimensional'.
In 1992, Mimieux left the acting profession to form a partnership with Sara Shane (another ex-MGM contract player) in a Los Angeles-based enterprise called "Partners in Paradise", selling embroidered tapestries, bedspreads and pillows based on Haitian designs. She subsequently went on to find even more lucrative opportunities in real estate. In her spare time, Mimieux traveled extensively, painted and studied archaeology. At the time of her death at the age of 80, she was married to Howard F. Ruby, founder and chairman of Oakwood Worldwide, a large global corporation providing furnished apartments.- Writer
- Actor
- Additional Crew
Paul Mooney was born on 4 August 1941 in Shreveport, Louisiana, USA. He was a writer and actor, known for Bamboozled (2000), Brewster's Millions (1985) and Pryor's Place (1984). He was married to Yvonne Mooney. He died on 19 May 2021 in Oakland, California, USA.- Actor
- Music Department
- Producer
Singer, composer, heartthrob, pioneer--all are accurate descriptions of Robert Michael Nesmith. Most easily identified by his trademark blue wool hat with pompom, Nesmith fashioned a diversified career within music and also in film. Born in Saint Joseph's Hospital in downtown Houston, Texas, Nesmith was a self-described "failure" growing up. "I just didn't do anything," he said in his famous 1965 screen test for _The Monkees (1966)_ ; he expanded on this in a 1968 Australian radio interview by noting, "I was just starving and writing music." He got work as a session guitarist up and down the East Coast before moving to Los Angeles with his wife Phyllis Barbour in 1965. He managed to get a record contract with Colpix Records and released several 45s as well as appearing on 'Lloyd Thaxton's' syndicated teen-dance show. When Nesmith won the role for The Monkees (1966) he was the first of all involved to see where the show and the music would go. Nesmith produced tracks for The Monkees even before TV series filming began; he has said "about a hundred" tracks were made by himself, Micky, Peter, and Davy in the first half of 1966, and among the songs recorded was his composition "The Girl I Knew Somewhere." The hiring of Don Kirshner quashed this group gestation, but Nesmith continued to produce tracks for the group, usually with Micky Dolenz providing co-lead or harmony vocals; the trademark of Nesmith's 1966-produced tracks was the stellar deep bass work of Robert West. The leader of the group by having the strongest musical vision and polish, Nesmith challenged the controlling powers, culminating in the famous "That could have been your head!" near-brawl with Columbia executives in late 1966-early 1967 that left a wall torn open and ultimately 86ed Don Kirshner from the project. Nesmith took a controlling involvement in the group's albums, but given the strong egos of each member, breakage was inevitable. Nesmith finally left after 1969. He joined longtime bassist friend John London and pedal-steel ace 'Orville "Red" Rhodes' for The First National Band, a group that pioneered the mixture of country music with rock'n'roll. The song "Joanne" off their first album, "Magnetic South", became a big hit. Though the FNB broke up after three albums, Nesmith and Rhodes kept going with the Second National Band. Their records were critical successes, but unfortunately were not big hits. Nesmith then invented and sold the concept of 24-hour-music-television to Time-Warner. He produced a proof of concept called "Pop Clips," which Time-Warner aired on the Nickelodeon Channel as a test. It was an instant success, and the MTV Network was developed from it. He also branched into TV and film production, with such works as 'Elephant Parts' (1981), 'Timerider' (1983), 'Repo Man' (1984), 'Square Dance,' and 'Tapeheads,' as well as several TV specials. Nesmith also continued to make records on a sporadic basis--13 solo albums in total. He reunited with Red Rhodes in 1992 and a Latin-flavored masterpiece called "Tropical Campfires". He was nominated for a Grammy for his 1994 album "The Garden". He reunited with the Monkees in 1996 for the "Justus" album. In 1997 he wrote and directed an ABC television Monkees special. In 1998 St. Martins Press published his first novel, "The Long Sandy Hair of Neftoon Zamora". In 2005 he finished his second novel, "The America Gene". He also started a small video game development company called Zoomo Productions, based in Monterey, California.- Producer
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- Actor
Mace Neufeld was born on 13 July 1928 in New York City, New York, USA. He was a producer and writer, known for Beverly Hills Cop III (1994), The Saint (1997) and No Way Out (1987). He was married to Helen Katz and Diane Conn. He died on 21 January 2022 in Beverly Hills, California, USA.- Actor
- Director
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Sidney Poitier was a native of Cat Island, Bahamas, although born, two months prematurely, in Miami during a visit by his parents, Evelyn (Outten) and Reginald James Poitier. He grew up in poverty as the son of farmers, with his father also driving a cab in Nassau. Sidney had little formal education and at the age of 15 was sent to Miami to live with his brother, in order to forestall a growing tendency toward delinquency. In the U.S., he experienced the racial chasm that divides the country, a great shock to a boy coming from a society with a majority of African descent.
At 18, he went to New York, did menial jobs and slept in a bus terminal toilet. A brief stint in the Army as a worker at a veterans' hospital was followed by more menial jobs in Harlem. An impulsive audition at the American Negro Theatre was rejected so forcefully that Poitier dedicated the next six months to overcoming his accent and improving his performing skills. On his second try, he was accepted. Spotted in rehearsal by a casting agent, he won a bit part in the Broadway production of "Lysistrata", for which he earned good reviews. By the end of 1949, he was having to choose between leading roles on stage and an offer to work for Darryl F. Zanuck in the film No Way Out (1950). His performance as a doctor treating a white bigot got him plenty of notice and led to more roles. Nevertheless, the roles were still less interesting and prominent than those white actors routinely obtained. But seven years later, after turning down several projects he considered demeaning, Poitier got a number of roles that catapulted him into a category rarely if ever achieved by an African-American man of that time, that of leading man. One of these films, The Defiant Ones (1958), earned Poitier his first Academy Award nomination as Best Actor. Five years later, he won the Oscar for Lilies of the Field (1963), the first African American to win for a leading role.
He remained active on stage and screen as well as in the burgeoning Civil Rights movement. His roles in Guess Who's Coming to Dinner (1967) and To Sir, with Love (1967) were landmarks in helping to break down some social barriers between blacks and whites. Poitier's talent, conscience, integrity, and inherent likability placed him on equal footing with the white stars of the day. He took on directing and producing chores in the 1970s, achieving success in both arenas.- Actress
- Soundtrack
Jane Powell was singing and dancing at an early age. She sang on the radio and performed in theaters before her screen debut in 1944. Through the 1940s and 1950s, she had a successful career in movie musicals. However, in 1957, Jane's career in films ended, as she had outgrown her innocent girl-next-door image. She made brief returns to acting in front of the camera -- on television, in commercials, and in a workout video. She also had a variety of roles on stage after the end of her movie career, including the musicals "South Pacific," "The Sound of Music," "Oklahoma!," "My Fair Lady," "Carousel," and a one-woman show "The Girl Next Door and How She Grew," from which she took the title of her 1988 autobiography.- Producer
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- Director
Canadian producer and director Ivan Reitman created many of American cinema's most successful and best loved feature film comedies and worked with Hollywood's acting elite. Reitman produced such hits as the ground-breaking sensation National Lampoon's National Lampoon's Animal House (1978), which introduced John Belushi to American filmgoers, and the family features Beethoven (1992) and Beethoven's 2nd (1993). His directing credits include Meatballs (1979), Stripes (1981) and Ghostbusters (1984), films starring Bill Murray, Dan Aykroyd and Harold Ramis; Dave (1993), which starred Kevin Kline and Sigourney Weaver, Junior (1994) which starred Arnold Schwarzenegger, Danny DeVito and Emma Thompson. Reitman also produced the HBO telefilm The Late Shift (1996), based on Bill Carter's non-fiction book about the late-night television wars which received seven Emmy nominations. Other producing endeavors include Commandments (1997), starring Aidan Quinn and Courteney Cox, Private Parts (1997), starring Howard Stern, as well as the animation/live action film Space Jam (1996), starring Michael Jordan and the Looney Tunes characters. With Twins (1988), Reitman created an entirely new comedic persona for action hero Arnold Schwarzenegger -- and forged a personal and professional relationship that continued with Kindergarten Cop (1990) and Junior (1994). Acclaimed dramatic actors such as Robert Redford, Debra Winger, Sigourney Weaver, and Emma Thompson also revealed untapped comic talents under Reitman's direction. In 1984, Reitman was honored as Director of the Year by the National Association of Theater Owners and the next year received a Special Achievement Award at the Canadian Genie awards. In 1979 and again in 1989, for the films National Lampoon's Animal House (1978) and Twins (1988), Reitman was honored with the People's Choice Award. In November of 1994, Reitman became the third director honored by Variety magazine in a special Billion Dollar Director issue.
Reitman was born in Czechoslovakia, to Jewish Holocaust survivors, and left with his family for Canada at the age of four. He attended Canada's McMaster University, where he produced and directed several television shorts. He followed with a live television show, Greed: The Series (1999), with Dan Aykroyd as its announcer. "Spellbound," which Reitman produced for the live stage, evolved into the Broadway hit "The Magic Show," starring Doug Henning. He continued producing for the stage with the Off-Broadway hit "The National Lampoon Show," and returned to Broadway to produce and direct the musical "Merlin," earning a Tony nomination for directing. Reitman headed The Montecito Picture Company, a film and television production company, with partner Tom Pollock. His television credits included the Emmy-nominated children's show The Real Ghostbusters (1986) and the Saturday morning animated series Beethoven (1994) for CBS. His last directing credited was Draft Day (2014), before his death in February 2022 in Montecito, California.- Director
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Richard Rush was born on 15 April 1929 in New York City, New York, USA. He was a director and writer, known for The Stunt Man (1980), Color of Night (1994) and Air America (1990). He was married to Claude Rush. He died on 8 April 2021 in Los Angeles, California, USA.- Actor
- Soundtrack
American character actor born in Cincinnati and raised in Louisville, Mitchell Ryan was a well known supporting actor in films and television. Joined the Navy in 1951 at age 17 and was later assigned to the Special Services Entertainment and became hooked on acting. After his term in the Navy, he appeared in dozens of plays until he received notice as playing a regular in TV's Dark Shadows (1966).
Beginning in the 1970s, he received work in motion pictures including Monte Walsh (1970), Magnum Force (1973) and in Clint Eastwood's High Plains Drifter (1973). He had a small part in Universal's Midway (1976) and returned to act in numerous soaps and television series, among them included a recurring guest role in Having Babies (1978), Executive Suite (1976), The Chisholms (1979) and All My Children (1970) and a growing list of television films and TV guest appearances.
He may have been best-known for portraying the villain that Mel Gibson and Danny Glover are after in Lethal Weapon (1987), but his career included several supporting roles in the past ten years including Judge Dredd (1995), Michael Myers' nemesis in Halloween: The Curse of Michael Myers (1995), Liar Liar (1997) (with Jim Carrey), and as Harrison Ford's chief out to get Brad Pitt in the film The Devil's Own (1997).- Actor
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Bob Saget was an American actor, stand-up comedian, and television host from Philadelphia. His best known role was playing pater familias Danny Tanner on the hit sitcom "Full House" (1987-1995). He played the character again in the sequel series "Fuller House" (2016-2020). Saget served as the original host of the long-running clip show "America's Funniest Home Videos" from 1989 to 1997. Saget voiced the narrator in the hit sitcom "How I Met Your Mother" (2005-2014), depicted as an older version of main character Ted Mosby.
In 1956, Saget was born to a Jewish family in Philadelphia. His parents were supermarket executive Benjamin Saget and hospital administrator Rosalyn "Dolly" Saget. The Saget family eventually moved to Norfolk, Virginia. Bob received his early religious education at Temple Israel, a synagogue of Norfolk which adhered to Conservative Judaism. He was reportedly a rebellious student.
Saget spend part of his high school years in Los Angeles, where he befriended veteran comedian Larry Fine (1902-1975). He attended a Philadelphia high school during his senior year. He was originally interested in a medical career but his English teacher Elaine Zimmerman convinced Saget to aspire to an acting or filmmaking career instead.
Saget received his college education at the "Center for the Performing and Cinematic Arts", a college associated with the Temple University of Philadelphia. One of his student films won a merit award at the Student Academy Awards. He graduated college with a Bachelor of Arts in 1978. He had already started performing in comedy clubs during his college years.
In 1978, Saget intended to take graduate courses at the University of Southern California. He dropped out due to health-related problems. He almost died due to a gangrenous appendix, costing him a loss of confidence. He decided afterwards to lose some weight, in the belief that it would improve his health.
Following his graduation, Saget spend about a decade working mostly as a comedian. He appeared in minor acting roles in both films and television. In 1987, Saget was performing comedy bits for the short-lived non-fiction show "The Morning Program". The show offered a mix of "news, entertainment and comedy", but was canceled due to low ratings.
Saget's big break came when he was chosen to portray widowed father Danny Tanner in the sitcom "Full House" (1987-1995). The series depicted Danny's efforts to raise three young daughters, with the assistance of his best friends. The show suffered from poor viewership in its first season, but attracted a family audience due to its portrayal of the struggles associated with parenting. By its third season, it was ranked among Nielsen's Top 30 shows. Saget became a household name, and the series lasted for 8 seasons and 192 episodes. The series was eventually canceled due to its increasing production costs. Its rating had remained high until its final episode.
In 1989, Saget was chosen as the host of the clip show "America's Funniest Home Videos". The show featured humorous homemade videos which were submitted by its viewers, often highlighting physical comedy, pranks, or unusual behavior by children and pets. While the show was popular with viewers, Saget himself was increasingly frustrated with its repetitive format. When his contract for the show expired in 1997, Saget was not interested in negotiating for a renewal.
In 1996, Saget directed the dramatic television film "For Hope". The film depicted the struggles of a woman who is slowly dying due to being afflicted with scleroderma, an autoimmune disease with no known cure. Saget was reportedly inspired by the life and death of his sister Gay Saget, who had died due to scleroderma. The film received high ratings in its debut.
In 1998, Saget directed the comedy film "Dirty Work". It depicted two half-brothers who offer to perform revenge schemes for paying clients, but have a personal grudge against a man who reneged on a deal with them. The film under-performed at the box office, but gained a cult following due to its reputation as a "gag-fest".
From 2001 to 2002, Saget had the starring role of Matt Stewart in the sitcom "Raising Dad". The premise of the series was that widowed father Matt Stewart was trying to raise two daughter, while pursuing a teaching career at his eldest's daughter's high school. Despite the series having a similar concept to "Full House", it failed to find an audience. It lasted for a single season.
In 2005, Saget was cast as the narrator in the sitcom "How I Met Your Mother" (2005-2014). The premise of the series was that middle-aged Ted Mosby narrates his life story (and the life stories of his best friends) to his son and daughter. The series repeatedly implied that Ted was an unreliable narrator, who either embellished or censored aspects of his various stories. The series was quite popular, lasting for 9 seasons and 208 episodes.
In 2007, Saget directed the direct-to-video parody film "Farce of the Penguins". The film was a full-length parody of the documentary film "March of the Penguins" (2005), featuring penguins conversing about their love lives. It featured the voices of several then-popular actors, including several of Saget's former co-stars from "Full House".
In 2009, Saget was cast in the main role of Steve Patterson in the sitcom "Surviving Suburbia". The premise of the series was that the members of a suburban family have problems in interacting both with each other, and with their new neighbors. The series only lasted a single season, and struggled with low ratings.
In 2014, Saget published his memoirs under the title "Dirty Daddy". In 2016, a sequel series to "Full House" was introduced under the title "Fuller House". It featured the lives of two of Danny Tanner's daughters, and Danny's grandchildren. Saget played the recurring role of Danny for 15 episodes. The sequel series lasted for 5 seasons. This was Saget's last major role in a sitcom. He continued, however, to regularly host television events.
In January 2022, Saget was in Florida for a stand-up tour. On January 9, Saget was discovered dead in his hotel room at the Ritz-Carlton Orlando, located south of Orlando, Florida. He was 65-years-old. His autopsy revealed that the cause of death was blunt head trauma from an accidental blow to the back of his head, likely from a fall. He had died in his sleep. He was buried at the Mount Sinai Memorial Park Cemetery, next to the graves of his parents and his sister. Mourners honored Saget by offering donations to the charity "Scleroderma Research Foundation" (SRF), since Saget had long served in its board of directors. Saget is gone, but his popularity endures due to his acting and directing roles in several popular films and television shows.- Actor
- Soundtrack
Crowned as leading the new breed of modern comedians by Time magazine in 1960, Mort Sahl is the first entertainer ever to appear on its cover. Before comedy clubs existed, Sahl began performing at the hungry i music club in San Francisco in the early 1950s. He differed from other comedians, appearing in casual clothing rather than a suit, skewering popular politicians such as Eisenhower, Joe McCarthy and JFK. Sahl's approach is energetic, tangential, and deep and wide in both social and political scopes, inspiring Woody Allen, George Carlin and countless other comedians.
A 1955 performance with Dave Brubeck was recorded and released (without Sahl's permission), selling as Mort Sahl At Sunset, and recently recognized by the Library of Congress as the first stand-up comedy record album.
When JFK was assassinated in 1963, Sahl regularly targeted the government's official Warren Commission Report during his routines, resulting in the loss of much of Hollywood's support, while maintaining audience popularity with college tours and a best-selling book, Heartland.
Sahl is one of the longest, active, performing social satirists, spanning 60 years and 11 presidents.- Carmen Salinas was born on 5 October 1939 in Torreon, Coahuila, Mexico. She was an actress, known for Man on Fire (2004), Carnival Nights (1978) and Bellas de noche (1975). She was married to Pedro Plascencia and Carlos Paulín. She died on 9 December 2021 in Mexico City, Mexico.
- Additional Crew
- Camera and Electrical Department
- Cinematographer
Steve Schapiro was born on 16 November 1934 in Brooklyn, New York City, New York, USA. He was a cinematographer, known for The Dead Zone (1983), Taxi Driver (1976) and Cabo Blanco (1980). He was married to Maura Smith and ???. He died on 15 January 2022 in Chicago, Illinois, USA.- Actor
- Director
- Producer
Peter Scolari was born on 12 September 1955 in New Rochelle, New York, USA. He was an actor and director, known for Newhart (1982), Girls (2012) and That Thing You Do! (1996). He was married to Tracy Shayne, Cathy Trien, Debra Steagall and Lisa Kretzschmar. He died on 22 October 2021 in Manhattan, New York City, New York, USA.- Music Department
- Writer
- Actor
He did his pre college training at George School, Newtown, Bucks County, Pennsylvania, then was in a class of 50 at Williams College majoring in music as an undergraduate distinguishing himself by writing a book, lyrics and music for two college shows based on the adaption of 'Beggar on Horseback'. He won the Hutchinson prize to study music composition for 2 years. His first professional writing was in 1953 when he co authored the script for the television series'Topper'. A year later he wrote all the music and lyrics for'Saturday night' . In 1955 he started work on 'West Side Story' and also found time to writ scripts for 'The Last Word' for Columbia Broadcasting and the background music for' The Party Girls of Summer' For the film of 'West Side Story' he created new and powerful lyrics for the 'America' sequence, which is the only major alteration from the Broadway production.- Dorothy Steel was born on 23 February 1926 in Flint, Michigan, USA. She was an actress, known for Black Panther (2018), Black Panther: Wakanda Forever (2022) and Jumanji: The Next Level (2019). She was married to Warren Wardell . She died on 15 October 2021 in Detroit, Michigan, USA.
- Actor
- Director
- Writer
Dean Robert Stockwell grew up in North Hollywood, the son of Broadway performers Harry Stockwell and Elizabeth "Betty" Stockwell (née Veronica). His vaudevillian father was a replacement Curly in the original production of "Oklahoma!". He was also a decent tenor whose voice was used for the part of Prince Charming in Disney's Snow White and the Seven Dwarfs (1937). Dean's mother was a one-time Broadway chorine who used the stage moniker "Betty Veronica." His older brother was the actor Guy Stockwell.
At the age of seven, Dean made his stage debut in a Theater Guild production of Paul Osborn's The Innocent Voyage, in which his brother was also cast. The play ran for nine month. Dean was eventually spotted by a talent scout, and, on the strength of his performance, was signed by MGM in 1945. Under contract until 1947 (and again from 1949 to 1950), Stockwell became a highly sought-after child star in films like Anchors Aweigh (1945), with Gene Kelly and Frank Sinatra, The Green Years (1946) and Song of the Thin Man (1947). His impish, dimpled looks and tousled brown hair combined with genuine acting talent kept him on the box office front line for more than a decade. Having won a Golden Globe Award as Best Juvenile Actor for Gentleman's Agreement (1947) (on loan-out to 20th Century Fox), Stockwell went on to play the title role in an adaptation of Rudyard Kipling's Kim (1950). He came to admire his co-star Errol Flynn as a sort of role model. Thereafter, Stockwell segued into television for several years until resurfacing as a mature actor in Richard Fleischer's Compulsion (1959), (based on the infamous Leopold & Loeb murder case), co-starring with Bradford Dillman as one of the two young killers, and Orson Welles. He had already played the part on Broadway in 1957, on this occasion partnering Roddy McDowall. His last film role of note in the early 60s was as Edmund Tyrone in Eugene O'Neill's Long Day's Journey Into Night (1962). Despite developing a drinking problem on the set (for which he was chastised by Katharine Hepburn), Stockwell gave a solid performance which he later described as a career highlight.
Stockwell dropped out of show biz for some time in the 60s to join the hippie scene at which time he befriended Neil Young and Dennis Hopper. Later in the decade, he made a gleeful comeback in low budget psychedelic counterculture (Psych-Out (1968)) biker films (The Loners (1972)) and horror comedies (The Werewolf of Washington (1973)). Keeping a considerably lower profile during the 70s, he became a frequent TV guest star in popular crime dramas like Mannix (1967), Columbo (1971) The Streets of San Francisco (1972) and Police Story (1973). By the early 80s, work opportunities had become scarcer and Stockwell was compelled to briefly sideline as a real estate broker. He nonetheless managed to make a comeback with a co-starring role in the Wim Wenders road movie Paris, Texas (1984). New York Times reviewer Vincent Canby wrote of his performance "Mr. Stockwell, the former child star, has aged very well, becoming an exceptionally interesting, mature actor." Stockwell subsequently enjoyed high billing in David Lynch's noirish psycho-thriller Blue Velvet (1986) and received an Oscar nomination for his Mafia don Tony "The Tiger" Russo in Married to the Mob (1988). His television career also flourished, as cigar-smoking, womanizing rear admiral Al Calavicci in the popular science fiction series Quantum Leap (1989). The role won him a Golden Globe Award in 1990 and a new generation of fans. When the show ended after five seasons, Stockwell remained gainfully employed for another decade, still frequently seen as political or military authority figures (Navy Secretary Edward Sheffield in JAG (1995), Defence Secretary Walter Dean in Air Force One (1997)) or evil alien antagonists (Colonel Grat in Star Trek: Enterprise (2001), humanoid Cylon John Cavil in Battlestar Galactica (2004)).
Outside of acting, Stockwell embraced environmental issues and exhibited works of art, notably collages and sculptures. In 2015, he was forced to retire from acting after suffering a stroke. Stockwell died on November 7, 2021 due to natural causes at the age of 85.- Actor
- Soundtrack
Akira Takarada was born on April 29, 1934, in Chongjin, North Korea. He rose from the Toho New Face program to become 1 of the most recognizable men associated with the original Godzilla series, though he appeared in only 6 installments. He began in 1949 w/ a small role in When the Liberty Bell Rang and several other small roles. His big break came as navy diver Hideto Ogata in Godzilla (1954). He soon became recognizable for his persona as the cocky, slightly cynical urban male & making him a very successful actor. Throughout his life, he was a celebrity in Japan through his appearances in TV dramas, quiz shows & commercials.- Composer
- Music Department
- Actor
Mikis Theodorakis was born in the Greek island of Chios, in 1925. It was the same year that the other great composer of Greece was born in Xanthi, Manos Hatzidakis. He fought during the 2nd World War, and was captured at the city of Tripoli. He was tortured, but when he was set free, he joined the partisan army of Greece named EAM, which means National Liberating Movement. He took part in the civil war in Greece which occurred during 1945-1949, always with the left parties of Greece. He was exiled for the first time in the island of Ikaria in 1947, he was transferred to the island of Makronisos in 1948.
He married Myrto Altinoglou, five years later in 1953, and one year later he moved in Paris in order to continue his studies in music. He composed continuously during the following years using some of the most wonderful poems in order to express the people of Greece. After Lamprakis, a Parliamentary representative was murdered, Theodorakis became a member of the Parliament and the number one enemy of the Right parties of Greece.
The great composer didn't not stop expressing his need and hope for democracy even when military dictator Georgios Papadopoulos took power in Greece in 1967. Some months later the military dictatorship decides that he is not 'welcome' in his own country, he was exiled for one more time. Great personalities express their support to this great composer, like Leonard Bernstein, Arthur Miller etc.
He became internationally famous when he composed the music for the film Zorba the Greek (1964), directed by Michael Cacoyannis and starring Anthony Quinn. But he was becoming very popular even before that film, when he was composing music for the Jules Dassin film Phaedra (1962) starring Melina Mercouri, Anthony Perkins, Raf Vallone, and Kakogiannis' Electra (1962) starring Irene Papas, Aleka Katselli. He even composed music for such acclaimed films like Z (1969) by Costa-Gavras starring Yves Montand and Papas, and Serpico (1973) by Sidney Lumet starring Al Pacino. He came back in 1974, but he stayed only for 6 years. Theodorakis was dissatisfied and went back in Paris and finished his third big work, Canto General, which together with the music from the film Zorba the Greek (1964) and "Axion Esti," a piece of work based on the poems of the Nobel winner poet Odysseas Elitis.
During the '80s, he became for one more time member of the Parliament and issue of controversy in the beginning of the 90s, when he collaborated with the right party's prime minister Konstantinos Mitsotakis. In 1992, he composed the Canto Olympico for the Olympic Games of Barcelona.
His opera Ilektra gained very good reviews, in Luxemburg, the Capital City Of Europe in 1995. He composed also another opera of Lysistrati for the Olympic Games of Athens in 2004. Although, he created controversies with his actions during the last decades, 1980-1990, Mikis Theodorakis was one of the greatest composers of Greece, and created the modern music of Greece together with Manos Hadjidakis.- Animation Department
Ruth Tompson was born on 22 July 1910 in Portland, Maine, USA. She is known for The Lord of the Rings (1978), Popeye the Sailor (1960) and Metamorphoses (1978). She died on 10 October 2021 in Woodland Hills, California, USA.- Producer
- Director
- Visual Effects
Legendary filmmaker and visual effects pioneer, Douglas Trumbull, was one of the Special Photographic Effects Supervisors for 2001: A Space Odyssey (1968). He went on to become the Visual Effects Supervisor for such classics as Close Encounters of the Third Kind (1977), Star Trek: The Motion Picture (1979), and Blade Runner (1982), each of which earned him an Academy Award nomination for Best Visual Effects.
Mr. Trumbull directed Silent Running (1972), Brainstorm (1983), Back to the Future... The Ride (1991) and numerous other special format films.
He is the recipient of an Academy Award in the area of Scientific and Technical Achievement, as well as the International Monitor Award and American Society of Cinematographers' Lifetime Achievement Award for his outstanding contributions in the field of filmmaking. Douglas is currently involved in the evolution of visual effects using virtual digital sets and electronic cinematography.- Actor
- Soundtrack
Gaspard Ulliel's dream had always been to direct a movie, and after completing his studies at the lycée (French high school), he majored in cinema at the University of Saint-Denis, and began his acting career.
He was born in Paris, to Christine, a stylist and runway show producer, and Serge Ulliel, a fashion designer. One of his first professional performances came when he was twelve, in the TV film Une femme en blanc (1997). During the following years, Ulliel continued working on television and was cast in short films such as Alias (1999). He played a young shepherd who was injured by The Beast in Brotherhood of the Wolf (2001), and was then discovered by director Michel Blanc, who offered him a part in Summer Things (2002) which also starred veteran actress Charlotte Rampling. Ulliel then took summer stages at Les Cours Florent and was asked by director André Téchiné to star in Strayed (2003) as Emmanuelle Béart's over. His role as Manech opposite Audrey Tautou in A Very Long Engagement (2004) brought him to stardom. He was nominated thrice for Most Promising Male Newcomer at the César Awards (the equivalent of the Oscars in France) in 2003, 2004 and 2005; he won the last one. Ulliel's lead roles include The Last Day (2004), Jacquou le croquant (2007) and Hannibal Rising (2007), his first major English-language film.
He had a son with his former partner, model and singer Gaëlle Piétri, born in January 2016. They split up in 2020. Gaspard died on 19 January, 2022, in La Tronche, Isère, France, after a skiing accident.- Director
- Producer
- Editor
Jean-Marc Vallée was a Canadian filmmaker, editor and screenwriter from Montreal. He directed Black List, C.R.A.Z.Y., The Young Victoria, Wild, Dallas Buyers Club, Los Locos, Loser Love and Café de Flore. He also created the HBO shows Big Little Lies and Sharp Objects. He was married to Chantal Cadieux and had two sons. He passed away on Christmas Day 2021.- Stunts
- Actor
- Second Unit Director or Assistant Director
Prolific American stunt man and occasional small part actor, formerly billed as Wayne Van Horn. The son of a veterinarian who ministered to animals at Universal studios, he first worked as a horse wrangler following a stint in the U.S. Army. This earlier expertise as a rider served him well after he joined his brother Jimmy in Hollywood. Van Horn's riding skills were showcased in many westerns of the 50s and 60s. He frequently doubled for Guy Williams on Disney's popular TV series Zorro (1957). Equally adept at fencing and fight scenes, Van Horn also made his mark in epic swashbucklers like Spartacus (1960) and The War Lord (1965). Major stars he doubled for have included Gregory Peck (Mackenna's Gold (1969) ), James Stewart (Firecreek (1968)]) and Henry Fonda ([The Cheyenne Social Club (1970)]). He was latterly best known as a long-standing collaborator of Clint Eastwood in the capacities of stunt double and stunt coordinator (The Enforcer (1976), The Gauntlet (1977), Sudden Impact (1983)), director (Any Which Way You Can (1980), The Dead Pool (1988), and Pink Cadillac (1989)) and second-unit director (Magnum Force (1973), The Rookie (1990), Pale Rider (1985) etc.). Van Horn was an inductee into the Stuntmen's Hall of Fame and a recipient of the Taurus Lifetime Achievement Stunt Award .- Actor
- Writer
- Director
Melvin Van Peebles was born on 21 August 1932 in Chicago, Illinois, USA. He was an actor and writer, known for The Shining (1997), Sweet Sweetback's Baadasssss Song (1971) and Don't Play Us Cheap (1972). He was married to Maria Marx. He died on 21 September 2021 in Manhattan, New York City, New York, USA.- Actress
- Writer
- Additional Crew
Monica Vitti was born on 3 November 1931 in Rome, Lazio, Italy. She was an actress and writer, known for L'Avventura (1960), Red Desert (1964) and L'Eclisse (1962). She was married to Roberto Russo. She died on 2 February 2022 in Rome, Lazio, Italy.- Costume Designer
- Costume and Wardrobe Department
- Production Designer
Emi Wada was born on 18 March 1937 in Kyoto, Japan. She was a costume designer and production designer, known for House of Flying Daggers (2004), Hero (2002) and Ran (1985). She was married to Ben Wada. She died on 13 November 2021 in Japan.- Production Designer
- Art Department
- Costume Designer
Tony Walton was born on 24 October 1934 in Walton-on-Thames, Surrey, England, UK. He was a production designer and costume designer, known for All That Jazz (1979), Murder on the Orient Express (1974) and Mary Poppins (1964). He was married to Gen LeRoy and Julie Andrews. He died on 2 March 2022 in Manhattan, New York City, New York, USA.- Actress
- Soundtrack
Gloria Warren was briefly touted as a potential rival to Deanna Durbin. As a singer (soprano), she was noted for her rendition of "Always in My Heart', a song adapted from Ernesto Lecuona's Siempre en mi corazón and first popularized by Glenn Miller and His Orchestra. Despite a strong build-up, enduring fame, however, was not to be hers. A personable brunette, Gloria was born in Wilmington, Delaware, to jeweler and watchmaker Herman Weiman, a Russian-Jewish immigrant, and his wife Julia Weiss, who was a Hungarian Jewish émigré. She was regarded as a child prodigy, tutored by Budapest-born concert pianist Agnes Laszlo and adept at the instrument by the tender age of nine. In addition, she took singing, dancing and acting lessons. Gloria's musical talents may not have attracted more than local attention if not for her ambitious mother. In 1940, Julia managed to finagle a five minute interview with a local radio producer, who became so impressed by the 14-year old that he arranged for a Hollywood talent scout to come out and assess her abilities. Two years later, Gloria signed a seven-year deal with Warner Brothers. For the usual marquee reasons, the studio changed her surname to Warren and this moniker was also adopted by her parents.
Gloria's brief motion picture career was launched (and almost instantly scuttled) with Always in My Heart (1942), a domestic melodrama with music, in which she played the teenage daughter of Kay Francis. The hackneyed and contrived screenplay did the cast no favours. Bosley Crowther, reviewing for The New York Times, wrote "virtually everything else that is antique was done to her in this film. Miss Warren is a pleasing little lady - a bit mature for her reported fifteen years- and she has a reedy voice which she handles rather well. So you would think the Warners could have managed to provide for her debut a tale just a shade more refreshing..." Apparently not, since she was loaned out to RKO for her next picture, Cinderella Swings It (1943). The last of the increasingly out-of-favour 'Scattergood Baines' comedy series with Guy Kibbee, this too failed on every level and was panned by critics and audiences alike, though co-star Gloria was generally regarded as the film's sole bright spot. After two pictures considered box-office poison, an unsurprising three year long hiatus followed. She was cast as female leads on three more occasions: not in musicals (which would have made sense) but in forgettable quota quickies for Poverty Row studios, including a lesser entry in the Charlie Chan series.
By 1948, Gloria had given up on film acting to raise a family, having married businessman Peter Gold (eventually CEO and chairman of the Price Pfister Brass Manufacturing Company) two years earlier. They had two children. Gloria Warren died in Los Angeles on September 11 2021 at the age of 95.- Writer
- Director
- Additional Crew
During the 1970s, Lina Wertmüller emblazoned her name into the pantheon of Italian cinema with a series of intensely polemical, deeply controversial and wonderfully entertaining films. Among the most politically outspoken and iconoclastic members of the second generation of postwar directors - the direct heirs to the neo-realists - Wertmüller was also one of the first woman directors to be internationally recognized and acclaimed. Armed with a keenly satiric and Rabelaisian humor, Wertmüller reinvented the narrative forms and character types of Italian comedy to create one of the rare examples of a radical, politically galvanized cinema that managed to achieve widespread popularity. Indeed, the fierce invectives against social, cultural and historical inequities at the heart of Wertmüller's mid-1970s masterworks Love and Anarchy, Seven Beauties and Swept Away seemed only to help the films find an appreciative audience, especially in the United States, where they broke box office records for foreign films and even secured Wertmüller an Oscar nomination for Best Director - the very first woman named for this category. Although Wertmüller remains a well-known name, her remarkable films are strangely overlooked and only selectively revisited. And yet, the incredible energy and daring of her most popular works is equally present in lesser-known masterpieces such as All Screwed Up and The Seduction of Mimi, films that are both extremely topical and yet still totally relevant today.- Actress
- Producer
- Writer
Betty White was born in Oak Park, Illinois, to Christine Tess (Cachikis), a homemaker, and Horace Logan White, a lighting company executive for the Crouse-Hinds Electric Company. She was of Danish, Greek, English, and Welsh descent.
Although she was best known as the devious Sue Ann Nivens on the classic sitcom The Mary Tyler Moore Show (1970) and the ditzy Rose Nylund on The Golden Girls (1985), Betty White had been in television for a long, long time before those two shows, having had her own series, Life with Elizabeth (1952) in 1952.
She was married three times, lastly for eighteen years, until widowed, to TV game-show host Allen Ludden.
She was inducted into the Television Hall of Fame and she was known for her tireless efforts on behalf of animals.
Betty White died on 31 December 2021, at the age of 99.- Actress
- Soundtrack
Perky, talented, blue-eyed redhead Cara Williams had acting aspirations from the get-go. She was born in Brooklyn on June 29, 1925, as Bernice Kamiat, to an Austrian Jewish father, Benjamin Kamiat, and a mother of Romanian Jewish descent, Flora (Schwartz). Cara began performing as a child and continued into her teens. After her parents' divorce, she relocated with her mother to Hollywood where she attended the Hollywood Professional School and lent her voice to both radio and animated cartoon shorts. At age 16 she was signed by 20th Century-Fox and began to play minor, often unbilled parts in drama, comedy and musicals billing herself as Bernice Kay.
Throughout WWII she was always reliable for adding a little pep and zing to her smallish roles. She played various shapely secretaries, salesgirls, girlfriends, etc. in such minor fodder as Wide Open Town (1941), Happy Land (1943), In the Meantime, Darling (1944) and Don Juan Quilligan (1945), but nothing to propel her into the front ranks.
Things started picking up in the post-war years. She made a splash on stage in a production of "Born Yesterday" and started earning notably feisty, tart-tongued roles in such films as Boomerang! (1947) and The Saxon Charm (1948). By the 1950s she showed scene-stealing potential in The Girl Next Door (1953) and The Helen Morgan Story (1957), and finally earned an Academy Award nomination for her sad, touching supporting turn as a widowed mother in the classic The Defiant Ones (1958) opposite Sidney Poitier and Tony Curtis. This led to a couple of flashy gangster moll roles in the film comedies Never Steal Anything Small (1959) and The Man from the Diners' Club (1963).
The sitcom December Bride (1954) starring Spring Byington had deadpan quipster Harry Morgan stealing many scenes griping about scatterbrained wife Gladys (who was never shown on camera). When Morgan moved into his own spinoff series, Gladys was finally revealed in the form of Cara on the initially popular Pete and Gladys (1960) TV show. The program did not last as long as it deserved (two seasons) but the dusky-voiced Cara came off well and was escorted directly into her own series The Cara Williams Show (1964) with the equally personable Frank Aletter at her side. Molded at this time by the CBS powers-that-be as the next wacky redhead to follow in the comedy heels of Lucille Ball, the plans quickly went askew following an unfavorable network power shuffle and the canceling of her sitcom after only one season. With her momentum completely gone, her career went into rapid decline. She did manage a steady role on the first season of Rhoda (1974), and an affecting dramatic turn in the ensemble film soaper Doctors' Wives (1971). By the 1980s, however, she had officially retired.
A turbulent 1950s marriage to actor John Drew Barrymore (who later became the father of actress Drew in a subsequent marriage) produced son John Blyth Barrymore who went into acting as well and appeared in a bit role in his mother's last film The One Man Jury (1978). Cara subsequently married a Beverly Hills realtor (her third husband) and later displayed a strong business acumen in interior designing and as a champion poker player. She also had one child from her first marriage.- Actor
- Producer
- Additional Crew
Emmy-nominated actor and producer Michael Kenneth Williams was one of his generation's most respected and acclaimed talents. By bringing complicated and charismatic characters to life--often with surprising tenderness--Williams established himself as a gifted and versatile performer with a unique ability to mesmerize audiences with his stunning character portrayals.
Born in 1966 in Brooklyn, Williams was best known for his remarkable work on The Wire (2002). The wit and humor that Williams brought to Omar, the whistle-happy, profanity-averse, openly gay drug dealer-robbing stickup man, earned him high praise, and made Omar one of television's most memorable characters. Williams also co-starred in HBO's critically acclaimed series Boardwalk Empire (2010), in which he played Chalky White, a 1920s bootlegger and the impeccably suited, veritable mayor of Atlantic City's African American community. In 2012, "Boardwalk Empire" won a Screen Actors Guild Award for Outstanding Performance by an Ensemble in a Drama Series. He received his first Emmy nomination for Outstanding Supporting Actor in a Limited Series or a Movie for HBO's Bessie (2015) and subsequently received his second nomination for Outstanding Supporting Actor in a Limited Series for his portrayal of Freddy in HBO's The Night Of (2016).
In 2018, Vice (2013) returned for its sixth season with an extended special season premiere produced by and featuring Williams as he embarked on a personal journey to expose the root of the American mass incarceration crisis: the juvenile justice system. The episode "Raised in the System" offered a frank and unflinching look at those caught up the system, exploring why the country's mass incarceration problem cannot be fixed without first addressing the juvenile justice problem. Williams investigated the solutions that local communities were employing that resulted in drastic drops in both crime and incarceration. Michael garnered his first Emmy nomination as a producer for this incredible documentary and continues to host screenings across the country as a way to educate and raise awareness.
Giving back to the community played an important role in Williams' off-camera life. He launched Making Kids Win, a charitable organization, the primary objective of which is to build community centers in urban neighborhoods that are in need of safe spaces for children to learn and play. Williams served as the ACLU's Ambassador of Smart Justice.
Williams began his career as a performer by dancing professionally at age 22. After numerous appearances in music videos and as a background dancer on concert tours for Madonna and George Michael, Williams decided to pursue acting seriously. He participated in several productions of the La MaMA Experimental Theater, the prestigious National Black Theater Company. and the Theater for a New Generation, directed by Mel Williams.
Michael K. Williams was born, raised, and resided in Brooklyn, New York, until his death on September 6, 2021.- Born on August 21, 1939, the son of a displaced musician, Harlem-born actor Clarence Williams III was raised by his musical grandparents, the legendary jazz and boogie-woogie composer/pianist Clarence Williams, who wrote such classics as "T'Aint Nobody's Business If I Do" and "Baby, Won't You Please Come Home," and blues singer Eva Taylor. While attending a local YMCA as a teen, Williams became interested in dramatics.
After a two-year hitch with the U.S. Air Force, he started his acting career, making a minor New York stage debut with "The Long Dream" in 1960. He continued impressively with roles in "Walk in Darkness" (1963), "Sarah and the Sax" (1964) and "Doubletalk" (1964), and capped his early career with a Theatre World Award and Tony-nomination for the three-person play "Slow Dance on the Killing Ground" (1964). Continuing on with powerful work in "Does a Tiger Wear a Necktie?" (1966) and "King John," Vietnam-era Hollywood finally began to take notice of his "angry young man" charisma.
His casting as former delinquent-turned-undercover cop Linc Hayes on the highly popular TV cop series Mod Squad (1968) along with fellow white partners Michael Cole and Peggy Lipton was a huge break for all three relative unknowns. Sporting a huge Afro, paisley shirts, dark shades and spouting catchprase language like "dig it" and "solid," the gap-toothed Linc (and his mod partners) showed the requisite anti-establishment defiance and coolness to attract the hip generation--while still playing good guys.
Following the series' demise in 1973, he purposely avoided the "blaxploitation" Hollywood scene and returned to the stage, notably on Broadway opposite Maggie Smith in Tom Stoppard's play "Night and Day" (1979). In the 80s he launched an enviable character career in films, often playing a cool, streetwise character or threatening menace. Among his better-known on-screen assignments is the role of Prince's abusive father in Purple Rain (1984), a burnt-out political activist in the spoof I'm Gonna Git You Sucka (1988), the recurring part of Roger Hardy in the twisted cult TV series Twin Peaks (1990), a good-guy cop in Deep Cover (1992), an rioter in the Attica-themed mini-series Against the Wall (1994) and Wesley Snipes heroin-addicted dad in Sugar Hill (1993), among others. Powerful roles on such shows as "Law & Order," "Profiler" and "Judging Amy" has kept him strongly in the limelight.
Millennium acting work included solid performances in the films Reindeer Games (2000), Ritual (2000), Blue Hill Avenue (2001), The Extreme Team (2003), Constellation (2005), The Blue Hour (2007),The Way of War (2009), A Day in the Life (2009), The Butler (2013) and American Nightmares (2018), as well as his interesting role as mysterious book store manager Philby in the lengthy Mystery Woman (2003) series of TV movies (2003-2007). Clarence also made guest appearances on TV programs, "Cold Case," "Memphis Beat," "Justified" and "Empire," to name a few.
Wed to wife Kelly until his death, Clarence was first married to actress Gloria Foster (1967-1984). The two appeared together in the movie The Cool World (1963). Following their divorce, they remained friendly and, upon her death in 2001, it was he who made the formal announcement. - Actress
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During the early times of the Depression when life was more famine than feast, child stars became the blue plate special of the day, served up by Hollywood to help nourish a nation besieged with troubles. Following 20th Century-Fox monumental success with Shirley Temple in the early 1930s, every studio was out searching for its own precocious little commodity who could pack 'em in the aisles despite the lean times. While Paramount whipped up "Little" Mitzi Green, MGM offered Jackie Cooper in the hopes of finding a similar box office jingle. Wildly talented Janie Withers fit the bill, too, and although she earned pint-sized prominence just like the others, it was also for Temple's Fox Studios. As such, Jane remained somewhat of a side course to Temple's main dish (what child star didn't?) throughout much her young "B" level reign. Nevertheless, she became a major bright star in her own right.
The freckled, dark-haired hellraiser was born in Atlanta, Georgia, on April 12, 1926. The daughter of Walter and Lavinia Ruth (Elble) Withers, her parents wasted no time in prodding little Jane quickly into the world of entertainment. Jane was a natural--performing by the time she could walk and talk. By age three, she was taking singing and dancing lessons and at age 4, was starring on her own radio program in Atlanta. A spot-on mimic, she was simply uncanny when it came to impersonating the superstars of her day (W.C. Fields, Marie Dressler, Charles Chaplin) and was a veteran pint-sized performer by the time her family moved to Los Angeles after her father was transferred by his company. Jane was enrolled in Lawlor's Professional School and was soon modeling in shows, entertaining at benefits and making the usual rounds of the studios nabbing extra work while waiting for that one big film break.
She found it at age 8 when she won the plum role of the spoiled, obnoxious, doll-ripping, bicycle-riding brat who terrorizes sweet Shirley Temple in Twentieth Century-Fox's Bright Eyes (1934). The infamy earned Jane a sweet contract at Fox and for the next seven years she did it her way as the tyke star of close to 50 "B" level films. Where Shirley was cuddly and ultra huggable, brunette-banged Jane was fun, rambunctious and full of kinetic energy--a scrappy little tomboy who could take on any boy at any time. Her lively vehicles took full advantage of her talents for impersonating movie stars, too. Her first major success came in the form of the title role in Ginger (1935) in which Jane imitated the balcony scene from Romeo and Juliet and was rewarded by the studio with a contract of $125 weekly for six months. Her singing and dancing skills were utilized in such vehicles as This Is the Life (1935) and Paddy O'Day (1936). As the star, she was toned down, of course, from the all-out brat she played against Temple. Jane kept filmgoers entertained throughout the late 1930s with pictures like Pepper (1936) and Angel's Holiday (1937), in which she did an hilarious impression of Martha Raye. She ended 1937 with a bang when she was named one of Motion Picture's Poll's "Top Ten" (#6) box office favorites. Guess who was #1?
The early 1940s would tell the story as to whether Jane could survive the dreaded awkward teen transition that haunted every popular child star. She received her first screen kiss at age 13 in Boy Friend (1939) and was singled out for her work in The Ritz Brothers' Pack Up Your Troubles (1939), but Jane's antics simply didn't play as well and the studio began to lose interest. In fact, both Shirley and Jane felt the pressures of growing up and Darryl F. Zanuck let both of them go in July of 1942. Jane signed a three-year picture deal with Republic Pictures with lukewarm results. Her best dramatic role at that time came with The North Star (1943).
In 1947, the same year as her last picture of the decade, Jane married a wealthy Texas oil man, William Moss, and had three children by him--William, Wendy, and Randy. The marriage was not a happy one and lasted only six years. She also was suffering from rheumatoid arthritis. In 1955, she remarried, this time to Kenneth Errair, one-quarter of the harmonizing group "The Four Freshmen." They had two children, Ken and Kendall Jane. At the same time, she attempted a Hollywood comeback. While studying directing at the USC film school, she met producer/director George Stevens who cast her in an enviable character role in the epic-sized Giant (1956) supporting Rock Hudson, Elizabeth Taylor, and James Dean. Other film roles followed with The Right Approach (1961) and Captain Newman, M.D. (1963).
It was TV, however, that would turn Jane into a wealthy woman as a friendly household pitchwoman. Her decades-long job as the dress-downed Josephine the Plumber pushing Comet cleanser made her one popular gal when working in films became a non-issue. From time to time she made guest appearances on such fun, lightweight shows as The Munsters (1964), The Love Boat (1977), Murder, She Wrote (1984), and Hart to Hart (1979). Known for her strong spiritualism and charitable contributions, Jane's buoyant, indefatigable nature was still, at age 90+, highly infectious. She not only did voiceover work for Disney's animated features but still popped up here and there for interviews and convention signings--as bright-eyed and bushy-tailed as she was in her childhood heyday. A widow in 1968, (her second husband perished in a June 14th plane crash in California), she also lost one of her five children, Randy, to cancer when he was only 33.