Spider-Man (1984)
What if Sam Raimi's Spider-Man was made in the 80's?
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Michael J. Fox was born Michael Andrew Fox on June 9, 1961 in Edmonton, Alberta, Canada, to Phyllis Fox (née Piper), a payroll clerk, and William Fox. His parents moved their 10-year-old son, his three sisters, Kelli Fox, Karen, and Jacki, and his brother Steven, to Vancouver, British Columbia, after his father, a sergeant in the Canadian Army Signal Corps, retired. During these years Michael developed his desire to act. At 15 he successfully auditioned for the role of a 10-year-old in a series called Leo and Me (1978). Gaining attention as a bright new star in Canadian television and movies, Michael realized his love for acting when he appeared on stage in "The Shadow Box." At 18 he moved to Los Angeles and was offered a few television-series roles, but soon they stopped coming and he was surviving on boxes of macaroni and cheese. Then his agent called to tell him that he got the part of Alex P. Keaton on the situation comedy Family Ties (1982). He starred in the feature films Teen Wolf (1985), High School U.S.A. (1983), Poison Ivy (1985) and Back to the Future (1985).Spider-Man/Peter Parker- Actress
- Producer
- Director
Winona Ryder was born Winona Laura Horowitz in Olmsted County, Minnesota, and was named after a nearby town, Winona, Minnesota. She is the daughter of Cynthia (Istas), an author and video producer, and Michael Horowitz, a publisher and bookseller. Her father's family is Ukrainian Jewish and Romanian Jewish. She grew up in a ranch commune in Northern California which had no electricity. She is the goddaughter of Timothy Leary. Her parents were friends of Beat poet Allen Ginsberg and once edited a book called "Shaman Woman Mainline Lady", an anthology of writings on the drug experience in literature, which included one piece by Louisa May Alcott. Ryder would later play the lead role of Josephine March in the adaptation of this author's novel Little Women (1994).
Ryder moved with her parents to Petaluma, California when she was ten and enrolled in acting classes at the American Conservatory Theater. At age 13, she had a video audition to the film Desert Bloom (1986), but did not get the role. However, director David Seltzer spotted her and cast her in Lucas (1986). When telephoned to ask how she would like to have her name appear on the credits, she suggested Ryder as her father's Mitch Ryder & The Detroit Wheels album was playing the background. Ryder was selected for the role of Mary Corleone in The Godfather Part III (1990), but had to drop out of the role after catching the flu from the strain of doing the films Welcome Home, Roxy Carmichael (1990) and Mermaids (1990) back-to-back. She said she did not want to let everyone down by doing a substandard performance. She later made The Age of Innocence (1993), which was directed by Martin Scorsese, whom she believes to be "the best director in the world".Mary-Jane Watson- Actor
- Producer
- Writer
Jack Nicholson, an American actor, producer, director and screenwriter, is a three-time Academy Award winner and twelve-time nominee. Nicholson is also notable for being one of two actors - the other being Michael Caine - who have received an Oscar nomination in every decade from the '60s through the '00s.
Nicholson was born on April 22, 1937, in Neptune, New Jersey. He was raised believing that his grandmother was his mother, and that his mother, June Frances Nicholson, a showgirl, was his older sister. He discovered the truth in 1975 from a Time magazine journalist who was researching a profile on him. His real father is believed to have been either Donald Furcillo, an Italian American showman, or Eddie King (Edgar Kirschfeld), born in Latvia and also in show business. Jack's mother's ancestry was Irish, and smaller amounts of English, German, Scottish, and Welsh.
Nicholson made his film debut in a B-movie titled The Cry Baby Killer (1958). His rise in Hollywood was far from meteoric, and for years, he sustained his career with guest spots in television series and a number of Roger Corman films, including The Little Shop of Horrors (1960).
Nicholson's first turn in the director's chair was for Drive, He Said (1971). Before that, he wrote the screenplay for The Trip (1967), and co-wrote Head (1968), a vehicle for The Monkees. His big break came with Easy Rider (1969) and his portrayal of liquor-soaked attorney George Hanson, which earned Nicholson his first Oscar nomination. Nicholson's film career took off in the 1970s with a definitive performance in Five Easy Pieces (1970). Nicholson's other notable work during this period includes leading roles in Roman Polanski's noir masterpiece Chinatown (1974) and One Flew Over the Cuckoo's Nest (1975), for which he won his first Best Actor Oscar.
The 1980s kicked off with another career-defining role for Nicholson as Jack Torrance in Stanley Kubrick's adaptation of Stephen King's novel The Shining (1980). A string of well-received films followed, including Terms of Endearment (1983), which earned Nicholson his second Oscar; Prizzi's Honor (1985), and The Witches of Eastwick (1987). He portrayed another renowned villain, The Joker, in Tim Burton's Batman (1989). In the 1990s, he starred in such varied films as A Few Good Men (1992), for which he received another Oscar nomination, and a dual role in Mars Attacks! (1996).
Although a glimpse at the darker side of Nicholson's acting range reappeared in The Departed (2006), the actor's most recent roles highlight the physical and emotional complications one faces late in life. The most notable of these is the unapologetically misanthropic Melvin Udall in As Good as It Gets (1997), for which he won his third Oscar. Shades of this persona are apparent in About Schmidt (2002), Something's Gotta Give (2003), and The Bucket List (2007). In addition to his Academy Awards and Oscar nominations, Nicholson has seven Golden Globe Awards, and received a Kennedy Center Honor in 2001. He also became one of the youngest actors to receive the American Film Institute's Life Achievement award in 1994.
Nicholson has six children by five different women: Jennifer Nicholson (b. 1963) from his only marriage to Sandra Knight, which ended in 1966; Caleb Goddard (b. 1970) with Five Easy Pieces (1970) co-star Susan Anspach, who was automatically adopted by Anspach's then-husband Mark Goddard; Honey Hollman (b. 1982) with Danish supermodel Winnie Hollman; Lorraine Nicholson (b. 1990) and Ray Nicholson (b. 1992) with minor actress Rebecca Broussard; and Tessa Gourin (b. 1994) with real estate agent Jennine Marie Gourin. Nicholson's longest relationship was the 17 nonmonogamous years he spent with Anjelica Huston; this ended when Broussard announced she was pregnant with his child.Green Goblin/Norman Osbourne- Actor
- Director
- Producer
Matt Dillon's successful film career has spanned over three decades and has showcased his wide range of dramatic and comedic talents. Dillon displayed his versatility with an arresting performance co-starring as a racist cop in the critically acclaimed Paul Haggis film Crash. This role earned him nominations for an Academy award, Golden Globe Award, Screen Actors Guild Award, Critics Choice Award, BAFTA Award and won him an Independent Spirit Award. In addition, the film earned him a Screen Actors Guild Award and a Critics Choice Award for Best Ensemble. As the New York Times' Film Critic A.O. Scott put it, "He seems to be getting better with every film."
He starred opposite Kate Hudson and Owen Wilson in Universal Pictures' comedy, You, Me and Dupree and in Factotum for which he received glowing reviews for portraying Charles Bukowski's alter ego when the film premiered at the Cannes Film Festival. From his breakthrough performance in The Outsiders to his hilarious turn as an obsessed private investigator in There's Something About Mary, he has proven himself to be one of the most diverse actors of his generation.
In 1990 Dillon won an IFP Spirit Award for his gritty performance as a drug addict in Gus Van Sant's Drugstore Cowboy. From there he went on to star in such films as Ted Demme's Beautiful Girls opposite Uma Thurman and Natalie Portman, Cameron Crowe's Singles, In & Out with Kevin Kline, Kevin Spacey's Albino Alligator, Francis Ford Coppola's Rumble Fish, Garry Marshall's Flamingo Kid, Van Sant's To Die For with Nicole Kidman, and John McNaughton's Wild Things. He starred in Nothing But The Truth, opposite Kate Beckinsale and Vera Farmiga, Disney's Old Dogs, opposite John Travolta, Robin Williams and Kelly Preston, and the Screen Gems films Armored and Takers.
Aside from being an accomplished actor, Dillon wrote, and made his feature film directorial debut with City of Ghosts, in which he also starred with Gérard Depardieu, Stellan Skarsgård, and James Caan. Prior to City of Ghosts, Dillon made his television directorial debut in 1997 with an episode of HBO's gritty prison drama Oz.
Dillon's achievements continued with television appearances in an HBO adaptation of Irwin Shaw's Return To Kansas City and a part co-narrating the documentary Dear America: Letters From Home.
Dillon's multi-talents have also landed him on stage starring on Broadway in The Boys In Winter as well as the PBS/American Playhouse production of The Great American Fourth Of July And Other Disasters.
His recent film credits include the comedy Girl Most Likely opposite Annette Bening and Kristen Wiig; the drama Sunlight, Jr. opposite Naomi Watts, and the heist comedy The Art Of The Steal opposite Kurt Russell. Dillon most recently starred in M. Night Shyamalan's hit television event series Wayward Pines for FOX.Harry Osbourne- Actor
- Additional Crew
- Producer
A talented character actor known for his military roles, Ronald Lee Ermey was in the United States Marine Corps for 11 years. He rose to the rank of Staff Sergeant, and later was bestowed the honorary rank of Gunnery Sergeant by the Marine Corps, after he served 14 months in Vietnam and later did two tours in Okinawa, Japan. After injuries forced him to retire from the Corps, he moved to the Phillipines, enrolling in the University of Manila, where he studied Criminology and Drama. He appeared in several Filipino films before being cast as a helicopter pilot in Francis Ford Coppola's Apocalypse Now (1979). Due to his Vietnam experiences, Coppola also utilized him as a technical adviser. He got a featured role in Sidney J. Furie's The Boys in Company C (1978), playing a drill instructor. Ermey worked with Furie again in Purple Hearts (1984).
However, his most famous (or infamous) role came as Gunnery Sergeant Hartman in Stanley Kubrick's Full Metal Jacket (1987), for which he was nominated for a Golden Globe. He did win the best supporting actor award from The Boston Society of Film Critics. Since then, he has appeared in numerous character roles in such films as Leaving Las Vegas (1995), Se7en (1995) and Dead Man Walking (1995). However, Ermey prefers comedy to drama, and has a comedic role in Saving Silverman (2001).J. Jonah Jameson- Actor
- Director
- Additional Crew
Adam West was born William West Anderson on September 19, 1928 in Walla Walla, Washington, to parents Otto West Anderson, a farmer, and his wife Audrey V. (Speer), an opera singer. At age 10, in 1938, West had a cache of comic books; and starting in 1939, Batman, who appeared in Detective Comics, made a big impression on him--the comic hero was part bat-man (a la Count Dracula) and part world's greatest detective (a la Charlie Chan and Sherlock Holmes). When his mother remarried to a Dr. Paul Flothow, she took West and his younger brother, John, to Seattle. At age 14, West attended Lakeside School, then went to Whitman College, where he got a degree in literature and psychology. During his last year of college, he married 17-year-old Billie Lou Yeager.
West got a job as a disc jockey at a local radio station, then enrolled at Stanford for post-grad courses. Drafted into the army, he spent the next two years starting military television stations, first at San Luis Obispo, California, then at Fort Monmouth, New Jersey. Afterwards, West and his wife toured Europe, visiting Germany, Switzerland and Italy's Isle of Capri. When the money ran out, he joined a childhood and college buddy, Carl Hebenstreit, who was starring in the kiddie program "The Kini Popo Show" in Hawaii. West would eventually replace Carl but not the other star, Peaches the Chimp. In 1956, he got a divorce and married a beautiful girl, originally from Tahiti, named Ngatokoruaimatauaia Frisbie Dawson (he called her "Nga" for short). They had a daughter, Jonelle (born 1957), and a son, Hunter (born 1958). In 1959, West came to Hollywood. He adopted the stage name "Adam West", which fit his roles, as he was in some westerns.
After seven years in Tinseltown, he achieved fame in his signature role as Bruce Wayne / Batman, on the wildly popular ABC-TV series Batman (1966) (though he has over 60 movie and over 80 television guest appearance credits, "Batman" is what the fans remember him for). The series, which lasted three seasons, made him not just nationally but internationally famous. The movie version, Batman: The Movie (1966), earned West the "Most Promising New Star" award in 1967. The downside was that the "Batman" fame was partly responsible for ruining his marriage, and he was typecast and almost unemployable for a while after the series ended (he did nothing but personal appearances for two years).
In 1970, he met and then married Marcelle Tagand Lear, and picked up two stepchildren, Moya and Jill. In addition, they had two children of their own: Nina West in 1976 and Perrin in 1979. You can't keep a good actor down--West's career took off again, and he appeared in 50 projects after that: movies, television movies and sometimes doing voices on television series. West wrote his autobiography, "Back to the Batcave" (1994). One of his most prized possessions was a drawing of Batman by Bob Kane with the inscription "To my buddy, Adam, who breathed life into my pen and ink creation". Beginning in 2000, West made guest appearances on the animated series Family Guy (1999), on which he played Mayor Adam West, the lunatic mayor of Quahog, Rhode Island.
On June 9, 2017, Adam West died at age 88 after a brief battle with leukemia in Los Angeles, California. On June 15, 2017, Los Angeles shone the bat-signal on City Hall, and Walla Walla shone the bat-signal on the Whitman Tower, both as a tribute to West.Uncle Ben Parker- Actress
- Producer
- Executive
Angela Lansbury was born in 1925 into a prominent family of the upper middle class living in the Regent's Park neighborhood of London. Her father was socialist politician Edgar Isaac Lansbury (1887-1935), a member of both the Communist Party of Great Britain (CPGB) and the Labour Party. Edgar served as Honorary Treasurer of the East London Federation of Suffragettes (term 1915), and Mayor of Poplar (term 1924-1925). He was the second Communist mayor in British history, the first being Joe Vaughan (1878-1938). Lansbury's mother was Irish film actress Moyna Macgill (1895-1975), originally from Belfast. During the first five years of Angela's life, the Lansbury family lived in a flat located in Poplar. In 1930, they moved to a house located in the Mill Hill neighborhood of north London. They spend their weekends vacationing in a farm located in Berrick Salome, a village in South Oxfordshire.
In 1935, Edgar Lansbury died from stomach cancer. Angela reportedly retreated into "playing characters", as a coping mechanism to deal with the loss. The widowed Moyna Macgill soon became engaged to Leckie Forbes, a Scottish colonel. Moyna moved into his house in Hampstead.
From 1934 to 1939, Angela was a student at South Hampstead High School. During these years, she became interested in films.. She regularly visited the local cinema, and imagined herself in various roles. Angela learned how to play the piano, and received a musical education at the Ritman School of Dancing.
In 1940, Lansbury started her acting education at the Webber Douglas School of Singing and Dramatic Art, located in Kensington, West London. She made her theatrical debut in the school's production of the play "Mary of Scotland" (1933) by Maxwell Anderson (1888-1959). The play depicted the life of Mary, Queen of Scots (1542-1587, reigned 1542-1567), and Lansbury played one of the queen's ladies-in-waiting.
Also in 1940, Lansbury's paternal grandfather, George Lansbury, died from stomach cancer. When the Blitz started, Moyna Macgill had reasons to fear for the safety of her family and few remaining ties to England. Macgill moved to the United States to escape the Blitz, taking her three youngest children with her. Isolde was already a married adult, and was left behind in England.
Macgill secured financial sponsorship from American businessman Charles T. Smith. She and her children (including Angela) moved into Smith's house in Mahopac, New York, a hamlet in Putnam County. Lansbury was interested in continuing her studies, and secured a scholarship from the American Theatre Wing. From 1940 to 1942, Lansbury studied acting at the Feagin School of Dramatic Art, located in New York City. She appeared in performances organized by the school.
In 1942, Lansbury moved with her family to a flat located in Morton Street, Greenwich Village. She soon followed her mother in her theatrical tour of Canada. Lansbury secured her first paying job in Montreal, singing at the nightclub Samovar Club for a payment of 60 dollars per week. Lansbury was 16 years old at the time, but lied about her age and claimed to be 19 in order to be hired.
Lansbury returned to New York City in August, 1942, but Moyna Macgill soon moved herself and her family again. The family moved to Los Angeles, where Moyna was interested in resurrecting her film career. Their first home there was a bungalow in Laurel Canyon, a neighborhood in the Hollywood Hills.
Lansbury helped financially support her family by working for the Bullocks Wilshire department store in Los Angeles. Her weekly wages were only 28 dollars, but she had a secure income while her mother was unemployed. Through her mother, Lansbury was introduced to screenwriter John Van Druten (1901-1957), who had recently completed his script of "Gaslight" (1944). He suggested that young Lansbury would be perfect for the role of Nancy Oliver, the film's conniving cockney maid. This helped secure Lansbury's first film role at the age of 17, and a seven-year contract with the film studio Metro-Goldwyn-Mayer. She earned 500 dollars per week, and chose to continue using her own name instead of a stage name.
In 1945, Lansbury married actor Richard Cromwell (1910-1960), who was 15 years older than she. The troubled marriage ended in a divorce in 1946. The former spouses remained friends until Cromwell's death.
In 1946, Lansbury started a romantic relationship with aspiring actor Peter Shaw (1918-2003), who was 7 years older than her. Shaw had recently ended his relationship with actress Joan Crawford (c. 1908-1977). The new couple started living together, while planning marriage. They wanted to be married in the United Kingdom, but the Church of England refused to marry two divorcees. They were married in 1949, in a Church of Scotland ceremony at St. Columba's Church, located in Knightsbridge, London. After their return to the United States, they settled into Lansbury's home in Rustic Canyon, Malibu. In 1951, both Lansbury and Shaw became naturalized citizens of the United States, while retaining their British citizenship.
Meanwhile, Lansbury continued appearing in MGM films. She appeared in 11 MGM films between 1945 and 1952. MGM at times loaned Lansbury to other film studios. She appeared in United Artists' "The Private Affairs of Bel Ami" (1947), and Paramount Pictures' "Samson and Delilah" (1949). In 1948, Lansbury made her debut in radio roles, followed by her television debut in 1950.
In 1952, Lansbury requested the termination of her contract with MGM, instead of its renewal. She felt unsatisfied with her film career as an MGM contract player. She then joined the East Coast touring productions of two former Broadway plays. By 1953, Lansbury had two children of her own and was also raising a stepson. She and her family moved into a larger house, located on San Vincente Boulevard in Santa Monica. In 1959, she and her family moved into a house in Malibu. The married couple were able to send their children to a local public school.
Meanwhile she continued her film career as a freelance actress, but continued to be cast in middle-aged roles. She regained her A-picture actress through well-received roles in the drama film "The Long, Hot Summer" (1958) and the comedy film "The Reluctant Debutante" (1958). She also appeared regularly in television roles, and became a regular on game show "Pantomime Quiz" (1947-1959).
In 1957, Lansbury made her Broadway debut in a performance of "Hotel Paradiso". The play was an adaptation of the 1894 "L'Hôtel du libre échange" ("Free Exchange Hotel"), written by Maurice Desvallières (1857-1926) and Georges Feydeau (1862-1921). Lansbury's role as "Marcel Cat" was critically well received. She continued appearing in Broadway over the next several years, most notably cast as the verbally abusive mother in "A Taste of Honey". She was cast as the mother of co-star Joan Plowright (1929-), who was only four years younger.
In the early 1960s, Lansbury was cast as an overbearing mother in "Blue Hawaii" (1961). The role of her son was played by Elvis Presley (1935-1977), who was only 10 years than her. The film was a box office hit, it finished as the 10th-top-grossing film of 1961 and 14th for 1962 on the "Variety" national box office survey. It gained Lansbury renewed fame, at a difficult point of her career.
Lansbury gained critical praise for a sympathetic role in the drama film "The Dark at the Top of the Stairs" (1960), and the role of a manipulative mother in the drama film "All Fall Down" (1962). Based on her success in "All Fall Down", she was cast in a similar role in the Cold War-themed thriller "The Manchurian Candidate" (1962). She was cast as Eleanor Iselin, the mother of her co-star Laurence Harvey (1928-1973), who was only 3 years younger than she. This turned out to be one of the most memorable roles in her career. She received critical acclaim and was nominated for a third time for the Academy Award for Best Supporting Actress. The award was instead won by Patty Duke (1946-2016).
Lansbury made a comeback in the starring role of Mame Dennis in the musical "Mame" (1966), by Jerome Lawrence (1915-2004) and Robert Edwin Lee (1918-1994). The play was an adaptation of the novel "Auntie Mame: An Irreverent Escapade" (1955) by Patrick Dennis (1921-1976), and focused on the life and ideas of eccentric bohemian Mame Dennis. The musical received critical and popular praise, and Lansbury won her first Tony Award for Best Leading Actress in a Musical. Lansbury gained significant fame from her success, becoming a "superstar".
Her newfound fame led to other high-profile appearances by Lansbury. She starred in a musical performance at the 1968 Academy Awards ceremony, and co-hosted the 1968 Tony Awards. The Hasty Pudding Club, a social club for Harvard students. elected her "Woman of the Year" in 1968.
Lansbury's next theatrical success was in 1969 "The Madwoman of Chaillot" (1945) by Jean Giraudoux (1882-1944). The play concerns an eccentric Parisian woman's struggles with authority figures. Lansbury was cast in the starring role of 75-year-old Countess Aurelia, despite her actual age of 44. The show was well received and lasted for 132 performances. Lansbury won her second Tony Award for this role.
In 1970, Lansbury's Malibu home was destroyed in a brush fire. Lansbury and her husband decided to buy Knockmourne Glebe, an 1820s Irish farmhouse, located near the village of Conna in rural County Cork.
Her film career reached a new height. She was cast in the starring role of benevolent witch Eglantine Price in Disney's fantasy film "Bedknobs and Broomsticks" (1971). The film was a box-office hit; it was critically well received, and introduced Lansbury to a wider audience of children and families.
In 1972, Lansbury returned to the British stage, performing in London's West End with the Royal Shakespeare Company. In 1973, Lansbury appeared in the role of Rose in London performances of the musical "Gypsy" (1959) by Arthur Laurents. It was quite successful. In 1974, "Gypsy" went on tour in the United States. with the same cast. For her role, Lanbury won the Sarah Siddons Award and her third Tony Award. The musical had its second tour in 1975.
Tired from musicals. Lansbury next sought Shakespearean roles in the United Kingdom. From 1975 to 1976, she appeared as Queen Gertrude in the National Theatre Company's production of Hamlet. In November 1975, Lansbury's mother Moyna Macgill died at the age of 79. Lansbury arranged for her mother's remains to be cremated, and the ashes scattered near her own County Cork home.
In 1976, Lansbury returned to the American stage. In 1978, Lansbury temporarily replaced Constance Towers (1933-) in the starring role of Anna Leonowens (1831-1915) in The King and I. While Towers was on a break from the role, Lansbury appeared in 24 performances.
In 1978, Lansbury appeared in her first film role in seven years, as the novelist and murder victim Salome Otterbourne in the mystery film "Death on the Nile" (1978). The film was an adaptation of the 1937 novel by Agatha Christie (1890-1976); Otterbourne was loosely based on real-life novelist Elinor Glyn (1864-1943). The film was a modest box-office hit, and Lansbury befriended her co-star Bette Davis (1908-1989).
In 1979, Lansbury was cast in the role of meat pie seller Mrs. Lovett in the musical "Sweeney Todd: The Demon Barber of Fleet Street" (1979), by Stephen Sondheim and Hugh Wheeler (1912-1987). The musical was loosely based on the penny dreadful serial novel "The String of Pearls: A Domestic Romance" (1846-1847), which first depicted fictional serial killer Sweeney Todd. Lansbury remained in the role for 14 months, and was then replaced by Dorothy Loudon (1925-2003). Lansbury won her fourth Tony Award for this role. She returned to the role for 10 months in 1980.
Lansbury's next prominent film role was that of Miss Froy in "The Lady Vanishes" (1979), a remake of the 1938 film directed by Alfred Hitchcock (1899-1980). She was next cast in the role of amateur sleuth Miss Jane Marple in the mystery film "The Mirror Crack'd" (1980), an adaptation of the novel "The Mirror Crack'd from Side to Side" (1962) by Agatha Christie. The novel was loosely inspired by the life of Gene Tierney (1920-1991). The film was a modest commercial success. There were plans for at least two sequels, but they ended in development hell.
In 1982, Lansbury was inducted into the American Theatre Hall of Fame, She appeared at the time in the new play "A Little Family Business" and a revival of "Mame", but both shows were commercial failures. In film, Lansbury voiced the witch Mommy Fortuna in the animated fantasy film "The Last Unicorn" (1982). The film was critically well received, but was not a box-office hit.
Lansbury played Ruth in the musical comedy "The Pirates of Penzance" (1983), a film adaptation of the 1879 comic opera by William Schwenck Gilbert (1836-1911) and Arthur Sullivan (1842-1900). The film was a box office bomb, earning about 695,000 dollars.
Lansbury's next film role was that of Granny in the gothic fantasy film "The Company of Wolves" (1984), based on a 1979 short story by Angela Carter (1940-1992). Lansbury was cast as the grandmother of protagonist Rosaleen (played by Sarah Patterson), in a tale featuring werewolves and shape-shifting. The film was critically well received, but barely broke even at the box office.
At about that time, Lansbury appeared regularly in television films and mini-series. Her most prominent television role was that of Jessica Fletcher in the detective series "Murder, She Wrote" (1984-1996). Jessica was depicted as a successful mystery novelist from Maine who encounters and solves many murders. The character was considered an American counterpart to Miss Marple. The series followed the "whodunit" format and mostly avoided depictions of violence or gore.
The series was considered a television landmark for having an older female character as the protagonist. It was aimed primarily at middle-aged audiences, but also attracted both younger viewers and senior citizen viewers. Ratings remained high for most of its run. Lansbury rejected pressure from network executives to put her character in a relationship, as she believed that Fletcher should remain a strong single female.
In 1989, Lansbury co-founded the production company Corymore Productions, which started co-producing the television series with Universal Television. This allowed Lansbury to have more creative input on the series. She was appointed an executive producer. By the time the series ended in 1996, it tied with the original "Hawaii Five-O" (1968-1980) as the longest-running detective drama series in television history.
Her popularity from "Murder, She Wrote" made Lansbury a much-sought figure for advertisers. She appeared in advertisements and infomercials for Bufferin, MasterCard and the Beatrix Potter Company.
Lansbury's highest-profile film role in decades was voicing the character of singing teapot Mrs. Potts in Disney's animated fantasy film "Beauty and the Beast" (1991). Lansbury performed the film's title song, which won the Academy Award for Best Original Song, the Golden Globe Award for Best Original Song, and the Grammy Award for Best Song Written for a Motion Picture, Television or Other Visual Media.
During the late 1980s and 1990s, Lansbury lived most of the year in California. In 1991, she had Corymore House, a farmhouse at Ballywilliam, County Cork, built as her new family home. She spend Christmases and summers there.
Following the end of "Murder, She Wrote", Lansbury returned to a career as a theatrical actress. She temporarily retired from the stage in 2001, to take care of her husband Peter Shaw, whose health was failing. Shaw died in 2003, from congestive heart failure at the couple's Brentwood, California home. Their marriage had lasted for 54 years (1949-2003).
Lansbury felt at the time that she could not take on any more major acting roles, but that she could still make cameos. She moved back to New York City in 2006, buying a condominium in Manhattan. Her first prominent film role in years was that of Aunt Adelaide in the fantasy film "Nanny McPhee" (2005). She credits her performance in the film with pulling her out of depression, a state of mind which had lasted since her husband's death.
Lansbury returned to performing on the Broadway stage in 2007, after an absence of 23 years. In 2009, she won her fifth Tony Award. She shared the record for most Tony Award victories with Julie Harris (1925-2013). In the 2010s, she continued regularly appearing in theatrical performances. In 2014, she returned to the London stage, after an absence of nearly 40 years.
In 2015, Lansbury received her first Olivier Award for Best Supporting Actress. At age 89, she was among the oldest first-time winners. Also in 2015, November 2015 was awarded the Oscar Hammerstein Award for Lifetime Achievement in Musical Theatre.
In 2017, she was cast as Aunt March in the mini-series "Little Women". The mini-series was an adaptation of the 1868-1869 novel of the same name by Louisa May Alcott (1832-1888). The series lasted for 3 episodes, and was critically well received.
In 2018, Lansbury gained her next film role in Disney's fantasy film "Mary Poppins Returns" (2018), a sequel to "Mary Poppins". Lansbury was cast in the role of the Balloon Lady, a kindly old woman who sells balloons at the park. The films was a commercial hit, earning about 350 million dollars at the worldwide box office.
In 2019, Lansbury performed at a one-night benefit staging of Oscar Wilde's play "The Importance of Being Earnest" (1895). a farce satirizing Victorian morals. She was cast in the role of society lady Lady Bracknell, mother to Gwendolen Fairfax.
By 2020, Lansbury was 95 years old, one of the oldest-living actresses. She has never retired from acting, and remains a popular icon.Aunt May Parker- Producer
- Writer
- Director
A whiz-kid with special effects, Robert is from the Spielberg camp of film-making (Steven Spielberg produced many of his films). Usually working with writing partner Bob Gale, Robert's earlier films show he has a talent for zany comedy (Romancing the Stone (1984), 1941 (1979)) and special effect vehicles (Who Framed Roger Rabbit (1988) and Back to the Future (1985)). His later films have become more serious, with the hugely successful Tom Hanks vehicle Forrest Gump (1994) and the Jodie Foster film Contact (1997), both critically acclaimed movies. Again, these films incorporate stunning effects. Robert has proved he can work a serious story around great effects.Director- Producer
- Actor
- Make-Up Department
Peters made his Hollywood debut in Cecil B. DeMille's The Ten Commandments (1956) as the boy on the donkey crossing the Red Sea. He went on to be a hard-case kid who spent his formative years in and out of reform school. Peters entered the family business of hairdressing at age 14. Armed with an instinctive genius for self-promotion, he amassed a huge celebrity clientele at his trendy Jon Peters Salon on Rodeo Drive, raking in millions by merchandising the salon's ancillary cosmetic products. Privy to confidences that the rich and famous only reveal to their hairdressers, Peters became hip to the ways and means of Hollywood. In 1973, he fell in love with his client Barbra Streisand and proceeded to manage her early music and film career. He produced her 1976 remake of A Star Is Born (1976) which yielded over $100 million at the box office and four Oscar nominations including the Oscar-winning song, "Evergreen". Peters went on to produce a string of best-selling Streisand albums, "The Main Event", The Eyes of Laura Mars" and "Caddyshack". Peters blossomed into an A-list producer, a status he's maintained over 30 years.
In 1980, Peters teamed with former Casablanca Records and Filmworks exec Peter Guber; together with Neil Bogart, Peters and Guber formed the Polygram Productions, later renamed the Boardwalk Company. A series of mergers and sell-offs later, Guber-Peters was born in 1983. The team's willingness to take enormous chances with huge amounts of money transformed Guber and Peters into the wunderkind of Hollywood, especially after such critical and financial successes as Missing (1982), Flashdance (1983), The Color Purple (1985), Witches of Eastwick (1987), Gorillas in the Mist (1988), and Rain Man (1989). Guber-Peters acquired Chuck Barris Productions (The Gong Show, The Dating Game, The Newlywed Game), cementing their role in television as Guber-Peters-Barris. The partnership took its biggest risk and scored its biggest hit with Batman (1989) which won Peters and his partner a multimillion-dollar seven-year WB contract. Within months, they were wooed away by Sony Corporation, which offered Guber and Peters one billion dollars to assume chief executive posts.
Peters left to start Peters Entertainment which has produced such blockbusters as Batman Returns, Wild Wild West, Ali, and Superman Returns. Peters has received over 254 nominations, and won multiple Oscars, Golden Globes, and Grammys. The producer's combined grosses exceed $6 Billion worldwide and will continue to soar with two Superman sequels and a Star is Born remake in development. Peters is the proud father of five children: Christopher, Caleigh, Jordan, Skye, and Kendyl. Through the Peters Family Foundation he supports the Christopher Reeve Foundation, Life Rolls On, Homeboy Industries, My Friend's Place, Cambodian Children's Fund, Andre Sobel River of Life Foundation, Heartfelt Foundation, The Laurence School, the Sheriff's Youth Foundation, and countless other youth charities.Producer- Producer
- Additional Crew
- Executive
Peter Guber, Chairman and CEO of Mandalay Entertainment Group, has been a force in the entertainment industry for over fifty years. He has leveraged his creativity and business acumen into record-breaking profits and critical acclaim, establishing him as an enormously successful executive and entrepreneur in the entertainment and communications industries. Films he personally produced or executive produced, including Rain Man, Batman, The Color Purple, Midnight Express, Gorillas In The Mist, The Witches of Eastwick, Missing and Flashdance, have resonated with audiences all over the world, earning over three billion dollars worldwide and garnering more than 50 Academy Award nominations.
Guber joined Columbia pictures in 1968 and within three years became Studio Chief. During his tenure at the creative helm, Columbia surged to record breaking profits on the strength of such box office hits as Shampoo, Taxi Driver, Tommy, The Way We Were and Close Encounters of the Third Kind.
In 1975, Guber quit Columbia Pictures and started Filmworks with a three-year producing pact, but over a year later, in 1976, Guber merged Filmworks with Casablanca Records to form Casablanca Record and Filmworks. Its record operation included such superstars as KISS, Donna Summer and The Village People, and included some of the most successful soundtracks of all time including Flashdance, which sold more than 14 million albums. In 1979 Guber renamed the film unit to PolyGram Pictures after PolyGram took a stake in the company, where he was Chairman of the Board and CEO. He sold his interest in Polygram in 1982 and formed and served as Co-Owner of the Guber-Peters Entertainment Company (GPEC) which established a major presence in motion pictures, television and music including producing the Grammy Award winning music and official soundtrack for the 1984 Summer Olympics. Within five years, GPEC became a public company and in 1989, was acquired by Sony Pictures Entertainment.
In 1989, Guber was named Chairman and CEO of Sony Pictures Entertainment (SPE). Under his visionary leadership, the company re-framed its entire Loews exhibition circuit, introducing Sony's SDDS sound system, introduced the concept of IMAX theater and films integrated into multi-plex theaters and transformed the Sony lot into a state of the art digital production facility. Guber acquired for Sony the Magic Johnson Theatres and began an ongoing twenty year business relationship with Magic Johnson. SPE's motion picture business earned an industry best domestic box office market share averaging 17% over four years, propelled by an enormous string of successes including A Few Good Men, Philadelphia, Basic Instinct, A League of Their Own and Sleepless in Seattle among many others. During this same period, Sony Pictures led all competitors with a total of 120 Academy Award Nominations.
After leaving Sony as CEO in 1995, Guber formed Mandalay Entertainment Group as a multi-media joint venture with Sony in motion pictures and television. Mandalay Entertainment Group later added professional sports, sports entertainment and digital media as business enterprises.
Mandalay Pictures, a division of Mandalay Entertainment Group, produces motion pictures for the global marketplace. The company's rich history of creating filmed entertainment includes the box office hits, Donnie Brasco, Seven Years in Tibet, Wild Things, Les Miserables, I Know What You Did Last Summer, Sleepy Hollow, Enemy At The Gates, The Score, Beyond Borders, Into the Blue, The Jacket, Never Back Down, When The Game Stands Tall, Horns, and Dark Places. Mandalay's most recent release, The Birth of a Nation, premiered at the 2016 Sundance Film Festival and swept the two top prizes - the U.S. Dramatic Audience Award and the prestigious U.S. Dramatic Jury Award. The film sold to Fox Searchlight for a record breaking price.
Mandalay Vision is the company's independent development, production and financing label that focuses on innovative storytelling with premier talent. Mandalay Vision's first release, The Kids Are All Right, won the Golden Globe for Best Motion Picture - Musical or Comedy, and was nominated for four Academy Awards, including Best Picture. Mandalay Vision also released Soul Surfer starring Dennis Quaid, Helen Hunt and Carrie Underwood, The Voices starring Ryan Reynolds, and Bernie, starring Matthew McConaughey and Jack Black. Bernie garnered a Golden Globe nomination for Jack Black and was selected as a 2012 Top Independent Film by the National Board of Review.
Following his location based entertainment leadership experience with Loews, Guber expanded Mandalay into a national entertainment sports provider with Mandalay Sports Entertainment. He currently serves as Chairman of the Board of Directors and is the Managing Partner of Mandalay Baseball LLC, which is a joint venture with ownership of the Los Angeles Dodgers that recently acquired the Triple-A affiliated Minor League Baseball franchise in Oklahoma City, and commencing with the 2015 baseball season, became the Triple-A affiliate of the Dodgers. He also continues to serve as the Chairman of the Board of Directors for Mandalay Baseball Properties, which has owned and operated a national array of affiliated Minor League Baseball franchises and venues.
Peter Guber is the owner and serves as the Co-Executive Chairman of the NBA's Golden State Warriors. As co-managing partner, he and Joe Lacob were the driving forces behind the ownership group's NBA record-setting bid (at the time) to purchase the Warriors in 2010. The Warriors were named "Sports Team of the Year" by the Sports Business Journal at the seventh annual Sports Business Awards.
2015 was a monumental year for the Golden State Warriors. In April, two-time NBA All-Star, Steph Curry, was voted the NBA's Most Valuable Player. In May, the Warriors won the Western Conference Finals. In June, the Warriors won the NBA Championship. Also, in 2015, Steph Curry won the ESPY Award for Best Male Athlete and Steve Kerr won the ESPY Award for Best Coach/Manager.
2016 brought great success to the Golden State Warriors. The franchise went 73-9, breaking the record for the most wins in a single NBA season. Steve Kerr was named NBA Coach of the Year. Three-time NBA All-Star, Steph Curry, was unanimously voted the NBA's Most Valuable Player for a second year in a row. The Warriors were named "Sports Team of the Year" by the Sports Business Journal at the ninth annual Sports Business Awards. The team has 183 consecutive sellouts with over 28,000 members currently on the Season Ticket Priority Wait List.
In 2014, Guber and Lacob proposed to build a new state-of-the-art privately financed sports and entertainment venue in San Francisco and entered into an agreement with salesforce.com to purchase private land in San Francisco's Mission Bay neighborhood. In 2016, the ownership group announced a 20 year naming rights partnership with JPMorgan Chase & Co. The new arena will be called the Chase Center where the team will play their 2019-2020 season.
Prior to the 2011-12 season, the Warriors ownership group acquired the D-League team, the Dakota Wizards, and moved the franchise to Santa Cruz, California. With a new name and location, the Santa Cruz Warriors are the official NBA D-League affiliate of the Golden State Warriors and play in the newly built Kaiser Permanente Arena. In 2015, the team won the NBA D-League Championship.
In 2012, in a third partnership with Magic Johnson, Peter Guber became an owner of the Los Angeles Dodgers, the storied Major League Baseball franchise, led by the Guggenheim Baseball Management group headed by Mark Walter together with Magic Johnson. Under their ownership, the franchise has won the 2013, 2014, 2015, and 2016 National League West championships.
Also in 2012, Guber and Mandalay Entertainment partnered with CAA Sports, the world's leading athlete representation agency and Mike Tollin, Emmy and Peabody Award-winning film and television producer/director to create Mandalay Sports Media. The diversified sports media business creates, finances, and acquires operating businesses, intellectual property, and varied enterprises within the sports and media sectors, as well as develops high-quality sports-themed entertainment programming for distribution across multiple platforms including film, television, mobile and digital. Mandalay Sports Media has several entertainment projects in development with ESPN, Turner Sports, New Line Cinema, and Incognito Pictures, among other distribution media venues.
In addition, in 2012, Guber joined with Guggenheim Partners and Allen Shapiro as CEO to purchase Dick Clark Productions. Founded by the late Dick Clark, Dick Clark Productions is a leading independent producer of television programming including perennial hits such as the American Music Awards, Golden Globe Awards, Academy of Country Music Awards, Dick Clark's New Year's Rockin' Eve and So You Think You Can Dance.
Peter Guber is an investor, board member, and Chairman of the Strategic Advisory Board for NextVR. NextVR enables the transmission of live, long-form virtual reality content in broadcast quality - leading the way for live and on-demand VR to become a mainstream experience for sporting events, concerts, cinematic productions and more. As a board member and Chairman of the advisory board, Peter develops initiatives with established leagues and musical venues. In addition, he develops IP opportunities, creating value propositions from sponsors, investors and advertisers. In 2016, NextVR received the "Best in Sports Technology" Award at the ninth annual Sports Business Awards.
In October of 2014, Peter Guber became the owner and executive chairman of Major League Soccer's Los Angeles Football Club (LAFC). The ownership group includes sports veteran Tom Penn, Earvin "Magic" Johnson, Mia Hamm Garciaparra and Tony Robbins, among others. LAFC is scheduled to debut in 2018 in the Banc of California Stadium, the first new open-air stadium built in the city of Los Angeles since Dodger Stadium in 1962.
In September of 2016, Peter Guber and Ted Leonsis led an ownership group in the purchase of the controlling interest in Team Liquid, one of the most successful global esports team franchises. Team Liquid competes at the highest level in global tournaments including StarCraft 2, League of Legends, Dota 2, Hearthstone, CS:GO, Heroes of the Storm, Overwatch, Halo, Street Fighter, and SSBM.
Peter Guber is a full professor at the UCLA School of Theater, Film and Television and has been a member of the faculty for over 30 years. He also co-teaches an annual MBA course with the dean of UCLA's Anderson School of Management. He is a member of the UCLA Foundation Board of Trustees, as well as the winner of UCLA's prestigious Service Award for his accomplishments and association with the university. Guber is the Chair of the Founding Board of Advisors for The Center for Managing Enterprises in Media, Entertainment & Sports (MEMES) at the UCLA Anderson School of Management. MEMES is the preeminent Center for thought leadership and management education in the global media, entertainment and sports industries.
Guber has turned this legacy and experience in front of the camera where he has been seen every Sunday morning for six years on American Movie Classics (AMC) cable network, as co-host of the critically acclaimed national TV show, Shootout. AMC moved Guber's talents to prime time with a series of one hour specials in 2009 called StoryMakers. Guber was most recently seen as co-host of In the House, a weekly, national half-hour news and interview show on Encore and KNBC.
Peter Guber is a noted author with works including "Inside The Deep" and the L.A. Times best-seller "Shootout: Surviving Fame and (Mis)Fortune in Hollywood," which was the impetus of his long running TV show of the same title. In December 2007, Guber wrote the cover article for the Harvard Business Review titled," The Four Truths of the Storyteller." He has also authored op-ed pieces for the New York Times and the San Francisco Chronicle. Guber recently released his third book, Tell To Win - Connect, Persuade, and Triumph with the Hidden Power of Story, which became an instant #1 best seller in the New York Times, USA Today, Wall Street Journal and on Amazon.com. Fortune magazine chose Tell To Win as one of their "5 Business Books You Can Really Use" and Hudson Booksellers, retail book stores in airports throughout North America, chose Tell To Win as one of the "5 Best Business Books of the Year."
A passionate, humorous, and tireless motivator, Guber is a sought after speaker for corporations and global events. He is a regular contributor in the national media, both in print and on television. Since October of 2008, he has been seen on Fox Business News, appearing on America's Nightly Scoreboard and After The Bell as an Entertainment and Media Analyst. He has also appeared on Good Morning America (ABC), Today (NBC), The Charlie Rose Show (PBS), Your World with Neil Cavuto (FOX NEWS), Lou Dobbs Tonight (FOX NEWS), Bloomberg TV and Morning Joe (MSNBC), among others.Producer- Writer
- Producer
- Script and Continuity Department
Jeffrey Price is the co-writer of Who Framed Roger Rabbit, Doc Hollywood, The Grinch Who Stole Christmas, Wild Wild West, Shrek III and Last Holiday. He co-wrote and directed an episode of Tales From the Crypt entitled, For Cryin' Out Loud and co-wrote and co-produced the television comedy, Johnny Bago. He also wrote the satirical western novel, Improbable Fortunes.Writer- Writer
- Producer
- Script and Continuity Department
Peter S. Seaman was born on 26 October 1951 in Chicago, Illinois, USA. He is a writer and producer, known for Wild Wild West (1999), Who Framed Roger Rabbit (1988) and How the Grinch Stole Christmas (2000). He has been married to Margaret 'Nini' Swift Seaman since 1968. They have one child.Writer- Casting Department
- Casting Director
- Producer
Marion Dougherty was born on 9 February 1923 in Hollidaysburg, Pennsylvania, USA. She was a casting director and producer, known for Lethal Weapon (1987), Falling Down (1993) and Escape from Alcatraz (1979). She died on 4 December 2011 in Manhattan, New York City, New York, USA.Casting- Composer
- Music Department
- Soundtrack
In his ongoing, decades-long career as a composer, Alan Silvestri has blazed an innovative trail with his exciting and melodic scores, winning the applause of Hollywood and movie audiences the world over. With a credit list of over 100 films Silvestri has composed some of the most recognizable and beloved themes in movie history. His efforts have been recognized with two Oscar nominations, two Golden Globe nominations, three Grammy awards, two Emmy awards, and numerous International Film Music Critics Awards, Saturn Awards, and Hollywood Music In Media Awards.
Born in New York City and raised in Teaneck, New Jersey, Silvestri first dreamed of becoming a jazz guitar player. After spending two years at the Berklee School of Music in Boston, he hit the road as a performer and arranger. Landing in Hollywood at the age of 22, he found himself successfully composing the music for 1972's "The Doberman Gang" which established his place in the world of film composing.
The 1970s witnessed the rise of energetic synth-pop scores, establishing Silvestri as the action rhythmatist for TV's highway patrol hit "CHiPs." This action driven score caught the ear of a young filmmaker named Robert Zemeckis, whose hit film, 1984's "Romancing the Stone," was the perfect first date for the composer and director. It's success became the basis of a decades long collaboration that continues to this day. Their numerous collaborations have taken them through fascinating landscapes and stylistic variations, from the "Back to the Future" trilogy to the jazzy world of Toontown in "Who Framed Roger Rabbit?" the tension filled rooms of "What Lies Beneath" and "Death Becomes Her", to the cosmic wonder of "Contact;" the emotional isolation of "Castaway", to the magic of the "Polar Express". But perhaps no film collaboration defines their creative relationship better than Zemeckis' 1994 Best Picture winner, "Forrest Gump", for which Silvestri's gift for melodically beautiful themes earned him an Oscar and Golden Globe nomination and the affection of film music lovers everywhere. This 35 year, 21 film collaboration includes such recent films as "Flight", "Allied" and most recently "Welcome To Marwen". Zemeckis and Silvestri are currently working on "The Witches" based on Roald Dahl's 1973 classic book scheduled for release in October of 2020.
Though the Zemeckis/Silvestri collaboration is legendary, Silvestri has scored films of every imaginable style and genre. His energy has brought excitement and emotion to the hard-hitting orchestral scores for Steven Spielberg's "Ready Player One", James Cameron's "The Abyss" as well as "Predator" and "The Mummy Returns." Alan's diversity is on full display in family entertainment films such as "The Father of the Bride 1 and 2", "Parent Trap", "Stuart Little 1 and 2", Disney's "Lilo and Stitch", "The Croods" as well as "Night at the Museum 1, 2 and 3" while his passion for melody fuels the romantic emotion of films like "The Bodyguard" and "What Women Want".
Most recently, Alan has composed the music for Marvel's "Avengers: Endgame." The film is the culmination of a partnership with Marvel that began in 2011 with Alan's dynamically heroic score for "Captain America: The First Avenger" followed by "Avengers". Since 2011 Alan's collaboration with Marvel helped propel "The Avengers" and "Avengers: Infinity War" to spectacular world-wide success.
Silvestri's success has also crossed into the world of songwriting. His partnership with Six-Time Grammy Award winner Glen Ballard has produced hits such as the Grammy-winning and Oscar-nominated song "Believe" (Josh Groban) for "The Polar Express", "Butterfly Fly Away" (Miley Cyrus) for "Hannah Montana The Movie", "God Bless Us Everyone" (Andrea Bocelli) for "A Christmas Carol" and "A Hero Comes Home" (Idina Menzel) for "Beowulf".
Alan and his wife Sandra are long time residents of California's central coast. In 1998 the Silvestri family embarked on a new venture as the founders of Silvestri Vineyards. Their wines show that lovingly cultivated fruit has a music all its own. "There's something about the elemental side of winemaking that appeals to me," he says. "Both music making and wine making involve a magical blending of art and science. Just as each note brings it own voice to the melody, each vine brings it's own unique personality to the wine."
Their other great passion is the ongoing search for the cure to Type 1 Juvenile Diabetes. With the diagnosis of their son at two years of age (now 29) they continue to work the Juvenile Diabetes Research Foundation and dream of the day this disease (and all of the suffering it brings to so many) will finally become a thing of the past.Composer/Conductor- Costume Designer
- Costume and Wardrobe Department
Costume designer Joanna Johnston is a respected name in film business and one of the most talented and sought after in her craft. She is mostly associated with the films of Steven Spielberg and Robert Zemeckis but she also provides the costumes for other directors and can do basically of everything, providing the wardrobe from two different World Wars films to the class of the 1950's and even going to a distant future in crazy time travels. Different films, different styles but always with the same impeccable quality.
She started in the business as an assistant costume designer under the supervision of Anthony Powell in films like Death on the Nile (1978), Tess (1979), Evil Under the Sun (1982) and Indiana Jones and the Temple of Doom (1984), with the latter being her first work with Spielberg, who noticed her efforts and selected Joanna to provide the costumes in Kenya for his next project The Color Purple (1985). With Hellraiser (1987) she got her very first costume designer job and from then on she got her association with Zemeckis in Who Framed Roger Rabbit (1988), Back to the Future Part II (1989), Back to the Future Part III (1990), Death Becomes Her (1992), the multitude of periods of Forrest Gump (1994), Contact (1997), Cast Away (2000), The Polar Express (2004) and Allied (2016).
With Spielberg, their collaborations resulted in works such as Indiana Jones and the Last Crusade (1989), Saving Private Ryan (1998), Munich (2005), War of the Worlds (2005), War Horse (2011) Lincoln (2012) - earning her first Oscar nomination. - and most recently The BFG (2016).
Her versatility and quality can also be attested in Far and Away (1992), The Sixth Sense (1999), About a Boy (2002), Valkyrie (2008), The Boat That Rocked (2009) and Mission: Impossible - Rogue Nation (2015).Costume Designer- Editor
- Editorial Department
- Producer
Arthur Robert "Artie" Schmidt began in films as assistant editor to Dede Allen and Jim Clark. His father, Arthur P. Schmidt, had also been a distinguished veteran in the field of film editing, acclaimed for his collaborations with Billy Wilder on masterpieces like Sunset Boulevard (1950) and Some Like It Hot (1959). He was somehow disparaging about his son following in his footsteps. Schmidt Jr. instead attended Santa Clara University, graduated with a Bachelor in English and later went on to teach English in Spain. However, following his father's sudden death from a heart attack in 1965, he was recruited by Paramount as an apprentice, and, in 1970, began his professional career as assistant editor. Five years later, he was tasked to cut the running sequences in John Schlesinger's stylish thriller Marathon Man (1976) in the capacity of associate editor under the auspices of his mentor Jim Clark. From there, he progressed to fully-fledged editor in 1977.
Schmidt varied his editing methodology according to each individual project. His motto was "I always try to let the film and story tell me where to go next." Arguably his best work was for the director Robert Zemeckis. This included both films for which he won Best Editing Oscars, Who Framed Roger Rabbit (1988) and Forrest Gump (1994), as well as the Back to the Future (1985) trilogy and the black comedy Death Becomes Her (1992). Who Framed Roger Rabbit may well have constituted his toughest career challenge as it required a flawless blending of hand-drawn animation with live action scenes. Schmidt said about his successful collaboration with Zemeckis in a 2014 interview "He's wonderful directing actors and great in the editing room. We always seemed to be in sync."
Schmidt's other contributions of note have included Ruthless People (1986), The Last of the Mohicans (1992) and Pirates of the Caribbean: The Curse of the Black Pearl (2003). In 2009, he was awarded the American Cinema Editors Career Achievement Award, fittingly presented to him by Robert Zemeckis.Film Editor- Production Designer
- Art Director
Lawrence G. Paull was born on 13 April 1938 in Chicago, Illinois, USA. He was a production designer and art director, known for Blade Runner (1982), Back to the Future (1985) and Romancing the Stone (1984). He was married to Marcy Bolotin. He died on 10 November 2019 in La Jolla, San Diego, California, USA.Production Designer- Cinematographer
- Camera and Electrical Department
- Additional Crew
Multiple award-winning cinematographer Dean Cundey, ASC, CSC who was nominated for an Oscar for "Who Framed Roger Rabbit" and took home the BAFTA for the same film, has a career spanning decades with awards and nominations including a Primetime Emmy (2023 "The Mandalorian") a Daytime Emmy (2001 "The Face: Jesus in Art"), a Chicago Film Critics Association award ("Apollo 13"), to American Society of Cinematographers awards ("Apollo 13," "Hook"). His prolific career also includes a Lifetime Achievement Award from the ASC and a President's Award from the SOC, and he's still not done shooting. Born in Alhambra, California, Cundey spent his childhood building miniature sets and reading "American Cinematographer." Following graduation from UCLA film school, where he was taught by James Wong Howe, ASC, Cundey's first job on set was as a makeup artist on Roger Corman's "Gas!" or "It Became Necessary to Destroy the World in Order to Save It." Cundey's first assignment as a director of photography was on the revenge film "The No Mercy Man." He continued with other horror and exploitation movies, then began a collaboration with director John Carpenter on five films for which he received accolades: "Halloween," "The Fog," "Escape from New York," "The Thing" and "Big Trouble in Little China." Cundey transitioned into a collaboration with Robert Zemeckis on impressive features such as "Romancing the Stone," all three "Back to the Future" films, "Who Framed Roger Rabbit" and "Death Becomes Her." Not content to settle for that, he also dabbled in directing with his debut on "Honey, We Shrunk Ourselves" and was also the second-unit director on "Deep Rising" and "Garfield: A Tail of Two Kitties." .Director of Photography- Visual Effects
- Second Unit Director or Assistant Director
- Special Effects
Ken Ralston was born in 1954 in the USA. He is an assistant director, known for Star Wars: Episode VI - Return of the Jedi (1983), Contact (1997) and Forrest Gump (1994).Visual Effects Supervisor- Producer
- Writer
- Actor
Stan Lee was an American comic-book writer, editor, and publisher, who was executive vice president and publisher of Marvel Comics.
Stan was born in New York City, to Celia (Solomon) and Jack Lieber, a dress cutter. His parents were Romanian Jewish immigrants. Lee co-created Spider-Man, the Hulk, Doctor Strange, the Fantastic Four, Iron Man, Daredevil, Thor, the X-Men, and many other fictional characters, introducing a thoroughly shared universe into superhero comic books. In addition, he challenged the comics' industry's censorship organization, the Comics Code Authority, indirectly leading to it updating its policies. Lee subsequently led the expansion of Marvel Comics from a small division of a publishing house to a large multimedia corporation.
He had cameo appearances in many Marvel film and television projects, with many yet to come, posthumously. A few of these appearances are self-aware and sometimes reference Lee's involvement in the creation of certain characters.
On 16 July 2017, Lee was named a Disney Legend, a hall of fame program that recognizes individuals who have made an extraordinary and integral contribution to The Walt Disney Company.
Stan was married to Joan Lee for almost 70 years, until her death. The couple had two children. Joan died on July 6, 2017. Stan died on November 12, 2018, in LA.Executive Producer