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- Ariel Bock was born on 17 April 1951. She is an actress, known for White Lies (1981), Songdelay (1973) and Regrouping (1976).
- Blessed with a sweetly pretty face, large liquid eyes, a slim waif-like teenager's body, a winningly radiant smile, and a dynamic and captivating screen presence, the extremely cute, sexy, and energetic Angel West was without a doubt one of the single most adorable and desirable sprites to briefly blaze across the 80s adult cinema screen. West was born on November 20, 1966. She first began performing in explicit hardcore movies in her late teens in 1983. Among the companies Angel worked for are VCA, Video Team, Filmco Releasing, and Dreamland Entertainment. Alas, West retired from the adult film industry in 1988 and subsequently dropped out of the public spotlight after appearing in over thirty X-rated pictures in a regrettably fleeting, yet still steamy and eventful five year period.
- Danielle was born Tracy Danielle Martin on April 3, 1962 in Sacramento, California. Martin lost her virginity at age fifteen and first became involved in the adult entertainment industry at age nineteen after answering an ad in The Los Angeles Times for a nude modeling job. Three months after said nude modeling job Danielle began performing in loops before making her hardcore movie debut in Nightdreams (1981). Danielle took a brief hiatus from porn for a year and worked as a waitress before resuming her adult cinema career. She retired from the adult film industry in the early 1990's. Danielle died at the age of 49 on November 3, 2011.
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Born in London, England and raised in European cities such as Paris and Geneva, Maryam d'Abo has rewarded audiences with her beauty and presence for over twenty years. Maryam first appeared in Xtro (1982), a gory horror film that is considered a cult entry in the genre. She appeared consistently throughout the mid-1980s in a variety of films, including two mini-series based on novels of author Sidney Sheldon: Master of the Game (1984) and If Tomorrow Comes (1986). She accepted "Laughter in the Dark" based on the Vladimir Nabokov novel. Her co-stars were Maximilian Schell and Mick Jagger. She thought it would be her big break, since it was a very challenging role, and she was in every scene. But financing fell through, and the film was never completed. The stress made her lose weight, and she appeared more mature. Which turned out to be just the right look for a classical cellist in her next film. Thus, her real big break came in the form of the James Bond film, The Living Daylights (1987). Maryam played Bond girl "Kara Milovy", opposite Timothy Dalton's "James Bond". The film gave her career a real jolt, and she found herself in leading roles throughout the early 1990s, in a variety of films. She based herself in both England and the USA, appearing in Shootfighter: Fight to the Death (1993) and the European horror movie Immortal Sins (1991). She played her hand in the erotic thriller genre, appearing in Tomcat: Dangerous Desires (1993), Tropical Heat (1993) and an episode of Red Shoe Diaries (1992), featured on the video [error]. She starred in more films throughout the mid-1990s, opposite the late Margaux Hemingway in Double Obsession (1992), a remake: The Browning Version (1994), a romantic comedy called Solitaire for 2 (1994), and thrillers such as Timelock (1996) and An American Affair (1997).
In 2002, Maryam drew on her experiences as a Bond Girl to write, produce and host Bond Girls Are Forever (2002), examining the culture and connotations of being a Bond girl, and the subsequent effects on a film career. This interesting documentary shed new light on the topic of James Bond films, and appeared on British and American television, whilst gaining a DVD release. Maryam strayed away from commercial features, opting to appear in a variety of television dramas, including: a TV mini series of Doctor Zhivago (2002) and Helen of Troy (2003). More recently, she appeared in San Antonio (2004), Evil Remains (2004), a movie filmed in France L'enfer (2005) and a direct-to-video sequel, The Prince & Me II: The Royal Wedding (2006). Maryam has displayed talent in a variety of genres, she continues to make guest appearances for her fans, and is likely to appear in more films. She also works on films with her husband director Hugh Hudson, whom she married in 2003. This striking blonde actress, a former Bond girl, holds her own up with the best of them.- Cute, perky, and engaging brunette actress Rebecca Balding was born on September 21, 1948, in Little Rock, Arkansas. The sweet, comely, and spirited Balding first began acting on television in the mid 1970s. She played an eager-beaver cub reporter on three episodes of Lou Grant (1977). She achieved her greatest and most enduring popularity as Carol David, the young lady who becomes a surrogate mother for gay Jodie Dallas' (Billy Crystal child on comedy program Soap (1977). She portrayed David Naughton's receptionist girlfriend in the sitcom Makin' It (1979). Balding tackled two substantial starring roles in a couple of hugely enjoyable early 1980s horror pictures: She was the endearingly spunky college student heroine of the superior slasher winner The Silent Scream (1979) and an equally likable damsel in distress in the immensely entertaining creature feature The Boogens (1981). Alas, her fright film scream queen phase proved to be sadly fleeting.
She racked up an impressively large volume of guest spot credits on numerous TV shows: Among the television programs she's appeared in are ER (1994), Melrose Place (1992), Beverly Hills, 90210 (1990), Home Improvement (1991), MacGyver (1985), Our House (1986), Family Ties (1982), Trapper John, M.D. (1979), Hotel (1983), Matt Houston (1982), Gimme a Break! (1981), The Insiders (1985), Cagney & Lacey (1981), This Is the Life (1952), I'm a Big Girl Now (1980), Supertrain (1979), Barnaby Jones (1973), The Bionic Woman (1976), and Starsky and Hutch (1975). She gave a touching performance as Edward Asner's estranged dejected daughter in the made-for-TV drama gem The Gathering (1977) and its lesser, more mawkish sequel, The Gathering, Part II (1979).
Late in her career, she popped up in a steady recurring part as Phoebe (Alyssa Milano)'s boss Elise Rothman on Charmed (1998). She was married to producer James L. Conway from 1981 until her death at 73 in 2022. She was also survived by two daughters. - Actress
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Jewel Shepard has made that difficult, odd segue from working in front of the camera to in front of the word processor. Since her days in the cradle, her dream was to be a grade A movie star. She got about as far as a few dozen grade B (or lower) movies viewed on late night TV by either die-hard fans or insomniacs.
Finally, after fifteen years of being thrown into pig excrement - no kidding; she really did a movie where she was thrown in genuine pig excrement - Party Camp - she decided it was time for a change. It was time to get away from working conditions such as the time she was shipped off to the Philippines for what the casting director assured her would be a vacation in paradise. (It was a Roger Corman epic, Caged Heat 2, and she was thrown in prison, flogged, beaten up by a band of orange-clad warrior women and practically devoured by bugs the size of Buicks) It was time to get away from films where they'd tell her, "There will be brief nudity." (In Christina, "brief" turned out to mean about 88 out of 90 minutes, including one nude scene shot on location in front of the Eiffel Tower in near-zero degree weather.) It was time to get away from doing your own stunts, eating Spam on a meal break, producers who insist that a separate hotel room is not in the budget and you must share theirs, ice-cold sets, colder dialogue and film companies that are so under funded, they can't afford a Casting Couch and expect you to put out on a folding chair.
Of course, there were some good movies. Like the time where she got chased around a graveyard by a bunch of Zombies screaming, More Brains (the highlight being; she got to keep her clothes on during the entire episode) in the Horror/Comedy The Return of the Living Dead written and directed by the king of monster gore - and creator of Alien - Dan O'Bannon.
Of course, her happiness was short-lived - twenty-minutes later she was nuked. Never to survive the endless sequels that followed.
Such is life.
Occasionally, she had a dramatic moment on film. Scenes from the Goldmine offered her that rare moment where she wasn't getting whipped, or thrown in pig-dung, or tossed in a hot tub... she got pregnant instead.
But hey, it was a chance for her to work with a former Sopranos star, Joey Pantiliano - Rock Star and member of the Mega-group The Eagles - Timothy B. Schmidt, and the actor best known for his eerie depiction of Charles Manson, in Helter- Skelter - Steve Railsback.
While all of these people are great - it was her friendship with fellow co-star, Catherine Mary Stewart (Night of the Comet) that made her pregnancy truly special. It was after-all her on screen dad, Alex Rocco, who got her pregnant which somehow lead to the part of a blind hooker in Roots of Evil.
I want to know who came up with that one! Ahh... it was back to popping-off her top - Again.
This time it was in the absolutely forgettable The Underachievers, where for a brief moment she had an encounter with an Alien that somehow inspired her to rip her top off with desire - at least when she ripped her top off in Zapped! It was for Scott Baio. Or in My Tutor, it was for Matt Latanzi. At least, ripping off my top for any of the aboved mentioned was better than ripping of my top in an elevator in Raw Force - just for the heck of it.
I am not even going to bother to mention all the made for the Z channel pop-the- topper's I've been in...
Time to start on a second-choice career goal...
So Jewel decided to become a writer, knowing full well that she was fighting an uphill battle to get folks to take the star of Hollywood Hot Tubs (and its even-better sequel, Hollywood Hot Tubs II) seriously. She started by polling her fellow B-Movie Queens, interviewing stars of the past and present to create the definitive book on the subject, Invasion of the B-Girls. This is the book that answers the musical question, why would anyone appear in a film called Sorority Babes in the Slimeball Bowl-a-Rama? Why anyone would watch such a film remains unanswered.
Her first book was a smash.
It sold like crazy, still sells (do a search on eBay) and even got purchased by Dick Clark as the basis for a not-yet-filmed-but-she's-still-hoping A movie. Better still, it prompted a demand for her second book - an autobiography entitled, If I'm So Famous, How Come Nobody's Ever Heard of Me? - and brought her offers to write for magazines, including Premiere, Cosmopolitan, Details and many others. (It also yielded this surreal scene: Jewel autographing copies at the American Booksellers Association, seated between Ross Perot and Senator Paul Simon, both of whom wanted their picture with her.) She also received a fan letter - which she opened very carefully - from Ted Kaczynski, better known as the Unabomber.
It was Premiere that especially grabbed up her writing, saving her from getting whipped in any more bad movies. She was tapped for a feature article in their Women in Film issue, in which she profiled the 6'1 goddess and reigning Queen of B-Movies, Julie Strain and her hubby, who became filthy rich by creating the Teenage Mutant Ninja Turtles. Five pages later, Premiere appointed her a Contributing Writer and began lobbing assignments her way, covering the Hollywood scene from her unique perspective.
Today, she divides her time between more articles for magazines, special features for the Associated Press and a couple of secret projects. Asked about her work, she replies, "So this is what I do now. I sit in front of my computer and write. I write about people I've met, places I've seen. Did I mention the experience with African Wild Dogs? Or the last Botswana Bushman? Or the deer people of Mongolia?
It's sometimes exhausting, sometimes difficult, sometimes dangerous, traveling to the World's hotspots...
Recently, she was back in front of the camera - not in some crummy movie with over-heated producers, and lots of bad acting - no bad acting here - she got a chance to act opposite William Macy in The Cooler starring Alec Baldwin and better yet! She got to keep her top on!
Jewel is also a regular on The Garfield Show performing various voice roles as the occasional tourist, cat, or covered dish as opposed to the regular moments of her life playing an uncovered dish. She can also be seen in the wildly popular flick The Artist where she played a flapper babe to Jean Dujardin's Academy Award winning performance as George Valentin. When asked about her part in the Academy Award winning flick Jewel just smiles and says, "I had as many lines as anyone did in the movie". True. And, how many folks can say that about any part?- Actress
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This elegant lady has defined the television version of the rich, sophisticated businesswoman who knows what she wants, and will do whatever it takes to get it. She was born Patsy Ann McClenny on February 3, 1950 in Dallas, Texas. She began acting as a child, when her mother enrolled her in drama lessons after she was too shy to give a book report in class. From the age of 10, she performed in children's plays. Later, she would do dinner theater and stock productions in Dallas. She chose Morgan as a stage name. In 1973, Morgan decided to pursue a career in television; just 6 weeks after moving to New York, she landed the key role of Jennifer in the daytime soap opera Search for Tomorrow (1951); she stayed on until 1977.
Morgan moved to Los Angeles, where she originated the role of Jenna Wade on the wildly popular nighttime soap opera Dallas (1978) (Jenna was later portrayed by Priscilla Presley). Morgan made numerous guest appearances on television series. She played Constance (Weldon) Carlyle in Flamingo Road (1980), and she was nominated for a Golden Globe for Best Actress; that was her breakout series that propelled her to stardom.
Morgan continued to perform in live theater, her acclaimed portrayal of Skye in the off-Broadway comedy "Geniuses" helped make it one of the "Top Ten Plays" of the year according to Time Magazine and the New York Times. Other stage appearances have included productions of "Goodbye Charlie" and "Gentlemen Prefer Blondes." On television, she played the naughty Racine in the soap opera Paper Dolls (1984) in 1984. Later, she starred in the soap opera Falcon Crest (1981) from 1985-86, having made a niche for herself playing ambitious beauties. Morgan received an Emmy nomination for a special episode of Murphy Brown (1988).
Morgan has shared some of her beauty secrets by authoring the book "Super Looks" which is a complete guide that includes makeup, exercise, and diet tips. Morgan is a member of the Entertainment Industry AIDS Task Force. She is an active speaker on environmental issues and helped found the Environmental Communications Office, which encourages entertainment industry professionals to become better educated and more active on environmental issues. Morgan is a collector of movie memorabilia (particularly anything about Marilyn Monroe) and antique clothing. She is a ballet fan and is also interested in anthropology and paleontology; Morgan is truly a brainy beauty.- Slim, lovely and beguiling brunette Joan Prather was born on October 17, 1950, in Dallas, Texas. She was a varsity cheerleader at Highland Park High School in her native Dallas and first began acting in grade-school stage productions. Moreover, she was a regular on the teen dance show "Somethin' Else" during her high school years. She graduated from Highland Park High in 1968.
Joan started acting in films and TV shows in 1973. Her most memorable movie roles are demure but eager virgin Lola in The Single Girls (1973), stuck-up rich heiress Jane Kingston in Big Bad Mama (1974) and naive beauty pageant contestant Robin in Smile (1975). She achieved her greatest enduring popularity with her recurring part as Janet McArthur Bradford on Eight Is Enough (1977). In addition, Joan has made guest appearances on episodes of such TV series as Sanford and Son (1972), Happy Days (1974), The Love Boat (1977), CHiPs (1977) and Fantasy Island (1977).
Prather quit acting in the late 1980s. She's married to lawyer Douglas J. Frye and lives in Malibu, California. In September 2008 she was arrested for felony hit-and-run in Malibu and was released on $50,000 bail. - Janet Eilber's role in Romantic Comedy (1983) follows her auspicious motion picture debut as the girlfriend of Richard Dreyfuss in MGM's "Whose LIfe Is It Anyway?" (1981)_, a powerful and witty drama adapted from Brian Clark's long-running Broadway and London stage hit. Although a newcomer to films, Janet has appeared on Broadway in the starring role in Bob Fosse's "Dancin'" and in the short-lived musical, "The Little Prince and the Aviator" opposite Michael York. Her first big break in television came when she landed the title role in a 1982 ABC-TV movie, This Is Kate Bennett... (1982) in which she portrayed an investigative reporter who stumbles onto a dangerous and explosive story. Her riveting performance was seen by Walter Mirisch, who then cast her in Romantic Comedy (1983). Eiber was born in Detroit Michigan, USA on July 27, 1951. She attended high school at the Interlochen Arts Academy in Interlochen, Michigan, before moving to New York to enroll in Manhattan's famous Juilliard School. In her junior year at Juilliard she joined the Martha Graham dance company, becoming a soloist at the age of twenty-one. After graduation, Janet became a regular member of the Martha Graham troupe and performed many of the roles originated by Martha Graham as well as parts especially choreographed for her by Ms. Graham. She danced opposite Rudolf Nureyev in "The Scarlet Letter" and "Lucifer" and was a soloist at the White House when President Jimmy Carter presented the Medal of Freedom to Martha Graham. After touring in the U.S., Europe and Asia with the Graham company in 1978, where she met "everyone from the Queen Mother to the King of Bangkok," Eilber joined the American Dance Machine under the direction of Lee Theodore. With this company, she was featured in "Steps in Time," a recreation of the classic duets in dance history, which reprised such famous numbers as "Won't You Charleston With Me" from "The Boy Friend," "Express Yourself" from "Flora the Red Menace," "You Can Dance With Any Girl at All" from "No No Nanette," "Little Me" from "I Got Your Number" and "Me and My Gal," as originally choreographed by Carol Haney. Janet Eilber has been the Artistic Director of the Martha Graham Center of Contemporary Dance since 2005. Her direction has focused on creating new forms of audience access to the Graham masterworks. Her direction has focused on creating new forms of audience access to the Graham masterworks. These initiatives include designing contextual programming, educational and community partnerships, use of new media, commissions and creative events such as the "Lamentation Variations" and "Prelude and Revolt." She has also remixed Graham choreography and created new staging in the Graham style for theater/dance productions of "The Bacchae" and "Prometheus Bound." She soloed at the White House, was partnered by Rudolf Nureyev, starred in three segments of "Dance in America," and has since taught, lectured and directed Graham ballets internationally. Eilber has performed in films, on television and on Broadway directed by such greats as Agnes deMille and Bob Fosse and has received four Lester Horton Awards for her reconstruction and performance of seminal American modern dance. She has served as Director of Arts Education for the Dana Foundation, guiding the Foundation's support for Teaching Artist training and contributing regularly to its arts education publications. Eilber is a Trustee Emeritus of Interlochen Center for the Arts. She is married to screenwriter/director John Warren, with whom she has two daughters, Madeline and Eva.
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Joan Geraldine Bennett was born on February 27, 1910, in Palisades, New Jersey. Her parents were both successful stage actors, especially her father, Richard Bennett, and often toured the country for weeks at a time. In fact, Joan came from a long line of actors, dating back to the 18th century. Often, when her parents were on tour, Joan and her two older sisters, Constance Bennett, who later became an actress, and Barbara were left in the care of close friends. At the age of four, Joan made her first stage appearance. She debuted in films a year later in The Valley of Decision (1916), in which her father was the star and the entire Bennett clan participated. In 1923 she again appeared in a film which starred her father, playing a pageboy in The Eternal City (1923). It would be five more years before Joan appeared again on the screen. In between, she married Jack Marion Fox, who was 26 compared to her young age of 16. The union was anything but happy, in great part because of Fox's heavy drinking. In February of 1928 Joan and Jack had a baby girl they named Adrienne. The new arrival did little to help the marriage, though, and in the summer of 1928 they divorced. Now with a baby to support, Joan did something she had no intention of doing--she turned to acting. She appeared in Power (1928) with Alan Hale and Carole Lombard, a small role but a start. The next year she starred in Bulldog Drummond (1929), sharing top billing with Ronald Colman. Before the year was out she was in three more films--Disraeli (1929), The Mississippi Gambler (1929) and Three Live Ghosts (1929). Not only did audiences like her, but so did the critics. Between 1930 and 1931, Joan appeared in nine more movies. In 1932 she starred opposite Spencer Tracy in She Wanted a Millionaire (1932), but it wasn't one she liked to remember, partly because Tracy couldn't stand the fact that everyone was paying more attention to her than to him. Joan was to remain busy and popular throughout the rest of the 1930s and into the 1940s. By the 1950s Joan was well into her 40s and began to lessen her film appearances. She made only eight pictures, in addition to appearing in two television series. After Desire in the Dust (1960), Joan would be absent from the movie scene for the next ten years, resurfacing in House of Dark Shadows (1970), reprising her role from the Dark Shadows (1966) TV series as Elizabeth Collins Stoddard. Joan's final screen appearance was in the Italian thriller Suspiria (1977). Her final public performance was in the TV movie Divorce Wars: A Love Story (1982). On December 7, 1990, Joan died of a heart attack in Scarsdale, New York. She was 80 years old.- Actress
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Hedy Lamarr, the woman many critics and fans alike regard as the most beautiful ever to appear in films, was born Hedwig Eva Maria Kiesler in Vienna, Austria. She was the daughter of Gertrud (Lichtwitz), from Budapest, and Emil Kiesler, a banker from Lemberg (now known as Lviv). Her parents were both from Jewish families. Hedwig had a calm childhood, but it was cinema that fascinated her. By the time she was a teenager, she decided to drop out of school and seek fame as an actress, and was a student of theater director Max Reinhardt in Berlin. Her first role was a bit part in the German film Geld auf der Straße (1930) (aka "Money on the Street") in 1930. She was attractive and talented enough to be in three more German productions in 1931, but it would be her fifth film that catapulted her to worldwide fame. In 1932 she appeared in a Czech film called Ekstase (US title: "Ecstasy") and had made the gutsy move to appear nude. It's the story of a young girl who is married to a gentleman much older than she, but she winds up falling in love with a young soldier. The film's nude scenes created a sensation all over the world. The scenes, very tame by today's standards, caused the film to be banned by the U.S. government at the time.
Hedy soon married Fritz Mandl, a munitions manufacturer and a prominent Austrofascist. He attempted to buy up all the prints of "Ecstasy" he could lay his hands on (Italy's dictator, Benito Mussolini, had a copy but refused to sell it to Mandl), but to no avail (there are prints floating around the world today). The notoriety of the film brought Hollywood to her door. She was brought to the attention of MGM mogul Louis B. Mayer, who signed her to a contract (a notorious prude when it came to his studio's films, Mayer signed her against his better judgment, but the money he knew her notoriety would bring in to the studio overrode any moral concerns he may have had). However, he insisted she change her name and make good, wholesome films.
Hedy starred in a series of exotic adventure epics. She made her American film debut as Gaby in Algiers (1938). This was followed a year later by Lady of the Tropics (1939). In 1942, she played the plum role of Tondelayo in the classic White Cargo (1942). After World War II, her career began to decline, and MGM decided it would be in the interest of all concerned if her contract were not renewed. Unfortunately for Hedy, she turned down the leads in both Gaslight (1940) and Casablanca (1942), both of which would have cemented her standing in the minds of the American public. In 1949, she starred as Delilah opposite Victor Mature's Samson in Cecil B. DeMille's epic Samson and Delilah (1949). This proved to be Paramount Pictures' then most profitable movie to date, bringing in $12 million in rental from theaters. The film's success led to more parts, but it was not enough to ease her financial crunch. She made only six more films between 1949 and 1957, the last being The Female Animal (1958).
Hedy retired to Florida. She died there, in the city of Casselberry, on January 19, 2000.- Actress
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Born Joan de Beauvoir de Havilland on October 22, 1917, in Tokyo, Japan, in what was known as the International Settlement, to British parents, Lilian Augusta (Ruse), a former actress, and Walter Augustus de Havilland, an English professor and patent attorney. Her paternal grandfather's family was from Guernsey in the Channel Islands. Her father had a lucrative practice in Japan, but due to Joan and older sister Olivia de Havilland's recurring ailments the family moved to California in the hopes of improving their health. Mrs. de Havilland and the two girls settled in Saratoga while their father went back to his practice in Japan. Joan's parents did not get along well and divorced soon afterward. Mrs. de Havilland had a desire to be an actress but her dreams were curtailed when she married, but now she hoped to pass on her dream to Olivia and Joan. While Olivia pursued a stage career, Joan went back to Tokyo, where she attended the American School. In 1934 she came back to California, where her sister was already making a name for herself on the stage. Joan likewise joined a theater group in San Jose and then Los Angeles to try her luck there. After moving to L.A., Joan adopted the name of Joan Burfield because she didn't want to infringe upon Olivia, who was using the family surname.
She tested at MGM and gained a small role in No More Ladies (1935), but she was scarcely noticed and Joan was idle for a year and a half. During this time she roomed with Olivia, who was having much more success in films. In 1937, this time calling herself Joan Fontaine, she landed a better role as Trudy Olson in You Can't Beat Love (1937) and then an uncredited part in Quality Street (1937). Although the next two years saw her in better roles, she still yearned for something better. In 1940 she garnered her first Academy Award nomination for Rebecca (1940). Although she thought she should have won, (she lost out to Ginger Rogers in Kitty Foyle (1940)), she was now an established member of the Hollywood set. She would again be Oscar-nominated for her role as Lina McLaidlaw Aysgarth in Suspicion (1941), and this time she won. Joan was making one film a year but choosing her roles well. In 1942 she starred in the well-received This Above All (1942).
The following year she appeared in The Constant Nymph (1943). Once again she was nominated for the Oscar, she lost out to Jennifer Jones in The Song of Bernadette (1943). By now it was safe to say she was more famous than her older sister and more fine films followed. In 1948, she accepted second billing to Bing Crosby in The Emperor Waltz (1948). Joan took the year of 1949 off before coming back in 1950 with September Affair (1950) and Born to Be Bad (1950). In 1951 she starred in Paramount's Darling, How Could You! (1951), which turned out badly for both her and the studio and more weak productions followed.
Absent from the big screen for a while, she took parts in television and dinner theaters. She also starred in many well-produced Broadway plays such as Forty Carats and The Lion in Winter. Her last appearance on the big screen was The Witches (1966) and her final appearance before the cameras was Good King Wenceslas (1994). She is, without a doubt, a lasting movie icon.- Actress
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A natural and lovely talent who was discovered for films by Samuel Goldwyn, the always likable Teresa Wright distinguished herself early on in high-caliber, Oscar-worthy form -- the only performer ever to be nominated for Oscars for her first three films. Always true to herself, she was able to earn Hollywood stardom on her own unglamorized terms.
Born Muriel Teresa Wright in the Harlem district of New York City on October 27, 1918, her parents divorced when she was quite young and she lived with various relatives in New York and New Jersey. An uncle of hers was a stage actor. She attended the exclusive Rosehaven School in Tenafly, New Jersey. The acting bug revealed itself when she saw the legendary Helen Hayes perform in a production of "Victoria Regina." After performing in school plays and graduating from Columbia High School in Maplewood, New Jersey, she made the decision to pursue acting professionally.
Apprenticing at the Wharf Theatre in Provincetown, Massachusetts during the summers of 1937 and 1938 in such plays as "The Vinegar Tree" and "Susan and God", she moved to New York and changed her name to Teresa after she discovered there was already a Muriel Wright in Actors Equity. Her first New York play was Thornton Wilder's "Our Town" wherein she played a small part but also understudied the lead ingénue role of Emily. She eventually replaced Martha Scott in the lead after the actress was escorted to Hollywood to make pictures and recreate the Emily role on film. It was during her year-long run in "Life with Father" that Teresa was seen by Goldwyn talent scouts, was tested, and ultimately won the coveted role of Alexandra in the film The Little Foxes (1941). She also accepted an MGM starlet contract on the condition that she not be forced to endure cheesecake publicity or photos for any type of promotion and could return to the theater at least once a year. Oscar-nominated for her work alongside fellow cast members Bette Davis (as calculating mother Regina) and Patricia Collinge (recreating her scene-stealing Broadway role as the flighty, dipsomaniac Aunt Birdie), Teresa's star rose even higher with her next pictures.
Playing the good-hearted roles of the granddaughter in the war-era tearjerker Mrs. Miniver (1942) and baseball icon Lou Gehrig's altruistic wife in The Pride of the Yankees (1942) opposite Gary Cooper, the pretty newcomer won both "Best Supporting Actress" and "Best Actress" nods respectively in the same year, ultimately taking home the supporting trophy. Teresa's fourth huge picture in a row was Alfred Hitchcock's psychological thriller Shadow of a Doubt (1943) and she even received top-billing over established star Joseph Cotten who played a murdering uncle to her suspecting niece. Wed to screenwriter Niven Busch in 1942, she had a slip with her fifth picture Casanova Brown (1944) but bounced right back as part of the ensemble cast in the "Best Picture" of the year The Best Years of Our Lives (1946) portraying the assuaging daughter of Fredric March and Myrna Loy who falls in love with damaged soldier-turned-civilian Dana Andrews.
With that film, however, her MGM contract ended. Remarkably, she made only one movie for the studio ("Mrs. Miniver") during all that time. The rest were all loanouts. As a freelancing agent, the quality of her films began to dramatically decline. Pictures such as Enchantment (1948), Something to Live For (1952), California Conquest (1952), Count the Hours! (1953), Track of the Cat (1954) and Escapade in Japan (1957) pretty much came and went. For her screenwriter husband she appeared in the above-average western thriller Pursued (1947) and crime drama The Capture (1950). Her most inspired films of that post-war era were The Men (1950) opposite film newcomer Marlon Brando and the lowbudgeted but intriguing The Search for Bridey Murphy (1956) which chronicled the fascinating story of an American housewife who claimed she lived a previous life.
The "Golden Age" of TV was her salvation during these lean film years in which she appeared in fine form in a number of dramatic showcases. She recreated for TV the perennial holiday classic The Miracle on 34th Street (1955) in which she played the Maureen O'Hara role opposite Macdonald Carey and Thomas Mitchell. Divorced from Busch, the father of her two children, in 1952, Teresa made a concentrated effort to return to the stage and found consistency in such plays as "Salt of the Earth" (1952), "Bell, Book and Candle" (1953), "The Country Girl" (1953), "The Heiress" (1954), "The Rainmaker" (1955) and "The Dark at the Top of the Stairs" (1957) opposite Pat Hingle, in which she made a successful Broadway return. Marrying renowned playwright Robert Anderson in 1959, stage and TV continued to be her primary focuses, notably appearing under the theater lights in her husband's emotive drama "I Never Sang for My Father" in 1968. The couple lived on a farm in upstate New York until their divorce in 1978.
By this time a mature actress now in her 50s, challenging stage work came in the form of "The Effect of Gamma Rays on Man-in-the Moon Marigolds", "Long Day's Journey Into Night", "Morning's at Seven" and "Ah, Wilderness!" Teresa also graced the stage alongside George C. Scott's Willy Loman (as wife Linda) in an acclaimed presentation of "Death of a Salesman" in 1975, and appeared opposite Scott again in her very last play, "On Borrowed Time" (1991). After almost a decade away from films, she came back to play the touching role of an elderly landlady opposite Matt Damon in her last picture, John Grisham's The Rainmaker (1997). Teresa passed away of a heart attack in 2005.- Actress
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With prominent cheekbones, luminous skin and the most crystalline green eyes of her day, Gene Tierney's striking good looks helped propel her to stardom. Her best known role is the enigmatic murder victim in Laura (1944). She was also Oscar-nominated for Leave Her to Heaven (1945). Her acting performances were few in the 1950s as she battled a troubled emotional life that included hospitalization and shock treatment for depression.
Gene Eliza Tierney was born on November 19, 1920 in Brooklyn, New York, to well-to-do parents, Belle Lavinia (Taylor) and Howard Sherwood Tierney. Her father was a successful insurance broker and her mother was a former teacher. Her childhood was lavish indeed. She also lived, at times, with her equally successful grandparents in Connecticut and New York. She was educated in the finest schools on the East Coast and at a finishing school in Switzerland.
After two years in Europe, Gene returned to the US where she completed her education. By 1938 she was performing on Broadway in What a Life! and understudied for the Primrose Path (1938) at the same time. Her wealthy father set up a corporation that was only to promote her theatrical pursuits. Her first role consisted of carrying a bucket of water across the stage, prompting one critic to announce that "Miss Tierney is, without a doubt, the most beautiful water carrier I have ever seen!" Her subsequent roles Mrs O'Brian Entertains (1939) and RingTwo (1939) were meatier and received praise from the tough New York critics. Critic Richard Watts wrote "I see no reason why Miss Tierney should not have a long and interesting theatrical career, that is if the cinema does not kidnap her away."
After being spotted by the legendary Darryl F. Zanuck during a stage performance of the hit show The Male Animal (1940), Gene was signed to a contract with 20th Century-Fox. Her first role as Barbara Hall in Hudson's Bay (1940) would be the send-off vehicle for her career. Later that year she appeared in The Return of Frank James (1940). The next year would prove to be a very busy one for Gene, as she appeared in The Shanghai Gesture (1941), Sundown (1941), Tobacco Road (1941) and Belle Starr (1941). She tried her hand at screwball comedy in Rings on Her Fingers (1942), which was a great success. Her performances in each of these productions were masterful. In 1945 she was nominated for a Best Actress Oscar for her portrayal of Ellen Brent in Leave Her to Heaven (1945). Though she didn't win, it solidified her position in Hollywood society. She followed up with another great performance as Isabel Bradley in the hit The Razor's Edge (1946).
In 1944, she played what is probably her best-known role (and, most critics agree, her most outstanding performance) in Otto Preminger's Laura (1944), in which she played murder victim named Laura Hunt. In 1947 Gene played Lucy Muir in the acclaimed The Ghost and Mrs. Muir (1947). By this time Gene was the hottest player around, and the 1950s saw no letup as she appeared in a number of good films, among them Night and the City (1950), The Mating Season (1951), Close to My Heart (1951), Plymouth Adventure (1952), Personal Affair (1953) and The Left Hand of God (1955). The latter was to be her last performance for seven years. The pressures of a failed marriage to Oleg Cassini, the birth of a daughter with learning disabilities in 1943, and several unhappy love affairs resulted in Gene being hospitalized for depression. When she returned to the the screen in Advise & Consent (1962), her acting was as good as ever but there was no longer a big demand for her services.
Her last feature film was The Pleasure Seekers (1964), and her final appearance in the film industry was in a TV miniseries, Scruples (1980). Gene died of emphysema in Houston, Texas, on November 6, 1991, just two weeks shy of her 71st birthday.- Actress
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Deborah Jane Trimmer was born on 30 September 1921 in Glasgow, Scotland, the daughter of Captain Arthur Kerr Trimmer. She was educated at Northumberland House, Clifton, Bristol. She first performed at the Open Air Theatre in Regent's Park, London. She subsequently performed with the Oxford Repertory Company 1939-40. Her first appearance on the West End stage was as Ellie Dunn in "Heartbreak House" at the Cambridge Theatre in 1943. She performed in France, Belgium and Holland with ENSA (Entertainments National Service Association, or Every Night Something Awful) - The British Army entertainment service. She has appeared in many films from her first appearance in Major Barbara (1941).- Actress
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Jeanne Crain was born in Barstow, California, on May 25, 1925. The daughter of a high school English teacher and his wife, Jeanne was moved to Los Angeles not long after her birth after her father got another teaching position in that city. While in junior high school, Jeanne played the lead in a school production which set her on the path to acting. When she was in high school Jeanne was asked to take a screen test to appear in a film by Orson Welles. Unfortunately, she didn't get the part, but it did set her sights on being a movie actress.
After high school, Jeanne enrolled at UCLA to study drama. At the age of 18, Jeanne won a bit part in Fox Studio's film entitled The Gang's All Here (1943) and a small contract. Her next film saw Jeanne elevated to a more substantial part in Home in Indiana (1944) the following year, which was filmed in neighboring Kentucky. The movie was an unquestionable hit. On the strength of that box-office success, Jeanne was given a raise and star billing, as Maggie Preston, in the next film of 1944, In the Meantime, Darling (1944). Unfortunately, the critics not only roasted the film, but singled out Jeanne's performance in particular. She rebounded nicely in her last film of the year, Winged Victory (1944). The audiences loved it and the film was profitable.
In 1945, Jeanne was cast in State Fair (1945) as Margie Frake who travels to the fair and falls in love with a reporter played by Dana Andrews. Now, Jeanne got a bigger contract and more recognition. Later that year, Jeanne married Paul Brooks on New Year's Eve. Although her mother wasn't supportive of the marriage, the union lasted until her husband's death and produced seven children. The year 1947 was an off year for Jeanne, as she took time off to bear the Brooks' first child.
In 1949, Jeanne appeared in three films, A Letter to Three Wives (1949), The Fan (1949), and Pinky (1949). It was this latter film which garnered her an Oscar nomination as Best Actress for her role as Pinky Johnson, a nurse who sets up a clinic in the Deep South. She lost to Olivia de Havilland for The Heiress (1949). Jeanne left Fox after filming Vicki (1953) in 1953, with Jean Peters. She had made 23 films for the studio that started her career, but she needed a well-deserved change. As with any good artist, Jeanne wanted to expand her range instead of playing the girl-next-door types.
She went briefly to Warner Brothers for the filming of Duel in the Jungle (1954) in 1954. The film was lukewarm at best. Jeanne, then, signed a contract, that same year, with Universal Studios with promises of better, high profile roles. She went into production in the film Man Without a Star (1955) which was a hit with audiences and critics. After The Joker Is Wild (1957) in 1957, Jeanne took time off for her family and to appear in a few television programs. She returned, briefly, to film in Guns of the Timberland (1960) in 1960. The films were sporadic after that. In 1967, she appeared in a low-budget suspense yarn called Hot Rods to Hell (1966). Her final film was as Clara Shaw in 1972's Skyjacked (1972).
Jeanne died of a heart attack in Santa Barbara, California, on December 14, 2003. Her husband Paul Brooks had died two months earlier.- Actress
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Green-eyed beauty Jean Elizabeth Peters flashed across the screen as a bright star during her relatively brief tenure in Hollywood. After just seven years under contract to 20th Century-Fox (1947-54), she joined in the reclusive lifestyle of her eccentric billionaire husband, Howard Hughes, and all but vanished from public view.
Jean was born in Canton, Ohio, in October of 1926. Her father died when she was ten years old. Her mother owned a tourist camp on the outskirts of town and there was enough money around to send Jean to college. She received the latter part of her tertiary education at Ohio State University and graduated with a diploma qualifying her as an English teacher. A campus popularity contest she won ended her plans as an English teacher because it came with a trip to Hollywood and a screen test. In short order, "Miss Ohio State University" was offered a seven-year contract at 20th Century-Fox with a starting salary of $150 a week.
After being picked by Darryl F. Zanuck to co-star opposite Tyrone Power in the studio's splashy big-budget swashbuckler Captain from Castile (1947), Jean came to the attention of Howard Hughes. She discreetly dated him for the remainder of the decade and continued to live an unpretentious lifestyle, rarely seen in public and eschewing the Hollywood nightlife and parties. A self-confessed tomboy, she rarely wore make-up in private and preferred to dress in jeans rather than glamorous gowns. She and her mother lived in a smallish bungalow in Bel-Air, paid for by Hughes. After relative success in her second feature, Deep Waters (1948), she became increasingly dissatisfied with the prissy roles she was assigned in her subsequent efforts. She was no shrinking violet when it came to defending her interests: she refused outright to appear in Yellow Sky (1948) (a part she thought as "too sexy") and Sand (1949), and her contract was consequently terminated. She returned to farm life in Ohio, but was back in New York in 1951 to be screen-tested by Elia Kazan for the epic biopic of Mexican revolutionary hero Emiliano Zapata in Viva Zapata! (1952), shot on location in Mexico with Marlon Brando in the lead.
Fox wisely used Jean during the next few years for similarly unglamorous outdoor roles, notably as the titular heroine of Anne of the Indies (1951), a tempestuous girl living in the Georgia swamps in Lure of the Wilderness (1952), a gum-chewing dame innocently involved in espionage in Samuel Fuller's Pickup on South Street (1953) and as Burt Lancaster's Indian squaw in the hard-hitting western Apache (1954). She got good notices in all of these films and was now recognized as a major star. As a result, she was cast in the prestigious film noir Niagara (1953), opposite Joseph Cotten and Marilyn Monroe (both of whom she befriended) and the Spencer Tracy western Broken Lance (1954). Under a new contract with Fox, Jean was now no longer in a position to refuse an assignment and, though basically unhappy with her part in Three Coins in the Fountain (1954), the picture proved to be one of her most popular pictures to date. Her next film, A Man Called Peter (1955), was to be her swan song. Following a 33-day marriage to a Texan oilman which ended in a whirlwind divorce, Jean finally married Howard Hughes in a secret ceremony and left public life for the next 13 years. She never gave interviews and retreated to an isolated hilltop mansion above the Santa Monica Mountains. In 1969 she resurfaced, studying for a degree in sociology at UCLA under an assumed name.
When Jean's marriage to Hughes ended in June 1971, the actress settled for the relatively modest sum of $70,000 a year and happily waived any further claims on the estate. That same year she got married for the third time, to 20th Century-Fox vice-president Stan Hough. Her screen career was briefly resuscitated when she was cast in the miniseries Arthur Hailey's the Moneychangers (1976) and she was last seen in an episode of Murder, She Wrote (1984). She devoted her final years to charitable causes and never spoke in public about her years with Howard Hughes.- Actress
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Brigitte Bardot was born on September 28, 1934 in Paris, France. Her father had an engineering degree and worked with his father in the family business. Brigitte's mother encouraged her daughter to take up music and dance, and she proved to be very adept at it. By the time she was 15, Brigitte was trying a modeling career, and found herself in the French magazine "Elle". Her incredible beauty readily apparent, Brigitte next tried films. In 1952, she appeared on screen for the first time as Javotte Lemoine in Crazy for Love (1952). Two more films followed and it was also the same year she married Roger Vadim (the union lasted 3½ years). Capitalizing on her success in French films, Brigitte made her first American production in Act of Love (1953) with Kirk Douglas, but she continued to make films in France. Brigitte's explosive sexuality took the United States by storm, and the effect she had on millions of American men who had not seen a woman like her in a long, long time--if ever--was electric. Rise to the phrase "sex kitten" and fascination of her in the United States consisted of magazines photographs and dubbed over French films--good, bad or indifferent, her films drew audiences--mainly men--into theaters like lemmings. In 1965, she appeared as herself in the American-made Dear Brigitte (1965) with James Stewart (she only appeared in one scene). Just before she turned 40, Brigitte retired from movies after filming The Edifying and Joyous Story of Colinot (1973). She prefers life outside of stardom. While it enabled her to become internationally famous, it also carried with it annoyances. It was not anything for her to have "fans" enter her house or wander around the grounds of her home in the hopes of getting a glimpse of her or to take something that belonged to her. Paparazzi constantly hounded her with their cameras. She has been so soft-hearted that some people even have taken advantage of her generosity. After her life in the spotlight, Brigitte went on to become a leading spokesperson for animal rights and started the "Foundation Brigitte Bardot" dedicated solely to that cause. Her work in that realm is, perhaps, far greater than any film she could have made. Brigitte has been married to Bernard d'Ormale since 1992 and they reside in St. Tropez with their nearly 50 pets.- Actress
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Most famous for her role in the 1972 low-budget shocker Frogs (1972) (a far cry from her role on Hazel (1961)), Lynn Borden rarely garnered large or leading roles. She was originally going to play the lead in 1964's Roustabout (1964) but this did not materialize. She had a memorable role in the action film Dirty Mary Crazy Larry (1974), although small, and starred sporadically in feature films and TV movies.- Actress
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Born in New York City to legendary screen star Henry Fonda and Ontario-born New York socialite Frances Seymour Brokaw, Jane Seymour Fonda was destined early to an uncommon and influential life in the limelight. Although she initially showed little inclination to follow her father's trade, she was prompted by Joshua Logan to appear with her father in the 1954 Omaha Community Theatre production of "The Country Girl". Her interest in acting grew after meeting Lee Strasberg in 1958 and joining the Actors Studio. Her screen debut in Tall Story (1960) (directed by Logan) marked the beginning of a highly successful and respected acting career highlighted by two Academy Awards for her performances in Klute (1971) and Coming Home (1978), and five Oscar nominations for Best Actress in They Shoot Horses, Don't They? (1969), Julia (1977), The China Syndrome (1979), The Morning After (1986) and On Golden Pond (1981), which was the only film she made with her father. Her professional success contrasted with her personal life, which was often laden with scandal and controversy. Her appearance in several risqué movies (including Barbarella (1968)) by then-husband Roger Vadim was followed by what was to become her most debated and controversial period: her espousal of anti-establishment causes and especially her anti-war activities during the Vietnam War. Her political involvement continued with fellow activist and husband Tom Hayden in the late 1970s and early 1980s. In the 1980s she started the aerobic exercise craze with the publication of the "Jane Fonda's Workout Book". She and Hayden divorced, and she married broadcasting mogul Ted Turner in 1991.- Actress
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Actress with a notable career in films and television. Born and raised in Hollywood, she moved to New York at eighteen to study acting with Charles Conrad and ballet with Nina Fonaroff. She continued her training in Los Angeles at the Estelle Harman Workshop, securing a contract with Twentieth Century Fox. Baker's first film assignment was a true prestige picture: legendary director George Stevens cast her as Margot Frank, older sister of Anne, in The Diary of Anne Frank (1959). Baker remained at Fox as a contract player performing in films such as Journey to the Center of the Earth (1959), The Best of Everything (1959) and Nine Hours to Rama (1963). After her contract ended, she worked on a pair of distinguished projects at Universal Studios: Mirage (1965) with Gregory Peck and Marnie (1964) for director Alfred Hitchcock.
Baker was also a reliable performer in episodic television. She produced sensitive, affecting work in Rod Serling's touching They're Tearing Down Tim Riley's Bar/The Last Laurel (1971) and, in a colorful turn as an unstable dipsomaniac, in Last Salute to the Commodore (1976).
While continuing to perform, Baker moved into producing small, independent films such as Portrait of Grandpa Doc (1977) with director Randal Kleiser and Never Never Land (1980) with Petula Clark, and larger projects such as the Emmy-nominated television miniseries adaptation of Barbara Taylor Bradford's A Woman of Substance (1984) with Deborah Kerr.
More recently, she distinguished herself essaying the role of clan matriarch Rose Kennedy in the CBS miniseries Jackie Bouvier Kennedy Onassis (2000) and performed memorably with Anthony Hopkins in The Silence of the Lambs (1991) as the distraught Senator Ruth Martin and, with Jim Carrey and Matthew Broderick, in The Cable Guy (1996).
In 2005, she acted with Frank Langella in the HBO series Unscripted (2005) directed by George Clooney. She also teaches acting courses in the School of Motion Pictures, Television, and Acting at the Academy of Art University, San Francisco.- Actress
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Natalie Wood was an American actress of Russian and Ukrainian descent. She started her career as a child actress and eventually transitioned into teenage roles, young adult roles, and middle-aged roles. She drowned off Catalina Island on November 29, 1981 at age 43.
Wood was born July 20, 1938 in San Francisco to Russian immigrant parents: housewife Maria Gurdin (née Zoodiloff), known by multiple aliases including Mary, Marie and Musia, and second husband Nick Gurdin (née Zacharenko), a janitor and prop builder. Nicholas was born in Primorsky Krai, son of a chocolate-factory worker. Maria was born in Barnaul, southern Siberia to a wealthy industrialist. Natalie's maternal grandfather owned soap and candle factories.
Wood's parents had to migrate due to the Russian Civil War. Her paternal grandfather joined the anti-Bolshevik civilian forces early in the war and was killed in a street fight between Red and White Russian soldiers. This convinced the Zacharenkos to migrate to Shanghai, China, where they had relatives. Wood's paternal grandmother remarried in 1927 and moved the family to Vancouver, British Columbia. In 1933 they resettled along the U.S. West Coast. Nicholas met Wood's mother, four years his senior, while she was still married to Alexander Tatuloff, an Armenian mechanic she divorced in 1936.
Mary Tatuloff, Wood's mother, had unfulfilled ambitions of becoming a ballet dancer. She grew up in the Chinese city of Harbin and had married Alexander there in 1925. The Tatuloffs had one daughter, Ovsanna, before coming to America in 1930. After marrying Nicholas Zacharenko in 1938, five months before Wood's birth, Mary (now calling herself Marie) transferred her dream of stardom onto her second child. Marie frequently took a young Wood with her to the cinema, where she could study the films of Hollywood child stars.
Wood's parents changed the family name to Gurdin upon obtaining U.S. citizenship, and her pseudonymous mother finally settled on a permanent first name: Maria. In 1942 they bought a house in Santa Rosa, where young Natalie was noticed by members of a crew during a film shoot. She got to audition for roles as an actress, and the family moved to Los Angeles to help seek out roles for her. RKO Radio Pictures' executives William Goetz and David Lewis chose the stage name Wood for her, in reference to director Sam Wood. Natalie's younger sister Svetlana Gurdin would eventually follow an acting career as well, under the stage name Lana Wood.
Wood made her film debut in Happy Land (1943). She was only five years old, and her scene as the "Little Girl Who Drops Ice Cream Cone" lasted 15 seconds. Wood somehow attracted the interest of film director Irving Pichel who remained in contact with her family. She had few job offers over the following two years, but Pichel helped her get a screen test for a more substantial role in the romance film Tomorrow Is Forever (1946). Wood passed through an audition and won the role of Margaret Ludwig, a post-World War II German orphan. At the time, Wood was unable to "cry on cue" for a key scene, so her mother tore a butterfly to pieces in front of her, giving her a reason to cry for the scene.
Wood started appearing regularly in films following this role and soon received a contract with 20th Century Fox. Her first major role was that of Susan Walker in the Christmas film Miracle on 34th Street (1947), which was a commercial and critical hit. Wood got her first taste of fame, and afterwards Macy's invited her to appear in the store's annual Thanksgiving Day parade. Following her early success, Wood receive many more film offers. She typically appeared in family films, cast as the daughter of such stars as Fred MacMurray, Margaret Sullivan, James Stewart, Joan Blondell, and Bette Davis. Wood found herself in high demand and appeared in over twenty films as a child actress.
The California laws of the era required that until reaching adulthood, child actors had to spend at least three hours per day in the classroom. Wood received her primary education on the studio lots, receiving three hours of school lessons whenever she was working on a film. She was reportedly a "straight A student." Director Joseph L. Mankiewicz was quite impressed by Wood's intellect. After school hours ended, Wood would hurry to the set to film her scenes.
While Wood acquired the services of agents, her early career was micromanaged by her mother. An older Wood gained her first major television role in the short-lived sitcom The Pride of the Family (1953). At the age of 16, she found more success with the role of Judy in Rebel Without a Cause (1955). She played the role of a teenage girl who wears makeup and dresses up in racy clothes to attract the attention of a father who typically ignores her. The film's success helped Wood make the transition from child actress to an ingenue. She was nominated for an Academy Award for Best Supporting Actress.
Her next significant film was The Searchers (1956), a western in which she played the role of abduction victim Debbie Edwards, niece of John Wayne's character. The film was a commercial and critical hit, and has since become regarded as a masterpiece. Also in 1956, Wood graduated from Van Nuys High School. She signed a contract with Warner Brothers, where she was kept busy with several new films. To her disappointment, she was typically cast as the girlfriend of the protagonist and received roles of little depth. For a while, WB had her paired with teen heartthrob Tab Hunter. The studio was hoping that the pairing would serve as a box-office draw, but this did not work out. One of Wood's only serious roles from this period was the title character in Marjorie Morningstar (1958), as a young Jewish girl whose efforts to create her own identity and career path clash with the expectations of her family. The film was a critical success, and fit well with other films exploring the restlessness of youth in the '50s.
Wood's first major box office flop was the biographical film All the Fine Young Cannibals (1960), examining the rags to riches story of jazz musician Chet Baker without actually using his name. The film's box office earnings barely covered the production costs, and MGM recorded a loss of $1,108,000. For the first time. Wood's appeal to the audience was in doubt. With her career in decline following this failure, Wood was seen as "washed up" by many in the film community. But director Elia Kazan gave her the chance to audition for the role of the sexually-repressed Wilma Dean Loomis in his upcoming film Splendor in the Grass (1961). Kazan cast Wood as the female lead, because he found in her (in his words): a "true-blue quality with a wanton side that is held down by social pressure." Kazan is credited for producing Wood's most powerful moment as an actress. The film was a critical success, with Wood nominated for an Academy Award for Best Actress.
Wood's next important film was West Side Story (1961), where she played Maria, a restless Puerto Rican girl. Wood was once again called to represent the restlessness of youth, this time in a story involving youth gangs and juvenile delinquents. The film was a great commercial success with about $44 million gross, the highest-grossing film of 1961. It was also critically acclaimed, and is still regarded as one of the best films of Wood's career. Her next film was Gypsy (1962), playing the role of burlesque entertainer and stripper Gypsy Rose Lee. Film historians credit the film as an even better role for Wood than that of Maria, with witty dialogue, a greater emotional range, and complex characterization. The film was the eighth highest-grossing release of 1962, and was well-received critically.
Wood's next significant role was that of Macy's salesclerk Angie Rossini in Love with the Proper Stranger (1963). In the film, Angie has a one-night-stand with musician Rocky Papasano, played by Steve McQueen, finds herself pregnant and desperately seeks an abortion. The film under-performed at the box office but was critically well-received. Wood received her third (and last) nomination for an Academy Award. At age 25, Wood was tied with Teresa Wright as the youngest person to score three Oscar nominations. Wood held that designation until 2013, when Jennifer Lawrence achieved her third nomination at age 23.
Wood continued her successful film career until 1966, but her health status was not as successful. She was suffering emotionally and had sought professional therapy. She paid Warner Bros. $175,000 to cancel her contract and was able to retire for a while. She also fired her entire support team: agents, managers, publicist, accountant, and attorneys. She took a three-year hiatus from acting.
Wood made her comeback in the comedy Bob & Carol & Ted & Alice (1969) with the themes of sexual liberation and wife swapping. It was a box office hit. Wood decided to gamble her $750,000 fee on a percentage of the gross, earning a million dollars in profits. She chose not to capitalize on the film's success, however, and did not take another acting job for five years.
In 1970, Wood was married to the screenwriter Richard Gregson and was expecting her first child, Natasha Gregson Wagner. She went into semi-retirement to be a stay-at-home mom, appearing in only four more theatrical films before her death. These films were the mystery comedy Peeper (1975), the science fiction film Meteor (1979), the comedy The Last Married Couple in America (1980), and the posthumously-released science fiction film Brainstorm (1983).
In the late '70s, Wood found success in television roles, appearing in several made-for-TV movies and the mini-series From Here to Eternity (1979). Her project received high ratings, and she had plans to make her theatrical debut in a 1982 production of Anastasia.
On November 28, 1981, Wood joined her last husband Robert Wagner, their married friend Christopher Walken, and captain Dennis Davern on a weekend boat trip to Catalina Island. Conspicuously absent from the group was Christopher's wife, casting director Georgianne Walken. The four of them were on board the Wagners' yacht "Splendour." Earwitness Marilyn Wayne heard cries for help around 11:05 P.M. and a "man's voice slurred, and in aggravated tone, say something to the effect of, 'Oh, hold on, we're coming to get you,' and not long after, the cries for help subsided." On the morning of November 29, Wood's corpse was recovered 1 mile (1.6 kilometers) away from the boat, near small Valiant-brand inflatable dinghy beached nearby. The toxicology report revealed her blood alcohol level was at .14, over the legal limit of .10. Wood was buried on December 2 at Westwood Village Memorial Park Cemetery in Los Angeles. Nine days later, the LACSD officially closed the case.- Diana Muldaur is known for L.A. Law (1986), Star Trek: The Next Generation, McCloud, Born Free, The Other and McQ. In the eighties, Diana became the president of the Academy of Television Arts and Sciences (the academy handing out the Emmy awards). Diana's L.A. Law character, Rosalind Shays, was a widely discussed character in the nineties. Short after her success with L.A. Law, Diana decided to take a long break from acting.
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A wholesome beauty with comedic appeal, Dawn Elberta Wells was born on October 18, 1938 in Reno, Nevada. Wells' childhood was a happy and healthy one. She and her mother grew their own fruits and vegetables in their gardens and Dawn rode horses. In her high school years, she was the class treasurer, President of the debate team and an honor roll student. Dawn was on her way to becoming a ballerina, but bad knees prevented her from realizing the dream. She was Miss Nevada in 1959 and went on to the 1960 Miss America Pageant. Dawn had wanted to be a doctor, and enrolled in the elite Stephens College in Columbia, Missouri to study medicine, but then she discovered the Drama Club. She then transferred to the University of Washington, which was known for their Theatre Department, and she graduated with a Degree in Theatre.
Dawn moved to Hollywood and was cast as Mary Ann Summers on CBS's Gilligan's Island (1964). The rest is history. However, there was much more to Dawn than her simple Mary Ann character. Wells refused to be an unemployed actor after the show ended and was never out of work since the show decades ago. She performed in over 66 theatrical productions, including the National Touring Company of "They're Playing Our Song!" She did countless voice-overs, commercials and talk shows. She worked for the Australian news show "Midday" and interviewed such talents as Julia Roberts, Eddie Murphy and Tom Hanks, to name a few. Dawn has also had great success as a producer and has a number of television movies to her credit. After years of touring and performing in dramas, comedies, and musical theatre, Dawn slowed down a little. In 1998, she founded the Dawn Wells' Film Actors Boot Camp in Driggs, Idaho. The camp is for the already trained actor looking to make the transition from the amateur to the professional actor.
Wells managed the camp for many years. She has been in a popular commercial for Western Union, capitalizing on her character Mary Ann Summers. In 2003, Dawn did tours of the plays "Love Letters" with Adam West and Eve Ensler's Award Winning "The Vagina Monologues." In early 2004, Dawn established and founded The Spud Film Institute in Idaho and Wyoming, and held the first ever Spud Drive in Film and Music Festival in the summer of 2004. She was also the artistic director of the festival. If that is not enough, Ms. Wells also had her own clothing line for the physically challenged called "Wishing Wells Collections" and she recently launched her own skin care line, Classic Beauty. Dawn Wells continued to contribute to the business she loved so much and constantly gave back to the acting community. She mentored young actors and traveled to colleges all across the United States to teach Master Classes. She served as Artist in Residence at several Universities. Dawn was in constant demand for personal appearances and speaking engagements, yet never forgot to give back to the Artistic community. She will surely be remembered for all her good work. Wells passed away on December 30, 2020 at age 82. You can get information about all of Dawn's organizations at her website, dawn-wells.com.- Actress
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Lara Parker was born, Mary Lamar Rickey, in Knoxville, Tennessee, and grew up in Memphis. She attended Central High School in Memphis, and won a scholarship to Vassar College. At Vassar, Lara began a major in philosophy, which she completed at Southwestern at Memphis (now Rhodes College), receiving her BA. She attended graduate school at the University of Iowa and completed all course work on a Masters in speech and drama.
It was during the summer when Lara was supposed to write her thesis, she acted at the Millbrook Playhouse, in Lock Haven, Pennsylvania. She did 5 leading roles in 6 weeks. Rather than returning to Iowa, she decided to try her luck in New York. During only her second week in the city, she was cast as Angelique, the witch, in the daytime horror serial, Dark Shadows (1966). It was a role she held for 5 years.
It culminated with the film, Night of Dark Shadows (1971). While still in New York, Lara appeared on Broadway, in the play, "Woman is My Idea", as well as 2 off-Broadway plays: "Lulu" and "A Gun Play".
In 1972, Lara moved to Los Angeles, and began working in film and prime-time television, performing many guest starring roles, and occasionally returning to daytime television.
After retiring from acting, she changed her focus back to what her original interests were. She became a high school and college English teacher, and obtained her MFA in creative writing (from Antioch University). Parker authored four novels based on "Dark Shadows" (see book section, below).
Parker lived in California with her husband, Jim Hawkins and their daughter, Caitlin Hawkins. She died at age 84 from cancer in October 2023.- Actress
Sara Venable is known for Two (1974) and Martin (1977).- Actress
- Writer
- Soundtrack
Katharine Juliet Ross was born January 29, 1940, in Hollywood, CA, to Katherine (née Mullen) and Dudley Tying Ross. Her father, who had also worked as a reporter for the Associated Press, was a commander in the US Navy when she was born. His navy career shuttled the family around to Virginia, then Palo Alto, and finally to Walnut Creek, outside of San Francisco, where Ross grew up.
Ross graduated from Las Lomas High School in Walnut Creek in 1957 and attended Santa Rosa Junior College and Diablo Valley College in the Bay Area, where she took part in her first onscreen work in a student film. Moving to San Francisco, into an apartment on Stockton Street above a grocery store, she began her acting career as an understudy in Actor's Workshop productions, and was soon auditioning for roles. She was also married in 1960 to college sweetheart Joel Fabiani, the first of five husbands.
Work came steadily for Ross, at first mainly in television westerns, and indeed Westerns would make up the majority of her best-known work, her natural beauty being a strong asset in that genre. She made her TV debut in an episode of Sam Benedict (1962), and her first film role was in the Civil War era Shenandoah (1965) starring James Stewart. Ross' career as a leading actress began in earnest in 1967, with her strong turn co-starring with James Caan and Simone Signoret in Games (1967), and with The Graduate (1967). Ross' performance as Elaine earned her a Supporting Actress Oscar nomination.
A disappointing, formulaic John Wayne vehicle, Hellfighters (1968), followed but she soon returned to form with two films with Robert Redford. As Etta Place in Butch Cassidy and the Sundance Kid (1969), Ross was part of the most memorable scene from that hit film, precariously perched barefoot on the bumper of that newfangled contraption, the bicycle, as Paul Newman's Butch Cassidy takes her for a ride. The compelling Tell Them Willie Boy Is Here (1969) was less of a box office success but more highly regarded by the critics, and Ross won a BAFTA Award for her work as Lola, a Paiute Indian who flees with her boyfriend, played by Robert Blake, after he kills her father in self-defense.
Swept up into a whirlwind of fame, widely idealized as the symbol of beauty for the Woodstock generation, Ross had accomplished so much so quickly that it seemed her entire career had happened almost all at once, in that frenzy of activity between 1967 and 1969. Sure enough, there followed a long dry spell in which she was mostly cast in forgettable roles; her next strong film wasn't for another six years. In The Stepford Wives (1975), an intriguing black comedy-cum-horror film, Ross plays a independent, free-spirited wife newly relocated to a suburb where the other wives all seem to be just a little too perfect, too submissive; it was arguably her strongest performance to date, but Stepford Wives would prove to be but a temporary resurgence for Ross, and her work in the decade and a half to follow would include such star-studded duds as The Betsy (1978), and a return to TV, including a part in primetime soap opera The Colbys (1985). Along the way, however, Ross found love. After four failed marriages (the second, third and fourth were to John Marion, Conrad L. Hall and Gaetano Lisi respectively), she met her current husband Sam Elliott, while working on The Legacy (1978). They married in May 1984; that September, just four months short of her 45th birthday, Ross gave birth to a daughter, Cleo Rose.
In 1991, Ross and Elliott adapted the Louis L'Amour novel, Conagher (1991), for television in a remarkably affecting Western tale which showcases both actors' remarkable talents. Ross continues to take roles on occasion and, as usual, her work is strong -- something that was sometimes overlooked in her youth due to her famous beauty. For instance, Ross turned up in Donnie Darko (2001), in a solid performance as Donnie's psychiatrist.
Ross and Elliott live on their ranchito in Malibu.- Phyllis Davis was one of the loveliest faces in Hollywood during the late 60s-early 80s. She grew up in Nederland, Texas. The family lived on the second floor of her parents' mortuary business. Phyllis and her two younger brothers learnt how to be quiet during services, as the floors would creak. Phyllis attended Lamar College briefly, then went to Los Angeles in the mid-'60s to pursue a career in film and TV. She attended acting classes at the Pasadena Playhouse. Phyllis' first break began with small parts in Elvis Presley movies. Love, American Style (1969) were holding auditions for the show. 200 actresses had already been tested and rejected. Phyllis put on a bathing suit and was hired on the spot. After a five season run with Love, American Style (1969), Phyllis started to get some small movie roles. Phyllis was hired - and actually signed a contract, for the James Bond film, Diamonds Are Forever (1971), only to be told shortly afterwards the producers had dropped her, and hired Lana Wood to replace her. Still, Phyllis received residual checks for the film, as she had a signed contract. She had a chance encounter with Candy Spelling, wife ofAaron Spelling, who was then casting for a new TV series called, Vega$ (1978). Phyllis got the role of Beatrice, or Bea, for the series' run. After working on a regular series, Phyllis appeared in a few Aaron Spelling made-for-TV movies. Sadly, Phyllis kept her battle with cancer extremely private,, and after her passing away in 2013, there was some confusion as to which 'Phyllis Davis'had died.
- Actress
- Producer
Blonde, buoyant Donna Mills began acting in local amateur and professional productions in her home town of Chicago. Donna made her Broadway bow as a harem girl in Woody Allen's play "Don't Drink the Water," then played recurring roles on the Manhattan-based TV soap operas The Secret Storm (1954) and Love Is a Many Splendored Thing (1967). Her first film was The Incident (1967), a hard-hitting drama which co-starred fellow up-and-comers Martin Sheen and Beau Bridges. After playing Clint Eastwood's imperiled girlfriend in the cult thriller Play Misty for Me (1971), Mills guest-starred on numerous top-rated series and carved a niche for herself in made-for-TV movies, usually typecast as a damsel in distress. On the big screen, she scored another coup when she acted with Don Stroud in Murph the Surf (1975). Donna forever altered her on-screen image from trembling helplessness to calculating truculence in the role of Abby Cunningham Ewing, second wife of Dallas (1978) "black sheep" Gary Ewing (Ted Shackelford), in the nighttime serial Knots Landing (1979); coincidentally, Mills had co-starred with J. R. Ewing himself (aka Larry Hagman) on the short-lived sitcom The Good Life (1971). Three times she won the Soap Opera Digest Award for Outstanding Villainess: 1986, '88, and '89. She also earned a Soap Opera Digest nomination for Outstanding Actress in a Leading Role on a Prime Time Serial. After nine years as Abby, Mills decided to leave the long-running hit in pursuit of other opportunities. She continued to headline a range of television films, several of which she produced, often highlighting important social issues. These including Outback Bound (1988), The World's Oldest Living Bridesmaid (1990), Runaway Father (1991), In My Daughter's Name (1992) and My Name Is Kate (1994). Mills returned to Knots Landing for its final episode in 1993, and again for the reunion miniseries Knots Landing: Back to the Cul-de-Sac (1997). In between she had a brief recurring guest role as Jane Mancini (Josie Bissett)'s mother on Melrose Place (1992). In 2014, Donna joined ABC's General Hospital (1963) as yet another wealthy troublemaker, Madeline Reeves. For this role, she won the Daytime Emmy Award for Outstanding Guest Performer in a Drama Series. Donna has since appeared in the feature films Joy (2015) and Nope (2022), and starred in the reality show Queens of Drama (2015).
Donna has long been a supporter of various political and human rights causes, including Easter Seals, Women in Film, and ECO (Earth Communications Office). Unmarried, she adopted a daughter, Chloe, in 1994. She lives in Beverly Hills with her longtime boyfriend, Larry Gilman. She was previously in a long-term relationship with Richard Holland.- Actress
- Soundtrack
Acclaimed actress Jessica Walter was born on January 31, 1941 in Brooklyn, New York, the daughter of Esther (Groisser), a teacher, and David Walter (his original surname was Warshawsky), a musician who was a member of the NBC Symphony Orchestra and the NYC Ballet Orchestra. She was of Russian Jewish descent, the sister of screenwriter and Chairman of the UCLA Screenwriting program Richard Walter. Their uncle was stage and screen actor Jerry Jarrett. Raised in Queens, Walter was a graduate of New York's High School of the Performing Arts and the Neighborhood Playhouse School of the Theatre. She first acted in summer stock and her extensive subsequent career on the stage included productions both on- and off-Broadway.
On Broadway, Walter appeared in Peter Ustinov's "Photo Finish" (which earned her the Clarence Derwent Award as Most Promising Newcomer), "A Severed Head", "Advise and Consent", "Night Life" and Neil Simon's "Rumors". Off-Broadway, she acted in a 1986 Los Angeles Theater Center production of "Tartuffe" opposite Ron Leibman (to whom she was married from 1983 until his death in 2019).
After guesting on several TV series in the early and mid-1960s, Walter made her move to feature films where she attracted attention for her role as the brash Libby in Sidney Lumet's The Group (1966). This seemed to set the tone for her next screen personae as bitchy, difficult or dangerously vindictive women, the most memorable of which was Evelyn in Clint Eastwood's directorial debut film, Play Misty for Me (1971). This earned Walter a richly deserved Golden Globe nomination. Another stand-out role was Pat, the bored ex-glamour model wife of one racing driver (Brian Bedford) and troublesome girlfriend of another (James Garner) in Grand Prix (1966). Walter's numerous TV roles included the enchantress Morgan LeFay in the rarely seen telemovie Dr. Strange (1978). Of her many screen villainesses she later said: "those are the fun roles. They're juicy, much better than playing the vanilla ingénues".
By the 1980s, Walter had turned increasingly towards comedy, both on the big screen (The Flamingo Kid (1984)) and the small (Three's a Crowd (1984)). However, she never shied away from other genres, whether playing an EarthGov senator on the cult sci-fi series Babylon 5 (1993) or providing the voice for the leading female character in the animated sitcom Dinosaurs (1991). Walter received an Emmy Award for Best Dramatic Actress in the Ironside (1967) spin-off Amy Prentiss (1974) and was nominated for guest-starring roles in episodes of Trapper John, M.D. (1979) and The Streets of San Francisco (1972). She found a new audience among younger viewers as the devious matriarch Lucille Bluth in Arrested Development (2003).
Jessica Walter died in her sleep on March 24, 2021 from undisclosed causes at the age of 80. Riverside Memorial Chapel and Funeral Home in New York City completed her final arrangements. She was cremated and her ashes are with her daughter.- Actress
- Soundtrack
Blonde and blue-eyed with an attractively feline appeal, Carol Lynley began her professional career as Carolyn Lee. She learned ballet at age seven, became a successful child model at age 10 (eventually working for the Sears & Roebuck department store in New York), and got her face nationally recognized as "the Coca-Cola Girl."
Carole Ann Jones was born in New York City to Frances Fuller (Felch) from New England and Irish immigrant Cyril Roland Jones. Trying to branch out into acting early on, in New York City, to Frances Fuller (Felch), from New England, and Cyril Roland Jones, who was an Irish immigrant. Trying to branch out into acting early on, Carol discovered that another individual by that name, born seven years earlier, was already on the books of Actors' Equity, so Carolyn fused "lyn" and "lee" to create 'Lynley'. From age 15 she appeared on Broadway, played juvenile roles in early anthology television, and was featured on the cover of Life Magazine in April 1957. Her first important film roles came in decidedly wholesome fare, beginning with The Light in the Forest (1958) for Walt Disney Productions, in which she played indentured servant Shenandoe. It was a promising start. A New York Times reviewer praised her performance (alongside that of fellow screen newbie James MacArthur), describing both as "real charmers with more than their share of talent." Thrust once more into the limelight, Lynley reprised her earlier Broadway role in the film version of Blue Denim (1959) as a naive girl who becomes pregnant and ponders having an illegal abortion. This performance got her nominated for a Golden Globe Award as Most Promising Newcomer in 1959. That same year, she graduated with a diploma from New York's School for Young Professionals. Lynley went on to play other ingénues and troubled teens before shedding her wholesome image by the early 1960s.
Return to Peyton Place (1961) headlined the actress as a best-selling novelist who controversially reveals the town's darkest secrets and scandals. This was followed by the bawdy (and mostly irritating) sex farce Under the Yum Yum Tree (1963), with Lynley as a virginal college student in a New York apartment block pursued by a lecherous landlord/playboy (played by Jack Lemmon). Luckily, better opportunities to prove her acting mettle turned up with a double role in The Cardinal (1963) (opposite Tom Tryon), and as the tormented mother of a kidnapped child in the superior psychological thriller Bunny Lake Is Missing (1965), directed by Otto Preminger and co-starring Laurence Olivier. Cinema magazine commented "With a face like that of a fallen angel, Carol Lynley has beauty that is often awe inspiring".
In March 1965, the former teen queen posed nude for an issue of Playboy magazine; later that year she played the title role in a turgid biopic of 1930s Hollywood sex symbol Jean Harlow. While the quality of her films tended to decline after the mid-'60s, there were still entertaining moments in B-pictures like The Shuttered Room (1967) and Once You Kiss a Stranger... (1969) (in this lurid thriller, Lynley rose above her material and was memorable in the role of a psychotic murderess). In Irwin Allen's The Poseidon Adventure (1972), she was merely one of the ill-fated passengers who ended up in Davy Jones' Locker. Still, Variety called her performance "especially effective". After 1967, television provided most of her work, including guest spots in seminal shows like Mannix (1967), The Invaders (1967), Hawaii Five-O (1968) and as co-star of the TV pilot for The Night Stalker (1972) (as Carl Kolchak's girlfriend). In her penultimate role, Lynley played a grandmother in a film titled uncannily similar to the one which had launched her career: A Light in the Forest (2003).
Carol Lynley retired from the screen in 2006. A highly capable actress who should have made a bigger splash in Hollywood, she passed away on September 3, 2019 in Pacific Palisades, California from a heart attack. She was 77.- Actress
- Camera and Electrical Department
Barbara Parkins is best remembered as an icon of the Sixties who had starring roles in two of the era's more notorious productions, Peyton Place (1964) and Valley of the Dolls (1967). After arriving in Hollywood as a teenager, Parkins soon began appearing on episodic television programs such as Wagon Train (1957) and Perry Mason (1957). She also appeared with George Burns as a dancer in his nightclub act. She was soon offered the pivotal role of "Betty Anderson" in what would become television's first prime-time soap opera, Peyton Place (1964). The show was an immediate success and turned Parkins, along with costars Ryan O'Neal and Mia Farrow into household names. Parkins was nominated for an Emmy Award as Best Actress and stayed with the series for its entire 5 year run. Her popularity was further solidified when, in 1967, she starred in the motion picture Valley of the Dolls (1967), which became a huge box office hit. She became close friends with her "Dolls" costar, Sharon Tate and traveled to London to be her bridesmaid when Tate married director Roman Polanski in 1968. Parkins fell in love with England, UK. After Tate's murder in 1969, Parkins decided to leave Hollywood and took up residence in London. There, she appeared on the BBC and starred in such international productions as Puppet on a Chain (1970), Christina (1974) and Shout at the Devil (1976). Her career, however, was no longer the prime focus of her life. She married in the late 1970's and lived in France for awhile. When her marriage ended, Parkins returned to the United States and gave Hollywood another try. She appeared in popular TV shows of the day, such as The Love Boat (1977), Fantasy Island (1977), and Hotel (1983). She also filmed Bear Island (1979) with Donald Sutherland and Vanessa Redgrave and Breakfast in Paris (1982). Parkins joined other original cast members for a Peyton Place reunion movie, Peyton Place: The Next Generation (1985), in 1985. Her career, however, was once again put on hold when her daughter, Christina Parkins, was born. Parkins has made infrequent appearances since the late 1980's although she did return to weekly television for a brief stint in the CBS-TV series Scene of the Crime (1991) which was filmed in the city she was born, Vancouver. In 1997, Parkins was the guest of honor at a 30th anniversary screening of Valley of the Dolls (1967) in San Francisco. During a question-and-answer segment with columnist Ted Casablanca, she announced to the sold-out audience that she planned to retire. The following year, however, she appeared in Scandalous Me: The Jacqueline Susann Story (1998), based on the life of Valley of the Dolls' controversial author. Whether Parkins will resume her career full- time or really retire is unknown at this time.- Sultry, slinky and slender brunette knockout Anitra Ford was born as Anitra Joy Weinstein in 1942 in California. Anitra began her career in the 60s as a model. She made her film debut in an uncredited small role as a model in "The Love Machine." Ford gave a funny and spirited performance as cheery and sassy free-spirited nymphomaniac actress Terry Rich in Jack Hill's delightful babes-behind-bars romp "The Big Bird Cage." Anitra was likewise excellent and impressive as the alluring Dr. Susan Harris in the fantastic drive-in exploitation classic "Invasion of the Bee Girls." Ford was also memorable as the ill-fated Laura in the offbeat and atmospheric zombie horror shocker "Messiah of Evil." She made a brief, but effective appearance as Burt Reynolds' bitchy rich girlfriend Melissa Gaines in Robert Aldrich's terrific "The Longest Yard." Anitra achieved her greatest enduring popularity as one of host Bob Barker's beauties on the game show "The Price Is Right." Among the TV shows Ford had guest spots on are "Starsky and Hutch," "The Streets of San Francisco," "Baretta," "Mannix," and "The Odd Couple." Anitra called it a day as an actress in the mid 70s and went on to work in real estate. Moreover, Anitra Ford is a published poet, accomplished photographer and successful artist whose work has been displayed in various galleries in Santa Barbara, California.
- Actress
- Soundtrack
Blythe Danner was born in Philadelphia, Pennsylvania, to Katharine (Kile) and Harry Earl Danner, a bank executive. She has German, as well as English and Irish, ancestry. Danner studied acting and got her degree from Bard College and began her career in Boston theater companies. By 25, she won the Theater World Award for her work in Molière's "The Miser", at Lincoln Center. She also won the 1970 Tony award for her role in "Butterflies Are Free". She made her film premiere in the same year in the television production of Dr. Cook's Garden (1971). For 25 years, she has been a regular performer at the Williamstown Summer Theater Festival. She has also been nominated for Tonys for performances in "A Streetcar Named Desire" and "Betrayal". Married to director Bruce Paltrow, she is the mother of two acting children, Gwyneth Paltrow and Jake Paltrow.- Soledad Miranda was a Spanish actress who appeared in many films in the 1960s. Her remarkable beauty and her tragic untimely death make her story the stuff of legend. She was born on July 9, 1943 in Seville, Spain. She started her career when only eight years old as a flamenco dancer and singer. She made her film debut at age sixteen as a dancer. During the following years, the fragile beauty appeared in numerous comedies, dramas, B-movies, and horror films, mostly in Spain (over thirty films altogether from 1960 to 1970). Her biggest break came from legendary director Jess Franco, who cast Soledad in such cult classics as Count Dracula and Vampyros Lesbos. Soledad is generally regarded as Franco's greatest discovery. On August 18, 1970 Soledad was in a car accident on a highway in Portugal. She died hours later, survived by her husband (a former race-car driver) and young son. Shortly before this tragic accident, a German film producer had offered her a contract which would have made her a great star. Soledad was destined to become a legend. Not until the years after her death has she become a cult starlet with fans all over the world now discovering the beautiful, doomed actress.
- Actress
- Producer
- Talent Agent
Catherine Fabienne Deneuve was born October 22, 1943 in Paris, France, to actor parents Renée Simonot and Maurice Dorléac. She made her movie debut in 1957, when she was barely a teenager and continued with small parts in minor films, until Roger Vadim gave her a meatier role in Vice and Virtue (1963). Her breakthrough came with the excellent musical The Umbrellas of Cherbourg (1964), in which she gave an unforgettable performance as a romantic middle-class girl who falls in love with a young soldier but gets imprisoned in a loveless marriage with another man; the director was the gifted Jacques Demy, who also cast Deneuve in the less successful The Young Girls of Rochefort (1967). She then played a schizophrenic killer in Roman Polanski's Repulsion (1965) and a married woman who works as a part-time prostitute every afternoon in Luis Buñuel's masterpiece Belle de Jour (1967). She also worked with Buñuel in Tristana (1970) and gave a great performance for François Truffaut in Mississippi Mermaid (1969), a kind of apotheosis of her "frigid femme fatale" persona. In the seventies she didn't find parts of that caliber, but her magnificent work in Truffaut's The Last Metro (1980) as a stage actress in Nazi-occupied Paris revived her career. She was also very good in the epic drama Indochine (1992), for which she earned her first Academy Award nomination (Best Actress). Although the elegant and always radiant Deneuve has never appeared on stage, she is universally hailed as one of the "grandes dames" of French cinema, joining a list that includes such illustrious talents as Simone Signoret, Jeanne Moreau, Isabelle Huppert, Isabelle Adjani and the younger Juliette Binoche.- Gabrielle Drake was born March 30, 1944 in Lahore, Pakistan. Her father worked in an import/export company or as an engineer and she spent her first 8 years travelling around Burma, India, and the Orient. The family returned to England when Gabrielle was eight years old, after which they moved back near Stratford-upon-Avon. She was educated at Wycombe Abbey School for Girls in High Wycombe. After leaving school, she spent some time in Paris as an au pair girl looking after a family with four children. She then trained for several years at the Royal Academy for Dramatic Arts, then she joined a group of other recently graduated students to form the Everyman Theatre in Liverpool.
Gabrielle stayed at the Everyman for three years and then became the youngest acting member during the reopening season of the famed Malvern Theatre Company. Afterwards she joined the Birmingham Repertory Company and perfected her craft at Manchester's Royal Exchange, the Bristol Old Vic, the New Shakespeare Company and The Young Vic in productions as diverse as "The Cherry Orchard", "Titus Andronicus", "A Phoenix Too Frequent" and "Comedy of Errors".
Gabrielle made her television debut in Intrigue (1966) and then guested in "The Hidden Tiger", an episode of The Avengers (1961). She went on to appear in guest roles on Coronation Street (1960), The Saint (1962), The Champions (1968), Journey to the Unknown (1968), and Virgin of the Secret Service (1968) before landing the role of Lt. Gay Ellis in Gerry Anderson's UFO (1970). Then she made her feature film debut co-starring in Crossplot (1969), and also appeared in Connecting Rooms (1970).
After completing work on UFO, she appeared in a series of sex comedy films such as There's a Girl in My Soup (1970), Suburban Wives (1972), Au Pair Girls (1972) and Commuter Husbands (1972), but was also much seen on television, in particular as Jill Hammond in The Brothers (1972) which made her a household name. - Actress
- Soundtrack
It came as no surprise to film aficionados when, in 1999, Entertainment Weekly named Jill Clayburgh on its list of Hollywood's 25 Greatest Actresses. For decades, she delivered stellar performances in a wide variety of roles.
Jill Clayburgh was born in 1944 in New York City, into a wealthy family, the daughter of Julia Louise (Dorr), an actress and secretary, and Albert Henry Clayburgh, a manufacturing executive. Her father was from a Jewish family that has lived in the United States since the 1700s, and her mother had English ancestry, also with deep American roots. Jill was educated at the finest schools, including the Brearley School and Sarah Lawrence College. It was while at Sarah Lawrence that she decided on a career in acting, and joined the famous Charles Street Repetory Theater in Boston. She moved to New York in the late 1960s and had featured roles in a number of Broadway productions, including "The Rothschilds" and "Pippin". She began her career in films in 1970 and got her first major role in Portnoy's Complaint (1972) in 1972. In 1978, she rose to screen prominence with her performance in An Unmarried Woman (1978), for which she received an Oscar nomination. She was again nominated for the Academy Award in 1979 for her role in Starting Over (1979). But after giving a riveting portrayal as a Valium addict in I'm Dancing as Fast as I Can (1982), her career went into a rapid decline, mainly because of her poor choices of scripts. She seemed destined for a comeback after appearing in Where Are the Children? (1985), with multi-talented child actress Elisabeth Harnois, but her excellent performance was largely ignored by critics, who opted to give the credit for the thriller's success to the performance of the precocious, six year old Harnois.
After the late 1980s, Jill worked mainly in television and low-budget films, and also had a leading role in the drama Never Again (2001), with Jeffrey Tambor.
Jill was married to playwright David Rabe, with whom she had two children, including actress Lily Rabe.
Jill Clayburgh died of chronic lymphocytic leukemia on November 5, 2010, in Salisbury, Connecticut.- Actress
- Director
- Producer
Sondra Locke was born May 28, 1944 as Sandra Louise Smith, in Shelbyville, Tennessee, a quiet little town about 60 miles southeast of Nashville. She was the daughter of Raymond Smith, a military man stationed at nearby Tullahoma, and Pauline Bayne. Smith departed the scene before Sondra's birth. In 1945, her mother wed William B. Elkins, and together they had a son, Donald, on April 26, 1946. The short union ended in divorce. In 1948, Bayne remarried. Alfred Locke bestowed his surname on Pauline's children and raised them as his own. Sondra's stepfather was a carpenter; her mother worked in a pencil factory. For the smart, fanciful Locke, "My childhood felt as if I had been dropped off at an extended summer camp from which I was waiting to be picked up." The bright girl loved to read, which puzzled her simple mother, who was always pushing her to spend more time outside. Sondra's happiest moments occurred on weekend visits to the local movie theater.
Locke was a cheerleader in junior high and graduated valedictorian of Shelbyville Mills' 1957-1958 eighth grade class. At Shelbyville Central High School, the "classroom was the one place where I felt like I had a chance to prove myself and I continued to excel. I felt safe there and I liked it." Her best friend was classmate Gordon Anderson, the son of a teacher, whose family had relocated to the area from Arkansas around 1953. He was a fey young man, who shared many of Sondra's fanciful hopes about the future and was her collaborator in devising harmless ways to make their lives in Shelbyville more magical. One of the duo's frequent activities was making home movies with Gordon's Super 8 camera.
When Gordon attended Middle Tennessee State University (in Murfreesboro, about 30 miles from Nashville) in 1962, Sondra enrolled there too. Upon completing freshman year, Sondra had a blowup with her mother, left home, and did not return to college. Instead, she worked in Nashville as a promotions assistant for WSM-TV, with occasional modeling and voiceover work. While in Nashville, Locke began acting in community theater as a member of Circle Players Inc. Along the way she dated George Crook, a cameraman from WSM, and Brad Crandall, head of the station's public relations department. She also enjoyed a romance with law student Gary Gober, whom she had been in plays with. Meanwhile, Gordon revealed to her that he was homosexual. He went off to Manhattan to study acting and, for a while, had a lover there. Anderson was talented but unfocused about his theater craft and eventually returned to Tennessee. Because of Locke's spiritual kinship with Anderson, she and Gordon decided to wed. The mixed-orientation couple were married at First Presbyterian Church in Nashville on September 25, 1967. (Reputedly, the marriage was never consummated.)
If Gordon was unable to launch his own acting career, he had no such problems igniting Sondra's. Months before their wedding, he learned that Warner Bros. was holding a nationwide search for a young actress to play a key role in the screen adaptation of Carson McCullers' novel The Heart Is a Lonely Hunter (1968). Anderson helped Locke research the part of Mick, a teenage waif in a southern town who befriends a suicidal deaf-mute (Alan Arkin) boarding at the house where she lives. For the audition, in Birmingham, Alabama, Gordon bleached her eyebrows, bound her bosom and carefully fixed her hair, makeup and outfit so that she would instantly impress casting agents. The ploy succeeded, and, after several callbacks, Locke -- who lied about her age to seem younger -- was hired. The movie was released in the summer of 1968 and earned respectful reviews from critics, although many filmgoers found the picture too arty. Sondra was Oscar-nominated for her sensitive portrayal.
Next, Sondra moved to Los Angeles, with Gordon in tow. She hoped to parlay her Academy Award nomination into further movie assignments. The big-eyed, wiry bottle blonde found it difficult to win choice roles, making her accept lesser projects, the most famous of which was Willard (1971), a film about marauding rats. Cover Me Babe (1970), A Reflection of Fear (1972) and The Second Coming of Suzanne (1974) faded into cinematic obscurity. In the lattermost, Locke played a Christ figure and had torrid love scenes with Paul Sand. Episodic television provided steadier acting opportunities: the anthology program Night Gallery (1969) and dramatic series including The F.B.I. (1965), Cannon (1971), Kung Fu (1972) and Barnaby Jones (1973). Thanks in part to the limited media of the time, she was able to maintain the ruse of younger age, which no doubt extended her shelf-life amid professional lulls. It was in 1972 that she first met rising kingpin Clint Eastwood when he was preparing to direct his second feature film, Breezy (1973). For the title role, Locke was passed over in favor of nine-years-younger Kay Lenz.
For half of the 1970s, the Andersons resided at West Hollywood's Andalusia condominium complex whilst seeing other people. For a time, Sondra was involved with Bruce Davison, her co-star from Willard (1971). While working on the teleplay Gondola (1974), she gained a new boyfriend, sandy-haired actor Bo Hopkins. He was once divorced and shared her penchant for falsifying birthdates. In the spring of 1974, she visited the set of Hopkins' current project, The Killer Elite (1975), and networked with composer Jerry Fielding, who was about to score a new Western showcase for Clint Eastwood. The Outlaw Josey Wales (1976) had a role that Locke thought could revitalize her career. This time, Eastwood was responsive and hired the 31-year-old to play his romantic interest. In early October 1975, the complementary pair fell hard for each other on location in Page, Arizona. "We were almost living together from the very first days of the film," Locke remembered. Besotted Clint confided he'd never been in love before and wrote a poem for his new mate: "She made me monogamous." This serially philandering megastar was 14 years her senior and a foot taller than she.
The Outlaw Josey Wales (1976) was indeed a hit, with Sondra sparking a flurry of interest among male viewers as virtually nonspeaking eye candy. Yet she stopped pursuing film roles on her own initiative to assume wifely duties, appearing on the big screen exclusively in Eastwood-controlled projects thereon. The sole exception to this was The Shadow of Chikara (1977), an Arkansas-lensed Western with burly Joe Don Baker. (The home invasion thriller Death Game (1977), though released after Locke and Eastwood became an item, was actually shot in 1974.) "Clint wanted me to work only with him," she said. "He didn't like the idea of me being away from him."
Over the next few years, Locke had two abortions from her relationship with Eastwood. In 1979, she underwent a tubal ligation at UCLA to prevent further pregnancies. She and Clint settled into a $1.12 million, seven-bedroom Spanish-style Bel-Air mansion originally built in 1931, which she spent months renovating and decorating, and which she believed would be hers for life. She continued to spend platonic time with Gordon, whom she never divorced, nurtured by their spiritual relationship. Gordon moved in and out of gay relationships, and sometimes he and a boyfriend would socialize with Clint and Sondra. As for the professional side of things, Locke and Eastwood reteamed for his action opus The Gauntlet (1977), slapstick adventure-comedy Every Which Way But Loose (1978), its sequel Any Which Way You Can (1980), the quirky satire Bronco Billy (1980) and the fourth, darkest, most ambitious "Dirty Harry" vehicle, Sudden Impact (1983). All were stellar box office performers and cemented the twosome as filmdom's most visible couple.
During this period, Sondra took a few TV roles when Clint was starring in a movie that had no part for her to play (such as Escape from Alcatraz (1979) or Firefox (1982)). The first time she worked apart from him for any length of time since The Shadow of Chikara (1977) in 1976 was Rosie: The Rosemary Clooney Story (1982). (Rosemary Clooney personally asked Locke to star in the CBS biopic on the strength of her performance in Bronco Billy (1980).) She later made an appearance on Britain's Tales of the Unexpected (1979) series. For the most part, however, she found herself sitting on the sidelines waiting for Eastwood to cast her in something.
By the mid-1980s, Sondra, over 40 but still refusing to admit it, was acutely aware that in Hollywood terms her leading lady days were just about finished. She had long been interested in film directing and had observed carefully how Eastwood and others directed the pictures she was in. With his blessing, she found a property that intrigued her and that his Malpaso production company would package, and developed it into a project for Warner Bros. She made Ratboy (1986), but despite good reviews, the film received scant distribution. In retrospect, Locke concluded that her exertion of authority over the project caused her longtime paramour to turn away from her, to find someone who was more compliant. (In an unpublicized affair with stewardess Jacelyn Reeves, Eastwood sired two legally fatherless children born in 1986 and 1988, in Monterey -- an "evil betrayal" Locke was unaware of.)
The showdown between Sondra and Clint occurred on December 29, 1988 at their mountain hideaway in Sun Valley, Idaho. After an unpleasant screaming match, Eastwood suggested Locke go back to Los Angeles. She sensed their relationship had passed a point of reconciliation, a fact confirmed when she scarcely saw Eastwood in subsequent months and when industry friends they knew in common shunned her. As she admitted later, "In my head I guess I knew it was over, but in my heart Clint and I were still not severed." On April 10, 1989, while she was directing a demanding sequence in a new police procedural, Impulse (1990), Eastwood had the locks changed on their house in Bel-Air. He also ordered her possessions to be boxed and put in storage. A letter addressed to "Mrs. Gordon Anderson," imperatively telling her not to come home, was delivered to her lawful husband's doorstep. When Gordon telephoned Sondra on the set and read her the letter, she fainted dead away in front of the cast and crew.
On April 26, 1989, Sondra filed a palimony lawsuit against her domestic partner of 14 years. Her "brazenness" in taking on the powerful Eastwood amazed and shocked Tinseltown and titillated the public. Her action sought unspecified damages and an equal division of the property she and Eastwood had acquired during their relationship. Locke asked for title to the Bel-Air home they had shared and to the Crescent Heights (West Hollywood) place Eastwood had purchased in 1982 (in which Gordon lived). The closed hearing was held on May 31, 1989, before a private judge. Before any court decision could be made, a private settlement was reached between the parties. Locke received $450,000, the Crescent Heights property, and a $1.5 million multiyear development-directing pact at Warner Bros. In return, she dropped her suit. By then, the fall of 1990, she was happy to end the hassle. (In the past months she had been diagnosed with cancer, undergone a double mastectomy, and endured chemotherapy.)
For the next three years Locke submitted over 30 projects to Warner Bros., but none received a green light to move ahead. Moreover, the studio refused to assign her to direct any of their in-house projects. In the mid-1990s, Sondra discovered evidence that Eastwood had arranged to reimburse Warner Bros. for her three-year studio contract -- a matter that he had never mentioned to her. It became obvious that the studio's negative professional attitude toward her had little or nothing to do with her directing or project-finding abilities. On June 5, 1995, Locke sued Eastwood again, alleging fraud and breach of fiduciary duty. She claimed that Clint's behind-the-scene actions had sent a message "to the film industry and the world at large ... that Locke was not to be taken seriously." (According to Sondra's lawyer, the situation was Clint's "way of terminating the earlier palimony suit.")
While Locke's case was revving up at the Burbank Courthouse, Eastwood begged her to settle. On September 24, 1996 -- the morning jurors were set to begin a second day of deliberation -- Sondra announced her decision to drop her suit against Clint for an undisclosed monetary reward. One contingency was laid down: she would not reveal the settlement amount. The jubilant plaintiff said, "This was never about money. It was about my fighting for my professional rights." According to the victor, "I didn't enjoy it. But sometimes you have to do things you don't enjoy." Locke added, "In this business, people get so accustomed to being abused, they just accept the abuse and say, 'Well, that's just the way it is.' Well, it isn't."
But Locke was not finished. She had a pending action against Warner Bros. for allegedly harming her career by agreeing to the sham movie-directing deal that Eastwood had purportedly engineered. On May 24, 1999, just as jury selection was beginning (and four days before Locke turned 55), the studio reached an out-of-court settlement with Sondra.
In the decade following her courtroom saga, Sondra did not direct another movie. She did make a brief return to acting with cameo roles in back-to-back low-budget independent features, The Prophet's Game (2000) and Clean and Narrow (2000), both of which failed to secure a theatrical release. In 2001, she sold her home in the Hollywood Hills and moved to another part of L.A. After interim flings with producer Hawk Koch and John F. Kennedy's nephew Robert Shriver, she had a live-in relationship with one of the physicians who had treated her during her cancer siege. Dr. Scott Cunneen, described by Locke as "Herculean," was 17 years her junior, his mother only three years older than Sondra. She eventually split up with him.
In 2016, preceded by a protracted absence from the public eye, trade press reported that Locke would come out of retirement to co-star in Alan Rudolph's Ray Meets Helen (2017) opposite Keith Carradine. The film was booked for a limited run in spring 2018. No longer able to hide her true year of birth in the post-internet era, Sondra was playing a romantic lead at the unheard of age of 74.
Locke died on November 3, 2018, of cardiac arrest stemming from metastatic breast cancer. It was not publicized until mid-December. The mysterious six-week delay raised a lot of eyebrows, especially since the belated news leaked opening day of the latest Eastwood blockbuster, The Mule (2018). According to a death certificate obtained by the media, her cancer had returned in 2015 and spread to her bones. Locke's remains were cremated at Westwood (Village) Mortuary and the ashes entrusted to her husband of 51 years. Rosanna Arquette, Frances Fisher and Evan Rachel Wood were among the celebrities who paid tribute. Despite the acrimony that followed the collapse of her famous relationship, Locke will be long remembered for her prominent roles in some of Eastwood's most popular works -- and perhaps dichotomously, as a pioneer for the rights of independent working women.- Actress
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Michelle Phillips first became known as a member of the pop group The Mamas and the Papas. She sang the Mamas and Papas song "Dedicated To The One I Love" on a 1987 episode of Knots Landing (1979) in her role as Anne Matheson. She is the mother of singer Chynna Phillips and actor Austin Hines. Michelle's longest relationship was the 18 years she spent with Dr. Steven Zax, until his death in 2017.- After a youthful career in the New York City Ballet under the guidance of the famed dance-master George Balanchine, Elaine Giftos starred on Broadway, before moving to Hollywood to act in movies and on TV. She has co-starred with Barbra Streisand and Jack Nicholson, with Woody Allen and Gene Wilder, and with Burt Reynolds, among other major stars, in motion pictures. She has starred in over fifty TV series, such as Emmy-winners Ally McBeal (1997), Magnum, P.I. (1980), Murder, She Wrote (1984), Three's Company (1976), and the sci-fi cult hit War of the Worlds (1988), as well as starring in many award-winning movies for television. She stars with Edward Asner and Majel Barrett in the first original made-for-the-Net Science Fiction cyberseries, Mars and Beyond (2000), on the Cyber Sci-Fi Network.
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Marta Kristen was born Birgit Annalisa Rusanen, on February 26, 1945, in Oslo, Norway, to a Finnish mother and a German soldier who was killed towards the end of World War II in Europe. Marta was only two months old when she was left in an orphanage. In 1949, Dr. and Mrs. Harold Soderquist of Detroit, Michigan adopted her, and brought her to America; she was renamed Martha Soderquist.
In 1959, the family moved to L.A. and she attended Santa Monica High School for a year; she later graduated from Hollywood Professional School. Producer/director James B. Harris discovered the pretty, petite aspiring actress; he arranged for her to get an agent, and she was quickly booked for TV programs, such as Alfred Hitchcock Presents (1955) and The Loretta Young Show (1953) (aka "The New Loretta Young Show"). In 1963, Marta met a graduate student and, 6 months later, they got married. Her career took off and she made a splash as the mermaid "Lorelei" in Beach Blanket Bingo (1965). She would be best-known and remembered, however, for her signature role of "Judy Robinson" in Lost in Space (1965). However, the show was not as great as expected. Marta later said in an interview, "The show had so much promise. When it started to be silly, we all began to look at each other and say, 'We're in an episode with talking vegetables?' Five years of the Actors Studio, and I'm doing this?" Even worse, the show did not feature her prominently -- in the most popular episode, The Sky Pirate (1966), in which actor Albert Salmi (like Marta, of Finnish descent) guest-starred, she had only one word of dialogue (she gets to say "good-bye" to the pirate).
Offscreen, Marta tried to find her roots, but it was not until 1969, pregnant with her first child and traveling alone through Europe looking for her long-lost relatives, that Marta was able to find her biological mother in Finland; she also met her older sister for the first time, whom she didn't know about. Later that year, Marta returned to the USA, and her daughter Laura was born. Marta concentrated on raising her daughter, and instead of doing television or films, she appeared in over 40 TV commercials, which required less time away from home. Marta and her first husband divorced in 1973. In 1974, she met Kevin Kane, an attorney; they were married until his death in 2016.
Marta has remained moderately active in TV and movies, even appearing in the big screen version of Lost in Space (1998). And she discovered more family members in 1997, half-siblings -- a younger brother in Australia and a sister in Finland -- about whom she had known nothing.
Having always put her family ahead of her career, Marta revealed, in an interview, that she was "co-parenting my daughter's child, Lena. I used to do a lot of theater and traveled a lot. But those things are out of the picture for the next couple of years".- Gretchen Corbett was born on 13 August 1945 in Portland, Oregon, USA. She is an actress, known for The Rockford Files (1974), Pig (2021) and Otherworld (1985).
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Elaine Joyce was the lead in the Broadway musical "Sugar" from 1972 to closing with Tony Roberts and Robert Morse. A mainstay on TV game shows in the early 1970s, often appearing with her first husband, Bobby Van.
The marriage of Bobby and Elaine ran a difficult course - an announcement was made On October 30, 1967 (Daily News, Oct. 30, 1967) that they had wed, but they had not. Then in November, a blurb in a Hollywood column (The El Dorado Times, Nov 29, 1967) stated that Bobby said he and Joyce planned to marry on December 2, 1967, but her brother, Frank Pinchot had chosen that date to marry his wife, so they would choose another date). In February of 1968, it was announced they would marry in Los Angeles on March 21. Bobby and Elaine were married in Las Vegas on May 1, 1968 (Clark County marriage license and New Castle News, Pennsylvania, May 13, 1968).
One week later, Van filed for an annulment (Los Angeles Times, May 7, 1968 and Independent Long Beach, May 7, 1968) stating "fraud, non-consummation and that the "24 year old actress told him she wanted to have children but this was only to induce him into marriage". An article states that Bobby said that Elaine felt "so unhappy and insecure (about marrying), that it's the only way." (New Castle News, Pennsylvania, May 13, 1968) (She would later state on Tattletales that she "tried to run away"). There is a preliminary divorce filed in 1968 for Elaine Joyce and Bobby Van in the CA Divorce index. Elaine is listed as Elaine J Pinchot, year of birth 1943. It appears that it was never finalized, and they went on to have a 12 year marriage.
Married John Levoff in 1985. They divorced in 1992.
In 1999, she married playwright Neil Simon until his death in 2018.
Has two children: Taylor Joyce Van (with Bobby Van, 1967) and Michael Francis Levoff (with John Levoff) in 1986.- Katia Christine was born in 1946 in Netherlands. She is an actress, known for Spirits of the Dead (1968), The Adventurers (1970) and CHiPs (1977).
- A former au pair and model, Jytte Stensgaard emigrated to the UK in 1963, hoping to have a successful international film career. Changing her name to the slightly easier to pronounce "Yutte" Stensgaard she ironically didn't make her debut in a British film, but in the Italian movie The Girl with a Pistol (1968) (Girl with a Pistol) which did have some British backing. She then went on to appear in various British movies, mainly of the comedy or horror genre, most famously the lead role in Lust for a Vampire (1971), as well as several television guest roles.
She also got a six-month stint hosting a game show with British king of comedy, Bob Monkhouse. After struggling with myopic casting directors, who could not see the beauty and budding talent before them and were happier to just keep casting more established but less beautiful women, Yutte finally gave up and emigrated to the USA in the mid-seventies and took up a job selling air time for a Christian radio station in Oregon.
Understandably reluctant to make appearances at horror conventions when British film publicists finally started to notice her when it was too late, she did relent and start appearing at a select few in the late 1990s, giving the non-fickle amongst her fans a chance to see her unique radiance once more.
An inimitable beauty the likes of which has never been seen since, Yutte Stensgaard was possibly the biggest loss to movies since that of Sharon Tate. - Actress
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Entrancing, gorgeous Lesley Ann Warren started gearing towards a life in show business right off the bat as a young ballerina who trained at the School of American Ballet at the age of 14. Little did she know that Hollywood stardom would arrive on her doorstep in the form of a "Cinderella" story.
The New York-born actress (August 16, 1946) is the daughter of a night club singer, Margot Warren (née Verblow), and real estate agent, William Warren. Her mother had earlier given up her own entertainment career for marriage and family. Growing up, Lesley attended the Professional Children's School at the age of 6 and High School of Music & Art as a young teenager. At age 17, she studied under Lee Strasberg at his Actors Studio, the youngest student to ever be accepted at the time.
Looking for on-camera work, the teenager appeared unbilled as Shelley Winters's young daughter in the melodrama The Chapman Report (1962) and was given a bit in the daytime TV show "The Doctors." The slender, young hopeful gathered early musical stage experience in such shows as "Bye Bye Birdie" (as swooning teen Kim McAfee), then made an auspicious Broadway debut in "110 in the Shade", the 1963 musical version of "The Rainmaker," and won Broadway's "Most Promising Newcomer" Award. She subsequently received the Theatre World Award for her lead work as a "cat burglar" opposite Elliott Gould in the very short-lived (8 performances) musical "Drat! The Cat!" in 1965.
The attention Lesley received from this brief stage venture, however, led to her capturing the beguiling title role in the Richard Rodgers/Oscar Hammerstein II TV musical production of Cinderella (1965) with Stuart Damon as her Prince and a glittering, all-star cast in support. The Walt Disney people immediate signed the exquisite "Cinderella" to a fresh-faced ingénue contract. Co-starring in the moderately-received musical showcases The Happiest Millionaire (1967) and The One and Only, Genuine, Original Family Band (1968), Lesley became convinced that she needed to quickly nip the saccharine stereotype in the bud if she was to grow and sustain as an adult actress.
Rebelling against her studio-imposed image, Lesley left Disney determined to pursue roles with more depth, drama and character. Changing her name temporarily to "Lesley Warren" to reinforce her more mature goal, she was hired in 1970 to replace Barbara Bain in the long-running espionage series Mission: Impossible (1966) when Bain left over contractual issues. Audiences were quite cool in their reception to the "new and improved" Lesley and didn't buy her as a femme-fatale replacement for the cool and aloof Ms. Bain.
After only one season, Lesley realized her mission to grow was impossible (in spite of an encouraging Golden Globe nomination) and left the show, seeking greener pastures in the TV mini-movie market. She displayed a wide range of vulnerable neurotics as well as sexier ladies that began to alter her pristine image. Such 1970s material included the plane crash adventure Seven in Darkness (1969) as one of several blind survivors; the love drama Love Hate Love (1971) co-starring Ryan O'Neal; a failed pilot in the title role of Cat Ballou (1971); a mild western as one of The Daughters of Joshua Cabe (1972); the exotic "silent star" biopic The Legend of Valentino (1975); the rags-to-riches story Harold Robbins' 79 Park Avenue (1977), for which she won a Golden Globe award; the epic WWII story Pearl (1978); and the social melodramas Betrayal (1978) and Portrait of a Stripper (1979). Lesley also impressed with her starring roles in the Civil War miniseries Beulah Land (1980) and as a Polish-Jewish immigrant in Evergreen (1985). On stage, she ambitiously attempted to recreate Scarlett O'Hara opposite Pernell Roberts's Rhett Butler in a 1973 Broadway-bound musical version of "Gone with the Wind: The Musical." The show quickly died on the West Coast before ever reaching New York.
In the early 1980s, Lesley's movie career resurrected itself with a priceless performance as kingpin James Garner's whiny-voiced, peroxide-blonde spitfire Norma Cassidy in the slapstick musical Victor/Victoria (1982). Earning both Oscar and Golden Globe nominations, this delightful, scene-stealing turn was followed by a couple of other quality offbeat films that were directed by Alan Rudolph -- Choose Me (1984) and Songwriter (1984). Warren went on to receive a Golden Globe nomination supporting Willie Nelson and Kris Kristofferson in the former, and a People's Choice Award for the latter. She continued to attempt to spread her wings as a worldly "cougar" type opposite young blond and boyish Christopher Atkins in the critically-panned drama A Night in Heaven (1983). She also played Miss Scarlet in the movie version of the board game Clue (1985).
Award-worthy TV roles for Lesley with a Golden Globe performance as a successful madam in the miniseries Harold Robbins' 79 Park Avenue (1977). She also received Emmy and Golden Globe noms as the conflicted wife of a naval officer turned Russian double agent (Powers Boothe) in Family of Spies (1990), as well as for her Cable Ace nom for her work as a barmaid who aspires to be a country-western singer in Baja Oklahoma (1988). In 1997, she returned to Broadway with the musical revue "Dream" co-starring Margaret Whiting, which focused on classic "Golden Age" standards.
Entering her sixth decade of acting, Lesley remains highly active well into the millennium with often high-maintenance roles in such films as the Losing Grace (2001), Secretary (2002), My Tiny Universe (2004), When Do We Eat? (2005), The Shore (2006), Stiffs (2010), I Am Michael (2015), The Sphere and the Labyrinth (2015) and 3 Days with Dad (2019). Among her later TV credits are "Touched by an Angel," "The Practice," "Less Than Perfect," "American Princess," and a recurring role as an overly dependent mom named Jinx in the mystery crime series In Plain Sight (2008). Her dim, riotous Norma Cassady role had TV often pitching her as a scatter-brained comedienne, as in her recurring TV guest parts on Will & Grace (1998) and Desperate Housewives (2004).
Lesley has a son, actor/producer Christopher Peters, from her 1967-'73 marriage to makeup artist/hair stylist-cum-film producer Jon Peters. Since 2000, she has been married to advertising exec and sometime actor Ron Taft, a former vice-president at Columbia.- Actress
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Sally Margaret Field was born November 6, 1946 in Pasadena, California, to actress Margaret Field (née Morlan) and salesman Richard Dryden Field. Her parents divorced in 1950 and her mother then married stuntman Jock Mahoney, and they had a daughter, Princess O'Mahoney. She also has a brother, Richard Field. Sally attended Birmingham High School in Van Nuys, California.
Her acting career began in 1965, when she landed the role of Frances Elizabeth 'Gidget' Lawrence in Gidget (1965); it was canceled after only one season because of bad ratings. She went on to star in The Flying Nun (1967), which ran for three seasons. She also appeared in her first film in 1967, The Way West (1967) opposite Kirk Douglas. In the next few years she appeared in numerous TV movies and TV shows such as Maybe I'll Come Home in the Spring (1971), Marriage: Year One (1971), The Girl with Something Extra (1973), and Sybil (1976). In 1977 she starred alongside then-boyfriend Burt Reynolds in the box office hit Smokey and the Bandit (1977), which led to a less successful sequel in 1980. In 1979 she starred in the popular film Norma Rae (1979) and she received her first Oscar for that role.
In the years that followed she starred in films such as Absence of Malice (1981), Kiss Me Goodbye (1982), Places in the Heart (1984) (she received her second Oscar for her role), Murphy's Romance (1985), Punchline (1988) and Steel Magnolias (1989). In 1993 she starred alongside Robin Williams and Pierce Brosnan in the popular comedy Mrs. Doubtfire (1993). A year after, she played the role of Tom Hanks character's mother (even though she's only ten years older than he is in real life) in Forrest Gump (1994). The film was a huge commercial success and won six Academy awards.
Since then she has appeared in TV movies and miniseries such as A Woman of Independent Means (1995), Merry Christmas, George Bailey (1997), From the Earth to the Moon (1998) and David Copperfield (2000). In 2000 she appeared in the film Where the Heart Is (2000) with Natalie Portman and Ashley Judd, and in 2003 she starred alongside Reese Witherspoon in Legally Blonde 2: Red, White & Blonde (2003). She also appeared in 12 episodes of ER (1994) from 2000 to 2006. From 2006 to 2011, she played the role of matriarch Nora Walker in the hit television show Brothers & Sisters (2006), which earned her an Emmy Award for Outstanding Lead Actress in a Drama Series. Getting back into film, she earned her third Oscar nomination for Lincoln (2012) and played Aunt May in The Amazing Spider-Man (2012) and its blockbuster sequel.
Sally has been married twice, first to Steven Craig from 1968 to 1973. They had two sons together, Peter Craig and Eli Craig. Her second marriage was to film producer Alan Greisman from 1984 to 1994. They had one son together, Samuel Greisman. Between marriages, from 1976 to 1980, she was in a relationship with Burt Reynolds.- Chris Jordan was a pretty, vibrant and engaging blonde actress who greatly enlivened a handful of 70's soft-core movies and hardcore X-rated pictures alike with her sweetly attractive looks, winningly perky personality, and infectiously boundless upbeat energy. A gifted comedienne, Jordan began acting in experimental theater in the early 70's and started her film career by appearing in graphic porn loops with her onetime husband and frequent co-star Eric Edwards. Chris made an especially strong and favorable impression with her always bright and impressive performances in several excellent adult movies for acclaimed writer/director Joe Sarno: she's absolutely adorable as daffy genie Amara in the amusingly broad "A Touch of Genie," disarmingly nutty as the wacky, lascivious, constantly eating sugar addict Anna in "Confessions of a Young American Housewife," positively hysterical as whiny white trash slut Louise in "The Switch or How to Alter Your Ego," and very touching as the feisty, friendly, but forlorn and unfulfilled Alice Anne in "Abigail Lesley Is Back in Town." She often acted in films with popular adult feature actresses Jennifer Welles and Rebecca Brooke. In addition, Chris was in several TV commercials as well. Alas, Chris Jordan tragically died of cancer at a fairly young age in 1990.
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Jane Birkin was born on 14 December 1946 in London, England, UK. She was an actress and director, known for Evil Under the Sun (1982), Blow-Up (1966) and Death on the Nile (1978). She was married to John Barry. She died on 16 July 2023 in Paris, France.- Richmond Baier is known for The Groove Tube (1974).
- Suzan Cameron is known for Anti-Clock (1979), Whose Child Am I? (1976) and Shoulder to Shoulder (1974).
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Strikingly beautiful and fiery blonde Tiffany Bolling may not have achieved the long-lasting stardom she deserved, but she nonetheless has remained a much-beloved cult favorite of 1970s B-movie buffs for her lively and impressive performances in a handful of enjoyably trashy drive-in flicks. Born in Santa Monica, California, as Tiffany Royce Kral, Bolling basically had show business in her blood: her father was singer/pianist Roy Kral and her mother was singer/comedienne Bettie Miller.
Tiffany attended Webster elementary school in Malibu. She began singing in coffee houses at age 16 and recorded an album for Canyon Records, scoring a minor hit single with the Vietnam protest song "Thank God the War is Over". Bolling's latter album "Tiffany" was a flop in its day, but has since become a much sought after collector's item.
She found greater success as an actress. She made her film debut at age 20 in an uncredited bit part as a cocktail waitress in the Frank Sinatra private eye picture Tony Rome (1967). More prominent parts in Triangle (1970) and The Marriage of a Young Stockbroker (1971) cemented her status as a most promising new talent. She did a nude pictorial for the April 1972 issue of "Playboy" magazine. Bolling secured her place as a bona-fide B-movie queen with a bunch of juicy starring parts: she's a sneaky, manipulative con artist femme fatale supreme in Bonnie's Kids (1972), a hotel lounge singer who's stalked by a crazed psycho in Wicked, Wicked (1973), the ruthless ringleader of a trio of desperate kidnappers in the terrific The Candy Snatchers (1973) and a stewardess who gets terrorized by deranged psychopath Andrew Prine in the splendidly sleazy The Centerfold Girls (1974). Bolling gave another fine performance as a gutsy entomologist in the hugely entertaining killer tarantula epic Kingdom of the Spiders (1977).
On television Bolling was a regular cast member of the short-lived TV series The New People (1969), which was a precursor to Lost (2004). Among the many TV programs Tiffany did guest spots on were High Mountain Rangers (1987), The Life and Times of Grizzly Adams (1977), Vega$ (1978), Mod Squad (1968), Bonanza (1959), Mannix (1967), Man from Atlantis (1977), Barnaby Jones (1973), Charlie's Angels (1976), Electra Woman and Dyna Girl (1976) and The Sixth Sense (1972). Alas, Bolling's career petered out in the 1980s, as such lackluster movies as The Vals (1983), Love Scenes (1984) and Open House (1992) all grimly confirm. Her last movie to date is Visions (1998). More recently Bolling has worked in both stage and film productions behind the scenes. She also teaches and dedicates herself to various humanitarian causes. Moreover, her daughter Seanie sang back-up vocals on the 1990 debut album of the Christian heavy metal band Holy Soldier.- Andrea Howard was born on 10 February 1947 in the USA. She is an actress, known for The Nude Bomb (1980), Summer School (1987) and Pink Motel (1982).
- Agostina Belli was born on 13 April 1947 in Milan, Lombardy, Italy. She is an actress, known for Scent of a Woman (1974), The Career of a Chambermaid (1976) and Double Murder (1977).
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Prime-Time Emmy-nominated actress Lee Purcell produces, directs and performs in Two Fat Dogs Entertainment's (co-owned by Lee and her producing partner) anthology series of classic radio plays starring today's Hollywood Radio Players in these innovative virtual shows, Radio You Can See.
Lee is the recipient of two Prime-Time Emmy nominations, the first being for LONG ROAD HOME starring opposite Mark Harmon, the second for SECRET SINS OF THE FATHERS starring opposite Beau Bridges.
She was also seen in the film CAROL OF THE BELLS with RJ Mitte, JL RANCH with Jon Voight, KIDS VS. MONSTERS with Malcolm McDowell and LOVE AT FIRST GLANCE with Amy Smart.
In her extensive career, this acclaimed actress has earned numerous film, television and stage credits, including her role as "Louise St. Laurent" on the international TV series favorite DUE SOUTH and as the sultry step-mom in the iconic film VALLEY GIRL with Nicholas Cage. Lee was also seen as "Eleanor Sullivan" in the NBC-TV Prime-Time series PERSONS UNKNOWN with Chadwick Boseman, created by Oscar winner Christopher McQuarrie. Fans around the world also frequently reach out to Lee for her role as "Peggy" in the cult favorite film BIG WEDNESDAY.
As a young actress, Lee's film career began when she was personally selected and mentored by legendary movie star Steve McQueen to star in McQueen's Solar Productions' film ADAM AT 6 A.M. opposite Michael Douglas. She will always be grateful to McQueen for his casting and mentoring her and cherishes the time spent with him.
At only three years old, Lee was chosen by the iconic Neiman Marcus flagship store in Dallas to be a child model and began modeling professionally. She later modeled in Los Angeles for the Nina Blanchard Agency and in London for Lumley's Agency.
As a dancer, Lee was performing in a traveling troupe by the age of 13, and later danced in such films as ALMOST SUMMER and television shows such as McGYVER.
As a producer, Lee also co-owned a niche market video production company, which won the Silver Medal in the New York Film and TV Festival. After the sale of the video company, Lee focused on the production and financing of independent features, and the creation of film, TV and theatre projects.
Lee has been active in directing and producing live theatre. She was co-producer, co-director and performer of a critically acclaimed troupe of well-known actors and musicians who performed Western Heritage literature and music from the 1800's. Many noted guest artists, including the late Sam Shepard, performed with the Green River Players.
Having the unique background of being an American who trained and lived in London, Lee has returned to Europe many times to direct, perform and teach. She has enjoyed directing and performing there in such plays as LOVE LETTERS, BLITHE SPIRIT, RICHARD III, MACBETH and others.
Lee is a voting member of the Academy of Motion Picture Arts and Sciences (OSCARS) and has served on various committees there. She is also a voting member of The Academy of Television Arts and Sciences (EMMYS) and currently serves on its Performers Peer Group Executive Committee.
She is also a dedicated activist for SAG-AFTRA members, serving and chairing many committees at the union and has been elected to several leadership positions.
Lee has been involved with many charitable organizations throughout her career, and some of her charity work includes the Motion Picture and Television Fund, Heart of a Horse, Veterans Entertainment Team, Big Brothers, Special Olympics, and Paralyzed Veterans of America.
She was born on the Cherrypoint Marine Base in North Carolina to Major Frank Williams and Olivia McKnight Williams.- Domini Blythe was born on 28 August 1947 in Cheshire, England, UK. She was an actress, known for The Trotsky (2009), Formula I (1988) and Search for Tomorrow (1951). She was married to Jean Beaudin. She died on 15 December 2010 in Montreal, Quebec, Canada.
- Pretty, spunky, and talented blonde Linda Haynes was born on November 4, 1947 in Florida. Haynes made her film debut as Dr. Anne Barton in the silly Japanse sci-fi monster flick Latitude Zero (1969). Linda was excellent as brassy prostitute Meg in Jack Hill's terrifically trashy blaxploitation cult favorite Coffy (1973) and was likewise fine as small-time L.A. mobster Jason Miller's girlfriend Sarah in the downbeat crime drama The Nickel Ride (1974). Haynes gave her best, most gritty, and impressive performance to date as tough and world-weary barmaid and war hero groupie Linda Forchet, who befriends traumatized Vietnam veteran William Devane in the outstanding revenge thriller winner Rolling Thunder (1977). Linda had her sole starring role as country singer Rachel Foster in the sleazy women-in-prison exploitation outing Human Experiments (1979). Alas, following her appearances in both the prison drama Brubaker (1980) and the acclaimed made-for-TV feature Guyana Tragedy: The Story of Jim Jones (1980), Haynes called it a day as an actress and went on to work as a legal assistant in a law firm in Florida.
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Throughout her diverse career, Sandra Peabody starred in several cult films, soap operas, commercials, and stage plays, was a pioneer in producing award-winning local family television shows that involved the ideas of children, and is widely recognized in the industry for being an influential acting coach and talent agent-launching the careers of several child actors and helping them navigate entering the industry. Peabody grew up in Fort Lauderdale, Florida, where she made her professional acting debut as a teenager in the educational film Misfit (1965), followed by a supporting role in the mystery film The Horse Killer (1966). Also in 1966, she portrayed Wanda in the stage play "Enter Laughing" at the Hollywood Little Theater.
After graduating Stranahan High School in 1966, Peabody moved to New York and studied under master acting teacher Sanford Meisner at the Neighborhood Playhouse and later got a degree from Carnegie Mellon University. Peabody had appearances in acclaimed stage plays such as "The Odd Couple", "Stop the World - I Want to Get Off" and "Little Mary Sunshine" (all in 1969). In 1970, she appeared in the experimental off-Broadway folk rock-mime musical "Tarot" at the Brooklyn Academy of Music, which was co-directed by The Rubber Duck and Robert Kalfin. Peabody found success when Wes Craven cast her as protagonist Mari Collingwood in his directorial debut horror film The Last House on the Left (1972). Despite the film initially having a polarizing reception, it has received critical reevaluation years after release and is considered one of the most influential films of all time. The production was challenging for Peabody as an actress and although she found it difficult filming it, her well received performance has led to her being a prominent figure in horror film history.
Peabody later portrayed Anna Reed, a young woman involved in a cult, in the horror film Voices of Desire (1972) and Gwen in the New York shot horror film Massage Parlor Murders! (1973). Peabody later achieved further recognition on stage when she starred alongside Barbara Eden in the critically acclaimed musical "Annie Get Your Gun" (1973-1974). She was cast as teenager Minnie Oakley, the younger sister of protagonist Annie Oakley. Throughout the early 1970s, Peabody appeared in commercials and guest starred in several television soap operas such as One Life to Live (1968), The Edge of Night (1956), and As the World Turns (1956). Peabody later starred as Bird in the exploitation comedy road movie Teenage Hitchhikers (1974), which has been regarded as a cult film. The film is one of Quentin Tarantino's favorite films and was included in the sixth Quentin Tarantino Film Festival at the Alamo Drafthouse Cinema in Austin, Texas in 2005. Peabody's performance in the film was highlighted by critics for her comedic timing abilities. After starring in the play "Tunnel of Love" (1977) at the Oregon Ridge Dinner Theater, Peabody decided to retire from acting to pursue other paths in the entertainment industry.
After moving to Portland, throughout the 1980s and 1990s, Peabody launched a successful career as a freelance producer and writer. Her main focus was creating family-oriented programming for local Portland television, as content for children was rapidly declining at the time due to a small audience viewership and a lack of funding. Her first success was creating the 26-episode children's variety series Get Moving (1982). Peabody would later earn two Emmy Awards, among several other awards, for producing the acclaimed educational series Popcorn (1985), which was an immediate success with audiences as it involved their creative input and it featured a variety of celebrity guest. Peabody included a "Spotlight on Kids" segment on the show to showcase local talent and toured local schools for ideas that interest children. In 1994, Peabody served as the casting director for Wee Sing Under the Sea (1994). Since the 1980s, Peabody has also worked as an acting coach and talent agent. Her training with Meisner during her youth had a profound impact on her and has served as the foundation for her teaching. Peabody has helped launch the acting careers of several people including Bret Harrison and Alicia Lagano.
Peabody is married to production sound mixer Tim Stubelek and they have one son, drummer Tyson Stubelek.- Susanne Benton was born on 3 February 1948 in Canada. She is an actress, known for Catch-22 (1970), A Boy and His Dog (1975) and Jigsaw (1968).
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Andrea Marcovicci was born on 18 November 1948 in New York City, New York, USA. She is an actress, known for The Front (1976), The Concorde... Airport '79 (1979) and Spacehunter: Adventures in the Forbidden Zone (1983). She was previously married to Daniel Reichert.- Actress
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The product of a musical family, (Margaret) JoBeth Williams was born on December 6, 1948, in Houston, Texas, to Frances Faye (Adams), a dietitian, and Fredric Roger Williams, a wire/cable company manager and opera singer. Her father encouraged her early interest in theater during high school.
She made her professional debut at age 18 in a Houston-based musical production, then studied at Brown University in Providence, Rhode Island, with the intentions of becoming a child psychologist. The acting bug hit her again, however, and she decided to pursue theater after receiving her B.A. in English in 1970. Working intensely to lose her Texas twang, her early training came as a member of the Trinity Repertory Company, where she stayed for two-and-a-half years.
In New York the lovely Jobeth became a daytime regular in the mid-1970s on both Somerset (1970) and in a vixenish role on Guiding Light (1952) before making a brief but memorable impact in a highly popular film at the end of the decade. In the Dustin Hoffman starring film Kramer vs. Kramer (1979), Jobeth plays Hoffman's gorgeous sleepover who gets caught stark naked by his young, precocious son (Justin Henry) the following morning. She also impressed on the stage with major roles in "Moonchildren" and "A Coupla White Chicks Sitting Around Talking."
Her star maker would could in the form of the strong-willed mother of three who fights to save her brood from home-invading demons in Steven Spielberg's humongous critical and box-office hit Poltergeist (1982), which also made a major star out of movie husband Craig T. Nelson. Officially in the big leagues now, she joined the star ensemble cast of The Big Chill (1983), and appeared opposite Nick Nolte in Teachers (1984). Disappointing outcomes in the lackluster sequel Poltergeist II: The Other Side (1986) and the intriguing but overlooked American Dreamer (1984) prodded her to search for more challenging work on TV.
It is the small screen, in fact, that has particularly shown off the range of Jobeth's talent over the years, particularly in domestic drama. Cast in some of the finest TV-movies served up, Jobeth won deserved Emmy nominations for her real-life mother of an ill-fated missing child in Adam (1983) and real-life surrogate mother in Baby M (1988). Other monumental mini-movie efforts include her nurse in the apocalyptic drama The Day After (1983); her magnetic performance opposite Terry Kinney as an adulterous worshiper and minister who carry out plans to kill their respective spouses in the gripping suspense show Murder Ordained (1987); alcoholic James Woods' long-suffering wife in My Name Is Bill W. (1989); a social worker trying to reach a deaf girl in Breaking Through (1996); and the overbearing mother whose son turns to drugs in Trapped in a Purple Haze (2000). She continues to balance both film and TV projects into the millennium.
Behind the scenes she was nominated for an Academy Award for her directorial debut of Showtime's On Hope (1994)and continues to seek out other directing projects. It doesn't hurt being married to a director for encouragement. She and John Pasquin, who directed her in the film Jungle 2 Jungle (1997) and on the short-lived TV series Payne (1999), have two children.
Into the millennium, Jobeth starred as a psychiatrist in the offbeat crime drama The Rose Technique (2002); then played a series of mom support roles -- Drew Barrymore's in Fever Pitch (2005), Reiko Aylesworth's in Crazylove (2005) and Adam Brody's in In the Land of Women (2007); plus roles in The Big Year (2011), Songs of Alchemy (2012), Barracuda (2017), Alex & The List (2017), SGT. Will Gardner (2019) and What the Night Can Do (2020). In addition to guest appearances on such popular program as "The Guardian," "Law & Order: Special Victims Unit," "Judging Amy," "Miss Match," "Numb3rs," "Criminal Minds," "The Nine," "Dexter," "NCIS," "The Good Doctor," and recurring roles on Private Practice (2007), Hart of Dixie (2011), Marry Me (2014) and Your Family or Mine (2015), she earned kudos as Sybil's mentally disturbed mother in a revived TV movie version of Sybil (2007).- Actress
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Nadia Cassini was born on 2 January 1949 in Woodstock, New York, USA. She is an actress, known for Pulp (1972), Miracoloni (1981) and Starcrash (1978).- Actress
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Christine Belford was born on 14 January 1949 in Amityville, New York, USA. She is an actress, known for Christine (1983), Outlaws (1986) and The Greatest American Hero (1981). She has been married to Nicholas Pryor since July 1993.- Born in 1949 this Swedish actress had first been a model but when she came to Italy local producers grasped the opportunity to turn her into a film beauty. And they can be understood. Blond, tall, slender, shaped like a goddess she was bound to illuminate every frame of their movies. The trouble is that, those people were mainly producers of Z movies (sleazy sex comedies, Decamerotic, low-grade horror movies and all the kind of exploitation films possible). The year 1972 was an exception as Janet appeared in three interesting films, Mike Hodges' Pulp (1972), Billy Wilder's Avanti! (1972), and mainly as the Death riding a motor-bike in Ettore Scola's La piu bella sera della mia vita (1972). After a twenty-five-year career she finally quit acting in the early 1990s.
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Jo Ann Harris was born on 27 May 1949 in Los Angeles, California, USA. She is an actress, known for The Beguiled (1971), Act of Vengeance (1974) and Most Wanted (1976). She was previously married to Jerry Belson.- Actress
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One of four girls, Smithers was raised in the comfortable San Fernando Valley suburb of Woodland Hills just north of Los Angeles, CA. Her father was an attorney. While studying art at Taft High School, Smithers swerved her automobile to avoid hitting another driver and ran into a telephone pole. The accident left a permanent scar on her chin. A couple of years later, Smithers was interviewed by Newsweek reporter David Moberg for a story about typical American teenagers in the 1960s. She was photographed happily riding on the back of a friend's motorcycle by Julian Wasser. That carefree looking shot made the cover of the March 21, 1966 issue of the magazine. The shot led to work in commercials while she was continuing her art studies at California Institute of the Arts in Valencia.
After a few years as a working actress, she won the role of pretty but shy Bailey Quarters in WKRP in Cincinnati (1978), a CBS sitcom about a Midwestern radio station. After the show ended its run, she worked on occasion and in 1987, married actor James Brolin. She became a stepmother to his two sons and had a daughter with Brolin. Her marriage to Brolin ended in 1995.- Actress
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Christina Hart was born as Christina Hartzell. She is an actress and writer, known for Charley Varrick (1973), Happy Days (1974), Helter Skelter (1976), The Love Boat (1977), and Three's Company (1977). She was previously married to Frank Doubleday and is the mother of actresses Kaitlin and Portia Doubleday.- Actress
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Sigourney Weaver has created a host of memorable characters, both dramatic and comic, ranging from Ripley in Alien to Dian Fossey in Gorillas in the Mist to Gwen/Tawny in Galaxy Quest and most recently, 14-year-old Kiri in Avatar: The Way of Water. With a career spanning over 50 years, Weaver has captivated audiences and won acclaim as one of the most gifted and versatile actresses on stage and screen.
Born and educated in New York City, Weaver graduated from Stanford University and went on to receive a master's degree from the Yale School of Drama. Her first professional job was in Sir John Gielgud's production of The Constant Wife working with Ingrid Bergman.
After a walk-on in Woody Allen's Annie Hall, Weaver made her motion picture debut in Ridley Scott's 1979 blockbuster Alien. She later reprised the role of Warrant Officer Ripley in James Cameron's 1986 Aliens; her performance earned her Academy Award and Golden Globe nominations for Best Actress. In 1992, she again brought Ripley back to life in David Fincher's Alien 3, which she co-produced, and in 1997 she starred in and co-produced Alien: Resurrection for director Jean-Pierre Jeunet. In 1985, Weaver starred in Ivan Reitman's Ghostbusters alongside Bill Murray and Dan Aykroyd playing Dana Barrett and her possessed counterpart Zuul.
In 1988 Weaver portrayed primatologist Dian Fossey in Gorillas in the Mist and Katharine Parker in the Mike Nichols comedy Working Girl. Both performances earned her Academy Award Nominations, and she was awarded two Golden Globes for Best Actress and Best Supporting Actress in a Motion Picture. Other films include Peter Weir's The Year of Living Dangerously (1983) with Linda Hunt and Mel Gibson, Eyewitness (1981) with William Hurt, Half Moon Street (1986) with Michael Caine, Ridley Scott's 1492: Conquest of Paradise (1992) with Gerard Depardieu, Roman Polanski's gripping film adaptation of Death and the Maiden (1994), the thriller Copycat (1995) and Paul Rudnick's comedy Jeffery (1995). Weaver also starred in Showtime's live-action film Snow White (1997) based on the original Grimm's fairy tale, which earned her an Emmy nomination and a Screen Actors Guild nomination.
In 1997 Weaver joined the ensemble of Ang Lee's critically acclaimed film The Ice Storm alongside Kevin Kline, Joan Allen, Elijah Wood and Christina Ricci. Her performance garnered her a BAFTA Award, a Golden Globe nomination and a Screen Actors Guild nomination for Best Supporting Actress. She later gave a galvanizing performance in A Map of the World (1999), Scott Elliott's powerful drama based on the novel by Jane Hamilton, which earned her universal critical praise and a Golden Globe nomination for best actress. Also in 1999, Weaver appeared in the science fiction comedy Galaxy Quest directed by Dean Parisot alongside Tim Allen and Alan Rickman. She delighted audiences with her flair for comedy, and the film proved to be a hit of the 1999 holiday season. She followed this with the popular comedies Company Man (2000) written and directed by Douglas McGrath and David Mirkin's Heartbreakers (2001) opposite Gene Hackman, Jennifer Love-Hewitt and the late Ray Liotta.
In 2002 Weaver starred in the film version of The Guys, with Anthony LaPaglia, directed by Jim Simpson, and in 2003 she portrayed the cold-blooded, red-headed warden in the hit comedy Holes directed by Andy Davis. The next year, Weaver appeared in M. Night Shyamalan's The Village and received rave reviews for her performance in Imaginery Heroes written and directed by Dan Harris.
In 2006 she appeared in three films - as Babe Paley in Douglas McGrath's Infamous, in Jake Kasdan's The TV Set, and in Snow Cake opposite Alan Rickman. In the following years, Weaver lent her voice to Pixar's 2008 box office smash WALL-E as well as The Tale of Despereaux (2008) with Matthew Broderick, Dustin Hoffman and Emma Watson. She also starred in the Tina Fey/Amy Poehler comedy Baby Mama (2008) and Andy Fickman's comedy You Again (2010) with Jamie Lee Curtis. In December 2009 Weaver starred as Dr. Grace Augustine in Jim Cameron's groundbreaking film Avatar, which went on to be the highest grossing film of all time. The film won a Golden Globe for Best Picture and an Academy Award nomination for Best Picture.
Other credits include Drew Goddard's The Cabin in the Woods (2012), Miguel Arteta's Cedar Rapids (2011), Paul (2011), Amy Heckerling's Vamps (2012), and Neil Blomkamp's Chappie (2015). In December 2016 she starred in Focus Features' A Monster Calls alongside Liam Neeson, Felicity Jones and newcomer, Lewis MacDougall, followed by Lionsgate's The Assignment (2017) with Michelle Rodriguez directed by Walter Hill.
After coming to New York in the fall of 1975, Weaver performed Off-Off Broadway in Christopher Durang's The Nature and Purpose of the Universe (1974), Titanic (1976) and Das Lusitania Songspiel (1980). She and Durang co-wrote Das Lusitania which earned them both Drama Desk nominations. She has appeared in numerous Off-Broadway productions in New York, working with writers such as John Guare, Albert Innaurato, Richard Nelson and Len Jenkin. In regional repertory she has performed works by Pinter, Williams, Feydeau and Shakespeare. Weaver also appeared in the PBS mini-series "The Best of Families" (1977) and John Cheever's The Sorrows of Gin (1979), adapted by Wendy Wasserstein for PBS.
Weaver received a Tony Award nomination for her starring role in Hurlyburly (1984) on Broadway, directed by Mike Nichols. She played Portia in the Classic Stage Company of New York's production of The Merchant of Venice (1986). In 1996 Weaver returned to Broadway in the Lincoln Center production of Sex and Longing, written by Christopher Durang. In the Fall of 2012, she starred in the Lincoln Center production of Christopher Durang's Vanya and Sonia and Masha and Spike which moved to Broadway in 2013. That year Vanya and Sonia and Masha and Spike took home the Tony award for Best Play.
Weaver originated the female lead in Anne Nelson's The Guys (2001) at The Flea where it was commissioned and directed by Jim Simpson. The Guys tells the story of a fire captain played by Bill Murray dealing with the aftermath of 9/11. In 2002 she starred in Neil LaBute's play The Mercy Seat opposite Liev Schreiber - which John Lahr of The New Yorker described as offering "performances of a depth and concentration that haven't been seen in New York for many seasons." Weaver also originated roles in two A.R. Gurney world premieres, Mrs. Farnsworth (2004) at the Flea Theater (New York Times 10 Best Plays for 2004), and Crazy Mary (2007) at Playwrights Horizons.
In television Weaver received Emmy, Screen Actors' Guild and Golden Globe nominations for her role as Mary Griffith in Lifetime's "Prayers for Bobby," which was also Emmy nominated for Outstanding Made for Television Movie. In 2012 she was seen in USA Network's miniseries "Political Animals," for which she received SAG, Golden Globe, and Emmy nominations. Weaver also appeared in the Marvel series "The Defenders," released globally on Netflix in August 2017.
Ms. Weaver was honored to receive the GLAAD Media Award for her work in "Prayers for Bobby" as well as the Trevor Life Award in 2011. She has been the Honorary Chair of the Dian Fossey Gorilla Fund for the last 33 years. She currently serves on the Board of Trustees of the New York Botanical Garden in the Bronx, and she also served on the Board of Human Rights First for 25 years. Weaver was proud to receive the National Audubon Society's Rachel Carson Award in 2009 for her environmental work. She was also a co-founder of the original Flea Theater on White Street which championed young artists and new work.
Weaver appeared in season 4 of the French television series "Call My Agent!" which was released globally on Netflix in 2021 and won the International Emmy for Comedy Series. Additionally, she starred in Philippe Falardeau's My Salinger Year which opened the 2020 Berlin International Film Festival. In April 2021 Weaver narrated James Cameron's "Secrets of the Whales," which debuted on Disney+ and garnered an Emmy nomination for Outstanding Narrator. The series also won the Emmy for Outstanding Documentary or Nonfiction Series.
Weaver's recent film work includes Phyllis Nagy's drama Call Jane alongside Elizabeth Banks, Maya Forbes and Wallace Wolodarsky's The Goos House alongside Kevin Kline. James Cameron's Avatar: The Way of Water premiered at the end of 2022 with Weaver playing Kiri, Grace Augustine's Na'vi daughter. A2 received "Best Picture" nominations for the Oscars, Golden Globe, and Critics Choice awards and has grossed almost 2.5 billion dollars. Upcoming projects include Amazon Studios' drama series, "The Lost Flowers of Alice Hart," which she also executive produced, and Paul Schrader's Master Gardener, opposite Joel Edgerton, which premiered at the 2022 Venice Film Festival.- With her fiery scarlet hair, pretty round freckled face, awesomely ample, buxom and shapely figure, and infectiously bubbly good-natured personality, popular erotic star Colleen Brennan was as endearing as she was alluring, a potent double whammy that, in turn, made the always exuberant Irish redhead absolutely irresistible. She was discovered dancing at the Classic Cat club on Sunset Strip. The delightfully perky, comely, and enchanting Colleen made her film debut (as Sharon Kelly) in the uproariously raunchy comedy The Dirty Mind of Young Sally (1973). She greatly enlivened such choice lowbrow dross as A Scream in the Streets (1973), The Beast and the Vixens (1974), Sassy Sue (1973), Little Annie Fanny (1971), The Dirty Dolls (1973), The Boob Tube (1975), Alice Goodbody (1974), and Delinquent School Girls (1975). Colleen was severely mistreated by Dyanne Thorne in the first two notoriously nasty "Ilsa" features. She had a memorable unbilled bit as one of the titular lovely, yet lethal ladies in the terrific sci-fi/horror camp classic Invasion of the Bee Girls (1973) and achieved her greatest popularity as SuperCherry in Russ Meyer's outrageous Supervixens (1975). Colleen had small parts in two mainstream pictures: She's a woman who's covered with tattoos in Shampoo (1975) and the beautifully naked corpse of Ben Johnson's murdered daughter in Robert Aldrich's gritty police mystery thriller Hustle (1975). In the early 1980s, she began acting in hardcore X-rated porno movies under the pseudonym Colleen Brennan. She voluntarily quit acting in the late 1980s because of the AIDS scare and went on to create her own home recording studio for phone sex hot lines.
- Barbara Kellerman was born on 30 December 1949 in Manchester, England. She is an actress, known for The Silver Chair (1990), The Lion, the Witch & the Wardrobe (1988) and The Sea Wolves (1980).
- Spanish-born actress who began working in films as a child in the 1960s, graduating to adult heroine roles in mostly horror films. Galbo quit the movie business in the 1980s and now tours the world as a flamenco dancer.
- British actress Pamela Franklin has worked with many notable actors and directors throughout her career. A somewhat underrated actress, she had a wide range of emotions that she brought to her many versatile characters. Franklin was born in Yokohama, Japan, and her father was an importer/exporter. She initially studied dance at the Elmhurst School of Ballet in England (now the Elmhurst School for Dance). She made her film debut at age 11 as "Flora" in The Innocents (1961) alongside Deborah Kerr and a year later appeared as "Tina" in The Lion (1962) with William Holden and Trevor Howard. She has worked with many directors including Ronald Neame, Jack Clayton, and John Huston. Franklin is most remembered for her performance as the rebellious "Sandy" in the The Prime of Miss Jean Brodie (1969) which starred Maggie Smith and also as the hapless kidnap victim in The Night of the Following Day (1969) in which she appeared with Marlon Brando and Rita Moreno.
Franklin later carved out a niche as a "scream queen" in a handful of 1970s horror features. She portrayed the psychic medium in The Legend of Hell House (1973) which also featured Roddy McDowall. For many years, Franklin made several guest appearances on hit TV shows. In the early 1970s, she married actor Harvey Jason whom she met on the set of Necromancy (1972) and had two children. Franklin retired from acting in the early 1980s. - Actress
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P.J. (Pamela Jayne) Soles was born on July 17, 1950 in Frankfurt, Germany. Her father came from Holland and her mother from New Jersey. Because her father was working for an international insurance company, the family moved all over the world. P.J. lived in Casablanca, Morocco, and Maracaibo, Venezuela, where she learned to speak fluent Spanish, and then Brussels, Belgium, where she went to high school at the International School of Brussels. When she was at Briarcliff College, she wanted to become the first woman ambassador to the Soviet Union. This career goal changed when she visited the Actors Studio in New York City. She moved to Manhattan and began acting in commercials and modeling for fashion magazines. She was married to J. Stephen Soles during her years in New York, but then made the move to Los Angeles to work in television and movies. At this time, she and Soles' got divorced, but she decided to keep her name as P.J. Soles. She was among the hundreds of actors auditioning for Brian De Palma and George Lucas in their joint casting session for Carrie (1976) and Star Wars: Episode IV - A New Hope (1977). After Carrie, she went to Georgia to film Our Winning Season (1978) and met actor Dennis Quaid. They were married in 1978 in Texas on a dude ranch.
P.J. starred in Rock 'n' Roll High School (1979) with Ramones. Next she filmed Private Benjamin (1980) and then Stripes (1981). She and Quaid were divorced in 1983. P.J. continued doing numerous television and film roles, and then married Skip Holm, who was the stunt pilot on The Right Stuff (1983). They have two children and were divorced in 1998. Still active in television and film, P.J. manages not to let her fans down, but keeps them interested in her work, which keeps on getting better, making her one of the most versatile actresses of her time.- Actress
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Lovely brunet-haired Belinda Montgomery, who sometimes inserted the middle initial "J." into her stage moniker, is a native of Canada, where she began her career on TV in the 1967 series Barney Boomer (1967). She then proceeded to play "Cinderella" and essayed the roles of other emotional and/or confused teen types as she worked her way up the acting ladder.
The petite brunette, whose gentle, misty-eyed prettiness reminded one of actress Bonnie Bedelia, was born on July 23, 1950, in Winnipeg, Manitoba, the daughter of actor Cecil Montgomery. She arrived in Hollywood while still in her late teens and TV, again, became her mainstay playing a number of soulful-eyed victims and troubled soul types in engaging dramatic situations. Her younger brother (by 11 years), Lee Montgomery, not yet a teen, was also making fine strides in films and TV. Billed often as "Lee Harcourt Montgomery", he would become best known for befriending the title rodent in the cult horror thriller Ben (1972). Another sibling, sister Tannis G. Montgomery, showed up on film and TV as well during the 70s and 80s.
Making one of her earliest ingénue appearances on an episode of The Virginian (1962), Belinda became increasingly popular as a standard young fixture on the 70s TV-movie circuit, sharing billing with a number of the industry's top talents. Her first, Ritual of Evil (1970), had her co-starring as Anne Baxter's daughter as part of a devil-worshiping California family. She and Tim Matheson received fine notices as a young frontier couple in love who run away and find unexpected adventure in Lock, Stock and Barrel (1971). The innocent-looking beauty could always be counted on to brighten up the scenery and did so in the mini-movie western The Bravos (1972) co-starring George Peppard and Pernell Roberts, but she, Lois Nettleton and even Play Misty for Me (1971) scenestealer Jessica Walter were upstaged by the campy histrionics of prison matron Ida Lupino in the TV prison drama Women in Chains (1972), now considered a cult classic. Belinda returned to her devilish ways again as a sinless innocent in The Devil's Daughter (1973) co-starring another veteran scenery chewer (Shelley Winters) and also enhanced the mysterious proceedings in Crime Club (1973) and The Hostage Heart (1977).
Belinda displayed fine, touching moments on series TV as well -- multiple times, in fact, on the popular primetime soaps Medical Center (1969) and Marcus Welby, M.D. (1969). It wasn't surprising that, later, she found herself acting in such daytime sudsers as Days of Our Lives (1965). A warm, dependable player, one could always find her guesting somewhere on the tube especially, it seemed, as a vulnerable innocent in crime outings (Mannix (1967), The Rookies (1972), Cannon (1971), Barnaby Jones (1973), The Streets of San Francisco (1972)). She showed her strong, professional side as well as the scientist who rescues and protects superhuman Patrick Duffy in the one-season adventure series Man from Atlantis (1977).
An occasional presence in film, she had a prime female role in The Todd Killings (1971), based on a true-life serial killer (played by Robert F. Lyons) in which her sister, Tannis G. Montgomery, had a small part. One of her best movie roles came as the supportive second lead in The Other Side of the Mountain (1975) and its 1978 sequel, The Other Side of the Mountain: Part II (1978), which chronicled the life and tragedy of one-time skiing champion and Olympic hopeful Jill Kinmont (played by newcomer Marilyn Hassett), who was left a quadriplegic after a sporting accident.
While not afforded top-flight stardom in the early 70s within the confines of her troubled teen typecast, Belinda matured into a pleasantly engaging adult into the next decade while offering a number of inspired mom/wife roles. One of her more poignant portrayals came in the form of Barbara Marciano in the TV-movie Marciano (1979) as the wife of famed boxer Rocky Marciano (played by Tony Lo Bianco). In the recurring role of Don Johnson's estranged wife in Miami Vice (1984) for a time, she also played a selfless mate and mother in the short-lived series Aaron's Way (1988). She reached her maternal peak, however, as the hands-on parent of young Neil Patrick Harris in the Doogie Howser, M.D. (1989) series, wherein she and James Sikking provided a nice and balanced counterpart to the now-public life of the young medical prodigy. Deserving of even more attention, Belinda Montgomery's naturalness on camera and solid body of work throughout the years is a testament to her talents. Seen less and less after her "Doogie Houser" success in 1993, she more recently appeared in the film Tron: Legacy (2010) again starring Jeff Bridges and Bruce Boxleitner and in the TV movie Radio Christmas (2019). A talented painter, she now devotes a large amount of her time to her artwork.- Kathryn Harrold was born on 2 August 1950 in Tazewell, Virginia, USA. She is an actress, known for Raw Deal (1986), Yes, Giorgio (1982) and Modern Romance (1981). She was previously married to Lawrence O'Donnell.
- Denise Galik was born in Cleveland, Ohio, USA. Denise is an actor, known for Two for the Money (2005), Humanoids from the Deep (1980) and Don't Answer the Phone! (1980). Denise has been married to John Furey since 1991.
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Cheryl Ladd is an American actress, singer, and author best known for her role as Kris Munroe in the ABC television series Charlie's Angels, whose cast she joined in its second season in 1977 to replace Farrah Fawcett-Majors. Ladd remained on the show until its cancellation in 1981. Her film roles include Purple Hearts (1984), Millennium (1989), Poison Ivy (1992), Permanent Midnight (1998), and Unforgettable (2017).- Producer
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Lorraine De Selle was born on 13 August 1951 in Milan, Italy. She is a producer and actress, known for Cannibal Ferox (1981), Madness (1980) and A Woman in the Night (1979).- Silvia Dionisio was born on 28 September 1951 in Rome, Lazio, Italy. She is an actress, known for Live Like a Cop, Die Like a Man (1976), I racconti fantastici di Edgar Allan Poe (1979) and Long Live Robin Hood (1971). She has been married to Roberto Mazzarella since 1983. They have one child. She was previously married to Ruggero Deodato.
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Actress Pam Dawber grew up in a suburb of Detroit. Her career began to take off when a friend who was going to New York suggested that Pam accompany her and bring along her modeling portfolio to show various New York modeling agents. A pretty girl, Pam had done some modeling in Detroit, where she was attending Oakland Community College, and she had also worked as a model and singer at several auto trade shows. One of the top modeling agencies in New York, Wilhemina, signed Pam to an exclusive contract, and she was soon being seen in magazine advertisements and on TV commercials but was more interested in acting than in modeling. She began studying voice and acting. A leading role in a stock production of a musical comedy called "Sweet Adeline" at the Goodspeed Opera House in East Haddam, Connecticut, led to her being auditioned for a major role on a new TV series, Tabitha (1976). To her disappointment, Pam did not get the part, but she did get an important role in the Robert Altman film A Wedding (1978) and, shortly afterward, signed an exclusive contract with ABC-TV. ABC cast Pam as the female lead in Mork & Mindy (1978) and her star has been riding high ever since. Pam returned to the stage and appeared in a revival of the musical "My Fair Lady," playing Eliza Doolittle. Her hobbies are canoeing, cooking, horseback riding, and swimming.- Actress
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Annette O'Toole grew up in the Houston dance studio run by her mother. She made her television debut at the age of two, as a kid on The Don Mahoney Kiddie Trooper Show. When she was 13, with ten years of singing and dancing lessons behind her, she and her mother went to L.A. for a year to see if she could have a career in show business. Within two months, she got her first professional job: dancing with Danny Kaye on The Danny Kaye Show. "I've used my singing and dancing training in so many ways," she says. "The discipline you get from that is wonderful for an actor."
O'Toole's first acting role was in My Three Sons, followed by appearances in Gunsmoke, The Partridge Family, The Mod Squad, and Hawaii Five-O. Over the decades she has appeared in more than 40 series (among them Law & Order, Nash Bridges, and The Outer Limits), mini-series (Lonesome Dove, Dead by Sunset, Jewels) and TV movies, most notably playing (and singing as) Tammy Wynette in Stand By Your Man and Rose Fitzgerald Kennedy in The Kennedys of Massachusetts, for which she received an Emmy nomination.
Playing Beverly Marsh in Stephen King's It is one of her fondest memories. (O'Toole judges her favorites based on the filming experience.) In this century, she played a bounty hunter on The Huntress, Clark Kent's adoptive mom on Smallville (where she and John Glover became lifelong friends) and Jim Carrey's mom on Kidding. She is currently a regular on the Netflix series Virgin River, renewed for a fifth season.
Her film career began in 1975, playing a Young American Miss contestant in Michael Ritchie's Smile. She has since appeared in such iconic films as 48 Hrs., Cat People, and Superman III as Lana Lang. (She has played Superman's adoptive mother and, here, his girlfriend.) Her favorite - out of all the TV and films - is the 1987 movie Cross My Heart, in which she co-starred with Martin Short as a couple on their third date, both of whom are trying to figure out how to share their biggest secrets.
For all her success in film and television, O'Toole's deepest love is the theater. When her six-year run on Smallville ended, she decided to focus on theater, which she has been doing for the past decade. She went to New York and her first audition led to her being cast in The Sea Gull. She has appeared in several off-Broadway productions, among them Adam Rapp's Kindness, Tracy Letts' Man from Nebraska, and Tennessee Williams' A Lovely Sunday For Creve Couer. (Performing on Broadway is still her goal.) She has also appeared in many regional productions, including Wendy Wasserstein's Third, Regina Taylor's Magnolia, and Jane Anderson's The Quality of Life.
Her most rewarding theatrical role was in Southern Comfort at the Public Theater in 2016. She played transgender male Robert Eads, for which she received the Lucille Lortel Award. ("Today they'd hire a transgender male," she says. "As they should.")
O'Toole's most fortuitous casting was co-starring with Michael McKean in the Lifetime movie Final Justice. Having known each other casually, they became good friends as they filmed in Portland. Back in L.A., their first date was the 1997 UCLA concert with Bob Dylan, Joni Mitchell, and Van Morrison. Soon after that they were married, each bringing along two children from previous marriages. Prolific songwriters - they co-wrote the Academy Award-nominated song "A Kiss at the End of the Rainbow" for the Christopher Guest film A Mighty Wind, which McKean starred in - they took their repertoire on the road in 2005, performing all around Los Angeles and at Feinstein's at the Regency in New York. They are currently working on a new musical called Harold and Lillian, based on a documentary of the same name.
"I'm really lucky because I found something that I love early on," O'Toole says, "and I love it even more now than I did then."- Actress
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Roxanne Hart was born in Trenton, New Jersey, to Joan Irene (McKee) and Edward J. Hart, Jr. Her father was a teacher who later became the school principal at Horace Greeley High School in Chappaqua, New York. Roxanne graduated from Greeley in 1969. She appeared in several Broadway productions before she made her film debut performance in The Verdict (1982). She played the part of Sally Doneghy. Since, she made appearances in a number of films, including Once Around (1991) with Holly Hunter, Showtime's made-for-television film Alone (1997) supporting an all-star cast ensemble, including, Hume Cronyn, James Earl Jones, Chris Cooper and Shelley Duvall. And The Good Girl (2002) starring Jennifer Aniston.- Actress
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Jenny Agutter was born on December 20, 1952, in Taunton, Somerset, England, UK. The daughter of an army officer, she spent her childhood traveling and living in different countries. Her film career began at the age of 12 in East of Sudan (1964), which was quickly followed by Ballerina: Part 1 (1966) and Ballerina: Part 2 (1966), and A Man Could Get Killed (1966). Other films and television appearances in her early career include Gates to Paradise (1968), Long After Summer (1967), Star! (1968), I Start Counting (1970), The Great Inimitable Mr. Dickens (1970), and The Wild Duck (1971).
In 1970, she appeared in what was her real big break as a child star: The Railway Children (1970), as "Bobbie". The next year, Hollywood called and she spent several years there, appearing in such works as The Cherry Orchard (1971), Walkabout (1971), and The Snow Goose (1971) with Richard Harris, for which she received an Emmy Award. She also appeared in the critically acclaimed A War of Children (1972) and Shelley (1972).
In 1976, Jenny really came to the attention of US film audiences with her starring role in the science-fiction classic Logan's Run (1976) with Michael York. Though not a critical favorite, it was a huge box-office success and spawned a television series. She also starred alongside Richard Chamberlain in a well-received made-for-TV version of the famous Dumas tale The Man in the Iron Mask (1977) and turned in a solid performance in the WW II thriller The Eagle Has Landed (1976) with Michael Caine and Donald Sutherland. The next year, she starred in Peter Shaffer's weighty Equus (1977) as "Jill Mason", alongside Richard Burton. Among her other TV and film work during the 1970s were Dominique (1979), School Play (1979), and The Riddle of the Sands (1979).
In 1981, she played "Desdemona" opposite William Marshall in The Tragedy of Othello, the Moor of Venice (1981). Other Shakespeare performances include "King Lear", Love's Labour's Lost (1985) as "Rosaline" for the BBC and Romeo & Juliet (1993) as "Lady Capulet". During this time, she was in numerous films and television series, including Sweet William (1980), Beulah Land (1980), The Survivor (1981), Amy (1981), and one of the films for which she is most fondly remembered, An American Werewolf in London (1981). She also appeared in This Office Life (1984), Secret Places (1984), Silas Marner (1985), Dark Tower (1987), Miss Right (1982), and King of the Wind (1990).
In the 1990s, she concentrated mainly on television, with roles in TECX (1990); Not a Penny More, Not a Penny Less (1990); Red Dwarf (1988); The All New Alexei Sayle Show (1994); The Buccaneers (1995); And the Beat Goes On (1996); September (1996) with Edward Fox, Michael York, Virginia McKenna, and Jacqueline Bisset; A Respectable Trade (1998) with Warren Clarke, Anna Massey, and Richard Briers. Her theatrical films during this period included Darkman (1990) with Liam Neeson; and Blue Juice (1995) with Sean Pertwee, Ewan McGregor, and Catherine Zeta-Jones. She also appeared as "Mrs. Bruce" in two feature-length episodes of the popular ITV series Bramwell (1995) in which she starred with Jemma Redgrave. She has also made several guest appearances in TV shows such as The Red Dwarf (1998); Boon (1986); The Equalizer (1985) with Edward Woodward; The Twilight Zone (1985); Magnum, P.I. (1980) and The Six Million Dollar Man (1974).
Jenny married to Johan Tham in August 1990. They have one son Jonathan, born in December 1990 and live in Cornwall, England, UK. Her particular love is charity work for The Diabetic Association and NCH Action for Children - a charity which provides home and other help for homeless children - with which she has been involved for many years.- Actress
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Karin Mani had a regrettably fleeting acting career that lasted from the late 70s up until the mid 80s. Karin started out with a guest appearance on an episode of the TV show "What's Happening!". She subsequently popped up in the epic TV mini-series "From Here to Eternity" and made her film debut with a small part as a Social Services office worker in the comedy "Utilities." Mani gave a lively and impressive performance in her sole starring role as Billie, a feisty take-charge ace martial artist who declares open war on various low-life criminal scum in the enjoyably trashy female exploitation vigilante opus "Alley Cat." Karin's last movie credit was a brief, yet still memorable turn as ill-fated undercover cop Janie Soon Lee in the fun sequel "Avenging Angel." Outside of her sparse acting gigs, Karin Mani also worked as a script supervisor on the nifty sci-fi/horror "Alien" copy "Creature."- Actress
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- Gorgeous and voluptuous blonde actress Linda Hayden made a strong and lasting impression with her steamy portrayals of lusty nymphets and tempting seductresses in a handful of pictures made in the 60s and 70s. Linda was born on January 19, 1953 in Stanmore, Middlesex, England. She studied her craft at the esteemed Aida Foster Stage School, where she took drama, dancing and singing classes. Hayden made a bold film debut as brassy 15-year-old teenage tart Luci Thompson in the racy melodrama Baby Love (1969). Linda achieved her greatest enduring cult cinema popularity with her appearances in several horror features; she was excellent as virginal innocent Alice Hargood in the typically fine Hammer outing Taste the Blood of Dracula (1970) and gave an outstanding performance as alluring devil cult leader Angel Blake in the chilling The Blood on Satan's Claw (1971). Hayden was likewise memorable as libidinous sexpot secretary Linda Hindstatt in the sleazy thriller Trauma (1976) and had a brief cameo in The Boys from Brazil (1978). She acted in four amusingly lowbrow comedies with her onetime boyfriend Robin Askwith: Confessions of a Window Cleaner (1974), Queen Kong (1976), Let's Get Laid (1978) and Confessions from a Holiday Camp (1977).
Linda has made guest appearances in such TV shows as Now Look Here (1971), Marked Personal (1973), Traffic Warden's Daughter: Part 1 (2007), Pig in the Middle (1975), Robin's Nest (1977), Sole Agent (1980), Black Out (1980), Shillingbury Tales (1980), Cuffy (1983), Passing Chance (1983), Black Carrion (1984) and Performance Anxiety (1997).
In addition to her movie and television credits, Hayden has also acted on stage: she co-starred with Askwith in the bawdy farce "Who Goes Bare" and has performed extensively in productions for the Theatre of Comedy Company.
Linda Hayden is married to theatre producer Paul Elliott and is the mother of two children. - Anicée Alvina was born on 28 January 1953 in Boulogne-Billancourt, Hauts-de-Seine, France. She was an actress, known for Friends (1971), Paul and Michelle (1974) and Successive Slidings of Pleasure (1974). She died on 10 November 2006 in Paris, France.
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Roberta Leighton was born on 23 March 1953 in Minneapolis, Minnesota, USA. She is an actress, known for Stripes (1981), Barracuda (1978) and Barnaby Jones (1973). She has been married to Corey Young since 20 August 1988.- Actress
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Kim Basinger was born December 8, 1953, in Athens, Georgia, the third of five children. Both her parents had been in entertainment, her dad had played big-band jazz, and her mother had performed water ballet in several Esther Williams movies. Kim was introspective, from her father's side. As a schoolgirl, she was very shy. To help her overcome this, her parents had Kim study ballet from an early age. By the time she reached sweet sixteen, the once-shy Kim entered the Athens Junior Miss contest. From there, she went on to win the Junior Miss Georgia title, and traveled to New York to compete in the national Junior Miss pageant. Kim, who had blossomed to a 5' 7" beauty, was offered a contract on the spot with the Ford Modeling Agency. At the age of 20, Kim was a top model commanding $1,000 a day. Throughout the early 1970s, she appeared on dozens of magazine covers and in hundreds of ads, most notably as the Breck girl. Kim took acting classes at the Neighborhood Playhouse, performed in various Greenwich Village clubs, and she sang under the stage name Chelsea. Kim moved to Los Angeles in 1976, ready to conquer Hollywood. Kim broke into television doing episodes of such hit series as Charlie's Angels (1976). In 1980, she married Ron Snyder (they divorced in 1989). In movies, she had roles like being a Bond girl in Never Say Never Again (1983) and playing a small-town Texan beauty in Nadine (1987). Her breakout role was as photojournalist Vicki Vale in the blockbuster hit Batman (1989). There was no long-orchestrated campaign on her part to snag this plum role, Kim was a last-minute replacement for Sean Young. This took her to a career high.
With perhaps too much disposable income, Kim headed up an investment group that purchased the entire town of Braselton, in her native Georgia, for $20 million (she would later have to sell it). In 1993, Kim married Alec Baldwin, and in 1995 they had a daughter, Ireland Eliesse. Kim took some time off to stay at home with her child. Kim, who loves animals and is a strict vegetarian, devoted energy to animal rights issues, and PETA (People for the Ethical Treatment of Animals), even posing for some ads. In 1997, Kim gave an Oscar-winning performance in the film noir classic L.A. Confidential (1997). Kim's salary for I Dreamed of Africa (2000) was $5,000,000, putting her firmly in the category of big-name movie star. And no doubt there are still many great things ahead, in the career of cover girl turned Oscar-winning actress Kim Basinger.- Actress
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Lovely and becoming brunette Sherry Buchanan was born in Biloxi, Mississippi and raised in New Orleans, Louisiana. Buchanan first got involved with the Italian film industry shortly after graduating from high school when she replaced a production secretary during the shooting of My Name Is Nobody (1973) in Louisiana. Sherry subsequently moved to Rome, Italy, where she established herself as a model prior to making her acting debut in the giallo What Have They Done to Your Daughters? (1974). Buchanan continued to act in both movies and TV commercials, but decided to take a hiatus from acting after she found out that a body double was used without her knowledge or consent for explicit hardcore insert scenes for the low-grade exploitation outing Emanuelle and Joanna (1979). Sherry returned to America to study sociology at Layola University in New Orleans and eventually moved back to Italy so she could resume acting in minor parts in a few movies prior to calling it a day as an actress in 1987.- Jesie St. James was born in 1954 in California, USA. She is an actress.
- Leonora Fani was born on 18 February 1954 in Crocetta del Montello, Veneto, Italy. She is an actress, known for Dog Lay Afternoon (1976), Sweet Adolescents (1977) and Giallo in Venice (1979).
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Judi Bowker was born on 6 April 1954 in Shawford, Hampshire, England, UK. She is an actress, known for Clash of the Titans (1981), Brother Sun, Sister Moon (1972) and Count Dracula (1977). She has been married to Harry Meacher since 1979.- Moira Harris was born on April 19, 1954 in Pontiac, Illinois. She attended and graduated from Illinois State University in Normal, Illinois, (also where John Malkovich attended) and met Gary Sinise during her college years. They have three children: Sophie Sinise, McCanna Anthony Sinise and Ella Sinise. She is the daughter-in-law of Robert L. Sinise. Moira converted to Roman Catholicism in 2000.
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Jeannine Taylor was born on 2 June 1954 in Hartford, Connecticut, USA. She is an actress, known for Friday the 13th (1980), The Edge of Night (1956) and The Royal Romance of Charles and Diana (1982). She has been married to James McConnell since 3 February 1990.- Actress
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Kathleen Turner was born June 19, 1954 in Springfield, Missouri, to Patsy (Magee) and Allen Richard Turner, a U.S. Foreign Service officer. She graduated from American School in London in 1972. After the death of her father, the Turner family moved back to the United States where Kathleen later enrolled at Missouri State University for two years, and earned her Bachelor of Fine Arts degree from the University of Maryland Baltimore County (UMBC) in 1977. Kathleen made her film debut in Body Heat (1981), her role as the relentless Matty Waker brought her astronomical success, and is remembered as one of the sexiest roles in film history. After her initial success, Kathleen continued to flourish with performances in The Man with Two Brains (1983), Romancing the Stone (1984), The Jewel of the Nile (1985), Prizzi's Honor (1985), Peggy Sue Got Married (1986), The War of the Roses (1989), and Serial Mom (1994).- Actress
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Lynne Frederick was a talented British actress of the 1970s. She had a unique combination of good looks and charm which captivated audiences for a decade. Although best known as the fourth and final wife of British comedian Peter Sellers, Lynne has developed a cult following in recent years. Before Kate Winslet and Emma Watson, there was Lynne Frederick.
Lynne Wagner Harding Frederick was born in Hillingdon, Uxbridge, UK, to parents Iris and Andrew. Her father left when she was young, and was raised by her grandmother and mother, who worked for Thames Television. Lynne attended Notting Hill and Ealing High School and originally intended to become a physics and mathematics teacher. Lynne was discovered by film director Cornel Wilde at Thames Television while posing for some camera test shots. Lynne's youthful and dramatic beauty immediately struck Wilde. After interviewing hundreds of girls, he decided Lynne would be perfect for his film. Lynne received a phone call while at school preparing for her exams. Her mother said Wilde wanted her for his film and had two hours to decide if she wanted to take the role and leave school to pursue an acting career. After much thought, Lynne decided to try acting and accepted the role.
Despite no previous experience, Lynne got her very first acting job at her first audition. Her debut was in the 1970 British-American apocalyptic science fiction film No Blade of Grass (1970). Her next and more prestigious role came as Tsar Nicholas's second eldest daughter, Tatiana, in the 1971 Oscar-winning British film Nicholas and Alexandra (1971). In her next role, Henry VIII and His Six Wives (1972), she played the ill-fated fifth wife of Henry VIII, Catherine Howard. Her adaptation of Howard made Tudor cinema history as Lynne was the first actress to portray Howard from a historically accurate and sympathetic point of view.
Lynne continued to work in films, with a supporting role in the now-cult film Vampire Circus (1972). Her most well-known screen role came in the 1972 family film The Amazing Mr. Blunden (1972). For this role, she won the very first London Evening Standard British Film Award for Best New Coming Actress. In 1974, she appeared in the science fiction thriller Phase IV (1974), for which she was required to learn an American accent. Although not successful during its initial release, Phase IV gained a cult following in the years that followed due to its airing on late-night television.
Lynne co-starred with Italian actor Fabio Testi in two back-to-back films as his love interest. The first was the very graphic Italian spaghetti western The Four of the Apocalypse... (1975), followed by Red Coat (1975). Lynne then appeared in two romantic Spanish films, El vicio y la virtud (1975) and Largo retorno (1975). Her acting credits weren't limited to film; she appeared in various shows and movies made for TV over the decade. Lynne returned to the horror film with a role in the 1976 slasher, Schizo (1976). Her most important film role came in the Oscar-nominated historical drama, Voyage of the Damned (1976).
A year later, Lynne married fellow actor Peter Sellers. She would make her final film appearance alongside him in The Prisoner of Zenda (1979). Sadly, their relationship became turbulent. Rumours of drug and health issues plagued them. Further controversy followed after Sellers' tragic death on 24 July 1980 (one day before Lynne's 26th birthday) when Lynne was named the beneficiary of nearly his entire estate while his children, whom Sellers had been estranged from for many years, received hardly anything. Despite pleas from Sellers' friends, Lynne didn't give Sellers' children any further settlements due to her rocky relationship with them. The British public and film industry began to turn against Lynne after Sellers' death, and her career started to plummet. Despite the blacklisting which followed, Lynne was very protective of Sellers' name and reputation. She even won £1.475 million in a lawsuit against the makers of the Trail of the Pink Panther (1982), a film of Sellers released posthumously, claiming the film tarnished her husband's memory.
Lonely, depressed, and desperate for companionship, the young widow married the charismatic British media personality David Frost six months after Sellers' death. Lynne's supposed eagerness to remarry shortly after her first husband's death virtually robbed her of any last shred of public sympathy.
Although Lynne and David appeared to be a happily married couple to the public, their marriage was destructive and turbulent behind closed doors. While married to Frost, she suffered at least one miscarriage, which put a strain on their already rocky marriage. Ultimately, their marriage ended in divorce after 17 months.
Following her divorce from Frost, Frederick fled from Britain to America where she met surgeon and heart specialist Barry Unger, whom she married on Christmas, 1982. The following year, Frederick bore her only child, Cassie, with whom she had a close relationship. Her marriage to Unger ended in divorce in 1991.
In the later years of her life, Frederick live in Los Angeles, where she lived in a house with her daughter, of whom she shared custody.
In the final years of her life, Lynne's health spiraled downward as she struggled with alcoholism and bouts of depression. Rumors of chronic drug addiction, clinical depression, failed rehab treatments, and suicide attempts were common tabloid reports of her in later years.
The wear and tear of the struggles in her life took a toll on her appearance. Her weight ballooned, her face became sunken and bloated, and her hair now cropped short and damaged. Rumor had it that when the paparazzi stood outside her house trying to get photos of Lynne, there were several occasions where she would walk past them unnoticed as the photographers didn't recognize her drastically different appearance in contrast to her once-youthful appearance.
On the morning of 27 April, 1994, Frederick's lifeless body was discovered by her mother, Iris, in her home. Immediately following Frederick's death, the Fleet Street tabloids engaged in a firestorm of negative press accusing Frederick of being an alcoholic and cocaine addict. It was even reported the cause of her death due to cocaine and alcohol. Although the exact cause of Frederick's death hasn't been publicly disclosed, her mother revealed in Hello Magazine that Lynne's death had been caused by natural causes due to a seizure in her sleep, although this has been disputed by some people, seizures frequently kill people, who stop drinking without medical help.
For many years, Lynne Frederick's legacy remained tainted and was seldom, if ever mentioned. But in recent years, her films have resurfaced to a new generation, and she's been given a new fan base and cult following. Although she won't be remembered as a big name in films, her glowing beauty holds an enduring fascination amongst cinema fans. She's a symbol of the harsh world of the entertainment industry.- Actress
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Brinke Stevens was born in San Diego, California, as Charlene Elizabeth Brinkman. She is an actress, model, writer and producer, known for The Summer of Massacre (2012), Teenage Exorcist (1991) Scream Queen Hot Tub Party (1991) and Haunting Fear (1990). She got married to Dave Stevens and 1980, and the two divorced in 1981.