The Works of Director Martin Scorsese ACE
That's right, internet! I love both Marvel & Marty Scorsese! Deal with it!
Note #1: I will not be including his work in New York Stories (1989) for now.
Note #2: Scorsese directed one week of principal photography on The Honeymoon Killers (1970).
Note #3: Another day, another director I was surprised to find out is an ACE (American Cinema Editors) member.
Note #1: I will not be including his work in New York Stories (1989) for now.
Note #2: Scorsese directed one week of principal photography on The Honeymoon Killers (1970).
Note #3: Another day, another director I was surprised to find out is an ACE (American Cinema Editors) member.
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- DirectorMartin ScorseseStarsZeph MichaelisMimi StarkSarah BravemanA writer named Algernon (but called Harry by his friends) buys a picture of a boat on a lake, and his obsession with it renders normal life impossible. He attempts to function again by consulting an analyst and becoming married, but eventually succumbs to his strange anxiety by disappearing into the picture.
- DirectorMartin ScorseseStarsIra RubinSam DeFazioAndrea MartinNow middle-aged, mobster Murray looks back at his humble beginnings as a bootlegger, and his rise to becoming wealthy and highly influential. Through it all, he talks about how much of his success and happiness is due to the support of his "friend" Joe. Unfortunately, the only one who blindly believes that Joe is anything close to a friend is Murray himself, because it's obvious to everyone else that Joe not only back-stabs him at every chance, but is also sleeping with his wife.
- DirectorMartin ScorseseStarsHarvey KeitelZina BethuneAnne ColletteA young man can't accept the girl he likes because of her bitter past.Writer: Martin Scorsese ACE
Film Editor: Thelma Schoonmaker ACE
Cinematographers: Michael Wadley, Richard Coll
Cinematographer-Add'l Sequences: Max Fisher
Writer-Add'l Dialogue/Producer: Betzi Manoogian
Producers: Haig Manoogian, Joseph Weill
Production Manager: Barbara Battle
Club Designer: Vic Magnotta
Directorial Assistant: Mardik Martin
Assistant A Camera: Ron Clabeaux
Assistant B Camera: Ed Grant
Cameras: Éclair NPR & Mitchell BNC (16mm & 35mm)
AR: 1.85:1 (4-Perf 35mm SL)(16mm: Some Scenes)
Budget: 70-75 Thousand USD
Budget AFI (2022): 612.5-656.3 Thousand USD - DirectorMartin ScorseseStarsPeter BernuthIn the process of shaving, a young man cuts himself. A lot.
- DirectorLeonard KastleDonald VolkmanStarsShirley StolerTony Lo BiancoMary Jane HigbyAn obese, embittered nurse doesn't mind if her toupee-wearing boyfriend romances and fleeces other women, as long as he takes her along on his con jobs.
- DirectorMartin ScorseseStarsBarbara HersheyDavid CarradineBarry PrimusDuring the Great Depression, a union leader and a young woman become criminals to exact revenge on the management of a railroad.Presenters: James H. Nicholson, Samuel Arkoff
Producer: Roger Corman
Screenwriters: Joyce H. Corrington, John William Corrington
Composers: Gib Guilbeau, Thad Maxwell
Film Editors: Buzz Feitshans
Cinematographer: John M. Stephens
Filming Dates: 25 October 1971 - December 1971
AR: 1.85:1 (4-Perf 35mm Spherical)
Budget: 600 Thousand USD
Budget AFI (2022): 4.1 Million USD - DirectorMartin ScorseseStarsRobert De NiroHarvey KeitelDavid ProvalIn New York City's Little Italy, a devoutly Catholic mobster must reconcile his desire for power, his feelings for his epileptic lover, and his devotion to his troublesome friend.Writers: Martin Scorsese ACE, Mardik Martin
Film Editor: Sidney Levin ACE
Cinematographer: Kent L. Wakeford
Executive Producer: E. Lee Perry
Producer: Jonathan T. Talpin
Filming Dates: April 1973 - June 1973
Camera: Panavision R 200 (35mm Eastman 100T 5254)
AR: 1.85:1 (4-Perf 35mm Spherical)
Budget: 500 Thousand USD
Budget AFI (2022): 3.2 Million USD - DirectorMartin ScorseseStarsCatherine ScorseseCharles ScorseseMartin ScorseseMartin Scorsese interviews his mother and father about their life in New York City and the family history back in Sicily. These are two people who have lived together for a long time and know each other very well.Film Editor & Associate Producer: Bert Lovitt
Associate Film Editor: Tom Walls
1st Assistant Editor: Randy Jon Morgan
Cinematographer: Alec Hirschfeld
Producers: Elaine Attias, Saul Rubin
Writers: Lawrence D. Cohen, Mardik Martin
Production Manager: Dale Bell
Production Assistant: Constantine Makris
1st Assistant A Camera: Marc Hirschfeld
Electrician-Still Photographer: Martin Andrews
AR: 1.33:1 - DirectorMartin ScorseseStarsEllen BurstynKris KristoffersonMia BendixsenA recently widowed woman is on the road with her precocious young son, determined to make a new life for herself as a singer.Film Editor: Marcia Lucas
Cinematographer: Kent L. Wakeford
Writer: Robert Getchell
Producer: David Susskind, Audrey Maas
Filming Dates: 26 February 1974 - 24 April 1974
Camera: Panavision Panaflex (35mm Eastman 100T 5254)
AR: 1.85:1 (4-Perf 35mm Spherical)
Budget: 1.8 Million USD
Budget AFI (2022): 10.6 Million USD - DirectorMartin ScorseseStarsRobert De NiroJodie FosterCybill ShepherdA mentally unstable veteran works as a nighttime taxi driver in New York City, where the perceived decadence and sleaze fuels his urge for violent action.Taxi Passenger: Martin Scorsese ACE
Composer: Bernard Hermann
Film Editors: Marcia Lucas, Tom Rolf ACE, Melvin Shapiro
Cinematographer: Michael Chapman ASC
Producers: Michael Phillips, Julia Phillips
Writer: Paul Schrader
Camera: Arriflex 35 BL (35mm Eastman 100T 5254)
Lenses: Zeiss Super Speed Primes
AR: 1.85:1 (4-Perf 35mm Spherical)(16mm: Some Scenes)
Budget: 1.3-1.9 Million USD
Budget AFI (2022): 6.6-9.7 Million USD - DirectorMartin ScorseseStarsLiza MinnelliRobert De NiroLionel StanderAn egotistical saxophonist and a young lounge singer meet on VJ Day and embark upon a strained and rocky romance, even as their careers begin a long, uphill climb.Producers: Robert Chartoff, Irwin Winkler
Co-Writer: Earl Mac Rauch
Screenwriter: Mardik Martin
Composers - (Original Songs): John Kander, Fred Ebb
Musical Supervisor & Conductor: Ralph Burns
Film Editors: Marcia Lucas, Bert Lovitt, Tom Rolf ACE, David Ramirez
Production Designer: Boris Leven
Cinematographer: Laszlo Kovacs ASC
Camera: Panavision Panaflex (35mm Eastman 100T 5254)
Lenses: Panavision Ultra Speed MKII SL Primes
AR: 1.66:1 (Spherical)
Budget: 14 Million USD
Budget AFI (2022): 67.5 Million USD - DirectorMartin ScorseseStarsSteven PrinceJulia CameronMardik MartinDirector Martin Scorsese talks to actor Steven Prince about his past. As the night goes on, Prince reveals some very amusing and moving stories of his experiences with drugs and violence.
- DirectorMartin ScorseseStarsRobert De NiroCathy MoriartyJoe PesciThe life of boxer Jake LaMotta, whose violence and temper that led him to the top in the ring destroyed his life outside of it.Co-Writer: Martin Scorsese
Producers: Robert Chartoff, Irwin Winkler
Consultant: Jake LaMotta
Co-Producer: Peter Savage
Associate Producer: Hal W. Polaire
Film Editor: Thelma Schoonmaker ACE
Prod Designer (NY)-Visual Consultant (LA): Gene Rudolf
Art Directors (LA): Alan Manser, Kirk Axtell
Cinematographer: Michael Chapman ASC
Screenwriters: Paul Schrader, Mardik Martin
Dedicated to: Haig P. Manoogian
2nd Unit Director (Rooftop Wedding): Charles Scorsese
Composer: Pietro Mascagni
Score Conductor: Arturo Basile
Production Manager: James D. Brubaker
1st ADs: Jerry Grandey, Allan Wertheim
2nd ADs: Joan Feinstein, Elie Cohn
Sound FX Supervising Editor: Frank Warner
Stunt Coordinator: Jim Nickerson
Makeup Creator: Michael Westmore
Costume Designer: Richard Bruno
A Camera Operator: Joe Marquette
B Camera Operator: Eddie Gold
A 1st Assist Cameraman: Dustin Blauvelt
B 1st Assistant Cameraman: Ed Ramirez
A 2nd Assistant Cameraman: Richard Fee
B 2nd Assist Cameraman: Bruce McCallum
Dolly Grip: Peter J. Breen
Gaffers: Richard Quinlan, Ray Mendez
Art Director (NY): Sheldon Haber
Set Decorators: Fred Weiler, Phil Abramson
Sup. Prop Masters: Emily Ferry, Tom Saccio
Production Scenic Artist: Eugene Powell
1st Assistant Prop Master: Terry L. Adams
2nd Assistant Prop Master: Hans Swanson
AFEs: George Trirogoff, Yoshio Kishi, Erik T. Ramberg, Mark Warner, Susan E. Morse
1st Assistant Editor: Sonya Polonsky
2nd Assistant Editor: John Mavros
3rd Assistant Editor: Craig Bassett
4th Assistant Editor: Karen Stern
5th Assistant Editor: Jeff Friedman
6th Assistant Editor: Mary Scott
7th Assistant Editor: Lisa Z. Churgin ACE
8th Assist Editor: Melissa Bretherton ACE
1st Assist Sound FX Editor: Victoria Martin
2nd Costume Designer: John Boxer
Production SFX Techs: Raymond Klein, Max E. Wood
Loc. Managers: Dale Benson, Chris Cronyn
Boxing Technical Advisor: Al Silvani
Technical Advisor: Frank Topham
DGA Trainee: Henry Bronchtein
Title Design Supervisor: Dan Perri
Black & White Timing Lead: Jim Henry
Score Producer & Arranger: Rob Robertson
Filming Dates: 16 April 1979 - December 1979
Camera: Arriflex 35 BL (35mm Eastman Double-X 5222 & Plus-C 5231)
Lenses: Zeiss Super Speed Primes & Cooke Varotal Zooms
AR: 1.67:1 (First Two Minutes), 1.85:1 (4-Perf 35mm Spherical)
Budget: 18 Million USD
Budget AFI (2022): 63.8 Million USD
Opticals Provided by: Modern Film Effects, Movie Magic & EFX Unlimited - DirectorMartin ScorseseStarsRobert De NiroJerry LewisDiahnne AbbottA passionate yet unsuccessful comedian stalks and kidnaps his idol to take the spotlight for himself."TV Director" Actor: Martin Scorsese ACE
Presenter & Producer: Arnon Milchan
Special Appearance: Tony Randall
Costumes Designer: Richard Bruno
Assoc. Producer-PM: Robert F. Colesberry
Music Prod Supervisor: Robbie Robertson
Production Supervisor-Film Editor: Thelma Schoonmaker ACE
Production Designer: Boris Leven
Cinematographer: Fred Schuler
Executive Producer: Robert Greenhut
Writer: Paul D. Zimmerman
Dedicated to: Dan Johnson
1st Assistant Director: Scott Maitland
2nd Assistant Director: Lewis Gould
Supervising Sound Editor: Frank Warner
Cons. Script Supervisor: Hannah Scheel
A Camera Operator: Dick Mingalone
A 1st Assistant Camera: Sandy Brooke
A 2nd Assistant Camera: Ricki Ellen Brooke
1st Steadicam® Op: Garrett Brown SOA
2nd Steadicam® Operator: Ted Churchill
Property Master: Jimmy Raitt
2nd Props Lead: Bill Bishop
Gaffer: Bill Ward
1st Assist Costume Designer: Mary Ellen Winston
1st Assistant Editor: Richard Candib
2nd Assistant Editor: Louis Bertini
Re-Recording Mixer: Tom Fleischman
Unit Manager: Ezra Swerdlow
Assist Unit Manager: Thomas A. Razzano
Locations Coordinator: Amy Sayres
Prod. Office Coordinator: Shelley Houis
Assistant POC: Sarah Carson
Post-Prod Supervisor: Barbara De Fina
Post-Prod Coordinator: Holly Huckins
Video Consultant: Loretta Lorden
Music Consultant: Mark Del Costello
Title Design Supervisor: Dan Perri
Production Color Timer: Bob Raring
Filming Dates: 1 June 1981 - October 1981
Cameras: Arriflex (35mm Eastman 100T 5247)
AR: 1.85:1 (4-Perf 35mm Spherical)
Budget: 19-20 Million USD
Budget AFI (2022): 55.7-58.6 Million USD
Color Provided by: Technicolor®
Distributed by: Walt Disney Studios Motion Pictures
Attribute: Camera Equipment Provided by ARRIFLEX - DirectorMartin ScorseseStarsGriffin DunneRosanna ArquetteVerna BloomAn ordinary word processor has the worst night of his life after he agrees to visit a girl in Soho he met that evening at a coffee shop.Production Designer: Jeffrey Townsend
Composer: Howard Shore
Film Editor: Thelma Schoonmaker ACE
Cinematographer: Michael Ballhaus ASC BVK
Writer: Joseph Minon
Camera: Arriflex 35 BL3 (35mm Eastman 125T 5247)
AR: 1.85:1 (4-Perf 35mm Spherical)
Budget: 4.5 Million USD
Budget AFI (2022): 12.2 Million USD - DirectorMartin ScorseseStarsPaul NewmanTom CruiseMary Elizabeth MastrantonioFast Eddie Felson teaches a cocky but immensely talented protégé the ropes of pool hustling, which in turn inspires him to make an unlikely comeback.Narrator: Martin Scorsese ACE
Composer (Score): Robbie Robertson
Costume Designer: Richard Bruno
Film Editor: Thelma Schoonmaker ACE
Production Designer: Boris Leven
Cinematographer: Mike Ballhaus ASC BVK
Screenwriter: Richard Price
Producers: Irving Axelrad, Barbara De Fina
Stunts Coordinator: Rick LeFevour
PM & Associate Producer: Dodie Foster
1st Assistant Director: Joseph P. Reidy
2nd Assistant Director: Richard Feld
Set Decorator: Karen A. O'Hara
1st Assistant Editor: James Y. Kwei
2nd Assistant Editor: Michael Goodman
3rd Assistant Editor: Chris Tellefsen ACE
4th Assistant Editor: Edward M. O'Malley
5th Assistant Editor: Rose Kuo
Supervising Sound Editor: Skip Lievsey
2nd Unit Director: Phil Marco
A Camera Operator: Frank M. Miller
A 1st Assistant Camera: Donald C. Carlson
A 2nd Assistant Camera: Robert C. Carlson
Property Master: Jeffrey R. Renfrow
Gaffer: Jim Miller
Production SPFX Supervisor: Curt Smith
Loc Manager - Chicago: Michael Malone
2nd 2nd Assist Director: Judith S. Friedman
Production Coordinator: Elise Rohden
Technical Advisor: Michael Sigel
Dolby Consultant: Michael DiCosimo
Chicago Casting: Jane Alderman CSA, Shelley Andreas CSA
Title Design Supervisor: Dan Perri
Score Orchestrations Lead: Gil Evans
Special Music Participation: Willie Dixon
Add'l Electronic Music Arrangements Lead: Gary Cheng
Filming Dates: 21 January 1986 - 31 March 1986
Camera: Arriflex 35 BL3 (35mm Eastman 400T 5294)
Lenses: Zeiss Super Speed Primes
AR: 1.85:1 (4-Perf 35mm Spherical)
Budget: 14.5 Million USD
Budget AFI (2022): 38.6 Million USD
Printed on: Eastman 5384
Opticals Provided by: EFX Unlimited
Distributed by: Walt Disney Studios Motion Pictures
Attribute: Camera & Lenses by Arri - DirectorMartin ScorseseStarsMichael JacksonAdam NathanPedro SanchezMichael Jackson's music video for his song "Bad".Song Writer, Choreography Lead & Executive Producer: Michael Jackson
Executive Producers: Harry Ulfand, Frank Di Leo
Musical Supervisor (Original Dramatic Music) & Producer: Quincy Jones
Producer: Barbara De Fina
Writer: Richard Price
Choreography Leads: Gregg Burke, Jeff Daniel
Cinematographer: Michael Chapman ASC
Film Editor: Thelma Schoonmaker ACE
Stunt Coordinator: Edgard Mourino
Production Manager: Bruce S. Pustin
1st Assistant Director: Joel Segal
2nd Assistant Director: Michael Ingber
Production Design Supervisor: Adrianne Lobel
Costume Design Supervisor: Rita Ryack
A Camera Operator: Tony Jannelli
Art Director: Nancy Donald
Set Decorator: Richard Kane
Prop Master: William F. Reynolds
A 1st Assistant Cameraman: Bruce MacCallum
Gaffer: Raymond Fortune
A Camera Key Grip: Ed Quinn
A Camera Dolly Grip: Jack Kennedy
Production Office Coordinator: Jill Lopez
Production Auditor: Sherrill Patten
Production Associate: Deborah Lee
1st Assistant Editor: James Y. Kwei
2nd Assistant Editor: Christopher Tellefsen ACE
Sound Effects Designer & Editor: Brian Eddolls
Sound Effects Editor: Skip Lievsay
Music Editor: Todd Kassow
Composer, Score Recordist & Mixer (Original Dramatic Music): L. Leon Pendarvis
Filming Dates: Late-1986 - Mid-1987
Cameras: Arriflex 35 BL4 & Panaflex Gold (35mm Eastman 125T 5247)
Lenses: Panavision Ultra Speed MKII Spherical Primes & Cooke PanaZooms
AR: 1.33:1 (4-Perf 35mm Spherical)
Opticals Provided by: EFX Unlimited
Attribute: Filmed in Panavision - DirectorMartin ScorseseStarsWillem DafoeHarvey KeitelBarbara HersheyThe life of Jesus Christ, his journey through life as he faces the struggles all humans do, and his final temptation on the cross."Isaiah" Actor & Co-Writer: Martin Scorsese ACE
Co-Writer: Jay Cocks
Screenwriter: Paul Schrader
Composer: Peter Gabriel
Costume Designer: Jean-Pierre Delifer
Production Designer: John Beard
Film Editor & 2012 Telecine Supervisor: Thelma Schoonmaker ACE
Cinematographer-2012 Telecine Supervisor: Mike Ballhaus ASC BVK
Executive Producer: Harry Ulfand
Producer: Barbara De Fina
2012 Telecine Supervisor: Maria Palazzola
MVF Telecine Colorist-2012 Master: Gregg Garvin
TPH Telecine Colorist - 2012 Master: Ron Stetler
Filming Dates: 15 October 1987 - 20 December 1987
Camera: Arriflex 35 BL3 (35mm Eastman 400T 5294)
AR: 1.85:1 (4-Perf 35mm Spherical)
Budget: 7 Million USD
Budget AFI (2022): 17.2 Million USD
Printed on: Eastman 5384
Disclaimer: This film is not based on the Gospels, but upon the fictional exploration of the eternal spiritual conflict.
2012 Criterion Color & Finish Provided by: Modern VideoFilm & The Tape House - DirectorMartin ScorseseStarsRobert De NiroRay LiottaJoe PesciThe story of Henry Hill and his life in the mafia, covering his relationship with his wife Karen and his mob partners Jimmy Conway and Tommy DeVito.Screenwriter: Martin Scorsese ACE
Film Editor: Thelma Schoonmaker ACE
Production Designer: Kristi Zea
Cinematographer: Michael Ballhaus ASC BVK
Executive Producer: Barbara De Fina
Co-Writer: Nicholas Pileggi
Producer: Irwin Winkler
Filming Dates: 3 May 1989 - 9 August 1989
Camera: Arriflex 35 BL4S (35mm Eastman 400T 5294)
Lenses: Zeiss Super Speed Primes & Cooke Varotal Zoom
AR: 1.85:1 (4-Perf 35mm Spherical)
Budget: 25 Million USD
Budget AFI (2022): 55.9 Million USD
Printed on: Eastman 5384 - DirectorMartin ScorseseStarsRobert De NiroNick NolteJessica LangeA convicted rapist, released from prison after serving a fourteen-year sentence, stalks the family of the lawyer who originally defended him.Producers: Robert De Niro, Barbara De Fina
Bern Hermann Score Arranger: Elmer Bernstein
Film Editor: Thelma Schoonmaker ACE
Production Designer: Henry Bumstead
Cinematographer: Freddie Francis
Exec Producers: Frank Marshall, Steve Spielberg
Screenwriter: Wesley Strick
Filming Dates: 19 November 1990 - 17 March 1991
Camera: Panaflex Platinum (35mm Eastman EXR 100T 5248 & 500T 5296)
Lenses: Panavision C- & E-Series AL Primes
AR: 2.35:1 (Anamorphic)
Budget: 35 Million USD
Budget AFI (2022): 75.1 Million USD
Printed on: Eastman 5384
Attribute: Filmed in Panavision - DirectorMartin ScorseseStarsDaniel Day-LewisMichelle PfeifferWinona RyderA tale of nineteenth-century New York high society in which a young lawyer falls in love with a woman separated from her husband, while he is engaged to the woman's cousin.Screenwriter-Photographer: Martin Scorsese ACE
Producer: Barbara De Fina
Composer: Elmer Bernstein
Costume Designer: Gabriella Pescucci
Film Editor: Thelma Schoonmaker ACE
Production Designer: Dante Ferretti
Cinematographer: Michael Ballhaus ASC BVK
Screenwriter: Jay Cocks
SPE Transfer Supervisor-2018 Remaster: Grover Crisp
SPC Colorist - 2018 Remaster: Sheri Eisenberg
Filming Dates: 24 March 1992 - 26 June 1992
Camera: Arriflex 535 (35mm Eastman EXR 50D 5245, 100T 5248, 200T 5293 & 500T 5296)
Lenses: Cooke & Zeiss
AR: 2.39:1 (4-Perf Common-Top Super 35mm)
Budget: 34 Million USD
Budget AFI (2022): 68.7 Million USD
2018 Color & Finish Provided by: Sony Colorworks - DirectorMartin ScorseseStarsRobert De NiroSharon StoneJoe PesciIn Las Vegas, two best friends - a casino executive and a mafia enforcer - compete for a gambling empire and a fast-living, fast-loving socialite.Screenwriter: Martin Scorsese ACE
Producer: Barbara De Fina
Costume Designers: Rita Ryack, John Dunn
Title Sequence Designers: Elaine Bass, Saul Bass
Film Editor: Thelma Schoonmaker ACE
Production Designer: Dante Ferretti
Cinematographer; Robert Richardson ASC
Co-Writer: Nicholas Pilleggi
1st Assistant Director: Joe Reidy
Steadicam Operator: Garrett Brown SOA
1st Assistant "B" Camera: Donald E. Thorin Jr
Gaffer: Ian Kincaid
Key Grip: Chris Centrella
Dolly Grip: Dave Merrill
Filming Dates: 14 September 1994 - 25 January 1995
Cameras: Panaflex Gold, Platinum & Panastar (35mm Eastman Kodak EXR 100T 5248/200T 5293)
Lenses: Panavision Primo Spherical Primes, 4:1 SLZ (17.5-75mm) Zoom, SLZ11 (24-275mm) Zoom & SLZ3 Hubble (135-420mm) Zoom
AR: 1.33:1 (Ace's High), 2.39:1 (4-Perf Common-Top S35mm)
Budget: 40-52 Million USD
Budget AFI (2022): 76.7-99.7 Million USD
Special Visual Effects Provided by: Matte World Digital & The Effects House - DirectorMartin ScorseseStarsTenzin Thuthob TsarongGyurme TethongTulku Jamyang Kunga TenzinFrom childhood to adulthood, Tibet's fourteenth Dalai Lama deals with Chinese oppression and other problems.Screenwriter & Co-Producer: Melissa Mathison
Producer: Barbara De Fina
Cinematographer-A Cam Op: Roger Deakins ASC BSC
Production & Costume Designer: Dante Ferretti
Film Editor: Thelma Schoonmaker ACE
Composer: Philip Glass
Executive Music Producer: Jim Keller
Narrator: Ken Leung
Consultant: Dalai Lama
B Camera-Steadicam Op: Peter Cavaciuti ACO
Camera Assistant: Andy Harris
Script Supervisor: James Ellis Deakins
Gaffer: Billy O’Leary
Dolly Grip: Bruce Hamme
Key Grip: Tommaso Mele
Music Producer: Kurt Munkacsi
Score Conductor: Michael Riesman
Producer (Canada): Jeanne Stack
MWD Visual Effects Supervisor: Craig Barron ASC
Filming Dates: 26 August 1996 - 20 December 1996
Cameras: Arriflex 535B & Moviecam SL (35mm Eastman Kodak Vision 500T 5279, EXR 200T 5293 & EXR 100T 5248)
Lenses: Arri Super Speed Primes, Zeiss Standard Speed Primes & Cooke Varotal 18-100mm Zoom
AR: 2.39:1 (4-Perf Common-Top Super 35mm)
Budget: 28 Million USD
Budget AFI (2022): 50.9 Million USD
Visual Effects Provided by: Dream Quest Images, Matte World Digital, Digital Domain & Illusion Arts
Distributed by: Walt Disney Studios Motion Pictures - DirectorMartin ScorseseStarsNicolas CagePatricia ArquetteJohn GoodmanHaunted by the patients he failed to save, a monumentally burned-out Manhattan ambulance paramedic fights to maintain his sanity over three increasingly turbulent nights.Dispatcher Voice: Martin Scorsese ACE
Producers: Scott Rudin, Barbara De Fina
Composer-Orchestra Conductor: Elmer Bernstein
Costume Designer: Rita Ryack
Film Editor: Thelma Schoonmaker ACE
Production Designer: Dante Ferretti
Cinematographer: Robert Richardson ASC
Co-Producer-ICU Doctor-1st AD: Joseph P. Reidy
Co-Producer: Eric Steel
Executive Producer: Adam Schroeder
Executive Producer & UPM: Bruce S. Pustin
Screenwriter: Paul Schrader
Dispatcher Love Voice: Queen Latifah
2nd Assistant Director: Christopher J. Surgent
Assoc. Producers: Jeff Levine, Mark Roybal
Art Director: Robert Guerra
Set Decorator: William F. Reynolds
Art Dept. Administrator: Jamie Mullins
"A" Camera Operator: Vincent Galindezx
Steadicam Operator: Larry McConkey
1st Assistant "A" Camera: Gregor Tavenner
1st Assistant Steadicam: Joe Collins
2nd Assistant "A" Camera: Jeanne Vienne Lipsey
2nd Assistant "B" Camera: Tracey Gudwin
2nd Unit Remote Camera Operator: Randy Greer
2nd Unit "A" Camera 1st Assist: Tchell De Paepe
Gaffer: Russell W. Engels
Rigging Gaffer: Kenneth W. Conners
1st Assistant Editors: Tom Poligno, Scott Brock
1st Apprentice Editor: Jeff Werner
Consulting Film Editor: James Kwei
Post Production Supervisor: Kendall McCarthy
Assistant Unit Production Manager: Joseph Iberti
Production Supervisor: Shell Hecht
Assist Production Coordinator: Karen Sossiadis
Supervising Prop Master: James Mazzola
1st Assistant Prop Master: Vinny Mazzarella
2nd Assistant Prop Master: James Bono
Sup. Loc. Managers: Len Murach, Robert Striem
Assistant Location Manager: James D. Lee
Location Assistant: Damon Gordon
Re-Recording Mixer: Tom Fleischman
Supervising Sound Editor: Phillip Stockton
Sound Effects Designer: Eugene Gearty
Post Production Accountant: Hope Shaw
2nd 2nd Assistant Director: Gregory D. Hale
Stunt Coordinator: GA Aguilar
Stunts: Conrad Palmisano
ILM Sr VFX Supervisor & Additional Unit Director: Michael Owens
ILM Sr VFX Producers: Camille Grier, Jill Brooks
ILM Compositing Supervisor: Jon Alexander
ILM Digital Timing Supervisor: Kenneth Smith
ILM Digital Effects Paint & Roto Artist: Al Bailey
ILM DFX Compositors: Stella Bogh, Pat Brennan
ILM Digital Effects Lead Compositor: Jeff Doran
ILM Digital VFX Prod Assist: Kimberly Lashbrook
ILM DFX Technical Assistant: Tia Marshall
ILM Digital Sequence Supervisor: Chad Taylor
ILM Digital P&R Leads: Chris Bays, Deb Fought, Amy Shepard
ILM Senior VFX Coordinators: Susan Greenhow, David Lambert
ILM Visual Effects Editor: John Bartle
ILM Technical Research & Dev Lead: Chloe Chao
ILM Visual Effects Technical Editor: Jim Milton
ILM Visual Effects Coordinator: Paula Nederman
ILM Additional Visual Effects Editor: Nick Seuser
ILM VistaVision Unit A Cam Op: Mark Gutterud
ILM Digital Plate Restorator: Katrina Stovold
ILM VFX Production Assistant: Eric Collins Butler
ILM Prod Engineering Lead: George Sakellariou
ILM President & General Manager: Jim Morris
Film East Digital Compositor: Eric Person
Executive in Charge of Music: Kathy Nelson
Score Recordist & Mixer: Dan Wallin
Score Orchestrations Lead: Emilie Bernstein
Production SPFX Foreperson: Ronald Otteson
Production SPFX Coordinator: John M. Otteson
Production Effects Supervisor: Janos Pilenyi
Production Color Timer: Bob Kaiser
Production Moco Operator: Don Canfield
Moco Unit A Camera Operator: Alex MacDonald
Aerial Unit SpaceCam Operator: Steve Koster
Gaffer (BTS): David Landau
Filming Dates: 15 September 1998 - 7 January 1999
Camera: Panaflex Platinum (35mm Kodak Vision 200T 5274, 500T 5279 & 800T 5289)
Lenses: Panavision C-, E-Series Anamorphic Primes & Super High Speed AL Primes
AR: 2.39:1 (Anamorphic)(8-Perf VV: VFX)
Special Digital Visual Effects Provided by: Industrial Light & Magic + Cineric Digital
Dailies Provided by: DuArt Film Laboratories
Produced & Distributed on: Eastman Kodak Film
Attribute: Filmed in Panavision - DirectorMartin ScorseseStarsLeonardo DiCaprioCameron DiazDaniel Day-LewisIn 1862, Amsterdam Vallon returns to the Five Points area of New York City seeking revenge against Bill the Butcher; his father's killer.Wealthy Homeowner: Martin Scorsese ACE
Director-Cinematographer (Insert Photog): Phil Marco
Co-Writer: Jay Cocks
Screenwriters: Steve Zaillian, Ken Lonergan
Producer: Alberto Grimaldi
EPs: Maurizio Grimaldi, Rick Yorn
Co-Executive Producer: Graham King
Cinematographer: Mike Ballhaus ASC BVK
Cinematographer - Action & 2nd Units: Florian Ballhaus ASC
Production Designer: Dante Ferretti
Film Editor: Thelma Schoonmaker ACE
Costume Designer: Sandy Powell
Co-Producer & 1st AD: Joseph P. Reidy
Co-Producer: Laura Fattori
Composer (Original Music): Howard Shore
Exec Music Producer: Robbie Robertson
Unit Prod Manager: Michael Hausman
2nd Assistant Director: Chris Surgent
Second-Unit Director for Fight Scenes: Vic Armstrong
Supervising Stunt Coordinator: GA Aguilar
Production Special FX Supervisor: R. Bruce Steinheimer
Sup. Set Decorator: Francesca Lo Schiavo
ILM Senior VFX Supervisor: Michael Owens
SFX-Key Make-Up Artist: Manlio Rocchetti
Prop Supervisor: Dennis Parrish
Associate Producer: Gerry Robert Byrne
LP (Add'l Photog) & PPS: Michael Jackman
Co-Casting (UK): Kate Dowd
2nd 2nd Assistant Director: Douglas Plasse
Production Manager, Italy: Riccardo Neri
Unit Manager, Italy: Federico Foti
1st Assistant Director, Italy: Luca Lachin
2nd Assistant Director, Italy: Inti Carboni
"A" Cam-Steady Op: Andrew Rowlands SOC
"A" Camera 1st Assistant: Tom Lappin SOC
"A" Camera 2nd Assistant: Ermanno Lubich
"B" Cam & Steady Op: Daniele Massaccesi
"B" Camera Assistant: Marco Sacerdoti
"B" Camera Loader: Francesco Pintore
Historical Advisor: Luc Sante
Research Assistant: Justin Brennan
Production Consultant: David Parfitt
Supervising Art Director: Stefano Ortolani
Technical Art Director: Robert Gera
Add'l Film Editors: James Kwei, Pat Buba
Supervising Gaffer: Jim Tynes
Head Gaffer, Italy: Patrick Bramucci
Best Boy: Alex Bramucci
Supervising Key Grip: J. Patrick Daily
Head Key Grip, Italy: Tommaso Mele
Production SPFX Coordinator: Daniel Acon
Production Location Manager: Erik Paoletti
Add'l 2nd Unit Director - Action & 2nd Units: Peter Markham
A Cam Op-Action+2nd Units: Fabrizio Vicari
ILM Visual Effects Producer: Camille Geier
ILM CG Supervisor: Jon Alexander
ILM Visual FX Co-Supervisor: Edward Hirsh
ILM Lead Digital Matte Artist: Paul Huston
ILM Production Coordinator: Robin Saxen
ILM Matchmover: Jeff Saltzman
ILM Color Timing Supervisor: Kenny Smith
ILM Editor: Bill Kimberlin
ILM Production Assistant: Amy E. Allen
ILM Scanning Supervisor: Randall Bean
CFE Visual FX Supervisor: Mark Dornfeld
CFE VFX Producer: Susan Shin George
Casting Assistant: Kathleen Chopin CSA
Main Title Sequence Designer: Dan Perri
Color Timers: Bob Kaiser, Dale Grahn
Special Thanks: Barbara De Fina, Michael Eisner, Joe Roth
Costumes Consultant: Michael Kaplan
Filming Dates: 18 December 2000 - 30 March 2001
Cameras: Arriflex 535A, 535B & 435 ES (35mm Eastman EXR 50D 5245, Kodak Vision 320T 5277 & 500T 5279)
Lenses: Arri Variable Primes, Zeiss Ultra Primes, Angenieux 5:1 Zoom & Cooke 10:1 Zoom
AR: 2.35:1 (4-Perf Common-Top Super 35mm)
Budget: 97-100 Million USD
Budget AFI (2022): 157.6-162.4 Million USD
Printed on: Kodak Vision Premier 2393
Special Visual Effects Provided by: Industrial Light & Magic + Custom Film Effects
Color Provided by: Technicolor
Shot on: Kodak Motion Picture Film
Attribute: Filmed in Arri