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Avid reader Charlie Kaufman wrote plays and made short films as a young student. He moved from Massapequa, New York to West Hartford, Connecticut in 1972 where he attended high school. As a comedic actor, he performed in school plays and, after graduation, he enrolled at Boston University but soon transferred NYU to study film. Charlie worked in the circulation department of the Star Tribune, in Minneapolis, in the late 1980s and moved to Los Angeles in 1991, where he was hired to write for the TV sitcom Get a Life (1990). He went on to write comedy sketches and a variety of TV show episodes. Between writing assignments, he wrote the inventive screenplay Being John Malkovich (1999), which created Hollywood interest and the attention of producer Steve Golin. Charlie works at home in Pasadena, California, where he lives with his wife Denise and children.- Writer
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Considered one of the pioneer screenwriters of the action genre, Black made his mark with his Lethal Weapon (1987) screenplay. He also collaborated on the story of the sequel, Lethal Weapon 2 (1989). Each successive script he turned in had a higher price attached it, from The Last Boy Scout (1991) to The Long Kiss Goodnight (1996), and in between a re-write on the McTiernan/Schwarzenegger Last Action Hero (1993) script.- Producer
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Quentin Jerome Tarantino was born in Knoxville, Tennessee. His father, Tony Tarantino, is an Italian-American actor and musician from New York, and his mother, Connie (McHugh), is a nurse from Tennessee. Quentin moved with his mother to Torrance, California, when he was four years old.
In January of 1992, first-time writer-director Tarantino's Reservoir Dogs (1992) appeared at the Sundance Film Festival. The film garnered critical acclaim and the director became a legend immediately. Two years later, he followed up Dogs success with Pulp Fiction (1994) which premiered at the Cannes film festival, winning the coveted Palme D'Or Award. At the 1995 Academy Awards, it was nominated for the best picture, best director and best original screenplay. Tarantino and writing partner Roger Avary came away with the award only for best original screenplay. In 1995, Tarantino directed one fourth of the anthology Four Rooms (1995) with friends and fellow auteurs Alexandre Rockwell, Robert Rodriguez and Allison Anders. The film opened December 25 in the United States to very weak reviews. Tarantino's next film was From Dusk Till Dawn (1996), a vampire/crime story which he wrote and co-starred with George Clooney. The film did fairly well theatrically.
Since then, Tarantino has helmed several critically and financially successful films, including Jackie Brown (1997), Kill Bill: Vol. 1 (2003), Kill Bill: Vol. 2 (2004), Inglourious Basterds (2009), Django Unchained (2012) and The Hateful Eight (2015).- Writer
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Born in 1947 in Chicago, he was educated at Goddard College, in Vermont, and studied drama at New York's Neighborhood Playhouse, before returning to Chicago and establishing the St Nicholas Theatre Company in 1972. He remained their resident writer for four years. The first of his plays to secure international recognition was 'Sexual Perversity in Chicago' (1974) and 'American Buffalo' (1975). The latter was eventually performed by Al Pacino on Broadway and London's West End earning him an 'Award Obie' when it transferred from Chicago to New York. His play 'Glengarry Glen Ross' won the Pulitzer Prize and the New York Drama Critics Circle Award for Best Play. His other plays include 'A Life in the Theatre' (1977). 'Edmond' (1982). 'The Shawl' (1985) and 'Speed the Plow' (1988). The rejection of his screen adaption of 'Sexual Perversity in Chicago' was completely rewritten and released as 'About Last Night in 1986. He soon attracted wide acclaim as a screenwriter when his version of 'The Postman Always Rings Twice' (1981) was made by Bob Rafelson and his original screenplay for 'The Verdict (1982) was nominated for an Oscar. Subsequent screenplays include 'The Untouchables' (1987), 'We're No Angels' (1990), 'Glengarry Glen Ross' (1992). He then wrote and directed 'House of Games' (1987), 'Things Change' (1988) and 'Homicide' (1991). He's also published two collections of essays 'Writing in Restaurants' (1986) and Some Freaks' (1989). In 1987, he conducted a series of classes at Columbia University Film School which were put into print as 'On Directing Film' (1992).- Writer
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Although his name is often linked to that of the "movie brat" generation (Steven Spielberg, Martin Scorsese, Francis Ford Coppola, George Lucas, Brian De Palma, etc.) Paul Schrader's background couldn't have been more different than theirs. His strict Calvinist parents refused to allow him to see a film until he was 18. Although he more than made up for lost time when studying at Calvin College, Columbia University and UCLA's graduate film program, his influences were far removed from those of his contemporaries--Robert Bresson, Yasujirô Ozu and Carl Theodor Dreyer (about whom he wrote a book, "Transcendental Style in Film") rather than Saturday-morning serials. After a period as a film critic (and protégé of Pauline Kael), he began writing screenplays, hitting the jackpot when he and his brother, Leonard Schrader (a Japanese expert), were paid the then-record sum of $325,000, thus establishing his reputation as one of Hollywood's top screenwriters, which was consolidated when Martin Scorsese filmed Schrader's script Taxi Driver (1976), written in the early 1970s during a bout of drinking and depression. The success of the film allowed Schrader to start directing his own films, which have been notable for their willingness to take stylistic and thematic risks while still working squarely within the Hollywood system. The most original of his films (which he and many others regard as his best) was the Japanese co-production Mishima: A Life in Four Chapters (1985).- Writer
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Among the handful of screenwriters whose films have earned over $2 billion at the box office, Steven de Souza was introduced to Hollywood on camera--as a contestant on an L.A. game show. There the Philadelphia-based writer for PBS, The New York Times, Premiere and other media outlets won a car and a color TV--and then talked his way into the office of several producers to leave behind some writing samples. A contract with Universal Television as a story editor was the result. From there, he moved into producing (Knight Rider (1982)) and then earned his first film credit, on 48 Hrs. (1982). That film, along with Commando (1985), Die Hard (1988) and Die Hard 2 (1990), established his reputation as a writer who could juggle both action and humor. That combination remains evident in all of his subsequent work, which expanded to include science-fiction (V (1984), The Running Man (1987), Judge Dredd (1995)), horror (Tales from the Crypt (1989), Possessed (2000)) and fantasy (The Flintstones (1994), Cadillacs and Dinosaurs (1993), Lara Croft: Tomb Raider - The Cradle of Life (2003)). He has been nominated two times each for the Edgar Allen Poe award for best mystery screenplay and the Saturn award for best Science Fiction/Fantasy Film. In 2000 he was honored with the Norman Lear Award for Lifetime Achievement in writing.
In 2009 his web series Unknown Sender (2008) became an unprecedented triple honoree in the 13th annual Webby Awards--for best series and best writing and for Timothy Dalton's performance in If You're Seeing This Tape... (2008).- Writer
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Aaron Sorkin grew up in Scarsdale, a suburb of New York City where he was very involved in his high school drama and theater club. After graduating from Syracuse University with a Bachelor of Fine Arts in Theater, Sorkin intended to pursue a career in acting. It took him only a short time to realize that his true love, and his true talent, lay in writing. His first play, "Removing All Doubt", was not an immediate success, but his second play, "Hidden in This Picture", debuted in 1988 at the West Bank Cafe Downstairs Theater Bar. A longer version of "Hidden in This Picture", called "Making Movies", opened at the Promenade Theater in 1990. Despite his youth and relative inexperience, Sorkin was about to break into the spotlight. In 1989, he received the prestigious Outer Critics Circle award as Outstanding American Playwright for the stage version of A Few Good Men (1992), which was later nominated for a Golden Globe. The idea for the plot of "A Few Good Men" came from a conversation with his older sister, Deborah. Deborah was a Navy Judge Advocate General lawyer sent to Guantanamo Bay on a case involving Marines accused of killing a fellow Marine. Deborah told Aaron of the case and he spent the next year and a half writing a Broadway play, which later led to the movie. Sorkin has gone on to write for many movies and TV shows. Besides A Few Good Men (1992), he has written The American President (1995) and Malice (1993), as well as cooperating on Enemy of the State (1998), The Rock (1996) and Excess Baggage (1997). In addition, he was invited by Steven Spielberg to "polish" the script of Schindler's List (1993). Sorkin's TV credits include the Golden Globe-nominated The West Wing (1999) and Sports Night (1998).- Writer
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Nora Ephron was educated at Wellesley College, Massachusetts. She was an acclaimed essayist (Crazy Salad 1975), novelist (Heartburn 1983), and had written screenplays for several popular films, all featuring strong female characters, such as anti-nuclear activist Karen Silkwood (Silkwood (1983), co-written with Alice Arlen) and a mobster's feisty independent daughter Cookie Voltecki (Cookie (1989), also co-written with Arlen). Ephron's hard-headed sensibilities helped make Rob Reiner's When Harry Met Sally... (1989) a clear-eyed view of modern romance, and she earned an Oscar nomination for her original screenplay.
Ephron made her directorial debut with the comedy This Is My Life (1992), co-scripted by her sister Delia Ephron, which starred Julie Kavner as a single mother who struggles to establish herself as a stand-up comedienne. Ephron followed up by helming and co-writing Sleepless in Seattle (1993), a romantic comedy in which lovers Tom Hanks and Meg Ryan are separated for most of the film. Less about love than about love in the movies, the film drew inspiration from the beloved shipboard romance An Affair to Remember (1957), starring Cary Grant and Deborah Kerr.
Ephron was born in New York City, the daughter of stage and screen writing team Henry Ephron and Phoebe Ephron, who used her infancy as the subject of their play "Three's a Family" and based their comedy Take Her, She's Mine (1963) on letters their daughter wrote them from college. Their screenplays include There's No Business Like Show Business (1954), Carousel (1956) and Desk Set (1957). Formerly married to novelist Dan Greenburg and investigative journalist Carl Bernstein, Ephron was wed to crime journalist and screenwriter Nicholas Pileggi, at the time of her passing, who wrote such films as Goodfellas (1990). She was of Russian Jewish descent.- Writer
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Screenwriter, novelist, playwright, non-fiction author. Born in Highland Park, Illinois, USA, began his career as a novelist in 1957. Started writing screenplays in 1965 with "Masquerade". A two-time Academy Award Winner, he is one of the most successful screenwriters and script doctors in Hollywood.- Director
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Jordan Peele is an Oscar- and Emmy-winning director, writer, actor, producer, and founder of Monkeypaw Productions. Peele's first feature film, "Get Out," was a critically acclaimed blockbuster, recognized with four Academy Award nominations, including Best Picture. The film would earn Peele the Oscar for Best Original Screenplay. His second feature, "Us," broke numerous box-office records, becoming the biggest opening for an R-rated original film in history when released in March of 2019 to widespread critical praise. Peele's third feature, the original horror epic, "Nope," opened in the summer of 2022 to rave reviews, the No. 1 slot at the box office, and once again becoming a widely discussed cultural phenomenon. Five years in the making, Peele produced and co-wrote Henry Selick's stop-motion animated feature, "Wendell & Wild," to which he also lent his voice as one of the title characters. Under the Monkeypaw banner, Peele co-wrote and produced Nia DaCosta's "Candyman" which made history as the first film helmed by a Black woman director to open at No. 1 at the box office. He also produced Spike Lee's "BlacKkKlansman," which earned a nomination for Best Picture and won an Oscar for Best Adapted Screenplay. He has also served as executive producer for numerous television series, including "Hunters" (Amazon), "Lovecraft Country" (HBO), and "The Twilight Zone" (CBS). Prior to becoming a filmmaker, Peele was a celebrated comedian who was the co-star and co-creator of "Key & Peele" on Comedy Central.- Director
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Anderson was born in 1970. He was one of the first of the "video store" generation of film-makers. His father was the first man on his block to own a V.C.R., and from a very early age Anderson had an infinite number of titles available to him. While film-makers like Spielberg cut their teeth making 8 mm films, Anderson cut his teeth shooting films on video and editing them from V.C.R. to V.C.R.
Part of Anderson's artistic D.N.A. comes from his father, who hosted a late night horror show in Cleveland. His father knew a number of oddball celebrities such as Robert Ridgely, an actor who often appeared in Mel Brooks' films and would later play "The Colonel" in Anderson's Boogie Nights (1997). Anderson was also very much shaped by growing up in "The Valley", specifically the suburban San Fernando Valley of greater Los Angeles. The Valley may have been immortalized in the 1980s for its mall-hopping "Valley Girls", but for Anderson it was a slightly seedy part of suburban America. You were close to Hollywood, yet you weren't there. Would-bes and burn-outs populated the area. Anderson's experiences growing up in "The Valley" have no doubt shaped his artistic self, especially since three of his four theatrical features are set in the Valley.
Anderson got into film-making at a young age. His most significant amateur film was The Dirk Diggler Story (1988), a sort of mock-documentary a la This Is Spinal Tap (1984), about a once-great pornography star named Dirk Diggler. After enrolling in N.Y.U.'s film program for two days, Anderson got his tuition back and made his own short film, Cigarettes & Coffee (1993). He also worked as a production assistant on numerous commercials and music videos before he got the chance to make his first feature, something he liked to call Sydney, but would later become known to the public as Hard Eight (1996). The film was developed and financed through The Sundance Lab, not unlike Quentin Tarantino's Reservoir Dogs (1992). Anderson cast three actors whom he would continue working with in the future: Altman veteran Philip Baker Hall, the husky and lovable John C. Reilly and, in a small part, Philip Seymour Hoffman, who so far has been featured in all four of Anderson's films. The film deals with a guardian angel type (played by Hall) who takes down-on-his-luck Reilly under his wing. The deliberately paced film featured a number of Anderson trademarks: wonderful use of source light, long takes and top-notch acting. Yet the film was reedited (and retitled) by Rysher Entertainment against Anderson's wishes. It was admired by critics, but didn't catch on at the box office. Still, it was enough for Anderson to eventually get his next movie financed. "Boogie Nights" was, in a sense, a remake of "The Dirk Diggler Story", but Anderson threw away the satirical approach and instead painted a broad canvas about a makeshift family of pornographers. The film was often joyous in its look at the 1970s and the days when pornography was still shot on film, still shown in theatres, and its actors could at least delude themselves into believing that they were movie stars. Yet "Boogie Nights" did not flinch at the dark side, showing a murder and suicide, literally in one (almost) uninterrupted shot, and also showing the lives of these people deteriorate, while also showing how their lives recovered.
Anderson not only worked with Hall, Reilly and Hoffman again, he also worked with Julianne Moore, Melora Walters, William H. Macy and Luis Guzmán. Collectively, Anderson had something that was rare in U.S. cinema: a stock company of top-notch actors. Aside from the above mentioned, Anderson also drew terrific performances from Burt Reynolds and Mark Wahlberg, two actors whose careers were not exactly going full-blast at the time of "Boogie Nights", but who found themselves to be that much more employable afterwards.
The success of "Boogie Nights" gave Anderson the chance to really go for broke in Magnolia (1999), a massive mosaic that could dwarf Altman's Nashville (1975) in its number of characters.
Anderson was awarded a "Best Director" award at Cannes for Punch-Drunk Love (2002).- Producer
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Joel Daniel Coen is an American filmmaker who regularly collaborates with his younger brother Ethan. They made Raising Arizona, Barton Fink, Fargo, The Big Lebowski, True Grit, O Brother Where Art Thou?, Burn After Reading, A Serious Man, Inside Llewyn Davis, Hail Caesar and other projects. Joel married actress Frances McDormand in 1984 and had an adopted son.- Producer
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The younger brother of Joel, Ethan Coen is an Academy Award and Golden Globe winning writer, producer and director coming from small independent films to big profile Hollywood films. He was born on September 21, 1957 in Minneapolis, Minnesota. In some films of the brothers- Ethan & Joel wrote, Joel directed and Ethan produced - with both editing under the name of Roderick Jaynes; but in 2004 they started to share the three main duties plus editing. Each film bring its own quality, creativity, art and with one project more daring the other.
His film debut was in 1984 dark humored thriller Blood Simple (1984) starring Frances McDormand (Joel's wife) and M. Emmet Walsh in a deep story revolving a couple of romantic lovers followed by an insisting private eye. The film received critical acclaim, some award nominations to Ethan (best writing at the Film Independent Spirit Awards) and became a cult following over the years. Their second work was the comedy Raising Arizona (1987) starring Nicolas Cage and Holly Hunter as a unusual couple trying to create their family by kidnapping babies from a rich family.
Miller's Crossing (1990) was the third film of the brothers, a mob drama with heavy influences from several criminal dramas and with a stellar cast that included Gabriel Byrne, Marcia Gay Harden, Albert Finney, Steve Buscemi, John Turturro and Jon Polito (the latter three would become regular actors in the Coen's films).
Their views on the Hollywood era of the 1930's was the central theme is the great Barton Fink (1991), created from a writers block both brothers suffered during the making of their previous film. John Turturro stars as a writer who suffers from a breakdown when he's commissioned to a big budget Hollywood project. The film was a breakthrough for the Coens marking their first win at the Cannes Film Festival (Joel got the Palme d'Or) and the first time a film of their received Oscar nominations. The underrated comedy The Hudsucker Proxy (1994) was what followed; but no one could predict their next big and boldest move that would definitely put Ethan and Joel on the spotlight once and for all.
The comedy of errors Fargo (1996) was a huge critical and commercial success. With its crazed story of a man who hires two loonies to kidnap his own wife and a pregnant policewoman tracking the leads to the crime, Ethan and Joel came at their greatest moment that couldn't be missed. The film received several awards during award season and the Coen's got their first Oscar in the Best Original Screenplay category. What came next was the underrated yet hilariously good The Big Lebowski (1998) starring Jeff Bridges, John Goodman, John Turturro and Steve Buscemi. Those masterpieces made their career in the late 1990's cementing the duo as one of the greatest writers and directors of their generation, if not, from all time.
The Odyssey retold for the 1930's in O Brother, Where Art Thou? (2000); the intelligent noir The Man Who Wasn't There (2001); the comedy Intolerable Cruelty (2003) and a remake The Ladykillers (2004) marked their way into the early 2000's. Certaintly of period of minor hits and some downer moments.
The big return was with the highly acclaimed No Country for Old Men (2007), where the brothers swooped at the Oscars with three wins: Best Picture, Screenplay and Writing, an adaptation from the Cormac McCarthy's novel.
A Serious Man (2009), Burn After Reading (2008), True Grit (2010), Inside Llewyn Davis (2013), Hail, Caesar! (2016) and The Ballad of Buster Scruggs (2018) were the subsequent films, all well received by audiences or got awards recognition, mostly nominations.
A shift from tone and career move was writing with other writers and for another directors: for Angelina Jolie's Unbroken (2014), for Spielberg in Bridge of Spies (2015) and George Clooney in Suburbicon (2017).
As for personal life, Ethan has been married to Tricia Cooke since 1990. Tricia works as an assistant editor in several of the Coen brothers films.- Producer
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Ari Aster is an American film director, screenwriter, and producer. He is known for writing and directing the A24 horror films Hereditary (2018) and Midsommar (2019). Aster was born into a Jewish family in New York City on July 15, 1986, the son of a poet mother and musician father. He has a younger brother. He recalled going to see his first movie, Dick Tracy, when he was four years old. The film featured a scene where a character fired a Tommy gun in front of a wall of fire. Aster reportedly jumped from his seat and "ran six New York City blocks" while his mother tried to catch him. In his early childhood, Aster's family briefly lived in England, where his father opened a jazz nightclub in Chester. Aster enjoyed living there, but the family returned to the U.S. and settled in New Mexico when he was 10 years old.- Writer
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Richard Curtis was born on 8 November 1956 in Wellington, New Zealand. He is a writer and producer, known for Love Actually (2003), Four Weddings and a Funeral (1994) and About Time (2013).- Producer
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Hill was born in Long Beach, California and educated at Mexico City College and Michigan State University. He worked in oil drilling and construction in the 60s before becoming a 2nd assistant director in 1967. He has written and co-written screenplays, including several uncredited works. He has produced and directed films since 1975.- Director
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Edgar Howard Wright (born 18 April 1974) is an English director, screenwriter, producer, and actor. He is best known for his comedic Three Flavours Cornetto film trilogy consisting of Shaun of the Dead (2004), Hot Fuzz (2007), and The World's End (2013), made with recurrent collaborators Simon Pegg, Nira Park and Nick Frost. He also collaborated with them as the director of the television series Spaced.- Writer
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Daniel Waters was born on 10 November 1962 in Cleveland, Ohio, USA. He is a writer and producer, known for Heathers (1988), Hudson Hawk (1991) and Sex and Death 101 (2007).- Writer
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Charlton "Charlie" Brooker (born 3 March 1971) is an English humourist, critic, author, screenwriter, producer, and television presenter. He is the creator and co-showrunner of the anthology series Black Mirror and has written for programmes such as Brass Eye, The 11 O'Clock Show, and Nathan Barley. He has presented a number of television shows, including Screenwipe, Gameswipe, Newswipe, Weekly Wipe, and 10 O'Clock Live. He also wrote the five-part horror drama Dead Set. He has written comment pieces for The Guardian and is one of four creative directors of the production company Zeppotron.
Charlton Brooker was born on 3 March 1971 in Reading, Berkshire. He grew up in a relaxed Quaker household in Brightwell-cum-Sotwell, Oxfordshire. He first worked as a writer and cartoonist for Oink!, a comic produced in the late 1980s. After attending Wallingford School, he attended the Polytechnic of Central London (which became the University of Westminster during his time there), studying for a BA in Media Studies. He claims that he did not graduate because his dissertation was written on video games, which was not an acceptable topic. Brooker listed his comedic influences as Monty Python, The Young Ones, Blackadder, Chris Morris, and Vic Reeves.
From 1999 to 2000, Brooker played hooded expert 'the Pundit' in the short-lived show Games Republic, hosted by Trevor and Simon on BSkyB.
In 2000, Brooker was one of the writers of the Channel 4 show The 11 O'Clock Show and a co-host (with Gia Milinovich) on BBC Knowledge's The Kit, a low-budget programme dedicated to gadgets and technology (1999-2000). In 2001, he was one of several writers on Channel 4's Brass Eye special on the subject of paedophilia.
In 2003, Brooker wrote an episode entitled "How to Watch Television" for Channel 4's The Art Show. The episode was presented in the style of a public information film and was partly animated.
Together with Brass Eye's Chris Morris, Brooker co-wrote the sitcom Nathan Barley, based on a character from one of TVGoHome's fictional programmes. The show was broadcast in 2005 and focused on the lives of a group of London media 'trendies'. The same year, he was also on the writing team of the Channel 4 sketch show Spoons, produced by Zeppotron.
In 2006, Brooker began writing and presenting the television series Charlie Brooker's Screenwipe on BBC Four, a TV review programme in a similar style to his Screen Burn columns in The Guardian. After an initial pilot series of three editions in April, the programme returned later in the year for a second run of four episodes plus Christmas and Review of the Year specials in December 2006. A third series followed in February 2007 with a fourth broadcast in September 2007, followed by a Review of the Year in December 2007. The fifth series started in November 2008 and was followed by another Review of the Year special. This series was also the first to be given a primetime repeat on terrestrial television (BBC Two), in January 2009.
In December 2011, three episodes of Brooker's Black Mirror, a science fiction anthology series, aired on Channel 4 to largely positive reviews. As well as creating the show, Brooker wrote the first episode and co-wrote the second with his wife Konnie Huq. He also wrote all three episodes of series two. In September 2015, Netflix commissioned a third season of 12 episodes, with Channel 4 losing the rights to the programme A trailer for the third season was released in October 2016. This was later split into two series of six episodes. The third season was released on Netflix worldwide on 21 October 2016. Brooker has solely written four of the episodes in series three, and has co-written the remaining two.
Beginning on 11 May 2010, Brooker presented a 5-part BBC Radio 4 series celebrating failure titled So Wrong It's Right, in which guests compete to pitch the worst possible ideas for new franchises and give the 'most wrong' answer to a question. Also featured are guests' recollections about their own personal life failures and their complaints about life in general in a round called 'This Putrid Modern Hell'. Guests have included David Mitchell, Lee Mack, Josie Long, Frank Skinner, Helen Zaltzman, Holly Walsh, Graham Linehan and Richard Herring. The second series began on 10 March 2011, and a third was broadcast in May 2012. In common with Screenwipe's use of a Grandaddy track (A.M. 180) from the album Under the Western Freeway as its theme tune, So Wrong It's Right uses another track from the same album, Summer Here Kids.- Writer
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As a child Williamson was a fond fan of movies, especially those of Steven Spielberg. After high school, Williamson went to college for a future in acting. Though he landed very small parts on T.V. shows and movies, nothing had happened. Williamson moved out to L.A in 1990 in hopes it would aid his career, but nothing had come up. While in L.A. he took up a class at UCLA on screenwriting. There he wrote his first script, "Teaching Ms. Tingle" (titled at this time Killing Ms. Tingle). After the movie was complete, Williamson ended up on the streets again looking for work. One night, while house-sitting for a friend, Williamson watched a special on the Gainesville Ripper. This gave birth to what would soon be Scream. After this, he went out to Palm Springs for three days and wrote the script. After the grueling few months of production hell, Scream was released to the public on December 20th, 1996. This spiraled four sequels and a new chapter in horror film history forever.- Actor
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George Denis Patrick Carlin was born and raised in Manhattan, New York City, to Mary (Bearey), a secretary, and Patrick John Carlin, an advertising manager for The Sun; they had met while working in marketing. His father was from Donegal, Ireland, and his mother was Irish-American. His parents divorced when he was two months old, and he was raised by his mother. The long hours the mother worked left the young George by himself for long hours every day, providing him (in his own words), the time he needed to think about various subjects, listen to radio, and practice his impersonations, that where acclaimed by his mother and coworkers since an early age. Carlin started out as a conventional comedian and had achieved a fair degree of success as a Bill Cosby style raconteur in nightclubs and on TV until the late 1960s, when he radically overhauled his persona. His routines became more insightful, introducing more serious subjects. As he aged, he became more cynic and bitter, unintentionally changing his stage persona again in a radical way throughout the '90s. This new George Carlin, usually referred to as the late George Carlin, is one of the most acclaimed and enjoyed by the public and critics. Carlin's forte is Lenny Bruce-style social and political commentary, spiced with nihilistic observations about people and religion peppered with black humor. He is also noted for his masterful knowledge and use of the English language. Carlin's notorious "Seven Dirty Words" comedy routine was part of a radio censorship case that made its way to the U.S. Supreme Court in 1978.- Writer
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John Milius is a screenwriter and director who came to prominence in the 1970s, when he was associated with Francis Ford Coppola and the pre-Star Wars: Episode IV - A New Hope (1977) George Lucas. Born on April 11, 1944 in St. Louis, Missouri, Milius was one of the first movie industry professionals to be a film school graduate, having matriculated at the University of Southern California. In 1967, Milius won first prize at USC School of Cinema-for his student film Marcello, I'm Bored (1970).
A gun enthusiast, Milius serves as a member of the National Rifle Association's Board of Directors.- Writer Dennis Paoli achieved his greatest enduring cult popularity by penning the wickedly witty scripts for two superior 80s H.P. Lovecraft adaptations directed by noted horror genre icon Stuart Gordon: the terrific "Re-Animator" and its equally excellent follow-up "From Beyond." Paoli and Gordon first crossed paths working for the experimental Organic Theater in Chicago. Besides those two films, Paoli has also written "The Pit and the Pendulum," "Castle Freak," "Dagon" and the "Masters of Horror" episodes "H.P. Lovecraft's Dreams in the Witch-House" and "The Black Cat" for Gordon. Paoli has done several screenplays for prolific low-budget movie producer Charles Band: a segment of the horror anthology "Pulse Pounders," "Spellcaster," "Meridian," and "Ghoulies II." He collaborated with Larry Cohen and Nicholas St. John on the script for Abel Ferrara's supremely creepy and underrated sci-fi/horror winner "Body Snatchers." In addition to those credits, Paoli wrote the gruesome "The Dentist" for Brian Yuzna. Outside of writing screenplays, Dennis Paoli has a regular day job as a Writing Instructor and Coordinator of the Hunter College Writing Center at Hunter College in New York. He's especially knowledgeable on Irish literature and has taught a course on Gothic fiction.
- Writer Dennis Paoli achieved his greatest enduring cult popularity by penning the wickedly witty scripts for two superior 80s H.P. Lovecraft adaptations directed by noted horror genre icon Stuart Gordon: the terrific "Re-Animator" and its equally excellent follow-up "From Beyond." Paoli and Gordon first crossed paths working for the experimental Organic Theater in Chicago. Besides those two films, Paoli has also written "The Pit and the Pendulum," "Castle Freak," "Dagon" and the "Masters of Horror" episodes "H.P. Lovecraft's Dreams in the Witch-House" and "The Black Cat" for Gordon. Paoli has done several screenplays for prolific low-budget movie producer Charles Band: a segment of the horror anthology "Pulse Pounders," "Spellcaster," "Meridian," and "Ghoulies II." He collaborated with Larry Cohen and Nicholas St. John on the script for Abel Ferrara's supremely creepy and underrated sci-fi/horror winner "Body Snatchers." In addition to those credits, Paoli wrote the gruesome "The Dentist" for Brian Yuzna. Outside of writing screenplays, Dennis Paoli has a regular day job as a Writing Instructor and Coordinator of the Hunter College Writing Center at Hunter College in New York. He's especially knowledgeable on Irish literature and has taught a course on Gothic fiction.
- Writer Dennis Paoli achieved his greatest enduring cult popularity by penning the wickedly witty scripts for two superior 80s H.P. Lovecraft adaptations directed by noted horror genre icon Stuart Gordon: the terrific "Re-Animator" and its equally excellent follow-up "From Beyond." Paoli and Gordon first crossed paths working for the experimental Organic Theater in Chicago. Besides those two films, Paoli has also written "The Pit and the Pendulum," "Castle Freak," "Dagon" and the "Masters of Horror" episodes "H.P. Lovecraft's Dreams in the Witch-House" and "The Black Cat" for Gordon. Paoli has done several screenplays for prolific low-budget movie producer Charles Band: a segment of the horror anthology "Pulse Pounders," "Spellcaster," "Meridian," and "Ghoulies II." He collaborated with Larry Cohen and Nicholas St. John on the script for Abel Ferrara's supremely creepy and underrated sci-fi/horror winner "Body Snatchers." In addition to those credits, Paoli wrote the gruesome "The Dentist" for Brian Yuzna. Outside of writing screenplays, Dennis Paoli has a regular day job as a Writing Instructor and Coordinator of the Hunter College Writing Center at Hunter College in New York. He's especially knowledgeable on Irish literature and has taught a course on Gothic fiction.
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Diablo Cody is originally from Chicago, Illinois, and moved to Minnesota to live with her Internet boyfriend, Jonny who later became her husband. While there, she decided on a whim to take up stripping as a hobby of sorts.
She was working at an ad agency and got a promotion. The job wore her ragged and was something she did not particularly care for. It demanded organization which is something at which she was not very good. Eventually, she quit her day job with Jonny's blessings and began stripping full-time. During the course of about a year she went from Amateur Night, which was her first stripping experience, to a place she refers to in her book as Sheiks, then to Déjà Vu, and so on. She then took up work as a phone-sex operator before returning to stripping.
Shortly thereafter she decided to quit stripping and she and Jonny married. They moved to what she refers to as "the 'burbs, and no one strips unless they're taking a bubble bath." Her stepdaughter was the flower girl in the wedding.- Writer
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Woody Allen was born on November 30, 1935, as Allen Konigsberg, in The Bronx, NY, the son of Martin Konigsberg and Nettie Konigsberg. He has one younger sister, Letty Aronson. As a young boy, he became intrigued with magic tricks and playing the clarinet, two hobbies that he continues today.
Allen broke into show business at 15 years when he started writing jokes for a local paper, receiving $200 a week. He later moved on to write jokes for talk shows but felt that his jokes were being wasted. His agents, Charles Joffe and Jack Rollins, convinced him to start doing stand-up and telling his own jokes. Reluctantly he agreed and, although he initially performed with such fear of the audience that he would cover his ears when they applauded his jokes, he eventually became very successful at stand-up. After performing on stage for a few years, he was approached to write a script for Warren Beatty to star in: What's New Pussycat (1965) and would also have a moderate role as a character in the film. During production, Woody gave himself more and better lines and left Beatty with less compelling dialogue. Beatty inevitably quit the project and was replaced by Peter Sellers, who demanded all the best lines and more screen-time.
It was from this experience that Woody realized that he could not work on a film without complete control over its production. Woody's theoretical directorial debut was in What's Up, Tiger Lily? (1966); a Japanese spy flick that he dubbed over with his own comedic dialogue about spies searching for the secret recipe for egg salad. His real directorial debut came the next year in the mockumentary Take the Money and Run (1969). He has written, directed and, more often than not, starred in about a film a year ever since, while simultaneously writing more than a dozen plays and several books of comedy.
While best known for his romantic comedies Annie Hall (1977) and Manhattan (1979), Woody has made many transitions in his films throughout the years, transitioning from his "early, funny ones" of Bananas (1971), Love and Death (1975) and Everything You Always Wanted to Know About Sex * But Were Afraid to Ask (1972); to his more storied and romantic comedies of Annie Hall (1977), Manhattan (1979) and Hannah and Her Sisters (1986); to the Bergmanesque films of Stardust Memories (1980) and Interiors (1978); and then on to the more recent, but varied works of Crimes and Misdemeanors (1989), Husbands and Wives (1992), Mighty Aphrodite (1995), Celebrity (1998) and Deconstructing Harry (1997); and finally to his films of the last decade, which vary from the light comedy of Scoop (2006), to the self-destructive darkness of Match Point (2005) and, most recently, to the cinematically beautiful tale of Vicky Cristina Barcelona (2008). Although his stories and style have changed over the years, he is regarded as one of the best filmmakers of our time because of his views on art and his mastery of filmmaking.- Actor
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David Cronenberg, also known as the King of Venereal Horror or the Baron of Blood, was born in Toronto, Ontario, Canada, in 1943. His father, Milton Cronenberg, was a journalist and editor, and his mother, Esther (Sumberg), was a piano player. After showing an inclination for literature at an early age (he wrote and published eerie short stories, thus following his father's path) and for music (playing classical guitar until he was 12), Cronenberg graduated from the University of Toronto with a degree in Literature after switching from the science department. He reached the cult status of horror-meister with the gore-filled, modern-vampire variations of Shivers (1975) and Rabid (1977), following an experimental apprenticeship in independent film-making and in Canadian television programs.
Cronenberg gained popularity with the head-exploding, telepathy-based Scanners (1981) after the release of the much underrated, controversial, and autobiographical The Brood (1979). Cronenberg become a sort of a mass media guru with Videodrome (1983), a shocking investigation of the hazards of reality-morphing television and a prophetic critique of contemporary aesthetics. The issues of tech-induced mutation of the human body and topics of the prominent dichotomy between body and mind were back again in The Dead Zone (1983) and The Fly (1986), both bright examples of a personal film-making identity, even if both films are based on mass-entertainment materials: the first being a rendition of a Stephen King best-seller, the latter a remake of a famous American horror movie.
With Dead Ringers (1988) and Naked Lunch (1991), the Canadian director, no more a mere genre movie-maker but a fully realized auteur, got the acclaim of international critics. Such profound statements on modern humanity and ever-changing society are prominent in the provocative Crash (1996) and in the virtual reality essay of eXistenZ (1999), both of which well fared at the Cannes and Berlin Film Festivals. In the last two film projects Spider (2002) and A History of Violence (2005), Cronenberg avoids expressing his teratologic and oneiric expressionism in favor of a more psychological exploration of human contradictions and idiosyncrasies.- Writer
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Scott Frank was born on 10 March 1960 in Fort Walton Beach, Florida, USA. He is a writer and producer, known for Logan (2017), Out of Sight (1998) and The Lookout (2007).- Writer
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Nancy Jane Meyers is an American filmmaker. She has written, produced, and directed many critically and commercially successful films including Private Benjamin (1980), Irreconcilable Differences (1984), Baby Boom (1987), Father of the Bride (1991), Father of the Bride Part II (1995), The Parent Trap (1998), What Women Want (2000), Something's Gotta Give (2003), The Holiday (2006), It's Complicated (2009), and The Intern (2015).- Writer
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- Second Unit Director or Assistant Director
Charles Shyer was born in Los Angeles, California, USA as Charles Richard Shyer. He is a director, producer and writer, known for Private Benjamin (1980), The Parent Trap (1998), Alfie (2004) and Father of the Bride (1991), Father of the Bride Part II (1995) and The Noel Diary (2022). He was previously married to Deborah Lynn, Nancy Meyers and Diana Ewing.- Writer
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John Patrick Shanley was born on 3 October 1950 in The Bronx, New York City, New York, USA. He is a writer and director, known for Moonstruck (1987), Doubt (2008) and Congo (1995).- Writer
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A bright child, John Sayles began reading novels before age 9. A Williams College grad in 1972, he shunned a corporate career to work various blue-collar jobs, moving to east Boston to take a factory job. He wrote stories and submitted them to various magazines, and the Atlantic Monthly gave him the idea of publishing them in a novel--thus "Pride of the Bimbos" (1975) was born.
In the late 1970s he worked for renowned low-budget producer Roger Corman as a screenwriter. He saved much of the money he earned from that job, got some friends together and made Return of the Secaucus Seven (1980) in 25 days. Altough it was a hit, he had trouble obtaining financing for the films he wanted to make because he would not give up his right of final cut. Baby It's You (1983) was Sayles' only film made under studio control.
In 1983 the MacArthur Foundation Fellowship granted him a tax-free income of $32,000 a year for 5 years. That stipend and money he earned for writing such films as The Clan of the Cave Bear (1986), Enormous Changes at the Last Minute (1983) and Breaking In (1989) enabled him to make the kinds of films he wanted to make. Lone Star (1996) placed Sayles in the ranks of top American filmmakers. In it and his other films, a broadly appealing social consciousness emerges, showing Sayles to be concerned with what's going on with regional cultures, national values and what living in the US is like today.
Sayles and Maggie Renzi, whom he met during college, have lived together since the 1970s, splitting their time between a Hoboken, NJ, house and a farm in upstate New York. They have no plans to marry.- Actor
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Mark Duplass was born on 7 December 1976 in New Orleans, Louisiana, USA. He is an actor and producer, known for Safety Not Guaranteed (2012), Creep (2014) and The One I Love (2014). He has been married to Katie Aselton since 26 August 2006. They have two children.- Writer
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Steven Zaillian was born on 30 January 1953 in Fresno, California, USA. He is a writer and producer, known for Searching for Bobby Fischer (1993), A Civil Action (1998) and The Girl with the Dragon Tattoo (2011). He is married to Elizabeth Zaillian. They have two children.- Writer
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Larry Cohen was born July 15, 1936, in New York, New York, and spent time in Kingston, a small town north of New York City. At a young age, his family moved to the Riverdale section of the Bronx, and he eventually majored in film at the historic City College of New York, from which he graduated in 1963. An independent maverick who got his start in studio-based television, he is best known for inventive low-budget horror films that combine scathing social commentary with the requisite scares and occasional laughs. He was also a major player in the Blaxploitation films of the 1970s. Later in his career, he became a sought-after screenplay writer. Although not very prolific in his screen writing, these works still combine provocative social commentary--but with more conventional storytelling. Sadly, Cohen died of cancer on March 23, 2019.- Writer
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John Hughes was an American film director, film producer, and screenwriter. He was credited for creating some of the most memorable comedy films of the 1980s and the 1990s, when he was at the height of his career. He had a talent for writing coming-of-age stories, and for depicting fairly realistic adolescent characters.
In 1950, Hughes was born in Lansing, Michigan. The city's main employers for much of the 20th century were manufacturing plants for automobiles. Lansing housed the headquarters of companies such as Oldsmobile and the REO Motor Car Company. Hughes' father John Hughes Sr. was a salesman, while Hughes' mother Marion Crawford worked as a volunteer for charity organizations.
Hughes had three sisters and no brothers. His family moved often. For most of his childhood, the Hughes family lived in Grosse Pointe, Michigan, a commuter suburb of Metro Detroit. According to an interview of Hughes, he was the only boy in his neighborhood while growing up. He was surrounded by girls and "old people," and there was no boys around for him to befriend. He spend a lot of time alone, and used his active imagination to keep himself entertained.
In 1963, the Hughes family moved to Northbrook, Illinois, a suburb of Chicago. Hughes attended first the Grove Middle School, and then the Glenbrook North High School. His high school experiences reportedly provided inspiration for his teen-themed films of his career. According to interviews with Hughes' friends, Hughes had a poor relationship with his parents who often criticized him.
As an adolescent, Hughes felt the need to escape his problems. He became an avid film fan, as he found that films satisfied his need for escapism. He was a fan of both the Rat Pack (an informal group of actors and singers), and the music group The Beatles.
After graduating high school, Hughes enrolled in the University of Arizona. He eventually dropped out of the University, and tried to make a living as a comedy writer. He wrote jokes for professional comedians, such as Rodney Dangerfield (1921 - 2004) and Joan Rivers (1933 - 2014).
In 1970, Hughes was hired by the advertising company Needham Harper & Steers (1925-1986). That same year, Hughes married his former high school classmate Nancy Ludwig. Hughes worked in the advertising industry for several years. In 1974, Hughes was hired by the advertising agency Leo Burnett Worldwide. This company's most notable clients included the Pillsbury Company, StarKist, Heinz, Green Giant, and Philip Morris.
As a marketing agent, Hughes was assigned to handle Virginia Slims, a brand of cigarettes produced by Philip Morris. The assignment required him to regularly travel to New York City, where Philip Morris' headquarters were located. Hughes took the opportunity to visit the offices of the popular humor magazine "National Lampoon" (1970-1998) in New York City. He successfully negotiated a new position as a regular contributor to the magazine.
Hughes reportedly impressed the magazine's editors by producing quality work at a fast pace. Among his first short stories was "Vacation '58," based on his recollections of his family's vacations during his childhood. The story was eventually adapted into the road comedy film "National Lampoon's Vacation" (1983).
"National Lampoon" co-produced films written by their staff writers. Hughes provided the script for the black comedy "National Lampoon's Class Reunion" (1982), depicting a serial killer who targets his former classmates. The film was poorly received and under-performed at the box office, but it inspired Hughes to try to make a career as a screenwriter.
Hughes subsequently wrote the scripts for both "National Lampoon's Vacation" (1983) and "Mr. Mom" (1983), comedy films which were box office hits. He then signed a contract for three films with the studio Universal Pictures. He made his directing debut in the coming-of-age comedy film "Sixteen Candles" (1984). The film depicted the misadventures of high school sophomore Samantha "Sam" Baker (played by Molly Ringwald). It performed well at the box office, and was well-received by critics.
Hughes quickly established himself as a leading director of teen films. His films "The Breakfast Club" (1985), "Weird Science" (1985), and "Ferris Bueller's Day Off" (1986) are considered classics of the genre. To cover new ground, he then directed "Planes, Trains and Automobiles" (1987), featuring a duo of adult protagonists. The stars of the film were experienced comic actors Steve Martin and John Candy. The film was a hit. More importantly, Hughes and Candy became close friends. They would often work together in subsequent films.
Hughes' next film as a director was "She's Having a Baby" (1988), about the life of a newlywed couple. The film fared poorly financially and was considered rather "blasé" by critics. Hughes made a comeback with "Uncle Buck" (1989), about a lifelong bachelor who has to take care of his two nieces and a nephew. The film was a box office hit, earning about 80 million dollars at the box office.
Hughes' final film as a director was the comedy-drama "Curly Sue" (1991), about homeless con artist Bill Dancer (played by Jim Belushi) who desperately tries to keep the custody of his surrogate daughter. While moderately successful at the box office at the box office, the film was widely ridiculed for being overly sentimental.
In the 1990s, Hughes found success as a screenwriter, scripting several box office hits. Among his most notable films in this period were "Home Alone" (1990) and "Beethoven" (1992), with both films starting lucrative media franchises. Hughes also wrote the scripts of the sequels "Home Alone 2: Lost in New York" (1992) and "Home Alone 3" (1997). He also scripted a notable comic strip adaptation, "Dennis the Menace" (1993). It was based on the long-running comic strip "Dennis the Menace" (1951-) by Hank Ketcham (1920-2001).
In 1994, Hughes moved to the Chicago metropolitan area. At about that time, he started actively avoiding publicity. He rarely gave any interviews until the end of his life. In 1995, Hughes co-founded the production company Great Oaks Entertainment, which mainly handled co-production of Disney produced films. Hughes handled the scripting of two of the company's films: "101 Dalmatians" (1996) and "Flubber" (1997). Both were remakes of older films.
In 1997, Hughes severed his partnership with Ricardo Mestres. A year later, their final co-production, "Reach the Rock," was released. The film was scripted by Hughes, though it was uncharacteristically dramatic for a Hughes film. The film depicted the conflict between an alienated young man and a police chief.
In the 2000s, Hughes only scripted three more films. The most notable among them the romantic drama "Maid in Manhattan" (2002), a hit for protagonist Jennifer Lopez. It earned about 164 million dollars.
In August 2009, Hughes visited New York City with his wife. He wanted to visit one of his sons who lived there, and to meet his new grandson. On August 6, Hughes suffered a heart attack while walking in Manhattan. He was transported to Roosevelt Hospital, but died shortly after. He was fifty-nine years old.
Hughes was buried in Lake Forest Cemetery, a rural cemetery located in Lake Forest, Illinois. He was survived by his wife, their two children, and several grandchildren.- Producer
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As a screenwriter, Scot is credited on 'Old School," "Road Trip," "School For Scoundrels," "Starsky & Hutch," "Heartbreak Kid," "Semi Pro," "Search Party" and "Hangover Part II." He did un-credited work on "Elf" and "Bad Santa." Scot has created, written and directed the comedy series "Dice" for Showtime, which premieres in 2016.
In 2015 he directed the independent feature "Search Party." He has produced and executive produced several projects for film and television, including the movie "Hesher," the network pilots "Off Duty" and "Problem Child" as well as the shows "Best Friends Forever," "Animal Practice" and "Playing House," which is currently on USA.
Originally from Chicago, Scot studied improvisational comedy under Del Close at the Improv Olympic, trained at the Second City and has been with the Upright Citizens Brigade Theater since its inception. At UCB NYC he performed in "Feature Feature," "Asssscat" and "Mother." For the stage, he directed "Naked Babies" and "Secret Slut." Now at UCB LA, he performs in "Soundtrack."
Biography as of March 2016.- Writer
- Additional Crew
- Actor
Dan O'Bannon was inspired at an early age by EC Comics like Tales from the Crypt and old horror films that he saw in St. Louis. He even wrote a few stories for Heavy Metal magazine (which also showed up in the film).
O'Bannon got his start when he and John Carpenter collaborated on the cult sci-fi film Dark Star (1974). After a failed attempt to make "Dune" with bizarre surrealist Alejandro Jodorowsky in Europe, O'Bannon returned to the US and began work on "Star Beast" (later retitled Alien (1979)) with Ronald Shusett (with whom he later worked again on Dead & Buried (1981)). He continued working in the Sci-fi/Horror genre mostly as a script doctor, but his directorial debut, The Return of the Living Dead (1985) is known as one of the best zombie movies ever made (and as of this writing two sequels with another in production). Lately O'Bannon has been appearing in a lot of DVD documentaries discussing his work and his influences. It is also worth noting that all of his films have interesting psychological interpretations. He has a tendency to appear in bow ties.