Clockwise from top left: The Conjuring (Photo: Michael Tackett/Warner Bros.); The Shining (Screenshot: Warner Bros/YouTube); Beetlejuice (Screenshot: Warner Bros./YouTube); Poltergeist (Screenshot: MGM/YouTube)Graphic: The A.V. Club
This house … is clean. Or at least it should be. The enduring brilliance of the haunted house subgenre is its...
This house … is clean. Or at least it should be. The enduring brilliance of the haunted house subgenre is its...
- 10/25/2023
- by Matt Mills
- avclub.com
So Evil My Love
Blu ray
Kino Lorber
1948 / 1.33:1 / 112 min.
Starring Ray Milland, Ann Todd, Geraldine Fitzgerald
Cinematography by Mutz Greenbaum
Directed by Lewis Allen
In 1944 Ray Milland starred in The Uninvited, the story of an orphan plagued by the vengeful spirit of her mother. The film remains a shivery classic of familial strife but contrary to its inhospitable title, Milland never looked so at home. But then the actor had always appeared haunted. Even in his comedies—and he made a lot them—Milland delivered his lines like a condemned man, as if he understood the tragic implications of a pratfall. There was an advantage to his angst—in It Happens Every Spring, one of the most lighthearted farces of the 40’s, Milland’s sourpuss keeps the movie from being so frothy that it floats away. Savvy directors tapped into that grave quality more than once; he was a...
Blu ray
Kino Lorber
1948 / 1.33:1 / 112 min.
Starring Ray Milland, Ann Todd, Geraldine Fitzgerald
Cinematography by Mutz Greenbaum
Directed by Lewis Allen
In 1944 Ray Milland starred in The Uninvited, the story of an orphan plagued by the vengeful spirit of her mother. The film remains a shivery classic of familial strife but contrary to its inhospitable title, Milland never looked so at home. But then the actor had always appeared haunted. Even in his comedies—and he made a lot them—Milland delivered his lines like a condemned man, as if he understood the tragic implications of a pratfall. There was an advantage to his angst—in It Happens Every Spring, one of the most lighthearted farces of the 40’s, Milland’s sourpuss keeps the movie from being so frothy that it floats away. Savvy directors tapped into that grave quality more than once; he was a...
- 2/16/2021
- by Charlie Largent
- Trailers from Hell
The Uninvited
Blu ray
Criterion
1944 / 1.33:1 / 99 min.
Starring Ray Milland, Gail Russell, Ruth Hussey
Cinematography by Charles Lang
Directed by Lewis Allen
The story of a lonely young woman and the ghosts in her life, Dorothy Macardle’s Uneasy Freehold was published in 1941 and brought to the screen in 1944 as The Uninvited. The film follows the same trajectory as the book: Rick Fitzgerald and his sister Pamela are two Londoners searching for more peaceful surroundings when they discover their dream home on a sea-swept cliff in Cornwall – a vacant estate called Windward House. The couple’s first swing through the place is full of promise – roomy if dusty chambers, a kitchen ripe for renovation and a sunny studio overlooking the ocean. Once they take up residence, things change. One room is inexplicably cold. And at night, in what would be a deal breaker for most new homeowners, a woman’s sobs echo through the hallways.
Blu ray
Criterion
1944 / 1.33:1 / 99 min.
Starring Ray Milland, Gail Russell, Ruth Hussey
Cinematography by Charles Lang
Directed by Lewis Allen
The story of a lonely young woman and the ghosts in her life, Dorothy Macardle’s Uneasy Freehold was published in 1941 and brought to the screen in 1944 as The Uninvited. The film follows the same trajectory as the book: Rick Fitzgerald and his sister Pamela are two Londoners searching for more peaceful surroundings when they discover their dream home on a sea-swept cliff in Cornwall – a vacant estate called Windward House. The couple’s first swing through the place is full of promise – roomy if dusty chambers, a kitchen ripe for renovation and a sunny studio overlooking the ocean. Once they take up residence, things change. One room is inexplicably cold. And at night, in what would be a deal breaker for most new homeowners, a woman’s sobs echo through the hallways.
- 4/4/2020
- by Charlie Largent
- Trailers from Hell
François Truffaut was a revered member of the French New Wave, but few people know about the filmmaker’s longtime friend and colleague, Helen Scott. Serge Toubiana, the president of Unifrance and the former director of the Cinematheque Française, aims to change that with his new book. “The American Friend,” which will be published by Albertine Books in March 2020, tracks the life of Scott in New York and Paris as the writer and translator played a key role in Truffaut’s career.
At one point, that included her insistence that Truffaut direct “Bonnie and Clyde” at the height of his popularity. While Arthur Penn eventually directed the seminal 1967 film, the history of Truffaut’s involvement in the project is retold in this exclusive excerpt — entitled “The Bonnie and Clyde Hypothesis” — from Toubiana’s book, translated into English for IndieWire.
Helen Scott was given the film treatment for “Bonnie and Clyde” by Eleanor Wright-Jones,...
At one point, that included her insistence that Truffaut direct “Bonnie and Clyde” at the height of his popularity. While Arthur Penn eventually directed the seminal 1967 film, the history of Truffaut’s involvement in the project is retold in this exclusive excerpt — entitled “The Bonnie and Clyde Hypothesis” — from Toubiana’s book, translated into English for IndieWire.
Helen Scott was given the film treatment for “Bonnie and Clyde” by Eleanor Wright-Jones,...
- 3/3/2020
- by IndieWire Staff
- Indiewire
[This Halloween season, we're paying tribute to classic horror cinema by celebrating films released before 1970! Check back on Daily Dead this month for more retrospectives on classic horror films, and visit our online hub to catch up on all of our Halloween 2019 special features!]
The Uninvited is a supernatural film from 1944. Though it has garnered praise both then and now for its stunning cinematography, marvelous cast and effects work used to bring the story’s ghost to the screen, it is a film that doesn’t get talked about nearly enough, and would be very at home on anyone’s October viewing list.
Written by Dodie Smith and Frank Partos (based on a novel by Dorothy Macardle) and directed by Lewis Allen, the film follows siblings Rick (Ray Milland) and Pamela Fitzgerald (Ruth Hussey) on a seaside vacation where they happen upon an old abandoned house. They immediately fall in love with the property, and inquire about buying it. The owner, Commander Beech (Donald Crisp), is more than happy to sell and offers the house at a very low price. His granddaughter, Stella (Gail Russell), is less than thrilled about the sale. The house...
The Uninvited is a supernatural film from 1944. Though it has garnered praise both then and now for its stunning cinematography, marvelous cast and effects work used to bring the story’s ghost to the screen, it is a film that doesn’t get talked about nearly enough, and would be very at home on anyone’s October viewing list.
Written by Dodie Smith and Frank Partos (based on a novel by Dorothy Macardle) and directed by Lewis Allen, the film follows siblings Rick (Ray Milland) and Pamela Fitzgerald (Ruth Hussey) on a seaside vacation where they happen upon an old abandoned house. They immediately fall in love with the property, and inquire about buying it. The owner, Commander Beech (Donald Crisp), is more than happy to sell and offers the house at a very low price. His granddaughter, Stella (Gail Russell), is less than thrilled about the sale. The house...
- 10/22/2019
- by Emily von Seele
- DailyDead
The murky crimes of sordid characters come to the fore in the wide-open Nevada spaces… producer Hal Wallis’ Technicolor noir concentrates on the possessive and perverse competition for Lizabeth Scott’s luscious blonde — the mother that wants to corral her, the gangster who thinks she’s an escape and the local hunk who wears a badge. Robert Rossen’s edgy screenplay depicts its violent action on a psychological level.
Desert Fury
Blu-ray
Kl Studio Classics
1947 / Color / 1:37 flat Academy / 96 min. / Street Date Feb 26, 2019 / available through Kino Lorber / 29.95
Starring: Burt Lancaster, Lizabeth Scott, John Hodiak, Wendell Corey, Mary Astor, Kristine Miller, William Harrigan, James Flavin, Anna Camargo, Ray Teal.
Cinematography: Edward Cronjager, Charles Lang
Film Editor: Warren Low
Original Music: Miklos Rosza
Written by Robert Rossen from the novel by Ramona Stewart
Produced by Hal B. Wallis
Directed by Lewis Allen
As he was under contract to Hal Wallis, Burt Lancaster...
Desert Fury
Blu-ray
Kl Studio Classics
1947 / Color / 1:37 flat Academy / 96 min. / Street Date Feb 26, 2019 / available through Kino Lorber / 29.95
Starring: Burt Lancaster, Lizabeth Scott, John Hodiak, Wendell Corey, Mary Astor, Kristine Miller, William Harrigan, James Flavin, Anna Camargo, Ray Teal.
Cinematography: Edward Cronjager, Charles Lang
Film Editor: Warren Low
Original Music: Miklos Rosza
Written by Robert Rossen from the novel by Ramona Stewart
Produced by Hal B. Wallis
Directed by Lewis Allen
As he was under contract to Hal Wallis, Burt Lancaster...
- 1/22/2019
- by Glenn Erickson
- Trailers from Hell
Stars: Ruth Hussey, Ray Milland, Gail Russell, Donald Crisp, Barbara Everest | Written by Frank Partos, Dodie Smith | Directed by Lewis Allen
“Be afraid. Be afraid, for heaven’s sake.” This line may have inspired Geena Davis’s famous warning from David Cronenberg’s The Fly. Indeed, this 1944 groundbreaker provides a reference point for many a horror movie since. While The Uninvited may not chill you to the bone, it is a reminder that not everything in the horror genre prior to Jack Clayton’s The Innocents relied on spooky stageplay castles and camp.
Adapted from the novel by Dorothy Macardle and directed by feature debutant Lewis Allen, the narrative is for the most part a vehicle for exposition. In that way it’s more suited to the page or the radio play format; but the plot is intriguing enough, the performances are effective, and there are some creepy images and ideas.
“Be afraid. Be afraid, for heaven’s sake.” This line may have inspired Geena Davis’s famous warning from David Cronenberg’s The Fly. Indeed, this 1944 groundbreaker provides a reference point for many a horror movie since. While The Uninvited may not chill you to the bone, it is a reminder that not everything in the horror genre prior to Jack Clayton’s The Innocents relied on spooky stageplay castles and camp.
Adapted from the novel by Dorothy Macardle and directed by feature debutant Lewis Allen, the narrative is for the most part a vehicle for exposition. In that way it’s more suited to the page or the radio play format; but the plot is intriguing enough, the performances are effective, and there are some creepy images and ideas.
- 10/12/2018
- by Rupert Harvey
- Nerdly
In 1961, Shirley Clarke finished directing her first feature film and debuted The Connection at the Cannes Film Festival to much acclaim.
Previously, Clarke had begun her creative career as a dancer before moving on to direct many well-respected short experimental films, such as 1958’s Bridges-Go-Round. Clarke had always aimed her sights high with her career and, despite the improbability of a woman directing an independent feature film in the early 1960s, she accomplished just that.
The Connection was originally a play written by Jack Gelber and performed by New York City’s Living Theatre in 1959. The plot revolves around a group of junkies waiting around one afternoon for their drug dealer to arrive.
Clarke had seen and loved the play, but it was her brother-in-law — theater critic Kenneth Tynan — who convinced her to make a film of it. Money was raised through Lewis Allen, a theater investor who wanted to move into producing films.
Previously, Clarke had begun her creative career as a dancer before moving on to direct many well-respected short experimental films, such as 1958’s Bridges-Go-Round. Clarke had always aimed her sights high with her career and, despite the improbability of a woman directing an independent feature film in the early 1960s, she accomplished just that.
The Connection was originally a play written by Jack Gelber and performed by New York City’s Living Theatre in 1959. The plot revolves around a group of junkies waiting around one afternoon for their drug dealer to arrive.
Clarke had seen and loved the play, but it was her brother-in-law — theater critic Kenneth Tynan — who convinced her to make a film of it. Money was raised through Lewis Allen, a theater investor who wanted to move into producing films.
- 9/9/2018
- by Mike Everleth
- Underground Film Journal
Ghosts are famous for their flexibility, spiraling through keyholes and up from the floorboards in search of their next mark. But movies about ghosts can be flexible too. Three classics of the genre, The Uninvited, House on Haunted Hill and The Innocents, demonstrate that there’s more than one way haunt a house.
These films never appeared on any triple bill that I know of, but I’d like to think they did, somewhere in some small town with a theater manager that knew a good scare when he saw it. How could the programmer resist it? Each film is united by a beautiful black and white sheen, eerie locales and their ability to scare the bejeezus out of you. But they’re also alike in their differences, coming at their specters from distinctly different vantage points.
1944’s The Uninvited, a three-hankie haunted house tale with a dysfunctional family subplot,...
These films never appeared on any triple bill that I know of, but I’d like to think they did, somewhere in some small town with a theater manager that knew a good scare when he saw it. How could the programmer resist it? Each film is united by a beautiful black and white sheen, eerie locales and their ability to scare the bejeezus out of you. But they’re also alike in their differences, coming at their specters from distinctly different vantage points.
1944’s The Uninvited, a three-hankie haunted house tale with a dysfunctional family subplot,...
- 10/28/2017
- by Charlie Largent
- Trailers from Hell
R&B singer Andra Day delivered a striking rendition of the famous protest song "Strange Fruit" on The Daily Show Wednesday. The song was first made famous by Billie Holiday, but has also been performed by Nina Simone, Jeff Buckley, UB40 and Annie Lennox.
The sparse arrangement found Day partnering with just a guitarist, who unspooled blues riffs beneath her stunning vocals. Day began singing Abel Meeropol's vivid lyrical poem about the lynchings of African Americans in the South at a low moan. Day also tied the song to...
The sparse arrangement found Day partnering with just a guitarist, who unspooled blues riffs beneath her stunning vocals. Day began singing Abel Meeropol's vivid lyrical poem about the lynchings of African Americans in the South at a low moan. Day also tied the song to...
- 8/24/2017
- Rollingstone.com
Rebecca Ferguson took to Twitter on Monday to reveal she had been asked to perform at President-elect Donald Trump’s inauguration on Jan. 20.
The 30-year-old British singer posted a response on Twitter, saying she would agree perform, but only if she could sing “Strange Fruit,” a song performed most famously by Billie Holiday.
Ferguson said the song “has huge historical importance, a song that was blacklisted in the United States for being too controversial. A song that speaks to all the disregarded and down trodden black people in the United States.”
Inauguration ceremony
Read: https://t.co/CHVDH7Qzbx
— Rebecca Ferguson (@RebeccaFMusic) January 2, 2017
//platform.
The 30-year-old British singer posted a response on Twitter, saying she would agree perform, but only if she could sing “Strange Fruit,” a song performed most famously by Billie Holiday.
Ferguson said the song “has huge historical importance, a song that was blacklisted in the United States for being too controversial. A song that speaks to all the disregarded and down trodden black people in the United States.”
Inauguration ceremony
Read: https://t.co/CHVDH7Qzbx
— Rebecca Ferguson (@RebeccaFMusic) January 2, 2017
//platform.
- 1/3/2017
- by Alexia Fernandez
- PEOPLE.com
Political terror scenarios were a bit simpler in the 1950s, and movies about them fairly rare. Frank Sinatra gives a strong performance as the villain John Baron, in a tense tale of presidential assassination by high-powered rifle. Suddenly Blu-ray The Film Detective 1954 / B&W / 1.75 widescreen / 75 min. / Street Date October 25, 2016 / 14.99 Starring Frank Sinatra, Sterling Hayden, James Gleason, Nancy Gates, Willis Bouchey, Cinematography Charles G. Clarke Art Direction Frank Sylos Film Editor John F. Schreyer Original Music David Raksin Written by Richard Sale Produced by Robert Bassler Directed by Lewis Allen
Reviewed by Glenn Erickson
Some disc companies do well by refurbishing movies in the Public Domain, using various methods to bring what were once bargain-bin eyesores nearer the level of releases made from prime source material in studio vaults. As I've reported with efforts by HD Cinema Classics and Vci, the results vary dramatically -- did the company do a professional job,...
Reviewed by Glenn Erickson
Some disc companies do well by refurbishing movies in the Public Domain, using various methods to bring what were once bargain-bin eyesores nearer the level of releases made from prime source material in studio vaults. As I've reported with efforts by HD Cinema Classics and Vci, the results vary dramatically -- did the company do a professional job,...
- 10/8/2016
- by Glenn Erickson
- Trailers from Hell
'The Beast with a Million Eyes': Hardly truth in advertising as there's no million-eyed beast in Roger Corman's micro-budget sci-fi thriller. 'The Beast with a Million Eyes': Alien invasion movie predates Alfred Hitchcock classic Despite the confusing voice-over introduction, David Kramarsky's[1] The Beast with a Million Eyes a.k.a. The Beast with 1,000,000 Eyes is one of my favorite 1950s alien invasion films. Set in an ugly, desolate landscape – shot “for wide screen in terror-scope” in Indio and California's Coachella Valley – the screenplay by future novelist Tom Filer (who also played Jack Nicholson's sidekick in the 1966 Western Ride in the Whirlwind) focuses on a dysfunctional family whose members become the first victims of a strange force from another galaxy after a spaceship lands nearby emitting sound vibrations that turn domestic animals into aggressive killers. Killer cow First, the lady-of-the-house is pecked by a flock of chickens and,...
- 5/12/2016
- by Danny Fortune
- Alt Film Guide
By Lee Pfeiffer
If "Another Time, Another Place" is remembered at all, it's probably for all the wrong reasons. The 1958 film afforded Sean Connery his first major leading role, even though he gets killed off a little more than half-an-hour into the story. I'm not giving away a spoiler here...you can see it telegraphed from the early moments of the movie. Connery was given "Introducing" billing, a common fallacy on the part of studio marketing departments that implied an actor or actress was making their big screen debut. In reality, Connery had been kicking around the British film industry for a couple of years prior to making this movie, but only in supporting roles. The other bit of trivia for which this film is remembered is due to a tragic real-life scandal. While co-starring with Lana Turner, Connery began to spend a lot of his free time with her off set.
If "Another Time, Another Place" is remembered at all, it's probably for all the wrong reasons. The 1958 film afforded Sean Connery his first major leading role, even though he gets killed off a little more than half-an-hour into the story. I'm not giving away a spoiler here...you can see it telegraphed from the early moments of the movie. Connery was given "Introducing" billing, a common fallacy on the part of studio marketing departments that implied an actor or actress was making their big screen debut. In reality, Connery had been kicking around the British film industry for a couple of years prior to making this movie, but only in supporting roles. The other bit of trivia for which this film is remembered is due to a tragic real-life scandal. While co-starring with Lana Turner, Connery began to spend a lot of his free time with her off set.
- 4/25/2016
- by nospam@example.com (Cinema Retro)
- Cinemaretro.com
Above: Italian 4-foglio for The Joker is Wild (Charles Vidor, USA, 1957). Art by Enzo Nistri.Frank Sinatra, arguably the most important entertainer of the 20th century, was born 100 years ago today. I’ve become a little obsessed with him over the past week after watching Alex Gibney’s terrific 2-part, 4-hour HBO portrait Sinatra: All or Nothing at All. This of course got me thinking about Frank in movie posters, and I realized that I could barely come up with images of Sinatra posters in my head. While his best album covers are indelible and iconic, his movie posters tend to be less so. Scrolling through his filmography I realized that part of the problem is that his greatest films—On the Town, From Here to Eternity, Guys and Dolls, Some Came Running, Ocean’s 11—were almost always ensemble films in which Sinatra was never the standalone star, and so...
- 12/12/2015
- by Adrian Curry
- MUBI
Above: Italian 4-foglio for The Joker is Wild (Charles Vidor, USA, 1957). Art by Enzo Nistri.Frank Sinatra, arguably the most important entertainer of the 20th century, was born 100 years ago today. I’ve become a little obsessed with him over the past week after watching Alex Gibney’s terrific 2-part, 4-hour HBO portrait Sinatra: All or Nothing at All. This of course got me thinking about Frank in movie posters, and I realized that I could barely come up with images of Sinatra posters in my head. While his best album covers are indelible and iconic, his movie posters tend to be less so. Scrolling through his filmography I realized that part of the problem is that his greatest films—On the Town, From Here to Eternity, Guys and Dolls, Some Came Running, Ocean’s 11—were almost always ensemble films in which Sinatra was never the standalone star, and so...
- 12/12/2015
- by Adrian Curry
- MUBI
Since any New York City cinephile has a nearly suffocating wealth of theatrical options, we figured it’d be best to compile some of the more worthwhile repertory showings into one handy list. Displayed below are a few of the city’s most reliable theaters and links to screenings of their weekend offerings — films you’re not likely to see in a theater again anytime soon, and many of which are, also, on 35mm. If you have a chance to attend any of these, we’re of the mind that it’s time extremely well-spent.
Film Society of Lincoln Center
The release of Carol (our coverage can be found here) brings “Todd Haynes: The Other Side of Dreams,” which will pair the director’s work with his personal favorites. Safe and Imitation of Life show on Friday; on Saturday, see “Todd Haynes: Rarities” — which brings Dottie Gets Spanked,...
Film Society of Lincoln Center
The release of Carol (our coverage can be found here) brings “Todd Haynes: The Other Side of Dreams,” which will pair the director’s work with his personal favorites. Safe and Imitation of Life show on Friday; on Saturday, see “Todd Haynes: Rarities” — which brings Dottie Gets Spanked,...
- 11/20/2015
- by Nick Newman
- The Film Stage
Billy Wilder directed Sunset Blvd. with Gloria Swanson and William Holden. Billy Wilder and Charles Brackett movies Below is a list of movies on which Charles Brackett and Billy Wilder worked together as screenwriters, including efforts for which they did not receive screen credit. The Wilder-Brackett screenwriting partnership lasted from 1938 to 1949. During that time, they shared two Academy Awards for their work on The Lost Weekend (1945) and, with D.M. Marshman Jr., Sunset Blvd. (1950). More detailed information further below. Post-split years Billy Wilder would later join forces with screenwriter I.A.L. Diamond in movies such as the classic comedy Some Like It Hot (1959), the Best Picture Oscar winner The Apartment (1960), and One Two Three (1961), notable as James Cagney's last film (until a brief comeback in Milos Forman's Ragtime two decades later). Although some of these movies were quite well received, Wilder's later efforts – which also included The Seven Year Itch...
- 9/16/2015
- by Andre Soares
- Alt Film Guide
Directed by Lewis Allen, this elegant ghost story from 1944 is a consistently creepy yet surprisingly moving study of a dysfunctional family whose problems extend into the afterlife. Ray Milland is the skeptical but good-humored leading man and sad-eyed Gail Russell plays the troubled young woman whose mother may (or may not be) haunting her. Stella By Starlight, written especially for this film, went on to become a jazz standard, even showing up as the theme song for The Nutty Professor in 1963.
- 7/27/2015
- by Trailers From Hell
- Thompson on Hollywood
Directed by Lewis Allen, this elegant ghost story from 1944 is a consistently creepy yet surprisingly moving study of a dysfunctional family whose problems extend into the afterlife. Ray Milland is the skeptical but good-humored leading man and sad-eyed Gail Russell plays the troubled young woman whose mother may (or may not be) haunting her. Stella By Starlight, written especially for this film, went on to become a jazz standard, even showing up as the theme song for The Nutty Professor in 1963.
- 7/27/2015
- by TFH Team
- Trailers from Hell
Teresa Wright: Later years (See preceding post: "Teresa Wright: From Marlon Brando to Matt Damon.") Teresa Wright and Robert Anderson were divorced in 1978. They would remain friends in the ensuing years.[1] Wright spent most of the last decade of her life in Connecticut, making only sporadic public appearances. In 1998, she could be seen with her grandson, film producer Jonah Smith, at New York's Yankee Stadium, where she threw the ceremonial first pitch.[2] Wright also became involved in the Greater New York chapter of the Als Association. (The Pride of the Yankees subject, Lou Gehrig, died of Amyotrophic Lateral Sclerosis in 1941.) The week she turned 82 in October 2000, Wright attended the 20th anniversary celebration of Somewhere in Time, where she posed for pictures with Christopher Reeve and Jane Seymour. In March 2003, she was a guest at the 75th Academy Awards, in the segment showcasing Oscar-winning actors of the past. Two years later,...
- 3/15/2015
- by Andre Soares
- Alt Film Guide
Teresa Wright in 'Shadow of a Doubt': Alfred Hitchcock heroine (image: Joseph Cotten about to strangle Teresa Wright in 'Shadow of a Doubt') (See preceding article: "Teresa Wright Movies: Actress Made Oscar History.") After scoring with The Little Foxes, Mrs. Miniver, and The Pride of the Yankees, Teresa Wright was loaned to Universal – once initial choices Joan Fontaine and Olivia de Havilland became unavailable – to play the small-town heroine in Alfred Hitchcock's Shadow of a Doubt. (Check out video below: Teresa Wright reminiscing about the making of Shadow of a Doubt.) Co-written by Thornton Wilder, whose Our Town had provided Wright with her first chance on Broadway and who had suggested her to Hitchcock; Meet Me in St. Louis and Junior Miss author Sally Benson; and Hitchcock's wife, Alma Reville, Shadow of a Doubt was based on "Uncle Charlie," a story outline by Gordon McDonell – itself based on actual events.
- 3/7/2015
- by Andre Soares
- Alt Film Guide
Olive Films releases classics old and new (but mostly old) on a monthly basis, and it’s not uncommon to find pockets of a theme at times — same actors, similar genre, etc. — and their selection of titles that hit shelves this week are no different. The seven films can be broken into two groups as four of them are film noir examples from the late ’40s and early ’50s, and the three more recent titles are all directed by Otto Preminger. My exposure to both is not nearly as deep as I’d like, so these offered up a great sampling of the noir genre and Preminger’s resume. Three of the films are genuinely fantastic, but none of the seven seem to enjoy wide popularity — this is somewhat baffling when you look at the powerhouse casts including the likes of Alan Ladd, Charlton Heston, Burt Lancaster, William Holden, Michael Caine and others. Keep...
- 12/24/2014
- by Rob Hunter
- FilmSchoolRejects.com
Scariest movies ever made: The top 100 horror films according to the Chicago Film Critics (photo: Janet Leigh, John Gavin and Vera Miles in Alfred Hitchcock's 'Psycho') I tend to ignore lists featuring the Top 100 Movies (or Top 10 Movies or Top 20 Movies, etc.), no matter the category or criteria, because these lists are almost invariably compiled by people who know little about films beyond mainstream Hollywood stuff released in the last decade or two. But the Chicago Film Critics Association's list of the 100 Scariest Movies Ever Made, which came out in October 2006, does include several oldies — e.g., James Whale's Frankenstein and The Bride of Frankenstein — in addition to, gasp, a handful of non-American horror films such as Dario Argento's Suspiria, Werner Herzog's Nosferatu the Vampyre, and F.W. Murnau's brilliant Dracula rip-off Nosferatu. (Check out the full list of the Chicago Film Critics' top 100 horror movies of all time.
- 10/31/2014
- by Andre Soares
- Alt Film Guide
The Amazing Mr. X (a.k.a. The Spiritualist)
Written by Crane Wilbur and Muriel Roy Bolton
Directed by Bernard Vorhaus
USA, 1948
Christine (Lynn Bari), widowed for two years, steps out one night on her bedroom balcony overlooking the nearby rocky cliffs and ocean. Something compels her towards the violent waters,, a voice, that of her late husband Paul. Her younger sister Janet (Cathy O’Donnell) gently reminds Christine that more than enough time has elapsed for her to rebuild her life, especially with Martin (Richard Carlson), affable and loving, trying to win her heart. A few nights later, Christine even makes the trek down to the beach where a raspy voice unmistakably calls out her name. To her surprise, a lone gentleman named Alexis (Turhan Bey) is lurking the premises and introduces himself as a spiritualist interested in her case. Tempted by the idea of contacting her dead husband,...
Written by Crane Wilbur and Muriel Roy Bolton
Directed by Bernard Vorhaus
USA, 1948
Christine (Lynn Bari), widowed for two years, steps out one night on her bedroom balcony overlooking the nearby rocky cliffs and ocean. Something compels her towards the violent waters,, a voice, that of her late husband Paul. Her younger sister Janet (Cathy O’Donnell) gently reminds Christine that more than enough time has elapsed for her to rebuild her life, especially with Martin (Richard Carlson), affable and loving, trying to win her heart. A few nights later, Christine even makes the trek down to the beach where a raspy voice unmistakably calls out her name. To her surprise, a lone gentleman named Alexis (Turhan Bey) is lurking the premises and introduces himself as a spiritualist interested in her case. Tempted by the idea of contacting her dead husband,...
- 1/31/2014
- by Edgar Chaput
- SoundOnSight
Desert Fury
Written by A.I. Bezzerides and Robert Rossen
Directed by Lewis Allen
USA, 1947
Perception plays a spectacularly large role in how people behave and process information. Everything one does or chooses to do is at least partly a function of one’s perceived reality. Sometimes, one believes to be doing the right thing whereas they are doing the wrong thing and vice versa. It is but one of the many aspects to human cognition that makes life that much more complicated. It stands to reason that perception can influence how one watches a movie and accepts its terms. These nebulous ideas greatly influence many aspects of the 1947 romance thriller Desert Fury, from what the characters believe to be doing to how the viewer ultimately accepts or rejects the film as a whole.
Chuckawalla, Nevada is home to many people from different walks of life. There is the Haller family,...
Written by A.I. Bezzerides and Robert Rossen
Directed by Lewis Allen
USA, 1947
Perception plays a spectacularly large role in how people behave and process information. Everything one does or chooses to do is at least partly a function of one’s perceived reality. Sometimes, one believes to be doing the right thing whereas they are doing the wrong thing and vice versa. It is but one of the many aspects to human cognition that makes life that much more complicated. It stands to reason that perception can influence how one watches a movie and accepts its terms. These nebulous ideas greatly influence many aspects of the 1947 romance thriller Desert Fury, from what the characters believe to be doing to how the viewer ultimately accepts or rejects the film as a whole.
Chuckawalla, Nevada is home to many people from different walks of life. There is the Haller family,...
- 11/22/2013
- by Edgar Chaput
- SoundOnSight
By Raymond Benson
It’s not a title that readily pops into one’s head when recalling the great horror films throughout the decades. A British production released when Universal Pictures’ line of horror franchises had declined and Val Lewton’s minimalist Rko productions had reached their height, The Uninvited has remained fairly obscure, in the U.S. anyway, but has also consistently maintained a solid reputation as one of the great, classic haunted house pictures. In fact, The Uninvited could be the first film to treat ghosts seriously rather than as an instrument for humor.
Directed by Lewis Allen and starring Ray Milland, Ruth Hussey and gorgeous Gail Russell in her first film role, the motion picture was released by Paramount in early 1944. Milland was a minor star at the time who would shoot to super-status the following year by winning a Best Actor Oscar for The Lost Weekend.
It’s not a title that readily pops into one’s head when recalling the great horror films throughout the decades. A British production released when Universal Pictures’ line of horror franchises had declined and Val Lewton’s minimalist Rko productions had reached their height, The Uninvited has remained fairly obscure, in the U.S. anyway, but has also consistently maintained a solid reputation as one of the great, classic haunted house pictures. In fact, The Uninvited could be the first film to treat ghosts seriously rather than as an instrument for humor.
Directed by Lewis Allen and starring Ray Milland, Ruth Hussey and gorgeous Gail Russell in her first film role, the motion picture was released by Paramount in early 1944. Milland was a minor star at the time who would shoot to super-status the following year by winning a Best Actor Oscar for The Lost Weekend.
- 10/31/2013
- by nospam@example.com (Cinema Retro)
- Cinemaretro.com
I enjoyed watching Lewis Allen's 1944 haunted house feature The Uninvited for the first time on Criterion Blu-ray as much as I raised my eyebrows. Considered one of the first supernatural films to take the idea of ghosts seriously rather than as a punchline, it undoubtedly has an effective level of atmosphere and while it successfully takes its ghost story seriously, it also knows to balance any tension with some humorous beats and moments of romance. That said, I wasn't really buying the romance angle and making this a tale of cohabitating siblings also seemed a little... weird to me. We're introduced to Rick Fitzgerald (Ray Milland) and his sister Pamela (Ruth Hussey) on holiday in Cornwall, England where they stumble upon a cliffside house. After their dog chases a squirrel through an open window, they ultimately barge in to fetch him, realizing the house has been empty for some time.
- 10/28/2013
- by Brad Brevet
- Rope of Silicon
Well, I've watched as much of "Breaking Bad" as Netflix Instant will allow me to watch as they don't yet have the second half of the fifth season available. My Comcast On Demand only has the series finale available and while I could just rent the rest from Amazon, I have more than enough to watch in the meantime. For instance, this week I also watched two great new Criterion titles, which I'll be offering full reviews this week, in Michelangelo Antonioni's La Notte and Lewis Allen's The Uninvited. Both offer very limited special features, but what the small amount of features included are really quite excellent. More on that later. Additionally I received the much-talked-about documentary Blackfish, which I can't wait to finally watch, as well as a trio of Bruce Lee titles on Blu-ray along with a couple documentaries on Lee's work. Like I said, I...
- 10/27/2013
- by Brad Brevet
- Rope of Silicon
You know those movies your cinephile friends geek out about? The Criterion Collection is their steward. They've spent years curating a selection of classic and contemporary films that have been deemed significant to the craft of filmmaking for one reason or another, and every month they bring four to five new titles into the modern age with new DVD and Blu-ray releases sporting extensive extras and the best remasters you can find. This month, the Criterion Collection honors brings us Michelangelo Atonioni's La Notte, and then dives into the spirit of the Halloween season with René Clair's I Married a Witch, Lewis Allen's haunted house pic The Uninvited, and Georges Franju's Eyes Without a Face. We also get a box set of five films by John Cassavetes. For a full breakdown of each release, just keep reading.
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- 10/2/2013
- by Lex Walker
- JustPressPlay.net
‘The Cat and the Canary’ 1939: Paulette Goddard / Bob Hope haunted house comedy among Halloween 2013 movies at Packard Theater There’s much to recommend among the Library of Congress’ Packard Campus and State Theater screenings in Culpeper, Virginia, in October 2013, including the until recently super-rare Bob Hope / Paulette Goddard haunted house comedy The Cat and the Canary (1939). And that’s one more reason to hope that the Republican Party’s foaming-at-the-mouth extremists (and their voters and supporters), ever bent on destroying the economic and sociopolitical fabric of the United States (and of the rest of the world), will not succeed in shutting down the federal government and thus potentially wreak havoc throughout the U.S. and beyond. (Photo: Bob Hope and Paulette Goddard in The Cat and the Canary.) Screening on Thursday, October 31, at the Packard Theater, Elliott Nugent’s The Cat and the Canary is a remake of Paul Leni...
- 9/29/2013
- by Andre Soares
- Alt Film Guide
Suddenly
Written by Richard Sale
Directed by Alan Lewis
USA, 1954
An often amusing and enlightening result of a film buff’s tendency to explore movies of the past is discovering how differently people behaved and understood the world and the shifting circumstances around them. After all, common sense and zeitgeists are known to change with the times. The more years and decades elapse, the more or less people can grow accustomed to major or minor world events. In 2013, rumour and threats of presidential assassinations, in the United States or abroad, are sadly more common than was the case in 1954, the year Lewis Allen’s Suddenly was released, at least so far as can be assessed by how some of its characters react.
The quiet town of Suddenly, snuggly ensconced in what looks to be Anywhere, U.S.A., is on the verge of having its tiny world turned upside down.
Written by Richard Sale
Directed by Alan Lewis
USA, 1954
An often amusing and enlightening result of a film buff’s tendency to explore movies of the past is discovering how differently people behaved and understood the world and the shifting circumstances around them. After all, common sense and zeitgeists are known to change with the times. The more years and decades elapse, the more or less people can grow accustomed to major or minor world events. In 2013, rumour and threats of presidential assassinations, in the United States or abroad, are sadly more common than was the case in 1954, the year Lewis Allen’s Suddenly was released, at least so far as can be assessed by how some of its characters react.
The quiet town of Suddenly, snuggly ensconced in what looks to be Anywhere, U.S.A., is on the verge of having its tiny world turned upside down.
- 9/27/2013
- by Edgar Chaput
- SoundOnSight
Blu-ray & DVD Release Date: Oct. 22, 2013
Price: DVD $19.95, Blu-ray $29.95
Studio: Criterion
Ruth Hussey and Ray Milland investigate things that go bump in the night in The Uninvited.
The 1944 horror-mystery film The Uninvited, directed by Lewis Allen (Suddenly), was groundbreaking for the seriousness with which it treated the haunted-house genre.
A pair of siblings (Ministry of Fear’s Ray Milland and The Philadelphia Story’s Ruth Hussey) from London purchase a surprisingly affordable, lonely cliff-top house in Cornwall, only to discover that it actually carries a ghostly price. It doesn’t take too long before the two are caught up in a bizarre romantic triangle from beyond the grave.
Rich in atmosphere and such genre staples as a tragic family past, a mysteriously locked room, cold chills, and bumps in the night, the gothic-flavored Uninvited remains an elegant and eerie experience, featuring a classic score by Victor Young (Written on the Wind...
Price: DVD $19.95, Blu-ray $29.95
Studio: Criterion
Ruth Hussey and Ray Milland investigate things that go bump in the night in The Uninvited.
The 1944 horror-mystery film The Uninvited, directed by Lewis Allen (Suddenly), was groundbreaking for the seriousness with which it treated the haunted-house genre.
A pair of siblings (Ministry of Fear’s Ray Milland and The Philadelphia Story’s Ruth Hussey) from London purchase a surprisingly affordable, lonely cliff-top house in Cornwall, only to discover that it actually carries a ghostly price. It doesn’t take too long before the two are caught up in a bizarre romantic triangle from beyond the grave.
Rich in atmosphere and such genre staples as a tragic family past, a mysteriously locked room, cold chills, and bumps in the night, the gothic-flavored Uninvited remains an elegant and eerie experience, featuring a classic score by Victor Young (Written on the Wind...
- 7/30/2013
- by Laurence
- Disc Dish
Criterion has announced their October 2013 releases and it includes brand new Michelangelo Antonioni, the company's first DVD box set Blu-ray upgrade and a Blu-ray upgrade of a film many were talking about when Holy Motors premiered last year. First is Antonioni's La Notte (10/29) starring Marcello Mastroianni and Jeanne Moreau, which I first watched on Netflix Instant what feels like a long, long, long time ago. I can hardly remember the story of a couple who confront the issues within their relationship and the world around them over the course of one night. The version I saw was dark and I can only assume this new 4K digital restoration will be worth the price even if the included features are merely a couple of new interviews, an essay by Richard Brody and a 1961 article by Antonioni. Another new title to the collection is Lewis Allen's 1944 haunted house feature The Uninvited...
- 7/15/2013
- by Brad Brevet
- Rope of Silicon
Eleanor Parker 2013 movie series continues today (photo: Eleanor Parker in Detective Story) Palm Springs resident Eleanor Parker is Turner Classic Movies’ Star of the Month of June 2013. Thus, eight more Eleanor Parker movies will be shown this evening on TCM. Parker turns 91 on Wednesday, June 26. (See also: “Eleanor Parker Today.”) Eleanor Parker received her second Best Actress Academy Award nomination for William Wyler’s crime drama Detective Story (1951). The movie itself feels dated, partly because of several melodramatic plot developments, and partly because of Kirk Douglas’ excessive theatricality as the detective whose story is told. Parker, however, is excellent as Douglas’ wife, though her role is subordinate to his. Just about as good is Best Supporting Actress Oscar nominee Lee Grant, whose career would be derailed by the anti-Red hysteria of the ’50s. Grant would make her comeback in the ’70s, eventually winning a Best Supporting Actress Oscar for her...
- 6/25/2013
- by Andre Soares
- Alt Film Guide
The Uninvited
Directed by Lewis Allen
Written by Dodie Smith and Frank Partos
Starring Ray Milland, Ruth Hussey, Donald Crisp & Gail Russell
USA , 99 min – 1944.
“If you listen to it long enough, all your senses are sharpened. You come by strange instincts. You get to recognize a peculiar cold that is the first warning. A cold which is no mere matter of degrees Fahrenheit, but a draining of warmth from the vital centers of the living.”
The Uninvited is a supernatural film that is more mysterious than it is horrific. Spirits are taken to be a real possibility in the film, which after the success of Hitchcock & Selznick’s haunting, Rebecca (1940), must have been a necessity. The people who laugh at the notion of the supernatural are quickly proved wrong (as the early voice over suggests) and the film introduces ghosts with both kind and malicious intentions. Ultimately, The Uninvited’s...
Directed by Lewis Allen
Written by Dodie Smith and Frank Partos
Starring Ray Milland, Ruth Hussey, Donald Crisp & Gail Russell
USA , 99 min – 1944.
“If you listen to it long enough, all your senses are sharpened. You come by strange instincts. You get to recognize a peculiar cold that is the first warning. A cold which is no mere matter of degrees Fahrenheit, but a draining of warmth from the vital centers of the living.”
The Uninvited is a supernatural film that is more mysterious than it is horrific. Spirits are taken to be a real possibility in the film, which after the success of Hitchcock & Selznick’s haunting, Rebecca (1940), must have been a necessity. The people who laugh at the notion of the supernatural are quickly proved wrong (as the early voice over suggests) and the film introduces ghosts with both kind and malicious intentions. Ultimately, The Uninvited’s...
- 2/5/2013
- by Karen Bacellar
- SoundOnSight
Not much happens in the small town of Suddenly. Once named after its hustle and bustle atmosphere, it has since settled into your typical, sleepy, average American burg. It's the kind of place where beat cop Tod Shaw (Sterling Hayden) knows everyone, and any strange face passing through stands out. But in the space of a few hours, over a single afternoon, the lives of a handful of people will change dramatically thanks to one determined, deranged man. While it might not be the flashiest B-movie of the era, Lewis Allen's "Suddenly" is a tight, extraordinarly lean little thriller that succeeds far beyond what you would expect of its modest production. Essentially, the film is one long ticking clock. Tod is informed that the President of the United States may be passing through town, and soon the Secret Service arrive to coordinate efforts to confirm that nothing is amiss...
- 12/4/2012
- by Kevin Jagernauth
- The Playlist
Blu-ray & DVD Release Date: Oct. 16, 2012
Price: Blu-ray/DVD Combo $15.98
Studio: HD Cinema Classics/Film Chest
Frank Sinatra gets his point across to Sterling Hayden in 1954's Suddenly.
Frank Sinatra (The Manchurian Candidate) gets nasty as a murderous gangster in one of his darkest film roles ever in the 1954 film noir crime drama Suddenly.
Terror comes to the sleepy small town of Suddenly, California when cold-blooded assassin John Baron (Sinatra) and his accomplices take a family hostage in their house atop a hill overlooking the local train station where the President is due to arrive as part of a whistle-stop tour. Standing between Baron and his plot to assassinate the President when he emerges from the train is the town sheriff (Sterling Hayden, The Killing), who engages in a battle of wits, wills and fists with the cunning and increasingly psychotic Baron.
Directed by Lewis Allen, Suddenly co-stars James Gleason (The Night of the Hunter...
Price: Blu-ray/DVD Combo $15.98
Studio: HD Cinema Classics/Film Chest
Frank Sinatra gets his point across to Sterling Hayden in 1954's Suddenly.
Frank Sinatra (The Manchurian Candidate) gets nasty as a murderous gangster in one of his darkest film roles ever in the 1954 film noir crime drama Suddenly.
Terror comes to the sleepy small town of Suddenly, California when cold-blooded assassin John Baron (Sinatra) and his accomplices take a family hostage in their house atop a hill overlooking the local train station where the President is due to arrive as part of a whistle-stop tour. Standing between Baron and his plot to assassinate the President when he emerges from the train is the town sheriff (Sterling Hayden, The Killing), who engages in a battle of wits, wills and fists with the cunning and increasingly psychotic Baron.
Directed by Lewis Allen, Suddenly co-stars James Gleason (The Night of the Hunter...
- 9/24/2012
- by Laurence
- Disc Dish
Don't be fooled by Madonna's chic spectre in pearls in W.E. Female ghosts are the most terrifying spooks on film
One of the daffiest aspects of W.E., Madonna's deeply daffy film about Wallis Simpson, is the way our heroine keeps popping up as a peculiarly soignée ghost. Clad in a little black dress and pearls, she dispenses fashion tips and lifestyle aperçus to her younger namesake, who's having a bit of a breakdown that coincides with her Simpson-fixation, in 1990s Manhattan. Murmured words of spectral wisdom include: "Attractive, my dear, is a polite way of saying a woman's made the most of what she's got," and, "The most important thing is your face. The other end you just sit on."
This is perhaps the battiest but also the most diverting element in the film, and one I wish Madonna had explored at more length, if only because the...
One of the daffiest aspects of W.E., Madonna's deeply daffy film about Wallis Simpson, is the way our heroine keeps popping up as a peculiarly soignée ghost. Clad in a little black dress and pearls, she dispenses fashion tips and lifestyle aperçus to her younger namesake, who's having a bit of a breakdown that coincides with her Simpson-fixation, in 1990s Manhattan. Murmured words of spectral wisdom include: "Attractive, my dear, is a polite way of saying a woman's made the most of what she's got," and, "The most important thing is your face. The other end you just sit on."
This is perhaps the battiest but also the most diverting element in the film, and one I wish Madonna had explored at more length, if only because the...
- 1/20/2012
- by Anne Billson
- The Guardian - Film News
Illegal
Directed by Lewis Allen
Screenplay by W. R. Burnett and James R. Webb
1955, U.S.A.
Few those familiar with the Hollywood of the 1930s, 40s and 50s, few names strike a chord like Edward G. Robinson. Shorter than most of his co-stars perhaps, what the actor lacked in physical stature he made up for with a lively personality and charm in bringing his roles to life, so much so that he made quite a name for himself playing especially tough characters in the early days of his career over at Warner Brothers in films the likes of Little Caesar (1931). Remembering Robinson purely as a tough thug paints an incomplete picture for his roles were far more diverse, as exemplified in Lewis Allen’s courtroom noir, Illegal.
Illegal takes the notion of starting off a movie with a bang in the most literal sense possible, as a young woman...
Directed by Lewis Allen
Screenplay by W. R. Burnett and James R. Webb
1955, U.S.A.
Few those familiar with the Hollywood of the 1930s, 40s and 50s, few names strike a chord like Edward G. Robinson. Shorter than most of his co-stars perhaps, what the actor lacked in physical stature he made up for with a lively personality and charm in bringing his roles to life, so much so that he made quite a name for himself playing especially tough characters in the early days of his career over at Warner Brothers in films the likes of Little Caesar (1931). Remembering Robinson purely as a tough thug paints an incomplete picture for his roles were far more diverse, as exemplified in Lewis Allen’s courtroom noir, Illegal.
Illegal takes the notion of starting off a movie with a bang in the most literal sense possible, as a young woman...
- 1/13/2012
- by Edgar Chaput
- SoundOnSight
For the horror buff, Fall is the best time of the year. The air is crisp, the leaves are falling and a feeling of death hangs on the air. Here at Sound on Sight we have some of the biggest horror fans you can find. We are continually showcasing the best of genre cinema, so we’ve decided to put our horror knowledge and passion to the test in a horror watching contest. Each week in October, Ricky D, James Merolla and Justine Smith will post a list of the horror films they have watched. By the end of the month, the person who has seen the most films wins. Prize Tbd.
Ricky D (15 Viewings) Total of 29 Viewings
Purchase
Thirst (1979)
Directed by Rod Hardy
The film is best described as one long dream sequence with nods to David Cronenberg, Rosemary’s Baby and perhaps even Solyent Green. Thirst features some superb in-camera visual effects,...
Ricky D (15 Viewings) Total of 29 Viewings
Purchase
Thirst (1979)
Directed by Rod Hardy
The film is best described as one long dream sequence with nods to David Cronenberg, Rosemary’s Baby and perhaps even Solyent Green. Thirst features some superb in-camera visual effects,...
- 10/11/2011
- by Ricky
- SoundOnSight
Chicago – Diabolical twins, obsessed journalists and jail-breaking thugs are heading their way to the Music Box Theatre. The Film Noir Foundation’s third installment of “Noir City: Chicago” features no less than sixteen restored 35mm prints of must-see cinematic rarities. Ten of these noir classics have yet to land a DVD release, thus making this festival all the more essential for local cinephiles.
The week-long festival kicks off Friday, Aug. 12, and includes criminally overlooked performances from Hollywood legends such as Humphrey Bogart, Anne Bancroft, Barbara Stanwyck, Olivia de Havilland, Ernest Borgnine, Shelley Winters and Burt Lancaster. Acclaimed noir historians Alan K. Rode (“Charles McGraw: Biography of a Film Noir Tough Guy”) and Foster Hirsch (“Detours and Lost Highways: A Map of Neo-Noir”) will be presenting the pictures while offering their wealth of historical and filmic insight.
Among this year’s most priceless treasures is “Deadline USA,” starring Bogart as...
The week-long festival kicks off Friday, Aug. 12, and includes criminally overlooked performances from Hollywood legends such as Humphrey Bogart, Anne Bancroft, Barbara Stanwyck, Olivia de Havilland, Ernest Borgnine, Shelley Winters and Burt Lancaster. Acclaimed noir historians Alan K. Rode (“Charles McGraw: Biography of a Film Noir Tough Guy”) and Foster Hirsch (“Detours and Lost Highways: A Map of Neo-Noir”) will be presenting the pictures while offering their wealth of historical and filmic insight.
Among this year’s most priceless treasures is “Deadline USA,” starring Bogart as...
- 8/11/2011
- by adam@hollywoodchicago.com (Adam Fendelman)
- HollywoodChicago.com
Jd Salinger, Saul Bellow and Norman Mailer were all devotees of the orgone energy accumulator, nicknamed by Woody Allen the 'Orgasmatron'. Its inventor, Wilhelm Reich, claimed that better orgasms could cure society's ills
When Wilhelm Reich, the most brilliant of the second generation of psychoanalysts who had been Freud's pupils, arrived in New York in August 1939, only a few days before the outbreak of war, he was optimistic that his ideas fusing sex and politics would be better received there than they had been in fascist Europe. Despite its veneer of puritanism, America was a country already much preoccupied with sex – as Alfred Kinsey's renowned investigations, which he had begun the year before, were to show. However, it was only after the second world war that the idea of sexual liberation would permeate the culture at large. Reich could be said to have invented this "sexual revolution"; a Marxist analyst,...
When Wilhelm Reich, the most brilliant of the second generation of psychoanalysts who had been Freud's pupils, arrived in New York in August 1939, only a few days before the outbreak of war, he was optimistic that his ideas fusing sex and politics would be better received there than they had been in fascist Europe. Despite its veneer of puritanism, America was a country already much preoccupied with sex – as Alfred Kinsey's renowned investigations, which he had begun the year before, were to show. However, it was only after the second world war that the idea of sexual liberation would permeate the culture at large. Reich could be said to have invented this "sexual revolution"; a Marxist analyst,...
- 7/8/2011
- The Guardian - Film News
Jd Salinger, Saul Bellow and Norman Mailer were all devotees of the orgone energy accumulator, nicknamed by Woody Allen the 'Orgasmatron'. Its inventor, Wilhelm Reich, claimed that better orgasms could cure society's ills
When Wilhelm Reich, the most brilliant of the second generation of psychoanalysts who had been Freud's pupils, arrived in New York in August 1939, only a few days before the outbreak of war, he was optimistic that his ideas fusing sex and politics would be better received there than they had been in fascist Europe. Despite its veneer of puritanism, America was a country already much preoccupied with sex – as Alfred Kinsey's renowned investigations, which he had begun the year before, were to show. However, it was only after the second world war that the idea of sexual liberation would permeate the culture at large. Reich could be said to have invented this "sexual revolution"; a Marxist analyst,...
When Wilhelm Reich, the most brilliant of the second generation of psychoanalysts who had been Freud's pupils, arrived in New York in August 1939, only a few days before the outbreak of war, he was optimistic that his ideas fusing sex and politics would be better received there than they had been in fascist Europe. Despite its veneer of puritanism, America was a country already much preoccupied with sex – as Alfred Kinsey's renowned investigations, which he had begun the year before, were to show. However, it was only after the second world war that the idea of sexual liberation would permeate the culture at large. Reich could be said to have invented this "sexual revolution"; a Marxist analyst,...
- 7/7/2011
- The Guardian - Film News
The event of the week in film criticism is the arrival of a new issue of Senses of Cinema, featuring a transcript of a talk Tsai Ming-liang delivered last year, "On the Uses and Misuses of Cinema." Also: a collection of dispatches on movie-going from around the world, Nicholas de Villiers on Hou Hsiao-Hsien, Michael J Anderson on Ernst Lubitsch, Gabrielle Murray's interview with Catherine Breillat, Pedro Blas Gonzalez on Lewis Allen's The Uninvited (1944) and the omnibus film Dead of Night (1945), Joseph Natoli on Joel and Ethan Coen's True Grit and Moira Sullivan on Maria Schneider — whose recent passing has prompted Ed Howard and Jason Bellamy at the House Next Door and Bilge Ebiri to revisit Last Tango in Paris; and speaking of which, you may have heard of Bernardo Bertolucci's preparing a 3D project.
- 3/19/2011
- MUBI
If there is anyone I would want to choose what movies I watch this Halloween weekend (besides Stephen King or Wes Craven), I'd want it to be Oscar winning director Martin Scorsese. He's a genius filmmaker and I'm sure he knows great horror when he sees it. I think this would've been much better coordinated if his new movie Shutter Island was actually out in theaters (damn you Paramount), but either way this is a great list. The Daily Beast asked Scorsese to choose some horror movies for Halloween and he came up with his own list of the 11 Scariest Horror Movies of All Time. Read on to see what great classics he chose! 1. The Haunting (Robert Wise, 1963) 2. Isle of the Dead (Mark Robson, 1945) 3. The Uninvited (Lewis Allen, 1944) 4. The Entity (Sidney J. Furie, 1981) 5. Dead of Night (Alberto Cavalcanti, 1945) 6. The Changeling (Peter Medak, 1980) 7. The ...
- 10/31/2009
- by Alex Billington
- firstshowing.net
By Todd Garbarini
A studio error turned out to be a blessing in disguise in March when the Loews Theatre in Jersey City, NJ requested a 35mm print of Lewis Allen’s The Uninvited (1944) and instead was erroneously shipped a print of Charles Guard’s 2009 film of the same name (the film bears no relation other than titular to it’s 65 year-old predecessor, but it is rather a remake of the 2003 Asian film A Tale of Two Sisters). It turned out that there were no known 35mm prints of the film, though this scribe swears that the Film Forum in New York City showed it years ago. The mix-up turned out to be fortuitous as Universal created a new print of the film and it was screened Saturday night. Credit must be given to Paul Ginsburg, Vice President of NBC Universal Distribution, for ordering the new print struck (interestingly, the...
A studio error turned out to be a blessing in disguise in March when the Loews Theatre in Jersey City, NJ requested a 35mm print of Lewis Allen’s The Uninvited (1944) and instead was erroneously shipped a print of Charles Guard’s 2009 film of the same name (the film bears no relation other than titular to it’s 65 year-old predecessor, but it is rather a remake of the 2003 Asian film A Tale of Two Sisters). It turned out that there were no known 35mm prints of the film, though this scribe swears that the Film Forum in New York City showed it years ago. The mix-up turned out to be fortuitous as Universal created a new print of the film and it was screened Saturday night. Credit must be given to Paul Ginsburg, Vice President of NBC Universal Distribution, for ordering the new print struck (interestingly, the...
- 6/1/2009
- by nospam@example.com (Cinema Retro)
- Cinemaretro.com
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