The Blue Caftan by Moroccan director and Cannes 2023 Jury member Maryam Touzani has topped the nominations in the seventh edition of the Critics Awards for Arab Films.
The portrait of marriage and stifled sexuality, starring Saleh Bakri and Lubna Azabal has been nominated in seven categories including best film, actor, actress, director, screenplay, cinematography and music.
The film world premiered in Cannes Un Certain Regard in 2022 and went on to be Morocco’s best international film submission for the 2023 Academy Awards making it as far as the first long list.
The Critics Awards for Arab Films are overseen by the Arab Cinema Centre and judged by 193 critics from 72 countries. The winners will be announced at a ceremony during Cannes.
To qualify for consideration, films need to have premiered at international film festivals outside of the Arab world in 2022; involve at least one Arab world production company, and be feature-length.
Other...
The portrait of marriage and stifled sexuality, starring Saleh Bakri and Lubna Azabal has been nominated in seven categories including best film, actor, actress, director, screenplay, cinematography and music.
The film world premiered in Cannes Un Certain Regard in 2022 and went on to be Morocco’s best international film submission for the 2023 Academy Awards making it as far as the first long list.
The Critics Awards for Arab Films are overseen by the Arab Cinema Centre and judged by 193 critics from 72 countries. The winners will be announced at a ceremony during Cannes.
To qualify for consideration, films need to have premiered at international film festivals outside of the Arab world in 2022; involve at least one Arab world production company, and be feature-length.
Other...
- 5/12/2023
- by Melanie Goodfellow
- Deadline Film + TV
Three categories have been added to this year’s awards.
Moroccan filmmaker Maryam Touzani’s The Blue Caftan leads the nominations in the 7th Critics Awards for Arab Films, which has added categories for best editing, cinematography and music.
The Arabic-language drama, in which a woman and her closeted gay husband hire a young apprentice at their caftan store, secured seven nominations – every category except editing and documentary. The film premiered in Un Certain Regard at Cannes last year and was Morocco’s submission for the international feature film Oscar, making the shortlist but not final nominations.
A strong showing...
Moroccan filmmaker Maryam Touzani’s The Blue Caftan leads the nominations in the 7th Critics Awards for Arab Films, which has added categories for best editing, cinematography and music.
The Arabic-language drama, in which a woman and her closeted gay husband hire a young apprentice at their caftan store, secured seven nominations – every category except editing and documentary. The film premiered in Un Certain Regard at Cannes last year and was Morocco’s submission for the international feature film Oscar, making the shortlist but not final nominations.
A strong showing...
- 5/12/2023
- by Michael Rosser
- ScreenDaily
Moroccan-born French director Yasmine Benkiran, whose feature debut “Queens” opened at Venice and is playing at the Marrakech Film Festival, is now developing two ambitious features.
“Queens,” which was developed at the Atlas Workshops, the industry sidebar running alongside the Marrakech Film Festival, is a rare Moroccan film weaving adventure and genre with strong female protagonists.
Benkiran is set to continue exploring complex female characters which her upcoming projects, including a spy movie titled “Elles ont brillé sur le Nil” (“They Shined on the Nile”). The project, which has received support from the Ile de France region, is set in 1950’s Cairo, Egypt. The story revolves around Zeyna, a makeup artist who is investigating the mysterious death of Amal El Abrach, a famous Syrian-born actress known as Asmahan.
“Asmahan was an amazing actress and singer whose fame was compared with that of Marilyn Monroe and she also died in tragic circumstances,...
“Queens,” which was developed at the Atlas Workshops, the industry sidebar running alongside the Marrakech Film Festival, is a rare Moroccan film weaving adventure and genre with strong female protagonists.
Benkiran is set to continue exploring complex female characters which her upcoming projects, including a spy movie titled “Elles ont brillé sur le Nil” (“They Shined on the Nile”). The project, which has received support from the Ile de France region, is set in 1950’s Cairo, Egypt. The story revolves around Zeyna, a makeup artist who is investigating the mysterious death of Amal El Abrach, a famous Syrian-born actress known as Asmahan.
“Asmahan was an amazing actress and singer whose fame was compared with that of Marilyn Monroe and she also died in tragic circumstances,...
- 11/19/2022
- by Elsa Keslassy
- Variety Film + TV
Gregoire Melin’s Kinology, the banner behind “Annette,” has boarded “Queens,” Yasmine Benkiran’s feature debut, which will make its world premiere at the Venice Film Festival.
The uplifting Moroccan movie will unspool on closing night of Critics Week. Kinology represents the film in international markets.
The sprawling, colorful adventure film opens in Casablanca, where a trio of rebellious female outlaws – a mother, her daughter and a young girl – drive through the Atlas desert to reach the Atlantic coast with local police forces on their trail.
Benkiran said her film “celebrates freedom and the power of imagination,” as well as conveying the need for women to free themselves from patriarchal traditions in contemporary Moroccan society.
The up-and-coming French-Moroccan director said she aspired to make a film with depth that blended genre with local mythology to tell this story.
Benkiran said she grew up in Morocco, where she would only get...
The uplifting Moroccan movie will unspool on closing night of Critics Week. Kinology represents the film in international markets.
The sprawling, colorful adventure film opens in Casablanca, where a trio of rebellious female outlaws – a mother, her daughter and a young girl – drive through the Atlas desert to reach the Atlantic coast with local police forces on their trail.
Benkiran said her film “celebrates freedom and the power of imagination,” as well as conveying the need for women to free themselves from patriarchal traditions in contemporary Moroccan society.
The up-and-coming French-Moroccan director said she aspired to make a film with depth that blended genre with local mythology to tell this story.
Benkiran said she grew up in Morocco, where she would only get...
- 9/1/2022
- by Elsa Keslassy
- Variety Film + TV
"Great gun. Check it out." BFI has revealed a new UK trailer for the 4K re-release of the seminal French crime film La Haine, which premiered at the 1995 Cannes Film Festival. "Mathieu Kassovitz's provocative, compelling and landmark drama - newly restored in 4K - returns to UK cinemas from September 11th to mark the film's 25th anniversary, followed by a Limited Edition Blu-ray in November 2020." La Haine (which translates to Hate or The Hate in French) takes viewers on a journey through 24 hours in the lives of three young men in the French suburbs the day after a violent riot. "Beautifully shot in black and white by Pierre Aïm, this mid-1990s landmark remains as fresh and relevant 25 years on from its original release." Starring Vincent Cassel, Hubert Koundé, & Saïd Taghmaoui. This film is worth seeing in the cinema. Here's the new 4K re-release trailer for Mathieu Kassovitz's La Haine,...
- 7/21/2020
- by Alex Billington
- firstshowing.net
IndieWire reached out to the filmmakers behind the feature-length narrative and documentary films premiering this week to find out what cameras they used and why they chose them. Here are their responses.
Read More: The 2017 IndieWire Sundance Bible – Every Review, Interview and News Item Posted During the Festival
Dramatic Competition & Next
Cory Finley, “Thoroughbred”
Arri Alexa Mini. Panavision G-Series lenses.
The Dp, Lyle Vincent, was very particular about getting a hold of both. They gave us flexibility in shooting and helped create the very precise, high-contrast, and slightly dreamy look we were going for.
Gillian Robespierre, “Landline”
Arri Alexa with some vintage lenses
“Landline” takes place in 1990’s Manhattan. My Dp Chris Teague and I talked a lot about what shooting a period movie from a recent period would look and feel like. Unfortunately, we were not able to shoot on film, and added a texture of LiveGrain during color...
Read More: The 2017 IndieWire Sundance Bible – Every Review, Interview and News Item Posted During the Festival
Dramatic Competition & Next
Cory Finley, “Thoroughbred”
Arri Alexa Mini. Panavision G-Series lenses.
The Dp, Lyle Vincent, was very particular about getting a hold of both. They gave us flexibility in shooting and helped create the very precise, high-contrast, and slightly dreamy look we were going for.
Gillian Robespierre, “Landline”
Arri Alexa with some vintage lenses
“Landline” takes place in 1990’s Manhattan. My Dp Chris Teague and I talked a lot about what shooting a period movie from a recent period would look and feel like. Unfortunately, we were not able to shoot on film, and added a texture of LiveGrain during color...
- 1/25/2017
- by Annakeara Stinson and Chris O'Falt
- Indiewire
The Conversation is a feature at PopOptiq bringing together Drew Morton and Landon Palmer in a passionate debate about cinema new and old. For their eleventh piece, they discuss Mathieu Kassovitz’s gritty yet sleek portrait of life on the margins of Paris, La haine (1995).
Landon’S Take
There’s a moment within the first act of Mathieu Kassovitz’s La haine (1995) that finds the film’s central trio – Vinz (Vincent Cassel), Hubert (Hubert Koundé), and Saïd (Saïd Taghmaoui), three young male descendants of immigrants living in the housing projects of outer Paris – confronted by a news crew. In the protests and riots following the brutalization of a friend, Abdel Ichaha (inspired by the real-life killing of Makome M’Bowole while in the custody of Parisian police in 1993), the news crew voyeuristically inquires into the opinions of those who very well may be the first group of “locals” their excursion encounters,...
Landon’S Take
There’s a moment within the first act of Mathieu Kassovitz’s La haine (1995) that finds the film’s central trio – Vinz (Vincent Cassel), Hubert (Hubert Koundé), and Saïd (Saïd Taghmaoui), three young male descendants of immigrants living in the housing projects of outer Paris – confronted by a news crew. In the protests and riots following the brutalization of a friend, Abdel Ichaha (inspired by the real-life killing of Makome M’Bowole while in the custody of Parisian police in 1993), the news crew voyeuristically inquires into the opinions of those who very well may be the first group of “locals” their excursion encounters,...
- 11/11/2015
- by Landon Palmer
- SoundOnSight
In 1995, Mathieu Kassovitz’s exceptional debut, La Haine, was a shocking realization of the unjust ghettoizing of immigrants taking place in France, and the violent abuse of power by police forces, but its surprising how relevant the subject remains today, even outside of French borders. Not only does it still carry cultural significance, but the film continues to awe with its striking black and white long takes, and bold encapsulation of what living in the public housing projects is like for people growing up in them. The film places us in the bombed out cities where people burned their own businesses in protest, and graffiti covered neighborhood playgrounds where teens stagnantly talk about nothing all day long. By getting to know the area, and its residents, Kassovitz was able to make an important film, with both political and technical merits that stand side by side with outstanding performances by Vincent Cassel,...
- 5/16/2012
- by Jordan M. Smith
- IONCINEMA.com
Jean Dujardin, Missi Pyle, The Artist The Artist Wins, Jean Dujardin Loses: César Awards Best Film La guerre est déclarée / Declaration of War produced by Edouard Weil, directed by Valérie Donzelli Le Havre produced by Fabienne Vonier, directed by Aki Kaurismäki * The Artist produced by Thomas Langmann, directed by Michel Hazanavicius Intouchables / Untouchable produced by Denis Freyd, directed by Eric Toledano, Olivier Nakache L'exercice de l'État / The Minister produced by Nicolas Duval Adassovsky, Yann Zenou, Laurent Zeitoun, directed by Pierre Schöller Pater produced by Michel Seydoux, directed by Alain Cavalier Polisse produced by Alain Attal, directed by Maïwenn Best Foreign Film Drive (United States) directed by Nicolas Winding Refn Black Swan (United States) directed by Darren Aronofsky Incendies (Canada) directed by Denis Villeneuve Melancholia (Denmark / Sweden / France / Germany) directed by Lars von Trier * A Separation (Iran) directed by Asghar Farhadi The King's Speech (United Kingdom) directed by Tom Hooper Le...
- 2/25/2012
- by Andre Soares
- Alt Film Guide
François Cluzet, Intouchables / Untouchable The 2012 César winners will be announced on February 24. The ceremony will be presided by Guillaume Canet; Antoine de Caunes will act as master of ceremonies. Best Film La guerre est déclarée / Declaration of War produced by Edouard Weil, directed by Valérie Donzelli Le Havre produced by Fabienne Vonier, directed by Aki Kaurismäki The Artist produced by Thomas Langmann, directed by Michel Hazanavicius Intouchables / Untouchable produced by Denis Freyd, directed by Eric Toledano, Olivier Nakache L'exercice de l'État / The Minister produced by Nicolas Duval Adassovsky, Yann Zenou, Laurent Zeitoun, directed by Pierre Schoeller Pater produced by Michel Seydoux, directed by Alain Cavalier Polisse produced by Alain Attal, directed by Maïwenn Best Foreign Film Drive (United States) directed by Nicolas Winding Refn Black Swan (United States) directed by Darren Aronofsky Incendies (Canada) directed by Denis Villeneuve Melancholia (Denmark / Sweden / France / Germany) directed by Lars von Trier A Separation...
- 2/21/2012
- by Steve Montgomery
- Alt Film Guide
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