The Film Society of Lincoln Center today announced the lineup for Explorations, a new section featuring bold selections from the vanguard of contemporary cinema, and Main Slate shorts for the 54th New York Film Festival.
Read More: Nyff Reveals Main Slate of 2016 Titles, Including ‘Manchester By the Sea,’ ‘Paterson’ and ‘Personal Shopper’
Explorations is devoted to work from around the world, from filmmakers across the spectrum of experience and artistic sensibility. It kicks off with six features, including Albert Serra’s latest, “The Death of Louis Xiv,” featuring a tour de force performance by French cinema legend Jean-Pierre Léaud; Douglas Gordon’s portrait of avant-garde icon Jonas Mekas, “I Had Nowhere to Go”; João Pedro Rodrigues’s “The Ornithologist”, which won him the Best Director prize at Locarno; as well as Natalia Almada’s “Everything Else”, Gastón Solnicki’s “Kékszakállú,” and Oliver Laxe’s “Mimosas.”
New York Film Festival Director...
Read More: Nyff Reveals Main Slate of 2016 Titles, Including ‘Manchester By the Sea,’ ‘Paterson’ and ‘Personal Shopper’
Explorations is devoted to work from around the world, from filmmakers across the spectrum of experience and artistic sensibility. It kicks off with six features, including Albert Serra’s latest, “The Death of Louis Xiv,” featuring a tour de force performance by French cinema legend Jean-Pierre Léaud; Douglas Gordon’s portrait of avant-garde icon Jonas Mekas, “I Had Nowhere to Go”; João Pedro Rodrigues’s “The Ornithologist”, which won him the Best Director prize at Locarno; as well as Natalia Almada’s “Everything Else”, Gastón Solnicki’s “Kékszakállú,” and Oliver Laxe’s “Mimosas.”
New York Film Festival Director...
- 8/29/2016
- by Vikram Murthi
- Indiewire
Filmmaker Andrew T. Betzer’s day job is working at Cineric, in New York City, one of the industry’s most highly regarded film restoration and preservation houses, where traditional photochemical processing intermingles with modern digital technology. They have restored and preserved over 1,000 films, working with movie studios and cultural institutions, and have done pioneering work in the field, such as completing the first 4k restoration of a black-and-white film (Dr. Strangelove), and specially modifying all their equipment to restore the only two films shot in Cinemascope 55 (Carousel and The King and I). In addition to writing, directing and editing his first feature, Young Bodies Heal Quickly>> - Stela Jelcinek...
- 2/28/2015
- Fandor: Keyframe
Filmmaker Andrew T. Betzer’s day job is working at Cineric, in New York City, one of the industry’s most highly regarded film restoration and preservation houses, where traditional photochemical processing intermingles with modern digital technology. They have restored and preserved over 1,000 films, working with movie studios and cultural institutions, and have done pioneering work in the field, such as completing the first 4k restoration of a black-and-white film (Dr. Strangelove), and specially modifying all their equipment to restore the only two films shot in Cinemascope 55 (Carousel and The King and I). In addition to writing, directing and editing his first feature, Young Bodies Heal Quickly>> - Stela Jelcinek...
- 2/28/2015
- Keyframe
Youth in Revolt: Betzer’s Inexplicable Road Movie an Assortment of Prominent Instances
Director Andrew T. Betzer manages to concoct an impressively pronounced feature debut with the eerily titled Young Bodies Heal Quickly. Basically a meandering road movie about two brothers on the lam, their journey churns from magnetic portrayal of familial discord into disjointed episodes of increasingly surreal occurrences. Though Betzer’s refusal to adhere to any kind of cohesive narrative for his youthful protagonists eventually dampens the effectiveness of the film as it stumbles into its ambiguous finale, the film manages to be intriguing and unpredictable as a balancing act that is sometimes funny, observational, and even foreboding.
If their bodies heal quickly, we’re never certain of their psychological states, though both Older (Gabriel Croft) and Younger (Hale Lytle) may as well represent developmental, identity-less stages or echoes of inevitability (the figure known as Dad could...
Director Andrew T. Betzer manages to concoct an impressively pronounced feature debut with the eerily titled Young Bodies Heal Quickly. Basically a meandering road movie about two brothers on the lam, their journey churns from magnetic portrayal of familial discord into disjointed episodes of increasingly surreal occurrences. Though Betzer’s refusal to adhere to any kind of cohesive narrative for his youthful protagonists eventually dampens the effectiveness of the film as it stumbles into its ambiguous finale, the film manages to be intriguing and unpredictable as a balancing act that is sometimes funny, observational, and even foreboding.
If their bodies heal quickly, we’re never certain of their psychological states, though both Older (Gabriel Croft) and Younger (Hale Lytle) may as well represent developmental, identity-less stages or echoes of inevitability (the figure known as Dad could...
- 2/27/2015
- by Nicholas Bell
- IONCINEMA.com
If there is a "crisis" among American boys, as you sometimes hear during slow news weeks, its cause is pretty straight-up clear: The bored and brutish traits our culture encourages in boys no longer have anything to do with the ones this economy actually rewards. In its terrific first half-hour, writer-director Andrew T. Betzer's Young Bodies Heal Quickly plays like cockeyed comedy based on that truth.
A hunky lout raises pointless hell in the fields and meadows of one of those parts of Maryland that dips down into what may as well be the Deep South. The lout — he's never named, but he's embodied by Gabriel Croft — beats up an abandoned car, peppers BBs at livestock, and gets into a brawl with young women riding ATVs. It's a playful fight, despite all t...
A hunky lout raises pointless hell in the fields and meadows of one of those parts of Maryland that dips down into what may as well be the Deep South. The lout — he's never named, but he's embodied by Gabriel Croft — beats up an abandoned car, peppers BBs at livestock, and gets into a brawl with young women riding ATVs. It's a playful fight, despite all t...
- 2/25/2015
- Village Voice
I spoke with Andrew T. Betzer about his new film, Young Bodies Heal Quickly, which premiered at the Tribeca Film Festival.
Neal Dhand: Probably for obvious reasons, this film reminds me a lot of your short, John Wayne Hated Horses. Was that the impetus for making it? Did you expand from the original script or write an entirely new one?
Andrew T. Betzer: I feel that all of my shorts are part of a body of work that is reflective of my preoccupations on a whole…both conscious and subconscious. The script for Young Bodies was totally original, but perhaps taking place in the same world as the dad and son from John Wayne. Who knows, maybe they were neighbors? Perhaps attended some of the same re-enactment events?
Nd: Like in John Wayne, Young Bodies Heal Quickly deals with the relationship between an older man and a younger child.
Neal Dhand: Probably for obvious reasons, this film reminds me a lot of your short, John Wayne Hated Horses. Was that the impetus for making it? Did you expand from the original script or write an entirely new one?
Andrew T. Betzer: I feel that all of my shorts are part of a body of work that is reflective of my preoccupations on a whole…both conscious and subconscious. The script for Young Bodies was totally original, but perhaps taking place in the same world as the dad and son from John Wayne. Who knows, maybe they were neighbors? Perhaps attended some of the same re-enactment events?
Nd: Like in John Wayne, Young Bodies Heal Quickly deals with the relationship between an older man and a younger child.
- 4/30/2014
- by Neal Dhand
- SoundOnSight
Even the greatest filmmakers are guilty of overly romanticizing boyhood. A little bit of bad behavior and a slice of wildness have fueled boys of the cinema, as they grow up and, in most cases, inexplicably become responsible men. It's not clear if that occurs at the very end of “Young Bodies Heal Quickly," though the evocative title gives a sense of how writer-director Andrew T. Betzer feels about the danger faced by his young characters. There are consequences, his film argues, and these characters are fortunate enough to still have youth on their side. The picture begins with a death. It's not entirely clear what has happened, but what we see is a small, rural town (we later learn that this is apparently California) where its inhabitants face danger from the most mundane sources. A girl lies motionless after a reckless accident, and two brothers hide as a result.
- 4/28/2014
- by Gabe Toro
- The Playlist
The road trip movie is often filled with laughs, thrills and a much-need inner journey, but as writer/director Andrew Betzer knows from the production of his film "Young Bodies Heal Quickly," it's also filled with many locations that offer both a whole new perspective on the world and a lot of logistical problems throughout the production process. Tell us about yourself. My name is Andrew. I work at Cineric in Hell's Kitchen, New York City. We restore and preserve a wide array of motion pictures. When I'm not doing that, I pursue my avocation...writing and directing films. I started off slowly, making short films for 10 plus years. Recently, I made my first feature film, "Young Bodies Heal Quickly." I live with my wife and 2 1/2 year old son. What was your biggest challenge in completing this project? The biggest challenge that this project provided was its diverse locations. It...
- 4/9/2014
- by Ziyad Saadi
- Indiewire
By the looks of it, the Tribeca Film Festival might finally be growing out of their awkward teenage phase and moving into a new era where the nab more than just Sundance and SXSW festival rejects. Artistic Director Frederic Boyer has managed to nab some noteworthy American indie projects such as Lou Howe’s Gabriel (see pic above), Keith Miller’s Five Star, Adam Rapp’s Loitering with Intent, and Tristan Patterson’s Electric Slide.
On the docu front, we’ve got the latest from the likes of notable documentarians Marshall Curry and Jessica Yu. Think Ewan McGregor’s Long Way Round meets child solider movie for Curry’s awesomely titled Point and Shoot — where the Libyan rebel army take hold of Curry’s subject. Yu moves from water shortage in Last Call at the Oasis (read our review) to the biggest pandemic of all; Misconception looks at the consequences...
On the docu front, we’ve got the latest from the likes of notable documentarians Marshall Curry and Jessica Yu. Think Ewan McGregor’s Long Way Round meets child solider movie for Curry’s awesomely titled Point and Shoot — where the Libyan rebel army take hold of Curry’s subject. Yu moves from water shortage in Last Call at the Oasis (read our review) to the biggest pandemic of all; Misconception looks at the consequences...
- 3/4/2014
- by Eric Lavallee
- IONCINEMA.com
The 13th Tribeca Film Festival has announced half its slate for next month’s New York celebration, which runs April 16-27. Culled from more than 6,000 submissions, Tribeca 2014 includes 55 world premieres, 37 first-time filmmakers, and 22 female directors. “Variously inspired by individual interests and experience and driven by an intense sensibility of style, the array of new filmmaking voices in this year’s competition is especially impressive and I think memorable,” said Frederic Boyer, Tribeca’s artistic director. “The range of American subcultures and international genres represented here are both eclectic and wide reaching.”
On April 17, Gabriel will open the World Narrative competition,...
On April 17, Gabriel will open the World Narrative competition,...
- 3/4/2014
- by Jeff Labrecque
- EW - Inside Movies
Kids. Such as Sex, Lies, and Videotape or Reservoir Dogs before it, and such as Winter’s Bone, Blue Valentine and Fruitvale Station after it, Larry Clark & Harmony Korine’s seminal film is forever connected in “spirit” to the lieu where it received its secret midnight premiere screening in 1995. The Sundance Film Festival might be known as the birthplace of U.S indie filmmaking innovation, avant-gardism, a larger definition of the low budgeted film response to Hollywood in not only narrative but in the non-fiction form, but it is a festival made strong by its renewal and familiarity. That close acquaintanceness exists in Kids‘ starlets Rosario Dawson and Chloë Sevigny filmography/career path trajectory and connection to Park City (both have several indie films slated for ’14 – of which I’ve included in our predictions list) and it is that “familiarity” that is visibly noticeable in how I map out my annual predictions list.
- 11/18/2013
- by Eric Lavallee
- IONCINEMA.com
- The current issue of Filmmaker Magazine has hit kiosks and the only reason why I'd be pointing this out is because it includes its annual "25 New Faces" feature (available here) which is basically: a sampling of the future voices, filmmakers, editors, actors and cinematographers who in the opinion of the magazine's editors represent the future of independent filmmaking and who, I admittedly know only two of the twenty-five. Sebastián Silva helmed The Maid, got rave reviews at Sundance and got picked up by Elephant Eye (read here), and Derek Cianfrance, who finally commenced filming Blue Valentine with thesps Ryan Gosling and Michelle Williams on board - 2 bucks says that this preems in Park City. Here are the names of those who made the cut: docu-filmmaker Ian Olds (Fixer: The Taking of Ajmal Naqshbandi), filmmaking duo Eleanor Burke & Ron Eyal (Stranger Things), editor Nat Sanders (The Freebie), filmmaker Jessica Oreck
- 7/16/2009
- IONCINEMA.com
Again. I'm in a hurry but woohoo! Tetro is playing! Bring on the trailer! (Yes Vincent Gallo is awesome)
List after the break.
Directors' Fortnight Lineup
"La Pivellina," Austria, Tizza Covi, Rainer Frimmel
"The Alasness of Things," Belgium-Netherlands, Felix van Groeningen
"Eastern Plays," Bulgaria-Sweden, Kamen Kalev
"Carcasses," Canada, Denis Cote
"J'ai tue ma mere," Canada, Xavier Dolan
"Polytechnique," Canada, Denis Villeneuve
"Navidad," Chile, Sebastian Lelio
"Oxhide II," China, Liu Jia Yin
"La famille Wolberg," France-Belgium, Axelle Ropert
"Land of Madness," France, Luc Moullet
"Le roi de l'evasion," France, Alain Guiraudie
"Les beaux gosses," France, Riad Sattouf
"Yuki & Nina," France-Japan, Nobuhiro Suwa, Hippolyte Girardot
"Ajami," Israel-Germany, Scandar Copti, Yaron Shani (closer) "Daniel & Ana," Mexico-Spain, Michel Franco
"Karaoke," Malaysia, Chan Fui (Chris) Chong
"Ne change rien," Portugal-France, Pedro Costa
"Here," Singapore-Canada, Tzu-Nyen Ho
"Like You Know It All," South Korea, Hong Sang-soo
"Amreeka," U.S., Cherien Dabis
"Go Get Some Rosemary," U.
List after the break.
Directors' Fortnight Lineup
"La Pivellina," Austria, Tizza Covi, Rainer Frimmel
"The Alasness of Things," Belgium-Netherlands, Felix van Groeningen
"Eastern Plays," Bulgaria-Sweden, Kamen Kalev
"Carcasses," Canada, Denis Cote
"J'ai tue ma mere," Canada, Xavier Dolan
"Polytechnique," Canada, Denis Villeneuve
"Navidad," Chile, Sebastian Lelio
"Oxhide II," China, Liu Jia Yin
"La famille Wolberg," France-Belgium, Axelle Ropert
"Land of Madness," France, Luc Moullet
"Le roi de l'evasion," France, Alain Guiraudie
"Les beaux gosses," France, Riad Sattouf
"Yuki & Nina," France-Japan, Nobuhiro Suwa, Hippolyte Girardot
"Ajami," Israel-Germany, Scandar Copti, Yaron Shani (closer) "Daniel & Ana," Mexico-Spain, Michel Franco
"Karaoke," Malaysia, Chan Fui (Chris) Chong
"Ne change rien," Portugal-France, Pedro Costa
"Here," Singapore-Canada, Tzu-Nyen Ho
"Like You Know It All," South Korea, Hong Sang-soo
"Amreeka," U.S., Cherien Dabis
"Go Get Some Rosemary," U.
- 4/24/2009
- QuietEarth.us
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