Siegfried Breuer(1906-1954)
- Actor
- Writer
- Director
Debonair Viennese thespian Siegfried Breuer specialized in portraying
elegant, charming rogues and profligates. The
son of a Wagnerian singer, he was trained from 1924 as an actor at Vienna's Academy for Music and the Performing Arts, studying alongside
Paula Wessely and
Käthe Gold. He performed on the stage in
Berlin under the direction of
Max Reinhardt in 'The Prince of
Homburg', his first leading role. In 1935, he became a member of the
ensemble cast of the Deutsches Theater.
From the late
1930's, Breuer was increasingly in demand for movie roles
and began to develop his particular style of suave, but shifty, bon
vivant. He gave his best performance in Gustav Ucicky's
classic Der Postmeister (1940),
as Minskij, and in Helmut Käutner's
Romanze in Moll (1943). He was occasionally
seen in operatic parts which required that special
Viennese charm, as in
Immortal Waltz (1939) and
the remake of
Die Fledermaus (1946).
Carol Reed cast him (for added
continental flavour) alongside several other noted Austrian players in
The Third Man (1949). His part, as Popescu, was quite small but integral to the progression of the
story. A chain smoker, Breuer died young -- aged just 47 -- from complications due to pneumonia. In that short life,
he was married six times. His wives included the Austrian star actress
Maria Andergast.
elegant, charming rogues and profligates. The
son of a Wagnerian singer, he was trained from 1924 as an actor at Vienna's Academy for Music and the Performing Arts, studying alongside
Paula Wessely and
Käthe Gold. He performed on the stage in
Berlin under the direction of
Max Reinhardt in 'The Prince of
Homburg', his first leading role. In 1935, he became a member of the
ensemble cast of the Deutsches Theater.
From the late
1930's, Breuer was increasingly in demand for movie roles
and began to develop his particular style of suave, but shifty, bon
vivant. He gave his best performance in Gustav Ucicky's
classic Der Postmeister (1940),
as Minskij, and in Helmut Käutner's
Romanze in Moll (1943). He was occasionally
seen in operatic parts which required that special
Viennese charm, as in
Immortal Waltz (1939) and
the remake of
Die Fledermaus (1946).
Carol Reed cast him (for added
continental flavour) alongside several other noted Austrian players in
The Third Man (1949). His part, as Popescu, was quite small but integral to the progression of the
story. A chain smoker, Breuer died young -- aged just 47 -- from complications due to pneumonia. In that short life,
he was married six times. His wives included the Austrian star actress
Maria Andergast.