3rd Night is a new horror film from Australia shot by up-and-coming director Adam Graveley (Killer Experience), the film brings two poachers to a remote home where a newly married couple are terrorized in their new farmhouse with no way to escape.
Monarch Home Entertainment will bring 3rd Night to audiences for the first time on DVD in the U.S. market on October 9.
Director and graphic designer Graveley won the Neville Brody’s International Fuse competition, for design. His story, heavy on pastoral imagery, is set in Western Australia.
3rd Night is a 2D Films...
Monarch Home Entertainment will bring 3rd Night to audiences for the first time on DVD in the U.S. market on October 9.
Director and graphic designer Graveley won the Neville Brody’s International Fuse competition, for design. His story, heavy on pastoral imagery, is set in Western Australia.
3rd Night is a 2D Films...
- 10/1/2018
- QuietEarth.us
Under the Skin filmmaker Jonathan Glazer and design hero Neville Brody, alongside creative agencies 4Creative and Dblg have “rebranded” iconic U.K. broadcaster Channel 4 with jagged new fonts and a deliriously weird, vaguely Kubrick-ian series of station IDs. Glazer’s four narratively-linked shorts fit more comfortably into his recent film work than they do any kind of television advertising, with their mysterious creatures, magenta rock formations and high-tech science laboratories. As for the fonts, well, back in the day, we at Filmmaker used to spend late nights with our late, great designer Wayne Van Acker geeking out over Brody’s work for […]...
- 10/3/2015
- by Scott Macaulay
- Filmmaker Magazine - Blog
Under the Skin filmmaker Jonathan Glazer and design hero Neville Brody, alongside creative agencies 4Creative and Dblg have “rebranded” iconic U.K. broadcaster Channel 4 with jagged new fonts and a deliriously weird, vaguely Kubrick-ian series of station IDs. Glazer’s four narratively-linked shorts fit more comfortably into his recent film work than they do any kind of television advertising, with their mysterious creatures, magenta rock formations and high-tech science laboratories. As for the fonts, well, back in the day, we at Filmmaker used to spend late nights with our late, great designer Wayne Van Acker geeking out over Brody’s work for […]...
- 10/3/2015
- by Scott Macaulay
- Filmmaker Magazine-Director Interviews
Back in the day, designing an issue of Filmmaker meant two or three weeks of long evenings sitting around our office in the DGA building on 57th street with our beloved designer Wayne Van Acker. Wayne passed away a few years ago, but I thought of him today when I saw this notice that designer David Carson is returning to print journalism with a new magazine titled, appropriately, Carson. We were — and still are — closet design geeks, and we always held up certain designers as our heroes. Neville Brody was the one we could all agree on, with me remembering his great design for the now-defunct U.K. magazine The Face back in the ’80s. But the ’90s were the days of David Carson, whose radical typography and conceptual approach to print design was making waves in advertisements, in the pages of Ray Gun magazine, and in his own books.
- 1/4/2011
- by Scott Macaulay
- Filmmaker Magazine - Blog
IMDb.com, Inc. takes no responsibility for the content or accuracy of the above news articles, Tweets, or blog posts. This content is published for the entertainment of our users only. The news articles, Tweets, and blog posts do not represent IMDb's opinions nor can we guarantee that the reporting therein is completely factual. Please visit the source responsible for the item in question to report any concerns you may have regarding content or accuracy.