By the time the curtain rang down on CBS’ “The Judy Garland Show” on March 29, 1964, the musical variety show had, in just one season, three producers and three different formats. Despite good reviews from critics and Judy Garland’s devoted fan base, the series wasn’t felled by the mercurial Garland being difficult but by the Cartwrights — Ben, Little Joe, Adam, and Hoss — of NBC’s ratings powerhouse “Bonanza.”
Though “The Judy Garland Show” was cancelled after one season, it certainly has lived on over the past six decades. The show was included in TV Guide’s 2013 list of 60 series that were “Cancelled Too Soon.” It certainly was the series that got away. Not only was the mercurial Garland in top (and emotional) voice, but the show also featured a powerhouse of guest stars from her frequent leading man Mickey Rooney, Ray Bolger from “The Wizard of Oz” and newcomers such as Barbra Streisand.
Though “The Judy Garland Show” was cancelled after one season, it certainly has lived on over the past six decades. The show was included in TV Guide’s 2013 list of 60 series that were “Cancelled Too Soon.” It certainly was the series that got away. Not only was the mercurial Garland in top (and emotional) voice, but the show also featured a powerhouse of guest stars from her frequent leading man Mickey Rooney, Ray Bolger from “The Wizard of Oz” and newcomers such as Barbra Streisand.
- 3/26/2024
- by Susan King
- Gold Derby
Anne Marie has been chronicling Judy Garland's career chronologically through musical numbers...
So it may not look like it offhand, but today's episode marked another big shift in the rocky history of The Judy Garland Show. After producing seven episodes, firing most of the staff, kicking Jerry Van Dyke to the curb and reformatting the show, Norman Jewison exited as planned after the 13th taped episode. He would be replaced by Bill Colleran, a producer from Your Hit Parade.
The Show: The Judy Garland Show Episode 13
The Songwriters: Various, arrangement by Mel Torme
The Cast: Judy Garland, Peggy Lee, produced by Norman Jewison
The Story: (My favorite part is the surprise boas at 3:00.) Though Jewison wasn't able to improve the unsteady ratings of The Judy Garland Show, the episodes he produced would set the established characteristics of the show at its peak. More cinematic production, the movement away from sketch comedy,...
So it may not look like it offhand, but today's episode marked another big shift in the rocky history of The Judy Garland Show. After producing seven episodes, firing most of the staff, kicking Jerry Van Dyke to the curb and reformatting the show, Norman Jewison exited as planned after the 13th taped episode. He would be replaced by Bill Colleran, a producer from Your Hit Parade.
The Show: The Judy Garland Show Episode 13
The Songwriters: Various, arrangement by Mel Torme
The Cast: Judy Garland, Peggy Lee, produced by Norman Jewison
The Story: (My favorite part is the surprise boas at 3:00.) Though Jewison wasn't able to improve the unsteady ratings of The Judy Garland Show, the episodes he produced would set the established characteristics of the show at its peak. More cinematic production, the movement away from sketch comedy,...
- 11/30/2016
- by Anne Marie
- FilmExperience
The 16th annual Bradford International Film Festival, which will run March 18-28, is a total celebration of all forms of cinema, from classic films to modern world cinema to a tribute to Cinerama and more. But, most excitingly, is a bombastic collection of some of the best, most exciting underground films being made today.
From Bad Lit’s perspective, the most thrilling screening of the entire 10-day affair is the new film by British filmmaker Peter Whitehead, Terrorism Considered as One of the Fine Arts. In the U.S., Whitehead is a “lost” filmmaker from the underground’s heyday in the ’60s, being left out of most histories of the underground movement. Whitehead directed several influential films, including Wholly Communion and The Fall, before dropping out of filmmaking in the mid-’70s.
Film historian Jack Sargeant wrote extensively about and interviewed Whitehead for his wonderful book on Beat cinema, Naked Lens.
From Bad Lit’s perspective, the most thrilling screening of the entire 10-day affair is the new film by British filmmaker Peter Whitehead, Terrorism Considered as One of the Fine Arts. In the U.S., Whitehead is a “lost” filmmaker from the underground’s heyday in the ’60s, being left out of most histories of the underground movement. Whitehead directed several influential films, including Wholly Communion and The Fall, before dropping out of filmmaking in the mid-’70s.
Film historian Jack Sargeant wrote extensively about and interviewed Whitehead for his wonderful book on Beat cinema, Naked Lens.
- 3/5/2010
- by Mike Everleth
- Underground Film Journal
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