Screen is profiling every submission for best international feature at the 96th Academy Awards.
Entries for the 2024 Oscar for best international feature are underway, and Screen is profiling each one on this page.
The 96th Academy Awards is set to take place on March 10, 2024 at the Dolby Theatre in Los Angeles.
An international feature film is defined as a feature-length motion picture (over 40 minutes) produced outside the US with a predominantly (more than 50%) non-English dialogue track and can include animated and documentary features.
Submitted films must have been released theatrically in their respective countries between December 1, 2022, and October 31, 2023. The deadline...
Entries for the 2024 Oscar for best international feature are underway, and Screen is profiling each one on this page.
The 96th Academy Awards is set to take place on March 10, 2024 at the Dolby Theatre in Los Angeles.
An international feature film is defined as a feature-length motion picture (over 40 minutes) produced outside the US with a predominantly (more than 50%) non-English dialogue track and can include animated and documentary features.
Submitted films must have been released theatrically in their respective countries between December 1, 2022, and October 31, 2023. The deadline...
- 11/2/2023
- by Screen staff
- ScreenDaily
Icíar Bollaín on the set of Yuli: 'We say that the dance tells some parts of his life, but actually the dance tells the emotions of his life' Photo: Courtesy of San Sebastian Film Festival Carlos Acosta biopic Yuli - adapted from his biography by Scottish writer Paul Laverty and directed by Spaniard Icíar Bollaín had its UK premiere at Glasgow Film Festival this week. More traditional biographical storytelling is mixed with dance to bring the emotion of Acosta's memories to the fore. The film charts his reluctance to become a ballet dancer, despite being pushed by his father (Santiago Alfonso), with whom he had a difficult relationship, and his tutor Chery (Laura De la Uz), until his final embrace of the craft and rise to international fame. The film had its world premiere at San Sebastian Festival last September, where I caught up with Bollaín and Laverty to talk about it.
- 2/27/2019
- by Amber Wilkinson
- eyeforfilm.co.uk
Madrid — Telefonica’s Movistar +, Studiocanal, owned by Vivendi’s Canal Plus Group, and Madrid’s Bambu Producciones are teaming for new Movistar + Original Series “En el corredor de la muerte” (“On Death Row”).
Movistar +, Telefonica’s pay TV unit, and Bambú, Spain’s premier producer of Netflix originals, are producing; European production-distribution powerhouse Studiocanal co-produces and will handle international sales, Movistar + announced Friday. It also made available a first still from the series.
Billed as the struggle of a man to prove his innocence, and of family who never gave up on him, “Corredor” marks the second three-way collaboration between Movistar +, Studiocanal and Bambú on a Movistar + original after Studiocanal acquired world sales rights outside Spain on “Instinto,” a wider-audience love/sexual passion drama produced by Bambú and starring Mario Casas.
The deal makes good on Studiocanal’s minority equity stake in Bambú, announced in April 2016, along with similar...
Movistar +, Telefonica’s pay TV unit, and Bambú, Spain’s premier producer of Netflix originals, are producing; European production-distribution powerhouse Studiocanal co-produces and will handle international sales, Movistar + announced Friday. It also made available a first still from the series.
Billed as the struggle of a man to prove his innocence, and of family who never gave up on him, “Corredor” marks the second three-way collaboration between Movistar +, Studiocanal and Bambú on a Movistar + original after Studiocanal acquired world sales rights outside Spain on “Instinto,” a wider-audience love/sexual passion drama produced by Bambú and starring Mario Casas.
The deal makes good on Studiocanal’s minority equity stake in Bambú, announced in April 2016, along with similar...
- 2/2/2019
- by John Hopewell
- Variety Film + TV
Any biopic of a great artist in any discipline tends to wrestle with the same problem: that the artist’s life, eventful though it may be, is usually less immersively interesting than their very best art. In the case of Cuban ballet superstar Carlos Acosta, the promise of watching his rise — from an impoverished childhood on the outskirts of Havana to 17 years as a principal dancer at London’s Royal Ballet — enacted by less miraculously gifted performers isn’t quite as enticing as the spectacle of that extraordinary body in motion. So it’s to the credit of Iciar Bollain’s devoted Acosta portrait “Yuli” that it effectively owns up to that issue, and does some fancy structural footwork of its own to get around it: Part straightforward biographical drama, part interpretive dance piece, it resourcefully allows Acosta to narrate his story with movement rather than speech, while two young...
- 9/25/2018
- by Guy Lodge
- Variety Film + TV
On Wednesday, May 27th, Premios Platino's hosts Alessandra Rosaldo and Juan Carlos Arciniegas alongside actor Eugenio Derbez, as well as Elvi Cano (Director Egeda Us) and Gonzalo Elvira (Fipca Mexico) will announce the nominees for the Awards in Los Angeles, CA.
During the press conference Mexican actress Kate Del Castillo will announce the recipient of the Premio de Honor (Lifetime Achievement Award). In addition Rick Nicita, Chairman of the American Cinematheque, will accept a special Platino Award to The American Cinematheque for its contribution to Iberoamerican Cinema.
Produced by Egeda, in collaboration with Fipca, the Premios Platino of Iberoamerican Cinema was born with the vocation to establish itself as a major international ceremony, promoting Latin American cinema as a whole and transcending borders. It is one of the most important tools to promote and support our film industry and all the professionals who, day after day, put forth all their effort and commitment so that audiences can enjoy the best films.
The candidates for the 2nd Platino Awards (Premios Platino) were announced during the 18th Málaga Film Festival in Spain. 73 feature films and 18 Ibero- American countries compete for the final nominations in the 14 categories for this prestigious award. The competing films had to be commercially released or premiered in an A-List Film Festival during 2014. The final nominations will be announced tomorrow at the Andaz Hotel West Hollywood. The Premios Platino Award Ceremony will take place on July 18, 2015 at Starlite Marbella in Spain.
As part of the same event The Premios Platino has distinguished the Málaga Film Festival with a special award for its contribution to the circulation and promotion of Spanish and Ibero- American cinema.
Here is the list of preselected candidates in each category ahead of tomorrow's final nominations
Premio Platino for the Best Ibero-American Fictional Film
· "Cantinflas"
(Kenio Films) (Mexico).
· "Conducta" (Behavior)
(Instituto Cubano Del Arte E Industria Cinematográfica, Rtv Comercial) (Cuba).
· "El Mudo" (The Mute)
(Maretazo Cine, Urban Factory) (Peru, Mexico).
· "El Niño"
(Vaca Films Studio, S.L., Telecinco Cinema, S.A., Ikiru Films, S.L., La Ferme! Productions, El Niño la película, A.I.E.) (Spain).
· "La Danza de la Realidad" (The Dance of Reality)
(Camera One, Pathe Y Le Soleil Films) (Chile).
· "La Dictadura Perfecta" (The Perfect Dictatorship)
(Imcine - Instituto Mexicano De Cinematografía, Estudios Churubusco Azteca, S.A., Bandidos Films, Fidecine, Eficine 226) (Mexico).
· "La Isla Mínima" (Marshland)
(Antena 3 Films, S.L., Atípica Films, S.L. y Sacromonte Films S.L.) (Spain).
· "Libertador" (The Liberator)
(Producciones Insurgentes, San Mateo Films) (Venezuela, Spain).
· "Matar a un Hombre" (To Kill a Man)
(Arizona Production, El Remanso Cine Ltda) (Chile).
· "Mr. Kaplan"
(Baobab 66 Films, S.L., Salado Media, Expresso Films) (Uruguay, Spain).
· "O Lobo Atrás da Porta" (A Wolf at the Door)
(Tc Filmes, Gullane Filmes) (Brazil).
· "Os gatos não têm vertigens" (Cats Don't Have Vertigo)
(Mgn Filmes) (Portugal).
· "Pelo Malo" (Bad Hair)
(Sudaca Films, Hanfgarn & Ufer Filmproduktion, Artefactos S.F., Imagen Latina, La Sociedad Post) (Venezuela Peru, Argentina).
· "Refugiado"
(Gale Cine, Burning Blue, El Campo Cine, Staron Films, Bellota Films, Río Rojo Contenidos) (Argentina, Colombia).
. "Relatos Salvajes" (Wild Tales)
(Kramer & Sigman Films, El Deseo P.C - S.A.) (Argentina, Spain).
Premio Platino for Best Directing
Alberto Rodríguez (Spain), for "La Isla Mínima." Alejandro Jodorowsky (Chile), for "La danza de la Realidad." Álvaro Brechner (Uruguay), for "Mr Kaplan." António-Pedro Vasconcelos (Portugal), for "Os gatos não têm vertigens." Claudia Pinto (Venezuela), for "La Distancia más Larga." Damián Szifron (Argentina), for "Relatos Salvajes." Daniel Monzón (Spain), for "El Niño." Daniel Vega (Peru) and Diego Vega (Peru), for "El Mudo." Ernesto Daranas (Cuba), for "Conducta." Fernando Coimbra (Brazil), for "O lobo atrás da porta." Fernando Pérez (Cuba), "La Pared de las Palabras." Luis Estrada (Mexico), for "La Dictadura Perfecta." Mariana Rondón (Venezuela), for "Pelo Malo." Miguel Cohan (Argentina), for "Betibú." Sebastián del Amo (Mexico), for "Cantinflas. "
Premio Platino for Best Actor
Benicio Del Toro (Puerto Rico), for Escobar. "Paraíso Perdido." Damián Alcázar (Mexico), for "La Dictadura Perfecta. Dani Rovira (Spain), for "Ocho Apellidos Vascos." Daniel Candia (Chile), for "Matar a un Hombre." Daniel Fanego (Argentina), for "Betibú." Edgar Ramírez (Venezuela), for "Libertador." Fernando Bacilio (Peru), "El Mudo." Ghilherme Lobo (Brazil), "The Way He Looks." Javier Gutiérrez (Spain), for "La Isla Mínima." Jorge Perugorría (Cuba), for "La Pared de las Palabras." Leonardo Sbaraglia (Argentina), for "Relatos Salvajes." Oscar Jaenada (Spain), by "Cantinflas." Salvador del Solar (Peru), for "El Elefante Desaparecido." Viggo Mortensen (USA), for "Jauja." Wagner Moura (Brazil), for "Futuro Beach" .
Premio Platino for Best Actress
Angie Cepeda (Colombia), for "El Elefante Desaparecido." Bárbara Lennie (Spain), by "Magical Girl." Carme Elías (Spain), for "La Distancia Más Larga." Elena Anaya (Spain), for "Todos Están Muertos." Érica Rivas (Argentina), for "Relatos Salvajes." Geraldine Chaplin (USA), for "Dólares de Arena." Isabel Santos (Cuba), for "La Pared de las Palabras." Julieta Díaz (Argentina), for "Refugiado." Laura de la Uz (Cuba), for "Vestido de Novia." Leandra Leal (Brazil), for "O Lobo Atrás da Porta." Maria do Céu Guerra (Portugal), for "Os gatos não têm vertigens." Martha Higareda (Mexico), for "Cásese Quien Pueda." Paulina García (Chile), for "Las Analfabetas." Samantha Castillo (Venezuela), for "Pelo Malo." Silvia Navarro (Mexico), for "La Dictadura Perfecta. "
Premio Platino for Best Original Score
Adán Jodorowsky (Chile), for "La Danza de la Realidad." Antonio Pinto (Brazil), for "Trash. A esperança vem do lixo." Edilio Paredes (Dominican Republic), Ramón Cordero (Dominican Republic), Benjamín de Menil (Dominican Republic), for "Dólares de Arena." Federico Jusid (Argentina), for "Betibú" Gustavo Dudamel (Venezuela), for "Libertador." Gustavo Santaolalla (Argentina), for "Relatos Salvajes." Juan A. Leyva (Cuba), Magda R. Galbán (Cuba), for "Conducta." Julio de la Rosa (Spain), for "La iIsla Mínima." Mikel Salas (Spain), for "Mr Kaplan." Pedro Subercaseaux (Chile), for "Crystal Fairy y el Cactus Mágico." Ricardo Cutz (Brazil), "O lobo atrás da porta." Roque Baños (Spain), for "El Niño." Ruy Folguera (Argentina), for" Olvidados." Selma Mutal (Peru), for "El Elefante Desaparecido." Vicent Barrière (France), for "La Distancia más Larga."
Premio Platino for Best Animated Film
"Até que a Sbórnia nos Separe" (Otto Desenhos Animados) (Brazil). "Dixie y la Rebelión Zombi" (Abra Prod. S.L.) (Spain) "El Ultimo Mago o Bilembambudín" (Fabula Producciones, Aleph Media S.A., Filmar Uno) (Argentina, Chile). "Historia de Cronopios y de Famas" (Prodarte) (Argentina). "La Leyenda de las Momias de Guanajuato" (Ánima Estudios, S.A. De C.V.) (Mexico). "La Tropa de Trapo en la Selva del Arcoíris" (Continental Producciones, S.L, Anera Films, S.L., Abano Producions, S.L. La Tropa De Trapo, S.L.) (Spain, Brazil). "Meñique" (Ficción Producciones, S.L., Estudios De Animación Icaic) (Cuba, Spain). "Mortadelo y Filemón Contra Jimmy el Cachondo" (Zeta Audiovisual y Películas Pendelton) (Spain). "The Boy and the World" (Filme de Papel) (Brazil). "Pichinguitos. Tgus, la Película" (Non Plus Ultra) (Mexico, Honduras). "Ritos de Passagem" (Liberato Produçoes Culturais) (Brazil).
Premio Platino for Best Documentary Film
• "¿Quién es Dayani Cristal?" (Canana Films, Pulse Films Limited) (Mexico).
"2014, Nacido en Gaza" (La Claqueta Pc, S.L.Contramedia Films) (Spain). "Avant" (Trivial Media Srl, Tarkio Film) (Uruguay, Argentina). "Buscando a Gastón" (Chiwake Films) (Peru). "E agora? Lémbra-me" (C.R.I.M. Produçoes, Presente Edições De Autor) (Portugal). "El Color que Cayó del Cielo" (K & S Films) (Argentina). "El Ojo del Tiburón" (Astronauta Films, Gema Films) (Argentina, Spain). "El Río que Nos Atraviesa" (Ochi Producciones, Maraisa Films Producciones) (Venezuela). "El Sueño de Todos" (S3d Films, Tridi Films) (Chile). "El Vals de los Inútiles" (La Pata De Juana, Cusicanqui Films) (Chile, Argentina). "Invasión" (Apertura Films, Ajimolido Films) (Panama, Argentina). "Maracaná" (Coral Cine, S.R.L., Tenfield S.A.) (Uruguay, Brazil). "The Salt of the Earth" (Decia Films) (Brazil) "Paco de Lucía. La búsqueda" (Ziggurat Films, S.L.) (Spain) "Pichuco" (Puente Films) (Argentina).
Premio Platino for Best Screenplay
Alberto Rodríguez (Spain), Rafael Cobos (Spain), for" La Isla Mínima." Alejandro Jodorowsky (Chile), for "La Danza de la Realidad." Álvaro Brechner (Uruguay), for "Mr. Kaplan." Anahí Berneri (Argentina), Javier Van Couter (Argentina), for "Aire Libre." Carlos Vermut (Spain), for "Magical Girl." Claudia Pinto (Venezuela), for "La Distancia Más Larga." Damián Szifron (Argentina), for "Relatos Salvajes." Daniel Ribeiro (Brazil), for "The Way He Looks." Daniel Vega (Peru), Diego Vega (Peru), for "El Mudo." Ernesto Daranas (Cuba), for "Conducta." Fernando Coimbra (Brazil), for "O lobo atrás da porta." Luis Arambilet (Dominican Republic), for "Código Paz." Luis Estrada (Mexico), Jaime Sampietro (Mexico), for "La Dictadura Perfecta." Mariana Rondón (Venezuela), for "Pelo Malo." Tiago Santos (Portugal) for "Os gatos não têm vertigens. "
Premio Platino for Best Ibero-American Fiction Debut
"10.000 Km," by Carlos Marqués- Marcet (Lastor Media, S.L., La Panda) (Spain). "23 segundos," by Dimitry Rudakov (Clever Producciones) (Uruguay). "Branco sai, preto fica," by Adirley Queirós (Cinco Da Norte Serviços Audiovisuais) (Brazil). "Ciencias Naturales," by Matías Lucchesi (Tarea Fina, Metaluna Productions) (Argentina). "Código Paz," by Pedro Urrutia (One Alliance Srl) (Dominican Republic). "Feriado" by Diego Araujo (Cepa Audiovisual S.R.L., Abacafilms, S.A., Lunafilms Audiovisual) (Ecuador, Argentina). Historias del Canal (Hypatia Films, Manglar Films, Tvn Films and Wp Films) (Panama). "La Distancia Más Larga," by Claudia Pinto (Castro Producciones Cinematograficas, S.L.U., Sin Rodeos Films C.A., Claudia Lepage) (Venezuela). "Las Vacas con Gafas," by Alex Santiago Pérez (Cozy Light Pictures) (Puerto Rico). "Luna de Cigarras," by Jorge Bedoya (Oima Films, Koreko Gua, S.R.L., Sabate Films) (Paraguay). "Mateo," by Maria Gamboa (Hangar Filmsdiafragma, Fabrica De Peliculas, Cine Sud Promotion) (Colombia). "Perro Guardian," by Bacha Caravedo, Chinón Higashionna (Señor Z)(Peru). "Vestido de Novia," by Marilyn Solaya (Icaic) (Cuba). "Visitantes," by Acan Coen (Sobrevivientes Films, Akira Producciones, Nodancingtoday) (Mexico). "Volantín Cortao," by Diego Ayala and Aníbal Jofré (Gallinazo Films) (Chile)...
During the press conference Mexican actress Kate Del Castillo will announce the recipient of the Premio de Honor (Lifetime Achievement Award). In addition Rick Nicita, Chairman of the American Cinematheque, will accept a special Platino Award to The American Cinematheque for its contribution to Iberoamerican Cinema.
Produced by Egeda, in collaboration with Fipca, the Premios Platino of Iberoamerican Cinema was born with the vocation to establish itself as a major international ceremony, promoting Latin American cinema as a whole and transcending borders. It is one of the most important tools to promote and support our film industry and all the professionals who, day after day, put forth all their effort and commitment so that audiences can enjoy the best films.
The candidates for the 2nd Platino Awards (Premios Platino) were announced during the 18th Málaga Film Festival in Spain. 73 feature films and 18 Ibero- American countries compete for the final nominations in the 14 categories for this prestigious award. The competing films had to be commercially released or premiered in an A-List Film Festival during 2014. The final nominations will be announced tomorrow at the Andaz Hotel West Hollywood. The Premios Platino Award Ceremony will take place on July 18, 2015 at Starlite Marbella in Spain.
As part of the same event The Premios Platino has distinguished the Málaga Film Festival with a special award for its contribution to the circulation and promotion of Spanish and Ibero- American cinema.
Here is the list of preselected candidates in each category ahead of tomorrow's final nominations
Premio Platino for the Best Ibero-American Fictional Film
· "Cantinflas"
(Kenio Films) (Mexico).
· "Conducta" (Behavior)
(Instituto Cubano Del Arte E Industria Cinematográfica, Rtv Comercial) (Cuba).
· "El Mudo" (The Mute)
(Maretazo Cine, Urban Factory) (Peru, Mexico).
· "El Niño"
(Vaca Films Studio, S.L., Telecinco Cinema, S.A., Ikiru Films, S.L., La Ferme! Productions, El Niño la película, A.I.E.) (Spain).
· "La Danza de la Realidad" (The Dance of Reality)
(Camera One, Pathe Y Le Soleil Films) (Chile).
· "La Dictadura Perfecta" (The Perfect Dictatorship)
(Imcine - Instituto Mexicano De Cinematografía, Estudios Churubusco Azteca, S.A., Bandidos Films, Fidecine, Eficine 226) (Mexico).
· "La Isla Mínima" (Marshland)
(Antena 3 Films, S.L., Atípica Films, S.L. y Sacromonte Films S.L.) (Spain).
· "Libertador" (The Liberator)
(Producciones Insurgentes, San Mateo Films) (Venezuela, Spain).
· "Matar a un Hombre" (To Kill a Man)
(Arizona Production, El Remanso Cine Ltda) (Chile).
· "Mr. Kaplan"
(Baobab 66 Films, S.L., Salado Media, Expresso Films) (Uruguay, Spain).
· "O Lobo Atrás da Porta" (A Wolf at the Door)
(Tc Filmes, Gullane Filmes) (Brazil).
· "Os gatos não têm vertigens" (Cats Don't Have Vertigo)
(Mgn Filmes) (Portugal).
· "Pelo Malo" (Bad Hair)
(Sudaca Films, Hanfgarn & Ufer Filmproduktion, Artefactos S.F., Imagen Latina, La Sociedad Post) (Venezuela Peru, Argentina).
· "Refugiado"
(Gale Cine, Burning Blue, El Campo Cine, Staron Films, Bellota Films, Río Rojo Contenidos) (Argentina, Colombia).
. "Relatos Salvajes" (Wild Tales)
(Kramer & Sigman Films, El Deseo P.C - S.A.) (Argentina, Spain).
Premio Platino for Best Directing
Alberto Rodríguez (Spain), for "La Isla Mínima." Alejandro Jodorowsky (Chile), for "La danza de la Realidad." Álvaro Brechner (Uruguay), for "Mr Kaplan." António-Pedro Vasconcelos (Portugal), for "Os gatos não têm vertigens." Claudia Pinto (Venezuela), for "La Distancia más Larga." Damián Szifron (Argentina), for "Relatos Salvajes." Daniel Monzón (Spain), for "El Niño." Daniel Vega (Peru) and Diego Vega (Peru), for "El Mudo." Ernesto Daranas (Cuba), for "Conducta." Fernando Coimbra (Brazil), for "O lobo atrás da porta." Fernando Pérez (Cuba), "La Pared de las Palabras." Luis Estrada (Mexico), for "La Dictadura Perfecta." Mariana Rondón (Venezuela), for "Pelo Malo." Miguel Cohan (Argentina), for "Betibú." Sebastián del Amo (Mexico), for "Cantinflas. "
Premio Platino for Best Actor
Benicio Del Toro (Puerto Rico), for Escobar. "Paraíso Perdido." Damián Alcázar (Mexico), for "La Dictadura Perfecta. Dani Rovira (Spain), for "Ocho Apellidos Vascos." Daniel Candia (Chile), for "Matar a un Hombre." Daniel Fanego (Argentina), for "Betibú." Edgar Ramírez (Venezuela), for "Libertador." Fernando Bacilio (Peru), "El Mudo." Ghilherme Lobo (Brazil), "The Way He Looks." Javier Gutiérrez (Spain), for "La Isla Mínima." Jorge Perugorría (Cuba), for "La Pared de las Palabras." Leonardo Sbaraglia (Argentina), for "Relatos Salvajes." Oscar Jaenada (Spain), by "Cantinflas." Salvador del Solar (Peru), for "El Elefante Desaparecido." Viggo Mortensen (USA), for "Jauja." Wagner Moura (Brazil), for "Futuro Beach" .
Premio Platino for Best Actress
Angie Cepeda (Colombia), for "El Elefante Desaparecido." Bárbara Lennie (Spain), by "Magical Girl." Carme Elías (Spain), for "La Distancia Más Larga." Elena Anaya (Spain), for "Todos Están Muertos." Érica Rivas (Argentina), for "Relatos Salvajes." Geraldine Chaplin (USA), for "Dólares de Arena." Isabel Santos (Cuba), for "La Pared de las Palabras." Julieta Díaz (Argentina), for "Refugiado." Laura de la Uz (Cuba), for "Vestido de Novia." Leandra Leal (Brazil), for "O Lobo Atrás da Porta." Maria do Céu Guerra (Portugal), for "Os gatos não têm vertigens." Martha Higareda (Mexico), for "Cásese Quien Pueda." Paulina García (Chile), for "Las Analfabetas." Samantha Castillo (Venezuela), for "Pelo Malo." Silvia Navarro (Mexico), for "La Dictadura Perfecta. "
Premio Platino for Best Original Score
Adán Jodorowsky (Chile), for "La Danza de la Realidad." Antonio Pinto (Brazil), for "Trash. A esperança vem do lixo." Edilio Paredes (Dominican Republic), Ramón Cordero (Dominican Republic), Benjamín de Menil (Dominican Republic), for "Dólares de Arena." Federico Jusid (Argentina), for "Betibú" Gustavo Dudamel (Venezuela), for "Libertador." Gustavo Santaolalla (Argentina), for "Relatos Salvajes." Juan A. Leyva (Cuba), Magda R. Galbán (Cuba), for "Conducta." Julio de la Rosa (Spain), for "La iIsla Mínima." Mikel Salas (Spain), for "Mr Kaplan." Pedro Subercaseaux (Chile), for "Crystal Fairy y el Cactus Mágico." Ricardo Cutz (Brazil), "O lobo atrás da porta." Roque Baños (Spain), for "El Niño." Ruy Folguera (Argentina), for" Olvidados." Selma Mutal (Peru), for "El Elefante Desaparecido." Vicent Barrière (France), for "La Distancia más Larga."
Premio Platino for Best Animated Film
"Até que a Sbórnia nos Separe" (Otto Desenhos Animados) (Brazil). "Dixie y la Rebelión Zombi" (Abra Prod. S.L.) (Spain) "El Ultimo Mago o Bilembambudín" (Fabula Producciones, Aleph Media S.A., Filmar Uno) (Argentina, Chile). "Historia de Cronopios y de Famas" (Prodarte) (Argentina). "La Leyenda de las Momias de Guanajuato" (Ánima Estudios, S.A. De C.V.) (Mexico). "La Tropa de Trapo en la Selva del Arcoíris" (Continental Producciones, S.L, Anera Films, S.L., Abano Producions, S.L. La Tropa De Trapo, S.L.) (Spain, Brazil). "Meñique" (Ficción Producciones, S.L., Estudios De Animación Icaic) (Cuba, Spain). "Mortadelo y Filemón Contra Jimmy el Cachondo" (Zeta Audiovisual y Películas Pendelton) (Spain). "The Boy and the World" (Filme de Papel) (Brazil). "Pichinguitos. Tgus, la Película" (Non Plus Ultra) (Mexico, Honduras). "Ritos de Passagem" (Liberato Produçoes Culturais) (Brazil).
Premio Platino for Best Documentary Film
• "¿Quién es Dayani Cristal?" (Canana Films, Pulse Films Limited) (Mexico).
"2014, Nacido en Gaza" (La Claqueta Pc, S.L.Contramedia Films) (Spain). "Avant" (Trivial Media Srl, Tarkio Film) (Uruguay, Argentina). "Buscando a Gastón" (Chiwake Films) (Peru). "E agora? Lémbra-me" (C.R.I.M. Produçoes, Presente Edições De Autor) (Portugal). "El Color que Cayó del Cielo" (K & S Films) (Argentina). "El Ojo del Tiburón" (Astronauta Films, Gema Films) (Argentina, Spain). "El Río que Nos Atraviesa" (Ochi Producciones, Maraisa Films Producciones) (Venezuela). "El Sueño de Todos" (S3d Films, Tridi Films) (Chile). "El Vals de los Inútiles" (La Pata De Juana, Cusicanqui Films) (Chile, Argentina). "Invasión" (Apertura Films, Ajimolido Films) (Panama, Argentina). "Maracaná" (Coral Cine, S.R.L., Tenfield S.A.) (Uruguay, Brazil). "The Salt of the Earth" (Decia Films) (Brazil) "Paco de Lucía. La búsqueda" (Ziggurat Films, S.L.) (Spain) "Pichuco" (Puente Films) (Argentina).
Premio Platino for Best Screenplay
Alberto Rodríguez (Spain), Rafael Cobos (Spain), for" La Isla Mínima." Alejandro Jodorowsky (Chile), for "La Danza de la Realidad." Álvaro Brechner (Uruguay), for "Mr. Kaplan." Anahí Berneri (Argentina), Javier Van Couter (Argentina), for "Aire Libre." Carlos Vermut (Spain), for "Magical Girl." Claudia Pinto (Venezuela), for "La Distancia Más Larga." Damián Szifron (Argentina), for "Relatos Salvajes." Daniel Ribeiro (Brazil), for "The Way He Looks." Daniel Vega (Peru), Diego Vega (Peru), for "El Mudo." Ernesto Daranas (Cuba), for "Conducta." Fernando Coimbra (Brazil), for "O lobo atrás da porta." Luis Arambilet (Dominican Republic), for "Código Paz." Luis Estrada (Mexico), Jaime Sampietro (Mexico), for "La Dictadura Perfecta." Mariana Rondón (Venezuela), for "Pelo Malo." Tiago Santos (Portugal) for "Os gatos não têm vertigens. "
Premio Platino for Best Ibero-American Fiction Debut
"10.000 Km," by Carlos Marqués- Marcet (Lastor Media, S.L., La Panda) (Spain). "23 segundos," by Dimitry Rudakov (Clever Producciones) (Uruguay). "Branco sai, preto fica," by Adirley Queirós (Cinco Da Norte Serviços Audiovisuais) (Brazil). "Ciencias Naturales," by Matías Lucchesi (Tarea Fina, Metaluna Productions) (Argentina). "Código Paz," by Pedro Urrutia (One Alliance Srl) (Dominican Republic). "Feriado" by Diego Araujo (Cepa Audiovisual S.R.L., Abacafilms, S.A., Lunafilms Audiovisual) (Ecuador, Argentina). Historias del Canal (Hypatia Films, Manglar Films, Tvn Films and Wp Films) (Panama). "La Distancia Más Larga," by Claudia Pinto (Castro Producciones Cinematograficas, S.L.U., Sin Rodeos Films C.A., Claudia Lepage) (Venezuela). "Las Vacas con Gafas," by Alex Santiago Pérez (Cozy Light Pictures) (Puerto Rico). "Luna de Cigarras," by Jorge Bedoya (Oima Films, Koreko Gua, S.R.L., Sabate Films) (Paraguay). "Mateo," by Maria Gamboa (Hangar Filmsdiafragma, Fabrica De Peliculas, Cine Sud Promotion) (Colombia). "Perro Guardian," by Bacha Caravedo, Chinón Higashionna (Señor Z)(Peru). "Vestido de Novia," by Marilyn Solaya (Icaic) (Cuba). "Visitantes," by Acan Coen (Sobrevivientes Films, Akira Producciones, Nodancingtoday) (Mexico). "Volantín Cortao," by Diego Ayala and Aníbal Jofré (Gallinazo Films) (Chile)...
- 5/26/2015
- by Sydney Levine
- Sydney's Buzz
Ivonne Cortorruelo is a remarkably busy (and very happy) young producer epitomizing the energetic activities happening these days in Cuba. Only three years ago she was a participant in the Berlinale’s Talent Campus and attending Eictv, the international film school in Cuba which was founded by Gabriel Garcia Marquez with his Nobel Prize money on land donated by Cuba itself.
Now she is working non stop in Cuba a land of scarcity of goods but huge in spirit and positive energy as she prepares her fall travel.
Her feature film “Venecia” directed by Kiki Álvarez is premiering at the Toronto International Film Festival 2014. This is their Ivonne and Kiki’s feature together. Last year at the Havana Film Festival, Ivonne had three films in the fest. In Official Competition was “Jirafas”, the debut feature of director Kiki Álvarez. At the same festival, “ Venecia” Kiki Álvarez’s second film was the prize winning film in Primera Copia which means it received sound post-production aid. “Venecia” was initially financed by crowdfunding and was paid for through Pay Pal. That is not easily accomplished in Cuba where internet is very difficult to say the least. “ Digna guerra” directed by Marcel Bertran was in the Documentary Official Competition.
Her other latest film, “Dark Glasses”, now in post, will be in Encuentros Cinergia in Costa Rica after Toronto. “Espejuelos Oscuros” (“Dark Glasses”) is the first feature of female directorJessica Rodriguez. It is the second time the two have worked together. Their short documentary, “El mundo de Raul” was a festival favorite which won the Sgae prize in Spain. It was a product of their time together at Eictv. “Dark Glasses” covers four periods of Cuban history, the Mambistas in 1898, the 1950s fight against Batista, the 1970’s female leader of the workers and today. The contemporary story is about a blind woman who lives alone with her cat in a great mansion in the middle of nowhere. One night she is visited by a man who is fleeing and he attacks her. She tries to gain time by telling him stories of the past which she can infuse with desire, revenge and love. The actress, Laura de la Uz was nominated for the Best Actress Award at the first ever Platinum Prizes which was held in April in Panama to recognize the best of Iberoamerican cinema. The male lead is a very well known Cuban actor named Luis Alberto Garcia.
Her documentary “ The Belly of the Whale” (“El Vientre de la Belleina”) is participating in Doc Montevideo and has won prizes already at Doc Leipzig and Doc Buenos Aires. It also won a generous grant from the Tribeca Film Institute’s Latin America Media Arts Fund in 2014. “ El Vientre de la Belleina” (“In the Belly of the Whale”) also received 4,000 Euros for research and development from the Bertha Fund (Idfa’s former Jan Vrijman Fund). She is now applying for an Ibermedia grant, and it will be in the Dominican Republic’s Encuentros.
Keep an eye on this woman; she is truly one to watch!
Ivonne Cotorruelo P: ivonne.eutrapelia [At] gmail.com...
Now she is working non stop in Cuba a land of scarcity of goods but huge in spirit and positive energy as she prepares her fall travel.
Her feature film “Venecia” directed by Kiki Álvarez is premiering at the Toronto International Film Festival 2014. This is their Ivonne and Kiki’s feature together. Last year at the Havana Film Festival, Ivonne had three films in the fest. In Official Competition was “Jirafas”, the debut feature of director Kiki Álvarez. At the same festival, “ Venecia” Kiki Álvarez’s second film was the prize winning film in Primera Copia which means it received sound post-production aid. “Venecia” was initially financed by crowdfunding and was paid for through Pay Pal. That is not easily accomplished in Cuba where internet is very difficult to say the least. “ Digna guerra” directed by Marcel Bertran was in the Documentary Official Competition.
Her other latest film, “Dark Glasses”, now in post, will be in Encuentros Cinergia in Costa Rica after Toronto. “Espejuelos Oscuros” (“Dark Glasses”) is the first feature of female directorJessica Rodriguez. It is the second time the two have worked together. Their short documentary, “El mundo de Raul” was a festival favorite which won the Sgae prize in Spain. It was a product of their time together at Eictv. “Dark Glasses” covers four periods of Cuban history, the Mambistas in 1898, the 1950s fight against Batista, the 1970’s female leader of the workers and today. The contemporary story is about a blind woman who lives alone with her cat in a great mansion in the middle of nowhere. One night she is visited by a man who is fleeing and he attacks her. She tries to gain time by telling him stories of the past which she can infuse with desire, revenge and love. The actress, Laura de la Uz was nominated for the Best Actress Award at the first ever Platinum Prizes which was held in April in Panama to recognize the best of Iberoamerican cinema. The male lead is a very well known Cuban actor named Luis Alberto Garcia.
Her documentary “ The Belly of the Whale” (“El Vientre de la Belleina”) is participating in Doc Montevideo and has won prizes already at Doc Leipzig and Doc Buenos Aires. It also won a generous grant from the Tribeca Film Institute’s Latin America Media Arts Fund in 2014. “ El Vientre de la Belleina” (“In the Belly of the Whale”) also received 4,000 Euros for research and development from the Bertha Fund (Idfa’s former Jan Vrijman Fund). She is now applying for an Ibermedia grant, and it will be in the Dominican Republic’s Encuentros.
Keep an eye on this woman; she is truly one to watch!
Ivonne Cotorruelo P: ivonne.eutrapelia [At] gmail.com...
- 8/15/2014
- by Sydney Levine
- Sydney's Buzz
Winners have been announced! See below.
The First Edition of the Platinum Awards, a gala presentation in Panama April 5th, sponsored by Egeda and Fipca was an idea born two years ago in Panama at the Festival'sl Forum with Iberoamerican filmmakers and the Iberoamerican Producers Association (Fipca). Panama's Deputy Minister of Industry and Commerce offered to pay for the first edition which is being held now. Jose Pacheco, the Deputy Minister and also the President of the Panama Film Commission, along with Arianne Marie Benedetti, then had to convince their government that the investment in the awards, along with the investment in cinema would further the country's extraordinary influx of capital and would help establish the Premios Platinos as the most important global event promoting and supporting the Iberoamerican film industry. Everyone here for the 4th Annual Panama Film Festival was quite excited and it was an extraordinary affair. Twenty-two Spanish speaking countries in the Americas as well as Brazil, Portugal and Spain gathered along with world press (John Hopewell of Variety and I myself of SydneysBuzz/ LatinoBuzz and Indiewire were the only gringo press around) and producers, directors, actors, cinematographers and writers to pay homage to the great talent arising out of the Iberoamerican countries whose potential audience exceeds that of the United States.
This was pointed out with great enthusiasm by Javier Camára, the actor nominated for Best Male Actor for his role in David Trueba's Living is Easy with Eyes Closed (Vivir es fácil con los ojos cerrados). He plays a high-school English/ Latin teacher in 1966 Spain who drives to Almeria in hopes of meeting his hero, John Lennon. Along the way, he picks up two runaways. The movie title, Living is Easy With Eyes Closed, comes from a line in Lennon's song Strawberry Fields Forever which he wrote while filming How I Won the War in Almeria. (Camára is also a fan of Real Madrid.)
In this first edition 701 films have participated. Of these, each of the countries made a pre-selection of their candidates through their representatives Fipca and national film academies. Subsequently, a jury of prominent industry professionals has selected the winners just announced at the gala on April 5 in Panama. The Directors of the event are Adrian Solar Lozier for Fipca and one of Chili's most recognized producers and Enrique Cerezo Torres, one of the founders of Egeda twenty-five years ago, its chief executive for the past seventeen years, President of the Madrid Film Commission and President of the Madrid School of Cinema. (He is also the President of the Athletic Football Club of Madrid.)
Mexican singer and actress, Alessandra Rosaldo, and Colombian journalist Juan Carlos Arciniegas whose TV show on film is featured on CNN Latino, co-hosted the televised event. Canal Plus of Spain and others representing television across the Americas were present.
The winners in each of the eight categories were named to a huge audience of the most important Latin American cinema talent who sat on pins and needles waiting to hear the winners.
Accepting the Platinum Award of Honor, Sonia Braga, known to U.S. audiences from the 1976 breakout Brazilian film, Dona Flor and Her Two Husbands, and again in 1985 and 1988 with Kiss of the Spider Woman and The Milagro Beanfield War respectively, was elegant and eloquent in her acceptance.
The most nominated films were The German Doctor: Wakolda, Gloria and Living is Easy with Eyes Closed. The surprise was that Living is Easy did not win a single award. Already the winner of 11 Awards and nominated for 5 other awards, David Trueba definitely can not hide behind the loser category. The Spanish film Living is Easy with Eyes Closed won six Goya Awards including Best Director.
And The Winners are:
Best Iberoamerican Fiction Film: Gloria (Chile). Nominated were The German Doctor: Wakolda (Argentina), Heli (Mexico), Witching and Bitching (Spain), La jaula de oro (The Golden Cage) (Mexico), Roa (Colombia) and Living is Easy with Eyes Closed Spain) compete for the title of Best Latin American Film of the Year.
Best Female Performance: Paulina García (Gloria). Nominated were Karen Martínez (The Golden Cage), Laura De la Uz (Ana's Film), Marian Álvarez (Wounded), Nashla Bogaert (Who's the Boss?), Natalia Oreiro (Wakolda). You can read Gloria's review and interview with Sebastian Lelio and Paulna Garcia here: Review by Carlos Aguilar and Interview with Sebastian Lelio and Paulina Garcia by Sydney Levine. You can soon read more about upcoming Dominican Republic's Nashla Bogaert whom I met and interviewed in Panama. She is my choice of the one to keep an eye on.
Best Male Performance: Eugenio Derbez (Instructions Not Included). The equivalent of the Platinos, our own Academy Award usually steers clear of comedy in the best actor category, as if comedy were not as difficult as drama. But this was well deserved in terms of popularity as this film's huge success in both U.S. and Mexico shows. U.S.$44 million in U.S. and U.S.$ 41 million in Mexico are not to be ignored. This major hit hit a major nerve in U.S. and Mexico. Also nominated were Antonio de la Torre (Cannibal), , Javier Cámara (Living is Easy with Eyes Closed), Ricardo Darín (Thesis on a Homicide) and Víctor Prada (The Cleaner).
Platinum Award For Best Director: Amat Escalante (Heli). Nominated were Sebastian Lelio (Gloria), David Trueba (Living Is Easy With Eyes Closed), Lucia Puenzo (The German Doctor: Wakolda). You can read Heli's Review by Carlos Aguilar and the Interview with Amat Escalante by Carlos Aguilar.
Platinum Best Screenplay Award: Sebastian Lelio, Gonzalo Maza (Gloria). Also nominated were Daniel Sánchez Arévalo (Great Spanish Family), David Trueba (Living Is Easy With Eyes Closed), Lucia Puenzo (The German Doctor-Wakolda)
Platinum Award For Best Original Score: Emilio Kauderer for Foosball (Football). Also nominated were Karin Zielinski for El Limpiador (The Cleaner) -- you can read its Review by Carlos Aguilar , Joan Valent (Zugarramurdi Witches)
Platinum Award For Best Animated Film: Foosball (Football). Nominated were Anina -- you can read Anina's Review by Carlos Aguilar , The Secret Of Jade Medallion, Justin And The Sword Of Value, Uma History Of Love And Fury
Platinum Award For Best Documentary: Con la Pata Quebrada (With a Broken Leg). Nominated were: Cuates de Australia (Friends from Australia), Eternal Night Of The Twelve Moons, The Day That Lasted 21 Years from Brazil about the U.S. instigated coup d’etat in 1964, Still Being.
Camilo Vives (recently deceased, head of production for Icaic) Platinum Award for Best Iberoamerican co-production, in memory of his Presidency of Fipca for over 10 years and co-chair of the Forum Egeda / Fipca was The German Doctor Wakolda which beat out Anina, Esclavo de Dios and La jaula de oro. Read more on The German Doctor Wakolda here: Review by Carlos Aguilar and Case Study by Sydney Levine.
See more on the Platinum Award website: www.premiosplatino.com.
Alessandra Rosaldo stated: "These Awards will be the most valuable Iberoamerican Film Excellence Awards, something this industry needs and demands to reward the creativity and talent of our film industry.
Juan Carlos Arciniegas said: "The Platinum Awards are pioneers, transcend borders and put our countries in a fair competition that will highlight the diversity of the region cinematically. These awards will write the history of the participating films."
Eugenio Derbez, Blanca Guerra, Victoria Abril and Patricia Velasquez were some of the presenters.
The First Edition of the Platinum Awards, a gala presentation in Panama April 5th, sponsored by Egeda and Fipca was an idea born two years ago in Panama at the Festival'sl Forum with Iberoamerican filmmakers and the Iberoamerican Producers Association (Fipca). Panama's Deputy Minister of Industry and Commerce offered to pay for the first edition which is being held now. Jose Pacheco, the Deputy Minister and also the President of the Panama Film Commission, along with Arianne Marie Benedetti, then had to convince their government that the investment in the awards, along with the investment in cinema would further the country's extraordinary influx of capital and would help establish the Premios Platinos as the most important global event promoting and supporting the Iberoamerican film industry. Everyone here for the 4th Annual Panama Film Festival was quite excited and it was an extraordinary affair. Twenty-two Spanish speaking countries in the Americas as well as Brazil, Portugal and Spain gathered along with world press (John Hopewell of Variety and I myself of SydneysBuzz/ LatinoBuzz and Indiewire were the only gringo press around) and producers, directors, actors, cinematographers and writers to pay homage to the great talent arising out of the Iberoamerican countries whose potential audience exceeds that of the United States.
This was pointed out with great enthusiasm by Javier Camára, the actor nominated for Best Male Actor for his role in David Trueba's Living is Easy with Eyes Closed (Vivir es fácil con los ojos cerrados). He plays a high-school English/ Latin teacher in 1966 Spain who drives to Almeria in hopes of meeting his hero, John Lennon. Along the way, he picks up two runaways. The movie title, Living is Easy With Eyes Closed, comes from a line in Lennon's song Strawberry Fields Forever which he wrote while filming How I Won the War in Almeria. (Camára is also a fan of Real Madrid.)
In this first edition 701 films have participated. Of these, each of the countries made a pre-selection of their candidates through their representatives Fipca and national film academies. Subsequently, a jury of prominent industry professionals has selected the winners just announced at the gala on April 5 in Panama. The Directors of the event are Adrian Solar Lozier for Fipca and one of Chili's most recognized producers and Enrique Cerezo Torres, one of the founders of Egeda twenty-five years ago, its chief executive for the past seventeen years, President of the Madrid Film Commission and President of the Madrid School of Cinema. (He is also the President of the Athletic Football Club of Madrid.)
Mexican singer and actress, Alessandra Rosaldo, and Colombian journalist Juan Carlos Arciniegas whose TV show on film is featured on CNN Latino, co-hosted the televised event. Canal Plus of Spain and others representing television across the Americas were present.
The winners in each of the eight categories were named to a huge audience of the most important Latin American cinema talent who sat on pins and needles waiting to hear the winners.
Accepting the Platinum Award of Honor, Sonia Braga, known to U.S. audiences from the 1976 breakout Brazilian film, Dona Flor and Her Two Husbands, and again in 1985 and 1988 with Kiss of the Spider Woman and The Milagro Beanfield War respectively, was elegant and eloquent in her acceptance.
The most nominated films were The German Doctor: Wakolda, Gloria and Living is Easy with Eyes Closed. The surprise was that Living is Easy did not win a single award. Already the winner of 11 Awards and nominated for 5 other awards, David Trueba definitely can not hide behind the loser category. The Spanish film Living is Easy with Eyes Closed won six Goya Awards including Best Director.
And The Winners are:
Best Iberoamerican Fiction Film: Gloria (Chile). Nominated were The German Doctor: Wakolda (Argentina), Heli (Mexico), Witching and Bitching (Spain), La jaula de oro (The Golden Cage) (Mexico), Roa (Colombia) and Living is Easy with Eyes Closed Spain) compete for the title of Best Latin American Film of the Year.
Best Female Performance: Paulina García (Gloria). Nominated were Karen Martínez (The Golden Cage), Laura De la Uz (Ana's Film), Marian Álvarez (Wounded), Nashla Bogaert (Who's the Boss?), Natalia Oreiro (Wakolda). You can read Gloria's review and interview with Sebastian Lelio and Paulna Garcia here: Review by Carlos Aguilar and Interview with Sebastian Lelio and Paulina Garcia by Sydney Levine. You can soon read more about upcoming Dominican Republic's Nashla Bogaert whom I met and interviewed in Panama. She is my choice of the one to keep an eye on.
Best Male Performance: Eugenio Derbez (Instructions Not Included). The equivalent of the Platinos, our own Academy Award usually steers clear of comedy in the best actor category, as if comedy were not as difficult as drama. But this was well deserved in terms of popularity as this film's huge success in both U.S. and Mexico shows. U.S.$44 million in U.S. and U.S.$ 41 million in Mexico are not to be ignored. This major hit hit a major nerve in U.S. and Mexico. Also nominated were Antonio de la Torre (Cannibal), , Javier Cámara (Living is Easy with Eyes Closed), Ricardo Darín (Thesis on a Homicide) and Víctor Prada (The Cleaner).
Platinum Award For Best Director: Amat Escalante (Heli). Nominated were Sebastian Lelio (Gloria), David Trueba (Living Is Easy With Eyes Closed), Lucia Puenzo (The German Doctor: Wakolda). You can read Heli's Review by Carlos Aguilar and the Interview with Amat Escalante by Carlos Aguilar.
Platinum Best Screenplay Award: Sebastian Lelio, Gonzalo Maza (Gloria). Also nominated were Daniel Sánchez Arévalo (Great Spanish Family), David Trueba (Living Is Easy With Eyes Closed), Lucia Puenzo (The German Doctor-Wakolda)
Platinum Award For Best Original Score: Emilio Kauderer for Foosball (Football). Also nominated were Karin Zielinski for El Limpiador (The Cleaner) -- you can read its Review by Carlos Aguilar , Joan Valent (Zugarramurdi Witches)
Platinum Award For Best Animated Film: Foosball (Football). Nominated were Anina -- you can read Anina's Review by Carlos Aguilar , The Secret Of Jade Medallion, Justin And The Sword Of Value, Uma History Of Love And Fury
Platinum Award For Best Documentary: Con la Pata Quebrada (With a Broken Leg). Nominated were: Cuates de Australia (Friends from Australia), Eternal Night Of The Twelve Moons, The Day That Lasted 21 Years from Brazil about the U.S. instigated coup d’etat in 1964, Still Being.
Camilo Vives (recently deceased, head of production for Icaic) Platinum Award for Best Iberoamerican co-production, in memory of his Presidency of Fipca for over 10 years and co-chair of the Forum Egeda / Fipca was The German Doctor Wakolda which beat out Anina, Esclavo de Dios and La jaula de oro. Read more on The German Doctor Wakolda here: Review by Carlos Aguilar and Case Study by Sydney Levine.
See more on the Platinum Award website: www.premiosplatino.com.
Alessandra Rosaldo stated: "These Awards will be the most valuable Iberoamerican Film Excellence Awards, something this industry needs and demands to reward the creativity and talent of our film industry.
Juan Carlos Arciniegas said: "The Platinum Awards are pioneers, transcend borders and put our countries in a fair competition that will highlight the diversity of the region cinematically. These awards will write the history of the participating films."
Eugenio Derbez, Blanca Guerra, Victoria Abril and Patricia Velasquez were some of the presenters.
- 4/6/2014
- by Sydney Levine
- Sydney's Buzz
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