Sergio Leone’s Civil War gunslinger epic is everybody’s favorite western, and most everybody has a bone to pick regarding problems with the previous DVDs and Blu-rays. The good news is that Kino’s 50th Anniversary Special Edition takes giant leaps in correcting older audio issues . . . but the bad news . . .
The Good, The Bad and The Ugly
Blu-ray
2-Disc 50th Anniversary Special Edition
Kl Studio Classics
1966 / Color / 2:35 widescreen (Techniscope) / 187 161, 148 min. / Il Buono, Il Brutto, Il cattivo/ Street Date August 14, 2017 / available through Kino Lorber / 29.95
Starring: Clint Eastwood, Lee Van Cleef, Eli Wallach, Aldo Giuffrè, Luigi Pistilli, Mario Brega, Al Mulock, Aldo Sambrell.
Cinematography: Tonino Delli Colli
Production Designer: Carlo Simi
Film Editor: Eugenio Alabiso, Nino Baragli
Original Music: Ennio Morricone
Written by Agenore Incrocci, Furio Scarpelli, Luciano Vincenzoni, Sergio Leone, story by Luciano Vincenzoni, Sergio Leone.
Produced by Alberto Grimaldi
Directed by Sergio Leone
I’d like to report...
The Good, The Bad and The Ugly
Blu-ray
2-Disc 50th Anniversary Special Edition
Kl Studio Classics
1966 / Color / 2:35 widescreen (Techniscope) / 187 161, 148 min. / Il Buono, Il Brutto, Il cattivo/ Street Date August 14, 2017 / available through Kino Lorber / 29.95
Starring: Clint Eastwood, Lee Van Cleef, Eli Wallach, Aldo Giuffrè, Luigi Pistilli, Mario Brega, Al Mulock, Aldo Sambrell.
Cinematography: Tonino Delli Colli
Production Designer: Carlo Simi
Film Editor: Eugenio Alabiso, Nino Baragli
Original Music: Ennio Morricone
Written by Agenore Incrocci, Furio Scarpelli, Luciano Vincenzoni, Sergio Leone, story by Luciano Vincenzoni, Sergio Leone.
Produced by Alberto Grimaldi
Directed by Sergio Leone
I’d like to report...
- 8/12/2017
- by Glenn Erickson
- Trailers from Hell
One Million Years B.C.
Blu-ray
Kl Studio Classics
1966 / Color / 1:85 widescreen / 91, 100 min. / Street Date February 14, 2017 / Available from Kino Lorber 29.95
Starring: Raquel Welch, John Richardson, Percy Herbert, Robert Brown, Martine Beswick
Cinematography: Wilkie Cooper
Special visual effects: Ray Harryhausen
Art Direction: Robert Jones
Film Editor: Tom Simpson
Original Music: Mario Nascimbene
Written by: Michael Carreras from a 1940 screenplay by George Baker
Produced by: Michael Carreras, Hal Roach, Aida Young
Directed by Don Chaffey
Here’s a title we haven’t seen in a while, and that we’ve never seen at this level of quality. Hammer Films’ most successful release ever, One Million Years B.C. launched a new film star. I count myself among the zillions of kids that pinned her poster on my bedroom wall. At age fifteen, the release of a new Harryhausen film was so important to me that I begged my slightly older neighbor to take me to the drive-in,...
Blu-ray
Kl Studio Classics
1966 / Color / 1:85 widescreen / 91, 100 min. / Street Date February 14, 2017 / Available from Kino Lorber 29.95
Starring: Raquel Welch, John Richardson, Percy Herbert, Robert Brown, Martine Beswick
Cinematography: Wilkie Cooper
Special visual effects: Ray Harryhausen
Art Direction: Robert Jones
Film Editor: Tom Simpson
Original Music: Mario Nascimbene
Written by: Michael Carreras from a 1940 screenplay by George Baker
Produced by: Michael Carreras, Hal Roach, Aida Young
Directed by Don Chaffey
Here’s a title we haven’t seen in a while, and that we’ve never seen at this level of quality. Hammer Films’ most successful release ever, One Million Years B.C. launched a new film star. I count myself among the zillions of kids that pinned her poster on my bedroom wall. At age fifteen, the release of a new Harryhausen film was so important to me that I begged my slightly older neighbor to take me to the drive-in,...
- 2/4/2017
- by Glenn Erickson
- Trailers from Hell
Like many children growing up in the 1960s, Kenneth Hall loved monsters. Ever since he was a toddler, his mother — who was an especially big fan of Vincent Price — took him and his brother to see films like The Brides Of Dracula, Curse Of The Werewolf, and The Pit And The Pendulum. And that was all it took. At age 10, Hall discovered Famous Monsters of Filmland, and with the help of the trusty TV Guide, he and his brother made a point to watch as many of the films they read about as they could, even if it meant sneaking out of bed and staying up late to catch a showing of The Deadly Mantis. Like many Monster Kids of his time, there was a now-or-never mentality that came with a lack of home video, but growing up in Jacksonville, Fl did give Hall an extra advantage. It was the...
- 3/18/2016
- by Caroline Stephenson
- FamousMonsters of Filmland
Nightbeast
At ten o’clock on the evening of Saturday 26 July, as the lights dimmed inside a 159-seat auditorium inside Wrocław’s nine-screen Kino Nowe Horyzonty, the resounding ambience consisted of chatter, cheers, the clatter of glass bottles and that inimitable sea of punchy hisses as the capacity audience cracked open one beer can after another.
They’d come for a triple bill: Amir Shervan’s Samurai Cop (1989), Don Dohler’s Nightbeast (1982) and Arizal’s American Hunter (1990). Numbers had depleted and decibels had doubled by the time the lights came back on at around quarter-to-three the next morning. The marathon formed part of ‘Midnight Madness: VHS’, the late-night retrospective at New Horizons, western Poland’s excellent film festival, whose annual program also boasts some of the most dependable arthouse titles from the previous twelve months.
Had anybody been observing the scene of ordered anarchy that night, they may have...
At ten o’clock on the evening of Saturday 26 July, as the lights dimmed inside a 159-seat auditorium inside Wrocław’s nine-screen Kino Nowe Horyzonty, the resounding ambience consisted of chatter, cheers, the clatter of glass bottles and that inimitable sea of punchy hisses as the capacity audience cracked open one beer can after another.
They’d come for a triple bill: Amir Shervan’s Samurai Cop (1989), Don Dohler’s Nightbeast (1982) and Arizal’s American Hunter (1990). Numbers had depleted and decibels had doubled by the time the lights came back on at around quarter-to-three the next morning. The marathon formed part of ‘Midnight Madness: VHS’, the late-night retrospective at New Horizons, western Poland’s excellent film festival, whose annual program also boasts some of the most dependable arthouse titles from the previous twelve months.
Had anybody been observing the scene of ordered anarchy that night, they may have...
- 8/4/2014
- by Michael Pattison
- MUBI
Here’s a second helping of recent film-related books worth checking out. Please bear in mind that this is just a survey, as I haven’t had time to read these tomes from cover-to-cover. Still, I hope the listings are useful, whether you’re looking for Christmas gifts or adding to your own library. And yes, there are even more books worth mentioning, which I’ll do next week, in time to make your gift-giving deadline. Ray Harryhausen, Master Of The Majicks Volume 1: Beginnings And Endings by Mike Hankin; foreword by Tom Hanks; preface by Sir Christopher Frayling (Archive Editions) If you’ve been acquiring and reading publisher Ernest Farino’s elaborate series of oversized hardcover...
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- 12/11/2013
- by Leonard Maltin
- Leonard Maltin's Movie Crazy
Submit your vote for Reviewer of the Year!
Every year, the Classic Horror Film Board recognizes the best in the horror/sci-fi/fantasy realm with the Rondo Hatton Classic Horror Awards. Fans of the genre can vote for their favorites in over thirty categories, and this year, Cinelinx would like to ask you to vote for one of our own, staff writer Victor Medina, as Reviewer of the Year (Category 29)! We've even included the ballot below so you can vote!
Votes must be submitted by copying and pasting the ballot into your personal email, making your choices, including your name, and sending it in. Votes for Reviewer of the Year are write-in only, so you must be sure to include Vic's name yourself under Category 29 when you vote. Pre-filled ballots are not allowed, so we can't do it for you! Remember, you must write in "Victor Medina, Cinelinx.com" yourself.
Every year, the Classic Horror Film Board recognizes the best in the horror/sci-fi/fantasy realm with the Rondo Hatton Classic Horror Awards. Fans of the genre can vote for their favorites in over thirty categories, and this year, Cinelinx would like to ask you to vote for one of our own, staff writer Victor Medina, as Reviewer of the Year (Category 29)! We've even included the ballot below so you can vote!
Votes must be submitted by copying and pasting the ballot into your personal email, making your choices, including your name, and sending it in. Votes for Reviewer of the Year are write-in only, so you must be sure to include Vic's name yourself under Category 29 when you vote. Pre-filled ballots are not allowed, so we can't do it for you! Remember, you must write in "Victor Medina, Cinelinx.com" yourself.
- 2/26/2013
- by feeds@cinelinx.com (Jordan Maison)
- Cinelinx
Men in Black III, Hellboy II: The Golden Army and Fantastic Four are big time films that make-up/visual effects artist Bart J. Mixon has had a hand in. His name doesn’t jump out at you like Rob Bottin and Rick Baker, but the man is one of the best in the business. Today we go old school with Bart and look at the southern fried zombie flick The Supernaturals.
Jason Bene: The field of special make-up FX took off in the 80′s. How did you start out in the business?
Bart J. Mixon: I started out as a fan doing make-ups on myself and friends in Houston, Texas, in the ‘70’s. I was a member of a comic book club (the Hcca) and one of the other members new some very basic information on make-up effects – taking life casts with plaster, slip latex casting, etc. – so I...
Jason Bene: The field of special make-up FX took off in the 80′s. How did you start out in the business?
Bart J. Mixon: I started out as a fan doing make-ups on myself and friends in Houston, Texas, in the ‘70’s. I was a member of a comic book club (the Hcca) and one of the other members new some very basic information on make-up effects – taking life casts with plaster, slip latex casting, etc. – so I...
- 6/24/2011
- by Jason Bene
- Killer Films
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