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The art of props and costumes can sometimes be an invisible one for viewers, only really noticeable when the team does something that feels wrong. The devil is in the detail—those small pieces that appear on the set, whether it’s a flagon appropriate to the 1600s or a vibrant costume that sets the tone of the scene. When everything comes together to create the right atmosphere, the props and costumes feel seamless, an enhancement of the world.
While their names might be unfamiliar, The Sandman costume designer Sarah Arthur and property master Gordon Fitzgerald have both worked on high-profile projects. Arthur has served as costume designer on such projects as Sherlock and A Discovery of Witches. Fitzgerald worked with The Sandman actor Gwendoline Christie as the property master on Game of Thrones, as well as on previous Neil Gaiman project Good Omens. “It...
The art of props and costumes can sometimes be an invisible one for viewers, only really noticeable when the team does something that feels wrong. The devil is in the detail—those small pieces that appear on the set, whether it’s a flagon appropriate to the 1600s or a vibrant costume that sets the tone of the scene. When everything comes together to create the right atmosphere, the props and costumes feel seamless, an enhancement of the world.
While their names might be unfamiliar, The Sandman costume designer Sarah Arthur and property master Gordon Fitzgerald have both worked on high-profile projects. Arthur has served as costume designer on such projects as Sherlock and A Discovery of Witches. Fitzgerald worked with The Sandman actor Gwendoline Christie as the property master on Game of Thrones, as well as on previous Neil Gaiman project Good Omens. “It...
- 8/7/2022
- by John Saavedra
- Den of Geek
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