Telling a heartbreaking tale of love that permeates the boundaries of the living and the dead, Edgar Allan Poe's "Annabel Lee" is one of 24 classic poems brought to life with new artwork by Julian Peters in the upcoming collection Poems to See By: A Comic Artist Interprets Great Poetry. Ahead of its March 31st release (just in time for National Poetry Month in April) from Plough Publishing Press, we've been provided with exclusive preview pages that combine Peters' new artwork with Poe's timeless words of love, loss, and undying loyalty.
Below, you can see a love so strong that it makes the angels jealous in our exclusive preview pages from Poems to See By. We also have the official press release with additional details, and to learn more, visit Amazon and the official websites for Plough Publishing Press and Julian Peters.
Press Release: Timed to National Poetry Month in April,...
Below, you can see a love so strong that it makes the angels jealous in our exclusive preview pages from Poems to See By. We also have the official press release with additional details, and to learn more, visit Amazon and the official websites for Plough Publishing Press and Julian Peters.
Press Release: Timed to National Poetry Month in April,...
- 3/13/2020
- by Derek Anderson
- DailyDead
Exclusive: When Birdman director Alejandro González Iñárritu stumbles into a suite in the Park Hyatt with his co-writers Alexander Dinelaris Jr, Nicolas Giacobone and Armando Bo, each feels the influence of last night’s party after their film closed the New York Film Festival. A little hung over and more than a little giddy at the rousing response given their frenzied film that was backed by New Regency and will be released Friday by Fox Searchlight, they swap stories of a wild night that included card tricks by street magician David Blaine that left them dumbstruck. Mostly, they are relieved to have pulled off a major parlor trick with Birdman, a satire that in equal measure skewers Hollywood’s superhero fixation, artistic insecurity, and even holier-than-thou critics who kill Broadway shows.
They did it with a movie that plays more like Black Swan than any recent Oscar buzzworthy black comedy to come along since.
They did it with a movie that plays more like Black Swan than any recent Oscar buzzworthy black comedy to come along since.
- 10/15/2014
- by Mike Fleming Jr
- Deadline
Will Ferrell plays it straight as a bitter alcoholic in Dan Rush's finely observed adaptation of a Raymond Carver short story
The novel long preceded the short story, and in his celebrated history of the short story Walter Allen calls Walter Scott's "The Two Drovers", written in the early 19th century, the first fully achieved example of the genre. It is a more difficult form to master, as well as being generally less lucrative; journalists who've made a name writing for newspapers seek publishers' contracts to write novels rather than try their hands at short stories.
Paradoxically, perhaps, short stories are better suited to the cinema than novels are, whether they conclude with O Henry-style twists in the tail or Chekhovian epiphanies to be absorbed. John Huston, who took on both The Bible and Moby-Dick in his prime, had his two greatest late successes with film versions of classic stories,...
The novel long preceded the short story, and in his celebrated history of the short story Walter Allen calls Walter Scott's "The Two Drovers", written in the early 19th century, the first fully achieved example of the genre. It is a more difficult form to master, as well as being generally less lucrative; journalists who've made a name writing for newspapers seek publishers' contracts to write novels rather than try their hands at short stories.
Paradoxically, perhaps, short stories are better suited to the cinema than novels are, whether they conclude with O Henry-style twists in the tail or Chekhovian epiphanies to be absorbed. John Huston, who took on both The Bible and Moby-Dick in his prime, had his two greatest late successes with film versions of classic stories,...
- 10/15/2011
- by Philip French
- The Guardian - Film News
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