Exclusive: Motherland actor Paul Ready is set to star with Elliot Grihault (House of the Dragon) in feature film All That Glitters, a young adult comedy-drama inspired by Shakespeare and how he might have written in the modern day.
London-based production company Clover Fox Films is behind the feature, which is aiming to start filming this summer.
All That Glitters is described as a modern retelling of Romeo and Juliet in a UK school setting, populated with anxious teens and TikTok scrollers. Ryan (Grihault) is the lighting technician for his school’s play Romeo and Juliet, directed by his dad Philip (Ready), but struggles to keep his eye on the ball as he’s hopelessly in love with the play’s lead, Jasmine.
As the story progresses, and to Ryan’s surprise, one night, the ghost of Shakespeare himself appears in his room and offers to teach him the role...
London-based production company Clover Fox Films is behind the feature, which is aiming to start filming this summer.
All That Glitters is described as a modern retelling of Romeo and Juliet in a UK school setting, populated with anxious teens and TikTok scrollers. Ryan (Grihault) is the lighting technician for his school’s play Romeo and Juliet, directed by his dad Philip (Ready), but struggles to keep his eye on the ball as he’s hopelessly in love with the play’s lead, Jasmine.
As the story progresses, and to Ryan’s surprise, one night, the ghost of Shakespeare himself appears in his room and offers to teach him the role...
- 4/2/2024
- by Andreas Wiseman
- Deadline Film + TV
Johnny Gogan’s documentary highlights the misconceived plans of corporations that hoped to avoid protesters
In 2010, the American film-maker Josh Fox released something that in retrospect looks like one of the most influential and original documentaries of recent times: GasLand. It was about something new to many at the time: fracking, or hydraulic fracturing, under the earth to release natural gas from shale rock, at the risk of polluting the water table and turning areas of natural beauty into sludge dumps – and that is aside from the existing larger implications of gas consumption.
The film alerted many to a new environmental menace, and it plays its historic role in this new film from Johnny Gogan about the anti-fracking campaign in Ireland, often by people who were energised by seeing GasLand and determined to resist what one campaigner calls the new way of “scraping the bottom of the fossil-fuel barrel”. Exactly so.
In 2010, the American film-maker Josh Fox released something that in retrospect looks like one of the most influential and original documentaries of recent times: GasLand. It was about something new to many at the time: fracking, or hydraulic fracturing, under the earth to release natural gas from shale rock, at the risk of polluting the water table and turning areas of natural beauty into sludge dumps – and that is aside from the existing larger implications of gas consumption.
The film alerted many to a new environmental menace, and it plays its historic role in this new film from Johnny Gogan about the anti-fracking campaign in Ireland, often by people who were energised by seeing GasLand and determined to resist what one campaigner calls the new way of “scraping the bottom of the fossil-fuel barrel”. Exactly so.
- 4/15/2021
- by Peter Bradshaw
- The Guardian - Film News
This unsettling documentary focuses on an engineer from Nazi Germany who was a key player in America’s lunar programme
This considered documentary blends archive, original interviews and reconstruction to track down an ugly, sticky thread from the great tapestry of self-congratulation that is forming around the 50-year anniversary of the first moon landing. Where a number of recent documentaries and dramatic features celebrate, however justly, the bravery, vision and scientific achievement of the Apollo 11 mission, writer-director Johnny Gogan’s collaboration with co-writer Nick Snow is a reminder that it was thanks to contributions from scientists smuggled out of Nazi Germany after the second world war that the Americans beat the Russians to the moon.
In particular, this zeroes in on the story of Arthur Rudolph, who is played in flashbacks with enticing ambiguity by Jim Norton. Rudolph, an engineer, joined the Nazi party in 1931 and worked directly under the...
This considered documentary blends archive, original interviews and reconstruction to track down an ugly, sticky thread from the great tapestry of self-congratulation that is forming around the 50-year anniversary of the first moon landing. Where a number of recent documentaries and dramatic features celebrate, however justly, the bravery, vision and scientific achievement of the Apollo 11 mission, writer-director Johnny Gogan’s collaboration with co-writer Nick Snow is a reminder that it was thanks to contributions from scientists smuggled out of Nazi Germany after the second world war that the Americans beat the Russians to the moon.
In particular, this zeroes in on the story of Arthur Rudolph, who is played in flashbacks with enticing ambiguity by Jim Norton. Rudolph, an engineer, joined the Nazi party in 1931 and worked directly under the...
- 7/4/2019
- by Leslie Felperin
- The Guardian - Film News
It received development backing from Screen Ireland’s latest funding round.
Ireland’s Element Pictures is to reunite with author Emma Donoghue on The Wonder following their successful collaboration on the Oscar-winning Room.
Element will produce Donoghue’s 2016 novel set just after the Irish Famine in the late 1840s, about an 11 year-old girl who is rumoured to have survived without food for months. The project has received €50,000 in development funding from Screen Ireland in its latest round of awards.
Donoghue received one of four Oscar nominations for Room for her adapted screenplay, with the film winning best actress for Brie Larson...
Ireland’s Element Pictures is to reunite with author Emma Donoghue on The Wonder following their successful collaboration on the Oscar-winning Room.
Element will produce Donoghue’s 2016 novel set just after the Irish Famine in the late 1840s, about an 11 year-old girl who is rumoured to have survived without food for months. The project has received €50,000 in development funding from Screen Ireland in its latest round of awards.
Donoghue received one of four Oscar nominations for Room for her adapted screenplay, with the film winning best actress for Brie Larson...
- 11/5/2018
- by Esther McCarthy
- ScreenDaily
It received development backing from Screen Ireland’s latest funding round.
Ireland’s Element Pictures is to reunite with author Emma Donoghue on The Wonder following their successful collaboration on the Oscar-winning Room.
Element will produce Donoghue’s 2016 novel set just after the Irish Famine in the late 1840s, about an 11 year-old girl who is rumoured to have survived without food for months. The project has received €50,000 in development funding from Screen Ireland in its latest round of awards.
Donoghue received one of four Oscar nominations for Room for her adapted screenplay, with the film winning best actress for Brie Larson...
Ireland’s Element Pictures is to reunite with author Emma Donoghue on The Wonder following their successful collaboration on the Oscar-winning Room.
Element will produce Donoghue’s 2016 novel set just after the Irish Famine in the late 1840s, about an 11 year-old girl who is rumoured to have survived without food for months. The project has received €50,000 in development funding from Screen Ireland in its latest round of awards.
Donoghue received one of four Oscar nominations for Room for her adapted screenplay, with the film winning best actress for Brie Larson...
- 11/5/2018
- by Esther McCarthy
- ScreenDaily
It is all change for Dublin as the city’s 10-day festival launches a new programme, new sponsors and a new general manager.
The Audi Dublin International Film Festival (Feb 18-28) has announced a solid line-up of local and international titles as well as big-name guests.
But behind the scenes, the festival has been carefully manoeuvring its way through a period of transition as it aims to build for the future.
Car manufacturers Audi have replaced Jameson as title sponsors, while beer brand Peroni and Dublin department store Arnotts have also come aboard.
Dublin also has a new general manager, Sian Cunningham, who worked in the arts for more than 15 years prior to this appointment, most notably as general manager with Dance Ireland for nine years.
An eclectic group of filmmakers and stars were announced at today’s programme launch, joining previously named guests Angela Lansbury and Neil Jordan.
They include British director Ben Wheatley, who is bringing...
The Audi Dublin International Film Festival (Feb 18-28) has announced a solid line-up of local and international titles as well as big-name guests.
But behind the scenes, the festival has been carefully manoeuvring its way through a period of transition as it aims to build for the future.
Car manufacturers Audi have replaced Jameson as title sponsors, while beer brand Peroni and Dublin department store Arnotts have also come aboard.
Dublin also has a new general manager, Sian Cunningham, who worked in the arts for more than 15 years prior to this appointment, most notably as general manager with Dance Ireland for nine years.
An eclectic group of filmmakers and stars were announced at today’s programme launch, joining previously named guests Angela Lansbury and Neil Jordan.
They include British director Ben Wheatley, who is bringing...
- 1/28/2016
- ScreenDaily
Setanta Ireland is to show an Irish feature film every weekday this summer for its new programme. A variety of feature films and documentaries will be shown on the Irish channel with the first week of screenings to kick off next Monday July 4th at 9pm. Opening the summer home cinema programme is Johnny Gogan's 'The Last Bus Home,' which sees young Irish punks meeting on the day of the pope's visit to Dublin in 1979 and starring Brian F. O'Byrne (Million Dollar Baby).
- 6/29/2011
- IFTN
The American Cinematheque is presenting a series highlighting new films from Ireland to coincide with the 10th anniversary of the Irish Film Board. The New Irish Cinema series runs from March 14-17 at the Egyptian in Hollywood and includes six feature films and documentaries from new Irish directors as well as a short-film program. The festival leads off with the Aidan Quinn starrer Song for a Raggy Boy, director Aisling Walsh's searing portrait of life in an Irish reform school. Other films featured in the festival include drama The Mapmaker from director Johnny Gogan and the romantic comedy Goldfish Memory from Liz Gill. The series also includes two documentaries: Alan Gilsenan's The Ghost of Roger Casement, examining the case of a knighted Irishman who was executed by the British in 1916 on charges of treason, and Kim Bartley and Donnacha O'Briain's The Revolution Will Not Be Televised, an insider's portrait of the recent coup attempt against Venezuelan president Hugo Chavez. Other highlights include a special shorts program and a closing-night St. Patrick Day's Party with the new Irish comedy Mystics from director David Blair.
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