Franco Zeffirelli apprenticed to Luchino Visconti, stage directed operas and directed several movie hits, the biggest of which was this exuberant, attractive Shakespeare adaptation, filmed like an opera with sumptuous sets and sunswept Italian locations. The novelty for 1968 was casting the Bard’s star-crossed young lovers with actual teenagers. Olivia Hussey and Leonard Whiting are attractive kids directed to give spirited performances; the critics may have had mixed reactions but the public received the film well. If memory serves, Criterion’s new remaster looks better than Paramount’s original release prints.
Romeo and Juliet
Blu-ray
The Criterion Collection 1171
1968 / Color / 1:85 widescreen / 138 min. / available through The Criterion Collection / Street Date February 14, 2023 / 39.95
Starring: Leonard Whiting, Olivia Hussey, John McEnery, Milo O’Shea, Pat Heywood, Robert Stephens, Michael York, Bruce Robinson, Paul Hardwick, Natasha Parry, Antonio Pierfederici, Esmeralda Ruspoli, Roberto Bisacco, Roy Holder, Keith Skinner, Dyson Lovell, Richard Warwick, Laurence Olivier.
Cinematography: Pasquelino De...
Romeo and Juliet
Blu-ray
The Criterion Collection 1171
1968 / Color / 1:85 widescreen / 138 min. / available through The Criterion Collection / Street Date February 14, 2023 / 39.95
Starring: Leonard Whiting, Olivia Hussey, John McEnery, Milo O’Shea, Pat Heywood, Robert Stephens, Michael York, Bruce Robinson, Paul Hardwick, Natasha Parry, Antonio Pierfederici, Esmeralda Ruspoli, Roberto Bisacco, Roy Holder, Keith Skinner, Dyson Lovell, Richard Warwick, Laurence Olivier.
Cinematography: Pasquelino De...
- 2/21/2023
- by Glenn Erickson
- Trailers from Hell
Pippo Zeffirelli, the son of the late Italian director Franco Zeffirelli, has publicly criticized the two lead actors of his father’s 1968 Shakespeare adaptation Romeo and Juliet for their decision to sue the film’s producer, Paramount Pictures, for child abuse over a nude scene in the movie.
Olivia Hussey and Leonard Whiting, who were 15 and 16, respectively, when they shot the film, allege that Zeffirelli coerced them into doing a bedroom scene in the nude after they had originally agreed to wear flesh-colored body suits. The scene, which included images of Whiting’s buttocks and Hussey’s bare breasts, was highly controversial at the time.
Hussey and Whiting, both now in their 70s, recently filed a lawsuit in Santa Monica Superior Court, accusing Paramount of sexually exploiting them and distributing nude images of adolescent children. They claim the director, who died in 2019, warned them that “the film would fail” if...
Olivia Hussey and Leonard Whiting, who were 15 and 16, respectively, when they shot the film, allege that Zeffirelli coerced them into doing a bedroom scene in the nude after they had originally agreed to wear flesh-colored body suits. The scene, which included images of Whiting’s buttocks and Hussey’s bare breasts, was highly controversial at the time.
Hussey and Whiting, both now in their 70s, recently filed a lawsuit in Santa Monica Superior Court, accusing Paramount of sexually exploiting them and distributing nude images of adolescent children. They claim the director, who died in 2019, warned them that “the film would fail” if...
- 1/9/2023
- by Scott Roxborough
- The Hollywood Reporter - Movie News
Franco Zeffirelli’s son Pippo has hit out at the sexual exploitation lawsuit filed by Romeo and Juliet actors Leonard Whiting and Olivia Hussey.
The lawsuit filed against Paramount accuses the production company of sexual harassment, fraud, sexual abuse, and intentional infliction of emotional distress.
It stems from a Romeo and Juliet nude scene involving Whiting and Hussey, allegedly filmed while they were minors.
The complaint also alleges that late director Franco told the lead actors that the 1968 film wouldn’t include nudity, but ended up going back on his word.
In an interview with The Guardian, Zeffirelli’s son Pippo called the lawsuit “embarrassing” and said that the nude scene at the center of the complaint is “far from pornographic”.
“It is embarrassing to hear that today, 55 years after filming, two elderly actors who owe their notoriety essentially to this film wake up to declare that they have suffered...
The lawsuit filed against Paramount accuses the production company of sexual harassment, fraud, sexual abuse, and intentional infliction of emotional distress.
It stems from a Romeo and Juliet nude scene involving Whiting and Hussey, allegedly filmed while they were minors.
The complaint also alleges that late director Franco told the lead actors that the 1968 film wouldn’t include nudity, but ended up going back on his word.
In an interview with The Guardian, Zeffirelli’s son Pippo called the lawsuit “embarrassing” and said that the nude scene at the center of the complaint is “far from pornographic”.
“It is embarrassing to hear that today, 55 years after filming, two elderly actors who owe their notoriety essentially to this film wake up to declare that they have suffered...
- 1/9/2023
- by Peony Hirwani
- The Independent - Film
Great Expectations
Blu-ray
ITV
1946 / 1.33: 1 / 118 Min.
Starring John Mills, Anthony Wager, Jean Simmons
Written by David Lean, Ronald Neame, Anthony Havelock-Allan
Directed by David Lean
David Lean and Noël Coward made four films together in the space of just three years—it was one of the most consequential collaborations in British cinema with Lean, a former editor, finding his footing as director alongside the accomplished Coward, one of England’s preeminent “show-biz hyphenates.” By 1946 Lean was ready to part ways and meet success on his own terms—thanks to his wife Kay Walsh, he already had a project in mind.
In 1939 Walsh shared a studio dressing room with Martita Hunt who was part of a fledging theater group called the Actor’s Company. Hunt convinced Walsh to bring her husband to the opening night of the troupe’s first production, an adaptation of Great Expectations at the Rudolf Steiner House,...
Blu-ray
ITV
1946 / 1.33: 1 / 118 Min.
Starring John Mills, Anthony Wager, Jean Simmons
Written by David Lean, Ronald Neame, Anthony Havelock-Allan
Directed by David Lean
David Lean and Noël Coward made four films together in the space of just three years—it was one of the most consequential collaborations in British cinema with Lean, a former editor, finding his footing as director alongside the accomplished Coward, one of England’s preeminent “show-biz hyphenates.” By 1946 Lean was ready to part ways and meet success on his own terms—thanks to his wife Kay Walsh, he already had a project in mind.
In 1939 Walsh shared a studio dressing room with Martita Hunt who was part of a fledging theater group called the Actor’s Company. Hunt convinced Walsh to bring her husband to the opening night of the troupe’s first production, an adaptation of Great Expectations at the Rudolf Steiner House,...
- 11/26/2022
- by Charlie Largent
- Trailers from Hell
Anthony Asquith’s unusual look at wartime espionage garnered good notices in 1958, perhaps from reviewers rebelling against the trend toward ruthless screen violence. Star Paul Massie is fine as an emotionally-stricken Allied assassin who balks at carrying out his mission; the acting support from Irene Worth and Leslie French is superb. Screenwriter Paul Dehn was an ace at sharp, no-nonsense thrillers, but this story is soft around the edges — it seems to be explaining non-chivalric warfare to your sweet old grandmother. Which reminds us, Lillian Gish has a small role, too.
Orders to Kill
Blu-ray
Powerhouse Indicator
1958 / B&w / 1:75 widescreen / 112 93 min. / Street Date September 20, 2022 / available from Amazon / 34.99
Starring: Eddie Albert, Paul Massie, Lillian Gish, James Robertson Justice, Leslie French, Irene Worth, John Crawford, Lionel Jeffries, Sandra Dorne, Lillabea (Lillie Bea) Gifford, Anne Blake, Sam Kydd, Ann Walford, Denyse Alexander, Ralph Nosseck.
Cinematography: Desmond Dickinson
Art Director: John Howell
Film...
Orders to Kill
Blu-ray
Powerhouse Indicator
1958 / B&w / 1:75 widescreen / 112 93 min. / Street Date September 20, 2022 / available from Amazon / 34.99
Starring: Eddie Albert, Paul Massie, Lillian Gish, James Robertson Justice, Leslie French, Irene Worth, John Crawford, Lionel Jeffries, Sandra Dorne, Lillabea (Lillie Bea) Gifford, Anne Blake, Sam Kydd, Ann Walford, Denyse Alexander, Ralph Nosseck.
Cinematography: Desmond Dickinson
Art Director: John Howell
Film...
- 9/17/2022
- by Glenn Erickson
- Trailers from Hell
Close-Up is a feature that spotlights films now playing on Mubi. David Lean's Breaking the Sound Barrier (1952) is playing October 14 - November 13, 2017 on Mubi in the United States.John (J.R.) Ridgefield is a man possessed. The wealthy and influential aircraft industrialist is consumed by his desire to manufacture a plane capable of penetrating the inscrutable sound barrier. This supersonic obsession is a blessing and a curse for the Ridgefield family, providing their ample fortune and triggering largely latent rifts in their ancestral relations. It’s an opposition at the heart and soul of David Lean’s 1952 film The Sound Barrier, a post-war endorsement of British ingenuity and determination, and an emotional, blazing depiction of sacrifice and scientific achievement. The opening of The Sound Barrier (also known as Sound Barrier and Breaking the Sound Barrier), spotlights Philip Peel (John Justin), one of the film’s principal test pilots. In just under two minutes,...
- 10/18/2017
- MUBI
'Saint Joan': Constance Cummings as the George Bernard Shaw heroine. Constance Cummings on stage: From sex-change farce and Emma Bovary to Juliet and 'Saint Joan' (See previous post: “Constance Cummings: Frank Capra, Mae West and Columbia Lawsuit.”) In the mid-1930s, Constance Cummings landed the title roles in two of husband Benn W. Levy's stage adaptations: Levy and Hubert Griffith's Young Madame Conti (1936), starring Cummings as a demimondaine who falls in love with a villainous character. She ends up killing him – or does she? Adapted from Bruno Frank's German-language original, Young Madame Conti was presented on both sides of the Atlantic; on Broadway, it had a brief run in spring 1937 at the Music Box Theatre. Based on the Gustave Flaubert novel, the Theatre Guild-produced Madame Bovary (1937) was staged in late fall at Broadway's Broadhurst Theatre. Referring to the London production of Young Madame Conti, The...
- 11/10/2015
- by Andre Soares
- Alt Film Guide
Brief Encounter (1945) Direction: David Lean Cast: Celia Johnson, Trevor Howard, Stanley Holloway, Joyce Carey, Cyril Raymond Screenplay: David Lean, Ronald Neame, Anthony Havelock-Allan; from Noel Coward's play Still Life Oscar Movies Highly Recommended Celia Johnson, Trevor Howard, Brief Encounter Synopsis: A married doctor (Trevor Howard) and a housewife (Celia Johnson) have an adulterous (and platonic) affair. The Pros: Shadow-bathed, smoke-enshrouded railway stations (cinematography by Robert Krasker) to the strains of Rachmaninov's Piano Concerto No. 2. Enough to turn the jadedest among us into a wide-eyed romantic. David Lean's delicate, compassionate direction; and Lean, Ronald Neame, and Anthony Havelock-Allan's sensitive adaptation of Noel Coward's play Still Life. No Hollywood ending here, and no syrupy, cutesy moments, either. Just as important, neither the director nor the screenwriters are ever either judgmental or condescending toward their characters. Best Actress Oscar nominee and New York Film Critics winner Celia Johnson's...
- 2/3/2011
- by Andre Soares
- Alt Film Guide
Producer, director and cinematographer of many well-loved British film classics, including Oliver Twist, Tunes of Glory and The Prime of Miss Jean Brodie
The producer, director, writer and cinematographer Ronald Neame, who has died aged 99, played an important role in British cinema for more than half a century. The critic Matthew Sweet once called him "a living embodiment of cinema, a sort of one-man world heritage site". Neame was assistant director to Alfred Hitchcock on Blackmail (1929), the first British talkie; he was the cinematographer on In Which We Serve (1942), Noël Coward's moving tribute to the Royal Navy during the second world war; he co-produced and co-wrote David Lean's Brief Encounter (1945) and Great Expectations (1946); and he directed Alec Guinness in two of his best roles, in The Horse's Mouth (1958) and Tunes of Glory (1960). As if this wasn't enough, Neame also conquered Hollywoo d with one of the first and most successful disaster movies,...
The producer, director, writer and cinematographer Ronald Neame, who has died aged 99, played an important role in British cinema for more than half a century. The critic Matthew Sweet once called him "a living embodiment of cinema, a sort of one-man world heritage site". Neame was assistant director to Alfred Hitchcock on Blackmail (1929), the first British talkie; he was the cinematographer on In Which We Serve (1942), Noël Coward's moving tribute to the Royal Navy during the second world war; he co-produced and co-wrote David Lean's Brief Encounter (1945) and Great Expectations (1946); and he directed Alec Guinness in two of his best roles, in The Horse's Mouth (1958) and Tunes of Glory (1960). As if this wasn't enough, Neame also conquered Hollywoo d with one of the first and most successful disaster movies,...
- 6/20/2010
- by Ronald Bergan
- The Guardian - Film News
By New York Times
Ronald Neame, who directed movies including "The Poseidon Adventure" and "The Prime of Miss Jean Brodie," died Wednesday in Los Angeles. He was 99.
The cause was complications from a fall, grandson Gareth Neame told the New York Times.
Neame worked in various areas of the movie business, including writing and even visual effects.
He was nominated for three Oscars: In 1947 and 1948, he shared screenwriting nominations with David Lean and Anthony Havelock-Allan for, respectively, "Brief Encounter" and "Great Expectations.&...
Ronald Neame, who directed movies including "The Poseidon Adventure" and "The Prime of Miss Jean Brodie," died Wednesday in Los Angeles. He was 99.
The cause was complications from a fall, grandson Gareth Neame told the New York Times.
Neame worked in various areas of the movie business, including writing and even visual effects.
He was nominated for three Oscars: In 1947 and 1948, he shared screenwriting nominations with David Lean and Anthony Havelock-Allan for, respectively, "Brief Encounter" and "Great Expectations.&...
- 6/18/2010
- by Lisa Horowitz
- The Wrap
British filmmaker Ronald Neame, whose career dates back to serving as assistant cameraman on the first feature film made with sound in Great Britain, Alfred Hitchcock's "Blackmail," has died, according to reports. He was 99.
No details were available.
His directing credits ranged from "The Poseidon Adventure" (1972) to "The Prime of Miss Jean Brodie" (1969), for which Maggie Smith won the Oscar for best actress.
As a producer, Neame was involved with three British classics: "Brief Encounter" (1945), "Great Expectations" (1946) and "Oliver Twist" (1948). "Brief Encounter" and "Great Expectations" were the fruition of a production partnership called Cineguild that Neame had formed with David Lean and Anthony Havelock-Allan.
As a screenwriter, Neame earned Oscar nominations for the screenplays of "Brief," adapted from a Noel Coward play, and "Expectations," from Charles Dickens' novel. He shared those distinctions with Lean and Havelock-Allan.
Cineguild broke up in 1947 with a fall-out between Neame and Lean when...
No details were available.
His directing credits ranged from "The Poseidon Adventure" (1972) to "The Prime of Miss Jean Brodie" (1969), for which Maggie Smith won the Oscar for best actress.
As a producer, Neame was involved with three British classics: "Brief Encounter" (1945), "Great Expectations" (1946) and "Oliver Twist" (1948). "Brief Encounter" and "Great Expectations" were the fruition of a production partnership called Cineguild that Neame had formed with David Lean and Anthony Havelock-Allan.
As a screenwriter, Neame earned Oscar nominations for the screenplays of "Brief," adapted from a Noel Coward play, and "Expectations," from Charles Dickens' novel. He shared those distinctions with Lean and Havelock-Allan.
Cineguild broke up in 1947 with a fall-out between Neame and Lean when...
- 6/18/2010
- by By Duane Byrge
- The Hollywood Reporter - Movie News
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