The Elizabeth Taylor AIDS Foundation (Etaf) announced on Tuesday that NBA Hall of Famer Earvin “Magic” Johnson and entrepreneur Cookie Johnson will be commemorated at this year’s Elizabeth Taylor Ball to End AIDS on Sept. 21 at the Beverly Hills Hotel. Both Magic and Cookie Johnson will be presented with the Elizabeth Taylor Commitment to End AIDS Award at the ball.
Paris Jackson and Christine Chiu serve as this year’s gala’s co-chairs. The event will sport a number of 270 guests entertained by a live auction in partnership with Chiu presenting a number of art/luxury experiences, a live performance and an exclusive look at items from The Elizabeth Taylor Archive.
“We loved Elizabeth Taylor’s passion, activism and the work we did together in the fight against HIV and AIDS,” said Magic and Cookie Johnson. “Since beginning this journey in the early ’90s, we’ve dedicated our lives...
Paris Jackson and Christine Chiu serve as this year’s gala’s co-chairs. The event will sport a number of 270 guests entertained by a live auction in partnership with Chiu presenting a number of art/luxury experiences, a live performance and an exclusive look at items from The Elizabeth Taylor Archive.
“We loved Elizabeth Taylor’s passion, activism and the work we did together in the fight against HIV and AIDS,” said Magic and Cookie Johnson. “Since beginning this journey in the early ’90s, we’ve dedicated our lives...
- 5/23/2023
- by Jazz Tangcay, McKinley Franklin and Sophia Scorziello
- Variety Film + TV
Shelly Johnson has been elected the 47th president of the American Society of Cinematographers. He succeeds Stephen Lighthill, who reached his term limit, having completed his second consecutive two-year term as president (and third overall).
The ASC Board also elected a slate of officers that includes VPs Charlie Lieberman, John Simmons and Patti Lee; treasurer Charles Minsky; secretary Dejan Georgevich; and sergeant-at-arms Chris Chomyn.
The members of the board, elected by the organization’s active membership, also include Mandy Walker (who became the first woman to win the ASC Award in features earlier this year for her lensing of Elvis), former Academy president John Bailey, Patrick Cady, Steven Fierberg, Michael Goi, Charles Minsky, Lowell Peterson, Lawrence Sher, Eric Steelberg, John Toll and Amy Vincent. Alternate members of the board are Karl Walter Lindenlaub, Georgevich, Denis Lenoir, Steven Poster and Mark Irwin.
Johnson, a California native, graduated from the Art Center College of Design...
The ASC Board also elected a slate of officers that includes VPs Charlie Lieberman, John Simmons and Patti Lee; treasurer Charles Minsky; secretary Dejan Georgevich; and sergeant-at-arms Chris Chomyn.
The members of the board, elected by the organization’s active membership, also include Mandy Walker (who became the first woman to win the ASC Award in features earlier this year for her lensing of Elvis), former Academy president John Bailey, Patrick Cady, Steven Fierberg, Michael Goi, Charles Minsky, Lowell Peterson, Lawrence Sher, Eric Steelberg, John Toll and Amy Vincent. Alternate members of the board are Karl Walter Lindenlaub, Georgevich, Denis Lenoir, Steven Poster and Mark Irwin.
Johnson, a California native, graduated from the Art Center College of Design...
- 5/22/2023
- by Carolyn Giardina
- The Hollywood Reporter - Movie News
“Elvis” director of photography Mandy Walker won Feature Film at the ASC Awards March 5, when the American Society of Cinematographers handed out its honors at the 37th annual awards at the Beverly Hilton Hotel.
Walker’s win in the feature film category could prove prescient; 17 out of the last 36 years found the ASC film winner winning the Academy Award. But it’s worth noting that Oscar nominees “Tár” and “All Quiet on the Western Front” were not among the ASC nominees.
In the TV categories, “The Old Man” took awards for Motion Picture, Limited Series, or Pilot Made for Television and Episode of a One-Hour Television Series – Commercial, while “Barry” won Episode of a Half-Hour Television Series for its Season 3 finale and “The Marvelous Mrs. Maisel” won Episode of a One-Hour Television Series – Non-Commercial for its Season 4 finale.
In addition, several honorary awards were handed out. Egot winner Viola Davis...
Walker’s win in the feature film category could prove prescient; 17 out of the last 36 years found the ASC film winner winning the Academy Award. But it’s worth noting that Oscar nominees “Tár” and “All Quiet on the Western Front” were not among the ASC nominees.
In the TV categories, “The Old Man” took awards for Motion Picture, Limited Series, or Pilot Made for Television and Episode of a One-Hour Television Series – Commercial, while “Barry” won Episode of a Half-Hour Television Series for its Season 3 finale and “The Marvelous Mrs. Maisel” won Episode of a One-Hour Television Series – Non-Commercial for its Season 4 finale.
In addition, several honorary awards were handed out. Egot winner Viola Davis...
- 3/6/2023
- by Mark Peikert
- Indiewire
Elvis cinematographer Mandy Walker cracked a glass ceiling on Sunday, becoming the first woman to win the American Society of Cinematographers Award in the feature competition during the 37th ASC Awards.
The crowd at the Beverly Hilton’s International Ballroom erupted with applause and gave Walker a lengthy standing ovation as her name was called.
“This is for all the women that win this award after me,” she said to enthusiastic applause, and she looked for to more women breaking more glass ceilings. “Thijs is an inclusive, representative community,” she said, adding, “I didn’t cry, I thought I was going to cry.”
She thanked Elvis director Baz Luhrmann for allowing her to “create magic with him;” Catherine Martin for her “support and inspiration; and her crew for “dancing with the camera and flying with the camera” during Austin Butler’s performance as Elvis.
Walker’s bold lensing of Elvis...
The crowd at the Beverly Hilton’s International Ballroom erupted with applause and gave Walker a lengthy standing ovation as her name was called.
“This is for all the women that win this award after me,” she said to enthusiastic applause, and she looked for to more women breaking more glass ceilings. “Thijs is an inclusive, representative community,” she said, adding, “I didn’t cry, I thought I was going to cry.”
She thanked Elvis director Baz Luhrmann for allowing her to “create magic with him;” Catherine Martin for her “support and inspiration; and her crew for “dancing with the camera and flying with the camera” during Austin Butler’s performance as Elvis.
Walker’s bold lensing of Elvis...
- 3/6/2023
- by Carolyn Giardina
- The Hollywood Reporter - Movie News
Mandy Walker has won the American Society of Cinematographers feature-film award for “Elvis,” making her the first woman ever to win that award. She is only the third female nominee in the category, after Rachel Morrison for “Mudbound” in 2018 and Ari Wegner for “The Power of the Dog” last year.
Walker now has the chance to become the first woman to win the Oscar for cinematography, where she is also the third female nominee in the gender-neutral Oscars category that took the longest to nominate a woman. Her competitors at the Oscars include two who were also nominated by the ASC, Roger Deakins for “Empire of Light” and Darius Khondji for “Bardo, False Chronicle of a Handful of Truth,” along with James Friend for “All Quiet on the Western Front” and Florian Hoffmeister for “Tar.”
“This is for all the women who will win the award after me, and for...
Walker now has the chance to become the first woman to win the Oscar for cinematography, where she is also the third female nominee in the gender-neutral Oscars category that took the longest to nominate a woman. Her competitors at the Oscars include two who were also nominated by the ASC, Roger Deakins for “Empire of Light” and Darius Khondji for “Bardo, False Chronicle of a Handful of Truth,” along with James Friend for “All Quiet on the Western Front” and Florian Hoffmeister for “Tar.”
“This is for all the women who will win the award after me, and for...
- 3/6/2023
- by Steve Pond and Jason Clark
- The Wrap
The American Society of Cinematographers is handing out its 37th annual ASC Awards tonight at the Beverly Hilton, and Deadline is posting the winners as they’re announced. See the list below.
The night’s first prize went to Carl Herse for HBO’s Barry, which won for Episode of a Half-Hour Series.
The society’s nominees for its marquee Theatrical Feature Film prize are Roger Deakins for Empire of Light, Greig Fraser for The Batman, Darius Khondji for Bardo, Claudio Miranda for Top Gun: Maverick and Mandy Walker for Elvis. Fraser won the ASC’s top prize last year for Dune, en route to winning the Cinematography Oscar.
The ASC film winner has won the Academy Award nearly half of the time — 17 times in its 36 years. Bardo, Elvis and Empire of Light will vie for the Best Cinematography Oscar on March 12 against All Quiet on the Western Front (James Friend...
The night’s first prize went to Carl Herse for HBO’s Barry, which won for Episode of a Half-Hour Series.
The society’s nominees for its marquee Theatrical Feature Film prize are Roger Deakins for Empire of Light, Greig Fraser for The Batman, Darius Khondji for Bardo, Claudio Miranda for Top Gun: Maverick and Mandy Walker for Elvis. Fraser won the ASC’s top prize last year for Dune, en route to winning the Cinematography Oscar.
The ASC film winner has won the Academy Award nearly half of the time — 17 times in its 36 years. Bardo, Elvis and Empire of Light will vie for the Best Cinematography Oscar on March 12 against All Quiet on the Western Front (James Friend...
- 3/6/2023
- by Erik Pedersen
- Deadline Film + TV
In an unusual turn of events, this year’s recipient of the International Award at the American Society of Cinematographers Awards is also a nominee in its feature competition. Darius Khondji, who has been working as a director of photography for decades and earned his first Academy Award nomination for Evita (directed by Alan Parker) in 1996, is taking home the annual honor and competing for a trophy for his work on Bardo, False Chronicle of a Handful of Truths.
While some DPs are known for longtime relationships with a single director, Khondji has amassed a remarkable body of work through productions with a range of helmers whose cinematic styles vary widely. Bardo was his first collaboration with Alejandro G. Iñárritu, whom Khondji describes as a very visual director who was intent on making the film, which Netflix released Dec. 16, feel as immersive as possible. He also has lensed films for...
While some DPs are known for longtime relationships with a single director, Khondji has amassed a remarkable body of work through productions with a range of helmers whose cinematic styles vary widely. Bardo was his first collaboration with Alejandro G. Iñárritu, whom Khondji describes as a very visual director who was intent on making the film, which Netflix released Dec. 16, feel as immersive as possible. He also has lensed films for...
- 3/3/2023
- by Carolyn Giardina
- The Hollywood Reporter - Movie News
Mandy Walker’s bold lensing of Baz Luhrmann’s Elvis made her the third woman to ever be nominated in the feature category of the American Society of Cinematographers’ ASC Awards, which announced it nominations on Monday.
The feature nominees in the competitive 37th ASC Awards race are Walker; Roger Deakins for Empire of Light; Greig Fraser for The Batman; Darius Khondji for Bardo, False Chronicle of a Handful of Truths; and Claudio Miranda for Top Gun: Maverick.
Walker is now in a select group of just three women who have been nominated in the ASC feature competition. Rachel Morrison was nominated in 2018 for Mudbound, followed by Ari Wegner, who was nominated in 2022 for The Power of the Dog. Morrison and Wegner both went on to earn historic Oscar nominations.
With his work on Sam Mendes’ drama Empire of Light, Deakins extends his record number of ASC feature nominations to a remarkable 17 noms.
The feature nominees in the competitive 37th ASC Awards race are Walker; Roger Deakins for Empire of Light; Greig Fraser for The Batman; Darius Khondji for Bardo, False Chronicle of a Handful of Truths; and Claudio Miranda for Top Gun: Maverick.
Walker is now in a select group of just three women who have been nominated in the ASC feature competition. Rachel Morrison was nominated in 2018 for Mudbound, followed by Ari Wegner, who was nominated in 2022 for The Power of the Dog. Morrison and Wegner both went on to earn historic Oscar nominations.
With his work on Sam Mendes’ drama Empire of Light, Deakins extends his record number of ASC feature nominations to a remarkable 17 noms.
- 1/9/2023
- by Carolyn Giardina
- The Hollywood Reporter - Movie News
Click here to read the full article.
As the 2022-23 awards season gets underway, The Hollywood Reporter’s Behind the Screen is here to help you track the creative awards from guilds and societies such as the American Society of Cinematographers, the Art Directors Guild and the Cinema Audio Society. Below are the key dates, honorees and other information. The listing will be updated regularly.
10th Make-Up Artists and Hair Stylists Guild Awards (IATSE Local 706), Saturday, Feb. 11, at the Beverly Hilton Hotel
Honorees: Steve La Porte, the Oscar and Emmy-winning make-up artist best known for Beetlejuice, Star Trek 3: The Search for Spock, and Terminator 2 & 3; and Josée Normand, Emmy-winning hair stylist known for her work on Star Trek: Voyager, Die Hard and Pirates of the Caribbean: The Curse of the Black Pearl, will receive Lifetime Achievement Awards.
Emmy-winning make-up artist Fred C. Blau Jr. (Apocalypse Now, 2001’s Planet of the Apes...
As the 2022-23 awards season gets underway, The Hollywood Reporter’s Behind the Screen is here to help you track the creative awards from guilds and societies such as the American Society of Cinematographers, the Art Directors Guild and the Cinema Audio Society. Below are the key dates, honorees and other information. The listing will be updated regularly.
10th Make-Up Artists and Hair Stylists Guild Awards (IATSE Local 706), Saturday, Feb. 11, at the Beverly Hilton Hotel
Honorees: Steve La Porte, the Oscar and Emmy-winning make-up artist best known for Beetlejuice, Star Trek 3: The Search for Spock, and Terminator 2 & 3; and Josée Normand, Emmy-winning hair stylist known for her work on Star Trek: Voyager, Die Hard and Pirates of the Caribbean: The Curse of the Black Pearl, will receive Lifetime Achievement Awards.
Emmy-winning make-up artist Fred C. Blau Jr. (Apocalypse Now, 2001’s Planet of the Apes...
- 12/22/2022
- by Carolyn Giardina
- The Hollywood Reporter - Movie News
Click here to read the full article.
The American Society of Cinematographers has revealed the honorees for the 37th ASC Awards: Stephen Goldblatt will receive Society’s Lifetime Achievement Award, Darius Khondji the International Award, Charlie Lieberman the President’s Award, Fred Murphy the Career Achievement in Television honor and Sam Nicholson will get the Curtis Clark Technical Achievement Award.
Born in South Africa, British cinematographer Goldblatt was twice nominated for an Oscar, for Batman Forever (1995) and The Prince of Tides (1991), and is known for a body of work that includes the first two Lethal Weapon movies for Richard Donner and two Batman movies (Joel Schumacher’s Batman Forever and Batman & Robin). He also is known for collaborations with Mike Nichols, including Closer, Charlie Wilson’s War and the 2003 miniseries Angels in America, for which Goldblatt was Emmy nominated (he also received Emmy nominations for 2001’s Conspiracy and 2002’s Path...
The American Society of Cinematographers has revealed the honorees for the 37th ASC Awards: Stephen Goldblatt will receive Society’s Lifetime Achievement Award, Darius Khondji the International Award, Charlie Lieberman the President’s Award, Fred Murphy the Career Achievement in Television honor and Sam Nicholson will get the Curtis Clark Technical Achievement Award.
Born in South Africa, British cinematographer Goldblatt was twice nominated for an Oscar, for Batman Forever (1995) and The Prince of Tides (1991), and is known for a body of work that includes the first two Lethal Weapon movies for Richard Donner and two Batman movies (Joel Schumacher’s Batman Forever and Batman & Robin). He also is known for collaborations with Mike Nichols, including Closer, Charlie Wilson’s War and the 2003 miniseries Angels in America, for which Goldblatt was Emmy nominated (he also received Emmy nominations for 2001’s Conspiracy and 2002’s Path...
- 12/5/2022
- by Carolyn Giardina
- The Hollywood Reporter - Movie News
The board of governors at the American Society of Cinematographers on Monday reelected Stephen Lighthill as president for a third one-year term.
The news comes as the ASC board held its 2022-23 officer elections. Lighthill will serve alongside Vice Presidents Amy Vincent, John Simmons and Shelly Johnson; Treasurer Steven Poster; Secretary Gregg Heschong; and Sergeant-at-Arms Chris Chomyn.
“As an organization, we are focused on education, continued improvements of safety practices, and further expanding our diversity and outreach efforts,” Lighthill said. “The last year has presented many adversities for our community, and we are proud of how our members met these challenges while continuing to take storytelling to new places.”
The members of the ASC board, elected by the organization’s active membership, also include Curtis Clark, Richard Crudo, Steven Fierberg, Michael Goi, Ed Lachman, Patti Lee, Charlie Lieberman, Lowell Peterson, Lawrence Sher, John Toll and Robert Yeoman. John Bailey, Eric Steelberg,...
The news comes as the ASC board held its 2022-23 officer elections. Lighthill will serve alongside Vice Presidents Amy Vincent, John Simmons and Shelly Johnson; Treasurer Steven Poster; Secretary Gregg Heschong; and Sergeant-at-Arms Chris Chomyn.
“As an organization, we are focused on education, continued improvements of safety practices, and further expanding our diversity and outreach efforts,” Lighthill said. “The last year has presented many adversities for our community, and we are proud of how our members met these challenges while continuing to take storytelling to new places.”
The members of the ASC board, elected by the organization’s active membership, also include Curtis Clark, Richard Crudo, Steven Fierberg, Michael Goi, Ed Lachman, Patti Lee, Charlie Lieberman, Lowell Peterson, Lawrence Sher, John Toll and Robert Yeoman. John Bailey, Eric Steelberg,...
- 5/23/2022
- by Patrick Hipes
- Deadline Film + TV
Stephen Lighthill has been re-elected president of the American Society of Cinematographers. He was elevated to the post last year, having previously served as president from 2012-13. He will serve his next one-year term alongside vice presidents Amy Vincent, Steven Fierberg and John Simmons; treasurer Steven Poster; secretary Gregg Heschong, and sergeant-at-arms Jim Denault, who were elected by the Society’s board of governors.
“As we safely emerge from the pandemic, we plan to continue to share our expertise on best practices for remote solutions and virtual production in service to the artistic process of filmmaking,” Lighthill said. “We also remain focused on recruiting diverse and inclusive crews as well as supporting underrepresented filmmakers through our scholarship and mentorship programs.”
In a statement, the non-profit organization said that he and the board “have been guiding the Society through the challenging transitions necessitated by the global pandemic, focusing on helping members...
“As we safely emerge from the pandemic, we plan to continue to share our expertise on best practices for remote solutions and virtual production in service to the artistic process of filmmaking,” Lighthill said. “We also remain focused on recruiting diverse and inclusive crews as well as supporting underrepresented filmmakers through our scholarship and mentorship programs.”
In a statement, the non-profit organization said that he and the board “have been guiding the Society through the challenging transitions necessitated by the global pandemic, focusing on helping members...
- 5/24/2021
- by David Robb
- Deadline Film + TV
The board of governors of the American Society of Cinematographers has re-elected Kees van Oostrum as president to serve his third consecutive one-year term.
The Amsterdam native was elected two years ago to a one-year term, succeeding Richard Crudo. The organization, now in its 99th year, has 370-plus active members and 200 associate members from ancillary segments of the industry. Membership is by invitation only.
The Asc made the announcement Tuesday. Its board also named its roster of officers for 2018-2019, including Bill Bennett, John Simmons and Cynthia Pusheck as vice presidents; Levie Isaacks as treasurer; David Darby as secretary; and Isidore Mankofsky as sergeant-at-arms.
“During this past year at the Asc, we have been steadfastly focused on educational events, international outreach, and efforts to promote diversity and inclusion,” said van Oostrum. “These all support our mission of loyalty, progress and artistry. As we look ahead, we plan to usher in...
The Amsterdam native was elected two years ago to a one-year term, succeeding Richard Crudo. The organization, now in its 99th year, has 370-plus active members and 200 associate members from ancillary segments of the industry. Membership is by invitation only.
The Asc made the announcement Tuesday. Its board also named its roster of officers for 2018-2019, including Bill Bennett, John Simmons and Cynthia Pusheck as vice presidents; Levie Isaacks as treasurer; David Darby as secretary; and Isidore Mankofsky as sergeant-at-arms.
“During this past year at the Asc, we have been steadfastly focused on educational events, international outreach, and efforts to promote diversity and inclusion,” said van Oostrum. “These all support our mission of loyalty, progress and artistry. As we look ahead, we plan to usher in...
- 6/12/2018
- by Dave McNary
- Variety Film + TV
This year marks the 30th anniversary of John McNaughton's Henry: Portrait of a Serial Killer, and Dark Sky Films will celebrate the seminal film's birthday with a theatrical release of the movie's 4K restoration on October 21st. Before that day arrives, though, star Michael Rooker and McNaughton will bring Henry home tonight with a screening and Q&A at the event where it premiered 30 years ago: the Chicago International Film Festival. Ahead of the special occasion, Daily Dead caught up with McNaughton to reflect on the making of his cult classic and the creation of one of cinema's most cold-blooded killers.
The performances and the way you shot Henry: Portrait of a Serial Killer make it feel so real while watching it. It feels like we found a tape from a real-life killer. When you were making the movie, was that one of your biggest objectives, to make it seem as real as possible?...
The performances and the way you shot Henry: Portrait of a Serial Killer make it feel so real while watching it. It feels like we found a tape from a real-life killer. When you were making the movie, was that one of your biggest objectives, to make it seem as real as possible?...
- 10/14/2016
- by Derek Anderson
- DailyDead
Throughout the month of December, TV Editor Kate Kulzick and Film Editor Ricky D will review classic Christmas adaptions, posting a total of 13 each, one a day, until the 25th of December.
The catch: They will swap roles as Rick will take on reviews of classic television Christmas specials and Kate will take on classic Christmas movies. Today is day 5.
My So-Called Life: “So-Called Angels” (1994)
Season 1, Episode 15
Directed by Scott Winant
Teleplay by Winnie Holzman
What’s it about?
In 1994 Winnie Holzman introduced to the world her critically acclaimed TV series My So-Called Life, a realistic mid-nineties teen drama that takes a look at a 15 year-old girl and her trials and tribulations. From the instant Angela Chase (Claire Danes) dyed her blonde locks a bright red, this teen angst series earned its place in the annals of television. Audiences were captivated by the rising star’s performance, and teenage...
The catch: They will swap roles as Rick will take on reviews of classic television Christmas specials and Kate will take on classic Christmas movies. Today is day 5.
My So-Called Life: “So-Called Angels” (1994)
Season 1, Episode 15
Directed by Scott Winant
Teleplay by Winnie Holzman
What’s it about?
In 1994 Winnie Holzman introduced to the world her critically acclaimed TV series My So-Called Life, a realistic mid-nineties teen drama that takes a look at a 15 year-old girl and her trials and tribulations. From the instant Angela Chase (Claire Danes) dyed her blonde locks a bright red, this teen angst series earned its place in the annals of television. Audiences were captivated by the rising star’s performance, and teenage...
- 12/6/2011
- by Ricky
- SoundOnSight
Chicago – Twenty-three years after it was made, and nineteen years after its limited theatrical release, “Henry: Portrait of a Serial Killer” is as potent and relevant as ever. Filmmaker John McNaughton, along with writing partner Richard Fire, proved that true horror is found not in manufactured scares that jolt the audience like a theme park ride, but in the corrupted mind and soul of an evil being. The film truly is a human “portrait,” since it is more interested in behavior than plot. McNaughton used the true story of a Texas killer named Henry as his inspiration for this masterwork, which still stands as one of the finest and most unsettling independent films ever made.
Blu-Ray Rating: 4.5/5.0
There are definite echoes of “Psycho” in the film’s unforgettable opening sequence, where the camera focuses on Henry’s recent victims with a quiet horror that evokes memories of Marion Crane’s...
Blu-Ray Rating: 4.5/5.0
There are definite echoes of “Psycho” in the film’s unforgettable opening sequence, where the camera focuses on Henry’s recent victims with a quiet horror that evokes memories of Marion Crane’s...
- 10/6/2009
- by adam@hollywoodchicago.com (Adam Fendelman)
- HollywoodChicago.com
Occupying the mean-spirited terrain of "In the Company of Men" and "Your Friends & Neighbors," "Red Meat" serves up a slab of men behaving badly where women are concerned.
But first-time feature filmmaker Allison Burnett (a man) is no Neil LaBute, and his stagey portrait of guys who meet one Sunday a month to work out, eat red meat and brag of sexual conquests is a talkfest of major proportions with ultimately very little to say.
Straitjacketed by an over-reliance on flashbacks and voice-overs and awash in actorish performances, the low-budget indie production won't be generating any substantial select-site cravings.
Doing the male-bonding thing this particular Sunday are unrepentant jerk Stefan John Slattery) and nice-guy jerk Chris (Stephen Mailer), who happen to be joined by guest carnivore Victor (James Frain), a long lost acquaintance of Chris' who walks into their favorite barbecue joint.
After regaling their new recruit as well an eavesdropping waitress (Traci Lind) with tales of brazen braggadocio, the cocky Stefan and the over-intellectualizing Chris finally press Victor to come clean, and he easily outclasses his hosts with a spiritually redemptive story of his relationship with a terminally ill woman (Lara Flynn Boyle).
The film's constant shifts back and forth in time and excessive storytelling narration make for a trite and tedious viewing experience. Burnett, who also wrote the script, based it on three chapters of his own novel and the picture seldom manages to break free from those printed page origins.
He's somewhat more successful in the technical department. With the assistance of director of photography Charlie Lieberman ("Henry: Portrait of a Serial Killer"), the picture looks a lot better than it sounds.
RED MEAT
Peninsula Films
A Treehouse Films presentation
Director-screenwriter: Allison Burnett
Producers: Liver Eberle, Marco Weber
Director of photography: Charlie Lieberman
Production designers: Frank Bollinger, Clare Brown
Editor: Sloane Klevin Music: The Blue Hawaiians Color/stereo
Cast:
Ruth: Lara Flynn Boyle
Victor: James Frain
Candace: Jennifer Grey
Connie the Waitress: Traci Lind
Chris: Stephen Mailer
Stefan: John Slattery
Running time -- 94 minutes
No MPAA rating...
But first-time feature filmmaker Allison Burnett (a man) is no Neil LaBute, and his stagey portrait of guys who meet one Sunday a month to work out, eat red meat and brag of sexual conquests is a talkfest of major proportions with ultimately very little to say.
Straitjacketed by an over-reliance on flashbacks and voice-overs and awash in actorish performances, the low-budget indie production won't be generating any substantial select-site cravings.
Doing the male-bonding thing this particular Sunday are unrepentant jerk Stefan John Slattery) and nice-guy jerk Chris (Stephen Mailer), who happen to be joined by guest carnivore Victor (James Frain), a long lost acquaintance of Chris' who walks into their favorite barbecue joint.
After regaling their new recruit as well an eavesdropping waitress (Traci Lind) with tales of brazen braggadocio, the cocky Stefan and the over-intellectualizing Chris finally press Victor to come clean, and he easily outclasses his hosts with a spiritually redemptive story of his relationship with a terminally ill woman (Lara Flynn Boyle).
The film's constant shifts back and forth in time and excessive storytelling narration make for a trite and tedious viewing experience. Burnett, who also wrote the script, based it on three chapters of his own novel and the picture seldom manages to break free from those printed page origins.
He's somewhat more successful in the technical department. With the assistance of director of photography Charlie Lieberman ("Henry: Portrait of a Serial Killer"), the picture looks a lot better than it sounds.
RED MEAT
Peninsula Films
A Treehouse Films presentation
Director-screenwriter: Allison Burnett
Producers: Liver Eberle, Marco Weber
Director of photography: Charlie Lieberman
Production designers: Frank Bollinger, Clare Brown
Editor: Sloane Klevin Music: The Blue Hawaiians Color/stereo
Cast:
Ruth: Lara Flynn Boyle
Victor: James Frain
Candace: Jennifer Grey
Connie the Waitress: Traci Lind
Chris: Stephen Mailer
Stefan: John Slattery
Running time -- 94 minutes
No MPAA rating...
- 12/14/1998
- The Hollywood Reporter - Movie News
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