Re-released in cinemas to mark Holocaust Memorial Day, Louis Malle’s 1987 film offers an unrivalled depiction of childhood, memory and war
• Why Au Revoir les Enfants is the one film you should watch this week – video review
Louis Malle’s quasi-autobiographical masterpiece Au Revoir Les Enfants from 1987 is now re-released in cinemas in the same week as Holocaust Memorial Day. It remains breathtakingly good. There is a miraculous, unforced ease and naturalness in the acting and direction; it is classic movie storytelling in the service of important themes, including the farewell that we must bid to our childhood, and to our innocence – a farewell repeated all our lives in the act of memory. The scene is Nazi-occupied France in 1944 and the wealthy, urbane parents of 12-year-old Julien (Gaspard Manesse) have sent him away to a Catholic boarding school in the country. Here he makes the acquaintance of a shy, clever...
• Why Au Revoir les Enfants is the one film you should watch this week – video review
Louis Malle’s quasi-autobiographical masterpiece Au Revoir Les Enfants from 1987 is now re-released in cinemas in the same week as Holocaust Memorial Day. It remains breathtakingly good. There is a miraculous, unforced ease and naturalness in the acting and direction; it is classic movie storytelling in the service of important themes, including the farewell that we must bid to our childhood, and to our innocence – a farewell repeated all our lives in the act of memory. The scene is Nazi-occupied France in 1944 and the wealthy, urbane parents of 12-year-old Julien (Gaspard Manesse) have sent him away to a Catholic boarding school in the country. Here he makes the acquaintance of a shy, clever...
- 1/28/2015
- by Peter Bradshaw
- The Guardian - Film News
Well we all knew this would happen. Back in February, when Criterion announced their epic digital streaming partnership with Hulu, they also quietly revealed that their streaming options on Netflix would be coming to an end over the course of the next year. While I haven’t been paying close attention to the Criterion Collection films that have been expiring since that announcement was made, I thought it would be helpful to all of you loyal Netflix subscribers to know that in about twelve days, 26 titles will be expiring on the 26th of May, 2011.
I’ve gone and linked to all of the titles below, so you can click on the cover art or the text, and be taken to their corresponding Netflix pages. While this isn’t everything that Criterion has to offer on Netflix, it is a nice chunk of really important films. If you don’t currently have a Netflix subscription,...
I’ve gone and linked to all of the titles below, so you can click on the cover art or the text, and be taken to their corresponding Netflix pages. While this isn’t everything that Criterion has to offer on Netflix, it is a nice chunk of really important films. If you don’t currently have a Netflix subscription,...
- 5/15/2011
- by Ryan Gallagher
- CriterionCast
Chicago – It’s difficult to find a thematic trilogy with a conclusion as triumphant and potent as “Au Revoir Les Enfants.” The 1987 fact-based drama emerged as one of the great masterpieces in the career of Louis Malle, a giant of the French New Wave perhaps best known for his intimate two-character piece, 1981’s “My Dinner With Andre.” His films possess a purity and authenticity unmatched by many of his peers.
After a few critical and financial disappointments in America, Malle decided to get back in touch with his roots as a documentarian in the mid-80s (he won the Palme d’Or at age 24 for co-directing Jacques Cousteau’s “Le monde du silence”). Soon afterward, he returned to France and finally tackled the project he had promised to make once he was ready to do it justice. The plot of “Enfants” was directly inspired by an indelible memory from the director’s childhood.
After a few critical and financial disappointments in America, Malle decided to get back in touch with his roots as a documentarian in the mid-80s (he won the Palme d’Or at age 24 for co-directing Jacques Cousteau’s “Le monde du silence”). Soon afterward, he returned to France and finally tackled the project he had promised to make once he was ready to do it justice. The plot of “Enfants” was directly inspired by an indelible memory from the director’s childhood.
- 3/23/2011
- by adam@hollywoodchicago.com (Adam Fendelman)
- HollywoodChicago.com
Movies. Films. Movie Fans. Film Lovers. I debated the use of the word "Movie" in the headline. I tend to think there's a perceived difference between the word "Movie" and "Film" in some instances. "Film," I believe, is frequently reserved for those examples of the art form that tend to appeal to a smaller, more specific audience. "Movie," on the other hand, tends to infer general audiences and studio fare. This is no insult, so don't look for any deeper meaning, just a distinction. It's a distinction I think many would make when referring to most any of the films included in Criterion's prestigious collection. But when I believe a film can be widely loved by more than just a dedicated Criterion audience I think it's important to say so. Louis Malle's Au Revoir les Enfants is one of those films.
Criterion has spiffed up their previous DVD release of Malle's 1987 Oscar-nominated feature,...
Criterion has spiffed up their previous DVD release of Malle's 1987 Oscar-nominated feature,...
- 3/23/2011
- by Brad Brevet
- Rope of Silicon
Hitting movie theaters this weekend:
Limitless – Bradley Cooper, Anna Friel, Abbie Cornish, Robert De Niro
The Lincoln Lawyer – Matthew McConaughey, Marisa Tomei, Ryan Phillippe
Paul – Simon Pegg, Nick Frost, Seth Rogen
Movie of the Week
Limitless
The Stars: Bradley Cooper, Anna Friel, Abbie Cornish, Robert De Niro
The Plot: A copywriter (Cooper) discovers a top-secret drug which gives him super-human abilities.
The Buzz: Until recently, I couldn’t stand Bradley Cooper — and no, it wasn’t his role in A-Team that won me over, it was, hearkening back a decade, his role in the television series ‘Alias.’ Yes, I’m a total johnny-come-lately when it comes to that show, but I love it, and I love Bradley Cooper in it. He can act, I was surprised to see. His success with ‘Alias’ ultimately launched his career, and now, ten years later, here he is approaching A-list status, starring in a fine-looking action film,...
Limitless – Bradley Cooper, Anna Friel, Abbie Cornish, Robert De Niro
The Lincoln Lawyer – Matthew McConaughey, Marisa Tomei, Ryan Phillippe
Paul – Simon Pegg, Nick Frost, Seth Rogen
Movie of the Week
Limitless
The Stars: Bradley Cooper, Anna Friel, Abbie Cornish, Robert De Niro
The Plot: A copywriter (Cooper) discovers a top-secret drug which gives him super-human abilities.
The Buzz: Until recently, I couldn’t stand Bradley Cooper — and no, it wasn’t his role in A-Team that won me over, it was, hearkening back a decade, his role in the television series ‘Alias.’ Yes, I’m a total johnny-come-lately when it comes to that show, but I love it, and I love Bradley Cooper in it. He can act, I was surprised to see. His success with ‘Alias’ ultimately launched his career, and now, ten years later, here he is approaching A-list status, starring in a fine-looking action film,...
- 3/16/2011
- by Aaron Ruffcorn
- The Scorecard Review
Au Revoir Les Enfants / Goodbye, Children (1987) Direction and screenplay: Louis Malle Cast: Gaspard Manesse, Raphael Fejtö, Francine Racette, Stanislas Carré De Malberg, François Berléand, Philippe Morier-Genoud, Irène Jacob Oscar Movies, European Film Award Movies Highly Recommended Raphael Fejtö, Gaspard Manesse, Au revoir les enfants Synopsis: At a Catholic boys' school in occupied France, a snotty rich kid, Julien (Gaspard Manesse), slowly befriends an unusual newcomer, Bonnet (Raphael Fejtö), who happens to be a Jewish boy in hiding. The Pros: Unlike Roman Polanski's The Pianist and Steven Spielberg's Schindler's List, the two best-known movies about the persecution of Jews during the Nazi era, Louis Malle's Au revoir les enfants actually feels true to life. In Malle's autobiographical story, there are no movie heroes, no bullshit about the "triumph of the human spirit," and no one cries "I could have done more" or some such. Au revoir les enfants...
- 3/8/2011
- by Andre Soares
- Alt Film Guide
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